1 00:00:00,240 --> 00:00:05,480 Speaker 1: It's nine og one Engine with Jenny Garth and Tory spelling. 2 00:00:09,600 --> 00:00:13,760 Speaker 2: Hello, it's us your favorite omg ars. 3 00:00:13,760 --> 00:00:16,239 Speaker 3: Well we're there only omg ers, but. 4 00:00:17,680 --> 00:00:18,600 Speaker 1: So you're stuck with us. 5 00:00:18,760 --> 00:00:23,200 Speaker 2: Good point, Good point. How is everybody today? 6 00:00:23,560 --> 00:00:26,239 Speaker 1: Amy's very excited about this episode. I am because I 7 00:00:26,280 --> 00:00:29,040 Speaker 1: can't wait to talk about sororities. But also how was like, 8 00:00:29,200 --> 00:00:31,319 Speaker 1: were you both out of con? Just me? 9 00:00:31,680 --> 00:00:34,360 Speaker 3: But Jenna and I'll be together this weekend for the 10 00:00:34,400 --> 00:00:36,720 Speaker 3: Big one Nineties Con. 11 00:00:37,000 --> 00:00:40,159 Speaker 1: We're taping this a little early, so you'll have to 12 00:00:40,280 --> 00:00:43,240 Speaker 1: report back at That's okay though, so just so people 13 00:00:43,320 --> 00:00:45,800 Speaker 1: can know they Tory just did a con. But then 14 00:00:45,800 --> 00:00:48,000 Speaker 1: the Big Nineties Con will tell you all about it 15 00:00:48,440 --> 00:00:51,720 Speaker 1: in a week because they we taped this right before. 16 00:00:51,400 --> 00:00:54,720 Speaker 2: They left, right right, very so it's like. 17 00:00:54,640 --> 00:00:56,680 Speaker 1: We're like in back to the future right now because 18 00:00:56,680 --> 00:00:57,680 Speaker 1: we're time traveling. 19 00:00:59,360 --> 00:01:01,320 Speaker 2: Oh my gosh, this is a good one this week, 20 00:01:01,320 --> 00:01:03,320 Speaker 2: you guys, Season seven, episode five. 21 00:01:03,800 --> 00:01:05,240 Speaker 1: It's a really good episode. 22 00:01:05,400 --> 00:01:08,759 Speaker 2: Pledging My Love aired September eighteenth, nineteen ninety six. 23 00:01:09,520 --> 00:01:13,319 Speaker 3: Synopsis. It's Pledge week and Steve accidentally shows too much 24 00:01:13,319 --> 00:01:16,720 Speaker 3: school spirit, leaving him begging Brandon to bail him out. 25 00:01:16,800 --> 00:01:17,280 Speaker 1: Yet again. 26 00:01:17,800 --> 00:01:21,160 Speaker 3: Why Kenny finds a condo in Broughtwood, Amy is at 27 00:01:21,200 --> 00:01:24,960 Speaker 3: Yours to continue his affair with Valerie, Donna takes a 28 00:01:25,000 --> 00:01:28,760 Speaker 3: sporty pledge under her wing, and Kelly convinces Jimmy to 29 00:01:28,920 --> 00:01:33,520 Speaker 3: reconnect with his Jewish roots before he says goodbye. 30 00:01:34,000 --> 00:01:36,960 Speaker 2: Directed by James Darren, written by Phil Sabbath. 31 00:01:38,040 --> 00:01:41,440 Speaker 1: Don't we should talk about the sad, sad, sad stuff first? 32 00:01:41,440 --> 00:01:46,040 Speaker 1: Because I want to enjoy talking about Brentwood and sorority life. 33 00:01:46,240 --> 00:01:52,640 Speaker 2: Okay, thanks, Amy loves talking about sororities, as we all know, 34 00:01:53,360 --> 00:01:56,280 Speaker 2: Tori and I could care less seriously well. 35 00:01:56,200 --> 00:01:58,640 Speaker 1: Because y'all got it so we had nothing to base 36 00:01:58,680 --> 00:01:58,920 Speaker 1: it on. 37 00:01:59,480 --> 00:02:02,640 Speaker 3: You got it so ridiculously you we need to do 38 00:02:02,720 --> 00:02:03,440 Speaker 3: it ourselves. 39 00:02:03,480 --> 00:02:08,639 Speaker 1: The writers have clearly never been in a sorority, because 40 00:02:08,760 --> 00:02:11,320 Speaker 1: it's not that's not it doesn't work like that in 41 00:02:11,360 --> 00:02:14,520 Speaker 1: any way, shape or form whatsoever at all. 42 00:02:15,000 --> 00:02:18,880 Speaker 3: Should we talk like a sorority? You need one? 43 00:02:19,040 --> 00:02:23,480 Speaker 1: Yes that you yes? Actually correct, you needed one because 44 00:02:23,480 --> 00:02:27,200 Speaker 1: it showed like how far off they were. But first, 45 00:02:27,639 --> 00:02:29,359 Speaker 1: don't let me forget to talk about brent one too. 46 00:02:29,680 --> 00:02:33,160 Speaker 2: Okay, let's talk about Let's talk about the sad one first, Kelly. 47 00:02:34,840 --> 00:02:38,359 Speaker 2: We're continuing with the story with Kelly and Jimmy's friendship, 48 00:02:38,960 --> 00:02:42,640 Speaker 2: and uh, it's a nice little outing. They go to 49 00:02:42,720 --> 00:02:46,079 Speaker 2: celebrate the Jewish holiday with David, which is so nice 50 00:02:46,120 --> 00:02:52,440 Speaker 2: to see. And uh, what is what am I called? 51 00:02:53,560 --> 00:02:57,120 Speaker 2: If I'm not Jewish, I'm a I'm a SIXA. Well, 52 00:02:57,200 --> 00:03:00,320 Speaker 2: this storyline was really really sad. 53 00:03:01,080 --> 00:03:02,120 Speaker 1: It was really sad. 54 00:03:03,520 --> 00:03:05,640 Speaker 3: Jen you were so beautiful and it. 55 00:03:05,480 --> 00:03:07,720 Speaker 2: Just I cried and cried and cried. 56 00:03:07,800 --> 00:03:10,840 Speaker 1: Watch it was a great performance by both of you. 57 00:03:11,200 --> 00:03:16,079 Speaker 1: Now I will say they made how do I say 58 00:03:16,120 --> 00:03:21,320 Speaker 1: this without seeming like a inappropriate jerk? They definitely made 59 00:03:21,320 --> 00:03:25,720 Speaker 1: it seem a lot more lovely to pass away from 60 00:03:25,720 --> 00:03:29,440 Speaker 1: a terrible, terrible disease than it actually is. Like I 61 00:03:29,560 --> 00:03:33,640 Speaker 1: was like, they're kind of glossing over how awful this is. 62 00:03:34,400 --> 00:03:38,720 Speaker 3: But did you want to see that part or you 63 00:03:38,840 --> 00:03:40,960 Speaker 3: just wanted it to be a beautiful moment between the 64 00:03:41,000 --> 00:03:41,440 Speaker 3: two of them? 65 00:03:41,480 --> 00:03:44,280 Speaker 1: And all I can say is your dad covered it 66 00:03:44,640 --> 00:03:48,520 Speaker 1: very realistically in and the band played off. So if 67 00:03:48,520 --> 00:03:51,040 Speaker 1: you want to really see a little bit more of 68 00:03:51,040 --> 00:03:53,240 Speaker 1: an accurate situation. 69 00:03:52,960 --> 00:03:55,600 Speaker 2: Are you speaking like his physical appearance? 70 00:03:55,760 --> 00:03:56,080 Speaker 3: Yeah? 71 00:03:56,160 --> 00:03:58,280 Speaker 1: Yeah, I mean, I just don't know that you would 72 00:03:58,280 --> 00:04:01,880 Speaker 1: go from being totally fine ish one day too to 73 00:04:02,000 --> 00:04:05,840 Speaker 1: that and they and I think it was much more 74 00:04:05,960 --> 00:04:11,000 Speaker 1: terrible than they made it seem right, but it is not. 75 00:04:11,400 --> 00:04:13,880 Speaker 1: And now what are they gonna do? Yeah, I'm gonna 76 00:04:13,880 --> 00:04:15,200 Speaker 1: give them. I'm gonna give them a little bit of 77 00:04:15,200 --> 00:04:18,880 Speaker 1: a pass because I really felt it was so important 78 00:04:19,080 --> 00:04:22,400 Speaker 1: watching Yeah, it was so important to cover this storyline. 79 00:04:22,640 --> 00:04:26,080 Speaker 1: And Jenny, I thought you were phenomenod Thank you. 80 00:04:26,160 --> 00:04:29,440 Speaker 2: Guys. I had forgotten all about this storyline quite honestly, 81 00:04:30,000 --> 00:04:32,000 Speaker 2: and watching it just brought it all back. 82 00:04:32,160 --> 00:04:34,919 Speaker 3: Man, Like, sorry, I'm gonna embarrass you for a second 83 00:04:34,960 --> 00:04:37,320 Speaker 3: gen Like what like no, in a good way. Like 84 00:04:38,120 --> 00:04:41,520 Speaker 3: it's performances like this in matters that we dealt with 85 00:04:41,920 --> 00:04:44,600 Speaker 3: like this that made me think, like why were you 86 00:04:44,760 --> 00:04:47,960 Speaker 3: not nominated for that performance? Do you know what I mean? 87 00:04:48,240 --> 00:04:49,599 Speaker 2: Was there even such a thing? 88 00:04:49,640 --> 00:04:49,800 Speaker 4: Then? 89 00:04:49,880 --> 00:04:50,880 Speaker 1: I do? There is? 90 00:04:50,920 --> 00:04:53,720 Speaker 2: There was There was didn't happen for any of us, 91 00:04:53,800 --> 00:04:54,880 Speaker 2: like for any of us. 92 00:04:54,960 --> 00:04:58,560 Speaker 3: But I can't speak for myself for anyone else, but 93 00:04:58,640 --> 00:05:02,479 Speaker 3: I can speak free you just watching a performance and 94 00:05:02,560 --> 00:05:05,279 Speaker 3: just being a fan, not being your friend. I'm just 95 00:05:05,360 --> 00:05:10,360 Speaker 3: watching and I'm like, this was such a brilliant opportunity 96 00:05:10,800 --> 00:05:16,240 Speaker 3: to one get the accolades you deserved, and two to 97 00:05:16,400 --> 00:05:20,599 Speaker 3: show how what the shower Gloss TV was actually doing 98 00:05:20,760 --> 00:05:24,080 Speaker 3: a service to people and talking about important things that 99 00:05:24,200 --> 00:05:27,320 Speaker 3: needed to be talked about. So it's kind of a 100 00:05:27,360 --> 00:05:29,360 Speaker 3: bummer that nine notes, two and zero was just always 101 00:05:29,360 --> 00:05:29,920 Speaker 3: passed over. 102 00:05:30,279 --> 00:05:35,200 Speaker 1: Sorry, yeah, because you really addressed these issues and his performance, right. 103 00:05:35,040 --> 00:05:38,159 Speaker 2: And we all worked so so hard, like we all 104 00:05:38,240 --> 00:05:40,719 Speaker 2: worked our asses off for ten years. 105 00:05:41,080 --> 00:05:43,560 Speaker 3: I feel like it came with the spelling name and 106 00:05:43,640 --> 00:05:46,080 Speaker 3: it had a little bit of a spelling curse. I'm sorry, 107 00:05:46,120 --> 00:05:47,960 Speaker 3: not curse, but you know what I mean. No, the 108 00:05:48,040 --> 00:05:49,960 Speaker 3: stigma of stigma. 109 00:05:49,600 --> 00:05:52,880 Speaker 2: What he was known for previously, but I think he 110 00:05:53,040 --> 00:05:55,520 Speaker 2: was changing that narrative with but. 111 00:05:55,480 --> 00:05:58,000 Speaker 3: He was always known for the new book. Actually, like 112 00:05:58,080 --> 00:06:04,360 Speaker 3: even from the beginning, he did really amazing prolific shows 113 00:06:04,400 --> 00:06:06,599 Speaker 3: that like spoke towards stuff. Like one of his first 114 00:06:06,640 --> 00:06:10,040 Speaker 3: shows in the early seventies before our time, called Family 115 00:06:11,360 --> 00:06:13,760 Speaker 3: was a brilliant, hard hitting issue show. 116 00:06:13,880 --> 00:06:14,640 Speaker 1: Like, so it. 117 00:06:14,560 --> 00:06:16,400 Speaker 3: Doesn't make s I don't know, sorry, And I'm not 118 00:06:16,440 --> 00:06:18,040 Speaker 3: speaking to my dad's we have right now, I'm just 119 00:06:18,080 --> 00:06:18,960 Speaker 3: speaking as a fan. 120 00:06:19,160 --> 00:06:22,560 Speaker 1: And it was Christy mcnickelon Family. Correct. Yeah, that was 121 00:06:22,600 --> 00:06:26,200 Speaker 1: a that show dealt with a lot of stuff. Yeah, 122 00:06:26,279 --> 00:06:27,160 Speaker 1: so anyway. 123 00:06:26,839 --> 00:06:28,880 Speaker 2: Wow, yeah, I don't know. Maybe it was love Boat 124 00:06:28,960 --> 00:06:31,360 Speaker 2: or Fantasy Island that derailed it, But you know, the 125 00:06:31,760 --> 00:06:33,440 Speaker 2: public's image of him is. 126 00:06:33,480 --> 00:06:37,120 Speaker 3: More wild though you can't do both, right. 127 00:06:37,320 --> 00:06:38,960 Speaker 2: No, I don't think they'll let you. 128 00:06:39,240 --> 00:06:41,359 Speaker 1: I think the thing that's interesting is like, if you 129 00:06:41,440 --> 00:06:46,240 Speaker 1: were of the time, right in the nineties, this wasn't 130 00:06:46,279 --> 00:06:49,480 Speaker 1: the show that would come to mind to think of 131 00:06:49,600 --> 00:06:55,839 Speaker 1: like great performances and really tackling these important issues just 132 00:06:55,880 --> 00:06:59,240 Speaker 1: from the top of mind. If you were a core viewer, 133 00:06:59,400 --> 00:07:02,600 Speaker 1: you would know. But it had the reputation of being 134 00:07:02,680 --> 00:07:05,480 Speaker 1: like nine two and oh, melrose Play is kind of soapy, 135 00:07:05,640 --> 00:07:07,200 Speaker 1: do you know what I mean? So it just wasn't 136 00:07:08,440 --> 00:07:11,480 Speaker 1: on the list. What I always find amazing about nine 137 00:07:11,520 --> 00:07:13,440 Speaker 1: O two and oh is and that we talk about 138 00:07:13,440 --> 00:07:15,440 Speaker 1: this all the time. I'm sorry to be a nauseum 139 00:07:15,440 --> 00:07:18,840 Speaker 1: about it. We have this storyline which I thought was 140 00:07:18,880 --> 00:07:26,520 Speaker 1: done perfectly basically, while simultaneously we got streaking a scandalous affair, 141 00:07:26,840 --> 00:07:30,040 Speaker 1: do you know what I mean? Like and shows. 142 00:07:31,480 --> 00:07:33,600 Speaker 2: Or three or four different shows. 143 00:07:33,640 --> 00:07:40,400 Speaker 1: A sorority storyline actually address something super important also in 144 00:07:40,440 --> 00:07:43,200 Speaker 1: a unique way, which we can. We'll totally talk about 145 00:07:43,240 --> 00:07:46,240 Speaker 1: when we get to the story thing, because Donna like 146 00:07:46,800 --> 00:07:50,600 Speaker 1: was calling it out, calling out, being like, you know, 147 00:07:50,680 --> 00:07:51,760 Speaker 1: we need to look at different people. 148 00:07:51,800 --> 00:07:51,880 Speaker 5: Now. 149 00:07:51,920 --> 00:07:57,280 Speaker 1: Of course it's still a white blonde girl. Yeah, we 150 00:07:57,320 --> 00:07:59,720 Speaker 1: need to judge people from what's on the inside. This 151 00:08:00,200 --> 00:08:02,400 Speaker 1: blonde girl might not seem like all the other white 152 00:08:02,440 --> 00:08:03,080 Speaker 1: blonde girl. 153 00:08:03,320 --> 00:08:06,280 Speaker 2: But listen, we're not all the same. 154 00:08:08,000 --> 00:08:09,440 Speaker 1: But I do want to talk about the story. Should 155 00:08:09,440 --> 00:08:10,920 Speaker 1: we do that now or should talk Let's talk about 156 00:08:10,920 --> 00:08:15,760 Speaker 1: you and Michael. His performance is incredible. Also, he's so good. 157 00:08:16,000 --> 00:08:19,520 Speaker 2: Oh my god, that was heartbreaking. And then just the aftermath, 158 00:08:19,720 --> 00:08:23,160 Speaker 2: like he clearly died while she said she's gonna stay 159 00:08:23,200 --> 00:08:25,240 Speaker 2: with him, and then she went home and she's just 160 00:08:25,240 --> 00:08:27,840 Speaker 2: sitting on the balcony processing it. 161 00:08:28,840 --> 00:08:32,240 Speaker 3: And they lit that candle. I love those candles. I 162 00:08:32,240 --> 00:08:34,040 Speaker 3: still like one for my dad every year. 163 00:08:34,400 --> 00:08:38,360 Speaker 1: I appreciated that scene that they didn't put a bow 164 00:08:38,440 --> 00:08:40,080 Speaker 1: on it. Do you know what I'm saying? Like nine 165 00:08:40,080 --> 00:08:42,160 Speaker 1: O two and zero can do that? They that you 166 00:08:42,160 --> 00:08:45,040 Speaker 1: didn't just leave and do do doot, You're fine. 167 00:08:45,120 --> 00:08:47,720 Speaker 2: I probably would have ended the episode at a different 168 00:08:47,760 --> 00:08:51,280 Speaker 2: point in that scene, but I don't know, the ending 169 00:08:51,360 --> 00:08:54,920 Speaker 2: felt a little like not and I don't know, I 170 00:08:55,000 --> 00:08:56,520 Speaker 2: didn't feel like a closure. 171 00:08:56,880 --> 00:08:59,480 Speaker 3: You would have ended it with you and Jimmy in 172 00:08:59,520 --> 00:09:02,360 Speaker 3: the past and not gone back to the David or No. 173 00:09:02,480 --> 00:09:03,600 Speaker 2: I like the David scene. 174 00:09:03,640 --> 00:09:05,600 Speaker 3: I think I loved you and David. 175 00:09:05,840 --> 00:09:09,839 Speaker 2: Yeah, it's so funny. I forget how great Kelly and 176 00:09:09,920 --> 00:09:10,839 Speaker 2: David are together. 177 00:09:10,600 --> 00:09:12,480 Speaker 1: And I forget that I know they're so great. 178 00:09:12,600 --> 00:09:17,440 Speaker 2: Yeah, it was really a good pairing. But I feel 179 00:09:17,520 --> 00:09:19,480 Speaker 2: like in that scene, like maybe what like at the 180 00:09:19,559 --> 00:09:21,000 Speaker 2: lighting of the candle or. 181 00:09:22,440 --> 00:09:24,480 Speaker 3: And did a little sooner, you would have gone out 182 00:09:24,520 --> 00:09:27,839 Speaker 3: of it. Okay, that's fair me, No, that's fair. 183 00:09:28,559 --> 00:09:30,360 Speaker 2: But I did. I did want it to end because 184 00:09:30,360 --> 00:09:32,040 Speaker 2: I wasn't. I kept crying. 185 00:09:32,080 --> 00:09:33,040 Speaker 3: Didn't want to cry anymore. 186 00:09:34,400 --> 00:09:36,920 Speaker 1: Yeah, I mean, this episode takes you on quite an 187 00:09:36,960 --> 00:09:39,960 Speaker 1: emotional roller coaster and also had a lot of giggles, 188 00:09:39,960 --> 00:09:41,240 Speaker 1: so it was like, oh my god. 189 00:09:41,360 --> 00:09:43,959 Speaker 2: Wait, what'd you giggle at the shaving cream. 190 00:09:44,000 --> 00:09:47,640 Speaker 1: Pants, streaking and the whole to do from. 191 00:09:47,480 --> 00:09:50,559 Speaker 2: The streaking when he when okay, we're jumping ahead to 192 00:09:50,600 --> 00:09:55,960 Speaker 2: Steve Sanders' rat boy behavior when he is running through 193 00:09:56,360 --> 00:09:59,560 Speaker 2: the sprinklers and then he stops and like he plays 194 00:09:59,600 --> 00:10:03,400 Speaker 2: it as if the sprinkler is like shooting up his butt. 195 00:10:03,200 --> 00:10:07,480 Speaker 1: Basically seriously washing off his You see the sneaker shot too, 196 00:10:07,559 --> 00:10:09,800 Speaker 1: I'm like his socks and sneakers, Like. 197 00:10:10,040 --> 00:10:13,040 Speaker 3: It was so good and so nice. It's so crazy though, 198 00:10:13,040 --> 00:10:15,319 Speaker 3: because that's shaving cream. I thought it was shaving cream 199 00:10:15,360 --> 00:10:17,239 Speaker 3: at first, like over underwear. 200 00:10:17,559 --> 00:10:20,760 Speaker 1: Yeah, I think a little sprinkler isn't going to wash 201 00:10:20,800 --> 00:10:22,840 Speaker 1: off the whole thing, and they could have kept running. 202 00:10:23,559 --> 00:10:26,840 Speaker 2: I guess, I guess silly it was. That was a giggle. 203 00:10:26,880 --> 00:10:28,480 Speaker 2: That was a jiggle giggle moment. 204 00:10:28,960 --> 00:10:29,320 Speaker 1: Yeah. 205 00:10:29,440 --> 00:10:31,800 Speaker 3: Yeah, And it was like no one would know him that, 206 00:10:32,040 --> 00:10:34,600 Speaker 3: what's the thing he does? Gen then like you know, 207 00:10:34,679 --> 00:10:40,119 Speaker 3: he's like he's like, it's like so obvious. 208 00:10:53,120 --> 00:10:55,560 Speaker 1: Okay, let us talk about the whole storyline, Okay, because 209 00:10:56,240 --> 00:10:59,000 Speaker 1: it kind of was. You were having this sort of boring, boring, 210 00:10:59,040 --> 00:11:04,360 Speaker 1: fulig real spirit and the newsgirl whose name Jill Novak, 211 00:11:04,400 --> 00:11:06,559 Speaker 1: whose name is out of my head, her character Tracy. 212 00:11:07,000 --> 00:11:10,120 Speaker 1: Tracy is all kind of bitter about it, like why 213 00:11:10,120 --> 00:11:12,360 Speaker 1: are we covering this? We need some real news and 214 00:11:12,400 --> 00:11:16,080 Speaker 1: it's like girls. 215 00:11:13,040 --> 00:11:13,439 Speaker 6: She's. 216 00:11:15,600 --> 00:11:19,160 Speaker 3: First news job ever into the cast, like she's been 217 00:11:19,200 --> 00:11:20,600 Speaker 3: there forever right now, like you. 218 00:11:20,480 --> 00:11:25,720 Speaker 1: Were drunk on your first newscast. Why don't you just like. 219 00:11:24,640 --> 00:11:27,040 Speaker 3: We didn't even get to know her. It's like, all 220 00:11:27,040 --> 00:11:28,080 Speaker 3: of a sudden, she's just there. 221 00:11:28,240 --> 00:11:32,120 Speaker 2: All I know is like she's from the South, perhaps. 222 00:11:31,800 --> 00:11:35,040 Speaker 1: Yeah, she's just very suddenly she's Diane Sawyer, you know 223 00:11:35,040 --> 00:11:37,360 Speaker 1: what I mean. She's like, I need real news, like 224 00:11:37,440 --> 00:11:37,880 Speaker 1: not this. 225 00:11:38,640 --> 00:11:40,960 Speaker 2: It is so near to me that they would just 226 00:11:41,120 --> 00:11:45,280 Speaker 2: take out the last character that looked just like this 227 00:11:45,440 --> 00:11:50,080 Speaker 2: character and replace her with the same basic look, right. 228 00:11:50,760 --> 00:11:53,800 Speaker 1: And the same basic character news woman. Like it's just 229 00:11:53,840 --> 00:11:55,800 Speaker 1: like why, I don't even know why they did that? 230 00:11:56,080 --> 00:11:58,520 Speaker 3: And I feel like she gets bubblier right because this 231 00:11:58,640 --> 00:12:02,640 Speaker 3: one she was just straight up up britten. Who's the 232 00:12:02,679 --> 00:12:04,640 Speaker 3: previous one, Oh my goodness. 233 00:12:04,400 --> 00:12:08,480 Speaker 2: Blanking right like Susan, Susan, thank you. 234 00:12:09,000 --> 00:12:11,840 Speaker 3: She's written just like Susan, whereas we got the notion 235 00:12:11,880 --> 00:12:14,840 Speaker 3: of her last week that she was gonna be more fun, 236 00:12:15,000 --> 00:12:18,960 Speaker 3: bubbly and like not just so like serious, like but 237 00:12:19,200 --> 00:12:19,959 Speaker 3: here we go again. 238 00:12:20,160 --> 00:12:23,160 Speaker 1: It's literally the same character. I also found it so 239 00:12:23,320 --> 00:12:26,840 Speaker 1: interesting on the credits that Michael got okay, so it 240 00:12:26,920 --> 00:12:31,319 Speaker 1: goes you know, this person, this person and special guest 241 00:12:31,400 --> 00:12:35,400 Speaker 1: Star Dalton do you know what I mean? And then 242 00:12:35,440 --> 00:12:37,120 Speaker 1: it goes through all the people in the episode, and 243 00:12:37,120 --> 00:12:39,080 Speaker 1: then it says Anne Michael, I don't want to mess 244 00:12:39,160 --> 00:12:45,520 Speaker 1: up his last name Stoyano. So I thought, oh, whoa, 245 00:12:45,559 --> 00:12:48,360 Speaker 1: he really deserved the special guest star. They're really giving 246 00:12:48,400 --> 00:12:50,520 Speaker 1: that Dalton guy special guest star and he has like 247 00:12:50,600 --> 00:12:53,520 Speaker 1: two scenes. Anyway, I thought I found that all that interesting. 248 00:12:53,840 --> 00:12:57,600 Speaker 3: But in some Jen correct me if I'm wrong. Isn't 249 00:12:57,600 --> 00:13:01,040 Speaker 3: sometimes and the name like supposed to be it's. 250 00:13:00,880 --> 00:13:04,240 Speaker 1: A bigger get a bigger It doesn't feel bigger than 251 00:13:04,720 --> 00:13:06,400 Speaker 1: a special guest star to me. 252 00:13:07,559 --> 00:13:10,360 Speaker 3: I think anna got a special guest. 253 00:13:10,200 --> 00:13:11,600 Speaker 1: Star that feels big. 254 00:13:12,200 --> 00:13:15,200 Speaker 2: Oh, nowadays the special guest star part is taken out 255 00:13:15,200 --> 00:13:18,640 Speaker 2: and it's just and like you'll see that, like, for instance, 256 00:13:18,679 --> 00:13:20,920 Speaker 2: I was just watching lion S last night and Nicole 257 00:13:21,000 --> 00:13:23,160 Speaker 2: Kidman as and Nicole Kidman at the end. 258 00:13:23,280 --> 00:13:28,480 Speaker 5: Oh so maybe because way bigger get Yeah, maybe because 259 00:13:28,600 --> 00:13:32,280 Speaker 5: Dalton was a recurring and maybe they didn't cook consider 260 00:13:32,400 --> 00:13:33,640 Speaker 5: Michael recurring. 261 00:13:33,720 --> 00:13:35,800 Speaker 1: He was just doing a three episode arc, so he 262 00:13:35,880 --> 00:13:38,679 Speaker 1: got the and it's all negotiated. 263 00:13:38,800 --> 00:13:43,000 Speaker 2: Those words are all heavily negotiated right now. 264 00:13:43,000 --> 00:13:45,360 Speaker 1: I have a question. This is just a sidebar. If 265 00:13:45,400 --> 00:13:47,160 Speaker 1: someone was going to pay you more but you're not 266 00:13:47,200 --> 00:13:49,040 Speaker 1: going to get that, and would you just take the 267 00:13:49,080 --> 00:13:51,240 Speaker 1: money or is the credit that crucial? 268 00:13:53,360 --> 00:13:55,400 Speaker 2: I would say it depends on the project. 269 00:13:56,559 --> 00:13:59,280 Speaker 1: So say you're going to be on Lions and I'm 270 00:13:59,280 --> 00:14:01,560 Speaker 1: going to pay you one million dollars, but you can 271 00:14:01,679 --> 00:14:05,079 Speaker 1: get a terrible credit, like you're just lumped in. I 272 00:14:05,080 --> 00:14:08,480 Speaker 1: don't think they would do that or you're gonna get 273 00:14:08,520 --> 00:14:10,600 Speaker 1: I'm just making them more important. 274 00:14:10,720 --> 00:14:13,640 Speaker 2: Actor would absolutely take the job for one million dollars 275 00:14:13,640 --> 00:14:17,000 Speaker 2: and credited, write my name on a napkin and throw 276 00:14:17,000 --> 00:14:18,320 Speaker 2: it in the trash can. I don't know it. 277 00:14:18,320 --> 00:14:20,080 Speaker 3: Would be uncredited for bad amount. 278 00:14:20,200 --> 00:14:21,600 Speaker 2: Yeah. 279 00:14:21,600 --> 00:14:23,200 Speaker 1: See that's what I was wondering. See, that's what I 280 00:14:23,200 --> 00:14:23,600 Speaker 1: feel like. 281 00:14:23,640 --> 00:14:25,440 Speaker 2: It's like it's a statisty. 282 00:14:25,640 --> 00:14:27,720 Speaker 1: Maybe actors care more about it. 283 00:14:27,720 --> 00:14:31,080 Speaker 2: It's a status thing. I think that reps care more. 284 00:14:31,880 --> 00:14:36,280 Speaker 3: Oh really, it's kind of an old school thing maybe now, yeah, 285 00:14:36,360 --> 00:14:37,320 Speaker 3: Oh that's interesting. 286 00:14:37,920 --> 00:14:41,240 Speaker 2: Yeah, Randy, are you on the line, mister showbiz, mister 287 00:14:41,280 --> 00:14:43,000 Speaker 2: show biz calling, mister show We have so. 288 00:14:42,880 --> 00:14:43,880 Speaker 1: Many questions for you. 289 00:14:44,160 --> 00:14:47,360 Speaker 2: I'm here, Yes, what's the deal with an end credit 290 00:14:47,440 --> 00:14:48,760 Speaker 2: at the end of a of a. 291 00:14:49,360 --> 00:14:53,520 Speaker 4: Cast, there's actually two credits that that sort of set 292 00:14:53,560 --> 00:15:01,360 Speaker 4: an actor aside, and there's width. Sometimes sometimes they've given 293 00:15:02,080 --> 00:15:04,640 Speaker 4: the one that you that you want is and, but 294 00:15:04,760 --> 00:15:08,520 Speaker 4: sometimes they've given and away to somebody else to so 295 00:15:08,640 --> 00:15:11,760 Speaker 4: then then you can get with, which is basically the 296 00:15:11,800 --> 00:15:12,320 Speaker 4: same thing. 297 00:15:12,600 --> 00:15:16,560 Speaker 1: So would say with Tory Spelling and Jenny Garth. And 298 00:15:16,640 --> 00:15:20,080 Speaker 1: in that case, Jenny would have the sparklier moment because 299 00:15:20,120 --> 00:15:21,200 Speaker 1: she's last. 300 00:15:23,520 --> 00:15:27,480 Speaker 4: Not necessarily the order so much as I think that 301 00:15:27,600 --> 00:15:31,080 Speaker 4: were pretty much and and with is fairly synonymous. But 302 00:15:31,560 --> 00:15:34,680 Speaker 4: I think most most reps will ask for and and 303 00:15:34,680 --> 00:15:37,600 Speaker 4: it just sort of it just sort of sets that 304 00:15:37,800 --> 00:15:40,520 Speaker 4: actor aside from all the other actors that are in 305 00:15:40,560 --> 00:15:41,080 Speaker 4: the episode. 306 00:15:41,080 --> 00:15:43,240 Speaker 6: Who are guests, who are guest stars? 307 00:15:45,240 --> 00:15:49,120 Speaker 1: What about a special guest star? Because Dalton James got 308 00:15:49,200 --> 00:15:51,680 Speaker 1: and special Guest Star up at the top, right, so 309 00:15:51,760 --> 00:15:55,160 Speaker 1: it had like Jill Novak somebody else and Dalton James 310 00:15:55,240 --> 00:15:58,280 Speaker 1: as and special guest star, but Michael got and. 311 00:15:59,040 --> 00:16:01,320 Speaker 4: I think Jenny's right. I don't know that they use 312 00:16:01,400 --> 00:16:05,040 Speaker 4: that that much anymore. WHOA don't hold don't hold me 313 00:16:05,080 --> 00:16:09,200 Speaker 4: for that. But the reason that it's somewhat important to 314 00:16:09,320 --> 00:16:12,120 Speaker 4: the reps, as Jenny said, is because it sets a 315 00:16:12,200 --> 00:16:17,280 Speaker 4: precedent that you can use in other deals moving forward. 316 00:16:17,840 --> 00:16:21,880 Speaker 4: When when you you can say to a casting director, 317 00:16:22,280 --> 00:16:24,800 Speaker 4: well my client always gets and he got. 318 00:16:24,600 --> 00:16:26,400 Speaker 6: It on this show. He got it on this show, 319 00:16:26,440 --> 00:16:26,760 Speaker 6: he got it. 320 00:16:28,320 --> 00:16:31,120 Speaker 3: It's so silly. Really, can we create new ones? I 321 00:16:31,520 --> 00:16:37,880 Speaker 3: want ps Tory spelling exo XO Tory spelling. 322 00:16:38,040 --> 00:16:44,360 Speaker 4: And the last but not least, imagine how about tagging along? 323 00:16:44,600 --> 00:16:49,400 Speaker 1: We can tagging along Amy Sugarman, thank you, Thank you 324 00:16:49,440 --> 00:16:52,160 Speaker 1: so much for that. I'll take that. Wait, Brandy, who 325 00:16:52,240 --> 00:16:53,520 Speaker 1: votes for the Emmys? 326 00:16:53,800 --> 00:16:54,800 Speaker 6: Anyone who's in. 327 00:16:57,240 --> 00:17:01,840 Speaker 4: After Well, it's now one union SAG after, But so 328 00:17:01,880 --> 00:17:04,040 Speaker 4: anyone who's in SAG after it can vote. 329 00:17:04,280 --> 00:17:06,160 Speaker 1: So I don't want to. I won't, I won't call 330 00:17:06,240 --> 00:17:08,919 Speaker 1: them out. But technically Jenny and Tory could be voting 331 00:17:08,960 --> 00:17:10,040 Speaker 1: for the Emmys every year. 332 00:17:10,920 --> 00:17:14,160 Speaker 6: Yeah, I would be surprised if you guys aren't getting. 333 00:17:14,200 --> 00:17:19,280 Speaker 2: I think I am. I don't really, Oh my gosh, 334 00:17:19,359 --> 00:17:20,399 Speaker 2: how do you not vote? 335 00:17:21,520 --> 00:17:22,720 Speaker 1: Totally help you vote. 336 00:17:22,720 --> 00:17:24,960 Speaker 2: I will totally help you I vote, but I don't. 337 00:17:25,000 --> 00:17:27,359 Speaker 3: Performances are always great. Sorry, I'm going back to this, 338 00:17:27,520 --> 00:17:28,720 Speaker 3: but it's just it's blowing on. 339 00:17:28,920 --> 00:17:30,560 Speaker 1: I'm sorry. This is a good thing. 340 00:17:31,080 --> 00:17:35,000 Speaker 3: Like her performance in this storyline is so incredible. Was 341 00:17:35,080 --> 00:17:38,480 Speaker 3: she submitted to be nominated for the Emmys? 342 00:17:38,800 --> 00:17:42,480 Speaker 6: Yes, and and we we the reps always. 343 00:17:42,240 --> 00:17:44,919 Speaker 4: Are the ones that submit, And she was submitted on 344 00:17:45,000 --> 00:17:46,639 Speaker 4: this And I'll tell you the other one that she 345 00:17:46,760 --> 00:17:47,720 Speaker 4: was submitted on. 346 00:17:48,320 --> 00:17:50,640 Speaker 6: Is the date rape episode. 347 00:17:50,920 --> 00:17:54,879 Speaker 4: Remember where she is like confessional with everybody sitting around 348 00:17:55,320 --> 00:17:59,200 Speaker 4: and the problem isn't it? And I heard your conversation 349 00:17:59,720 --> 00:18:02,639 Speaker 4: and it is sad, Toy, because your dad did so 350 00:18:02,880 --> 00:18:08,680 Speaker 4: many groundbreaking projects. But I, for whatever reason, I think 351 00:18:09,240 --> 00:18:13,280 Speaker 4: that they're a little snooty at the Academy, you know, 352 00:18:13,960 --> 00:18:17,880 Speaker 4: and and they think of this as as a as 353 00:18:17,920 --> 00:18:21,720 Speaker 4: a teen an Aaron Spelling teen show. And I think 354 00:18:21,800 --> 00:18:25,760 Speaker 4: if if those performances and Toy, you've done some great 355 00:18:25,800 --> 00:18:29,080 Speaker 4: performances too, I think if they were in a different in. 356 00:18:29,080 --> 00:18:31,720 Speaker 6: A different show, they would have been received. 357 00:18:31,840 --> 00:18:32,840 Speaker 1: That's what I think too. 358 00:18:33,240 --> 00:18:37,800 Speaker 3: I think, what a talented group, and it's just such 359 00:18:37,840 --> 00:18:39,919 Speaker 3: a a miss. 360 00:18:40,280 --> 00:18:40,600 Speaker 4: Yeah. 361 00:18:40,720 --> 00:18:44,000 Speaker 1: Yeah, I was looking who was who won the Emmy 362 00:18:44,440 --> 00:18:48,840 Speaker 1: in nineteen ninety seven, Third Rock from the Sun. Maybe 363 00:18:48,840 --> 00:18:52,560 Speaker 1: it looks like is that for comedy or was Oh 364 00:18:52,560 --> 00:18:53,320 Speaker 1: that's comedy. 365 00:18:53,400 --> 00:18:56,800 Speaker 3: Yeah, I feel Jason was nominated a couple times for 366 00:18:56,840 --> 00:18:57,520 Speaker 3: a Golden Globe. 367 00:18:57,600 --> 00:19:00,879 Speaker 1: Correct, I don't know. 368 00:19:00,960 --> 00:19:04,240 Speaker 2: I know for People's Choice, which was one, which was 369 00:19:05,320 --> 00:19:06,840 Speaker 2: our one and only award. 370 00:19:08,640 --> 00:19:11,440 Speaker 3: Jason one or two times was nominated for Best Actor 371 00:19:11,480 --> 00:19:13,240 Speaker 3: in a Dramatic Series for Gold Globe. 372 00:19:13,359 --> 00:19:14,440 Speaker 2: Look it up, Look it up. 373 00:19:14,680 --> 00:19:17,160 Speaker 1: I can't google fast enough, so I'll talk about sororities 374 00:19:17,160 --> 00:19:19,680 Speaker 1: while somebody finds out who won the Emmy for Best 375 00:19:19,800 --> 00:19:22,359 Speaker 1: Drama in nineteen ninety seven. 376 00:19:23,240 --> 00:19:26,080 Speaker 2: All right, Amy, get go to get to town, go 377 00:19:26,200 --> 00:19:26,720 Speaker 2: do your thing. 378 00:19:26,800 --> 00:19:30,359 Speaker 1: Okay, so thank you so much, Jenny, your territory, Thank you. 379 00:19:30,760 --> 00:19:37,240 Speaker 1: Nothing about it the order perspect I tipped my hat 380 00:19:37,280 --> 00:19:41,520 Speaker 1: and so on. So that is not how rush works, 381 00:19:41,520 --> 00:19:44,560 Speaker 1: you guys, in any way whatsoever, That is not how 382 00:19:44,560 --> 00:19:47,119 Speaker 1: it works. You would never first of all, have a 383 00:19:47,119 --> 00:19:52,600 Speaker 1: bunch of people in chairs voting on people, walk a 384 00:19:52,720 --> 00:19:56,840 Speaker 1: girl in and have her stand in front of a 385 00:19:56,920 --> 00:20:02,000 Speaker 1: table and no, they're being voted on, and then this 386 00:20:02,040 --> 00:20:07,680 Speaker 1: whole white card, black card, Nope, nope, nope. 387 00:20:07,440 --> 00:20:11,040 Speaker 2: White. 388 00:20:11,480 --> 00:20:11,760 Speaker 4: Dying. 389 00:20:12,080 --> 00:20:16,040 Speaker 1: So here's how it works. Okay, basically, say Jenny and 390 00:20:16,080 --> 00:20:20,760 Speaker 1: I are in Pi Beta Phi and Tory's coming through Rush. Okay, 391 00:20:20,880 --> 00:20:23,080 Speaker 1: so it's the first day of Rush. All the girls 392 00:20:23,080 --> 00:20:24,919 Speaker 1: come to the door and it's like a tea party. Basically, 393 00:20:24,960 --> 00:20:26,919 Speaker 1: it's kind of like a party, right Like at the 394 00:20:26,960 --> 00:20:29,320 Speaker 1: first day. I don't think there's food. You might get 395 00:20:29,320 --> 00:20:32,679 Speaker 1: like water, like maybe some lemonade, and we sit in 396 00:20:32,720 --> 00:20:35,160 Speaker 1: the living room and we chat with you. I'll give 397 00:20:35,200 --> 00:20:38,720 Speaker 1: an example. Oh, Hi, I'm Amy. What's your name, Tory? 398 00:20:38,760 --> 00:20:39,639 Speaker 1: You're the rushie. 399 00:20:40,560 --> 00:20:41,760 Speaker 3: Hi, I'm Tory. 400 00:20:42,560 --> 00:20:46,680 Speaker 1: Hi, Tory. How are you liking school so far? So far, 401 00:20:46,800 --> 00:20:49,840 Speaker 1: so good. I'm really excited to be here. Where are 402 00:20:49,880 --> 00:20:50,320 Speaker 1: you from. 403 00:20:51,320 --> 00:20:52,879 Speaker 3: I'm from Los Angeles. 404 00:20:53,200 --> 00:20:55,879 Speaker 1: Oh, I love LA. What's it like coming all the 405 00:20:55,880 --> 00:20:58,280 Speaker 1: way up here to Berkeley in Northern California from LA? 406 00:20:58,400 --> 00:20:58,480 Speaker 2: Like? 407 00:20:58,480 --> 00:21:00,520 Speaker 1: What's your favorite thing about Northern California so far? 408 00:21:02,359 --> 00:21:03,400 Speaker 3: The seasons? 409 00:21:04,320 --> 00:21:06,639 Speaker 1: And what are you studying at cal? What is your major? 410 00:21:07,160 --> 00:21:09,240 Speaker 3: I don't think you're going to get educations. 411 00:21:09,440 --> 00:21:10,680 Speaker 2: I feel like you're not going to get in. 412 00:21:11,440 --> 00:21:14,879 Speaker 3: I'm already panicked. Listen, I'm I'm I'm trying it. 413 00:21:15,160 --> 00:21:16,080 Speaker 2: You're okay, keep good. 414 00:21:18,040 --> 00:21:23,000 Speaker 1: So then Jenny and I'm giving secrets right now, guys, secrets. 415 00:21:23,160 --> 00:21:25,320 Speaker 1: So then Jenny you would come up and you'd be 416 00:21:25,359 --> 00:21:28,560 Speaker 1: like hey, Amy, and I'd be like hey, Jenny, this 417 00:21:28,640 --> 00:21:32,000 Speaker 1: is Tory. And you'd be like, Hi, Tory, blah blah blah. 418 00:21:32,160 --> 00:21:34,320 Speaker 1: And then I'd be like, Jenny, why don't you get 419 00:21:34,320 --> 00:21:36,480 Speaker 1: to know Toy? And then I get up and walk away, 420 00:21:36,600 --> 00:21:39,159 Speaker 1: and you sit down and start talking to Tory. And 421 00:21:39,200 --> 00:21:40,040 Speaker 1: that's the way. 422 00:21:40,119 --> 00:21:43,040 Speaker 2: So it's about everybody in the house getting to know 423 00:21:43,160 --> 00:21:43,879 Speaker 2: this new person. 424 00:21:43,880 --> 00:21:45,679 Speaker 1: That might correct, but you get like three at a 425 00:21:45,680 --> 00:21:48,320 Speaker 1: time because there's like fifty girls in the house. So 426 00:21:48,960 --> 00:21:53,439 Speaker 1: then what happens is there is a meeting where you 427 00:21:53,520 --> 00:21:55,439 Speaker 1: talk about the girls, but you would never do it 428 00:21:55,480 --> 00:21:57,480 Speaker 1: like with the girl in the hallway. So then you 429 00:21:57,560 --> 00:22:00,199 Speaker 1: go back and you're like, I loved her, like you know, 430 00:22:00,240 --> 00:22:03,600 Speaker 1: we should invite her back, right, Or somebody could be like, 431 00:22:04,320 --> 00:22:06,679 Speaker 1: I'm not sure she's like the perfect fit for this house, 432 00:22:06,960 --> 00:22:09,399 Speaker 1: maybe we shouldn't have her back, right. That's the basic gist. 433 00:22:10,520 --> 00:22:12,720 Speaker 1: So then you'd get invited, but you would never be 434 00:22:12,840 --> 00:22:15,520 Speaker 1: like standing in the hallway and you would never have 435 00:22:15,600 --> 00:22:17,720 Speaker 1: all these chairs lining. I mean, they got it like 436 00:22:19,000 --> 00:22:20,960 Speaker 1: ten percent right, ninety percent wrong. 437 00:22:21,520 --> 00:22:25,480 Speaker 2: Well, it's written by Phil Sabbath, a man who probably 438 00:22:25,520 --> 00:22:27,440 Speaker 2: was never in a sorority rush so. 439 00:22:27,640 --> 00:22:29,560 Speaker 3: Well, and that's what I'm saying, we have a question 440 00:22:29,680 --> 00:22:33,760 Speaker 3: for you. Didn't we do it semi correct another season? 441 00:22:34,160 --> 00:22:34,400 Speaker 2: Yes? 442 00:22:34,600 --> 00:22:35,760 Speaker 1: Yeah, you did it much. 443 00:22:35,600 --> 00:22:39,120 Speaker 3: Better done before all they had to do was reference 444 00:22:39,160 --> 00:22:41,000 Speaker 3: old episodes. I just feel like they just wanted to 445 00:22:41,040 --> 00:22:42,160 Speaker 3: get it shot fast, and. 446 00:22:42,240 --> 00:22:45,359 Speaker 1: When you all went through Rush, it was still they 447 00:22:45,359 --> 00:22:47,000 Speaker 1: were still getting it wrong, but they were getting it 448 00:22:47,040 --> 00:22:50,919 Speaker 1: a little bit more right. This one was bananas right. 449 00:22:51,280 --> 00:22:53,680 Speaker 1: And also like you can't yeah, okay, I'm getting in 450 00:22:53,720 --> 00:22:55,680 Speaker 1: the weeds, but if it was formal rush, you can't 451 00:22:55,720 --> 00:22:57,720 Speaker 1: just go and take this basketball player and be like 452 00:22:57,760 --> 00:22:59,800 Speaker 1: come on over, Like it doesn't work like that. 453 00:23:00,200 --> 00:23:03,600 Speaker 2: And also based so much on appearance or was that 454 00:23:03,640 --> 00:23:05,360 Speaker 2: the whole thing the storyline? 455 00:23:05,960 --> 00:23:08,600 Speaker 1: That was the point of this storyline is like they 456 00:23:08,600 --> 00:23:12,640 Speaker 1: were basically being very sort of a like, oh, this 457 00:23:12,960 --> 00:23:17,200 Speaker 1: athlete could never be an a sorority, where like half 458 00:23:17,240 --> 00:23:21,120 Speaker 1: our sorority was athletes half what were genius sink. 459 00:23:21,359 --> 00:23:24,840 Speaker 3: But different sororities do appeal to different correct. 460 00:23:24,880 --> 00:23:26,919 Speaker 1: And I think the point that I that I liked 461 00:23:26,960 --> 00:23:30,119 Speaker 1: about this was the girl was basically like f you guys, 462 00:23:30,280 --> 00:23:32,720 Speaker 1: because you should have liked me from the start, like 463 00:23:32,760 --> 00:23:36,040 Speaker 1: the Zeta Ta zetas or whatever made up sorority they had, 464 00:23:36,720 --> 00:23:38,840 Speaker 1: and that's why she was like burned them, like that 465 00:23:38,880 --> 00:23:40,880 Speaker 1: would never happen that way. But I thought she was like, oh, 466 00:23:40,880 --> 00:23:44,000 Speaker 1: thanks so much and yeah, I won't be joining, which 467 00:23:44,000 --> 00:23:46,399 Speaker 1: I thought was like, oh good Now, My question is 468 00:23:46,560 --> 00:23:49,520 Speaker 1: Donna just up and quits dramatic? 469 00:23:49,680 --> 00:23:51,520 Speaker 2: She is she leaving the subtity. 470 00:23:55,680 --> 00:23:58,960 Speaker 3: I thought she was just quitting Rush Committee, like she's leaving. 471 00:24:00,960 --> 00:24:01,640 Speaker 2: Maybe. 472 00:24:02,040 --> 00:24:05,240 Speaker 1: Oh, and the president would never act like that, that 473 00:24:05,359 --> 00:24:08,680 Speaker 1: mean president. I mean, oh my gosh. 474 00:24:08,200 --> 00:24:10,960 Speaker 2: I realized that's my that was my friend sitting next 475 00:24:11,000 --> 00:24:11,239 Speaker 2: to her. 476 00:24:12,040 --> 00:24:12,720 Speaker 1: No way. 477 00:24:12,880 --> 00:24:16,879 Speaker 2: Do you remember Page Tor, Yes, of course, yeah, yeah, 478 00:24:17,200 --> 00:24:21,080 Speaker 2: married to Jacob, and I think that was her sitting 479 00:24:21,119 --> 00:24:24,840 Speaker 2: next to the mean sorority girl. She had one line. 480 00:24:25,040 --> 00:24:25,240 Speaker 6: Hmm. 481 00:24:26,480 --> 00:24:28,480 Speaker 2: I was like, oh, look how young she is. 482 00:24:29,119 --> 00:24:31,920 Speaker 3: Who the mean sorority girl is somebody? Her name is 483 00:24:32,000 --> 00:24:33,560 Speaker 3: Julie Nathanson, the president. 484 00:24:33,680 --> 00:24:35,040 Speaker 1: She was mean, real. 485 00:24:34,880 --> 00:24:39,240 Speaker 2: Mean, smootie Judy, snooty Judy. 486 00:24:39,320 --> 00:24:41,720 Speaker 1: Yeah, she was tough and it was just embarrassing. It 487 00:24:41,720 --> 00:24:47,399 Speaker 1: was cringe correct. I can't remember. I just was like, 488 00:24:47,760 --> 00:24:50,320 Speaker 1: white card, are you going to black card her? I 489 00:24:50,359 --> 00:24:53,200 Speaker 1: was like, oh my god, this is so stereo. Basically, 490 00:24:53,240 --> 00:24:58,200 Speaker 1: here's what nind stereotypical sorority life, like, that's how somebody 491 00:24:58,240 --> 00:25:01,399 Speaker 1: would think it is. And they really leaned into that. 492 00:25:04,080 --> 00:25:06,200 Speaker 1: I do think, I mean, I think they like. I 493 00:25:06,600 --> 00:25:08,720 Speaker 1: like that they touch on it because it is kind 494 00:25:08,760 --> 00:25:10,159 Speaker 1: of like what you all would have done if you 495 00:25:10,200 --> 00:25:12,399 Speaker 1: were in college. And I like the streaking and the 496 00:25:12,440 --> 00:25:16,720 Speaker 1: boys being because that all tracks right, like boys causing 497 00:25:16,760 --> 00:25:21,400 Speaker 1: a ruckus. That part does happen, it's it was the pledges. 498 00:25:21,480 --> 00:25:23,880 Speaker 1: And then I joined in like all that was actually 499 00:25:24,040 --> 00:25:24,960 Speaker 1: kind of accurate. 500 00:25:25,359 --> 00:25:27,320 Speaker 2: Yeah, and how about the fact that Steve goes to 501 00:25:27,359 --> 00:25:30,440 Speaker 2: Brandon yet again to save his. 502 00:25:31,560 --> 00:25:36,000 Speaker 1: Yet again, and yet again Brandon's like, oh dang it, Steve, 503 00:25:36,240 --> 00:25:36,959 Speaker 1: I can't. 504 00:25:37,119 --> 00:25:37,960 Speaker 6: I can't got my. 505 00:25:38,000 --> 00:25:41,080 Speaker 1: Journalist in the integrity And then like he goes in. 506 00:25:41,240 --> 00:25:43,560 Speaker 2: I love it that you have a Southern accent for Brandon. 507 00:25:45,040 --> 00:25:48,280 Speaker 1: And then like the Chancellor, I can't tell if he's 508 00:25:48,280 --> 00:25:50,400 Speaker 1: sort of is the word adult? Like is he sort 509 00:25:50,400 --> 00:25:53,600 Speaker 1: of adult you know, adul? Or is he souped adult? 510 00:25:53,680 --> 00:25:56,800 Speaker 1: Don't they sort of adult? Adult? I don't know how 511 00:25:56,840 --> 00:26:02,040 Speaker 1: you even spelled yeah, like goof like like or is 512 00:26:02,080 --> 00:26:05,119 Speaker 1: he so savvy that he was like whoa. It's like 513 00:26:05,160 --> 00:26:08,320 Speaker 1: he went from being so mad that they wouldn't give 514 00:26:08,359 --> 00:26:10,160 Speaker 1: him the tape to then they give him the tape 515 00:26:10,200 --> 00:26:12,919 Speaker 1: and he's like, well you've given me the tape and 516 00:26:13,000 --> 00:26:14,520 Speaker 1: something happened in the chain of. 517 00:26:14,840 --> 00:26:16,920 Speaker 2: Yeah, now all the sudden he's in on it. 518 00:26:17,000 --> 00:26:19,320 Speaker 1: Like right, I'm like, what's very weird. It's very weird. 519 00:26:19,600 --> 00:26:25,120 Speaker 2: I always kind of felt like he was like an adult, like. 520 00:26:23,880 --> 00:26:28,200 Speaker 1: Like a kind of one. Is he the most savvy Chancellor? 521 00:26:28,600 --> 00:26:29,280 Speaker 2: I think so? 522 00:26:30,200 --> 00:26:32,320 Speaker 3: But there's something so charming about him. 523 00:26:32,400 --> 00:26:37,520 Speaker 1: Yeah, he had the same storyline Claire's mad because Steve's 524 00:26:37,600 --> 00:26:40,440 Speaker 1: being a dumb ass, Like it's just like can I and. 525 00:26:40,480 --> 00:26:45,359 Speaker 2: So much like Steve bashing from his girlfriend totally. 526 00:26:45,520 --> 00:26:49,520 Speaker 1: And also I would have giggled, like honestly, I would 527 00:26:49,520 --> 00:26:52,520 Speaker 1: have just been like that emoji where you're like you 528 00:26:52,560 --> 00:26:55,040 Speaker 1: know that. Also would have been like, that's funny. My 529 00:26:55,160 --> 00:26:59,920 Speaker 1: boyfriend is the guy in the streaking it's I mean joke. 530 00:27:00,080 --> 00:27:02,800 Speaker 1: Her outfit though, that the purple. 531 00:27:02,800 --> 00:27:07,919 Speaker 2: Green, Yeah, she had some outlandish outfit. 532 00:27:07,600 --> 00:27:10,360 Speaker 1: That was great. 533 00:27:10,720 --> 00:27:13,040 Speaker 3: I was like, wouldn't have thought to do that, But 534 00:27:13,440 --> 00:27:15,480 Speaker 3: in some way it works completely. 535 00:27:16,960 --> 00:27:20,560 Speaker 1: Do other than just like, oh, Stave, you've done it again. 536 00:27:20,720 --> 00:27:24,520 Speaker 1: You're always causing me problems by being a dummy. 537 00:27:25,080 --> 00:27:26,320 Speaker 2: Why is she staying with him? 538 00:27:26,920 --> 00:27:30,480 Speaker 1: I don't know what it's like she and then it's 539 00:27:30,480 --> 00:27:33,480 Speaker 1: always like brand I did, like when Brandon's like with 540 00:27:33,560 --> 00:27:36,359 Speaker 1: the eyes. Don't say it, don't say it. I've already 541 00:27:36,400 --> 00:27:37,560 Speaker 1: fixed this, you know what I mean. 542 00:27:37,560 --> 00:27:39,800 Speaker 2: He was very cocky in this episode. Didn't you feel 543 00:27:39,800 --> 00:27:43,520 Speaker 2: like he had like this like air of. 544 00:27:45,160 --> 00:27:47,959 Speaker 1: I run the newsroom, I run the newsroom. And then 545 00:27:48,000 --> 00:27:52,960 Speaker 1: her with her big magnet. Obviously we all knew, you know, have. 546 00:27:52,880 --> 00:27:54,360 Speaker 2: You ever seen a magnet that pic? 547 00:27:54,920 --> 00:27:56,439 Speaker 1: I don't even think that works. By the way, I 548 00:27:56,440 --> 00:27:57,440 Speaker 1: don't even think that works. 549 00:27:58,119 --> 00:28:00,480 Speaker 2: He would be stuck to it. Hi, it's a magnet, 550 00:28:00,600 --> 00:28:01,280 Speaker 2: he's her metal. 551 00:28:03,560 --> 00:28:06,640 Speaker 1: Here's how you wreck a tape. Hold the string out 552 00:28:06,640 --> 00:28:10,760 Speaker 1: of it, you know what I mean, pull the tape out. 553 00:28:12,200 --> 00:28:13,639 Speaker 1: Oh my god, do you guys remember having to take 554 00:28:13,680 --> 00:28:17,160 Speaker 1: the pencil and like, yeah, your tape thing and like 555 00:28:17,160 --> 00:28:20,600 Speaker 1: oh my culture club tapes all jacked up? 556 00:28:21,720 --> 00:28:23,720 Speaker 3: Wait you guys, why was Carrie strugg in this? 557 00:28:24,320 --> 00:28:26,800 Speaker 1: Oh my god, she could come back. 558 00:28:28,480 --> 00:28:32,600 Speaker 2: I dave see the I didn't see who it was. 559 00:28:32,760 --> 00:28:34,119 Speaker 2: I heard the voice, and I was like, what is 560 00:28:34,160 --> 00:28:38,320 Speaker 2: happening right now? It was so weird, weird, weird, weird. 561 00:28:38,840 --> 00:28:40,960 Speaker 1: It's like, obviously they got Carrie Strug. She probably was 562 00:28:40,960 --> 00:28:44,160 Speaker 1: a fan, but they had nothing for her to do, nothing, 563 00:28:44,360 --> 00:28:48,480 Speaker 1: And she's an amazing gymnast and I will never forget her, 564 00:28:48,600 --> 00:28:51,800 Speaker 1: like gymnasting with that broken ankle, but she's not a 565 00:28:51,840 --> 00:28:52,480 Speaker 1: good act. 566 00:28:53,640 --> 00:28:55,360 Speaker 3: Was like, I hope it was David flirting with her 567 00:28:55,440 --> 00:28:57,160 Speaker 3: like I couldn't, or he's just a fan, like. 568 00:28:57,440 --> 00:28:59,280 Speaker 2: He all of a sudden, such a big, huge fan 569 00:28:59,320 --> 00:29:01,120 Speaker 2: of women's glastics, I know. 570 00:29:01,160 --> 00:29:03,040 Speaker 3: And he's not angry anymore, you guys. 571 00:29:03,600 --> 00:29:05,720 Speaker 2: No, he's so happy around Kars. 572 00:29:05,440 --> 00:29:06,800 Speaker 1: Angel's gone on in this episode. 573 00:29:06,880 --> 00:29:09,360 Speaker 2: I think it's her. I think she makes him happy. 574 00:29:09,440 --> 00:29:11,120 Speaker 3: So is she going to be in classes with them 575 00:29:11,200 --> 00:29:11,680 Speaker 3: or is the same? 576 00:29:11,720 --> 00:29:14,560 Speaker 2: I hope so, because then he'll be pleasant to be around. 577 00:29:14,680 --> 00:29:30,760 Speaker 1: Great good help. Oh my god. Wait, so Lorraine just 578 00:29:31,000 --> 00:29:35,600 Speaker 1: meant messages that Carrie was obviously that whole you know 579 00:29:35,640 --> 00:29:38,520 Speaker 1: her her era was in nineteen ninety six. This is 580 00:29:38,560 --> 00:29:41,640 Speaker 1: the second time because remember they made a mention of 581 00:29:41,680 --> 00:29:46,640 Speaker 1: the Olympics. Yes, Brandon was driving across the country. Yeah, 582 00:29:46,840 --> 00:29:49,320 Speaker 1: so maybe the Olympics were just like so big that 583 00:29:50,040 --> 00:29:52,760 Speaker 1: then everyone was like, oh Carrie strug No one cared. 584 00:29:53,240 --> 00:29:54,640 Speaker 1: I don't know. It was kind of like Mary lou 585 00:29:54,640 --> 00:29:55,640 Speaker 1: Rettin in eighty four. 586 00:29:55,760 --> 00:29:58,680 Speaker 2: Yeah, I think I think they had that box, so 587 00:29:58,800 --> 00:30:02,000 Speaker 2: that's different. That's true. They had that that was like 588 00:30:02,080 --> 00:30:04,880 Speaker 2: the Magnificent seven or something that was. 589 00:30:04,800 --> 00:30:07,280 Speaker 1: That Harry Strugs. I just remember her like busting her 590 00:30:07,280 --> 00:30:10,720 Speaker 1: ankle and doing the thing anyway, and she's like hopping. 591 00:30:11,080 --> 00:30:16,240 Speaker 1: It was so I was like karate kid an ankle. Yes, 592 00:30:16,320 --> 00:30:18,840 Speaker 1: it was totally karate kid. 593 00:30:19,280 --> 00:30:21,640 Speaker 3: Loreene saying she's going to be in four more, four 594 00:30:21,680 --> 00:30:22,520 Speaker 3: more episodes. 595 00:30:22,600 --> 00:30:25,000 Speaker 1: We get to Carrie's drug is going to be in 596 00:30:25,040 --> 00:30:25,760 Speaker 1: f no. 597 00:30:25,600 --> 00:30:30,440 Speaker 2: No, the the lady at the sority and sorority girl. 598 00:30:30,720 --> 00:30:35,320 Speaker 3: I was trying to have like poker face. 599 00:30:35,200 --> 00:30:35,880 Speaker 2: Like good for her. 600 00:30:37,640 --> 00:30:39,760 Speaker 1: I can't wait to talk more about the sorority. 601 00:30:40,240 --> 00:30:44,240 Speaker 3: Oh, Julie Nathanson is ellen, Okay, she's in four more. Yeah, 602 00:30:44,240 --> 00:30:45,600 Speaker 3: she's just like the mean girl. 603 00:30:45,880 --> 00:30:46,400 Speaker 2: So mean. 604 00:30:47,440 --> 00:30:47,680 Speaker 3: Yeah. 605 00:30:48,400 --> 00:30:50,480 Speaker 2: Yeah. He says you have to win a gold medal 606 00:30:50,520 --> 00:30:53,240 Speaker 2: to get into a class around here, well. 607 00:30:54,280 --> 00:30:58,520 Speaker 3: Because he doesn't want silent Russian screen What is that class? 608 00:30:58,560 --> 00:31:01,440 Speaker 1: That was wild? You can't get it in his classes. 609 00:31:01,600 --> 00:31:04,400 Speaker 3: But it's full, it's packed. He can't get into that one. 610 00:31:04,480 --> 00:31:05,760 Speaker 3: Everyone wants to take that one. 611 00:31:06,000 --> 00:31:09,360 Speaker 2: But I did enjoy, in true Donna fashion, you standing 612 00:31:09,440 --> 00:31:12,560 Speaker 2: up for what's right, rooting for the underdog, trying to 613 00:31:12,640 --> 00:31:16,680 Speaker 2: help her. Yep, it was perfect my hair and despite 614 00:31:16,680 --> 00:31:18,800 Speaker 2: your hair, because that was real hard for me to 615 00:31:18,840 --> 00:31:22,240 Speaker 2: get past, and I was struggling with it so much. 616 00:31:22,480 --> 00:31:24,480 Speaker 2: And then you did it to that poor girl, and 617 00:31:24,600 --> 00:31:27,080 Speaker 2: I did it to her. But you are super cute 618 00:31:27,080 --> 00:31:29,760 Speaker 2: when you're standing behind her and you're like like posy. 619 00:31:31,080 --> 00:31:34,880 Speaker 2: You know that Look was who had those pigtails? Jim 620 00:31:34,960 --> 00:31:36,120 Speaker 2: Carrey somewhere. 621 00:31:38,320 --> 00:31:39,200 Speaker 1: Long stalking? 622 00:31:39,720 --> 00:31:41,400 Speaker 2: No, no, no, those pig tails. 623 00:31:41,720 --> 00:31:43,800 Speaker 1: Dummer, dumb and dumber, dumb and dumber. 624 00:31:45,520 --> 00:31:46,560 Speaker 2: Living color, wasn't it? 625 00:31:47,440 --> 00:31:48,320 Speaker 1: Pet? Detective? 626 00:31:48,880 --> 00:31:49,640 Speaker 2: Oh my god? 627 00:31:49,680 --> 00:31:50,760 Speaker 3: Okay, no, no. 628 00:31:50,560 --> 00:31:52,640 Speaker 1: No, Pet Not the three point shot? 629 00:31:52,840 --> 00:31:54,080 Speaker 2: No, not detective? 630 00:31:55,280 --> 00:31:55,480 Speaker 6: Yeah? 631 00:31:55,560 --> 00:31:57,480 Speaker 2: Did you? Did you remember? Right? 632 00:31:57,600 --> 00:31:57,719 Speaker 1: Jen? 633 00:31:57,960 --> 00:31:59,960 Speaker 2: I feel like I don't even think I watched it. 634 00:32:00,160 --> 00:32:03,360 Speaker 1: I don't think it was Tori's actual shot because they 635 00:32:03,400 --> 00:32:04,560 Speaker 1: cut to the basket. 636 00:32:04,800 --> 00:32:05,720 Speaker 2: Did you make that shot? 637 00:32:06,000 --> 00:32:09,200 Speaker 3: I mean unless I was throwing what is it when 638 00:32:09,240 --> 00:32:11,320 Speaker 3: you underhead underhand? 639 00:32:12,800 --> 00:32:13,000 Speaker 4: Yeah? 640 00:32:13,040 --> 00:32:14,520 Speaker 2: You had you were pretty good and I was like, 641 00:32:14,560 --> 00:32:16,720 Speaker 2: oh right. When you took the ball and I knew 642 00:32:16,840 --> 00:32:19,320 Speaker 2: you were gonna throw it, I got actually tense in 643 00:32:19,360 --> 00:32:21,800 Speaker 2: my body because I was like, oh no, I hope 644 00:32:21,840 --> 00:32:23,760 Speaker 2: she looks good doing this, because I know this is 645 00:32:23,840 --> 00:32:26,440 Speaker 2: kind of not her thing. So when you did it, 646 00:32:26,480 --> 00:32:30,760 Speaker 2: I was like pleasantly surprised at your form. Wasn't bad, 647 00:32:31,280 --> 00:32:32,440 Speaker 2: Like you did a good job. 648 00:32:32,800 --> 00:32:34,520 Speaker 1: Donna loves a crappie top. 649 00:32:34,880 --> 00:32:37,840 Speaker 2: There was crop tops all over the place in this episode. 650 00:32:37,840 --> 00:32:41,960 Speaker 1: It made a strong comeback. Oh yeah, oh yeah, crop 651 00:32:42,000 --> 00:32:47,640 Speaker 1: tops are back. Oh so guess what you guys. I 652 00:32:47,840 --> 00:32:52,640 Speaker 1: kind of like Valerie Kenny. Now I've been such in 653 00:32:52,640 --> 00:32:57,920 Speaker 1: my mouth sweet in this episode. I was like, I 654 00:32:58,320 --> 00:32:59,240 Speaker 1: I like them. 655 00:32:59,320 --> 00:33:02,320 Speaker 2: I know problem, why why why do you like them? 656 00:33:02,840 --> 00:33:05,000 Speaker 3: I don't know. He's not grossing me out anymore. I 657 00:33:05,080 --> 00:33:06,040 Speaker 3: don't know what it was. 658 00:33:06,160 --> 00:33:08,040 Speaker 2: He's not grossing you out. He's in the car with 659 00:33:08,120 --> 00:33:09,320 Speaker 2: his wife. 660 00:33:08,960 --> 00:33:11,480 Speaker 1: And her hair is better this episode. 661 00:33:12,160 --> 00:33:14,880 Speaker 2: Her like, her outfits were better in this episode. 662 00:33:15,000 --> 00:33:16,880 Speaker 1: Yeah, he I don't know. 663 00:33:16,920 --> 00:33:19,360 Speaker 3: He wasn't a sticky beat like with his like it 664 00:33:19,400 --> 00:33:23,240 Speaker 3: was more kind of real. Maybe it's that a little 665 00:33:23,320 --> 00:33:23,720 Speaker 3: bit more. 666 00:33:24,600 --> 00:33:26,360 Speaker 1: I don't know whether to hate him or not. 667 00:33:26,600 --> 00:33:29,640 Speaker 2: He least her an apartment so that they could fool around, 668 00:33:29,720 --> 00:33:31,200 Speaker 2: not in the Walsh. 669 00:33:30,840 --> 00:33:34,080 Speaker 1: House, I guess, so they just have a place to go. 670 00:33:34,200 --> 00:33:35,960 Speaker 1: That was first of all, It's one of our first 671 00:33:35,960 --> 00:33:39,720 Speaker 1: shout outs to Brentwood. So I was real happy. 672 00:33:41,280 --> 00:33:43,160 Speaker 3: You were looking and like, do you know exactly where 673 00:33:43,240 --> 00:33:43,600 Speaker 3: that is? 674 00:33:43,880 --> 00:33:44,400 Speaker 2: That place? 675 00:33:44,960 --> 00:33:47,520 Speaker 1: Okay? It looked like it literally looked like my street. 676 00:33:47,560 --> 00:33:50,560 Speaker 1: I was like, is that sanm Pasani is thatta? Like 677 00:33:50,600 --> 00:33:53,920 Speaker 1: what's happening? It looked like Brentwood? They called it out, 678 00:33:53,960 --> 00:33:55,880 Speaker 1: and then it really did look like brent Wood. Hyeah, 679 00:33:55,920 --> 00:33:59,440 Speaker 1: it really did. So I was just immediately doing the math, like, okay, 680 00:33:59,480 --> 00:34:02,440 Speaker 1: so this guy is paying for a apartment and he 681 00:34:02,520 --> 00:34:04,760 Speaker 1: kind of acknowledges. He's like you can live here or not, 682 00:34:05,080 --> 00:34:08,280 Speaker 1: like you can stay here or not. It's all furnished, 683 00:34:08,320 --> 00:34:09,879 Speaker 1: by the way, fully. 684 00:34:09,600 --> 00:34:11,760 Speaker 3: Furnished, disgustingly but okay. 685 00:34:12,080 --> 00:34:12,319 Speaker 6: Yeah. 686 00:34:12,480 --> 00:34:14,120 Speaker 1: And she doesn't even look around. 687 00:34:14,239 --> 00:34:15,800 Speaker 2: No, she just goes straight to the bedroom. 688 00:34:16,160 --> 00:34:19,600 Speaker 3: I was like, she wasn't even like, oh my gosh, 689 00:34:19,719 --> 00:34:21,520 Speaker 3: or at least pull a little bit like he's like, 690 00:34:21,560 --> 00:34:24,239 Speaker 3: do you like it? Do you like it? 691 00:34:24,239 --> 00:34:27,600 Speaker 1: It almost felt genuinely bad for her, which is weird 692 00:34:27,640 --> 00:34:29,439 Speaker 1: because I, first of all, she knows what she's doing. 693 00:34:29,480 --> 00:34:31,959 Speaker 1: She's totally dating a married guy. But then I felt 694 00:34:31,960 --> 00:34:33,520 Speaker 1: bad for her when she had the dinner maid and 695 00:34:33,560 --> 00:34:36,040 Speaker 1: then she's do do do do do? Calling on the 696 00:34:36,080 --> 00:34:38,200 Speaker 1: phone and gets his office, and then doo doo doo 697 00:34:38,280 --> 00:34:40,880 Speaker 1: calling on the car, and then he's like, hi mom, 698 00:34:41,320 --> 00:34:42,880 Speaker 1: I mean the whole thing is so gross. 699 00:34:43,000 --> 00:34:46,560 Speaker 3: Like sorry, she mentions, am I a kept woman? 700 00:34:47,200 --> 00:34:50,120 Speaker 2: I mean, yet you two, you two like this, now 701 00:34:50,200 --> 00:34:52,600 Speaker 2: you two are into it, like it. That's why I 702 00:34:52,640 --> 00:34:54,320 Speaker 2: don't understand why. 703 00:34:53,960 --> 00:34:58,279 Speaker 3: But that happens. It's like men not kept. It makes 704 00:34:58,280 --> 00:35:00,200 Speaker 3: it sound like they're a prisoner. 705 00:35:00,160 --> 00:35:04,400 Speaker 5: But they give a lifestyle to a girl that they're like, Okay, 706 00:35:04,440 --> 00:35:05,120 Speaker 5: this is great. 707 00:35:05,160 --> 00:35:06,640 Speaker 3: I mean she is the Walsh House, so she is 708 00:35:06,680 --> 00:35:09,560 Speaker 3: in this place, but it's just me. 709 00:35:09,640 --> 00:35:13,240 Speaker 1: It's very She's got daddy issues and she is showing 710 00:35:13,280 --> 00:35:16,040 Speaker 1: them to us. And then I sort of was like, 711 00:35:16,360 --> 00:35:18,480 Speaker 1: oh my god, he came to the door. I'm just 712 00:35:18,520 --> 00:35:20,440 Speaker 1: like sucked in he came to the door. Ah, he's 713 00:35:20,480 --> 00:35:24,320 Speaker 1: got papers and Brandon with the Stink Guy, Brandon performing 714 00:35:24,360 --> 00:35:26,279 Speaker 1: well with the stink Guy, and like, oh you make 715 00:35:26,360 --> 00:35:29,480 Speaker 1: Miles calls mob or whatever his name is. And then 716 00:35:29,680 --> 00:35:33,480 Speaker 1: he goes upstairs Kenny and he's like so and so's here, 717 00:35:34,120 --> 00:35:36,560 Speaker 1: and then she's like tell him, I'm at yogurt, and 718 00:35:36,600 --> 00:35:39,839 Speaker 1: I'm just like I love the drama of this. I 719 00:35:39,920 --> 00:35:40,400 Speaker 1: am in. 720 00:35:41,239 --> 00:35:45,520 Speaker 3: I was really into Jason's performance this episode because sometimes 721 00:35:45,600 --> 00:35:47,719 Speaker 3: with Brandon he plays him kind of like. 722 00:35:49,200 --> 00:35:50,239 Speaker 1: What's the word. 723 00:35:51,600 --> 00:35:55,520 Speaker 3: Hm, like mono, a little mono, and I know that's 724 00:35:55,560 --> 00:35:59,279 Speaker 3: his but like I felt it was very like he 725 00:35:59,360 --> 00:36:03,600 Speaker 3: had different levels in this one, which was a choice. 726 00:36:04,640 --> 00:36:07,600 Speaker 3: I felt like he was very into this episode, like, yes, 727 00:36:08,120 --> 00:36:09,280 Speaker 3: and he looks great. 728 00:36:09,960 --> 00:36:12,760 Speaker 1: He always does. He always well, he has some season. 729 00:36:12,840 --> 00:36:15,040 Speaker 1: But I liked that he was given Kenny the stink 730 00:36:15,080 --> 00:36:16,240 Speaker 1: guys and his name Kenny. 731 00:36:16,640 --> 00:36:18,200 Speaker 3: Yeah, yeah, back to Brandon. 732 00:36:18,719 --> 00:36:20,960 Speaker 2: You call him back to Brandon for a second though, 733 00:36:20,960 --> 00:36:24,040 Speaker 2: because yeah, I would love I Are we going to 734 00:36:24,120 --> 00:36:29,600 Speaker 2: see Brandon's like what makes him who he is? Are 735 00:36:29,640 --> 00:36:32,680 Speaker 2: we going to ever see below the surface of this 736 00:36:33,960 --> 00:36:35,600 Speaker 2: valiant No? 737 00:36:36,120 --> 00:36:37,200 Speaker 1: You mean perfect Brandon? 738 00:36:37,719 --> 00:36:37,919 Speaker 6: Yeah? 739 00:36:37,960 --> 00:36:40,080 Speaker 2: I want to see more. I want to know that 740 00:36:40,200 --> 00:36:43,480 Speaker 2: character like somebody. Just when he says to Kenny at 741 00:36:43,480 --> 00:36:45,800 Speaker 2: the door, like oh that the first year was tough, 742 00:36:45,880 --> 00:36:49,279 Speaker 2: but gotten used to it. Now his parents wholly left 743 00:36:49,360 --> 00:36:52,279 Speaker 2: him and don't even come back for Christmas? 744 00:36:52,320 --> 00:36:54,279 Speaker 3: Like, do you ever see Brandon breakdown and cry and 745 00:36:54,320 --> 00:36:56,440 Speaker 3: say I can't be perfect, I can't hold this all together. 746 00:36:56,800 --> 00:36:58,399 Speaker 2: I would like to see this, you. 747 00:36:58,360 --> 00:36:58,799 Speaker 6: Know what, Jen? 748 00:36:58,920 --> 00:37:00,719 Speaker 3: That is what is such a great point Amy. It 749 00:37:00,760 --> 00:37:01,719 Speaker 3: never happens, does it. 750 00:37:01,880 --> 00:37:03,480 Speaker 1: I don't not that I can recall him. Even when 751 00:37:03,520 --> 00:37:05,440 Speaker 1: his parents were gonna get divorced, he handled it like 752 00:37:05,440 --> 00:37:11,160 Speaker 1: a real Champa was He's also just kind of like 753 00:37:11,480 --> 00:37:12,320 Speaker 1: perfect Brandon. 754 00:37:13,040 --> 00:37:15,640 Speaker 3: That going to be great, Jen, So right, I would 755 00:37:15,719 --> 00:37:17,920 Speaker 3: love to have seen that one time. 756 00:37:17,800 --> 00:37:21,440 Speaker 1: He had some meltdowns more with Dylan, you know, not 757 00:37:21,520 --> 00:37:25,160 Speaker 1: full meltdowns, but like especially when he was sort of 758 00:37:25,160 --> 00:37:28,520 Speaker 1: trying to help Dylan at times. Right, you saw a 759 00:37:28,520 --> 00:37:32,160 Speaker 1: full emotion there, but not like where you're really getting 760 00:37:32,200 --> 00:37:33,120 Speaker 1: to know the insight. 761 00:37:33,280 --> 00:37:37,120 Speaker 3: So what pressure on Brandon? Like he supports a lot 762 00:37:37,160 --> 00:37:42,280 Speaker 3: of people emotionally and it's financially I don't. 763 00:37:42,080 --> 00:37:46,800 Speaker 2: Know, right, Yeah, I need to see him lose his Yeah, 764 00:37:47,080 --> 00:37:47,680 Speaker 2: I would like to. 765 00:37:47,680 --> 00:37:52,560 Speaker 1: See that your best friend and true love up and 766 00:37:52,640 --> 00:37:55,279 Speaker 1: left and you guys forgot about it, like about a 767 00:37:55,320 --> 00:38:00,960 Speaker 1: day later and someone died. That was like soon close 768 00:38:01,040 --> 00:38:03,520 Speaker 1: to y'all, and y'all were pretty much over it the 769 00:38:03,560 --> 00:38:07,360 Speaker 1: next day, meaning Rebecca Gayheart like we really got over 770 00:38:07,400 --> 00:38:11,000 Speaker 1: that her murder very fast. 771 00:38:11,360 --> 00:38:15,840 Speaker 2: Yeah, just saying it's just a lot. 772 00:38:16,160 --> 00:38:16,319 Speaker 3: You know. 773 00:38:16,600 --> 00:38:18,439 Speaker 2: This is why the show is so popular, because there's 774 00:38:18,480 --> 00:38:21,160 Speaker 2: a little something for everybody in each episode. 775 00:38:21,560 --> 00:38:24,440 Speaker 1: Totally, I'm pretty into the Valerie storyline. It might be 776 00:38:24,520 --> 00:38:28,080 Speaker 1: my favorite. That means said I don't love where it goes. 777 00:38:28,320 --> 00:38:31,279 Speaker 1: I would have actually enjoyed what we can talk about 778 00:38:31,320 --> 00:38:34,960 Speaker 1: it as it goes there. Oh, it gets so unhinged 779 00:38:35,000 --> 00:38:36,839 Speaker 1: where i'd rat And so I'm sorry. I know everyone 780 00:38:36,880 --> 00:38:40,480 Speaker 1: yells at me for giving spoilers, but literally giving spoilers 781 00:38:40,480 --> 00:38:42,040 Speaker 1: on a show that aired thirty years ago. 782 00:38:43,560 --> 00:38:45,239 Speaker 2: Anyway, it's a spoiler to me. 783 00:38:45,520 --> 00:38:49,040 Speaker 3: So I was like wow, because we know what's going 784 00:38:49,080 --> 00:38:51,000 Speaker 3: to happen, but in this epod, we don't know what's 785 00:38:51,040 --> 00:38:53,719 Speaker 3: gonna I was like for this young girl to be 786 00:38:53,880 --> 00:38:57,279 Speaker 3: as fine with this situation and kind of like, no, 787 00:38:57,360 --> 00:38:59,600 Speaker 3: I'm gonna make him. Wait no, it's on, Oh do 788 00:38:59,640 --> 00:39:02,080 Speaker 3: you want me? And it's when I say and I 789 00:39:02,160 --> 00:39:02,840 Speaker 3: was like wow. 790 00:39:03,880 --> 00:39:06,520 Speaker 6: I was like wow. I thought she. 791 00:39:06,560 --> 00:39:08,880 Speaker 1: Had a turnaround way too fast though, Like she was 792 00:39:08,920 --> 00:39:11,040 Speaker 1: like tell him I'm at yogurt and it's like, then 793 00:39:11,080 --> 00:39:13,480 Speaker 1: she shows up at the office. First of all, he 794 00:39:13,600 --> 00:39:18,120 Speaker 1: was way too rude, right, Like, he was way too mean, considering, hey, dude, 795 00:39:18,200 --> 00:39:21,560 Speaker 1: what did yesterday? You basically were like in your car 796 00:39:21,640 --> 00:39:24,399 Speaker 1: with your wife while I made like lamb chops at home? 797 00:39:24,880 --> 00:39:25,880 Speaker 2: Was he mad at her? 798 00:39:26,360 --> 00:39:29,759 Speaker 1: That was weird? And then she's so like because she 799 00:39:29,920 --> 00:39:34,400 Speaker 1: called hisself here, right, But then he came over and 800 00:39:35,000 --> 00:39:39,480 Speaker 1: that was before he she right, I thought, knowing what 801 00:39:40,360 --> 00:39:41,440 Speaker 1: did they have a discussion? 802 00:39:41,560 --> 00:39:45,120 Speaker 3: Like do not ever call my cell phone? I don't know, 803 00:39:45,520 --> 00:39:47,200 Speaker 3: Like why was he so mad like she had? 804 00:39:47,200 --> 00:39:51,200 Speaker 1: How does she get the I mean, yeah, I don't know. 805 00:39:51,239 --> 00:39:51,839 Speaker 1: Maybe there's like. 806 00:39:52,360 --> 00:39:54,640 Speaker 3: She was he was just mad because of the timing, 807 00:39:54,719 --> 00:39:56,760 Speaker 3: but that that's not that's well. 808 00:39:56,600 --> 00:39:58,840 Speaker 1: Then he was mad because he showed up at the 809 00:39:58,840 --> 00:40:01,200 Speaker 1: Walsh house and she wouldn't see him, so he was 810 00:40:01,239 --> 00:40:03,239 Speaker 1: all bent out of shape. When I'm like, dude, he's 811 00:40:03,280 --> 00:40:06,440 Speaker 1: a deck that's why. That's why I love him. 812 00:40:06,440 --> 00:40:09,000 Speaker 2: Suddenly, Yeah, I want to say, Amy, though, I'm kind 813 00:40:09,000 --> 00:40:11,920 Speaker 2: of excited to see this turned in you oh, that 814 00:40:12,080 --> 00:40:15,800 Speaker 2: you are all of a sudden into the storyline. 815 00:40:16,000 --> 00:40:18,320 Speaker 3: Yeah, because it's getting maybe because it's getting juicy. 816 00:40:18,719 --> 00:40:19,759 Speaker 1: Before I was just like. 817 00:40:20,000 --> 00:40:22,840 Speaker 3: You like that drop, you like the drama. 818 00:40:22,960 --> 00:40:25,520 Speaker 1: I like the drama. And then it's so like when 819 00:40:25,560 --> 00:40:28,480 Speaker 1: she shows up the office and then she's like seducing him. 820 00:40:28,520 --> 00:40:30,360 Speaker 1: I was like, oh my god. I almost kind of 821 00:40:30,360 --> 00:40:32,480 Speaker 1: got embarrassed, Like I was a little bit like, am 822 00:40:32,520 --> 00:40:35,759 Speaker 1: I having like secondhand embarrassment, Like I don't know, I 823 00:40:35,800 --> 00:40:37,520 Speaker 1: don't have to do with this. And I was glad 824 00:40:37,520 --> 00:40:39,040 Speaker 1: they cut it off when they did because I was 825 00:40:39,120 --> 00:40:42,719 Speaker 1: so uncompassed. I was like, I don't yikes. 826 00:40:44,360 --> 00:40:46,799 Speaker 2: What if the what if the secretary come out? 827 00:40:46,800 --> 00:40:47,480 Speaker 6: That's what I thought. 828 00:40:47,880 --> 00:40:48,839 Speaker 1: Hell, the same thing. 829 00:40:49,040 --> 00:40:52,319 Speaker 3: Hell, Helen's probably seen this a million times. Yeah, that 830 00:40:52,480 --> 00:40:52,959 Speaker 3: guy had. 831 00:40:54,680 --> 00:40:57,080 Speaker 1: This is not the first time this gut's done that 832 00:40:57,239 --> 00:41:02,360 Speaker 1: which we know, remember the juicy thing that comes out? 833 00:41:02,640 --> 00:41:04,040 Speaker 2: No, I don't remember. 834 00:41:04,200 --> 00:41:06,600 Speaker 3: No, No, we don't ruin it for us. Oh really 835 00:41:06,640 --> 00:41:08,239 Speaker 3: should she do? We want to know? 836 00:41:08,480 --> 00:41:11,040 Speaker 2: She no, No, she thinks you remember and she knows 837 00:41:11,080 --> 00:41:11,520 Speaker 2: I don't. 838 00:41:11,560 --> 00:41:14,040 Speaker 1: Oh you'll remember when Jenny will never remember? 839 00:41:14,280 --> 00:41:18,480 Speaker 2: Yeah? Anyway, thanks, what do you guys give? This episode? 840 00:41:18,520 --> 00:41:20,879 Speaker 1: This season is not jumping the shark in any way. 841 00:41:20,960 --> 00:41:24,280 Speaker 1: This season might be as good as the one before. 842 00:41:24,360 --> 00:41:25,239 Speaker 1: Like I'm loving it. 843 00:41:26,600 --> 00:41:32,240 Speaker 2: You give it a nine, you'd say point five nine. 844 00:41:31,680 --> 00:41:36,359 Speaker 1: Like I'm Carrie's Drug. I'm going to give it an 845 00:41:36,400 --> 00:41:39,879 Speaker 1: eight point five. Oh that was low. I don't think 846 00:41:39,920 --> 00:41:42,960 Speaker 1: it's low. It feels low for how good this episode was. 847 00:41:44,560 --> 00:41:47,719 Speaker 2: There were parts of it that were like five for me, 848 00:41:47,880 --> 00:41:50,120 Speaker 2: and there were parts of it that were like a ten. 849 00:41:50,160 --> 00:41:51,960 Speaker 2: And there were parts of it that were a nine. 850 00:41:52,120 --> 00:41:54,360 Speaker 2: Like I can't when it's all over the place like this, 851 00:41:54,360 --> 00:41:55,520 Speaker 2: how are you supposed to give it a nine? 852 00:41:55,560 --> 00:41:57,719 Speaker 1: I know we have to go, But all of a sudden, 853 00:41:57,719 --> 00:41:59,319 Speaker 1: I just had a moment of like, this is the 854 00:41:59,360 --> 00:42:05,200 Speaker 1: same episodeode where you have your scene and like when 855 00:42:05,239 --> 00:42:08,160 Speaker 1: he's passing away, that's the same episode. 856 00:42:08,160 --> 00:42:10,400 Speaker 3: It feels like right, like that's a ten to me. 857 00:42:10,960 --> 00:42:13,919 Speaker 3: But I know you love the sorty stuff. I didn't 858 00:42:13,920 --> 00:42:15,000 Speaker 3: love it as much. 859 00:42:15,640 --> 00:42:18,080 Speaker 2: So I just loved your hair. That's all. 860 00:42:18,239 --> 00:42:20,120 Speaker 1: It's all a ten. It's all ten to me. I'm 861 00:42:20,160 --> 00:42:21,960 Speaker 1: going to raise my thing to a perfect ten for 862 00:42:22,080 --> 00:42:22,879 Speaker 1: Carrie Drug and. 863 00:42:23,560 --> 00:42:26,480 Speaker 3: For kit Drug Summer five, Summer ten. So how do 864 00:42:26,520 --> 00:42:30,560 Speaker 3: you emerge it together? You give it a ten, you 865 00:42:30,600 --> 00:42:31,879 Speaker 3: are leaving the witness. 866 00:42:32,200 --> 00:42:34,359 Speaker 2: I think you have to like do the math, which 867 00:42:34,400 --> 00:42:36,440 Speaker 2: I don't and then you kind of like divide it 868 00:42:36,480 --> 00:42:40,040 Speaker 2: by four, and then I think it's like seven point 869 00:42:40,040 --> 00:42:42,920 Speaker 2: five seven seven point five is always safe when some 870 00:42:43,000 --> 00:42:44,640 Speaker 2: of it's not great and some of it's great. 871 00:42:44,760 --> 00:42:46,520 Speaker 3: I got t getting for eight point five, but she's 872 00:42:46,520 --> 00:42:47,680 Speaker 3: safe for the seven point five. 873 00:42:47,719 --> 00:42:49,399 Speaker 1: No, she's not getting anyone the gold and you guys 874 00:42:49,400 --> 00:42:50,719 Speaker 1: are scoring it way too low. 875 00:42:50,719 --> 00:42:53,480 Speaker 2: But it's fine, It's okay. What's our next episode? 876 00:42:53,520 --> 00:42:56,320 Speaker 1: And please say the next one is on streaming because 877 00:42:56,400 --> 00:42:58,920 Speaker 1: it really seems good. The bummer that this was on DVD, 878 00:42:59,200 --> 00:43:03,040 Speaker 1: like hello, and I know people aren't even they're they're 879 00:43:03,120 --> 00:43:04,960 Speaker 1: quitting on us because they don't want to deal with 880 00:43:05,000 --> 00:43:08,160 Speaker 1: the DVD. There's I'm like, stop, come back, come back. 881 00:43:08,440 --> 00:43:12,520 Speaker 2: Next week we have a season seven, episode six housewarming. 882 00:43:13,280 --> 00:43:20,040 Speaker 3: Oh my god, this is Brewer. 883 00:43:20,000 --> 00:43:23,040 Speaker 1: But what David's house. I don't know. 884 00:43:23,200 --> 00:43:26,120 Speaker 3: Oh my god, look at her. 885 00:43:26,200 --> 00:43:30,279 Speaker 2: But oh my god, look at her. But do what 886 00:43:30,400 --> 00:43:33,760 Speaker 2: song is that from? Because I say that constantly about myself. 887 00:43:33,560 --> 00:43:36,600 Speaker 1: Sir, mix a lot like baby Got Back. 888 00:43:37,480 --> 00:43:40,479 Speaker 2: Bye, guys, Bye, have a good week.