WEBVTT - Duro Olowu

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<v Speaker 1>Welcome to River Cafe Table four, a production of iHeartRadio

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<v Speaker 1>and Adamized Studios.

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<v Speaker 2>When my good friend duro Olowu calls me, I never

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<v Speaker 2>know if he's on his way to show his collection

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<v Speaker 2>in Paris, curate an exhibition in Chicago, visit a wool

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<v Speaker 2>factory in Tuscany, or just sitting down to have a

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<v Speaker 2>plate of spaghetti Patarka in the River Cafe. Fajura is

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<v Speaker 2>a man of many parts, fashion designer, art director, ventor

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<v Speaker 2>to young entrepreneurs, and a passionate lover of food. Right

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<v Speaker 2>now we are in my kitchen. I'm wearing one of

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<v Speaker 2>his beautiful, bright dresses, and he is grating Patarka. We'll

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<v Speaker 2>have a talk about everything he is thinking and doing

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<v Speaker 2>over a long lunch. Then he will tell me he

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<v Speaker 2>has to go, and as always I will try and

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<v Speaker 2>persuade my friend to stay with me just a little

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<v Speaker 2>bit longer. Okay, okay, all right, we are so action.

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<v Speaker 2>Spaghetti Bataga gota guy so batarga is. I think it's

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<v Speaker 2>one of the great delicacies of life. Really, you know,

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<v Speaker 2>it's identified completely with sardinia. It's the dried row of

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<v Speaker 2>the mullet of the gray mullet, and there is botarga

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<v Speaker 2>of tuna, but we always use the botarga of the

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<v Speaker 2>gray Manalat.

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<v Speaker 3>And it's wonderful. And here's how to cook it. Two

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<v Speaker 3>hundred and fifty grams of spaghetti, three tablespoons of olive oil,

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<v Speaker 3>two garlic clothes peeled and finely chopped, fifty grams of

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<v Speaker 3>fresh flat leaf parsley, very family chopped, one dried red

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<v Speaker 3>chili crumbled, one hundred grams of botaga, coarsely grated juice

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<v Speaker 3>of one lemon. Those are the ingredients. You cook the

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<v Speaker 3>pasta in a generous amount of boiling salted water, then

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<v Speaker 3>drain thoroughly and return to the saucepan. Meanwhile, heat the

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<v Speaker 3>olive oil in a sep fit saucepan and fry the

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<v Speaker 3>garlic with the parsley and chili for a few seconds.

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<v Speaker 3>Add to the drained pasta, then stir in most of

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<v Speaker 3>the botaga, serve immediately with the remaining botago on top

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<v Speaker 3>or more plus a squeeze of lemon.

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<v Speaker 2>How wonderful, Oh, thank you to why botaga.

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<v Speaker 3>It's interesting because it's a difficult one. Whenever anyone asks

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<v Speaker 3>you for a favorite anything, it's always best to think

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<v Speaker 3>like a child and go for the first thing that

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<v Speaker 3>comes to your mind, because there's a reason during the lockdown,

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<v Speaker 3>and every time the lockdown was lifted. One of the

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<v Speaker 3>greatest things that I got to do with friends was

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<v Speaker 3>to sneak out the river cafe and thinking about the food.

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<v Speaker 3>It was the pizzetta with talagio and time or the botaga,

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<v Speaker 3>and the botaga had to come up top because it's

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<v Speaker 3>a very I mean, the pizzetta is difficult to make,

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<v Speaker 3>but good.

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<v Speaker 4>Botaga spaghetti is.

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<v Speaker 3>The most difficult thing is I would never try to

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<v Speaker 3>make it at home, and that's why I always look

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<v Speaker 3>forward to having.

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<v Speaker 2>A river cafe it But have you been to Sardinia.

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<v Speaker 3>I went to Sardinia twice, once in my teens and

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<v Speaker 3>once in the early two thousands.

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<v Speaker 4>I loved Sardinia.

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<v Speaker 3>You know, you arrive in Santa as Morelda No, and

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<v Speaker 3>then you just think, okay, we drive inwards, you know,

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<v Speaker 3>and there you just drive past this wonderful, dry, almost brutal,

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<v Speaker 3>but beautiful terrain, and every way you stop and eat,

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<v Speaker 3>you start to feel the essence of this part of

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<v Speaker 3>Italy that has a history of severe poverty and very

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<v Speaker 3>harsh conditions. It sort of has that feel. So to me,

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<v Speaker 3>spaghetti potaga reflects that terrain and the colors and just

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<v Speaker 3>the coarseness, but delicious coarseness.

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<v Speaker 2>I think if you go to Sardinia, but targa is

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<v Speaker 2>so associated with Sardinia. It is the food of Sardinia,

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<v Speaker 2>and I don't think I'd ever had it until I

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<v Speaker 2>went to Sardinny and then you have it everywhere. You

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<v Speaker 2>have it on salads, you have it in you know, pasta's,

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<v Speaker 2>you have it on other fish.

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<v Speaker 3>And in a way for me eating Botoga that it

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<v Speaker 3>wasn't the first time I'd had spaghetti bottaga, but it

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<v Speaker 3>was different. It was a revelation because you really understand

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<v Speaker 3>how it's so basic in one way, you know, it's row,

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<v Speaker 3>but at the same time it's not caviat it's row

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<v Speaker 3>and it's but it's so sort of respected and beautifully treated,

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<v Speaker 3>and I love that. Of course, I've eaten it in

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<v Speaker 3>Milana Lodge where go. I also in Peruja, where I

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<v Speaker 3>have a factory that makes my network. But I mean,

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<v Speaker 3>I haven't been to Sardinia for many years, but I

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<v Speaker 3>have my little sardina at the River cafege.

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<v Speaker 2>Yeah, it is it's also I think Sardinia is so wild.

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<v Speaker 2>It is you can imagine the coast, but then it's

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<v Speaker 2>so the interior is like the wild West. And what

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<v Speaker 2>about the food of your country? Tell me about growing

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<v Speaker 2>up in Lake.

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<v Speaker 3>Yes, and you know the food in Nigeria. First of all,

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<v Speaker 3>I had a Jamaican mother, but my mother learned to

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<v Speaker 3>cook all the Nigerian food. And I'm Uruba, so we

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<v Speaker 3>had this household where we had Nigerian food all sorts.

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<v Speaker 3>It's very meat based, I have to say, at least

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<v Speaker 3>from the region that I'm from. So we had this

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<v Speaker 3>real mix. So we'd have Nigerian food, you know, pounded yam,

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<v Speaker 3>rich vegetable sauces with meat or fishes. But then we'd

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<v Speaker 3>also have rice and peas, you know. And my mother

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<v Speaker 3>would make the best coconut candy and she would bake

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<v Speaker 3>and she would make rice and peas. We didn't have

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<v Speaker 3>aki and sulfish so much, but we had jahanny cakes,

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<v Speaker 3>which they're almost like little buns of our fried They're

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<v Speaker 3>like little flour buns, but the dough has to be

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<v Speaker 3>just right and you stick them in the oil and

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<v Speaker 3>they quick fry. And usually we'd have them with scrambled

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<v Speaker 3>eggs on the side, but in Jamaica you have them

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<v Speaker 3>with aciine sulfish sometimes, but we had this mix.

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<v Speaker 2>So your mother came from Jamaica and how old was

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<v Speaker 2>she when she came.

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<v Speaker 4>My parents met here.

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<v Speaker 3>My father she came to study nursing on the winter

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<v Speaker 3>the windwress generation, and my father came to study law

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<v Speaker 3>and he trained as a barrister.

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<v Speaker 4>That's how they met. Had two children.

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<v Speaker 3>Here, my oldest brother and sister, and then went back

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<v Speaker 3>to Nigeria in nineteen fifty nine, so just before independence.

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<v Speaker 3>So that's how they met and they went back. But

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<v Speaker 3>you know, my extended family on my mother's side, a

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<v Speaker 3>lot of them worked on the trains and in car

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<v Speaker 3>factories here in Darby in London, so you know we

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<v Speaker 3>would always come on holiday and then we would be

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<v Speaker 3>staying in central London, but we would visit them. So

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<v Speaker 3>I also had that sort of incredible experience of being

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<v Speaker 3>with my cousins. Some of them were raster and I

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<v Speaker 3>was completely engulfed in that. Food was an important part

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<v Speaker 3>of that, but mostly things like Jamaican patties. Whenever we'd

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<v Speaker 3>have the chance to visit, my older cousin say, come on,

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<v Speaker 3>let's go for a walk and you'd stop and get

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<v Speaker 3>the patties. But my parents were very very food with

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<v Speaker 3>very much.

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<v Speaker 2>Was it important to them. Did you sit down for

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<v Speaker 2>dinner every meal? Every meal? Tell me about the lunches

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<v Speaker 2>and the dinner as well.

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<v Speaker 3>Well, you know, of course in the day when I

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<v Speaker 3>was in school and I during the day, you know,

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<v Speaker 3>you go to school, but we all have breakfast and

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<v Speaker 3>then you know.

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<v Speaker 2>What would you have for breakfast?

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<v Speaker 3>I mean, funny enough, the big thing with like bacon

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<v Speaker 3>and eggs, like breakfast bacon and eggs, toast or my

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<v Speaker 3>mother used to make a great thing. I mean big

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<v Speaker 3>beans which aren't the best, but they were delicious on

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<v Speaker 3>brown slices, bread toasted with a thin sort of layer

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<v Speaker 3>of butter and tomatoes. But you know, the thing is

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<v Speaker 3>there was this thing of you couldn't we could talk

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<v Speaker 3>at the table, but you know, if you sat down,

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<v Speaker 3>the table was set, everything was set. And my mother

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<v Speaker 3>always cooked the other thing, which was incredibly rare because

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<v Speaker 3>you know, my father's this old school that my father

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<v Speaker 3>cooked amazingly.

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<v Speaker 2>Well, I remember you telling me about your father cooking.

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<v Speaker 2>Tell me what did he cook that?

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<v Speaker 4>Well?

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<v Speaker 3>He cooked Nigerian food really well, everything the fourie row,

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<v Speaker 3>which is a sort of particular vegetable that has a

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<v Speaker 3>bitter taste with different kinds of meat or fish. My

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<v Speaker 3>father loved fresh fish, he loved catfish, he loved the

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<v Speaker 3>equivalent of sea bream, you know. And there were always

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<v Speaker 3>people in the huge market, the special fish ladies who

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<v Speaker 3>were the queens. But my father loved to cook. And

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<v Speaker 3>sometimes on Sundays or whatever, he'd say, I'm cooking. And

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<v Speaker 3>what struck me was my mother was an incredible cook,

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<v Speaker 3>really incredible. But when my mother cooked, the kitchen could

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<v Speaker 3>look like a vombinan fish. And then they'd be a

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<v Speaker 3>big clean up with my father as he'd be cooking,

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<v Speaker 3>everything would be washed and put away. Your father was

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<v Speaker 3>and I watched that. I mean I learned a bit

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<v Speaker 3>from that.

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<v Speaker 2>But do you know where he learned to cook?

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<v Speaker 3>I mean, if I take my father, the son of

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<v Speaker 3>a king, nobody told him. My father taught himself. Yeah,

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<v Speaker 3>my father taught himself. Nobody told my father to cok

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<v Speaker 3>and he came from that sort of really. You know,

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<v Speaker 3>he's very quiet about it, but you know, you know

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<v Speaker 3>that he you know, this is something that he just felt.

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<v Speaker 3>He loved and he took pride in He didn't do

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<v Speaker 3>it often, but he did it, and he loved to cook.

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<v Speaker 3>And sometimes he would meet us here on holiday, if

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<v Speaker 3>we were here, he'd come and he would go on

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<v Speaker 3>special trips to certain markets where you could get Nigerian

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<v Speaker 3>ingredients and cook.

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<v Speaker 2>There was a comment that you just mentioned that I

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<v Speaker 2>don't want to that slip and you said your father

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<v Speaker 2>was the son of a king. I don't think I've

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<v Speaker 2>ever met anybody. I don't hang around the royal family

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<v Speaker 2>very much.

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<v Speaker 3>No, No, my grandfather is an about, you know, of

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<v Speaker 3>a certain region. And my father said, mother, I'm saying,

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<v Speaker 3>is my father or back insurgion. My grandfather was this

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<v Speaker 3>guy that we just I never really looked at this ray.

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<v Speaker 3>We just bowed to him all the time. He was

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<v Speaker 3>a wonderful man and he died in one hundred and something.

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<v Speaker 3>Very stoic but very wise, tough, but very wise. We

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<v Speaker 3>used to go up and see him. He would come

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<v Speaker 3>to Legous with his whole entourage and stay with us.

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<v Speaker 2>And what would food be like my mother's food?

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<v Speaker 3>He would only eat my mother's food. Really, yeah, which

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<v Speaker 3>was the biggest compliment considering you know there we would

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<v Speaker 3>eat what they cooked. We usually used to go for

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<v Speaker 3>the New Year, so it would go three days before

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<v Speaker 3>New Year. They'd be cars full of fireworks for the

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<v Speaker 3>kids in the village and then and then. But I

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<v Speaker 3>don't really remember the food. It's strange, I think because

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<v Speaker 3>we were just you know, it's rural, rural, and you know,

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<v Speaker 3>you go crazy. It's like children just being allowed to run.

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<v Speaker 3>So food was really not something that was on my mind.

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<v Speaker 3>But again, there was a lot of meat and a

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<v Speaker 3>lot of fish. We didn't eat chicken in the village,

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<v Speaker 3>and I asked my father. We ate chicken at home.

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<v Speaker 3>But later he stopped in his sixties, and I said why,

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<v Speaker 3>and he said, there's this whole story. Basically, chicken saved

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<v Speaker 3>the village. Hundreds of years ago, the enemies were coming.

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<v Speaker 3>People ran up through the mountains. I don't know if

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<v Speaker 3>this is true. It's a fable. They ran off into

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<v Speaker 3>the mountains. When they got to the village, they were

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<v Speaker 3>looking for the people, but all the foot prints leading

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<v Speaker 3>to where they had escaped to were visible. But when

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<v Speaker 3>the villagers were leaving, they let loose all the chickens

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<v Speaker 3>because they didn't want them to be captured, and the

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<v Speaker 3>chickens ran all over the footprints and scattered them, so

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<v Speaker 3>they're held in high esteam.

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<v Speaker 2>I see the.

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<v Speaker 4>Chickens generally, you know, I love chickens.

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<v Speaker 2>When I see you in the river cafe, usually come

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<v Speaker 2>with one person, and you're very engaged, and I think that,

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<v Speaker 2>how does that work when you're designing? Do you have

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<v Speaker 2>pins in your mouth? Can you eat or do you

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<v Speaker 2>do not eat? Or do you do take your team

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<v Speaker 2>out for meals or do you I.

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<v Speaker 3>Don't have a team, which you know, I have to

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<v Speaker 3>say I have a very very small team, and therefore

0:11:56.400 --> 0:11:59.080
<v Speaker 3>it's sort of not isolated. I don't make all the things.

0:11:59.080 --> 0:12:01.319
<v Speaker 3>I have someone who cuts them properly for me. I

0:12:01.360 --> 0:12:05.400
<v Speaker 3>can do the early things. But sometimes if I'm working

0:12:05.440 --> 0:12:09.079
<v Speaker 3>really intensely, you look and it's three o'clock and you think, gosh,

0:12:09.120 --> 0:12:11.199
<v Speaker 3>I haven't had lunch. But then I just save it

0:12:11.280 --> 0:12:13.439
<v Speaker 3>up for supper, you know, for a really good supper.

0:12:13.760 --> 0:12:16.240
<v Speaker 3>So I usually, you know, breakfast, I can just have

0:12:16.520 --> 0:12:21.040
<v Speaker 3>a coffee and some homemade granola. But lunch, now, yes,

0:12:21.160 --> 0:12:25.000
<v Speaker 3>I will stop. And especially during lockdown, you know, you

0:12:25.080 --> 0:12:28.800
<v Speaker 3>make something and sometimes it's Yesterday's faster sauce with fresh

0:12:28.880 --> 0:12:32.240
<v Speaker 3>faster or a salad. I used to think I didn't

0:12:32.280 --> 0:12:34.720
<v Speaker 3>have the patience to make really good salads.

0:12:34.320 --> 0:12:35.360
<v Speaker 4>But I do.

0:12:35.400 --> 0:12:37.000
<v Speaker 2>You need patience to make a good.

0:12:36.800 --> 0:12:39.200
<v Speaker 4>Sell, need patience to make food patience.

0:12:39.280 --> 0:12:41.360
<v Speaker 2>Yeah, when you cook at help, do you find it

0:12:41.400 --> 0:12:43.520
<v Speaker 2>relaxing to cook? Do you find it's a way of

0:12:44.200 --> 0:12:45.240
<v Speaker 2>kind of winding down?

0:12:45.640 --> 0:12:48.400
<v Speaker 3>Absolutely, because you do switch off. I mean when you're

0:12:48.440 --> 0:12:51.720
<v Speaker 3>trying to get the peel off the garlic, things like that.

0:12:51.840 --> 0:12:55.160
<v Speaker 3>Concentrating tomatoes, like getting the core out is always a

0:12:55.760 --> 0:12:58.440
<v Speaker 3>chill for me. I've tried focused, but with everything else

0:12:58.520 --> 0:13:01.439
<v Speaker 3>I do not have. I was really out your eloquently

0:13:01.440 --> 0:13:04.600
<v Speaker 3>written recipe, but I never know how much of anything

0:13:04.640 --> 0:13:05.040
<v Speaker 3>to put in.

0:13:05.120 --> 0:13:06.120
<v Speaker 4>I just go with my gut.

0:13:06.200 --> 0:13:08.640
<v Speaker 2>Do you go with your Yeah? Yeah? And what about

0:13:08.720 --> 0:13:11.160
<v Speaker 2>Chicago when you were there? Tell me about the show.

0:13:12.000 --> 0:13:15.920
<v Speaker 2>It involved the city, it involved culture, it involved design

0:13:16.040 --> 0:13:17.960
<v Speaker 2>and art, and yeah.

0:13:17.720 --> 0:13:20.520
<v Speaker 3>Well, you know, the director of Madeline Greenstein asked me

0:13:21.080 --> 0:13:24.240
<v Speaker 3>if I would do a show of my work, and

0:13:24.320 --> 0:13:26.800
<v Speaker 3>I thought, I mean, I love what I do, but

0:13:26.880 --> 0:13:29.199
<v Speaker 3>I just felt, you know, there's more. I have curated

0:13:29.320 --> 0:13:32.400
<v Speaker 3>art shows, contemporary art shows, and I said I wouldn't

0:13:32.400 --> 0:13:34.120
<v Speaker 3>do that, but I'll do this, and I said, I'm

0:13:34.120 --> 0:13:37.360
<v Speaker 3>going to curate because Chicago is an incredible city that

0:13:37.440 --> 0:13:40.560
<v Speaker 3>has incredible people and the most incredible things in the world.

0:13:41.120 --> 0:13:45.600
<v Speaker 3>Very quietly, it's all there. And basically I decided to

0:13:45.720 --> 0:13:48.320
<v Speaker 3>do a show that shows people in Chicago what they have.

0:13:49.440 --> 0:13:52.280
<v Speaker 3>So the MCA, the Museum of Contemporary Art in Chicago,

0:13:52.360 --> 0:13:55.080
<v Speaker 3>where I did it. I picked a lot from their collection,

0:13:55.880 --> 0:13:59.720
<v Speaker 3>but then I asked every major museum there, from the

0:13:59.800 --> 0:14:03.920
<v Speaker 3>Art Institute, the Terror Foundation into it high Low, if

0:14:04.080 --> 0:14:06.840
<v Speaker 3>I could borrow works, and everyone says, oh, they'll never allow.

0:14:07.080 --> 0:14:09.920
<v Speaker 3>You know, it's very complet They all did, and of

0:14:10.040 --> 0:14:13.040
<v Speaker 3>course some of the people with the greatest collections, I'd

0:14:13.040 --> 0:14:15.880
<v Speaker 3>never even seen some of their collections, but all of

0:14:15.920 --> 0:14:18.640
<v Speaker 3>them opened their doors to me, usually over breakfast, lunch,

0:14:18.760 --> 0:14:21.600
<v Speaker 3>or dinner, to look at their collection and borrow anything.

0:14:21.720 --> 0:14:26.480
<v Speaker 3>So really I sort of was left with this encyclopedic

0:14:27.160 --> 0:14:32.479
<v Speaker 3>from David Hammond's to Margriet to Lynette, to Louis Nevilson

0:14:32.800 --> 0:14:37.080
<v Speaker 3>to Michael Armitage, Bryce Marten, you name it. I mean

0:14:37.640 --> 0:14:42.160
<v Speaker 3>unbelievable mixed with Malix c Dbay mixed with it was

0:14:42.200 --> 0:14:47.680
<v Speaker 3>all inspiring and it all came together because they were

0:14:47.840 --> 0:14:49.880
<v Speaker 3>featured out about the size of it and the number

0:14:49.920 --> 0:14:52.200
<v Speaker 3>of works, But I think it's the same thing with

0:14:52.240 --> 0:14:54.920
<v Speaker 3>you when you're cooking. The way I approach my curatorial

0:14:54.960 --> 0:14:58.120
<v Speaker 3>practice with art, which is why I do it, is

0:14:58.880 --> 0:15:01.840
<v Speaker 3>I don't believe in put things in categories because I

0:15:01.840 --> 0:15:05.960
<v Speaker 3>always think ingredients go together when they're together, if they're

0:15:06.040 --> 0:15:10.240
<v Speaker 3>right for each other. So my approach is it can

0:15:10.280 --> 0:15:14.120
<v Speaker 3>be the biggest or the most revered artists mixed with

0:15:14.240 --> 0:15:18.240
<v Speaker 3>people that are as incredible artists but not known. And

0:15:18.320 --> 0:15:20.600
<v Speaker 3>I don't like the world or use the word outside

0:15:20.760 --> 0:15:24.400
<v Speaker 3>artists because it's so patronizing. Really, it's almost the way

0:15:24.480 --> 0:15:27.320
<v Speaker 3>women artists were called women artists in the seventies.

0:15:27.720 --> 0:15:28.520
<v Speaker 4>And you put it all.

0:15:28.440 --> 0:15:30.680
<v Speaker 3>Together and at the end, I would walk through the

0:15:30.720 --> 0:15:33.920
<v Speaker 3>gallery about an hour or two before, and it was

0:15:34.040 --> 0:15:38.040
<v Speaker 3>six huge galleries, you know, filled with work, three hundred works,

0:15:38.280 --> 0:15:40.480
<v Speaker 3>and there was a calm, and that's how I know

0:15:40.520 --> 0:15:43.640
<v Speaker 3>it's fine. So yes, I wanted to really show that

0:15:43.800 --> 0:15:46.480
<v Speaker 3>city because I think a lot of people Borrow, Borrow

0:15:46.520 --> 0:15:49.080
<v Speaker 3>Borough have the shows that involve works from all over

0:15:49.120 --> 0:15:52.920
<v Speaker 3>the world, so much planning and finance or whatever, and

0:15:53.480 --> 0:15:56.120
<v Speaker 3>they have incredible things in their cities. That the public

0:15:56.160 --> 0:15:58.320
<v Speaker 3>don't see. And I think, why do people give all

0:15:58.360 --> 0:16:00.400
<v Speaker 3>this art, you know, these families and people that have

0:16:00.400 --> 0:16:01.760
<v Speaker 3>donated art to these museums.

0:16:01.800 --> 0:16:03.240
<v Speaker 4>It's for the public to see.

0:16:03.520 --> 0:16:06.160
<v Speaker 2>But it also sounds like you're a personal relationship with

0:16:06.320 --> 0:16:09.000
<v Speaker 2>the people that gay And then you had that tiny

0:16:09.040 --> 0:16:12.400
<v Speaker 2>little sense if we did this in over lunch, dinner, breakfast,

0:16:12.440 --> 0:16:16.440
<v Speaker 2>because I think that's also interesting how people use or

0:16:16.480 --> 0:16:19.400
<v Speaker 2>go to a restaurant, and so maybe do you think

0:16:19.440 --> 0:16:22.320
<v Speaker 2>that made them more relaxed with you or yes?

0:16:22.440 --> 0:16:23.080
<v Speaker 4>I think so.

0:16:23.280 --> 0:16:25.200
<v Speaker 3>I think you're right, and I think, you know, some

0:16:25.240 --> 0:16:28.120
<v Speaker 3>people do it with alcohol, and I like a good

0:16:28.200 --> 0:16:32.080
<v Speaker 3>glass of wine or whatever, but food levels everyone alseo.

0:16:32.080 --> 0:16:36.320
<v Speaker 3>It disarms certain people. And because people always think, whether

0:16:36.360 --> 0:16:38.200
<v Speaker 3>it's in the art world, in the fashion world, in

0:16:38.240 --> 0:16:42.160
<v Speaker 3>the food world, people always think that you're coming into

0:16:42.240 --> 0:16:45.720
<v Speaker 3>a scenario with a plan. No one just has lunch

0:16:45.800 --> 0:16:48.480
<v Speaker 3>with each other. Like if somebody calls references, Oh, I

0:16:48.520 --> 0:16:50.480
<v Speaker 3>was wondering if you like lunch, and I say, oh, yeah,

0:16:50.480 --> 0:16:54.240
<v Speaker 3>of course, Oh do you want to know why? And I, well,

0:16:54.240 --> 0:16:57.640
<v Speaker 3>I didn't think there were why you know, And you're right,

0:16:57.720 --> 0:17:01.520
<v Speaker 3>I think the great thing about food you can start

0:17:01.600 --> 0:17:04.600
<v Speaker 3>even talking about business or work. But once the first

0:17:04.680 --> 0:17:11.240
<v Speaker 3>monscules go into your mouth slightly off, the other thing

0:17:11.560 --> 0:17:18.560
<v Speaker 3>is really it's almost what you said, projects, deals, breakups,

0:17:18.960 --> 0:17:23.639
<v Speaker 3>getting together, dangerous liaisons, you know, ideas. I love eating

0:17:23.640 --> 0:17:26.360
<v Speaker 3>in restaurants on my own, I get great. I love

0:17:26.400 --> 0:17:27.520
<v Speaker 3>eating in restaurants.

0:17:27.760 --> 0:17:28.800
<v Speaker 2>What do you like about it?

0:17:29.160 --> 0:17:33.320
<v Speaker 3>Because it's I feel grown up? Yeah, I feel like

0:17:33.359 --> 0:17:36.800
<v Speaker 3>the movies, you know, and I feel grown up, and

0:17:36.880 --> 0:17:40.080
<v Speaker 3>I just think, you know, this is a wonderful establishment.

0:17:40.080 --> 0:17:41.760
<v Speaker 4>I can just admire it.

0:17:41.960 --> 0:17:44.760
<v Speaker 3>I can look around and when you hear the murmurs

0:17:44.760 --> 0:17:46.920
<v Speaker 3>and no one's looking at you, I mean they are

0:17:47.000 --> 0:17:50.040
<v Speaker 3>because they're thinking, how come? But really all you can

0:17:50.080 --> 0:17:53.159
<v Speaker 3>see are people eating. You see the movie, it's like

0:17:53.200 --> 0:17:54.040
<v Speaker 3>a Brunell movie.

0:17:54.560 --> 0:17:57.160
<v Speaker 2>I remember that used to come. I mean, it feels

0:17:57.160 --> 0:18:00.359
<v Speaker 2>so long ago. Yeah, but I think coming meet me

0:18:00.600 --> 0:18:03.840
<v Speaker 2>when I'm almost finished work. And so we'd come at

0:18:03.840 --> 0:18:07.080
<v Speaker 2>the end of the s and sit down, and you'd

0:18:07.080 --> 0:18:09.919
<v Speaker 2>come in a bit before, and then I would be

0:18:10.080 --> 0:18:10.680
<v Speaker 2>up and down.

0:18:11.000 --> 0:18:12.600
<v Speaker 3>Remember sometimes you'd get up and say, oh, I have

0:18:12.640 --> 0:18:13.600
<v Speaker 3>to do this, and I'd say no.

0:18:13.640 --> 0:18:17.840
<v Speaker 2>Go go. And we watched the restaurant winding down, and

0:18:18.080 --> 0:18:21.200
<v Speaker 2>every beautiful scene come and talk to you. And do

0:18:21.240 --> 0:18:23.480
<v Speaker 2>you remember the night that you gave me a coat?

0:18:24.960 --> 0:18:26.480
<v Speaker 2>And I was waiting and those at the end, and

0:18:26.520 --> 0:18:28.960
<v Speaker 2>the restaurant was almost empty, and so I just put

0:18:29.000 --> 0:18:32.439
<v Speaker 2>on this beautiful Durer coat and then everybody was putting

0:18:32.440 --> 0:18:35.440
<v Speaker 2>it on. The receptionist was putting it on, and everybody.

0:18:35.480 --> 0:18:39.600
<v Speaker 2>We were all so excited about. And I think that

0:18:39.680 --> 0:18:44.520
<v Speaker 2>restaurants are places where you say the unexpected happen. Magic

0:18:51.960 --> 0:18:54.919
<v Speaker 2>when you create a dress, when you created the skirt

0:18:54.960 --> 0:18:57.879
<v Speaker 2>that I'm wearing of yours right now, and the process

0:18:58.000 --> 0:19:02.359
<v Speaker 2>of creating and then it being worn and then it

0:19:02.400 --> 0:19:05.840
<v Speaker 2>may be lasting for centuries. Maybe not. And food, do

0:19:05.840 --> 0:19:08.680
<v Speaker 2>you think that there's a kind of relationship. I sometimes

0:19:08.720 --> 0:19:10.840
<v Speaker 2>think that I make a work of art when I

0:19:10.920 --> 0:19:14.080
<v Speaker 2>make up a parat art, and maybe it is a

0:19:14.119 --> 0:19:16.200
<v Speaker 2>slight work of art. It's not like a dua dress,

0:19:16.400 --> 0:19:18.680
<v Speaker 2>and then it's eaten and then it's gone. So you're

0:19:18.760 --> 0:19:22.040
<v Speaker 2>judged by the moment if somebody's paratart is too sweet

0:19:22.160 --> 0:19:25.560
<v Speaker 2>or it isn't cooked enough. Because fashion is could be

0:19:25.920 --> 0:19:29.520
<v Speaker 2>defined is temporary, absolutely, but it's in fashion. But do

0:19:29.560 --> 0:19:31.760
<v Speaker 2>you think there's relationship between food?

0:19:33.119 --> 0:19:35.160
<v Speaker 3>I do, But I think what you said about food

0:19:35.280 --> 0:19:39.359
<v Speaker 3>is very interesting because it's true there's a moment for food,

0:19:39.359 --> 0:19:43.120
<v Speaker 3>and as soon as it's consumed, it's the memory that remains.

0:19:43.160 --> 0:19:45.800
<v Speaker 3>But for the maker, who's like the creator of it,

0:19:46.600 --> 0:19:49.200
<v Speaker 3>that's the only moment they feel they will be judged.

0:19:49.760 --> 0:19:51.840
<v Speaker 3>I don't like to think of what I do as fashion.

0:19:51.840 --> 0:19:55.320
<v Speaker 3>I'm a fashion designer, but I'm not interested in fashion.

0:19:55.480 --> 0:19:58.040
<v Speaker 3>I never have been. I'm interested in the culture of style,

0:19:58.359 --> 0:20:01.600
<v Speaker 3>and that's not pompous. That just incorporates everything, you know.

0:20:02.040 --> 0:20:05.840
<v Speaker 3>But at least with clothes, you really get the chance

0:20:05.920 --> 0:20:09.760
<v Speaker 3>to see it on different women of different shapes, different ethnicities,

0:20:09.760 --> 0:20:13.040
<v Speaker 3>different physiques, you know. I mean, it's a very beautiful

0:20:13.080 --> 0:20:14.879
<v Speaker 3>thing to see. And you see it on people you

0:20:14.920 --> 0:20:17.359
<v Speaker 3>don't know. Sometimes I'm in New York or even in

0:20:17.640 --> 0:20:20.359
<v Speaker 3>London or wherever in the world, and I see someone

0:20:20.440 --> 0:20:24.280
<v Speaker 3>run across the road and I think it's four winter. Yeah,

0:20:24.440 --> 0:20:29.119
<v Speaker 3>twenty four winter twelve. You know, that's nice. So I

0:20:29.520 --> 0:20:32.080
<v Speaker 3>do have this constant reminder of the work in a

0:20:32.080 --> 0:20:35.080
<v Speaker 3>way that for you you have to keep creating it.

0:20:35.320 --> 0:20:38.040
<v Speaker 3>You know, it's not it comes and it goes, but

0:20:38.119 --> 0:20:41.160
<v Speaker 3>it's it's more sustaining routie than I work aout.

0:20:41.320 --> 0:20:42.920
<v Speaker 4>Food is life.

0:20:43.400 --> 0:20:45.919
<v Speaker 2>Food is life. Clothes a life.

0:20:46.080 --> 0:20:48.400
<v Speaker 4>Close a life, but food is life.

0:20:48.560 --> 0:20:51.800
<v Speaker 2>Yeah. And do you think that when you talked about

0:20:52.200 --> 0:20:56.720
<v Speaker 2>food in growing up, because your clothes are a reflection

0:20:56.840 --> 0:21:00.840
<v Speaker 2>of also, yes, growing up in Africa. Think that your

0:21:00.880 --> 0:21:03.960
<v Speaker 2>identity as a designer is to do with memory and

0:21:04.080 --> 0:21:05.360
<v Speaker 2>history as absolutely.

0:21:05.440 --> 0:21:07.280
<v Speaker 3>I always say, you don't know where you're going until

0:21:07.320 --> 0:21:11.440
<v Speaker 3>you know where you've come from, whether it's creatively, sexually,

0:21:11.640 --> 0:21:14.640
<v Speaker 3>wherever you know, you just don't know. Emotionally. You can't

0:21:14.760 --> 0:21:17.240
<v Speaker 3>say you're in love unless you've been in love before.

0:21:17.760 --> 0:21:18.000
<v Speaker 4>You know.

0:21:18.600 --> 0:21:21.560
<v Speaker 3>One of the greatest things that I got from my

0:21:21.760 --> 0:21:24.560
<v Speaker 3>growing up and my assistance was a cosmopolitan eye. And

0:21:24.560 --> 0:21:28.159
<v Speaker 3>that's what my parents showed us. Look at everything. You know,

0:21:28.320 --> 0:21:32.480
<v Speaker 3>we mix Nigerian with everything. You give everything its credence,

0:21:32.520 --> 0:21:34.359
<v Speaker 3>even though you know where you're from. You know, you

0:21:34.440 --> 0:21:37.800
<v Speaker 3>respect yourself, but also look at everything. And I'm one

0:21:37.840 --> 0:21:39.800
<v Speaker 3>of those children. You know when you were a child,

0:21:39.880 --> 0:21:43.160
<v Speaker 3>like really young, and you'd be given boxes of toys

0:21:43.200 --> 0:21:45.680
<v Speaker 3>and left like in the corner, and your parents or

0:21:45.680 --> 0:21:48.200
<v Speaker 3>whoever was with you would turn around and they would

0:21:48.520 --> 0:21:51.480
<v Speaker 3>take the toys out and they would expect you to

0:21:51.560 --> 0:21:53.960
<v Speaker 3>put them back in the box to try and fit

0:21:54.000 --> 0:21:56.000
<v Speaker 3>them in the little square. Well, I was the kid

0:21:56.040 --> 0:21:58.200
<v Speaker 3>that always had them rearranged on the outside.

0:21:58.440 --> 0:22:02.639
<v Speaker 2>Always range. And that's what you're saying about your cooking,

0:22:03.119 --> 0:22:03.639
<v Speaker 2>real range.

0:22:03.720 --> 0:22:06.600
<v Speaker 3>Yeah, absolutely, yeah. And this is the other thing I

0:22:06.640 --> 0:22:10.200
<v Speaker 3>have to say. This is not a sucker, but Ruthie,

0:22:10.240 --> 0:22:13.280
<v Speaker 3>everyone that works at the River Cafe or has worked

0:22:13.320 --> 0:22:16.879
<v Speaker 3>as a River Cafe, the one thing they never lose

0:22:17.600 --> 0:22:21.440
<v Speaker 3>is their love of food. Now that might seem simple,

0:22:22.400 --> 0:22:25.520
<v Speaker 3>but it's something that they saw and learned at.

0:22:25.359 --> 0:22:26.280
<v Speaker 4>The River Cafe.

0:22:26.320 --> 0:22:29.199
<v Speaker 3>And you can see, especially when they're very young, you

0:22:29.240 --> 0:22:32.200
<v Speaker 3>can see them looking for that love while they're working.

0:22:32.640 --> 0:22:35.320
<v Speaker 3>And I think the love that they're looking for when

0:22:35.400 --> 0:22:37.840
<v Speaker 3>you teach them how to prepare is what goes on

0:22:37.880 --> 0:22:39.879
<v Speaker 3>our plate. So when I eat the botaga, it's not

0:22:39.880 --> 0:22:42.880
<v Speaker 3>just a spaghetti bottaga. It's sort of a plate of love,

0:22:43.000 --> 0:22:45.400
<v Speaker 3>you know. And by the time the lemon is squeezed

0:22:45.440 --> 0:22:47.800
<v Speaker 3>on it, it's like a kiss.

0:22:48.160 --> 0:22:50.520
<v Speaker 2>I was going to say that if there was a

0:22:50.640 --> 0:22:54.720
<v Speaker 2>hint about if you make that spaghetti botaga, that last

0:22:54.760 --> 0:22:57.119
<v Speaker 2>squeeze of lemon juice is crucial, isn't it. It's the

0:22:57.160 --> 0:22:59.440
<v Speaker 2>one thing that you think, well, because there's so many

0:22:59.480 --> 0:23:01.879
<v Speaker 2>different ways of making it, and some people do it

0:23:02.000 --> 0:23:05.120
<v Speaker 2>very very dry. They just put the graded potarga into

0:23:05.160 --> 0:23:08.240
<v Speaker 2>the spaghetti and we make it quite oily, oily and one.

0:23:08.320 --> 0:23:10.480
<v Speaker 2>But I think that what you need to do is

0:23:10.800 --> 0:23:12.879
<v Speaker 2>cut that with that squeeze of lemon a thing.

0:23:13.000 --> 0:23:15.760
<v Speaker 3>But it's just the right. That's where the love comes in.

0:23:15.920 --> 0:23:19.920
<v Speaker 3>You just it's kacina dii mama, you know, but it's

0:23:20.000 --> 0:23:22.360
<v Speaker 3>really that and I love that. And I'll just say

0:23:22.359 --> 0:23:26.000
<v Speaker 3>something about the potaga, which is very interesting. It's never

0:23:26.520 --> 0:23:30.800
<v Speaker 3>I love savory but not salty. Yeah, And it's the

0:23:30.960 --> 0:23:35.239
<v Speaker 3>perfect thing right where you just want. The portions are

0:23:35.280 --> 0:23:36.080
<v Speaker 3>also perfect.

0:23:36.240 --> 0:23:38.840
<v Speaker 4>You never feel it's too much, not too much.

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<v Speaker 2>So that brings me to our very last question of

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<v Speaker 2>comfort and friendship and love, all the topics we've talked

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<v Speaker 2>about memories and so if you were thinking about what

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<v Speaker 2>is your comfort food? If you wanted food is comfort,

0:23:52.680 --> 0:23:55.280
<v Speaker 2>would you go back to your early days of food,

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<v Speaker 2>the food your mother made you, or would you think

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<v Speaker 2>of comfort food as a particular dish or what would

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<v Speaker 2>be your comfort food?

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<v Speaker 3>I think I would think of comfort food as anything,

0:24:06.000 --> 0:24:08.280
<v Speaker 3>because I'm very open. So I also love Indian food,

0:24:08.320 --> 0:24:11.840
<v Speaker 3>South Indian food. I love Japanese food. But I think

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<v Speaker 3>of comfort food as food that somehow seems to have

0:24:16.680 --> 0:24:20.639
<v Speaker 3>the integrity of the ingredients within it, and people just

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<v Speaker 3>took the time and the effort to use the best ingredients,

0:24:24.600 --> 0:24:27.840
<v Speaker 3>not necessarily the most expensive, just the best, and think

0:24:27.880 --> 0:24:32.359
<v Speaker 3>about everything to do with how it feels a sense

0:24:32.400 --> 0:24:34.960
<v Speaker 3>of safety that you get when it goes in your mouth.

0:24:35.040 --> 0:24:38.840
<v Speaker 3>And I think, instead of picking specific food, I always

0:24:38.880 --> 0:24:42.840
<v Speaker 3>look for food that reminds me of a place. For instance,

0:24:43.640 --> 0:24:46.560
<v Speaker 3>of course River Kaffee, for anywhere in Italy. I mean,

0:24:46.600 --> 0:24:50.520
<v Speaker 3>I love Rome. You know I love Rome. So I'll

0:24:50.520 --> 0:24:53.120
<v Speaker 3>try and order something with the cheese that I used

0:24:53.119 --> 0:24:57.320
<v Speaker 3>to eat in Lot. I still do legos. I love

0:24:57.960 --> 0:25:01.359
<v Speaker 3>jell of rice with fried planting fried plantain. I could

0:25:01.600 --> 0:25:05.400
<v Speaker 3>that could be my last meal. Okay, it's just andsoft.

0:25:05.840 --> 0:25:08.000
<v Speaker 2>What is what is fried planting fried plantain?

0:25:08.200 --> 0:25:11.320
<v Speaker 3>Plantain comes from almost the banana family, but it's large,

0:25:11.760 --> 0:25:13.960
<v Speaker 3>it's full of potassiums it's very good for you when

0:25:13.960 --> 0:25:17.160
<v Speaker 3>it's boiled. The treat as a child was we would

0:25:17.160 --> 0:25:20.800
<v Speaker 3>have fried plantain chopped up, fried and then we'd have

0:25:20.840 --> 0:25:24.800
<v Speaker 3>it with the delicious omelet. My mother used to do that.

0:25:24.920 --> 0:25:28.640
<v Speaker 3>And fried plantain. I mean sometimes if I'm eating any

0:25:28.720 --> 0:25:32.119
<v Speaker 3>Nigerian food, like something with rice, I can't quite I

0:25:32.119 --> 0:25:35.160
<v Speaker 3>don't feel I've eating it well until I have fried plantain.

0:25:36.359 --> 0:25:39.000
<v Speaker 2>And that is comfort. I mean that is you know

0:25:39.080 --> 0:25:43.439
<v Speaker 2>you've described it's comfort. It's memory, it's memories, memories, and

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<v Speaker 2>then when you are feeling that you need comfort, maybe

0:25:46.640 --> 0:25:49.399
<v Speaker 2>you also need the memory of when you didn't need comfort.

0:25:49.880 --> 0:25:52.240
<v Speaker 3>And I love the fact that I can think of

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<v Speaker 3>having it with any of your sources, like I'll just

0:25:54.960 --> 0:25:57.359
<v Speaker 3>have that and a sauce. And it's not about the

0:25:57.400 --> 0:26:00.639
<v Speaker 3>easiness of it, because it has for me, has to

0:26:00.680 --> 0:26:04.200
<v Speaker 3>be just so right, sliced in a certain way, slide

0:26:04.240 --> 0:26:07.199
<v Speaker 3>the sultan and fried in a certain way, and it's easy.

0:26:07.200 --> 0:26:07.879
<v Speaker 4>I'll cook it for you.

0:26:08.040 --> 0:26:11.480
<v Speaker 2>Let's do it. Thank you, Drew, Thank you.

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<v Speaker 3>I love you.

0:26:12.680 --> 0:26:12.960
<v Speaker 4>Bie.

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<v Speaker 2>To visit the online shop of the River Cafe, go

0:26:20.640 --> 0:26:26.119
<v Speaker 2>to shop Therivercafe dot co dot uk.

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<v Speaker 1>River Cafe Table four is a production of iHeartRadio and

0:26:30.800 --> 0:26:36.000
<v Speaker 1>Adami Studios. For more podcasts from iHeartRadio, visit the iHeartRadio app,

0:26:36.160 --> 0:26:39.440
<v Speaker 1>Apple Podcasts or wherever you listen to your favorite shows,