WEBVTT - 9021One-On-One with Julie Nathanson

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<v Speaker 1>It's nine O gene one engine with Jenny Garth and

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<v Speaker 1>Tory spelling here.

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<v Speaker 2>She is, Hi, Julie, How are you hi, Tori? How

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<v Speaker 2>are you hi?

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<v Speaker 3>Oh my gosh, we just watched you on the episode

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<v Speaker 3>where Dick dies. Dick dies, Poor Dick. Your boyfriend, Dick Harris.

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<v Speaker 4>I remember, I remember him well, I still warn him. No,

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<v Speaker 4>he that was that was that was a long time ago.

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<v Speaker 3>It was, oh yeah, like thirty years ago. Is that

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<v Speaker 3>You can't remember exactly what happened.

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<v Speaker 4>It's no to be to be totally clear. I do

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<v Speaker 4>remember what happened. I remember that he ohdeed, I remember

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<v Speaker 4>it was in the bathroom. I remember sniffling.

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<v Speaker 2>Like in the background yep, yep, and.

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<v Speaker 5>And everybody sort of looking over.

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<v Speaker 1>You're the only one like having a real honest reaction

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<v Speaker 1>and everybody else just staring at the dead body and

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<v Speaker 1>you were freaking out, which that's what would have been happening.

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<v Speaker 5>I'm here is my boyfriend?

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<v Speaker 4>Yeah, you know, or we've been you know, like dating

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<v Speaker 4>and hanging for a little while.

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<v Speaker 5>Right.

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<v Speaker 1>Take us back to the beginning. How how did this

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<v Speaker 1>role come about?

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<v Speaker 5>So let's see, so.

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<v Speaker 2>You played Ellen Fogerty, and you were in five episodes

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<v Speaker 2>of nine O two super reminding me.

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<v Speaker 5>Ye right, it was actually all season seven.

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<v Speaker 2>It was all season seven all it was like the

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<v Speaker 2>start of college.

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<v Speaker 5>No, I know. The first episode I did was the

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<v Speaker 5>one where.

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<v Speaker 4>Uh, you and I Tory were dealing with someone who

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<v Speaker 4>wanted to pledge the sorority. And I was a very

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<v Speaker 4>pleasant sorority president.

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<v Speaker 3>Oh You're nasty, weren't you?

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<v Speaker 5>I was really nasty?

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<v Speaker 3>Yeah?

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<v Speaker 2>How you were like the O G mean girl.

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<v Speaker 5>Yeah. And what's so funny is.

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<v Speaker 4>Obviously that's the way I am in real life. I

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<v Speaker 4>wasn't acting. This is how I am.

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<v Speaker 5>I show up this way all the time. I know

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<v Speaker 5>you guys are like, oh no, what is she going

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<v Speaker 5>to think of me?

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<v Speaker 2>Not true? You were so nice. I remember that.

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<v Speaker 5>Really.

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<v Speaker 4>I know you asked about the origin story of my

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<v Speaker 4>getting on the show, but I have to say, I

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<v Speaker 4>my memory of being on the show has a lot

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<v Speaker 4>to do with my memory of being backstage in the

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<v Speaker 4>makeup trailer seeing both of you, both of you being

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<v Speaker 4>so kind to me. Tori, I remember you would tell

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<v Speaker 4>these really funny stories and I was like, she's so bold.

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<v Speaker 4>She just says whatever she feels like saying. And I

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<v Speaker 4>was so new that I for me, it was really

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<v Speaker 4>kind of freeing to see how real both.

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<v Speaker 5>Of you were.

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<v Speaker 4>Really everybody was backstage and being themselves, and Jenny, you

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<v Speaker 4>were so sweet. You always made me feel so welcomed,

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<v Speaker 4>and it was so early in my career and having,

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<v Speaker 4>you know, come from my living room watching the show

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<v Speaker 4>being enamored and like, I don't know if obsessed is

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<v Speaker 4>the right word, but like I watched every week.

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<v Speaker 5>I was such a fan of the show.

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<v Speaker 4>Everybody was like, that's not something that's like, oh, really

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<v Speaker 4>you were, but I was so excited and nervous, and

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<v Speaker 4>every time I came you were both so kind and

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<v Speaker 4>welcoming and.

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<v Speaker 2>Good.

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<v Speaker 5>So thank you all these years later.

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<v Speaker 2>No, thank so. How did so you auditioned for the show?

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<v Speaker 2>Did you know how many episodes it would be? Back here? No?

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<v Speaker 4>And I don't, to be honest, I don't know if

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<v Speaker 4>they did. I think Larry created Ellen. So my whole

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<v Speaker 4>backstory here is that my career began with a phone

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<v Speaker 4>call from a cousin I didn't know I had. Okay,

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<v Speaker 4>if so, Jessica kleinb Yes, I win.

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<v Speaker 2>I missed her so much right before I was Jen

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<v Speaker 2>and I were talking and I was like, memory serves,

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<v Speaker 2>there's some connections, family connections somehow, and I couldn't remember.

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<v Speaker 2>I was like my dad like and then right before

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<v Speaker 2>I was like, woa wait, Jessica. I think it's Jessica.

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<v Speaker 2>And then we're like, how do we ask or we

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<v Speaker 2>can't ask her this?

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<v Speaker 5>Right? Do you happen to know anybody? Yeah?

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<v Speaker 4>So the story sounds kind of a little bit made up,

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<v Speaker 4>but I can't stress enough how true it is that

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<v Speaker 4>I got. I went to Tufts University, I graduated. I

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<v Speaker 4>was studying Shakespeare for the summer in New York and

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<v Speaker 4>after graduation, and I was this was my focus. I mean,

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<v Speaker 4>I'd always been writing, and I was directing in college,

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<v Speaker 4>and I had all these wonderful interests singing.

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<v Speaker 5>But I knew I was just going to like go

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<v Speaker 5>for go for acting.

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<v Speaker 4>And I got a phone call and I really want

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<v Speaker 4>to stress out of the blue, and it went like this, Hi,

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<v Speaker 4>my name is Jessica Klein.

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<v Speaker 5>I'm your cousin.

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<v Speaker 4>I was like, wait, stop, go back. She was like,

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<v Speaker 4>I'm your okay, I'm your second cousin. Okay, my mother

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<v Speaker 4>got a photo of you from your grandmother. So Florence

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<v Speaker 4>is your grandmother and You're okay. The point is I'm

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<v Speaker 4>looking at a picture of you. This is how it started.

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<v Speaker 4>And I was like, wait, we're cousin. And then she says,

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<v Speaker 4>you know, I'm a TV writer, I'm producer, and you know,

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<v Speaker 4>I guess your grandmother gave your picture to my mother

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<v Speaker 4>to see if I could do anything or if I

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<v Speaker 4>thought anything. And I have no idea if you're any good.

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<v Speaker 4>But I see something in your picture, but you could

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<v Speaker 4>be terrible. I have no idea. So she said, I'm

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<v Speaker 4>going to send you and I'm still going like, this

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<v Speaker 4>is a family member. And at some point she mentioned

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<v Speaker 4>that she was working a nine or two and hour

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<v Speaker 4>and I was like, oh, oh, that's normal. That's I

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<v Speaker 4>get called like this every day. I just graduated from college.

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<v Speaker 5>It's fine.

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<v Speaker 2>Wait at any point, did you think this was a prank?

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<v Speaker 4>Yes, except for that it felt like a prank, except

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<v Speaker 4>for the fact that she was naming family members, like

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<v Speaker 4>specifically naming family members and then telling me her grandfather's

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<v Speaker 4>name and this was my grandfather's And I was like, okay,

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<v Speaker 4>but it was you know, second cousin is not somebody

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<v Speaker 4>that you for me that I grew up, you know, knowing,

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<v Speaker 4>but here's this wonderful person who calls out of the

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<v Speaker 4>blue like a fairy godmother or a fairy god's sister.

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<v Speaker 4>By the time, you know, we became very very very close.

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<v Speaker 4>So she said, I'm going to send you to my

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<v Speaker 4>friend who is the head writer on One Life to Live,

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<v Speaker 4>Susie Budsoe Horgan, and she'll she'll tell me if you're

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<v Speaker 4>any good like okay. So everything really started there. So

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<v Speaker 4>and I you know, started working very very quickly thanks

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<v Speaker 4>to justs and thanks to you know, being connected with

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<v Speaker 4>people who then said, yeah, we are interested in you. Yeah,

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<v Speaker 4>we do want to have a little part for you

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<v Speaker 4>and create this role. And the casting director of One

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<v Speaker 4>Life to Live with like, you need an agent, yesterday,

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<v Speaker 4>Here are my such a ridiculous story. Here are my

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<v Speaker 4>five favorite agents. Go and tell them I sent you

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<v Speaker 4>and pick one. Like this is when I when because

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<v Speaker 4>I get interviewed because of voiceover stuff now and I'm

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<v Speaker 4>always like, kids, don't try this at home, Like this

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<v Speaker 4>is not a normal story.

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<v Speaker 5>It's just not normal.

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<v Speaker 4>But all of those things happened. And then I think

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<v Speaker 4>pretty early on in that maybe maybe a year later

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<v Speaker 4>there when auditions for Tracy were happening.

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<v Speaker 5>Jess was like come out and an audition spoiler.

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<v Speaker 4>I didn't get it, But then a little while later

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<v Speaker 4>I do have, And it's a long time ago. I

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<v Speaker 4>have a memory of coming back in and reading for Ellen,

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<v Speaker 4>and then there she was. I know it's I do

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<v Speaker 4>get thought of a lot for really obnoxious meaning characters.

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<v Speaker 4>But but but it was really really fun to play

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<v Speaker 4>completely against my own type. And and I do remember

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<v Speaker 4>Larry maull and did create the role because he would

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<v Speaker 4>always make jokes like up bringing her back.

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<v Speaker 5>Yes, so yeah, And it was a long It was

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<v Speaker 5>a long pause.

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<v Speaker 4>Between the Sorority episode, which was Pledging my love, I think,

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<v Speaker 4>and when all of a sudden, I'm they're hanging out

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<v Speaker 4>with Dick and Dan Gautier.

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<v Speaker 2>Did you have any chemistry off camera with Dan?

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<v Speaker 4>I don't have a memory of that being something that

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<v Speaker 4>was like, I don't have a memory of that.

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<v Speaker 5>To be honest with you, I felt like on camera

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<v Speaker 5>was cool.

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<v Speaker 4>I feel like he and I gelled off camera, But

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<v Speaker 4>there wasn't like an off camera roman.

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<v Speaker 2>Because he was in teen Witch. He was very desirable

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<v Speaker 2>when he was younger. We just interviewed him and he

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<v Speaker 2>was how funny was he? Jen? We had really best time,

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<v Speaker 2>like it was Yeah, and Jen didn't remember Dick died

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<v Speaker 2>and he spoiled it. Oh why would you do that?

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<v Speaker 3>That was fun?

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<v Speaker 1>Okay, So but after the show you went on to

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<v Speaker 1>do like hundreds of other roles like you and now

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<v Speaker 1>you're doing a ton of voiceovers.

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<v Speaker 3>So tell us about that. How has that happened?

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<v Speaker 4>So somewhere around the same time that all of this

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<v Speaker 4>was happening, or maybe right there, for I had been doing,

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<v Speaker 4>you know, a bunch of different roles on soaps. I

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<v Speaker 4>was recurring on One Life to Live for a long time,

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<v Speaker 4>and and I played a role in another soap, and

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<v Speaker 4>this was and I always it's very hard for me

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<v Speaker 4>to tell the story and not do the voice, so

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<v Speaker 4>please forgive me. It's a long time ago, and news

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<v Speaker 4>is called borge and Joy got watch that, And so

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<v Speaker 4>no one was saying.

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<v Speaker 3>Yeah, it's amazing, Wow, what the characters ladies.

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<v Speaker 4>No, that's like one of my elderly lady voices. And

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<v Speaker 4>my dog is sleeping down there and his voice is

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<v Speaker 4>is I just want to feed my birds?

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<v Speaker 5>But but yeah, so I'll tell you about this. I'm

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<v Speaker 5>sure we'll get to it.

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<v Speaker 4>But voiceover for me was so freeing to find because

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<v Speaker 4>no one's gonna look at me and cast me as

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<v Speaker 4>the giant monsters or villains or you know, tiny children,

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<v Speaker 4>and I get to play anything. So it's really it's

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<v Speaker 4>really opened up so much space for me as a

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<v Speaker 4>person and as a performer.

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<v Speaker 2>Were you doing voices as a kid? Like these are

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<v Speaker 2>not like these are crazy voices?

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<v Speaker 5>They are. I am, well, it's but.

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<v Speaker 2>I mean, as a kid, would you be like doing

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<v Speaker 2>all these different types of levels of voices of characters?

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<v Speaker 4>You know, my mom would always say that she was

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<v Speaker 4>an enabler for me because she found me funny, which

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<v Speaker 4>was an error, right because then I'm just trying to

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<v Speaker 4>make her laugh all the time, and so she would

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<v Speaker 4>enjoy it if I would mimic her and make fun

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<v Speaker 4>of her. So we would spend like an hour and

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<v Speaker 4>a half where I would do that and I would

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<v Speaker 4>imitate her voice. But that wasn't really the thing. In college,

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<v Speaker 4>there was a roast of graduating seniors, and so they

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<v Speaker 4>had me, you know, get into the center of the

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<v Speaker 4>stage and start doing imitations. And I didn't realize till later,

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<v Speaker 4>but those really were quite vocal, but my mom found uh,

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<v Speaker 4>there's an old recording of me as a tiny child

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<v Speaker 4>playing with a tape recorder and in the middle of

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<v Speaker 4>telling a knock knock joke to myself, I changed voices.

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<v Speaker 4>So I think there's something there. But I'm also you know,

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<v Speaker 4>my I was trained as a classical stinger, so like

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<v Speaker 4>being aware of my voice and trying to figure out

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<v Speaker 4>what it can do was very natural to me. But

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<v Speaker 4>I never ever thought about it as a profession. Like

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<v Speaker 4>I don't think I thought that the cartoon, like, you know,

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<v Speaker 4>into my twenties, like that's Garfield is Garfield, that's a

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<v Speaker 4>real cat.

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<v Speaker 5>I think resigna.

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<v Speaker 4>But I don't think it ever occurred to me that

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<v Speaker 4>that was a thing a person could do, like even

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<v Speaker 4>just for fun, let alone for a living. But full

0:12:55.520 --> 0:12:58.599
<v Speaker 4>circle Tangent found. So there's just been goo of the

0:12:58.720 --> 0:13:02.000
<v Speaker 4>internet and nobody would saying don't read the comments. This

0:13:02.280 --> 0:13:06.280
<v Speaker 4>was like eighteen forty two like this, nobody was saying,

0:13:06.400 --> 0:13:07.880
<v Speaker 4>don't read the comments.

0:13:07.559 --> 0:13:11.320
<v Speaker 5>Or you'll get depressed, right right, So I'm like, whoa,

0:13:11.600 --> 0:13:13.280
<v Speaker 5>let's see what the fans think of me. And this

0:13:13.440 --> 0:13:14.319
<v Speaker 5>is the direct quote.

0:13:15.040 --> 0:13:17.240
<v Speaker 4>She is real pretty and all that I have to

0:13:17.360 --> 0:13:20.160
<v Speaker 4>turn the volume off on my TV because it's like

0:13:20.320 --> 0:13:24.160
<v Speaker 4>Alvin and the Chipmunks have invaded my living room. And

0:13:24.280 --> 0:13:28.160
<v Speaker 4>I was like, huh, first of all, you, second of all,

0:13:28.880 --> 0:13:33.880
<v Speaker 4>that sounds like an amazing career and I literally never

0:13:34.000 --> 0:13:34.439
<v Speaker 4>thought of it.

0:13:34.760 --> 0:13:37.520
<v Speaker 5>And it is so part of the way my brain

0:13:37.640 --> 0:13:39.240
<v Speaker 5>works to sort.

0:13:39.320 --> 0:13:41.920
<v Speaker 4>And it's a survival skill too, right to sort of

0:13:42.040 --> 0:13:44.880
<v Speaker 4>take in, well, that's insulting, and also where's the gift?

0:13:45.360 --> 0:13:47.199
<v Speaker 5>What like, that's the shadow? Where's the light?

0:13:47.440 --> 0:13:52.240
<v Speaker 2>And I made a career of it. The insults I.

0:13:52.320 --> 0:13:57.720
<v Speaker 4>Don't right, so and sometimes it's if that's the main deal,

0:13:58.200 --> 0:14:02.680
<v Speaker 4>I know that has to be hard, right. So that's

0:14:02.880 --> 0:14:07.600
<v Speaker 4>why for me, finding this thing was more chasing joy,

0:14:08.160 --> 0:14:13.040
<v Speaker 4>which is really that's kind of my I think that's

0:14:13.160 --> 0:14:18.520
<v Speaker 4>become my mo o more than anything else. It's like,

0:14:18.600 --> 0:14:20.360
<v Speaker 4>go where the energy is or go where the joy is.

0:14:20.760 --> 0:14:23.960
<v Speaker 4>So I called my agents. I had agents at the

0:14:24.000 --> 0:14:29.600
<v Speaker 4>time back in New York. I'm still at the same agency, CEESD.

0:14:30.480 --> 0:14:34.040
<v Speaker 4>They've been representing me for commercials and then voiceover for

0:14:35.040 --> 0:14:38.840
<v Speaker 4>you know, since eighteen forty two. And I said, hey,

0:14:38.880 --> 0:14:40.800
<v Speaker 4>you know, I'm out in LA doing some work right now.

0:14:40.880 --> 0:14:43.080
<v Speaker 4>But when I get back, can you try me out

0:14:43.120 --> 0:14:45.600
<v Speaker 4>of this video thing? Like somebody insulted me and I

0:14:45.680 --> 0:14:47.120
<v Speaker 4>think this might be cool and they were like okay,

0:14:48.200 --> 0:14:50.400
<v Speaker 4>and they sent me on my first audition and I

0:14:50.800 --> 0:14:56.280
<v Speaker 4>booked it and like never stopped working. Mock would hold

0:14:56.360 --> 0:15:01.360
<v Speaker 4>on tree like and it was. It really was like

0:15:01.600 --> 0:15:03.920
<v Speaker 4>I know it sounds so cheesy, but like coming home.

0:15:06.080 --> 0:15:08.440
<v Speaker 4>I see every once in a while catch something that

0:15:08.520 --> 0:15:12.240
<v Speaker 4>I did on camera on TV or someone will tell

0:15:12.320 --> 0:15:14.760
<v Speaker 4>me like, oh, look, here's a clip, and I catch

0:15:14.880 --> 0:15:17.560
<v Speaker 4>myself and I feel like I never saw you.

0:15:17.640 --> 0:15:21.200
<v Speaker 5>Guys doing this. You know, camera's here, and i'd be

0:15:21.280 --> 0:15:21.880
<v Speaker 5>talking to someone.

0:15:21.920 --> 0:15:26.480
<v Speaker 4>I'm like, yeah, like not looking, but just oh I

0:15:26.560 --> 0:15:28.720
<v Speaker 4>have to make sure they can see my face and

0:15:28.800 --> 0:15:31.800
<v Speaker 4>I'm like sure, you're completely self conscious.

0:15:32.640 --> 0:15:34.680
<v Speaker 5>I would have to be in a booth. Everything's in

0:15:34.760 --> 0:15:39.960
<v Speaker 5>my imagination. So that really did it, and I never

0:15:40.120 --> 0:15:40.640
<v Speaker 5>looked back.

0:15:40.800 --> 0:15:44.080
<v Speaker 4>I did on camera for a little while after that,

0:15:44.360 --> 0:15:49.240
<v Speaker 4>but when I started getting works as a voice actor

0:15:49.280 --> 0:15:51.440
<v Speaker 4>and then also as a writer, it was so easy

0:15:51.640 --> 0:15:55.080
<v Speaker 4>for me to just let go of on camera and

0:15:55.240 --> 0:15:59.360
<v Speaker 4>then so that's really my performance life is in voiceover.

0:15:59.560 --> 0:16:00.560
<v Speaker 2>Do you believe in karma?

0:16:00.880 --> 0:16:01.080
<v Speaker 5>I do?

0:16:01.400 --> 0:16:03.840
<v Speaker 4>I sometimes I don't know that that's the word I use,

0:16:03.960 --> 0:16:05.640
<v Speaker 4>but I absolutely believe in karma.

0:16:06.040 --> 0:16:08.600
<v Speaker 2>Now, just hearing your story from the beginning, I'm like,

0:16:08.800 --> 0:16:13.600
<v Speaker 2>you were really a kind, great human that didn't get

0:16:13.680 --> 0:16:16.920
<v Speaker 2>your just desserts into past life and just the way

0:16:17.080 --> 0:16:22.240
<v Speaker 2>everything's unfolded. Obviously talented, but wow, these stories. I could

0:16:22.240 --> 0:16:24.680
<v Speaker 2>listen to your stories all day. You do so much

0:16:24.800 --> 0:16:27.880
<v Speaker 2>voice over work, can you give our listeners just a

0:16:27.920 --> 0:16:30.040
<v Speaker 2>little insight into all your characters?

0:16:31.040 --> 0:16:32.880
<v Speaker 3>All of them, every single one of them.

0:16:34.200 --> 0:16:35.080
<v Speaker 2>Run through your top.

0:16:35.000 --> 0:16:36.200
<v Speaker 5>Ones, every single one of them.

0:16:37.560 --> 0:16:41.960
<v Speaker 4>I'm probably best known as playing Samantha Maxis in the

0:16:42.080 --> 0:16:46.720
<v Speaker 4>Call of Duty franchise, usually the Call of Duty Zombies franchise,

0:16:46.800 --> 0:16:49.120
<v Speaker 4>but then it kind of expanded in Call of Duty

0:16:49.520 --> 0:16:50.000
<v Speaker 4>Cold War.

0:16:50.360 --> 0:16:52.400
<v Speaker 2>My boys are going to freak when they hear this.

0:16:52.560 --> 0:16:56.040
<v Speaker 5>By the way, geez, she's you know.

0:16:57.000 --> 0:16:59.880
<v Speaker 4>I also never imagined i'd be voicing video games. But again,

0:17:00.080 --> 0:17:03.600
<v Speaker 4>when I started, this wasn't really a place that you know,

0:17:03.760 --> 0:17:09.960
<v Speaker 4>voice actors were working so much. And again, like again,

0:17:10.000 --> 0:17:13.400
<v Speaker 4>I'm a pretty peaceful person, and I've bad these characters

0:17:13.440 --> 0:17:17.560
<v Speaker 4>who commit these terrible crimes, and like so so Samantha

0:17:17.640 --> 0:17:19.920
<v Speaker 4>Maxis started as a as a little girl on the

0:17:19.960 --> 0:17:23.480
<v Speaker 4>show show on the in the video games series, and

0:17:23.680 --> 0:17:26.800
<v Speaker 4>then in Cold War they let me actually grow her

0:17:26.920 --> 0:17:30.000
<v Speaker 4>up and I played her at thirty. So that's probably

0:17:30.040 --> 0:17:33.399
<v Speaker 4>the role I'm most known for. I do voice a

0:17:33.440 --> 0:17:36.720
<v Speaker 4>lot of video games I've played. I was in Star

0:17:36.800 --> 0:17:39.879
<v Speaker 4>Wars Outlaws as Ink, So that's a great That's a

0:17:40.040 --> 0:17:43.719
<v Speaker 4>great example of the dichotomy because NK is a chadraphon.

0:17:44.080 --> 0:17:46.560
<v Speaker 4>She is like this big and she was a little

0:17:46.600 --> 0:17:49.840
<v Speaker 4>older and she's like like a little like a rat,

0:17:50.000 --> 0:17:51.560
<v Speaker 4>fuzzy tiny feature.

0:17:51.880 --> 0:17:53.280
<v Speaker 2>Can you do Ank's voice for us?

0:17:53.720 --> 0:17:53.880
<v Speaker 5>Well?

0:17:54.000 --> 0:17:58.480
<v Speaker 4>She she speaks in hottees, so I have to really

0:17:58.680 --> 0:18:05.359
<v Speaker 4>remember my hot tea, oh something like that.

0:18:06.760 --> 0:18:09.560
<v Speaker 5>It's all I remember. It was Bulira, I think is money.

0:18:11.200 --> 0:18:15.480
<v Speaker 4>And in Bayonetta three, I play bal Dabul, who was

0:18:15.560 --> 0:18:21.480
<v Speaker 4>a an opera singing demon frog. So like when I say,

0:18:21.520 --> 0:18:24.640
<v Speaker 4>it's stuff that I would never get to doing, which yes,

0:18:26.040 --> 0:18:28.200
<v Speaker 4>that was the first time I ever got to sing

0:18:28.600 --> 0:18:32.760
<v Speaker 4>opera in uh a game, and that was something I

0:18:32.840 --> 0:18:35.600
<v Speaker 4>thought it would never happen, and it was.

0:18:36.240 --> 0:18:37.960
<v Speaker 5>It was really wonderful. I got to sing.

0:18:38.040 --> 0:18:41.320
<v Speaker 4>Also in Call of Duty, there's an easter egg in

0:18:41.760 --> 0:18:44.240
<v Speaker 4>in one map where I get to sing a song,

0:18:45.840 --> 0:18:48.840
<v Speaker 4>but usually it's not opera that I get to sing.

0:18:48.920 --> 0:18:51.880
<v Speaker 4>And that's my That's kind of like my first musical love.

0:18:52.840 --> 0:18:57.040
<v Speaker 5>But I also I've been in Powerpuff Girls. Powerpuff Girls

0:18:57.240 --> 0:18:58.360
<v Speaker 5>was a very early one.

0:18:58.680 --> 0:19:04.399
<v Speaker 4>I played rob been Schneider and her her line that

0:19:04.720 --> 0:19:06.280
<v Speaker 4>people sometimes remember is.

0:19:07.560 --> 0:19:15.320
<v Speaker 3>Cory in too, that's so cool, You're so cool.

0:19:15.800 --> 0:19:20.520
<v Speaker 5>In Avengers Assemble, I played Crimson Widow. Uh in them.

0:19:20.600 --> 0:19:22.960
<v Speaker 5>There's a movie Fixed that just came out.

0:19:23.240 --> 0:19:25.920
<v Speaker 2>Yes, my kids want to see that. You know it's

0:19:25.920 --> 0:19:27.359
<v Speaker 2>a more adult humor, right.

0:19:28.240 --> 0:19:30.159
<v Speaker 5>Yes, very adult.

0:19:30.440 --> 0:19:31.080
<v Speaker 2>You're in Fixed.

0:19:31.880 --> 0:19:36.760
<v Speaker 4>I'm in Fixed by to think the roles. I'm Bull

0:19:36.960 --> 0:19:39.479
<v Speaker 4>is the Dog? It just came it's It just came

0:19:39.520 --> 0:19:43.120
<v Speaker 4>out on on Netflix the other day, and uh.

0:19:43.600 --> 0:19:47.399
<v Speaker 5>Bull is the dog and it's it is the story

0:19:47.560 --> 0:19:51.160
<v Speaker 5>of a dog having his last hurrah the night before

0:19:51.200 --> 0:19:51.840
<v Speaker 5>he snipped.

0:19:53.320 --> 0:19:54.520
<v Speaker 2>It's such a great idea.

0:19:55.040 --> 0:19:57.760
<v Speaker 4>And for that, I will tell you that Sony Animation

0:19:58.000 --> 0:20:03.040
<v Speaker 4>was kind enough to send me a stuffed dog with

0:20:03.680 --> 0:20:07.320
<v Speaker 4>detachable testicles put on with Elcrow.

0:20:07.520 --> 0:20:10.000
<v Speaker 5>If you know you play with or without the tecticles.

0:20:10.160 --> 0:20:14.040
<v Speaker 3>Oh, that's interesting, It is interesting. I never had a

0:20:14.119 --> 0:20:14.720
<v Speaker 3>dog like that.

0:20:15.520 --> 0:20:18.360
<v Speaker 4>It's wonderful, it's fun. It's a silly thing. And yes,

0:20:18.520 --> 0:20:21.120
<v Speaker 4>in the in the movie, I play the human mom

0:20:21.359 --> 0:20:26.040
<v Speaker 4>of the dog who is the lead dog, bull, and

0:20:26.119 --> 0:20:29.760
<v Speaker 4>I also play I don't want to spoil anything, but

0:20:30.040 --> 0:20:32.400
<v Speaker 4>she just has a couple of couple of words in there.

0:20:32.480 --> 0:20:37.320
<v Speaker 4>But uh, the dominatrix dog in in a in a

0:20:37.520 --> 0:20:39.440
<v Speaker 4>Yeah for children.

0:20:52.600 --> 0:20:55.359
<v Speaker 2>Truly, Nathanson, is there anything you can't do?

0:20:55.960 --> 0:20:57.479
<v Speaker 3>She's done at all.

0:20:57.880 --> 0:20:58.840
<v Speaker 5>I can't draw at all.

0:20:59.200 --> 0:21:01.000
<v Speaker 3>She's like, yes, there is something I can't do.

0:21:01.800 --> 0:21:04.960
<v Speaker 4>My stick figures look like stick chickens, Like there's no

0:21:05.600 --> 0:21:07.920
<v Speaker 4>drawing ever, And there are lots and lots and lots

0:21:07.920 --> 0:21:10.560
<v Speaker 4>of things, but they do follow where.

0:21:10.440 --> 0:21:10.920
<v Speaker 5>The fun is.

0:21:11.800 --> 0:21:13.320
<v Speaker 3>That's the joy. Find the joy.

0:21:13.480 --> 0:21:17.480
<v Speaker 2>Yeah, does your husband ask you to do voices for him?

0:21:17.520 --> 0:21:19.520
<v Speaker 5>No? No, he does not.

0:21:19.800 --> 0:21:22.080
<v Speaker 2>I don't know why that came out like that. I

0:21:22.160 --> 0:21:24.120
<v Speaker 2>was trying to look for a segue into talking about

0:21:24.119 --> 0:21:24.960
<v Speaker 2>your husband and child.

0:21:26.440 --> 0:21:27.680
<v Speaker 5>That's fine, that's fine.

0:21:27.720 --> 0:21:31.080
<v Speaker 4>I will tell you that when my child was much younger,

0:21:31.600 --> 0:21:33.960
<v Speaker 4>accent freaked him the hell out.

0:21:35.240 --> 0:21:36.840
<v Speaker 5>Like he would be.

0:21:36.920 --> 0:21:42.399
<v Speaker 4>Okay with high voices, but low voices or anything with

0:21:42.520 --> 0:21:45.920
<v Speaker 4>an accent, he was like, stop, be mommy, be mommy

0:21:46.400 --> 0:21:47.040
<v Speaker 4>freaked him out.

0:21:48.800 --> 0:21:49.680
<v Speaker 3>I can imagine.

0:21:50.040 --> 0:21:53.119
<v Speaker 5>Yeah, right, like you know, kids want to know that

0:21:53.200 --> 0:21:53.520
<v Speaker 5>you're you.

0:21:55.119 --> 0:21:59.080
<v Speaker 2>This is true. One last question. Sorry, Yeah, we know

0:21:59.200 --> 0:22:01.800
<v Speaker 2>you do do a lot of conventions. We've been doing

0:22:01.920 --> 0:22:07.240
<v Speaker 2>some conventions, but I'm sure your lines are crazy long.

0:22:07.680 --> 0:22:09.600
<v Speaker 2>Like we have our niche our nine O, two one

0:22:09.640 --> 0:22:14.240
<v Speaker 2>O fans, but at these like Comic Con, it's yeah, the.

0:22:15.760 --> 0:22:18.840
<v Speaker 3>Animation, it's the games, video sectors.

0:22:19.080 --> 0:22:21.600
<v Speaker 2>Yeah, you must have lines around the corner.

0:22:22.200 --> 0:22:26.000
<v Speaker 5>You know. It's funny. I just started doing conventions.

0:22:26.240 --> 0:22:30.000
<v Speaker 4>Really, I've always gone to Comic Con or Wonder Con

0:22:30.080 --> 0:22:31.960
<v Speaker 4>if I'm asked to do a panel, but I didn't

0:22:32.040 --> 0:22:36.880
<v Speaker 4>have a convention like booking agent I've had, like right

0:22:36.920 --> 0:22:39.159
<v Speaker 4>before the pandemic, I had signed on with one and

0:22:39.200 --> 0:22:41.359
<v Speaker 4>then the pandemic happened, so that kind of fizzled. But

0:22:41.440 --> 0:22:44.320
<v Speaker 4>I just started working with Gung Ho Booking and they

0:22:45.359 --> 0:22:48.240
<v Speaker 4>are starting to get me out on stuff. So yes,

0:22:48.400 --> 0:22:52.080
<v Speaker 4>the it has been lovely, and you know, fans will

0:22:52.119 --> 0:22:54.320
<v Speaker 4>come with I'm sure you guys get this, like here's

0:22:54.480 --> 0:22:56.679
<v Speaker 4>my copy of this or here's my poster.

0:22:57.440 --> 0:22:59.200
<v Speaker 3>Did when they come up, do they want to hear

0:22:59.280 --> 0:22:59.720
<v Speaker 3>the voice?

0:22:59.760 --> 0:23:02.359
<v Speaker 2>Though sometimes they do do you say that's going to

0:23:02.440 --> 0:23:04.800
<v Speaker 2>cost you extra, I'm just kidding.

0:23:05.640 --> 0:23:08.679
<v Speaker 5>Honestly. The idea of charging for this.

0:23:08.760 --> 0:23:13.879
<v Speaker 4>Stuff is we understand it's so it feels an not

0:23:14.119 --> 0:23:16.240
<v Speaker 4>much like who I am as a person. I know

0:23:16.440 --> 0:23:19.280
<v Speaker 4>it's a thing, and I know that it's part of business,

0:23:19.440 --> 0:23:23.119
<v Speaker 4>and I understand it, but it's still very odd. So

0:23:23.200 --> 0:23:25.800
<v Speaker 4>there are lots of things that other people charge for

0:23:26.000 --> 0:23:28.240
<v Speaker 4>that I'm like, no, just can I just do the

0:23:28.320 --> 0:23:29.080
<v Speaker 4>thing for the person?

0:23:30.119 --> 0:23:33.240
<v Speaker 2>Do they come dressed as your character? Often characters.

0:23:33.880 --> 0:23:36.760
<v Speaker 4>I have seen a couple of people at conventions dressed

0:23:36.760 --> 0:23:39.400
<v Speaker 4>as characters, and you know, but a lot of times

0:23:39.560 --> 0:23:42.240
<v Speaker 4>I'll walk up to them and I'll be like, hey, can.

0:23:42.160 --> 0:23:44.280
<v Speaker 5>I just have a picture with you? No reason, no reason,

0:23:44.359 --> 0:23:44.760
<v Speaker 5>it's cool.

0:23:45.119 --> 0:23:51.240
<v Speaker 4>I'm like, they're Friar in League of Legends.

0:23:51.520 --> 0:23:54.160
<v Speaker 5>And I have friends who, when they were at conventions

0:23:54.160 --> 0:23:56.159
<v Speaker 5>will be like, look, here's a Briar for you, and

0:23:56.240 --> 0:23:57.600
<v Speaker 5>I'm like, how they make the pillory?

0:23:57.680 --> 0:23:58.320
<v Speaker 2>That's so cool.

0:23:59.119 --> 0:24:01.080
<v Speaker 5>I again to be able to make things.

0:24:01.160 --> 0:24:02.520
<v Speaker 3>But people are so creative.

0:24:03.160 --> 0:24:06.800
<v Speaker 4>I know, I know, and I do love the I

0:24:06.880 --> 0:24:09.680
<v Speaker 4>wonder if you guys have the same feeling like seeing

0:24:10.440 --> 0:24:15.479
<v Speaker 4>I know that fandom can become toxic, and the brighter

0:24:15.640 --> 0:24:19.080
<v Speaker 4>side of fandom, to me, is such a great example

0:24:19.280 --> 0:24:23.160
<v Speaker 4>of how art can be so lasting and you never

0:24:23.280 --> 0:24:26.320
<v Speaker 4>know what's going to touch somebody and make them remember

0:24:26.440 --> 0:24:29.240
<v Speaker 4>or feel something or learn something. And I do love

0:24:29.359 --> 0:24:32.280
<v Speaker 4>that energy at a convention, all these people have come

0:24:32.359 --> 0:24:37.120
<v Speaker 4>together because they love this game, this comic, and it shows.

0:24:37.040 --> 0:24:39.760
<v Speaker 2>It's lasting in their heart. It brings them joy. It's

0:24:39.800 --> 0:24:42.280
<v Speaker 2>a good time memory. And there's so much happening in

0:24:42.320 --> 0:24:44.960
<v Speaker 2>the world that's not good, so's that brings it back

0:24:45.000 --> 0:24:47.920
<v Speaker 2>to a good time. Oh my god, I wish I

0:24:48.000 --> 0:24:51.120
<v Speaker 2>knew how cool you were thirty years ago. My goodness,

0:24:52.119 --> 0:24:52.680
<v Speaker 2>Oh my gosh.

0:24:52.760 --> 0:24:54.440
<v Speaker 3>We would have been asking you to do voices all

0:24:54.480 --> 0:24:54.760
<v Speaker 3>the time.

0:24:55.119 --> 0:24:55.960
<v Speaker 2>Yeah, we would have.

0:24:56.160 --> 0:24:58.320
<v Speaker 4>I might not have known, how I mean, it was

0:24:58.400 --> 0:25:00.200
<v Speaker 4>right around the same time. I don't know that I

0:25:00.240 --> 0:25:04.200
<v Speaker 4>would have had voices to pull out of my proverbial

0:25:04.280 --> 0:25:07.800
<v Speaker 4>hat at the time. But you know, I'm be happy

0:25:07.840 --> 0:25:09.880
<v Speaker 4>to do your voicemail messages.

0:25:09.960 --> 0:25:15.960
<v Speaker 5>I don't know. Oh, it is really funny how just

0:25:16.840 --> 0:25:18.399
<v Speaker 5>so much of our lives.

0:25:18.520 --> 0:25:21.440
<v Speaker 4>I feel like as we get older as humans, it's

0:25:21.480 --> 0:25:26.000
<v Speaker 4>about centering who we are as people and then as performers.

0:25:26.240 --> 0:25:26.960
<v Speaker 5>It's how can we.

0:25:27.080 --> 0:25:31.399
<v Speaker 4>Expand into a greater variety and like breadth of what

0:25:31.560 --> 0:25:35.440
<v Speaker 4>we can be. I find it really interesting. So I'm

0:25:35.480 --> 0:25:38.560
<v Speaker 4>always trying to, you know, break whatever barrier it is.

0:25:38.680 --> 0:25:41.399
<v Speaker 4>If I'm like, huh, I haven't haven't booked a voice

0:25:41.400 --> 0:25:42.600
<v Speaker 4>of a teenage boy in a while.

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<v Speaker 5>I mean, let me try to do that and I'll

0:25:44.080 --> 0:25:45.600
<v Speaker 5>work on it. What a weird thing to say.

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<v Speaker 3>That's so wild.

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<v Speaker 2>I love that.

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<v Speaker 5>Well.

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<v Speaker 2>Thank you for being with us today. So good to

0:25:51.480 --> 0:25:55.280
<v Speaker 2>virtually see you after all this time. And everyone, check

0:25:55.320 --> 0:25:59.639
<v Speaker 2>out Fixed on Netflix right now. I can't wait to

0:25:59.680 --> 0:25:59.920
<v Speaker 2>see it.

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<v Speaker 4>It is hilarious. It is definitely not suitable for children,

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<v Speaker 4>but enjoy.

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<v Speaker 2>We'll probably run into you at a convention.

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<v Speaker 4>Oh hi, holy so I have hugs for you both.

0:26:12.640 --> 0:26:16.159
<v Speaker 4>Thanks really great to be you're doing well. Thanks for

0:26:16.280 --> 0:26:18.360
<v Speaker 4>inviting me, Thank you for being here.

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<v Speaker 5>Thank you,