WEBVTT - Don't Duck

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<v Speaker 1>Family Secrets is a production of I Heart Radio. When

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<v Speaker 1>we talk about secrets, often we use the word buried.

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<v Speaker 1>We discover a buried secret. We bury our own secrets

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<v Speaker 1>in places where we think they'll never rise to the

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<v Speaker 1>surface again. We go to the grave with our secrets.

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<v Speaker 1>But what about when a secret actually is buried. Sylvia

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<v Speaker 1>Borstein was born in Brooklyn, New York, in just so

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<v Speaker 1>you don't have to do the math that makes her

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<v Speaker 1>two years old. She's been married for fifty two years

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<v Speaker 1>to her husband, Seymour. They have four children and seven grandchildren.

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<v Speaker 1>Sylvia is one of our country's most beloved teachers of

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<v Speaker 1>mindfulness meditation. Many of you may have heard of her,

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<v Speaker 1>and if you haven't, trust me, you should download one

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<v Speaker 1>of her audiobooks. Do that right now, just cause this

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<v Speaker 1>podcast and download one of her books. You will say

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<v Speaker 1>inked me later. She's also a very dear friend of mine,

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<v Speaker 1>which makes me a very lucky person. In truth, Sylvia

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<v Speaker 1>is the entire reason this podcast exists. As I was

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<v Speaker 1>grappling with my own humongous family secret, I was on

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<v Speaker 1>the phone with Sylvia one afternoon. As tends to happen

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<v Speaker 1>when we share a family secret, it prompts the listener

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<v Speaker 1>to think of family secrets of her own, and so

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<v Speaker 1>Sylvia began to tell me the story of a secret

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<v Speaker 1>that had haunted her for much of her life. As

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<v Speaker 1>I sat in my little office with the phone glued

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<v Speaker 1>to my ear, listening to my friend's story, I thought,

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<v Speaker 1>I wish I was recording this. Hence this podcast. I'm

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<v Speaker 1>Danny Shapiro, and this is family secrets. Secrets that are

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<v Speaker 1>kept from us, secrets we keep from others, and secrets

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<v Speaker 1>we keep from ourselves. Sylvia was raised in Coney Island,

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<v Speaker 1>in an enclave of immigrant Jews. In her neighborhood, she

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<v Speaker 1>was surrounded by relatives my parents met because they lived

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<v Speaker 1>around the corner from each other. My grandparents were friends

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<v Speaker 1>of each other, and my mother and father married. They

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<v Speaker 1>moved in with my father's parents because my father didn't

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<v Speaker 1>yet have a job, and I was born there a

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<v Speaker 1>year later. A year after that, my grandfather died and

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<v Speaker 1>my grandmother, who was my principal caretaker as I was

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<v Speaker 1>growing up, lived with us for the rest of her life.

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<v Speaker 1>So I lived in a situation where I was the

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<v Speaker 1>only child and the only grandchild of the three people

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<v Speaker 1>who lived in my house with me and much loved

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<v Speaker 1>by all three of them. Um. We lived within the

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<v Speaker 1>wider community of a large family of cousins and aunts

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<v Speaker 1>and uncle's and my mother, who was a wonderful storyteller,

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<v Speaker 1>told me all the background about all these people, so

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<v Speaker 1>and I loved them. They were my favorite kind of stories,

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<v Speaker 1>how uncle Julius came to the United States, and how

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<v Speaker 1>this one did that and that one did this. So

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<v Speaker 1>I felt growing up that I knew most of the

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<v Speaker 1>things about my family. But within all this closeness and happiness,

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<v Speaker 1>Sylvia's mother was very sick. My mother's health was frail.

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<v Speaker 1>My mother had rheumatic heart disease, the consequence of having

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<v Speaker 1>had rheumatic fever as a child, And I was always

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<v Speaker 1>alarmed because I really didn't understand that the consequences of

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<v Speaker 1>what that meant for her, and I worried always because

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<v Speaker 1>she was out of breath, she couldn't walk as fast

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<v Speaker 1>as other people's mother's, she couldn't swim or play tennis. Um,

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<v Speaker 1>And I think I know that I was always frightened

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<v Speaker 1>that she would die. We didn't talk of that sickness

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<v Speaker 1>in my house because I think in the end, maybe

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<v Speaker 1>it was a good decision. My mother had this defective

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<v Speaker 1>mitral valve that limited what she could do, but she

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<v Speaker 1>was a cheerful person, so she wasn't totally undone by

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<v Speaker 1>the illness, and she didn't mention it. We just knew

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<v Speaker 1>about it. But then Sylvia learned that there was a

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<v Speaker 1>story she didn't know, a painful story that wasn't part

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<v Speaker 1>of the great and often joyous oral tradition of her family.

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<v Speaker 1>Somewhere in my adolescence, but I think before I went

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<v Speaker 1>to college, my mother mentioned in a conversation, maybe it

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<v Speaker 1>was an overheard conversation, that she had a sister who

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<v Speaker 1>was younger than she was, but not as younger as

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<v Speaker 1>my aunt Marian, and that that sister had died. So

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<v Speaker 1>let's talk about what you remember about that conversation, or

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<v Speaker 1>whether it was something that you overheard. I think one

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<v Speaker 1>of the really interesting things about those moments where one

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<v Speaker 1>is discovering something or hearing something that is of incredible

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<v Speaker 1>importance that maybe coming out in a kind of casual

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<v Speaker 1>way or overheard or just slipped into conversation, and yet

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<v Speaker 1>it lodges somewhere in the psyche, and it was some

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<v Speaker 1>offend manner. I don't remember if she said it to

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<v Speaker 1>me or to somebody else. There was no photograph as

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<v Speaker 1>pictures of my mother as a child and our cousins

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<v Speaker 1>as a as children. I think, now that you're asking

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<v Speaker 1>me and I'm thinking about it, the best I remember

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<v Speaker 1>is I thought. I remember thinking maybe I heard wrong.

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<v Speaker 1>And I've asked myself, since I've known your story, and

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<v Speaker 1>since I've learned stories of secrets from side of my friends,

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<v Speaker 1>why is it that I wouldn't say the obvious, Hey,

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<v Speaker 1>you had another sister. Sylvia had one aunt, her mother's

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<v Speaker 1>younger sister, Miriam, and her father was an only child.

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<v Speaker 1>So these adults comprise her entire immediate family. But now

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<v Speaker 1>it seemed her grandparents had had three daughters, not too

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<v Speaker 1>but Sylvia talks this information away to the point that

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<v Speaker 1>she barely remembers it. It's a vestige, a mirage, not

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<v Speaker 1>something tangible. She doesn't exactly forget all about it. It's

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<v Speaker 1>more like she puts it off to the side, way

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<v Speaker 1>off to the side. Sylvia grows up, attends Barnard College

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<v Speaker 1>at the age of sixteen, miss her future husband, Seymour,

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<v Speaker 1>a doctor. She's married by the time she's twenty, and

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<v Speaker 1>eventually she and Seymour settle in northern California. Sylvia has

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<v Speaker 1>all her children by the time she's twenty five, a

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<v Speaker 1>span of years during which her mother dies, finally succumbing

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<v Speaker 1>to her weak her During this time, it's almost like

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<v Speaker 1>Sylvia is trying to cram it all in, get as

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<v Speaker 1>much as she possibly can out of this life, since

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<v Speaker 1>she's grown up with a powerful internalized message that life

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<v Speaker 1>may be short, perhaps very short, there's always the possibility

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<v Speaker 1>of loss. What happened is that after she died, years

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<v Speaker 1>went by, during which time I became closer to her

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<v Speaker 1>than I had been to her younger sister, Miriam. I

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<v Speaker 1>think Miriam missed my mother very much, and I did too.

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<v Speaker 1>And at that time I was married, I had my

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<v Speaker 1>own family, was living in California, and I developed the

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<v Speaker 1>habit of calling my aunt every Saturday afternoon and we

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<v Speaker 1>will talk on the phone about everything. So we were

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<v Speaker 1>really close. And at one point, oh, I know what happened.

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<v Speaker 1>My grandfather came to spend time with me and lived

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<v Speaker 1>with me in California. He was years old and in

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<v Speaker 1>very good health and um sound memory, and we became

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<v Speaker 1>very close, sharing old stories and one day just having

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<v Speaker 1>a walk together. I said, by the way, I once

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<v Speaker 1>heard that you actually had three daughters and that there

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<v Speaker 1>was somebody born after Gladys and before Miriam. And I

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<v Speaker 1>remember him looking at me and squinting over at me,

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<v Speaker 1>say I could I could almost imitate his tone of voice.

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<v Speaker 1>He would say, what wasn't matter with you? One word,

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<v Speaker 1>wasn't matter with you? Why did you hear that story?

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<v Speaker 1>That's not true, that never happened, that wasn't true. No, no, no,

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<v Speaker 1>why did you get that? So it was the end

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<v Speaker 1>of that. I let it go. Sometime later, after I

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<v Speaker 1>developed this relationship with my with my aunt, I'm one

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<v Speaker 1>of our Saturday phone calls, I said, by the way, Miriam, uh,

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<v Speaker 1>I heard, and I told the whole story, And I said,

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<v Speaker 1>I asked Grandpa, who had then by then died, said

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<v Speaker 1>I asked Grandpa about it, and he said no. She

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<v Speaker 1>said no, no, no, there was for any other child. No,

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<v Speaker 1>never any other child. I said, Okay, time went by.

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<v Speaker 1>How did you feel during the time that was going by?

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<v Speaker 1>Did you accept that was it? Was it a sense

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<v Speaker 1>of maybe I was wrong, maybe I misheard. Did you

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<v Speaker 1>doubt yourself? Well? It was really it was like maybe

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<v Speaker 1>I had a dream. Maybe I had a dream. Oh yeah,

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<v Speaker 1>and you know that any one of the things about me,

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<v Speaker 1>because I don't like to be wrong. So if I,

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<v Speaker 1>if I, if I had developed something which was so

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<v Speaker 1>to speak, quote unquote stupid, I wouldn't have admitted it

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<v Speaker 1>to people. I've had this idea, and I'm sure of

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<v Speaker 1>it from my grandfather had said, it's not true. I've

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<v Speaker 1>never seen any artifact of that. Time went by. My

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<v Speaker 1>grandfather had died. I was in New York, and of

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<v Speaker 1>course my mother had died long before I was in

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<v Speaker 1>New York, probably somewhere in my late fift these early sixties,

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<v Speaker 1>and my husband's Seymore was with me. I think I

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<v Speaker 1>was teaching and I had a day free, and I said,

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<v Speaker 1>you know, I'd like to go out to the cemetery.

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<v Speaker 1>I'd like to go to the cemetery where my mother

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<v Speaker 1>was buried. And so he said okay, and we went out.

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<v Speaker 1>Then anybody who knows cemeteries in Queens knows that there's endless,

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<v Speaker 1>endless acreage of cemeteries and Queens. But I had the

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<v Speaker 1>name of the cemetery, and what was the cemetery called?

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<v Speaker 1>Do you remember Mount Hebron? Mount Hebron so it was

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<v Speaker 1>a Jewish cemetery. Was absolutely a Jewish cemetery, which brings

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<v Speaker 1>me back to buried secrets. I know these cemeteries on

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<v Speaker 1>the outskirts of New York City. My dad's family plot,

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<v Speaker 1>the Shapiro family plot, is in one of them. They

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<v Speaker 1>aren't pastoral final resting places, you know, with pretty benches

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<v Speaker 1>and shady trees. They tend to be massive, crumbling places

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<v Speaker 1>to stones crammed up against one another, like crooked teeth

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<v Speaker 1>in the mouth of the world. And I knew that

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<v Speaker 1>my mother was buried in a burial area that was

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<v Speaker 1>bought by the first men's Atonia Society of my grandfather's

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<v Speaker 1>Austrian town. What people did is they came as immigrants

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<v Speaker 1>and among other things, they pulled their money and they

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<v Speaker 1>bought acreage or acreage, they bought a plot in Jewish cemetery,

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<v Speaker 1>and you paid your cemetery dues to pay for the plot,

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<v Speaker 1>and then whenever you died twenty or thirty or forty

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<v Speaker 1>years later, you have placed in that plot. So that

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<v Speaker 1>so it's like the village from the old country was

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<v Speaker 1>transported to this cemetery plot where you would all be

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<v Speaker 1>together again, no kidding, and there's a there's anyway story

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<v Speaker 1>never want comes to visit a friend of his who

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<v Speaker 1>is in the hospital, and very we ill apparently in

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<v Speaker 1>the conversation in Yiddish is about how you're doing and

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<v Speaker 1>whether or not you might die, and he the visitor

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<v Speaker 1>tells the patient in the hospital, you know who died

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<v Speaker 1>last week, so and so and tells him. And this

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<v Speaker 1>person's response is not I'm sorry that so and so died,

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<v Speaker 1>but oh dear, if I die now, I'm gonna have

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<v Speaker 1>to lie next to so and so forever. Uh so

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<v Speaker 1>all the jokes that they made about that, but that's

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<v Speaker 1>what you did. My mother is not, so to speak,

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<v Speaker 1>lying next to my grandparents. She is in the order

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<v Speaker 1>that she died as part of the village, as part

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<v Speaker 1>of the village. It's not even my mother is village.

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<v Speaker 1>It's my father's parents village. An irresistible side note here.

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<v Speaker 1>My dad died in a car crash when I was

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<v Speaker 1>twenty three, and my mom died almost two decades later.

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<v Speaker 1>When my mother was dying, she informed me that she

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<v Speaker 1>was not going to be buried in my father's family

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<v Speaker 1>plot in one. Instead, she planned to be buried in

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<v Speaker 1>southern Jersey. I mean way down the Jersey Turnpike, which,

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<v Speaker 1>if you don't know it is one of the least

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<v Speaker 1>fun roads in the country, with her family and away

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<v Speaker 1>from all of those people who she had fought with

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<v Speaker 1>her whole married life. I feel sorry for you, she said,

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<v Speaker 1>though I knew she didn't. You'll have to visit your

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<v Speaker 1>parents in two different cemeteries. Any who, Charle malecham Irene Shapiro.

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<v Speaker 1>Generations come and go and not much changes. We're going

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<v Speaker 1>to take a quick break. We'll be back in a moment.

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<v Speaker 1>It's a miserable day, cold and wet when Sylvia and

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<v Speaker 1>Seymour make the swept from Manhattan to the cemetery in Queens.

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<v Speaker 1>So we win. And we found those two tombstones, and

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<v Speaker 1>I looked at them, and you know, I put a

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<v Speaker 1>requisite rock on the top of each one, which signifies

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<v Speaker 1>all kinds of things, but the people going by it

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<v Speaker 1>means someone was there and someone visited. And then we

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<v Speaker 1>walked back to the entrance and there's a little hot

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<v Speaker 1>or a house or very small office at the bottom

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<v Speaker 1>of them where you can go in and ask where

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<v Speaker 1>it is so and so buried, and they give you

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<v Speaker 1>the plot map. And when we went in there, I said,

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<v Speaker 1>you know, I said to see more on the way back.

0:14:35.320 --> 0:14:42.200
<v Speaker 1>You know, this was my father's father's plot. My mother's

0:14:42.640 --> 0:14:48.560
<v Speaker 1>family also had a plot in this cemetery. Um, and

0:14:48.840 --> 0:14:54.520
<v Speaker 1>my grandmother's Trasia and must be buried there. Let's find

0:14:54.520 --> 0:14:59.320
<v Speaker 1>out where. So we go into the cemetery. I'm all

0:14:59.320 --> 0:15:00.920
<v Speaker 1>of a sudden, really, I seem that as I'm telling

0:15:00.920 --> 0:15:03.080
<v Speaker 1>you the story, I'm a little choking up about it.

0:15:04.160 --> 0:15:06.840
<v Speaker 1>So we take your breath and out, getting a little

0:15:06.840 --> 0:15:10.680
<v Speaker 1>bit teary about it. We go into this office and

0:15:12.600 --> 0:15:17.520
<v Speaker 1>I said, my grandfather's last name, and and then just

0:15:17.720 --> 0:15:21.680
<v Speaker 1>suddenly I'm kind of a whim. I said, you know,

0:15:22.720 --> 0:15:26.320
<v Speaker 1>I'm also interested in a child that might be buried

0:15:26.440 --> 0:15:32.600
<v Speaker 1>in that same community's burial place. And I know that

0:15:32.680 --> 0:15:36.400
<v Speaker 1>she was a child about five years old, and that

0:15:36.520 --> 0:15:45.240
<v Speaker 1>she died in about Remember this is the mid nineteen nineties.

0:15:45.800 --> 0:15:49.360
<v Speaker 1>The small cemetery office is not equipped with WiFi or internet.

0:15:50.040 --> 0:15:52.840
<v Speaker 1>In fact, they're in the midst of transferring all their

0:15:52.840 --> 0:15:57.880
<v Speaker 1>files from a rolodex a rolodex to a computer. So

0:15:58.000 --> 0:16:02.560
<v Speaker 1>finding a child with Sylvia's grandfather's name Fuchs is slow going,

0:16:03.040 --> 0:16:09.400
<v Speaker 1>if not impossible. He looked and looking through names, says,

0:16:09.440 --> 0:16:12.480
<v Speaker 1>we have a lot of folks this here. What was

0:16:12.520 --> 0:16:16.080
<v Speaker 1>her first name? Uh, what was the first name? And

0:16:16.160 --> 0:16:19.560
<v Speaker 1>of course Sylvia doesn't know the child's first name because

0:16:19.600 --> 0:16:25.000
<v Speaker 1>the child was a secret. And I said, I don't know,

0:16:25.800 --> 0:16:34.400
<v Speaker 1>but I think maybe it was Sylvia. He looks, he said, yeah,

0:16:34.440 --> 0:16:41.720
<v Speaker 1>this is Sylvia. Folks that died in nineteen twenty one.

0:16:42.960 --> 0:16:45.120
<v Speaker 1>And I said, well, I go back, show me on

0:16:45.160 --> 0:16:48.720
<v Speaker 1>the map where to look and know what to say. Really,

0:16:50.480 --> 0:16:52.360
<v Speaker 1>he said, well, you would be able to find it

0:16:52.480 --> 0:16:57.000
<v Speaker 1>because um children were buried not in a regular plot.

0:16:57.320 --> 0:17:00.880
<v Speaker 1>They were buried in a corner of plot that their

0:17:00.920 --> 0:17:04.080
<v Speaker 1>community owned, and they were just buried next to each other.

0:17:05.000 --> 0:17:07.120
<v Speaker 1>When they have young children, they're buried next to each other.

0:17:07.400 --> 0:17:12.560
<v Speaker 1>And they didn't have granite headstones. They had limestone headstones.

0:17:13.359 --> 0:17:16.240
<v Speaker 1>The children. Yeah, they just the oral grouped in the corner.

0:17:16.280 --> 0:17:21.040
<v Speaker 1>There's a children's area for young children and newborns. And

0:17:21.480 --> 0:17:28.080
<v Speaker 1>they're just limestone. Marco's mounds name. And it's been so

0:17:28.200 --> 0:17:31.680
<v Speaker 1>many years in the rains, the limestone washes off. You'll

0:17:31.720 --> 0:17:36.159
<v Speaker 1>never find it. So we walk out of that place

0:17:36.240 --> 0:17:39.920
<v Speaker 1>and I say more, says, let's go back. Meantime it's

0:17:40.000 --> 0:17:42.000
<v Speaker 1>the end of the long day, and it's a long

0:17:42.119 --> 0:17:44.040
<v Speaker 1>walk up there, and I'm kind of blown away by

0:17:44.080 --> 0:17:47.480
<v Speaker 1>the whole thing, and it's becoming overcast and it looks

0:17:47.480 --> 0:17:50.000
<v Speaker 1>like it's going to rain, and I said, well, he says, well,

0:17:50.040 --> 0:17:53.640
<v Speaker 1>we won't find it. He said, let's go. We're going

0:17:53.680 --> 0:18:04.359
<v Speaker 1>to take a quick break. Sylvia is overcome with a

0:18:04.440 --> 0:18:08.359
<v Speaker 1>desire to flee the cemetery. She's suddenly exhausted. It has

0:18:08.400 --> 0:18:12.639
<v Speaker 1>been a very long day. But Seymour and this totally

0:18:12.680 --> 0:18:16.520
<v Speaker 1>gets to me. Seymour pushes her. He knows it's probably

0:18:16.520 --> 0:18:18.439
<v Speaker 1>the only time she'll ever be able to get to

0:18:18.440 --> 0:18:22.159
<v Speaker 1>the bottom of this question she's always had, so, he insists.

0:18:24.280 --> 0:18:28.440
<v Speaker 1>So we walk back up, we find that plot. Then

0:18:28.440 --> 0:18:32.080
<v Speaker 1>we see in the corners there are these like clumps

0:18:32.119 --> 0:18:37.359
<v Speaker 1>of limestone. Marker's all very washed off, so you really

0:18:37.400 --> 0:18:42.000
<v Speaker 1>can't read the names. And by this time I'm really

0:18:42.040 --> 0:18:47.200
<v Speaker 1>feeling undone in the weather, and I just I said,

0:18:47.280 --> 0:18:50.600
<v Speaker 1>let's go. That can't do this anymore. And sans, I know,

0:18:50.920 --> 0:18:53.920
<v Speaker 1>keeping looking, with keeping looking, this is making me cry

0:18:53.920 --> 0:18:57.320
<v Speaker 1>as well. And all of a sudden, he said, here

0:18:57.320 --> 0:19:06.240
<v Speaker 1>it is. And it isn't limestone. It's a dark gray,

0:19:06.280 --> 0:19:11.879
<v Speaker 1>beautiful granites down and it says Sylvia folks daughter official folks.

0:19:12.560 --> 0:19:21.320
<v Speaker 1>It's my grandfather's child. So when we came over from

0:19:21.359 --> 0:19:25.520
<v Speaker 1>the trip, I called my aunt Miriam. You know, as

0:19:25.520 --> 0:19:27.919
<v Speaker 1>I'm telling you the story, it's not easy. I have

0:19:27.960 --> 0:19:31.439
<v Speaker 1>all goose pimples all over me. I called my aunt Miriam,

0:19:31.520 --> 0:19:34.719
<v Speaker 1>and we talked about one thing or another. And I said, Miriam,

0:19:34.920 --> 0:19:38.560
<v Speaker 1>I was in New York. Yeah I know, I said, Merriwell,

0:19:38.600 --> 0:19:40.480
<v Speaker 1>I was in New York. I went to the cemetery

0:19:42.280 --> 0:19:48.160
<v Speaker 1>and I went to look at graves, my mother's grave,

0:19:48.240 --> 0:19:51.760
<v Speaker 1>and then I went over to where your mother is

0:19:51.800 --> 0:19:57.800
<v Speaker 1>buried with Rajah is buried, and I found the gravestone

0:19:58.440 --> 0:20:04.200
<v Speaker 1>for Sylvia folks. And she didn't say anything, so I said,

0:20:04.359 --> 0:20:08.680
<v Speaker 1>I was I was really upset, Miriam. I said, it's

0:20:08.680 --> 0:20:11.840
<v Speaker 1>really upset because I thought I had such a close

0:20:11.880 --> 0:20:16.399
<v Speaker 1>relationship with with myanpa official. You know, we were so close,

0:20:16.720 --> 0:20:19.840
<v Speaker 1>and he lied to me. And she said, you know

0:20:20.040 --> 0:20:22.280
<v Speaker 1>he didn't lie to Merriam. What do you mean you

0:20:22.280 --> 0:20:25.760
<v Speaker 1>didn't lie? I found with toolstone. She said, you forgot.

0:20:26.840 --> 0:20:28.760
<v Speaker 1>I said, Marriam, you don't forget it if you have

0:20:28.800 --> 0:20:31.880
<v Speaker 1>a six year old child that dies. She said, if

0:20:31.920 --> 0:20:40.080
<v Speaker 1>it's too horrible for you, you forget it. And you know,

0:20:40.119 --> 0:20:43.199
<v Speaker 1>I thought it'd be easier to tell this story, but

0:20:43.320 --> 0:20:47.720
<v Speaker 1>it's not. It's a very loving thing that Seymour did.

0:20:48.400 --> 0:20:51.639
<v Speaker 1>It was it was I think about it now, I

0:20:51.720 --> 0:20:55.040
<v Speaker 1>think about it in that moment, and I was that

0:20:55.359 --> 0:20:57.920
<v Speaker 1>really it was he who said no, no, we're here,

0:20:58.560 --> 0:21:01.520
<v Speaker 1>let's go. No, no, no, not finished looking the look.

0:21:02.240 --> 0:21:05.199
<v Speaker 1>And after we discovered it, I remember, you know, I

0:21:05.280 --> 0:21:09.600
<v Speaker 1>was physically upset and crying, I think, but I remember

0:21:09.600 --> 0:21:12.560
<v Speaker 1>he was saying to me, tell me what's so upsetting,

0:21:13.200 --> 0:21:17.160
<v Speaker 1>and I said, um, they lied to me, all those people.

0:21:19.520 --> 0:21:23.080
<v Speaker 1>The end of the phone call with Aunt Miriam is

0:21:23.400 --> 0:21:26.280
<v Speaker 1>he forgot as this said, Miriam, tell me, did you

0:21:26.359 --> 0:21:30.639
<v Speaker 1>forget you? Did you remember her at all? Uh? Because

0:21:30.680 --> 0:21:36.280
<v Speaker 1>Miriam was between two and three when her sister Sylvia died,

0:21:37.280 --> 0:21:41.399
<v Speaker 1>she said, you know, I only have one memory. I

0:21:41.480 --> 0:21:47.080
<v Speaker 1>remember I was sitting on the floor in the sun

0:21:48.119 --> 0:21:53.400
<v Speaker 1>porch of the apartment where I lived with my parents.

0:21:54.800 --> 0:21:57.440
<v Speaker 1>I was sitting on the floor and watching the light

0:21:58.080 --> 0:22:02.399
<v Speaker 1>patterns of sunshine on the wooden floor of that sun porch,

0:22:03.200 --> 0:22:06.080
<v Speaker 1>and my mother was sitting in a rocking chair behind me,

0:22:07.040 --> 0:22:10.320
<v Speaker 1>and all of a sudden I heard my mother crying,

0:22:11.440 --> 0:22:16.119
<v Speaker 1>and I became upset because she was crying. And my

0:22:16.240 --> 0:22:19.920
<v Speaker 1>mother picked me up right away, and she said, mine, dish, fine, dish,

0:22:20.000 --> 0:22:24.159
<v Speaker 1>mine kin, don't cry my child, And room said, I

0:22:24.200 --> 0:22:30.360
<v Speaker 1>never saw her cry again, and we don't. Don't tell

0:22:30.400 --> 0:22:34.040
<v Speaker 1>you that story. I'm thinking how painful it is to

0:22:35.240 --> 0:22:38.480
<v Speaker 1>not be able to talk about it ever, not be

0:22:38.560 --> 0:22:41.240
<v Speaker 1>able to cry to your children, or cry to anybody.

0:22:42.359 --> 0:22:44.800
<v Speaker 1>I'm sure it never goes away if you have a

0:22:44.880 --> 0:22:50.359
<v Speaker 1>child who's six years old and dies. One thing I

0:22:50.400 --> 0:22:53.680
<v Speaker 1>find myself wondering. Sylvia is a person who has spent

0:22:53.800 --> 0:22:56.240
<v Speaker 1>much of her adult life coming to know the inner

0:22:56.240 --> 0:22:59.720
<v Speaker 1>workings of her own mind. She's gone on silent meditation

0:22:59.800 --> 0:23:04.040
<v Speaker 1>rich treats for months, months at a time. She's taught

0:23:04.080 --> 0:23:07.399
<v Speaker 1>mindfulness all over the world. I remember when I was

0:23:07.440 --> 0:23:09.840
<v Speaker 1>first getting to know her work. I read a few

0:23:09.840 --> 0:23:12.040
<v Speaker 1>sentences from one of her books. Allowed to my husband.

0:23:12.840 --> 0:23:16.000
<v Speaker 1>Why is this so good? I asked him. He answered,

0:23:16.600 --> 0:23:20.600
<v Speaker 1>because it's the product of an unconfused mind. How was

0:23:20.640 --> 0:23:24.480
<v Speaker 1>it that the original conversation or overheard moment way back

0:23:24.480 --> 0:23:28.639
<v Speaker 1>when with her mother never drifted into Sylvia's unconfused mind

0:23:29.200 --> 0:23:33.480
<v Speaker 1>in all those periods of silence and contemplation. I mean,

0:23:33.480 --> 0:23:36.560
<v Speaker 1>one of the things that's interesting to me is there

0:23:36.640 --> 0:23:41.560
<v Speaker 1>was that overheard conversation or she or she straight out

0:23:41.600 --> 0:23:45.240
<v Speaker 1>told you and I don't know, and you put it somewhere.

0:23:45.240 --> 0:23:49.640
<v Speaker 1>I think this is what we do. Um. I'm understanding

0:23:49.760 --> 0:23:54.360
<v Speaker 1>that more and more as I'm in my own process

0:23:54.359 --> 0:23:57.760
<v Speaker 1>of discovering what I knew, what I didn't know. You

0:23:57.800 --> 0:24:02.560
<v Speaker 1>know about my own family secrets. Um, but where do

0:24:02.680 --> 0:24:05.840
<v Speaker 1>we put you? Know? You you have lived a very

0:24:05.920 --> 0:24:10.760
<v Speaker 1>examined life more than most. You're you're a Buddhist, you're

0:24:10.760 --> 0:24:14.480
<v Speaker 1>a teacher, you're a writer, you're a storyteller, you're a psychologist.

0:24:14.480 --> 0:24:22.560
<v Speaker 1>For God to say, and so there was this this

0:24:23.040 --> 0:24:27.400
<v Speaker 1>piece of knowledge that just kind of wedged itself somewhere

0:24:27.440 --> 0:24:31.960
<v Speaker 1>while you were busy becoming a psychologist and getting a

0:24:32.040 --> 0:24:35.720
<v Speaker 1>doctorate and going to school and having four children and

0:24:35.800 --> 0:24:38.439
<v Speaker 1>raising a family and living a life and going on

0:24:39.240 --> 0:24:44.040
<v Speaker 1>you know, month long meditation retreats, and it never emerged again.

0:24:44.880 --> 0:24:47.520
<v Speaker 1>I've thought several times, and often I think in my

0:24:47.640 --> 0:24:52.960
<v Speaker 1>life that there's been something very dependable about my psyche,

0:24:53.359 --> 0:24:56.960
<v Speaker 1>depending on what situation I would be in, I would

0:24:57.000 --> 0:25:00.920
<v Speaker 1>say about my psyche or about my heart, but where

0:25:01.840 --> 0:25:04.560
<v Speaker 1>my psyche or my heart did not let me know

0:25:04.760 --> 0:25:08.160
<v Speaker 1>things at a time that I couldn't have handled them well.

0:25:09.240 --> 0:25:12.359
<v Speaker 1>And later on I thought to myself, that was so

0:25:12.800 --> 0:25:16.880
<v Speaker 1>really thoughtful of my mind and my heart to tell me, well,

0:25:17.000 --> 0:25:19.000
<v Speaker 1>you don't have to take care of this now, we'll

0:25:19.040 --> 0:25:25.359
<v Speaker 1>be back when you can handle it. I don't know

0:25:25.440 --> 0:25:27.920
<v Speaker 1>that you ever finished Anny when I told you that

0:25:28.000 --> 0:25:31.760
<v Speaker 1>story before. I was surprised to find that still gives

0:25:31.760 --> 0:25:34.919
<v Speaker 1>me goose pet flush and I still feel like crying

0:25:34.960 --> 0:25:42.080
<v Speaker 1>about it. So here's a question for you. In that

0:25:42.200 --> 0:25:45.639
<v Speaker 1>moment in the in the cemetery office, when you were

0:25:45.680 --> 0:25:49.560
<v Speaker 1>asked the question what was her first name? And out

0:25:49.600 --> 0:25:54.719
<v Speaker 1>of your mouth came maybe it was Sylvia. Where did

0:25:54.760 --> 0:26:01.280
<v Speaker 1>that come from? You know, I don't know you were

0:26:01.359 --> 0:26:04.160
<v Speaker 1>named for her. I don't know that's what I figured,

0:26:04.560 --> 0:26:08.280
<v Speaker 1>but you know, um, that's why I offered the name.

0:26:08.800 --> 0:26:11.240
<v Speaker 1>Had you ever had that thought before before that moment

0:26:11.320 --> 0:26:17.119
<v Speaker 1>that it came out of your mouth? I think I

0:26:17.240 --> 0:26:21.640
<v Speaker 1>must have known, really on some level, and I think

0:26:21.680 --> 0:26:25.720
<v Speaker 1>I'm on the spot there. I don't remember thinking beforehand

0:26:25.880 --> 0:26:28.600
<v Speaker 1>that she would be Sylvia. But phasebook, what do you

0:26:28.600 --> 0:26:31.960
<v Speaker 1>think her name was? Coming from Jews who named for

0:26:32.080 --> 0:26:36.199
<v Speaker 1>people who died. I figured I must be Sylvia and

0:26:36.320 --> 0:26:45.679
<v Speaker 1>she must be Sylvia. I mean, this is on the

0:26:45.680 --> 0:26:50.359
<v Speaker 1>one hand, it's a doozy of a secret. It's also

0:26:51.800 --> 0:26:54.520
<v Speaker 1>very far back in the reaches of history in terms

0:26:54.600 --> 0:27:00.600
<v Speaker 1>of a life you know, um, and yet there's some

0:27:00.680 --> 0:27:04.840
<v Speaker 1>way in which it seems like it has hovered over

0:27:04.880 --> 0:27:09.879
<v Speaker 1>the course of of your life without knowing it. Um.

0:27:10.080 --> 0:27:11.960
<v Speaker 1>I remember when you first told me the story. What

0:27:12.040 --> 0:27:18.040
<v Speaker 1>I was so struck by was that moment where you said,

0:27:18.160 --> 0:27:20.879
<v Speaker 1>where you just decided today, I'm going to go to

0:27:20.920 --> 0:27:24.080
<v Speaker 1>the cemetery. We're gonna go, We're gonna take buses and trains,

0:27:24.080 --> 0:27:25.800
<v Speaker 1>We're going to get there in the rain. We're gonna

0:27:25.800 --> 0:27:31.199
<v Speaker 1>have this kind of day. How did you reconcile? I

0:27:31.200 --> 0:27:35.360
<v Speaker 1>think a lot of people who discover a secret well

0:27:35.400 --> 0:27:39.000
<v Speaker 1>are are at the same time realizing that they were

0:27:39.640 --> 0:27:43.200
<v Speaker 1>lied to. Um. There's a betrayal there in some way

0:27:43.880 --> 0:27:47.359
<v Speaker 1>to exactly the word. I just was thinking that in

0:27:47.400 --> 0:27:51.680
<v Speaker 1>the moment of finding out uh Semol was really asking

0:27:51.680 --> 0:27:55.479
<v Speaker 1>me about what particularly was so upsetting to me, and

0:27:55.520 --> 0:28:00.600
<v Speaker 1>I said, everybody lied, and I asked and they lied,

0:28:00.760 --> 0:28:03.520
<v Speaker 1>So it was it was stricken from the record. I

0:28:03.600 --> 0:28:07.960
<v Speaker 1>think my sense from Miriam, from friends of mine who

0:28:07.960 --> 0:28:12.720
<v Speaker 1>have had similar stories is that they were so unable

0:28:12.760 --> 0:28:17.040
<v Speaker 1>to even they were so frightened of even feeling the

0:28:17.119 --> 0:28:24.200
<v Speaker 1>intensity of their distress. You know what else, I've seen

0:28:24.320 --> 0:28:28.000
<v Speaker 1>Danny as a meditation guide and confidant for so many

0:28:28.000 --> 0:28:33.160
<v Speaker 1>people people have come on retreat and uh, when I've

0:28:33.160 --> 0:28:36.960
<v Speaker 1>seen them in an individual meetings during a retreat. Retreats

0:28:37.000 --> 0:28:39.080
<v Speaker 1>are always silent, so they don't get to talk to

0:28:39.160 --> 0:28:43.840
<v Speaker 1>each other, and since they're asked not to read or

0:28:43.920 --> 0:28:47.840
<v Speaker 1>to write or two talk during the retreats, they have

0:28:47.920 --> 0:28:51.760
<v Speaker 1>nothing but their own minds to pay attention to. And

0:28:51.960 --> 0:28:57.200
<v Speaker 1>it's universally true that when people uh stop stimuli from

0:28:57.240 --> 0:28:59.920
<v Speaker 1>coming in and spend a lot of the time sitting

0:29:00.000 --> 0:29:03.840
<v Speaker 1>walking back and forth, trying to just be present in

0:29:03.920 --> 0:29:07.479
<v Speaker 1>this moment, that they're herd of mind, of psyche or

0:29:07.520 --> 0:29:12.760
<v Speaker 1>whatever tells them what they haven't heard before. For me, certainly,

0:29:13.200 --> 0:29:16.640
<v Speaker 1>it presents a moral inventory. You know, you left this

0:29:17.440 --> 0:29:20.160
<v Speaker 1>really undone, and you heard so and those feelings and

0:29:20.200 --> 0:29:24.600
<v Speaker 1>you never such a really I'm happy for that, because

0:29:25.520 --> 0:29:29.400
<v Speaker 1>h I feel like after the initial oh dear, my

0:29:29.440 --> 0:29:32.600
<v Speaker 1>mind feels slightly unburdened because I had been keeping the

0:29:32.680 --> 0:29:44.360
<v Speaker 1>secret from myself and I fixed it. My friend Donna Massini,

0:29:44.480 --> 0:29:47.720
<v Speaker 1>a poet, wrote a beautiful poem years ago called I

0:29:47.880 --> 0:29:51.680
<v Speaker 1>Have the Skull that I've Never forgotten. In it, the

0:29:51.720 --> 0:29:55.280
<v Speaker 1>poem is a narrator. A woman has just visited the dentist.

0:29:55.880 --> 0:30:00.400
<v Speaker 1>She said, cavities filled with novacaine. Obviously I As she

0:30:00.480 --> 0:30:03.680
<v Speaker 1>walks down the street afterwards, she wonders, where does the

0:30:03.720 --> 0:30:07.200
<v Speaker 1>pain go? She had been numbed, but did that mean

0:30:07.280 --> 0:30:11.360
<v Speaker 1>she hadn't on some level felt the pain. So that

0:30:11.480 --> 0:30:16.480
<v Speaker 1>the numbing or the the impossibility or the seeming impossibility

0:30:16.480 --> 0:30:21.680
<v Speaker 1>of being able to handle something that that painful, doesn't

0:30:21.680 --> 0:30:25.880
<v Speaker 1>mean that it disappears. You think of something that startles,

0:30:26.040 --> 0:30:28.840
<v Speaker 1>hurts the mind that goes ah, I don't think that.

0:30:29.560 --> 0:30:32.480
<v Speaker 1>And that's really what I'm teaching people these days. That's

0:30:32.480 --> 0:30:36.440
<v Speaker 1>the all gis of what I'm teaching. It's not to

0:30:36.960 --> 0:30:39.360
<v Speaker 1>be able to so calm your mind that you rise

0:30:39.400 --> 0:30:43.080
<v Speaker 1>above your stuff, whether you actually see that it's ephemeral

0:30:43.160 --> 0:30:47.520
<v Speaker 1>and it's empty and therefore really isn't significant. It's none

0:30:47.560 --> 0:30:49.400
<v Speaker 1>of those things to be able to recognize this is

0:30:49.480 --> 0:30:52.720
<v Speaker 1>what's happening. This is a feeling that's arising in me.

0:30:53.280 --> 0:30:56.360
<v Speaker 1>This is either it's it's frightening, or it's startling, or

0:30:56.400 --> 0:30:58.960
<v Speaker 1>it's this thing or it's stadding. And I see that

0:30:58.960 --> 0:31:03.080
<v Speaker 1>that's happening, and I can stay here. I can stay

0:31:03.120 --> 0:31:06.080
<v Speaker 1>here and I can know it, and it will pen

0:31:06.320 --> 0:31:09.600
<v Speaker 1>that I can feel it. I love that you don't

0:31:09.600 --> 0:31:12.280
<v Speaker 1>have to get out of the way, you can be here. Yeah,

0:31:12.520 --> 0:31:15.600
<v Speaker 1>I thought that, as I remember years ago, I was

0:31:15.640 --> 0:31:19.880
<v Speaker 1>saying to a psychotherapy pageant of mine, the same as

0:31:19.920 --> 0:31:24.320
<v Speaker 1>I would say to a meditation student, don't duck, don't duck.

0:31:28.280 --> 0:31:39.640
<v Speaker 1>Oh yeah, you can do this, don't duck. I'd like

0:31:39.680 --> 0:31:42.960
<v Speaker 1>to thank my guest, Sylvia Borstein, for sharing her words

0:31:42.960 --> 0:31:45.600
<v Speaker 1>of wisdom with us today. You can find out more

0:31:45.640 --> 0:31:50.760
<v Speaker 1>about Sylvia and her teachings at Sylvia borstein dot com.

0:31:50.800 --> 0:31:54.320
<v Speaker 1>Family Secrets as an i Heeart Media production. Dylan Fagan

0:31:54.440 --> 0:31:57.880
<v Speaker 1>is the supervising producer, Andrew Howard and Tristan McNeil are

0:31:57.920 --> 0:32:01.480
<v Speaker 1>the audio engineers, and Julie doug This is the executive producer.

0:32:02.680 --> 0:32:04.600
<v Speaker 1>If you have a family secret you'd like to share.

0:32:04.960 --> 0:32:07.440
<v Speaker 1>You can get in touch with us at listener mail

0:32:07.720 --> 0:32:11.680
<v Speaker 1>at Family Secrets Podcast dot com. You can also find

0:32:11.720 --> 0:32:16.320
<v Speaker 1>us on Instagram at Danny Ryder, Facebook at Family Secrets Pod,

0:32:16.840 --> 0:32:20.760
<v Speaker 1>and Twitter at fam Secrets Pod That's FAMI Secrets Pod.

0:32:21.440 --> 0:32:40.800
<v Speaker 1>For more about my book, Inheritance, visit Danny Shapiro dot com.

0:32:40.840 --> 0:32:45.080
<v Speaker 1>My last question is do you wish that you hadn't known?

0:32:45.680 --> 0:32:48.600
<v Speaker 1>Do you wish that you would never have found out? Oh? No,

0:32:49.640 --> 0:32:51.160
<v Speaker 1>I knew you were going to say that, but I

0:32:51.200 --> 0:32:56.000
<v Speaker 1>didn't want to answer it for you. Um oh no, no, no, no.

0:32:56.600 --> 0:32:59.160
<v Speaker 1>I like knowing. I like knowing