WEBVTT - Who Wore High-Heeled Shoes First?

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<v Speaker 1>Welcome to brain Stuff production of I Heart Radio. Hey

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<v Speaker 1>brain Stuff Lauren boge obam here. Although these days wearing

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<v Speaker 1>shoes with high heels is mostly coded feminine, the original

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<v Speaker 1>wears of high heels were men. So what's the history here? When, where,

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<v Speaker 1>and why did people first begin wearing shoes with elevated heels.

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<v Speaker 1>We spoke via email with Elizabeth Semmelhawk, senior curator at

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<v Speaker 1>Toronto's Bata Shoe Museum, who says she has yet to

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<v Speaker 1>unravel this mystery. The exact origin of high heels remains

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<v Speaker 1>to be discovered. What's clear, however, is that high heels

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<v Speaker 1>were not a European invention. Heeled footwear only emerged in

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<v Speaker 1>Western Europe around the turn of the seventeenth century, but

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<v Speaker 1>had been warned for hundreds of years prior throughout Western Asia.

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<v Speaker 1>Similhawks said evidence for early Western Asian heels as far

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<v Speaker 1>back as tenth century Persia suggests a strong relationship to

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<v Speaker 1>horseback riding and may have been connected to the innovation

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<v Speaker 1>of the stirrup. The store Up family changed horseback riding

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<v Speaker 1>and in particular made military campaigns on horseback more effective,

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<v Speaker 1>as it enabled riders to study themselves and dramatically improved

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<v Speaker 1>the effective use of weapons such as the lance and

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<v Speaker 1>bow and arrow. The heel seems to have been a

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<v Speaker 1>further development of this technology, as it allowed the wearer

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<v Speaker 1>to hook his feet in the stirrups that are anchoring

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<v Speaker 1>him to his steed. Eventually, healed footwear for men spread

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<v Speaker 1>to Europe, likely through political networks and trade, but the

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<v Speaker 1>exact evolution is complicated. So why did heel's only become

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<v Speaker 1>of interest to Europeans around the beginning of the sixteen hundreds,

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<v Speaker 1>Semmelhack said The answer lies in things as complex as

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<v Speaker 1>European world exploration and the destabilizing of the textile trade,

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<v Speaker 1>to the rise of Persia under the reign of shah

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<v Speaker 1>Abbus the first from fight to sixteen twenty nine, and

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<v Speaker 1>both Persian and European concerns about the increasingly powerful Ottoman Empire.

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<v Speaker 1>In particular, it was the power of shot a Bus,

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<v Speaker 1>the first Mountain military who wore healed footwear, that may

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<v Speaker 1>have made heels appealing first to European men and ultimately

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<v Speaker 1>to women. As the heel entered into upper classmen's fashion,

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<v Speaker 1>there was a concurrent trend in women's fashion to adopt

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<v Speaker 1>certain aspects of men's attire. Samahawks said that the women

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<v Speaker 1>who played with this trend were often quote the butt

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<v Speaker 1>of ridicule, and their numerous offenses included their adoption of

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<v Speaker 1>men's military inspired fashion, including broad brimmed hats, ornamented with plumes, doublets,

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<v Speaker 1>carrying weapons, and wearing heels. The heels that both men

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<v Speaker 1>and women wore in the early years of the seventeenth

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<v Speaker 1>century were very low, but they would rise for both

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<v Speaker 1>sexes as the century progressed. The majority of powerful and

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<v Speaker 1>privileged men wore heels through the seventeenth century and into

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<v Speaker 1>the early eighteenth century. In France, during the reign of

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<v Speaker 1>Louis the fourteenth from sixteen forty three to seventeen fifteen,

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<v Speaker 1>wearing red high heels was a principal signifier of political privilege,

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<v Speaker 1>limited to the king and his courtiers. Beyond France, red

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<v Speaker 1>heels for men were at first associated with French sophistication,

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<v Speaker 1>but by the end of the seventeenth century they were

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<v Speaker 1>increasing he seen as a feminate, especially in England, Samahawks said,

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<v Speaker 1>fueled by nascent Enlightenment thinking and increasing nationalisms, men's dress

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<v Speaker 1>began to undergo a radical transformation at the end of

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<v Speaker 1>the seventeenth century. It was in the early eighteenth century

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<v Speaker 1>that men abandoned the heel to women's fashions and the

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<v Speaker 1>heel became a signifier of femininity. Those shifts included a

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<v Speaker 1>heightened division between men's and women's attire, as well as

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<v Speaker 1>march differences between French and English men's dress. Samahawk said

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<v Speaker 1>since the seventeenth century, Western culture has shown extreme sensitivity

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<v Speaker 1>to men in heels, especially if it's deemed that the

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<v Speaker 1>heels are being used to increase height. She notes that

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<v Speaker 1>this negative view only increased when Darwinian ideas of survival

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<v Speaker 1>of the fittest became translated into racist and sexist notions

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<v Speaker 1>of natural male physical and mental superiority. But heels for

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<v Speaker 1>men made a brief comeback in the middle of the

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<v Speaker 1>twentieth century. Samahak explained the heel began rising in men's

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<v Speaker 1>fashion in the nineteens sixties, and in the early nineteen

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<v Speaker 1>seventies it reached unprecedented heights in direct response, I feel,

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<v Speaker 1>to the burgeoning women's movement. The heels and men's fashion, however,

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<v Speaker 1>were not borrowed from the female wardrobe. They were blocky

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<v Speaker 1>and high like Louis the fourteenth and were touted as

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<v Speaker 1>a way of increasing one stature, masculinity, and confidence. In

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<v Speaker 1>no way did they reference the long standing feminine high

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<v Speaker 1>and thin heel. These days, however, heels on men can

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<v Speaker 1>be construed to emphasize a lack of height rather than

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<v Speaker 1>compensating for it, which means quote that heals on men

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<v Speaker 1>function like a bad to pay. They reveal insecurity, and

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<v Speaker 1>that in our current culture is deemed unappealing. Iconic footwear

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<v Speaker 1>designer Christian Lubaton concurred to a news publication a man

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<v Speaker 1>in heels. That's a prosthesis. But I sympathize the men

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<v Speaker 1>need help, But a man in heels is ridiculous. Clearly

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<v Speaker 1>Mr Lubaton doesn't watch the Cowboy channel. Those bronch and

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<v Speaker 1>bull writers look pretty good. Or, as semel Hack puts it,

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<v Speaker 1>cowboys continue to own their heels and wear them with confidence.

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<v Speaker 1>Today's episode was written by Carrie Tatro and produced by

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<v Speaker 1>Tyler Clang. Brain Stuff is a production of I Heart

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<v Speaker 1>Radio's How Stuff Works. For more in this and lots

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<v Speaker 1>of other topics, visit our home planet, how stuff Works

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