WEBVTT - The Collaboration Part I

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>from in Our Own World podcast, and just like Hyundai,

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<v Speaker 1>your journey, Rodrigo, we have to leave. I don't want

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<v Speaker 1>Wisdom waiting for us at the restaurant by himself. I

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<v Speaker 1>just need to find a jacket. Hold on. Is it

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<v Speaker 1>okay that I'm super excited but also terrified about this duet?

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<v Speaker 1>Why are you terrifying because it's Wisdom and this duet

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<v Speaker 1>is so out of my comfort zone. I hope I'm

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<v Speaker 1>making the right decision. Found it, and you are making

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<v Speaker 1>the right decision. He may be the biggest hip hop

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<v Speaker 1>star in the world, but he's also a friend, and

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<v Speaker 1>he would never agree to do something that would make

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<v Speaker 1>him or you look foolish. Yeah, I guess you're right. Okay,

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<v Speaker 1>come on, let's get out of here, yo, right rigo, Man,

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<v Speaker 1>I ain't gonna hold you. I can't shake your birds

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<v Speaker 1>into those strings. It's like it's been on repeating my

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<v Speaker 1>mind since I first heard it. Kind of hyped about

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<v Speaker 1>this collaboration. Many thanks, brother, that means a lot. That's

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<v Speaker 1>a fact that this song has got to be so

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<v Speaker 1>special that even Zoya blows up my phone about it.

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<v Speaker 1>And you know she ain't trying to go because don't

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<v Speaker 1>make this performance about her. She's your past. Man, we're

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<v Speaker 1>all due for a new chapter, you mean, Hallalita. But

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<v Speaker 1>can I still be a little salty about her cheating? Like,

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<v Speaker 1>come on, let me live a little salty is okay,

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<v Speaker 1>but don't let it consume you. Yeah. I appreciate y'all. Man,

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<v Speaker 1>I can always kind on friends like you to keep

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<v Speaker 1>it real with the Okay, enough about so, Yeah, we're

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<v Speaker 1>here to celebrate this collaboration. Was I'm so grateful you said, Yes,

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<v Speaker 1>what are you kidding? It's gonna be great, I'm telling you.

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<v Speaker 1>But but listen, Yeah, this song is still a love song,

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<v Speaker 1>and we're gonna have to sell that on stage. Are

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<v Speaker 1>you ready to do that with me? Both of ye

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<v Speaker 1>are ready to do that? I mean you're the one

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<v Speaker 1>is gonna have to be on stage with them. We're

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<v Speaker 1>all pros here. It'll be fine. So how are we

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<v Speaker 1>gonna do this record rehearse without anyone finding out or

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<v Speaker 1>wondering why we're spending so much time together before the

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<v Speaker 1>Grammy's Look around, everyone here is raring at us. Of

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<v Speaker 1>course they are because we famous two most famous people

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<v Speaker 1>in at a passio, the only two famous people in

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<v Speaker 1>the A classil true. Look man, we'll work out of

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<v Speaker 1>my home studio and keep the crew to a minimum

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<v Speaker 1>STU so nothing gets sleep. We're gonna be good. Oh

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<v Speaker 1>one thing I know. We discussed adjusting the lyrics so

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<v Speaker 1>that they are not specific to you, and so yet

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<v Speaker 1>already working on them byes All yeah, great, But I

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<v Speaker 1>want to make sure we expand the no strengths theme

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<v Speaker 1>so that it's not just about a romantic relationship rather

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<v Speaker 1>about how so many things come with strings attached. I'll

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<v Speaker 1>see what it is. Trying to make a point about

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<v Speaker 1>your career. Huh, I got you? Actually actually not a

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<v Speaker 1>bad idea. So when do we start? Yeah, you know what,

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<v Speaker 1>come over the mall about noon. That's cool. I have

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<v Speaker 1>everything set up by that, okay, you know. And I

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<v Speaker 1>gotta say, Rod, it's so crazy that we haven't worked

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<v Speaker 1>together in such a long time, Like how long has

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<v Speaker 1>it been, man? Since my studio days? Shoot, that's some shad, Adelita.

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<v Speaker 1>Did Rod tell you he was the one who introduced

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<v Speaker 1>me to Zoya? He did made you hire her as

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<v Speaker 1>your backup singer, right? Uh huh. This dude is responsible

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<v Speaker 1>for this whole damn mess. Ain't that right? Rod? No? No,

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<v Speaker 1>no, no no, no, But seriously, man, what you did with

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<v Speaker 1>that track? It's crazy, dope, Bro, No offense to you, Adelita,

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<v Speaker 1>but you should be working with other artists, producing other

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<v Speaker 1>music outside and the day. I know. So if and

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<v Speaker 1>when you ready, I'll introduce you to the hottest new

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<v Speaker 1>hip hop artists after late, I'm promised. Oh man, I

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<v Speaker 1>appreciate it with but I don't mind being exclusive elite

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<v Speaker 1>that definitely now when she's about to show the world

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<v Speaker 1>what she can do, right baby, Well, if you change

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<v Speaker 1>your mind, you say the word. Man, I've been quiet

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<v Speaker 1>the whole right home, that's wrong. Have you ever thought

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<v Speaker 1>about working with other artists? Is this about what Wisdom said?

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<v Speaker 1>I don't ever want to make you feel like our

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<v Speaker 1>professional relationship comes with strings attached. Nah, Babe, I don't so,

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<v Speaker 1>Have you sure? I mean most record producers work with

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<v Speaker 1>multiple artists. Yeah, But Wisdom made it sound like I'm

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<v Speaker 1>holding you back, like you could be working with i

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<v Speaker 1>AG's biggest artists. It's not that simple. I'm not just

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<v Speaker 1>your record producer. I'm also your music director. And considering

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<v Speaker 1>that we've gone from producing one album to a concert tour,

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<v Speaker 1>to another album to another concert tour for the last

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<v Speaker 1>five years, iran who has time to work with other artists.

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<v Speaker 1>But if that's something you want to explore, I don't

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<v Speaker 1>want to get in the way, Babe. Stop man, Come

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<v Speaker 1>see with me. You're on the cusp of a whole

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<v Speaker 1>new chapter in your career. After this performance, I can

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<v Speaker 1>guarantee you that every music producer out there will be

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<v Speaker 1>lining up to work with you, and then who knows

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<v Speaker 1>the slub like me will have to go out and

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<v Speaker 1>find other artists to work with. But I have not

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<v Speaker 1>regretted working with you exclusively for the past five years.

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<v Speaker 1>An artist with Your talent is rare, and there's no

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<v Speaker 1>one I would rather be working with, And there's no

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<v Speaker 1>one I'd rather spend my life with in you, Rodric

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<v Speaker 1>regis Hi and woman. As a dad, actor, producer, and activist.

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<v Speaker 1>My schedule fills up fast and as we all know,

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<v Speaker 1>life can be unpredictable. That's why good help is always welcome,

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<v Speaker 1>like when your friend offers you those important words of advice,

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<v Speaker 1>He'll forget about the video game you gave him on

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<v Speaker 1>See terms and conditions at UNST dot coo. First time

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<v Speaker 1>working on ante on a track, You're ready as already

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<v Speaker 1>as I'll ever be. Come on, babe, more confidence. Remember

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<v Speaker 1>wisdom is fearless, and that's what he'll expect from you too.

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<v Speaker 1>This song is not just about doing what's comfortable. It's

0:10:57.840 --> 0:11:00.360
<v Speaker 1>about being bold and showing the world that you can

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<v Speaker 1>go outside of being all right. I'm gonna walk into

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<v Speaker 1>that studio with a Muhammad Ali attitude. Float like a bee,

0:11:08.920 --> 0:11:11.319
<v Speaker 1>sting like a butterfly. No no, no, no, no no,

0:11:11.440 --> 0:11:14.840
<v Speaker 1>Float like a butterfly, sting like a bee. The hands

0:11:14.920 --> 0:11:19.320
<v Speaker 1>can't hit what the eyes can't see, right, that's it.

0:11:19.480 --> 0:11:23.520
<v Speaker 1>So yeah, I like that. I remember he can be

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<v Speaker 1>a lot to handle when his creative juices are flowing.

0:11:25.600 --> 0:11:28.760
<v Speaker 1>So don't get intimidated, and just remember what I said

0:11:28.840 --> 0:11:32.840
<v Speaker 1>last night. He's a friend first, so just keep that

0:11:32.920 --> 0:11:37.880
<v Speaker 1>in mind, babe. The way I see it, wisdom should

0:11:37.920 --> 0:11:55.360
<v Speaker 1>be intimidated by me. Yeah that's right, baby, Damn. I

0:11:55.400 --> 0:12:00.360
<v Speaker 1>guess he started without us and you were right. Density

0:12:00.600 --> 0:12:04.400
<v Speaker 1>is quite something. It's close up right. He puts as

0:12:04.440 --> 0:12:06.320
<v Speaker 1>much energy in the studio as he does on stage.

0:12:06.679 --> 0:12:10.360
<v Speaker 1>I've never attended one of his concerts that even possible,

0:12:10.600 --> 0:12:13.240
<v Speaker 1>It's true. I've only seen him perform on TV or

0:12:13.280 --> 0:12:16.200
<v Speaker 1>in his music videos. Called he has a whole other

0:12:16.360 --> 0:12:19.040
<v Speaker 1>level of energy in person. Now you know why he's

0:12:19.080 --> 0:12:22.200
<v Speaker 1>one of the greatest hip hop artists of our generation. Wow.

0:12:22.320 --> 0:12:24.000
<v Speaker 1>I like what he's done with the lyrics he took

0:12:24.040 --> 0:12:28.560
<v Speaker 1>your note. Yeah, they're great. Look at him, he's not

0:12:28.640 --> 0:12:31.959
<v Speaker 1>just wrapping his using in his entire body, even moving

0:12:31.960 --> 0:12:35.480
<v Speaker 1>his hips to the Latin beat. Yo you here all right? Cool? Cool, cool,

0:12:35.840 --> 0:12:38.079
<v Speaker 1>I'm planning some new verses to the melody, right, So

0:12:38.440 --> 0:12:42.160
<v Speaker 1>just tell me what you think sounds great. It'll sound

0:12:42.200 --> 0:12:45.520
<v Speaker 1>even better when we we recalled the scratch track to

0:12:45.600 --> 0:12:47.640
<v Speaker 1>get in here. Man, I want to see what you

0:12:47.760 --> 0:12:51.559
<v Speaker 1>did with the chorus. You gotta show me something, Okay,

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<v Speaker 1>got this sting like a bee. The hands can't hit

0:12:55.600 --> 0:13:09.720
<v Speaker 1>what the eyes can't see? Okay? Hey, hey, so what well?

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<v Speaker 1>I haven't figured out the whole course yet, but so

0:13:12.240 --> 0:13:15.480
<v Speaker 1>so this will be rough. Nah, that's cool, that's cool man.

0:13:15.480 --> 0:13:16.640
<v Speaker 1>I just want to get a sense of you know,

0:13:16.679 --> 0:13:19.600
<v Speaker 1>how we sound together, how we vibe. Hey. Eight Rodrigo

0:13:20.360 --> 0:13:22.959
<v Speaker 1>played a last verse before Adelite had coming on a chorus.

0:13:22.960 --> 0:13:34.080
<v Speaker 1>All right, got it, my man? Yeah, And when he

0:13:34.120 --> 0:13:38.520
<v Speaker 1>started the song, all that heat, all that sensual energy

0:13:39.320 --> 0:13:42.920
<v Speaker 1>was now directed at me. He was singing to me,

0:13:44.080 --> 0:13:48.600
<v Speaker 1>dancing and moving his hips, looking at me. So when

0:13:48.679 --> 0:13:52.360
<v Speaker 1>the melody to the chorus started and he finally stopped singing,

0:13:53.720 --> 0:13:59.720
<v Speaker 1>I froze. Couldn't move, definitely couldn't sing. I just stood

0:13:59.720 --> 0:14:05.559
<v Speaker 1>there and stared at him. Adelita, that's that's where you

0:14:05.640 --> 0:14:07.520
<v Speaker 1>come in. What you're doing with the boy. We've been

0:14:07.559 --> 0:14:11.560
<v Speaker 1>over this. Yah. Sorry, don't don't be sorry. Just put

0:14:11.559 --> 0:14:15.560
<v Speaker 1>down them damn notes, say no exam look, sing whatever,

0:14:15.640 --> 0:14:19.720
<v Speaker 1>you feel, just gotta be confident, all right, a A Rod,

0:14:20.080 --> 0:14:21.840
<v Speaker 1>Let's let's try that one more time. All right, take

0:14:21.840 --> 0:14:25.800
<v Speaker 1>it from the top. Sure thing, life's so breezy when

0:14:25.800 --> 0:14:28.640
<v Speaker 1>you're moving with intention? How I come together when you

0:14:28.720 --> 0:14:31.640
<v Speaker 1>got to soon as in it? Keep all the strings

0:14:31.680 --> 0:14:36.960
<v Speaker 1>in tech, Keep up the music. Which boo? Was that? Adelita?

0:14:37.040 --> 0:14:39.680
<v Speaker 1>What are you doing? Actually, you need to attack the song.

0:14:39.800 --> 0:14:41.800
<v Speaker 1>You know how to do that. Look you knock my

0:14:41.880 --> 0:14:45.560
<v Speaker 1>backup singer shorty. You're a superstar standing right next to

0:14:45.600 --> 0:14:48.600
<v Speaker 1>another superstar, both of us standing right here in our power.

0:14:49.000 --> 0:14:52.040
<v Speaker 1>You got that. Look you come in this boof and

0:14:52.040 --> 0:14:55.760
<v Speaker 1>you deliver. Just try that again, Rod, No music this time, right,

0:14:55.800 --> 0:14:59.440
<v Speaker 1>you got it? Look, try it again, no music, and

0:14:59.520 --> 0:15:04.400
<v Speaker 1>just sing your heart. Keep all those strings intact, keep

0:15:04.600 --> 0:15:08.840
<v Speaker 1>all those strings are touched. I'm sorry, this was a mistake.

0:15:08.880 --> 0:15:19.360
<v Speaker 1>Over we get to Adela, Adelita, Hey, whoa babe? Hey?

0:15:19.480 --> 0:15:21.640
<v Speaker 1>Keep my song? Why did I ever think I could

0:15:21.680 --> 0:15:25.320
<v Speaker 1>go one on one with him at the Grammys? No, less,

0:15:25.720 --> 0:15:30.920
<v Speaker 1>I'm such an idiot. I'm going home. No, no, no no, no, hey, wait, okay,

0:15:32.160 --> 0:15:34.800
<v Speaker 1>this this was a mistake. I'm not going to go

0:15:34.840 --> 0:15:37.080
<v Speaker 1>in front of the whole world making a fool out

0:15:37.080 --> 0:15:39.720
<v Speaker 1>of myself. But you should stay. You should stay and

0:15:39.760 --> 0:15:42.320
<v Speaker 1>work with him. Find him another Latin artist, because this

0:15:42.440 --> 0:15:45.960
<v Speaker 1>is definitely the version of the song you should perform

0:15:45.960 --> 0:15:47.360
<v Speaker 1>and I'm not going to be the one to hold

0:15:47.400 --> 0:15:50.360
<v Speaker 1>you back. Come on, I'll see you at home talk

0:15:50.400 --> 0:16:06.360
<v Speaker 1>to me. If you're enjoying Adelita Changing the Key, please subscribe, rate,

0:16:06.520 --> 0:16:10.560
<v Speaker 1>and review our show wherever you're listening Adelita Changing the Key.

0:16:10.840 --> 0:16:14.280
<v Speaker 1>He's a production of Sonoro in partnership with Ihearts Michael

0:16:14.360 --> 0:16:19.160
<v Speaker 1>Tura Network. Created and written by li Jia Villalovos, Produced

0:16:19.160 --> 0:16:23.520
<v Speaker 1>by Luisa Guardo Castillo, Grinza Chaires and Bettina Lopez Mendozo.

0:16:24.120 --> 0:16:29.400
<v Speaker 1>Directed by Javier Perrazza. Developed by Jasmine Romero, Betina Lopez

0:16:29.720 --> 0:16:34.000
<v Speaker 1>and Christian Hatan. Executive produced by Gisel Vences and Conal

0:16:34.080 --> 0:16:38.520
<v Speaker 1>Bayne for iHeart and Camilla Victoriano and Georgia Weinstein for Sonoro.

0:16:39.040 --> 0:16:43.920
<v Speaker 1>Executive produced by Dayangerero and li Jia Vianovos. This episode

0:16:44.000 --> 0:16:48.560
<v Speaker 1>written by Barrett Helms with help from Daniela Sarkis, Bettina Lopez,

0:16:48.800 --> 0:16:53.800
<v Speaker 1>Rodrigo Bravo, Bonisa Hinrich, Barriana Martinez Gomez, and Ed Garesteva.

0:16:54.360 --> 0:16:59.280
<v Speaker 1>Performances in this episode by Diangerero, Jesi Garcia, and Lamar

0:16:59.640 --> 0:17:15.879
<v Speaker 1>Hs as a dad actor produced for an activist. My

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<v Speaker 1>schedule feels up fast, and as we all know, life

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