WEBVTT - Past Lives: Melancholy & Skype

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio.

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<v Speaker 2>Hi, I'm Sietta.

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<v Speaker 3>Jacob and I'm Leanna Holsten.

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<v Speaker 2>And welcome to Toss Popcorn, the podcast where two idiots

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<v Speaker 2>watched every film on the AFI's one hundred Greatest American

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<v Speaker 2>Movies of All Time, the very slightly less racist tenth

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<v Speaker 2>Anniversary edition, and are now watching films of our own

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<v Speaker 2>and listeners, choosing or that have been in the zeitgeist,

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<v Speaker 2>and mainly that are directed by women. Even if we're

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<v Speaker 2>not feeling well.

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<v Speaker 3>This podcast is a safe friendship for people who don't

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<v Speaker 3>know anything about movies. Today we're watching Past Lives and

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<v Speaker 3>Cream in a language that I can't understand, a film

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<v Speaker 3>neither of us had seen.

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<v Speaker 2>Correct question Mark had been meaning to.

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<v Speaker 3>You're right this morning there will be spoilers about this

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<v Speaker 3>recent film.

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<v Speaker 2>Well, while I was getting I can say some things now,

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<v Speaker 2>which is while I was gathering my notes for this,

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<v Speaker 2>I started tearing.

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<v Speaker 3>It's like, okay, all right, Sienna, can I please hear

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<v Speaker 3>your prediction for Past Lives?

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<v Speaker 2>Yes, I have COVID nineteen.

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<v Speaker 3>Yeah, okay here warning, Sienna has COVID nineteen.

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<v Speaker 2>Hi, Leonna, this is Sienna. Yeah, I'm sick, but I'm

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<v Speaker 2>about to watch Past Lives. My guess about this movie

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<v Speaker 2>is it'll be what you thought. I think what you

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<v Speaker 2>thought the Holiday would be, where it kind of goes

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<v Speaker 2>through different points in time, maybe so quiet right now

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<v Speaker 2>or so loud. I have no idea I can really hear.

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<v Speaker 2>I could not hear that. Oh, I predict maybe it'll

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<v Speaker 2>be about a couple going through different phases, which I

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<v Speaker 2>think is already a movie with Anne Hathaway called like

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<v Speaker 2>One Day or some one Day anyway. Or maybe it'll

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<v Speaker 2>go through different like lives of people, like they have

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<v Speaker 2>the same soul reincarnation sort of thing. That'd be cool too.

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<v Speaker 2>I don't know. I predict someone's brother as a character.

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<v Speaker 2>I don't know why predict it. Okay, I love you, goodbye.

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<v Speaker 2>I had a strong sense that someone would be like,

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<v Speaker 2>and this is my brother.

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<v Speaker 3>Is there a brother? There's not a brother in the film?

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<v Speaker 3>Is there not a brother to be? No brothers, no

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<v Speaker 3>brothers at all.

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<v Speaker 2>I couldn't have been more wrong. Early.

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<v Speaker 3>Hey, here's my prediction.

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<v Speaker 2>I'd love to hear it.

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<v Speaker 3>Hi, Sienna, it's Leanna. I am about to watch Past Lives.

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<v Speaker 3>I've never seen this before.

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<v Speaker 2>I've been meaning to.

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<v Speaker 3>So I'm excited. Question like, but I predict it will

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<v Speaker 3>be causing me to feel emotions.

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<v Speaker 2>Let me die. Oh okay, that's all, okay, yeah, yeah, yeah, yeah,

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<v Speaker 2>for sure, forder for sure. Well, it might be causing

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<v Speaker 2>me to feel emotions, which.

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<v Speaker 3>I might be prompted to feel emotions as a result

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<v Speaker 3>of this, and I don't know about that.

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<v Speaker 2>Oh hey girl, Hey, let's talk about it.

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<v Speaker 3>So, hey girl, so you have COVID nineteen.

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<v Speaker 2>Here's what happened, all right, In the words of Adrian Monk,

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<v Speaker 2>here's what happened. Yeah, yeah, I decided to be social

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<v Speaker 2>this holiday season. I actually stayed a little longer than

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<v Speaker 2>expected so I could go to my partner Kelsey's stayed

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<v Speaker 2>in LA. Stayed in La a little longer. I was

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<v Speaker 2>gonna leave on like the fifteenth or the sixteenth or something,

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<v Speaker 2>but I decided to leave on the nineteenth, just a

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<v Speaker 2>few more days, which just sort of opened up the

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<v Speaker 2>possibility to go to a few more events. And the

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<v Speaker 2>whole point was that I was going to go to

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<v Speaker 2>this his office holiday party, which remember we talked about

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<v Speaker 2>last time, Like an office holiday party sounds amazing. Last week,

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<v Speaker 2>I was so excited to go. Well. I went to

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<v Speaker 2>a few events. I went specifically to this improv holiday

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<v Speaker 2>get together, and this is where we think something happened

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<v Speaker 2>because it was just a gathering of lots of people

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<v Speaker 2>screaming at each other's faces, and the timeline matches up.

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<v Speaker 2>But yeah, a few days later, I was feeling a

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<v Speaker 2>little off. I actually slept till two pm one day,

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<v Speaker 2>and I was like, that's crazy. I'm so irresponsible. But

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<v Speaker 2>now looking back, it's like, hmm, was my body fighting

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<v Speaker 2>something off?

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<v Speaker 3>But yeah, the novel coronavirus perhaps.

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<v Speaker 2>Anyway, I was feeling okay, but like maybe a little

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<v Speaker 2>cold coming on. Just fine, But again, looking back, there

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<v Speaker 2>were a few days where like I went to a

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<v Speaker 2>cookie party and then I was supposed to go to

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<v Speaker 2>drinks afterward, and I was like, Hey, do you guys

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<v Speaker 2>think I can wear sweats like my pajama pants that

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<v Speaker 2>I'm wear into this cookie party? Do you think I

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<v Speaker 2>could wear them to the drinks? And They're all like no, haha,

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<v Speaker 2>And I was like ha ha, because the idea of

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<v Speaker 2>putting on pants right now sounds absolutely insurmountable. Yeah, yeah,

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<v Speaker 2>which again is making sense. But I didn't feel sick,

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<v Speaker 2>sick until this one night, I became extremely hot and achy,

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<v Speaker 2>and I was like, oh no, well and so then

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<v Speaker 2>the next morning I noticed, I remembered I had a

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<v Speaker 2>COVID test in my room, and I was like, well, yes,

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<v Speaker 2>I'll take this. I take it. It lights up red

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<v Speaker 2>and I'm like, you're lying. Oh my god, I can't

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<v Speaker 2>be true. I have not heard of anybody in my

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<v Speaker 2>community having the coronavirus right now. Yeah, but yeah, it

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<v Speaker 2>got me good. I took two more tests after that

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<v Speaker 2>because I was so in denial because I had so

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<v Speaker 2>many plants. Yeah, oh no, So did you not get

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<v Speaker 2>to go to the holiday party? Did not go to

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<v Speaker 2>the holiday party? I missed the holiday party?

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<v Speaker 3>No?

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<v Speaker 2>I oh my god, so sad. That's like the number

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<v Speaker 2>one thing I missed.

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<v Speaker 3>Your prediction that you'll never go to an office holiday

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<v Speaker 3>party has come true.

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<v Speaker 2>What's also funny is that Kelsey and I have been

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<v Speaker 2>trying to do karaoke together for like two year years now,

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<v Speaker 2>and every single time it's thwarted in some way. And

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<v Speaker 2>it's starting to become like like this was like an

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<v Speaker 2>act of God right to give me the Corona.

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<v Speaker 3>Universes, like do not somehow escape rooms cannot break you,

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<v Speaker 3>but a karaoke night would ruin your relationship.

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<v Speaker 2>Well, I just want everybody out there to remember to

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<v Speaker 2>get boosted, to get back to the vaccine. I was

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<v Speaker 2>vaccinated this year. But yeah, this is my second time

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<v Speaker 2>getting COVID and second time getting it on Mike. Last night. Actually,

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<v Speaker 2>I had a wonderful time where I realized I could

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<v Speaker 2>go outside, and I sat out on the porch and

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<v Speaker 2>I wrapped gifts and I just sat up there for

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<v Speaker 2>probably like seven hours, and I had a wonderful time.

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<v Speaker 3>Wow. Yes, convalescing. I was kind of going back there. Yes,

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<v Speaker 3>Beth mode. Oh wow, I love that. I really love that. Well,

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<v Speaker 3>I have to go Beth mode, going Beth mode.

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<v Speaker 2>I'm going bell but going outside and still having the

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<v Speaker 2>best time, even though you have.

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<v Speaker 3>To going Beth mode. You know, death is looming. Yeah.

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<v Speaker 2>And one final thing I'll say that will come up

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<v Speaker 2>in this very episode is that because I've been in

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<v Speaker 2>my room looking for things to do, I've found some

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<v Speaker 2>things in my room, including I found some old hard

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<v Speaker 2>drives that I've been looking for, which thank god, oh

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<v Speaker 2>my god, oh my god, I hadn't lost lost them,

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<v Speaker 2>but I was just like, where are they?

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<v Speaker 3>Oh?

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<v Speaker 2>And I on there was an old reflection about my

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<v Speaker 2>first love, and it was like incredibly melancholy and intense,

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<v Speaker 2>and oh my god, oh my god. Can I watch

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<v Speaker 2>this movie the next day?

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<v Speaker 3>And I was like, oh my god, whoa.

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<v Speaker 2>And also, may I say it was very well written.

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<v Speaker 2>I could not believe that it was from college also,

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<v Speaker 2>and I'm like, obviously I was spending no time doing

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<v Speaker 2>my work in college. My god, what an incredible writer

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<v Speaker 2>when I was just writing about the things I was

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<v Speaker 2>interested in. Anyway.

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<v Speaker 3>Wow, well, everybody, you've heard it here first from our

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<v Speaker 3>COVID nineteen correspondence Sienna. We will of course post her

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<v Speaker 3>reflection on her first love on oor Instagram channel no no, no,

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<v Speaker 3>no no, one screenshot at a time, one now, one,

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<v Speaker 3>twelve years from now, and four years from now.

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<v Speaker 2>Wow. Leanna, hey girl, thank you for listening to all that.

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<v Speaker 3>Oh my gosh, thank you for telling me how's it

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<v Speaker 3>going on. I'm sorry to say I did laugh when

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<v Speaker 3>I got your text message saying I have COVID nineteen.

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<v Speaker 2>No.

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<v Speaker 3>I just it tickles me how you always call it

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<v Speaker 3>COVID nineteen.

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<v Speaker 2>Do I have the coronavirus? That is what it is.

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<v Speaker 3>But it is just so funny to say the full

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<v Speaker 3>formal name of it.

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<v Speaker 2>I have it.

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<v Speaker 3>I have the novel Coronavirus? And also like, what why

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<v Speaker 3>did I get this? Literally, no one else I know

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<v Speaker 3>has it? Wow? How a girl? Oh fine, I'm going

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<v Speaker 3>back to I don't know.

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<v Speaker 2>I don't know.

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<v Speaker 3>There's nothing really to tell you. Oh my god, Oh

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<v Speaker 3>my god. Oh eight years of friendship and it's finally happened.

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<v Speaker 3>We've run out of things to talk about.

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<v Speaker 2>Oh when you called this podcast a safe friendship, also,

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<v Speaker 2>that actually is what this podcast is. It's sort of

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<v Speaker 2>a podcast, but it's mostly a friendship, a safe friendship

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<v Speaker 2>that you get to listen to.

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<v Speaker 3>Yeah, honestly, Yeah, this is our way of making sure

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<v Speaker 3>we talk once a week.

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<v Speaker 2>We started a business.

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<v Speaker 3>Oh yeah, I don't know.

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<v Speaker 2>Do you have any questions? Yeah, okay, let's see. Have

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<v Speaker 2>you been to any Christmas markets? We were talking about that.

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<v Speaker 3>Last Oh, yes, yes, I went to a couple of

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<v Speaker 3>Christmas markets on Saturday.

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<v Speaker 2>I do have another It was hell, really, it was

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<v Speaker 2>hell on Earth?

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<v Speaker 3>Why oh it was the pits of Hell. No. I

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<v Speaker 3>took the bus to central London, Trafalgar Square in front

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<v Speaker 3>of the National Gallery in the center of damn London

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<v Speaker 3>where there's a Christmas market and the throngs I had

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<v Speaker 3>to fight my way through in order to get to

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<v Speaker 3>the giant broughtworst stand. That's all you want to not

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<v Speaker 3>buy anything because it was brought worst. Yeah, candy brought worst.

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<v Speaker 3>I'm a damn vegetarian, right right, right right. The word

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<v Speaker 3>throngs was invented to describe this very situation. It was thronging.

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<v Speaker 3>So then I went across the river to a different

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<v Speaker 3>Christmas market that was lest thronged. I swam across the Thames.

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<v Speaker 3>I forded the Thames to go to a different Christmas market,

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<v Speaker 3>arrived stopping wet, and I bought myself a mulled wine.

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<v Speaker 3>And I've been doing this thing recently where I'll get

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<v Speaker 3>two beverages at once because I know I want to

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<v Speaker 3>over the course of an evening and I don't feel

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<v Speaker 3>like waiting in line again. Thank you, I'll just have.

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<v Speaker 2>The two beverages.

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<v Speaker 3>I got a regular mulled wine and then I was like, oh,

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<v Speaker 3>it's a Saturday, I'll splurge. I got a large spiced

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<v Speaker 3>cider with dark.

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<v Speaker 2>Rum in it, which I was amazing.

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<v Speaker 3>It was like I thought I was picking the vein

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<v Speaker 3>of spiced cider. But it turned out I was getting

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<v Speaker 3>a spiced cider with an extra shot of rum added

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<v Speaker 3>to it. And then I was just coosuded at this

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<v Speaker 3>Christmas market and wandering along the Thames. I want you

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<v Speaker 3>for like a mile and a half.

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<v Speaker 2>I want to remind you at this time, hmm, how

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<v Speaker 2>different this is from Los Angeles. And I know, I

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<v Speaker 2>know that there are downsides, but like, honey, soak it.

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<v Speaker 2>Because I put on a sweater today to go move

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<v Speaker 2>my car and I went outside it and it was

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<v Speaker 2>sweltering hot, and I was like, what are we It's horrible.

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<v Speaker 2>What are we doing. You can't just like go get

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<v Speaker 2>zooited by the Thames over here.

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<v Speaker 3>Yeah, you can't. You get high. You could get high

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<v Speaker 3>by the La River, which is the worst thing I

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<v Speaker 3>could possibly imagine.

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<v Speaker 2>It is the worst thing I could possibly imagine. Like

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<v Speaker 2>that is what you are living it up over there,

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<v Speaker 2>and I know it has its own things, but wow.

0:12:24.920 --> 0:12:27.400
<v Speaker 3>It's got its own things.

0:12:28.120 --> 0:12:28.520
<v Speaker 2>Yeah.

0:12:28.720 --> 0:12:30.920
<v Speaker 3>So that was really it ended up being a lovely evening.

0:12:31.000 --> 0:12:34.760
<v Speaker 3>After I survived the throngs. Yeah, the throngs, Oh my god.

0:12:34.760 --> 0:12:36.440
<v Speaker 3>I went to Saint Paul's Cathedral and I just took

0:12:36.440 --> 0:12:41.480
<v Speaker 3>some photos of it. Ah, I'm like a peasant in

0:12:41.520 --> 0:12:43.959
<v Speaker 3>the past, Like I just spend my evenings like just

0:12:44.040 --> 0:12:45.400
<v Speaker 3>kind of like wandering.

0:12:45.000 --> 0:12:47.160
<v Speaker 2>Around yeah yeah, yeah.

0:12:46.760 --> 0:12:51.520
<v Speaker 3>Themes and observing the architecture. You know how peasants would

0:12:51.559 --> 0:12:52.160
<v Speaker 3>do architecture.

0:12:52.480 --> 0:12:54.640
<v Speaker 2>Yeah, yeah, they'd wander around to look at the architecture.

0:12:55.320 --> 0:12:58.160
<v Speaker 3>They'd spend pounds on a wild wine and a sighter.

0:13:00.040 --> 0:13:01.160
<v Speaker 2>They look at architecture.

0:13:02.880 --> 0:13:03.760
<v Speaker 3>Super peasant.

0:13:04.000 --> 0:13:07.400
<v Speaker 2>We're I guess we're probably past Christmas on the pod

0:13:07.480 --> 0:13:10.920
<v Speaker 2>now a New Year's Eve in a past year. Well,

0:13:11.000 --> 0:13:13.200
<v Speaker 2>I need to know. Have you gotten gifts for people?

0:13:13.200 --> 0:13:17.440
<v Speaker 2>How's that going? Oh? Should I get you a gift?

0:13:17.559 --> 0:13:20.760
<v Speaker 2>Do you want something? Okay? Listeners.

0:13:20.800 --> 0:13:24.160
<v Speaker 3>Siena got me an incredibly thoughtful, adorable gift and I've

0:13:24.160 --> 0:13:25.119
<v Speaker 3>got her nothing.

0:13:25.640 --> 0:13:27.520
<v Speaker 2>It helped. I had an Etsy gift card and this

0:13:27.600 --> 0:13:29.320
<v Speaker 2>was a UK vendor. It all worked out.

0:13:29.640 --> 0:13:33.360
<v Speaker 3>Okay, great, okay, good, that's all.

0:13:34.320 --> 0:13:34.520
<v Speaker 2>Yeah.

0:13:34.559 --> 0:13:37.280
<v Speaker 3>I will not be getting you anything as long as

0:13:37.280 --> 0:13:39.120
<v Speaker 3>you I ordered. As long as you love them, that's

0:13:39.120 --> 0:13:41.120
<v Speaker 3>all I care I do. They're in my I have

0:13:41.160 --> 0:13:44.240
<v Speaker 3>a little corner of little guys in our and they're

0:13:44.280 --> 0:13:47.280
<v Speaker 3>in my little guy corners. We'll upload a photo of

0:13:47.320 --> 0:13:51.400
<v Speaker 3>the little guys for everybody to see. I I ordered

0:13:51.400 --> 0:13:53.840
<v Speaker 3>something for my brother, but it's cutting it real close

0:13:53.880 --> 0:13:55.800
<v Speaker 3>to whether it arrives before I fly home.

0:13:56.640 --> 0:14:00.120
<v Speaker 2>Every time you've we've talked about Christmas presents, you I've

0:14:00.160 --> 0:14:03.160
<v Speaker 2>bought your brother something on like Christmas Eve or like

0:14:03.200 --> 0:14:08.000
<v Speaker 2>the day after Christmas. Like I just told him I'm

0:14:08.000 --> 0:14:09.559
<v Speaker 2>gonna get him this thing, and I ordered it.

0:14:09.600 --> 0:14:11.640
<v Speaker 3>I print out a photo of it, and I'm probably

0:14:11.640 --> 0:14:13.320
<v Speaker 3>gonna have to do that again this year, even though

0:14:13.400 --> 0:14:16.000
<v Speaker 3>this year I ordered it on like the fifteenth.

0:14:16.080 --> 0:14:17.040
<v Speaker 2>Yeah, that sucks.

0:14:17.440 --> 0:14:22.640
<v Speaker 3>But apparently it's coming from Latvia, which was news. It

0:14:22.760 --> 0:14:24.960
<v Speaker 3>was a die co dot UK website that I ordered

0:14:25.000 --> 0:14:26.680
<v Speaker 3>it from, and then it was like, your item.

0:14:26.480 --> 0:14:30.280
<v Speaker 2>Has shipped from Latvia. I was like, well, no, h

0:14:30.680 --> 0:14:32.320
<v Speaker 2>this is my impression of you ordering that. This is

0:14:32.320 --> 0:14:41.920
<v Speaker 2>what I imagine Latvia. Is that right? That's exactly right.

0:14:45.000 --> 0:14:47.600
<v Speaker 3>Ah. So every day I check my mail to see

0:14:47.600 --> 0:14:51.080
<v Speaker 3>if anything from Latvia has a rived. Nothing is still

0:14:51.160 --> 0:14:56.200
<v Speaker 3>from Latvia. No word from Latvia. Fingers crossed eagerly awaiting

0:14:56.600 --> 0:14:57.920
<v Speaker 3>my missive from Latvia.

0:14:58.040 --> 0:15:01.760
<v Speaker 2>Missive from Latvia. Well, I guess we should start the

0:15:01.760 --> 0:15:02.520
<v Speaker 2>podcast now.

0:15:02.680 --> 0:15:06.520
<v Speaker 3>Oh god, yeah, Okay, This comes out on New Year's Eve, which,

0:15:06.560 --> 0:15:08.640
<v Speaker 3>as I mentioned, is about to be a past year.

0:15:08.840 --> 0:15:09.720
<v Speaker 2>Yeah that's wow.

0:15:09.720 --> 0:15:12.560
<v Speaker 3>So Sienna, could you please tell us about a film

0:15:12.600 --> 0:15:13.920
<v Speaker 3>that addresses past years?

0:15:14.120 --> 0:15:16.000
<v Speaker 2>Yes, very much. Twenty twelve.

0:15:16.120 --> 0:15:21.280
<v Speaker 3>Oh my gosh, oh wow, yeah, past lives.

0:15:22.280 --> 0:15:25.720
<v Speaker 2>Norah Moon and Hay Sung were great friends in middle

0:15:25.720 --> 0:15:31.800
<v Speaker 2>school in Korea, and then Norah left for Canada. Their

0:15:31.880 --> 0:15:35.480
<v Speaker 2>lives grow in different directions throughout the movie, with Nora

0:15:35.680 --> 0:15:39.400
<v Speaker 2>as a playwright in NYC married to some guy oh,

0:15:39.440 --> 0:15:44.080
<v Speaker 2>and Hey Sung as an engineer in Seoul. Over the

0:15:44.080 --> 0:15:46.360
<v Speaker 2>course of their lives, they reach out to each other

0:15:46.400 --> 0:15:48.960
<v Speaker 2>a few times, wondering what would have been if their

0:15:49.000 --> 0:15:52.320
<v Speaker 2>lives had gone differently. It is beautiful and melancholy, and

0:15:52.400 --> 0:15:54.480
<v Speaker 2>every character is kind and doing their best.

0:15:55.200 --> 0:16:02.080
<v Speaker 3>Oh oh, they really are.

0:16:02.840 --> 0:16:05.480
<v Speaker 2>It's like nobody's a bad guy in this. No, there's

0:16:05.520 --> 0:16:10.720
<v Speaker 2>not a villain. It's very the most.

0:16:10.600 --> 0:16:15.040
<v Speaker 3>Modern film I've ever seen. I kept expecting there to

0:16:15.080 --> 0:16:17.640
<v Speaker 3>be tropes. I kept expecting there to be various which

0:16:17.640 --> 0:16:19.840
<v Speaker 3>we can get to, and there.

0:16:19.520 --> 0:16:23.560
<v Speaker 2>Weren't no tropes. It was just people doing their best,

0:16:25.000 --> 0:16:28.280
<v Speaker 2>loving each other in different ways. Life is complex and confusing.

0:16:29.600 --> 0:16:34.520
<v Speaker 2>Oh god, Hi, sorry, it's been really great doing this podcast,

0:16:34.920 --> 0:16:36.680
<v Speaker 2>but there's some things I want to focus on, so

0:16:36.760 --> 0:16:38.400
<v Speaker 2>I just I'll be back. I'm just gonna take a

0:16:38.400 --> 0:16:41.480
<v Speaker 2>little break for about three minutes or maybe closer to

0:16:41.480 --> 0:16:54.120
<v Speaker 2>twelve years. We'll be right back, we Leana. Shall we

0:16:54.160 --> 0:16:56.600
<v Speaker 2>get into our phone notes and discuss the film.

0:16:56.800 --> 0:16:59.920
<v Speaker 3>This is our segment phone Notes. Each of us watch

0:17:00.200 --> 0:17:02.480
<v Speaker 3>the film and takes notes on our phone while watching,

0:17:02.600 --> 0:17:04.640
<v Speaker 3>and then on the podcast we read each other's notes

0:17:04.680 --> 0:17:05.400
<v Speaker 3>for the first time.

0:17:06.600 --> 0:17:07.840
<v Speaker 2>Thank you.

0:17:09.600 --> 0:17:12.400
<v Speaker 3>A friend was asking today, Oh, yeah, you just make

0:17:12.440 --> 0:17:15.040
<v Speaker 3>it super clear that masse. Oh and yes, see on

0:17:15.160 --> 0:17:23.239
<v Speaker 3>your first note is I have COVID. That and I

0:17:23.240 --> 0:17:25.840
<v Speaker 3>can just picture you sitting down to watch the film

0:17:25.840 --> 0:17:26.440
<v Speaker 3>and saying, I.

0:17:26.400 --> 0:17:29.679
<v Speaker 2>Have COVID my teeth. Okay, so you're just stop checking it.

0:17:29.840 --> 0:17:32.120
<v Speaker 2>Your first note is A twenty four? Is this going

0:17:32.160 --> 0:17:35.199
<v Speaker 2>to be scary? Okay? They are doing a lot of

0:17:35.200 --> 0:17:39.879
<v Speaker 2>scary stuff. I know, I think they're just indie guys,

0:17:39.880 --> 0:17:42.640
<v Speaker 2>but Indy these days is like we're indie and so.

0:17:43.359 --> 0:17:45.200
<v Speaker 3>We're scare legs.

0:17:45.640 --> 0:17:49.840
<v Speaker 2>Yeah you want feminism, how about feminism with blood? But

0:17:50.000 --> 0:17:53.240
<v Speaker 2>he eats you. Yeah, you're like what.

0:17:55.359 --> 0:17:59.720
<v Speaker 3>So I was a little afraid a bit. But here's.

0:18:02.440 --> 0:18:07.000
<v Speaker 2>Feminine feminism. But the patriarchy eats you. You get gobbled up.

0:18:09.720 --> 0:18:13.040
<v Speaker 2>Oh my gosh, wait, Leanna, you've said I love grete

0:18:13.080 --> 0:18:14.840
<v Speaker 2>Lee and I also said that you.

0:18:14.800 --> 0:18:20.040
<v Speaker 3>Said I love this actress Greta Lee. Ah, you wrote

0:18:20.160 --> 0:18:21.679
<v Speaker 3>damn their moms are so cool.

0:18:22.000 --> 0:18:24.159
<v Speaker 2>Okay, Yeah. I was like, sorry, do you have a

0:18:24.160 --> 0:18:26.719
<v Speaker 2>crush on anybody? And she's like, yeah, I do have

0:18:26.760 --> 0:18:28.680
<v Speaker 2>a crush on somebody in my class. And she's like,

0:18:28.720 --> 0:18:30.480
<v Speaker 2>do you want to go on a date with him?

0:18:31.760 --> 0:18:33.679
<v Speaker 2>But I'll take you on a date with him. Me

0:18:33.760 --> 0:18:35.480
<v Speaker 2>and his mom will like take you out and you

0:18:35.560 --> 0:18:37.080
<v Speaker 2>guys can can go on a date together.

0:18:37.680 --> 0:18:40.280
<v Speaker 3>I was like, what that was an option?

0:18:40.560 --> 0:18:43.919
<v Speaker 2>I know, I didn't know that. It was so sweet.

0:18:43.920 --> 0:18:45.800
<v Speaker 2>They didn't make it weird at all. They were just like, yeah,

0:18:45.800 --> 0:18:47.280
<v Speaker 2>why didn't you get to know each other? You're young,

0:18:47.359 --> 0:18:51.120
<v Speaker 2>It's fine, we'll be there, we'll chaperone. I just can't

0:18:51.160 --> 0:18:53.000
<v Speaker 2>imagine talking to a boy at that age.

0:18:53.040 --> 0:18:56.280
<v Speaker 3>It's crazy, that is, I think what what was hard

0:18:56.280 --> 0:18:58.080
<v Speaker 3>for me to wrap my head around too. It was

0:18:58.200 --> 0:19:01.159
<v Speaker 3>terrifying even the nerds, I would a boy spend that

0:19:01.240 --> 0:19:05.280
<v Speaker 3>much time with me and vice versa. At aged twelve,

0:19:05.880 --> 0:19:08.400
<v Speaker 3>I was busy. I had to go to dance class.

0:19:09.160 --> 0:19:09.640
<v Speaker 2>Sienna.

0:19:09.880 --> 0:19:12.760
<v Speaker 3>Uh huh, yes, you asked, Leanna, did you used to

0:19:12.840 --> 0:19:13.639
<v Speaker 3>skype much?

0:19:13.760 --> 0:19:16.719
<v Speaker 2>Let's talk about Skype. Oh, take a moment and talk

0:19:16.720 --> 0:19:20.520
<v Speaker 2>about Skype, because guess what it was. It was eradicated

0:19:20.520 --> 0:19:25.000
<v Speaker 2>from this world when Zoom took over during the pandemic Skype.

0:19:25.400 --> 0:19:28.720
<v Speaker 3>I firmly feel that Skype fumbled the bag during the pandemic.

0:19:28.760 --> 0:19:31.200
<v Speaker 2>Yeah, you did say, how did Skype fumble video calling

0:19:31.320 --> 0:19:32.560
<v Speaker 2>so so hard? Okay?

0:19:32.840 --> 0:19:35.440
<v Speaker 3>Yeah, fumble is the verb of note.

0:19:36.520 --> 0:19:37.200
<v Speaker 2>Were you skyping?

0:19:37.200 --> 0:19:39.080
<v Speaker 3>It sounds like maybe you had a Skype past.

0:19:39.640 --> 0:19:41.880
<v Speaker 2>So I used to skype my friend Alison Rains every

0:19:41.920 --> 0:19:43.920
<v Speaker 2>day after school. We would get on game fund in

0:19:43.960 --> 0:19:47.280
<v Speaker 2>eighth grade. We would get on game Fudge in eighth

0:19:47.359 --> 0:19:51.280
<v Speaker 2>grade and you would play games, play play games and

0:19:51.440 --> 0:19:54.680
<v Speaker 2>Skype Fudge. Yes, game Fudge was the name of the thing.

0:19:54.760 --> 0:19:57.560
<v Speaker 2>It was kind of like addicting games dot com, Hello

0:19:58.000 --> 0:20:02.320
<v Speaker 2>Brito Bison and such games. Yeah. I was scaped every

0:20:02.400 --> 0:20:05.159
<v Speaker 2>day after school pretty frequently. WHOA, I love Skype. I

0:20:05.200 --> 0:20:08.720
<v Speaker 2>skyped well into high school. I think I think I

0:20:08.720 --> 0:20:09.840
<v Speaker 2>skyped well in high school.

0:20:10.440 --> 0:20:10.760
<v Speaker 1>WHOA?

0:20:10.920 --> 0:20:12.760
<v Speaker 2>But that that sound was so comforting to me. The

0:20:12.960 --> 0:20:18.240
<v Speaker 2>doo yeah what about you?

0:20:18.440 --> 0:20:20.800
<v Speaker 3>There really was some user interface in this film that

0:20:20.920 --> 0:20:21.600
<v Speaker 3>took me back.

0:20:21.960 --> 0:20:24.920
<v Speaker 2>It was definitely too complex to be something for the pandemic,

0:20:24.960 --> 0:20:26.800
<v Speaker 2>for example, or something for work meetings.

0:20:27.400 --> 0:20:31.639
<v Speaker 3>Okay, right, it's too requids. They had, they had it

0:20:31.680 --> 0:20:33.840
<v Speaker 3>in their grasp, and they did have it in the grasp.

0:20:34.600 --> 0:20:37.080
<v Speaker 3>My god, they had everything should have been them and

0:20:37.119 --> 0:20:40.879
<v Speaker 3>it wasn't. No, that's crazy. I think I was not

0:20:40.920 --> 0:20:44.600
<v Speaker 3>a skyper. I think I really didn't understand that friendship

0:20:44.840 --> 0:20:49.239
<v Speaker 3>was rooted in having things in common, such as like

0:20:49.400 --> 0:20:53.359
<v Speaker 3>your morals and things that you talk about morals until

0:20:53.520 --> 0:20:56.600
<v Speaker 3>like college. Yeah, I thought, if I don't have morals

0:20:56.600 --> 0:20:59.600
<v Speaker 3>in common with you, it's not going to work out. No.

0:20:59.720 --> 0:21:02.479
<v Speaker 3>I I think a lot of my friendships were text

0:21:02.600 --> 0:21:06.680
<v Speaker 3>based or proximity friendships, where it was like, well, we

0:21:07.280 --> 0:21:09.200
<v Speaker 3>go to the same dance school, so I guess we're

0:21:09.200 --> 0:21:10.600
<v Speaker 3>also going to hang out outside of that, But then

0:21:10.640 --> 0:21:12.320
<v Speaker 3>we didn't really have that much to like talk about.

0:21:12.359 --> 0:21:12.600
<v Speaker 2>Ever.

0:21:13.600 --> 0:21:15.240
<v Speaker 3>I also think I have a terrible memory, so this

0:21:15.280 --> 0:21:19.439
<v Speaker 3>coind wrong. All that to say, The only memory I

0:21:19.480 --> 0:21:23.399
<v Speaker 3>have of ever using Skype was have I told you

0:21:23.400 --> 0:21:26.879
<v Speaker 3>about this? At six in the morning, Colorado time. I

0:21:26.920 --> 0:21:30.040
<v Speaker 3>had to get measured by my mom.

0:21:30.400 --> 0:21:31.520
<v Speaker 2>Yes, you have to.

0:21:31.520 --> 0:21:36.119
<v Speaker 3>Give my measurements to an irate Irish woman for a

0:21:36.240 --> 0:21:41.600
<v Speaker 3>dance dress. Yeah, and that was Yeah, my mom had

0:21:41.640 --> 0:21:44.640
<v Speaker 3>to measure my bust and tell it to an irishwoman

0:21:44.720 --> 0:21:49.919
<v Speaker 3>over Skype. Insane looking back, And that's Skype for me

0:21:50.640 --> 0:21:54.760
<v Speaker 3>looking back on my life. Conversation is really the only

0:21:54.840 --> 0:21:58.960
<v Speaker 3>thing I've ever done and the only thing I've ever

0:21:59.000 --> 0:22:04.520
<v Speaker 3>done well, and the one thing across the board and like, huh, well, hey,

0:22:04.560 --> 0:22:07.960
<v Speaker 3>look at you. Now you're conversing professionally.

0:22:08.920 --> 0:22:11.359
<v Speaker 2>So I was gonna say if I could make money

0:22:11.400 --> 0:22:15.800
<v Speaker 2>talking and I guess we're almost Oh boy, don't we. Leanna,

0:22:15.800 --> 0:22:18.880
<v Speaker 2>you said to be hot on Skype. Massive achievement. Well

0:22:18.920 --> 0:22:23.560
<v Speaker 2>done both. Oh my, I was amazed. They were both

0:22:23.760 --> 0:22:28.120
<v Speaker 2>so gorgeous. Later, when her husband's like, do you find

0:22:28.160 --> 0:22:30.919
<v Speaker 2>him attractive? You're attracted to do any more attractive than me?

0:22:31.080 --> 0:22:33.960
<v Speaker 2>It's like, yeah, buddy, I wouldn't play this game. I'm sorry.

0:22:34.280 --> 0:22:36.480
<v Speaker 2>It's gonna be a losing battle every time for you.

0:22:37.880 --> 0:22:45.840
<v Speaker 2>I'm so sorry. A borderline anti semitic impression. I was

0:22:45.920 --> 0:22:47.960
<v Speaker 2>kind of going more for an Italian American thing. But

0:22:49.359 --> 0:22:52.960
<v Speaker 2>you know what, the New York it's a it's a

0:22:53.000 --> 0:22:57.240
<v Speaker 2>troublesome arena to be playing in. And I do apologize,

0:22:57.280 --> 0:22:57.560
<v Speaker 2>I do.

0:23:01.440 --> 0:23:04.280
<v Speaker 3>I was like, obviously he's attractive, he's the hottest man

0:23:04.320 --> 0:23:05.480
<v Speaker 3>in her in her life.

0:23:06.119 --> 0:23:09.320
<v Speaker 2>Yeah, she's like I've known him for years and years

0:23:10.840 --> 0:23:15.200
<v Speaker 2>and now he's a man. God, he looked so good.

0:23:15.680 --> 0:23:19.400
<v Speaker 3>I feel like age thirty six, Leonna.

0:23:19.720 --> 0:23:23.040
<v Speaker 2>I'm going to read your next note, which is melancholy,

0:23:23.119 --> 0:23:25.199
<v Speaker 2>but I want to read your next two notes actually

0:23:25.200 --> 0:23:30.760
<v Speaker 2>in a row. Okay, oh, because the juxtaposition makes us

0:23:30.760 --> 0:23:34.080
<v Speaker 2>who we are. You've said gazing at people in love

0:23:34.119 --> 0:23:39.080
<v Speaker 2>and feeling eternally alone mood. Oh my god. Then your

0:23:39.119 --> 0:23:41.680
<v Speaker 2>next note is Arthur. Okay, mister Ardvark.

0:23:49.760 --> 0:23:54.760
<v Speaker 3>And let me tell you that I did not intonate

0:23:54.840 --> 0:23:59.600
<v Speaker 3>as kindly as you did. I said, Arthur. Okay, mister Ardvark.

0:24:00.760 --> 0:24:01.600
<v Speaker 3>Why that his name is?

0:24:01.760 --> 0:24:04.280
<v Speaker 2>Her name is Arthur? Do you think Arthur is a

0:24:04.280 --> 0:24:06.840
<v Speaker 2>is a name? Are you an ark for children?

0:24:10.040 --> 0:24:12.000
<v Speaker 3>What? Are you an ard Vark that doesn't look anything

0:24:12.040 --> 0:24:16.120
<v Speaker 3>like an ard Vark? Your name is Bob Bear, a builder?

0:24:17.040 --> 0:24:25.600
<v Speaker 2>What? Oh you're going specifically? PBS? Gotcha gotcha, gotcha.

0:24:27.119 --> 0:24:38.240
<v Speaker 3>Please, it's New York the public broadcasting system. Come on, yeah, yeah, yeah, okay, okay, okay, yes, Sienna,

0:24:38.440 --> 0:24:41.320
<v Speaker 3>you noted. Kay, she is making an inappropriate amount of

0:24:41.320 --> 0:24:43.800
<v Speaker 3>eye contact with this straight man as a married woman.

0:24:44.359 --> 0:24:47.000
<v Speaker 2>It's funny how they're just are rules like that. It's like,

0:24:47.200 --> 0:24:49.240
<v Speaker 2>I think, if you're married, you're not allowed to make

0:24:49.280 --> 0:24:52.360
<v Speaker 2>eye contact for that long, that directly with anyone.

0:24:55.000 --> 0:25:00.560
<v Speaker 3>How did you feel, because you you have f or

0:25:00.600 --> 0:25:06.600
<v Speaker 3>you have had in the past, fairly stern views on adultery,

0:25:06.640 --> 0:25:12.160
<v Speaker 3>did she you don't know, I don't know, it's come

0:25:12.240 --> 0:25:17.600
<v Speaker 3>up though. How did you feel about her? And hey son,

0:25:17.680 --> 0:25:20.040
<v Speaker 3>were you like, were you rooting for them? Or were

0:25:20.040 --> 0:25:22.679
<v Speaker 3>you like thou shalt not commit adultery?

0:25:24.920 --> 0:25:26.840
<v Speaker 2>Well, I like when they laid out that whole thing

0:25:27.040 --> 0:25:32.040
<v Speaker 2>where this movie was so lovely, it is so clearly

0:25:32.200 --> 0:25:36.119
<v Speaker 2>women woman led women, so clearly woman led because when

0:25:36.160 --> 0:25:38.199
<v Speaker 2>they have that conversation her and her husband and he's like,

0:25:38.600 --> 0:25:41.720
<v Speaker 2>I kind of am just some guy. Yeah, He's like

0:25:42.320 --> 0:25:45.240
<v Speaker 2>we met sort of a regular way, Like our story

0:25:45.280 --> 0:25:47.360
<v Speaker 2>isn't that interesting? Like I know we love each other,

0:25:47.359 --> 0:25:51.560
<v Speaker 2>but wasn't it kind of circumstantial? Like you and Heysung

0:25:51.720 --> 0:25:55.840
<v Speaker 2>have like a much more a deeper connection kind of ultimately,

0:25:56.080 --> 0:25:58.119
<v Speaker 2>but she's sort of like, yeah, but he's not my

0:25:58.280 --> 0:26:01.520
<v Speaker 2>husband and he's not supposed to be my spend, you know,

0:26:02.960 --> 0:26:04.800
<v Speaker 2>so I was rooting for them. The thing that I

0:26:04.840 --> 0:26:07.040
<v Speaker 2>really this movie. That struck me about this movie was like,

0:26:08.920 --> 0:26:11.880
<v Speaker 2>there's so many depths of human relationships, Like, I don't

0:26:11.880 --> 0:26:16.639
<v Speaker 2>think what was so beautiful and melancholy when they were

0:26:16.640 --> 0:26:19.040
<v Speaker 2>talking about their relationship, is what is it that they

0:26:19.040 --> 0:26:20.919
<v Speaker 2>wanted that they want to be husband and wife and

0:26:21.000 --> 0:26:24.560
<v Speaker 2>have children? Like there was no version of Nora's life

0:26:24.560 --> 0:26:26.800
<v Speaker 2>that was supposed to be her in Korea just having

0:26:26.880 --> 0:26:28.560
<v Speaker 2>kids with the person she met when she was in

0:26:28.600 --> 0:26:31.399
<v Speaker 2>middle school. Like that's just not who she was, you know,

0:26:31.480 --> 0:26:32.960
<v Speaker 2>So where else would they have done that? Was he

0:26:32.960 --> 0:26:35.240
<v Speaker 2>supposed to have moved to New York? Like what version

0:26:35.280 --> 0:26:37.960
<v Speaker 2>of her song would have been somebody who moved to

0:26:37.960 --> 0:26:41.080
<v Speaker 2>New York City away from his awesome friend group, who

0:26:41.080 --> 0:26:45.480
<v Speaker 2>has dinner every night it's party hard, yeah, and like

0:26:45.520 --> 0:26:47.240
<v Speaker 2>away from her to life, you know, Like there just

0:26:47.320 --> 0:26:49.320
<v Speaker 2>wasn't a place where they could have met in this life.

0:26:49.320 --> 0:26:53.440
<v Speaker 2>So it's like they did have something else. It wasn't

0:26:53.520 --> 0:26:57.320
<v Speaker 2>like they were just gonna They just had something that

0:26:57.440 --> 0:26:59.520
<v Speaker 2>was meant to be physical or something, you know like that.

0:26:59.560 --> 0:27:02.680
<v Speaker 2>It was kind of of even layers beyond that. They

0:27:02.800 --> 0:27:06.600
<v Speaker 2>just had a connection. Oh so beautiful. So there are

0:27:06.720 --> 0:27:09.840
<v Speaker 2>nuances in life where there are people that you have

0:27:09.920 --> 0:27:13.400
<v Speaker 2>sort of an intimate love with, but they're not meant

0:27:13.400 --> 0:27:17.200
<v Speaker 2>to be your partner. So I was rooting for their

0:27:18.640 --> 0:27:22.480
<v Speaker 2>I was rooting for their situation definitely. I mean it

0:27:22.600 --> 0:27:25.320
<v Speaker 2>kind of is like, Wow, what a beautiful couple this

0:27:25.359 --> 0:27:31.040
<v Speaker 2>would be. And kay Song was so kind and wonderful,

0:27:31.080 --> 0:27:36.960
<v Speaker 2>like everybody was just a lovely person in this. So yeah,

0:27:37.000 --> 0:27:38.439
<v Speaker 2>I would have preferred for those two to have been

0:27:38.480 --> 0:27:43.600
<v Speaker 2>together then her and the other guy. But as she said,

0:27:43.600 --> 0:27:46.120
<v Speaker 2>this is my life and I'm moving in with you.

0:27:51.560 --> 0:27:58.520
<v Speaker 2>But yeah, it was adultery. When they were making eye contact, Yeah,

0:27:58.560 --> 0:28:03.399
<v Speaker 2>that was adultery. They were sinning, Leanna, you said, Okay,

0:28:03.440 --> 0:28:05.240
<v Speaker 2>you can still go do stuff in New York when

0:28:05.240 --> 0:28:11.199
<v Speaker 2>it's raining. Why because people were because they were all like, oh,

0:28:11.280 --> 0:28:12.359
<v Speaker 2>it's gonna be raining there.

0:28:12.440 --> 0:28:14.040
<v Speaker 3>Yeah, they were like it's gonna rain the whole time

0:28:14.080 --> 0:28:15.879
<v Speaker 3>you're there. And then he was just like being melancholy

0:28:15.960 --> 0:28:17.919
<v Speaker 3>in the hotel while it was raining, and I was like,

0:28:18.760 --> 0:28:21.120
<v Speaker 3>go to the Goggenheim.

0:28:21.400 --> 0:28:25.720
<v Speaker 2>There are so many Go to the city of buildings.

0:28:26.080 --> 0:28:28.679
<v Speaker 3>New York is famously mostly indoors.

0:28:30.520 --> 0:28:39.640
<v Speaker 2>Leoni, Leonna. I didn't. I've never heard this, you said

0:28:39.920 --> 0:28:43.320
<v Speaker 2>TVT DI at the time subway door closed on my head.

0:28:45.120 --> 0:28:50.440
<v Speaker 2>I'm sorry, I haven't told you about this. No, please

0:28:50.560 --> 0:28:51.640
<v Speaker 2>tell me about this.

0:28:53.280 --> 0:28:57.959
<v Speaker 3>I so I had lived for the summer in Manhattan

0:28:58.360 --> 0:29:01.720
<v Speaker 3>and I had to move my stuff. It was like

0:29:01.800 --> 0:29:03.840
<v Speaker 3>at a friend's place, and I had to move all

0:29:03.840 --> 0:29:07.000
<v Speaker 3>my bedding because I'd been staying in student housing and

0:29:07.000 --> 0:29:09.680
<v Speaker 3>I was moving to different student housing. I had to

0:29:09.720 --> 0:29:13.160
<v Speaker 3>move all my bedding from like the Upper West Side

0:29:13.280 --> 0:29:16.240
<v Speaker 3>down to Brooklyn. And so I was carrying like two

0:29:16.280 --> 0:29:20.760
<v Speaker 3>pillows and a mattress cover or something like that, all

0:29:20.760 --> 0:29:23.800
<v Speaker 3>in their like little plastic carry bags. And I was

0:29:23.800 --> 0:29:26.600
<v Speaker 3>trying to hold all of that and get onto the

0:29:26.640 --> 0:29:30.959
<v Speaker 3>subway and one hand made it through with one pillow,

0:29:31.080 --> 0:29:34.040
<v Speaker 3>and I think the mattress topp or whatever. But then

0:29:34.240 --> 0:29:37.200
<v Speaker 3>the door closed on the other pillow, and like somehow

0:29:37.280 --> 0:29:39.960
<v Speaker 3>I had only gotten my head in the door, but

0:29:40.040 --> 0:29:45.360
<v Speaker 3>my body was still on the platform and it just

0:29:45.400 --> 0:29:49.560
<v Speaker 3>all kind of happened so fast, and I went, oh,

0:29:49.600 --> 0:29:52.120
<v Speaker 3>and then a guy just like yanked the subway door

0:29:52.160 --> 0:29:56.040
<v Speaker 3>open and he shoved me into the subway, pulled me in,

0:29:56.880 --> 0:30:00.400
<v Speaker 3>and he's my guardian angel, because I would have been decapitat.

0:30:00.040 --> 0:30:03.479
<v Speaker 2>All of that is such a perfect encapsulation of what

0:30:03.520 --> 0:30:06.200
<v Speaker 2>New York is, because yeah, you're like, oh, I love

0:30:06.240 --> 0:30:08.160
<v Speaker 2>New York. The subway and then you have to bring

0:30:08.280 --> 0:30:10.760
<v Speaker 2>all your stuff on the train and like it almost

0:30:10.760 --> 0:30:13.080
<v Speaker 2>decapitates you, and you're like, I gotta get out of here.

0:30:13.160 --> 0:30:16.000
<v Speaker 2>But then somebody yanks the door open and you're like, oh,

0:30:16.040 --> 0:30:18.600
<v Speaker 2>we're all in this together. I love New York. Yeah,

0:30:18.880 --> 0:30:21.280
<v Speaker 2>but it's like, at the end of the day, you

0:30:21.280 --> 0:30:23.800
<v Speaker 2>could just drive your stuff somewhere in any other city.

0:30:23.560 --> 0:30:24.040
<v Speaker 1>You know what I mean?

0:30:25.200 --> 0:30:26.080
<v Speaker 2>That is true.

0:30:26.680 --> 0:30:29.920
<v Speaker 3>Then I think, if I had to live in an

0:30:29.960 --> 0:30:33.320
<v Speaker 3>American city, which one would it be? I always think

0:30:33.440 --> 0:30:35.440
<v Speaker 3>New York, And then I remember the time the subway

0:30:35.480 --> 0:30:39.200
<v Speaker 3>doors closed, Yeah, and I second guess it.

0:30:40.200 --> 0:30:42.320
<v Speaker 2>But walking around is the best?

0:30:45.720 --> 0:30:49.240
<v Speaker 3>Is your childhood friend hot? Now you're gonna need to

0:30:49.280 --> 0:30:52.520
<v Speaker 3>have a conversation with your husband. You've got three Now,

0:30:53.080 --> 0:31:03.760
<v Speaker 3>see you soon, Sienna. A double note from you here

0:31:04.800 --> 0:31:10.600
<v Speaker 3>to display you know we contain multitudes. You've noted one

0:31:10.600 --> 0:31:14.080
<v Speaker 3>of life's strange truths is that your partner necessarily can't

0:31:14.240 --> 0:31:18.160
<v Speaker 3>know all of you. And then you've written Shazam is

0:31:18.160 --> 0:31:19.440
<v Speaker 3>one of the best apps ever?

0:31:19.840 --> 0:31:25.080
<v Speaker 2>Can we talk about Shazam? I guess it is unbelievably

0:31:25.120 --> 0:31:28.640
<v Speaker 2>reliable almost everywhere. The tunes I did when they were

0:31:28.640 --> 0:31:30.440
<v Speaker 2>at the bar. When they were at the bar, I

0:31:30.480 --> 0:31:32.400
<v Speaker 2>was like, what is this song because it's also making

0:31:32.480 --> 0:31:34.440
<v Speaker 2>me When it was just the two guys at the bar,

0:31:34.520 --> 0:31:45.400
<v Speaker 2>and they were like, uh, I love when women make things. Yes, Leonna,

0:31:45.400 --> 0:31:48.560
<v Speaker 2>you said, while life is life really is long? If

0:31:48.560 --> 0:31:52.600
<v Speaker 2>you met your soulmate at age twelve, completely so jealous

0:31:52.640 --> 0:31:55.400
<v Speaker 2>of these Some people must have that experience, whether like

0:31:55.440 --> 0:31:57.920
<v Speaker 2>I literally met somebody who I have strong love for

0:31:58.160 --> 0:32:03.000
<v Speaker 2>when I was in middle seer, which insane. The main

0:32:03.000 --> 0:32:04.800
<v Speaker 2>thing I remember doing in middle school was one time

0:32:04.880 --> 0:32:10.000
<v Speaker 2>we'd like sold sandwiches in sixth grade for the Super Bowl,

0:32:10.160 --> 0:32:12.560
<v Speaker 2>And I remember my friends, my two best friends and

0:32:12.560 --> 0:32:16.960
<v Speaker 2>I both gay. Now, my two best friends and I

0:32:17.000 --> 0:32:20.680
<v Speaker 2>wrote a little jingle that we thought was so funny

0:32:21.040 --> 0:32:23.040
<v Speaker 2>about buying a subway sandwich, and we got to read

0:32:23.040 --> 0:32:24.680
<v Speaker 2>it on the announcements, and we spent like all week

0:32:24.720 --> 0:32:28.560
<v Speaker 2>working on it and we laughed so much and then

0:32:28.920 --> 0:32:31.240
<v Speaker 2>that's awesome, thank you. We presented it and when we

0:32:31.240 --> 0:32:32.560
<v Speaker 2>came up, we were like waiting for everybody to be

0:32:32.640 --> 0:32:34.240
<v Speaker 2>cheering for us, and nobody said anything.

0:32:34.880 --> 0:32:39.640
<v Speaker 3>Hmmm, that sounds like a vocal warm up. Selling sandwiches

0:32:39.640 --> 0:32:40.960
<v Speaker 3>for the Seattle super Bowl.

0:32:41.280 --> 0:32:44.880
<v Speaker 2>Selling subway sandwich, selling subway sandwiches, sandwiches for the Seattle

0:32:44.880 --> 0:32:46.880
<v Speaker 2>super Bowl, selling subway sandwiches for.

0:32:46.840 --> 0:32:47.720
<v Speaker 3>The Seattle super Bowl.

0:32:48.400 --> 0:32:49.360
<v Speaker 2>It was so awesome.

0:32:50.120 --> 0:32:54.840
<v Speaker 3>That's that's banging, that's dope, and we'd make eyemovies stuffe

0:32:54.920 --> 0:32:55.880
<v Speaker 3>of having a soul mate.

0:32:56.840 --> 0:32:57.440
<v Speaker 2>You know what I think.

0:32:57.560 --> 0:32:59.960
<v Speaker 3>I think I wasn't comfortable with myself as a person

0:33:00.320 --> 0:33:03.560
<v Speaker 3>until college, and as a result, I didn't know what

0:33:03.600 --> 0:33:05.480
<v Speaker 3>I was supposed to be looking for in a friend.

0:33:06.200 --> 0:33:17.760
<v Speaker 2>Whoa whoa I know, fascinating. Ooops. Well, I'm so grateful

0:33:17.760 --> 0:33:18.760
<v Speaker 2>that I met you in college.

0:33:19.240 --> 0:33:27.360
<v Speaker 3>Oh yeah, thank god, Oh my god, you were one

0:33:27.360 --> 0:33:28.880
<v Speaker 3>of the first people. You know, this is gonna be

0:33:28.920 --> 0:33:31.600
<v Speaker 3>so sincere stuffing me for this, Okay, don't look at me.

0:33:32.640 --> 0:33:34.880
<v Speaker 3>I think our friendship was one of the first ones

0:33:34.880 --> 0:33:36.760
<v Speaker 3>in my life where I was like, we have so

0:33:36.880 --> 0:33:40.280
<v Speaker 3>much fun, Like we just are always laughing, like it's

0:33:40.360 --> 0:33:44.200
<v Speaker 3>just like a joy to be around them. Like I

0:33:44.280 --> 0:33:45.800
<v Speaker 3>just like craved spending more and more time with you

0:33:45.840 --> 0:33:48.960
<v Speaker 3>because I was like, it's just always like wonderful and

0:33:49.040 --> 0:33:56.480
<v Speaker 3>I hadn't really experienced something like that before. Sorry, thank

0:33:56.520 --> 0:34:00.160
<v Speaker 3>you for giving that to my COVID heart, Mary christ.

0:34:02.160 --> 0:34:04.400
<v Speaker 2>I feel the same way nineteen Hart.

0:34:07.120 --> 0:34:09.120
<v Speaker 3>No, but you had friendships where you were like giggling,

0:34:09.200 --> 0:34:10.360
<v Speaker 3>teaing hahha.

0:34:10.440 --> 0:34:12.399
<v Speaker 2>Yeah. But even to this day, even to this day,

0:34:12.400 --> 0:34:16.920
<v Speaker 2>when there's something that I'm like, this is hilarious or

0:34:16.960 --> 0:34:20.319
<v Speaker 2>like the depths of life funny type of thing, you

0:34:20.360 --> 0:34:22.680
<v Speaker 2>know what I mean, like bottom of the barrel whatever,

0:34:22.800 --> 0:34:26.359
<v Speaker 2>or like I send it to you, I'm like this,

0:34:26.920 --> 0:34:33.439
<v Speaker 2>I gotta Tellana about this. Leonna. You said you kept

0:34:33.560 --> 0:34:35.840
<v Speaker 2>entering my mind when I was in the military mood.

0:34:40.400 --> 0:34:42.879
<v Speaker 3>I know I'm not to relate to that as someone

0:34:42.880 --> 0:34:48.080
<v Speaker 3>who has not served in the armed forces, but I

0:34:48.160 --> 0:34:50.360
<v Speaker 3>was just like, yeah, I feel that way.

0:34:50.200 --> 0:34:50.880
<v Speaker 2>All the time.

0:34:52.840 --> 0:34:55.560
<v Speaker 3>I was thinking of you know, well, when you're just

0:34:55.600 --> 0:34:58.200
<v Speaker 3>like going through it and there's just somebody on your

0:34:58.239 --> 0:35:01.680
<v Speaker 3>mind and you're like huh, it's interesting that this person

0:35:01.760 --> 0:35:05.240
<v Speaker 3>is so on my mind right now. Yeah, I know again,

0:35:05.760 --> 0:35:08.360
<v Speaker 3>I can't compare my day to day hardships with me.

0:35:10.960 --> 0:35:12.920
<v Speaker 2>But you've read so much about it.

0:35:12.880 --> 0:35:18.480
<v Speaker 3>But I have read a lot about it. Oh.

0:35:18.560 --> 0:35:22.799
<v Speaker 2>I loved the opening of this movie. Yeah, wow, like,

0:35:22.880 --> 0:35:25.400
<v Speaker 2>who is that? Who are listening to each other? I

0:35:25.440 --> 0:35:27.200
<v Speaker 2>have no idea?

0:35:27.480 --> 0:35:30.880
<v Speaker 3>What what an interesting way to start a film.

0:35:30.960 --> 0:35:33.000
<v Speaker 2>Thank you? And then by the end we're like, I

0:35:33.000 --> 0:35:35.120
<v Speaker 2>see why they did that because it is a complex

0:35:35.160 --> 0:35:39.920
<v Speaker 2>situation to each other and oh we judge and expecting

0:35:39.920 --> 0:35:42.200
<v Speaker 2>from people that your lives go so many ways you

0:35:42.239 --> 0:35:42.880
<v Speaker 2>can't predict.

0:35:43.719 --> 0:35:46.399
<v Speaker 3>I really enjoyed this film, and they could have.

0:35:46.360 --> 0:35:48.239
<v Speaker 2>Been something else to each other in different lives. All

0:35:48.280 --> 0:35:50.160
<v Speaker 2>three of them could have been important things that.

0:35:51.280 --> 0:35:51.920
<v Speaker 3>I forgot about that.

0:35:52.600 --> 0:35:55.720
<v Speaker 2>Yeah, I was writing down so many of the quotes

0:35:55.760 --> 0:36:00.520
<v Speaker 2>by the end. Yeah, to me, you were someone who left. Oh, oh,

0:36:00.560 --> 0:36:01.960
<v Speaker 2>I love is the person who leaves.

0:36:02.560 --> 0:36:04.480
<v Speaker 3>I felt very afeared when he said to me, you

0:36:04.520 --> 0:36:07.640
<v Speaker 3>are someone who leaves, because I was like, am I

0:36:07.719 --> 0:36:11.600
<v Speaker 3>that person? Because I keep leaving things, leaving cities, I

0:36:11.640 --> 0:36:12.680
<v Speaker 3>keep leaving friendships.

0:36:12.719 --> 0:36:15.399
<v Speaker 2>For me, you're someone who leaves, but also something every week.

0:36:18.000 --> 0:36:18.520
<v Speaker 2>Thank god.

0:36:21.920 --> 0:36:28.680
<v Speaker 3>I loved I loved their conversation at the bar so much.

0:36:29.360 --> 0:36:32.280
<v Speaker 3>It was amazing. Like when they finally just like have

0:36:32.280 --> 0:36:37.040
<v Speaker 3>have it out, hash it out, whatever it out, and

0:36:37.080 --> 0:36:42.360
<v Speaker 3>they're like, oh, when she's like that girl that you

0:36:42.440 --> 0:36:45.520
<v Speaker 3>knew when we were twelve, she doesn't exist anymore. But

0:36:45.520 --> 0:36:47.360
<v Speaker 3>that doesn't mean she wasn't real. It just means that

0:36:47.920 --> 0:36:56.800
<v Speaker 3>I left her with you. My god, oh my god?

0:36:56.960 --> 0:36:59.919
<v Speaker 2>What is life about? Literally? What are we all doing here?

0:37:01.120 --> 0:37:05.279
<v Speaker 2>Life is so confusing? How do people even choose to

0:37:05.280 --> 0:37:07.120
<v Speaker 2>make decisions? Well?

0:37:07.400 --> 0:37:11.799
<v Speaker 3>What That's how I feel when I see a play?

0:37:13.239 --> 0:37:19.000
<v Speaker 2>How do people choose to make decisions? What? Why do

0:37:19.080 --> 0:37:22.920
<v Speaker 2>we do this? Leona? You've written anguish.

0:37:23.239 --> 0:37:26.640
<v Speaker 3>Oh yeah, I was in anguish, I think, or I

0:37:26.719 --> 0:37:32.040
<v Speaker 3>was more experiencing anguish from a distance. I mean I'm medicated. No,

0:37:32.200 --> 0:37:34.280
<v Speaker 3>you know, stuff lands a bit less.

0:37:34.120 --> 0:37:36.640
<v Speaker 2>Deep believe in it normally would Leona, Your last note

0:37:36.680 --> 0:37:38.920
<v Speaker 2>is oh baby, if I was able to cry, I

0:37:38.960 --> 0:37:41.000
<v Speaker 2>would be. And then your next note is, oh, JK,

0:37:41.160 --> 0:37:41.880
<v Speaker 2>I am crying.

0:37:43.960 --> 0:37:48.359
<v Speaker 3>Love that that end scene where they walk together to

0:37:48.400 --> 0:37:50.759
<v Speaker 3>the uber and stand and stare at each other. I

0:37:50.800 --> 0:37:52.280
<v Speaker 3>was like, oh yeah, if I could cry, I definitely

0:37:52.480 --> 0:37:54.960
<v Speaker 3>for sure would be crying. And then when she walks

0:37:55.080 --> 0:38:01.680
<v Speaker 3>back and she starts crying, I I said, oh, this

0:38:01.760 --> 0:38:06.080
<v Speaker 3>movie really effectively made me feel the deep, unnameable melancholy

0:38:06.160 --> 0:38:10.280
<v Speaker 3>of life. Do you think any of that was perhaps

0:38:11.760 --> 0:38:13.120
<v Speaker 3>heightened by your having.

0:38:13.480 --> 0:38:15.640
<v Speaker 2>Me having COVID nineteen and having just read an essay

0:38:15.640 --> 0:38:17.400
<v Speaker 2>about my first love that I wrote when I was

0:38:17.440 --> 0:38:20.440
<v Speaker 2>in college. It's like everything that I feel when I

0:38:20.520 --> 0:38:23.520
<v Speaker 2>listened to Elliott Smith walking around the quad, who I

0:38:23.520 --> 0:38:25.680
<v Speaker 2>felt while watching this where it's like, I can't name it,

0:38:25.719 --> 0:38:27.280
<v Speaker 2>but there's something deep and sad.

0:38:28.160 --> 0:38:30.720
<v Speaker 3>You were like your own emotional fluffer for this film

0:38:30.960 --> 0:38:32.280
<v Speaker 3>by reading your own essay.

0:38:32.680 --> 0:38:34.120
<v Speaker 2>I mean I have been sitting in the dark for

0:38:34.160 --> 0:38:37.520
<v Speaker 2>like three days. Oh yeah, I think that it also

0:38:37.600 --> 0:38:39.520
<v Speaker 2>just effectively touched on it, like it was trying to

0:38:39.520 --> 0:38:42.960
<v Speaker 2>touch on that something more specific than just like losing

0:38:43.000 --> 0:38:47.160
<v Speaker 2>a love, But it was just like life is has

0:38:47.200 --> 0:38:49.640
<v Speaker 2>so many more layers than just you meet someone and

0:38:49.680 --> 0:38:51.919
<v Speaker 2>you're supposed to be with them or like what would

0:38:51.960 --> 0:38:53.880
<v Speaker 2>what would that even be? It's like it's having kids

0:38:53.920 --> 0:38:57.000
<v Speaker 2>the ultimate thing. Who knows, like dying together the ultimate thing.

0:38:57.120 --> 0:38:59.719
<v Speaker 2>I don't know, seeing each other for more phases than

0:38:59.760 --> 0:39:01.359
<v Speaker 2>one maybe.

0:39:01.120 --> 0:39:02.040
<v Speaker 3>Or maybe.

0:39:03.239 --> 0:39:08.560
<v Speaker 2>I don't know. Yeah, I don't know. Completely random side

0:39:08.600 --> 0:39:10.800
<v Speaker 2>note that I'm decided to say now in this emotional state,

0:39:11.280 --> 0:39:13.280
<v Speaker 2>you're somebody who I think is one of the best

0:39:13.320 --> 0:39:19.640
<v Speaker 2>at making friends and having great friendships. WHOA I was

0:39:19.640 --> 0:39:21.480
<v Speaker 2>thinking earlier when you were saying like you struggled to

0:39:21.480 --> 0:39:23.600
<v Speaker 2>do that in middle school when people whenever I'm like

0:39:23.640 --> 0:39:25.480
<v Speaker 2>pointing things out about your showing people like oh yeah,

0:39:25.480 --> 0:39:27.560
<v Speaker 2>this is leonor or whatever, I'm like, oh, yeah, she

0:39:27.560 --> 0:39:29.320
<v Speaker 2>has like so many great friends, Like she gathers like

0:39:29.360 --> 0:39:31.600
<v Speaker 2>great friends and whatever. And like you went to London

0:39:31.600 --> 0:39:34.760
<v Speaker 2>and found some lovely friends, and a lot of people

0:39:34.760 --> 0:39:36.880
<v Speaker 2>will move and like have a lot of trouble with that,

0:39:37.040 --> 0:39:39.040
<v Speaker 2>like that's their biggest issues. They're like, I don't have

0:39:39.320 --> 0:39:41.239
<v Speaker 2>any friends. Thank you.

0:39:41.280 --> 0:39:43.280
<v Speaker 3>That really means a lot to me. Yeah, I've actually

0:39:43.320 --> 0:39:45.960
<v Speaker 3>been feeling very insecure about my No, you're really good

0:39:45.960 --> 0:39:50.680
<v Speaker 3>at that friendship capacity. No you recently, wow, because you're

0:39:50.719 --> 0:39:54.000
<v Speaker 3>like such a Yeah, you're you love goofy friendships and

0:39:54.040 --> 0:39:55.080
<v Speaker 3>you're good at gathering people.

0:39:55.360 --> 0:39:56.200
<v Speaker 2>Yeah, that's true.

0:39:57.120 --> 0:40:01.000
<v Speaker 3>You would love the people that I've befriended here. It'd

0:40:01.040 --> 0:40:03.799
<v Speaker 3>be very fun if one day, everybody overlapped.

0:40:03.920 --> 0:40:05.640
<v Speaker 2>I have a little goal. I've been looking at my

0:40:05.840 --> 0:40:08.880
<v Speaker 2>been looking at my flight miles, and this year I'm

0:40:08.920 --> 0:40:14.640
<v Speaker 2>thinking of popping over. So I wonder, my God in

0:40:14.680 --> 0:40:16.880
<v Speaker 2>February should want to do it before we find out.

0:40:16.719 --> 0:40:22.279
<v Speaker 3>It before I like maybe get deported. Maybe it's kind

0:40:22.320 --> 0:40:24.160
<v Speaker 3>of an asshole in February.

0:40:25.680 --> 0:40:31.840
<v Speaker 2>Sorry what? Sorry? What? Oh my god? That's so not what.

0:40:33.360 --> 0:40:36.520
<v Speaker 3>That's I don't know what phrase I was looking for.

0:40:38.400 --> 0:40:44.239
<v Speaker 2>London is an asshole? Do you know? How is it

0:40:44.280 --> 0:40:47.839
<v Speaker 2>over there? Kind of an asshole? But I've actually never

0:40:47.920 --> 0:40:51.160
<v Speaker 2>heard that phrase used in this context me neither.

0:40:51.760 --> 0:40:53.400
<v Speaker 3>I think what I was trying to say was like

0:40:54.280 --> 0:40:56.880
<v Speaker 3>it was some sort of it became a hybrid of

0:40:57.719 --> 0:41:01.279
<v Speaker 3>it's kind of a shithole, it's kind of ship, and

0:41:01.440 --> 0:41:06.200
<v Speaker 3>it's kind of ass It's kind of an asshole.

0:41:07.000 --> 0:41:09.640
<v Speaker 2>I'm surprised that's not actually more of a frequent phrase.

0:41:11.719 --> 0:41:12.640
<v Speaker 2>It's kind of an asshole.

0:41:12.840 --> 0:41:18.399
<v Speaker 3>Yeah, assholes never used to describe something that's just kind

0:41:18.400 --> 0:41:19.480
<v Speaker 3>of like garbage.

0:41:19.840 --> 0:41:26.040
<v Speaker 2>It's more like you are vile. I'm kind of standing

0:41:26.040 --> 0:41:29.359
<v Speaker 2>in an asshole. It feels like I'm in a bit

0:41:29.400 --> 0:41:35.719
<v Speaker 2>of an asshole. I think it feels more visceral than shithole.

0:41:39.000 --> 0:41:40.080
<v Speaker 3>It definitely does.

0:41:40.239 --> 0:41:42.359
<v Speaker 2>Okay, well, not the only option, so we'll see.

0:41:42.640 --> 0:41:50.280
<v Speaker 3>Okay, can't wait, Oh, Siena, let us let us befriend

0:41:50.280 --> 0:41:53.560
<v Speaker 3>our segment badges and tradges where we award the film

0:41:53.640 --> 0:41:55.279
<v Speaker 3>badges for.

0:41:58.280 --> 0:42:08.600
<v Speaker 2>Besties, Yeah, for besties, and trages for traveling. It's just

0:42:08.719 --> 0:42:14.160
<v Speaker 2>not meant to be. Yeah, it's gonna be an extra

0:42:14.200 --> 0:42:18.359
<v Speaker 2>long episode because Sana just really needed to Sanna needed

0:42:18.400 --> 0:42:22.520
<v Speaker 2>to talk as gadgets.

0:42:24.520 --> 0:42:24.840
<v Speaker 3>Badges.

0:42:24.880 --> 0:42:27.040
<v Speaker 2>Okay, I don't, Okay, I forgot.

0:42:27.320 --> 0:42:29.799
<v Speaker 3>I have a badge for I'm fine and you. I'm

0:42:29.880 --> 0:42:33.600
<v Speaker 3>fine and you. When they're practicing English, that was so

0:42:33.840 --> 0:42:34.920
<v Speaker 3>cute and it's so funny.

0:42:35.600 --> 0:42:38.840
<v Speaker 2>I love when people this is going to be I

0:42:38.920 --> 0:42:42.480
<v Speaker 2>will perhaps cut out it is a very white American statement,

0:42:42.760 --> 0:42:45.319
<v Speaker 2>but also it's true. I love when I am effectively

0:42:45.440 --> 0:42:50.480
<v Speaker 2>given insight into the immigrant experience. Yeah, because there's so

0:42:50.520 --> 0:42:52.120
<v Speaker 2>much I don't understand about what it would be like

0:42:52.239 --> 0:42:54.640
<v Speaker 2>to fully get up and move to a different country,

0:42:54.719 --> 0:42:58.319
<v Speaker 2>specifically like North America or English speaking country where people

0:42:58.320 --> 0:43:00.680
<v Speaker 2>have decided it's like the most rele place to be

0:43:00.840 --> 0:43:03.960
<v Speaker 2>for certain career paths. But it was so cute to

0:43:04.000 --> 0:43:07.239
<v Speaker 2>watch these sisters be like, oh, I'm fine, you am

0:43:07.320 --> 0:43:11.479
<v Speaker 2>you yeah and you yeah. But I did. I felt

0:43:11.480 --> 0:43:13.759
<v Speaker 2>like I understood more so funny. My first badge is

0:43:13.800 --> 0:43:16.600
<v Speaker 2>for Skype. Love Skype, Love to hear it, And it

0:43:16.719 --> 0:43:19.560
<v Speaker 2>was just fun. All the twenty twelve throwbacks. I was like,

0:43:19.760 --> 0:43:22.359
<v Speaker 2>oh yeah, and that was my first era of under

0:43:22.480 --> 0:43:25.239
<v Speaker 2>of perceiving the world. Oh.

0:43:26.280 --> 0:43:27.239
<v Speaker 3>A badge for Greta Lee.

0:43:27.480 --> 0:43:30.600
<v Speaker 2>Love her, I love her, I love her, badge for

0:43:30.719 --> 0:43:33.560
<v Speaker 2>her outfits. Love those. I think I'm gonna go through

0:43:33.600 --> 0:43:36.080
<v Speaker 2>and just kind of buy all of those and be

0:43:36.160 --> 0:43:37.040
<v Speaker 2>set for viewers.

0:43:39.000 --> 0:43:41.839
<v Speaker 3>A badge for Key's phone wallet, written on the wall

0:43:41.960 --> 0:43:43.720
<v Speaker 3>by her door in her New York apartment.

0:43:45.120 --> 0:43:48.439
<v Speaker 2>She's one of us. Oh my god, I'm pretty bold

0:43:48.480 --> 0:43:49.719
<v Speaker 2>to just straight up write it on there. But I

0:43:49.719 --> 0:43:53.040
<v Speaker 2>guess you can paint that as well. Yes, But then

0:43:53.080 --> 0:43:56.400
<v Speaker 2>I was like, she's an artiste. Badge for this is

0:43:56.480 --> 0:43:59.239
<v Speaker 2>so beautiful. I just I love that they decided to

0:43:59.280 --> 0:44:01.320
<v Speaker 2>make it beautiful. But but how do I put this?

0:44:01.480 --> 0:44:03.839
<v Speaker 2>Not in a male way. It's not in a way

0:44:03.840 --> 0:44:10.600
<v Speaker 2>where it's like, oh, look at this girl and the colors. Yeah,

0:44:11.000 --> 0:44:13.319
<v Speaker 2>we're gonna say things that don't make sense. Instead, they

0:44:13.360 --> 0:44:15.839
<v Speaker 2>would just have full on conversations that take as long

0:44:15.880 --> 0:44:18.399
<v Speaker 2>as a conversation actually takes, and they make you think,

0:44:18.760 --> 0:44:22.680
<v Speaker 2>and then they'd be yeah, the beautiful parks okay, yeah

0:44:23.560 --> 0:44:29.319
<v Speaker 2>yeah women. Badge for wired headphones, Game recognize game, let's

0:44:29.360 --> 0:44:33.680
<v Speaker 2>go wired headphones. Hell yeah, she did use those in

0:44:33.719 --> 0:44:34.280
<v Speaker 2>twenty twelve.

0:44:34.800 --> 0:44:39.000
<v Speaker 3>I will never have air pods, honestly, this is this

0:44:39.160 --> 0:44:40.000
<v Speaker 3>is the hill I die on.

0:44:40.160 --> 0:44:44.439
<v Speaker 2>I lose them every time. They don't work. They don't work. Yeah,

0:44:44.600 --> 0:44:47.839
<v Speaker 2>Cordy's headphones are right. I no badge for I really

0:44:47.880 --> 0:44:51.080
<v Speaker 2>miss New York City. This really made me dis miss nyc.

0:44:51.680 --> 0:44:56.840
<v Speaker 3>All well, badge for two cuties. These two are some

0:44:57.120 --> 0:44:58.520
<v Speaker 3>real cutie pies.

0:44:58.680 --> 0:44:59.640
<v Speaker 2>They're so sweet.

0:45:00.440 --> 0:45:00.640
<v Speaker 1>Yeah.

0:45:01.040 --> 0:45:03.080
<v Speaker 3>I love the montage of them skyping with each other.

0:45:03.800 --> 0:45:05.840
<v Speaker 2>They're so nice to each other. They're so supportive of

0:45:05.920 --> 0:45:07.759
<v Speaker 2>one another. Even when they're like, we need to not

0:45:07.840 --> 0:45:12.680
<v Speaker 2>talk anymore. They both understood. Oh badge for all the

0:45:12.760 --> 0:45:15.799
<v Speaker 2>characters are doing their best question mark similar to you going,

0:45:15.920 --> 0:45:18.000
<v Speaker 2>oh my gosh, Arthur, the ardvark is actually kind of

0:45:18.040 --> 0:45:21.719
<v Speaker 2>slaying right now. He was really supportive and he's like,

0:45:21.880 --> 0:45:23.400
<v Speaker 2>I know this needs to be done. This is the

0:45:23.520 --> 0:45:26.000
<v Speaker 2>right thing. I know it's not about me. I'm gonna

0:45:26.000 --> 0:45:28.480
<v Speaker 2>express the ways I feel insecure, but thank you for

0:45:28.600 --> 0:45:30.560
<v Speaker 2>talking to me about it. And I'm still here to

0:45:30.640 --> 0:45:32.279
<v Speaker 2>hug you when you cry about it because I know

0:45:32.360 --> 0:45:36.280
<v Speaker 2>it's something deeper than that. Yeah, she left her life behind.

0:45:37.200 --> 0:45:37.520
<v Speaker 4>Hmm.

0:45:39.920 --> 0:45:42.600
<v Speaker 2>There's so many paths in this life. We can't control it.

0:45:43.000 --> 0:45:44.160
<v Speaker 2>We only have one shot.

0:45:47.280 --> 0:45:50.400
<v Speaker 3>I have a badge for Ooh, I do love rustic chickens.

0:45:56.160 --> 0:45:56.440
<v Speaker 2>Work?

0:46:00.000 --> 0:46:03.600
<v Speaker 3>Is that at the at her house in the Yeah,

0:46:03.680 --> 0:46:06.840
<v Speaker 3>the residency in Montalk. There's like little chickens and like

0:46:06.960 --> 0:46:08.719
<v Speaker 3>a fence and grass.

0:46:10.520 --> 0:46:12.600
<v Speaker 2>That was all my badges because I kept him. Oh,

0:46:12.760 --> 0:46:15.160
<v Speaker 2>I guess badge final badge for There were many quotes

0:46:15.200 --> 0:46:17.960
<v Speaker 2>that I wrote down that were very yeah, god so

0:46:18.120 --> 0:46:20.120
<v Speaker 2>good A badge for.

0:46:20.280 --> 0:46:23.040
<v Speaker 3>I love his backpack. It is practical and respectful.

0:46:24.239 --> 0:46:31.759
<v Speaker 2>Okay, I love that the what oh that means? What

0:46:32.120 --> 0:46:33.200
<v Speaker 2>is a respectful backpack?

0:46:36.600 --> 0:46:39.560
<v Speaker 3>He wears a backpack around New York because he's like

0:46:39.680 --> 0:46:41.720
<v Speaker 3>solo traveling. He needs to have a lot of stuff

0:46:41.760 --> 0:46:44.640
<v Speaker 3>on him at all times. But it's not too big

0:46:45.360 --> 0:46:50.200
<v Speaker 3>and it's very well kept close to his back and

0:46:50.440 --> 0:46:53.680
<v Speaker 3>it's not hitting other people. It's not bad anybody. It's

0:46:53.719 --> 0:46:54.640
<v Speaker 3>not swinging around.

0:46:54.960 --> 0:46:56.239
<v Speaker 2>There were a number of times where I had a

0:46:56.280 --> 0:46:58.040
<v Speaker 2>backpack on the train in New York and people would

0:46:58.040 --> 0:47:03.200
<v Speaker 2>be like, please please move, or you need to set

0:47:03.239 --> 0:47:05.680
<v Speaker 2>that down. Yeah, yes, you're hitting us.

0:47:05.760 --> 0:47:09.400
<v Speaker 3>Yes, a badge for oh my god. He brought her

0:47:09.520 --> 0:47:11.800
<v Speaker 3>food when they get on the boat.

0:47:12.920 --> 0:47:13.759
<v Speaker 2>Oh that was so.

0:47:13.880 --> 0:47:15.320
<v Speaker 3>He was like, did you eat and she was like no,

0:47:15.440 --> 0:47:17.080
<v Speaker 3>And he had brought her something because he knew she

0:47:17.120 --> 0:47:17.839
<v Speaker 3>wouldn't have eaten.

0:47:18.719 --> 0:47:19.359
<v Speaker 2>Oh my god.

0:47:19.960 --> 0:47:22.160
<v Speaker 3>And my final badge is a badge for their conversation

0:47:22.280 --> 0:47:24.239
<v Speaker 3>at the bar because it was so beautiful and it

0:47:24.360 --> 0:47:29.040
<v Speaker 3>also it helps you as the audience, understand why they're

0:47:30.719 --> 0:47:33.600
<v Speaker 3>making the choices that they are with their lives.

0:47:34.200 --> 0:47:37.080
<v Speaker 2>It's beautiful and honest, and I appreciate that they just

0:47:37.160 --> 0:47:39.759
<v Speaker 2>say things out loud instead of being like, h yeah,

0:47:39.840 --> 0:47:42.000
<v Speaker 2>I can't say you know, they just talk it through

0:47:42.960 --> 0:47:47.280
<v Speaker 2>because I was so so rare. Yeah. Usually these movies

0:47:47.320 --> 0:47:48.879
<v Speaker 2>that are kind of I think that they the way

0:47:48.920 --> 0:47:51.200
<v Speaker 2>that they make it sort of mysterious and melancholy is

0:47:51.280 --> 0:47:52.200
<v Speaker 2>by just not.

0:47:52.360 --> 0:47:55.839
<v Speaker 3>Saying everything, leaving things unsaid, but instead, oh, you're.

0:47:55.760 --> 0:47:58.040
<v Speaker 2>So right here. We got to follow the whole thing and.

0:47:58.160 --> 0:47:58.920
<v Speaker 3>Just they just said it.

0:47:59.600 --> 0:48:05.759
<v Speaker 2>They just because and they respect It was very respectful. Also, hm,

0:48:06.080 --> 0:48:13.240
<v Speaker 2>it was tragic. I have one trage, m My trage

0:48:13.360 --> 0:48:24.320
<v Speaker 2>is what is life all about? What is it for? Okay?

0:48:25.520 --> 0:48:27.880
<v Speaker 2>And also there were times I will say where this

0:48:28.040 --> 0:48:29.840
<v Speaker 2>also made me go like, oh my god, she's so

0:48:30.000 --> 0:48:32.560
<v Speaker 2>ambitious in her life. I remember when I was ambitious her.

0:48:32.719 --> 0:48:34.040
<v Speaker 2>What does it maybe?

0:48:34.280 --> 0:48:34.440
<v Speaker 3>Oh?

0:48:36.600 --> 0:48:39.440
<v Speaker 2>Oh, oh goals.

0:48:39.960 --> 0:48:45.880
<v Speaker 3>Oh, I have a trage for once again, I am

0:48:45.960 --> 0:48:47.360
<v Speaker 3>wondering if the sound is on.

0:48:49.040 --> 0:48:49.360
<v Speaker 2>Listen.

0:48:49.719 --> 0:48:52.320
<v Speaker 3>I love this movie, but put some sounds at the

0:48:52.360 --> 0:48:54.440
<v Speaker 3>beginning so I know that the audio is working at

0:48:54.480 --> 0:48:55.160
<v Speaker 3>the very beginning.

0:48:55.200 --> 0:49:00.719
<v Speaker 2>I was also like before it started, Hello, what's going on?

0:49:00.960 --> 0:49:02.760
<v Speaker 2>Why did they do that? I've never seen that before.

0:49:03.360 --> 0:49:04.520
<v Speaker 2>Just like indie movies love to.

0:49:04.520 --> 0:49:05.680
<v Speaker 3>Be like, we're a quiet film.

0:49:05.719 --> 0:49:08.600
<v Speaker 2>We're quiet, We're gonna be very quiet. It's like, hello, hello,

0:49:09.040 --> 0:49:12.720
<v Speaker 2>quiet film, We're being quiet. I'm like, is this alling quiet?

0:49:13.200 --> 0:49:16.160
<v Speaker 2>The volumes at ninety seven? Get ready to perceive, get

0:49:16.200 --> 0:49:20.640
<v Speaker 2>ready to think? Get ready? Yeah, medicine U Tragferd.

0:49:20.640 --> 0:49:23.960
<v Speaker 3>Why isn't anyone else around? This is when she arrives

0:49:24.000 --> 0:49:27.359
<v Speaker 3>at the Residency House in montak and there's no one there.

0:49:27.440 --> 0:49:29.040
<v Speaker 3>It was like a zombie film. I was like, where

0:49:29.160 --> 0:49:29.560
<v Speaker 3>is everyone?

0:49:33.640 --> 0:49:36.480
<v Speaker 2>I guess I just when she got there early, and

0:49:36.760 --> 0:49:39.120
<v Speaker 2>I thought that maybe just the house was empty. But

0:49:39.280 --> 0:49:41.080
<v Speaker 2>now that you've said it's like a zombie film, I

0:49:41.200 --> 0:49:42.759
<v Speaker 2>do get why if you were looking at it through

0:49:42.840 --> 0:49:45.680
<v Speaker 2>that lens that you would be seeing that because a

0:49:45.760 --> 0:49:46.959
<v Speaker 2>zombie could appear at any moment.

0:49:47.960 --> 0:49:49.479
<v Speaker 3>The doors are all wide open.

0:49:49.680 --> 0:49:51.640
<v Speaker 2>That was weird. I was like, why are you accepting

0:49:51.680 --> 0:49:54.040
<v Speaker 2>that the coffee is brewed and the doors are open

0:49:54.800 --> 0:49:56.759
<v Speaker 2>just for you. I think she was just kind of

0:49:56.880 --> 0:50:01.200
<v Speaker 2>being a flirty girl. She's like, ugh, somebody lives here.

0:50:01.280 --> 0:50:03.719
<v Speaker 2>Now a trage for it?

0:50:03.800 --> 0:50:07.320
<v Speaker 3>Doesn't Her shoulder hurt from using a shoulder bag. She

0:50:07.640 --> 0:50:09.719
<v Speaker 3>has a tote bag that she carries around in New

0:50:09.800 --> 0:50:11.319
<v Speaker 3>York and I was like, that's gonna hurt if you're

0:50:11.400 --> 0:50:13.720
<v Speaker 3>doing a full day out with a tote on one shoulder.

0:50:13.960 --> 0:50:15.959
<v Speaker 2>I think one of the main reasons I continued dating

0:50:16.000 --> 0:50:18.560
<v Speaker 2>my boyfriend, who was completely incompatible with in New York City,

0:50:18.640 --> 0:50:21.160
<v Speaker 2>was so I had somebody to carry my stuff because

0:50:21.160 --> 0:50:24.359
<v Speaker 2>he had a backpack. I just if my arm hurt,

0:50:24.400 --> 0:50:26.360
<v Speaker 2>I'd be like, can you carry this? And it's truly

0:50:26.440 --> 0:50:29.719
<v Speaker 2>the only thing I ever asked of him. Wow, it's

0:50:29.760 --> 0:50:32.800
<v Speaker 2>like the only place that I used the boyfriend girlfriend

0:50:32.840 --> 0:50:34.680
<v Speaker 2>thing in a very traditional.

0:50:34.280 --> 0:50:39.200
<v Speaker 3>Way, traditional sense, he should carry stuff. My last trage

0:50:39.320 --> 0:50:41.720
<v Speaker 3>is if they don't bang once in this, I swear

0:50:41.880 --> 0:50:44.719
<v Speaker 3>to god, it would have been very beautiful. It would

0:50:44.719 --> 0:50:48.520
<v Speaker 3>have been beautiful. But I also I understand, yeah, it

0:50:48.600 --> 0:50:50.600
<v Speaker 3>would have been wrong for the story and wrong for

0:50:50.719 --> 0:50:51.360
<v Speaker 3>this lifetime.

0:50:51.800 --> 0:50:53.560
<v Speaker 2>Maybe they can just make a fan fix sequel.

0:50:54.680 --> 0:50:57.400
<v Speaker 3>I bet there's so much fanfic out there about this.

0:50:59.080 --> 0:51:03.440
<v Speaker 2>Oh my goodness. Life is so complex. I just think.

0:51:03.760 --> 0:51:06.040
<v Speaker 3>I just think if I were in a partnership where

0:51:06.640 --> 0:51:09.680
<v Speaker 3>my partner's first love from twenty four years ago was

0:51:09.719 --> 0:51:11.680
<v Speaker 3>coming to visit them once and they have so much

0:51:11.840 --> 0:51:13.680
<v Speaker 3>visible chemistry, I think I'd be like, do you know

0:51:13.760 --> 0:51:16.600
<v Speaker 3>what you too? Go bang, get it out of your system,

0:51:17.360 --> 0:51:21.799
<v Speaker 3>have at it, have at it, have at it, then

0:51:21.880 --> 0:51:22.520
<v Speaker 3>come on back.

0:51:23.840 --> 0:51:24.160
<v Speaker 2>I don't know.

0:51:24.200 --> 0:51:25.799
<v Speaker 3>I think they needed to bang once and then maybe

0:51:25.960 --> 0:51:30.680
<v Speaker 3>be like, oh, okay, yeah, well we did that. That's good.

0:51:31.719 --> 0:51:32.399
<v Speaker 3>Oh my god.

0:51:33.800 --> 0:51:37.080
<v Speaker 2>Yeah, when he said like, maybe this is our past

0:51:37.160 --> 0:51:39.279
<v Speaker 2>life and maybe in the future we're already something to

0:51:39.360 --> 0:51:48.719
<v Speaker 2>each other, see you, then oh boo, that is what

0:51:48.840 --> 0:51:51.520
<v Speaker 2>those connections in life are like, like, oh, I'm not

0:51:51.600 --> 0:51:54.279
<v Speaker 2>gonna even with friendships, certain friendships where you're like, we

0:51:54.520 --> 0:51:57.320
<v Speaker 2>just don't get to be around each other the amount

0:51:57.360 --> 0:51:59.560
<v Speaker 2>that I would expect because of the way that we're connected.

0:52:00.280 --> 0:52:02.439
<v Speaker 2>Mm hmm. But I'll see you in the next life.

0:52:06.360 --> 0:52:12.799
<v Speaker 2>Yeah yeah, yeah, Well Leanna, or have you done all

0:52:12.840 --> 0:52:13.320
<v Speaker 2>your trages?

0:52:13.920 --> 0:52:14.120
<v Speaker 3>I have?

0:52:14.400 --> 0:52:16.480
<v Speaker 2>Okay, great, let's move on to our next segment, which is,

0:52:16.480 --> 0:52:19.160
<v Speaker 2>of course, how to pretend you've seen this film? Mm hmmm,

0:52:20.840 --> 0:52:26.279
<v Speaker 2>uh this is oh excuse me. You are in You're

0:52:26.280 --> 0:52:27.920
<v Speaker 2>in New York City. You're on the ferry going to

0:52:28.000 --> 0:52:30.920
<v Speaker 2>see the Statue of Liberty, which, by the way, very

0:52:30.960 --> 0:52:32.760
<v Speaker 2>pointy crown, dangerously pointy.

0:52:34.040 --> 0:52:37.759
<v Speaker 3>Well, it's pretty pretty far away. Who's it gonna get?

0:52:37.880 --> 0:52:43.560
<v Speaker 2>You know, they're getting close on that ferry crown and

0:52:44.239 --> 0:52:47.400
<v Speaker 2>you're looking up at that Statue of Liberty and Arthur

0:52:47.480 --> 0:52:55.720
<v Speaker 2>comes up to you. M h and he says, careful. Wow,

0:52:57.120 --> 0:52:59.840
<v Speaker 2>I'm just gonna go for gravelly absolutely associated with the

0:53:00.280 --> 0:53:01.880
<v Speaker 2>accent of any sort. Wow.

0:53:02.440 --> 0:53:02.640
<v Speaker 3>Ah.

0:53:06.320 --> 0:53:10.000
<v Speaker 2>I love New York City. I love the Statue of Liberty.

0:53:10.400 --> 0:53:17.080
<v Speaker 2>One of my favorite movies I saw is called Past Lives.

0:53:19.000 --> 0:53:22.120
<v Speaker 2>My favorite thing about it is how I assumed that

0:53:22.160 --> 0:53:23.920
<v Speaker 2>they were secretly boning the whole time. And that's the

0:53:23.960 --> 0:53:26.920
<v Speaker 2>only thing I thought out, nothing about the beautiful nature

0:53:27.520 --> 0:53:33.640
<v Speaker 2>of a connection unh unboned.

0:53:34.560 --> 0:53:40.280
<v Speaker 3>And in order to fling Arthur into the Hudson Ah splash,

0:53:41.040 --> 0:53:42.920
<v Speaker 3>We're gonna give you a few sentences you can say

0:53:43.000 --> 0:53:45.680
<v Speaker 3>to pretend you've seen the film Past Lives.

0:53:48.880 --> 0:53:53.040
<v Speaker 2>I'm so sweaty. I'm so sweaty from illness.

0:53:56.680 --> 0:54:00.400
<v Speaker 3>Arthur, I've seen the film Past Lives. I'm gonna quote

0:54:00.400 --> 0:54:03.520
<v Speaker 3>to you the most relevant quote from it for this conversation.

0:54:04.920 --> 0:54:06.719
<v Speaker 3>I want us to stop talking.

0:54:06.560 --> 0:54:07.120
<v Speaker 2>For a while.

0:54:11.239 --> 0:54:14.240
<v Speaker 3>Yeah, and by for a while, Arthur, I mean forever.

0:54:16.520 --> 0:54:21.680
<v Speaker 2>Oh my gosh, Yes, Arthur, I've seen the film. I

0:54:21.840 --> 0:54:26.000
<v Speaker 2>have seen the film Past Lives. This was Selene's Song's

0:54:26.040 --> 0:54:30.000
<v Speaker 2>directorial debut. Oh my god, I hope she makes so

0:54:30.400 --> 0:54:31.239
<v Speaker 2>so much more.

0:54:32.719 --> 0:54:33.960
<v Speaker 3>It slapped, she slaid.

0:54:34.280 --> 0:54:36.560
<v Speaker 2>There was a real life event that inspired this film?

0:54:37.520 --> 0:54:38.600
<v Speaker 3>Was it having a friend?

0:54:39.120 --> 0:54:41.760
<v Speaker 2>She had a childhood sweetheart who flew in from Korea,

0:54:44.320 --> 0:54:46.600
<v Speaker 2>and she had an American husband who only spoke English.

0:54:47.000 --> 0:54:49.319
<v Speaker 2>She was sitting there trying to translate for the two

0:54:49.360 --> 0:54:53.399
<v Speaker 2>of them, and there was something really special going on. Oh,

0:54:54.080 --> 0:54:56.800
<v Speaker 2>she said, I was sort of becoming a bridge or

0:54:56.840 --> 0:54:59.000
<v Speaker 2>a portal between these two men, and also in some

0:54:59.160 --> 0:55:02.439
<v Speaker 2>ways these two worlds of language and culture. Something about

0:55:02.480 --> 0:55:04.880
<v Speaker 2>that moment really sparked something, and then it made me

0:55:05.000 --> 0:55:07.600
<v Speaker 2>feel and it made me really feel like maybe this

0:55:07.680 --> 0:55:08.319
<v Speaker 2>could be a movie.

0:55:08.400 --> 0:55:16.520
<v Speaker 4>Okay, yeah, okay, all right, So okay, the rest of

0:55:16.560 --> 0:55:18.120
<v Speaker 4>it is she starting about mating, Okay, because she's a

0:55:18.160 --> 0:55:18.879
<v Speaker 4>movie person, Okay.

0:55:19.120 --> 0:55:27.040
<v Speaker 2>But besides that, very very beautiful that that really happened. Wow, Arthur,

0:55:27.280 --> 0:55:31.400
<v Speaker 2>I've seen Past Lives. That is a film that features

0:55:32.000 --> 0:55:36.560
<v Speaker 2>what I would argue is the best bob haircut in

0:55:36.800 --> 0:55:40.600
<v Speaker 2>cinematic history. Oh my gosh, yeah, wow, hair in this

0:55:40.760 --> 0:55:42.440
<v Speaker 2>was I kept looking at those outfits and I'm like, well,

0:55:42.480 --> 0:55:44.160
<v Speaker 2>they only look good with her amazing hair.

0:55:44.719 --> 0:55:44.959
<v Speaker 3>Hmmm.

0:55:45.440 --> 0:55:45.719
<v Speaker 2>I don't know.

0:55:45.880 --> 0:55:48.600
<v Speaker 3>Her hair was so straight and her haircut was so sharp,

0:55:49.280 --> 0:55:51.680
<v Speaker 3>and then when she tucked it behind her ears the

0:55:51.719 --> 0:55:53.680
<v Speaker 3>scene where she's writing her name and year on the

0:55:53.719 --> 0:55:56.920
<v Speaker 3>wall in Montauk, I was like, oh my god, if

0:55:57.000 --> 0:55:59.520
<v Speaker 3>my hair was straight, you guys wouldn't believe the number

0:55:59.520 --> 0:55:59.960
<v Speaker 3>of things I would.

0:56:00.560 --> 0:56:03.000
<v Speaker 2>I would chop it, I would pin it back I

0:56:03.040 --> 0:56:07.239
<v Speaker 2>would make it different shapes, different straight shapes. Oh, I

0:56:07.280 --> 0:56:13.200
<v Speaker 2>would mold it in all sorts of ways. Okay, yes, Arthur,

0:56:13.280 --> 0:56:16.520
<v Speaker 2>I have seen the film. I have seen the film

0:56:16.560 --> 0:56:19.440
<v Speaker 2>Past Lives. Fun fact, during the scene in the bar

0:56:19.600 --> 0:56:21.640
<v Speaker 2>towards the end of the movie, the song that can

0:56:21.719 --> 0:56:25.400
<v Speaker 2>be heard is Don't Look Back, a song from nineteen

0:56:25.480 --> 0:56:30.040
<v Speaker 2>sixty five by the Irish group Them featuring Sir Van Morrison.

0:56:30.760 --> 0:56:32.800
<v Speaker 2>Whoa And also, I should sam that song? And that

0:56:32.920 --> 0:56:39.319
<v Speaker 2>is not the song it gave me a so maybe

0:56:39.360 --> 0:56:40.919
<v Speaker 2>should sam isn't as amazing.

0:56:45.600 --> 0:56:45.640
<v Speaker 3>That.

0:56:47.640 --> 0:56:47.799
<v Speaker 1>Oh?

0:56:50.440 --> 0:56:52.840
<v Speaker 3>Yes, Arthur, I've seen the film Past Lives, And in

0:56:53.000 --> 0:56:55.360
<v Speaker 3>order to end this conversation with you, I'm gonna devastate

0:56:55.440 --> 0:56:58.080
<v Speaker 3>you with one of the lines in it that devastated me,

0:56:58.719 --> 0:57:00.680
<v Speaker 3>so that you are so devastatd that you end up

0:57:00.680 --> 0:57:05.279
<v Speaker 3>in the Hudson River swimming away from this conversation. That

0:57:05.440 --> 0:57:08.919
<v Speaker 3>line was I didn't know that liking your husband would

0:57:08.960 --> 0:57:09.640
<v Speaker 3>hurt this much.

0:57:09.960 --> 0:57:22.600
<v Speaker 2>Oh oh my god. Yes, yes, Arthur, I have seen

0:57:22.680 --> 0:57:26.520
<v Speaker 2>the film Past Lives. In an interview with NPR in

0:57:26.600 --> 0:57:29.480
<v Speaker 2>twenty twenty three, Greta Lee said that when she told

0:57:29.480 --> 0:57:31.800
<v Speaker 2>her friends and family she was taking the role many

0:57:31.840 --> 0:57:33.840
<v Speaker 2>of them were surprised and wondered if she could even

0:57:33.880 --> 0:57:38.360
<v Speaker 2>speak Korean, which is so classic of your friends and

0:57:38.440 --> 0:57:40.400
<v Speaker 2>family to do when you get a big when like this,

0:57:40.520 --> 0:57:46.120
<v Speaker 2>you're like, oh, really, sorry, can you do that? She's like, yes, oh,

0:57:47.200 --> 0:57:47.920
<v Speaker 2>you live with me?

0:57:48.600 --> 0:57:53.080
<v Speaker 3>What that's like the scene in Fleabag where they're like, Claire,

0:57:53.120 --> 0:57:56.160
<v Speaker 3>you're a lawyer and she's like, I went to business school,

0:57:56.840 --> 0:57:57.280
<v Speaker 3>well you, hona.

0:57:57.320 --> 0:57:58.680
<v Speaker 2>Shall we move on to our next segment, which is,

0:57:58.720 --> 0:58:00.800
<v Speaker 2>of course should you watch or where we tell you

0:58:00.920 --> 0:58:02.360
<v Speaker 2>if you should watch this film or if you should

0:58:02.360 --> 0:58:04.320
<v Speaker 2>do anything else with your time? What would you say?

0:58:05.080 --> 0:58:07.120
<v Speaker 3>Oh, my gosh, I would say yes, absolutely. You can

0:58:07.200 --> 0:58:13.960
<v Speaker 3>watch Past Lives. If you're feeling afrail about a past relationship.

0:58:14.920 --> 0:58:15.960
<v Speaker 2>Oh, do you know what.

0:58:17.640 --> 0:58:20.800
<v Speaker 3>If you are at all at risk of texting your

0:58:20.920 --> 0:58:24.280
<v Speaker 3>ex uh huh, or your crush who's not nice to you,

0:58:25.040 --> 0:58:26.840
<v Speaker 3>If you're at all at risk of getting back in

0:58:26.920 --> 0:58:29.520
<v Speaker 3>touch with someone who's not actually nice to you, Yeah,

0:58:30.720 --> 0:58:34.240
<v Speaker 3>you should still watch Past Lives, but keep an eye

0:58:34.280 --> 0:58:36.800
<v Speaker 3>out for the way that he treats her in the film,

0:58:37.280 --> 0:58:39.280
<v Speaker 3>and you'll have to you'll have to note that that's

0:58:39.360 --> 0:58:41.480
<v Speaker 3>not what's going on in your life yep, and therefore

0:58:41.480 --> 0:58:42.920
<v Speaker 3>you should not reach out to note that.

0:58:43.640 --> 0:58:44.040
<v Speaker 2>Mm hmm.

0:58:44.520 --> 0:58:46.640
<v Speaker 3>You're gonna have to make notice some things. It's tough film,

0:58:47.760 --> 0:58:49.080
<v Speaker 3>watch it, how about you, Sianna?

0:58:49.560 --> 0:58:52.520
<v Speaker 2>I would also say you could watch Past Lives if

0:58:52.560 --> 0:58:55.760
<v Speaker 2>you're not in the mode to watch something. This is

0:58:55.800 --> 0:58:59.840
<v Speaker 2>the perfect thing to do when you're thinking about life's nuance.

0:59:01.200 --> 0:59:04.240
<v Speaker 2>And honestly, sometimes I get overwhelmed when I want to

0:59:04.240 --> 0:59:05.920
<v Speaker 2>sit down and write something down, and this was a

0:59:06.000 --> 0:59:08.680
<v Speaker 2>good thing to do instead. That makes you think a lot.

0:59:09.640 --> 0:59:14.680
<v Speaker 2>But otherwise you could just write in your diary. Ah, yes, Leonna.

0:59:14.720 --> 0:59:16.720
<v Speaker 2>What would you rate this film? Ooh?

0:59:18.760 --> 0:59:24.920
<v Speaker 3>I would give Past Lives five respectful backlooks out of

0:59:25.040 --> 0:59:26.800
<v Speaker 3>five gosh.

0:59:26.960 --> 0:59:29.440
<v Speaker 2>I just I enjoyed it so much. He too.

0:59:30.520 --> 0:59:33.280
<v Speaker 3>It felt easy to watch it, Yeah, I really did.

0:59:33.400 --> 0:59:36.000
<v Speaker 2>It was a it was a well. There was a

0:59:36.080 --> 0:59:37.560
<v Speaker 2>point where I was just like, this is my kind

0:59:37.600 --> 0:59:42.560
<v Speaker 2>of movie. It's slow, it's interesting, it's beautiful, but not

0:59:42.640 --> 0:59:43.680
<v Speaker 2>obnoxiously beautiful.

0:59:44.400 --> 0:59:44.640
<v Speaker 3>Yeah.

0:59:45.840 --> 0:59:49.040
<v Speaker 2>What would you rate the film? I would also give

0:59:49.120 --> 0:59:53.840
<v Speaker 2>this film five spotty skype calls out of five.

0:59:53.960 --> 0:59:54.160
<v Speaker 3>Day.

0:59:55.160 --> 0:59:57.120
<v Speaker 2>I enjoyed it so much. It really I did not

0:59:57.320 --> 0:59:59.240
<v Speaker 2>know I was going to enjoy it this much. It

0:59:59.360 --> 1:00:01.880
<v Speaker 2>was lovely. It's very watchable too. I could easily watch

1:00:01.920 --> 1:00:04.960
<v Speaker 2>it again right now, right now, right now, And you know.

1:00:04.960 --> 1:00:06.920
<v Speaker 3>What, maybe I will, Hey, careful, I will. I've got

1:00:07.000 --> 1:00:08.360
<v Speaker 3>twenty four hours left on that rental.

1:00:09.200 --> 1:00:13.800
<v Speaker 2>Well, Happy New Year, everybody, happy, almost new happy. I

1:00:13.880 --> 1:00:17.280
<v Speaker 2>have a thoughtful new year. We've been toss Popcorn. We're

1:00:17.320 --> 1:00:20.320
<v Speaker 2>at toss Popcorn on Instagram. We post plenty of fun

1:00:20.400 --> 1:00:23.040
<v Speaker 2>things there and if you want to support us this year,

1:00:23.040 --> 1:00:26.920
<v Speaker 2>we would appreciate it so much. At patreon dot com,

1:00:27.000 --> 1:00:31.720
<v Speaker 2>slash toss Popcorn and join us. Next week we will

1:00:31.760 --> 1:00:41.000
<v Speaker 2>be watching Hustlers who thank you, We love you. Ay

1:00:44.320 --> 1:00:44.880
<v Speaker 2>see you then.

1:00:46.080 --> 1:00:46.280
<v Speaker 3>Oh.

1:00:51.000 --> 1:00:53.479
<v Speaker 1>You can find us on Instagram as at Sienna Jaco

1:00:53.600 --> 1:00:56.320
<v Speaker 1>and at Leanna Holsten. Please check the description for the

1:00:56.400 --> 1:00:59.520
<v Speaker 1>spelling of our dumb names. We put out episodes every Tuesday,

1:00:59.600 --> 1:01:01.800
<v Speaker 1>so make sort of subscribe so that you don't miss

1:01:01.840 --> 1:01:05.320
<v Speaker 1>an episode. See you next week on Tossed Popcorn. For

1:01:05.440 --> 1:01:08.360
<v Speaker 1>more podcasts from my Heart Radio, check the iHeartRadio app.

1:01:10.160 --> 1:01:12.200
<v Speaker 1>I definitely when I was twelve, I more had like

1:01:12.280 --> 1:01:15.840
<v Speaker 1>a couple of crushes on teachers and stuff, oh hello,

1:01:16.960 --> 1:01:20.080
<v Speaker 1>and like oh saucy, but I wouldn't admit it. I

1:01:20.120 --> 1:01:21.240
<v Speaker 1>wouldn't know you were saucy.

1:01:21.640 --> 1:01:23.280
<v Speaker 2>I didn't know that either until I was saying it.

1:01:23.800 --> 1:01:26.360
<v Speaker 2>Saucy C. Well, I think it's because I just was like,

1:01:26.480 --> 1:01:32.240
<v Speaker 2>how saucy. No, No, it's not true. It's not true.

1:01:32.680 --> 1:01:35.400
<v Speaker 2>I wasn't a minx at all. You were a SAUCYX.