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Speaker 1: This is history. What you've done. What you guys should do?

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Speaker 2: A platform that injuries breast, world's most morning Joe Burke's

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Speaker 2: good DJ Vy every playing by record I made just hilarious.

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Speaker 1: She's done about it. Charlamagne the god made you think

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Speaker 1: they'd like the controversial questions. We're taking his fuss.

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Speaker 3: I like that.

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Speaker 1: Thanks Breakfast Club. Good morning Usa.

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Speaker 4: Oh yo yo yo yo yo yo yo yo yo

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Speaker 4: yo yo yo yo yo yo yo yo yo yo

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Speaker 4: yo yo yo yo yo yo yo yo yo yo

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Speaker 4: yo yo yo yo yo yo yo Yo.

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Speaker 5: I almost got my voice back because almost there, I

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Speaker 5: met about eighty eight percent. Good morning. Charlemagne is not

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Speaker 5: here yet, Essilarius is not here as well. Jess is here?

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Speaker 1: What up, Jess? How you feeling, Jess? I'm feeling good? Yo.

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Speaker 1: He wasn't here.

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Speaker 4: He didn't know.

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Speaker 6: How was he boosted to know?

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Speaker 1: He wasn't getting right? Was right here?

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Speaker 7: No?

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Speaker 1: He wasn't.

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Speaker 5: Good morning, guys, how you having morning? You were like stage?

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Speaker 5: I just lit the candles. Okay, oh your voice is

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Speaker 5: coming back coming back. I'm like eighty eight percent, I'm

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Speaker 5: almost there.

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Speaker 1: Okay, good surgery, so you must have got it.

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Speaker 3: Like the day we no surgery, then went off no

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Speaker 3: literally and then healed up.

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Speaker 1: No surgery.

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Speaker 5: No, I don't think and this is Envy's thing, Emmy

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Speaker 5: be getting sick. But he'd be scared to admit that

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Speaker 5: he's sick because he sit right next to a pregnant woman.

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Speaker 1: So I think he'd just be like, no, I'm not sick.

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Speaker 5: He just started coughing, sneeze and everything, and yesterday he

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Speaker 5: was like, I'm almost there. I'm just I'm almost done.

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Speaker 5: You add to the sickness is out your system now?

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Speaker 1: Yeah, the sickness and the surgery, there's no damn surgery.

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Speaker 1: It's all good man. We respect you and love you regardless.

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Speaker 7: Bro.

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Speaker 1: And shout to Olivia Rodriguez. That's a name.

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Speaker 3: Yes, I can't believe you sitting there, Riguez, Olivia Rodriguez, I.

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Speaker 1: Should be doing.

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Speaker 5: She had a show last night. I guess she had

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Speaker 5: four sold out shows. So I took my daughter last

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Speaker 5: night to see her. Uh and boy did she have

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Speaker 5: a great time. My daughter is ten years old. I

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Speaker 5: actually didn't take her. The oldest daughter took her, but

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Speaker 5: I drove him because I don't trust New York City,

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Speaker 5: So I actually drove him and me and the wife

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Speaker 5: had a date night. But my daughter had such an

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Speaker 5: amazing time and she said that, you know, she was

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Speaker 5: an amazing performer.

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Speaker 1: She was out to like ten o'clock.

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Speaker 5: I bought her one of her little cowboy hats that

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Speaker 5: light up, so she was super duper excited, super duper

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Speaker 5: stoke last night.

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Speaker 1: I was the best dad ever. That he was the best.

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Speaker 1: Thank you for the tickets to seat you so well.

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Speaker 5: So we had a good time, and me and the

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Speaker 5: wife we did a date night at this restaurant in

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Speaker 5: New York City called Tatianas Have you ever been there?

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Speaker 5: No charm, It's a fusion African and Caribbean. So this guy,

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Speaker 5: I guess this chef, he was on top Chef. He's

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Speaker 5: like a Michelin star, Top five chef. And the food

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Speaker 5: was amazing. He was actual supposed to come on the shot.

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Speaker 5: I don't know what happened, but food was amazing. But

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Speaker 5: you don't like Caribbean food like that, though I did.

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Speaker 5: It depends, it depends, but I like how you just

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Speaker 5: flexed on this. So we went to Tatiana have you

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Speaker 5: ever been there?

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Speaker 8: Year?

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Speaker 1: It was like top five chefs.

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Speaker 3: Five star chef, like so funny. He was just waking

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Speaker 3: up trying to get Buscus. I didn't talking about him,

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Speaker 3: damn stop Top five Stars. I didn't really know much

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Speaker 3: about the restaurant. Somebody put me onto it, so I

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Speaker 3: went to check it out.

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Speaker 1: But it was dope. Like they have they have like

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Speaker 1: oxtail dumplings they have, Oh yeah, I like stuff like that.

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Speaker 1: They got dope.

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Speaker 3: Seventy dollars a plate too rich for my blood that

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Speaker 3: it wasn't right.

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Speaker 1: Everything.

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Speaker 3: All the young kids been on Olivia Rodrigo for at

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Speaker 3: least the last three four years.

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Speaker 1: She's a singer.

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Speaker 3: She's a singer. Absolutely. My daughter and her friend been

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Speaker 3: on Olivia Rodrigo. Yeah, it was, and then they kind

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Speaker 3: of moved on what she kind.

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Speaker 1: Of moved on. This is in Phoebe Bridges fifteen.

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Speaker 5: Oh yeah, minus ten, so she's still on the Olivia Rodrigo.

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Speaker 5: But it was a good show last night. So salute

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Speaker 5: to everybody out there. I see I've seen a lot

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Speaker 5: of people out there bringing their kids there last night.

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Speaker 5: So let's get the show crack and Alice Randa will

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Speaker 5: be joining us this morning.

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Speaker 7: Man.

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Speaker 3: Alice Randall had a new book out called My Black Country,

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Speaker 3: A Journey through country Music's Black Black Past President in Future.

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Speaker 3: Alice is a professor at Vanderbilt and she is the

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Speaker 3: first black woman to ever write a number one country song.

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Speaker 3: She wrote a number one country song for Tricia Yeale

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Speaker 3: would call it xxxoos. And her new book is the

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Speaker 3: latest release off my book in print, Black Privilege Publishing.

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Speaker 3: So she'll be here to talk about my black country

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Speaker 3: all of y'all walking around in cowboy hats, okay, in

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Speaker 3: cowboy boots because of Beyonce. All Right, y'all need to

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Speaker 3: know something about the history of black people in country music,

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Speaker 3: and she's here to tell you all about it this morning.

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Speaker 1: All right, And we got front page news next, and

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Speaker 1: don't move. It's to breakfast club. Good morning, Good morning.

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Speaker 5: Everybody's DJ Envy, Jess Hilarius, Charlamage the guy.

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Speaker 1: We are the breakfast Club.

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Speaker 5: Let's get in some front page news now. John Morant

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Speaker 5: was in court yesterday and the judge rule that he

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Speaker 5: was he was raised. He was fairly raised self defense,

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Speaker 5: meaning you know, he was on a trial for allegedly

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Speaker 5: punching somebody in the face. And what happened was the

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Speaker 5: judge said it wasn't an assault, it was self defense.

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Speaker 8: According to court records, Miran invited then seventeen year old

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Speaker 8: Joshua Holloway and several other players to his family's home

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Speaker 8: in July twenty two two to play a series of

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Speaker 8: pickup games. After Morant repeatedly scored on Holloway, he allegedly

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Speaker 8: refused to check the ball, then threw it at Morant's space.

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Speaker 8: According to court documents, Morant questioned the team, pulled up

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Speaker 8: his shorts and squared up with Moran, then Moran hit him.

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Speaker 9: This week, a judge ruled Moran is protected by the

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Speaker 9: state's self defense laws. That doesn't mean the lawsuit goes away, though,

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Speaker 9: just that it's an uphill battle for Holloway's legal team.

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Speaker 1: Nothing wrong with that. See, I didn't know those details.

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Speaker 3: You know, somebody you know pull up these shorts and

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Speaker 3: square out. That means that they might be about to

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Speaker 3: do something to you. So you needed to defend yourself.

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Speaker 3: And I don't care how old they are you think

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Speaker 3: of seventeen year old can't hurt you?

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Speaker 1: Oh? Absolutely?

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Speaker 5: Could you imagine telling that to the judge, you know,

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Speaker 5: because you got to explain to the judge. But pulling

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Speaker 5: up the shorts means if he's not culturally, culturally, No, no, no,

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Speaker 5: go on, that's culture all over. What are you talking about?

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Speaker 5: Pulling up your shorts, pulling up your pants?

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Speaker 1: Get ready to fight? Yes, that ain't just a black

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Speaker 1: thing you talking about. That's what people doing. You're about

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Speaker 1: to fight, don't you mean? He said, coach, I just

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Speaker 1: say black thing? But you know what other cults are

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Speaker 1: you talking about it? What other cot are you? Dominican?

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Speaker 1: Never mind, you're right now.

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Speaker 5: Also SOUTHWX, Southwest Jet makes an emergency landing after an

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Speaker 5: engine cover falls off. Now, the plane, which was a

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Speaker 5: Boeing seven thirty seven eight hundred, returned safely, But there's

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Speaker 5: mad videos out there where you can actually see the

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Speaker 5: engine cover flying off the plane, which pushes more to

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Speaker 5: people that are saying that Boeing might not be putting

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Speaker 5: these planes together right.

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Speaker 10: Already under unprecedented scrutiny. Boeing is tonight facing new allegations.

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Speaker 10: The FAA tells NBC News it's investigating new whistleblower claims

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Speaker 10: first disclosed by The New York Times, made by a

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Speaker 10: Boweing quality engineer who warns the seven eighty seven Dreamliners

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Speaker 10: fuselage was improperly fastened together and a letter to the FAA.

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Speaker 10: His attorney writes it is likely to cause premature fatigue

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Speaker 10: failure over time in two major airplane joints that could

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Speaker 10: cause the plane to break apart after many thousands of flights.

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Speaker 11: Is alleging that Boeing knowingly took a series of manufacturing

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Speaker 11: shortcuts in the construction of the seven eighty seven.

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Speaker 3: People with common sense are gonna say, clearly, somebody at

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Speaker 3: boring and then doing something right. Seems to me like

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Speaker 3: they're trying to get things done, you know, fast, fast

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Speaker 3: and cheap.

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Speaker 1: About the bowing, they've been doing this for years and years.

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Speaker 3: Yeah, people with commisants go and see that they're clearly

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Speaker 3: trying to do things you know, fast and cheap. People

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Speaker 3: without commis sin's gonna blame it on DEI.

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Speaker 5: And lastly, this is something that's going down in New York,

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Speaker 5: but they're saying that this could be affected across the country.

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Speaker 5: Mayor ros Baraka and Public Safety Director announced at beginning

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Speaker 5: Friday that they're gonna have curfews for kids if you're

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Speaker 5: under eighteen years old and you have to be one

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Speaker 5: hundred yards from your house and this is between eleven

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Speaker 5: pm and five thirty am. This is because they are

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Speaker 5: scared of the rise of violence. So they're making kids

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Speaker 5: stay home unless you're with a parent, or you have

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Speaker 5: to go to or from work or anything that happen

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Speaker 5: to do with the church, or you have to go

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Speaker 5: to the mosque, anything like that. But the same with

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Speaker 5: that that this can be affected, you know, throughout the country.

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Speaker 5: More mayus might be you know, taking this in making

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Speaker 5: your kids are off the street at night?

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Speaker 1: What about them crazy as adultes? You know what I mean?

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Speaker 3: I know them kids be wilding, but some of these

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Speaker 3: goddamn adults be wilding too.

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Speaker 1: What if it's people over eighteen that's out here you

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Speaker 1: can't make the adults or what if they the one

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Speaker 1: cause into trouble.

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Speaker 3: I need to know, and I think that what you know,

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Speaker 3: I think Red Rock is a great mass lu Medverrock.

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Speaker 1: I don't want to lose bump from ever Rocks.

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Speaker 3: But I just wonder, how do they know it's just

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Speaker 3: specifically the kids, is what I'm saying.

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Speaker 1: That's what I would love.

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Speaker 5: But I'm sure they know what the crime is and

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Speaker 5: they've been probably been arresting kids or they've been getting

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Speaker 5: kids off the streets, and they.

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Speaker 1: Want to make kids are off the street. I love

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Speaker 1: to know. I'd love that.

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Speaker 3: I'd love to know because some of these crazy asadults

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Speaker 3: need to be home at a certain time too. Okay, well,

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Speaker 3: you can't just put curfew on the you need to Jesus.

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Speaker 3: Some of them can't control theyself, all right. Sometimes you

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Speaker 3: got to stop.

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Speaker 1: People, uh from from from from hurting theyself. All right.

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Speaker 5: Well that is front page news. Now get it off

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Speaker 5: your chest. Eight hundred five eight five one five one.

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Speaker 5: If you need to vent, phone lines to wide open again.

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Speaker 5: Eight hundred five eight five one oh five one. If

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Speaker 5: something's bothering you, you got something on your mind, maybe

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Speaker 5: your baby mama, whatever it may be, maybe your boss,

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Speaker 5: your baby daddy, doesn't matter, call us up right now.

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Speaker 5: Eight hundred five eight five one five one. Get it

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Speaker 5: off your chest. It's the breakfast Club in the morning.

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Speaker 1: The breakfast Club. Is it your time to get it

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Speaker 1: off your chest? Wait up. Whether you're man or bless,

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Speaker 1: it's time to get up and get something. Call up now.

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Speaker 12: Eight hundred five eight five one o five one. We

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Speaker 12: want to hear from you on the breakfast Club.

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Speaker 1: Hello, who's this?

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Speaker 4: You're energy?

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Speaker 1: What's up? Try hey baby Sola? Well that's are pieces.

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Speaker 1: What's happening you recover yet.

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Speaker 4: I called this add two more things about day Cold.

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Speaker 4: It's two more things real quick.

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Speaker 1: M h.

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Speaker 4: All right, Kendrick fan, I just watch you out to know,

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Speaker 4: y'all better stop biting the hand that edge all because

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Speaker 4: without Cold Cold help Kendrick his career and adduced to

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Speaker 4: him to doctor Dre. And also he's still kenching Lamar

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Speaker 4: from getting a drain part of him from giddy. They

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Speaker 4: y'all gonna stop disrespected Cold.

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Speaker 1: Well, I don't know about that. I've heard that story before.

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Speaker 3: I don't understand how you know a guy in Compton

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Speaker 3: would need somebody from North Carolina to introduce him to

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Speaker 3: doctor Dre. But here's here's the thing, Drave, I want

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Speaker 3: you to remember this. When the fall off drop, everybody

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Speaker 3: gonna jump right back on J Cole. D okay, when

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Speaker 3: the fall off drop is gonna be a free call

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Speaker 3: party on social media, and all these people that's acting

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Speaker 3: like they don't like J Cole gonna be the first

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Speaker 3: one at.

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Speaker 1: The freak off party. You know how this game? Yeah?

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Speaker 4: Absolutely well, I hope you make the flyers for the

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Speaker 4: freak off party and I'll see you there sean fall

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Speaker 4: off drop.

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Speaker 3: It's happening. You know how this society works. We are

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Speaker 3: at the d riding society right now. It's cool to

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Speaker 3: act like you're so mad at J Cole and J

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Speaker 3: Cole killed hip hop. When J Cole drops his new

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Speaker 3: album to fall Off, everybody gonna jump right back on

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Speaker 3: J Cole d.

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Speaker 1: I mean, you could not like what somebody does or

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Speaker 1: artist does, but but the man people like, I hate him.

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Speaker 1: I'll never like him again.

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Speaker 5: Like, yeah, it just sounds like you're stupid. You could

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Speaker 5: have like a move that somebody makes. You cannot like

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Speaker 5: a song somebody makes. But all of a sudden, he's

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Speaker 5: the worst person ever started.

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Speaker 3: It will be wiping your mouth when the fall Off drop.

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Speaker 3: Watch the same people acting like they can't stand cold.

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Speaker 3: Now gonna be using his penis for transportation when the

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Speaker 3: fall off drops.

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Speaker 1: Jesus, Hello, crazy, Hello, who's this?

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Speaker 4: Hey from Philly?

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Speaker 13: Hey, how y'all doing?

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Speaker 9: Ring?

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Speaker 14: Gragulaated girl. I've been moving for you from day one.

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Speaker 1: Thank you so much.

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Speaker 14: I just want to just say a little bit of

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Speaker 14: opportuivility to everybody. I know everybody's want something, so I

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Speaker 14: just wanted to say, but a little bit of pop.

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Speaker 14: And I know you're going to control the music, but

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Speaker 14: I would see if you can get Thursday Lives.

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Speaker 3: Okay, of course we can make that happen for you.

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Speaker 3: One of the greatest records of all time. Okay, that

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Speaker 3: record right there is like therapy to me.

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Speaker 14: Journaling.

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Speaker 1: All right, mama, we'll get it on for you this morning.

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Speaker 14: Can I get start my podcast out real quick? Of course,

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Speaker 14: it's the Intellect A podcast is on iHeartRadio.

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Speaker 4: And okay, Hey mama, Hey.

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Speaker 14: Thank y'all. Have a good day everybody.

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Speaker 1: I love y'all back.

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Speaker 5: Get it off your chest eight hundred five eight five

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Speaker 5: one oh five one.

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Speaker 1: If you need to event, hit us up now. It's

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Speaker 1: the Breakfast Club.

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Speaker 12: Good morning, the Breakfast Club. This is your time to

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Speaker 12: get it off your chest. Eight hundred five eight five

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Speaker 12: one five one. We want to hear from you on

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Speaker 12: the Breakfast Club.

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Speaker 4: Hello.

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Speaker 1: Who's this?

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Speaker 15: Oh my god, you got to be damn kiddedy.

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Speaker 4: You gotta be kidding me.

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Speaker 1: On three? Hello, what's your name is the author?

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Speaker 16: Hey y'all, Hey the a. This is the author m

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Speaker 16: J l that's saying for more juc lips and I

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Speaker 16: am calling to list Charla may know what happened last

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Speaker 16: year the black a pet Podcare to me?

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Speaker 5: All right, well tell us about it Morey's juicy lips.

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Speaker 16: I wanted to say, hey, y'all, I can't believe it

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Speaker 16: was talking with Charlote Maine.

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Speaker 1: NB at dance.

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Speaker 6: I love y'all.

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Speaker 1: Oh my goodness, they love me more.

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Speaker 3: You're coming to the festival on April twenty seven.

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Speaker 16: Well, yeah, yeh, look, Charlamage, I got my tickets the

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Speaker 16: same day when you announced it at twelve o'clock. I

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Speaker 16: told my daughter, let's get those tickets and we are

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Speaker 16: coming this year again.

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Speaker 3: Last year, yeah, we had a time last year. Were

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Speaker 3: gonna have a time this year too.

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Speaker 16: Let me tell you what happened on Charlemagne. I was

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Speaker 16: almost in the fight up there at the place where

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Speaker 16: Carlos Miller and Nave Green.

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Speaker 1: Hell you about to fight Carlos and the half for.

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Speaker 16: Let me tell you. They were on the stage. We

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Speaker 16: waited all day for them to come, and so they

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Speaker 16: started talking to the audience and they was like, does

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Speaker 16: anybody have a small business? So I started telling them

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Speaker 16: about my books. I write a rotical and so I

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Speaker 16: was telling them the story about the Black lady. It's

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Speaker 16: the lady in my book. The main character, uh huh

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Speaker 16: was let me see give us something to a white man,

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Speaker 16: and Collins got mad when I said that I.

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Speaker 1: Can understand that man. Man.

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Speaker 16: The book is about a black sl serial killer, so

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Speaker 16: there was a point for that.

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Speaker 1: Oh so she ended up killing Mas after she had

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Speaker 1: Master's meat.

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Speaker 16: But it's a good killed.

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Speaker 1: Okay, okay, okay, okay, okay.

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Speaker 16: I got backstage and I met you and I shook

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Speaker 16: your hand. You were sending there the dollar, yep. And

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Speaker 16: after the event was over, we were waiting for you

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Speaker 16: to come out, and I gave her a bag of books.

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Speaker 16: She was very sweet and everything too. I gave her

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Speaker 16: three books for you, and I gave her a copy

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Speaker 16: of Are You Their Guy to Be? Martin, because you

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Speaker 16: and I both loved that book. We read that when

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Speaker 16: we were kids.

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Speaker 1: Yeah. I was with Judy a couple of days ago.

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Speaker 1: I was me and Judy. I spent some quality time

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Speaker 1: with Judy two days ago. Judy Bloom, I know you

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Speaker 1: didn't get my bag.

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Speaker 16: I'm coming back this year.

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Speaker 4: I need to meet too.

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Speaker 16: I didn't even know y'all had the IP tickets. I'm mad,

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Speaker 16: tick I didn't know.

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Speaker 3: Yeah, all of you, I p sold out. But you

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Speaker 3: know what, I'm sure you'll get back stage. We'll get

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Speaker 3: a check to see you. Don't say that, no, I'm sure.

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Speaker 16: Then. Look we're gonna be there acting, cluding me and

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Speaker 16: my daughter. Now we're gonna be looking out for you.

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Speaker 1: Jess will be on that stage.

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Speaker 3: Jess will be on that stage doing her carefully reckless podcast.

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Speaker 3: And we got Wallowing Gilly on the stage, Horrible Decisions,

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Speaker 3: the Poor Minds podcast, just to name a few.

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Speaker 1: So we'll see y'all April twenty seventh, fin Atlanta.

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Speaker 3: Man, make sure you go get your tickets at a

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Speaker 3: Ventbright dot com or Black Effect dot com Slash Podcast Festival,

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Speaker 3: all right.

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Speaker 5: And get it off your chest. Eight hundred five eight

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Speaker 5: five one O five one. If you need a Vent,

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Speaker 5: you can hit us up. Now we got just with

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Speaker 5: the Mess coming up. Yes, the Kyla Pratt drops a

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Speaker 5: very important message about birth.

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Speaker 1: Okay, and we'll get to that next. Don't move. It's

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Speaker 1: to the breakfast Club. Good morning, the breakfast Club, Good morning.

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Speaker 1: We are to breakfast Club. Let's get to Jess with

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Speaker 1: the Mess.

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Speaker 17: You use this reals, Jessica robber Moore just don't do

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Speaker 17: no lines, don't do that.

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Speaker 3: Talk Talk World, Why Jess World, which.

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Speaker 1: On the Breakfast She's a coach of shot.

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Speaker 18: She was able to get y'all to see something and

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Speaker 18: understand something that nobody could.

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Speaker 6: Get you to see the time to set it off.

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Speaker 5: That's the way I've been in another world sometimes, like pregnancy,

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Speaker 5: brain whatever. Because I'm thinking, we want a whole another segment.

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Speaker 5: I got to deliver the news right now, Yes, just right.

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Speaker 5: First of all, yeah, I know, but I'm like Overheit

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Speaker 5: showing gum and Lila Land think about something I want

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Speaker 5: to eat, and I got to talk about this anyway,

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Speaker 5: I know. Kyler Pratt talks about feeling dismissed by her

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Speaker 5: nurse during her second pregnancy. So the latest episode of

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Speaker 5: Recipe for Change, which is a show by Tasian Ali,

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Speaker 5: Kyler pretty talked about the nurse who ignored her during

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Speaker 5: her her birth.

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Speaker 1: I second pregnancy.

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Speaker 19: I went into labor early and being in the hospital

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Speaker 19: and I told the nurse there that I was having contractions,

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Speaker 19: and she looked at the machine and she said, no,

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Speaker 19: you weren't, mum m. And I said, yes, i am.

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Speaker 19: I've done this before. Go get my doctor and luckily

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Speaker 19: standing up for myself in that moment. My daughter is

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Speaker 19: here now because she went to get my doctor. My

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Speaker 19: doctor said, oh, you're six centimeters dilated. Now we have

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Speaker 19: to do an emergency C section. But because I was

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Speaker 19: so small, it wasn't showing up on the machine. And

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Speaker 19: in that moment, I didn't really recognize when people weren't

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Speaker 19: listening to me because I was young, because I'm Black,

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Speaker 19: and because I'm a woman.

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Speaker 3: That's why the Black Maternal Death Ord is what it is,

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Speaker 3: because these doctors don't take Black women serious when they

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Speaker 3: tell them something is wrong exactly.

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Speaker 5: And I love to hear us black black women speaking

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Speaker 5: on healthcare experiences like that. That's another reason why remember

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Speaker 5: I was selling both y'all, I don't want to have

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Speaker 5: my baby in the hospital. I want to do this

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Speaker 5: in like a birthing center, or I want to do

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Speaker 5: home births. Like That's why it's important for midwives and

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Speaker 5: duelas and more more black women to be in that industry.

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Speaker 1: You know, we need more health black healthcare workers.

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Speaker 3: And those dulas can catch things that you know, like

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Speaker 3: Kyla said, she missed and she was like, you know,

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Speaker 3: she didn't know to stand up for herself like those douelers.

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Speaker 1: That's what those douelers are for, to fill in those gaps.

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Speaker 5: And to talk for you because you and you in pain,

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Speaker 5: your mind is everywhere or you haven't experienced it before

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Speaker 5: like most of their first experience, so they don't know

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Speaker 5: what their experience, what their body's going through.

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Speaker 1: So yeah, yep, yep.

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Speaker 5: And like I said, I tell people now more openly

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Speaker 5: open about it now. When I was having ash and

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Speaker 5: I had an epidoro and you know, and the doctor

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Speaker 5: was like, so this student is gonna do your apido

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Speaker 5: and yeah, and I'm young, you know, I'm twenty. I'm like, yo,

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Speaker 5: I'm hurting whatever. Whoever got to do it do it.

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Speaker 5: And I had to be stuck twice like that that

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Speaker 5: need it when you're backing and you gotta be careful

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Speaker 5: and you got to stay as.

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Speaker 1: Still as you can because you can be paralyzed.

441
00:18:43,600 --> 00:18:43,719
Speaker 4: Right.

442
00:18:43,960 --> 00:18:47,040
Speaker 5: So I just wish that I would have she got

443
00:18:47,119 --> 00:18:48,720
Speaker 5: that money and I wouldn't have to be with y'all.

444
00:18:49,440 --> 00:18:51,800
Speaker 3: She lou to all the duelers out there, because doulas

445
00:18:51,840 --> 00:18:54,159
Speaker 3: are important even with guys, right, because when you a

446
00:18:54,280 --> 00:18:56,200
Speaker 3: guy and you see your woman in pain.

447
00:18:56,040 --> 00:18:58,040
Speaker 1: Like that you bugging out.

448
00:18:58,119 --> 00:19:01,000
Speaker 3: You be talking to the nurses and everybody crazy, so smooth,

449
00:19:01,080 --> 00:19:03,720
Speaker 3: all the duelas that keep things calm, dropping the clues

450
00:19:03,760 --> 00:19:06,399
Speaker 3: bombs to lay from Thomas Ms Cloe Mavin.

451
00:19:06,800 --> 00:19:09,240
Speaker 1: She was all dula for her last last two.

452
00:19:09,840 --> 00:19:13,000
Speaker 5: Yes, Nice Billy Dy Williams says actors should be allowed

453
00:19:13,080 --> 00:19:16,480
Speaker 5: to wear blackface. He has sat down with Bill Maher

454
00:19:16,560 --> 00:19:19,200
Speaker 5: on this podcast and they were talking about the white

455
00:19:19,240 --> 00:19:23,280
Speaker 5: actor who played a black character in the movie Othello Today.

456
00:19:23,800 --> 00:19:26,360
Speaker 1: I mean, they would never let you do that. Why

457
00:19:26,760 --> 00:19:30,480
Speaker 1: black face? Why not? Because you should do it. That's

458
00:19:30,640 --> 00:19:34,200
Speaker 1: your point of view. If you're an actor, you should

459
00:19:34,200 --> 00:19:37,359
Speaker 1: do anything you want to do. That's a great point

460
00:19:37,359 --> 00:19:39,840
Speaker 1: of view, but the theater would be bombed. As an actor,

461
00:19:39,920 --> 00:19:42,160
Speaker 1: you should be able to do what everything you think

462
00:19:42,200 --> 00:19:43,800
Speaker 1: you can do, you should be able to do it.

463
00:19:44,119 --> 00:19:46,399
Speaker 1: The point is, and that's a great attitude, but it

464
00:19:46,520 --> 00:19:49,639
Speaker 1: still did happen. But I mean it comes from it,

465
00:19:49,760 --> 00:19:53,679
Speaker 1: and you don't go through life feeling like I'm a victim. Correct.

466
00:19:53,960 --> 00:19:55,560
Speaker 1: I couldn't agree with that more.

467
00:19:56,320 --> 00:19:59,040
Speaker 5: While I understand the end part, I do understand like

468
00:19:59,080 --> 00:20:01,400
Speaker 5: you can't go through life on like a victim? Does

469
00:20:01,520 --> 00:20:03,760
Speaker 5: he not know where black face came from and how

470
00:20:04,000 --> 00:20:06,200
Speaker 5: like I mean, I just I was. I was rather

471
00:20:06,280 --> 00:20:10,400
Speaker 5: shocked to hear his take on that, and Bill Marer

472
00:20:10,480 --> 00:20:12,159
Speaker 5: kept trying to bring it back like, no, yo, this

473
00:20:12,320 --> 00:20:15,600
Speaker 5: is you know. But but like I said, he not

474
00:20:15,800 --> 00:20:17,880
Speaker 5: thinking about it from that point of view.

475
00:20:17,920 --> 00:20:20,560
Speaker 1: He was more so like an actor can do anything.

476
00:20:20,600 --> 00:20:21,840
Speaker 1: If you're an actor, that's.

477
00:20:21,720 --> 00:20:23,480
Speaker 5: What you do, you know what I'm saying, Like you

478
00:20:24,000 --> 00:20:26,359
Speaker 5: push limits and you do things that you wouldn't do

479
00:20:26,480 --> 00:20:27,600
Speaker 5: in your real regular life.

480
00:20:27,640 --> 00:20:28,159
Speaker 1: You're acting.

481
00:20:28,320 --> 00:20:31,080
Speaker 3: Yeah, black face is just a specific thing though, because

482
00:20:31,080 --> 00:20:33,560
Speaker 3: it's the practice of non black performers and they used

483
00:20:33,560 --> 00:20:35,439
Speaker 3: to put the you know, the black paint on their

484
00:20:35,480 --> 00:20:39,399
Speaker 3: face to portray characters of black people, right, so it

485
00:20:39,440 --> 00:20:41,720
Speaker 3: would also it would always it would always be like

486
00:20:41,800 --> 00:20:46,520
Speaker 3: these offensive stereotypes of black people making us look the worst. So, no,

487
00:20:46,680 --> 00:20:49,639
Speaker 3: you shouldn't be allowed to wear black face. But you know,

488
00:20:49,840 --> 00:20:52,119
Speaker 3: I can see pushing a limit. Yeah, but I can

489
00:20:52,160 --> 00:20:56,880
Speaker 3: see his argument for people being able to act as

490
00:20:56,920 --> 00:20:57,400
Speaker 3: black people.

491
00:20:57,480 --> 00:21:00,640
Speaker 5: And then the movie and Othello the white guy, he said,

492
00:21:00,720 --> 00:21:02,840
Speaker 5: Billy Dee said, he fell out laughing because they put

493
00:21:02,880 --> 00:21:03,720
Speaker 5: a big ass.

494
00:21:03,600 --> 00:21:07,800
Speaker 1: On the character. That's that's that's a character. Yeah, yeah, yeah, yeah.

495
00:21:08,000 --> 00:21:09,800
Speaker 1: I just don't see what the need for that would be.

496
00:21:10,119 --> 00:21:12,520
Speaker 3: Yeah, you need like it's plenty of black actors and

497
00:21:12,560 --> 00:21:14,520
Speaker 3: actresses out here. We don't need no white people. We

498
00:21:14,720 --> 00:21:17,840
Speaker 3: don't tending to be black people at this point. I

499
00:21:17,880 --> 00:21:19,800
Speaker 3: don't see the need for that. In twenty twenty four

500
00:21:19,840 --> 00:21:20,960
Speaker 3: and I think eighty.

501
00:21:20,840 --> 00:21:22,880
Speaker 1: Eight years old, right or ninety years he's up.

502
00:21:23,119 --> 00:21:25,520
Speaker 5: There, he is all heah, I been around for a

503
00:21:25,600 --> 00:21:27,440
Speaker 5: lunchich and he looks good to he still looks good.

504
00:21:27,920 --> 00:21:28,120
Speaker 1: Yeah.

505
00:21:28,240 --> 00:21:30,639
Speaker 5: So Zindea wishes she would have went to school instead

506
00:21:30,640 --> 00:21:32,560
Speaker 5: of being a child actor. So she recently spoke to

507
00:21:32,640 --> 00:21:35,760
Speaker 5: Vogue about working at just fourteen years old and her

508
00:21:36,160 --> 00:21:39,439
Speaker 5: becoming the breadwinner of the family very early. She got

509
00:21:39,480 --> 00:21:43,520
Speaker 5: her start in twenty ten on Disney show Shake It Up,

510
00:21:43,840 --> 00:21:45,560
Speaker 5: and she said she feels like she's going through her

511
00:21:45,600 --> 00:21:48,240
Speaker 5: teenager phase right now, you know, as a grown woman,

512
00:21:48,320 --> 00:21:50,040
Speaker 5: because she didn't really get to have a childhood. She

513
00:21:50,080 --> 00:21:52,480
Speaker 5: didn't get to live out her teenage years as a

514
00:21:52,560 --> 00:21:56,320
Speaker 5: teenager because she was always working. She quoted, I'm very tense,

515
00:21:56,400 --> 00:21:58,040
Speaker 5: and I think that I carried that from being a

516
00:21:58,119 --> 00:22:01,000
Speaker 5: kid and never really having an opportunity to just try it.

517
00:22:01,440 --> 00:22:05,480
Speaker 1: And I wish I went to school. So they're basically

518
00:22:05,480 --> 00:22:06,120
Speaker 1: saying she tied.

519
00:22:06,240 --> 00:22:06,400
Speaker 6: Y'ah.

520
00:22:06,560 --> 00:22:10,400
Speaker 1: Yeah, she's so tired. She been working for a long, long, long, long, long.

521
00:22:10,359 --> 00:22:13,760
Speaker 5: Time, and stuff like that makes me sad because I'm like, like,

522
00:22:13,880 --> 00:22:15,800
Speaker 5: she really wished that she could have a childhood and

523
00:22:16,119 --> 00:22:18,400
Speaker 5: that was that was like, that's a lot of these kids,

524
00:22:18,440 --> 00:22:20,520
Speaker 5: a lot of these actors that we watch on TV,

525
00:22:20,680 --> 00:22:22,560
Speaker 5: and then I grew up watching like, you know, like

526
00:22:22,800 --> 00:22:26,399
Speaker 5: China the Lady, the McClain sisters, China McClain and all

527
00:22:26,440 --> 00:22:29,720
Speaker 5: of them younger kids, and they wanted childhoods. Like but

528
00:22:29,760 --> 00:22:31,919
Speaker 5: there's some people that she started them. She was like, uh,

529
00:22:32,240 --> 00:22:35,040
Speaker 5: she was fourteen, Like Mary Kate, Nashley Alston, they start him.

530
00:22:35,080 --> 00:22:35,800
Speaker 1: They was two years old.

531
00:22:36,000 --> 00:22:36,119
Speaker 17: You know.

532
00:22:36,200 --> 00:22:38,119
Speaker 1: Their first role was on Full House. So I just

533
00:22:38,240 --> 00:22:40,359
Speaker 1: be like, dang, do they all feel like? I hate that?

534
00:22:40,440 --> 00:22:41,320
Speaker 1: Then days growing up?

535
00:22:41,359 --> 00:22:43,639
Speaker 3: To be honest with you, because I saw the trailer

536
00:22:43,720 --> 00:22:45,520
Speaker 3: for the new movie she In and she kissing two

537
00:22:45,560 --> 00:22:48,400
Speaker 3: boys at the same time. Then before that, you had euphoria.

538
00:22:48,600 --> 00:22:50,480
Speaker 3: So when you got children that grew up off Casey

539
00:22:50,600 --> 00:22:52,720
Speaker 3: Undercover and they just liked in there, they want to

540
00:22:52,720 --> 00:22:53,600
Speaker 3: see all of this too.

541
00:22:53,920 --> 00:22:58,119
Speaker 5: Yeah, it's like damn, I always wanted with childhood actors

542
00:22:58,160 --> 00:23:00,640
Speaker 5: and childhood performers, like because the parents have to give

543
00:23:00,680 --> 00:23:02,760
Speaker 5: up their lives to make sure that they can support

544
00:23:02,800 --> 00:23:04,200
Speaker 5: the child that they're there, so they don't have a

545
00:23:04,280 --> 00:23:06,320
Speaker 5: Nickelodeon type of thing, right, So you got to make

546
00:23:06,320 --> 00:23:08,480
Speaker 5: sure you're there, so you sacrifice your life for your kids,

547
00:23:08,520 --> 00:23:08,840
Speaker 5: which is.

548
00:23:08,880 --> 00:23:11,080
Speaker 1: Fine, But then when your kids get to an age,

549
00:23:11,240 --> 00:23:11,960
Speaker 1: when do you let them go?

550
00:23:12,080 --> 00:23:15,000
Speaker 5: Because your whole life has been your kids, Your whole

551
00:23:15,080 --> 00:23:18,040
Speaker 5: finances have been your kids. So I wonder how that

552
00:23:18,119 --> 00:23:20,200
Speaker 5: works because we've seen them with Britney's spare, his father

553
00:23:20,320 --> 00:23:22,720
Speaker 5: and all these other dads. But I understand it now

554
00:23:22,840 --> 00:23:25,040
Speaker 5: is the parents had to give up their lives, right,

555
00:23:25,200 --> 00:23:28,399
Speaker 5: but now all of their relationships are strange. Look at

556
00:23:28,400 --> 00:23:29,760
Speaker 5: Brittany and her father, ye right, true.

557
00:23:29,640 --> 00:23:31,360
Speaker 3: Because they probably feel like they were getting pushed when

558
00:23:31,359 --> 00:23:33,200
Speaker 3: they didn't want to get pushed and they probably didn't

559
00:23:33,200 --> 00:23:34,560
Speaker 3: want to quit, and the parents are like, no, we

560
00:23:34,600 --> 00:23:37,679
Speaker 3: gotta get this money. Now they old enough to understand

561
00:23:37,680 --> 00:23:40,600
Speaker 3: that they was nothing but indentured charvits. They're like, f y'all, Okay,

562
00:23:40,680 --> 00:23:42,399
Speaker 3: I'm sick of it is all right. Well that was

563
00:23:42,600 --> 00:23:43,200
Speaker 3: just with the mess.

564
00:23:44,240 --> 00:23:45,960
Speaker 5: When we come back, we'll tell you about this man

565
00:23:46,080 --> 00:23:50,040
Speaker 5: who's suing fifty women who put on I guess some

566
00:23:50,200 --> 00:23:51,880
Speaker 5: type of app that he was a bad day.

567
00:23:52,440 --> 00:23:55,439
Speaker 1: Oh my god, that's right. Well it's not them, sir.

568
00:23:56,000 --> 00:23:57,280
Speaker 5: Well we'll talk about it when we come back as

569
00:23:57,320 --> 00:23:59,480
Speaker 5: the Breakfast Like in the morning, you're checking out the

570
00:23:59,560 --> 00:24:04,119
Speaker 5: Breakfast Club. Morning everybody. It's DJ n V, Jess Hilariy

571
00:24:04,160 --> 00:24:06,360
Speaker 5: and Charlamagne the guy. We are the Breakfast Club. Let's

572
00:24:06,359 --> 00:24:08,080
Speaker 5: get in some front page news.

573
00:24:10,119 --> 00:24:11,920
Speaker 1: All right. Now, I'll just tell you some clips stories.

574
00:24:11,960 --> 00:24:14,399
Speaker 5: Of course, we had the eclipse on Monday, but some

575
00:24:14,520 --> 00:24:15,800
Speaker 5: people weren't too happy.

576
00:24:16,000 --> 00:24:16,920
Speaker 1: In Mexico.

577
00:24:17,080 --> 00:24:21,440
Speaker 5: They showed the clips on TV and they got in

578
00:24:21,520 --> 00:24:25,560
Speaker 5: trouble because they accidentally showed a man's testicles instead of

579
00:24:25,640 --> 00:24:28,840
Speaker 5: the solar eclipse. Oh my god, that's first of all

580
00:24:29,280 --> 00:24:31,000
Speaker 5: on the TV screen, so it was supposed to be

581
00:24:31,680 --> 00:24:33,840
Speaker 5: and they accidentally showed a man's testify.

582
00:24:34,119 --> 00:24:35,760
Speaker 1: I need to see why only showed me this before

583
00:24:35,800 --> 00:24:38,600
Speaker 1: we got on there. Show me the type. I want

584
00:24:38,640 --> 00:24:39,400
Speaker 1: to see how this happened.

585
00:24:39,440 --> 00:24:41,159
Speaker 3: You want to see, yes, I want to see how

586
00:24:41,200 --> 00:24:43,800
Speaker 3: these type of things happen we have that don't even

587
00:24:43,840 --> 00:24:44,360
Speaker 3: make any sense.

588
00:24:44,400 --> 00:24:46,600
Speaker 5: But somebody left the comment was like, I didn't expect

589
00:24:46,680 --> 00:24:49,560
Speaker 5: to see the eclipse. I didn't expect to see testicles.

590
00:24:49,560 --> 00:24:52,399
Speaker 5: I would expect to see uranus instead of the What

591
00:24:52,600 --> 00:24:53,360
Speaker 5: was the man doing?

592
00:24:53,440 --> 00:24:56,240
Speaker 1: Though? Like why was he even on the screen? Mad fast?

593
00:24:56,400 --> 00:24:58,640
Speaker 5: So it was I guess they went to the footage

594
00:24:58,680 --> 00:25:00,760
Speaker 5: of supposed to be showing the eclipse and it showed

595
00:25:00,800 --> 00:25:01,960
Speaker 5: the man's testicles.

596
00:25:01,960 --> 00:25:03,879
Speaker 1: I don't know how the testicles got did this man?

597
00:25:03,960 --> 00:25:06,560
Speaker 1: But why did this man just have his testicles? What's

598
00:25:06,600 --> 00:25:09,960
Speaker 1: going on in Mexico? Mine his business? That was supposed

599
00:25:09,960 --> 00:25:12,520
Speaker 1: to be streaming somewhere else that was but clearly it

600
00:25:12,560 --> 00:25:14,600
Speaker 1: was in the public, Like why are you just out

601
00:25:14,600 --> 00:25:17,399
Speaker 1: with your nuts haanging in the public. I don't know

602
00:25:17,480 --> 00:25:18,280
Speaker 1: how they messed that up.

603
00:25:18,720 --> 00:25:21,520
Speaker 5: Also, somebody came up with this bright idea to have

604
00:25:21,640 --> 00:25:24,359
Speaker 5: an eclipse flight where a flight was one thousand dollars

605
00:25:24,440 --> 00:25:26,560
Speaker 5: and it was a delta flight actually, and it would

606
00:25:26,600 --> 00:25:28,399
Speaker 5: be flying where you could actually.

607
00:25:28,160 --> 00:25:29,480
Speaker 1: See the eclipse in the air.

608
00:25:30,040 --> 00:25:32,080
Speaker 5: Well, because of the clouds, the people that paid a

609
00:25:32,119 --> 00:25:33,840
Speaker 5: thousand dollars could not see it.

610
00:25:34,600 --> 00:25:36,840
Speaker 1: So they got some goodie backs they got hat.

611
00:25:36,800 --> 00:25:40,760
Speaker 5: Socks and a moon pie and son chips, and they

612
00:25:40,760 --> 00:25:45,760
Speaker 5: didn't get that thousand airline that was Delta actually real.

613
00:25:45,920 --> 00:25:48,520
Speaker 1: Yeah, and I'm adults, remember that's clowned out.

614
00:25:49,080 --> 00:25:51,359
Speaker 3: I saw that in Jersey when I was looking at

615
00:25:51,359 --> 00:25:54,280
Speaker 3: the eclipse Monday, there was a plane and I said that.

616
00:25:54,359 --> 00:25:55,639
Speaker 3: I was like, I said, I wonder if that's a

617
00:25:55,680 --> 00:25:56,920
Speaker 3: plane just for the eclipse because it was like a

618
00:25:56,960 --> 00:25:57,600
Speaker 3: smaller plane.

619
00:25:57,720 --> 00:26:00,800
Speaker 5: Right, I'm sure it was Jesus. Now this man is

620
00:26:00,920 --> 00:26:04,480
Speaker 5: suing fifty women for calling him a bad date. Now,

621
00:26:04,560 --> 00:26:06,760
Speaker 5: this guy's in California. He's lasting out of fifty women

622
00:26:06,840 --> 00:26:10,280
Speaker 5: on Facebook for allegedly saying that his date was horrible

623
00:26:10,320 --> 00:26:12,159
Speaker 5: and that he was whack and that he was trash.

624
00:26:12,600 --> 00:26:14,840
Speaker 1: And here's the women that he is suing, two of them. Actually,

625
00:26:15,160 --> 00:26:18,400
Speaker 1: it's very bizarre. The accusations are baseless.

626
00:26:18,920 --> 00:26:20,960
Speaker 16: I feel not just for myself, but for my co

627
00:26:21,119 --> 00:26:24,720
Speaker 16: defendants and for the other women that he's gone after.

628
00:26:24,960 --> 00:26:28,840
Speaker 20: Olivia Berger and Vanessa Valdez are just two of multiple

629
00:26:28,960 --> 00:26:34,399
Speaker 20: women being sued for defamation, libel, sex based discrimination, and

630
00:26:34,680 --> 00:26:37,800
Speaker 20: other allegations by Stuart Lucas Murray.

631
00:26:38,240 --> 00:26:40,440
Speaker 1: He's basically seeing us for two point six million dollars

632
00:26:40,480 --> 00:26:41,040
Speaker 1: in damages.

633
00:26:41,520 --> 00:26:44,480
Speaker 20: It all started with this post on the Facebook group

634
00:26:44,880 --> 00:26:48,280
Speaker 20: are We Dating the same Guy? When Olivia and Vanessa

635
00:26:48,400 --> 00:26:52,080
Speaker 20: saw the post and all the comments, they added their

636
00:26:52,160 --> 00:26:53,160
Speaker 20: own experiences.

637
00:26:53,640 --> 00:26:57,600
Speaker 1: He seemed, in my opinion, pretty smug and very arrogant.

638
00:26:58,240 --> 00:27:01,320
Speaker 1: The entire date. He was putting me down for various

639
00:27:01,400 --> 00:27:03,640
Speaker 1: things on my job included.

640
00:27:04,000 --> 00:27:07,040
Speaker 20: Vanessa never went on a date with Murray because she

641
00:27:07,240 --> 00:27:10,400
Speaker 20: says she didn't like the messages he sent her, at

642
00:27:10,440 --> 00:27:12,640
Speaker 20: one point, even calling her a moron.

643
00:27:14,600 --> 00:27:15,719
Speaker 1: I didn't know you could sue anybody.

644
00:27:15,800 --> 00:27:18,040
Speaker 5: Well, I didn't to sue anybody, if anything, but the

645
00:27:18,119 --> 00:27:19,919
Speaker 5: fact that you could just sue somebody from calling them

646
00:27:19,960 --> 00:27:20,399
Speaker 5: a bad date.

647
00:27:20,480 --> 00:27:25,760
Speaker 21: But the date was bad, and they're all fifty of them.

648
00:27:25,800 --> 00:27:27,119
Speaker 1: Well, he talks about why he's doing it.

649
00:27:27,800 --> 00:27:30,720
Speaker 20: They contacted Murray for comment, but he declined an on

650
00:27:30,880 --> 00:27:34,840
Speaker 20: camera interview. Instead, he directed us to this website with

651
00:27:35,000 --> 00:27:38,560
Speaker 20: a long statement that says, in part, this action is

652
00:27:38,680 --> 00:27:42,600
Speaker 20: not a game, and the accusations against the defendants are serious.

653
00:27:43,119 --> 00:27:44,480
Speaker 20: I rejected each of.

654
00:27:44,560 --> 00:27:46,840
Speaker 1: Them and cut them off quite swiftly.

655
00:27:47,560 --> 00:27:50,399
Speaker 20: Instead of going their separate ways, they went on for

656
00:27:50,640 --> 00:27:54,240
Speaker 20: months and years to spread this information about me and

657
00:27:54,440 --> 00:27:58,360
Speaker 20: countless others. Their actions were deliberate and they are now

658
00:27:58,440 --> 00:27:59,680
Speaker 20: playing the victims.

659
00:28:01,720 --> 00:28:03,720
Speaker 1: Yeah, so he's sewing these women for two point six

660
00:28:03,960 --> 00:28:07,360
Speaker 1: million dollars and not gonna win. I don't think it's going.

661
00:28:07,680 --> 00:28:08,640
Speaker 1: It's like, what are you doing?

662
00:28:08,720 --> 00:28:11,879
Speaker 5: You spend them on more money, going to court for

663
00:28:12,080 --> 00:28:15,720
Speaker 5: fifty women, then you're gonna ever get this is weird

664
00:28:16,200 --> 00:28:18,960
Speaker 5: very well. So basically it's like a defamation thing. Defamations

665
00:28:18,960 --> 00:28:22,879
Speaker 5: here yep, but you're not famous saying that, messing up

666
00:28:22,920 --> 00:28:25,880
Speaker 5: his name. And lastly, we got to talk migrants. Now,

667
00:28:26,200 --> 00:28:31,480
Speaker 5: a crew of Venezuelan migrants with rap sheets allegedly targeted Target. Yes,

668
00:28:31,520 --> 00:28:33,720
Speaker 5: they went and target, They ransacked the target, take things

669
00:28:33,760 --> 00:28:35,120
Speaker 5: out of target, and then when the when.

670
00:28:35,040 --> 00:28:37,560
Speaker 1: The cops came, they allegedly beat up the cops.

671
00:28:37,600 --> 00:28:39,560
Speaker 5: Now, the accused criminals were part of a crew of

672
00:28:39,640 --> 00:28:43,600
Speaker 5: six that allegedly yanked items off displays in the store

673
00:28:43,680 --> 00:28:46,120
Speaker 5: and did a whole bunch of other things. And because

674
00:28:46,160 --> 00:28:49,520
Speaker 5: of the bail reform, these guys were pretty much released

675
00:28:49,560 --> 00:28:51,880
Speaker 5: right after Where's this It's New York.

676
00:28:52,160 --> 00:28:54,000
Speaker 1: You saw you saw the stuff they were stealing, like

677
00:28:54,400 --> 00:28:56,600
Speaker 1: you know cereal, and you know they were.

678
00:28:56,560 --> 00:29:00,600
Speaker 5: Basically stealing Doriteau Strawberry's bottled waters and things like that.

679
00:29:00,960 --> 00:29:02,840
Speaker 3: I told y'all weeks ago that America doesn't have the

680
00:29:02,880 --> 00:29:05,520
Speaker 3: resources for this influx of migrants, and like most people

681
00:29:05,560 --> 00:29:07,400
Speaker 3: who can't get buy in this country, the migrants whore

682
00:29:07,400 --> 00:29:10,800
Speaker 3: want to resort to what to survive crime, Okay, and

683
00:29:10,840 --> 00:29:12,440
Speaker 3: when you look at what they throw, you see it's

684
00:29:12,480 --> 00:29:15,040
Speaker 3: just some essentials to survive. Yeah, but this is a

685
00:29:15,120 --> 00:29:18,920
Speaker 3: problem of America's own creation. Could never forget. Mayor Adams said,

686
00:29:18,920 --> 00:29:21,160
Speaker 3: New York with a sanctuary city, Well, so those governess

687
00:29:21,160 --> 00:29:22,720
Speaker 3: protectors in Florida send them right on over.

688
00:29:23,040 --> 00:29:25,040
Speaker 1: This is what may Adam said, because it was everything

689
00:29:25,080 --> 00:29:25,520
Speaker 1: that's going on.

690
00:29:26,280 --> 00:29:31,440
Speaker 13: What I said, even with those who are undocumented and

691
00:29:31,680 --> 00:29:34,240
Speaker 13: those who are micros and asylum seekers, if you are

692
00:29:34,360 --> 00:29:38,920
Speaker 13: repeated offender of a violent act in this city, after

693
00:29:39,040 --> 00:29:42,480
Speaker 13: you serve your time, you need to leave this city.

694
00:29:42,960 --> 00:29:43,960
Speaker 1: That is my position.

695
00:29:44,560 --> 00:29:48,000
Speaker 22: People should not come here and be violent to everyday

696
00:29:48,160 --> 00:29:51,080
Speaker 22: citizens of the city and to other migrants and asylum

697
00:29:51,160 --> 00:29:54,160
Speaker 22: seekers because some of the incidents we're seeing they're attacking

698
00:29:54,520 --> 00:29:56,680
Speaker 22: other micros and asylum seekers who just want to come

699
00:29:56,720 --> 00:29:58,040
Speaker 22: in and pursue the American dream.

700
00:29:58,960 --> 00:30:01,120
Speaker 3: Is that considered the violent though? I mean, they shoplifted

701
00:30:01,160 --> 00:30:03,320
Speaker 3: and then I guess they resisted.

702
00:30:02,880 --> 00:30:06,200
Speaker 5: The rest beating up the police. Police, don't they beat

703
00:30:06,280 --> 00:30:08,120
Speaker 5: him up, But they were rocks at the officer. One

704
00:30:08,160 --> 00:30:09,520
Speaker 5: officer was taken to the hospital.

705
00:30:09,600 --> 00:30:11,840
Speaker 1: So yeah, you don't think they beat them up, but

706
00:30:11,840 --> 00:30:13,920
Speaker 1: they just do rocks at them. That shouldn't be a biggie.

707
00:30:14,320 --> 00:30:16,280
Speaker 3: Yeah, but think about what they were doing. I'm not

708
00:30:16,320 --> 00:30:18,240
Speaker 3: making excuses for them. I'm just saying they were trying

709
00:30:18,280 --> 00:30:21,040
Speaker 3: to survive. They were stealing out of a store because

710
00:30:21,080 --> 00:30:26,240
Speaker 3: they were needed food. Is throwing rocks considered violent?

711
00:30:27,240 --> 00:30:31,000
Speaker 1: Yes? What the hell is wrong with Yes, throwing rocks

712
00:30:31,080 --> 00:30:33,240
Speaker 1: is violent. But like you said, they were trying. They

713
00:30:33,280 --> 00:30:35,640
Speaker 1: got done. They got You know, what I'm saying they

714
00:30:35,680 --> 00:30:36,040
Speaker 1: were not.

715
00:30:36,360 --> 00:30:37,960
Speaker 3: A violent act of me is like, you know, running

716
00:30:38,040 --> 00:30:40,200
Speaker 3: up in the stow and actually causing somebody bodily harmed

717
00:30:40,320 --> 00:30:42,360
Speaker 3: just for the sake of causing them bodily harmed. They

718
00:30:42,400 --> 00:30:44,640
Speaker 3: weren't doing that, but they said they wrestled, shoves, slapped,

719
00:30:44,680 --> 00:30:47,240
Speaker 3: and pushed them in an attempt to resist. The wild

720
00:30:47,280 --> 00:30:49,680
Speaker 3: struggle left one officer with swelling redness and pain on

721
00:30:49,760 --> 00:30:51,520
Speaker 3: his left arm he was taking to the local hospital

722
00:30:51,600 --> 00:30:54,640
Speaker 3: where he was treated and released. Well, another suspect who

723
00:30:54,800 --> 00:30:57,000
Speaker 3: has not been caught with throwing rocks.

724
00:30:56,840 --> 00:30:59,560
Speaker 1: At the offices, but the officers were not strip We'll

725
00:30:59,560 --> 00:30:59,960
Speaker 1: never forget.

726
00:31:00,400 --> 00:31:02,520
Speaker 3: Mayor Adams said New York was a sanctuary city, right,

727
00:31:02,640 --> 00:31:04,760
Speaker 3: So those governors from Texas and Florida sentthing right on

728
00:31:04,920 --> 00:31:05,280
Speaker 3: over here.

729
00:31:05,560 --> 00:31:07,440
Speaker 1: So now you got to deal with those deal with

730
00:31:07,520 --> 00:31:08,680
Speaker 1: those issues, all right.

731
00:31:09,160 --> 00:31:12,320
Speaker 5: Well that is front page news, all right. Now, when

732
00:31:12,360 --> 00:31:14,560
Speaker 5: we come back eight hundred five eight five one oh

733
00:31:14,640 --> 00:31:17,880
Speaker 5: five one, let's talk DDG and Chloe Bailey. Now DDG

734
00:31:18,040 --> 00:31:20,680
Speaker 5: recently did an interview, and during the interview he talked

735
00:31:20,680 --> 00:31:23,840
Speaker 5: about trying to get Chloe Bailly jealous while she was there,

736
00:31:23,880 --> 00:31:27,000
Speaker 5: and he texted his x DM dees x crazy something

737
00:31:27,040 --> 00:31:29,200
Speaker 5: like I miss you or something like that. So we're

738
00:31:29,280 --> 00:31:32,080
Speaker 5: asking eight hundred five eight five one oh five to one,

739
00:31:33,000 --> 00:31:35,840
Speaker 5: what's the dumbest thing you did to make your ex jealous?

740
00:31:35,880 --> 00:31:37,920
Speaker 1: To make a girl jealous? That was so clowned out,

741
00:31:37,960 --> 00:31:39,080
Speaker 1: But that's the thing he said.

742
00:31:39,080 --> 00:31:40,080
Speaker 5: He had did it in front of her, and he

743
00:31:40,160 --> 00:31:42,960
Speaker 5: had no intention on linking out with Ruby, but he

744
00:31:43,120 --> 00:31:45,320
Speaker 5: just texted and said, like what you doing. He ain't

745
00:31:45,320 --> 00:31:46,680
Speaker 5: said I missed you or nothing. Later I think he

746
00:31:46,720 --> 00:31:48,240
Speaker 5: said because that's what he said. He said, I just

747
00:31:48,240 --> 00:31:49,640
Speaker 5: say what you're doing, And he did it in front

748
00:31:49,640 --> 00:31:52,360
Speaker 5: of her just to get her attention. But why would

749
00:31:52,400 --> 00:31:55,600
Speaker 5: you be so clowned out to trigger Ruby and to

750
00:31:55,720 --> 00:31:57,360
Speaker 5: trigger the pregnant woman that you're with.

751
00:31:57,400 --> 00:31:59,360
Speaker 3: Because you're trying to prove that he got holes? And

752
00:31:59,440 --> 00:32:03,160
Speaker 3: you know what I'm saying, dumb yo, Holly, No, you

753
00:32:03,200 --> 00:32:04,520
Speaker 3: ain't got no ho s your numbat.

754
00:32:04,880 --> 00:32:07,520
Speaker 5: And Ruby knows this too, like well, if you know

755
00:32:07,640 --> 00:32:09,480
Speaker 5: the type of girl that Ruby is, why would you

756
00:32:09,560 --> 00:32:10,520
Speaker 5: trigger that person?

757
00:32:10,600 --> 00:32:14,239
Speaker 1: Again? They still want me in these streets like here,

758
00:32:14,560 --> 00:32:19,080
Speaker 1: watch this, watch five five one oh five one. What's

759
00:32:19,080 --> 00:32:21,280
Speaker 1: the dumbest thing you did to try to get your

760
00:32:21,360 --> 00:32:24,080
Speaker 1: girl or your man jealous? Let's discuss. It's the breakfast

761
00:32:24,080 --> 00:32:26,480
Speaker 1: slogo Morning the Breakfast Club.

762
00:32:33,280 --> 00:32:36,920
Speaker 12: It's topic time called eight hundred and five five one

763
00:32:37,160 --> 00:32:39,480
Speaker 12: five one to join into the discussion with the Breakfast Club.

764
00:32:41,200 --> 00:32:44,400
Speaker 5: Good morning everybody. It's d J, n V, Jess, Hilaria

765
00:32:44,400 --> 00:32:46,640
Speaker 5: and Charlamagne the God. We are the Breakfast Club. Now

766
00:32:46,640 --> 00:32:49,000
Speaker 5: if you're just joining us, we're talking about D D

767
00:32:49,360 --> 00:32:51,840
Speaker 5: G and Halle Belly All right now, d d G

768
00:32:52,080 --> 00:32:55,720
Speaker 5: said that to get I guess, to get Halle Belly jealous.

769
00:32:55,840 --> 00:33:02,360
Speaker 1: He d MS his ex Ruby Rose. It's so funny, man,

770
00:33:02,640 --> 00:33:04,320
Speaker 1: that's just really some young boys stuff.

771
00:33:04,360 --> 00:33:04,479
Speaker 20: Man.

772
00:33:04,520 --> 00:33:06,560
Speaker 3: You're sitting around with the woman in your dreams, the

773
00:33:06,600 --> 00:33:08,880
Speaker 3: woman you love, the woman you having a family.

774
00:33:08,680 --> 00:33:10,320
Speaker 1: With, y'all, having a little spat.

775
00:33:10,640 --> 00:33:12,560
Speaker 3: You want her to think that you still got it

776
00:33:12,600 --> 00:33:14,200
Speaker 3: and you can walk out this house and just go

777
00:33:14,280 --> 00:33:16,840
Speaker 3: into the arms of another woman knowing don't nobody want your.

778
00:33:16,720 --> 00:33:17,400
Speaker 1: Ass no more?

779
00:33:17,760 --> 00:33:20,000
Speaker 3: Okay, So you just had to send that out real

780
00:33:20,120 --> 00:33:22,360
Speaker 3: quick to try to make her jealous, and she like, nigga,

781
00:33:22,560 --> 00:33:23,800
Speaker 3: what and you ain't going nowhere?

782
00:33:24,080 --> 00:33:24,280
Speaker 17: Right?

783
00:33:24,760 --> 00:33:30,800
Speaker 1: Not going nowhere. I'm the little mermaid, Jess. Have you

784
00:33:30,840 --> 00:33:31,400
Speaker 1: done this before?

785
00:33:32,080 --> 00:33:34,120
Speaker 5: No, I ain't gonna you know, I haven't done it,

786
00:33:34,200 --> 00:33:36,480
Speaker 5: and now I haven't done it to make somebody. Man.

787
00:33:36,600 --> 00:33:38,160
Speaker 5: I did it because I was mad, but I didn't

788
00:33:38,160 --> 00:33:40,520
Speaker 5: want that person to find out all I did, like

789
00:33:40,640 --> 00:33:42,440
Speaker 5: double back on somebody and I was talking to you

790
00:33:42,520 --> 00:33:45,000
Speaker 5: when like a current boyfriend have made me mad or

791
00:33:45,040 --> 00:33:46,480
Speaker 5: something like that. But I didn't do that to get

792
00:33:46,520 --> 00:33:48,720
Speaker 5: his attention. I did that just because he had made

793
00:33:48,720 --> 00:33:50,400
Speaker 5: me mad, and I just didn't want to deal with

794
00:33:50,480 --> 00:33:52,400
Speaker 5: him at the time, Like, all right, what I hit this.

795
00:33:53,480 --> 00:34:01,320
Speaker 1: Absolutely okay, like I'm to play you just nothing, you

796
00:34:01,360 --> 00:34:03,680
Speaker 1: know what I mean? Yeah, but I didn't do that

797
00:34:03,760 --> 00:34:06,120
Speaker 1: to stress the guy out. Right, all right, well let's

798
00:34:06,120 --> 00:34:09,279
Speaker 1: go to the foe. Yeah, Jean's not gonna stretch him out,

799
00:34:10,400 --> 00:34:14,760
Speaker 1: stress him out. Hello, bre Hey, good morning.

800
00:34:15,520 --> 00:34:19,360
Speaker 15: So I was basically saying that the craziest thing I

801
00:34:19,440 --> 00:34:22,560
Speaker 15: did to get back with the Ax was get full

802
00:34:22,680 --> 00:34:26,879
Speaker 15: blown dressed up, hair done, like, made sure I looked

803
00:34:26,880 --> 00:34:29,160
Speaker 15: the baddest that I couldn't look, and told.

804
00:34:29,080 --> 00:34:31,520
Speaker 7: Him that I was gonna go out there and do

805
00:34:31,640 --> 00:34:32,839
Speaker 7: the same thing he was doing.

806
00:34:33,120 --> 00:34:36,960
Speaker 15: But really I just was sitting in the parking lot.

807
00:34:37,440 --> 00:34:40,319
Speaker 4: Or like driving around like my older.

808
00:34:40,080 --> 00:34:45,240
Speaker 15: Partners, killed some time and come back like two o'clock

809
00:34:45,280 --> 00:34:47,759
Speaker 15: in the morning and make it seem like I had

810
00:34:47,800 --> 00:34:48,640
Speaker 15: the time of my life.

811
00:34:48,960 --> 00:35:00,560
Speaker 5: Or really I was just my car being miserable, wasting.

812
00:34:57,840 --> 00:35:00,120
Speaker 23: Gas, like going walking around wall.

813
00:35:01,920 --> 00:35:05,200
Speaker 1: Looking like I just came from church. Did it work?

814
00:35:05,880 --> 00:35:06,320
Speaker 7: That turned?

815
00:35:06,360 --> 00:35:08,120
Speaker 23: Because you know the that I was wearing, you couldn't

816
00:35:08,120 --> 00:35:11,359
Speaker 23: wear the shirt, but I made sure I looked that way.

817
00:35:11,480 --> 00:35:13,439
Speaker 23: So he was under the impression that I was about

818
00:35:13,440 --> 00:35:14,000
Speaker 23: to be out.

819
00:35:13,880 --> 00:35:14,560
Speaker 10: There in the street.

820
00:35:15,239 --> 00:35:17,279
Speaker 1: Did he call you, calling you and texting you while

821
00:35:17,320 --> 00:35:17,680
Speaker 1: you was out?

822
00:35:18,280 --> 00:35:18,320
Speaker 24: No?

823
00:35:18,640 --> 00:35:21,040
Speaker 23: But when I got back, you would if we wouldn't

824
00:35:21,040 --> 00:35:23,279
Speaker 23: be we wouldn't need to be talking like he would

825
00:35:23,280 --> 00:35:26,080
Speaker 23: be so unfazed by it, and it would just pissing

826
00:35:26,200 --> 00:35:29,279
Speaker 23: yards even more so it was just so you.

827
00:35:29,280 --> 00:35:32,239
Speaker 1: Went back out, he went back outside.

828
00:35:32,880 --> 00:35:35,120
Speaker 23: Yeah, I would. I would just go back outside and

829
00:35:35,160 --> 00:35:36,839
Speaker 23: sit in my car and act like I was mad

830
00:35:36,920 --> 00:35:39,320
Speaker 23: and leave again and just be driving around.

831
00:35:40,160 --> 00:35:42,960
Speaker 1: Oh man, humans are some stupid people. Yes, I mean

832
00:35:43,000 --> 00:35:46,440
Speaker 1: we are ridiculous. I mean we are. We are really ridiculous.

833
00:35:46,719 --> 00:35:48,480
Speaker 1: Did you call Did he call you?

834
00:35:48,920 --> 00:35:48,960
Speaker 11: No?

835
00:35:50,200 --> 00:35:53,160
Speaker 1: It didn't even work. Dang, hello, who's this he?

836
00:35:55,040 --> 00:35:55,400
Speaker 11: What you did?

837
00:35:55,480 --> 00:35:57,440
Speaker 1: Tell your x him? What do you do to your

838
00:35:57,520 --> 00:35:58,640
Speaker 1: man to make it him jealous?

839
00:35:58,880 --> 00:36:02,800
Speaker 23: I did the same thing. I caught him taking somebody,

840
00:36:03,239 --> 00:36:04,799
Speaker 23: so I had to tell him you was the only

841
00:36:04,840 --> 00:36:06,120
Speaker 23: one that used to have somebody.

842
00:36:06,200 --> 00:36:07,400
Speaker 25: So I called him body in front of.

843
00:36:07,440 --> 00:36:09,279
Speaker 8: Him, let him know that he was on the phone.

844
00:36:09,320 --> 00:36:10,759
Speaker 8: I fell, I was on to his house.

845
00:36:11,040 --> 00:36:15,800
Speaker 1: And what he did behind me, he did what he

846
00:36:15,960 --> 00:36:20,160
Speaker 1: chased behind me. Oh, you're saying that lived part of

847
00:36:20,200 --> 00:36:21,960
Speaker 1: Little Lord Choke slam you. What'd you say?

848
00:36:22,560 --> 00:36:24,759
Speaker 23: So, I said, he takes behind my car?

849
00:36:26,440 --> 00:36:29,319
Speaker 3: Oh yeah, okay, okay, okay, okay. And you wasn't going

850
00:36:29,400 --> 00:36:32,920
Speaker 3: no damn place the Walmart. He wasn't going nowhere with

851
00:36:32,960 --> 00:36:33,480
Speaker 3: the Walmart.

852
00:36:33,840 --> 00:36:37,360
Speaker 1: I was doing, raizy.

853
00:36:37,480 --> 00:36:39,919
Speaker 5: I better stop playing with these people, absolutely, I better

854
00:36:39,920 --> 00:36:40,640
Speaker 5: stop playing with the.

855
00:36:40,760 --> 00:36:43,680
Speaker 3: Why don't we understand proper communication skills though? Why can't

856
00:36:43,719 --> 00:36:46,719
Speaker 3: we just be honest with each other? Just tall like yeah,

857
00:36:47,000 --> 00:36:48,360
Speaker 3: all this goofiness.

858
00:36:47,880 --> 00:36:48,480
Speaker 1: For no reason?

859
00:36:48,600 --> 00:36:50,000
Speaker 5: And then oh my god, then I was I'm so

860
00:36:50,120 --> 00:36:52,960
Speaker 5: mad with dd G because Halle was pregnant, like all

861
00:36:53,040 --> 00:36:54,600
Speaker 5: that is to be like, all right, look, what's up?

862
00:36:54,640 --> 00:36:56,160
Speaker 5: What's wrong with you? Like you know what I'm saying

863
00:36:56,320 --> 00:36:59,160
Speaker 5: or whatever. The argument was about she hormonal, she pregnant,

864
00:36:59,239 --> 00:36:59,920
Speaker 5: and you gonna hit rial?

865
00:37:01,040 --> 00:37:05,480
Speaker 1: What is wrong with you? C? C C what you

866
00:37:05,560 --> 00:37:06,800
Speaker 1: did to make your man jealous?

867
00:37:07,080 --> 00:37:10,040
Speaker 25: So at the time, we worked with education, so we

868
00:37:10,160 --> 00:37:12,120
Speaker 25: don't for a lot of students who had crisis.

869
00:37:12,600 --> 00:37:14,840
Speaker 16: And I worked with my boysriend at the time, and

870
00:37:15,239 --> 00:37:17,759
Speaker 16: so we didn't call me for like.

871
00:37:17,760 --> 00:37:18,279
Speaker 17: The whole day.

872
00:37:18,360 --> 00:37:20,759
Speaker 25: He was an aim and our phone call. So I

873
00:37:20,880 --> 00:37:23,880
Speaker 25: had my friend call him, continuing was from my phone

874
00:37:24,480 --> 00:37:26,160
Speaker 25: and tell him that I was in crisis.

875
00:37:26,360 --> 00:37:27,440
Speaker 4: So he had to come to me.

876
00:37:27,920 --> 00:37:30,719
Speaker 25: Like it was real drastic and extra so I had

877
00:37:30,760 --> 00:37:32,959
Speaker 25: to think like I was having a panic in tack

878
00:37:33,160 --> 00:37:40,000
Speaker 25: and oh my god, room, I didn't go to the

879
00:37:40,080 --> 00:37:40,799
Speaker 25: emergency room.

880
00:37:40,920 --> 00:37:43,840
Speaker 16: No, I mean I made it seem like it was drastic,

881
00:37:44,080 --> 00:37:45,520
Speaker 16: like I believed him to do this.

882
00:37:47,040 --> 00:37:49,600
Speaker 1: And how do you react? How do you react?

883
00:37:49,800 --> 00:37:53,239
Speaker 25: He was he was offensive in everything or whatever, but

884
00:37:53,400 --> 00:37:55,279
Speaker 25: I can kind of tell he was kind of like,

885
00:37:55,920 --> 00:37:57,200
Speaker 25: I don't know if I'm gonna want to be in this.

886
00:37:57,360 --> 00:37:59,839
Speaker 25: I guess I made it worse for the relationship. Yeah,

887
00:38:00,120 --> 00:38:02,880
Speaker 25: you think like I kind of made it seem like

888
00:38:03,080 --> 00:38:06,719
Speaker 25: I was dramatic and mentally unstable.

889
00:38:07,640 --> 00:38:10,279
Speaker 1: Yeah, no, for sure, Yeah, for sure, thank you.

890
00:38:10,960 --> 00:38:12,719
Speaker 5: That's just like Carlie Russell when she said she saw

891
00:38:12,760 --> 00:38:15,279
Speaker 5: the baby walking down the highway just to all that,

892
00:38:15,400 --> 00:38:17,160
Speaker 5: to get that guy's attention, you're right, just to.

893
00:38:17,120 --> 00:38:17,720
Speaker 1: Get his attention.

894
00:38:18,120 --> 00:38:21,560
Speaker 3: What happened to communication? Yeah, sitting down having a conversation.

895
00:38:21,719 --> 00:38:23,080
Speaker 5: That man didn't want to talk to her, so that's

896
00:38:23,080 --> 00:38:24,879
Speaker 5: why she has She said that she saw a baby

897
00:38:24,880 --> 00:38:26,759
Speaker 5: walking down the highway and she had to save them and.

898
00:38:26,800 --> 00:38:29,319
Speaker 3: Also think about it like this, what's more embarrassing doing

899
00:38:29,360 --> 00:38:31,399
Speaker 3: all of this goofy stuff y'all calling up here doing,

900
00:38:31,680 --> 00:38:33,279
Speaker 3: or just talking to a person and telling them how

901
00:38:33,320 --> 00:38:35,360
Speaker 3: you feel talking to you know what I'm saying, Like

902
00:38:35,480 --> 00:38:37,759
Speaker 3: being for real about your emotions. That might be a

903
00:38:37,800 --> 00:38:39,840
Speaker 3: little embarrassing, that might hurt a little bit, but not

904
00:38:40,000 --> 00:38:41,839
Speaker 3: like not as much of this stupid stuff y'all doing.

905
00:38:41,960 --> 00:38:43,759
Speaker 5: But the problem is these guys don't want to talk

906
00:38:43,800 --> 00:38:45,960
Speaker 5: to them, That is the problem. So they're trying to

907
00:38:46,000 --> 00:38:48,319
Speaker 5: get their attention. That's why she said the emergency room.

908
00:38:48,400 --> 00:38:50,399
Speaker 5: That's why she said, I'm gonna go out and I'm

909
00:38:50,400 --> 00:38:52,200
Speaker 5: gonna way to fly his clothes and put on my

910
00:38:52,360 --> 00:38:54,239
Speaker 5: nice outfit. I want to get you jealous, so you

911
00:38:54,320 --> 00:38:56,120
Speaker 5: want to talk to me and you're just driving around

912
00:38:56,160 --> 00:38:58,200
Speaker 5: wal I don't care, right, And that's gonna make me.

913
00:38:58,239 --> 00:38:59,800
Speaker 3: That's gonna push me away, Frost and I'm gonna be

914
00:38:59,800 --> 00:39:02,120
Speaker 3: like I thought she was crazy, Now I know she crazed.

915
00:39:02,520 --> 00:39:04,280
Speaker 5: And what if what if the guy had her location

916
00:39:04,400 --> 00:39:05,680
Speaker 5: the whole time? Right, it was like, you ain't even

917
00:39:05,680 --> 00:39:06,000
Speaker 5: going nowhere.

918
00:39:06,000 --> 00:39:07,120
Speaker 1: He was in the garage the whole time.

919
00:39:07,760 --> 00:39:12,360
Speaker 5: Hey, yo, stupid height undred five eight five one oh

920
00:39:12,480 --> 00:39:14,400
Speaker 5: five one. What did you do to get your your

921
00:39:14,600 --> 00:39:17,319
Speaker 5: boyfriend or girlfriend jealous? Let's discuss. This's the breakfast club

922
00:39:17,360 --> 00:39:17,719
Speaker 5: in the morning.

923
00:39:23,040 --> 00:39:26,680
Speaker 1: Let's say if y'all talking about it, you know we

924
00:39:26,880 --> 00:39:27,520
Speaker 1: talking about it.

925
00:39:27,840 --> 00:39:31,319
Speaker 12: It's topic times called eight hundred five eight five one

926
00:39:31,360 --> 00:39:34,040
Speaker 12: o five one to join into the discussion with the breakfast.

927
00:39:33,680 --> 00:39:38,200
Speaker 5: Club more than everybody. It's DJ en v Jess, Cilary

928
00:39:38,360 --> 00:39:40,879
Speaker 5: Charlamagne the guy. We are the Breakfast Club. If you're

929
00:39:40,920 --> 00:39:43,880
Speaker 5: just joining us, we're talking about Halle Bailey and DDG.

930
00:39:44,160 --> 00:39:48,000
Speaker 5: Now DG recently said that he texted or I should say,

931
00:39:48,080 --> 00:39:50,880
Speaker 5: DM robi rules in front of Halle to make her jealous.

932
00:39:50,880 --> 00:39:53,160
Speaker 5: So we're asking, what's the dumbest thing you did to

933
00:39:53,280 --> 00:39:55,960
Speaker 5: make your axe or make your girl jealous or man jealous?

934
00:39:56,239 --> 00:39:59,200
Speaker 5: Shave it up, shay hey, heyling, what you did to

935
00:39:59,280 --> 00:40:01,520
Speaker 5: make your man jealou shad Well, he was a.

936
00:40:01,560 --> 00:40:04,120
Speaker 25: Lot younger, but I used to put on clothes and

937
00:40:04,280 --> 00:40:07,200
Speaker 25: dressed up to take pictures on Instagram, like I'm going

938
00:40:07,280 --> 00:40:08,760
Speaker 25: to the club so you can see.

939
00:40:10,160 --> 00:40:13,360
Speaker 1: Your ass. Never left the house, No, never, He should

940
00:40:13,360 --> 00:40:13,840
Speaker 1: have blocked you.

941
00:40:16,080 --> 00:40:18,480
Speaker 16: But we still get we're still together to day, so

942
00:40:19,160 --> 00:40:21,160
Speaker 16: I know that's right to work out.

943
00:40:22,160 --> 00:40:23,319
Speaker 1: What about to get back?

944
00:40:23,400 --> 00:40:23,520
Speaker 7: Though?

945
00:40:23,719 --> 00:40:25,239
Speaker 1: What if a guy were what if he had just

946
00:40:25,320 --> 00:40:27,360
Speaker 1: posted a woman's feet on his Instagram?

947
00:40:29,320 --> 00:40:33,160
Speaker 14: That's definitely going too far, and that definitely I bet.

948
00:40:33,120 --> 00:40:34,640
Speaker 1: You asked when you were going to the club you

949
00:40:34,800 --> 00:40:35,960
Speaker 1: got dressing with right this house?

950
00:40:36,680 --> 00:40:36,960
Speaker 17: I did.

951
00:40:37,120 --> 00:40:40,040
Speaker 15: I would have really posted somebody else my feet.

952
00:40:41,680 --> 00:40:47,040
Speaker 1: That's just how I go. Hello, who's this hey, Kelsey?

953
00:40:47,800 --> 00:40:50,160
Speaker 5: Now we're talking about things, stupid things you did to

954
00:40:50,239 --> 00:40:52,080
Speaker 5: try to make a man a woman jealous.

955
00:40:52,400 --> 00:40:56,920
Speaker 26: Okay, so that's date. Well, I date my best fans

956
00:40:57,040 --> 00:41:01,160
Speaker 26: cousin and we got into a bad argument.

957
00:41:01,160 --> 00:41:02,840
Speaker 14: We started talking for about two weeks.

958
00:41:03,080 --> 00:41:06,000
Speaker 26: And during that time I had got drunk, a little drunk,

959
00:41:06,360 --> 00:41:10,279
Speaker 26: and I ended up sleeping with my kids dad. So

960
00:41:10,880 --> 00:41:14,239
Speaker 26: my best friend knew my location and she told him

961
00:41:15,080 --> 00:41:19,440
Speaker 26: that she told the guy was dating that I was

962
00:41:19,480 --> 00:41:21,960
Speaker 26: at my kids bath those so he wanted to do

963
00:41:22,080 --> 00:41:24,359
Speaker 26: the same thing, but he ended up getting his baby

964
00:41:24,440 --> 00:41:25,200
Speaker 26: mom's pregnant.

965
00:41:25,440 --> 00:41:29,680
Speaker 1: Ooh, that's if the sad thing that that ain't always

966
00:41:29,760 --> 00:41:33,520
Speaker 1: save home. No it's not, but look tell it you.

967
00:41:33,920 --> 00:41:36,800
Speaker 1: So you really was never over your baby daddy or

968
00:41:36,840 --> 00:41:38,200
Speaker 1: were you to do something like that.

969
00:41:38,400 --> 00:41:42,319
Speaker 26: No, I saying, I really don't even like my baby dad.

970
00:41:42,360 --> 00:41:45,320
Speaker 26: He just happened to have my kids that night, and

971
00:41:46,320 --> 00:41:48,560
Speaker 26: when I came to get them, I was a little toochy,

972
00:41:48,719 --> 00:41:51,000
Speaker 26: so you know, he let me stay in his place,

973
00:41:51,160 --> 00:41:52,640
Speaker 26: and it just happened.

974
00:41:52,880 --> 00:41:55,680
Speaker 1: She wanted to get that familiar pad. I wonder what

975
00:41:55,800 --> 00:41:57,399
Speaker 1: makes you what makes you think a man gonna take

976
00:41:57,400 --> 00:41:59,640
Speaker 1: you back after something like that. Yes, he wanted to

977
00:41:59,640 --> 00:42:01,000
Speaker 1: go to sleep with his big mother, but he got

978
00:42:01,040 --> 00:42:06,719
Speaker 1: his mother pregnant. Damn, but he did it.

979
00:42:06,880 --> 00:42:09,399
Speaker 5: Ever, retaligation to what you did and your best friend

980
00:42:09,440 --> 00:42:11,799
Speaker 5: of clawm whause your your best friend definitely diamed you out.

981
00:42:12,160 --> 00:42:16,320
Speaker 3: But I'm just saying yeah, and she probably slept with

982
00:42:16,440 --> 00:42:23,399
Speaker 3: both of them. Oh my god, she slept with both

983
00:42:23,440 --> 00:42:23,880
Speaker 3: of your men.

984
00:42:24,200 --> 00:42:27,360
Speaker 1: Bet you hello, who's this.

985
00:42:34,680 --> 00:42:39,240
Speaker 16: You didn I was day Me and my foster was together,

986
00:42:39,360 --> 00:42:41,080
Speaker 16: and he wanted to be single for a little while,

987
00:42:41,680 --> 00:42:42,000
Speaker 16: So I.

988
00:42:42,080 --> 00:42:43,400
Speaker 7: Decided to date a toe worker.

989
00:42:43,800 --> 00:42:45,439
Speaker 1: You said you and your what? I said?

990
00:42:45,560 --> 00:42:47,439
Speaker 7: Me and my fast decided to take a break forward

991
00:42:47,440 --> 00:42:49,040
Speaker 7: a little while. But the first person that dated was

992
00:42:49,120 --> 00:42:50,960
Speaker 7: his coworker. He had to see him every day at work.

993
00:42:51,080 --> 00:42:53,719
Speaker 1: This is your husband. Yes, okay, so you and your

994
00:42:53,760 --> 00:42:56,400
Speaker 1: spouse slate too much? Then what now? Because I was

995
00:42:56,800 --> 00:42:58,960
Speaker 1: caught up in something he wanted.

996
00:42:59,120 --> 00:43:01,520
Speaker 7: He said he wanted to be single, so how allowed

997
00:43:01,600 --> 00:43:03,840
Speaker 7: to break? And the first person that dated was his

998
00:43:03,960 --> 00:43:07,040
Speaker 7: coworker and he knew he knew who the guy was,

999
00:43:07,239 --> 00:43:10,080
Speaker 7: so he went up dating the guy up being weird

1000
00:43:10,160 --> 00:43:11,239
Speaker 7: to the guy and he was like, why is he

1001
00:43:11,320 --> 00:43:11,719
Speaker 7: talking to me?

1002
00:43:11,760 --> 00:43:13,560
Speaker 4: If you know me he's talking, I'm like, I have

1003
00:43:13,680 --> 00:43:14,920
Speaker 4: no idea he's single.

1004
00:43:15,200 --> 00:43:15,920
Speaker 1: Why would you do that?

1005
00:43:16,000 --> 00:43:16,160
Speaker 7: Though?

1006
00:43:16,160 --> 00:43:19,440
Speaker 3: See, stuff like that is so foul because in my mind,

1007
00:43:19,800 --> 00:43:21,399
Speaker 3: you always wanted that co worker.

1008
00:43:21,840 --> 00:43:23,960
Speaker 1: He was always you always had eyes for that man.

1009
00:43:24,040 --> 00:43:26,960
Speaker 1: That ain't just start And at least he told you, well, no,

1010
00:43:27,080 --> 00:43:28,800
Speaker 1: he was just collateral damage.

1011
00:43:29,000 --> 00:43:30,640
Speaker 7: I just want him to show him that if you

1012
00:43:30,680 --> 00:43:32,120
Speaker 7: want to be single, I can be a single too,

1013
00:43:32,239 --> 00:43:32,760
Speaker 7: with someone.

1014
00:43:32,640 --> 00:43:36,120
Speaker 1: You know, No, with someone you know. That's the crazy part.

1015
00:43:36,200 --> 00:43:38,960
Speaker 5: And then he was honest. He told you I want

1016
00:43:39,000 --> 00:43:40,800
Speaker 5: to be single. He ain't go cheato. He told you

1017
00:43:41,000 --> 00:43:42,440
Speaker 5: I want to be single, and you went to go

1018
00:43:42,520 --> 00:43:43,440
Speaker 5: sleep with his coworker.

1019
00:43:43,760 --> 00:43:45,800
Speaker 1: Jesus, I didn't sleep with a coworker.

1020
00:43:45,840 --> 00:43:47,000
Speaker 7: I just went on a date with him.

1021
00:43:47,480 --> 00:43:49,880
Speaker 1: Nope, you slept with him, in my mind, slept with

1022
00:43:50,000 --> 00:43:52,560
Speaker 1: him after gave him all of that.

1023
00:43:53,600 --> 00:43:55,960
Speaker 3: No, we're stood together.

1024
00:43:56,280 --> 00:43:56,919
Speaker 7: We stood together.

1025
00:43:57,000 --> 00:43:59,719
Speaker 23: He got pissed and told me, tell him it's over.

1026
00:44:01,120 --> 00:44:03,799
Speaker 1: He still worked there. Yeah, they still see each other's

1027
00:44:04,920 --> 00:44:09,480
Speaker 1: we'll be fighting because I got if.

1028
00:44:09,520 --> 00:44:09,960
Speaker 17: I love you.

1029
00:44:10,480 --> 00:44:12,600
Speaker 1: We together. You told me nothing happened.

1030
00:44:12,960 --> 00:44:15,760
Speaker 6: Nothing happened, you my coworker.

1031
00:44:15,840 --> 00:44:16,279
Speaker 1: You know that's my.

1032
00:44:17,880 --> 00:44:20,120
Speaker 7: Cross the line. He slept with other people even though

1033
00:44:20,160 --> 00:44:21,959
Speaker 7: we were single. I feel like he crossed the line,

1034
00:44:22,520 --> 00:44:23,680
Speaker 7: and I did, and I think I did.

1035
00:44:23,800 --> 00:44:24,440
Speaker 2: Good s.

1036
00:44:24,640 --> 00:44:24,960
Speaker 1: There you go.

1037
00:44:25,440 --> 00:44:27,600
Speaker 21: You didn't You left those details though? Now what he

1038
00:44:27,920 --> 00:44:29,759
Speaker 21: But did he sleep with them before? He told you

1039
00:44:29,840 --> 00:44:30,720
Speaker 21: that he wanted to be single?

1040
00:44:30,920 --> 00:44:32,920
Speaker 7: You don't know he did it after?

1041
00:44:33,400 --> 00:44:34,280
Speaker 1: He did it after?

1042
00:44:34,480 --> 00:44:37,520
Speaker 7: But the thing you could just come back with no repercussions.

1043
00:44:37,560 --> 00:44:42,000
Speaker 1: Come on, I told you and you said, all right.

1044
00:44:42,640 --> 00:44:44,920
Speaker 16: But I didn't want to be single.

1045
00:44:45,440 --> 00:44:47,759
Speaker 7: I didn't want to be single. I just went with

1046
00:44:47,840 --> 00:44:49,200
Speaker 7: the program because I loved you.

1047
00:44:49,440 --> 00:44:52,640
Speaker 1: Say no, that's what you say? You say? No, WHOA Look,

1048
00:44:52,760 --> 00:44:54,440
Speaker 1: why did you get married? Why did you marry me?

1049
00:44:54,480 --> 00:44:55,920
Speaker 5: If you wanted to be single, we need to go

1050
00:44:56,040 --> 00:44:58,879
Speaker 5: through with a divorce, and you see how that go, girl.

1051
00:44:59,000 --> 00:45:02,240
Speaker 1: I But to be fair, both of y'all was single.

1052
00:45:02,760 --> 00:45:04,840
Speaker 1: So whatever y'all did when y'all was singing is what

1053
00:45:04,960 --> 00:45:07,680
Speaker 1: y'all did. But it's a different single, like really dating

1054
00:45:07,760 --> 00:45:10,440
Speaker 1: a homie, not really. Yes, she went on a date

1055
00:45:10,480 --> 00:45:12,160
Speaker 1: with the guy that he worked with. He slept with

1056
00:45:12,239 --> 00:45:17,440
Speaker 1: mad what you did?

1057
00:45:17,920 --> 00:45:20,920
Speaker 7: I went to your favorite spot and he saw it,

1058
00:45:21,040 --> 00:45:21,920
Speaker 7: so he was like whoa.

1059
00:45:22,280 --> 00:45:27,080
Speaker 1: Whoa, but he was too, That's what I'm saying. It's

1060
00:45:27,120 --> 00:45:27,720
Speaker 1: not men.

1061
00:45:27,880 --> 00:45:27,960
Speaker 20: Men.

1062
00:45:28,160 --> 00:45:30,440
Speaker 3: Men can't handle the get back. And she ain't even

1063
00:45:30,440 --> 00:45:32,960
Speaker 3: sleep with the guy they place. That's what she's telling us.

1064
00:45:33,440 --> 00:45:37,839
Speaker 3: Damn no, all right, what's the story after that last story?

1065
00:45:37,920 --> 00:45:40,920
Speaker 1: I don't know. Like the moral of the story is

1066
00:45:41,040 --> 00:45:41,759
Speaker 1: just communicate.

1067
00:45:42,520 --> 00:45:45,360
Speaker 5: Just communicate, yo, like trying to make somebody jealous and

1068
00:45:45,440 --> 00:45:48,200
Speaker 5: look and listen, you said D d G is a

1069
00:45:48,239 --> 00:45:51,759
Speaker 5: young guy. Obviously that don't matter the age because they

1070
00:45:51,840 --> 00:45:55,439
Speaker 5: ain't young. You know what I'm saying you age don't matter.

1071
00:45:55,880 --> 00:45:59,359
Speaker 5: Just communicate, yo, and be honest. You're going out your

1072
00:45:59,400 --> 00:46:01,640
Speaker 5: way to hurt you so trying to hurt something thinking

1073
00:46:01,680 --> 00:46:03,759
Speaker 5: you hurting somebody else and it don't affect nobody.

1074
00:46:03,520 --> 00:46:06,080
Speaker 1: But you crazy, all right, well we got just with

1075
00:46:06,120 --> 00:46:08,680
Speaker 1: the mess coming up? What were talking about? Yes we do, dammit.

1076
00:46:09,080 --> 00:46:11,880
Speaker 1: Azalea Banks is reading people fulfilled again here we are

1077
00:46:12,120 --> 00:46:13,799
Speaker 1: all right, We'll get to that next. It's the Breakfast Club.

1078
00:46:13,840 --> 00:46:16,600
Speaker 1: Come morning, Good morning, everybody. We are the Breakfast Club.

1079
00:46:16,719 --> 00:46:20,600
Speaker 1: Let's get right to Jess with the message Lents just

1080
00:46:20,719 --> 00:46:23,160
Speaker 1: carrobbing Moore, just don't do no lines, don't.

1081
00:46:23,000 --> 00:46:30,839
Speaker 17: Don't nobody talk the world why jest worldwide mess talk

1082
00:46:32,040 --> 00:46:33,000
Speaker 17: on the Breakfast Club.

1083
00:46:33,080 --> 00:46:33,879
Speaker 1: She's the coaches ship.

1084
00:46:34,320 --> 00:46:36,920
Speaker 18: She was able to get y'all to see something and

1085
00:46:37,120 --> 00:46:38,440
Speaker 18: understand something that.

1086
00:46:38,600 --> 00:46:40,640
Speaker 6: Nobody could get you to see that time to set

1087
00:46:40,680 --> 00:46:41,040
Speaker 6: it off.

1088
00:46:42,239 --> 00:46:45,800
Speaker 5: So Tyler the Creator responds to Azalia Banks saying he

1089
00:46:46,120 --> 00:46:49,800
Speaker 5: and Little Na's ex should get over white bussy and

1090
00:46:50,000 --> 00:46:51,160
Speaker 5: be a power couple.

1091
00:46:52,080 --> 00:46:54,080
Speaker 1: We know every now and then Azelia come out, she

1092
00:46:54,200 --> 00:46:56,839
Speaker 1: say up pusy. She goes back wherever she be at.

1093
00:46:57,320 --> 00:47:00,600
Speaker 5: But she recently made a post saying, hang that taler

1094
00:47:00,640 --> 00:47:02,719
Speaker 5: to creating Little Na's just stop dating white men and

1095
00:47:02,840 --> 00:47:03,440
Speaker 5: date each other.

1096
00:47:03,600 --> 00:47:04,359
Speaker 1: That's what that meant.

1097
00:47:04,760 --> 00:47:08,360
Speaker 5: This post came after Tyler was on the Gerard Carmichael

1098
00:47:08,400 --> 00:47:11,279
Speaker 5: Show and Gerard had expressed having deep feelings for him,

1099
00:47:11,320 --> 00:47:11,640
Speaker 5: I did not.

1100
00:47:11,760 --> 00:47:15,799
Speaker 1: See that, but you see that. No, I think they're

1101
00:47:15,800 --> 00:47:17,520
Speaker 1: best friends. And he said that, you know, he's going

1102
00:47:17,640 --> 00:47:20,040
Speaker 1: to be in a relationship. And what did Tyler say?

1103
00:47:20,320 --> 00:47:24,600
Speaker 1: He laughed? Damn, it was something disrespectful because Jesus great,

1104
00:47:24,800 --> 00:47:25,600
Speaker 1: he didn't take serious.

1105
00:47:26,239 --> 00:47:29,359
Speaker 3: What if they both bottom little Tyler creating, then may

1106
00:47:29,440 --> 00:47:30,439
Speaker 3: be a power bottom couple.

1107
00:47:30,960 --> 00:47:31,359
Speaker 1: Mm hmm.

1108
00:47:31,960 --> 00:47:33,560
Speaker 5: I don't know. I mean, I don't know how that

1109
00:47:33,560 --> 00:47:36,080
Speaker 5: works because I'm not in that community. I don't know,

1110
00:47:36,120 --> 00:47:37,320
Speaker 5: and I'm not a man, so I don't know.

1111
00:47:38,200 --> 00:47:40,239
Speaker 1: You would know more about taps and bottoms of me.

1112
00:47:40,719 --> 00:47:42,800
Speaker 5: I'm thinking about clothes when people say tap some bodies

1113
00:47:43,239 --> 00:47:47,839
Speaker 5: shirt and some gens. Okay, but no, So Tyler had

1114
00:47:47,880 --> 00:47:50,080
Speaker 5: saw this and he said, what the hell like he

1115
00:47:50,239 --> 00:47:52,120
Speaker 5: laughed and it was like, you know, he just took

1116
00:47:52,120 --> 00:47:52,600
Speaker 5: it as a joke.

1117
00:47:53,480 --> 00:47:56,680
Speaker 1: Yeah it is. And Little Nas responded and said that

1118
00:47:57,000 --> 00:47:57,560
Speaker 1: she is right.

1119
00:47:57,760 --> 00:48:02,600
Speaker 5: Me and Tyler should f Oh we know how Lornosa

1120
00:48:02,640 --> 00:48:06,239
Speaker 5: is street straight shoot down technically, you know, literally.

1121
00:48:05,960 --> 00:48:11,960
Speaker 1: He is his white bussy sound hilarious, little pink bussy busy.

1122
00:48:12,360 --> 00:48:15,560
Speaker 1: Get massive meat out of your hey and get to

1123
00:48:15,680 --> 00:48:19,480
Speaker 1: your own is what she's saying. That exactly. That's exactly

1124
00:48:19,560 --> 00:48:21,000
Speaker 1: what she's saying. We know it's elliot.

1125
00:48:21,320 --> 00:48:24,239
Speaker 5: And she also said had some things to say about

1126
00:48:24,280 --> 00:48:27,000
Speaker 5: Dochie Vadochi clap back at her for saying that Doci

1127
00:48:27,120 --> 00:48:30,680
Speaker 5: is an ugly version of her. She was recently on

1128
00:48:30,840 --> 00:48:33,200
Speaker 5: Instagram and she posted some audio and she called Dochi,

1129
00:48:33,280 --> 00:48:35,120
Speaker 5: I want to be an ugly version of her with

1130
00:48:35,320 --> 00:48:35,960
Speaker 5: this anger for.

1131
00:48:36,080 --> 00:48:38,960
Speaker 27: So long, and they find this kind of like ugly

1132
00:48:39,120 --> 00:48:42,720
Speaker 27: version of Well, she's not even a version, She's just ugly.

1133
00:48:43,320 --> 00:48:45,680
Speaker 27: And I hate to call dark skinned girl ugly because

1134
00:48:46,160 --> 00:48:48,000
Speaker 27: she just is ugly if she'd be ugly if she

1135
00:48:48,080 --> 00:48:50,600
Speaker 27: were light skin. I find this ugly girl and they

1136
00:48:50,680 --> 00:48:53,640
Speaker 27: try to stick her on his zealing brigs. I'm listening

1137
00:48:53,960 --> 00:48:59,520
Speaker 27: to men basically tell me that they are too afraid

1138
00:49:00,120 --> 00:49:04,040
Speaker 27: to with the zili bangs, so they need me to

1139
00:49:04,200 --> 00:49:05,719
Speaker 27: go fight for them.

1140
00:49:07,000 --> 00:49:07,239
Speaker 1: Huh.

1141
00:49:10,640 --> 00:49:14,080
Speaker 5: But she's basically saying like like do she was sent

1142
00:49:14,400 --> 00:49:16,799
Speaker 5: to like take her place, like.

1143
00:49:17,239 --> 00:49:22,319
Speaker 1: Don't you fire? Don't you about the pen, her choreography,

1144
00:49:22,440 --> 00:49:24,719
Speaker 1: her meets her work. I love her. I've been on

1145
00:49:24,880 --> 00:49:25,840
Speaker 1: for a few years now, and.

1146
00:49:25,880 --> 00:49:28,239
Speaker 3: I love how TD rolls out artists because they just

1147
00:49:28,360 --> 00:49:30,919
Speaker 3: take their time like I was literally talking to somebody

1148
00:49:31,000 --> 00:49:33,640
Speaker 3: yesterday about artist development and the lack thereof. Did he

1149
00:49:33,840 --> 00:49:36,319
Speaker 3: is a label that still does artist development, and that's

1150
00:49:36,360 --> 00:49:39,040
Speaker 3: why when you finally start to notice somebody like, don't

1151
00:49:39,040 --> 00:49:41,040
Speaker 3: you think she just had a number one record? Right

1152
00:49:41,280 --> 00:49:44,160
Speaker 3: when you finally start to notice her, she's almost ready.

1153
00:49:44,280 --> 00:49:46,040
Speaker 3: She's ready, But she've been out for some years.

1154
00:49:46,160 --> 00:49:46,920
Speaker 1: For some years now.

1155
00:49:47,280 --> 00:49:49,520
Speaker 5: But I love I love her music from old to new,

1156
00:49:50,480 --> 00:49:52,520
Speaker 5: don't she clap back, saying, for the first time you,

1157
00:49:52,920 --> 00:49:54,759
Speaker 5: the first time you came to me, I let a

1158
00:49:54,840 --> 00:49:57,560
Speaker 5: slide out of respect for my elders. It's my fault you.

1159
00:49:57,960 --> 00:50:01,080
Speaker 5: It's not my fault. You're selling bussy so and I'm

1160
00:50:01,160 --> 00:50:04,359
Speaker 5: selling platinum markets. Leave me alone, please so. Dave beef

1161
00:50:04,440 --> 00:50:07,280
Speaker 5: supposedly started in twenty twenty two when Azalea Banks agreed

1162
00:50:07,280 --> 00:50:10,480
Speaker 5: to do a collaboration with DOCI, and then Azalia randomly

1163
00:50:10,560 --> 00:50:14,400
Speaker 5: went on Twitter and began trash talking DOCI and the

1164
00:50:14,480 --> 00:50:17,680
Speaker 5: release of her song and the label TD. Speaking of them,

1165
00:50:18,239 --> 00:50:20,919
Speaker 5: Azalia Bank said, TDE is going out f and said,

1166
00:50:21,000 --> 00:50:23,160
Speaker 5: what the f is even happening with CDE? And she

1167
00:50:23,280 --> 00:50:26,560
Speaker 5: also said you have this f and DOCI chick, who

1168
00:50:26,719 --> 00:50:29,080
Speaker 5: is no who I have no f and clue who

1169
00:50:29,120 --> 00:50:32,000
Speaker 5: she is. And at that time, Doci went on Twitter

1170
00:50:32,200 --> 00:50:35,000
Speaker 5: expressed her confusion at what the issue was about, and

1171
00:50:35,440 --> 00:50:38,680
Speaker 5: she basically was just like, this is so much grace.

1172
00:50:38,880 --> 00:50:42,279
Speaker 5: She said, I'm not sure. Sometimes people have been hurt

1173
00:50:42,360 --> 00:50:45,000
Speaker 5: so many times they developed When people have been hurt

1174
00:50:45,040 --> 00:50:47,400
Speaker 5: so many times, they develop a defense and they end

1175
00:50:47,480 --> 00:50:50,840
Speaker 5: up creating the illusion of problems because they won't allow

1176
00:50:50,920 --> 00:50:55,920
Speaker 5: themselves themselves to accept something good trauma responses.

1177
00:50:56,000 --> 00:50:58,759
Speaker 1: I was respectful, excited, and grateful to make art with her.

1178
00:50:59,440 --> 00:51:01,920
Speaker 3: You know what I got all of that is Jellia

1179
00:51:01,960 --> 00:51:04,200
Speaker 3: Banks and selling bussy Boy soap, And I just googled

1180
00:51:04,239 --> 00:51:06,280
Speaker 3: it and I'm about to order two bars just because

1181
00:51:06,360 --> 00:51:07,239
Speaker 3: this is hilarious.

1182
00:51:07,880 --> 00:51:08,560
Speaker 1: Bussy Boy.

1183
00:51:09,040 --> 00:51:11,920
Speaker 3: It says make that bussy being boy helps with irritation

1184
00:51:12,080 --> 00:51:15,839
Speaker 3: due to friction from rough anal sex, stubborn hemorrhoids, jock itch,

1185
00:51:15,920 --> 00:51:20,520
Speaker 3: and bacteria overload. And you're gonna about hilarious. I'm absolutely

1186
00:51:20,560 --> 00:51:21,200
Speaker 3: I'm supporting.

1187
00:51:22,880 --> 00:51:25,560
Speaker 1: That's so cute. I had no idea. I just when

1188
00:51:25,600 --> 00:51:27,919
Speaker 1: you read that about uh, don't you saying she's selling

1189
00:51:27,960 --> 00:51:31,200
Speaker 1: bussy boys? So I googled it. Yes, I'm buying something

1190
00:51:31,320 --> 00:51:33,880
Speaker 1: right now, it's gonna be up in this studio. How

1191
00:51:33,960 --> 00:51:34,839
Speaker 1: much is the bussy boy?

1192
00:51:34,920 --> 00:51:35,560
Speaker 6: Seven dollars?

1193
00:51:37,160 --> 00:51:42,719
Speaker 1: Seven dollars? Get on your laptop, you get on your

1194
00:51:42,800 --> 00:51:49,200
Speaker 1: left your audio for the next story or no? Okay,

1195
00:51:49,239 --> 00:51:49,799
Speaker 1: all right? Cool.

1196
00:51:49,840 --> 00:51:54,120
Speaker 5: So woman goes through intense chemo after terminal diagnosis only

1197
00:51:54,200 --> 00:51:56,200
Speaker 5: to find out she never had cancer at all.

1198
00:51:56,400 --> 00:51:58,600
Speaker 1: What yep, so I share it.

1199
00:51:58,719 --> 00:52:03,840
Speaker 24: I was diagnosed with cancer. I was given about fifteen

1200
00:52:03,920 --> 00:52:09,160
Speaker 24: months to live. If we were being optimistic, I had

1201
00:52:09,280 --> 00:52:14,040
Speaker 24: to prepare my two children and my husband and my family.

1202
00:52:14,880 --> 00:52:18,120
Speaker 24: Then I probably wouldn't be her this year. I had

1203
00:52:18,160 --> 00:52:23,520
Speaker 24: to undergo very intensive chemotherapy. Overall, had a pretty traumatic year.

1204
00:52:23,880 --> 00:52:25,800
Speaker 24: What kind of cancer do you think I had? And

1205
00:52:25,920 --> 00:52:30,480
Speaker 24: he guessays none. I never had cancer. Oops, So that

1206
00:52:30,680 --> 00:52:34,680
Speaker 24: was fun. They misdiagnosed me and put me through chemotherapy.

1207
00:52:35,960 --> 00:52:38,000
Speaker 5: Yep, she's thirty nine. She initially went to the hospital

1208
00:52:38,040 --> 00:52:40,400
Speaker 5: when twenty twenty two for stomach pains that she suspected

1209
00:52:40,480 --> 00:52:42,840
Speaker 5: were related to kidney stones, and they told her that

1210
00:52:42,960 --> 00:52:45,080
Speaker 5: she had cancer. And then how about when she tell

1211
00:52:45,520 --> 00:52:48,360
Speaker 5: her doctor like yo, whole time, might had cancer, he

1212
00:52:48,480 --> 00:52:50,440
Speaker 5: congratulated her instead of staying sorry.

1213
00:52:50,480 --> 00:52:52,920
Speaker 1: He was like, Oh, that's amazing. Then eh, like what

1214
00:52:53,160 --> 00:52:54,000
Speaker 1: you told me, I did.

1215
00:52:54,960 --> 00:52:56,839
Speaker 5: And this goes back to what she was at like well,

1216
00:52:57,160 --> 00:52:58,960
Speaker 5: like the Holly Burry thing when she went to the

1217
00:52:59,000 --> 00:53:01,120
Speaker 5: doctor and he told her that she herpies. She had

1218
00:53:01,200 --> 00:53:05,879
Speaker 5: herpes when she described her symptoms to him and he said,

1219
00:53:05,880 --> 00:53:07,200
Speaker 5: this is the worst case he's ever seen.

1220
00:53:07,280 --> 00:53:09,360
Speaker 1: And remember he was like, you can't sue for that,

1221
00:53:10,160 --> 00:53:12,480
Speaker 1: Like I really really want you to be Yeah, but

1222
00:53:12,800 --> 00:53:15,839
Speaker 1: none of these cases say that they're suing. It's weird.

1223
00:53:15,960 --> 00:53:16,680
Speaker 1: I hope she does.

1224
00:53:16,719 --> 00:53:18,440
Speaker 5: I hope she does because to go through you're how

1225
00:53:18,480 --> 00:53:21,080
Speaker 5: expensive that it is, these chemo treatments and all that,

1226
00:53:21,160 --> 00:53:23,880
Speaker 5: even though insurance may have covered I never had it.

1227
00:53:24,120 --> 00:53:27,399
Speaker 1: What about fifteen months that she only had fifteen months

1228
00:53:27,440 --> 00:53:27,719
Speaker 1: to live?

1229
00:53:28,120 --> 00:53:31,839
Speaker 5: Yeah, that's crazy. So I guess we can keep up

1230
00:53:31,840 --> 00:53:34,960
Speaker 5: with that story. But that was that was that was wrong,

1231
00:53:35,800 --> 00:53:38,880
Speaker 5: and that I said, Oh, that's good, and that's what's up.

1232
00:53:39,200 --> 00:53:42,040
Speaker 1: That's crazy. Wow. So that's just the mess for that hour.

1233
00:53:42,480 --> 00:53:45,239
Speaker 3: I need somebody to help me navigate through this. Because

1234
00:53:45,239 --> 00:53:48,200
Speaker 3: they got boy they got boy Berry Blue Georgia peat.

1235
00:53:48,280 --> 00:53:51,120
Speaker 3: Since this is so funny except for that glaze doing

1236
00:53:51,200 --> 00:53:55,640
Speaker 3: that whole effect. You said, this is hilarious. Ohlia Banks

1237
00:53:55,719 --> 00:53:56,279
Speaker 3: is really funny.

1238
00:53:56,560 --> 00:53:57,120
Speaker 11: You know she is.

1239
00:53:57,360 --> 00:54:00,320
Speaker 1: And she's talented too. It got something called who she do?

1240
00:54:02,680 --> 00:54:07,759
Speaker 1: E w, oh my god, who she did? It won't

1241
00:54:07,800 --> 00:54:09,680
Speaker 1: let me order, though, I said, don't want to. You

1242
00:54:09,719 --> 00:54:13,799
Speaker 1: don't have a bussy. You don't know what he has

1243
00:54:13,840 --> 00:54:16,800
Speaker 1: and what he identifies as. I definitely got a busy.

1244
00:54:16,920 --> 00:54:20,600
Speaker 1: This ain't ever been turned into one. O. Your busy

1245
00:54:20,600 --> 00:54:26,920
Speaker 1: ain't activated. Hey, yeah, I don't got time. We get

1246
00:54:27,480 --> 00:54:29,640
Speaker 1: we're giving that bussy to before after the hour.

1247
00:54:30,239 --> 00:54:32,600
Speaker 3: We need a Southfield Michigan man named Aaron Brown to

1248
00:54:32,640 --> 00:54:34,560
Speaker 3: come to the front of the congregation. I keep telling

1249
00:54:34,560 --> 00:54:36,520
Speaker 3: you all these fat food restaurants ain't dying for you.

1250
00:54:36,600 --> 00:54:39,399
Speaker 1: We'll discuss dunkeny days up next to the breakfast local morning.

1251
00:54:39,800 --> 00:54:45,680
Speaker 1: You're checking out the breakfast club. Che some donkey days.

1252
00:54:45,719 --> 00:54:51,160
Speaker 1: Just sudden, Charlotte Man, I was ready for day. I

1253
00:54:51,400 --> 00:54:58,480
Speaker 1: heard the donkey again, Charlam, I'm a donkey, you are,

1254
00:55:02,400 --> 00:55:03,160
Speaker 1: Charlotte mane.

1255
00:55:03,680 --> 00:55:07,719
Speaker 3: True, yes, donkey today for Wednesday, April tenth goes to

1256
00:55:07,760 --> 00:55:11,160
Speaker 3: a thirty two year old Southfield, Michigan man named Aaron Brown.

1257
00:55:11,239 --> 00:55:12,200
Speaker 1: Salute to Detroit.

1258
00:55:12,440 --> 00:55:15,400
Speaker 3: What up though, dropping the clues bombs for everybody who

1259
00:55:15,480 --> 00:55:19,359
Speaker 3: listens to us on ninety seven point nine WJLB, what's

1260
00:55:19,480 --> 00:55:22,160
Speaker 3: happening now. One of the things we don't discuss enough

1261
00:55:22,239 --> 00:55:25,440
Speaker 3: in our society is portions. Okay, we speak about portions

1262
00:55:25,480 --> 00:55:27,760
Speaker 3: when it comes to people. Saluted the Big Back Brigade,

1263
00:55:27,960 --> 00:55:29,720
Speaker 3: dropping the clues bombs for the Big Back Brigade.

1264
00:55:29,760 --> 00:55:32,239
Speaker 1: You are appreciated if you're listening to me right now.

1265
00:55:32,360 --> 00:55:34,440
Speaker 3: I pray your back gets on big before the summer,

1266
00:55:34,960 --> 00:55:38,000
Speaker 3: and I pray your belly disappears real soon, now mistake.

1267
00:55:38,520 --> 00:55:41,200
Speaker 3: We also don't talk enough about fast food restaurants being

1268
00:55:41,239 --> 00:55:42,360
Speaker 3: stingy with the condiments.

1269
00:55:42,360 --> 00:55:42,600
Speaker 1: Okay.

1270
00:55:42,640 --> 00:55:45,120
Speaker 3: See, we talk about portions when it comes to people openly,

1271
00:55:45,360 --> 00:55:47,960
Speaker 3: but don't discuss portions when it comes to food openly.

1272
00:55:48,160 --> 00:55:50,680
Speaker 3: And we don't discuss fast food restaurants being stingy with

1273
00:55:50,760 --> 00:55:54,439
Speaker 3: the condiments openly as much as we should. We tend

1274
00:55:54,480 --> 00:55:57,160
Speaker 3: to complain in the moment to ourselves or whoever we

1275
00:55:57,239 --> 00:55:58,960
Speaker 3: are with, but we don't trip too hard because unless

1276
00:55:59,040 --> 00:56:00,879
Speaker 3: you done left the restaurant, you can pretty much get

1277
00:56:00,920 --> 00:56:02,799
Speaker 3: more of what you want to regard the condiments. Okay,

1278
00:56:02,800 --> 00:56:04,360
Speaker 3: when it comes to food, it kind of is what

1279
00:56:04,480 --> 00:56:05,840
Speaker 3: it is. You have to take what they give you

1280
00:56:05,920 --> 00:56:07,719
Speaker 3: pretty much. But if you want more Ketchup, you can

1281
00:56:07,800 --> 00:56:09,520
Speaker 3: get more ketchup. If you had Chick fil A and

1282
00:56:09,640 --> 00:56:12,160
Speaker 3: want more polygamy sauce, you can get more polygamy sauce.

1283
00:56:12,200 --> 00:56:14,080
Speaker 3: When you at Chipotle and you want more guac, you

1284
00:56:14,120 --> 00:56:16,719
Speaker 3: can get more guac if you ask for it and

1285
00:56:16,920 --> 00:56:19,359
Speaker 3: you pay for it. Well, Aaron Brown apparently didn't get

1286
00:56:19,400 --> 00:56:21,840
Speaker 3: that memo, because Aaron Brown got into an argument with

1287
00:56:21,920 --> 00:56:25,280
Speaker 3: a store employee over a portion of guacaboli.

1288
00:56:24,640 --> 00:56:27,000
Speaker 1: That was not his liking. And this happened. Let's go

1289
00:56:27,000 --> 00:56:28,400
Speaker 1: to Fox Through Detroit for the report.

1290
00:56:28,200 --> 00:56:35,040
Speaker 28: Police chaos at Chipotle. A customer shoots an employee. Witnesses

1291
00:56:35,120 --> 00:56:37,920
Speaker 28: say it all started out as an argument over food.

1292
00:56:38,520 --> 00:56:41,840
Speaker 28: A source close to the investigation says it was specifically

1293
00:56:42,000 --> 00:56:43,120
Speaker 28: over guacamole.

1294
00:56:43,480 --> 00:56:45,480
Speaker 5: I was just eating a bowl and I heard shouting

1295
00:56:46,239 --> 00:56:49,000
Speaker 5: and then I look over they're arguing and they started fighting,

1296
00:56:49,840 --> 00:56:51,799
Speaker 5: and then we heard a gunshoine and just ran out

1297
00:56:51,800 --> 00:56:52,480
Speaker 5: as quick as you could.

1298
00:56:52,640 --> 00:56:55,440
Speaker 28: The employee, a twenty one year old man, shot in

1299
00:56:55,560 --> 00:56:57,440
Speaker 28: the leg but expected to survive.

1300
00:56:58,120 --> 00:57:00,319
Speaker 1: Meanwhile, the suspect, it's.

1301
00:57:00,239 --> 00:57:02,120
Speaker 17: Time getting out, so him just walk out to his car,

1302
00:57:02,960 --> 00:57:04,719
Speaker 17: close the door and just drive off like he didn't.

1303
00:57:04,760 --> 00:57:07,000
Speaker 1: He didn't speed off or anything. It was weird to see.

1304
00:57:07,000 --> 00:57:09,320
Speaker 28: Police arrested the thirty two year old man in a

1305
00:57:09,480 --> 00:57:12,080
Speaker 28: parking lot not far away now.

1306
00:57:12,120 --> 00:57:14,240
Speaker 29: Of course they closed the doors as soon as police

1307
00:57:14,280 --> 00:57:17,120
Speaker 29: got there. Once nine when one was called, the scene

1308
00:57:17,200 --> 00:57:19,840
Speaker 29: was secured. Meanwhile, no word on whether or not the

1309
00:57:19,920 --> 00:57:22,280
Speaker 29: guy took his food on his way out.

1310
00:57:24,720 --> 00:57:26,600
Speaker 1: No word and not on whether not the guy took

1311
00:57:26,680 --> 00:57:27,640
Speaker 1: his food on the way out.

1312
00:57:27,880 --> 00:57:31,080
Speaker 3: That was your word about Aaron Brown shot a twenty

1313
00:57:31,120 --> 00:57:33,880
Speaker 3: one year old Chipotle employer because his portion of guaqu

1314
00:57:34,120 --> 00:57:36,960
Speaker 3: was not his liking. Listen to all fast food workers,

1315
00:57:37,080 --> 00:57:39,400
Speaker 3: retail workers, this is your uncle Shallott talking.

1316
00:57:39,440 --> 00:57:40,360
Speaker 1: I've told you this before.

1317
00:57:40,560 --> 00:57:42,920
Speaker 3: If you're working at a fast food restaurant and a

1318
00:57:43,040 --> 00:57:45,480
Speaker 3: man comes behind the county and starts fixing his own food,

1319
00:57:45,680 --> 00:57:47,400
Speaker 3: just calmly walk to the back and called.

1320
00:57:47,280 --> 00:57:48,240
Speaker 1: The proper authorities.

1321
00:57:48,560 --> 00:57:50,640
Speaker 3: Okay, there is absolutely zero reason for you to be

1322
00:57:50,720 --> 00:57:53,000
Speaker 3: getting beat down over a Dan burrito bowl.

1323
00:57:53,080 --> 00:57:53,960
Speaker 1: Let that man have that.

1324
00:57:54,080 --> 00:57:57,160
Speaker 3: Chipotle ain't dying for you, Chipotle ain't paying for your funeral,

1325
00:57:57,320 --> 00:57:59,320
Speaker 3: ain't not taking care of your hospital bills. By the way,

1326
00:57:59,520 --> 00:58:02,040
Speaker 3: I don't care if you own the franchise. Clearly, if

1327
00:58:02,120 --> 00:58:05,320
Speaker 3: this man, okay, it's complaining about guacamole and then comes

1328
00:58:05,320 --> 00:58:07,480
Speaker 3: from behind the counter to fix his old food, then

1329
00:58:07,640 --> 00:58:09,840
Speaker 3: he knows something you don't. And in this case, he

1330
00:58:09,960 --> 00:58:11,960
Speaker 3: knows he got a pistol and a lot of pain.

1331
00:58:12,000 --> 00:58:14,240
Speaker 3: He's ready to project on anyone who gets in his way.

1332
00:58:14,440 --> 00:58:16,840
Speaker 3: And that's what happened here. Every day of our life,

1333
00:58:17,040 --> 00:58:19,040
Speaker 3: when we leave the house, all we hope to do

1334
00:58:19,200 --> 00:58:20,280
Speaker 3: is avoid the crazy.

1335
00:58:20,560 --> 00:58:22,840
Speaker 1: So when you see the crazy, you should just avoid

1336
00:58:22,880 --> 00:58:23,800
Speaker 1: the crazy, all right.

1337
00:58:23,960 --> 00:58:27,760
Speaker 3: This man hasn't gotten what he wanted out of life, ever,

1338
00:58:28,520 --> 00:58:31,520
Speaker 3: This man has not received enough from society, not enough love,

1339
00:58:31,640 --> 00:58:34,200
Speaker 3: not enough mental health care, and not enough success. And

1340
00:58:34,400 --> 00:58:37,640
Speaker 3: now you don't want to give him enough guacamole, and

1341
00:58:37,760 --> 00:58:39,600
Speaker 3: got the nerve to try to stop him when he

1342
00:58:39,720 --> 00:58:41,880
Speaker 3: comes from comes behind the counter when he's making his

1343
00:58:41,960 --> 00:58:44,560
Speaker 3: own just to make his own tacos. Now you got

1344
00:58:44,680 --> 00:58:46,720
Speaker 3: choke slammed, because he choke slammed the guy before he

1345
00:58:46,760 --> 00:58:48,720
Speaker 3: shot him. Now you got choke slam The way to

1346
00:58:48,800 --> 00:58:50,960
Speaker 3: undertake a choke slam. The rocket wrestle Mania, the other

1347
00:58:51,080 --> 00:58:54,760
Speaker 3: night and you got shot sh You know, here at

1348
00:58:54,760 --> 00:58:56,760
Speaker 3: the Breakfast Club, we have one of our former interns

1349
00:58:56,760 --> 00:58:59,120
Speaker 3: who has risen up the ranks in this business. You

1350
00:58:59,160 --> 00:59:01,400
Speaker 3: see him on TV on wild'n Out. You probably have

1351
00:59:01,480 --> 00:59:03,560
Speaker 3: seen it, stand up and he works here at the

1352
00:59:03,600 --> 00:59:06,240
Speaker 3: Breakfast Club. He's the president of the Fat Lives Matter Committee,

1353
00:59:06,400 --> 00:59:07,960
Speaker 3: command of the Big Back Brigade.

1354
00:59:08,040 --> 00:59:09,200
Speaker 1: Big Mac is here here.

1355
00:59:09,960 --> 00:59:11,720
Speaker 3: Big Mac was talking to me, and he has a

1356
00:59:12,760 --> 00:59:15,919
Speaker 3: perspective of this situation. I've heard him complain about portion

1357
00:59:16,040 --> 00:59:17,960
Speaker 3: sizes and folks being stingy with the condiments.

1358
00:59:18,120 --> 00:59:20,240
Speaker 1: Big Mac, the floor is yours. Yeah, this is just

1359
00:59:20,520 --> 00:59:21,240
Speaker 1: to let everybody know.

1360
00:59:21,360 --> 00:59:24,120
Speaker 30: This is a warning, and this is a PSA to

1361
00:59:24,200 --> 00:59:27,720
Speaker 30: let y'all know that the big backs are biting back. Okay,

1362
00:59:28,640 --> 00:59:32,120
Speaker 30: y'all keep holding off on all these condiments and napkins

1363
00:59:32,240 --> 00:59:34,000
Speaker 30: and and listen, we tired of it.

1364
00:59:35,120 --> 00:59:37,520
Speaker 1: One catch up, one barbecue sauce for a ten piece.

1365
00:59:37,560 --> 00:59:39,680
Speaker 1: It's not enough. We're tired of that. Y'all.

1366
00:59:40,240 --> 00:59:43,040
Speaker 30: Go ahead, try not filling up the fries to the top.

1367
00:59:43,720 --> 00:59:45,280
Speaker 30: You gotta fill up the fries so enough where there's

1368
00:59:45,280 --> 00:59:47,120
Speaker 30: some in the bag. Bag fries is the best if

1369
00:59:47,160 --> 00:59:49,320
Speaker 30: if I don't get bag fries. Oh yeah, now it

1370
00:59:49,400 --> 00:59:52,720
Speaker 30: might be a problem. Dare you, I dare you to

1371
00:59:52,760 --> 00:59:54,080
Speaker 30: tell me the ice machine is broken?

1372
00:59:54,640 --> 00:59:58,680
Speaker 1: Still? Okay, cool, We big bags are biting back. That's

1373
00:59:58,720 --> 00:59:59,040
Speaker 1: what we do.

1374
00:59:59,160 --> 01:00:02,880
Speaker 30: And look, Jamaica restaurants ox tails, we want them drowned

1375
01:00:02,960 --> 01:00:05,720
Speaker 30: in the gravy. We don't have to ask for extra bravery,

1376
01:00:05,720 --> 01:00:08,280
Speaker 30: you know we want We don't want no ashy oxtails.

1377
01:00:08,920 --> 01:00:10,320
Speaker 1: We want to drown in it.

1378
01:00:11,480 --> 01:00:15,200
Speaker 3: Everything that Max you said, please give Aaron Please let

1379
01:00:15,240 --> 01:00:16,840
Speaker 3: me give Aaron Brown the biggest.

1380
01:00:16,600 --> 01:00:22,120
Speaker 1: He hopeless hee haw, stupid mother? Are you dumb? Right?

1381
01:00:22,400 --> 01:00:26,800
Speaker 3: Big back attack? Damn right, big backs fight back right,

1382
01:00:28,440 --> 01:00:29,480
Speaker 3: don't use your shirt.

1383
01:00:30,720 --> 01:00:33,320
Speaker 1: Because the shirt got all together. That's just extra you

1384
01:00:33,400 --> 01:00:35,680
Speaker 1: know what I mean, the napkins for your face. Max

1385
01:00:35,720 --> 01:00:41,880
Speaker 1: saying he wants portions as big as his back. What

1386
01:00:42,000 --> 01:00:49,680
Speaker 1: he said, damn it in trouble all right, Well, when

1387
01:00:49,680 --> 01:00:51,800
Speaker 1: we come back, we got a special guest joining us, Yes,

1388
01:00:51,920 --> 01:00:52,960
Speaker 1: Alice Randall Man.

1389
01:00:53,160 --> 01:00:55,160
Speaker 3: She has a new book out called My Black Country,

1390
01:00:55,360 --> 01:00:58,280
Speaker 3: a Journey through Country Music's Black Past President Future. Alice

1391
01:00:58,360 --> 01:01:01,640
Speaker 3: Randall is the first black woman to write a number

1392
01:01:01,720 --> 01:01:04,720
Speaker 3: one country song. She wrote x x x ols olds

1393
01:01:04,920 --> 01:01:05,920
Speaker 3: Patricia Yearwood.

1394
01:01:06,000 --> 01:01:06,640
Speaker 1: How does that song go?

1395
01:01:06,800 --> 01:01:09,640
Speaker 31: You know, no, I don't want her book and what

1396
01:01:09,800 --> 01:01:20,480
Speaker 31: I said, Noxy, y'all just.

1397
01:01:20,480 --> 01:01:22,640
Speaker 1: Stop me now, y'all, well, you know what. That's the

1398
01:01:22,680 --> 01:01:23,000
Speaker 1: first time.

1399
01:01:23,800 --> 01:01:25,840
Speaker 3: But Alice Randall be here to discuss her new book,

1400
01:01:25,880 --> 01:01:27,440
Speaker 3: My Black Country for all of y'all out there that

1401
01:01:27,600 --> 01:01:30,080
Speaker 3: is uh that are that are that are learning about

1402
01:01:30,080 --> 01:01:33,160
Speaker 3: black people in country music because of Beyonce. Alix Randall

1403
01:01:33,200 --> 01:01:34,760
Speaker 3: has been telling these stories for a long time. So

1404
01:01:34,840 --> 01:01:36,560
Speaker 3: her book is out right now, will we'll be back

1405
01:01:36,600 --> 01:01:38,080
Speaker 3: to discuss with her that right. It is the breakfast

1406
01:01:38,160 --> 01:01:40,640
Speaker 3: logan go Morning, the Breakfast Club.

1407
01:01:42,840 --> 01:01:43,120
Speaker 20: Morning.

1408
01:01:43,160 --> 01:01:46,720
Speaker 5: Everybody is DJ n V, Jess Hilarius, Charlamagne the guy.

1409
01:01:46,800 --> 01:01:48,840
Speaker 1: We are the Breakfast Club. We got a special guest

1410
01:01:48,920 --> 01:01:49,520
Speaker 1: in the building.

1411
01:01:49,680 --> 01:01:52,600
Speaker 5: Yes, indeed, the author of My Black Country, A Journey

1412
01:01:52,640 --> 01:01:56,480
Speaker 5: through Country Music's Black Past, President in Future, Ladies and gentlemen,

1413
01:01:56,640 --> 01:01:58,760
Speaker 5: Alice Randall, welcome you, good morning.

1414
01:01:59,240 --> 01:02:00,640
Speaker 32: I am so glad I had to be on the

1415
01:02:00,680 --> 01:02:03,160
Speaker 32: Breakfast Club. It's like being on America's front porch.

1416
01:02:04,560 --> 01:02:06,520
Speaker 3: Oh, we want to start using that one A use

1417
01:02:06,520 --> 01:02:09,840
Speaker 3: that as the imaging tale American's front Porch. Alice, man,

1418
01:02:09,880 --> 01:02:13,120
Speaker 3: you have such a storied history. You are the first

1419
01:02:13,440 --> 01:02:17,480
Speaker 3: black woman to ever write a number one country song.

1420
01:02:17,640 --> 01:02:21,600
Speaker 1: Ero Tricia Yearwoods xxx, all of those X. Isn't it

1421
01:02:22,800 --> 01:02:25,320
Speaker 1: way back in nineteen ninety four? But you know it

1422
01:02:25,360 --> 01:02:28,640
Speaker 1: ain't that far way back. Yeah, I thought I was born.

1423
01:02:28,720 --> 01:02:31,240
Speaker 1: I was two, but I was born. But you know,

1424
01:02:32,360 --> 01:02:35,640
Speaker 1: just I have been forty one years in country and

1425
01:02:35,680 --> 01:02:36,320
Speaker 1: western music.

1426
01:02:36,440 --> 01:02:39,200
Speaker 32: I came as a black woman to Nashville in nineteen

1427
01:02:39,400 --> 01:02:41,680
Speaker 32: eighty three, so this is my forty first year, and

1428
01:02:41,800 --> 01:02:42,200
Speaker 32: it's wild.

1429
01:02:42,240 --> 01:02:44,440
Speaker 1: I had songs recorded. I'm glad you shout out to

1430
01:02:44,520 --> 01:02:46,040
Speaker 1: that one that.

1431
01:02:46,160 --> 01:02:48,560
Speaker 32: Was two weeks at number one, and it put Miss

1432
01:02:48,600 --> 01:02:51,520
Speaker 32: Aretha Franklin's name in it. A country song got to

1433
01:02:51,560 --> 01:02:54,120
Speaker 32: two weeks Aretha Franklin and Patsy Kahn, and we put

1434
01:02:54,160 --> 01:02:59,919
Speaker 32: Aretha first back then, and it was all about the money.

1435
01:03:00,200 --> 01:03:02,240
Speaker 32: It's hard to keep the balance up between love and money.

1436
01:03:02,240 --> 01:03:03,600
Speaker 32: I'm going to tell you about that in a second.

1437
01:03:03,640 --> 01:03:05,520
Speaker 1: But I wrote My first song was.

1438
01:03:05,560 --> 01:03:08,320
Speaker 32: Recorded two years after I arrived in Nashville, So that

1439
01:03:08,560 --> 01:03:12,520
Speaker 32: was nineteen eighty five, and that was a B side

1440
01:03:12,520 --> 01:03:15,240
Speaker 32: of the number one. So I had songs recording the eighties, nineties,

1441
01:03:15,280 --> 01:03:17,280
Speaker 32: odds tens and twenties and shar are you one of

1442
01:03:17,320 --> 01:03:18,800
Speaker 32: the first people to ever recognize that?

1443
01:03:19,040 --> 01:03:19,280
Speaker 20: Wow?

1444
01:03:19,360 --> 01:03:19,840
Speaker 1: I love that.

1445
01:03:19,960 --> 01:03:21,960
Speaker 32: And if I can just say one thing here that

1446
01:03:22,160 --> 01:03:25,760
Speaker 32: black man DFT. Bailey is the father of Black country

1447
01:03:26,080 --> 01:03:29,400
Speaker 32: and in my opinion, the father of country radio.

1448
01:03:30,120 --> 01:03:33,160
Speaker 1: Lil Harden is the mother, and Lil Harden is the mama,

1449
01:03:33,840 --> 01:03:38,120
Speaker 1: and Ray Charles is their genius child. And I think

1450
01:03:38,240 --> 01:03:42,360
Speaker 1: that Charlie Pride is Dfort's side child.

1451
01:03:42,800 --> 01:03:46,200
Speaker 32: And HERB Jeffries the bronze Buckaroo in all those thirties

1452
01:03:46,280 --> 01:03:49,360
Speaker 32: and forties black Western with singing cowboys.

1453
01:03:49,680 --> 01:03:52,800
Speaker 1: He's little step child is right, his first family of

1454
01:03:52,840 --> 01:03:53,480
Speaker 1: black country.

1455
01:03:53,720 --> 01:03:56,720
Speaker 3: I love you, see that you got HERB Jeffries, Charlie Pride,

1456
01:03:56,760 --> 01:03:58,360
Speaker 3: litl Hardened, the Ford Bailly, Ray.

1457
01:03:58,320 --> 01:03:59,720
Speaker 1: Charles beautiful, It's amazing.

1458
01:04:00,240 --> 01:04:05,919
Speaker 32: And Beyonce in this moment metaphorically is Ray Charles's genius child,

1459
01:04:06,040 --> 01:04:07,680
Speaker 32: the daughter who may eclipse the father.

1460
01:04:08,680 --> 01:04:11,640
Speaker 1: Explain that why is Beyonce the daughter of Rachel in

1461
01:04:11,720 --> 01:04:12,200
Speaker 1: this case?

1462
01:04:12,280 --> 01:04:16,760
Speaker 32: Because when nineteen sixty three, when modern sounds and country

1463
01:04:16,800 --> 01:04:19,680
Speaker 32: and western drops, that's Ray Charles's country album. So, first

1464
01:04:19,720 --> 01:04:21,960
Speaker 32: of all, Ray Charles put out an amazing country album

1465
01:04:22,160 --> 01:04:24,920
Speaker 32: in nineteen sixty three. I used to chatcha around the

1466
01:04:24,960 --> 01:04:27,600
Speaker 32: living room with my black auntie, Mary Francis, who I

1467
01:04:27,720 --> 01:04:28,560
Speaker 32: love more than life.

1468
01:04:28,680 --> 01:04:32,160
Speaker 1: Mary Francis. I would dance to Ray Charles. Ray Charles Country.

1469
01:04:32,280 --> 01:04:38,120
Speaker 32: He deconstructed and reconstructed country music according to his own aesthetics.

1470
01:04:38,160 --> 01:04:40,440
Speaker 32: Now you need to understand that Ray Charles grew up

1471
01:04:40,560 --> 01:04:43,040
Speaker 32: listening to the Opry. His Mamo let him stay up

1472
01:04:43,120 --> 01:04:45,320
Speaker 32: late to hear it on Saturday nights. Because back in

1473
01:04:45,720 --> 01:04:49,040
Speaker 32: the forties, thirties, twenties when my family coming up, there

1474
01:04:49,120 --> 01:04:52,520
Speaker 32: was no black radio in Louisiana, Alabama, Mississippi.

1475
01:04:52,720 --> 01:04:53,120
Speaker 20: There was not.

1476
01:04:53,360 --> 01:04:56,320
Speaker 1: We were culturally redlined out of owning radio stations.

1477
01:04:56,960 --> 01:04:58,800
Speaker 32: So if you were black and you were living in

1478
01:04:58,840 --> 01:05:01,240
Speaker 32: the rural South, you could hear great live music in

1479
01:05:01,320 --> 01:05:03,480
Speaker 32: the juke joints, in the church in your home. But

1480
01:05:03,560 --> 01:05:05,720
Speaker 32: the only thing you were really hearing in the rural

1481
01:05:05,840 --> 01:05:08,040
Speaker 32: South of the radio is a lot of country in

1482
01:05:08,080 --> 01:05:12,200
Speaker 32: some classical music. So black people knew country. And just remember,

1483
01:05:12,200 --> 01:05:14,880
Speaker 32: as my daddy said, we were actually playing on it.

1484
01:05:15,000 --> 01:05:17,400
Speaker 32: We can now document that that there was two black

1485
01:05:17,480 --> 01:05:20,080
Speaker 32: geniuses on Blue Yoda number nine, and that doesn't even

1486
01:05:20,120 --> 01:05:22,960
Speaker 32: count the people passing that we're playing in these bands,

1487
01:05:23,600 --> 01:05:26,160
Speaker 32: so we knew country, and we knew that we'd have

1488
01:05:26,200 --> 01:05:27,920
Speaker 32: been at the banjo of that a lot of the

1489
01:05:28,040 --> 01:05:30,400
Speaker 32: things are best in country. That it was a black

1490
01:05:30,440 --> 01:05:32,880
Speaker 32: person who taught Hank Williams how to play a lot

1491
01:05:32,920 --> 01:05:36,680
Speaker 32: of his early songs Lefty Frizelle. That the Carter family

1492
01:05:37,080 --> 01:05:40,360
Speaker 32: that there were taught by Eslee Riddle. Slie Riddle was

1493
01:05:40,400 --> 01:05:43,640
Speaker 32: a black man who taught the Carter family their first songs,

1494
01:05:43,640 --> 01:05:46,720
Speaker 32: a lot of the chords some people family, You know,

1495
01:05:46,800 --> 01:05:51,920
Speaker 32: you were thinking, Well, as it has been traditionally told

1496
01:05:52,160 --> 01:05:54,360
Speaker 32: in the white world, when they say about the first

1497
01:05:54,400 --> 01:05:57,840
Speaker 32: family of Country, they say, Jimmy Rodgers is the papa.

1498
01:05:58,080 --> 01:06:00,000
Speaker 32: Now I just told you he was really working with

1499
01:06:00,160 --> 01:06:03,200
Speaker 32: Lill and Lewis. And they say that the mama is

1500
01:06:03,680 --> 01:06:06,040
Speaker 32: a may Bell. Carter mother may Bell. But I'm going

1501
01:06:06,120 --> 01:06:08,440
Speaker 32: to tell you that my mother may Bell. She had

1502
01:06:08,480 --> 01:06:11,080
Speaker 32: a way of playing that's called Carter family scratched the

1503
01:06:11,120 --> 01:06:14,480
Speaker 32: way she used two fingers, three fingers. Well, this man,

1504
01:06:14,720 --> 01:06:16,960
Speaker 32: Slee Riddle, he was in a terrible accident when he

1505
01:06:17,120 --> 01:06:19,720
Speaker 32: was young, lost a leg. Then he almost committed suicide

1506
01:06:19,760 --> 01:06:21,760
Speaker 32: or maybe tried to commit suicide, and he lost a

1507
01:06:21,800 --> 01:06:22,560
Speaker 32: couple fingers.

1508
01:06:23,400 --> 01:06:26,360
Speaker 1: He played with three fingers before the Carter family was playing.

1509
01:06:26,560 --> 01:06:28,320
Speaker 32: He's the one that taught them the first song. So

1510
01:06:28,440 --> 01:06:31,440
Speaker 32: I'm just saying, who really invented Carter family scratch? We

1511
01:06:31,520 --> 01:06:34,000
Speaker 32: can't prove that, but is it the man who actually

1512
01:06:34,120 --> 01:06:37,640
Speaker 32: had that? We know that they acknowledge and they played

1513
01:06:37,760 --> 01:06:41,280
Speaker 32: with him. I'll do their history later, and they have

1514
01:06:41,480 --> 01:06:44,880
Speaker 32: there's a story that they tell that he's called Sleie.

1515
01:06:44,720 --> 01:06:47,240
Speaker 1: Riddle because their children could not pronounce Leslie. Well.

1516
01:06:47,240 --> 01:06:49,960
Speaker 32: I found him in the US Census as slee E

1517
01:06:50,280 --> 01:06:52,880
Speaker 32: s l i E, long before he ever met the Carters.

1518
01:06:53,280 --> 01:06:55,560
Speaker 32: So there's questions about this because our history is not

1519
01:06:55,640 --> 01:06:59,760
Speaker 32: well documented. So the Cowboy Carter obviously speaks right now

1520
01:07:00,040 --> 01:07:03,800
Speaker 32: for Beyonce Knowles and I missus Carter.

1521
01:07:04,560 --> 01:07:07,080
Speaker 1: I don't know that she is at all signing to

1522
01:07:07,440 --> 01:07:09,000
Speaker 1: the original Carter family.

1523
01:07:09,520 --> 01:07:11,760
Speaker 32: But what I signed to is I'm not interested in

1524
01:07:11,840 --> 01:07:13,880
Speaker 32: that Carter family right now, because they've had a lot

1525
01:07:13,960 --> 01:07:16,640
Speaker 32: of attention. I'm really interested in Leslie Riddle, who's a

1526
01:07:16,680 --> 01:07:19,360
Speaker 32: black man who came from that same place and his

1527
01:07:19,560 --> 01:07:22,480
Speaker 32: story has not been told. And that's what you get

1528
01:07:22,520 --> 01:07:25,200
Speaker 32: in My Black Country. De Ford's story hasn't been told.

1529
01:07:25,440 --> 01:07:28,280
Speaker 32: Lil Harden's story hasn't been told.

1530
01:07:28,800 --> 01:07:32,200
Speaker 3: You know, it's interesting, my god, Bobby Bones, he does.

1531
01:07:32,360 --> 01:07:35,479
Speaker 3: He's a big nationally syndicated country borning gods. Luthther Bobby

1532
01:07:35,520 --> 01:07:39,040
Speaker 3: Bones out in Nashville. He talked about the band Joe

1533
01:07:39,240 --> 01:07:41,480
Speaker 3: and how you can't even talk about country music without

1534
01:07:41,480 --> 01:07:44,160
Speaker 3: talking about black people's contributions to country music from the

1535
01:07:44,240 --> 01:07:44,640
Speaker 3: very beginning.

1536
01:07:44,680 --> 01:07:47,160
Speaker 1: So my question is when did it shift? When did

1537
01:07:47,240 --> 01:07:50,360
Speaker 1: people just make it country a white thing so to speak. Well,

1538
01:07:50,440 --> 01:07:51,440
Speaker 1: there's two pieces that.

1539
01:07:51,720 --> 01:07:54,960
Speaker 32: One I agree with your friend Bobby Bones that my

1540
01:07:55,160 --> 01:08:01,200
Speaker 32: definition of country music is Celtic English, Irish Scottish ballid form,

1541
01:08:01,280 --> 01:08:08,320
Speaker 32: storytelling plus black influences plus evangelical Christianity. Country can't be

1542
01:08:08,520 --> 01:08:13,200
Speaker 32: country without black influences. Without black influences, country is just

1543
01:08:13,280 --> 01:08:13,880
Speaker 32: folk music.

1544
01:08:14,440 --> 01:08:14,560
Speaker 11: Now.

1545
01:08:14,680 --> 01:08:17,639
Speaker 32: Some of those black influences are black gospel from LA

1546
01:08:17,920 --> 01:08:20,400
Speaker 32: and the South. Some of the black influences are the banjo.

1547
01:08:20,720 --> 01:08:23,240
Speaker 32: Some of the is the way notes are bent when

1548
01:08:23,240 --> 01:08:25,599
Speaker 32: they're sung. They're coming out of the blues. And if

1549
01:08:25,640 --> 01:08:28,280
Speaker 32: you don't have the evangelical christianity, you might be in

1550
01:08:28,320 --> 01:08:31,040
Speaker 32: a country blues because the big difference is and I said,

1551
01:08:31,120 --> 01:08:33,800
Speaker 32: my childhood, I had a very bad mother, and I

1552
01:08:33,840 --> 01:08:36,080
Speaker 32: had a great daddy and a really bad mother. So

1553
01:08:36,240 --> 01:08:38,479
Speaker 32: I don't love the blues. The blues is too My

1554
01:08:38,600 --> 01:08:40,760
Speaker 32: daughter loves the blues. The blues is too hard for me.

1555
01:08:41,160 --> 01:08:44,120
Speaker 32: I need some hope I need with my tragedy. I

1556
01:08:44,240 --> 01:08:46,720
Speaker 32: need the reality, and then I need some hope. And

1557
01:08:47,160 --> 01:08:50,599
Speaker 32: Black Country has both of those things. The hope because

1558
01:08:50,640 --> 01:08:52,120
Speaker 32: it could be I'm just gonna be up in heaven

1559
01:08:52,160 --> 01:08:54,240
Speaker 32: and tell Jesus how you've done me. It could be

1560
01:08:54,320 --> 01:08:56,200
Speaker 32: You're going to be in hell and some burning fires,

1561
01:08:56,479 --> 01:08:59,080
Speaker 32: and I'm going to be that. There's some hope, there's

1562
01:08:59,120 --> 01:09:01,759
Speaker 32: some revenge and country, and I like the hope.

1563
01:09:01,880 --> 01:09:02,799
Speaker 1: I like the revenge.

1564
01:09:02,920 --> 01:09:05,600
Speaker 32: That Blues has a little bit of an experience of

1565
01:09:05,760 --> 01:09:08,679
Speaker 32: we are walking on Helen Earth, but we're finding some joy.

1566
01:09:08,800 --> 01:09:11,360
Speaker 32: We're making some joy in the hell on Earth. But

1567
01:09:11,520 --> 01:09:14,519
Speaker 32: Black Country says we're gonna get somewhere else. But country

1568
01:09:14,760 --> 01:09:15,840
Speaker 32: isn't country.

1569
01:09:15,560 --> 01:09:16,439
Speaker 4: And on is it?

1570
01:09:16,520 --> 01:09:18,240
Speaker 32: The little teacher of me? I hate to say, I

1571
01:09:18,320 --> 01:09:20,599
Speaker 32: have to do this one because I'm a professor at Vanderbilt.

1572
01:09:20,640 --> 01:09:22,400
Speaker 32: We have a course on Black Country, and I've been

1573
01:09:22,439 --> 01:09:26,840
Speaker 32: teaching that course since twenty fifteen, my first course Country

1574
01:09:26,960 --> 01:09:29,880
Speaker 32: Lyrical American Culture. I've been teaching since two thousand and six.

1575
01:09:30,280 --> 01:09:33,160
Speaker 32: I used to say it was musical midgsitenation, and that

1576
01:09:33,320 --> 01:09:36,000
Speaker 32: wasn't my phrase. I adopted that one. But here we

1577
01:09:36,280 --> 01:09:41,599
Speaker 32: know that country requires blackness to be country. And one

1578
01:09:41,640 --> 01:09:44,840
Speaker 32: of the examples you see on Cowboy Carter is that

1579
01:09:45,000 --> 01:09:49,040
Speaker 32: song Blackbird, which is a remake of a Beatle song

1580
01:09:49,200 --> 01:09:52,040
Speaker 32: without the black voices on it is a folks song.

1581
01:09:52,520 --> 01:09:56,120
Speaker 32: You add those black women's voices and they're black aesthetics

1582
01:09:56,439 --> 01:09:59,400
Speaker 32: is country. What makes it country the black gospel you

1583
01:09:59,560 --> 01:10:01,280
Speaker 32: hear say that they bring to it.

1584
01:10:01,479 --> 01:10:02,879
Speaker 1: I love my Random Roberts.

1585
01:10:02,960 --> 01:10:03,280
Speaker 7: I'm there.

1586
01:10:03,400 --> 01:10:05,880
Speaker 32: My students found her for me when she was only

1587
01:10:06,200 --> 01:10:08,680
Speaker 32: like three weeks when she was on TikTok. I had

1588
01:10:08,720 --> 01:10:12,720
Speaker 32: students rush in and show her to me, and so

1589
01:10:12,840 --> 01:10:14,320
Speaker 32: I've been loving her sometime.

1590
01:10:14,479 --> 01:10:17,479
Speaker 5: Now the world is discovering her now. Yeah, Rana is

1591
01:10:17,640 --> 01:10:20,840
Speaker 5: a talent SA Yeah, absolutely all right. We got more

1592
01:10:20,920 --> 01:10:24,719
Speaker 5: with Alice Randall when we come back owning Everybody's DJ Envy,

1593
01:10:24,880 --> 01:10:26,280
Speaker 5: Jesse Larius, Charlamagne the Guy.

1594
01:10:26,360 --> 01:10:28,200
Speaker 1: We are the breakfast Club. We're still kicking in with

1595
01:10:28,320 --> 01:10:29,280
Speaker 1: Alice Randall.

1596
01:10:29,400 --> 01:10:31,519
Speaker 5: She has a new book, My Black Country and Journey

1597
01:10:31,600 --> 01:10:35,320
Speaker 5: through Country Music's Black Past, Present and Future. I got

1598
01:10:35,360 --> 01:10:37,120
Speaker 5: a question, what did you think of Beyanti's album? Did

1599
01:10:37,120 --> 01:10:38,880
Speaker 5: you listen to it in for What were your thoughts? Oh,

1600
01:10:39,160 --> 01:10:40,920
Speaker 5: I have listened to it many times.

1601
01:10:41,200 --> 01:10:44,160
Speaker 32: I actually love it in this particularly as I said,

1602
01:10:44,200 --> 01:10:46,559
Speaker 32: I'm sixty four, this is my birthday party.

1603
01:10:46,600 --> 01:10:49,639
Speaker 1: I'm the Breakfast Club. I'll be sixty five. May fourth,

1604
01:10:49,880 --> 01:10:51,120
Speaker 1: A happy birthday.

1605
01:10:51,120 --> 01:10:53,320
Speaker 32: And you know when I arrived here forty one years

1606
01:10:53,320 --> 01:10:55,720
Speaker 32: ago in Nashville, I wanted to get as number one,

1607
01:10:55,960 --> 01:10:57,000
Speaker 32: and I got a number one.

1608
01:10:57,200 --> 01:10:57,400
Speaker 17: Yeah.

1609
01:10:57,800 --> 01:11:01,480
Speaker 32: I wanted to spotlight black women men who have really contributed.

1610
01:11:01,840 --> 01:11:04,840
Speaker 32: I'm proud to say I wrote the first major article

1611
01:11:04,960 --> 01:11:07,799
Speaker 32: on Linda Martell. Everybody talking about her. Now I've published

1612
01:11:07,800 --> 01:11:10,880
Speaker 32: that in twenty ten. I'm in the documentary her granddaughter

1613
01:11:11,000 --> 01:11:14,080
Speaker 32: is making about her. I love Linda Martel. I had

1614
01:11:14,120 --> 01:11:16,519
Speaker 32: to fight to get that space for her back in

1615
01:11:16,600 --> 01:11:18,800
Speaker 32: twenty ten when people weren't taught, and I'm thrilled that

1616
01:11:19,040 --> 01:11:22,839
Speaker 32: Beyonce has brought her to a huge world. My article

1617
01:11:23,240 --> 01:11:25,320
Speaker 32: got a lot of attention, but in a narrow way.

1618
01:11:25,439 --> 01:11:28,240
Speaker 32: Now the whole world knows who Linda martel Is that

1619
01:11:28,360 --> 01:11:31,920
Speaker 32: that documentary her brand. Daughter's been struggling to get made,

1620
01:11:32,120 --> 01:11:33,639
Speaker 32: picking up a little bit of money here, a little

1621
01:11:33,680 --> 01:11:35,360
Speaker 32: bit of money there. Now that thing is going to

1622
01:11:35,400 --> 01:11:38,000
Speaker 32: be made and made right. So I am absolutely thrilled

1623
01:11:38,040 --> 01:11:40,840
Speaker 32: that Beyonce has taken country to a global audience. But

1624
01:11:40,880 --> 01:11:43,000
Speaker 32: there's a third thing. So I wanted to spotlight these

1625
01:11:43,040 --> 01:11:45,120
Speaker 32: black people. I could do that in this book, one

1626
01:11:45,160 --> 01:11:47,800
Speaker 32: of my own number one, but I wanted to see

1627
01:11:48,160 --> 01:11:50,280
Speaker 32: and Jess's gonna be you of me here. I wanted

1628
01:11:50,320 --> 01:11:52,840
Speaker 32: to see a black woman at the top of the

1629
01:11:52,920 --> 01:11:55,760
Speaker 32: country charts because the day I arrived in Nashville in

1630
01:11:55,840 --> 01:11:58,400
Speaker 32: nineteen eighty three, Charlie probably had already been up there

1631
01:11:58,560 --> 01:11:59,759
Speaker 32: twenty nine times.

1632
01:12:00,960 --> 01:12:03,160
Speaker 1: Ray Charles was acknowledged.

1633
01:12:03,479 --> 01:12:05,679
Speaker 32: I saw I was in the room when he played

1634
01:12:05,720 --> 01:12:08,439
Speaker 32: Seven Spanish Angels in Nashville in the back small room

1635
01:12:08,560 --> 01:12:10,920
Speaker 32: for DJs. He got to go to the top of

1636
01:12:10,960 --> 01:12:13,160
Speaker 32: the charts. There are so many black men who have

1637
01:12:13,200 --> 01:12:15,720
Speaker 32: been to the number one spot. Now just called the

1638
01:12:15,800 --> 01:12:19,120
Speaker 32: name of the two most important Charlie Pride, Ray Charles,

1639
01:12:19,280 --> 01:12:22,719
Speaker 32: but serious Rucker, I'm not even to name anymore because

1640
01:12:22,720 --> 01:12:25,760
Speaker 32: there's so many, and there has not been one black woman.

1641
01:12:26,000 --> 01:12:29,320
Speaker 32: Black women have absolutely I have a song called small

1642
01:12:29,400 --> 01:12:31,599
Speaker 32: Towns are Smaller for Girls in country.

1643
01:12:32,040 --> 01:12:32,519
Speaker 1: That's true.

1644
01:12:32,800 --> 01:12:35,040
Speaker 32: It's hard on the country radio even for all women.

1645
01:12:35,240 --> 01:12:39,240
Speaker 32: Small towns are cursed back yet a lot smaller for

1646
01:12:39,360 --> 01:12:42,639
Speaker 32: black women. If small towns are smaller for girls, they're

1647
01:12:42,720 --> 01:12:45,560
Speaker 32: really smaller for black girls. And Music City is a

1648
01:12:45,640 --> 01:12:49,360
Speaker 32: small town. So I wanted to see a Black woman

1649
01:12:49,520 --> 01:12:52,200
Speaker 32: at the top of it because it's acknowledging that we

1650
01:12:52,479 --> 01:12:56,200
Speaker 32: are worth, our beauty are significance. And I thought I

1651
01:12:56,280 --> 01:12:59,000
Speaker 32: was going to retire without seeing it. So Cowboy Carter

1652
01:12:59,160 --> 01:13:02,320
Speaker 32: from me personally is so important because it is a

1653
01:13:02,479 --> 01:13:06,200
Speaker 32: Hallelujah moment, It is a Juneteenth moment. It is good

1654
01:13:06,520 --> 01:13:10,719
Speaker 32: news at long last. But my daughter, says Caroline Randall Williams,

1655
01:13:11,040 --> 01:13:13,719
Speaker 32: good news at long Last is still goodness.

1656
01:13:13,840 --> 01:13:17,760
Speaker 3: Can we talk about divine alignment? Because you started My

1657
01:13:17,880 --> 01:13:20,920
Speaker 3: Black Country a while ago. So when you're writing the

1658
01:13:20,960 --> 01:13:23,479
Speaker 3: book and you know you know your book is about

1659
01:13:23,520 --> 01:13:26,320
Speaker 3: to be published, you get the date it's you know, April,

1660
01:13:26,720 --> 01:13:28,599
Speaker 3: but then all of a sudden you start to hear

1661
01:13:28,680 --> 01:13:32,240
Speaker 3: these Beyonce Texas hold them and Beyonce maybe doing a

1662
01:13:32,320 --> 01:13:34,640
Speaker 3: country album like what did that feel like?

1663
01:13:35,120 --> 01:13:39,439
Speaker 32: It felt that what you just said divine alignment, Because

1664
01:13:39,520 --> 01:13:42,320
Speaker 32: this project I started forty one years ago, and really

1665
01:13:42,439 --> 01:13:45,120
Speaker 32: this part of it started in Deep five years ago,

1666
01:13:45,439 --> 01:13:48,120
Speaker 32: is a pure project for me. This is my life work,

1667
01:13:48,600 --> 01:13:51,200
Speaker 32: the history of black people in country, putting it back

1668
01:13:51,280 --> 01:13:55,080
Speaker 32: into the seventeenth century. And it's just a wild alignment

1669
01:13:55,560 --> 01:13:59,960
Speaker 32: because it has created a global conversation, a global conversation

1670
01:14:00,320 --> 01:14:03,439
Speaker 32: I spent forty one years preparing for, but actually started

1671
01:14:03,520 --> 01:14:06,920
Speaker 32: even earlier than that at Harvard in nineteen seventy seven,

1672
01:14:07,280 --> 01:14:10,880
Speaker 32: when I'm starting to look studying the Harlem Renaissance with

1673
01:14:11,040 --> 01:14:13,800
Speaker 32: Nathan Huggins and starting to.

1674
01:14:13,920 --> 01:14:17,640
Speaker 1: Try to prove my father's black to trait gossip was true.

1675
01:14:17,680 --> 01:14:20,720
Speaker 32: Chasing that down because back then there was no scholarship

1676
01:14:20,760 --> 01:14:23,200
Speaker 32: that told us that the banjo was a black instrument.

1677
01:14:23,640 --> 01:14:26,960
Speaker 32: Back then, there was no scholarship that said Lil Harden

1678
01:14:27,120 --> 01:14:28,240
Speaker 32: was really on that record.

1679
01:14:28,640 --> 01:14:31,880
Speaker 1: But I have traced down these oral histories.

1680
01:14:31,600 --> 01:14:34,320
Speaker 32: That other scholars have, and now we know that Lil

1681
01:14:34,400 --> 01:14:38,360
Speaker 32: Harden was absolutely on that record, that the Black Gossip

1682
01:14:38,479 --> 01:14:39,759
Speaker 32: of Motown was correct.

1683
01:14:40,280 --> 01:14:42,320
Speaker 1: So the alignment, though instead of this.

1684
01:14:42,400 --> 01:14:44,920
Speaker 32: Being some small book, if you're on the Backlist Club.

1685
01:14:45,040 --> 01:14:47,400
Speaker 32: I'm going to say, I want you out there getting

1686
01:14:47,439 --> 01:14:49,880
Speaker 32: my black country. I want to be lifted up by

1687
01:14:50,000 --> 01:14:54,160
Speaker 32: black readers. That is I have always with all of

1688
01:14:54,280 --> 01:14:58,400
Speaker 32: my books, starting with The Wind Done Gone, I have loved.

1689
01:14:58,720 --> 01:15:01,640
Speaker 32: One of my readers told me, is the literary equivalent

1690
01:15:01,760 --> 01:15:03,840
Speaker 32: of prissy slapping scarlet back.

1691
01:15:05,600 --> 01:15:07,040
Speaker 1: I'm going to stop and tell this story.

1692
01:15:07,280 --> 01:15:10,080
Speaker 32: I was in North Carolina, black woman Librariyan had bought

1693
01:15:10,240 --> 01:15:13,639
Speaker 32: all these books for the State Library of North Carolina mine.

1694
01:15:13,920 --> 01:15:16,080
Speaker 1: But we were coming home after the big reading, and

1695
01:15:16,240 --> 01:15:17,880
Speaker 1: I'm thinking back to my hotel.

1696
01:15:18,040 --> 01:15:20,599
Speaker 32: This is not the way we went, like, I don't

1697
01:15:20,680 --> 01:15:22,519
Speaker 32: know where we are going, and it's late at night,

1698
01:15:22,600 --> 01:15:24,120
Speaker 32: We've got dinner reading.

1699
01:15:24,400 --> 01:15:25,800
Speaker 1: And she drove me and we.

1700
01:15:25,840 --> 01:15:27,960
Speaker 32: Sat outside a house. She pulled up in front of

1701
01:15:27,960 --> 01:15:30,640
Speaker 32: a house in a fancy neighbor and she said, my

1702
01:15:30,960 --> 01:15:34,840
Speaker 32: mother worked as a maid in this house almost all

1703
01:15:34,920 --> 01:15:37,280
Speaker 32: my life. They made her come in the back door,

1704
01:15:37,439 --> 01:15:40,160
Speaker 32: they made me come in the back door. They loved

1705
01:15:40,320 --> 01:15:42,960
Speaker 32: Gone with the Wind. And I cannot tell you what

1706
01:15:43,160 --> 01:15:46,599
Speaker 32: it means to me that you wrote this book attacking

1707
01:15:46,760 --> 01:15:49,519
Speaker 32: everything that that valued that and the way they treated her.

1708
01:15:49,880 --> 01:15:53,200
Speaker 32: I waited this long, she said, I felt, she said

1709
01:15:53,360 --> 01:15:56,080
Speaker 32: joy but the number. But more than that, I had

1710
01:15:56,439 --> 01:15:59,920
Speaker 32: women who were ongoingly working as domestic servants telling me

1711
01:16:00,400 --> 01:16:02,840
Speaker 32: this book meant so much to them. And what I

1712
01:16:03,320 --> 01:16:05,200
Speaker 32: read the book that one out loud, And I read

1713
01:16:05,240 --> 01:16:07,439
Speaker 32: this one because I'm not an actress. I'm not a performer.

1714
01:16:07,479 --> 01:16:09,200
Speaker 32: I don't have great voices like all three of you.

1715
01:16:09,880 --> 01:16:13,160
Speaker 32: I read this one because my grandparents couldn't read or write.

1716
01:16:13,280 --> 01:16:15,920
Speaker 32: My grandmother could read a tiny bit. My grandfather couldn't

1717
01:16:15,960 --> 01:16:18,560
Speaker 32: read or write even his own name. I adore my grandparents.

1718
01:16:18,640 --> 01:16:21,280
Speaker 32: They were brilliant people and storytellers, just never had a

1719
01:16:21,360 --> 01:16:22,520
Speaker 32: day of school in Alabama.

1720
01:16:23,240 --> 01:16:24,640
Speaker 1: I read my books and.

1721
01:16:24,680 --> 01:16:26,639
Speaker 32: Make sure there's audio books because I know a lot

1722
01:16:26,680 --> 01:16:30,280
Speaker 32: of brilliant people can't read or write, and I want them.

1723
01:16:30,880 --> 01:16:32,920
Speaker 1: I'm working as much for them as the people who

1724
01:16:33,000 --> 01:16:36,479
Speaker 1: have all these degrees and whatever. That's amazing.

1725
01:16:36,960 --> 01:16:40,439
Speaker 5: Look chapter six and your book Big Dreams, Big Mistakes

1726
01:16:41,000 --> 01:16:43,240
Speaker 5: without spoiling it, you know, because I know it's a

1727
01:16:43,280 --> 01:16:44,240
Speaker 5: lot of information in this book.

1728
01:16:44,240 --> 01:16:46,200
Speaker 1: You keep saying, look, read his book. No, we're gon't

1729
01:16:46,240 --> 01:16:48,719
Speaker 1: read it, but I just can you sease.

1730
01:16:48,479 --> 01:16:51,479
Speaker 32: A little bit what like mistakes and the Big Dreams

1731
01:16:51,520 --> 01:16:53,360
Speaker 32: that part of it was the first. One of the

1732
01:16:53,439 --> 01:16:55,559
Speaker 32: first big things I did was a song called Big

1733
01:16:55,640 --> 01:16:57,439
Speaker 32: Dream that I co wrote with my daughter when she

1734
01:16:57,600 --> 01:16:59,840
Speaker 32: was just little, and it got into this movie called

1735
01:16:59,840 --> 01:17:02,840
Speaker 32: The Thing called Love. It was River Phoenix's last big movie.

1736
01:17:03,080 --> 01:17:06,080
Speaker 32: And the big mistake was I literally signed that thing

1737
01:17:06,160 --> 01:17:07,200
Speaker 32: that I should never have signed.

1738
01:17:07,280 --> 01:17:10,120
Speaker 5: Gotchat's gold your Big Dreams and you signed a contract

1739
01:17:10,160 --> 01:17:10,599
Speaker 5: what I read.

1740
01:17:10,920 --> 01:17:13,240
Speaker 1: But the other thing was that I got to write novels.

1741
01:17:13,360 --> 01:17:15,680
Speaker 32: I might have just been a country songwriter, and now

1742
01:17:15,720 --> 01:17:18,320
Speaker 32: I get to be a country songwriter and a novelist

1743
01:17:18,680 --> 01:17:22,000
Speaker 32: and a memoirst. And I love my six books, that's right,

1744
01:17:22,080 --> 01:17:23,839
Speaker 32: And that one about a black spy family.

1745
01:17:24,080 --> 01:17:25,160
Speaker 1: All hold up now for real?

1746
01:17:25,439 --> 01:17:28,000
Speaker 32: Yes, okay, and it's from it if you ever get

1747
01:17:28,040 --> 01:17:30,400
Speaker 32: involved in in that kind of movie production. I got

1748
01:17:30,439 --> 01:17:32,960
Speaker 32: a great one, rebel yell about a black spy family.

1749
01:17:33,240 --> 01:17:34,400
Speaker 32: I've got some really cool books.

1750
01:17:34,400 --> 01:17:36,720
Speaker 1: Oh you can't read all of them, girls, absolutely listen.

1751
01:17:36,760 --> 01:17:37,719
Speaker 1: They got to go get the book.

1752
01:17:37,760 --> 01:17:41,120
Speaker 3: Man Alisha Randall, My Black Country, A Journey through Country Music,

1753
01:17:41,280 --> 01:17:43,599
Speaker 3: Black Past, President Future, the latest release off my book

1754
01:17:43,640 --> 01:17:44,799
Speaker 3: in print, Black Family is publishing.

1755
01:17:44,800 --> 01:17:47,879
Speaker 1: But also from seven to eight thirty, you can catch.

1756
01:17:47,800 --> 01:17:51,240
Speaker 3: Me and Alice Randall and Roseanne Cash will be at

1757
01:17:51,280 --> 01:17:55,679
Speaker 3: the Brooklyn Public Library from seven to eight thirty having

1758
01:17:55,760 --> 01:17:57,639
Speaker 3: more conversations about my Black Country.

1759
01:17:58,200 --> 01:18:00,880
Speaker 1: Yes, and I'm so excited. I hope to see so

1760
01:18:01,040 --> 01:18:03,639
Speaker 1: much of the Breakfast Club out there. I came all

1761
01:18:03,680 --> 01:18:04,160
Speaker 1: the way up.

1762
01:18:04,120 --> 01:18:11,000
Speaker 32: From Nashville to need some new people. I'm Country cousin, Auntie,

1763
01:18:11,160 --> 01:18:11,960
Speaker 32: Country Auntie.

1764
01:18:12,760 --> 01:18:13,200
Speaker 17: We need you.

1765
01:18:13,720 --> 01:18:17,639
Speaker 1: That's right, it's the Breakfast Club. Good morning, the Breakfast Club.

1766
01:18:19,760 --> 01:18:23,679
Speaker 3: What's the over under on this new metro Booming future

1767
01:18:23,720 --> 01:18:26,160
Speaker 3: project that's supposed to come out this Friday. I still

1768
01:18:26,200 --> 01:18:29,000
Speaker 3: don't trust you. What's the over undering? There being more

1769
01:18:29,080 --> 01:18:30,040
Speaker 3: shots from somebody?

1770
01:18:30,960 --> 01:18:36,120
Speaker 1: M I don't know. I don't think so, because we

1771
01:18:36,400 --> 01:18:39,320
Speaker 1: still don't trust you. Part two? What if they got

1772
01:18:39,400 --> 01:18:40,240
Speaker 1: a record push.

1773
01:18:41,560 --> 01:18:43,479
Speaker 3: That's what it's called, though, we still don't trust Oh

1774
01:18:43,520 --> 01:18:45,960
Speaker 3: my god, what have they got a regular push your

1775
01:18:46,000 --> 01:18:46,759
Speaker 3: teeth throw on shots?

1776
01:18:46,840 --> 01:18:48,800
Speaker 1: Oh my god. I'm just saying that's crazy. I don't know,

1777
01:18:49,439 --> 01:18:51,800
Speaker 1: just saying. And all these people that unfollowed them, I'm

1778
01:18:51,840 --> 01:18:56,440
Speaker 1: just saying, Drake, oh my good.

1779
01:18:58,280 --> 01:19:00,720
Speaker 5: Saying, I wonder what that means. I'm gonna following him.

1780
01:19:00,840 --> 01:19:03,280
Speaker 5: Let me go on my phone and on following and.

1781
01:19:03,360 --> 01:19:06,040
Speaker 1: Then it's it's silly. Yeah, well, let's get to jest

1782
01:19:06,120 --> 01:19:06,439
Speaker 1: with the mess.

1783
01:19:07,479 --> 01:19:10,360
Speaker 5: News is real, whether it's Larien's Jeff Robin Moore, just

1784
01:19:10,479 --> 01:19:11,800
Speaker 5: don't do no lines, don't do.

1785
01:19:13,360 --> 01:19:20,800
Speaker 1: Talk, don't spend nobody talk world why jes worldwide on

1786
01:19:20,920 --> 01:19:22,559
Speaker 1: the Breakfast Club. She's the coaching ship.

1787
01:19:23,000 --> 01:19:25,600
Speaker 18: She was able to get y'all to see something and

1788
01:19:25,840 --> 01:19:27,120
Speaker 18: understand something that.

1789
01:19:27,280 --> 01:19:29,439
Speaker 6: Nobody could get you to see the time to set it.

1790
01:19:29,600 --> 01:19:33,080
Speaker 1: Off, y'all are cut into my time major? Okay.

1791
01:19:33,400 --> 01:19:38,000
Speaker 5: Anyway, Danny Lay's brother is seeking permission to inform Rapper

1792
01:19:38,479 --> 01:19:39,440
Speaker 5: the Baby.

1793
01:19:39,840 --> 01:19:42,080
Speaker 1: Of his lawsuit through a newspaper.

1794
01:19:43,040 --> 01:19:45,640
Speaker 5: Look, so remember the fight that they got into a

1795
01:19:45,680 --> 01:19:49,880
Speaker 5: couple of years back where allegedly the baby and his

1796
01:19:49,960 --> 01:19:51,680
Speaker 5: friends jumped Danny Laye's brother.

1797
01:19:51,800 --> 01:19:53,519
Speaker 1: His name is Brandon, right, I think we've seen the video.

1798
01:19:53,760 --> 01:19:55,320
Speaker 1: Wasn't the video? Yeah it was the video or whatever?

1799
01:19:55,400 --> 01:19:57,760
Speaker 5: Right, But the baby has said that he initiate He

1800
01:19:57,880 --> 01:20:00,240
Speaker 5: initiated the fight Brandon and the brother and get it

1801
01:20:00,280 --> 01:20:00,479
Speaker 5: to fight.

1802
01:20:00,600 --> 01:20:00,720
Speaker 1: Right.

1803
01:20:01,080 --> 01:20:04,080
Speaker 5: So Bill said that he Brandon Bills, that's his name.

1804
01:20:04,360 --> 01:20:06,439
Speaker 5: He said that he hired he been trying to serve

1805
01:20:06,479 --> 01:20:08,520
Speaker 5: his guy for years. He even hired a private investigator,

1806
01:20:08,560 --> 01:20:11,280
Speaker 5: but he could not track the baby down right, so

1807
01:20:11,680 --> 01:20:14,479
Speaker 5: he officially asked the court permission to serve the baby

1808
01:20:14,680 --> 01:20:18,080
Speaker 5: by placing a notice in the local newspaper. Imagine the

1809
01:20:18,160 --> 01:20:23,240
Speaker 5: baby reading the newspaper with some coffee, finding out, really.

1810
01:20:23,080 --> 01:20:24,519
Speaker 3: I can see the baby in the morning, waking up

1811
01:20:24,560 --> 01:20:28,600
Speaker 3: reading the observer. Yes, you can see the baby the newspaper.

1812
01:20:28,760 --> 01:20:32,840
Speaker 1: Yes, that smart Carolina brother. Absolutely. Okay, I'm not saying

1813
01:20:32,880 --> 01:20:35,280
Speaker 1: he's not smart. I'm just saying I'm trying to figure

1814
01:20:35,280 --> 01:20:36,920
Speaker 1: out why he can't find the baby. We see the baby.

1815
01:20:38,400 --> 01:20:42,479
Speaker 1: You have to drive Auntie jumping in the car with

1816
01:20:42,600 --> 01:20:46,960
Speaker 1: a s have Auntie server, you can the baby.

1817
01:20:47,600 --> 01:20:49,680
Speaker 5: But he said that through all his work he had

1818
01:20:49,760 --> 01:20:52,920
Speaker 5: not been able to successfully trick him down the baby.

1819
01:20:53,080 --> 01:20:55,160
Speaker 1: Yeah, and you probably shouldn't after what we wouldness.

1820
01:20:55,240 --> 01:20:55,479
Speaker 17: I know.

1821
01:20:56,560 --> 01:21:00,160
Speaker 1: Ugs yet to rule on Bill's recent motion though, so

1822
01:21:01,400 --> 01:21:04,040
Speaker 1: getting beat up. Yeah he yep, that's what he in

1823
01:21:04,120 --> 01:21:07,599
Speaker 1: the video, wasn't he they said, wasn't I remember? Correct?

1824
01:21:07,880 --> 01:21:11,160
Speaker 5: So long ago initiated the fight with forgetting that the

1825
01:21:11,280 --> 01:21:14,080
Speaker 5: baby has a baby with his sister.

1826
01:21:14,280 --> 01:21:15,880
Speaker 1: Sister so they could just leave it at the house.

1827
01:21:15,920 --> 01:21:17,360
Speaker 1: He could wait for the baby, come to pick up

1828
01:21:17,360 --> 01:21:20,160
Speaker 1: the kid. That's all you gotta do. They gotta go nowhere.

1829
01:21:20,640 --> 01:21:23,240
Speaker 1: You gotta pick up the baby. That's crazy. Hold on

1830
01:21:23,360 --> 01:21:27,040
Speaker 1: now the baby. The baby gotta pick up his baby. Okay,

1831
01:21:27,200 --> 01:21:33,639
Speaker 1: got the baby, sister. Do we know the baby's name? Yeah?

1832
01:21:34,520 --> 01:21:37,880
Speaker 1: Kirk something? Oh are yeah, little Kirk because it's okay.

1833
01:21:38,000 --> 01:21:41,800
Speaker 1: I got you Jonathan Jonathan Lindelle Kirk, Jonathan Lindale Kirk all,

1834
01:21:41,840 --> 01:21:42,240
Speaker 1: I got you.

1835
01:21:42,600 --> 01:21:46,360
Speaker 5: Even Mare still disables comments after people spoke about her

1836
01:21:46,360 --> 01:21:48,800
Speaker 5: weight loss, So she sat down with Tammer Hall and

1837
01:21:49,000 --> 01:21:49,599
Speaker 5: she was talking.

1838
01:21:49,640 --> 01:21:52,680
Speaker 1: They were talking about how people on social media immediately.

1839
01:21:53,240 --> 01:21:57,559
Speaker 5: Began expressing their concern once they saw her photos at

1840
01:21:57,600 --> 01:22:00,840
Speaker 5: the BET Awards dropped. Some people was saying that she okay,

1841
01:22:00,920 --> 01:22:03,479
Speaker 5: while she looks sick, she looks not well, losing too

1842
01:22:03,560 --> 01:22:05,760
Speaker 5: much weight. Her face looks gone hollow, and then he

1843
01:22:05,880 --> 01:22:07,599
Speaker 5: was like ozempic or whatever.

1844
01:22:08,400 --> 01:22:12,200
Speaker 11: Then she talked about it, I lost weight just naturally

1845
01:22:12,600 --> 01:22:18,160
Speaker 11: going through life, and I found myself depressed before my divorce,

1846
01:22:18,360 --> 01:22:22,720
Speaker 11: through my divorce, trying to just navigate and rediscover who

1847
01:22:22,840 --> 01:22:23,040
Speaker 11: am I.

1848
01:22:24,920 --> 01:22:27,600
Speaker 5: Yeah, so basically for the people who are wondering what

1849
01:22:27,720 --> 01:22:31,240
Speaker 5: she's sick. Now, she wasn't sick. Listen, Divorce breakups, all

1850
01:22:31,320 --> 01:22:35,519
Speaker 5: of that heartbreaks that can play a big, big, big toll.

1851
01:22:35,439 --> 01:22:38,479
Speaker 1: On you mentally, oppressure, physically, and all of that, you know.

1852
01:22:38,840 --> 01:22:41,519
Speaker 5: And she was saying even before her divorce, leading up

1853
01:22:41,560 --> 01:22:43,240
Speaker 5: to her divorce, she was just losing weight and she

1854
01:22:43,320 --> 01:22:46,680
Speaker 5: didn't even really realize it until she because she thought

1855
01:22:46,720 --> 01:22:48,040
Speaker 5: she looked cute in the pictures. You know, when you're

1856
01:22:48,040 --> 01:22:49,960
Speaker 5: looking at yourself every day, you're not noticing it, and

1857
01:22:50,080 --> 01:22:51,880
Speaker 5: so the comments is what really made her pay attention.

1858
01:22:51,960 --> 01:22:53,920
Speaker 1: And she was like, oh wow, but no, she's not sick.

1859
01:22:54,040 --> 01:22:56,320
Speaker 1: She was just dealing with life. God, she was depressed.

1860
01:22:56,680 --> 01:22:59,040
Speaker 3: That's why you got to mind your business. Yeah, because

1861
01:22:59,080 --> 01:23:01,439
Speaker 3: when it comes to weight, it both ways. Big bellied

1862
01:23:01,479 --> 01:23:03,680
Speaker 3: women aren't pregnant, yeah, and you know women that have

1863
01:23:03,760 --> 01:23:05,280
Speaker 3: lost weight are not sick.

1864
01:23:06,680 --> 01:23:10,880
Speaker 5: Yeah, sometimes distressed exactly, you know stress. What I said,

1865
01:23:11,120 --> 01:23:13,040
Speaker 5: scrass honey, Oh I don't know what's going on.

1866
01:23:13,200 --> 01:23:18,400
Speaker 1: T So a couple. This just and this is exclusive news.

1867
01:23:19,560 --> 01:23:21,960
Speaker 5: My dear brother Tyresee is feeling some way and he

1868
01:23:22,120 --> 01:23:23,960
Speaker 5: wanted to get some things off his chest this morning.

1869
01:23:24,400 --> 01:23:27,080
Speaker 33: We're not talking about no free loading baby mamas either,

1870
01:23:27,160 --> 01:23:29,439
Speaker 33: So don't even jump in my comments about that.

1871
01:23:29,800 --> 01:23:32,360
Speaker 1: I'm always and have always took care of mine.

1872
01:23:32,560 --> 01:23:34,960
Speaker 33: You're gonna leave me and you wanna take my life

1873
01:23:35,040 --> 01:23:37,439
Speaker 33: with you, That's not happening. I'm gonna fight you to

1874
01:23:37,520 --> 01:23:39,080
Speaker 33: the end of the earth. But as far as with

1875
01:23:39,240 --> 01:23:41,760
Speaker 33: mine need, they're gonna have more than enough. It's not

1876
01:23:41,960 --> 01:23:43,920
Speaker 33: my job to take care of you and your life

1877
01:23:44,080 --> 01:23:45,960
Speaker 33: and go lavish your lifestyle.

1878
01:23:46,280 --> 01:23:48,120
Speaker 1: And you decided to leave me, you're.

1879
01:23:47,960 --> 01:23:50,639
Speaker 33: Gonna sit across from your new boyfriend, your new fiance,

1880
01:23:50,800 --> 01:23:53,360
Speaker 33: your new husband, and be pimping off my money while

1881
01:23:53,600 --> 01:23:55,680
Speaker 33: you're laying up in something that I'm paying for and

1882
01:23:55,840 --> 01:23:59,040
Speaker 33: driving around in and dinners and vacations that I'm paying for.

1883
01:23:59,320 --> 01:23:59,920
Speaker 1: I'm not doing it.

1884
01:24:00,120 --> 01:24:03,120
Speaker 33: But pertaining to my child or my children, they gonna

1885
01:24:03,120 --> 01:24:04,400
Speaker 33: always have more than.

1886
01:24:04,320 --> 01:24:07,840
Speaker 1: What they need. Tyree is still on Live right now

1887
01:24:08,240 --> 01:24:09,200
Speaker 1: going about it.

1888
01:24:09,479 --> 01:24:12,160
Speaker 5: So if y'all I just cut that from the beginning,

1889
01:24:12,160 --> 01:24:13,679
Speaker 5: where's it coming from when he started?

1890
01:24:13,840 --> 01:24:16,040
Speaker 1: Man, knock it off. You don't need no context for Tyres.

1891
01:24:16,040 --> 01:24:17,760
Speaker 1: You know exactly what he's talking. Yeah, he's talking about

1892
01:24:17,800 --> 01:24:20,160
Speaker 1: his ex wife like this.

1893
01:24:20,240 --> 01:24:23,280
Speaker 5: Something happened to in court We don't know it's it's

1894
01:24:23,320 --> 01:24:25,880
Speaker 5: still on, so we gotta go tune in and for

1895
01:24:26,000 --> 01:24:28,200
Speaker 5: y'all who who want to hear the rest of it,

1896
01:24:28,320 --> 01:24:30,320
Speaker 5: just go to this page. He's on live right now currently.

1897
01:24:30,800 --> 01:24:32,280
Speaker 5: We don't know when it's gonna end. But I just

1898
01:24:32,360 --> 01:24:34,280
Speaker 5: wanted to shed some light on that and sell that

1899
01:24:34,520 --> 01:24:36,479
Speaker 5: and send that brother healing energy.

1900
01:24:36,720 --> 01:24:38,479
Speaker 1: Did tyres ever put out the Beautiful Pain album or

1901
01:24:38,520 --> 01:24:40,519
Speaker 1: it never came up? I believe it is.

1902
01:24:41,760 --> 01:24:43,639
Speaker 3: The theme of that album is supposed to be about

1903
01:24:43,680 --> 01:24:47,560
Speaker 3: his recent divorce from from Samantha. So you know, I

1904
01:24:47,600 --> 01:24:51,799
Speaker 3: would rather Tyrese give us the music Beautiful Pain. Everything

1905
01:24:51,840 --> 01:24:54,240
Speaker 3: else handled it in the court. Ransom stuff handle that

1906
01:24:54,320 --> 01:24:54,760
Speaker 3: in the court.

1907
01:24:55,160 --> 01:25:00,720
Speaker 1: I don't think dang, it's not. No, it's sure not.

1908
01:25:01,000 --> 01:25:03,360
Speaker 1: I thought he came up here, like what six months

1909
01:25:03,400 --> 01:25:04,080
Speaker 1: ago and said.

1910
01:25:04,439 --> 01:25:10,360
Speaker 5: Okay, well, maybe he's just in such you know, a

1911
01:25:10,520 --> 01:25:12,680
Speaker 5: funk he can't even get it out.

1912
01:25:12,880 --> 01:25:17,840
Speaker 1: Maybe m I'm so sad for him, all right, but

1913
01:25:17,960 --> 01:25:19,400
Speaker 1: let's go watch the rest of his live That was

1914
01:25:19,560 --> 01:25:22,920
Speaker 1: just with the Mess, all right. The People's Choice mixes

1915
01:25:23,000 --> 01:25:25,400
Speaker 1: up next. Let's go. It's to Breakfast Sloper morning. You're

1916
01:25:25,479 --> 01:25:26,960
Speaker 1: checking out the Breakfast.

1917
01:25:26,600 --> 01:25:31,360
Speaker 5: Club Morning, Everybody's DJ n V, Jesse Hilarius, Charlamagne, the Guy,

1918
01:25:31,439 --> 01:25:32,679
Speaker 5: we are the Breakfast Club.

1919
01:25:33,520 --> 01:25:35,760
Speaker 1: I was out last night. I'm tired. Daughter went to

1920
01:25:35,800 --> 01:25:41,559
Speaker 1: go see Olivia Rodriguez. Or yes, I'm tired. I am tired.

1921
01:25:41,600 --> 01:25:43,040
Speaker 1: She had a great time. She had an amazing time.

1922
01:25:43,160 --> 01:25:45,960
Speaker 1: So Sluto, Olivia Rodrigo. She put on an amazing show.

1923
01:25:46,000 --> 01:25:48,400
Speaker 1: My kids loved it. Had a ball last night. Salot

1924
01:25:48,439 --> 01:25:52,320
Speaker 1: to them. That's right, Saluto, Olivia Rodrigo.

1925
01:25:52,520 --> 01:25:53,840
Speaker 3: And make sure you go get your tickets for the

1926
01:25:53,840 --> 01:25:57,719
Speaker 3: second annual Black Effect Podcast Festival, happening Saturday, April twenty

1927
01:25:57,800 --> 01:26:01,439
Speaker 3: seventh in Atlanta, Georgia. Man following Gilly on that stage,

1928
01:26:01,680 --> 01:26:04,600
Speaker 3: Jess Hilarious doing carefully Reckless on that stage. Mandy and

1929
01:26:04,640 --> 01:26:07,360
Speaker 3: Weezy with Horrible Decisions is on that stage. The Paul

1930
01:26:07,439 --> 01:26:10,200
Speaker 3: Minds Podcast with Dre and Lex. Paul Mind's gonna have

1931
01:26:10,200 --> 01:26:13,200
Speaker 3: a special guest too. We can't announce it yet, but

1932
01:26:13,920 --> 01:26:15,559
Speaker 3: I can't wait to announce it. They're gonna have special

1933
01:26:15,560 --> 01:26:18,400
Speaker 3: guest on this show though, So that's just a few

1934
01:26:18,439 --> 01:26:19,960
Speaker 3: people that's gonna be there, So make sure you go

1935
01:26:20,040 --> 01:26:23,160
Speaker 3: get your tickets. Black Effect dot Com Slash Podcast Festival.

1936
01:26:23,520 --> 01:26:25,479
Speaker 3: The Ball Alert Show gonna be there as well, Debbie

1937
01:26:25,520 --> 01:26:26,559
Speaker 3: Brown with Deeply Well.

1938
01:26:26,960 --> 01:26:28,439
Speaker 1: Or you can go to event bright dot com.

1939
01:26:28,439 --> 01:26:30,040
Speaker 3: To get your tickets, man, So go get your tickets

1940
01:26:30,160 --> 01:26:33,080
Speaker 3: for the second annual Black Effect Podcast Festival, happening April

1941
01:26:33,120 --> 01:26:36,880
Speaker 3: twenty seventh, atl shorwdy. All right, when we come back,

1942
01:26:36,960 --> 01:26:40,240
Speaker 3: positive notice to Breakfast Club Good morning morning, Everybody's DJ

1943
01:26:40,760 --> 01:26:43,679
Speaker 3: NV Jesse Hilary Charlamage the guy we are the Breakfast Clubs.

1944
01:26:43,720 --> 01:26:44,680
Speaker 1: Time to get up out of here.

1945
01:26:45,120 --> 01:26:46,599
Speaker 3: Yes, and I got a salute to the good sister

1946
01:26:46,640 --> 01:26:48,920
Speaker 3: Alice Randall Man. She came up here today to discuss

1947
01:26:48,960 --> 01:26:51,240
Speaker 3: her new book, My Black Country, a Journey through Country

1948
01:26:51,320 --> 01:26:53,960
Speaker 3: Music's Black Past, President Future, which is the latest release

1949
01:26:54,160 --> 01:26:57,320
Speaker 3: of my book in print Black Privilege Publishing. Go get

1950
01:26:57,400 --> 01:27:00,919
Speaker 3: that now available everywhere you buy books. And tonight, myself

1951
01:27:01,000 --> 01:27:03,920
Speaker 3: and Alice Randall along with Roseanne Cash, we will be

1952
01:27:04,040 --> 01:27:07,080
Speaker 3: at the Brooklyn Public Library from seven to eight thirty

1953
01:27:07,160 --> 01:27:10,040
Speaker 3: pm talking about My Black Country.

1954
01:27:10,120 --> 01:27:12,080
Speaker 1: So we'll see you there tonight. All right, Well, leave

1955
01:27:12,120 --> 01:27:14,439
Speaker 1: us on a positive note. Yes, I have a.

1956
01:27:14,479 --> 01:27:16,960
Speaker 3: Positive note, and that's why My Black Country by Alice

1957
01:27:17,040 --> 01:27:18,120
Speaker 3: Randall is so important.

1958
01:27:18,120 --> 01:27:18,280
Speaker 1: Man.

1959
01:27:18,360 --> 01:27:22,520
Speaker 3: This positive note comes from George Orwell. The most effective

1960
01:27:22,600 --> 01:27:26,720
Speaker 3: way to destroy people is to deny and obliterate their

1961
01:27:26,880 --> 01:27:30,280
Speaker 3: own understanding of their history. But guess what, You can't

1962
01:27:30,280 --> 01:27:33,040
Speaker 3: even understand your history if you don't know your history.

1963
01:27:33,200 --> 01:27:35,800
Speaker 3: So go get My Black Country by Alice Randall so

1964
01:27:35,880 --> 01:27:38,679
Speaker 3: you can know black people's history and country music.

1965
01:27:38,920 --> 01:27:41,880
Speaker 1: Have a blessed day. Breakfast club bitches, you don't finish

1966
01:27:41,920 --> 01:27:42,519
Speaker 1: for y'all dumb