WEBVTT - Scott Hechinger and Robert Greenwald: Battling the Status Quo

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from My Heart Radio. My guests today are two

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<v Speaker 1>people using media to inspire, inform, and transform civic engagement

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<v Speaker 1>in America. Robert Greenwald is the founder of Brave New Films,

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<v Speaker 1>a nonprofit whose goal is to educate and mobilize the

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<v Speaker 1>public on social issues like the prison system and voter suppression.

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<v Speaker 1>Greenwald was a director of television and film, with projects

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<v Speaker 1>ranging from the ambitious but poorly received musical Xanadu to

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<v Speaker 1>the critically acclaimed Burning Bed. The filmmaker then pivoted turning

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<v Speaker 1>his talents into real political action. But first, I'm talking

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<v Speaker 1>to civil rights attorney Scott Heckinger. He's the founder and

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<v Speaker 1>executive director of Zealous, an organization harnessing the power of

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<v Speaker 1>storytelling for social justice. Scott Heckinger believes that inaccurate narratives

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<v Speaker 1>on crime and policing help shape perception and policy, and

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<v Speaker 1>he's working to change that. Zealous works with public defenders

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<v Speaker 1>and advocates on campaigns that aim to change a broken

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<v Speaker 1>criminal justice system and push for true public health and safety.

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<v Speaker 1>Before Zealous, Heckinger was a public defender where he saw

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<v Speaker 1>firsthand the many flaws in our system of mass criminalization.

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<v Speaker 1>He uses this background to inform media campaigns and get

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<v Speaker 1>the word out in mainstream outlets like The New York Times,

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<v Speaker 1>Washington Post, and The Atlantic. A recent article by Heckinger

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<v Speaker 1>in the Nation critiqued the coverage of crime in a

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<v Speaker 1>post pandemic world, citing both NPR and The New York

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<v Speaker 1>Times as culprits of sensationalist journalism. With his extensive background

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<v Speaker 1>within the criminal justice system, I asked Scott Heckener if

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<v Speaker 1>support for defund the police, bail reef form, and public

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<v Speaker 1>defenders is largely drawn over racial lines. I mean, one

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<v Speaker 1>of the things that I think is perhaps most misunderstood

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<v Speaker 1>is that not just black leaders, but black communities are

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<v Speaker 1>right now or at a place where they don't want police,

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<v Speaker 1>and they are, you know, championing decarceration and eager to

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<v Speaker 1>support less policing, less prosecutions, less prisons as a way

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<v Speaker 1>to get to public health and safety. So I think we,

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<v Speaker 1>as kind of folks in the movement assume that if

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<v Speaker 1>you're black, even living in over criminalized and over police communities,

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<v Speaker 1>you're just you're gonna be supportive of greater funding for example,

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<v Speaker 1>for public defense. Um, you're going to be supportive of

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<v Speaker 1>these kind of policies that I think are important to

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<v Speaker 1>get us to a better place. But it's just not

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<v Speaker 1>the case. Why Why, Well, I think black community members

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<v Speaker 1>are getting messages from their church. They're getting messages also

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<v Speaker 1>from the same places where white liberal progressives are getting

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<v Speaker 1>their formation. That's New York Times, that's CNN, that's New

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<v Speaker 1>York Post, that's you know, media, which is painting a

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<v Speaker 1>picture of public safety and justice and crime and punishment

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<v Speaker 1>as good and evil. And they're hearing sensational cases about violence,

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<v Speaker 1>and they're feeling deeply fearful. And also they too are

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<v Speaker 1>a product of a popular culture in the United States

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<v Speaker 1>that paints deeply misconceived, inaccurate picture of justice, which is

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<v Speaker 1>that police prevent and solve crime, that prisons keep us safer,

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<v Speaker 1>that there are good people and evil people, that everyone

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<v Speaker 1>gets their day in court, that people have trials and

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<v Speaker 1>juries that render a verdict. So you're saying that an

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<v Speaker 1>interesting number of people of color they are viewing things

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<v Speaker 1>the same way white people do. Yes, So there's a

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<v Speaker 1>system that's there, and they support that system and view

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<v Speaker 1>that system in the same way. Yes. And it's kind

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<v Speaker 1>of compounded by the fact that a lot of folks

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<v Speaker 1>in black and brown communities that are over policed, overcome lies,

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<v Speaker 1>are literally facing violence. I mean, violence is real. They're

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<v Speaker 1>hearing gunshots, they feel less safe, they feel less safe,

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<v Speaker 1>and because of the culture in which they've grown up,

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<v Speaker 1>like white folks, and the culture and the media that

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<v Speaker 1>they read, there's kind of a universal lack of imagination

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<v Speaker 1>for what an alternative could look like. And that, mixed

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<v Speaker 1>with fear, makes it so that we continue to want

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<v Speaker 1>to invest even despite all the evidence, the countrary that's

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<v Speaker 1>not working, that's not working in police, more police, more prosecutions,

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<v Speaker 1>more prisons, even though we spend more on this stuff

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<v Speaker 1>than any other society in the history of the world.

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<v Speaker 1>And my god, are we not the healthiest and safest.

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<v Speaker 1>What would you say in the modern world in your lifetime?

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<v Speaker 1>What have you noticed? Does it really go back in

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<v Speaker 1>my mind as it go back to Juliani, broken windows, Bratton,

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<v Speaker 1>that whole thing here in New York or even across

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<v Speaker 1>the country. When did it begin where we needed to

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<v Speaker 1>paramilitarized the police departments? Oh boy, My initial gut is

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<v Speaker 1>it goes back to slavery. And I don't say that

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<v Speaker 1>like lightly or facetiously. Um, modern day policing was born

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<v Speaker 1>out of slave patrols. Riker's Island, just as an example,

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<v Speaker 1>is named after Richard Riker, who was a famous white

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<v Speaker 1>slave catcher. Um, you're kidding me. No, oh my god,

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<v Speaker 1>I didn't know that. Now he was the comptroller and

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<v Speaker 1>he was a famous like northern slave catcher who would

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<v Speaker 1>like catch slaves and seldom down back down south for

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<v Speaker 1>for bounty. Um. Yeah, that's the place where now thousands

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<v Speaker 1>of predominantly black and brown people are caged pre trial,

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<v Speaker 1>presumed innocent only because they cannot afford to buy their freedom.

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<v Speaker 1>This is it's baked like racism, harshness, all that stuff

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<v Speaker 1>is baked into American society in New York is no

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<v Speaker 1>different policing though in prisons, so it was always there.

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<v Speaker 1>I do think though, that over the last half century

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<v Speaker 1>we've seen this combination of politics, media, and and fear

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<v Speaker 1>kind of jumble together to create this formula in favor

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<v Speaker 1>of greater harshness. It's driven by power. It is driven

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<v Speaker 1>by prison interests, is driven by prosecutors, is driven by

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<v Speaker 1>police and they're talking points. It's enabled by popular culture,

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<v Speaker 1>all too willing to just repeat these popular narratives, and

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<v Speaker 1>a media that in the best cases just kind of

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<v Speaker 1>falling on bad habits and practices and relationships that they've

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<v Speaker 1>built with police and prosecutors as easy sources and kind

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<v Speaker 1>of being lazy in worst case, really actively affirmatively trying

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<v Speaker 1>to help this narrative, but it's put out there and

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<v Speaker 1>people then they see and they feel like our current

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<v Speaker 1>system is inevitable, the mass incarceration is inevitable, that imprisoning

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<v Speaker 1>two point three million people is inevitable, and it isn't

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<v Speaker 1>and it shouldn't be. And we're at this point where

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<v Speaker 1>we need to topple this imbalance of power and control

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<v Speaker 1>over criminal policy and media because that control over it

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<v Speaker 1>and that narrative and that reinforced message is influencing people's

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<v Speaker 1>basic intuitions. How does zealous try to change this narrative?

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<v Speaker 1>In a lot of ways, so we support public defenders,

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<v Speaker 1>local organizers, people a direct experience locally to harness a

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<v Speaker 1>range of advocacy skills that public defenders didn't learn in

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<v Speaker 1>law school and organizers didn't either. So around just social

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<v Speaker 1>media advocacy, traditional media, new media advocacy, but also kind

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<v Speaker 1>of more fundamental stuff like just how to talk about

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<v Speaker 1>systemic issues in a way that is not legal ease

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<v Speaker 1>um that actually can reach more people, how to talk

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<v Speaker 1>about issues in ways with language and words that don't

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<v Speaker 1>um further entrenched the status quo. One of the things

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<v Speaker 1>about public defenders in public defense, so like Brooklyn Defender

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<v Speaker 1>Services where I practice for close to a decade still,

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<v Speaker 1>people who have represented were who were convicted. Those convictions

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<v Speaker 1>came from guilty please, And the reason for that was

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<v Speaker 1>just the range of laws and practices that intersected to

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<v Speaker 1>kind of course silence essentially like against the truth. And

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<v Speaker 1>and our advocacy tools in court were so limited, right,

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<v Speaker 1>We were limited to an audience of a judge and

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<v Speaker 1>a prosecutor who were already predisposed to kind of status

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<v Speaker 1>quo cruelty. We were limited terms of the media that

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<v Speaker 1>we were able to use. It was oral advocacy or

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<v Speaker 1>written advocacy were limited terms and messenger was us doing

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<v Speaker 1>the talking and language. And so what might it look

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<v Speaker 1>like to do advocacy to leverage your perspective and expertise

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<v Speaker 1>in partnership with communities to tell more compelling stories and

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<v Speaker 1>more compelling ways to shift the narrative long term about

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<v Speaker 1>crime and punishment. Well, wait, when you talk about the

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<v Speaker 1>media's role in that narrative. The New York Times they

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<v Speaker 1>need clicks and now they have a pretty good subscription base,

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<v Speaker 1>they're making money, and they were poor crime in what

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<v Speaker 1>I would consider a more popular way. When you wrote

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<v Speaker 1>the article about the Times, what was the lead up

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<v Speaker 1>to that? What was happening? What were you noticing? I

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<v Speaker 1>was noticing more of the same. The FBI came out

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<v Speaker 1>with data about most unusual year in all ways, leading

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<v Speaker 1>with a once in a hundred year global pandemic, and

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<v Speaker 1>the headline was homicide spike, violent sores around the country.

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<v Speaker 1>And so most people don't read beyond the headlines. And

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<v Speaker 1>it wasn't just New York Times doing this, was MPR,

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<v Speaker 1>it was watching the Post. It was New York Post.

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<v Speaker 1>And why headline cell right, You know, you want to

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<v Speaker 1>get the clicks. It's a cessational. But I'd also don't

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<v Speaker 1>think it's that interesting because the reality is the more

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<v Speaker 1>interesting stuff actually is if you dig below and what

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<v Speaker 1>was actually happening. But the data showed was that homicides

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<v Speaker 1>were increasing everywhere universally around the country. Number one in

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<v Speaker 1>places that had bail reform, places that which were very

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<v Speaker 1>few and most places that didn't. And a in blue states,

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<v Speaker 1>places that had police protests against police violence, in places

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<v Speaker 1>that didn't, rural areas, cities blew what it read, etcetera.

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<v Speaker 1>The lead should have been this undermines the data that

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<v Speaker 1>just came out undermines years worth of effort by police

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<v Speaker 1>and prosecutors and prison interests across the country to convince

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<v Speaker 1>us that any minor modest changes in a direction away

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<v Speaker 1>from them actually was causing crime because it was universal

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<v Speaker 1>in places that had some changes in places that didn't. Instead,

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<v Speaker 1>we hear homicides up. We also don't hear about the

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<v Speaker 1>fact that in historical context they're still at historic lows.

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<v Speaker 1>We also don't hear about the fact that across all

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<v Speaker 1>other major types of crime, those numbers were universally down.

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<v Speaker 1>But instead we get this kind of sensational headline and

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<v Speaker 1>this kind of mealy mouthed like kind of two sides

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<v Speaker 1>speculation about the potential causes of the increase in homicides,

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<v Speaker 1>and they allow, despite all of the evidence to the contrary,

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<v Speaker 1>police and sometimes anonymous police sources to say, well, it

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<v Speaker 1>could be this It could be bail reform. It could

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<v Speaker 1>it might be low police morale because of protests against

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<v Speaker 1>them killing people. Policy debate inside of a new straight

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<v Speaker 1>news story, yes, yeah, but but when there's when you know,

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<v Speaker 1>a there's not really debate. I mean, I get the

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<v Speaker 1>fact that people want to know answers they and this

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<v Speaker 1>is a key piece, like people do want to know,

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<v Speaker 1>and I get that instinct. Why is crime up? The

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<v Speaker 1>thing that's unbelievable. You have police out there and then media,

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<v Speaker 1>very smart journalists from the New York Times and other places,

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<v Speaker 1>taking their word for it and allowing them to like

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<v Speaker 1>speculate about the causes of crime going up, and yet

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<v Speaker 1>no one kind of addresses this key point of Okay,

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<v Speaker 1>wait a second, we're paying you in New York City

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<v Speaker 1>eleven billion dollars a year, the most of any police

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<v Speaker 1>force in the country, more than most I would say,

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<v Speaker 1>countries armies. And there's still crime at all, let alone

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<v Speaker 1>rising violence. And you're deflecting to something that just started

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<v Speaker 1>two years ago that actually had been wildly successful, which

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<v Speaker 1>I can talk about bail reform. It's this incredible slight

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<v Speaker 1>at hand. Scott Heckinger, if you like conversations with dedicated advocates.

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<v Speaker 1>Check out my interview with Ingrid new Kirk from People

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<v Speaker 1>for the Ethical Treatment of Animals. We went to the

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<v Speaker 1>Department of Justice, to the Attorney General's office, and we

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<v Speaker 1>had very carefully, painstakingly documented how Ringling had allowed this

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<v Speaker 1>lion to burn to death basically in the Mahave desert.

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<v Speaker 1>So we went to the d o J and we said, look,

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<v Speaker 1>Ringland gets away with this all the time. So that

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<v Speaker 1>resulted in the biggest fine in US history against a circus.

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<v Speaker 1>Here more of my conversation with Ingrid new Kirk at

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<v Speaker 1>Here's the Thing dot org. After the break, Scott Heckinger

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<v Speaker 1>breaks down the repercussions of electing former police officer Eric

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<v Speaker 1>Adams as mayor of New York City. I'm Alec Baldwin,

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<v Speaker 1>and you're listening to Here's the Thing. In New York

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<v Speaker 1>State attempted bail reform, a legislative effort that lasted just

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<v Speaker 1>weeks before the law was changed. I wanted Scott Heckenscher

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<v Speaker 1>to help explain bail reform and the criticisms that led

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<v Speaker 1>to its diminishment. Pretend that you don't know anything about

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<v Speaker 1>bail reform and you're a legislator, just put yourself there

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<v Speaker 1>and I'm coming to you to talk to you about

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<v Speaker 1>a policy. I'm proposing a policy, and I'm telling you

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<v Speaker 1>that I can guarantee the following result that in the

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<v Speaker 1>next eighteen months and three thousand people who otherwise would

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<v Speaker 1>have faced jail will be free, will be back with

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<v Speaker 1>their families, will be in their jobs, will be able

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<v Speaker 1>to wake up in their own bed, will be able

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<v Speaker 1>to fight their case, have a shot justice, shot at justice. Okay,

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<v Speaker 1>so go start there. On top of that, we'll save

0:14:10.400 --> 0:14:14.800
<v Speaker 1>taxpayers over six fifty million dollars. On top of that,

0:14:14.960 --> 0:14:19.800
<v Speaker 1>I can guarantee that of the people who are released

0:14:19.960 --> 0:14:22.960
<v Speaker 1>who otherwise would have faced bail reform will not be

0:14:23.080 --> 0:14:26.920
<v Speaker 1>rearrested for any crime of violence, and even less for

0:14:27.000 --> 0:14:30.280
<v Speaker 1>a crime involving any kind of use of a gun.

0:14:30.960 --> 0:14:33.320
<v Speaker 1>My gut is you'd look at me like you're overpromising

0:14:33.360 --> 0:14:35.240
<v Speaker 1>and you're being ridiculous, and no where you're out of

0:14:35.240 --> 0:14:38.600
<v Speaker 1>your mind. That's what it is. That's what bail reform is.

0:14:38.600 --> 0:14:44.640
<v Speaker 1>Bail reform in New York is this enormously successful change

0:14:44.680 --> 0:14:50.360
<v Speaker 1>for justice, for fiscal responsibility, for fairness, against racism that

0:14:50.440 --> 0:14:55.320
<v Speaker 1>keeps folks productive, and yet people think it's a disaster.

0:14:55.520 --> 0:14:58.520
<v Speaker 1>There's no tie to violent crime, there's no tied any

0:14:58.560 --> 0:15:01.160
<v Speaker 1>and stuff. And here's the the thing that's amazing about

0:15:01.280 --> 0:15:05.440
<v Speaker 1>is our leader and our leaders. Governor hokel admitted it

0:15:05.600 --> 0:15:08.000
<v Speaker 1>was admitted it was success. The same week she proposed

0:15:08.080 --> 0:15:11.440
<v Speaker 1>rollbacks that would put forty five more people on the

0:15:11.440 --> 0:15:13.880
<v Speaker 1>path to jail. She wrote it up ed that laid

0:15:13.880 --> 0:15:16.040
<v Speaker 1>out exactly what I said. It's been enormous success end

0:15:16.680 --> 0:15:20.520
<v Speaker 1>because essentially of politics, because of the narrative that's out there.

0:15:21.040 --> 0:15:24.280
<v Speaker 1>Bail folks need to understand, first of all, it ain't

0:15:24.520 --> 0:15:27.320
<v Speaker 1>it's not a punishment, it's incentive. It's an idea. You

0:15:27.360 --> 0:15:30.920
<v Speaker 1>pay money to court, you're supposed to then be out.

0:15:30.960 --> 0:15:33.080
<v Speaker 1>It's incentive to come back to court no matter what happens.

0:15:33.080 --> 0:15:34.920
<v Speaker 1>At the end of the day, you pay the money back.

0:15:34.960 --> 0:15:36.920
<v Speaker 1>What we know is that people come back to court

0:15:37.000 --> 0:15:39.280
<v Speaker 1>overwhelmingly without bail. We know that's true, so we know

0:15:39.320 --> 0:15:43.400
<v Speaker 1>it's unnecessary. In reality, though bail is a punishment, most

0:15:43.560 --> 0:15:46.520
<v Speaker 1>people who have bail set can't afford to pay it

0:15:46.560 --> 0:15:48.760
<v Speaker 1>and they're locked up. And what does jail do in

0:15:48.800 --> 0:15:52.800
<v Speaker 1>addition to separating you from all the things bills, you know,

0:15:52.880 --> 0:15:55.160
<v Speaker 1>bills piling up people in need of caretaking. What does

0:15:55.200 --> 0:15:58.960
<v Speaker 1>it do. It actually increases the likelihood that you are

0:15:59.000 --> 0:16:01.840
<v Speaker 1>going to get rear sit upon release. It's actually, there's

0:16:01.840 --> 0:16:06.640
<v Speaker 1>this fancy term criminogenetic. It's just basically here, here's the reality.

0:16:07.040 --> 0:16:10.120
<v Speaker 1>The primary characteristics of jail in prison are the exact

0:16:10.160 --> 0:16:14.520
<v Speaker 1>same as the prime drivers of violence itself, isolation, shame,

0:16:14.720 --> 0:16:17.840
<v Speaker 1>economic deprivation, and violence. And so we wind up throwing

0:16:17.840 --> 0:16:21.240
<v Speaker 1>a solution at a thing that actually winds up making

0:16:21.240 --> 0:16:25.480
<v Speaker 1>the thing even worse. I was someone who I was

0:16:25.560 --> 0:16:29.600
<v Speaker 1>so supportive of the police, even though I have my

0:16:29.680 --> 0:16:33.520
<v Speaker 1>own criticisms of the police. I view the police force

0:16:34.000 --> 0:16:35.560
<v Speaker 1>as a group of men and women who buy in

0:16:35.640 --> 0:16:38.560
<v Speaker 1>large are doing the job for the right reason, and

0:16:38.600 --> 0:16:41.840
<v Speaker 1>that like a lot of organizations political parties in the

0:16:41.880 --> 0:16:45.400
<v Speaker 1>country today, the leadership of the police department is the issue.

0:16:46.080 --> 0:16:49.360
<v Speaker 1>Defund the police is just miserable. You want police, you

0:16:49.440 --> 0:16:52.800
<v Speaker 1>need police, all those cliches, you hate the cops until

0:16:52.840 --> 0:16:55.120
<v Speaker 1>you need one or whatever. So I think the defund

0:16:55.160 --> 0:16:58.720
<v Speaker 1>the police was a miserable narrative. It was a miserable slogan.

0:16:59.200 --> 0:17:01.800
<v Speaker 1>You know, I'll say, I actually think it's too soon

0:17:01.880 --> 0:17:06.000
<v Speaker 1>to say that that was a bad that was a disaster. Frankly,

0:17:06.040 --> 0:17:09.240
<v Speaker 1>like it was incredible that for any period time it

0:17:09.240 --> 0:17:11.040
<v Speaker 1>could have been a day, but that for a period

0:17:11.040 --> 0:17:14.920
<v Speaker 1>of time, legislators and legislatures around the country, we're actually

0:17:14.960 --> 0:17:19.520
<v Speaker 1>talking about divestment and reinvestment in different things outside of

0:17:19.560 --> 0:17:21.760
<v Speaker 1>the police. It's an important conversation to have, and I

0:17:21.800 --> 0:17:25.760
<v Speaker 1>think the most interesting models actually are in places like Eugene, Oregon,

0:17:25.920 --> 0:17:28.840
<v Speaker 1>where they have this program called Cahoots where social workers

0:17:28.880 --> 0:17:32.440
<v Speaker 1>are actually sent without armed police. It isn't actually pairing

0:17:32.880 --> 0:17:36.240
<v Speaker 1>the two because here's the reality. When you have someone

0:17:36.280 --> 0:17:39.600
<v Speaker 1>a mental health crisis, perhaps and I would say even

0:17:39.600 --> 0:17:44.480
<v Speaker 1>offered someone who has dealt with the police before because

0:17:44.640 --> 0:17:47.600
<v Speaker 1>of their mental health issues, when a police officer shows up,

0:17:47.600 --> 0:17:52.440
<v Speaker 1>whether they are the most well meaning, well trained, like

0:17:52.520 --> 0:17:54.879
<v Speaker 1>the perfect police officer, the one who is not going

0:17:54.880 --> 0:17:59.280
<v Speaker 1>to use violence, a police officer is by their nature

0:17:59.359 --> 0:18:06.920
<v Speaker 1>they're triggering. They represent a series of really harmful consequences

0:18:06.920 --> 0:18:11.640
<v Speaker 1>and solutions which include arrest, handcuffing, all the things that

0:18:11.760 --> 0:18:15.920
<v Speaker 1>you described. It includes, in the best case scenario, potentially

0:18:15.960 --> 0:18:20.119
<v Speaker 1>an alternative to incarceration with forced mental health treatment or

0:18:20.359 --> 0:18:23.240
<v Speaker 1>with the threat of prison. And so there's a lot

0:18:23.240 --> 0:18:25.159
<v Speaker 1>of studies that look at the fact that a police

0:18:25.160 --> 0:18:28.040
<v Speaker 1>officers showing up at all, even with a social worker

0:18:29.000 --> 0:18:31.800
<v Speaker 1>is problematic, and Eugene Oregon, the Cohoots program shows that

0:18:32.080 --> 0:18:36.520
<v Speaker 1>social workers showing up who are unarmed is enormous successful

0:18:36.560 --> 0:18:38.560
<v Speaker 1>and in very rare cases do they ever have to

0:18:38.600 --> 0:18:41.439
<v Speaker 1>call for backup And it doesn't lead to more violence,

0:18:41.480 --> 0:18:45.639
<v Speaker 1>it actually decreases it. So when a police officer became

0:18:45.720 --> 0:18:47.720
<v Speaker 1>the mayor of New York, I thought, this isn't the

0:18:47.720 --> 0:18:50.399
<v Speaker 1>best idea. I don't think that the person who's a

0:18:50.400 --> 0:18:53.679
<v Speaker 1>police officer should be the mayor. What do you think

0:18:53.720 --> 0:18:58.000
<v Speaker 1>about that it's becoming mayor? Oh God, is it? I'll

0:18:58.000 --> 0:19:01.480
<v Speaker 1>tell you it felt like a bit like Trump becoming president,

0:19:01.480 --> 0:19:03.280
<v Speaker 1>where I knew it was going to be bad, like

0:19:03.440 --> 0:19:08.240
<v Speaker 1>really bad, and it's still far exceeded my expectations in badness.

0:19:08.720 --> 0:19:13.000
<v Speaker 1>I mean, days before Eric Adams officially became mayor, he

0:19:13.040 --> 0:19:15.760
<v Speaker 1>announced that the first thing he was going to do

0:19:16.200 --> 0:19:18.240
<v Speaker 1>that was the number one priority for him was bringing

0:19:18.280 --> 0:19:20.520
<v Speaker 1>back even though it was still there, but like bringing

0:19:20.560 --> 0:19:24.280
<v Speaker 1>back and reinforcing solitary confinement on Breaker's Island. The second

0:19:24.280 --> 0:19:26.280
<v Speaker 1>thing he did, actually the first thing he did as

0:19:26.320 --> 0:19:30.119
<v Speaker 1>as mayor was then reject the opinions of over a

0:19:30.200 --> 0:19:33.439
<v Speaker 1>majority of the city council who challenged the fact that

0:19:33.480 --> 0:19:35.520
<v Speaker 1>he was going to be bringing back solitary and said,

0:19:35.800 --> 0:19:39.080
<v Speaker 1>come back to me if and once you've become had

0:19:39.480 --> 0:19:41.879
<v Speaker 1>the experience of being a police officer. So he cast

0:19:42.200 --> 0:19:45.040
<v Speaker 1>aside the opinions of the majority of city council because

0:19:45.040 --> 0:19:49.200
<v Speaker 1>they they had not previously served as police. He has

0:19:49.440 --> 0:19:53.680
<v Speaker 1>pushed for the appointment of two different people for high

0:19:53.760 --> 0:19:59.440
<v Speaker 1>level positions in his administration who have deep, long backgrounds

0:19:59.640 --> 0:20:05.000
<v Speaker 1>with ho A phobia. He has reinstituted a deeply violent

0:20:05.240 --> 0:20:09.520
<v Speaker 1>and racist arm of the police force, which one it's

0:20:09.800 --> 0:20:13.440
<v Speaker 1>supposedly set up to try to get guns off the street,

0:20:13.480 --> 0:20:15.200
<v Speaker 1>but what they wind up doing is terrorized black and

0:20:15.240 --> 0:20:18.280
<v Speaker 1>brown neighborhoods, making it feel like you're literally imprisoned in

0:20:18.280 --> 0:20:22.040
<v Speaker 1>your own neighborhood. And they have a long history of violence,

0:20:22.160 --> 0:20:26.280
<v Speaker 1>but he reinstituted that. It's carcerealism, it's hyper policing, it's

0:20:26.359 --> 0:20:29.440
<v Speaker 1>Juliani is Um all over again. And what he's done

0:20:29.520 --> 0:20:33.399
<v Speaker 1>is he's jeopardized his because you have your article you

0:20:33.720 --> 0:20:36.560
<v Speaker 1>say the police state is failing officers too. That was

0:20:36.600 --> 0:20:40.000
<v Speaker 1>in the nation, the police state is failing officers too.

0:20:40.359 --> 0:20:45.520
<v Speaker 1>I cannot more wholeheartedly endorsed that idea. And I'm not

0:20:45.560 --> 0:20:48.520
<v Speaker 1>saying that a police officer can't be a good mayor.

0:20:48.600 --> 0:20:51.040
<v Speaker 1>It's it's it's essential that we get that on the air.

0:20:51.480 --> 0:20:53.200
<v Speaker 1>I'm not saying that a police officer can't be a

0:20:53.240 --> 0:20:55.280
<v Speaker 1>good mayor. But sure enough, he comes in there and

0:20:55.320 --> 0:20:57.840
<v Speaker 1>he does what all modern day politicians do, which is

0:20:58.080 --> 0:21:00.879
<v Speaker 1>he just shoves a whole bunch of money towards his friends.

0:21:01.400 --> 0:21:05.520
<v Speaker 1>He gives the police department a huge budgetary increase and

0:21:05.680 --> 0:21:09.840
<v Speaker 1>seven hundreds You reported seven hundred and fifty million dollars

0:21:09.880 --> 0:21:12.879
<v Speaker 1>in overtime this year, which I think you're reported was

0:21:12.880 --> 0:21:16.359
<v Speaker 1>a seventy three percent increase in what was budgeted for

0:21:16.400 --> 0:21:20.919
<v Speaker 1>this year, seven fifty million to overtime. The mayor of

0:21:20.960 --> 0:21:23.000
<v Speaker 1>this city is somebody who needed to come in and

0:21:23.000 --> 0:21:25.439
<v Speaker 1>figure out how we're going to spend less money. The

0:21:25.520 --> 0:21:28.640
<v Speaker 1>city is in a financial crisis. The city has been

0:21:28.640 --> 0:21:31.800
<v Speaker 1>in a financial crisis. Its expenses are higher and its

0:21:31.840 --> 0:21:35.919
<v Speaker 1>income is lower than has been since the seventies. The

0:21:35.960 --> 0:21:38.480
<v Speaker 1>budgets around eleven billion dollars a year. In the wake

0:21:38.560 --> 0:21:42.600
<v Speaker 1>of that, the horrible shooting in the subway station where

0:21:42.600 --> 0:21:44.560
<v Speaker 1>where there was no police to be found, to where

0:21:44.560 --> 0:21:46.639
<v Speaker 1>they were, they were calling nine. It was just a

0:21:46.680 --> 0:21:51.400
<v Speaker 1>completely disaster. We already have police in the subways at

0:21:51.400 --> 0:21:53.640
<v Speaker 1>a cost of hundreds of millions of dollars every year

0:21:53.680 --> 0:21:55.920
<v Speaker 1>to fail to prevent something like that. And he then

0:21:56.000 --> 0:21:58.680
<v Speaker 1>was like, we need five hundred more police in the

0:21:58.720 --> 0:22:02.520
<v Speaker 1>subway or a thousand, But if policing or any other

0:22:02.560 --> 0:22:07.520
<v Speaker 1>administrative agency, it would have been defunded decades ago. It's

0:22:07.520 --> 0:22:11.080
<v Speaker 1>the reality. What I do know is modern day policing

0:22:11.119 --> 0:22:13.199
<v Speaker 1>the way that we see it right now, it's not

0:22:13.280 --> 0:22:16.359
<v Speaker 1>helping anyone Like numbers show that. I'll just say my

0:22:16.640 --> 0:22:19.560
<v Speaker 1>position is this, I don't hate police. I hate that

0:22:19.600 --> 0:22:25.000
<v Speaker 1>we continue to actually invest in a failed policy solution

0:22:25.200 --> 0:22:30.080
<v Speaker 1>proven over half a century. We keep thinking that it's

0:22:30.119 --> 0:22:33.240
<v Speaker 1>not just investing more, but even the conversation around like

0:22:33.600 --> 0:22:37.120
<v Speaker 1>training them to somehow like do better. We've tried that out.

0:22:37.280 --> 0:22:40.520
<v Speaker 1>We we tried to get you know, police to have

0:22:40.600 --> 0:22:44.359
<v Speaker 1>biased training, to like shoot less people and to be

0:22:44.800 --> 0:22:49.320
<v Speaker 1>more careful. And the reality is modern day policing in America,

0:22:49.440 --> 0:22:54.280
<v Speaker 1>by its nature and by its history is deeply racist, oppressive,

0:22:54.480 --> 0:22:57.439
<v Speaker 1>and violent, and we know that it fails to prevent

0:22:57.600 --> 0:23:01.640
<v Speaker 1>crime based upon their own data. And they're sensationally so

0:23:01.680 --> 0:23:06.879
<v Speaker 1>stupendously all the words bad at solving violent crime as well.

0:23:07.600 --> 0:23:12.360
<v Speaker 1>What's an example of a successful campaign? So early on

0:23:12.560 --> 0:23:15.919
<v Speaker 1>in COVID, we got a call from a public defender

0:23:15.920 --> 0:23:19.480
<v Speaker 1>in Prince George's County, Maryland. There was one court watcher,

0:23:19.560 --> 0:23:24.280
<v Speaker 1>so formally incarcerated woman who was in court filing prosecutorial

0:23:24.440 --> 0:23:29.000
<v Speaker 1>accountability letters to the state's attorney. And this incredible civil

0:23:29.080 --> 0:23:32.679
<v Speaker 1>rights law firm, Civil Rights Corps, filed a powerful litigation

0:23:33.160 --> 0:23:36.800
<v Speaker 1>based on sixty four sworn declarations from people inside the

0:23:36.800 --> 0:23:40.280
<v Speaker 1>Prince George's County jail being held pre trial, describing, at

0:23:40.600 --> 0:23:43.760
<v Speaker 1>risk of retaliation, the horrible conditions that they were facing,

0:23:43.800 --> 0:23:46.479
<v Speaker 1>from no ppe to force, being forced to clean up

0:23:46.480 --> 0:23:49.440
<v Speaker 1>each other's bodily fluids, awful, pay, have to pay four

0:23:49.480 --> 0:23:53.520
<v Speaker 1>dollars for medical care, and the judge dismissed those sixty

0:23:53.520 --> 0:23:58.240
<v Speaker 1>four sworn declarations as quote unhelpful. And we're like, traditional

0:23:58.280 --> 0:24:02.520
<v Speaker 1>advocacy ain't working. What can we do? We brought folks together,

0:24:02.680 --> 0:24:05.440
<v Speaker 1>these these kind of different groups of local organizers formally

0:24:05.480 --> 0:24:08.320
<v Speaker 1>incarceraty people and the folks who were currently in alongside

0:24:08.640 --> 0:24:11.440
<v Speaker 1>defenders and came up with this concept. Actually, now i'm

0:24:11.480 --> 0:24:14.280
<v Speaker 1>talking about it, you were involved in it, Alec. It

0:24:14.440 --> 0:24:18.520
<v Speaker 1>was exceptionally helpful. We worked with Broadway Advocacy Coalition. We

0:24:18.520 --> 0:24:21.480
<v Speaker 1>couldn't get cell phone footage of inside Prince George's County jail,

0:24:21.480 --> 0:24:24.600
<v Speaker 1>but we had their words. So we we in partnership

0:24:24.600 --> 0:24:26.239
<v Speaker 1>with the folks on the inside, and all of these

0:24:26.359 --> 0:24:30.159
<v Speaker 1>organizers conceived of this idea of kind of reconceptualizing the

0:24:30.240 --> 0:24:34.040
<v Speaker 1>lawsuit altogether and in drawing out those words and breathing

0:24:34.200 --> 0:24:36.280
<v Speaker 1>life into those words. And so we had a range

0:24:36.280 --> 0:24:42.720
<v Speaker 1>of social justice advocates, public defenders, organizers, people with platforms

0:24:42.760 --> 0:24:47.560
<v Speaker 1>who were amazing enough to take part. You included Jesse Williams,

0:24:47.640 --> 0:24:53.160
<v Speaker 1>Fiona Apple, singer songwriter, And within a week, that audience

0:24:53.160 --> 0:24:55.800
<v Speaker 1>of one went to an audience of over four million.

0:24:55.960 --> 0:24:58.960
<v Speaker 1>Within a week, that court Watcher of one turned into

0:24:59.240 --> 0:25:02.760
<v Speaker 1>the largest watching program in the country, which continues today.

0:25:02.800 --> 0:25:05.800
<v Speaker 1>Over two people volunteered to virtual court Watch to hold

0:25:05.800 --> 0:25:09.560
<v Speaker 1>actors accountable. The County wound up settling the lawsuit because

0:25:09.560 --> 0:25:12.600
<v Speaker 1>of the public pressure that came from this campaign for

0:25:12.800 --> 0:25:17.719
<v Speaker 1>basic truth. But one of the real, um real successes

0:25:17.840 --> 0:25:19.480
<v Speaker 1>I think of this, and this is so much a

0:25:19.480 --> 0:25:21.560
<v Speaker 1>part of what Zellis does around the country and what

0:25:21.800 --> 0:25:25.680
<v Speaker 1>we hope to achieve are the partnerships between these key

0:25:25.720 --> 0:25:30.640
<v Speaker 1>allies of defenders, civil rights lawyers, local organizers, community are

0:25:30.680 --> 0:25:33.040
<v Speaker 1>stronger than they have ever been before, and the fight

0:25:33.119 --> 0:25:36.200
<v Speaker 1>for so many other justice issues has grown stronger because

0:25:36.240 --> 0:25:39.440
<v Speaker 1>of this kind of galvanizing moment. We listen, We're very

0:25:39.480 --> 0:25:43.800
<v Speaker 1>grateful to you for doing this. You're someone who the

0:25:43.880 --> 0:25:48.119
<v Speaker 1>work you're doing to help powerless people in a world

0:25:48.119 --> 0:25:51.119
<v Speaker 1>where if you don't have any power, forget about a

0:25:51.119 --> 0:25:53.360
<v Speaker 1>lot of power, even a little power, you just get

0:25:53.400 --> 0:25:59.199
<v Speaker 1>steam rolled. Thank you, Scott, Thank you, Scott Heckinger. My

0:25:59.320 --> 0:26:03.840
<v Speaker 1>next guest. Robert Greenwald is the founder of Brave New Films,

0:26:03.880 --> 0:26:09.960
<v Speaker 1>a nonprofit organization whose focus is investigative documentaries. Brave New

0:26:10.000 --> 0:26:14.600
<v Speaker 1>Films has tackled subjects such as corporate corruption, war and

0:26:14.720 --> 0:26:19.119
<v Speaker 1>government secrets. But Robert Greenwald didn't start there. He began

0:26:19.280 --> 0:26:22.639
<v Speaker 1>his career in theater and made for TV movies and

0:26:22.680 --> 0:26:27.040
<v Speaker 1>found great success, earning two Golden Globe nominations, twenty five

0:26:27.119 --> 0:26:32.639
<v Speaker 1>Emmy nominations, and a Peabody. In four Greenwald directed The

0:26:32.680 --> 0:26:37.040
<v Speaker 1>Burning Bed starring Fara Fawcett, one of the most watched

0:26:37.119 --> 0:26:41.399
<v Speaker 1>television movies in history. Based on a true story, it

0:26:41.560 --> 0:26:45.280
<v Speaker 1>was a raw depiction of abuse that changed public awareness

0:26:45.560 --> 0:26:50.359
<v Speaker 1>and the fight against domestic violence. Greenwald then shifted to

0:26:50.480 --> 0:26:53.040
<v Speaker 1>work that would continue to make a difference, and the

0:26:53.119 --> 0:26:58.000
<v Speaker 1>result was brave new films. Their movies, such as out Foxed,

0:26:58.400 --> 0:27:02.400
<v Speaker 1>Rupert Murdoch's War on Journalism and Iraq for Sale, are

0:27:02.520 --> 0:27:06.240
<v Speaker 1>available online and at free screenings. In an effort to

0:27:06.359 --> 0:27:11.080
<v Speaker 1>engage the public, Greenwald has also lectured at Harvard, addressed

0:27:11.119 --> 0:27:15.920
<v Speaker 1>Capitol Hill, and testified before Congress. He's a filmmaker certainly

0:27:16.000 --> 0:27:20.639
<v Speaker 1>making his mark. I asked Robert Greenwald about his background

0:27:21.119 --> 0:27:24.480
<v Speaker 1>and if school was where he got his start in filmmaking.

0:27:25.240 --> 0:27:29.600
<v Speaker 1>I did not. I studied history, and I studied philosophy,

0:27:29.640 --> 0:27:32.160
<v Speaker 1>and I did go to the High School of Performing Arts,

0:27:32.720 --> 0:27:37.240
<v Speaker 1>so way back then, I am had some connection to

0:27:37.600 --> 0:27:41.359
<v Speaker 1>learning from teachers, but mainly for better or for worse.

0:27:41.440 --> 0:27:43.600
<v Speaker 1>I don't know what your experience has been It's been

0:27:43.640 --> 0:27:49.119
<v Speaker 1>a kind of experiential learning on the job, making huge

0:27:49.240 --> 0:27:54.159
<v Speaker 1>mistakes and hopefully learning from them, and having some unusual

0:27:54.359 --> 0:27:59.000
<v Speaker 1>and varied experiences. When you were at performing arts, was

0:27:59.040 --> 0:28:01.879
<v Speaker 1>it acting you had originally thought about? Was that the goal?

0:28:02.760 --> 0:28:06.720
<v Speaker 1>That was the goal? And I quickly realized that I

0:28:06.760 --> 0:28:09.320
<v Speaker 1>was not made to be an actor in any shape

0:28:09.440 --> 0:28:12.000
<v Speaker 1>or form. So and you left performing arts to go

0:28:12.080 --> 0:28:14.359
<v Speaker 1>where where did you go to college? I went to

0:28:14.680 --> 0:28:18.120
<v Speaker 1>Antioch College for two years, and then I dropped out

0:28:18.119 --> 0:28:22.280
<v Speaker 1>of Antioch College, UH to work in the theater. And

0:28:22.400 --> 0:28:26.120
<v Speaker 1>I also then went to the New School because way

0:28:26.119 --> 0:28:28.880
<v Speaker 1>back then you had to be in school in order

0:28:28.920 --> 0:28:33.160
<v Speaker 1>to avoid the draft. Now, describe some of your first

0:28:33.200 --> 0:28:35.359
<v Speaker 1>experiences in the theater. Were they in New York or

0:28:35.359 --> 0:28:37.760
<v Speaker 1>were they regional? Were you what kind of work were

0:28:37.800 --> 0:28:41.680
<v Speaker 1>you doing originally in the theater in New York? The theater?

0:28:41.760 --> 0:28:45.520
<v Speaker 1>Originally I was a gopher. And for those of you

0:28:45.640 --> 0:28:48.920
<v Speaker 1>who aren't familiar with the term, go for coffee, go

0:28:49.120 --> 0:28:52.400
<v Speaker 1>for tige, go for my script, go for any of

0:28:52.400 --> 0:28:55.440
<v Speaker 1>those things. And I loved every single second of it.

0:28:55.800 --> 0:28:59.440
<v Speaker 1>I worked for a wonderful director named Vannette Carrol, a

0:28:59.480 --> 0:29:02.920
<v Speaker 1>woman who I had known from High School of Performing

0:29:03.040 --> 0:29:06.960
<v Speaker 1>Arts and a show called Trumpets of the Lord, where

0:29:07.000 --> 0:29:10.600
<v Speaker 1>I delivered the paychecks or the actually the cash to

0:29:10.720 --> 0:29:15.440
<v Speaker 1>the actors, and then at intermission I sold albums from

0:29:15.480 --> 0:29:18.480
<v Speaker 1>the show, and then I tore the tickets when people

0:29:18.600 --> 0:29:23.760
<v Speaker 1>came into the theater at one Sheridan Square. And how

0:29:23.800 --> 0:29:27.720
<v Speaker 1>long were you toiling in the theater before you decided

0:29:27.760 --> 0:29:31.280
<v Speaker 1>to go to California. I was probably in the theater

0:29:31.560 --> 0:29:38.480
<v Speaker 1>and having a brutally difficult time of its surviving financially emotionally.

0:29:38.880 --> 0:29:41.680
<v Speaker 1>It was probably three or four years. And then I

0:29:41.720 --> 0:29:44.280
<v Speaker 1>was offered a job at the Mark Tape or Forum

0:29:45.040 --> 0:29:49.280
<v Speaker 1>directing plays, and I will never forget I was offered

0:29:49.280 --> 0:29:53.160
<v Speaker 1>two hundred dollars a week, which I thought was extraordinary.

0:29:53.280 --> 0:29:56.800
<v Speaker 1>It provided financial security, and I went out and bought

0:29:56.840 --> 0:30:01.880
<v Speaker 1>a juice mixer at the time my first extra aus purchase. UM.

0:30:01.920 --> 0:30:04.400
<v Speaker 1>But I was on top of the world, and that

0:30:04.760 --> 0:30:08.760
<v Speaker 1>brought me to California, where I worked for Gordon Davidson

0:30:08.800 --> 0:30:11.840
<v Speaker 1>at the Mark Tape before UM for about two years,

0:30:12.000 --> 0:30:18.200
<v Speaker 1>and then transition to film and television, starting a company

0:30:18.240 --> 0:30:23.160
<v Speaker 1>called Moonlight Productions because my then partner Frank von Zernik

0:30:23.200 --> 0:30:27.520
<v Speaker 1>and I were literally moonlighting from the Mark Taper Forum.

0:30:27.760 --> 0:30:30.920
<v Speaker 1>When do you decide you want to start to pop

0:30:30.960 --> 0:30:33.120
<v Speaker 1>the fence at the studio because apparently you talked your

0:30:33.160 --> 0:30:35.600
<v Speaker 1>way onto a lot of movie sets or movie lots. Correct,

0:30:36.520 --> 0:30:41.360
<v Speaker 1>How did that? I tried? Well, as many things in life,

0:30:41.400 --> 0:30:43.520
<v Speaker 1>as you know, when we look back, we see things

0:30:43.600 --> 0:30:47.000
<v Speaker 1>a little differently. But I did realize as I was

0:30:47.240 --> 0:30:50.400
<v Speaker 1>at the Mark Taper Forum pretty quickly that I have

0:30:51.120 --> 0:30:55.240
<v Speaker 1>certain skill sets. One skill that I absolutely do not

0:30:55.520 --> 0:31:00.160
<v Speaker 1>have is working for somebody. I'm a complete failure as

0:31:00.200 --> 0:31:03.280
<v Speaker 1>an employee because I always had a way, my idea

0:31:03.320 --> 0:31:06.080
<v Speaker 1>of how to do it or do it differently. So

0:31:06.320 --> 0:31:09.880
<v Speaker 1>I realized I really needed to sort of start something

0:31:09.920 --> 0:31:13.880
<v Speaker 1>on my own so I wouldn't be in constant conflict

0:31:14.000 --> 0:31:18.000
<v Speaker 1>with bosses. And so Frank and I decided to start

0:31:18.040 --> 0:31:20.920
<v Speaker 1>a film what we thought would be a film company.

0:31:21.120 --> 0:31:26.200
<v Speaker 1>It quickly became a television company because television was sure,

0:31:26.280 --> 0:31:29.600
<v Speaker 1>you know, was much more open to people than film,

0:31:29.680 --> 0:31:34.640
<v Speaker 1>which was much more elitist, if you will, having to

0:31:34.760 --> 0:31:38.400
<v Speaker 1>have connections and having to have money, none of which

0:31:38.480 --> 0:31:42.920
<v Speaker 1>Frank or I had money or connections. But TV wanted content,

0:31:43.160 --> 0:31:47.840
<v Speaker 1>wanted ideas, I'm a voracious reader of everything, and so

0:31:48.320 --> 0:31:51.680
<v Speaker 1>I was in heaven coming up with ideas for what

0:31:51.880 --> 0:31:55.080
<v Speaker 1>was then known as the television movie of the week.

0:31:55.600 --> 0:31:59.800
<v Speaker 1>What's the first movie center, what's the first studio lot

0:32:00.080 --> 0:32:06.120
<v Speaker 1>you pole vault into? It was Universal Studios. And what

0:32:06.240 --> 0:32:10.000
<v Speaker 1>my what Frank and I would do is his little

0:32:10.400 --> 0:32:13.640
<v Speaker 1>broken down car became our office and in his trunk

0:32:13.720 --> 0:32:16.840
<v Speaker 1>we kept all of our scripts and projects and books

0:32:16.880 --> 0:32:21.600
<v Speaker 1>and ideas, and we would get on a pay phone nearby.

0:32:21.640 --> 0:32:27.920
<v Speaker 1>Generally often there was a Howard Johnson's at Sunset. Sunset

0:32:27.920 --> 0:32:30.720
<v Speaker 1>Boulevard had a lot of pay phones in the men's

0:32:30.800 --> 0:32:33.240
<v Speaker 1>room by the way, and we would often be on

0:32:33.280 --> 0:32:36.920
<v Speaker 1>the payphone calling the studio and saying, oh, we're on

0:32:36.960 --> 0:32:39.320
<v Speaker 1>the lot, when we come see you, and then putting

0:32:39.320 --> 0:32:42.760
<v Speaker 1>our hand over when someone was flushing urinal. It's a

0:32:42.960 --> 0:32:47.880
<v Speaker 1>very very very high class undertaking, um. But we would say, oh,

0:32:47.960 --> 0:32:49.920
<v Speaker 1>we're right on the lot, can we come in? And then,

0:32:49.960 --> 0:32:53.400
<v Speaker 1>because it was centrally located, would either go to studios

0:32:53.440 --> 0:32:55.200
<v Speaker 1>on the west side or go over the hill to

0:32:55.280 --> 0:32:59.280
<v Speaker 1>the valley. And Universal Studios seemed to have the least security.

0:32:59.440 --> 0:33:00.640
<v Speaker 1>I was going to say, must have been a very

0:33:00.640 --> 0:33:04.120
<v Speaker 1>different time, and you could get on pretty easily if

0:33:04.200 --> 0:33:08.000
<v Speaker 1>you smiled and talked. So we we made a lot

0:33:08.040 --> 0:33:11.040
<v Speaker 1>of progress getting on the univers A lot and ultimately

0:33:11.480 --> 0:33:15.760
<v Speaker 1>doing a ninety minute television movie. What's the first job

0:33:15.880 --> 0:33:19.320
<v Speaker 1>you get, Well, they entrust you to direct the project.

0:33:19.320 --> 0:33:23.160
<v Speaker 1>Your first directing gig was what first directing gig, which

0:33:24.120 --> 0:33:29.320
<v Speaker 1>was Portrait of a Mistress with Trish Vanderveer, and I

0:33:29.360 --> 0:33:33.440
<v Speaker 1>remember it fondly. It was a ninety minute movie and

0:33:33.480 --> 0:33:37.360
<v Speaker 1>because of the economics of television, the first day of

0:33:37.400 --> 0:33:42.760
<v Speaker 1>shooting literally you started in Los Angeles, flew to San Francisco,

0:33:43.160 --> 0:33:46.200
<v Speaker 1>which was the location, and we're then filming at ten

0:33:46.320 --> 0:33:50.040
<v Speaker 1>or eleven o'clock that morning. What I didn't know, and

0:33:50.160 --> 0:33:55.240
<v Speaker 1>subsequently I learned to be thoughtful and check was. Trish

0:33:55.280 --> 0:33:59.360
<v Speaker 1>had tremendous anxieties and fears, so it was very hard

0:33:59.440 --> 0:34:01.640
<v Speaker 1>for her to come out of the motor home onto

0:34:01.720 --> 0:34:07.040
<v Speaker 1>the set. Yes, seriously, really really bad. So I fly

0:34:07.160 --> 0:34:10.920
<v Speaker 1>to San Francisco. It's the first day, um the director

0:34:11.080 --> 0:34:14.560
<v Speaker 1>and tremendous pressures. You know, I have storyboarded and sketched

0:34:14.560 --> 0:34:17.440
<v Speaker 1>out everything, and she doesn't show up. So on the

0:34:17.520 --> 0:34:20.520
<v Speaker 1>first day the first shot, I had to figure out

0:34:20.560 --> 0:34:24.600
<v Speaker 1>how to shoot around her and basically get coverage of

0:34:24.760 --> 0:34:27.959
<v Speaker 1>other people. And then when she came on an hour

0:34:28.120 --> 0:34:31.239
<v Speaker 1>or two hours later, Uh, make sure that I could

0:34:31.320 --> 0:34:33.719
<v Speaker 1>that it would cut and work well. So it was

0:34:33.800 --> 0:34:37.040
<v Speaker 1>a hell of a learning experience. My stomach gets into

0:34:37.160 --> 0:34:41.080
<v Speaker 1>not just telling you the story, but you know, I survived.

0:34:41.280 --> 0:34:45.479
<v Speaker 1>This is a woman that was married to Georgey Scott. Absolutely, yes,

0:34:45.520 --> 0:34:49.080
<v Speaker 1>and he was quite a presence at times when he

0:34:49.120 --> 0:34:52.920
<v Speaker 1>would come around. Now, yeah, so you direct that movie.

0:34:53.440 --> 0:34:55.040
<v Speaker 1>What did you take away from that? You were hungry

0:34:55.080 --> 0:34:59.800
<v Speaker 1>for more? You wanted to direct more? Yes, And unfortunately

0:34:59.880 --> 0:35:04.800
<v Speaker 1>or fortunately, I've always loved telling stories. I'm not a writer,

0:35:05.560 --> 0:35:10.720
<v Speaker 1>and my interest in my skill set is in directing films.

0:35:10.760 --> 0:35:14.120
<v Speaker 1>So I wanted to do more and it was a

0:35:14.160 --> 0:35:17.360
<v Speaker 1>time when it was easier to get there's a process

0:35:17.440 --> 0:35:20.799
<v Speaker 1>for those folks not in the industry. Well, you have

0:35:20.920 --> 0:35:24.920
<v Speaker 1>to get approved by the network that is the financier.

0:35:25.040 --> 0:35:28.120
<v Speaker 1>So I've been approved as the director I don't know

0:35:28.200 --> 0:35:31.040
<v Speaker 1>how on that first film, and that allowed me to

0:35:31.120 --> 0:35:35.640
<v Speaker 1>do more television movies which I directed, and then within

0:35:35.719 --> 0:35:37.719
<v Speaker 1>a few years went on to do one of the

0:35:37.760 --> 0:35:41.360
<v Speaker 1>most successful television movies, which was The Burning Bag with

0:35:41.480 --> 0:35:45.239
<v Speaker 1>Fara Fawce, And that was a real change in the

0:35:45.440 --> 0:35:49.560
<v Speaker 1>sense that then I was offered tons of movies to

0:35:49.680 --> 0:35:54.200
<v Speaker 1>direct success film. Yeah, let's let's talk about that. Insofar

0:35:54.320 --> 0:35:59.560
<v Speaker 1>as you've done a handful of films between the first

0:35:59.560 --> 0:36:01.520
<v Speaker 1>one and when you've worked with Sara, had you done

0:36:01.520 --> 0:36:04.200
<v Speaker 1>a few films, what was it like for you to

0:36:04.960 --> 0:36:07.520
<v Speaker 1>work with her in terms of getting the performance you wanted?

0:36:07.560 --> 0:36:10.080
<v Speaker 1>And of course she gave a wonderful performance in the film.

0:36:10.120 --> 0:36:14.640
<v Speaker 1>Most people recognize that. It's interesting because in essence, she

0:36:14.840 --> 0:36:19.160
<v Speaker 1>hired me. She was attached to that film before I was.

0:36:19.920 --> 0:36:22.719
<v Speaker 1>Then I was approached by the producers John Evan and

0:36:22.760 --> 0:36:25.960
<v Speaker 1>Steve Tish and they said, you know, here's this project.

0:36:26.040 --> 0:36:28.320
<v Speaker 1>And what they didn't tell me is tons of directors

0:36:28.320 --> 0:36:32.000
<v Speaker 1>had turned it down already. But fortunately, because of my

0:36:32.200 --> 0:36:37.560
<v Speaker 1>theater background, I had seen Farat off Broadway in extremities

0:36:38.000 --> 0:36:42.320
<v Speaker 1>and she was very good, and I felt there's something here.

0:36:42.920 --> 0:36:45.719
<v Speaker 1>And the other thing, and you know this about stars

0:36:46.080 --> 0:36:48.719
<v Speaker 1>is they have a pretty most of them have a

0:36:48.760 --> 0:36:51.719
<v Speaker 1>pretty good sense of what they can do. And so

0:36:51.760 --> 0:36:55.000
<v Speaker 1>I met with Farah and I felt there was a

0:36:55.120 --> 0:36:59.600
<v Speaker 1>real commitment to wanting to do this story. I talked

0:36:59.600 --> 0:37:02.640
<v Speaker 1>to her about I would want several weeks of rehearsal.

0:37:03.080 --> 0:37:05.960
<v Speaker 1>I would want to go with her to various shelters

0:37:06.200 --> 0:37:10.160
<v Speaker 1>for abused women and interviewed the women. And she was

0:37:10.600 --> 0:37:13.040
<v Speaker 1>signed up for all of it. And then I think

0:37:13.080 --> 0:37:16.440
<v Speaker 1>I said this even before filming or rehearsal, I said,

0:37:16.560 --> 0:37:19.799
<v Speaker 1>and I don't want you surrounded by hair and make

0:37:19.880 --> 0:37:24.239
<v Speaker 1>up people after every take, tweaking and touching, and I

0:37:24.280 --> 0:37:28.040
<v Speaker 1>want you to be able to kill the momentum, killing

0:37:28.040 --> 0:37:30.360
<v Speaker 1>the momentum, killing the truth. And she was not a

0:37:30.440 --> 0:37:35.719
<v Speaker 1>trained actor, so she needed the emotion and because she

0:37:35.760 --> 0:37:39.239
<v Speaker 1>didn't have the technique to recreate And in fact, one

0:37:39.280 --> 0:37:41.160
<v Speaker 1>of the best scenes in the movie when she's on

0:37:41.200 --> 0:37:44.840
<v Speaker 1>the witness stand and I just did it out of instinct,

0:37:45.000 --> 0:37:48.320
<v Speaker 1>was I kept rolling Rather than saying cut and start

0:37:48.400 --> 0:37:50.640
<v Speaker 1>over again, I said go again, go again. And I

0:37:50.640 --> 0:37:52.920
<v Speaker 1>wouldn't let them cut, and I wouldn't let anybody come

0:37:53.000 --> 0:37:55.680
<v Speaker 1>on the set. And it ultimately led to us, I

0:37:55.800 --> 0:37:59.360
<v Speaker 1>think a strong and truthful moment. Was she grateful to

0:37:59.400 --> 0:38:01.040
<v Speaker 1>you in the end? Do you think that you guys

0:38:01.040 --> 0:38:04.719
<v Speaker 1>had accomplished something together? Yeah, she was very appreciative. And

0:38:04.760 --> 0:38:07.799
<v Speaker 1>then when the film aired and it got you know,

0:38:07.880 --> 0:38:11.200
<v Speaker 1>more people watched it and watched the presidential debates and

0:38:11.320 --> 0:38:14.840
<v Speaker 1>got all kinds of awards, and and it also in

0:38:14.880 --> 0:38:17.960
<v Speaker 1>a way moved me towards where I ultimately wound up

0:38:18.440 --> 0:38:21.960
<v Speaker 1>because the social impact part of it, I mean, we

0:38:21.960 --> 0:38:26.799
<v Speaker 1>were getting notes from legislators, laws were getting changed. It

0:38:26.880 --> 0:38:31.320
<v Speaker 1>was really quite something, and the realization of the power

0:38:31.440 --> 0:38:36.360
<v Speaker 1>of storytelling to reach people and affect lives of many

0:38:36.480 --> 0:38:40.360
<v Speaker 1>people throughout the country. Up until then, sort of domestic

0:38:40.440 --> 0:38:44.160
<v Speaker 1>abuse was looked at as women complaining, and the police

0:38:44.160 --> 0:38:48.400
<v Speaker 1>didn't take it seriously, and legislaators didn't take it seriously.

0:38:48.480 --> 0:38:52.920
<v Speaker 1>So she and I and John and Steve all felt

0:38:53.280 --> 0:38:55.840
<v Speaker 1>quite a bit of pride in being able to do that.

0:38:56.880 --> 0:39:00.760
<v Speaker 1>Most people assume that the ultimate goal to make films

0:39:00.760 --> 0:39:05.680
<v Speaker 1>to make feature films, and although that thinking that films

0:39:05.680 --> 0:39:10.360
<v Speaker 1>are automatically better than television, as he wrote it, substantially

0:39:10.360 --> 0:39:12.680
<v Speaker 1>in the last twenty years, obviously, and some of the

0:39:12.719 --> 0:39:14.799
<v Speaker 1>best acting and some of the best directings being done

0:39:15.120 --> 0:39:19.160
<v Speaker 1>in streaming TV and even a network TV and movies

0:39:19.200 --> 0:39:22.440
<v Speaker 1>are not necessarily the Shangla law that people have always

0:39:22.440 --> 0:39:25.160
<v Speaker 1>thought it was you know, but nonetheless you decide you

0:39:25.160 --> 0:39:26.960
<v Speaker 1>want to get into the feature film business. How did

0:39:26.960 --> 0:39:29.560
<v Speaker 1>that start? What was the first feature you shot? Maybe

0:39:29.560 --> 0:39:32.680
<v Speaker 1>it was that I do right? And whose idea was that?

0:39:33.920 --> 0:39:36.120
<v Speaker 1>Not mine? No, no, I know what. Listen, we all

0:39:36.160 --> 0:39:41.680
<v Speaker 1>have our It was Larry Gordon and Joel Silver hired

0:39:41.719 --> 0:39:45.279
<v Speaker 1>me and Olivia I think now they didn't have Olivia yet.

0:39:45.320 --> 0:39:50.640
<v Speaker 1>It was Larry and Joe huired me. Um, and I

0:39:50.680 --> 0:39:54.440
<v Speaker 1>thought it was would be fun. I love musicals. My

0:39:54.600 --> 0:39:58.279
<v Speaker 1>uncle is Michael Kidd, director and choreographer, so I grew

0:39:58.360 --> 0:40:02.279
<v Speaker 1>up watching him work. Um and I decided, I don't

0:40:02.280 --> 0:40:05.279
<v Speaker 1>know that I decided so much to do features, but

0:40:05.320 --> 0:40:09.919
<v Speaker 1>I thought this was an interesting project. And um, so

0:40:10.280 --> 0:40:13.440
<v Speaker 1>I went into the lions den of a big studio

0:40:13.520 --> 0:40:20.120
<v Speaker 1>movie and um, I emerged barely standing right right. I'm

0:40:20.160 --> 0:40:24.960
<v Speaker 1>told that nine eleven. I want you to clarify this

0:40:25.040 --> 0:40:28.840
<v Speaker 1>for me was what helped to build the next bridge

0:40:29.040 --> 0:40:33.920
<v Speaker 1>for you, which was to basically give up making entertainment

0:40:34.000 --> 0:40:37.640
<v Speaker 1>films and in for theater or television and go into

0:40:37.960 --> 0:40:41.480
<v Speaker 1>the business here and now? Is that accurately? That was

0:40:41.520 --> 0:40:45.000
<v Speaker 1>the timeline around nine eleven and what happened, Yes, in fact,

0:40:45.200 --> 0:40:49.160
<v Speaker 1>it was. It's actually very accurate and very specific. So

0:40:49.360 --> 0:40:52.640
<v Speaker 1>a couple of things all came together. One of them

0:40:52.960 --> 0:40:58.400
<v Speaker 1>most it was nine eleven, and as you've i'm sure experienced,

0:40:58.560 --> 0:41:03.960
<v Speaker 1>it was tremendous payen and tremendous fear. But our grief

0:41:04.440 --> 0:41:09.120
<v Speaker 1>as a country, as a people so quickly shifted from

0:41:09.360 --> 0:41:15.120
<v Speaker 1>grief and pain to rage and revenge. I found it, frankly,

0:41:15.239 --> 0:41:20.760
<v Speaker 1>quite terrifying, and particularly terrifying because of my four children,

0:41:20.840 --> 0:41:23.879
<v Speaker 1>who affect so many of the decisions that I've made

0:41:23.920 --> 0:41:26.080
<v Speaker 1>in my life that I make in my life now,

0:41:26.760 --> 0:41:31.400
<v Speaker 1>and I felt a strong sense of what, if anything,

0:41:31.440 --> 0:41:35.040
<v Speaker 1>could I do. And around the same time, my father

0:41:35.160 --> 0:41:39.640
<v Speaker 1>died and like all parents, like myself as a parent,

0:41:40.239 --> 0:41:43.920
<v Speaker 1>uh not perfect as a parent. And I remember very

0:41:43.920 --> 0:41:48.000
<v Speaker 1>specifically waiting to get up and speak in our living

0:41:48.080 --> 0:41:50.640
<v Speaker 1>room where we had a little memorial for him, and

0:41:50.680 --> 0:41:53.160
<v Speaker 1>I'm thinking, what am I going to say? That's not bullshit,

0:41:53.320 --> 0:41:56.200
<v Speaker 1>but that is real. And it really hit me that

0:41:56.320 --> 0:41:58.960
<v Speaker 1>one of the wonderful things he passed on to me

0:42:00.440 --> 0:42:05.520
<v Speaker 1>was this notion that you gain by doing something above

0:42:05.560 --> 0:42:10.200
<v Speaker 1>and beyond your own narrow financial interests, assuming you're fortunate

0:42:10.280 --> 0:42:14.279
<v Speaker 1>and comfortable enough, which I was, and so at that

0:42:14.400 --> 0:42:18.279
<v Speaker 1>moment it all kind of came together. I didn't know

0:42:18.360 --> 0:42:20.520
<v Speaker 1>that I was going to start a company, that I

0:42:20.560 --> 0:42:24.000
<v Speaker 1>was going to make all these documentaries, but I did

0:42:24.080 --> 0:42:27.640
<v Speaker 1>know I wanted to do something as difficult as it

0:42:27.800 --> 0:42:32.279
<v Speaker 1>was and it is, that would have impacts in a

0:42:32.360 --> 0:42:35.960
<v Speaker 1>way above and beyond somebody walking out of a movie

0:42:36.000 --> 0:42:38.880
<v Speaker 1>theater and saying, oh, that was fun or not fun.

0:42:39.280 --> 0:42:43.760
<v Speaker 1>For ven I was doing a play out on Long Island,

0:42:43.760 --> 0:42:47.040
<v Speaker 1>and it was the first year that Bay Street Theater

0:42:47.120 --> 0:42:51.040
<v Speaker 1>and sag Harbor had decided to extend their season beyond

0:42:51.080 --> 0:42:53.600
<v Speaker 1>the normal summer months and the summer crowd and go

0:42:53.640 --> 0:42:56.040
<v Speaker 1>into the month of September, and we were going to

0:42:56.160 --> 0:42:58.640
<v Speaker 1>run through the month of September for two or three weeks.

0:42:59.400 --> 0:43:03.359
<v Speaker 1>On our first invited dress was nine eleven itself, and

0:43:03.719 --> 0:43:06.319
<v Speaker 1>we canceled that performance. We all said that we were

0:43:06.360 --> 0:43:09.319
<v Speaker 1>not in any emotional condition to go and do that.

0:43:09.360 --> 0:43:12.359
<v Speaker 1>Then the next day was our first ticketed preview, and

0:43:12.560 --> 0:43:15.120
<v Speaker 1>the theater was small, and when you left the theater

0:43:15.200 --> 0:43:17.120
<v Speaker 1>from the dressing rooms, you had to pass through the

0:43:17.160 --> 0:43:22.040
<v Speaker 1>lobby and a handful of people would wait for us

0:43:22.880 --> 0:43:28.799
<v Speaker 1>and with tremendous sadness in their face. They would say,

0:43:28.800 --> 0:43:31.280
<v Speaker 1>thank you so much for giving us something, for coming

0:43:31.280 --> 0:43:33.560
<v Speaker 1>here and doing this and giving us something to take

0:43:33.560 --> 0:43:37.080
<v Speaker 1>our minds off this horrible event, because it was so immersive,

0:43:37.120 --> 0:43:38.759
<v Speaker 1>you know, you just couldn't get away from it for

0:43:38.960 --> 0:43:41.560
<v Speaker 1>months and months. I had a woman who lived in

0:43:41.560 --> 0:43:43.640
<v Speaker 1>my building who was Jewish, and she turned to me

0:43:43.680 --> 0:43:46.879
<v Speaker 1>and she said, now New York is like Israel. I'll

0:43:46.920 --> 0:43:48.799
<v Speaker 1>never forget. She said that, like, like we were gonna

0:43:48.800 --> 0:43:52.680
<v Speaker 1>have to live now in a condition of fear and

0:43:52.719 --> 0:43:56.600
<v Speaker 1>then a defensive posture on a kind of constant level.

0:43:56.640 --> 0:43:59.520
<v Speaker 1>Now the United States was no longer invulnerable to this

0:43:59.600 --> 0:44:02.239
<v Speaker 1>kind of thing. And I remember thinking to myself, you know,

0:44:02.280 --> 0:44:03.719
<v Speaker 1>I gotta get out of here. I thought I got

0:44:03.719 --> 0:44:05.080
<v Speaker 1>to move out of New York, and I was really

0:44:05.080 --> 0:44:08.520
<v Speaker 1>really terrified. I didn't really think much about changing my career,

0:44:09.280 --> 0:44:15.239
<v Speaker 1>but you do change your career. And were your politics

0:44:15.800 --> 0:44:20.520
<v Speaker 1>fairly conquetized, and you were fairly kind of inclined where

0:44:20.520 --> 0:44:22.920
<v Speaker 1>you were going to go once you started making a

0:44:22.920 --> 0:44:25.960
<v Speaker 1>different kind of programming, once you your company, Brave New

0:44:26.000 --> 0:44:31.040
<v Speaker 1>Films comes into being, and you're going to make a

0:44:31.040 --> 0:44:33.160
<v Speaker 1>different kind of content. Did you know where you were

0:44:33.200 --> 0:44:36.239
<v Speaker 1>headed because you've already been dabbling in that politically, well,

0:44:36.239 --> 0:44:39.680
<v Speaker 1>I knew that some of the most satisfying experiences when

0:44:39.680 --> 0:44:43.200
<v Speaker 1>I've been in the commercial for profit world had been

0:44:43.280 --> 0:44:47.759
<v Speaker 1>true stories based on things like the burning bed and

0:44:47.800 --> 0:44:53.040
<v Speaker 1>a bunch of others, children being locked up in prison, unemployment, inequality,

0:44:53.080 --> 0:44:55.399
<v Speaker 1>the whole series of things that those are the ones

0:44:55.480 --> 0:45:00.520
<v Speaker 1>that gave me the greatest satisfaction. So I wanted to

0:45:00.600 --> 0:45:05.240
<v Speaker 1>do something that would be hopefully meaningful, and it also

0:45:05.560 --> 0:45:09.160
<v Speaker 1>where I could be challenged and use whatever skills I

0:45:09.280 --> 0:45:13.640
<v Speaker 1>have to the best of my ability and most you know,

0:45:13.680 --> 0:45:17.000
<v Speaker 1>A key piece of it was by this point, because

0:45:17.040 --> 0:45:21.719
<v Speaker 1>I've been very successful in commercial television, I had enough

0:45:21.800 --> 0:45:25.319
<v Speaker 1>money so that if I was careful and if I

0:45:25.360 --> 0:45:31.200
<v Speaker 1>was thoughtful, I wouldn't have to pay myself a salary.

0:45:31.320 --> 0:45:34.000
<v Speaker 1>And that was a big, big deal because you know,

0:45:34.280 --> 0:45:37.080
<v Speaker 1>the hardest part of my job when I started and

0:45:37.280 --> 0:45:41.799
<v Speaker 1>to this day, is fundraising. I'm lousy at it. It's difficult.

0:45:42.200 --> 0:45:45.239
<v Speaker 1>If I had to raise money to pay myself, I

0:45:45.800 --> 0:45:50.200
<v Speaker 1>don't think I could ever do it. But fortunately, because

0:45:50.200 --> 0:45:53.920
<v Speaker 1>of those circumstances and for fifteen or sixteen years now,

0:45:53.920 --> 0:45:56.799
<v Speaker 1>I've I've been able to be a full time volunteer

0:45:57.200 --> 0:46:01.520
<v Speaker 1>running Brave New Films and raising money for the staff

0:46:01.600 --> 0:46:04.160
<v Speaker 1>that of course needs to be paid, and I did

0:46:04.520 --> 0:46:09.920
<v Speaker 1>um the general approach to around equality in civil rights

0:46:10.080 --> 0:46:14.640
<v Speaker 1>and national security were all there. I think the work

0:46:14.719 --> 0:46:18.440
<v Speaker 1>that I've done and the amazing people I've met, whether

0:46:18.520 --> 0:46:22.520
<v Speaker 1>it was when I flew to Pakistan and interviewed drone survivors,

0:46:22.640 --> 0:46:26.360
<v Speaker 1>or when I went to Afghanistan and interviewed women there,

0:46:26.520 --> 0:46:30.440
<v Speaker 1>or people who you know, taking on the n r

0:46:30.480 --> 0:46:34.200
<v Speaker 1>A around the country, or voter suppression. I mean, just

0:46:34.719 --> 0:46:39.279
<v Speaker 1>it's so extraordinary the people you come in contact with,

0:46:39.600 --> 0:46:42.799
<v Speaker 1>and you're able to have a connection at a much

0:46:42.880 --> 0:46:46.080
<v Speaker 1>deeper level than a you know, a cocktail party or

0:46:46.120 --> 0:46:51.720
<v Speaker 1>a casual acquaintance. Now when you start, because I'm assuming

0:46:51.760 --> 0:46:55.279
<v Speaker 1>now if nine eleven is you know, kind of the

0:46:55.280 --> 0:46:58.080
<v Speaker 1>benchmark there. So you've been doing this for twenty years

0:46:58.160 --> 0:47:02.400
<v Speaker 1>roughly Brave New Films. In the beginning, were there people

0:47:02.480 --> 0:47:04.440
<v Speaker 1>you knew you wanted to reach out and you were

0:47:04.440 --> 0:47:07.400
<v Speaker 1>going to form a staff or the beginnings of a

0:47:07.480 --> 0:47:10.520
<v Speaker 1>staff with people you had worked with previously. Is that

0:47:10.640 --> 0:47:13.440
<v Speaker 1>you and a couple of young people around your kitchen table.

0:47:13.520 --> 0:47:17.879
<v Speaker 1>What is Brave New Films Day one? There was no

0:47:18.040 --> 0:47:20.719
<v Speaker 1>Brave New Films day one. It was the furthest thing

0:47:20.800 --> 0:47:23.359
<v Speaker 1>from my mind. What I thought was I wanted to

0:47:23.360 --> 0:47:25.960
<v Speaker 1>make a movie about the Iraq War and that we

0:47:25.960 --> 0:47:29.960
<v Speaker 1>were not being told the truth. And I thought, well,

0:47:30.040 --> 0:47:32.839
<v Speaker 1>let's let's try to do it. So I found one

0:47:32.920 --> 0:47:36.360
<v Speaker 1>or two other people many I mean the people around

0:47:36.360 --> 0:47:38.400
<v Speaker 1>me at the time, as you know, the agents and

0:47:38.440 --> 0:47:41.120
<v Speaker 1>the lawyers or whatever, tried to talk me out of

0:47:41.160 --> 0:47:45.160
<v Speaker 1>it because there was no money and they defined themselves

0:47:45.280 --> 0:47:47.800
<v Speaker 1>by money. My brother way back when, gave me a

0:47:47.840 --> 0:47:51.520
<v Speaker 1>wonderful little book called Wealth Addiction, and it talks about

0:47:51.600 --> 0:47:55.400
<v Speaker 1>people addicted to making money above and beyond what they need,

0:47:55.480 --> 0:47:58.200
<v Speaker 1>and it almost becomes an addiction. What is an addiction?

0:47:58.400 --> 0:48:02.359
<v Speaker 1>Never enough? Always thinking about getting more? And it, you know,

0:48:02.520 --> 0:48:04.799
<v Speaker 1>it really stayed with me. So when I made this

0:48:05.680 --> 0:48:09.799
<v Speaker 1>decision to try to do a documentary about the the

0:48:09.920 --> 0:48:13.040
<v Speaker 1>lies and the distortions around the Iraq War, I just

0:48:13.239 --> 0:48:16.840
<v Speaker 1>reached out to essentially a version of what you're saying.

0:48:17.239 --> 0:48:21.759
<v Speaker 1>A couple of folks who hired an editor, and I

0:48:21.840 --> 0:48:27.280
<v Speaker 1>hired a researcher, and we began and that was the start.

0:48:27.360 --> 0:48:30.680
<v Speaker 1>And then when we finished the film, um, so I

0:48:30.719 --> 0:48:32.640
<v Speaker 1>hadn't really thought about this. How are we going to

0:48:32.719 --> 0:48:35.880
<v Speaker 1>get people to see it? Right? So we had an

0:48:35.920 --> 0:48:40.239
<v Speaker 1>alliance with one of the local radio stations, and I

0:48:40.280 --> 0:48:43.680
<v Speaker 1>remember this so well, and they booked the Lumley Theater

0:48:43.800 --> 0:48:47.240
<v Speaker 1>in Cinea, Monica. And I remember going to the opening

0:48:47.480 --> 0:48:50.960
<v Speaker 1>the one opening night, the only night, driving in the

0:48:51.040 --> 0:48:53.919
<v Speaker 1>car on I think it's Second Street on the way

0:48:53.960 --> 0:48:57.080
<v Speaker 1>to the theater, and there's a line around the block.

0:48:57.400 --> 0:49:00.800
<v Speaker 1>And I turned to my wife and my daughters and say, oh, ship,

0:49:01.320 --> 0:49:04.680
<v Speaker 1>somebody's having a premiere tonight and it's gonna get all

0:49:04.719 --> 0:49:07.120
<v Speaker 1>the attention and we won't even be able to get

0:49:07.160 --> 0:49:09.279
<v Speaker 1>into the theater. Well, it turned out it was the

0:49:09.360 --> 0:49:12.719
<v Speaker 1>line to see they are ac film because it was

0:49:12.840 --> 0:49:16.319
<v Speaker 1>such hunger. And then afterwards people came up to me

0:49:16.360 --> 0:49:19.000
<v Speaker 1>and it wasn't then you've had this experience just oh

0:49:19.120 --> 0:49:22.080
<v Speaker 1>it was a good film. It was thank you for

0:49:22.280 --> 0:49:27.320
<v Speaker 1>making that movie and telling that story. And that was heroin.

0:49:27.560 --> 0:49:34.279
<v Speaker 1>I mean, that got me, That got me hooked. Filmmaker

0:49:34.400 --> 0:49:39.279
<v Speaker 1>and activist Robert Greenwald, if you're enjoying this conversation, don't

0:49:39.360 --> 0:49:42.840
<v Speaker 1>keep it to yourself, tell a friend and follow Here's

0:49:42.880 --> 0:49:46.239
<v Speaker 1>the Thing on the I Heart radio app, Spotify or

0:49:46.719 --> 0:49:49.960
<v Speaker 1>wherever you get your podcasts. When we come back. I

0:49:50.040 --> 0:49:53.120
<v Speaker 1>talked with Robert Greenwald about how The Burning Bed and

0:49:53.280 --> 0:49:56.799
<v Speaker 1>nine eleven led him to bring his storytelling skills to

0:49:57.320 --> 0:50:13.600
<v Speaker 1>another platform. I'm Alec Baldwin and this is Here's the Thing.

0:50:14.400 --> 0:50:18.200
<v Speaker 1>Since Brave New Films founding in two thousand four, Robert

0:50:18.200 --> 0:50:22.280
<v Speaker 1>Greenwald has made numerous films with a strong political message.

0:50:22.840 --> 0:50:26.080
<v Speaker 1>I wanted to know what frustrates him about politics in

0:50:26.160 --> 0:50:30.400
<v Speaker 1>our country today. Well, I feel a mixture. There's a

0:50:30.440 --> 0:50:34.480
<v Speaker 1>part of me that, despite it all, and despite being

0:50:34.520 --> 0:50:38.200
<v Speaker 1>a New Yorker, in my heart and soul, I am optimistic.

0:50:38.640 --> 0:50:43.120
<v Speaker 1>On the other hand, we've been working on voters suppression. Started.

0:50:43.160 --> 0:50:46.800
<v Speaker 1>We did a film the help of many folks about

0:50:46.880 --> 0:50:52.520
<v Speaker 1>voter suppression in Georgia. We had two thousand and twenty

0:50:52.800 --> 0:50:57.080
<v Speaker 1>free screenings before the two thousand and twenty elections. Uh,

0:50:57.080 --> 0:51:00.880
<v Speaker 1>and it continues. We're working on a new version of

0:51:00.920 --> 0:51:05.080
<v Speaker 1>it now suppressed and sabotaged. And Alex I tell you,

0:51:05.160 --> 0:51:08.759
<v Speaker 1>at times I don't believe I'm in this country. I mean,

0:51:09.120 --> 0:51:12.840
<v Speaker 1>this breaks my heart. Honestly, the number of people who died,

0:51:13.440 --> 0:51:17.880
<v Speaker 1>who died fighting for voting rights, and here we are again,

0:51:18.120 --> 0:51:23.000
<v Speaker 1>and the fact that some elected officials can justify what

0:51:23.080 --> 0:51:27.760
<v Speaker 1>they're doing around suppressing, around sabotaging. It's breaking my heart

0:51:27.840 --> 0:51:32.640
<v Speaker 1>to hear these stories all over the country of legislation

0:51:32.719 --> 0:51:37.279
<v Speaker 1>being passed, people being intimidated, people being bullied. And I

0:51:37.320 --> 0:51:40.759
<v Speaker 1>feel at times like I'm either in another country or

0:51:40.800 --> 0:51:44.000
<v Speaker 1>in another time period. And I see that and as

0:51:44.080 --> 0:51:48.200
<v Speaker 1>kind of an overlay of so many of the problems

0:51:48.239 --> 0:51:52.759
<v Speaker 1>and challenges. If elected officials with a straight face can

0:51:52.760 --> 0:51:56.800
<v Speaker 1>get up there and say no, you should not have dropboxes,

0:51:57.160 --> 0:52:00.880
<v Speaker 1>No you should not have vote by mail, it baffles

0:52:01.000 --> 0:52:05.160
<v Speaker 1>me how they can live with themselves. You have quite

0:52:05.160 --> 0:52:09.040
<v Speaker 1>a range of topics you've covered with Brave New films

0:52:09.600 --> 0:52:13.480
<v Speaker 1>from two thousand four in the War on Iraq, out Foxed,

0:52:14.400 --> 0:52:19.759
<v Speaker 1>Rubert Murdock's War on Journalism, documentaries about Walmart war profiteering

0:52:19.760 --> 0:52:23.920
<v Speaker 1>in Iraq, Rethinking Afghanistan in two thousand nine. What are

0:52:23.960 --> 0:52:25.359
<v Speaker 1>you working on now? Do you have something that can

0:52:25.400 --> 0:52:30.239
<v Speaker 1>you discuss that? Yeah, it's going to be called suppressed

0:52:30.520 --> 0:52:36.040
<v Speaker 1>and sabotage two And the goal is to have it

0:52:36.160 --> 0:52:39.280
<v Speaker 1>done in the spring we put together you know, again,

0:52:39.320 --> 0:52:41.920
<v Speaker 1>we do two things right. We make the content and

0:52:42.080 --> 0:52:46.120
<v Speaker 1>as important, maybe even more important, is the distribution, because

0:52:46.160 --> 0:52:49.920
<v Speaker 1>there's no point doing what we do if people aren't

0:52:49.960 --> 0:52:52.759
<v Speaker 1>seeing it and if there isn't an impact. So we

0:52:52.800 --> 0:52:56.400
<v Speaker 1>have study guides, we have actions that we ask people

0:52:56.480 --> 0:52:59.640
<v Speaker 1>to do, and so if you have thousands of free screenings,

0:53:00.120 --> 0:53:02.920
<v Speaker 1>it's hundreds of thousands of people being reached, some of

0:53:02.960 --> 0:53:05.760
<v Speaker 1>whom are then going to be moved to do something

0:53:05.800 --> 0:53:09.480
<v Speaker 1>about it. So right now we're heavily focused on the

0:53:09.719 --> 0:53:13.800
<v Speaker 1>suppressed and sabotage. We were interviewing people around the country.

0:53:13.840 --> 0:53:19.400
<v Speaker 1>If any of your listeners have stories of suppression, they

0:53:19.440 --> 0:53:23.200
<v Speaker 1>can contact me Robert at Brave New Films dot org.

0:53:23.640 --> 0:53:27.200
<v Speaker 1>We're looking for more stories. We have some experts, and

0:53:27.239 --> 0:53:31.080
<v Speaker 1>I think that's going to be as important, you know,

0:53:31.239 --> 0:53:34.879
<v Speaker 1>because it's big picture stuff and the common thread out

0:53:34.960 --> 0:53:37.799
<v Speaker 1>like and not that we're always successful with all of

0:53:37.840 --> 0:53:41.880
<v Speaker 1>the films is I try to do two things. I

0:53:41.920 --> 0:53:45.440
<v Speaker 1>try number one, to put a face on policy, because

0:53:45.480 --> 0:53:48.600
<v Speaker 1>that's what film can do that books don't do and

0:53:48.680 --> 0:53:53.000
<v Speaker 1>studies don't do, and think tanks don't do. We humanize

0:53:53.040 --> 0:53:56.480
<v Speaker 1>it and then we try to connect the dots so

0:53:56.560 --> 0:54:00.799
<v Speaker 1>that people understand it's systemic. Walmart was not about a

0:54:00.880 --> 0:54:04.920
<v Speaker 1>bad boss. It was about a system of greed based

0:54:05.000 --> 0:54:09.680
<v Speaker 1>on a certain kind of capitalist where anything is okay.

0:54:09.719 --> 0:54:14.080
<v Speaker 1>Similarly with the Drone movie, if we stopped using drones today,

0:54:14.200 --> 0:54:17.759
<v Speaker 1>there's still would be issues around the military industrial complex.

0:54:18.160 --> 0:54:21.520
<v Speaker 1>So I try very hard, and it's and you don't

0:54:21.520 --> 0:54:23.440
<v Speaker 1>want to preach to people. You don't want to do

0:54:23.600 --> 0:54:27.080
<v Speaker 1>spinach or homework. So how do you tell those stories

0:54:27.640 --> 0:54:32.719
<v Speaker 1>that are deeply personal, that exposed the systemic workings and

0:54:32.800 --> 0:54:36.759
<v Speaker 1>that people want to see and energize them rather than

0:54:36.960 --> 0:54:40.160
<v Speaker 1>have them wanting to slit their wrists. We're really for

0:54:40.200 --> 0:54:43.320
<v Speaker 1>a small group of putting more time and energy into

0:54:43.400 --> 0:54:46.640
<v Speaker 1>reaching people. Because how do we take a clip and

0:54:47.080 --> 0:54:49.600
<v Speaker 1>how do you change it so it will reach a

0:54:49.680 --> 0:54:52.920
<v Speaker 1>hundred thousand people on TikTok and how do you change

0:54:52.920 --> 0:54:55.480
<v Speaker 1>it so it will reach two hundred thousand on YouTube?

0:54:55.880 --> 0:55:00.040
<v Speaker 1>So our job is to reach the different audiences in

0:55:00.120 --> 0:55:04.600
<v Speaker 1>different ways that they consume the material, not to change it,

0:55:05.080 --> 0:55:10.680
<v Speaker 1>but to reformat. Yes, well, I'm proud to know you.

0:55:10.840 --> 0:55:13.040
<v Speaker 1>I'm proud to know you. Thank you very much for

0:55:13.080 --> 0:55:14.600
<v Speaker 1>coming on with us, and thank you for your time.

0:55:14.600 --> 0:55:21.160
<v Speaker 1>I really appreciate it. Okay, thanks be well. My thanks

0:55:21.160 --> 0:55:26.000
<v Speaker 1>to Robert Greenwald and Scott Heckinger. This episode was recorded

0:55:26.360 --> 0:55:30.920
<v Speaker 1>at CDM Studios and produced by Kathleen Russo, Zach McNeice,

0:55:31.120 --> 0:55:35.280
<v Speaker 1>and Maureen Hoban. Our engineer is Frank Imperial. Our social

0:55:35.320 --> 0:55:39.440
<v Speaker 1>media manager is Danielle Gingrich. I'm Alec Baldwin. Here's the

0:55:39.520 --> 0:55:42.240
<v Speaker 1>thing is brought to you by iHeart Radio