1
00:00:00,040 --> 00:00:03,519
Speaker 1: You, guys, this is history what you've done. What show

2
00:00:03,720 --> 00:00:06,519
Speaker 1: you guys should throw a platform that includes.

3
00:00:06,920 --> 00:00:13,319
Speaker 2: Club This Morning, Breakfast Cups, DJ Vy, every playing by record.

4
00:00:13,400 --> 00:00:17,520
Speaker 3: I've made it just hilarious. She'll stand up a god

5
00:00:17,680 --> 00:00:20,599
Speaker 3: made you think they can controversial questions to play this part?

6
00:00:20,760 --> 00:00:23,000
Speaker 3: I like thanks Breakfast Club.

7
00:00:25,160 --> 00:00:27,120
Speaker 1: Telling. I'm telling what you're doing.

8
00:00:28,480 --> 00:00:29,480
Speaker 4: Call of yo.

9
00:00:29,840 --> 00:00:31,480
Speaker 5: This is your time to get it off your chest,

10
00:00:31,600 --> 00:00:34,519
Speaker 5: whether you're mad or blessed. Eight hundred and five five

11
00:00:34,600 --> 00:00:36,239
Speaker 5: one o five one. We want to hear from you

12
00:00:36,280 --> 00:00:37,120
Speaker 5: on the Breakfast Club.

13
00:00:38,920 --> 00:00:39,680
Speaker 1: Hello. Who's this?

14
00:00:40,320 --> 00:00:45,080
Speaker 6: Yoda's Malik from Chicago. Now, I just wanted to like

15
00:00:45,120 --> 00:00:47,760
Speaker 6: spread some positivity. Man. A few months ago I lost

16
00:00:47,760 --> 00:00:51,839
Speaker 6: my job but whatnot? And recently I started a new business.

17
00:00:52,360 --> 00:00:56,120
Speaker 6: I lost a lot of weight, like fifty sixty pounds. Okay, yeah,

18
00:00:56,160 --> 00:00:57,320
Speaker 6: it ain't going good man.

19
00:00:57,560 --> 00:00:59,440
Speaker 1: Oh I love to hear that, brother, Yeah.

20
00:00:59,560 --> 00:01:00,480
Speaker 7: We definitely.

21
00:01:00,520 --> 00:01:01,800
Speaker 8: I was wondering if I could spend a quick six

22
00:01:01,840 --> 00:01:02,400
Speaker 8: thing for y'all.

23
00:01:02,680 --> 00:01:08,760
Speaker 1: Well, listen, why do we need that in all lives? Please?

24
00:01:09,640 --> 00:01:12,520
Speaker 1: Now you should be talking about your new business that

25
00:01:12,560 --> 00:01:13,200
Speaker 1: you just started.

26
00:01:13,480 --> 00:01:15,840
Speaker 3: What are you about the ramp to do with the business?

27
00:01:15,920 --> 00:01:17,839
Speaker 1: Yeah, okay, let's let's hear.

28
00:01:17,760 --> 00:01:18,200
Speaker 3: It all right.

29
00:01:18,800 --> 00:01:21,400
Speaker 8: Yeah, my head is hard. I gotta stick and now game,

30
00:01:21,600 --> 00:01:23,360
Speaker 8: I need a break. I rolled the ape. I feel

31
00:01:23,400 --> 00:01:25,960
Speaker 8: an ape. I get the Tyler Nlin. I'm hearing pops

32
00:01:26,040 --> 00:01:28,800
Speaker 8: like I'm Seana Marlin and y'all was backing for my food.

33
00:01:28,840 --> 00:01:31,240
Speaker 8: Come me broken down while beg your apartment Trump on

34
00:01:31,280 --> 00:01:33,800
Speaker 8: the carpet. We was eight deep, three better apartment. I

35
00:01:33,840 --> 00:01:36,360
Speaker 8: told my teacher that I ain't eat. I'm really starving.

36
00:01:36,560 --> 00:01:38,520
Speaker 8: My uncle told me I should make peace with it.

37
00:01:38,760 --> 00:01:41,840
Speaker 8: But I'm hearing everybody ain't me and they can't be.

38
00:01:42,040 --> 00:01:45,160
Speaker 8: I got a new connection. Hold up, I'm getting work done.

39
00:01:45,360 --> 00:01:47,800
Speaker 8: You ain't talking new reflection. I'm in a broute with

40
00:01:47,880 --> 00:01:50,440
Speaker 8: my brothers. We had in one direction. I hit her once.

41
00:01:50,480 --> 00:01:53,320
Speaker 8: I remember she in my recollection. She wanted him, but

42
00:01:53,360 --> 00:01:55,920
Speaker 8: I got her another inter section. She wanted to know

43
00:01:55,960 --> 00:01:58,560
Speaker 8: how I'm constantly winning best and I don't make wages.

44
00:01:58,880 --> 00:01:59,400
Speaker 9: They be good.

45
00:01:59,440 --> 00:02:04,280
Speaker 2: They better get what businesses that wait a minute, look

46
00:02:05,200 --> 00:02:07,120
Speaker 2: stealing apes and all that business.

47
00:02:08,400 --> 00:02:10,680
Speaker 6: I got a content creation business, so I really just

48
00:02:10,880 --> 00:02:13,960
Speaker 6: making a bunch of contant videos or what artist?

49
00:02:14,040 --> 00:02:14,960
Speaker 1: So it worked out for me.

50
00:02:15,080 --> 00:02:16,680
Speaker 2: What's funny? To me, is it sounds like you passed

51
00:02:16,720 --> 00:02:21,160
Speaker 2: the phone to somebody regular joke?

52
00:02:22,360 --> 00:02:24,520
Speaker 8: That's me for so I just had to turn my artist.

53
00:02:24,840 --> 00:02:27,359
Speaker 1: You know how I got that? I got your man.

54
00:02:28,440 --> 00:02:30,320
Speaker 9: Keep on keeping on my Instagram real quick.

55
00:02:30,320 --> 00:02:31,320
Speaker 1: You should have did that first.

56
00:02:32,360 --> 00:02:36,239
Speaker 8: My Instagram is underscore Fader. That's Underscore, a D a

57
00:02:36,560 --> 00:02:40,359
Speaker 8: H like the magazine, but a H.

58
00:02:41,680 --> 00:02:43,960
Speaker 1: So it's not like the magazine. Know what I'm saying,

59
00:02:44,480 --> 00:02:50,720
Speaker 1: Fader like the magazine just not spelt Fader. Hello, who's

60
00:02:50,760 --> 00:02:51,760
Speaker 1: this yo?

61
00:02:51,840 --> 00:02:52,320
Speaker 3: What's up?

62
00:02:52,440 --> 00:02:53,399
Speaker 10: Breast Colora?

63
00:02:54,480 --> 00:02:56,040
Speaker 1: What's up? Peace?

64
00:02:56,400 --> 00:02:58,720
Speaker 3: What's up about a truck drop?

65
00:02:58,840 --> 00:02:59,280
Speaker 1: What's going on?

66
00:02:59,320 --> 00:02:59,519
Speaker 11: Brother?

67
00:02:59,639 --> 00:02:59,799
Speaker 12: Oh?

68
00:02:59,840 --> 00:03:02,000
Speaker 1: You on Envy early in the morning, Paul.

69
00:03:03,040 --> 00:03:04,320
Speaker 10: Hey, chill, chill, chill.

70
00:03:04,639 --> 00:03:04,760
Speaker 1: Na.

71
00:03:04,919 --> 00:03:07,400
Speaker 10: Man, Look, I just want to say, man, your boy

72
00:03:07,480 --> 00:03:10,520
Speaker 10: is fleshed, your boy is tappy'all still alive. You know

73
00:03:10,600 --> 00:03:15,760
Speaker 10: I got robbed, My house got robbed and destroyed last week. Man,

74
00:03:15,840 --> 00:03:17,920
Speaker 10: but hey, I'm still alive, still going.

75
00:03:17,960 --> 00:03:19,760
Speaker 1: Man, I'm sorry to hear that black man where is

76
00:03:19,800 --> 00:03:23,000
Speaker 1: from Broton.

77
00:03:22,240 --> 00:03:22,919
Speaker 10: South Carolina?

78
00:03:23,600 --> 00:03:24,600
Speaker 1: When it was a home invasion?

79
00:03:24,840 --> 00:03:26,720
Speaker 10: Yeah, I mean I wasn't home, so I guess it

80
00:03:26,840 --> 00:03:29,000
Speaker 10: was just a regular berguley. But the boy destroyed my

81
00:03:29,040 --> 00:03:31,720
Speaker 10: whole apartment. You know, I was saving up.

82
00:03:31,760 --> 00:03:31,919
Speaker 2: Man.

83
00:03:31,960 --> 00:03:33,959
Speaker 10: The boy took my cash at my house, took a

84
00:03:34,000 --> 00:03:34,720
Speaker 10: few more things.

85
00:03:34,720 --> 00:03:39,040
Speaker 2: But hey, man, at least you're alive, you know what

86
00:03:39,040 --> 00:03:40,800
Speaker 2: I'm saying. You know, I was just having a conversation

87
00:03:40,840 --> 00:03:42,480
Speaker 2: with one of the homies this morning, actually, me and

88
00:03:42,520 --> 00:03:44,560
Speaker 2: Duvall was talking this morning, and I was just like, man,

89
00:03:44,840 --> 00:03:48,040
Speaker 2: you know, we we've lost all sense of purpose and

90
00:03:48,040 --> 00:03:51,400
Speaker 2: what's important, and nothing's more important than life. And you know,

91
00:03:51,480 --> 00:03:53,520
Speaker 2: folks take their own lives and the lives of others

92
00:03:53,560 --> 00:03:56,040
Speaker 2: for granted every day. So the fact that you, even

93
00:03:56,080 --> 00:03:57,720
Speaker 2: though went through this hard situation, you know that you

94
00:03:57,720 --> 00:04:00,000
Speaker 2: can get the material items back, your life can't get

95
00:04:00,080 --> 00:04:00,360
Speaker 2: that back.

96
00:04:00,400 --> 00:04:03,000
Speaker 1: So I'm glad you here, brother, absolutely, Hey, that's really

97
00:04:03,120 --> 00:04:03,800
Speaker 1: appreciate that.

98
00:04:03,800 --> 00:04:04,640
Speaker 10: Ah, Charlemagne.

99
00:04:04,760 --> 00:04:07,640
Speaker 1: Man, can I get a book of course? Come on

100
00:04:07,680 --> 00:04:13,360
Speaker 1: now put your hold that's home team. Did you have

101
00:04:13,360 --> 00:04:14,200
Speaker 1: the a LARWMO on your house?

102
00:04:14,240 --> 00:04:14,400
Speaker 9: Bro?

103
00:04:14,960 --> 00:04:17,400
Speaker 10: I had no alarm, man, and I just got my

104
00:04:17,520 --> 00:04:20,760
Speaker 10: camera removed, so like I didn't have no camera, no alarm,

105
00:04:20,839 --> 00:04:23,040
Speaker 10: so damn man, I pretty much got to get it

106
00:04:23,080 --> 00:04:25,400
Speaker 10: back in uh with this hard work.

107
00:04:25,480 --> 00:04:25,720
Speaker 3: Man.

108
00:04:26,000 --> 00:04:28,280
Speaker 1: That's horrible, brother. All right, brother, I'm sorry for that.

109
00:04:28,279 --> 00:04:30,560
Speaker 13: Hold on again, and I tell everybody out there, don't

110
00:04:30,560 --> 00:04:32,440
Speaker 13: get too content. I know a lot of times things

111
00:04:32,440 --> 00:04:34,880
Speaker 13: get comfortable and you might forget to put your alarm

112
00:04:34,960 --> 00:04:35,440
Speaker 13: on your house.

113
00:04:35,480 --> 00:04:37,560
Speaker 1: You might forget to check the windows and lock the doors.

114
00:04:37,960 --> 00:04:40,560
Speaker 13: Don't get comfortable because when you get comfortable, you never

115
00:04:40,640 --> 00:04:42,560
Speaker 13: know what will happen. And I tell that to everybody,

116
00:04:42,720 --> 00:04:46,000
Speaker 13: myself included. Well, get it off your chest. Eight hundred

117
00:04:46,160 --> 00:04:47,960
Speaker 13: five eight five one O five one. If you need

118
00:04:47,960 --> 00:04:49,599
Speaker 13: to vent, hit us up now. It's the Breakfast club.

119
00:04:49,600 --> 00:04:52,080
Speaker 13: Good morning, the Breakfast Club.

120
00:04:55,320 --> 00:04:55,640
Speaker 1: Telling.

121
00:04:55,839 --> 00:04:59,640
Speaker 14: I'm telling what you doing, Hall of Yo.

122
00:05:00,040 --> 00:05:01,640
Speaker 5: This is your time to get it off your chest,

123
00:05:01,760 --> 00:05:05,680
Speaker 5: whether you're mad or blessed. Eight hundred five one. We

124
00:05:05,720 --> 00:05:09,080
Speaker 5: want to hear from you on the breakfast clubs.

125
00:05:09,120 --> 00:05:09,919
Speaker 1: Hello, who's this?

126
00:05:10,520 --> 00:05:15,080
Speaker 9: Hey? Just to Meeka, y'all residence, What's.

127
00:05:17,400 --> 00:05:17,599
Speaker 15: Hey?

128
00:05:17,640 --> 00:05:20,440
Speaker 9: What's going on y'all? I just wanted to give y'all

129
00:05:20,480 --> 00:05:23,960
Speaker 9: some positive vibes this morning and give a big shout

130
00:05:23,960 --> 00:05:27,920
Speaker 9: out to one of my bestest friends, Mina. Today is

131
00:05:27,960 --> 00:05:29,240
Speaker 9: her birthday and I.

132
00:05:29,200 --> 00:05:32,120
Speaker 7: Just want to give her a happy birthday shout out.

133
00:05:32,200 --> 00:05:34,320
Speaker 9: She's all the way in Jersey and I'm over here

134
00:05:34,360 --> 00:05:37,040
Speaker 9: in California, and I really wish I would have been

135
00:05:37,040 --> 00:05:38,960
Speaker 9: able to see her this year, but maybe next.

136
00:05:39,520 --> 00:05:41,960
Speaker 15: Happy birthday, yeah, happy birthday.

137
00:05:42,120 --> 00:05:44,679
Speaker 9: Hey, listen, you're gonna like that from you, Jess.

138
00:05:44,800 --> 00:05:48,760
Speaker 1: Oh yeah, I get to yeah yeah, okay, yes, but

139
00:05:48,960 --> 00:05:49,599
Speaker 1: you not gay?

140
00:05:49,720 --> 00:05:52,200
Speaker 9: Yes you can't take gay two yeah yeah yeah.

141
00:05:52,080 --> 00:05:54,360
Speaker 14: Yeah yeah, I know I know you gay. So that's

142
00:05:54,360 --> 00:05:57,240
Speaker 14: why I said. She I'm sorry, you know, no, it's

143
00:05:57,279 --> 00:05:57,560
Speaker 14: all good.

144
00:05:57,560 --> 00:05:58,960
Speaker 1: No, I'm not gay. No more like that. Right now,

145
00:05:59,200 --> 00:06:00,919
Speaker 1: you've been gay before, I've been gave up.

146
00:06:01,960 --> 00:06:04,880
Speaker 9: It looked like Brittany. She do kind of look like Brittany.

147
00:06:05,560 --> 00:06:06,880
Speaker 9: She got dreads and everything.

148
00:06:07,000 --> 00:06:07,920
Speaker 1: What don't look like?

149
00:06:07,960 --> 00:06:13,560
Speaker 14: That's what's up. It's try and that's right.

150
00:06:13,640 --> 00:06:15,240
Speaker 1: Why did he come up with my man? Though?

151
00:06:15,360 --> 00:06:17,880
Speaker 9: Like she could have been Chris Chad.

152
00:06:17,880 --> 00:06:21,640
Speaker 2: I'm telling you she could have been if she's just

153
00:06:21,640 --> 00:06:24,120
Speaker 2: had a penis yet to stop.

154
00:06:23,839 --> 00:06:28,680
Speaker 9: This, he does the thing about that penis Charla Magne. Listen, studs,

155
00:06:28,720 --> 00:06:33,240
Speaker 9: we don't have vibrators. We have strapped scraped one. I

156
00:06:33,240 --> 00:06:36,279
Speaker 9: would thing don't vibrate. I would think it's just their big,

157
00:06:36,360 --> 00:06:37,440
Speaker 9: heavy and hard.

158
00:06:37,320 --> 00:06:40,839
Speaker 1: You heard, yeah, I heard. I've been seeing the Wolke studs.

159
00:06:40,880 --> 00:06:43,400
Speaker 2: Now they be taking the crystals that looked like penises

160
00:06:43,440 --> 00:06:45,960
Speaker 2: and putting them out in the full moon and letting charge.

161
00:06:46,120 --> 00:06:52,760
Speaker 9: No no, no no no no no no staying y'all have

162
00:06:52,920 --> 00:06:57,160
Speaker 9: a good day. I love it, Thank you, love, I

163
00:06:57,160 --> 00:06:57,840
Speaker 9: love y'all have.

164
00:06:57,800 --> 00:06:58,200
Speaker 10: A great.

165
00:06:59,600 --> 00:06:59,960
Speaker 1: It's true.

166
00:07:00,040 --> 00:07:02,640
Speaker 2: They be getting the crystals that are shaped like penises,

167
00:07:02,680 --> 00:07:04,080
Speaker 2: and they put them out in the full moon.

168
00:07:04,120 --> 00:07:06,359
Speaker 1: They let the moon charge and they nag them and

169
00:07:06,440 --> 00:07:07,040
Speaker 1: just send them on.

170
00:07:09,279 --> 00:07:13,560
Speaker 2: Dude, and then they play Ergoba dude, and thatllo in

171
00:07:13,640 --> 00:07:14,200
Speaker 2: his mind.

172
00:07:14,520 --> 00:07:18,920
Speaker 3: Hello, Who's this is a sharp? Uh?

173
00:07:19,000 --> 00:07:22,160
Speaker 9: Yeah, I don't have enough talments or nothing. I was

174
00:07:22,200 --> 00:07:24,560
Speaker 9: just selecting on a get a picture up all three

175
00:07:24,560 --> 00:07:25,320
Speaker 9: of y'all together.

176
00:07:25,760 --> 00:07:26,560
Speaker 1: How you gonna do that?

177
00:07:26,840 --> 00:07:29,080
Speaker 9: I mean, I'm just thinking, y'all send me one, you know,

178
00:07:29,440 --> 00:07:30,040
Speaker 9: sucking for them?

179
00:07:30,320 --> 00:07:32,480
Speaker 1: Man, tll you he sounds like you gotta do it.

180
00:07:32,560 --> 00:07:35,240
Speaker 1: Go on line. There's pictures with all the gogle line.

181
00:07:35,280 --> 00:07:35,760
Speaker 1: Just google it.

182
00:07:35,880 --> 00:07:38,280
Speaker 15: You sound like biggie though, Okay, just.

183
00:07:38,200 --> 00:07:39,640
Speaker 3: Google That's what I think.

184
00:07:39,760 --> 00:07:41,640
Speaker 13: We appreciate you wanting us in your man cave though,

185
00:07:41,720 --> 00:07:43,680
Speaker 13: But you know you just google it a picture come up?

186
00:07:43,920 --> 00:07:44,120
Speaker 1: Yeah?

187
00:07:44,480 --> 00:07:47,800
Speaker 9: Ah yes, sir, Thank you SIDS.

188
00:07:47,200 --> 00:07:51,760
Speaker 15: Yes, yes, yes, it is, it is going Thank you confused?

189
00:07:51,920 --> 00:07:54,520
Speaker 1: All right, then let me see make sure. Yeah's pictures

190
00:07:54,520 --> 00:07:57,400
Speaker 1: of shoot get it off your chest.

191
00:07:57,440 --> 00:07:59,920
Speaker 13: Eight hundred five eight five one O five one. If

192
00:07:59,920 --> 00:08:01,400
Speaker 13: you need to vent, hit us up now. It's the

193
00:08:01,400 --> 00:08:07,480
Speaker 13: Breakfast Club. Good morning, the Breakfast Club. This new book

194
00:08:07,520 --> 00:08:09,680
Speaker 13: Who Better Than You, The Art of Healthy Arrogance and

195
00:08:09,760 --> 00:08:11,920
Speaker 13: Dreaming Big, is out now, Ladies and gentlemen.

196
00:08:11,720 --> 00:08:16,880
Speaker 1: Will Packer family. What's going on and how you feel?

197
00:08:17,000 --> 00:08:19,000
Speaker 1: I'm feeling amazing, you know, I'm up here.

198
00:08:19,040 --> 00:08:21,040
Speaker 16: I'm up here with one of the most incredible platforms

199
00:08:21,080 --> 00:08:23,920
Speaker 16: in media right now. Interesting time in media, you know,

200
00:08:24,160 --> 00:08:26,280
Speaker 16: media ebbs and flows. We're in an EBB right now.

201
00:08:26,320 --> 00:08:29,680
Speaker 16: In the movie business, Charlottagne, you know, yeah, just you know,

202
00:08:29,800 --> 00:08:32,520
Speaker 16: coming off the strikes, coming off of COVID, like the

203
00:08:32,520 --> 00:08:35,120
Speaker 16: movie industry never really recalibrated. So there's a lot of

204
00:08:35,120 --> 00:08:36,959
Speaker 16: folks out there that are hurting right now, a lot

205
00:08:36,960 --> 00:08:38,400
Speaker 16: of folks that aren't working, a lot of actions out

206
00:08:38,400 --> 00:08:41,120
Speaker 16: of work, writers, and so as a producer, you know,

207
00:08:41,160 --> 00:08:42,720
Speaker 16: I'm just trying to keep people high, trying to do

208
00:08:42,720 --> 00:08:45,320
Speaker 16: what I do and create content. Most people out there,

209
00:08:45,320 --> 00:08:48,000
Speaker 16: they don't realize because there's so much content out there

210
00:08:48,040 --> 00:08:50,120
Speaker 16: and so many streaming services. It's like, oh, it's everything

211
00:08:50,160 --> 00:08:52,559
Speaker 16: out there. I can see whatever I want. But actually

212
00:08:52,920 --> 00:08:54,959
Speaker 16: the media companies are making a lot less. So it's

213
00:08:55,040 --> 00:08:57,520
Speaker 16: interesting time in the business man. Who better than You

214
00:08:57,600 --> 00:08:59,160
Speaker 16: is the name of the book? What makes you decide

215
00:08:59,160 --> 00:08:59,640
Speaker 16: to write this?

216
00:09:00,160 --> 00:09:00,319
Speaker 1: Yo?

217
00:09:00,640 --> 00:09:04,040
Speaker 16: You know, I have been in the movie game for

218
00:09:04,120 --> 00:09:06,920
Speaker 16: almost thirty years now, and I have dealt with some

219
00:09:06,960 --> 00:09:11,960
Speaker 16: of the biggest names, some of the most impressive, successful people,

220
00:09:12,400 --> 00:09:17,959
Speaker 16: some of the most toxic, insecure people. And throughout that process,

221
00:09:18,400 --> 00:09:22,000
Speaker 16: I have gained a set of skills that I want

222
00:09:22,040 --> 00:09:25,560
Speaker 16: to share with people about how you can be successful

223
00:09:25,679 --> 00:09:28,800
Speaker 16: and manifest the more full life. How you can use

224
00:09:28,920 --> 00:09:31,880
Speaker 16: some of the skills that I've learned that are transferable

225
00:09:31,880 --> 00:09:35,440
Speaker 16: to any industry to navigate be it. You want to

226
00:09:35,480 --> 00:09:37,760
Speaker 16: start a new endeavor, you want to overcome a challenge,

227
00:09:37,760 --> 00:09:40,640
Speaker 16: you want to pivot in your life. And so I'm

228
00:09:40,679 --> 00:09:44,120
Speaker 16: telling stories I've never told before, stories from dealing with

229
00:09:44,200 --> 00:09:47,520
Speaker 16: you know, some of my Hollywood folks. But it's really lessons, right,

230
00:09:47,559 --> 00:09:50,920
Speaker 16: It's lessons about this is how you deal with people,

231
00:09:51,400 --> 00:09:54,680
Speaker 16: how you position yourself to succeed, and how you have

232
00:09:54,840 --> 00:09:58,240
Speaker 16: healthy arrogance now to be confused with toxic arrogance. Right,

233
00:09:58,600 --> 00:10:00,719
Speaker 16: Toxic arrogant walks in a room and says, I'm better

234
00:10:00,760 --> 00:10:04,600
Speaker 16: than everybody here. I'm gonna win cause you're gonna lose. Right,

235
00:10:04,640 --> 00:10:07,600
Speaker 16: I'm better than you. Healthy arrogance walks in a room

236
00:10:07,600 --> 00:10:11,000
Speaker 16: and says, okay, number one, I belong in this room.

237
00:10:11,080 --> 00:10:11,240
Speaker 1: Right.

238
00:10:11,320 --> 00:10:13,840
Speaker 16: The most successful people feel that they don't feel like

239
00:10:14,000 --> 00:10:16,160
Speaker 16: am I supposed to be here with all these important people.

240
00:10:16,280 --> 00:10:19,080
Speaker 16: Healthy arrogance feels like I'm supposed to be here. However,

241
00:10:19,600 --> 00:10:21,800
Speaker 16: I also have something to add to this room. This

242
00:10:21,880 --> 00:10:24,199
Speaker 16: room is better because I'm in it, and I'm gonna

243
00:10:24,200 --> 00:10:28,320
Speaker 16: get other people to understand how they and I have

244
00:10:28,400 --> 00:10:30,960
Speaker 16: a commonality in terms of our goal. If you can

245
00:10:30,960 --> 00:10:32,880
Speaker 16: get other people to see the value in what you're

246
00:10:32,960 --> 00:10:36,360
Speaker 16: going after, then you can then get them to row

247
00:10:36,400 --> 00:10:38,679
Speaker 16: in the same direction as you and work towards your

248
00:10:38,720 --> 00:10:41,680
Speaker 16: own goal. That's what leadership is. Getting other people to

249
00:10:41,800 --> 00:10:44,920
Speaker 16: realize that it's not me against you. If I can

250
00:10:44,960 --> 00:10:48,520
Speaker 16: get you to understand that together we both benefit from

251
00:10:48,559 --> 00:10:51,400
Speaker 16: working together and accomplishing things that are my goals as

252
00:10:51,400 --> 00:10:54,719
Speaker 16: well as your goals, your chance for success is increased.

253
00:10:55,120 --> 00:10:56,839
Speaker 1: You know, when I read about you.

254
00:10:56,800 --> 00:10:59,120
Speaker 2: Talk about healthy arrogance, or here your interviews about healthy

255
00:10:59,160 --> 00:11:00,920
Speaker 2: arrogainst it feels like you're saying you just got it.

256
00:11:00,920 --> 00:11:03,360
Speaker 1: It's like a sense of worthiness. It's value.

257
00:11:03,720 --> 00:11:06,640
Speaker 16: It is It is very much understanding the value to

258
00:11:06,679 --> 00:11:09,680
Speaker 16: place on yourself. Right, you understand, charlote man, because you

259
00:11:09,720 --> 00:11:10,640
Speaker 16: talk about mental.

260
00:11:10,440 --> 00:11:12,240
Speaker 1: Health a lot. We all have this drum beat in

261
00:11:12,280 --> 00:11:12,880
Speaker 1: our head, right.

262
00:11:13,080 --> 00:11:15,440
Speaker 16: It can be a negative drum beat of I'm not ready,

263
00:11:15,520 --> 00:11:18,200
Speaker 16: I'm not worthy, I don't have the skills, I'm not prepared.

264
00:11:18,320 --> 00:11:20,439
Speaker 16: More and more you tell yourself that. The louder those

265
00:11:20,520 --> 00:11:23,400
Speaker 16: voices get. But there's a confidence muscle that you can

266
00:11:23,400 --> 00:11:26,720
Speaker 16: build that you can grow by telling yourself the exact

267
00:11:26,760 --> 00:11:29,440
Speaker 16: opposite that I am worthy, right, that I am prepared.

268
00:11:29,520 --> 00:11:32,120
Speaker 16: But it's really about assigning value. The thing I say

269
00:11:32,160 --> 00:11:34,680
Speaker 16: to people that understand, from the time you are born

270
00:11:35,160 --> 00:11:36,959
Speaker 16: and to the time you leave this earth, you are

271
00:11:37,000 --> 00:11:39,640
Speaker 16: building your brand everything you do, right.

272
00:11:39,840 --> 00:11:41,840
Speaker 1: I mean, you can't make mistakes. Everybody does.

273
00:11:42,200 --> 00:11:44,480
Speaker 16: But every decision you make in everything you do is

274
00:11:44,480 --> 00:11:47,280
Speaker 16: building your brand, and it is telling people what value

275
00:11:47,320 --> 00:11:48,920
Speaker 16: to assign to you.

276
00:11:49,360 --> 00:11:51,840
Speaker 1: Whether that's somebody that is looking to invest in you

277
00:11:51,880 --> 00:11:54,880
Speaker 1: looking to date, you, looking to just hang out with you.

278
00:11:54,280 --> 00:11:58,800
Speaker 16: You are telling them what your value is, and you

279
00:11:58,960 --> 00:12:01,920
Speaker 16: have to be healthy, arrogant in the way that you

280
00:12:02,120 --> 00:12:05,720
Speaker 16: force other people to recognize your value.

281
00:12:06,520 --> 00:12:08,160
Speaker 1: Yeah, so if you don't have nobody, does that mean

282
00:12:08,200 --> 00:12:10,480
Speaker 1: you know worth nothing? Well, you know, I'm not gonna

283
00:12:10,520 --> 00:12:11,000
Speaker 1: say that.

284
00:12:11,360 --> 00:12:14,080
Speaker 16: You mean like a relationship, Well, that just means that

285
00:12:14,160 --> 00:12:16,520
Speaker 16: you have to be sure that you're surrounding yourself with

286
00:12:16,559 --> 00:12:19,760
Speaker 16: people that understand your value. It might mean that you're

287
00:12:19,840 --> 00:12:22,360
Speaker 16: worth more than people want to give you credit for

288
00:12:22,480 --> 00:12:25,880
Speaker 16: talking about. It might mean you're single because other people

289
00:12:25,960 --> 00:12:28,920
Speaker 16: don't recognize your value and you're not willing to compromise

290
00:12:28,960 --> 00:12:29,200
Speaker 16: for it.

291
00:12:29,480 --> 00:12:30,920
Speaker 15: You had something to say, Charlama.

292
00:12:31,240 --> 00:12:54,040
Speaker 17: What dog won't they.

293
00:12:41,559 --> 00:12:42,120
Speaker 15: Coming this way?

294
00:12:44,040 --> 00:12:46,120
Speaker 1: The sasiness caught me off?

295
00:12:46,160 --> 00:12:47,920
Speaker 3: God, is that what it is?

296
00:12:48,120 --> 00:12:51,840
Speaker 1: Are you with your hair back? I was asking you

297
00:12:51,840 --> 00:12:53,280
Speaker 1: a question because I like what you're talking about.

298
00:12:53,320 --> 00:12:56,400
Speaker 16: Okay, all right, well yes, absolutely so if some you know,

299
00:12:56,679 --> 00:12:59,520
Speaker 16: somebody happens to be an amazing, beautiful single sister, I

300
00:12:59,559 --> 00:13:02,160
Speaker 16: don't know you know the relationship status of everybody here,

301
00:13:02,240 --> 00:13:03,880
Speaker 16: but let's just say present company.

302
00:13:05,400 --> 00:13:09,800
Speaker 1: Well, because she said you had a sassy next.

303
00:13:09,679 --> 00:13:10,280
Speaker 9: So she is.

304
00:13:10,640 --> 00:13:12,679
Speaker 1: She is immediately the most entertated person.

305
00:13:14,520 --> 00:13:16,920
Speaker 18: I want to ask you about imposter syndrome and when

306
00:13:17,040 --> 00:13:19,080
Speaker 18: you when did that like, when did you get past that?

307
00:13:19,440 --> 00:13:21,080
Speaker 15: Where did you deal with that at all? Yourself?

308
00:13:21,160 --> 00:13:24,800
Speaker 16: Absolutely deal with everybody deals with everybody, uh gets to

309
00:13:24,840 --> 00:13:26,040
Speaker 16: a point where they feel like.

310
00:13:26,040 --> 00:13:27,880
Speaker 1: Yo, do I belong right?

311
00:13:28,040 --> 00:13:32,199
Speaker 16: Do I deserve to be in the most important spaces?

312
00:13:32,440 --> 00:13:34,400
Speaker 1: And I've been very, very fortunate to be in some.

313
00:13:34,360 --> 00:13:36,640
Speaker 16: Incredible rooms with some people that are, you know, some

314
00:13:36,679 --> 00:13:37,960
Speaker 16: of the most powerful people from.

315
00:13:37,840 --> 00:13:38,680
Speaker 1: Around the world.

316
00:13:38,760 --> 00:13:41,240
Speaker 16: As I said, what I realize is that when I'm

317
00:13:41,240 --> 00:13:44,040
Speaker 16: walk in those rooms, I cannot question if I'm supposed

318
00:13:44,080 --> 00:13:46,800
Speaker 16: to be there. I need to realize what is it

319
00:13:46,840 --> 00:13:51,120
Speaker 16: that I have that nobody else in this room has?

320
00:13:51,280 --> 00:13:53,640
Speaker 1: And how can I double down on that? Right?

321
00:13:53,960 --> 00:13:56,960
Speaker 16: So, black man, African American, Film, American, Hollywood, not a

322
00:13:56,960 --> 00:13:58,760
Speaker 16: lot of folks at my level in the rooms that

323
00:13:58,800 --> 00:13:59,080
Speaker 16: I'm in.

324
00:13:59,240 --> 00:14:01,960
Speaker 1: Oftentimes it's all white people in those rooms.

325
00:14:02,600 --> 00:14:05,920
Speaker 16: What I choose to do instead of saying, Okay, I'm

326
00:14:05,960 --> 00:14:08,680
Speaker 16: the only black person in this room. I know they're racist,

327
00:14:08,760 --> 00:14:10,240
Speaker 16: I know they looking at me a certain way. I

328
00:14:10,280 --> 00:14:12,800
Speaker 16: know they have a negative perception. I'm walking in the room,

329
00:14:12,800 --> 00:14:14,640
Speaker 16: and I'm thinking, Okay, you know what, I'm bringing something

330
00:14:14,679 --> 00:14:17,280
Speaker 16: that nobody else can bring. When I talk about my perspective,

331
00:14:17,280 --> 00:14:19,400
Speaker 16: when I talk about my audience, when I talk about

332
00:14:19,440 --> 00:14:21,360
Speaker 16: my community, nobody else can debate me on that.

333
00:14:21,600 --> 00:14:22,960
Speaker 1: I'm the only one with that.

334
00:14:22,880 --> 00:14:26,240
Speaker 16: Lived experience, whatever it is in the rooms and the

335
00:14:26,280 --> 00:14:28,840
Speaker 16: circles that you're in, what's the unique thing that you have?

336
00:14:29,200 --> 00:14:31,040
Speaker 16: And then you triple down on that that will help

337
00:14:31,040 --> 00:14:33,200
Speaker 16: with that imposter syndrome. The other thing is that you

338
00:14:33,240 --> 00:14:35,440
Speaker 16: have to understand, like you don't have to be somebody

339
00:14:35,480 --> 00:14:38,200
Speaker 16: that's just born with like an overabundance of confidence.

340
00:14:38,280 --> 00:14:39,440
Speaker 3: It's something that you can.

341
00:14:39,320 --> 00:14:42,720
Speaker 16: Build, but you do have to build it by putting

342
00:14:42,800 --> 00:14:45,840
Speaker 16: a success with a success with a success, right Like

343
00:14:46,120 --> 00:14:48,040
Speaker 16: just like hey ballum deg said, check with a check,

344
00:14:48,080 --> 00:14:48,720
Speaker 16: with a check.

345
00:14:48,680 --> 00:14:50,280
Speaker 1: You got to build the successes.

346
00:14:50,600 --> 00:14:53,280
Speaker 16: And sometimes to do that you got to come back

347
00:14:53,320 --> 00:14:55,920
Speaker 16: and not say, Okay, my first success has to be

348
00:14:56,000 --> 00:14:59,920
Speaker 16: so big, right, just accomplish something. I call it fabricating moment.

349
00:15:00,360 --> 00:15:03,840
Speaker 16: I believe that sometimes we get stuck on the first wrung,

350
00:15:04,160 --> 00:15:06,040
Speaker 16: the very first thing I'm trying to get started. I

351
00:15:06,040 --> 00:15:07,680
Speaker 16: don't have any money, I don't know. People don't have

352
00:15:07,680 --> 00:15:10,360
Speaker 16: a network. That's okay, right, They'll make the first thing

353
00:15:10,400 --> 00:15:14,120
Speaker 16: you're trying to do to climb the mountain. Right, that's

354
00:15:14,240 --> 00:15:17,040
Speaker 16: a lot, that's a momentous task. Make the first thing

355
00:15:17,080 --> 00:15:19,280
Speaker 16: by the shoes hiking boost, then buy a rope, then

356
00:15:19,400 --> 00:15:20,720
Speaker 16: drive by the mountain and look at it.

357
00:15:20,800 --> 00:15:23,560
Speaker 1: Well, you know you've done three things right, Get started.

358
00:15:23,760 --> 00:15:27,240
Speaker 16: Do something that helps to build that confidence we all

359
00:15:27,280 --> 00:15:29,600
Speaker 16: need that. We're still kicking it with Will Packer's new book,

360
00:15:29,800 --> 00:15:32,200
Speaker 16: Who Better Than You, The Art of Healthy Arrogance and

361
00:15:32,280 --> 00:15:33,320
Speaker 16: Dreaming Big, is out now.

362
00:15:33,400 --> 00:15:35,160
Speaker 2: Charlamagne, I want to get to the ARTI the pivot,

363
00:15:35,200 --> 00:15:36,840
Speaker 2: but first I want to ask you about the chapter

364
00:15:36,920 --> 00:15:38,040
Speaker 2: that says, stay in your lane.

365
00:15:38,360 --> 00:15:42,080
Speaker 1: Yeah, just just make it wide. Lean into your thing? Yes?

366
00:15:42,160 --> 00:15:45,000
Speaker 2: How does one avoid being type casted by leaning into

367
00:15:45,560 --> 00:15:46,920
Speaker 2: their thing? And when do you.

368
00:15:47,000 --> 00:15:48,040
Speaker 1: Know the pivot?

369
00:15:48,240 --> 00:15:48,560
Speaker 3: Yeah?

370
00:15:48,760 --> 00:15:49,320
Speaker 1: You know it.

371
00:15:49,560 --> 00:15:51,920
Speaker 16: The whole point of that chapter is about when you

372
00:15:52,000 --> 00:15:55,480
Speaker 16: have something that you do really really well, because many

373
00:15:55,520 --> 00:15:58,720
Speaker 16: times people are afraid of being locked into something that

374
00:15:59,040 --> 00:16:01,640
Speaker 16: people will think that's all I can do, right, But

375
00:16:01,720 --> 00:16:03,880
Speaker 16: if you do that thing, and you do it really

376
00:16:03,920 --> 00:16:07,560
Speaker 16: really well, do not stop. Okay, don't stop the most

377
00:16:07,600 --> 00:16:10,920
Speaker 16: successful people have a thing that they do and they

378
00:16:11,000 --> 00:16:14,120
Speaker 16: do it well. Then they use the ability to be

379
00:16:14,200 --> 00:16:16,920
Speaker 16: successful in a lane to go out and do something else.

380
00:16:17,120 --> 00:16:19,000
Speaker 16: I'm only able to write this book with a major

381
00:16:19,040 --> 00:16:22,160
Speaker 16: publisher because I've been very successful in a particular medium.

382
00:16:22,240 --> 00:16:24,280
Speaker 16: Right now, I'm able to go and do other things.

383
00:16:24,480 --> 00:16:25,840
Speaker 16: So don't worry about that.

384
00:16:25,920 --> 00:16:27,680
Speaker 1: Oh well, I can do so much other stuff.

385
00:16:27,720 --> 00:16:29,080
Speaker 3: What's the thing you do really well?

386
00:16:29,320 --> 00:16:29,720
Speaker 1: Do that?

387
00:16:29,880 --> 00:16:32,320
Speaker 16: Triple down on that. Be the best person in that

388
00:16:32,400 --> 00:16:36,760
Speaker 16: particular field. And by the way, find your passion within that.

389
00:16:37,120 --> 00:16:39,520
Speaker 16: Right too many times people are telling me, well, I'm

390
00:16:39,520 --> 00:16:42,200
Speaker 16: not passionate about something. I gotta wait to find my

391
00:16:42,360 --> 00:16:45,440
Speaker 16: passion and before I go out and work really hard.

392
00:16:45,560 --> 00:16:48,080
Speaker 16: And I'm telling you, you're building your brand from day one.

393
00:16:48,320 --> 00:16:50,520
Speaker 16: Work hard today. I didn't have a passion to be

394
00:16:50,560 --> 00:16:53,240
Speaker 16: a filmmaker, I will admit that, but I did not.

395
00:16:53,440 --> 00:16:56,560
Speaker 16: That was not my dream growing up. But I found

396
00:16:56,560 --> 00:16:59,120
Speaker 16: that I was really good at knowing how to hire

397
00:16:59,160 --> 00:17:02,800
Speaker 16: actors and raise money and self distribute. And then I

398
00:17:02,920 --> 00:17:06,439
Speaker 16: found the passion in storytelling later. So I found the

399
00:17:06,480 --> 00:17:08,520
Speaker 16: thing I was really really good at, and then I

400
00:17:08,560 --> 00:17:11,200
Speaker 16: found my passion within it. I encourage people to do that.

401
00:17:11,240 --> 00:17:14,280
Speaker 16: Don't worry about being typecast. Stay in your lane.

402
00:17:14,000 --> 00:17:14,639
Speaker 1: But you can make it.

403
00:17:14,680 --> 00:17:16,879
Speaker 16: Why, I'm not trying to pigeonhole you, and I'm not

404
00:17:16,880 --> 00:17:19,320
Speaker 16: trying to limit what you can do, but stay in

405
00:17:19,400 --> 00:17:20,280
Speaker 16: your lane.

406
00:17:20,440 --> 00:17:23,720
Speaker 1: Too often we are trying to do too much, and.

407
00:17:23,680 --> 00:17:27,399
Speaker 16: Now you can't be the person that's doing everything the best.

408
00:17:27,440 --> 00:17:30,360
Speaker 1: That is just not how humans work. What's the thing

409
00:17:30,440 --> 00:17:32,040
Speaker 1: you do well? Triple down on that.

410
00:17:32,280 --> 00:17:34,359
Speaker 2: So once you've leaned into your thing and you find

411
00:17:34,400 --> 00:17:36,400
Speaker 2: that thing, there's never a pivot from that thing.

412
00:17:36,560 --> 00:17:39,320
Speaker 16: It can be a pivot where you use that thing.

413
00:17:39,400 --> 00:17:42,040
Speaker 16: You use your ability, you use your brand, you use

414
00:17:42,080 --> 00:17:45,159
Speaker 16: the fact that you have got credibility in a particular space,

415
00:17:45,200 --> 00:17:47,520
Speaker 16: you have done the exact same thing. You use the

416
00:17:47,560 --> 00:17:50,600
Speaker 16: fact that you have credibility in one lane in order

417
00:17:50,640 --> 00:17:53,760
Speaker 16: to then expand your lane. Right, But it should still

418
00:17:53,800 --> 00:17:55,920
Speaker 16: all be about this is the thing that I do.

419
00:17:56,119 --> 00:17:58,200
Speaker 16: That's why I say stay in your lane, but make

420
00:17:58,240 --> 00:17:58,760
Speaker 16: your lane.

421
00:17:58,760 --> 00:18:02,320
Speaker 18: Why is there ever a time where like you're because

422
00:18:02,400 --> 00:18:04,199
Speaker 18: I mean, I'm looking. I remember when you told the

423
00:18:04,200 --> 00:18:06,080
Speaker 18: story about Kevin and with the last time you guys

424
00:18:06,119 --> 00:18:08,280
Speaker 18: were here. Yeah, and now I'm seeing in context of

425
00:18:08,320 --> 00:18:09,879
Speaker 18: this book of like who better than you? And I

426
00:18:09,920 --> 00:18:11,920
Speaker 18: feel like in that moment he had the arrogance to

427
00:18:11,960 --> 00:18:14,199
Speaker 18: be like, I can do both of these. I'm going

428
00:18:14,280 --> 00:18:15,600
Speaker 18: to be fine and it's all going to work out.

429
00:18:15,920 --> 00:18:17,720
Speaker 18: But things like that can kind of get pretty tricky

430
00:18:17,720 --> 00:18:19,600
Speaker 18: because what if it hadn't have worked out? Is there

431
00:18:19,600 --> 00:18:21,200
Speaker 18: ever a moment where you have to tell somebody who's

432
00:18:21,200 --> 00:18:22,800
Speaker 18: coming to you for this type of who better than you?

433
00:18:22,840 --> 00:18:23,199
Speaker 15: Advice?

434
00:18:23,280 --> 00:18:25,919
Speaker 18: Like, maybe this is not it for you right now,

435
00:18:25,960 --> 00:18:27,720
Speaker 18: maybe there's someone better than you right now, but that

436
00:18:27,720 --> 00:18:29,000
Speaker 18: doesn't mean later you.

437
00:18:29,000 --> 00:18:30,520
Speaker 15: Might not be able to have that who better than you?

438
00:18:30,640 --> 00:18:33,600
Speaker 1: Eric, you have to be honest with yourself number one.

439
00:18:33,720 --> 00:18:37,280
Speaker 16: Right, we live in a world where people think either

440
00:18:37,680 --> 00:18:40,840
Speaker 16: they are too great or they are too awful. Rodger

441
00:18:41,000 --> 00:18:45,320
Speaker 16: Kipling has a poem called if, and my favorite stanza

442
00:18:45,359 --> 00:18:48,240
Speaker 16: in that poem is if you can meet with triumph

443
00:18:48,280 --> 00:18:51,879
Speaker 16: and disaster and treat those two impostors just the same.

444
00:18:52,400 --> 00:18:57,040
Speaker 16: That is saying that both triumph and disaster are impostors,

445
00:18:57,200 --> 00:18:58,280
Speaker 16: neither of them are real.

446
00:18:58,520 --> 00:18:58,720
Speaker 3: Right.

447
00:18:59,080 --> 00:19:01,600
Speaker 16: Too many times, because we post some on social media,

448
00:19:01,640 --> 00:19:03,920
Speaker 16: everybody tell you, oh my god, you're the greatest thing ever.

449
00:19:04,040 --> 00:19:04,560
Speaker 3: Is so good?

450
00:19:04,800 --> 00:19:07,000
Speaker 1: Or the opposite. They just hate. No, you're telling you

451
00:19:07,000 --> 00:19:07,719
Speaker 1: how awful you are.

452
00:19:07,880 --> 00:19:10,679
Speaker 16: Neither of that is true. You gotta stay even killed.

453
00:19:10,840 --> 00:19:12,840
Speaker 16: So the first thing you gotta do is be honest

454
00:19:12,840 --> 00:19:15,040
Speaker 16: about you and your skill set. It's the only way

455
00:19:15,040 --> 00:19:17,679
Speaker 16: you're gonna get better. Don't worry about external factors. You

456
00:19:17,720 --> 00:19:19,800
Speaker 16: got to have a very honest conversation. One of the

457
00:19:19,800 --> 00:19:22,000
Speaker 16: things I talk about in the book is how we

458
00:19:22,119 --> 00:19:25,159
Speaker 16: have to make sure I'm a daily affirmation type of person.

459
00:19:25,400 --> 00:19:30,760
Speaker 16: You're there encouraging yourself right, giving yourself positivity, telling yourself

460
00:19:30,760 --> 00:19:32,439
Speaker 16: how you're ready, how you prepared, what you can do,

461
00:19:32,520 --> 00:19:35,280
Speaker 16: but also being very very honest with yourself. I don't

462
00:19:35,280 --> 00:19:37,360
Speaker 16: care what you tell the world. A lot of yourself,

463
00:19:37,440 --> 00:19:38,760
Speaker 16: a lot of your mom, a lot of your cousin,

464
00:19:38,800 --> 00:19:41,159
Speaker 16: lot of your boyfriend, girlfriend, husband, and wife. Do not

465
00:19:41,400 --> 00:19:44,080
Speaker 16: lie to yourself. Be very very clear about what it

466
00:19:44,160 --> 00:19:45,000
Speaker 16: is that you do.

467
00:19:45,200 --> 00:19:47,800
Speaker 2: Well, yeah, you know, I want to talk you about

468
00:19:47,800 --> 00:19:49,000
Speaker 2: the Packer family model too.

469
00:19:49,040 --> 00:19:50,840
Speaker 1: If you want to have what others, won't you have

470
00:19:50,880 --> 00:19:53,240
Speaker 1: to do with others don't? Yeah? Well, yeah, so you

471
00:19:53,240 --> 00:19:55,720
Speaker 1: got your mom with you again her, I got moms,

472
00:19:55,800 --> 00:19:56,639
Speaker 1: I got you know what.

473
00:19:56,720 --> 00:19:59,359
Speaker 16: It's something that mom instilled in me, you know, when

474
00:19:59,359 --> 00:20:02,119
Speaker 16: I was growing up and Dad they took me like

475
00:20:02,200 --> 00:20:04,399
Speaker 16: you know, like simbing the lion king and lifting me

476
00:20:04,480 --> 00:20:06,840
Speaker 16: up and said, you know, whatever the son touches is

477
00:20:06,880 --> 00:20:10,000
Speaker 16: your son. Like I encourage my folks with kids, do that.

478
00:20:10,359 --> 00:20:12,600
Speaker 16: Tell your kids because that's when they're the most impressiable.

479
00:20:12,600 --> 00:20:14,760
Speaker 16: Tell them they can do anything. They told me that,

480
00:20:14,840 --> 00:20:17,960
Speaker 16: and so I was very audacious growing up with my family.

481
00:20:18,000 --> 00:20:20,280
Speaker 16: It's me, my wife. We have four children, So that's

482
00:20:20,280 --> 00:20:22,800
Speaker 16: the six pack. If you want to have what others don't,

483
00:20:22,840 --> 00:20:25,000
Speaker 16: you have to be willing to do what others won't.

484
00:20:25,160 --> 00:20:26,719
Speaker 1: Period. That is the mantra.

485
00:20:27,080 --> 00:20:30,160
Speaker 16: The mantra is that understand whatever it is that you

486
00:20:30,200 --> 00:20:33,240
Speaker 16: want to do, if anybody else can do it, then

487
00:20:33,520 --> 00:20:35,920
Speaker 16: it's not special. You're not gonna get it right. You're

488
00:20:35,920 --> 00:20:38,359
Speaker 16: not gonna get something that's unique. You gotta be willing

489
00:20:38,400 --> 00:20:41,480
Speaker 16: to do what others are not to get that thing.

490
00:20:42,119 --> 00:20:45,840
Speaker 16: And I believe that the more you do hard things,

491
00:20:46,280 --> 00:20:46,920
Speaker 16: the better.

492
00:20:46,760 --> 00:20:48,360
Speaker 1: You become at hard things.

493
00:20:48,600 --> 00:20:52,720
Speaker 16: The more hard things you do, the easier hard things become.

494
00:20:53,280 --> 00:20:56,400
Speaker 16: So don't run from doing hard things. Don't run from

495
00:20:56,400 --> 00:20:59,160
Speaker 16: doing the things that everybody else says it's crazy. That's

496
00:20:59,200 --> 00:21:01,639
Speaker 16: the only way you gonna get strength and to build

497
00:21:01,680 --> 00:21:04,040
Speaker 16: that muscle. It's by doing those hard things. Why I

498
00:21:04,119 --> 00:21:06,240
Speaker 16: say dream big because your dream has got to be

499
00:21:06,280 --> 00:21:08,480
Speaker 16: so big, because there's gonna be challenges along the way.

500
00:21:08,480 --> 00:21:10,399
Speaker 16: It's gotta be so big that it pushes you past

501
00:21:10,600 --> 00:21:13,119
Speaker 16: those challenges inevitably. Because if the dream is just a

502
00:21:13,119 --> 00:21:14,840
Speaker 16: mediocre dream, like man, it'd be kind of cool to

503
00:21:14,880 --> 00:21:16,960
Speaker 16: do that. Then when you run into a speed bump

504
00:21:17,040 --> 00:21:18,919
Speaker 16: that's really hard, you're gonna say, you know what, it

505
00:21:18,960 --> 00:21:19,560
Speaker 16: ain't worth it.

506
00:21:19,600 --> 00:21:22,640
Speaker 1: I'm cool, right, But if the dream is so big, right,

507
00:21:22,760 --> 00:21:23,200
Speaker 1: I mean.

508
00:21:23,200 --> 00:21:28,480
Speaker 16: So big for color for h four khd, like super crazy,

509
00:21:29,040 --> 00:21:32,240
Speaker 16: beyond your wireless dreams big, then when you do hit

510
00:21:32,359 --> 00:21:36,360
Speaker 16: that hard moment, those challenges, you know it's worth it

511
00:21:36,760 --> 00:21:39,320
Speaker 16: to keep going and keep fighting because the dream is

512
00:21:39,400 --> 00:21:39,960
Speaker 16: big enough.

513
00:21:40,800 --> 00:21:42,960
Speaker 1: Is Will Packer allowed to turn his own book into

514
00:21:42,960 --> 00:21:44,600
Speaker 1: a movie? Yeah? Limited? Seriously?

515
00:21:44,680 --> 00:21:47,280
Speaker 16: Yeah, yeah, I mean it, Will Packer. You know what

516
00:21:47,400 --> 00:21:48,719
Speaker 16: I think about doing it? I could do that.

517
00:21:48,800 --> 00:21:50,000
Speaker 15: I saw Heather in the background.

518
00:21:50,080 --> 00:21:52,040
Speaker 1: Is that you know what head to say? In the background.

519
00:21:52,040 --> 00:21:52,359
Speaker 15: I don't know.

520
00:21:52,359 --> 00:21:55,760
Speaker 18: I just saw something I was given a lean like

521
00:21:55,800 --> 00:21:57,800
Speaker 18: maybe no, don't do it right now or something.

522
00:21:57,960 --> 00:22:00,800
Speaker 16: You know what, I've made this book not to turn

523
00:22:00,840 --> 00:22:03,040
Speaker 16: into a movie or a TV show. You never say never,

524
00:22:03,080 --> 00:22:05,199
Speaker 16: because you know one of my biggest movies is Think

525
00:22:05,280 --> 00:22:07,400
Speaker 16: Like a Man. Steve Harvey will tell you he never

526
00:22:07,440 --> 00:22:08,560
Speaker 16: thought of that as a movie.

527
00:22:08,880 --> 00:22:10,080
Speaker 1: Never. He never wrote it for that.

528
00:22:10,359 --> 00:22:14,520
Speaker 16: I wrote this to give the master mentorship that I

529
00:22:14,560 --> 00:22:16,800
Speaker 16: didn't have. I have people coming to me a lot

530
00:22:16,840 --> 00:22:20,080
Speaker 16: and saying, tell me about your success story, tell me

531
00:22:20,160 --> 00:22:22,680
Speaker 16: about your failures, tell me about what you had to overcome.

532
00:22:23,160 --> 00:22:26,080
Speaker 16: And so when I tell these stories, right and I

533
00:22:26,160 --> 00:22:29,600
Speaker 16: talk about you know, Beyonce turning me down five times,

534
00:22:29,720 --> 00:22:32,200
Speaker 16: or I Yourselba, you know, almost not walking the carpet

535
00:22:32,240 --> 00:22:34,199
Speaker 16: at the first Emmy's and how you get past that? Like,

536
00:22:34,240 --> 00:22:37,240
Speaker 16: when I tell these stories, I'm doing that so that

537
00:22:37,320 --> 00:22:39,040
Speaker 16: other people can benefit from them.

538
00:22:39,080 --> 00:22:40,800
Speaker 1: So I could turn into a movie. That's not what

539
00:22:40,840 --> 00:22:41,320
Speaker 1: I made it for.

540
00:22:41,440 --> 00:22:45,520
Speaker 16: I literally made this book so that I could influence

541
00:22:45,600 --> 00:22:48,639
Speaker 16: other folks who are either on their way up, thinking

542
00:22:48,680 --> 00:22:49,680
Speaker 16: about making.

543
00:22:49,480 --> 00:22:52,160
Speaker 1: A pivot or living a life that they know could.

544
00:22:51,960 --> 00:22:53,080
Speaker 3: Be a little more fulfilling.

545
00:22:53,240 --> 00:22:55,600
Speaker 1: Well, we appreciate you for joining us. Will pack a

546
00:22:55,600 --> 00:22:55,960
Speaker 1: new book.

547
00:22:55,960 --> 00:22:57,720
Speaker 2: Who better than you to all the healthy arrogance and

548
00:22:57,800 --> 00:23:00,320
Speaker 2: dreaming big out right now. Always a pleasure to see

549
00:23:00,320 --> 00:23:02,159
Speaker 2: you go out there and biden book making the New

550
00:23:02,240 --> 00:23:03,160
Speaker 2: York Times bestseller.

551
00:23:03,200 --> 00:23:04,000
Speaker 1: Miss you found.

552
00:23:04,080 --> 00:23:05,840
Speaker 16: I appreciate you, man, Thank you, thank you all for

553
00:23:05,880 --> 00:23:08,320
Speaker 16: having me, Charlotte Mann, and thank you because you are

554
00:23:08,359 --> 00:23:09,399
Speaker 16: somebody that you know.

555
00:23:09,440 --> 00:23:10,040
Speaker 1: And I told you this.

556
00:23:10,400 --> 00:23:12,600
Speaker 16: We saw each other at the Democrat National Convention, and

557
00:23:12,640 --> 00:23:14,800
Speaker 16: I told you I had written my first book, and

558
00:23:15,280 --> 00:23:18,399
Speaker 16: I was inspired by your books and by reading your

559
00:23:18,400 --> 00:23:20,560
Speaker 16: books and just seeing that process and the grind that

560
00:23:20,600 --> 00:23:23,159
Speaker 16: you put in. So you never know who's watching and

561
00:23:23,160 --> 00:23:25,600
Speaker 16: who you're inspiring. So no, thank you, my brother, thank

562
00:23:25,600 --> 00:23:26,119
Speaker 16: you for having me.

563
00:23:26,200 --> 00:23:28,000
Speaker 1: It's Will Packer, It's the Breakfast Club.

564
00:23:28,000 --> 00:23:33,520
Speaker 13: Good morning, MV. Jesse hilarious charlamage the guy. We are

565
00:23:33,640 --> 00:23:35,840
Speaker 13: the breakfast Club. If you're just joining us, who open

566
00:23:35,920 --> 00:23:38,679
Speaker 13: up the phone lines eight hundred five eight five one

567
00:23:38,920 --> 00:23:42,600
Speaker 13: five one. Sean Kingston and his mom, Janie she sixty two,

568
00:23:42,840 --> 00:23:45,720
Speaker 13: was found guilty or on all charges in their luxury

569
00:23:45,720 --> 00:23:49,480
Speaker 13: fraud scheme trial. All right, now she faces twenty years

570
00:23:49,520 --> 00:23:52,920
Speaker 13: in prison. That's the maximum for federal wild fraud cases.

571
00:23:52,960 --> 00:23:55,320
Speaker 13: Now we're asking eight hundred five eighty five one oh

572
00:23:55,320 --> 00:23:58,240
Speaker 13: five to one. If your child or parent got jammed up,

573
00:23:58,280 --> 00:24:01,360
Speaker 13: would you take the charge for them? All right now,

574
00:24:02,400 --> 00:24:05,240
Speaker 13: Jess said, look, her mom lived a good life already.

575
00:24:05,280 --> 00:24:08,800
Speaker 13: Mom gotta sit down for a little bit. I'm taking

576
00:24:08,800 --> 00:24:10,359
Speaker 13: the charge of for mom. I ain't gonna let mom

577
00:24:10,400 --> 00:24:12,680
Speaker 13: sit mom. My mom is seventy, but I ain't gonna

578
00:24:12,760 --> 00:24:14,520
Speaker 13: let mom spend twenty years in jail, so she's gonna

579
00:24:14,520 --> 00:24:15,199
Speaker 13: get out of eighty two.

580
00:24:15,440 --> 00:24:20,120
Speaker 2: Man, shut up, I'm not mom lying lying. First of all,

581
00:24:20,119 --> 00:24:22,560
Speaker 2: you got young ass kids. If your seventy year old

582
00:24:22,600 --> 00:24:26,040
Speaker 2: mom did something that actually caused her to go to jail,

583
00:24:26,280 --> 00:24:28,680
Speaker 2: if she actually committed a crime, you are not about

584
00:24:28,720 --> 00:24:30,560
Speaker 2: to go to jail and leave your little young kids

585
00:24:30,600 --> 00:24:31,679
Speaker 2: out here for your mom.

586
00:24:31,760 --> 00:24:34,119
Speaker 1: That don't even make no sense. Your mom should have

587
00:24:34,119 --> 00:24:36,280
Speaker 1: been doing what she was doing. Well, they did it together.

588
00:24:36,359 --> 00:24:38,439
Speaker 13: But if he had the opportunity, if we did it

589
00:24:38,440 --> 00:24:40,119
Speaker 13: together and I had the opportunity, I'm not letting my

590
00:24:40,160 --> 00:24:42,760
Speaker 13: mom die in jail, because that's really what it is.

591
00:24:43,040 --> 00:24:44,720
Speaker 2: Well, how about how about you should have said, hey, mom,

592
00:24:44,720 --> 00:24:47,439
Speaker 2: maybe we shouldn't be doing these crimes because guess what

593
00:24:47,440 --> 00:24:49,040
Speaker 2: if we get locked up, You're gonna go to jail

594
00:24:49,080 --> 00:24:50,480
Speaker 2: for a long time and end up dying in jail.

595
00:24:50,840 --> 00:24:53,440
Speaker 1: Where was the Where was the empathy then to say

596
00:24:53,480 --> 00:24:55,000
Speaker 1: stop still?

597
00:24:56,880 --> 00:24:57,560
Speaker 15: I see?

598
00:24:58,080 --> 00:25:00,520
Speaker 14: I mean I'm still making it a Tasha taking that

599
00:25:00,720 --> 00:25:03,359
Speaker 14: all that for all the charges for Tarik.

600
00:25:04,040 --> 00:25:05,040
Speaker 3: I really feel like.

601
00:25:05,760 --> 00:25:08,000
Speaker 1: That was a TV show, Jess, that wasn't real. Noah,

602
00:25:08,200 --> 00:25:12,080
Speaker 1: I agree with Jess. Eric little ash and went to

603
00:25:12,160 --> 00:25:13,520
Speaker 1: jail man.

604
00:25:14,800 --> 00:25:17,000
Speaker 2: And and if you Sean Kingston and his mom, y'all was

605
00:25:17,000 --> 00:25:18,240
Speaker 2: out here doing dirt together.

606
00:25:18,600 --> 00:25:19,840
Speaker 1: Mom should have known better.

607
00:25:20,080 --> 00:25:22,600
Speaker 2: Mom was out here setting a bad example. Parents are

608
00:25:22,640 --> 00:25:25,280
Speaker 2: supposed to lead by example. You out here doing dirt

609
00:25:25,280 --> 00:25:27,760
Speaker 2: with your son. Yeah, y'all both going to jail.

610
00:25:28,640 --> 00:25:29,359
Speaker 1: Hello? Who's this?

611
00:25:30,359 --> 00:25:31,919
Speaker 4: Hello?

612
00:25:32,560 --> 00:25:34,680
Speaker 1: What's up? Now? Would you take the charge for your

613
00:25:34,680 --> 00:25:35,480
Speaker 1: mom or your son?

614
00:25:35,720 --> 00:25:36,840
Speaker 4: I'm taking the trust with my son.

615
00:25:37,080 --> 00:25:39,480
Speaker 1: What about your mom? My? Mom?

616
00:25:40,240 --> 00:25:42,840
Speaker 4: I don't know about my mom. It's the same, the same,

617
00:25:43,440 --> 00:25:47,680
Speaker 4: like the same scenario. You should have been able to come,

618
00:25:48,200 --> 00:25:50,399
Speaker 4: She'd have been able to tell me not to do

619
00:25:50,480 --> 00:25:52,600
Speaker 4: what I'm doing. So why should I pay the trust

620
00:25:52,640 --> 00:25:52,840
Speaker 4: for her?

621
00:25:53,119 --> 00:25:54,640
Speaker 1: So? Why would you take the charge for your son?

622
00:25:54,680 --> 00:25:57,399
Speaker 2: If your son out here is selling dope or killing people,

623
00:25:57,680 --> 00:25:58,359
Speaker 2: and then they get.

624
00:25:58,320 --> 00:26:00,520
Speaker 1: Arrested and go to jail, you're gonna go take the charger.

625
00:26:01,160 --> 00:26:03,600
Speaker 4: No, not in that sense, in the sense with like

626
00:26:03,680 --> 00:26:06,239
Speaker 4: what like Sean Kingston would happened with Sean Kinky and

627
00:26:06,240 --> 00:26:08,320
Speaker 4: his mom. Yeah, I'm gonna take trust with my son

628
00:26:08,400 --> 00:26:12,080
Speaker 4: because as an adult, while we were both doing the crime,

629
00:26:12,440 --> 00:26:13,840
Speaker 4: I should have been an adult to tell him not

630
00:26:13,920 --> 00:26:14,360
Speaker 4: to do it.

631
00:26:14,600 --> 00:26:17,639
Speaker 15: But why can't we split the time.

632
00:26:20,720 --> 00:26:21,720
Speaker 1: We both need to learn.

633
00:26:22,840 --> 00:26:26,440
Speaker 4: I'm just saying, like, all right, if we split the time,

634
00:26:27,119 --> 00:26:31,920
Speaker 4: some some somebody's getting wasted, it's time somebody's time getting wasted. Okay,

635
00:26:32,160 --> 00:26:34,320
Speaker 4: we both did the crime, but he could go on

636
00:26:34,440 --> 00:26:36,400
Speaker 4: and still with his life. I'll be in a jail

637
00:26:36,440 --> 00:26:38,080
Speaker 4: and do whatever time I need to do out. When

638
00:26:38,119 --> 00:26:40,000
Speaker 4: I get out, I'll be still old again.

639
00:26:40,119 --> 00:26:42,679
Speaker 1: Still I don't know, But let me ask you this.

640
00:26:43,400 --> 00:26:45,800
Speaker 14: You go, you do the time, right, And what if

641
00:26:45,800 --> 00:26:47,760
Speaker 14: he go out and he's still scamming because he's free

642
00:26:47,800 --> 00:26:50,439
Speaker 14: now he locked up for something else and you already

643
00:26:50,480 --> 00:26:52,399
Speaker 14: serving time for something that yall did together.

644
00:26:52,720 --> 00:26:54,919
Speaker 9: Damn, but we did it together.

645
00:26:55,320 --> 00:26:56,080
Speaker 4: We did it together.

646
00:26:57,119 --> 00:27:02,520
Speaker 2: Time soothed your time on the Huh. That's what's happening

647
00:27:02,520 --> 00:27:04,920
Speaker 2: in this situation. Sean King's didn't gonna end up getting

648
00:27:04,920 --> 00:27:06,959
Speaker 2: his time and the mom gonna end up getting her

649
00:27:07,000 --> 00:27:08,840
Speaker 2: time because they were committing crimes together.

650
00:27:09,840 --> 00:27:12,199
Speaker 13: Well, we have somebody on the line that's actually happening

651
00:27:12,240 --> 00:27:14,040
Speaker 13: to them now we have and and good.

652
00:27:13,840 --> 00:27:17,440
Speaker 1: Morning, good morning now, and what happened with your mom?

653
00:27:17,760 --> 00:27:19,800
Speaker 11: My mom murdered my grandmother?

654
00:27:20,080 --> 00:27:24,440
Speaker 13: So yes, now I'm not sitting for that one. Mom

655
00:27:24,480 --> 00:27:25,360
Speaker 13: gott to go a whole that one.

656
00:27:25,640 --> 00:27:30,000
Speaker 1: No, no vy, no time, your mom, no no v.

657
00:27:31,480 --> 00:27:34,959
Speaker 11: Brother, it's definitely riding with her. He is not saying

658
00:27:34,960 --> 00:27:38,080
Speaker 11: a word. They both been in jail since two thousand.

659
00:27:38,880 --> 00:27:40,440
Speaker 9: Why did you been going on for a while?

660
00:27:40,520 --> 00:27:42,840
Speaker 1: Why did she do it? Allegedly, if you don't mind.

661
00:27:42,960 --> 00:27:46,199
Speaker 11: Originally started because she was addicted to prescription bills, and

662
00:27:46,240 --> 00:27:49,080
Speaker 11: then my grandmother was over it and she was getting

663
00:27:49,080 --> 00:27:51,280
Speaker 11: her put out the house, and I guess my mom

664
00:27:51,440 --> 00:27:54,080
Speaker 11: was like, like that was too far for her, And

665
00:27:54,160 --> 00:27:58,719
Speaker 11: so a week before the actual eviction court, she was

666
00:27:58,840 --> 00:27:59,919
Speaker 11: murdered in her home.

667
00:28:00,680 --> 00:28:01,960
Speaker 1: And how did your brother get into it?

668
00:28:02,080 --> 00:28:05,120
Speaker 11: Because he looked at the house, there was no one

669
00:28:05,240 --> 00:28:08,080
Speaker 11: at the house besides them and my children. But my

670
00:28:08,200 --> 00:28:10,200
Speaker 11: children are the ones that had to wake up to

671
00:28:10,240 --> 00:28:10,760
Speaker 11: the murder.

672
00:28:11,200 --> 00:28:12,320
Speaker 1: Wow, I'm so sorry.

673
00:28:12,560 --> 00:28:14,560
Speaker 2: And so your brother is saying that he's the one

674
00:28:14,560 --> 00:28:16,240
Speaker 2: who did it because he don't want the mom to

675
00:28:16,280 --> 00:28:16,800
Speaker 2: go to prison.

676
00:28:17,000 --> 00:28:19,520
Speaker 11: In a sense, he's actually given convicting stories.

677
00:28:19,560 --> 00:28:21,959
Speaker 8: He's like, she didn't do it, I didn't do it.

678
00:28:22,040 --> 00:28:23,760
Speaker 11: I don't know who did it. I was sleeping, Like

679
00:28:24,680 --> 00:28:28,960
Speaker 11: they're spinning around it. And the trial is set for

680
00:28:29,000 --> 00:28:32,720
Speaker 11: the twenty first of April, so hopefully whenever we get there,

681
00:28:33,280 --> 00:28:35,920
Speaker 11: Jessice will be served. But right now they're kind of

682
00:28:36,240 --> 00:28:38,200
Speaker 11: going back and forth, playing like a cat and mouse game.

683
00:28:38,400 --> 00:28:40,400
Speaker 2: So question, how are you sure? How are you so

684
00:28:40,440 --> 00:28:41,920
Speaker 2: sure that your mom is the one who did it.

685
00:28:42,080 --> 00:28:46,680
Speaker 11: She's the only one that had any grudge or hatred

686
00:28:46,720 --> 00:28:49,240
Speaker 11: towards my grandmother, and my grandmother's a very, very loving woman,

687
00:28:50,640 --> 00:28:52,320
Speaker 11: and she was the only when I was getting evicted

688
00:28:52,360 --> 00:28:56,200
Speaker 11: out of the house because of just prescriptions and of

689
00:28:56,280 --> 00:29:00,240
Speaker 11: a drug abusive that's why I was there or and

690
00:29:00,240 --> 00:29:01,920
Speaker 11: my grandmother to make sure she was okay.

691
00:29:02,200 --> 00:29:03,880
Speaker 13: But it got to be proof though, Like even though

692
00:29:03,920 --> 00:29:05,840
Speaker 13: your mom might have hated your grandma, if there's no

693
00:29:06,120 --> 00:29:10,120
Speaker 13: ballistics on your mom's head, like you know what I mean, And.

694
00:29:10,160 --> 00:29:14,000
Speaker 11: That's exactly why we're going to trial on the twenty first,

695
00:29:14,160 --> 00:29:16,400
Speaker 11: But that way all the ballistic reports, all of the

696
00:29:16,480 --> 00:29:21,120
Speaker 11: reports can come out, everyone's testimonies, all the evidence, all

697
00:29:21,240 --> 00:29:25,320
Speaker 11: the adult protective orders, everything that is going to come

698
00:29:25,320 --> 00:29:27,560
Speaker 11: out to show how my grandmother looks afraid of the

699
00:29:27,600 --> 00:29:31,320
Speaker 11: woman and she took her life even though she gave

700
00:29:31,400 --> 00:29:32,280
Speaker 11: her life.

701
00:29:32,560 --> 00:29:34,719
Speaker 2: Can I ask you one question, and if it's too personal,

702
00:29:34,720 --> 00:29:36,239
Speaker 2: you don't have to answer, because I'm just I'm just

703
00:29:36,240 --> 00:29:39,080
Speaker 2: wondering from a from a trauma aspect, and as a

704
00:29:40,160 --> 00:29:43,080
Speaker 2: member of the family, like that's your mom and your

705
00:29:43,240 --> 00:29:46,480
Speaker 2: your brother, what do you feel towards them?

706
00:29:46,840 --> 00:29:49,160
Speaker 1: You hate them or you like? What is it?

707
00:29:50,200 --> 00:29:52,760
Speaker 11: I don't say I hate them because I feel like

708
00:29:52,800 --> 00:29:56,600
Speaker 11: that will put too much weight on my life. I've

709
00:29:56,640 --> 00:29:59,600
Speaker 11: accepted the choices that they made for their and I'll

710
00:29:59,640 --> 00:30:03,880
Speaker 11: just move gone independently with my children, just to give

711
00:30:03,920 --> 00:30:08,200
Speaker 11: myself some grace because a while I was trying to

712
00:30:08,200 --> 00:30:11,200
Speaker 11: figure out why, and there would never be a why.

713
00:30:11,880 --> 00:30:14,320
Speaker 11: So I've just been really going to therapy, keep my

714
00:30:14,400 --> 00:30:16,880
Speaker 11: kids in therapy, just making sure like we're vocal about

715
00:30:16,880 --> 00:30:20,120
Speaker 11: our feelings because I don't want it to become rage.

716
00:30:20,160 --> 00:30:22,880
Speaker 11: And then we become unhappy people for the rest of

717
00:30:22,880 --> 00:30:24,840
Speaker 11: our lives because of their choices.

718
00:30:26,040 --> 00:30:26,760
Speaker 1: Sending you.

719
00:30:29,680 --> 00:30:32,560
Speaker 11: Yeah, but yeah, So I just it was interesting because

720
00:30:32,560 --> 00:30:34,320
Speaker 11: I'm going my son off at school and I can

721
00:30:34,400 --> 00:30:36,239
Speaker 11: I hear that topic and I can see that it

722
00:30:36,240 --> 00:30:38,400
Speaker 11: was triggering for him, like would you do the time

723
00:30:38,440 --> 00:30:40,120
Speaker 11: of your mom? And he's looking at me like, mom,

724
00:30:40,280 --> 00:30:40,960
Speaker 11: like what the hell?

725
00:30:41,080 --> 00:30:42,800
Speaker 9: I'm like, I'm no baby, Like.

726
00:30:43,080 --> 00:30:46,480
Speaker 11: Everyone has their own opinions, like that's fine. But it

727
00:30:46,560 --> 00:30:48,720
Speaker 11: was just interesting because people will do the time for

728
00:30:48,800 --> 00:30:52,560
Speaker 11: their parents, regardless of how much time and no matter

729
00:30:52,600 --> 00:30:53,720
Speaker 11: how long of the crime.

730
00:30:54,240 --> 00:30:57,760
Speaker 1: Wow, damn definitely for sharing your story. And I'm so

731
00:30:57,800 --> 00:31:00,000
Speaker 1: sorry your whole family.

732
00:31:00,400 --> 00:31:02,120
Speaker 11: Yes, thank you, thank you.

733
00:31:01,840 --> 00:31:03,720
Speaker 1: Absolutely, Lord have mercy.

734
00:31:05,080 --> 00:31:08,720
Speaker 7: Hello. Who's this Hello, Hollywood, Florida.

735
00:31:08,880 --> 00:31:09,240
Speaker 9: What's up?

736
00:31:09,280 --> 00:31:11,400
Speaker 1: Brother? So if you if your mom got jammed up,

737
00:31:11,400 --> 00:31:12,280
Speaker 1: you're gonna do the time for.

738
00:31:12,720 --> 00:31:17,680
Speaker 7: I mean, it depends on the situation. Who got more emotion,

739
00:31:18,040 --> 00:31:19,440
Speaker 7: if she's sitting down.

740
00:31:19,400 --> 00:31:26,680
Speaker 2: And anyway, you know what I'm saying, said, we got

741
00:31:26,720 --> 00:31:27,600
Speaker 2: more emotion out here.

742
00:31:27,680 --> 00:31:29,880
Speaker 1: Mom ain't got no motion, you know what I'm saying.

743
00:31:29,880 --> 00:31:30,960
Speaker 1: She gotta go through that time.

744
00:31:31,000 --> 00:31:32,160
Speaker 10: We're gonna make her ice school.

745
00:31:32,240 --> 00:31:34,120
Speaker 7: We're gonna take care of her. We're gonna make sure

746
00:31:34,120 --> 00:31:37,080
Speaker 7: her commissary is full. You know, she got her soap

747
00:31:37,160 --> 00:31:40,200
Speaker 7: and her shampoos and all that good stuff. You know

748
00:31:40,280 --> 00:31:41,040
Speaker 7: she's gonna be all right.

749
00:31:41,480 --> 00:31:42,000
Speaker 9: You know what I'm saying.

750
00:31:42,000 --> 00:31:42,440
Speaker 3: I'm grown.

751
00:31:42,480 --> 00:31:44,360
Speaker 7: I gotta raise my kids. You know what I'm saying.

752
00:31:44,400 --> 00:31:46,680
Speaker 7: I know I know she she'll do it. She'll do

753
00:31:46,720 --> 00:31:48,560
Speaker 7: it for me too. You know she love her baby.

754
00:31:48,840 --> 00:31:49,200
Speaker 1: All right.

755
00:31:49,640 --> 00:31:52,320
Speaker 2: Damn it, man, we acting like both of these people

756
00:31:52,360 --> 00:31:55,160
Speaker 2: aren't adults, like these are adults making adult.

757
00:31:54,920 --> 00:31:57,840
Speaker 1: Choices, So you gotta deal with the consequences of your choices.

758
00:31:59,240 --> 00:32:01,680
Speaker 1: All right, Well is there a moral? But that was

759
00:32:01,720 --> 00:32:02,120
Speaker 1: the moral.

760
00:32:02,560 --> 00:32:04,880
Speaker 14: I don't really think it's a direct moral. Like I

761
00:32:05,000 --> 00:32:06,800
Speaker 14: like the gentleman who just called up. He said it

762
00:32:06,800 --> 00:32:07,760
Speaker 14: depends on who got.

763
00:32:07,600 --> 00:32:08,160
Speaker 15: The most motion.

764
00:32:10,480 --> 00:32:12,320
Speaker 1: Man. I like the emotional conversation.

765
00:32:12,440 --> 00:32:12,959
Speaker 15: I'm with that.

766
00:32:13,040 --> 00:32:16,040
Speaker 2: I like that I got more followers than you my Instagram.

767
00:32:16,080 --> 00:32:17,920
Speaker 2: You gotta take your ass to Jay. Ain't nobody checking

768
00:32:18,000 --> 00:32:18,560
Speaker 2: for you nowhere?

769
00:32:18,600 --> 00:32:19,800
Speaker 1: You know what I mean? Jesus?

770
00:32:19,880 --> 00:32:21,800
Speaker 13: All right, Well, we got the latest with Laurie coming up,

771
00:32:21,800 --> 00:32:22,600
Speaker 13: so don't go anywhere.

772
00:32:22,600 --> 00:32:28,280
Speaker 1: It's the Breakfast Club. Good morning, the Breakfast club owning.

773
00:32:28,360 --> 00:32:32,120
Speaker 13: Everybody is d J M g JA hilarious, Charlamaga God

774
00:32:32,160 --> 00:32:33,440
Speaker 13: we are the breakfast Club.

775
00:32:33,480 --> 00:32:36,280
Speaker 1: Longs is here as well, and we got a special

776
00:32:36,280 --> 00:32:37,240
Speaker 1: guest in the building, a.

777
00:32:37,320 --> 00:32:44,000
Speaker 2: Guy the legendary Welcome.

778
00:32:44,160 --> 00:32:48,600
Speaker 1: Here in a minute, I'm over there, okay.

779
00:32:49,480 --> 00:32:52,520
Speaker 2: I was like, yeah, I was like, THEYDMB replaced me

780
00:32:53,240 --> 00:32:57,040
Speaker 2: right there, right way. That's what's going on.

781
00:32:56,920 --> 00:32:59,000
Speaker 13: Man, I gotta ask you a question before we start

782
00:32:59,000 --> 00:33:01,520
Speaker 13: the interview. Right, my daughters have dance and uh, this

783
00:33:01,600 --> 00:33:03,360
Speaker 13: weekend I had to drive three albums. So when they

784
00:33:03,400 --> 00:33:05,000
Speaker 13: sleep and everybody sleeping in the back, that's when I

785
00:33:05,040 --> 00:33:05,840
Speaker 13: listened to my music.

786
00:33:06,400 --> 00:33:08,360
Speaker 1: So I turned on on the Firm album.

787
00:33:08,320 --> 00:33:11,320
Speaker 13: Right and record on the Firm and then your record

788
00:33:11,320 --> 00:33:14,840
Speaker 13: comes on. I'm leaving man right, and I'm like, how

789
00:33:14,880 --> 00:33:16,560
Speaker 13: the hell did Nori get a record on the Firm

790
00:33:16,600 --> 00:33:18,400
Speaker 13: album by himself? Make it make sense? I was like,

791
00:33:18,400 --> 00:33:21,200
Speaker 13: I never asked nor that. Well, a lot of people

792
00:33:21,200 --> 00:33:21,520
Speaker 13: don't know.

793
00:33:21,680 --> 00:33:25,720
Speaker 2: Naves was on Ward Report, the first album and he

794
00:33:25,800 --> 00:33:30,880
Speaker 2: was on a record called music Make this Dogs Calm down.

795
00:33:31,160 --> 00:33:35,200
Speaker 1: For whatever reason, Uh, we we can't clear it. You

796
00:33:35,280 --> 00:33:37,440
Speaker 1: know what I'm saying. You know, we didn't have money

797
00:33:37,440 --> 00:33:42,880
Speaker 1: back then. You know what I'm saying album, you know

798
00:33:42,920 --> 00:33:43,400
Speaker 1: what I'm saying.

799
00:33:43,440 --> 00:33:46,920
Speaker 2: So so now I's wanted to pay me back. And

800
00:33:47,840 --> 00:33:50,080
Speaker 2: you know, I was in that like a little purgatory

801
00:33:50,280 --> 00:33:53,880
Speaker 2: like and hip hop at the time, and uh uh

802
00:33:54,320 --> 00:33:55,480
Speaker 2: Now I was like, Yo, I want to put you

803
00:33:55,480 --> 00:33:57,200
Speaker 2: on the firm album. This was before like they kind

804
00:33:57,200 --> 00:33:59,480
Speaker 2: of even announced it. So he was like, Yo, I'm

805
00:33:59,480 --> 00:34:02,160
Speaker 2: going to Miami. Me I meet you in my meet

806
00:34:02,240 --> 00:34:05,240
Speaker 2: us in Miami and whatever Instagram was back then.

807
00:34:06,600 --> 00:34:10,080
Speaker 1: In Miami, and I was like oh.

808
00:34:10,880 --> 00:34:13,600
Speaker 2: And then a month later he uh called me and

809
00:34:13,640 --> 00:34:15,239
Speaker 2: I was like, Yo, meet me in l A. And

810
00:34:15,320 --> 00:34:17,000
Speaker 2: we went to l A and I recorded I'm Leaving.

811
00:34:17,040 --> 00:34:21,360
Speaker 2: I'm Leaving was originally on Copona Noriega's War Report album

812
00:34:21,680 --> 00:34:23,839
Speaker 2: and try to shut it down.

813
00:34:23,880 --> 00:34:25,440
Speaker 1: Tras was like that that's whack is.

814
00:34:26,080 --> 00:34:31,239
Speaker 2: That was a single, I'm leaving, That's my man, That's

815
00:34:31,239 --> 00:34:34,480
Speaker 2: my man. But he thought it was whack and so

816
00:34:34,520 --> 00:34:37,120
Speaker 2: we never used it. And when I got to the studio,

817
00:34:37,239 --> 00:34:37,799
Speaker 2: I believe Dre.

818
00:34:37,960 --> 00:34:40,360
Speaker 1: Doctor Dre was the engineer, and he was like, you

819
00:34:40,400 --> 00:34:40,960
Speaker 1: got something.

820
00:34:41,080 --> 00:34:42,920
Speaker 2: And that's why to this day, I always you know,

821
00:34:43,080 --> 00:34:46,360
Speaker 2: show Nature love is because that was Nature's session. That

822
00:34:46,480 --> 00:34:48,880
Speaker 2: wasn't my session when I recorded I'm leaving, so I

823
00:34:48,920 --> 00:34:51,759
Speaker 2: went in and Doctor Dre was like. I said that

824
00:34:51,760 --> 00:34:54,920
Speaker 2: to Doctor Dre recently and he was like, you got

825
00:34:54,960 --> 00:34:56,560
Speaker 2: something because he called me rag.

826
00:34:59,840 --> 00:34:59,960
Speaker 1: Doc.

827
00:35:00,360 --> 00:35:01,680
Speaker 2: You know what I'm saying, Like I'm coming up from

828
00:35:01,719 --> 00:35:04,000
Speaker 2: Left Frack City, I'm in LA, so I'm like, yo,

829
00:35:04,080 --> 00:35:06,080
Speaker 2: I didn't correct them. So that's why if you notice

830
00:35:06,280 --> 00:35:09,440
Speaker 2: I started the verse off, know this, know that you

831
00:35:09,520 --> 00:35:11,880
Speaker 2: can remember my name? Yeah, you gonna remember my name,

832
00:35:12,040 --> 00:35:15,840
Speaker 2: right and he laughed at that recently interviewed him in Vegas.

833
00:35:15,920 --> 00:35:17,560
Speaker 1: But yeah, that's how that happened.

834
00:35:17,600 --> 00:35:20,280
Speaker 2: So like NAS and that record and Big Pun record

835
00:35:20,960 --> 00:35:22,839
Speaker 2: really set off my solo career. You know, I used

836
00:35:22,840 --> 00:35:25,040
Speaker 2: to rhyme in mv's basement, you know what I'm saying.

837
00:35:25,719 --> 00:35:27,360
Speaker 2: But I still wasn't a solo artist. I was a

838
00:35:27,360 --> 00:35:30,600
Speaker 2: componing Noriega, you know, even though I was going there solo.

839
00:35:30,920 --> 00:35:33,960
Speaker 1: But that's what set off my career. So why wasn't

840
00:35:33,960 --> 00:35:36,040
Speaker 1: it a single? Because that is it was one of the.

841
00:35:36,400 --> 00:35:38,960
Speaker 2: Hating man come on course, no, not just playing, you

842
00:35:38,960 --> 00:35:42,040
Speaker 2: know what, It's crazy Like me and I spoke about

843
00:35:42,040 --> 00:35:44,160
Speaker 2: this recently. That was one of the hottest street records.

844
00:35:44,200 --> 00:35:48,600
Speaker 2: There was like, and I just, I just I wasn't

845
00:35:48,640 --> 00:35:50,520
Speaker 2: smart enough to like go out there and do my

846
00:35:50,600 --> 00:35:53,400
Speaker 2: own video. I wasn't, but I did, you know, I

847
00:35:53,440 --> 00:35:55,719
Speaker 2: did take the accolades, the accolades that came with it.

848
00:35:55,719 --> 00:35:57,000
Speaker 2: It changed my life, you know what I'm saying, Like

849
00:35:57,040 --> 00:36:00,239
Speaker 2: being on a firm project that was Na's five see

850
00:36:00,280 --> 00:36:03,239
Speaker 2: Azy at a cor Mega or Nature, whichever one you

851
00:36:03,320 --> 00:36:05,400
Speaker 2: want to pick at the time, but that was the

852
00:36:05,400 --> 00:36:06,960
Speaker 2: hottest group in the world. For me to have a

853
00:36:07,000 --> 00:36:10,880
Speaker 2: record on that album, it set off my whole career.

854
00:36:10,920 --> 00:36:12,799
Speaker 13: I got one more questions. I guess I was riding

855
00:36:13,080 --> 00:36:17,440
Speaker 13: a lot of questions. So then I turned it off,

856
00:36:17,440 --> 00:36:19,799
Speaker 13: and then I turned on your first album right now

857
00:36:19,800 --> 00:36:22,399
Speaker 13: I'm rocking, and band from TV comes on right yes,

858
00:36:22,520 --> 00:36:25,879
Speaker 13: and I'm like, the original version had Cormega on it. Nah,

859
00:36:25,960 --> 00:36:27,320
Speaker 13: it never had a Mega, So why.

860
00:36:27,360 --> 00:36:30,040
Speaker 1: Was Cormega not on it? In Nature on it? Because

861
00:36:30,120 --> 00:36:33,160
Speaker 1: at the first Omegas was with well, me and Mega.

862
00:36:33,239 --> 00:36:35,200
Speaker 2: Me and Mega has always been cool, and Me and

863
00:36:35,239 --> 00:36:38,040
Speaker 2: Mega are still cool to this day. But what happened was,

864
00:36:38,120 --> 00:36:42,960
Speaker 2: like I told you, I invaded Nature session because this

865
00:36:43,000 --> 00:36:45,360
Speaker 2: is back then, you know, I know you guys probably

866
00:36:45,440 --> 00:36:47,880
Speaker 2: do the coupon deals now, like with the flights. But

867
00:36:47,920 --> 00:36:50,240
Speaker 2: back in the days, I flew out on a Tuesday.

868
00:36:50,560 --> 00:36:52,440
Speaker 2: I had to be there on a Friday, but Tuesday

869
00:36:52,480 --> 00:36:56,280
Speaker 2: was cheaper. Day was cheaper, and I flew out that Tuesday,

870
00:36:56,880 --> 00:36:59,480
Speaker 2: and I had recorded that Wednesday, but that was Nature session.

871
00:36:59,800 --> 00:37:01,480
Speaker 2: So I wanted to repay him back, so I told

872
00:37:01,560 --> 00:37:04,800
Speaker 2: him to come to Electric Lady, and Nature took about

873
00:37:05,320 --> 00:37:09,200
Speaker 2: ten hours picking beats. He was like very very very

874
00:37:09,280 --> 00:37:11,279
Speaker 2: very particular, and he was he was actually getting on

875
00:37:11,280 --> 00:37:13,480
Speaker 2: my nerves. Sorry Nature, but he was actually getting my nerves.

876
00:37:13,480 --> 00:37:16,759
Speaker 2: And then Swiss changed the beat to one beat, and

877
00:37:16,920 --> 00:37:19,799
Speaker 2: Nature just he wrote the whole rhyme right there and there,

878
00:37:21,040 --> 00:37:23,080
Speaker 2: and I felt like it was my payback. And then

879
00:37:23,120 --> 00:37:26,640
Speaker 2: Pun came and you know, you know that Joe says

880
00:37:26,640 --> 00:37:30,799
Speaker 2: he's a glizzy King, Paul Pun was a glizzy I

881
00:37:30,800 --> 00:37:34,399
Speaker 2: don't even know. They got to say hot dog.

882
00:37:35,480 --> 00:37:38,799
Speaker 1: No, no, no, we're gonna say Gliffy hot dog.

883
00:37:39,120 --> 00:37:40,879
Speaker 2: So he went to Graves for PAIEC. Because I don't

884
00:37:40,880 --> 00:37:43,759
Speaker 2: know if you have a remember Electric Lady. It was

885
00:37:43,840 --> 00:37:46,120
Speaker 2: the studio Jimmy Hendrick studio, and he got a cat

886
00:37:46,120 --> 00:37:49,319
Speaker 2: in there, so Big Pun saw my car. You know,

887
00:37:49,360 --> 00:37:51,040
Speaker 2: I was the only one with the gs you know,

888
00:37:51,120 --> 00:37:53,600
Speaker 2: for for thirty you know, brand new, you know I

889
00:37:53,600 --> 00:37:54,080
Speaker 2: had two of them.

890
00:37:54,080 --> 00:37:55,440
Speaker 1: You know what I'm saying, Come on, envy notes that

891
00:37:55,640 --> 00:37:57,839
Speaker 1: queens get the money for for you.

892
00:37:57,200 --> 00:38:00,400
Speaker 2: And so yeah, Pun see my car out and then

893
00:38:00,400 --> 00:38:02,080
Speaker 2: he was like, yo, you you had an electric lady.

894
00:38:02,200 --> 00:38:04,279
Speaker 2: And he went in and he just laid the verse.

895
00:38:04,840 --> 00:38:06,799
Speaker 2: I never asked Pun to get on the record. I

896
00:38:06,840 --> 00:38:10,040
Speaker 2: actually told the engineer to erace it in front of

897
00:38:10,040 --> 00:38:10,560
Speaker 2: Punt's face.

898
00:38:10,640 --> 00:38:12,439
Speaker 1: I was like, was my friend and he just jumped

899
00:38:12,440 --> 00:38:12,680
Speaker 1: on my.

900
00:38:12,680 --> 00:38:16,080
Speaker 2: Record And I was just like like, you're not supposed

901
00:38:16,080 --> 00:38:16,239
Speaker 2: to do that.

902
00:38:16,280 --> 00:38:17,400
Speaker 1: He's supposed to ask permission.

903
00:38:17,520 --> 00:38:18,680
Speaker 11: And then.

904
00:38:20,080 --> 00:38:22,920
Speaker 2: Then Cam called me, and Cam happened to be in

905
00:38:22,920 --> 00:38:26,839
Speaker 2: the city and Cam came so that all all banned

906
00:38:26,840 --> 00:38:29,279
Speaker 2: from TV happened in real life. This is not like,

907
00:38:30,800 --> 00:38:32,400
Speaker 2: this is not sending the record. You know, if you

908
00:38:32,440 --> 00:38:35,239
Speaker 2: could pay attention to how people make music now they

909
00:38:35,239 --> 00:38:37,239
Speaker 2: send the records. So you don't feel I don't get

910
00:38:37,239 --> 00:38:39,960
Speaker 2: to smell your izzy, Miaki, I don't get this to

911
00:38:39,960 --> 00:38:41,719
Speaker 2: see what watch you got on. I don't get to

912
00:38:41,719 --> 00:38:44,400
Speaker 2: feel the feeling that you was in when I'm making

913
00:38:44,400 --> 00:38:48,040
Speaker 2: my uphoria to collab with that. That's why our records

914
00:38:48,080 --> 00:38:49,960
Speaker 2: were better in the nineties. We had to be in

915
00:38:50,000 --> 00:38:51,960
Speaker 2: the studio with Buster Rohms, you had to be in

916
00:38:52,000 --> 00:38:53,560
Speaker 2: the studio with Bad Joe, you had to be in

917
00:38:53,560 --> 00:38:56,120
Speaker 2: the studio with Jada Kiss. So that's how Badroom TV happened.

918
00:38:56,120 --> 00:38:58,480
Speaker 2: It happened in real time only people that we didn't

919
00:38:58,480 --> 00:39:02,080
Speaker 2: get that day, the Locks. And I remember my first

920
00:39:02,160 --> 00:39:06,400
Speaker 2: time meeting Styles p and Jada Kiss. I hated styles

921
00:39:06,400 --> 00:39:09,000
Speaker 2: pe Wow. He took my weed and didn't share it

922
00:39:09,040 --> 00:39:09,279
Speaker 2: with me.

923
00:39:10,440 --> 00:39:11,479
Speaker 1: He asked me for weed.

924
00:39:12,400 --> 00:39:13,440
Speaker 3: I was like, yeah, but.

925
00:39:13,560 --> 00:39:17,920
Speaker 2: It was naturally back then. Pop up fast. By the way,

926
00:39:17,920 --> 00:39:19,839
Speaker 2: I'll give Styles people keys to my house right now,

927
00:39:19,880 --> 00:39:22,359
Speaker 2: so just you know. But that's how he was back

928
00:39:22,400 --> 00:39:25,280
Speaker 2: in the days. He was just very like aggressive, ignorant

929
00:39:25,280 --> 00:39:28,919
Speaker 2: and negative. His word just vegan. This saved his life.

930
00:39:28,960 --> 00:39:30,680
Speaker 2: I can see the different like I can see that

931
00:39:31,040 --> 00:39:33,719
Speaker 2: like the person. But that session was legendary too, like

932
00:39:33,800 --> 00:39:35,799
Speaker 2: you know what I mean, me and them and uh,

933
00:39:36,360 --> 00:39:38,319
Speaker 2: it was never supposed to be a post I didn't

934
00:39:38,320 --> 00:39:39,640
Speaker 2: know what it was supposed to be. To tell you

935
00:39:39,640 --> 00:39:42,120
Speaker 2: the truth, it was really meant to show nature love

936
00:39:42,160 --> 00:39:44,200
Speaker 2: you know what I'm saying because nature had just did

937
00:39:44,239 --> 00:39:46,799
Speaker 2: that for me and I wanted to do that. And

938
00:39:46,960 --> 00:39:49,320
Speaker 2: at the time, I know this sounds funny right now,

939
00:39:49,760 --> 00:39:52,280
Speaker 2: but no one knew who the guy who.

940
00:39:52,160 --> 00:39:54,520
Speaker 1: Made the beat. He was called D's nephew.

941
00:39:55,000 --> 00:39:59,440
Speaker 2: Yeah, you know who he is now big Like I

942
00:39:59,840 --> 00:40:02,160
Speaker 2: was the first one to work with Swiss beats outside

943
00:40:02,160 --> 00:40:02,840
Speaker 2: of rough Riders.

944
00:40:02,840 --> 00:40:04,319
Speaker 1: This is this is facts. You know what I mean?

945
00:40:04,320 --> 00:40:06,120
Speaker 2: You could look at you can look at when when

946
00:40:06,120 --> 00:40:08,440
Speaker 2: I when I I spoke to l L the other day,

947
00:40:08,560 --> 00:40:10,680
Speaker 2: l L said to me that I brung him for

948
00:40:10,840 --> 00:40:12,640
Speaker 2: real and he just couldn't get it.

949
00:40:12,920 --> 00:40:15,479
Speaker 1: Like I brung I had the foresight to see.

950
00:40:15,640 --> 00:40:19,000
Speaker 2: Like when I did podcast, people were like, Yo, this

951
00:40:19,080 --> 00:40:20,000
Speaker 2: guy must be broke.

952
00:40:20,400 --> 00:40:23,799
Speaker 1: Now everybody got a podcast. Now hold on now.

953
00:40:23,800 --> 00:40:26,600
Speaker 2: Because Memphis Bleak said he was the first person out

954
00:40:26,680 --> 00:40:31,080
Speaker 2: of d m X in jas Lewis say that on the.

955
00:40:31,080 --> 00:40:32,120
Speaker 3: New episode this week.

956
00:40:35,640 --> 00:40:37,440
Speaker 1: He can say whatever he wants, but.

957
00:40:37,840 --> 00:40:39,319
Speaker 2: I heard him say that he was the first girl

958
00:40:39,400 --> 00:40:41,000
Speaker 2: to work with swits outside of d m X and

959
00:40:41,080 --> 00:40:41,360
Speaker 2: jay Z.

960
00:40:41,520 --> 00:40:41,600
Speaker 10: No.

961
00:40:42,000 --> 00:40:46,160
Speaker 2: I mean, God blessed God blessed Bleak, But monsus facts

962
00:40:46,200 --> 00:40:48,520
Speaker 2: my brother, that's my brother, that's my bro. I mean

963
00:40:48,920 --> 00:40:51,759
Speaker 2: this is documented. Bathroom TV is documented. Is the first

964
00:40:51,840 --> 00:40:54,920
Speaker 2: hit outside of Rough Riders. I'm now he might have

965
00:40:55,040 --> 00:40:57,239
Speaker 2: he might have did work with him, but I'm not

966
00:40:57,239 --> 00:40:58,480
Speaker 2: sure if it's a certified hit.

967
00:40:58,520 --> 00:40:59,960
Speaker 1: You know what I'm saying. Bathroom TV is a certified

968
00:41:00,600 --> 00:41:01,279
Speaker 1: Like I know.

969
00:41:01,200 --> 00:41:03,439
Speaker 2: People who who who I grilled me in the club

970
00:41:03,480 --> 00:41:05,360
Speaker 2: when band from TV's on, they don't even know it's me.

971
00:41:06,080 --> 00:41:08,920
Speaker 2: Bak Okay, yeah, yeah, yeah, yeah yah yah. That's the

972
00:41:08,920 --> 00:41:10,480
Speaker 2: same time though, that's the same time. I give it

973
00:41:10,480 --> 00:41:12,440
Speaker 2: to bleek Or and big up to Bleak. We we

974
00:41:12,560 --> 00:41:16,000
Speaker 2: know it's on that album too. Yeah, I got that.

975
00:41:16,239 --> 00:41:17,839
Speaker 2: I got a lot of flas, I got a lot

976
00:41:17,840 --> 00:41:21,000
Speaker 2: of flax. Yes, yes, Bleak, we got Bleak. We got

977
00:41:21,160 --> 00:41:25,399
Speaker 2: drinking Champs Network through Black Effect, I heart doped thing.

978
00:41:25,719 --> 00:41:29,920
Speaker 2: We got Angela Simmons. Also, we're just wrapping hers up.

979
00:41:30,400 --> 00:41:33,399
Speaker 2: We got run Chaps, uh something. I'm very passionate about

980
00:41:33,400 --> 00:41:35,960
Speaker 2: everybody this here. They might look like hudims, they're not,

981
00:41:36,239 --> 00:41:37,719
Speaker 2: you know what I mean. These are people that I

982
00:41:37,840 --> 00:41:39,759
Speaker 2: run with. We are passionate. They wake up in the

983
00:41:39,760 --> 00:41:41,360
Speaker 2: morning with me, four thirty in the morning.

984
00:41:41,840 --> 00:41:42,240
Speaker 1: Uh.

985
00:41:42,440 --> 00:41:46,000
Speaker 2: You know, I've seen DJ Collin and like, and you know,

986
00:41:46,040 --> 00:41:47,720
Speaker 2: I see how happy he was playing golf.

987
00:41:48,719 --> 00:41:49,880
Speaker 1: Colin came up to me and said, you.

988
00:41:49,880 --> 00:41:52,000
Speaker 2: Know, your inspiration to me, And I was just like,

989
00:41:52,360 --> 00:41:53,920
Speaker 2: how could I be an aspiration to you?

990
00:41:54,080 --> 00:41:56,239
Speaker 1: Sorry, that's why, Yeah, that's why you don't give me live.

991
00:41:56,280 --> 00:41:58,120
Speaker 1: That's why. That's the reason why. Yeah, I understand.

992
00:41:58,200 --> 00:42:01,200
Speaker 2: So and I realized, you know, I wanted I needed

993
00:42:01,200 --> 00:42:02,520
Speaker 2: a hobby. Like you know what I'm saying, Like, I've

994
00:42:02,600 --> 00:42:05,440
Speaker 2: actually and this is my hobby now. Like so I

995
00:42:05,480 --> 00:42:09,719
Speaker 2: go places. I've been to Hawaii to run, I've been

996
00:42:09,760 --> 00:42:12,359
Speaker 2: to Puerto Rico to run. I've been I've gone all

997
00:42:12,400 --> 00:42:15,279
Speaker 2: over the place and I'm now I'm officially joining the

998
00:42:15,400 --> 00:42:20,439
Speaker 2: NYC Marathon. Yes, yes, so that's what twenty six point

999
00:42:20,440 --> 00:42:23,280
Speaker 2: twenty six point two miles. I don't like the five k's,

1000
00:42:23,360 --> 00:42:25,920
Speaker 2: the six k's, the ten k. We are not in dudes, Udorf,

1001
00:42:26,719 --> 00:42:29,320
Speaker 2: We're in America. We're gonna turn to this Milesay, okay,

1002
00:42:29,360 --> 00:42:31,799
Speaker 2: So with twenty six point two miles, Yes, I am

1003
00:42:31,800 --> 00:42:32,520
Speaker 2: I scared to death.

1004
00:42:32,640 --> 00:42:35,200
Speaker 1: Yes, we're still kicking it with n O R E. Lauren.

1005
00:42:35,520 --> 00:42:37,200
Speaker 18: How do you I always wondered this when I watch

1006
00:42:37,239 --> 00:42:40,160
Speaker 18: you episodes how do you drink the full episode, all

1007
00:42:40,160 --> 00:42:41,719
Speaker 18: these episodes back to back, and then you do things

1008
00:42:41,760 --> 00:42:42,719
Speaker 18: like you running and all that too.

1009
00:42:42,760 --> 00:42:45,560
Speaker 2: You still drink, of course I do. Yeah, I'm rinking.

1010
00:42:45,560 --> 00:42:47,799
Speaker 2: Say we just water right now. But what you said,

1011
00:42:47,840 --> 00:42:50,640
Speaker 2: the question is how do I do it? I believe

1012
00:42:50,680 --> 00:42:53,600
Speaker 2: it's all mental. I believe like all this and right now,

1013
00:42:53,640 --> 00:42:56,360
Speaker 2: like I'm more conscious, like you know, my my, A

1014
00:42:56,400 --> 00:42:58,840
Speaker 2: person that I look up to is Riza and Rizza.

1015
00:42:59,280 --> 00:43:01,680
Speaker 2: You know he drink saki, right he drinks a certain

1016
00:43:01,680 --> 00:43:03,759
Speaker 2: type of sake that that gets you up. So that's

1017
00:43:03,760 --> 00:43:06,080
Speaker 2: where I switched to. I switched to saki. It gives

1018
00:43:06,080 --> 00:43:08,239
Speaker 2: you no hangover and wake up in the morning. And

1019
00:43:08,239 --> 00:43:10,920
Speaker 2: I could go out because right now it's like, you know,

1020
00:43:11,040 --> 00:43:14,920
Speaker 2: I've lived this life where you know, it's a different

1021
00:43:14,920 --> 00:43:15,680
Speaker 2: type of lifestyle.

1022
00:43:15,840 --> 00:43:16,640
Speaker 1: I fell in love with this.

1023
00:43:16,719 --> 00:43:19,080
Speaker 2: I fell in love with something that don't pay me,

1024
00:43:19,560 --> 00:43:21,600
Speaker 2: you know what I'm saying, And like, you know, everything

1025
00:43:21,600 --> 00:43:24,399
Speaker 2: in life is about money, and then when you find

1026
00:43:24,400 --> 00:43:27,760
Speaker 2: that one thing, so uh, the New York City Marathon

1027
00:43:27,880 --> 00:43:31,719
Speaker 2: is probably my biggest uh gold that I'm ever like

1028
00:43:32,040 --> 00:43:34,120
Speaker 2: you and and and nothing could make me better but me.

1029
00:43:34,360 --> 00:43:37,239
Speaker 2: You know, I can never remember a time. You don't

1030
00:43:37,239 --> 00:43:40,200
Speaker 2: be running like that's your thing, Like for.

1031
00:43:40,200 --> 00:43:42,960
Speaker 1: Long time up in the morning and he jogging.

1032
00:43:43,280 --> 00:43:44,760
Speaker 15: Are you supposed to videos on your Instagram?

1033
00:43:45,320 --> 00:43:46,120
Speaker 1: I'm listening to y'all.

1034
00:43:46,160 --> 00:43:48,799
Speaker 2: You know what I'm saying, like he text us at

1035
00:43:49,000 --> 00:43:49,920
Speaker 2: the puff caase like I.

1036
00:43:49,880 --> 00:43:50,480
Speaker 3: Ain't gonna lie.

1037
00:43:51,560 --> 00:43:52,520
Speaker 15: I'm supposed to be on my way.

1038
00:43:52,560 --> 00:43:53,120
Speaker 1: What did I tell you?

1039
00:43:53,239 --> 00:43:54,880
Speaker 2: I said, I can help my information from you. Like

1040
00:43:55,280 --> 00:43:57,400
Speaker 2: everything I know about the Puffcakes, I get it from you.

1041
00:43:57,480 --> 00:43:59,520
Speaker 18: So everything I know about a lot of the hip

1042
00:43:59,520 --> 00:44:04,600
Speaker 18: hop stories, I get it from you.

1043
00:44:04,880 --> 00:44:08,680
Speaker 1: All these things you backrapping? Nor sent me a record

1044
00:44:08,719 --> 00:44:10,520
Speaker 1: the other day. Yes, I don't listened to you. I

1045
00:44:10,560 --> 00:44:12,120
Speaker 1: was like, and was the first thing he saidlot, send

1046
00:44:12,120 --> 00:44:13,879
Speaker 1: your record. I said, you're back rapping. You know what?

1047
00:44:14,600 --> 00:44:16,879
Speaker 1: I'm rapping on my time? You know what I'm saying.

1048
00:44:17,760 --> 00:44:19,160
Speaker 2: One of the one of the one of the worst

1049
00:44:19,360 --> 00:44:21,719
Speaker 2: feelings I ever got, I ever did, was, you know,

1050
00:44:21,760 --> 00:44:23,480
Speaker 2: getting a whole bunch of money from Melvin Flint the

1051
00:44:23,600 --> 00:44:26,400
Speaker 2: Hustler album and then having to make it after you know,

1052
00:44:26,560 --> 00:44:29,920
Speaker 2: Pun passed away and my father passed away. My mind

1053
00:44:29,960 --> 00:44:32,440
Speaker 2: wasn't dead, but I got all this money, right, so

1054
00:44:32,560 --> 00:44:37,000
Speaker 2: I had to like deliver, so I always regretted that.

1055
00:44:37,040 --> 00:44:39,360
Speaker 2: So there's people who love the Melvin Flint Apple album

1056
00:44:39,400 --> 00:44:42,480
Speaker 2: that people like. Every day I'm going through the airport

1057
00:44:42,520 --> 00:44:43,400
Speaker 2: and somebody's.

1058
00:44:43,000 --> 00:44:44,960
Speaker 1: Like, why would you say that about Melvin Flick.

1059
00:44:44,920 --> 00:44:48,440
Speaker 2: And you know, whatever I want now, I want to

1060
00:44:48,480 --> 00:44:50,040
Speaker 2: make music on my time. Like I got to see

1061
00:44:50,080 --> 00:44:53,360
Speaker 2: me the other day, not in person, but on the internet,

1062
00:44:53,400 --> 00:44:55,120
Speaker 2: and he was like, I finally own one hundred percent

1063
00:44:55,880 --> 00:44:59,280
Speaker 2: of of my catalog and a lot of people don't understand,

1064
00:45:00,080 --> 00:45:02,920
Speaker 2: like he was crying out like he was. He was

1065
00:45:03,000 --> 00:45:06,560
Speaker 2: he was venting, and I now own one hundred percent

1066
00:45:06,600 --> 00:45:08,719
Speaker 2: of everything I do. You know what I'm saying. But

1067
00:45:09,560 --> 00:45:14,080
Speaker 2: at certain points, like like so I want to I

1068
00:45:14,160 --> 00:45:16,480
Speaker 2: know this is gonna sound crazy, especially you had Dame

1069
00:45:16,560 --> 00:45:20,279
Speaker 2: Dash up here speaking the opposite, But sometimes I want

1070
00:45:20,280 --> 00:45:21,719
Speaker 2: to work for somebody.

1071
00:45:21,880 --> 00:45:24,560
Speaker 1: Being a boss is hard, bro, But it ain't nothing

1072
00:45:24,600 --> 00:45:25,839
Speaker 1: wrong with that. That's what we were saying.

1073
00:45:25,880 --> 00:45:29,640
Speaker 13: You could have multiple jobs and multiple things.

1074
00:45:29,760 --> 00:45:32,799
Speaker 1: I love employees, I love working for love and hip hop.

1075
00:45:32,960 --> 00:45:36,200
Speaker 2: I just didn't give them the throwing a candle and

1076
00:45:36,239 --> 00:45:38,279
Speaker 2: you know, you know, throwing drinks in the figure. I

1077
00:45:38,280 --> 00:45:40,480
Speaker 2: ain't giving no drama. So they ain't we hired me.

1078
00:45:40,680 --> 00:45:44,040
Speaker 2: But I love that. If I don't show up for work,

1079
00:45:44,440 --> 00:45:46,839
Speaker 2: then sometimes work don't happen. Right, You know what I'm saying.

1080
00:45:46,840 --> 00:45:51,360
Speaker 2: I don't like being the picture adding the catcher.

1081
00:45:51,120 --> 00:45:53,719
Speaker 1: The album was it just release singles when you want.

1082
00:45:53,760 --> 00:45:55,520
Speaker 1: I'm gonna pay attention to the algorithms.

1083
00:45:55,880 --> 00:45:58,680
Speaker 2: You understand I'm saying, like right now, we like right now,

1084
00:45:59,520 --> 00:46:01,760
Speaker 2: I can I could an artists could come to drink Champs.

1085
00:46:01,800 --> 00:46:01,960
Speaker 3: Right.

1086
00:46:02,040 --> 00:46:04,520
Speaker 1: I suppose lu Wayne came to drink Champs. I could

1087
00:46:04,520 --> 00:46:06,640
Speaker 1: actually see his algorithms and I could tell him where

1088
00:46:06,640 --> 00:46:07,399
Speaker 1: he could go on tour.

1089
00:46:08,239 --> 00:46:11,120
Speaker 2: I could be like, stop going to Milwaukee, Bro, you

1090
00:46:11,239 --> 00:46:14,360
Speaker 2: got two fans in Milwaukee, why are you even there?

1091
00:46:15,120 --> 00:46:19,560
Speaker 2: Go to Seattle, Go to Utah, go to Phoenix. Like

1092
00:46:19,600 --> 00:46:22,360
Speaker 2: I can look at the algorithms. I can see exactly

1093
00:46:22,400 --> 00:46:25,200
Speaker 2: like this. This is the time where we should take

1094
00:46:25,239 --> 00:46:28,000
Speaker 2: advantage of having this information. You know what I'm saying.

1095
00:46:28,080 --> 00:46:30,239
Speaker 2: Now we know now, remember remember back in the days

1096
00:46:30,320 --> 00:46:31,800
Speaker 2: used to go on tour. I'm sorry it sound like

1097
00:46:31,840 --> 00:46:33,120
Speaker 2: the old guy, but you know when back in the

1098
00:46:33,160 --> 00:46:35,680
Speaker 2: days you go on tour, you used to go to Delaware.

1099
00:46:35,920 --> 00:46:39,120
Speaker 2: When when your fans are in Philly, Big up to Delaware.

1100
00:46:39,160 --> 00:46:42,080
Speaker 2: You know what I'm saying, Big up to Delaware, but actually.

1101
00:46:41,840 --> 00:46:45,440
Speaker 1: Used to go to Delaware. Okay, okay, it is, but

1102
00:46:45,520 --> 00:46:46,480
Speaker 1: that was my preference.

1103
00:46:46,680 --> 00:46:49,000
Speaker 15: Yes, that's my.

1104
00:46:48,960 --> 00:46:50,480
Speaker 1: That was my preference. You know what I'm saying.

1105
00:46:50,560 --> 00:46:53,920
Speaker 2: But sometimes during the algorithms, just say, okay, yeah, you

1106
00:46:53,920 --> 00:46:56,640
Speaker 2: know what, after Delaware you gotta go to Baltimore, skip

1107
00:46:56,800 --> 00:46:58,360
Speaker 2: Virginia or or.

1108
00:46:58,320 --> 00:46:58,839
Speaker 1: You know what I mean.

1109
00:46:58,880 --> 00:47:01,040
Speaker 2: But right now you can actually see the algorithms. And

1110
00:47:01,120 --> 00:47:02,799
Speaker 2: I think this is the cheat code. I think it's

1111
00:47:02,840 --> 00:47:05,080
Speaker 2: the cheat cold for everybody because I did it for

1112
00:47:05,239 --> 00:47:08,480
Speaker 2: artists recent leading and I was just like, yo, I

1113
00:47:08,480 --> 00:47:11,120
Speaker 2: don't think you should go here here here, you don't

1114
00:47:11,120 --> 00:47:13,960
Speaker 2: have you don't have no movement there. And I think

1115
00:47:14,000 --> 00:47:16,279
Speaker 2: that I think that artists would take advantage of that.

1116
00:47:16,320 --> 00:47:17,839
Speaker 2: I think a few years ago you had to hit

1117
00:47:17,880 --> 00:47:18,960
Speaker 2: record that joint with Pharrell.

1118
00:47:20,120 --> 00:47:22,799
Speaker 1: It's crazy. I just, I just, I just I'm going

1119
00:47:22,840 --> 00:47:24,240
Speaker 1: to see Pharrell in Paris.

1120
00:47:24,280 --> 00:47:26,239
Speaker 2: I don't even know, like, I don't even know what

1121
00:47:26,800 --> 00:47:29,880
Speaker 2: me and me and Farre have nothing in common but music,

1122
00:47:32,200 --> 00:47:34,759
Speaker 2: and that sounds how dope music is, right, Just think

1123
00:47:34,800 --> 00:47:37,000
Speaker 2: about it like you like if I.

1124
00:47:36,920 --> 00:47:38,560
Speaker 1: Think of all Pharrell rap friends.

1125
00:47:38,560 --> 00:47:40,960
Speaker 2: Though to me, they don't have nothing in common like

1126
00:47:41,440 --> 00:47:45,000
Speaker 2: the outside of Virginia. No, they got common. They dressed,

1127
00:47:45,000 --> 00:47:48,560
Speaker 2: they they wear bell bottoms together. You know what I'm saying, Like, yeah,

1128
00:47:48,560 --> 00:47:51,719
Speaker 2: they you know what I'm saying, Like, yeah, they they

1129
00:47:52,040 --> 00:47:53,920
Speaker 2: they they come out to me. Me and Fharrell have

1130
00:47:54,080 --> 00:47:57,040
Speaker 2: a beautiful like when we get together, we talk straight

1131
00:47:57,120 --> 00:47:59,480
Speaker 2: music and I love that. At first I thought it

1132
00:47:59,520 --> 00:48:01,719
Speaker 2: was awkward, but the elder I get, I was like, Yo,

1133
00:48:01,760 --> 00:48:02,520
Speaker 2: you know what that is?

1134
00:48:02,600 --> 00:48:02,920
Speaker 9: That is?

1135
00:48:03,000 --> 00:48:03,600
Speaker 1: That is dope.

1136
00:48:03,640 --> 00:48:06,080
Speaker 2: You know what I'm saying, Like that's dope, and like

1137
00:48:06,080 --> 00:48:08,239
Speaker 2: I don't get none of this Louis guitar for free Man,

1138
00:48:08,560 --> 00:48:10,160
Speaker 2: Like you know what I'm saying, Like I'm I'm trying

1139
00:48:10,160 --> 00:48:12,160
Speaker 2: to work my angle. I want to meet Bernard although

1140
00:48:12,440 --> 00:48:13,680
Speaker 2: you know what I'm saying, I want to do that,

1141
00:48:13,719 --> 00:48:16,920
Speaker 2: but I'm gonna go out there. I'm going to in Paris. Uh.

1142
00:48:16,960 --> 00:48:18,680
Speaker 2: He got a whole different sound. And when he makes

1143
00:48:18,920 --> 00:48:21,920
Speaker 2: a different sound, I usually go out there and I'm

1144
00:48:21,960 --> 00:48:23,160
Speaker 2: a part of that new wave of.

1145
00:48:23,200 --> 00:48:25,360
Speaker 15: Sounds record and did some more music.

1146
00:48:25,480 --> 00:48:26,000
Speaker 1: Yeah.

1147
00:48:26,719 --> 00:48:32,360
Speaker 2: I like Paris anyway, I like Long Shade. Let's like

1148
00:48:32,360 --> 00:48:36,560
Speaker 2: the man man fancy way of saying manhattanough Paris.

1149
00:48:36,600 --> 00:48:38,840
Speaker 1: We're still kicking it with N O R E. Charlamagne.

1150
00:48:39,080 --> 00:48:40,719
Speaker 2: Let's do a Q and A like you do on Dreams.

1151
00:48:40,800 --> 00:48:44,880
Speaker 2: Let's go I'm in quick time right now to Jim Jones.

1152
00:48:45,120 --> 00:48:47,520
Speaker 2: Let me tell you something, and I'm gonna say this accurately.

1153
00:48:48,080 --> 00:48:50,120
Speaker 2: I see where Jim Jones is coming from, like I

1154
00:48:50,120 --> 00:48:52,600
Speaker 2: can see him because if you're looking at the algorithms, now,

1155
00:48:52,640 --> 00:48:54,800
Speaker 2: I can see where he's coming from. But you can't

1156
00:48:54,800 --> 00:48:57,839
Speaker 2: take the legendary status that what ill Matic has done

1157
00:48:57,960 --> 00:49:03,520
Speaker 2: just Illmatic, Illmatic itself has birthed mob Deep, has birthed

1158
00:49:03,719 --> 00:49:08,080
Speaker 2: Component Noriega, has birthed so many other people like just

1159
00:49:08,200 --> 00:49:11,200
Speaker 2: that album, and you can't. And that time was the

1160
00:49:11,320 --> 00:49:14,719
Speaker 2: tougher time for you to be noticed. So that's the

1161
00:49:14,760 --> 00:49:17,319
Speaker 2: reason why. But I understand where Jim is coming from.

1162
00:49:17,360 --> 00:49:20,279
Speaker 2: I understand his stass. Do you understand that that the

1163
00:49:20,480 --> 00:49:21,239
Speaker 2: kids know him?

1164
00:49:21,280 --> 00:49:23,759
Speaker 1: Now, I say, I'm gonna tell you them. I looked

1165
00:49:23,800 --> 00:49:25,399
Speaker 1: up there. I looked it up, like I did.

1166
00:49:25,520 --> 00:49:27,720
Speaker 2: I looked it up to see like who gets searched

1167
00:49:27,800 --> 00:49:32,000
Speaker 2: more in two ty twenty five, it's still nots. I

1168
00:49:32,160 --> 00:49:34,720
Speaker 2: give you the numbers right now, and this is based

1169
00:49:34,760 --> 00:49:36,560
Speaker 2: off Google. Hold on, I was just looking at this

1170
00:49:36,680 --> 00:49:39,439
Speaker 2: the other day and it's still NAS by long shot.

1171
00:49:39,760 --> 00:49:42,359
Speaker 2: It's hard to beat NAS. Okay, Streaming wise, NAS has

1172
00:49:42,400 --> 00:49:45,680
Speaker 2: about nine point one million monthly Spotify listeners, while Jim

1173
00:49:45,840 --> 00:49:48,200
Speaker 2: Jones clocks in around eight hundred and seventy five thousand

1174
00:49:48,840 --> 00:49:49,239
Speaker 2: gym music.

1175
00:49:49,320 --> 00:49:52,920
Speaker 1: But don't for the Google search. This is the Google

1176
00:49:53,080 --> 00:49:54,080
Speaker 1: based searches.

1177
00:49:54,560 --> 00:49:57,480
Speaker 2: NAS gets between two hundred and three hundred thousand searches

1178
00:49:57,800 --> 00:49:59,040
Speaker 2: a month globally.

1179
00:49:59,400 --> 00:50:01,760
Speaker 1: Jim Jones gets forty to seventy thousand searches.

1180
00:50:02,640 --> 00:50:04,279
Speaker 2: I'm gonna be honest with you, all right, we all

1181
00:50:04,400 --> 00:50:07,080
Speaker 2: know that that NAHS wins. But listen the fact that

1182
00:50:07,239 --> 00:50:10,040
Speaker 2: we're even having this conversation, that's a win for Jim Jones.

1183
00:50:10,080 --> 00:50:12,080
Speaker 1: And that's what I was saying. That's a win Jake knows. Like,

1184
00:50:12,200 --> 00:50:13,040
Speaker 1: let me just tell you something.

1185
00:50:13,320 --> 00:50:15,759
Speaker 2: I'm a Floyd Mayweather fan, right, I'm talking about I

1186
00:50:15,840 --> 00:50:18,040
Speaker 2: think he's better than Muhammad Ali. Right, this is me, Right,

1187
00:50:18,400 --> 00:50:22,480
Speaker 2: I get argued people, but whenever Floyd fights somebody that night,

1188
00:50:22,880 --> 00:50:25,400
Speaker 2: they're on the same level as Floyd. So that's the

1189
00:50:25,440 --> 00:50:29,120
Speaker 2: reason why I hate when Floyd taking these exhibition fights because.

1190
00:50:28,880 --> 00:50:30,040
Speaker 1: I'm sitting there as a fan.

1191
00:50:30,719 --> 00:50:33,000
Speaker 2: I don't want Jake Paul to touch my favorite fighter,

1192
00:50:33,160 --> 00:50:34,719
Speaker 2: like I don't want I don't want him to have

1193
00:50:34,760 --> 00:50:35,399
Speaker 2: a lucky shot.

1194
00:50:35,480 --> 00:50:37,400
Speaker 1: But you do know, and Floyd Maywell, how do you

1195
00:50:37,480 --> 00:50:40,799
Speaker 1: turn down thirty forty million? Yeah, exhibition to turn down.

1196
00:50:40,719 --> 00:50:42,719
Speaker 2: Thirty forty million, But I know the turn But so

1197
00:50:43,719 --> 00:50:45,879
Speaker 2: my point of trying to say is by us even

1198
00:50:45,960 --> 00:50:48,239
Speaker 2: comparing it, that's a that's a win for Jim Jones.

1199
00:50:48,280 --> 00:50:50,560
Speaker 2: Like I seen Jim Jones in the beginning, Like I

1200
00:50:50,600 --> 00:50:54,560
Speaker 2: got footage of Jim Jones and Cameron. I was filming

1201
00:50:54,680 --> 00:50:58,919
Speaker 2: a pre to drink Champs. I have a documentary called

1202
00:50:58,920 --> 00:51:00,960
Speaker 2: What What. I still have all the footage, and Jim

1203
00:51:01,040 --> 00:51:01,640
Speaker 2: Jones was out.

1204
00:51:02,920 --> 00:51:05,279
Speaker 1: It's on the internet. You could google this. It's called

1205
00:51:05,320 --> 00:51:10,200
Speaker 1: what Trailer And Jim Jones is out and Cam.

1206
00:51:10,080 --> 00:51:12,080
Speaker 2: And you're sitting there and Kim Jones like, I don't

1207
00:51:12,120 --> 00:51:14,000
Speaker 2: I don't even spend money on weed, you know what

1208
00:51:14,040 --> 00:51:17,080
Speaker 2: I mean? I buy five Nichols with a twenty dollars

1209
00:51:17,320 --> 00:51:19,480
Speaker 2: And you look at that person, to the person that

1210
00:51:19,600 --> 00:51:23,320
Speaker 2: he is, now this man won man just one and

1211
00:51:23,480 --> 00:51:25,640
Speaker 2: I'm talking about you got to take him serious, like

1212
00:51:25,960 --> 00:51:28,400
Speaker 2: he was a hype man, a hype man person that

1213
00:51:28,560 --> 00:51:31,400
Speaker 2: was back in to where he is now. I think

1214
00:51:31,480 --> 00:51:33,239
Speaker 2: that's an accomplishment. I think that's what we should we

1215
00:51:33,280 --> 00:51:35,759
Speaker 2: should be celebrating. I hate in our culture that we

1216
00:51:35,840 --> 00:51:38,920
Speaker 2: have to compare like me personally, I don't do that

1217
00:51:39,040 --> 00:51:40,759
Speaker 2: on Quick Time with Slime no more. But I was

1218
00:51:40,840 --> 00:51:44,440
Speaker 2: forced to take out uh, Nicki Minaj and Cardi B

1219
00:51:44,960 --> 00:51:48,000
Speaker 2: because people I'm talking about the fans were complaining not

1220
00:51:48,600 --> 00:51:52,719
Speaker 2: their camps. Their camps were too, but the fans were like, yo,

1221
00:51:53,160 --> 00:51:55,279
Speaker 2: it's it's looks like both of them.

1222
00:51:55,360 --> 00:51:58,800
Speaker 1: Yeah, and truth, I like both of them, Like I

1223
00:51:59,080 --> 00:52:01,160
Speaker 1: am a Kendrick Lamar. If you like both of them,

1224
00:52:01,200 --> 00:52:06,520
Speaker 1: you can have a preference. Yeah, right now you feel

1225
00:52:06,560 --> 00:52:08,560
Speaker 1: like if you play Kendrick Lamar, you gotta throw away

1226
00:52:08,600 --> 00:52:10,440
Speaker 1: your Drake CD. That's messed up.

1227
00:52:10,560 --> 00:52:13,040
Speaker 2: I've never been a Drake Like, even though y'all got

1228
00:52:13,040 --> 00:52:17,360
Speaker 2: a funny relationship, you should be too, right, Like.

1229
00:52:17,400 --> 00:52:19,480
Speaker 1: When I'm in the club, I listen to Drake, but

1230
00:52:19,880 --> 00:52:21,319
Speaker 1: if I'm in the car, I could listen to Kendrick.

1231
00:52:21,360 --> 00:52:24,359
Speaker 1: That doesn't mean I listen to Drake in the car.

1232
00:52:24,480 --> 00:52:26,680
Speaker 1: And I like Kendrick in the club. But you can

1233
00:52:26,760 --> 00:52:28,480
Speaker 1: listen to whatever you want, but you can still like

1234
00:52:28,520 --> 00:52:30,120
Speaker 1: both of them. I like both of them, like I

1235
00:52:30,200 --> 00:52:31,480
Speaker 1: don't like you got.

1236
00:52:31,400 --> 00:52:35,560
Speaker 2: Purposes And if I give you two people, it's somebody

1237
00:52:35,640 --> 00:52:38,120
Speaker 2: you probably like more. Yes, of course, of course, But

1238
00:52:38,560 --> 00:52:41,319
Speaker 2: but I do like both like you know what I'm saying, Like, yes,

1239
00:52:41,480 --> 00:52:45,200
Speaker 2: I like I like pistachio more than I like vanilla exactly.

1240
00:52:45,360 --> 00:52:46,200
Speaker 1: But guess what if you.

1241
00:52:46,200 --> 00:52:48,319
Speaker 2: Give me up another ice cream and nobody looking, I'm

1242
00:52:48,360 --> 00:52:50,000
Speaker 2: gonna hate that, you know what I'm saying.

1243
00:52:50,160 --> 00:52:51,640
Speaker 1: I'm not gonna get playing. But let me ask you

1244
00:52:51,760 --> 00:52:55,080
Speaker 1: the quick slide. Let's go diddy guilty and not guilty. Damn.

1245
00:52:55,880 --> 00:52:58,480
Speaker 1: You know what, I'm gonna leave that in the You

1246
00:52:58,560 --> 00:53:00,279
Speaker 1: know what I mean. I could take you this.

1247
00:53:01,120 --> 00:53:03,400
Speaker 2: I got to tell you from my experience, right, you know,

1248
00:53:04,000 --> 00:53:05,839
Speaker 2: you know me and you know each other twenty twenty

1249
00:53:05,960 --> 00:53:08,239
Speaker 2: seven years. There's people who can say, man, I don't

1250
00:53:08,280 --> 00:53:10,520
Speaker 2: I don't Envy, right. I can't say that to them,

1251
00:53:10,560 --> 00:53:11,680
Speaker 2: you know what I'm saying. Me and Vy have a

1252
00:53:11,760 --> 00:53:14,879
Speaker 2: separate relationship. All I can say is when I've ever

1253
00:53:14,960 --> 00:53:18,320
Speaker 2: been around, and I've been around quite some time, you know,

1254
00:53:18,400 --> 00:53:20,960
Speaker 2: I got my I'm married. I've been married sixteen years,

1255
00:53:21,120 --> 00:53:23,680
Speaker 2: so maybe I was never really around that.

1256
00:53:23,880 --> 00:53:24,759
Speaker 1: But I've never saw it.

1257
00:53:25,520 --> 00:53:27,800
Speaker 2: You know, I've never saw this monster that they described

1258
00:53:29,160 --> 00:53:31,200
Speaker 2: when I hear the testimony, because I got ears and

1259
00:53:31,280 --> 00:53:32,480
Speaker 2: I got Q tips, so.

1260
00:53:34,239 --> 00:53:34,680
Speaker 3: I hear it.

1261
00:53:35,320 --> 00:53:37,880
Speaker 1: Some of this be like whoa, and then some of it.

1262
00:53:38,000 --> 00:53:40,840
Speaker 1: I'm like, nah, but I don't know you've seen the

1263
00:53:40,880 --> 00:53:44,719
Speaker 1: freaky first I've never seen. I've really just like you

1264
00:53:44,880 --> 00:53:52,120
Speaker 1: every day. Every day when you look back at that

1265
00:53:53,480 --> 00:53:53,920
Speaker 1: we saw it?

1266
00:53:54,320 --> 00:53:55,720
Speaker 11: You ready.

1267
00:53:57,640 --> 00:54:00,720
Speaker 1: Ready for this? I've been waiting to see this story. Okay, Okay,

1268
00:54:00,840 --> 00:54:05,120
Speaker 1: let's party party? Yeah yeah, okay, you mean he wants

1269
00:54:05,120 --> 00:54:06,160
Speaker 1: to play it the refreshmentory.

1270
00:54:06,160 --> 00:54:07,880
Speaker 3: Why want you to party with me for your birthday?

1271
00:54:08,000 --> 00:54:11,320
Speaker 1: Man, we party for my birthday before you came to

1272
00:54:11,400 --> 00:54:14,120
Speaker 1: my party. No, but me and you ain't never really party.

1273
00:54:14,160 --> 00:54:16,080
Speaker 1: You know what I'm saying. I see it every time

1274
00:54:16,120 --> 00:54:16,399
Speaker 1: it goes.

1275
00:54:17,920 --> 00:54:19,440
Speaker 2: Yes, I look at it too, and I watched the

1276
00:54:19,480 --> 00:54:23,840
Speaker 2: whole too. So all right, here's what happened, Fab and Jada.

1277
00:54:24,239 --> 00:54:28,160
Speaker 2: Fab's first freestyle you ever heard? Fab is with me like,

1278
00:54:28,239 --> 00:54:30,160
Speaker 2: so I basically put Fab on like in a good way.

1279
00:54:30,160 --> 00:54:31,920
Speaker 2: I'm playing around. I always say that to him. It's

1280
00:54:31,960 --> 00:54:34,640
Speaker 2: a joke, but it's not actually like, if I could

1281
00:54:34,680 --> 00:54:36,600
Speaker 2: have I was the hottest dude in New York at

1282
00:54:36,640 --> 00:54:39,239
Speaker 2: that time. Clue asked me, can I have my dude

1283
00:54:39,320 --> 00:54:41,759
Speaker 2: Sport come up? And I was like Sport. He was

1284
00:54:41,840 --> 00:54:44,160
Speaker 2: like Sport and I was like, that's a dope name, Sport.

1285
00:54:44,560 --> 00:54:46,120
Speaker 2: His name is fabulous Sport in my line.

1286
00:54:46,400 --> 00:54:47,440
Speaker 1: So we did.

1287
00:54:47,560 --> 00:54:50,200
Speaker 2: So what I'm saying is me and Fabs have a

1288
00:54:50,239 --> 00:54:52,920
Speaker 2: great relationship. Me and Jada has a great relationship.

1289
00:54:53,040 --> 00:54:53,480
Speaker 1: Drink chats.

1290
00:54:53,600 --> 00:54:55,040
Speaker 2: We're hot at the time. You got a budget to

1291
00:54:55,080 --> 00:54:57,680
Speaker 2: fly around. We're using the revote budget up to revolt

1292
00:54:58,160 --> 00:54:59,879
Speaker 2: everybody there. Thank you'all for holding us down.

1293
00:55:00,040 --> 00:55:02,239
Speaker 1: So they're in LA. We fly to l A.

1294
00:55:02,719 --> 00:55:06,320
Speaker 2: E f N misses his flight off, I forget what happens. Boom,

1295
00:55:06,960 --> 00:55:11,400
Speaker 2: Jada kissing them are on their promo run. I like

1296
00:55:11,520 --> 00:55:14,640
Speaker 2: the creative person that I thought I was being. I

1297
00:55:14,760 --> 00:55:17,240
Speaker 2: messed up, but I tried. I thought I was being creative.

1298
00:55:17,840 --> 00:55:20,040
Speaker 2: I hip hop, and I was like, yo, they're doing

1299
00:55:21,040 --> 00:55:23,279
Speaker 2: a whole press run. That was for the fab being

1300
00:55:24,320 --> 00:55:26,479
Speaker 2: kiss out. They're doing the whole press rue. What could

1301
00:55:26,560 --> 00:55:29,839
Speaker 2: our what could make ours different you come to the show.

1302
00:55:30,200 --> 00:55:32,280
Speaker 2: So he's like, all right, cool is Goooby Loo birthday.

1303
00:55:32,440 --> 00:55:36,360
Speaker 2: We're gonna go celebrate with y'all. Now that part you forget.

1304
00:55:36,760 --> 00:55:39,720
Speaker 2: That's why the candles was there. It was Boody Loop birthday,

1305
00:55:39,719 --> 00:55:43,280
Speaker 2: who is a Rastafarian, the furthest thing from anything.

1306
00:55:43,400 --> 00:55:44,120
Speaker 1: Fight r.

1307
00:55:46,080 --> 00:55:49,880
Speaker 2: Fab, Jada, Kiss and Dinny arrived at the same time. Remember,

1308
00:55:50,000 --> 00:55:54,920
Speaker 2: Diddy's a surprise. So my friend mister Lee, who's who

1309
00:55:55,040 --> 00:55:55,840
Speaker 2: is Dominican?

1310
00:55:56,719 --> 00:55:59,960
Speaker 1: What's his slang? Dotty, your dotty, your dotty?

1311
00:56:00,160 --> 00:56:02,000
Speaker 2: Hey he talking Dominicans because they didn't They don't want

1312
00:56:02,040 --> 00:56:03,319
Speaker 2: to say poppy Boppy is a.

1313
00:56:03,280 --> 00:56:06,080
Speaker 1: Puerto Rican thing. You undert what I'm saying. So he

1314
00:56:06,160 --> 00:56:08,040
Speaker 1: sees Diddy. He say, oh, Dotty, you gotta put you

1315
00:56:08,080 --> 00:56:09,920
Speaker 1: over here, dotty because we got we got.

1316
00:56:10,360 --> 00:56:12,759
Speaker 2: We don't want them to see it. So Diddy got

1317
00:56:12,800 --> 00:56:14,879
Speaker 2: that in his head. Now Doddy, Now he's just kidd

1318
00:56:14,960 --> 00:56:17,239
Speaker 2: Doddy Doddy. He thinks that's what we're saying. No, it's

1319
00:56:17,280 --> 00:56:19,160
Speaker 2: not what we're saying. This is what mister Lee is saying.

1320
00:56:19,360 --> 00:56:23,160
Speaker 1: That's it, that's it. So so we walk over and

1321
00:56:23,239 --> 00:56:26,160
Speaker 1: he goes, yo, what's up, Doddy? You up immediately, Yes,

1322
00:56:26,239 --> 00:56:26,880
Speaker 1: it does all right.

1323
00:56:26,920 --> 00:56:29,759
Speaker 2: Cool, But here's what y'all don't know. When he's saying

1324
00:56:29,800 --> 00:56:32,080
Speaker 2: to Fabulous, yo, why did't you party me no more?

1325
00:56:32,160 --> 00:56:33,560
Speaker 2: Look at us in front of Fabulous.

1326
00:56:34,239 --> 00:56:35,040
Speaker 1: That's not a rock.

1327
00:56:35,600 --> 00:56:39,759
Speaker 2: Fabulous had a whole coco loso, but Diddy. So when

1328
00:56:39,760 --> 00:56:43,799
Speaker 2: I'm inviting Diddy to co host, he has a whole

1329
00:56:43,880 --> 00:56:46,799
Speaker 2: other thing. He's coming at fab why you're not drinking

1330
00:56:47,400 --> 00:56:49,600
Speaker 2: no more? That's what he's saying, why we don't party

1331
00:56:49,680 --> 00:56:51,880
Speaker 2: no more? And look he's pointing at it. He's like,

1332
00:56:52,239 --> 00:56:55,680
Speaker 2: and fab if you look, Fabius almost trying to throw

1333
00:56:55,719 --> 00:56:58,400
Speaker 2: the voko away because he's like and you know, he

1334
00:56:58,480 --> 00:57:01,360
Speaker 2: had a deal. So that's really what that was about. Like,

1335
00:57:01,440 --> 00:57:03,640
Speaker 2: that's what And the daddy part came from mister Lee

1336
00:57:04,160 --> 00:57:07,800
Speaker 2: and you know, hold on, there was more to that.

1337
00:57:10,239 --> 00:57:19,280
Speaker 2: He said, I like it when you scrambling and scrambling

1338
00:57:19,960 --> 00:57:20,920
Speaker 2: that what I can't I can't.

1339
00:57:21,000 --> 00:57:24,920
Speaker 1: I know, I was, I was, I was off to.

1340
00:57:25,280 --> 00:57:26,640
Speaker 1: I was throwing off to And you know what's the

1341
00:57:26,680 --> 00:57:29,640
Speaker 1: crazy thing about it. You know, I was sitting on

1342
00:57:29,680 --> 00:57:32,440
Speaker 1: the editing floor and he was like, keep all that in.

1343
00:57:32,720 --> 00:57:37,280
Speaker 2: I was like, I was like, you know what, Well,

1344
00:57:37,320 --> 00:57:39,120
Speaker 2: I really wish I would have edited it was the

1345
00:57:39,200 --> 00:57:43,400
Speaker 2: Kanye now that you know, we didn't edit nothing until

1346
00:57:43,440 --> 00:57:48,480
Speaker 2: then until then, But Kanye's was very weird, like because

1347
00:57:48,480 --> 00:57:51,560
Speaker 2: I had never got third what is it second grade,

1348
00:57:51,800 --> 00:57:55,400
Speaker 2: second hand second hand hate? I got second I got

1349
00:57:55,480 --> 00:57:59,200
Speaker 2: second hand hate or so yeah, but that that's that's, that's, that's,

1350
00:57:59,400 --> 00:58:01,760
Speaker 2: that's that's We're still kicking it with N. O. R. E.

1351
00:58:02,080 --> 00:58:04,760
Speaker 2: Charlamagne and the Didny thing is interesting, like I don't

1352
00:58:04,880 --> 00:58:07,200
Speaker 2: I don't know whether he's guilty or not, but that

1353
00:58:07,360 --> 00:58:09,320
Speaker 2: interview was classic before that classic.

1354
00:58:11,200 --> 00:58:15,480
Speaker 1: I played it for him when he was ye, yes,

1355
00:58:16,000 --> 00:58:16,440
Speaker 1: I saw that.

1356
00:58:17,000 --> 00:58:19,480
Speaker 2: I mean, you know, that's that's been a that's been

1357
00:58:19,520 --> 00:58:22,160
Speaker 2: a dope thing about drink Champs. It's like I get

1358
00:58:22,200 --> 00:58:25,920
Speaker 2: to to make mistakes in front the fans live like

1359
00:58:26,040 --> 00:58:28,440
Speaker 2: in real time, and they robbing me, like you know

1360
00:58:28,440 --> 00:58:30,080
Speaker 2: what I mean, don't get it twisted. I love the

1361
00:58:30,160 --> 00:58:34,480
Speaker 2: hate though, too. I love ballance because I've lived my

1362
00:58:34,560 --> 00:58:39,040
Speaker 2: whole career where you know, you know, people have my

1363
00:58:39,160 --> 00:58:42,240
Speaker 2: back and you know, just to see like it's it's

1364
00:58:42,280 --> 00:58:43,960
Speaker 2: a balance to this, you know what I mean, Like

1365
00:58:44,440 --> 00:58:47,360
Speaker 2: I'm with it because but that's why I love I

1366
00:58:47,520 --> 00:58:50,040
Speaker 2: enjoy doing what we're doing with run Champs. It's like

1367
00:58:50,080 --> 00:58:51,920
Speaker 2: it's all positivity, Like this is the only time I

1368
00:58:51,960 --> 00:58:52,680
Speaker 2: could post something.

1369
00:58:53,360 --> 00:58:55,640
Speaker 1: That's when somebody would always say something you run slow.

1370
00:58:57,640 --> 00:59:01,120
Speaker 2: Then was interesting too, though, because it's like you're not

1371
00:59:01,280 --> 00:59:03,760
Speaker 2: responsible for what comes out of Kanye's mouth.

1372
00:59:04,400 --> 00:59:06,440
Speaker 1: You're just you're a platform, you're a host.

1373
00:59:06,600 --> 00:59:10,600
Speaker 2: Yeah, but I felt responsible, you know why when when

1374
00:59:10,640 --> 00:59:13,760
Speaker 2: I found out that George Floyd people's didn't like it,

1375
00:59:14,600 --> 00:59:18,080
Speaker 2: I felt responsible because and by the way, God bless me,

1376
00:59:18,680 --> 00:59:21,640
Speaker 2: I've never said this before, but this parts that we

1377
00:59:21,840 --> 00:59:24,640
Speaker 2: edited it, Like there is actually parts that we did edit,

1378
00:59:25,120 --> 00:59:29,640
Speaker 2: like he compared I said, he compared George Floyd to

1379
00:59:29,680 --> 00:59:34,400
Speaker 2: Martin Luther King and and and he was like, what's

1380
00:59:34,400 --> 00:59:35,720
Speaker 2: the difference between George Floyd.

1381
00:59:35,520 --> 00:59:38,600
Speaker 1: And Martin Luther King? And we were all like we've

1382
00:59:38,680 --> 00:59:40,320
Speaker 1: been at that time. So we were thrown off, like

1383
00:59:40,360 --> 00:59:40,800
Speaker 1: what we do?

1384
00:59:41,000 --> 00:59:41,040
Speaker 10: What?

1385
00:59:41,680 --> 00:59:44,440
Speaker 1: And he was like, Martin Luther King happened? And we

1386
00:59:44,560 --> 00:59:47,320
Speaker 1: were like, oh, we knew that had to be edited

1387
00:59:47,400 --> 00:59:48,640
Speaker 1: right there, Like we were like.

1388
00:59:48,760 --> 00:59:52,560
Speaker 2: Oh no, And so we were paying attention to the

1389
00:59:52,680 --> 00:59:55,960
Speaker 2: parts that we weren't paying attention to everything, Like you

1390
00:59:56,040 --> 00:59:58,520
Speaker 2: know what I mean? So, and he had got me.

1391
00:59:58,600 --> 01:00:01,240
Speaker 2: He had he had called me. I don't want to

1392
01:00:01,360 --> 01:00:04,280
Speaker 2: like like blame it all on him, because that's you know,

1393
01:00:04,400 --> 01:00:06,760
Speaker 2: it was. It was a collective. It just didn't I

1394
01:00:06,800 --> 01:00:08,720
Speaker 2: just didn't know what. I didn't know how to edit

1395
01:00:08,720 --> 01:00:13,040
Speaker 2: at that time. Since then we spoke like five six times.

1396
01:00:14,120 --> 01:00:17,840
Speaker 1: Then it disappeared, and so did he not spoke to something.

1397
01:00:17,840 --> 01:00:20,160
Speaker 2: So I'm gonna do a documentary my two years with Kanye,

1398
01:00:20,360 --> 01:00:21,320
Speaker 2: because I had two years.

1399
01:00:21,560 --> 01:00:23,320
Speaker 1: I just like I thought he I thought he was

1400
01:00:23,360 --> 01:00:23,840
Speaker 1: listening to me.

1401
01:00:23,880 --> 01:00:26,560
Speaker 2: At one point, He's asking me married to advice, and

1402
01:00:26,680 --> 01:00:28,080
Speaker 2: I was I felt obligated.

1403
01:00:28,080 --> 01:00:29,440
Speaker 1: I was like I was going downstairs.

1404
01:00:29,480 --> 01:00:31,439
Speaker 2: I was going I was walking away from my wife

1405
01:00:31,480 --> 01:00:33,160
Speaker 2: because I didn't even want my hunter know that I

1406
01:00:33,240 --> 01:00:37,000
Speaker 2: was giving wife advice and married to advice. And then

1407
01:00:37,000 --> 01:00:38,760
Speaker 2: he would listen to me and then he just tweet

1408
01:00:38,760 --> 01:00:42,280
Speaker 2: away right after, and I was like, you a little

1409
01:00:42,280 --> 01:00:43,720
Speaker 2: bit for me, I don't.

1410
01:00:43,720 --> 01:00:46,200
Speaker 1: I never took it like that. After you apologize, he was.

1411
01:00:46,480 --> 01:00:47,880
Speaker 2: He said, now he's a good guy. He said, no,

1412
01:00:47,960 --> 01:00:50,440
Speaker 2: he's a good guy. That I didn't because I had

1413
01:00:50,480 --> 01:00:52,840
Speaker 2: to tell you the truth. I understood media, but I

1414
01:00:52,960 --> 01:00:55,480
Speaker 2: only understood the good side of media at that time.

1415
01:00:55,640 --> 01:00:57,640
Speaker 2: Like when I come to the breakfast club and I

1416
01:00:57,760 --> 01:00:59,720
Speaker 2: go to Canada, people will be like, yo, breakfast club,

1417
01:01:00,080 --> 01:01:02,200
Speaker 2: Like it's positive, you know what I'm saying. So this

1418
01:01:02,520 --> 01:01:06,120
Speaker 2: is my this is my this is my turn of saying.

1419
01:01:06,200 --> 01:01:08,600
Speaker 2: You know what, it ain't all guts and glavy, like

1420
01:01:09,000 --> 01:01:11,480
Speaker 2: sometimes you gotta go outside and take the gum under

1421
01:01:11,520 --> 01:01:13,360
Speaker 2: the table and then put put the gum under the

1422
01:01:13,400 --> 01:01:14,000
Speaker 2: table in your.

1423
01:01:13,920 --> 01:01:23,600
Speaker 1: Mouth and maybe that you know what I'm saying. You

1424
01:01:23,680 --> 01:01:26,720
Speaker 1: gotta stuff. Sometimes you gotta scuff your tims, even tims.

1425
01:01:26,760 --> 01:01:27,280
Speaker 1: You know what I'm saying.

1426
01:01:27,440 --> 01:01:30,320
Speaker 2: And that's that's that's that's that's pretty much. Yeah, but

1427
01:01:30,360 --> 01:01:31,400
Speaker 2: that was a horrible situation.

1428
01:01:31,560 --> 01:01:33,200
Speaker 1: Let's get into a record. Let's get into this record.

1429
01:01:33,720 --> 01:01:35,200
Speaker 1: Let me pull it up. I get the name of it. Well,

1430
01:01:35,200 --> 01:01:35,840
Speaker 1: you tell us the name of it.

1431
01:01:35,920 --> 01:01:38,000
Speaker 2: No, it's called Win Again because that's what we're gonna do.

1432
01:01:38,280 --> 01:01:40,920
Speaker 2: We're gonna win again. And there's two features on there.

1433
01:01:41,160 --> 01:01:42,800
Speaker 2: I guess we'll figure it out. And make sure you

1434
01:01:42,880 --> 01:01:45,480
Speaker 2: keep subscribing to Drink champses. Make sure you support the

1435
01:01:45,520 --> 01:01:49,440
Speaker 2: Drink Champs network. Mid Bleak Show, Angela Simmons Show comes soon.

1436
01:01:50,160 --> 01:01:53,160
Speaker 2: You know, and run champs right, well, healthy High. It's

1437
01:01:53,200 --> 01:01:56,000
Speaker 2: called healthy High, Healthy all right, it's the breakfast Club.

1438
01:01:56,640 --> 01:01:59,520
Speaker 1: Let's go. Florida man attacked n A.

1439
01:01:59,640 --> 01:02:01,360
Speaker 15: T I for a very strange reason.

1440
01:02:01,520 --> 01:02:02,720
Speaker 1: It gave him too much money.

1441
01:02:02,800 --> 01:02:05,040
Speaker 18: Florida man is arrested after that, being said he rigged

1442
01:02:05,080 --> 01:02:06,840
Speaker 18: the door to his home in an attempt to electro

1443
01:02:06,880 --> 01:02:07,440
Speaker 18: hit his president.

1444
01:02:07,560 --> 01:02:10,440
Speaker 1: Lights police arrested an Orlando man for talking to from

1445
01:02:10,480 --> 01:02:13,440
Speaker 1: Meidos the breakfast club, bitch you Donkey other day with

1446
01:02:13,680 --> 01:02:15,440
Speaker 1: Charlam Hayne, the guy I don't know why y'all keep it,

1447
01:02:15,480 --> 01:02:19,280
Speaker 1: letting him get y'all like this well of all is Florida. Okay,

1448
01:02:19,400 --> 01:02:24,040
Speaker 1: Donkey to day goes to a Florida woman named Victoria Moosey. Okay.

1449
01:02:24,160 --> 01:02:25,800
Speaker 2: She is thirty three years old and she helps from

1450
01:02:25,840 --> 01:02:28,120
Speaker 2: one of my favorite places in the world, Orlando, Florida.

1451
01:02:28,160 --> 01:02:30,720
Speaker 2: Salute to everybody who listens to us on one oh

1452
01:02:30,800 --> 01:02:32,960
Speaker 2: four point five to beat in Orlando. Drop on the

1453
01:02:33,000 --> 01:02:36,560
Speaker 2: clothes bombs for one oh four point five to beat Orlando.

1454
01:02:36,640 --> 01:02:37,160
Speaker 2: What's happening?

1455
01:02:37,240 --> 01:02:39,280
Speaker 1: What does your uncle Shalla always say about the great

1456
01:02:39,280 --> 01:02:40,440
Speaker 1: state of Florida? Say it with me.

1457
01:02:40,680 --> 01:02:43,320
Speaker 2: The craziest people in America, come from the Bronx and

1458
01:02:43,480 --> 01:02:45,280
Speaker 2: all of Florida, and today there's no exception.

1459
01:02:45,440 --> 01:02:47,480
Speaker 1: See Victoria was stopped.

1460
01:02:48,000 --> 01:02:50,760
Speaker 2: In Fort Lauderdale, like the intersection of Livington Street and

1461
01:02:50,920 --> 01:02:53,640
Speaker 2: Hughlee Avenue because she failed to yield the right of

1462
01:02:53,680 --> 01:02:56,440
Speaker 2: way to another vehicle. So she got pulled over and

1463
01:02:56,520 --> 01:02:59,360
Speaker 2: when the officer called dispatched to check on her identity,

1464
01:02:59,600 --> 01:03:02,440
Speaker 2: they were there was a warrant out in Orange County

1465
01:03:02,520 --> 01:03:06,240
Speaker 2: for DUI. So officers did what they they do. They

1466
01:03:06,320 --> 01:03:09,640
Speaker 2: took her out of the vehicle a red FOD Escape. Okay,

1467
01:03:09,720 --> 01:03:12,360
Speaker 2: this car was typecasted for what happens next. They took

1468
01:03:12,400 --> 01:03:14,720
Speaker 2: her out of her red Florid Escape and brought her

1469
01:03:14,760 --> 01:03:17,160
Speaker 2: back to the patrol car, advised her of the warrant

1470
01:03:17,280 --> 01:03:20,080
Speaker 2: and that she will be put under arrest. That's when

1471
01:03:20,200 --> 01:03:23,640
Speaker 2: Victoria decided to make like her ford An escape. She

1472
01:03:23,760 --> 01:03:26,680
Speaker 2: started to resist, ran back to her forward escape, jumped

1473
01:03:26,720 --> 01:03:27,919
Speaker 2: in and placed it in drive.

1474
01:03:28,000 --> 01:03:30,120
Speaker 1: But there was a problem with that. See, her six

1475
01:03:30,240 --> 01:03:31,200
Speaker 1: year old daughter was in the.

1476
01:03:31,200 --> 01:03:34,520
Speaker 2: Back seat, but one of the police officers had also

1477
01:03:34,600 --> 01:03:36,640
Speaker 2: gotten into the backseat of the FID Escape with the

1478
01:03:36,760 --> 01:03:38,520
Speaker 2: daughter as well. I mean they were taking her mother

1479
01:03:38,600 --> 01:03:40,080
Speaker 2: to jail, so somebody had to be with the six

1480
01:03:40,160 --> 01:03:42,480
Speaker 2: year old. But listen to what I just said. Victoria

1481
01:03:42,640 --> 01:03:45,760
Speaker 2: found out she had a warren for her arrest for DUI,

1482
01:03:46,120 --> 01:03:48,160
Speaker 2: and clearly she must have still been drunk because there

1483
01:03:48,200 --> 01:03:50,600
Speaker 2: was a police officer in the back seat with her.

1484
01:03:50,520 --> 01:03:53,360
Speaker 1: Six year old. What do you think Victoria did next?

1485
01:03:53,880 --> 01:03:56,560
Speaker 2: Complied to the commands to get out of the suv,

1486
01:03:57,240 --> 01:03:59,520
Speaker 2: realized there was a police officer in her back seat,

1487
01:03:59,560 --> 01:03:59,760
Speaker 2: and just.

1488
01:03:59,800 --> 01:04:01,520
Speaker 1: So, no, this is Florida.

1489
01:04:02,480 --> 01:04:04,520
Speaker 2: She drove away, but the cop in the back, with

1490
01:04:04,640 --> 01:04:06,680
Speaker 2: the police officer in the back seat, where are you going?

1491
01:04:07,640 --> 01:04:09,960
Speaker 1: Look, moms are busy nowadays. Okay, sometimes you got to

1492
01:04:10,000 --> 01:04:12,000
Speaker 1: bring a cop along for carpool duty. All right, you

1493
01:04:12,040 --> 01:04:14,320
Speaker 1: have at sea. But I have no idea. You know,

1494
01:04:14,480 --> 01:04:16,480
Speaker 1: she wanted more community policing. This is her way of

1495
01:04:16,480 --> 01:04:18,280
Speaker 1: getting it all right? Where does she think she was

1496
01:04:18,360 --> 01:04:21,360
Speaker 1: going with a police officer in her back seat. In

1497
01:04:21,560 --> 01:04:24,240
Speaker 1: most places on the planet, a police officer in the

1498
01:04:24,280 --> 01:04:26,680
Speaker 1: back seat would deter you from trying to make a getaway.

1499
01:04:26,800 --> 01:04:28,960
Speaker 1: But not in Florida. Nope, nope, no, nope.

1500
01:04:29,520 --> 01:04:32,240
Speaker 2: In Florida, you can bind traffic, stops, kidnapping, and a

1501
01:04:32,320 --> 01:04:35,600
Speaker 2: family road trip. Okay, drop on the clues bombs for multitasking,

1502
01:04:35,880 --> 01:04:39,200
Speaker 2: all right, not to mention where would you be going

1503
01:04:39,280 --> 01:04:40,160
Speaker 2: when the officer in.

1504
01:04:40,160 --> 01:04:43,160
Speaker 1: The back seat can just tell his fellow officers exactly

1505
01:04:43,200 --> 01:04:44,600
Speaker 1: where you're going? Okay?

1506
01:04:44,960 --> 01:04:48,240
Speaker 2: This is literally the equivalent of someone sharing their Uber

1507
01:04:48,360 --> 01:04:50,240
Speaker 2: ride status with you. In fact, this could be a

1508
01:04:50,320 --> 01:04:53,080
Speaker 2: new Uber service called Uber Arrest. Why don't we have

1509
01:04:54,200 --> 01:04:56,080
Speaker 2: Cops Florida edition.

1510
01:04:56,440 --> 01:04:58,680
Speaker 1: They gotta be a Cops Flaughter edition, right, I'm sure

1511
01:04:58,800 --> 01:05:01,520
Speaker 1: it has to be a Cops just dedicated to Florida.

1512
01:05:01,840 --> 01:05:03,240
Speaker 1: This has to exist already, right.

1513
01:05:03,280 --> 01:05:05,200
Speaker 2: All you got to do is attach a goldfro to

1514
01:05:05,320 --> 01:05:07,640
Speaker 2: every cop car in Florida and just sit back and

1515
01:05:07,680 --> 01:05:11,320
Speaker 2: being attained. Please give Victoria mossif the sweet sounds of

1516
01:05:11,320 --> 01:05:17,800
Speaker 2: the Hamiltons you oh the.

1517
01:05:25,000 --> 01:05:25,520
Speaker 17: Oh the.

1518
01:05:27,480 --> 01:05:35,160
Speaker 1: Ye end, she ain't gonna know. Damn well, she pulled over. Yes,

1519
01:05:35,400 --> 01:05:40,120
Speaker 1: eventually she's in jail for her louding police. I thought

1520
01:05:40,120 --> 01:05:41,320
Speaker 1: there was more than the story I wanted to go.

1521
01:05:43,920 --> 01:05:46,200
Speaker 1: You know, she knew the cop was there the whole time.

1522
01:05:46,640 --> 01:05:48,360
Speaker 18: Yeah, But since she already pulled off and the cop

1523
01:05:48,440 --> 01:05:50,400
Speaker 18: was already there, baby girl could have just like I don't.

1524
01:05:50,200 --> 01:05:53,640
Speaker 1: Know, where's she going?

1525
01:05:53,920 --> 01:05:57,200
Speaker 2: Eventually, the police officer followed there, followed her down the street.

1526
01:05:57,520 --> 01:06:00,640
Speaker 2: She finally stopped at an intersection, and she was placed

1527
01:06:00,680 --> 01:06:03,720
Speaker 2: in the custody. That's all, and now she faces a

1528
01:06:03,800 --> 01:06:05,280
Speaker 2: charge of fleeing and eluding police.

1529
01:06:05,360 --> 01:06:12,560
Speaker 1: No game. I mean, we could if you want to

1530
01:06:12,720 --> 01:06:15,600
Speaker 1: want to, and if you really feel like you need to.

1531
01:06:16,040 --> 01:06:18,840
Speaker 1: But uh sure, let's play a game of guess what

1532
01:06:19,480 --> 01:06:21,640
Speaker 1: race it is? All right?

1533
01:06:21,840 --> 01:06:24,800
Speaker 2: A Florida woman driving in Orlando Monday fled the traffic

1534
01:06:24,840 --> 01:06:27,600
Speaker 2: stopping arrest while she had the police officer and her

1535
01:06:27,640 --> 01:06:28,520
Speaker 2: six year old daughter.

1536
01:06:28,440 --> 01:06:36,760
Speaker 1: In the back car. Guess what right is envy? M hm?

1537
01:06:38,120 --> 01:06:41,040
Speaker 1: Not white? You don't want to play. I'm curious you

1538
01:06:41,160 --> 01:06:42,560
Speaker 1: want to play now? You don't know. I don't know.

1539
01:06:42,640 --> 01:06:44,600
Speaker 1: That's why I'm asking why do you think you're white?

1540
01:06:46,000 --> 01:06:46,440
Speaker 1: I don't know.

1541
01:06:46,640 --> 01:06:50,280
Speaker 2: I mean what the caucasiity of having an officer in

1542
01:06:50,360 --> 01:06:52,040
Speaker 2: the back seat is still feeling like you can drive.

1543
01:06:51,920 --> 01:06:54,920
Speaker 1: Off, the duy feeling and the fact that the dui

1544
01:06:55,840 --> 01:06:56,560
Speaker 1: racist dui.

1545
01:06:56,960 --> 01:06:58,400
Speaker 13: But not only that, but the fact that you had

1546
01:06:58,400 --> 01:06:59,840
Speaker 13: a police officer in the back and he didn't beat

1547
01:06:59,840 --> 01:07:02,360
Speaker 13: you as you were driving off kind of makes me

1548
01:07:02,440 --> 01:07:05,040
Speaker 13: feel like you, Why would you beat her to stop

1549
01:07:05,120 --> 01:07:06,480
Speaker 13: the pen she's driving?

1550
01:07:06,560 --> 01:07:08,440
Speaker 1: Then she could wreck and kill us all you idiot

1551
01:07:08,600 --> 01:07:10,560
Speaker 1: or you stupid gotta police.

1552
01:07:12,520 --> 01:07:15,000
Speaker 15: Somehow did the baby girl in the back seats or

1553
01:07:15,000 --> 01:07:16,480
Speaker 15: the baby in the back seat say anything? I was

1554
01:07:16,520 --> 01:07:16,800
Speaker 15: the baby?

1555
01:07:16,840 --> 01:07:19,240
Speaker 2: Well hold on, Lauren, a Florida woman driving in Orlando Monday,

1556
01:07:19,240 --> 01:07:21,400
Speaker 2: fled the traffic stop and arrest police, saying by hopping

1557
01:07:21,760 --> 01:07:23,760
Speaker 2: back in her SUV and driving off while the police

1558
01:07:23,800 --> 01:07:25,120
Speaker 2: officer was in the back with her daughter.

1559
01:07:25,480 --> 01:07:28,200
Speaker 1: Yes, what race she is, Laura l Rossa?

1560
01:07:28,520 --> 01:07:31,160
Speaker 15: I think she's heroin white. But if the baby in

1561
01:07:31,200 --> 01:07:31,800
Speaker 15: the back seat.

1562
01:07:31,600 --> 01:07:35,080
Speaker 1: Didn't say let the wrong I didn't stop the car.

1563
01:07:35,160 --> 01:07:36,560
Speaker 1: Police got to stop the call some how.

1564
01:07:36,880 --> 01:07:38,400
Speaker 13: I'm not gonna beat the woman in the back of

1565
01:07:38,920 --> 01:07:41,120
Speaker 13: a six year old daughter in the back on the

1566
01:07:41,160 --> 01:07:42,560
Speaker 13: highway and take off and start going crazy.

1567
01:07:42,560 --> 01:07:43,760
Speaker 1: You got to get her to stop the car, put

1568
01:07:43,760 --> 01:07:43,920
Speaker 1: the car.

1569
01:07:44,720 --> 01:07:47,280
Speaker 18: Six year old six seven whatever would have been like, dad,

1570
01:07:47,400 --> 01:07:49,920
Speaker 18: somebody in the car right? My niece would have been

1571
01:07:49,960 --> 01:07:51,440
Speaker 18: like someone else is in the car, mom? Because why

1572
01:07:51,440 --> 01:07:52,600
Speaker 18: would she was six years old?

1573
01:07:52,640 --> 01:07:56,080
Speaker 1: She understands, police officer. What's the officer? Well, both of

1574
01:07:56,160 --> 01:08:01,440
Speaker 1: you racist bigots are wrong. Okay, is not white, she

1575
01:08:01,880 --> 01:08:07,160
Speaker 1: is negro. Wow, I went against that one because you're racist.

1576
01:08:07,320 --> 01:08:09,240
Speaker 15: She's crazy. I would drove right to my mama house.

1577
01:08:09,840 --> 01:08:12,880
Speaker 1: But the copy in the back, yes, come get my baby.

1578
01:08:12,920 --> 01:08:13,680
Speaker 15: I'm going to jail.

1579
01:08:15,320 --> 01:08:18,439
Speaker 1: Well, ourge is the new black yod. Okay, this is

1580
01:08:18,720 --> 01:08:23,200
Speaker 1: I want to guess that her right. She got she

1581
01:08:23,240 --> 01:08:25,560
Speaker 1: got corns. It looked like she had no correls for

1582
01:08:25,560 --> 01:08:26,800
Speaker 1: a little too long. That's what it looked like.

1583
01:08:26,880 --> 01:08:29,040
Speaker 2: Jesus got the little afro that growing over it looked

1584
01:08:29,040 --> 01:08:30,080
Speaker 2: out your hair lookingdo that wig.

1585
01:08:30,320 --> 01:08:31,760
Speaker 15: First of all, this is not a baby.

1586
01:08:31,840 --> 01:08:32,439
Speaker 1: This is all me.

1587
01:08:33,040 --> 01:08:34,439
Speaker 15: I know you don't know what it feels like to

1588
01:08:34,600 --> 01:08:37,280
Speaker 15: grow hair and like hairlines and stuff anymore. But this

1589
01:08:37,439 --> 01:08:39,479
Speaker 15: is what it looks like. Okay, no, look at it.

1590
01:08:41,800 --> 01:08:43,320
Speaker 15: It saw me and saw me.

1591
01:08:43,560 --> 01:08:44,280
Speaker 1: That's not Felicia.

1592
01:08:44,800 --> 01:08:45,160
Speaker 11: Mm hmm.

1593
01:08:45,280 --> 01:08:48,840
Speaker 15: This is Eva. Eva is the natural mature girl. She

1594
01:08:49,080 --> 01:08:50,800
Speaker 15: is cheek. She is trimmed.

1595
01:08:52,000 --> 01:08:54,479
Speaker 1: A vengeance Jesus because both of them always just looked

1596
01:08:54,520 --> 01:08:56,720
Speaker 1: like they're in need of some type of marr all right.

1597
01:08:56,800 --> 01:08:58,240
Speaker 1: They just all look like they're going through some type

1598
01:08:58,240 --> 01:08:59,200
Speaker 1: of struggle that they need help.

1599
01:08:59,240 --> 01:08:59,559
Speaker 2: You know what.

1600
01:09:01,920 --> 01:09:03,519
Speaker 15: Exactly? Mind your business?

1601
01:09:04,600 --> 01:09:07,479
Speaker 1: All right, girls, all right, girls, girls, guys, gals.

1602
01:09:07,680 --> 01:09:09,080
Speaker 2: Funny thing is you been trying to make a bounce

1603
01:09:09,080 --> 01:09:10,479
Speaker 2: all morning, but it ain't really bouncing.

1604
01:09:10,720 --> 01:09:13,160
Speaker 15: Don't do me. Don't cut the bible that black.

1605
01:09:14,000 --> 01:09:14,920
Speaker 3: All right, gals.

1606
01:09:15,400 --> 01:09:19,320
Speaker 1: The breakfast club, good morning.

1607
01:09:19,400 --> 01:09:23,200
Speaker 13: Everybody's d j envy just hilarious charlamage. The guy we

1608
01:09:23,320 --> 01:09:25,840
Speaker 13: are the breakfast club lawn La Rosa is here as well.

1609
01:09:26,240 --> 01:09:27,280
Speaker 13: We got a special guest.

1610
01:09:27,120 --> 01:09:29,880
Speaker 1: In the building, a guy we got comedian Tony Baker. Welcome.

1611
01:09:30,000 --> 01:09:30,640
Speaker 3: What's something man?

1612
01:09:30,720 --> 01:09:31,639
Speaker 1: How you feeling good?

1613
01:09:31,800 --> 01:09:32,479
Speaker 3: I feel great.

1614
01:09:32,880 --> 01:09:34,800
Speaker 1: First time I met you, I wasn't here. The first

1615
01:09:34,880 --> 01:09:36,839
Speaker 1: time he came in war the back I was traveling.

1616
01:09:36,920 --> 01:09:37,760
Speaker 3: He was hiding from it.

1617
01:09:37,880 --> 01:09:39,439
Speaker 1: Man, I wasn't I was going to ask you the

1618
01:09:39,520 --> 01:09:40,400
Speaker 1: hard hitting question.

1619
01:09:40,479 --> 01:09:42,120
Speaker 3: Sorry, I really didn't.

1620
01:09:43,880 --> 01:09:46,479
Speaker 12: How you feeling, brother, I'm good man. You're blessed to

1621
01:09:46,560 --> 01:09:48,760
Speaker 12: be out here. I love coming to New York. I

1622
01:09:48,840 --> 01:09:51,360
Speaker 12: can never uh, I never get enough time out here,

1623
01:09:51,439 --> 01:09:53,880
Speaker 12: though it's always a quick in and out. I want

1624
01:09:53,960 --> 01:09:55,080
Speaker 12: to be out here for like a month.

1625
01:09:55,240 --> 01:09:57,800
Speaker 1: You said driving in New York makes you balder? Yeah, man,

1626
01:09:58,000 --> 01:09:58,800
Speaker 1: how did you come too?

1627
01:09:59,360 --> 01:10:02,240
Speaker 3: Because I'm really move from I rented the car I shouldn't.

1628
01:10:02,400 --> 01:10:03,080
Speaker 3: That's around now.

1629
01:10:03,160 --> 01:10:05,360
Speaker 12: I flew in, I rented a car and then I

1630
01:10:05,439 --> 01:10:09,120
Speaker 12: drove from JFK to Manhattan and I was like, I

1631
01:10:09,240 --> 01:10:10,760
Speaker 12: knew nothing from the.

1632
01:10:10,760 --> 01:10:12,600
Speaker 15: Airport, even the people that live here. You take a

1633
01:10:12,680 --> 01:10:14,400
Speaker 15: car or yeah, it was it was.

1634
01:10:14,400 --> 01:10:16,320
Speaker 3: A big mistake. I lost out my head.

1635
01:10:16,400 --> 01:10:19,240
Speaker 1: It was luxurious, had a full I had a full

1636
01:10:19,280 --> 01:10:20,920
Speaker 1: head before you came in, you know.

1637
01:10:21,040 --> 01:10:22,720
Speaker 2: But I love when you do your ten thoughts of

1638
01:10:22,760 --> 01:10:24,840
Speaker 2: the day, man, because like you put a fat Joe

1639
01:10:24,880 --> 01:10:25,720
Speaker 2: don't let people talk.

1640
01:10:25,800 --> 01:10:26,880
Speaker 3: He don't let nobody talk.

1641
01:10:27,000 --> 01:10:27,160
Speaker 10: Man.

1642
01:10:27,439 --> 01:10:30,080
Speaker 12: I'll be watching him and Jada man, Jada, Jada be

1643
01:10:30,160 --> 01:10:31,799
Speaker 12: saying five words of episode.

1644
01:10:32,200 --> 01:10:33,719
Speaker 3: But I watched every episode history.

1645
01:10:34,520 --> 01:10:34,960
Speaker 15: It's so good.

1646
01:10:35,000 --> 01:10:37,120
Speaker 3: I love it. I'm glad they did it. But uh,

1647
01:10:37,640 --> 01:10:43,479
Speaker 3: the way Jada reacts to Joe, it's crazy, crazy and

1648
01:10:43,640 --> 01:10:47,360
Speaker 3: so but Joe don't let people talk, man. He come in, man.

1649
01:10:47,560 --> 01:10:50,040
Speaker 3: He rolled all over Jim Jones as soon as the

1650
01:10:50,200 --> 01:10:51,080
Speaker 3: episode started.

1651
01:10:51,320 --> 01:10:57,719
Speaker 2: Yeah, yeah, but except when it came to the nods conversation, Yeah, conversation,

1652
01:10:58,000 --> 01:10:58,479
Speaker 2: let him talk.

1653
01:10:58,840 --> 01:11:01,760
Speaker 12: No he did than I he did, and then he

1654
01:11:01,920 --> 01:11:04,360
Speaker 12: was like, but then Jim Jones put his foot in

1655
01:11:04,400 --> 01:11:06,920
Speaker 12: his mouth when he was like put the billboards up.

1656
01:11:07,520 --> 01:11:09,559
Speaker 3: And then that's the way messed up.

1657
01:11:09,800 --> 01:11:11,680
Speaker 1: Yeah, I mean, I don't even know why that's even

1658
01:11:11,720 --> 01:11:13,640
Speaker 1: the conversation. Like you know what I mean, Like I

1659
01:11:13,720 --> 01:11:15,360
Speaker 1: love I like Jim. I love Jim Jones a lot.

1660
01:11:15,400 --> 01:11:17,200
Speaker 2: I think Jim Jones has been putting out some of

1661
01:11:17,280 --> 01:11:20,160
Speaker 2: the best music from Sure and over the last several years,

1662
01:11:20,200 --> 01:11:23,200
Speaker 2: probably the best music from up from New York until

1663
01:11:23,240 --> 01:11:24,719
Speaker 2: now I started dropping those Kings Diseases.

1664
01:11:25,400 --> 01:11:28,040
Speaker 12: That's right there. Now, this is my favorite rapper of

1665
01:11:28,120 --> 01:11:31,080
Speaker 12: all time. And with that hit boy Run, that just

1666
01:11:31,120 --> 01:11:34,160
Speaker 12: solidified his spots for me. Yeah, because that late in

1667
01:11:34,200 --> 01:11:37,760
Speaker 12: the game, making albums that hot, I don't know who

1668
01:11:37,800 --> 01:11:38,640
Speaker 12: else has done that, and.

1669
01:11:38,640 --> 01:11:40,760
Speaker 2: Making it for people our age, yeah, I don't even know.

1670
01:11:40,840 --> 01:11:42,680
Speaker 2: Don't get around Scarf facing ja Z can still make

1671
01:11:42,680 --> 01:11:43,160
Speaker 2: great music.

1672
01:11:43,280 --> 01:11:45,680
Speaker 1: And Common. There's a lot of guys over in that

1673
01:11:45,800 --> 01:11:47,120
Speaker 1: age that make great sure, but.

1674
01:11:47,120 --> 01:11:49,400
Speaker 12: They put out like you know one like you know

1675
01:11:49,479 --> 01:11:51,760
Speaker 12: Common and Pete Rod did a phenomenal job.

1676
01:11:52,520 --> 01:11:54,280
Speaker 1: But it's just be like you know in the series,

1677
01:11:55,640 --> 01:11:58,120
Speaker 1: the series, but now still gets busy down.

1678
01:11:58,479 --> 01:12:01,559
Speaker 3: That the sixth albums, Yeah, they were all good.

1679
01:12:02,240 --> 01:12:04,960
Speaker 1: You ain't gonna when his first Grammy crazy. You ain't

1680
01:12:04,960 --> 01:12:07,679
Speaker 1: gonna get that one. He was overdue.

1681
01:12:07,800 --> 01:12:08,960
Speaker 3: So yeah, he my favorite.

1682
01:12:09,160 --> 01:12:09,720
Speaker 1: You said a shot.

1683
01:12:09,800 --> 01:12:11,960
Speaker 12: He has a great laugh, she do, she'd be laughing,

1684
01:12:12,439 --> 01:12:14,400
Speaker 12: And I'm a comedian, so I'll be looking for the laugh.

1685
01:12:14,720 --> 01:12:16,600
Speaker 12: Like you know, I feed off there like y'all just

1686
01:12:16,640 --> 01:12:19,200
Speaker 12: sitting there taking it. I'm like, man, I remember audition

1687
01:12:19,320 --> 01:12:21,760
Speaker 12: for S and L a few years back, and they

1688
01:12:21,800 --> 01:12:23,080
Speaker 12: were just sitting in the shadows.

1689
01:12:23,160 --> 01:12:25,519
Speaker 3: Gave me nothing. I was up there giving one hundred

1690
01:12:25,520 --> 01:12:28,040
Speaker 3: and thousand percent. Man, they were just sitting in the shadows.

1691
01:12:28,080 --> 01:12:29,280
Speaker 3: That was It was just silhouettes.

1692
01:12:29,320 --> 01:12:31,680
Speaker 12: They was sitting there like he's sitting right now, just

1693
01:12:31,760 --> 01:12:34,120
Speaker 12: with robes on, just looking squinty eye.

1694
01:12:35,000 --> 01:12:36,320
Speaker 1: Yeah, full commitment.

1695
01:12:36,760 --> 01:12:37,080
Speaker 3: Nothing.

1696
01:12:37,439 --> 01:12:39,519
Speaker 15: Ain't what auditions are like. Though they normally don't give

1697
01:12:39,520 --> 01:12:40,200
Speaker 15: you much in all.

1698
01:12:40,120 --> 01:12:41,000
Speaker 3: They give me something.

1699
01:12:41,040 --> 01:12:43,559
Speaker 12: Man, I'm gonna stay just saying lie, I can see

1700
01:12:43,560 --> 01:12:45,599
Speaker 12: if it was a drama like I'm doing the Viola

1701
01:12:45,720 --> 01:12:48,360
Speaker 12: David scene, I then lost the kids, you know what

1702
01:12:48,360 --> 01:12:50,680
Speaker 12: I'm saying. So you was sweating like I was up

1703
01:12:50,720 --> 01:12:53,479
Speaker 12: there giving it all I had and they was like

1704
01:12:54,120 --> 01:12:56,160
Speaker 12: I don't even know if I got that, and they

1705
01:12:56,200 --> 01:12:57,080
Speaker 12: were silhouetted.

1706
01:12:57,600 --> 01:12:59,960
Speaker 1: How do you leave that they were silhouetted.

1707
01:13:00,160 --> 01:13:01,000
Speaker 3: Yeah, I couldn't see.

1708
01:13:01,200 --> 01:13:03,400
Speaker 12: All I saw was bodies and it was just like

1709
01:13:03,720 --> 01:13:06,280
Speaker 12: it was like they was all on gang Land confessing

1710
01:13:06,320 --> 01:13:08,639
Speaker 12: about the crimes and you just couldn't see nothing.

1711
01:13:08,640 --> 01:13:11,639
Speaker 1: And I was like, all right, dangn thanks for having me, y'all.

1712
01:13:12,040 --> 01:13:13,639
Speaker 1: You ever got any cheeks because you told a girl

1713
01:13:13,680 --> 01:13:14,400
Speaker 1: she had a great laugh?

1714
01:13:15,320 --> 01:13:15,920
Speaker 3: I don't think so.

1715
01:13:16,240 --> 01:13:18,599
Speaker 12: Yeah, I can't remember that being the reason. Like, Man,

1716
01:13:18,640 --> 01:13:23,599
Speaker 12: you got a great laugh, and then the panties dropped, because.

1717
01:13:23,360 --> 01:13:25,040
Speaker 2: They always have you a comedian. If you can make

1718
01:13:25,080 --> 01:13:27,599
Speaker 2: them laugh, you can crack the ass. So I always

1719
01:13:27,640 --> 01:13:29,600
Speaker 2: wanted I wanted you making them laugh and then you

1720
01:13:29,680 --> 01:13:31,640
Speaker 2: give them that compliment. Did that do something for him?

1721
01:13:31,640 --> 01:13:31,960
Speaker 1: I don't know.

1722
01:13:32,240 --> 01:13:34,439
Speaker 3: I don't know. Yeah, I don't know.

1723
01:13:34,760 --> 01:13:36,840
Speaker 12: Usually I give that compliment in the moment, like during

1724
01:13:36,920 --> 01:13:38,800
Speaker 12: the show Man, you got a great laugh. That happened

1725
01:13:38,800 --> 01:13:40,840
Speaker 12: to me in Austin last weekend. She had a great laugh.

1726
01:13:40,960 --> 01:13:42,240
Speaker 1: But you could just be doing that because you want

1727
01:13:42,280 --> 01:13:43,080
Speaker 1: the cry to keep laughing.

1728
01:13:43,240 --> 01:13:44,479
Speaker 3: No, she really had a good one, though.

1729
01:13:44,960 --> 01:13:47,720
Speaker 12: It was like a residual hold over laugh because some

1730
01:13:47,800 --> 01:13:49,400
Speaker 12: audiences laugh real quick and then.

1731
01:13:49,360 --> 01:13:51,040
Speaker 15: Hush, and I hate those I think people were in

1732
01:13:51,080 --> 01:13:52,080
Speaker 15: an audience that you heard.

1733
01:13:52,080 --> 01:13:54,479
Speaker 12: Just her laugh, Like she was in the front row

1734
01:13:54,760 --> 01:13:56,880
Speaker 12: and she was like and it was like I would

1735
01:13:56,880 --> 01:13:59,160
Speaker 12: say something that Joe had finished and she's still giggling.

1736
01:13:59,280 --> 01:14:02,240
Speaker 3: And then the tear White. Well I got the laugh

1737
01:14:02,360 --> 01:14:05,759
Speaker 3: in the tear White. This is I need to clone

1738
01:14:05,800 --> 01:14:08,040
Speaker 3: her and just bring up every show, the Austin show.

1739
01:14:08,200 --> 01:14:09,880
Speaker 3: It was Austin. Yeah, I was the Austin last week

1740
01:14:09,880 --> 01:14:10,120
Speaker 3: and you.

1741
01:14:10,120 --> 01:14:11,639
Speaker 1: Said you would have canceled the show if you knew

1742
01:14:11,680 --> 01:14:13,920
Speaker 1: they had a serial killer. They're a serial killer. I

1743
01:14:13,960 --> 01:14:15,160
Speaker 1: didn't know that. I ain't see that nowhere.

1744
01:14:15,200 --> 01:14:18,160
Speaker 3: They got a serial killer allegedly out there. It's a

1745
01:14:18,160 --> 01:14:18,840
Speaker 3: whole bunch of men.

1746
01:14:18,880 --> 01:14:21,200
Speaker 12: They've been finding men at this lake called Ladybird Lake

1747
01:14:21,880 --> 01:14:25,040
Speaker 12: and just you know, dead dudes, and they're thinking like

1748
01:14:25,360 --> 01:14:27,200
Speaker 12: they be capturing them because it's a lot of like

1749
01:14:27,360 --> 01:14:30,880
Speaker 12: partying around there, like drinking, and so they've been founding

1750
01:14:30,920 --> 01:14:33,240
Speaker 12: these bodies, like they found three.

1751
01:14:33,120 --> 01:14:34,679
Speaker 15: Weeks ago it was thirty eight bodies found.

1752
01:14:34,720 --> 01:14:38,000
Speaker 18: Thirty rumors rife as thirty eight bodies found in and

1753
01:14:38,240 --> 01:14:39,400
Speaker 18: around Ladybird Lake.

1754
01:14:39,560 --> 01:14:41,120
Speaker 15: So far, this is they've been.

1755
01:14:41,120 --> 01:14:42,720
Speaker 1: Quiet on these serial killers. This was one a Long

1756
01:14:42,760 --> 01:14:45,240
Speaker 1: Island too, Yes, recently.

1757
01:14:45,600 --> 01:14:47,479
Speaker 15: Yes, it's not nobody to go to Long Island.

1758
01:14:47,520 --> 01:14:49,439
Speaker 1: This what kind of dad though? Just dad? Like no,

1759
01:14:49,680 --> 01:14:52,000
Speaker 1: like Booty, they didn't say the causes.

1760
01:14:52,840 --> 01:14:53,360
Speaker 3: Does it matter?

1761
01:14:53,800 --> 01:14:56,719
Speaker 2: Yes, I don't even know what's going on, like anything missing,

1762
01:14:56,840 --> 01:14:58,680
Speaker 2: Like I'm saying, like you just killing people and just

1763
01:14:58,880 --> 01:14:59,960
Speaker 2: putting the body there like nothing.

1764
01:15:00,720 --> 01:15:03,280
Speaker 12: There's no motive, no, because usually they got an m

1765
01:15:03,600 --> 01:15:05,360
Speaker 12: like you know they would killed this way. But I

1766
01:15:05,400 --> 01:15:09,200
Speaker 12: don't take you know what I mean, like no souvenirs,

1767
01:15:09,960 --> 01:15:10,200
Speaker 12: you know.

1768
01:15:10,360 --> 01:15:14,160
Speaker 1: Mark of a serial killer. Okay, so you really felt unsafe?

1769
01:15:14,479 --> 01:15:15,080
Speaker 3: No, I didn't.

1770
01:15:15,360 --> 01:15:17,200
Speaker 1: Okay, I went to the scene of the crime.

1771
01:15:17,360 --> 01:15:22,400
Speaker 18: Yeah, hold on, but wait, I mean because the thirty

1772
01:15:22,479 --> 01:15:25,280
Speaker 18: eight I mean, this is no normal. I'm not gonna

1773
01:15:25,280 --> 01:15:26,640
Speaker 18: say that's gonna sound sensitive.

1774
01:15:26,320 --> 01:15:28,160
Speaker 1: Nerman gonna sign insensitive problem.

1775
01:15:28,240 --> 01:15:28,920
Speaker 15: Yeah, that's what I meant.

1776
01:15:28,960 --> 01:15:29,479
Speaker 1: That's what I said.

1777
01:15:30,040 --> 01:15:32,200
Speaker 15: I was gonna say. The thirty eight bodies is over

1778
01:15:32,360 --> 01:15:33,320
Speaker 15: three years.

1779
01:15:34,479 --> 01:15:37,920
Speaker 1: Long, a lot of short period of time. I told you.

1780
01:15:38,000 --> 01:15:38,680
Speaker 15: I didn't want to say.

1781
01:15:38,760 --> 01:15:39,920
Speaker 1: Y'all mean, oh got you got you?

1782
01:15:40,040 --> 01:15:41,040
Speaker 3: Yeah, that's a lot.

1783
01:15:41,320 --> 01:15:43,599
Speaker 18: Yes, But but when you say serial killer, I'm thinking

1784
01:15:43,680 --> 01:15:46,519
Speaker 18: like holl like with like a Jeffrey Dahmers like everything's

1785
01:15:46,520 --> 01:15:48,559
Speaker 18: back to back to back to back to back space.

1786
01:15:49,080 --> 01:15:51,280
Speaker 1: Not long it took them to catch Jeffrey Donald for

1787
01:15:51,439 --> 01:15:51,800
Speaker 1: the movie.

1788
01:15:51,880 --> 01:15:52,639
Speaker 15: See it was like an hour.

1789
01:15:54,760 --> 01:15:55,200
Speaker 11: Took a while.

1790
01:15:56,200 --> 01:15:58,360
Speaker 1: Jeffrey Donald was killing people for at least several years.

1791
01:15:59,280 --> 01:16:01,799
Speaker 3: Did the right early on they pulled him over and everything.

1792
01:16:01,800 --> 01:16:03,160
Speaker 1: He trump.

1793
01:16:03,200 --> 01:16:05,400
Speaker 3: Yeah, if he was black, he would have get caught immediately.

1794
01:16:05,600 --> 01:16:07,519
Speaker 1: Absolutely definite to check that you got.

1795
01:16:07,439 --> 01:16:09,000
Speaker 3: Half a victim he was black.

1796
01:16:09,120 --> 01:16:12,000
Speaker 2: Now you said Jeffrey Donald was out for thirteen years

1797
01:16:12,920 --> 01:16:15,280
Speaker 2: from seventy eight to ninety one, he would have first

1798
01:16:15,520 --> 01:16:16,280
Speaker 2: him in seventy eight.

1799
01:16:16,520 --> 01:16:20,920
Speaker 1: Broad what serious killer?

1800
01:16:21,040 --> 01:16:22,759
Speaker 18: But like he's a little dormant, like you were fine,

1801
01:16:23,080 --> 01:16:25,840
Speaker 18: but okay, but no, he's very on. It's not funny

1802
01:16:25,840 --> 01:16:26,559
Speaker 18: because people have died.

1803
01:16:27,040 --> 01:16:30,880
Speaker 1: Nobody laugh nobody laughing, but you nobody said it was funny.

1804
01:16:31,200 --> 01:16:32,800
Speaker 15: You know what you continue on?

1805
01:16:32,880 --> 01:16:34,800
Speaker 1: Okay, let me shut up in this one. Now, he said,

1806
01:16:34,840 --> 01:16:35,559
Speaker 1: did he might get off?

1807
01:16:36,120 --> 01:16:38,519
Speaker 3: I think well, they you know, they changed it. What

1808
01:16:38,640 --> 01:16:40,559
Speaker 3: they uh they dropped some of the charges.

1809
01:16:40,840 --> 01:16:42,840
Speaker 1: The charge long. I know you the question on this

1810
01:16:43,000 --> 01:16:44,240
Speaker 1: hold on one quick, real quick.

1811
01:16:44,320 --> 01:16:50,439
Speaker 2: Yes, you know Jeffrey Dama killed seventeen people in thirteen years.

1812
01:16:51,280 --> 01:16:53,240
Speaker 1: So Austin got thirty eight.

1813
01:16:54,360 --> 01:16:56,920
Speaker 15: You know the timeline on Jeffrey Donald. I thought it

1814
01:16:57,000 --> 01:16:57,759
Speaker 15: was way quicker.

1815
01:16:59,160 --> 01:16:59,800
Speaker 3: Thirty eight Is.

1816
01:17:01,400 --> 01:17:02,000
Speaker 15: That numbers?

1817
01:17:02,240 --> 01:17:04,040
Speaker 18: It's all they're trying to figure out the number. It's

1818
01:17:04,040 --> 01:17:10,679
Speaker 18: still reports and rumors claim. Someone is saying Austin police,

1819
01:17:11,000 --> 01:17:13,120
Speaker 18: they're still trying to figure out the numbers.

1820
01:17:13,200 --> 01:17:15,760
Speaker 2: And at least Doma was eating the men. Not but

1821
01:17:16,080 --> 01:17:18,400
Speaker 2: you said, like, what is this guy doing? Whoever this

1822
01:17:18,479 --> 01:17:19,799
Speaker 2: person is could be a woman.

1823
01:17:19,800 --> 01:17:22,080
Speaker 1: Could be a woman, yeah, could could be a woman

1824
01:17:22,360 --> 01:17:25,160
Speaker 1: because it's all men. She got to be a diesel

1825
01:17:25,160 --> 01:17:26,840
Speaker 1: woman because you got to carry them into the lake. Right.

1826
01:17:27,320 --> 01:17:30,000
Speaker 12: What's weird about the awesome thing is I can't find

1827
01:17:30,080 --> 01:17:33,200
Speaker 12: like causes of death, Like they've been finding them in

1828
01:17:33,240 --> 01:17:35,320
Speaker 12: the in the water, maybe drowning or whatever.

1829
01:17:35,479 --> 01:17:39,160
Speaker 18: So it's like, but they the numbers keep changing. It's nineteen,

1830
01:17:39,200 --> 01:17:40,920
Speaker 18: and it's thirty eight, then it's thirty eight, then it's nineteen.

1831
01:17:41,240 --> 01:17:42,720
Speaker 1: But you know, we don't even know how they're dying.

1832
01:17:43,080 --> 01:17:46,040
Speaker 3: No, no, they have it listed, damn.

1833
01:17:46,520 --> 01:17:46,720
Speaker 7: Yeah.

1834
01:17:46,760 --> 01:17:49,920
Speaker 18: The causes of death have been mainly attributed to accidental drownings.

1835
01:17:50,000 --> 01:17:52,800
Speaker 18: But the second thing that they're saying is potential suicide

1836
01:17:52,840 --> 01:17:54,839
Speaker 18: as well as drug overdose and natural causes.

1837
01:17:56,439 --> 01:18:00,320
Speaker 15: And this is just for uh two teams that were found.

1838
01:18:00,760 --> 01:18:01,839
Speaker 1: Where did you get the serial.

1839
01:18:03,600 --> 01:18:04,400
Speaker 3: Killing themselves?

1840
01:18:04,439 --> 01:18:07,160
Speaker 18: That many times the articles are seeing serial killer, but

1841
01:18:07,240 --> 01:18:10,240
Speaker 18: then the Austin police are saying they're denying the rumors

1842
01:18:10,280 --> 01:18:11,280
Speaker 18: of it being a serial killer.

1843
01:18:11,280 --> 01:18:12,840
Speaker 15: But at the same time they're still investigating.

1844
01:18:13,000 --> 01:18:13,839
Speaker 1: Yeah, we're still.

1845
01:18:13,680 --> 01:18:15,960
Speaker 13: Kicking the with comedian Tony Baker. Now, before I go

1846
01:18:16,040 --> 01:18:18,160
Speaker 13: to Diddy, you said you you pay attention to a

1847
01:18:18,200 --> 01:18:18,800
Speaker 13: woman's hands.

1848
01:18:18,840 --> 01:18:22,160
Speaker 3: Why I just do, Like, I look at the woman's hands.

1849
01:18:22,600 --> 01:18:23,120
Speaker 1: They're not big.

1850
01:18:23,760 --> 01:18:26,720
Speaker 12: No, it's just always look, you know, because a lot

1851
01:18:26,760 --> 01:18:28,760
Speaker 12: of women take care of their hands, Like Lauren has

1852
01:18:28,800 --> 01:18:31,320
Speaker 12: great hands in the finger in, the finger length and

1853
01:18:31,360 --> 01:18:34,040
Speaker 12: the moisturization and stuff like that. I pay attention to that,

1854
01:18:34,200 --> 01:18:36,960
Speaker 12: the nails, all that good stuff, especially when they be

1855
01:18:37,040 --> 01:18:39,120
Speaker 12: taking selfies and they be holding the phone a certain way.

1856
01:18:39,160 --> 01:18:41,639
Speaker 12: I always look at the hands, y'all, don't be looking at.

1857
01:18:41,600 --> 01:18:42,200
Speaker 3: The woman's hands.

1858
01:18:42,720 --> 01:18:44,080
Speaker 1: I'm married, David married.

1859
01:18:45,320 --> 01:18:46,879
Speaker 3: Well at your wife's saying, did y'all.

1860
01:18:46,680 --> 01:18:48,040
Speaker 1: Ever look at it all all the time?

1861
01:18:48,720 --> 01:18:51,040
Speaker 12: Remember that Seinfeld episode when he was dating the girl

1862
01:18:51,120 --> 01:18:52,040
Speaker 12: with the man hands.

1863
01:18:52,680 --> 01:18:53,360
Speaker 15: What does that mean?

1864
01:18:54,200 --> 01:18:56,599
Speaker 12: Yeah, no, she had man hands. She was a woman

1865
01:18:56,680 --> 01:18:59,160
Speaker 12: in the episode, but her hands was like you could

1866
01:18:59,200 --> 01:19:01,240
Speaker 12: tell it was a big manhand when she would reach

1867
01:19:01,280 --> 01:19:03,320
Speaker 12: over to him and she wanted to wipe some food

1868
01:19:03,400 --> 01:19:05,200
Speaker 12: off his cheek and he was like, no, I'm good,

1869
01:19:05,360 --> 01:19:07,679
Speaker 12: and then you just see a big, robust hand.

1870
01:19:07,760 --> 01:19:09,680
Speaker 2: Come on your ten thousand a day. You said, a

1871
01:19:09,720 --> 01:19:11,800
Speaker 2: wet handshake makes my soul weather. So what if it's

1872
01:19:11,800 --> 01:19:15,000
Speaker 2: a beautiful woman with nice hands with her hands are wet.

1873
01:19:17,400 --> 01:19:19,679
Speaker 3: Yeah, the wet hands, it's just gross.

1874
01:19:20,520 --> 01:19:22,880
Speaker 12: I can't deal with it, especially if we if we're

1875
01:19:22,880 --> 01:19:24,840
Speaker 12: gonna be talking, we're gonna be intimate, it's gonna be

1876
01:19:24,880 --> 01:19:26,120
Speaker 12: a wet hand all the time.

1877
01:19:26,760 --> 01:19:28,559
Speaker 3: She's gonna be massaging me with a wet hand.

1878
01:19:28,880 --> 01:19:30,599
Speaker 1: Or what if it's wet because she because you got

1879
01:19:30,640 --> 01:19:32,000
Speaker 1: her like that and she been putting her hand on

1880
01:19:32,080 --> 01:19:32,960
Speaker 1: the playing with that thing.

1881
01:19:33,479 --> 01:19:34,040
Speaker 3: He did it like that.

1882
01:19:34,120 --> 01:19:35,479
Speaker 1: He could have just said it without.

1883
01:19:36,960 --> 01:19:40,240
Speaker 3: The visual representation. But no, a wet handshake is the

1884
01:19:40,280 --> 01:19:40,800
Speaker 3: worst though.

1885
01:19:41,320 --> 01:19:43,360
Speaker 1: Yeah, Like, if I know you got a.

1886
01:19:43,360 --> 01:19:45,600
Speaker 3: Wet daft I'm gonna pound you up after that.

1887
01:19:45,760 --> 01:19:48,000
Speaker 1: I hate to do with the one nail. That one nail.

1888
01:19:49,520 --> 01:19:52,000
Speaker 3: Scratch you like cut that. I hate dapping dudes with

1889
01:19:52,080 --> 01:19:54,799
Speaker 3: the long nail. Yeah, like, man, you a vampire.

1890
01:19:56,439 --> 01:19:57,760
Speaker 1: The one long pig is for the coke.

1891
01:19:57,880 --> 01:19:58,559
Speaker 3: That's where the coach.

1892
01:19:59,000 --> 01:20:00,920
Speaker 12: I'm like, if you ain't doing and that, then you

1893
01:20:01,040 --> 01:20:03,479
Speaker 12: better be a vampire. If you scratched me up into dap.

1894
01:20:03,640 --> 01:20:06,880
Speaker 2: Damn and women be looking at it is disrespectful. I

1895
01:20:06,880 --> 01:20:08,439
Speaker 2: think about that all the time. You washing hands, Like

1896
01:20:08,560 --> 01:20:09,960
Speaker 2: if I know my hands even a little dap, I

1897
01:20:10,040 --> 01:20:11,320
Speaker 2: tell it. I tell you, like now my hand, damn,

1898
01:20:11,400 --> 01:20:13,600
Speaker 2: I give you an elbows. Disrespectful, you know.

1899
01:20:13,720 --> 01:20:17,320
Speaker 3: Come around the corner with random wetness, gross.

1900
01:20:17,280 --> 01:20:18,080
Speaker 1: Like repete on yourself.

1901
01:20:18,160 --> 01:20:19,040
Speaker 3: Yeah, get man.

1902
01:20:19,479 --> 01:20:21,080
Speaker 2: And the thing that you got to look out for

1903
01:20:21,200 --> 01:20:23,280
Speaker 2: that you don't never realize is you know, you know

1904
01:20:23,439 --> 01:20:25,880
Speaker 2: sometimes you might just be walking in tugy penis. But

1905
01:20:26,240 --> 01:20:28,280
Speaker 2: and then like like you know, if you have the

1906
01:20:28,320 --> 01:20:30,040
Speaker 2: house of something of your tugy penis and somebody walk in,

1907
01:20:30,280 --> 01:20:31,760
Speaker 2: give them you don't do that.

1908
01:20:32,160 --> 01:20:36,080
Speaker 3: Like wrong penis touff like wrong like inside the tug that.

1909
01:20:36,520 --> 01:20:38,080
Speaker 1: You walk around this tugget peenus just.

1910
01:20:38,200 --> 01:20:41,880
Speaker 2: Just randomly why it's a long story, but when I

1911
01:20:42,000 --> 01:20:44,920
Speaker 2: was younger, I had bought these pills called Magna RX.

1912
01:20:45,160 --> 01:20:46,320
Speaker 1: They seem like we all do it, but.

1913
01:20:46,360 --> 01:20:50,560
Speaker 3: Now like outside the clothing adjustment.

1914
01:20:50,120 --> 01:20:51,840
Speaker 2: You just like when I was young, I had bought

1915
01:20:51,880 --> 01:20:53,760
Speaker 2: these pills called Magna RX, and it's supposed to be

1916
01:20:54,120 --> 01:20:56,240
Speaker 2: pills to make your penis bigger. And so one of

1917
01:20:56,280 --> 01:20:57,840
Speaker 2: the things that they told you when you buy the

1918
01:20:57,880 --> 01:20:59,320
Speaker 2: Magna X is you read it. They told you do

1919
01:20:59,439 --> 01:21:01,000
Speaker 2: this little extra side when you tug on it when

1920
01:21:01,000 --> 01:21:03,120
Speaker 2: it's flasted. And so that's just a habit I've had

1921
01:21:03,200 --> 01:21:04,080
Speaker 2: since I was young.

1922
01:21:04,280 --> 01:21:06,439
Speaker 3: I respect the fact that you admitted that you get

1923
01:21:06,479 --> 01:21:07,879
Speaker 3: the penis enlargement.

1924
01:21:08,479 --> 01:21:11,000
Speaker 1: Man. No, I ordered them out the back of double

1925
01:21:11,120 --> 01:21:11,360
Speaker 1: X lup.

1926
01:21:11,720 --> 01:21:12,000
Speaker 3: Wow.

1927
01:21:13,400 --> 01:21:18,840
Speaker 1: Yeah, I don't know. Actually, oh I was early twenty,

1928
01:21:21,479 --> 01:21:23,600
Speaker 1: but I don't know what they were. I don't know.

1929
01:21:23,760 --> 01:21:24,519
Speaker 1: That's a good question.

1930
01:21:24,680 --> 01:21:25,360
Speaker 3: You don't measure.

1931
01:21:25,960 --> 01:21:28,240
Speaker 2: I've been seven inches three four for a long time.

1932
01:21:28,560 --> 01:21:30,519
Speaker 2: When it's eight, when it's summertime.

1933
01:21:30,360 --> 01:21:32,439
Speaker 3: You don't measure, envy, No, why not?

1934
01:21:32,680 --> 01:21:33,960
Speaker 1: I've been married for so long.

1935
01:21:35,840 --> 01:21:39,120
Speaker 3: Marriage The truth never, you ain't never measured.

1936
01:21:39,200 --> 01:21:43,200
Speaker 15: No, you said like you do off every year every year.

1937
01:21:43,360 --> 01:21:45,560
Speaker 3: Yeah, make sure ain't no fun and games happening. I

1938
01:21:45,760 --> 01:21:47,080
Speaker 3: measured annually.

1939
01:21:46,760 --> 01:21:47,639
Speaker 15: You've seen changes.

1940
01:21:48,600 --> 01:21:49,799
Speaker 3: No, it's usually consistent.

1941
01:21:49,880 --> 01:21:53,680
Speaker 1: But when you get older, you get older and naturally and.

1942
01:21:53,840 --> 01:21:55,880
Speaker 12: So you get short. And I'm like, all right, let

1943
01:21:55,920 --> 01:21:57,840
Speaker 12: me see what's happening. Yeah, yeah, I'm measured every year.

1944
01:21:58,040 --> 01:21:59,640
Speaker 2: I just don't know when that when they I know

1945
01:21:59,680 --> 01:22:01,120
Speaker 2: they say when you get older. I just don't know

1946
01:22:01,240 --> 01:22:04,080
Speaker 2: when birthday. By the way, thank you, thank you, thank you,

1947
01:22:04,200 --> 01:22:05,720
Speaker 2: thank you. So I'm the only person that do a

1948
01:22:05,760 --> 01:22:07,519
Speaker 2: little little little tug when it's flashed.

1949
01:22:07,840 --> 01:22:12,320
Speaker 3: Raw tug is wild, especially like where you be here,

1950
01:22:12,360 --> 01:22:12,880
Speaker 3: you be at home?

1951
01:22:13,880 --> 01:22:18,360
Speaker 1: Who tug crazy?

1952
01:22:19,520 --> 01:22:22,960
Speaker 3: That's crazy? Whose raw tug is wild?

1953
01:22:24,800 --> 01:22:26,559
Speaker 1: Speaking of Ditty, you said Diddy might get off, right,

1954
01:22:26,720 --> 01:22:33,800
Speaker 1: he was speaking goddamn Diddy, God damn Diddy. And the

1955
01:22:33,840 --> 01:22:35,439
Speaker 1: thoughts of the day. You said Diddy might get off.

1956
01:22:35,479 --> 01:22:37,559
Speaker 1: What's your thoughts on Diddy? Because were they were dropping

1957
01:22:37,640 --> 01:22:41,719
Speaker 1: some charges and I was like, oh, Tony, that's Lauren.

1958
01:22:42,520 --> 01:22:43,799
Speaker 15: They backed away from theories.

1959
01:22:44,400 --> 01:22:44,519
Speaker 17: Uh.

1960
01:22:45,240 --> 01:22:48,040
Speaker 18: Basically, the way that the jury was instructed to deliberate

1961
01:22:48,280 --> 01:22:50,680
Speaker 18: was like, don't worry too much about this because this

1962
01:22:50,800 --> 01:22:51,720
Speaker 18: is where we're stronger at.

1963
01:22:52,040 --> 01:22:53,760
Speaker 15: But no charges have actually been drying.

1964
01:22:53,880 --> 01:22:56,519
Speaker 3: Okay, So false headlines, yes.

1965
01:22:56,760 --> 01:22:59,120
Speaker 15: Okay, but did you think he was coming home before that?

1966
01:22:59,640 --> 01:23:00,640
Speaker 3: I thought he was going in.

1967
01:23:01,400 --> 01:23:02,519
Speaker 15: Now you don't think he's going in.

1968
01:23:02,960 --> 01:23:05,000
Speaker 12: Once they said that, they was like, they're dropping the

1969
01:23:05,800 --> 01:23:07,479
Speaker 12: was it sex trafficking? There was like a few that

1970
01:23:07,560 --> 01:23:07,920
Speaker 12: they had.

1971
01:23:08,479 --> 01:23:09,479
Speaker 1: Arson and the kidnapping.

1972
01:23:09,520 --> 01:23:12,360
Speaker 3: I think yeah, the arson, kidnapping and the sex trafficking

1973
01:23:12,600 --> 01:23:14,599
Speaker 3: was I was like, oh, it sounds like he might.

1974
01:23:14,760 --> 01:23:15,920
Speaker 1: Yeah, they ain't dropping none of those.

1975
01:23:16,160 --> 01:23:17,760
Speaker 3: Well, then he going in.

1976
01:23:17,880 --> 01:23:20,360
Speaker 12: He going somewhere like I don't know how long he getting,

1977
01:23:20,360 --> 01:23:22,720
Speaker 12: but he getting something. You put a Paul him.

1978
01:23:22,920 --> 01:23:29,519
Speaker 1: God sounded crazy, how long he gonna be? But he

1979
01:23:29,600 --> 01:23:30,240
Speaker 1: getting something?

1980
01:23:30,280 --> 01:23:34,320
Speaker 15: You posted only because y'all been in here tripping on the.

1981
01:23:34,360 --> 01:23:35,759
Speaker 3: Hall Paul's episode.

1982
01:23:36,920 --> 01:23:38,960
Speaker 1: He might get off? Why get off?

1983
01:23:39,640 --> 01:23:40,519
Speaker 3: Did he might get off?

1984
01:23:40,760 --> 01:23:43,479
Speaker 1: Yeah? I know what you meant. I don't think that needed.

1985
01:23:44,479 --> 01:23:48,120
Speaker 1: The just felt like just the whole case.

1986
01:23:48,160 --> 01:23:50,200
Speaker 3: He just gotta just got to put a button on

1987
01:23:50,280 --> 01:23:50,960
Speaker 3: the ten thoughts.

1988
01:23:51,760 --> 01:23:53,080
Speaker 1: What do you think when you when you heard that

1989
01:23:53,160 --> 01:23:55,599
Speaker 1: he allegedly likes men seemen on his nipples?

1990
01:23:56,400 --> 01:23:59,320
Speaker 15: He does you ain't hurt nothing else but them?

1991
01:23:59,400 --> 01:24:03,519
Speaker 3: Charge of job that he's like men seeming on his nipple.

1992
01:24:03,600 --> 01:24:06,920
Speaker 15: That's one of the girls alleged No, not a girl.

1993
01:24:07,040 --> 01:24:09,920
Speaker 1: Kathy said that he's not joking. He jokes like he

1994
01:24:09,960 --> 01:24:10,479
Speaker 1: did not joking.

1995
01:24:10,520 --> 01:24:12,559
Speaker 3: This is true, this is real. This is what said.

1996
01:24:12,960 --> 01:24:17,400
Speaker 3: That's wild business, Doug, that's wild. I ain't know that.

1997
01:24:18,439 --> 01:24:20,599
Speaker 3: I mean, we're all into summer.

1998
01:24:20,640 --> 01:24:22,680
Speaker 1: I guess I ain't nothing like that.

1999
01:24:23,720 --> 01:24:28,559
Speaker 3: It's something you be. You be tugging raw whole foods.

2000
01:24:28,720 --> 01:24:31,759
Speaker 3: You know what I'm saying. You're liable to do anything

2001
01:24:31,880 --> 01:24:32,679
Speaker 3: at this point.

2002
01:24:33,760 --> 01:24:36,800
Speaker 1: That would sound crazy in a court game, right he was.

2003
01:24:37,120 --> 01:24:39,000
Speaker 1: He was tugging raw and wholeful.

2004
01:24:40,280 --> 01:24:42,479
Speaker 3: In the self served part where you make your own plate.

2005
01:24:42,600 --> 01:24:43,280
Speaker 3: Man's wild.

2006
01:24:43,320 --> 01:24:45,040
Speaker 15: When you walk in your local Hoo Foods down, they're

2007
01:24:45,040 --> 01:24:46,120
Speaker 15: gonna look at you so different.

2008
01:24:47,080 --> 01:24:50,599
Speaker 1: I don't go Whole Foods. I go on Weamon, Who

2009
01:24:50,640 --> 01:24:52,719
Speaker 1: would you say? You are hopeful too expensive?

2010
01:24:53,080 --> 01:24:53,879
Speaker 3: It is expensive.

2011
01:24:54,640 --> 01:25:00,040
Speaker 1: Sure, whoe Men is spensive too, but it's hopefull. He

2012
01:25:00,160 --> 01:25:04,480
Speaker 1: walks into the Wegmans. Hopeful is different, disrespectful, expensive, especially.

2013
01:25:04,160 --> 01:25:06,519
Speaker 12: When you build your own and you weigh it, they'd

2014
01:25:06,560 --> 01:25:09,160
Speaker 12: be like thirty seven dollars for your rice and your

2015
01:25:09,200 --> 01:25:10,160
Speaker 12: little potato ball.

2016
01:25:10,439 --> 01:25:13,879
Speaker 13: They're still kicking it with comedian Tony Baker Charlamagne, Who would.

2017
01:25:13,760 --> 01:25:15,280
Speaker 1: You say you are outside of comedy?

2018
01:25:15,680 --> 01:25:16,280
Speaker 3: This is a dad.

2019
01:25:18,160 --> 01:25:20,200
Speaker 12: Just regularly, I'll be playing game. I'm a movie nerd

2020
01:25:20,320 --> 01:25:23,920
Speaker 12: for sure, thousand percent. Yeah, outside of comedy. I'm an

2021
01:25:23,920 --> 01:25:26,559
Speaker 12: actor too. So I started out acting before the comedy

2022
01:25:27,240 --> 01:25:28,800
Speaker 12: and then I just started doing stand up and I

2023
01:25:28,880 --> 01:25:30,559
Speaker 12: was like, oh, I got more control over my career

2024
01:25:30,640 --> 01:25:34,639
Speaker 12: with this, so, you know, just a naturally funny dude.

2025
01:25:34,760 --> 01:25:38,400
Speaker 12: I denied the funny growing up because my brother's never

2026
01:25:38,520 --> 01:25:40,439
Speaker 12: laughed at me, so I felt like I wasn't funny.

2027
01:25:40,720 --> 01:25:42,679
Speaker 12: So then I would go to school and they'd be laughing,

2028
01:25:42,800 --> 01:25:43,799
Speaker 12: but it never registered.

2029
01:25:44,080 --> 01:25:45,360
Speaker 1: So I was just like whatever.

2030
01:25:45,720 --> 01:25:47,519
Speaker 2: That's why being a comedian it's so tough, because it's

2031
01:25:47,560 --> 01:25:50,400
Speaker 2: like you need that validation. How you talked about and

2032
01:25:50,520 --> 01:25:51,920
Speaker 2: you did that s and L and you didn't get

2033
01:25:52,000 --> 01:25:54,160
Speaker 2: no laughter from them. And then you said your brothers

2034
01:25:54,200 --> 01:25:56,600
Speaker 2: didn't laugh at you, So how did you know you

2035
01:25:56,760 --> 01:25:57,160
Speaker 2: was funny?

2036
01:25:58,120 --> 01:26:01,439
Speaker 12: I found out people were saying it, but it still

2037
01:26:01,600 --> 01:26:03,600
Speaker 12: just didn't register. It was just like, girls be like

2038
01:26:03,680 --> 01:26:06,200
Speaker 12: you funny, like when you're young. I didn't want to

2039
01:26:06,200 --> 01:26:08,040
Speaker 12: be funny to the girls. You know this before I

2040
01:26:08,120 --> 01:26:11,599
Speaker 12: knew funny, was you know funny, and I'm like, man,

2041
01:26:11,640 --> 01:26:13,320
Speaker 12: I'm trying to be cool, and like, you know what

2042
01:26:13,360 --> 01:26:14,400
Speaker 12: I'm saying, I'm trying to holler.

2043
01:26:14,680 --> 01:26:15,240
Speaker 3: But then.

2044
01:26:17,040 --> 01:26:18,840
Speaker 12: Then when I was going through college and stuff and

2045
01:26:18,920 --> 01:26:21,840
Speaker 12: hosting shows and all that stuff, and this random girl

2046
01:26:22,479 --> 01:26:24,439
Speaker 12: pulled me to the side and was like, yeah, hilarious.

2047
01:26:24,520 --> 01:26:25,960
Speaker 12: I was like, who are you and she was like,

2048
01:26:26,080 --> 01:26:29,040
Speaker 12: I saw you host that an MC battle thing. And

2049
01:26:29,160 --> 01:26:32,000
Speaker 12: so then that's when it registered, because she pulled me

2050
01:26:32,040 --> 01:26:34,400
Speaker 12: out of nowhere. I was at a common concert for

2051
01:26:34,560 --> 01:26:37,439
Speaker 12: Electric Circuits tour and she said that, and then it

2052
01:26:37,600 --> 01:26:40,200
Speaker 12: just always stuck. Man, you know what I'm saying, I

2053
01:26:40,280 --> 01:26:42,920
Speaker 12: might be funny for real, even though people have been

2054
01:26:42,960 --> 01:26:45,760
Speaker 12: saying it for years, it just never registered. And so

2055
01:26:47,080 --> 01:26:48,920
Speaker 12: and then I used that once I moved to LA

2056
01:26:49,000 --> 01:26:51,479
Speaker 12: for acting, and I was like, man, maybe I should

2057
01:26:51,479 --> 01:26:53,360
Speaker 12: try to stand up as a way, you know, to

2058
01:26:53,439 --> 01:26:56,360
Speaker 12: get rolls and stuff. And then I did stand up

2059
01:26:56,400 --> 01:26:58,040
Speaker 12: one time and just kept going ever since.

2060
01:26:58,600 --> 01:27:00,599
Speaker 1: Remember your wors show always talk about you showing your best.

2061
01:27:00,840 --> 01:27:03,400
Speaker 12: Hell yeah, I remember I bombed out here in uh

2062
01:27:04,120 --> 01:27:07,360
Speaker 12: in the Bronx at Rob Stapleton's room.

2063
01:27:07,400 --> 01:27:10,760
Speaker 1: Of course, Rob Stapleton, who was I'm sure it was

2064
01:27:10,800 --> 01:27:13,000
Speaker 1: there talent, they weren't.

2065
01:27:13,000 --> 01:27:14,680
Speaker 3: They weren't there that night. It was just Rob. It

2066
01:27:14,800 --> 01:27:16,519
Speaker 3: was a salsa confuego his shor.

2067
01:27:17,360 --> 01:27:20,360
Speaker 12: And I went in there. I wasn't planning on going up.

2068
01:27:20,400 --> 01:27:23,439
Speaker 12: I asked shorts on me and my ex girlfriend.

2069
01:27:23,840 --> 01:27:25,320
Speaker 3: We were just there. I just wanted to see the

2070
01:27:25,360 --> 01:27:26,800
Speaker 3: room because I know Rob for a long time.

2071
01:27:26,840 --> 01:27:28,200
Speaker 1: Let me just goe people through it.

2072
01:27:28,680 --> 01:27:29,439
Speaker 3: So I'm just sitting there.

2073
01:27:29,479 --> 01:27:30,720
Speaker 1: He's like, yo, doing you want to go up?

2074
01:27:30,800 --> 01:27:32,000
Speaker 3: I was like, nah, you know what I'm saying. We're

2075
01:27:32,040 --> 01:27:34,080
Speaker 3: just chilling, you know what I'm saying. And then he

2076
01:27:34,240 --> 01:27:36,080
Speaker 3: came back and I was like, oh, I really don't

2077
01:27:36,080 --> 01:27:36,360
Speaker 3: want to go.

2078
01:27:36,520 --> 01:27:41,479
Speaker 1: I ask shorts, basketball shorts that just had on, like

2079
01:27:41,600 --> 01:27:45,240
Speaker 1: some jeans shorts and it was hard to talking, but yeah.

2080
01:27:45,080 --> 01:27:46,160
Speaker 3: It was you know what I'm saying.

2081
01:27:46,360 --> 01:27:49,320
Speaker 12: If you're not Gabriel Glaciers, put some pants on and

2082
01:27:49,439 --> 01:27:51,760
Speaker 12: so uh So I was just like, nah, you know,

2083
01:27:51,960 --> 01:27:53,360
Speaker 12: I didn't want to say no, but I was trying

2084
01:27:53,360 --> 01:27:53,680
Speaker 12: to say no.

2085
01:27:53,800 --> 01:27:55,000
Speaker 3: Then he came back a third time.

2086
01:27:55,080 --> 01:27:57,559
Speaker 12: He was like, yo, man, it five minutes of ice

2087
01:27:57,680 --> 01:28:00,759
Speaker 12: like and then my girl was like just five minutes

2088
01:28:00,960 --> 01:28:03,160
Speaker 12: and I was all right, man, I do five minutes

2089
01:28:03,200 --> 01:28:05,519
Speaker 12: went up there, man, telling my jokes.

2090
01:28:05,560 --> 01:28:08,160
Speaker 3: I went up there with the good material and they

2091
01:28:08,320 --> 01:28:09,280
Speaker 3: was just distracted.

2092
01:28:09,400 --> 01:28:11,679
Speaker 12: They was on their phone. I was just like, damn,

2093
01:28:11,720 --> 01:28:14,400
Speaker 12: I'm a bit a tanking. It was other comedians up there, like, man,

2094
01:28:14,479 --> 01:28:17,120
Speaker 12: let's see what Tony Baker is all about the al.

2095
01:28:17,200 --> 01:28:19,920
Speaker 12: This one made the ale official. After I did that

2096
01:28:20,080 --> 01:28:24,000
Speaker 12: medio cassette before I get off stage, robbers like, nah, man,

2097
01:28:24,040 --> 01:28:28,080
Speaker 12: come in, Tom, y'all don't understand, man, this dude's funny. Man, Damn,

2098
01:28:28,600 --> 01:28:30,760
Speaker 12: the nail in the coffin. I was a skeleton in

2099
01:28:30,840 --> 01:28:33,400
Speaker 12: his arms at that point. I was dead on the ride.

2100
01:28:33,640 --> 01:28:34,439
Speaker 1: Man, y'all, don't get it.

2101
01:28:34,560 --> 01:28:37,200
Speaker 3: Man, Zip me up, zip up my bag and throw

2102
01:28:37,240 --> 01:28:38,280
Speaker 3: me in the corner truck.

2103
01:28:38,360 --> 01:28:38,519
Speaker 1: Man.

2104
01:28:40,200 --> 01:28:41,439
Speaker 3: That was the nail in the coffin.

2105
01:28:41,520 --> 01:28:42,960
Speaker 1: Man, what'd you tell your girl when you walked up?

2106
01:28:43,000 --> 01:28:43,760
Speaker 1: And then I told you.

2107
01:28:44,360 --> 01:28:46,120
Speaker 3: I was like, man, I had the shorts on, and

2108
01:28:46,200 --> 01:28:50,040
Speaker 3: you said, and then that's why we broke up. That's

2109
01:28:50,080 --> 01:28:50,880
Speaker 3: not why we broke up.

2110
01:28:50,920 --> 01:28:53,400
Speaker 12: But I got revenge in Brooklyn like the next night.

2111
01:28:53,640 --> 01:28:56,640
Speaker 12: But uh, that was that was like the latest bomb that.

2112
01:28:56,680 --> 01:28:57,160
Speaker 3: Sticks with me.

2113
01:28:57,200 --> 01:28:58,760
Speaker 12: I remember my first one that was at the Jay

2114
01:28:58,800 --> 01:29:02,120
Speaker 12: spot in Inglewood and I went up there and it

2115
01:29:02,200 --> 01:29:04,840
Speaker 12: was a black room, kind of hood hoodish, you know.

2116
01:29:05,040 --> 01:29:07,240
Speaker 3: I went up there, did my material.

2117
01:29:07,320 --> 01:29:10,080
Speaker 12: They was just like you know what I'm saying, You

2118
01:29:10,160 --> 01:29:12,200
Speaker 12: know what I'm saying. And then I got off stage.

2119
01:29:12,240 --> 01:29:14,080
Speaker 12: Comedian was like, look like he just got out of jam.

2120
01:29:14,240 --> 01:29:15,280
Speaker 12: Was like, I'm gonna do comedy.

2121
01:29:15,680 --> 01:29:17,960
Speaker 1: Crowd laughed. I was like, that's crazy.

2122
01:29:18,720 --> 01:29:21,200
Speaker 3: So I took that l down where I was like, Yo,

2123
01:29:21,240 --> 01:29:23,360
Speaker 3: I'm gonna get revenge anytime I take an AL. I

2124
01:29:23,400 --> 01:29:25,800
Speaker 3: want revenge. I want another show. So I went up

2125
01:29:25,800 --> 01:29:28,519
Speaker 3: there a second time, did worse than the first time

2126
01:29:28,640 --> 01:29:32,000
Speaker 3: at him double l LLL cool JL Ron Hulbert and

2127
01:29:32,120 --> 01:29:35,320
Speaker 3: then this this how official AL was.

2128
01:29:35,400 --> 01:29:37,040
Speaker 1: The dude was looking at me in the front row

2129
01:29:37,080 --> 01:29:38,000
Speaker 1: and he was just looking at me.

2130
01:29:38,000 --> 01:29:39,920
Speaker 12: And then he just turned to the side and looked

2131
01:29:39,920 --> 01:29:42,200
Speaker 12: at this girl like what's up with tonight? And I

2132
01:29:42,320 --> 01:29:44,720
Speaker 12: heard him say it, and I was just like god

2133
01:29:44,840 --> 01:29:47,360
Speaker 12: damn because he just turned He was like, man, what's

2134
01:29:47,439 --> 01:29:47,960
Speaker 12: up with tonight?

2135
01:29:48,000 --> 01:29:49,360
Speaker 1: What you to say? Nothing? You took me to this

2136
01:29:49,400 --> 01:29:51,160
Speaker 1: black ass comedy show. The best you can take me?

2137
01:29:53,240 --> 01:29:54,320
Speaker 3: Been a skeleton again?

2138
01:29:54,600 --> 01:29:58,200
Speaker 12: Man? I had pants on, yeah, but I remember the

2139
01:29:58,240 --> 01:30:00,880
Speaker 12: als Man, but they're always funnier than the winds though.

2140
01:30:01,000 --> 01:30:02,600
Speaker 2: Yeah, you know, you were one of the first to

2141
01:30:02,720 --> 01:30:06,000
Speaker 2: blend stand up and social media in a way to

2142
01:30:06,120 --> 01:30:08,040
Speaker 2: me that didn't feel false.

2143
01:30:08,640 --> 01:30:10,800
Speaker 1: Yeah, but how did you avoid the trap of, like,

2144
01:30:10,920 --> 01:30:12,800
Speaker 1: you know, saying, you know what they say, I suck

2145
01:30:12,840 --> 01:30:15,000
Speaker 1: on stage. I'm just gonna I'm gonna go full time influencer.

2146
01:30:15,680 --> 01:30:19,280
Speaker 12: Oh no, like stand up for me is everything, Like

2147
01:30:19,640 --> 01:30:21,680
Speaker 12: I just used social media just to get you to

2148
01:30:21,720 --> 01:30:23,800
Speaker 12: come to my should And so, you know, when I

2149
01:30:23,880 --> 01:30:28,960
Speaker 12: was doing the voiceovers heavy my following exploded the animal voiceover. Yeah,

2150
01:30:29,400 --> 01:30:32,000
Speaker 12: and so once I started doing that, you know now

2151
01:30:32,080 --> 01:30:34,960
Speaker 12: and now the stand up clips are in. But once

2152
01:30:35,040 --> 01:30:37,439
Speaker 12: I started doing the voiceovers, I was like, good, come

2153
01:30:37,560 --> 01:30:38,160
Speaker 12: see me live.

2154
01:30:38,360 --> 01:30:39,880
Speaker 1: They they never want you to do that on stage,

2155
01:30:40,000 --> 01:30:42,400
Speaker 1: like animal voice Tony.

2156
01:30:42,520 --> 01:30:45,920
Speaker 12: This lady said that recently my shows in Detroit. She

2157
01:30:46,200 --> 01:30:47,800
Speaker 12: was like, I thought you were gonna do like some

2158
01:30:47,920 --> 01:30:51,599
Speaker 12: animal stuff. I was like, that don't translate on stage.

2159
01:30:52,000 --> 01:30:53,840
Speaker 12: She's just like, man, I just thought she was gonna

2160
01:30:53,880 --> 01:30:56,559
Speaker 12: do something. And I think I think the white audience

2161
01:30:56,840 --> 01:30:58,760
Speaker 12: looks at me like that a little bit, you know,

2162
01:30:58,840 --> 01:31:00,439
Speaker 12: because they come expecting one thing.

2163
01:31:00,680 --> 01:31:03,000
Speaker 3: Like the cats. You know what I'm saying. Black folks

2164
01:31:03,080 --> 01:31:05,320
Speaker 3: get it. But she was white lady, and.

2165
01:31:05,400 --> 01:31:08,840
Speaker 12: I was like, hell, no home, dude, what I'm gonna

2166
01:31:08,840 --> 01:31:12,040
Speaker 12: do on stage? You know, I do talk about animals.

2167
01:31:11,720 --> 01:31:13,800
Speaker 2: And stuff like that, But man, if I was at

2168
01:31:13,800 --> 01:31:15,920
Speaker 2: a show and I saw somebody bombing and then they

2169
01:31:16,000 --> 01:31:17,920
Speaker 2: broke out in the animal voice, oh my god, I

2170
01:31:17,960 --> 01:31:18,800
Speaker 2: wouldn't die.

2171
01:31:19,200 --> 01:31:22,400
Speaker 12: I'd be like, cute up the video and just do that,

2172
01:31:23,439 --> 01:31:25,280
Speaker 12: just like a random cat video, and I'm just sitting

2173
01:31:25,320 --> 01:31:29,120
Speaker 12: there like, man, I would be dead inside skeleton again.

2174
01:31:29,240 --> 01:31:31,160
Speaker 1: Just put the shorts on me, because I love. I'm

2175
01:31:31,200 --> 01:31:31,800
Speaker 1: not gonna front.

2176
01:31:32,320 --> 01:31:38,600
Speaker 2: When somebody's doing really really good, I'm silent because I'm listening. Actually,

2177
01:31:38,720 --> 01:31:41,160
Speaker 2: that's why I love watching stand up on TV, because

2178
01:31:41,160 --> 01:31:43,679
Speaker 2: there's nobody around you to laugh over what the next

2179
01:31:43,800 --> 01:31:47,160
Speaker 2: joke might be. You know, sometimes comedians y'all tell jokes

2180
01:31:47,160 --> 01:31:49,320
Speaker 2: and then it'll be just like a something small. You'll

2181
01:31:49,360 --> 01:31:52,200
Speaker 2: sandy your breath, but you'll miss it because everybody laughing.

2182
01:31:52,479 --> 01:31:53,320
Speaker 1: So I like to listen.

2183
01:31:53,439 --> 01:31:57,120
Speaker 2: So when somebody's really good, I'm like, like really intently

2184
01:31:57,200 --> 01:31:59,040
Speaker 2: listening and might chuckle.

2185
01:31:59,560 --> 01:32:02,519
Speaker 1: But when somebody's bombing, I'm dying.

2186
01:32:03,439 --> 01:32:06,720
Speaker 12: I don't know the words. I don't know why, man,

2187
01:32:06,880 --> 01:32:09,439
Speaker 12: I'll be feeling bad. I hate laughing at the bomb

2188
01:32:09,560 --> 01:32:12,320
Speaker 12: because I too could be a victim of the bomb.

2189
01:32:12,439 --> 01:32:15,439
Speaker 12: You know, no comedians is above the bomb. Every comedian

2190
01:32:15,600 --> 01:32:18,040
Speaker 12: is bomb. So I'm always scared the karma is gonna

2191
01:32:18,080 --> 01:32:20,200
Speaker 12: come back. So I just be like, damn man. But

2192
01:32:20,320 --> 01:32:22,680
Speaker 12: if a comedian is cocky and they bomb, I love it.

2193
01:32:22,840 --> 01:32:25,880
Speaker 12: Oh I'll be I'll be eating it up back there.

2194
01:32:25,920 --> 01:32:28,040
Speaker 12: I'll be be a full course meal. But like you

2195
01:32:28,120 --> 01:32:30,840
Speaker 12: thought she was just gonna go up that rip.

2196
01:32:31,000 --> 01:32:32,560
Speaker 1: I think the thing that makes me laughing I like

2197
01:32:32,600 --> 01:32:34,519
Speaker 1: seeing people trying to dig their way out of that hole.

2198
01:32:35,720 --> 01:32:38,200
Speaker 12: If you don't ask you up there taking the air,

2199
01:32:38,320 --> 01:32:44,240
Speaker 12: I'll be like, he loves that, like he loves this show.

2200
01:32:44,240 --> 01:32:45,840
Speaker 1: He always talks about the God don't do that. I'm

2201
01:32:45,840 --> 01:32:47,479
Speaker 1: not going to say the person, but he talks about

2202
01:32:47,520 --> 01:32:52,280
Speaker 1: the show all the time. Who is you? That's my man?

2203
01:32:52,760 --> 01:32:55,000
Speaker 1: And he's over that. He don't got to scrub from

2204
01:32:55,000 --> 01:32:55,360
Speaker 1: the internet.

2205
01:32:55,360 --> 01:32:58,080
Speaker 3: Wait, somebody bombs at the garden years years.

2206
01:32:57,960 --> 01:33:02,200
Speaker 1: Years, Yes, but it was so funny. I mean, the

2207
01:33:02,280 --> 01:33:02,920
Speaker 1: best one ever.

2208
01:33:04,520 --> 01:33:06,559
Speaker 3: Dang, that's an epic bomb.

2209
01:33:06,680 --> 01:33:08,840
Speaker 1: No that's my guy. I don't want to bring that

2210
01:33:08,920 --> 01:33:12,360
Speaker 1: up now. I'll tell you late. I tell you super funny.

2211
01:33:12,400 --> 01:33:14,640
Speaker 1: By the way, is super four years he just had a.

2212
01:33:14,840 --> 01:33:15,840
Speaker 3: Bad is he black?

2213
01:33:16,120 --> 01:33:16,280
Speaker 1: Yes?

2214
01:33:16,360 --> 01:33:17,120
Speaker 3: He's been around for this.

2215
01:33:17,400 --> 01:33:18,960
Speaker 1: Did that one show? Was just yeah, he's been it's

2216
01:33:19,200 --> 01:33:22,200
Speaker 1: like fifteen years ago. Trying to figure it out. What

2217
01:33:22,280 --> 01:33:27,920
Speaker 1: do you have on? What city? He doing? You come

2218
01:33:28,000 --> 01:33:29,080
Speaker 1: on every every eight years?

2219
01:33:29,120 --> 01:33:31,840
Speaker 3: You come up here nine years? No, I was here? Uh,

2220
01:33:32,960 --> 01:33:35,760
Speaker 3: last time I was in New York? Was was it Caroline?

2221
01:33:35,880 --> 01:33:38,679
Speaker 12: So I want to say twenty twenty two? Maybe maybe

2222
01:33:38,720 --> 01:33:43,760
Speaker 12: it was twenty one twenty Caroline's closing. Yeah, so I

2223
01:33:43,800 --> 01:33:45,240
Speaker 12: think that was the last time I came out here.

2224
01:33:45,280 --> 01:33:45,599
Speaker 3: Solo.

2225
01:33:46,360 --> 01:33:48,679
Speaker 12: Me and Kevin going on on tour. Me and Kevil

2226
01:33:48,720 --> 01:33:52,120
Speaker 12: on stage, going on tour in September, the Ball Brothers

2227
01:33:52,200 --> 01:33:55,600
Speaker 12: Tour starting September through November. You can get tickets on

2228
01:33:55,720 --> 01:33:58,920
Speaker 12: Kevi on stage dot com right now. It's gonna be

2229
01:33:58,960 --> 01:34:00,799
Speaker 12: on more links to but we start.

2230
01:34:00,600 --> 01:34:01,280
Speaker 3: That in September.

2231
01:34:01,400 --> 01:34:04,080
Speaker 1: That's dope man, traveling to traveling the country, getting money

2232
01:34:04,080 --> 01:34:04,519
Speaker 1: with your friends.

2233
01:34:05,080 --> 01:34:06,880
Speaker 3: It's the best, just the best.

2234
01:34:07,360 --> 01:34:09,280
Speaker 12: That's what I want to doing stand up and we

2235
01:34:09,400 --> 01:34:11,760
Speaker 12: appreciate you for joining us, Tony, thanks for having me, and.

2236
01:34:11,800 --> 01:34:15,160
Speaker 1: Subscribe to Tony's podcast to wherever you listen to podcasts.

2237
01:34:14,760 --> 01:34:17,280
Speaker 3: At Yes, Verbal Cardio get in on that, and we

2238
01:34:17,360 --> 01:34:18,920
Speaker 3: got the Ball Brothers podcast as well.

2239
01:34:19,640 --> 01:34:21,280
Speaker 1: Well, it's the Breakfast Club. It's Tony Baker.

2240
01:34:21,520 --> 01:34:25,840
Speaker 13: Yes, warning, everybody's DJ n V, Jess Hilarius, Charlamane God.

2241
01:34:25,920 --> 01:34:28,000
Speaker 1: We are the Breakfast Club. Now you got a positive note.

2242
01:34:28,160 --> 01:34:30,240
Speaker 2: Positive note is simply this, and this is something that

2243
01:34:30,320 --> 01:34:33,000
Speaker 2: I live by. It's a quote that I love. The

2244
01:34:33,120 --> 01:34:36,599
Speaker 2: content of your character is your choice day by day.

2245
01:34:37,040 --> 01:34:39,960
Speaker 2: What you choose, what you think, and what you do

2246
01:34:41,240 --> 01:34:41,920
Speaker 2: is who you become.

2247
01:34:42,360 --> 01:34:44,960
Speaker 1: Have a great day, Breakfast Club, bitch, is you don'na

2248
01:34:44,960 --> 01:34:45,840
Speaker 1: finish or y'all done