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Speaker 1: Alright, c I Am Rapport Stereo Podcast coming live and

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Speaker 1: direct Me and G Moody last name rhymes with duty.

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Speaker 1: We got all kinds of things to talk about. The

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Speaker 1: oscars went down, We got sick funks of the week,

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Speaker 1: we got rabid coyotes roaming the streets of Yonkers, New York,

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Speaker 1: and so much more. Plus special guest, the will I Am.

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Speaker 1: Will I Am is in the house with this young

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Speaker 1: kid who you've probably seen on Instagram on World Store.

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Speaker 1: My man is name l G p Qua. All right,

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Speaker 1: young MC from Philadelphia that Will I Am hooked up with.

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Speaker 1: They just put out their first single, his first single, Insomniac.

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Speaker 1: It's a banger. This kid was discovered by everybody. Everybody

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Speaker 1: saw him Rhyman on Instagram, Pete Rock Large Professor will

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Speaker 1: I Am naas everybody saw him. As soon as I

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Speaker 1: saw him, you knew he was special. We get a

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Speaker 1: special special interview Will I Am and the young rapper

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Speaker 1: from Philadelphia Qua uh Ce Iron Rapports Stereo Podcast. Let's

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Speaker 1: do it. But before we get into it. Before we

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Speaker 1: get into IM gonna give a shout out to my

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Speaker 1: main man, Kobe Bryant, who I think just surpassed Michael

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Speaker 1: Jordan's my man, want a motherfucking Oscar the other night.

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Speaker 1: Congratulations your only Kobe Bryant, first time out of the

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Speaker 1: gate that drive the determination would win an Oscar. Shout

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Speaker 1: out to you, Shout out to all the Oscar winners.

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Speaker 1: It's the Iron rapp Reports stereo podcast, Miles Jordan's let

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Speaker 1: me get some fun. Let's go all right, have no

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Speaker 1: fear of the Iron Rapports stereo podcast is here the Champs. Uh.

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Speaker 1: My name is Michael rappaport a k A Iron Mike

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Speaker 1: rappaport a k A dingo slice. Uh, you're now rocking

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Speaker 1: with the very very best. That beat that you here

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Speaker 1: underneath the is a beat crafted by g. Moody, last

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Speaker 1: name rhymes with Duty, the three time podcast co host

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Speaker 1: of the year. Uh. We call that because I thought

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Speaker 1: you could should have named it brick Uh in honor

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Speaker 1: of our guys Leroy from Brooklyn. Very very inside joke reference. Um,

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Speaker 1: but that's that because um Mr Moody, Yes, or should

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Speaker 1: I call you Champ? How are you feeling, my man?

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Speaker 1: I'm feeling splendid. Man. I was just playing ball and

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Speaker 1: uh Pelham Parkway with my daughter teaching her uh jump

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Speaker 1: shot technique. So I'm I'm I'm good. Feel a little sore,

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Speaker 1: but I'm good. Were you were you actually playing? Did

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Speaker 1: you did you? Uh? Did you do something? Yeah? I

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Speaker 1: play with her to to uh, you know, try to

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Speaker 1: show her and try to be aggressive with her. So

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Speaker 1: when she plays against the girl, she has an advantage

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Speaker 1: because she's been playing against a man, and I play

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Speaker 1: her as though she's a boy. Well, uh, for those

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Speaker 1: of you, and unfortunately there's very little footage of of G.

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Speaker 1: Moody basketball his prowess, but I could attest and if

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Speaker 1: you if you go around New York City, you speak

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Speaker 1: to people who for seven um, if you run into

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Speaker 1: the great Kenny Anderson, he will attest. G. Moody was

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Speaker 1: one of those formidable under the radar dudes who would

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Speaker 1: show up and bust your ass. And we're not talking

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Speaker 1: about We're not talking about something like little rinky Dinky ship.

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Speaker 1: We're talking about in the parks, in the gym's, playing

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Speaker 1: against the best of the best, Riverside Church, Madison Square, Broncos.

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Speaker 1: G Moody was out there really really doing it with

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Speaker 1: with like Malik Seeley and like b. J. Armstrong, and

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Speaker 1: like some of the Carter Beach sorry b J. Carter,

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Speaker 1: And like the New York dudes, the wheelchair classic dudes

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Speaker 1: from from our era, Like like at sixteen, seventeen eighteen,

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Speaker 1: I think you were at your best, Like seventeen eighteen,

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Speaker 1: like he was up there with with the best players,

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Speaker 1: uh in New York. Maybe not at that that level.

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Speaker 1: Obviously going forward, played college. You know, a couple opportunities,

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Speaker 1: fucked up, a couple of breaks he didn't get. But

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Speaker 1: I will say this right now, G. Moody will bust

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Speaker 1: your ass. Okay, that's that's a fact. That's a fact.

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Speaker 1: And and and and what was your weight when you

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Speaker 1: were about eighteen nineteen one sixty five. I was always

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Speaker 1: wiry thin. But the Brownsville in me, uh didn't that ship.

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Speaker 1: I was like, you know, you have that wiry strength

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Speaker 1: and just coming from Brooklyn and playing amongst the people

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Speaker 1: in the dead of winter, it just it just forms

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Speaker 1: that hardness about you. So you could play anywhere in

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Speaker 1: the world. Yeah, and I and I will, I will

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Speaker 1: swear by that. Uh. I saw some wild ship from

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Speaker 1: Mr Moody. He surpassed me at sixteen because before that,

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Speaker 1: you know, we were both kind of uh, and then

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Speaker 1: Moody just went to another level. Anyway, you don't have

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Speaker 1: any proof, uh to to to show that obviously we

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Speaker 1: don't fact check at the Iron Rap Coors Stereo Podcast. Um,

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Speaker 1: we pride ourselves on being the the only podcast that

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Speaker 1: truly doesn't fact check. Like when we're on here talking,

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Speaker 1: anything can be said, and the ramifications are the ramifications, like, well,

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Speaker 1: we will go from the gut, we will speak from

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Speaker 1: the soul, and we're probably gonna get a bunch of

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Speaker 1: things wrong. That that that is a fact we're not

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Speaker 1: fact checked, but it's a fact that we're probably gonna

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Speaker 1: misquote people. We are going to get statistics wrong and

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Speaker 1: very important details. That's the beauty of a non fact

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Speaker 1: checking podcast, right, And that's why we're the best because

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Speaker 1: most people are like that when you're in the street

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Speaker 1: talking to your friends or whatever. You know, you're not perfect,

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Speaker 1: but it adds to the banter. It's great. And that's

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Speaker 1: why they we're the best in the fucking world. We're

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Speaker 1: the best. We're the fucking best, were the champions. That's

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Speaker 1: that's that's the we. We we take stands. We got

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Speaker 1: fucking balls. As I said on the last podcast. And

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Speaker 1: I'll say it again. We're the podcast host with the

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Speaker 1: big swinging dicks that your mom warned you about. And

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Speaker 1: I'm not this is sound like this isn't even talking

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Speaker 1: to the to the women. This has no reference to

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Speaker 1: the women. Where we're the We're the podcast with the

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Speaker 1: big swinging dicks that your mom warned you about. Okay,

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Speaker 1: we come in there, greased up. Okay, that's that's who

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Speaker 1: we are. Okay, the podcast host with the big swinging dicks. Listen, Moody,

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Speaker 1: let's just jump into this. Uh. The Oscars, they happened.

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Speaker 1: I gotta be honest, I felt like it was a

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Speaker 1: very safe Oscars with all the uh stuff that's happened

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Speaker 1: this year, with the women's movement and the me too movement. Um,

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Speaker 1: I felt like it was, you know, Jimmy Kimmel played

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Speaker 1: it very safe, and I guess, you know, and I

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Speaker 1: funk with Jimmy. I funk with Jimmy hard. I just

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Speaker 1: saw Jimmy a couple of weeks. I'm a fan, and

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Speaker 1: I guess at a certain point, you get handcuffed, you know.

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Speaker 1: I think gone are the days where you can have

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Speaker 1: a ship talking host like Chris Rock. Um, you know

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Speaker 1: who could who could pop shit? I think we're in

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Speaker 1: such a such a you don't want to become a

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Speaker 1: hashtag on Twitter like oh Jimmy, Jimmy Kimmel and then like, oh, well,

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Speaker 1: Jimmy Kimmel made a joke about this, and some people

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Speaker 1: are really upset by the way. Who the funk are those?

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Speaker 1: Some people it takes away from the Oscars because a host,

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Speaker 1: it's supposed to be funny, and you know you're watching it,

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Speaker 1: so you know it's tongue in cheeks, nothing personal. It's funniness.

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Speaker 1: So I don't understand it, but hey, that's what it is.

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Speaker 1: Touchy feely bullshit, completely touchy feely bullshit, very very accurate

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Speaker 1: way to say it. Bullshit calls the skinny genification of

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Speaker 1: the oscars. Um. They were very conscious about reminding anybody

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Speaker 1: that wasn't a star to get the funk up there

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Speaker 1: and get the funk off the stage. And I have

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Speaker 1: to say, I understand the art of film. Uh, costume department,

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Speaker 1: makeup department, sound, sound, editing, editing, all that you don't

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Speaker 1: make a good movie or a good TV show, but

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Speaker 1: but particularly movies, because the movies is a is a

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Speaker 1: is a forum where those things are. They come more

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Speaker 1: into play television. We watch it at home, we watch

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Speaker 1: it on our fucking computer, We're even watching it on

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Speaker 1: our phone. And unfortunately, and this is no disrespect to

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Speaker 1: the artists that do all those things, um, but the

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Speaker 1: average person doesn't care. And again I'm saying this with

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Speaker 1: all due respect, um, but this the Oscar Show. You know,

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Speaker 1: three hours of this ship. Uh. And the reality is

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Speaker 1: is that the build up is more exciting than the

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Speaker 1: actual show. The show is very long, it's very sterile.

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Speaker 1: Now they're scared to make jokes about anything at a

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Speaker 1: fear of getting lambasted and you know, losing your job

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Speaker 1: in your livelihood. And I was thinking about this. So

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Speaker 1: many great actors won the awards. I wanted to give

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Speaker 1: a shout out to Tiffany Hattish because I was thinking

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Speaker 1: about her literally probably now it's like eight months ago.

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Speaker 1: Before that movie came out, A Girl's Trip, the majority

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Speaker 1: of the world didn't know who she is. I I've

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Speaker 1: seen her a couple of times do stand up. I

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Speaker 1: had met her in passing, but she truly is like

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Speaker 1: a Hollywood Cinderella story. Like less than a year ago,

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Speaker 1: let's just say that she was she was an unknown,

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Speaker 1: you know, you know, struggling. She talks about this comic

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Speaker 1: actress and now she's at the fucking Oscars and I

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Speaker 1: saw her at the pregame and I was like, yo,

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Speaker 1: this is this is a wild story, like her story,

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Speaker 1: like she literally now she's been rocking for years, but

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Speaker 1: she literally got discovered, got an opportunity, and boom that

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Speaker 1: movie Girl's Trip came out and and she's she's on

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Speaker 1: in popping like you're gonna be hearing about Tiffany Hattish

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Speaker 1: for the next for as long as she keeps rocking,

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Speaker 1: she'll be nominated for an Oscar. I want to be

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Speaker 1: the first to say this as a fan, because she's

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Speaker 1: so We were talking about her her comedy once before.

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Speaker 1: Tiffany Hattish's comedy. You know, obviously it's funny, um, but

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Speaker 1: there's so much pain. There's so much clear pain in

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Speaker 1: her comedy, in her stand up comedy, and you can

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Speaker 1: just tell at some point she's gonna get the right

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Speaker 1: dramatic part um in the right dramatic film, and she's

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Speaker 1: gonna get nominated for an actress. Like she's a she's

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Speaker 1: a true talent. Good for her man, you know, but

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Speaker 1: that's a testament to the greatness of of America. Rags.

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Speaker 1: You can go from rags to riches. Yes, she definitely

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Speaker 1: went from rags of riches. But you know that. Like

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Speaker 1: I said, the show is good. Um uh, you guys

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Speaker 1: know who won, you know who lost? It really doesn't

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Speaker 1: There was no faux pause. There was no funk ups

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Speaker 1: last year. Remember the whole thing happened with Moonlight and

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Speaker 1: La La Land and my man, Warren Beatty, the consummate

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Speaker 1: stick Man. The man has an entire building, The Warren

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Speaker 1: Beatty Building is on the Stickman Hall of Fame campus.

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Speaker 1: There's a whole fucking building named after him. He was

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Speaker 1: the blood of all the Yo Moody. He set the

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Speaker 1: groundwork for not only just like the current stick Man,

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Speaker 1: he taught the game to Jack Nicholson. Yeah, I'm surprised

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Speaker 1: nobody came after him and said some ship where he

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Speaker 1: was on some meat to ship. He's lucky. You know what, though,

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Speaker 1: I always say, uh, there's a difference between his stickman

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Speaker 1: and uh what is it? There's a difference between his

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Speaker 1: stickman and a piece of ship. Yes, that's the word

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Speaker 1: right there. There's a difference between a stickman and say

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Speaker 1: it again, a piece of ship. There you go. And

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Speaker 1: and Warren Beatty, I mean, like, you know, he set

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Speaker 1: the groundwork. And I can't remember who was all at

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Speaker 1: the conversation, but I remember I was amongst some great

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Speaker 1: Hollywood people and I'd say, this is around and they

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Speaker 1: were talking about the work, the amount of uh, the

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Speaker 1: amount of work that Warren Beatty put in during the sixties,

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Speaker 1: the seventies and the eighties, and they were just talking

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Speaker 1: about the greatness what they had seen, uh, mainly in

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Speaker 1: the in the early like in the early nineties he

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Speaker 1: was knocking down Madonna when Madonna was in her prime. Yeah,

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Speaker 1: you know, Warren Batty was I think he was like

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Speaker 1: mid to late sixties. He was knocking down Madonna. He

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Speaker 1: had Madonna all funked up. You only live once, and

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Speaker 1: Madonna was just like an afterthought to Warren Beatty, like

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Speaker 1: he put in that good work. Um. But it was

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Speaker 1: like around nineties seven. Uh, the consensus was at the

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Speaker 1: great Leonardo DiCaprio had finally surpassed him. Maybe it was

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Speaker 1: again we don't fact that it could have been two thousands.

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Speaker 1: The consensus was that the great Leonardo DiCaprio, who is

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Speaker 1: the current heavyweight champion of all stick men had surpassed

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Speaker 1: it right after Titanic came out. It was just a

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Speaker 1: run that we have. He's not done yet, DiCaprio is

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Speaker 1: not done yet. The run continues. And we can hate

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Speaker 1: all you want, you Huffington Post hipster Fox and all

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Speaker 1: you Internet hipsters. You can say, oh, there's Leonardo with

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Speaker 1: another twenty five year old banger. You're just mad because

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Speaker 1: you're not with a twenty five year old banger. Yeah, yeah,

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Speaker 1: leave that man alone. Man, it's one life. Everybody got

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Speaker 1: a life to lead. He's classy, he has no problems.

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Speaker 1: Let that man seek. The women are not complaining. You'd

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Speaker 1: be pressed to find anybody that has anything negative to

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Speaker 1: say about the Great Warren Beatty during his reign and

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Speaker 1: the Great Leonardo DiCaprio currently during his championship ring. Speaking

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Speaker 1: of championships, this is a championship podcast. As I told

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Speaker 1: you earlier, will I am motherfucking will I am producer, innovator.

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Speaker 1: I mean, you know, the dude is way beyond music.

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Speaker 1: He he truly is an innovator, a forward thinker. Um,

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Speaker 1: he's rocking with me on the I Am Rapports Stereo

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Speaker 1: podcast got to sit down with him. And this kid

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Speaker 1: who I saw like the rest of the world, just

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Speaker 1: like Will I Am. Everybody saw him on Instagram. His

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Speaker 1: name is Qua, his m C name is l G

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Speaker 1: P Qua. Let's get paid, That's what that stands for.

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Speaker 1: He's a young kid from Philly that just started rhyming

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Speaker 1: on Instagram over like old school beats, like he would

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Speaker 1: be rocking over like self destruction, big Daddy Cane beats

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Speaker 1: and like you know, and and he would go viral.

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Speaker 1: He like everybody would post Hi. Pete Rock would posted

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Speaker 1: World Star War posted, Charlottage would post it. I saw

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Speaker 1: it like I would you. When I saw him, you

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Speaker 1: were like, that's this is this guy's guy, Like he's

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Speaker 1: town yeah, yeah, young Philly kidd um. So Will i

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Speaker 1: am uh made his first official song with him. It's

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Speaker 1: called Insomniac Ship's Dope Um. And Will I Am is

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Speaker 1: rocking with this dude and and he sees something special

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Speaker 1: in him. So we got to talk to Will I

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Speaker 1: Am talking about so many different hip hop things. I

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Speaker 1: even asked him about the Fergy situation because the reason

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Speaker 1: why I asked about the Fergy situation is and I

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Speaker 1: equated it to uh young mc qua. Uh is because

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Speaker 1: Qua got discovered through the through the internet, social media

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Speaker 1: and the Furgi national anthem at the NBA Y'all Star

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Speaker 1: game was such a true two thousand eighteen social media incident.

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Speaker 1: Like it was like such a lamb basting and obviously

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Speaker 1: she was in Black Eyed Peas. So it's a dope

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Speaker 1: interview with the two of them. And it was dope

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Speaker 1: to be able to sit down with this kid because

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Speaker 1: I feel like in five years, uh, he's gonna be like,

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Speaker 1: I don't remember you my crap, because he's gonna he's

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Speaker 1: gonna blow the funk up. Good good man. I like

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Speaker 1: hip hop, and uh, you know, I was kind of

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Speaker 1: discouraged from what the ship out here on the radio

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Speaker 1: when I'm in the car driving in Mighty to school

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Speaker 1: my daughter, and uh, I just want to hear a

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Speaker 1: guy speak and I can understand the words. That's that's

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Speaker 1: all I ask for right now. You're not asking for

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Speaker 1: a lot. It's just like you just want some basic

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Speaker 1: ingredients in your food. Um, And so we got to

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Speaker 1: talk about that and and and just you know, beat

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Speaker 1: making and you know some of the beats that Will

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Speaker 1: has made, and you know, like He's very under very understanding,

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Speaker 1: very clear. Like y'all making a pop record here, I'm

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Speaker 1: making a app record here, I'm making an underground record here.

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Speaker 1: We got to talk about all that ships to dope interview.

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Speaker 1: Dope dope dope interview coming up later in the show.

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Speaker 1: But when I was talking about championship podcasting, there was

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Speaker 1: a championship fight right there in Barclay's uh the other night,

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Speaker 1: um and they it was they got it on, uh,

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Speaker 1: Deontay Wilder and my man Luise or Tse from Cuba,

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Speaker 1: two big, two d thirty five pound heavyweight dudes. They

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Speaker 1: put it down, um and it was a great fight. Um.

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Speaker 1: It was a um dramatic fight, and it was one

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Speaker 1: of the better heavyweight fights that I've seen in a

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Speaker 1: long time because they were they were big, but it

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Speaker 1: wasn't like that rock'm sockem robot clitchk type of ship

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Speaker 1: like they were. They were out there, they were out

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Speaker 1: there swinging and banging. Oh so it was good. I

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Speaker 1: didn't see it. So they were they were going at it.

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Speaker 1: Where were they tactical or was it just too fucking

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Speaker 1: big loots? But they were tactical. I mean they're they're

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Speaker 1: definitely big loots. Put this dude, Louis Ortiz Luise, he's Cuban, um, he's,

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Speaker 1: you know, been one of these Cuban fighters that's never

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Speaker 1: gotten a shot. You know, he's Cuban til he's been

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Speaker 1: caught up in you know, all the politics of being

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Speaker 1: an athlete over there. And it was tactical, but they

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Speaker 1: were banging. They were definitely banging. But Deonte Wilder was

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Speaker 1: in trouble. He had gotten knocked down. It looked like

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Speaker 1: it was over, and he finally he won by a

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Speaker 1: tactical move. Um. So if you can't, if you haven't

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Speaker 1: seen that fight, you should try to check it out.

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Speaker 1: I'm sure they're replaying it on showtime because they got

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Speaker 1: it on. They were thugging in and that ship it was.

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Speaker 1: It was a dope fight. Also premiering on the fifth

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Speaker 1: of March, which is when you should probably be listening

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Speaker 1: to this. Me and the Young Shooter Remember when I

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Speaker 1: talked about going up to uh Oakland to see the

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Speaker 1: Warriors playing well, Well, Me and the Young Shooters started

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Speaker 1: doing some ship with Kevin Durant. All right, he got

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Speaker 1: his YouTube channel and he brought up the m v

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Speaker 1: P of talking trash. That's me UH to talk some ship.

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Speaker 1: And we talked some ship. And the premiere of the

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Speaker 1: little series that we're doing with Kevin Durant is on

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Speaker 1: his YouTube channel, The Ship's Funny UH later on UH.

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Speaker 1: You know, in the in the series, we do an

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Speaker 1: actual shame game with Kevin Durant. And the thing that

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Speaker 1: I love about the shame game with Kevin Durant is

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Speaker 1: people including G Moody and myself, but including G Moody,

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Speaker 1: the three time podcast coldst here continue to talk shit

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Speaker 1: to Kevin Durant. Everybody's got something to say about Kevin Durant.

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Speaker 1: So what do you do if you want to nip

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Speaker 1: that in the butt? You bring in me and we

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Speaker 1: blast your ass on the motherfucking shame game. So that's

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Speaker 1: coming on Kevin Durant's YouTube channel. But the premiere episode

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Speaker 1: UH is starting March five, and then you know, we're

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Speaker 1: gonna keep dropping him throughout the rest of the season.

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Speaker 1: And it was dope. Okay, I'm looking forward to seeing that.

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Speaker 1: It's it's the thing that I love. I love about

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Speaker 1: his he's very aware of his persona and how he's perceived.

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Speaker 1: And when I got to meet Durant. The first thing

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Speaker 1: I realized right away is that he uh, he's in

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Speaker 1: on the joke, like he's in on the joke. And

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Speaker 1: also his his Kevin Durant, his k d uh personality

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Speaker 1: that we see in the media. I literally would say

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Speaker 1: it's probably half of who he is in real life.

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Speaker 1: He's so much more relaxed, funny, got a great sense

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Speaker 1: of humor, loves to talk ship, and just really has

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Speaker 1: a great sense of humor. He loves the McGregor's. If

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Speaker 1: you haven't seen the mcgregors on the Instagram page, it's

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Speaker 1: another uh, it's another fan favorite. But he thinks it's

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Speaker 1: like I mean, he's like watching Kevin Durant, like fucking

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Speaker 1: giddy laughing at that ship. It's just not what you

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Speaker 1: see when you see Kevin Durant. You just we don't

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Speaker 1: like a lot of these players. They're really like politicians.

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Speaker 1: They're they're sort of hands off and they're guarded because

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Speaker 1: they live in a bubble and seven reality show. Right

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Speaker 1: right right. I want to shout out the brave Parrot

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Speaker 1: troops that hit me up um on direct message. I

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Speaker 1: was cooling the crib got a message from paratroopers from Afghanistan.

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Speaker 1: They love the show. They loved me and you Wrap,

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Speaker 1: and I want to shout these brave motherfucker's out from

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Speaker 1: the one five o one Parachute Infantry Regiment holding it

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Speaker 1: down in Afghanistan. My man's Sergeant Belmonte Shoe. I'm saying

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Speaker 1: it right, Sergeant col Well, and the whole regulating regiment

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Speaker 1: out there parachuting down and seizing the whole area just

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Speaker 1: like we do. We're podcast paratroopers. We seize this whole

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Speaker 1: ship and they do the same. And these brave casts

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Speaker 1: from the military just want to say, stay safe, keep

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Speaker 1: holding it down, and come home safe. Absolutely Yo. The

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Speaker 1: fact that listen, we will, the fact that people even

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Speaker 1: listen to us, let alone people over there like like

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Speaker 1: doing what they're doing, and they even know that we is. Yo,

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Speaker 1: nothing but love, nothing but respect. Be safe. Anybody who

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Speaker 1: rocks with us, Uh will you? I can't tell you

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Speaker 1: how much we appreciate it. Uh. You may or may

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Speaker 1: not know. Me and g Moody have been rocking off

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Speaker 1: Mike since nine two. So shout out to anybody who

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Speaker 1: sucks with the Iron Wrap Port Stereo podcast, especially people

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Speaker 1: like that that are keeping us safe and uh you know, protecting,

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Speaker 1: protecting all our rights, all our civilities and everything like that. Yo.

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Speaker 1: Another thing that happened, Gee, I forgot to tell you

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Speaker 1: after that fight in New York. There's these two young fighters,

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Speaker 1: the Charlo Twins. There's two of them, young dudes, pretty boys, boxers,

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Speaker 1: their ass kickers. They showed them before the fight. I've

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Speaker 1: seen them both fight. They're they're literally identical twins. Identical

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Speaker 1: twin ass kickers. Um. They were there at the at

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Speaker 1: Barclay's watching the the Wilder or Tease fight. So they

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Speaker 1: went out to the forty forty club. They was out

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Speaker 1: there chilling with the chicks and all that. For some

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Speaker 1: fucking reason, one of these twins had a hundred and

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Speaker 1: fifty thousand dollars in cash and jewelry on him. I

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Speaker 1: don't know why. Why would you have at dollars in

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Speaker 1: cash and jewelry on you? Why would you have a

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Speaker 1: hundred Why? Why do you need that much money? That's

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00:23:18,720 --> 00:23:21,280
Speaker 1: just the show off for the chicks. Where you can

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Speaker 1: have that brick of money in your pocket, It's just

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00:23:23,800 --> 00:23:27,040
Speaker 1: to show off. That's why he's doing it. Well, they

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Speaker 1: were at the forty forty club. Shout out to Jay

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Speaker 1: Z and one thing led to another, and these chicks

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Speaker 1: got the bag, the Lewis for Time bag that one

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Speaker 1: of these twins left unattended. Again, I don't understand. If

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Speaker 1: you have that ship, why isn't like stuffed down your

401
00:23:43,920 --> 00:23:47,080
Speaker 1: fucking pants like a ten dollar bag of Buddha in

402
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Speaker 1: the eighties, Like, why do you have a Lewis for

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Speaker 1: Time bag unattended with all that ship in there? I

404
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Speaker 1: just I don't get it. You deserve to lose it.

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00:23:55,480 --> 00:23:59,399
Speaker 1: If it's unattended and you got that much paper in it,

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00:23:59,560 --> 00:24:03,560
Speaker 1: you just deserve to lose it. It's unattended and it's

407
00:24:03,600 --> 00:24:05,919
Speaker 1: your money, and you try to show off and you

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00:24:06,040 --> 00:24:10,080
Speaker 1: leave it there. Yo, It's gone and that's it. Charged

409
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Speaker 1: that to the game over. Good for you, fucking crazy

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Speaker 1: man and speaking to jay Z Yo. This this dude,

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00:24:16,960 --> 00:24:20,200
Speaker 1: George Zimmerman, the guy who got off Scott Free after

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00:24:20,280 --> 00:24:25,000
Speaker 1: killing Trayvon Martin. This guy's talking. The fact that this

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Speaker 1: guy is out here free, living, living, free, wandering around

414
00:24:28,760 --> 00:24:30,920
Speaker 1: is crazy to me. This guy is trying to talk

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Speaker 1: ship to Jay Z. Yeah, yeah, I guess he feels

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Speaker 1: I killed him, motherfucker. I I can talk ship to anybody, yo,

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00:24:40,480 --> 00:24:42,639
Speaker 1: that's good. This is ge Do you any one know?

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Speaker 1: I just want to point this out. This is why

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Speaker 1: you're you're you're the podcast Cols there that that's it.

420
00:24:47,920 --> 00:24:50,680
Speaker 1: He that's that's exactly what he thinks. He's like, I'll

421
00:24:50,720 --> 00:24:53,080
Speaker 1: fuck you up, jay Z if if push comes to show.

422
00:24:54,200 --> 00:24:56,320
Speaker 1: We all know that what gotta happened. We all know

423
00:24:56,359 --> 00:24:59,440
Speaker 1: that George Jimmerman should be rotting away somewhere and and

424
00:24:59,440 --> 00:25:01,199
Speaker 1: and just by the way he's living his life and

425
00:25:01,200 --> 00:25:04,720
Speaker 1: the things he's doing, uh, you know he's rotting away internally.

426
00:25:04,960 --> 00:25:06,720
Speaker 1: I mean, I have all sort of collidess. I can't

427
00:25:06,720 --> 00:25:11,400
Speaker 1: imagine what the funk this animal has. He's like, Yo,

428
00:25:11,720 --> 00:25:14,320
Speaker 1: I got a body. This is his mindset. His his

429
00:25:14,400 --> 00:25:17,600
Speaker 1: weird mindset. I got a body and I beat the case.

430
00:25:18,000 --> 00:25:20,959
Speaker 1: So who's more thug life than me? So some rapper

431
00:25:21,240 --> 00:25:24,280
Speaker 1: is talking ship and I got a body. Fuck him?

432
00:25:24,520 --> 00:25:30,879
Speaker 1: That's his mindset. Jesus Christ, Um, I want to get

433
00:25:30,920 --> 00:25:33,000
Speaker 1: into these six funks of the week all right before

434
00:25:33,040 --> 00:25:35,680
Speaker 1: we get to will I am am a man Qua

435
00:25:36,240 --> 00:25:40,120
Speaker 1: l G p Qua who you should follow on Instagram

436
00:25:40,119 --> 00:25:43,080
Speaker 1: if you already don't follow, He's got tons of followers. Um.

437
00:25:43,240 --> 00:25:49,600
Speaker 1: L G. P underscore koa que support, support real hip hop.

438
00:25:49,840 --> 00:25:53,919
Speaker 1: Support these guys that that uh that are rocking like

439
00:25:53,920 --> 00:25:58,239
Speaker 1: like yesteryear, because this ship out here is disgraceful. YO.

440
00:25:58,600 --> 00:26:02,000
Speaker 1: Support these people who are rocking like they're supposed to

441
00:26:02,119 --> 00:26:05,840
Speaker 1: rock Miles Jordan's let Me get that sick Funk of

442
00:26:05,880 --> 00:26:10,120
Speaker 1: the Week music. This award is earned, not given. It's

443
00:26:10,160 --> 00:26:13,960
Speaker 1: called the sick fucking a Week. This guy is really sick.

444
00:26:14,440 --> 00:26:17,439
Speaker 1: Lock him up? How could you do it? Don't let

445
00:26:17,520 --> 00:26:20,600
Speaker 1: him out? Damn when you fuck the door? You want

446
00:26:20,880 --> 00:26:23,159
Speaker 1: you fuck the door? Why would you fuck the dog?

447
00:26:23,800 --> 00:26:27,720
Speaker 1: Why would you fuck your girlfriend's dog? What? Sick fuck?

448
00:26:27,880 --> 00:26:32,199
Speaker 1: The sick funck of the week. It's earned, earned, not giving.

449
00:26:32,320 --> 00:26:42,399
Speaker 1: You didn't what? No, no, no, yes, Yes. This is

450
00:26:42,440 --> 00:26:46,119
Speaker 1: the sick fuck of the Week segment, the award winning

451
00:26:46,200 --> 00:26:50,280
Speaker 1: six fuck of the Week segment. This is an award

452
00:26:50,280 --> 00:26:55,200
Speaker 1: that is earned, not given, earned, not given. Okay, there

453
00:26:55,280 --> 00:26:58,200
Speaker 1: is a difference. Um it goes out to a certain

454
00:26:58,280 --> 00:27:02,600
Speaker 1: person with a certain genesee. Um. Now, before I get

455
00:27:02,640 --> 00:27:05,880
Speaker 1: into the specific sick fox of the week, we all

456
00:27:06,359 --> 00:27:09,840
Speaker 1: I hope you all saw the coyote video. Um. In

457
00:27:09,920 --> 00:27:14,560
Speaker 1: my neighborhood, my residential neighborhood. Um, if you're from the city,

458
00:27:14,720 --> 00:27:16,800
Speaker 1: it appears like it's some Brady bunch ship. But my

459
00:27:16,800 --> 00:27:19,600
Speaker 1: my block is is residential, like the off street. You're

460
00:27:19,640 --> 00:27:22,159
Speaker 1: you're in the city of Los Angeles, Okay. And the

461
00:27:22,160 --> 00:27:24,040
Speaker 1: reason why I'm bringing that up is because a couple

462
00:27:24,080 --> 00:27:28,200
Speaker 1: of months ago, early on a Sunday morning, I saw

463
00:27:28,240 --> 00:27:31,560
Speaker 1: a coyote roaming around my suburban neighborhood. I don't live

464
00:27:31,560 --> 00:27:34,359
Speaker 1: in the hills. I live in a very like you know,

465
00:27:34,640 --> 00:27:37,000
Speaker 1: you walk and ship like that. I saw a coyote.

466
00:27:37,200 --> 00:27:40,960
Speaker 1: I followed the county. The county went into the bushes.

467
00:27:41,040 --> 00:27:42,920
Speaker 1: The kyote he was looking at me like what you're

468
00:27:42,920 --> 00:27:46,199
Speaker 1: gonna do? And and my response to myself was not

469
00:27:46,320 --> 00:27:51,119
Speaker 1: a goddamn thing. I'm scared. Shit, they attack, do they

470
00:27:51,160 --> 00:27:56,040
Speaker 1: attack people? They just I'm getting to that. I'm getting

471
00:27:56,080 --> 00:27:58,560
Speaker 1: to that, okay. And a lot of people are like,

472
00:27:58,600 --> 00:28:00,920
Speaker 1: you're you're a pussy, You're scared. I said, you could

473
00:28:00,960 --> 00:28:04,800
Speaker 1: hear me, you could literally hear me going like I

474
00:28:04,840 --> 00:28:08,320
Speaker 1: was scared of the coyote. Okay. Then he ducked his

475
00:28:08,400 --> 00:28:10,560
Speaker 1: head down into like the bushes. You could see his head.

476
00:28:10,560 --> 00:28:13,399
Speaker 1: He ducked his head down into the bushes, picked up

477
00:28:13,440 --> 00:28:16,080
Speaker 1: a dead cat which he had already killed, and hid

478
00:28:16,320 --> 00:28:19,160
Speaker 1: and walked the funk off, like what you gonna do, pussy?

479
00:28:19,200 --> 00:28:22,399
Speaker 1: And I continued to cry and scream, just like the

480
00:28:22,400 --> 00:28:24,920
Speaker 1: pussy that the coyote thought I was, and I got

481
00:28:25,080 --> 00:28:27,960
Speaker 1: people thought it was funny, but I got ridiculed. You're

482
00:28:27,960 --> 00:28:31,080
Speaker 1: a punk. Why didn't you do something all this kind

483
00:28:31,080 --> 00:28:34,639
Speaker 1: of ship. Well, the joke's on you, asshole, because in

484
00:28:34,720 --> 00:28:38,720
Speaker 1: the Yonkers part of New York, Yonkers in New York,

485
00:28:38,760 --> 00:28:40,680
Speaker 1: which is just a which is just a piss hole

486
00:28:40,720 --> 00:28:43,400
Speaker 1: away from where g Moody lives in the Bronx, right,

487
00:28:43,440 --> 00:28:48,000
Speaker 1: how is from you? G uh ten minutes Jada kiss

488
00:28:48,200 --> 00:28:53,160
Speaker 1: DMX locks all that good stuff. A coyote bit several

489
00:28:53,560 --> 00:29:01,680
Speaker 1: people in Westchester County. Yeah, a coyote bit several people.

490
00:29:02,080 --> 00:29:06,840
Speaker 1: And the coyote was rabid. That means the most fucker's

491
00:29:06,880 --> 00:29:12,240
Speaker 1: got rabies. That coyotes also killed small dogs and mold

492
00:29:12,360 --> 00:29:16,680
Speaker 1: three sheep. So when you see me screaming and crying

493
00:29:17,040 --> 00:29:19,640
Speaker 1: and carrying on because I see a coyote in my

494
00:29:19,760 --> 00:29:25,080
Speaker 1: residential neighborhood, when I'm walking my dog Wheezy, who whose

495
00:29:25,160 --> 00:29:29,040
Speaker 1: only trick is sitting down, couldn't defend himself if he tried,

496
00:29:29,280 --> 00:29:33,560
Speaker 1: poor fucking thing. I don't want to be ridiculed and

497
00:29:33,600 --> 00:29:38,280
Speaker 1: teased and shamed. It's not fair to me. Okay, there's

498
00:29:38,280 --> 00:29:41,960
Speaker 1: a fucking coyote on the loose and yonkers spity people.

499
00:29:43,640 --> 00:29:48,000
Speaker 1: I post my video to share it. Rappaporter, pussy, what

500
00:29:48,080 --> 00:29:53,520
Speaker 1: do you fuck you? That's what I say. Fuck you,

501
00:29:53,520 --> 00:29:56,720
Speaker 1: youdn moody. You're like, oh, you're screaming and carry on

502
00:29:56,760 --> 00:29:59,520
Speaker 1: about the coyote. Go up to yanker since you're so crunk.

503
00:30:01,240 --> 00:30:04,440
Speaker 1: I walked. But if there's coyotes and you noticed coyotes

504
00:30:04,680 --> 00:30:08,520
Speaker 1: and your dog is soft, you gotta carry a hammer

505
00:30:09,000 --> 00:30:11,440
Speaker 1: just in case. So if you run up on you,

506
00:30:11,440 --> 00:30:14,880
Speaker 1: you got the hammer. You just hit him, You just boom.

507
00:30:15,240 --> 00:30:18,360
Speaker 1: You're protecting yourself and it's it's a shame that a

508
00:30:18,480 --> 00:30:25,080
Speaker 1: human being with a dog gotta protect the dog. That is.

509
00:30:25,200 --> 00:30:28,880
Speaker 1: That's shameful. So you gotta carry you gotta carry the hammer,

510
00:30:30,640 --> 00:30:36,080
Speaker 1: all right. First six funck of the Week Minnesota. Authorities

511
00:30:36,080 --> 00:30:39,120
Speaker 1: in Minnesota are searching for a male suspect who beat

512
00:30:39,640 --> 00:30:44,720
Speaker 1: an elderly man, uh it's gentleman in East Bethel Minnesota.

513
00:30:45,000 --> 00:30:48,400
Speaker 1: A road rage incident. Uh. The the angry driver was

514
00:30:48,480 --> 00:30:51,760
Speaker 1: driving erratically, taunting the victim, and then got out the

515
00:30:51,760 --> 00:30:54,959
Speaker 1: guys about eighties something years old and just beat him up.

516
00:30:55,760 --> 00:30:57,800
Speaker 1: You know, there's pictures of the guys. It's really sad.

517
00:30:58,200 --> 00:31:00,720
Speaker 1: It's like a thirty five year old guy with a

518
00:31:00,760 --> 00:31:04,760
Speaker 1: buzz cut. Uh. He was driving a dark silver or

519
00:31:04,880 --> 00:31:07,400
Speaker 1: gray car. If you're in Minnesota and you find this

520
00:31:07,520 --> 00:31:11,880
Speaker 1: piece of ship and ham, make uh report him. He

521
00:31:12,000 --> 00:31:13,520
Speaker 1: beat up a guy could have been any one of

522
00:31:13,560 --> 00:31:17,960
Speaker 1: our father's, grandfather's or uncle. This is the sick funk

523
00:31:18,000 --> 00:31:21,440
Speaker 1: of the week on the loose in Minnesota. Yeah, what's

524
00:31:21,480 --> 00:31:23,400
Speaker 1: up with the police out there in Minnesota. This is

525
00:31:23,440 --> 00:31:26,760
Speaker 1: somebody you can get extra work in, get some extra credit.

526
00:31:27,120 --> 00:31:29,880
Speaker 1: Don't report it to the to the commander. Just drive

527
00:31:29,960 --> 00:31:33,720
Speaker 1: his ass somewhere behind the mall and mall his ass.

528
00:31:35,280 --> 00:31:39,200
Speaker 1: Second sick funk of the week a Polish company, I

529
00:31:39,240 --> 00:31:43,560
Speaker 1: can't even pronounce it, put out a pair, you know,

530
00:31:43,720 --> 00:31:46,680
Speaker 1: socks with personalities. They put out a pair of socks

531
00:31:46,720 --> 00:31:50,280
Speaker 1: with personalities and the personality of Hitler. The socks have

532
00:31:50,440 --> 00:31:54,280
Speaker 1: pictures of Hitler on the socks. And they said, and

533
00:31:54,320 --> 00:31:58,960
Speaker 1: I quote they were designed to quote bring order in

534
00:31:59,000 --> 00:32:03,280
Speaker 1: the socks, straw, Duke, that ship ain't funny, duke, funk

535
00:32:03,360 --> 00:32:07,200
Speaker 1: is you doing? You think that ship is dope? That's

536
00:32:07,200 --> 00:32:12,000
Speaker 1: just not dope. What's what's the fascination with this guy?

537
00:32:12,200 --> 00:32:15,760
Speaker 1: They It's like, I don't understand the fascination with wait

538
00:32:15,840 --> 00:32:18,400
Speaker 1: with with with somebody like that that has done so much,

539
00:32:18,840 --> 00:32:21,440
Speaker 1: you know, carnage in the world, and it's always like

540
00:32:21,480 --> 00:32:25,080
Speaker 1: a fascinating I don't I don't get it. It's like

541
00:32:25,120 --> 00:32:28,280
Speaker 1: a forbidden fruit. Man, It's a forbidden fruit. People want

542
00:32:28,280 --> 00:32:29,920
Speaker 1: to get away with what they could get away with,

543
00:32:30,400 --> 00:32:32,400
Speaker 1: and they want to they want to see see how

544
00:32:32,440 --> 00:32:34,360
Speaker 1: much they could get away with. They need to find

545
00:32:34,400 --> 00:32:37,280
Speaker 1: these guys. They need to find these guys that made

546
00:32:37,280 --> 00:32:40,040
Speaker 1: the socks, you know what I mean? I know, Yeah,

547
00:32:40,120 --> 00:32:43,560
Speaker 1: it's not like this guy succeeded at anything, you know

548
00:32:43,560 --> 00:32:47,200
Speaker 1: what I'm saying, Like he was conquered over with So

549
00:32:47,720 --> 00:32:49,160
Speaker 1: I don't know, I don't know why they hold him

550
00:32:49,160 --> 00:32:53,040
Speaker 1: in so high regard. The third sick funk of the

551
00:32:53,080 --> 00:32:59,360
Speaker 1: week in Long Island. In Long Island, New York, where

552
00:32:59,360 --> 00:33:03,520
Speaker 1: my mother is from, where the Great Lilusado, Howard Stern

553
00:33:04,000 --> 00:33:08,680
Speaker 1: method Man, the Great Doctor j and even that fuck

554
00:33:10,240 --> 00:33:15,000
Speaker 1: Anthony Scarucci is from E. P M. D M. A

555
00:33:15,120 --> 00:33:18,240
Speaker 1: Day Lost Soul and so on and so on him

556
00:33:19,520 --> 00:33:21,160
Speaker 1: the Great Rock Kim. I don't want to go down

557
00:33:21,200 --> 00:33:27,840
Speaker 1: a hole Long Island rabbit hole. They were in a

558
00:33:27,920 --> 00:33:31,880
Speaker 1: movie theater in Long Island. There was a toddler making noise,

559
00:33:32,720 --> 00:33:34,920
Speaker 1: probably at a kids movie. They didn't say what film.

560
00:33:34,920 --> 00:33:39,680
Speaker 1: It was. A guy named Charles Carmen and his wife

561
00:33:40,480 --> 00:33:45,000
Speaker 1: Kerry Carmen are being charged with endangering the welfare of

562
00:33:45,040 --> 00:33:50,960
Speaker 1: a child. The noisy child was apparently disrupting and annoying

563
00:33:50,960 --> 00:33:55,640
Speaker 1: these two sick funk so much that this lunatic went

564
00:33:55,720 --> 00:33:58,000
Speaker 1: over to the little baby, the two year old, and

565
00:33:58,160 --> 00:34:02,160
Speaker 1: dumped popcorn all over her head. Imagine you're in the

566
00:34:02,200 --> 00:34:05,880
Speaker 1: movie theater at like Finding Nemo or something like that, right,

567
00:34:07,040 --> 00:34:09,560
Speaker 1: and your kids, you know, messing up or something like that,

568
00:34:09,600 --> 00:34:12,560
Speaker 1: and make a noise, and and some lady and some psycho,

569
00:34:12,680 --> 00:34:16,719
Speaker 1: some sick funking a week come poor popcorn all over you.

570
00:34:17,480 --> 00:34:21,040
Speaker 1: Oh man, the movie gotta cut off, like like no

571
00:34:21,120 --> 00:34:24,200
Speaker 1: more movie. We have to deal with this now. Now

572
00:34:24,360 --> 00:34:30,480
Speaker 1: I'm gonna turn this into a movie. Yes, yes, that's fantastic. Um. Finally,

573
00:34:30,520 --> 00:34:32,560
Speaker 1: the fourth and final six Funk of the Week, the

574
00:34:32,719 --> 00:34:35,880
Speaker 1: North Texas teenager who actually won the sick Funk of

575
00:34:35,880 --> 00:34:40,799
Speaker 1: the Week UH in two thousand seventeen. She falsely accused

576
00:34:41,800 --> 00:34:46,960
Speaker 1: three black men. Her words, she said she was kidnapped

577
00:34:47,000 --> 00:34:51,160
Speaker 1: and raped by three black men. She will serve no

578
00:34:52,160 --> 00:35:00,480
Speaker 1: jail time. Oh no, good judge too. I mean, how

579
00:35:00,520 --> 00:35:03,600
Speaker 1: could you how can you get away with this? How

580
00:35:03,640 --> 00:35:09,320
Speaker 1: can you accuse three men of something that you didn't

581
00:35:09,360 --> 00:35:14,160
Speaker 1: do that could have inevitably had them wind up in prison? Anyone?

582
00:35:15,160 --> 00:35:18,240
Speaker 1: You know how they just ramp They just dragnet black

583
00:35:18,239 --> 00:35:20,560
Speaker 1: people and they put them in the lineup, and then

584
00:35:21,000 --> 00:35:23,680
Speaker 1: she could just pick one out and then the jury

585
00:35:23,760 --> 00:35:26,440
Speaker 1: is gonna be all all white. You know how many

586
00:35:26,480 --> 00:35:29,680
Speaker 1: times this has happened in this country and the judge

587
00:35:29,719 --> 00:35:34,400
Speaker 1: sees this and he and that doesn't deserve any punishment.

588
00:35:35,400 --> 00:35:38,440
Speaker 1: This is why people are the way they are. This

589
00:35:38,480 --> 00:35:40,640
Speaker 1: is why like motherfucker's don't have no faith in the

590
00:35:40,800 --> 00:35:45,120
Speaker 1: system because that suckers ship like that. If I'm a judge,

591
00:35:45,320 --> 00:35:48,759
Speaker 1: you gotta get some time for that, yo, you have

592
00:35:48,840 --> 00:35:50,839
Speaker 1: to get some time for that. You have to get

593
00:35:51,239 --> 00:35:54,200
Speaker 1: time for this is that's crazy. The judge is a

594
00:35:54,280 --> 00:35:57,320
Speaker 1: sick fuck and she's the fun sick fuck. Finally that

595
00:35:57,840 --> 00:36:00,440
Speaker 1: I'm gonna say, one more cherry on top, one more

596
00:36:00,480 --> 00:36:04,400
Speaker 1: sick fuck. A cyclist in Queen's Queens, New York, A

597
00:36:04,400 --> 00:36:06,319
Speaker 1: lot of stuff is happening right there in our city

598
00:36:06,320 --> 00:36:10,480
Speaker 1: of New York. A cyclist riding on a bike swooped

599
00:36:10,520 --> 00:36:13,720
Speaker 1: by a ninety two year old woman knocked her down

600
00:36:14,360 --> 00:36:17,000
Speaker 1: and took her purse and rode off on some Lance

601
00:36:17,120 --> 00:36:20,799
Speaker 1: arm Strong ship. You sick fucking a week. It's on videotape.

602
00:36:20,800 --> 00:36:22,760
Speaker 1: They're looking for this guy. It happened in the story.

603
00:36:22,800 --> 00:36:26,560
Speaker 1: A shout out to our guy, Greek George, keep your

604
00:36:26,560 --> 00:36:28,320
Speaker 1: head on a swivel out there in a story of

605
00:36:28,400 --> 00:36:31,560
Speaker 1: Queen's shame on you, you sick fuck you. That's it.

606
00:36:32,480 --> 00:36:36,799
Speaker 1: That's it. Miles Jordan's listen, let's get to it. Will

607
00:36:36,840 --> 00:36:40,960
Speaker 1: I am l G p Qua. Let me get somebody out,

608
00:36:41,000 --> 00:36:46,080
Speaker 1: insomniac see I am Rapports stereo podcast interview for the Ages.

609
00:36:46,680 --> 00:36:48,879
Speaker 1: Let's do it. Let me hear something, let me hear that, insomniac.

610
00:36:49,000 --> 00:37:09,839
Speaker 1: Let's get to it. Who whoo? Who shout out? Think

611
00:37:09,840 --> 00:37:11,600
Speaker 1: Eagles we did it. We brought the ring back. So

612
00:37:11,640 --> 00:37:13,759
Speaker 1: when I take you change gonna come better. Believe that.

613
00:37:14,000 --> 00:37:15,839
Speaker 1: Go get in the poem and younger said, I don't

614
00:37:15,840 --> 00:37:17,960
Speaker 1: need that. He ran the group of thirty robber nigga

615
00:37:18,000 --> 00:37:19,919
Speaker 1: with a Skia man street, just with a good guy,

616
00:37:20,000 --> 00:37:22,680
Speaker 1: young man. It's sad to say, just graduated Friday, got

617
00:37:22,800 --> 00:37:25,080
Speaker 1: killed Saturday. If you get a job, they laugh at you.

618
00:37:25,160 --> 00:37:27,000
Speaker 1: That's the petty way. If you go to Dewell, they

619
00:37:27,000 --> 00:37:29,319
Speaker 1: don't care. They think you passed away. Back then, nigga,

620
00:37:29,400 --> 00:37:31,160
Speaker 1: that was whoop. You're not the same now then when

621
00:37:31,200 --> 00:37:32,879
Speaker 1: days the old man a rock, you look at hate

622
00:37:32,880 --> 00:37:36,000
Speaker 1: sail Colin Kaepernick, I support you. Hands down to us,

623
00:37:36,000 --> 00:37:37,760
Speaker 1: how to stand up? Why do you think we nailed

624
00:37:37,760 --> 00:37:40,760
Speaker 1: down Volentine State to a massacre? When shots through seven

625
00:37:40,800 --> 00:37:43,000
Speaker 1: same people got killed the floor to high school. Tell

626
00:37:43,040 --> 00:37:45,080
Speaker 1: these little girls you're a queen. That's the right move.

627
00:37:45,239 --> 00:37:47,480
Speaker 1: More than like this, working on the gram again, likes move.

628
00:37:47,640 --> 00:37:49,880
Speaker 1: Time to stop the hating. Time to make am provement. Now,

629
00:37:50,080 --> 00:37:51,719
Speaker 1: time to stop the killings and shootings and all the

630
00:37:51,800 --> 00:37:54,680
Speaker 1: suicide from the city. Brotherly love, you know what's truide.

631
00:37:54,840 --> 00:37:56,560
Speaker 1: Time to come to gather stick they got there like that,

632
00:37:56,640 --> 00:37:58,400
Speaker 1: you're the problem. I don't sell my soul because my

633
00:37:58,480 --> 00:38:01,760
Speaker 1: problem on the rollway, I ain't draws. I'm just giving knowledge.

634
00:38:01,800 --> 00:38:04,200
Speaker 1: Young get had the bright future, couldn't what the college,

635
00:38:04,239 --> 00:38:06,080
Speaker 1: but he still with his voice on the corner. Then

636
00:38:06,080 --> 00:38:08,919
Speaker 1: they sawed him. All right, So I am wrapped coorts

637
00:38:08,920 --> 00:38:16,000
Speaker 1: stereo podcasts. Well, I am L G. P. Qua in

638
00:38:16,000 --> 00:38:19,440
Speaker 1: the dope ass studios with the modern bathrooms toilets that

639
00:38:20,360 --> 00:38:23,080
Speaker 1: I think you get like a California roll in those toilets. Man.

640
00:38:23,800 --> 00:38:25,960
Speaker 1: All right, before we get into this, I have to

641
00:38:26,000 --> 00:38:30,440
Speaker 1: ask you this in general terms, will the whole fergie

642
00:38:30,440 --> 00:38:33,400
Speaker 1: backlash to see that happen? Did you see that coming?

643
00:38:33,600 --> 00:38:35,719
Speaker 1: And like did you just want to like sort of

644
00:38:35,719 --> 00:38:39,520
Speaker 1: be like interfere, because like I didn't see that whole

645
00:38:39,560 --> 00:38:41,719
Speaker 1: thing coming. It took on a life of its own.

646
00:38:42,840 --> 00:38:47,319
Speaker 1: We all have things that we want to, you know, execute,

647
00:38:48,120 --> 00:38:50,680
Speaker 1: and the way you vision them in your head versus

648
00:38:50,719 --> 00:38:54,520
Speaker 1: the way they're executed sometimes are two totally different things.

649
00:38:55,440 --> 00:38:59,680
Speaker 1: And the way that you get to executing them the

650
00:38:59,680 --> 00:39:05,920
Speaker 1: way are exactly in your head is your surroundings. And

651
00:39:06,280 --> 00:39:09,240
Speaker 1: you know, practice right because your surroundings will help guide

652
00:39:09,239 --> 00:39:12,120
Speaker 1: you to make sure that you execute them the way

653
00:39:12,120 --> 00:39:13,440
Speaker 1: they are in their head, in the way that you

654
00:39:13,480 --> 00:39:16,840
Speaker 1: describe them to your surroundings. I got you, and to

655
00:39:16,920 --> 00:39:19,800
Speaker 1: me that was such an indicative thing of the internet

656
00:39:19,840 --> 00:39:23,319
Speaker 1: two thou eighteen, and and how everybody has an opinion good,

657
00:39:23,320 --> 00:39:27,520
Speaker 1: better and difference, which brings me to my man here,

658
00:39:28,120 --> 00:39:31,799
Speaker 1: who got discovered? I saw you on Instagram. I don't

659
00:39:31,800 --> 00:39:35,160
Speaker 1: know if it was Pete rocks Page. I don't know

660
00:39:35,200 --> 00:39:36,680
Speaker 1: if it was. I mean, you're you know when you

661
00:39:36,719 --> 00:39:42,200
Speaker 1: started rhyming up there, people responded quickly, which is very

662
00:39:42,239 --> 00:39:44,400
Speaker 1: two thousand eighteen. It's like a two thou eighteen Like

663
00:39:44,440 --> 00:39:46,239
Speaker 1: you could literally be like I want to be a

664
00:39:46,280 --> 00:39:49,040
Speaker 1: rapper and like all right, you could literally get on

665
00:39:49,080 --> 00:39:51,920
Speaker 1: the internet, spit some ship and motherfucker's will find you.

666
00:39:52,280 --> 00:39:53,759
Speaker 1: If you want to be an actor, I tell people

667
00:39:53,800 --> 00:39:55,279
Speaker 1: like how to get an act and go listen. If

668
00:39:55,320 --> 00:39:58,560
Speaker 1: you don't have a break, get on fucking Instagram, do

669
00:39:58,680 --> 00:40:04,240
Speaker 1: some do some monologue. Motherfucker's will find you. So qua

670
00:40:04,760 --> 00:40:09,640
Speaker 1: when you started, uh getting response on on Instagram, when

671
00:40:09,640 --> 00:40:12,560
Speaker 1: did you like, what? What? What did that mean to you? Oh? No,

672
00:40:12,640 --> 00:40:15,000
Speaker 1: that meant a lot to me, especially the response I

673
00:40:15,080 --> 00:40:19,360
Speaker 1: got back from my city. It was crazy. Who Country

674
00:40:19,400 --> 00:40:22,719
Speaker 1: Cooking put me up? A couple of rappers in my

675
00:40:22,760 --> 00:40:25,319
Speaker 1: city put me up. The celebrities start putting me up.

676
00:40:25,360 --> 00:40:29,640
Speaker 1: It was a crazy feeling like it was happening so fast.

677
00:40:30,120 --> 00:40:34,520
Speaker 1: Who who was the first celebrity that retweeted you, reposted

678
00:40:34,560 --> 00:40:36,640
Speaker 1: you or put you out where you were like, oh ship?

679
00:40:38,280 --> 00:40:42,120
Speaker 1: Uh the first celebrity that put me up? I think

680
00:40:42,160 --> 00:40:46,120
Speaker 1: I think it was Pete Right, that's pretty good. Uh,

681
00:40:46,120 --> 00:40:48,560
Speaker 1: it's a pretty good hip hop celebrity. So so when

682
00:40:48,600 --> 00:40:51,120
Speaker 1: did you see him? Well? And you know you you

683
00:40:51,200 --> 00:40:55,040
Speaker 1: see you've seen artists for year after year after year,

684
00:40:55,280 --> 00:40:57,560
Speaker 1: going back to when people probably handing you mix tapes

685
00:40:57,840 --> 00:41:00,719
Speaker 1: to mix CDs to spit in front of you. When

686
00:41:00,719 --> 00:41:03,520
Speaker 1: did you see Kua and what was it about him

687
00:41:03,560 --> 00:41:05,960
Speaker 1: that stuck out for you? So? I saw a call

688
00:41:06,040 --> 00:41:11,239
Speaker 1: on Pete Rocks feed. I followed Pete Rock, but I've

689
00:41:11,280 --> 00:41:14,759
Speaker 1: been following Pete Rock before Instagram. I've been following Pete

690
00:41:14,840 --> 00:41:17,279
Speaker 1: Rock in his beats since. You know, Pete Rock and

691
00:41:17,360 --> 00:41:20,720
Speaker 1: sel Spooth and all of his tracks that he's produced

692
00:41:20,719 --> 00:41:24,279
Speaker 1: for you know, the trip called Quests and they jump

693
00:41:24,320 --> 00:41:27,440
Speaker 1: around remix Uh, Pete Rocks like one of my favorite

694
00:41:27,440 --> 00:41:30,640
Speaker 1: producers of all time. So when I see the things

695
00:41:30,680 --> 00:41:36,200
Speaker 1: that he reposts, I take he'd But even if it

696
00:41:36,280 --> 00:41:39,640
Speaker 1: wasn't on Pete Rocks feed, I would have probably felt

697
00:41:39,640 --> 00:41:42,920
Speaker 1: the same way Pete Rock felt about KOA if I

698
00:41:42,960 --> 00:41:49,560
Speaker 1: had saw it just scrolling um. And what I liked

699
00:41:49,560 --> 00:41:56,560
Speaker 1: about it was it was flawless emotionally lyrically. And then

700
00:41:56,560 --> 00:42:00,319
Speaker 1: he had the squad around him, and it's you know,

701
00:42:00,400 --> 00:42:04,880
Speaker 1: seeing what you know, what people gravitate towards nowadays, to

702
00:42:04,960 --> 00:42:08,800
Speaker 1: see a squad around just like a a rapid fire,

703
00:42:09,800 --> 00:42:14,440
Speaker 1: you know, arsenal just hitting you with freaking quotables, and

704
00:42:14,800 --> 00:42:18,360
Speaker 1: the delivery and the flow was ill. I'm like, wow,

705
00:42:18,600 --> 00:42:20,919
Speaker 1: imagine if this dude had beats of his own. Though,

706
00:42:22,120 --> 00:42:24,040
Speaker 1: hell no, I need to try to work with this cat.

707
00:42:24,920 --> 00:42:27,200
Speaker 1: If I could do the same type of production that

708
00:42:27,280 --> 00:42:29,799
Speaker 1: I would do for a NAS or a hip Hop

709
00:42:29,880 --> 00:42:33,040
Speaker 1: is Dead or a game like Compton for this kid,

710
00:42:33,480 --> 00:42:36,600
Speaker 1: Oh hell no. I need to get out that side

711
00:42:36,600 --> 00:42:39,719
Speaker 1: of my production skill because I haven't really had somebody

712
00:42:39,760 --> 00:42:42,480
Speaker 1: to force me to, you know, to push me to

713
00:42:42,719 --> 00:42:46,880
Speaker 1: uh to produce that way. Since you know, a Todler

714
00:42:47,000 --> 00:42:50,880
Speaker 1: quality track like Hot damn or you know, a game

715
00:42:51,120 --> 00:42:54,840
Speaker 1: or a NAS. There's that side of me that wants

716
00:42:54,840 --> 00:42:58,879
Speaker 1: to just produce like that all the time. And that's

717
00:42:58,920 --> 00:43:02,360
Speaker 1: how I felt when I when I saw that, um,

718
00:43:02,400 --> 00:43:05,600
Speaker 1: you know, CHOI on Pete Rocks feed. But then I'm like, WHOA,

719
00:43:06,920 --> 00:43:09,640
Speaker 1: that means Pete Rocks couldn't produce him before I do.

720
00:43:10,600 --> 00:43:14,480
Speaker 1: If I only could get around this dude as a pete.

721
00:43:14,880 --> 00:43:17,359
Speaker 1: And so then I seen him backstage at at a

722
00:43:17,360 --> 00:43:19,600
Speaker 1: at an event that NAS was hosting. You saw Qua

723
00:43:19,840 --> 00:43:23,120
Speaker 1: Qua saw Quad backstage of the event the NAS was hosting,

724
00:43:23,680 --> 00:43:25,160
Speaker 1: and I'm like, Yo, what up? NOAs we need to

725
00:43:25,160 --> 00:43:28,560
Speaker 1: get back in. Oh that's quack. And I've seen them

726
00:43:29,040 --> 00:43:33,040
Speaker 1: in the corner right in Rhymes. Everyone was smoking and

727
00:43:33,120 --> 00:43:36,920
Speaker 1: drinking and chit chatting. I'm like, oh nah, Like what

728
00:43:37,120 --> 00:43:40,239
Speaker 1: is the what are the odds of this encounter? I

729
00:43:40,280 --> 00:43:42,359
Speaker 1: was just talking about this dude two weeks ago, and

730
00:43:42,400 --> 00:43:47,000
Speaker 1: here he is the Lord Jesus Christ, Jehovah and Buddha

731
00:43:47,120 --> 00:43:50,399
Speaker 1: Mohammed and all the profits made sure that our path

732
00:43:50,480 --> 00:43:53,080
Speaker 1: a lined and all right. So because I want to

733
00:43:53,280 --> 00:43:55,960
Speaker 1: I want to jump into this production thing because you've

734
00:43:56,000 --> 00:43:59,279
Speaker 1: done all sorts of production and you know, like the

735
00:43:59,360 --> 00:44:01,560
Speaker 1: joints you just did. The content joint for a game

736
00:44:01,640 --> 00:44:04,319
Speaker 1: was a banger, and he even says you either you

737
00:44:04,360 --> 00:44:06,279
Speaker 1: were game says, Yo, show him you could do that.

738
00:44:06,400 --> 00:44:08,480
Speaker 1: It's like at then and and then and then oh

739
00:44:08,600 --> 00:44:13,080
Speaker 1: yeah that that was Don't Trip. Check it out. Now

740
00:44:13,440 --> 00:44:16,640
Speaker 1: check it out now, check it out. Uh it's like that. Yeah,

741
00:44:16,880 --> 00:44:19,879
Speaker 1: it's like that. Now, it's like that. It's like that

742
00:44:20,000 --> 00:44:22,840
Speaker 1: now that Black Folk five. I gotta put it on

743
00:44:23,120 --> 00:44:25,600
Speaker 1: that Chrome Black nine. I gotta put it on that

744
00:44:25,680 --> 00:44:28,440
Speaker 1: thirty eight special. I gotta put it on Levi Lee

745
00:44:28,520 --> 00:44:30,680
Speaker 1: the House without the test long hop off. I did

746
00:44:30,680 --> 00:44:34,600
Speaker 1: Don't Trip. That was actually that was eight years ago.

747
00:44:35,480 --> 00:44:39,880
Speaker 1: Actually sorry, twelve years ago. I did Don't Trip for

748
00:44:40,000 --> 00:44:42,600
Speaker 1: me and ice Cube. I ran an ice Cube was like, Yo,

749
00:44:42,680 --> 00:44:44,120
Speaker 1: let's work on a song. I had that on my

750
00:44:44,200 --> 00:44:47,120
Speaker 1: hard drive sitting around for twelve years. Bro. I got

751
00:44:47,239 --> 00:44:49,560
Speaker 1: NAS joined some of my hard drive sitting around. Got

752
00:44:49,600 --> 00:44:52,200
Speaker 1: Michael Jackson j play one right now. Like for the podcast,

753
00:44:52,800 --> 00:44:55,600
Speaker 1: I got Whitney Houston joints, Michael Jackson joints, I got

754
00:44:55,680 --> 00:44:58,160
Speaker 1: a I got a vote full of stuff because I

755
00:44:58,239 --> 00:45:00,640
Speaker 1: just like to work to work right, whether it's gonna

756
00:45:00,680 --> 00:45:02,879
Speaker 1: come out. But every time I do like a pop song,

757
00:45:03,040 --> 00:45:06,359
Speaker 1: because I'm a scientist. If I make a pop song,

758
00:45:06,960 --> 00:45:10,799
Speaker 1: trust me as I'm telling you, I'm going in like

759
00:45:10,840 --> 00:45:12,719
Speaker 1: a scientist to try to figure out how to hit

760
00:45:12,719 --> 00:45:15,520
Speaker 1: as many people as possible. And when and when I

761
00:45:15,560 --> 00:45:18,239
Speaker 1: do that, to do to balance it off, I'll go

762
00:45:18,280 --> 00:45:21,160
Speaker 1: and do me like to keep my underground freaking liquid

763
00:45:21,200 --> 00:45:25,759
Speaker 1: sword sharp, I'll go and do an obscure hunting for

764
00:45:25,840 --> 00:45:29,920
Speaker 1: samples type of record, what versus murder versus you know,

765
00:45:30,560 --> 00:45:35,319
Speaker 1: lyrical freaking like metaphorical, you know, decapitators. I'll do a

766
00:45:35,400 --> 00:45:37,319
Speaker 1: joint like that, just to keep me brushed up. I

767
00:45:37,360 --> 00:45:39,680
Speaker 1: got you so you're aware of like this is a

768
00:45:39,719 --> 00:45:42,040
Speaker 1: pop song, this is a hip hop song. The song

769
00:45:42,080 --> 00:45:43,920
Speaker 1: that you guys just put out, which is a banger.

770
00:45:44,000 --> 00:45:48,400
Speaker 1: Insomniac is not a traditional clean will I am black

771
00:45:48,400 --> 00:45:52,760
Speaker 1: eyed piece, the mega mega mega fucking world stopping joints.

772
00:45:52,920 --> 00:45:57,320
Speaker 1: It's a hip hop joint. It's dusty, it's dirty, it's grimy.

773
00:45:57,600 --> 00:46:00,320
Speaker 1: Why that sound for him? And in this day age,

774
00:46:00,600 --> 00:46:02,239
Speaker 1: and I want to hear about this in this day

775
00:46:02,239 --> 00:46:04,399
Speaker 1: and age when we know production, especially in hip hop,

776
00:46:04,400 --> 00:46:06,840
Speaker 1: because we could talk about lyricists being sucked up, But

777
00:46:06,880 --> 00:46:09,520
Speaker 1: it all starts with the beats, in my opinion, even

778
00:46:09,520 --> 00:46:12,280
Speaker 1: more so than the lyrics being sucked up. In today's

779
00:46:12,360 --> 00:46:16,000
Speaker 1: hip hop, the beats are all really fucked up, so

780
00:46:16,440 --> 00:46:20,680
Speaker 1: that insomniac beat. And and you know the way he's

781
00:46:20,719 --> 00:46:23,000
Speaker 1: been presenting himself on Instagram where it's like, you know,

782
00:46:23,160 --> 00:46:25,480
Speaker 1: there is crew rocking around you and like the first

783
00:46:25,520 --> 00:46:27,120
Speaker 1: time I saw you, and then you wind up doing

784
00:46:27,120 --> 00:46:29,719
Speaker 1: the self destruction beating like I was like, it immediately

785
00:46:29,719 --> 00:46:31,799
Speaker 1: reminded me of self destruction. Then I saw you rock

786
00:46:31,880 --> 00:46:34,680
Speaker 1: over the self destruction beats, I said, a self destruction

787
00:46:34,719 --> 00:46:36,719
Speaker 1: head of boll sho didn't get that ball field the

788
00:46:36,760 --> 00:46:39,480
Speaker 1: New Towns man, I'm cracking damn fady balls. Yes, So

789
00:46:39,560 --> 00:46:41,840
Speaker 1: now the pears really stressful. Where I'm from, Nick is

790
00:46:41,840 --> 00:46:44,680
Speaker 1: down fighting and everything I talk is off fank. This

791
00:46:44,840 --> 00:46:47,520
Speaker 1: we all bullets, he's dropping and police with tild and

792
00:46:47,640 --> 00:46:49,440
Speaker 1: that books a sixth ten year old girl fun this

793
00:46:49,520 --> 00:46:51,319
Speaker 1: common wild. Let the fund you give all that time

794
00:46:51,440 --> 00:46:52,920
Speaker 1: trying to fill us out, you can gets keep on

795
00:46:53,040 --> 00:46:54,640
Speaker 1: sucking up. They like from me here in time. You

796
00:46:54,680 --> 00:46:57,000
Speaker 1: want to know the reason, because they've never had I

797
00:46:57,120 --> 00:46:59,719
Speaker 1: was there, broke Man. I never had a post. Iver

798
00:46:59,800 --> 00:47:03,080
Speaker 1: had was my mom. So I'm gonna speak for my

799
00:47:03,160 --> 00:47:05,480
Speaker 1: community everybody. Hey, why do you think it ain't no

800
00:47:05,719 --> 00:47:09,120
Speaker 1: niggers always thinking petti? To me, I would just put

801
00:47:09,160 --> 00:47:12,080
Speaker 1: you end up that to you, the revolution shall be televised.

802
00:47:12,080 --> 00:47:14,319
Speaker 1: I hope you bring it back Flavor. We look at

803
00:47:14,360 --> 00:47:17,600
Speaker 1: this on their feet, in their hands. It's ridiculous. It's

804
00:47:17,640 --> 00:47:20,640
Speaker 1: trying to put his back in the film, all of

805
00:47:20,680 --> 00:47:27,360
Speaker 1: my nigger's moment of South, just so specifically with the

806
00:47:27,440 --> 00:47:31,120
Speaker 1: song that you guys did. Uh what what was your

807
00:47:31,160 --> 00:47:34,839
Speaker 1: mentality to sort of match where young quas doing his thing?

808
00:47:35,080 --> 00:47:38,480
Speaker 1: So let me name all the reasons why I like

809
00:47:39,280 --> 00:47:43,920
Speaker 1: Kendrick Lamar. I like Kendrick Lamar not just because he's

810
00:47:43,920 --> 00:47:49,120
Speaker 1: a lyrical mastermind. He made sure that he has a

811
00:47:49,280 --> 00:47:54,360
Speaker 1: sonic you know, uniform that goes with his you know,

812
00:47:54,600 --> 00:47:58,719
Speaker 1: his rhyme structures right there there. It's a whole entire thought.

813
00:47:58,880 --> 00:48:03,399
Speaker 1: What does that mean sonic to Layman's terms? So when

814
00:48:03,440 --> 00:48:06,880
Speaker 1: you think of two tips flow, there's a son escape

815
00:48:06,920 --> 00:48:09,960
Speaker 1: that goes with it and he and it matches perfectly

816
00:48:10,480 --> 00:48:13,960
Speaker 1: when I think of freaking anders impact his flow and

817
00:48:14,280 --> 00:48:17,160
Speaker 1: his sing song. He wrap and his lyrics go with

818
00:48:17,320 --> 00:48:20,880
Speaker 1: the sonic production and whether or not you like, you know,

819
00:48:21,160 --> 00:48:24,320
Speaker 1: people like you know, spooky rap. What I call spooky

820
00:48:24,400 --> 00:48:27,200
Speaker 1: rap is like you know, hunted music thing thing thing.

821
00:48:27,640 --> 00:48:30,680
Speaker 1: It sounds like somebody about to die and a horror

822
00:48:30,760 --> 00:48:35,919
Speaker 1: film type of beats, and that type of beat goes

823
00:48:36,040 --> 00:48:38,560
Speaker 1: with the trap. The trap and the lyric, it all

824
00:48:38,640 --> 00:48:41,320
Speaker 1: goes together. Whether you like it or not. That is

825
00:48:41,400 --> 00:48:44,719
Speaker 1: a son escape. So when I hear L. G. P

826
00:48:44,840 --> 00:48:48,560
Speaker 1: Qua in my mind's eye, I'm like, oh shucks, already

827
00:48:48,640 --> 00:48:50,880
Speaker 1: see the son escape to go with his you know,

828
00:48:50,960 --> 00:48:54,040
Speaker 1: his rapid fire flow, the subject manage that he's talking about.

829
00:48:54,600 --> 00:48:57,720
Speaker 1: You know, he could have been if this was the sixties,

830
00:48:57,800 --> 00:49:00,120
Speaker 1: he could have been in the Last Poets, Got you right.

831
00:49:00,160 --> 00:49:02,479
Speaker 1: If this was the nineties, he would have been hanging

832
00:49:02,520 --> 00:49:04,919
Speaker 1: out with you know, digging in the crates. He would

833
00:49:04,920 --> 00:49:06,960
Speaker 1: have been hanging out with all them cats. You know,

834
00:49:07,239 --> 00:49:10,440
Speaker 1: if this was you know, the early two thousands, I

835
00:49:10,640 --> 00:49:13,440
Speaker 1: really know, early two thousand, who knows who would be

836
00:49:13,440 --> 00:49:16,399
Speaker 1: hanging out with them? Early he would have been hanging

837
00:49:16,440 --> 00:49:21,440
Speaker 1: out with some guys, some cool dude jay z was.

838
00:49:22,480 --> 00:49:25,400
Speaker 1: He held it down all the true school stuff. If

839
00:49:25,440 --> 00:49:27,360
Speaker 1: this was early eighties, he would have been down with

840
00:49:27,600 --> 00:49:31,239
Speaker 1: you know, Melly milling them. You and when you think

841
00:49:31,280 --> 00:49:33,759
Speaker 1: of Melly mailing them, there is a son escape. When

842
00:49:33,800 --> 00:49:37,080
Speaker 1: you think of freaking nas, you hear it, you know you,

843
00:49:37,280 --> 00:49:41,920
Speaker 1: you know it. Hands down Um early early two thousands,

844
00:49:42,120 --> 00:49:47,480
Speaker 1: Kanye early two thousands, and uh early two thousands of

845
00:49:47,640 --> 00:49:50,759
Speaker 1: Slum Village got your early two thousands, Diller got you

846
00:49:51,000 --> 00:49:53,359
Speaker 1: right there, you go right, Diller early two thousand held

847
00:49:53,400 --> 00:49:55,399
Speaker 1: it down. There wouldn't be a Kanye without a Diller.

848
00:49:56,120 --> 00:49:59,880
Speaker 1: There wouldn't be a Me without a Tip and a Diller. Right.

849
00:50:00,400 --> 00:50:02,400
Speaker 1: But then there wouldn't be the Black Eyed Peas as

850
00:50:02,440 --> 00:50:04,239
Speaker 1: you know it as a global group if it wasn't

851
00:50:04,280 --> 00:50:07,680
Speaker 1: for Kwam a kid and play Queen Latifa heavy D.

852
00:50:08,520 --> 00:50:11,000
Speaker 1: So when you think of you know, hip hop heavy

853
00:50:11,080 --> 00:50:13,959
Speaker 1: dse hip hop right the theme song for a Living Color,

854
00:50:14,040 --> 00:50:16,359
Speaker 1: there wouldn't be a freaking Jim Carrey. If it wasn't

855
00:50:16,360 --> 00:50:18,120
Speaker 1: for a Living Color, there wouldn't be a Jamie Foxx,

856
00:50:18,360 --> 00:50:20,480
Speaker 1: it wouldn't be a j Lo a living color. As

857
00:50:20,560 --> 00:50:24,120
Speaker 1: hip hop as it gets right, Black Eyed Peas is

858
00:50:24,200 --> 00:50:27,279
Speaker 1: like that version of hip hop where you can hate

859
00:50:27,360 --> 00:50:29,480
Speaker 1: mc him or all you want. If it wasn't for him,

860
00:50:29,600 --> 00:50:31,960
Speaker 1: we wouldn't be at the Grammys. We wouldn't have been

861
00:50:32,239 --> 00:50:34,640
Speaker 1: We wouldn't you know, people wouldn't see hip hop as

862
00:50:34,680 --> 00:50:38,520
Speaker 1: like a world stadium selling form of music. I got you.

863
00:50:38,840 --> 00:50:41,320
Speaker 1: So when I think of Chol, I'm like, oh shucks,

864
00:50:41,360 --> 00:50:43,960
Speaker 1: I know exactly the son escape to bring to this cat.

865
00:50:44,160 --> 00:50:46,160
Speaker 1: I got you just like how you like I said,

866
00:50:46,200 --> 00:50:51,040
Speaker 1: when you think of Kendrick, the sonics complete the thought

867
00:50:52,120 --> 00:50:55,719
Speaker 1: and and and his sonics, but only that Kendricks video

868
00:50:55,840 --> 00:51:01,399
Speaker 1: is an ill too. He's that artist and who's the next,

869
00:51:02,719 --> 00:51:05,640
Speaker 1: Who's who's in there? Like seeing the whole complete thought,

870
00:51:06,600 --> 00:51:09,520
Speaker 1: you know, and it's not about money here. This is like, yo,

871
00:51:09,680 --> 00:51:13,480
Speaker 1: let's let's collaborate, you know, forget what the deal is.

872
00:51:13,600 --> 00:51:17,279
Speaker 1: Let's just freaking make music right now. So I got

873
00:51:17,360 --> 00:51:21,040
Speaker 1: my whole crew like, yo, we're going So he when

874
00:51:21,120 --> 00:51:23,759
Speaker 1: he did, because they showed me the verse to to

875
00:51:23,920 --> 00:51:26,279
Speaker 1: the song Insomniac, And when he showed me the verse,

876
00:51:26,360 --> 00:51:30,880
Speaker 1: it was over um party and party and bullshit. He

877
00:51:30,960 --> 00:51:33,080
Speaker 1: spit over that. So I'm like, I mean, that's a

878
00:51:33,160 --> 00:51:35,920
Speaker 1: dope beat, but that's no matter what I might always

879
00:51:35,960 --> 00:51:39,200
Speaker 1: think of Biggie right, um, and I can find the

880
00:51:39,200 --> 00:51:41,640
Speaker 1: original sample that he sample. We could flip that, but

881
00:51:41,719 --> 00:51:44,040
Speaker 1: I'm still gonna think of Biggie. And he was, and

882
00:51:44,440 --> 00:51:46,160
Speaker 1: he did an Instagram post. He was about to do

883
00:51:46,200 --> 00:51:48,879
Speaker 1: an Instagram post at him Roman by the Hollywood sign.

884
00:51:49,200 --> 00:51:51,279
Speaker 1: I'm like, yo, let me do a beat right quick,

885
00:51:51,320 --> 00:51:53,000
Speaker 1: give me thirty minutes. If I could do a beat

886
00:51:53,080 --> 00:51:55,800
Speaker 1: thirty minutes, let's go. So I went in the studio,

887
00:51:55,920 --> 00:51:58,640
Speaker 1: did a beat in thirty minutes, and then from there

888
00:51:58,640 --> 00:52:01,640
Speaker 1: I was like, Okay, I'm finish it because right now

889
00:52:01,800 --> 00:52:05,200
Speaker 1: the blueprint of this sounds nice. So then when I

890
00:52:05,320 --> 00:52:08,040
Speaker 1: finished it that night and I was like, yo, lets

891
00:52:08,080 --> 00:52:10,799
Speaker 1: you the video. A s A P called out camera

892
00:52:10,920 --> 00:52:12,759
Speaker 1: crew and everybody was like, yo, let's go to ski

893
00:52:13,000 --> 00:52:16,719
Speaker 1: Row just on some impromptu no permits. We're going out

894
00:52:16,800 --> 00:52:19,600
Speaker 1: there were shooting the video. No, no, hell no. And

895
00:52:19,640 --> 00:52:21,839
Speaker 1: when we went to skin Row, people was like, hey,

896
00:52:21,960 --> 00:52:23,360
Speaker 1: what I am? I was gonna see you again? I

897
00:52:23,400 --> 00:52:26,120
Speaker 1: know you she worked at the homeless cell to yeah,

898
00:52:26,120 --> 00:52:29,920
Speaker 1: because my family still over out and you know, right

899
00:52:30,239 --> 00:52:32,440
Speaker 1: down the street from ski Row, and you don't go

900
00:52:32,520 --> 00:52:34,360
Speaker 1: to ski Row with security guards. You don't go to

901
00:52:34,400 --> 00:52:38,400
Speaker 1: ski row, you know, making folks feel, you know, smaller

902
00:52:38,440 --> 00:52:40,480
Speaker 1: than they are due to circumstances. You go there and

903
00:52:40,520 --> 00:52:43,160
Speaker 1: trying to and connecting with people heart to heart and

904
00:52:43,239 --> 00:52:45,600
Speaker 1: they're gonna give you the past as soon as you

905
00:52:45,680 --> 00:52:48,319
Speaker 1: go there with police then they then you you put

906
00:52:48,400 --> 00:52:50,920
Speaker 1: yourself at risk because they're like, oh, you think you

907
00:52:51,040 --> 00:52:53,959
Speaker 1: better than us, So you gotta go people to people

908
00:52:54,040 --> 00:52:56,680
Speaker 1: and we did that. That was the most beautiful experience. Bro,

909
00:52:57,400 --> 00:53:01,880
Speaker 1: that's dope. So young MC young rapper, How did you

910
00:53:01,960 --> 00:53:04,160
Speaker 1: start rhyming? When did you start rhyming? Why did you

911
00:53:04,239 --> 00:53:08,279
Speaker 1: start rhyming? I always had a passion for music from

912
00:53:08,440 --> 00:53:10,800
Speaker 1: day one as coming up, I always had a passion

913
00:53:10,840 --> 00:53:14,640
Speaker 1: for music. I always could recite anybody bar anybody but

914
00:53:14,800 --> 00:53:16,719
Speaker 1: who I like. I could recite it like that, and

915
00:53:16,760 --> 00:53:19,440
Speaker 1: the way I did it was like if it was mine. Uh.

916
00:53:20,040 --> 00:53:25,640
Speaker 1: I officially started right and like two years ago, like sixteen,

917
00:53:26,200 --> 00:53:28,000
Speaker 1: That's when I was all right, I'm coming out, that's

918
00:53:28,000 --> 00:53:31,319
Speaker 1: what I want to do. And uh, you know, back

919
00:53:31,360 --> 00:53:33,279
Speaker 1: and forth O the jail kind of slew me up.

920
00:53:33,880 --> 00:53:36,360
Speaker 1: But this time around, I got my mind set. I

921
00:53:36,480 --> 00:53:39,479
Speaker 1: was focused and then I've just been going every since.

922
00:53:40,120 --> 00:53:43,760
Speaker 1: And what sort of prompted you to start making these videos.

923
00:53:44,120 --> 00:53:45,680
Speaker 1: I did it at first. I did it in the

924
00:53:45,719 --> 00:53:49,600
Speaker 1: attention that I just came back home from from jail.

925
00:53:49,680 --> 00:53:51,440
Speaker 1: You got locked up, Yeah, I was locked up and

926
00:53:51,480 --> 00:53:54,320
Speaker 1: I was upstate. I just came out. Yeah, Philly, this

927
00:53:54,400 --> 00:53:57,839
Speaker 1: was Philly. I just came home, and you know, I'm

928
00:53:57,880 --> 00:54:00,279
Speaker 1: a rapper. I just wanted to get out there. But

929
00:54:00,360 --> 00:54:02,879
Speaker 1: when I started rapping, like really rapping, how I wanted

930
00:54:02,920 --> 00:54:04,920
Speaker 1: to rap, then it was just that was my thing.

931
00:54:05,040 --> 00:54:07,879
Speaker 1: Every week I do a video every week. Every week,

932
00:54:07,960 --> 00:54:11,000
Speaker 1: let it build up. I'm coming next week, coming next week,

933
00:54:11,360 --> 00:54:15,240
Speaker 1: and then a week, a certain week, November fIF seemed

934
00:54:15,280 --> 00:54:19,040
Speaker 1: to be exact. I dropped the freestyle about the meek

935
00:54:19,120 --> 00:54:21,799
Speaker 1: Mill situation and a couple of other situations, and from

936
00:54:21,880 --> 00:54:26,040
Speaker 1: there the response was so crazy. The feedback was so crazy,

937
00:54:26,080 --> 00:54:27,960
Speaker 1: of course, so many eyes of so much attention, like

938
00:54:28,040 --> 00:54:31,160
Speaker 1: who is this young boy talking talking? Like what's going on?

939
00:54:31,280 --> 00:54:33,080
Speaker 1: You see a group of kids out there with him too.

940
00:54:33,320 --> 00:54:36,960
Speaker 1: So once that started happening, it was just like everything

941
00:54:37,040 --> 00:54:41,759
Speaker 1: fell Alie, I don't trust no, my right down and

942
00:54:41,960 --> 00:54:47,600
Speaker 1: my kids looking spread and I'm a lot of niggas

943
00:54:47,800 --> 00:54:59,880
Speaker 1: look niggas an Mamma's playing around. They do the one

944
00:55:00,520 --> 00:55:05,839
Speaker 1: not that white man kill a black man. You want

945
00:55:05,880 --> 00:55:09,520
Speaker 1: the right home till a black man before southall white,

946
00:55:09,520 --> 00:55:15,000
Speaker 1: each young boy when the picnic was girls second Tage

947
00:55:15,080 --> 00:55:22,600
Speaker 1: Quaver get a good enough, rich enough everything that everyone

948
00:55:22,760 --> 00:55:32,479
Speaker 1: stills every year, that man and free me now because

949
00:55:32,520 --> 00:55:35,480
Speaker 1: because you're so young and you look so young, and

950
00:55:35,640 --> 00:55:40,880
Speaker 1: like I've heard rappers proudly say young kids call them rappers,

951
00:55:40,960 --> 00:55:42,880
Speaker 1: I do with fucking parentheses because I don't even think

952
00:55:42,880 --> 00:55:45,040
Speaker 1: it's rapped, proudly say like I never heard of wood

953
00:55:45,040 --> 00:55:48,000
Speaker 1: Tang record. I never heard, And I'm like, that's like

954
00:55:48,120 --> 00:55:50,480
Speaker 1: a basketball player saying like, yo, I never heard of

955
00:55:50,560 --> 00:55:52,840
Speaker 1: Dominique Wolkens, Like what the funky? Like you're proud that

956
00:55:52,920 --> 00:55:54,800
Speaker 1: you never heard of wood Tang record. But your style

957
00:55:54,880 --> 00:55:58,239
Speaker 1: and the ship that you're talking about is so and

958
00:55:58,320 --> 00:56:00,640
Speaker 1: I don't like this old school like it's so classic,

959
00:56:00,719 --> 00:56:03,440
Speaker 1: it's so true hip hop, but you're you're so young.

960
00:56:03,600 --> 00:56:06,640
Speaker 1: Where is that coming from? What I do is my

961
00:56:06,800 --> 00:56:11,680
Speaker 1: technique is I would like to incorporate that old field

962
00:56:11,680 --> 00:56:13,719
Speaker 1: when hip hop was hip hop, like the error of it,

963
00:56:13,840 --> 00:56:16,480
Speaker 1: the essence of it, everything. But I just want to

964
00:56:16,600 --> 00:56:19,839
Speaker 1: keep it still relevant to my error. So the best

965
00:56:19,880 --> 00:56:22,040
Speaker 1: way to do that is to just put them both together.

966
00:56:22,560 --> 00:56:25,560
Speaker 1: That way, you still being true to what you believe

967
00:56:25,640 --> 00:56:28,120
Speaker 1: in with your error, but you're still letting the O

968
00:56:28,360 --> 00:56:30,480
Speaker 1: G s know or the older ones before them that

969
00:56:31,000 --> 00:56:33,279
Speaker 1: y'all listen, you paved the way and I respect that.

970
00:56:33,440 --> 00:56:36,480
Speaker 1: So this my you didn't bring you all that life back.

971
00:56:36,520 --> 00:56:38,040
Speaker 1: And that's what I try to do. That's what I

972
00:56:38,600 --> 00:56:41,400
Speaker 1: every week. You know, it feels good when you know.

973
00:56:41,760 --> 00:56:44,439
Speaker 1: I knew I was actually doing something when my first

974
00:56:44,520 --> 00:56:47,160
Speaker 1: video I watched me in the classroom was in d C.

975
00:56:47,719 --> 00:56:49,359
Speaker 1: The teacher put me up for the kids in her

976
00:56:49,400 --> 00:56:52,160
Speaker 1: classroom to play or that and that and that. That

977
00:56:52,320 --> 00:56:54,719
Speaker 1: touched me. Then drect to college. I went over there

978
00:56:55,080 --> 00:56:57,560
Speaker 1: speaking to a couple of board members, letting them know

979
00:56:57,640 --> 00:56:58,920
Speaker 1: how I feel. I don't want to just be the

980
00:56:58,920 --> 00:57:00,759
Speaker 1: guy to talk about what I want to do. I'm

981
00:57:00,760 --> 00:57:02,680
Speaker 1: gonna actually be the one to do it. And then

982
00:57:03,360 --> 00:57:05,400
Speaker 1: I went to the school. I went to my elementary school,

983
00:57:05,560 --> 00:57:07,160
Speaker 1: did a lot of talking for the kids, and it's

984
00:57:07,200 --> 00:57:09,279
Speaker 1: just like I like the balance it out though. I

985
00:57:09,400 --> 00:57:12,239
Speaker 1: like to let the kids know it's cool, like it's

986
00:57:12,280 --> 00:57:15,040
Speaker 1: cool to be a none of fire working person like

987
00:57:15,239 --> 00:57:18,280
Speaker 1: you men. Oh I don't pop perks. That's cool. What's

988
00:57:18,280 --> 00:57:20,280
Speaker 1: wrong with that? That's cool to me. You could. So

989
00:57:20,320 --> 00:57:23,040
Speaker 1: what I really liked when I first met him and

990
00:57:23,200 --> 00:57:26,200
Speaker 1: he was just sitting there Ryan lyrics and everybody, I said,

991
00:57:26,280 --> 00:57:29,280
Speaker 1: was smoking and drinking. And now I was just like, yo,

992
00:57:29,360 --> 00:57:32,000
Speaker 1: we'll help yourself to some drinks. You want to smoke?

993
00:57:32,040 --> 00:57:34,720
Speaker 1: I was like, I don't smoke, but the room was

994
00:57:34,800 --> 00:57:37,240
Speaker 1: so filled with smoke. Everybody was smoking, but I don't.

995
00:57:37,240 --> 00:57:39,080
Speaker 1: I don't smoke. So I was like, Hey, do you

996
00:57:39,160 --> 00:57:41,560
Speaker 1: mind if I make a drink? And so I'm like, yo,

997
00:57:41,640 --> 00:57:43,480
Speaker 1: you don't drink, you don't smoke. He was like, no,

998
00:57:43,600 --> 00:57:46,920
Speaker 1: I'm just writing my lyrics. I was like, yo, I

999
00:57:47,240 --> 00:57:50,520
Speaker 1: really got to work with this dude because he's focus focus,

1000
00:57:50,640 --> 00:57:52,920
Speaker 1: focus focused. I don't know why he was so focused,

1001
00:57:53,120 --> 00:57:55,960
Speaker 1: because most kids they want to be about it, but

1002
00:57:56,080 --> 00:57:59,720
Speaker 1: they make excuses on their slack of focus. And you know,

1003
00:58:01,040 --> 00:58:04,040
Speaker 1: it's twenty years So the gap that you that we're

1004
00:58:04,120 --> 00:58:06,840
Speaker 1: filling from, like you know that true school era that's

1005
00:58:06,880 --> 00:58:11,000
Speaker 1: twenty years ago. Bro, It's equivalent to when Tribe was

1006
00:58:11,120 --> 00:58:14,960
Speaker 1: doing day stuff in the nineties. Twenty years before that

1007
00:58:15,520 --> 00:58:19,480
Speaker 1: was seventies music Royal Airs, but Royal Airs didn't produce

1008
00:58:19,640 --> 00:58:22,520
Speaker 1: trap called quests. Twenty years ago, you were hunting for

1009
00:58:22,600 --> 00:58:26,520
Speaker 1: records Herbie Hancock samples. Herbie Hancock was not producing for

1010
00:58:27,200 --> 00:58:30,840
Speaker 1: you know, uh mob deep in them. And you know

1011
00:58:31,080 --> 00:58:36,120
Speaker 1: Donald Bird did not produce uh black Moon, they just

1012
00:58:36,200 --> 00:58:39,840
Speaker 1: sampled it. So I'm like, Okay, twenty years ago we

1013
00:58:40,040 --> 00:58:44,440
Speaker 1: started the Black Eyed Peas. I wish I could. And

1014
00:58:44,520 --> 00:58:46,840
Speaker 1: I'm not comparing myself to the to the Donald Birds.

1015
00:58:46,880 --> 00:58:48,520
Speaker 1: Am I comparing myself to Earth Wind and Fire. I'm

1016
00:58:48,520 --> 00:58:53,160
Speaker 1: not comparing myself to to Cooling the Gang. But had

1017
00:58:53,520 --> 00:58:56,439
Speaker 1: I had the opportunity when I first started the Black

1018
00:58:56,480 --> 00:58:58,800
Speaker 1: Eyed Peas to work with those folks what I have?

1019
00:58:59,200 --> 00:59:03,480
Speaker 1: Hell yeah, So I want to work with the folks

1020
00:59:04,160 --> 00:59:07,600
Speaker 1: that are that. When I see the Artistan and Koa,

1021
00:59:08,280 --> 00:59:10,440
Speaker 1: I see myself when I was his age, trying to

1022
00:59:10,520 --> 00:59:13,480
Speaker 1: come on. I'm like, oh, I could just if I

1023
00:59:13,560 --> 00:59:16,280
Speaker 1: make a beat, he like it, great? If I don't.

1024
00:59:16,520 --> 00:59:18,880
Speaker 1: If he don't, well that I really gotta push myself

1025
00:59:18,960 --> 00:59:21,880
Speaker 1: to make this dude like my beat. How do you

1026
00:59:22,200 --> 00:59:26,959
Speaker 1: qua have the confidence in the bulls if Will gives

1027
00:59:26,960 --> 00:59:28,840
Speaker 1: you a beat and you might not want to rock

1028
00:59:28,960 --> 00:59:31,800
Speaker 1: over it to be like saying this this is not

1029
00:59:31,960 --> 00:59:34,200
Speaker 1: for me, not saying it's whack, but like, have you

1030
00:59:34,280 --> 00:59:36,080
Speaker 1: gotten to that point where'll be like, you know that's

1031
00:59:36,120 --> 00:59:37,680
Speaker 1: a dope will I am beat? But that's not the

1032
00:59:37,720 --> 00:59:39,880
Speaker 1: dope will am beat for me? You know what I mean?

1033
00:59:39,880 --> 00:59:42,280
Speaker 1: Because it's like it's like you're working with like I

1034
00:59:42,400 --> 00:59:44,280
Speaker 1: even I'd be like, you know, what the funk? I

1035
00:59:44,320 --> 00:59:46,320
Speaker 1: don't know what the funk you have? Okay, I'll rhyme over.

1036
00:59:46,400 --> 00:59:47,920
Speaker 1: But if you're not feeling it, have you been to

1037
00:59:47,960 --> 00:59:50,120
Speaker 1: give you gotten to that point with this with this guy? Yet?

1038
00:59:51,040 --> 00:59:53,280
Speaker 1: Good thing about that is I haven't gotten to tell

1039
00:59:53,320 --> 00:59:55,280
Speaker 1: him right now. You told me outside he gave you

1040
00:59:55,360 --> 00:59:57,200
Speaker 1: a fucking beat that was trash. Tell him right now.

1041
00:59:57,280 --> 00:59:59,840
Speaker 1: Let's get that has to happen, Like tell him but

1042
01:00:00,040 --> 01:00:01,640
Speaker 1: that's hey, tell him about the beat he gave you

1043
01:00:01,680 --> 01:00:04,640
Speaker 1: that you thought was sucking. Let's have this thing. Let's

1044
01:00:04,640 --> 01:00:06,280
Speaker 1: just get it out on the table. If you told

1045
01:00:06,320 --> 01:00:08,080
Speaker 1: me you made him one egg, he didn't want to

1046
01:00:08,160 --> 01:00:10,720
Speaker 1: rock over it. You know that that kind of stuff

1047
01:00:11,200 --> 01:00:15,120
Speaker 1: that's what causes that's the ingredients for awesome collaboration. When

1048
01:00:15,160 --> 01:00:17,320
Speaker 1: you're honest, Like, if he had a bar, I'm like,

1049
01:00:17,400 --> 01:00:20,720
Speaker 1: I don't. I don't think we'll ever get there because

1050
01:00:20,800 --> 01:00:22,920
Speaker 1: he is on his A game all the time and

1051
01:00:23,000 --> 01:00:25,120
Speaker 1: every once while if you slip, it's not a disk,

1052
01:00:25,200 --> 01:00:27,720
Speaker 1: it's like I think you could do better. Right, So

1053
01:00:28,800 --> 01:00:33,480
Speaker 1: Shot goes in real stuff but a team, Yeah, and

1054
01:00:33,520 --> 01:00:37,000
Speaker 1: he's dope as ship, right, right, stuff is incredible. Every

1055
01:00:37,040 --> 01:00:39,160
Speaker 1: once a while, he'll slip up on a three. Right,

1056
01:00:39,680 --> 01:00:43,680
Speaker 1: But if you don't have a good team, then you're failing.

1057
01:00:43,800 --> 01:00:46,080
Speaker 1: Then you then you my Lakers and I'm l A

1058
01:00:46,920 --> 01:00:50,040
Speaker 1: all day, but I'm California too, and they got yellow

1059
01:00:50,080 --> 01:00:53,920
Speaker 1: in their uniforms, so I'm I'm I'm the Boys, but

1060
01:00:54,280 --> 01:00:58,480
Speaker 1: so same thing here. So you know, I could use

1061
01:00:58,600 --> 01:01:02,760
Speaker 1: somebody to push me to improve, and he could use

1062
01:01:02,840 --> 01:01:06,520
Speaker 1: somebody to push him to improve. Depending on where you

1063
01:01:06,600 --> 01:01:08,880
Speaker 1: want to go, bro, I'm the kind of person that

1064
01:01:09,000 --> 01:01:11,520
Speaker 1: if you say, yo, bro, you know I like this,

1065
01:01:11,680 --> 01:01:13,840
Speaker 1: But I want to go everywhere. Oh you want to

1066
01:01:13,880 --> 01:01:16,640
Speaker 1: go everywhere, well Ship, I don't know how to get everywhere.

1067
01:01:17,600 --> 01:01:19,800
Speaker 1: Or you want to go you want to stay underground,

1068
01:01:19,920 --> 01:01:21,800
Speaker 1: well Ship, I don't know how to stay there too.

1069
01:01:22,680 --> 01:01:24,920
Speaker 1: But if you want to go out of space. But nigger,

1070
01:01:26,080 --> 01:01:28,800
Speaker 1: I got the space ship. If you want to go submarine,

1071
01:01:28,840 --> 01:01:32,640
Speaker 1: I got a submarine. I got every weapon you could

1072
01:01:32,680 --> 01:01:36,920
Speaker 1: possibly think of. We we just gotta train. So in

1073
01:01:37,040 --> 01:01:40,160
Speaker 1: this day and age, with a young dude with a

1074
01:01:40,240 --> 01:01:44,880
Speaker 1: young voice, and and you having an understanding of historically

1075
01:01:45,360 --> 01:01:49,360
Speaker 1: what's what's popping, what's popping now? How do you meld

1076
01:01:49,800 --> 01:01:53,240
Speaker 1: in between in the business sense of all right, I

1077
01:01:53,280 --> 01:01:56,560
Speaker 1: don't want to make now for me, I'm gonna be happy.

1078
01:01:56,640 --> 01:01:58,480
Speaker 1: But but but who am I? I'm a ford to

1079
01:01:58,520 --> 01:02:01,760
Speaker 1: eight year old purist. Like if it's just boom bat

1080
01:02:01,880 --> 01:02:05,960
Speaker 1: bangers with a young kid, will that sell? Doesn't matter

1081
01:02:06,080 --> 01:02:08,200
Speaker 1: that it doesn't sell? Is it? Like? You know, how

1082
01:02:08,280 --> 01:02:11,320
Speaker 1: do you sort of navigate that from a production standpoint

1083
01:02:11,840 --> 01:02:14,360
Speaker 1: in this stat age when the sounds are completely different

1084
01:02:15,040 --> 01:02:17,560
Speaker 1: than they were from when your your your original essence.

1085
01:02:17,600 --> 01:02:22,000
Speaker 1: And that's what I like about Karl doing things to sell.

1086
01:02:23,200 --> 01:02:25,600
Speaker 1: And he would have been doing what you don't like,

1087
01:02:26,800 --> 01:02:33,280
Speaker 1: right because selling there's a certain sound that's selling right now,

1088
01:02:34,640 --> 01:02:37,640
Speaker 1: heat ain't it? Ain't like when he when he finally

1089
01:02:37,760 --> 01:02:41,160
Speaker 1: came into stud a real studio to record, his first

1090
01:02:41,280 --> 01:02:44,080
Speaker 1: instinct wasn't like, yo, I need one of them records

1091
01:02:44,160 --> 01:02:49,000
Speaker 1: to sell, and that is you gotta salute that. You

1092
01:02:49,080 --> 01:02:52,040
Speaker 1: gotta salute like, I don't know if I can do

1093
01:02:52,480 --> 01:02:54,680
Speaker 1: what's selling right now, I don't know if my heart

1094
01:02:54,840 --> 01:02:57,280
Speaker 1: would let me do that. I can do it, but

1095
01:02:57,400 --> 01:03:01,960
Speaker 1: I don't know if if I'll be happy m um,

1096
01:03:02,720 --> 01:03:05,400
Speaker 1: But I can do that. I got you. But you

1097
01:03:05,520 --> 01:03:11,120
Speaker 1: gotta salute someone that comes to, you know, a facility

1098
01:03:11,240 --> 01:03:14,840
Speaker 1: like this and keeps it a hundred on what's in

1099
01:03:14,920 --> 01:03:18,200
Speaker 1: their heart, because you could easily get dizzy, like, well,

1100
01:03:18,640 --> 01:03:21,040
Speaker 1: can you give me one of them? Uh? You know

1101
01:03:21,640 --> 01:03:25,240
Speaker 1: you could tell you could really just lose sense of

1102
01:03:25,320 --> 01:03:29,560
Speaker 1: direction real fast. So, and that's what I like about Kara.

1103
01:03:29,760 --> 01:03:33,919
Speaker 1: He's sense of direction is pure, his his his true

1104
01:03:34,000 --> 01:03:37,760
Speaker 1: north is visible and there's no cloud in the sky

1105
01:03:38,280 --> 01:03:41,960
Speaker 1: to take him off course. And it's my job to navigate,

1106
01:03:42,080 --> 01:03:44,880
Speaker 1: help him get to wherever he's getting, whether it's big

1107
01:03:45,400 --> 01:03:49,520
Speaker 1: or small, whether it's sharp or dull, whether it's you know,

1108
01:03:49,880 --> 01:03:52,760
Speaker 1: you know, on fire, or I gotta get him to

1109
01:03:52,800 --> 01:03:55,560
Speaker 1: where he wants to go. And now that's what I

1110
01:03:55,760 --> 01:04:00,200
Speaker 1: like about this collaboration is you know, I try used

1111
01:04:00,240 --> 01:04:05,400
Speaker 1: in him. He seems like he trusted me and here

1112
01:04:05,440 --> 01:04:08,800
Speaker 1: we go. When was the first time you came into

1113
01:04:08,920 --> 01:04:12,640
Speaker 1: a you know, fancy studio. What was the first thing

1114
01:04:12,720 --> 01:04:15,560
Speaker 1: you recorded and did it feel any different than or

1115
01:04:15,640 --> 01:04:18,080
Speaker 1: how different did it feel that when you're rocking, you know,

1116
01:04:18,680 --> 01:04:20,600
Speaker 1: for your people on the street or rocking at home,

1117
01:04:20,800 --> 01:04:23,160
Speaker 1: when you're like there's a mic, you know, there's beats.

1118
01:04:23,200 --> 01:04:25,439
Speaker 1: You know, it's a different It's like you know, playing ball,

1119
01:04:26,240 --> 01:04:28,040
Speaker 1: you know, in the park or at the y. I'm

1120
01:04:28,080 --> 01:04:30,080
Speaker 1: saying then you're like, yo, I'm in the garden. This

1121
01:04:30,240 --> 01:04:34,320
Speaker 1: fancy ship. There's lights, there is fiberglass backboards and different feelings.

1122
01:04:34,400 --> 01:04:35,960
Speaker 1: So what was that like for you? Where was that

1123
01:04:36,120 --> 01:04:39,840
Speaker 1: first time? My first time going to a studio like

1124
01:04:39,960 --> 01:04:43,080
Speaker 1: that you just described was definitely Milk Boy in my City,

1125
01:04:43,200 --> 01:04:45,880
Speaker 1: Milk Boy Studio. It was crazy. I'm looking at to

1126
01:04:46,400 --> 01:04:49,360
Speaker 1: recording on was a piano in the bag. I'm like, oh,

1127
01:04:49,440 --> 01:04:51,600
Speaker 1: this is crazy, and it's crazy because I have all

1128
01:04:51,680 --> 01:04:54,480
Speaker 1: my guys in there with me. It's funny because we

1129
01:04:54,560 --> 01:04:57,760
Speaker 1: did that. Uh the big Daddy came rold Be. I

1130
01:04:57,800 --> 01:05:00,000
Speaker 1: wonder we did that right in that studio. I feel

1131
01:05:00,080 --> 01:05:02,200
Speaker 1: like that was the right vibe, you know. Compliments of

1132
01:05:02,280 --> 01:05:04,360
Speaker 1: my manager. He kind of asked them to do with that. So,

1133
01:05:04,880 --> 01:05:07,240
Speaker 1: but we were just in there feeling I was feeling that,

1134
01:05:07,240 --> 01:05:10,360
Speaker 1: I was feeling groovy. I'm like, oh, let's go. We

1135
01:05:10,440 --> 01:05:12,360
Speaker 1: were just rocking in there. It felt crazy. And what

1136
01:05:12,480 --> 01:05:15,720
Speaker 1: about with Will with the insimna, Like, when you're walking here,

1137
01:05:15,760 --> 01:05:18,200
Speaker 1: it's like we're in fucking star trek Land. You know,

1138
01:05:18,320 --> 01:05:22,920
Speaker 1: there's fucking studios, there's like ship being made, there's sucking clothing,

1139
01:05:23,000 --> 01:05:26,160
Speaker 1: there's speakers, there's Star Wars ship. You know, there's all

1140
01:05:26,240 --> 01:05:29,280
Speaker 1: kinds of fantoms, sucking seats they beside you. There's toilets

1141
01:05:29,360 --> 01:05:32,320
Speaker 1: that you know, you get a shaven after a ship.

1142
01:05:32,800 --> 01:05:34,640
Speaker 1: So when you're walking here and you're rocking in front

1143
01:05:34,640 --> 01:05:36,720
Speaker 1: of Will, I am what was that like? When you're

1144
01:05:36,720 --> 01:05:41,760
Speaker 1: actually properly recording the song, it's amazing and incredible feeling

1145
01:05:41,800 --> 01:05:45,680
Speaker 1: because you you really next to like someone who came

1146
01:05:45,760 --> 01:05:48,520
Speaker 1: in the game and changed it in their own right.

1147
01:05:48,680 --> 01:05:51,920
Speaker 1: So it's like, I gotta make sure anytime I think

1148
01:05:51,960 --> 01:05:53,520
Speaker 1: of a son, like if I feel that be he

1149
01:05:53,600 --> 01:05:56,520
Speaker 1: put on, I'm like, I gotta go. I can't play

1150
01:05:56,600 --> 01:05:59,520
Speaker 1: with this beat. I can't disrespect the legacy of the beat.

1151
01:05:59,760 --> 01:06:01,360
Speaker 1: That's is how you gotta think and I'm gonna go.

1152
01:06:01,840 --> 01:06:05,600
Speaker 1: I'm gonna go, and being in the feutre, this listen

1153
01:06:05,640 --> 01:06:07,560
Speaker 1: to name is what a listen to name is what

1154
01:06:07,680 --> 01:06:10,520
Speaker 1: it is like. This place is crazy, right, this place

1155
01:06:10,680 --> 01:06:13,960
Speaker 1: is crazy like, but everybody here is just so like

1156
01:06:14,840 --> 01:06:17,760
Speaker 1: like loving camera, like they just passionate about their work,

1157
01:06:17,880 --> 01:06:21,280
Speaker 1: like he got an amazing staff, amazing saying amazing all that.

1158
01:06:21,440 --> 01:06:24,320
Speaker 1: It's good being in here. So when you head beats

1159
01:06:24,360 --> 01:06:26,200
Speaker 1: and you feel it and you're comfortable in the building,

1160
01:06:26,240 --> 01:06:28,320
Speaker 1: you and it's like it was meant to happen, like

1161
01:06:28,440 --> 01:06:30,840
Speaker 1: we did this already. So with you with your writing

1162
01:06:30,960 --> 01:06:33,240
Speaker 1: and your lyrics, and Will said, the first time he

1163
01:06:33,280 --> 01:06:36,600
Speaker 1: saw you, you were writing backstage with nas. What what

1164
01:06:36,840 --> 01:06:39,880
Speaker 1: is your process like and are you writing to a

1165
01:06:39,960 --> 01:06:43,120
Speaker 1: beat in your head? And are you writing writing physically?

1166
01:06:43,160 --> 01:06:45,160
Speaker 1: Writing on the pad most of the time, because you know,

1167
01:06:45,320 --> 01:06:46,960
Speaker 1: I saw it sucked my head up. I saw a

1168
01:06:47,000 --> 01:06:49,880
Speaker 1: method man who obviously started writing before there were cell

1169
01:06:49,920 --> 01:06:53,880
Speaker 1: phones on sway, rocking off his cell phone, and I

1170
01:06:54,040 --> 01:06:57,080
Speaker 1: was like, whoa, just because he was rocking so so lovely,

1171
01:06:57,360 --> 01:06:59,560
Speaker 1: but also I was like, method man put rhymes on

1172
01:06:59,640 --> 01:07:02,080
Speaker 1: his phone. So what is your process for actually getting

1173
01:07:02,080 --> 01:07:04,440
Speaker 1: these rhymes that are in your head out and what

1174
01:07:04,560 --> 01:07:06,360
Speaker 1: are you rocking to or you or is it just

1175
01:07:06,520 --> 01:07:09,040
Speaker 1: like different situations like are you rocking to a beat

1176
01:07:09,440 --> 01:07:12,200
Speaker 1: when you're writing or you're just rhyming? Yeah, like you

1177
01:07:12,280 --> 01:07:14,040
Speaker 1: know it's no, it's all start with the lyrics and

1178
01:07:14,120 --> 01:07:16,360
Speaker 1: not to be I don't write to a particular beat.

1179
01:07:16,520 --> 01:07:19,160
Speaker 1: God just right. But and then if I hear beat,

1180
01:07:19,480 --> 01:07:22,560
Speaker 1: I'm like, oh we go together. But my my writing process,

1181
01:07:22,640 --> 01:07:25,120
Speaker 1: it always start off with a note. I just jotted

1182
01:07:25,200 --> 01:07:27,160
Speaker 1: down like you probably just said so in this end

1183
01:07:27,160 --> 01:07:29,200
Speaker 1: of view the whole time and probably thought none of it,

1184
01:07:29,320 --> 01:07:31,240
Speaker 1: but I just kept it in my head, like don't

1185
01:07:31,280 --> 01:07:38,400
Speaker 1: buy my lyrics, don't don't buy my ship. Still go ahead.

1186
01:07:38,480 --> 01:07:41,160
Speaker 1: But but you you you like to physically write, write

1187
01:07:41,160 --> 01:07:43,760
Speaker 1: it down as opposed to take some text notes. No.

1188
01:07:43,960 --> 01:07:47,480
Speaker 1: I always I got like three note pads, three note

1189
01:07:47,520 --> 01:07:49,960
Speaker 1: pairs that's filled up with lyrics. I used to always

1190
01:07:50,040 --> 01:07:53,440
Speaker 1: write them in the pad and then everybody they phone

1191
01:07:53,800 --> 01:07:55,680
Speaker 1: and just take it out. I'm writing it in the

1192
01:07:55,760 --> 01:07:57,960
Speaker 1: book because I felt like that's how you, that's how

1193
01:07:58,040 --> 01:07:59,919
Speaker 1: the ones who before me did it, Like that's where

1194
01:08:00,000 --> 01:08:02,120
Speaker 1: start got you. So I got the feel for that.

1195
01:08:02,400 --> 01:08:04,840
Speaker 1: Then eventually I started going on my phone. So it's

1196
01:08:04,920 --> 01:08:08,560
Speaker 1: like it's half and half meeting Naas meeting will I

1197
01:08:08,640 --> 01:08:12,360
Speaker 1: Am talk to me about like you know when people

1198
01:08:12,440 --> 01:08:17,120
Speaker 1: that you love, admire, respect, idolized, become fans of yours

1199
01:08:17,280 --> 01:08:19,280
Speaker 1: and who were those experiences with like you met not?

1200
01:08:19,400 --> 01:08:21,360
Speaker 1: How then did you meet nas and what's that? Like?

1201
01:08:21,640 --> 01:08:24,639
Speaker 1: I met NOAs in New York. We came out New York. Uh,

1202
01:08:25,560 --> 01:08:27,439
Speaker 1: and the first time I met him, we came in

1203
01:08:27,520 --> 01:08:30,320
Speaker 1: this building, me and my manager. We came into building.

1204
01:08:30,439 --> 01:08:33,920
Speaker 1: I'm like, oh, that's bad right there, Like we uh,

1205
01:08:34,200 --> 01:08:36,760
Speaker 1: we went in the studio, we sat down and we

1206
01:08:36,880 --> 01:08:39,960
Speaker 1: just busted up. And you were going there to meet him? Huh?

1207
01:08:40,240 --> 01:08:42,479
Speaker 1: Like like or was it you? You ran into where

1208
01:08:42,479 --> 01:08:44,080
Speaker 1: you were going on? This was this was this was

1209
01:08:44,280 --> 01:08:46,160
Speaker 1: set up, this was scheduled with the meet So how

1210
01:08:46,200 --> 01:08:49,240
Speaker 1: does that happen? Like he reached out like his people's,

1211
01:08:49,360 --> 01:08:53,479
Speaker 1: his people's reached out to uh contact my manager, and

1212
01:08:53,560 --> 01:08:55,640
Speaker 1: my manager said how he wanted to see us and

1213
01:08:55,720 --> 01:08:57,519
Speaker 1: present ourselve. Plus we had a lot of stuff going

1214
01:08:57,560 --> 01:08:59,680
Speaker 1: on in New York that week anyway, so it was

1215
01:08:59,760 --> 01:09:02,160
Speaker 1: only right we go out there and we when we

1216
01:09:02,240 --> 01:09:04,040
Speaker 1: got in the building and we've got nd stood. We

1217
01:09:04,200 --> 01:09:07,759
Speaker 1: just sat down when he was just I'm I'm looking

1218
01:09:07,800 --> 01:09:10,439
Speaker 1: at him like like it's crazy. I'm looking at Nas

1219
01:09:10,560 --> 01:09:13,479
Speaker 1: like like I've seen Belly a thousands of I'm looking

1220
01:09:13,479 --> 01:09:16,280
Speaker 1: at right. So I was like, you know what that feels.

1221
01:09:16,800 --> 01:09:20,200
Speaker 1: It's kind of magical, though, bro, in a very simple way.

1222
01:09:20,280 --> 01:09:26,120
Speaker 1: It's magical. It's as if, imagine if this was a film,

1223
01:09:27,640 --> 01:09:31,960
Speaker 1: the swordsman and master Swordsman's are like, there's a young

1224
01:09:32,080 --> 01:09:36,599
Speaker 1: kid and there's no more swordsman because everyone is picking up,

1225
01:09:36,680 --> 01:09:39,760
Speaker 1: like you know, weapons that you know, you don't even

1226
01:09:39,800 --> 01:09:44,080
Speaker 1: have to have skills to kill, and the freaking legend

1227
01:09:44,160 --> 01:09:48,360
Speaker 1: swordsman's are like, there's one more out there. I want

1228
01:09:48,400 --> 01:09:51,160
Speaker 1: to meet him, right some ship like that. It feels

1229
01:09:51,200 --> 01:09:53,040
Speaker 1: like like when you're telling me the story, if you

1230
01:09:53,200 --> 01:09:55,280
Speaker 1: meet Nas and you reached out to your people, it's

1231
01:09:55,280 --> 01:09:57,960
Speaker 1: as if you know one of the you know, the

1232
01:09:58,080 --> 01:10:00,800
Speaker 1: finest swordsman heard that there as a young kid in

1233
01:10:00,840 --> 01:10:05,000
Speaker 1: the village that is still practicing the skills, and then

1234
01:10:05,040 --> 01:10:08,600
Speaker 1: the swords a sword maker like myself. You know, it's like, yo,

1235
01:10:08,680 --> 01:10:11,360
Speaker 1: I want to meet this young swordsman as well, right,

1236
01:10:11,479 --> 01:10:15,120
Speaker 1: it just seems very fucking magical and freaking like on

1237
01:10:15,320 --> 01:10:18,559
Speaker 1: some like ill ship, like you know, the Chosen One

1238
01:10:18,640 --> 01:10:21,920
Speaker 1: type ship, you know, the Prodigal Son type ship where

1239
01:10:22,320 --> 01:10:25,519
Speaker 1: other lords of their craft or or you know there's

1240
01:10:25,560 --> 01:10:29,080
Speaker 1: whispers and the freaking Jedi Council that there's a young

1241
01:10:29,200 --> 01:10:33,639
Speaker 1: Jedi out there type ship. Fucking feels sucking awesome. Though

1242
01:10:33,760 --> 01:10:36,320
Speaker 1: no I know exactly what you mean. Like, Yo, there's

1243
01:10:36,320 --> 01:10:40,760
Speaker 1: another Jedi nigga. Like word on the street is check

1244
01:10:40,800 --> 01:10:43,839
Speaker 1: them out, this young dude. It's like tearing up planets

1245
01:10:43,880 --> 01:10:46,280
Speaker 1: and take a ship over. Yeah. Meanwhile, the freaking Empire

1246
01:10:46,560 --> 01:10:49,599
Speaker 1: ain't really checking for that ship except for the Jedi

1247
01:10:49,760 --> 01:10:52,639
Speaker 1: Knights that got an eye out that could sniff it. Yeah,

1248
01:10:53,720 --> 01:10:57,280
Speaker 1: what what is this real story? Jay Z reached out

1249
01:10:57,320 --> 01:10:59,040
Speaker 1: to you to try to sign him? Is that true?

1250
01:10:59,200 --> 01:11:02,240
Speaker 1: Is that not true? Uh? Because from what I gathered

1251
01:11:02,320 --> 01:11:05,040
Speaker 1: and this, I prided myself on not fact checking this podcast.

1252
01:11:05,080 --> 01:11:09,040
Speaker 1: We pride ourselves on no fact checking, So fact check

1253
01:11:09,120 --> 01:11:10,800
Speaker 1: that for me. Did jay Z try to sign you?

1254
01:11:11,000 --> 01:11:12,639
Speaker 1: Did you try to sign you for a million dollars?

1255
01:11:12,800 --> 01:11:15,640
Speaker 1: And again, how do you say no to jay Z?

1256
01:11:15,800 --> 01:11:17,639
Speaker 1: If this is even true? And I see you smiling,

1257
01:11:17,680 --> 01:11:22,760
Speaker 1: So give me something. Oh man, uh that No, that

1258
01:11:23,400 --> 01:11:27,080
Speaker 1: j never try to sign me for a million dollars

1259
01:11:27,120 --> 01:11:29,479
Speaker 1: and all that. That was just something that was floating

1260
01:11:29,520 --> 01:11:33,280
Speaker 1: around on the internet. And but jay reaching out to

1261
01:11:33,360 --> 01:11:35,439
Speaker 1: somebody off of them a million dollars that you know,

1262
01:11:35,560 --> 01:11:38,240
Speaker 1: that's jay Z. You're gonna see him the next day,

1263
01:11:38,720 --> 01:11:41,559
Speaker 1: chips all that. So no, that was just a friendly

1264
01:11:42,360 --> 01:11:44,519
Speaker 1: room that was on the internet. When you see something

1265
01:11:44,600 --> 01:11:46,240
Speaker 1: like that and you're just like, are you like what

1266
01:11:46,360 --> 01:11:48,120
Speaker 1: the funk? Like, how did I get in the middle

1267
01:11:48,120 --> 01:11:50,920
Speaker 1: of this ship? Like I would be flattered if that

1268
01:11:51,040 --> 01:11:52,760
Speaker 1: was there, something like, Yo, jay Z tried to sign

1269
01:11:52,840 --> 01:11:54,080
Speaker 1: me and I didn't sign with him for a million

1270
01:11:54,120 --> 01:11:57,760
Speaker 1: doesn't like him. That's fucking crazy, right, Like I took

1271
01:11:57,800 --> 01:11:59,479
Speaker 1: it like when I first seen it, I wasn't even

1272
01:11:59,479 --> 01:12:04,560
Speaker 1: going to, oh, well that is that is I'm thinking that,

1273
01:12:04,640 --> 01:12:06,840
Speaker 1: like because what they do they don't know. But when

1274
01:12:06,880 --> 01:12:08,880
Speaker 1: I seen the spreading a run on social media, it

1275
01:12:09,040 --> 01:12:11,880
Speaker 1: was crazy. I'm getting everybody asking me that he signed,

1276
01:12:11,920 --> 01:12:14,920
Speaker 1: that he signed, you know, but it was a crazy feeling,

1277
01:12:15,000 --> 01:12:18,160
Speaker 1: like I can't believe it, Like how much I can't

1278
01:12:18,200 --> 01:12:21,640
Speaker 1: like how far I came from just sixty seconds, like

1279
01:12:21,840 --> 01:12:27,519
Speaker 1: to be in the conversation with jay Z. How many

1280
01:12:27,560 --> 01:12:30,599
Speaker 1: seconds sixty seconds and some of them not even sixty,

1281
01:12:30,680 --> 01:12:34,320
Speaker 1: probably fifty four. So for all the folks out there listening,

1282
01:12:35,360 --> 01:12:38,280
Speaker 1: if you would a fund up situation and you don't

1283
01:12:38,320 --> 01:12:41,320
Speaker 1: know how to crystallize sixty seconds to fucking change your

1284
01:12:41,360 --> 01:12:43,880
Speaker 1: trajectory on what you're gonna be in life, then your

1285
01:12:43,960 --> 01:12:49,960
Speaker 1: skills are whack. He crystallized sixty seconds that freaking ping

1286
01:12:50,080 --> 01:12:52,840
Speaker 1: pongd and catapult his career and his future to a

1287
01:12:53,000 --> 01:12:59,120
Speaker 1: totally different fucking potential sixty fucking seconds, And meanwhile, motherfucker's

1288
01:12:59,160 --> 01:13:03,160
Speaker 1: is sitting around wasting sixty seconds, fucking complaining about the

1289
01:13:03,360 --> 01:13:07,160
Speaker 1: past fucking sixty days. You know what I'm saying. Think

1290
01:13:07,160 --> 01:13:10,559
Speaker 1: about that ship. It's incredible for them. They're complaining about

1291
01:13:10,600 --> 01:13:13,840
Speaker 1: their past sixty days, which is two months of sucking, struggling,

1292
01:13:14,200 --> 01:13:19,400
Speaker 1: and losing out on opportunities to crystallize sixty seconds change

1293
01:13:19,439 --> 01:13:22,519
Speaker 1: your trajectory. That's powerful When I don't That's why I

1294
01:13:22,520 --> 01:13:25,680
Speaker 1: said say that again, sixty seconds, Like, what imagine if

1295
01:13:25,680 --> 01:13:29,360
Speaker 1: you didn't do those sixty seconds, we wouldn't be sitting

1296
01:13:29,400 --> 01:13:32,360
Speaker 1: here right now. There wouldn't be this freaking you know

1297
01:13:32,760 --> 01:13:34,880
Speaker 1: light at the end of the tunnel. That's not a train,

1298
01:13:35,600 --> 01:13:37,679
Speaker 1: right because most people are in that tunnel they see

1299
01:13:37,720 --> 01:13:39,800
Speaker 1: that light. Nigger, you know that's a train though, right,

1300
01:13:43,360 --> 01:13:44,920
Speaker 1: it's not the fun the fun light. You want to

1301
01:13:44,920 --> 01:13:47,880
Speaker 1: see the lights coming to you? Yeah, there, and you're

1302
01:13:47,880 --> 01:13:49,519
Speaker 1: not walking you like, we're getting close? Like, how do

1303
01:13:49,520 --> 01:13:55,360
Speaker 1: you getting close? You ain't walking coming he there's a

1304
01:13:55,560 --> 01:13:57,720
Speaker 1: light at the end of the tunnel, bro. Because you

1305
01:13:58,120 --> 01:14:01,720
Speaker 1: took advantage of a platform to crystallize sixty seconds to

1306
01:14:02,160 --> 01:14:05,800
Speaker 1: change your trajectory. That's freaking awesome. So what would you

1307
01:14:05,960 --> 01:14:08,280
Speaker 1: like to see if if I came back here to

1308
01:14:08,479 --> 01:14:12,719
Speaker 1: the will I am spaceship a year eighteen months from today?

1309
01:14:13,640 --> 01:14:16,040
Speaker 1: What would you like to see be going on in

1310
01:14:16,160 --> 01:14:19,920
Speaker 1: your life? In your career as an MC a year

1311
01:14:20,040 --> 01:14:22,560
Speaker 1: eighteen months orm now, forget ten years, twenty years, Like

1312
01:14:22,680 --> 01:14:25,479
Speaker 1: if you come back like, you know, next summer, summer

1313
01:14:25,479 --> 01:14:28,920
Speaker 1: of two thousand nineteen, I'm like, yo, remember me, remember

1314
01:14:28,960 --> 01:14:30,360
Speaker 1: me when you were just seeing no, you know, just

1315
01:14:30,439 --> 01:14:32,600
Speaker 1: coming up? What would you like to see happen for

1316
01:14:32,720 --> 01:14:34,200
Speaker 1: you as a as a as a rapper, as an

1317
01:14:34,320 --> 01:14:37,160
Speaker 1: m C, and your life personally in the next eighteen

1318
01:14:37,200 --> 01:14:43,640
Speaker 1: twenty months. I would like to see my message and

1319
01:14:43,840 --> 01:14:48,519
Speaker 1: my like my platform like close to a household type name.

1320
01:14:48,800 --> 01:14:51,600
Speaker 1: Like I would like to see everything I stand for

1321
01:14:51,840 --> 01:14:55,120
Speaker 1: belief for him that I speak on is coming into fruition,

1322
01:14:55,280 --> 01:14:59,240
Speaker 1: like I would like to be hopefully done a lot

1323
01:14:59,320 --> 01:15:03,080
Speaker 1: of collabor was with some of the greats that I've

1324
01:15:03,080 --> 01:15:05,439
Speaker 1: seen in the Maya coming up and my parents seen

1325
01:15:05,520 --> 01:15:09,400
Speaker 1: in the Maya coming up. And like for the kids,

1326
01:15:09,439 --> 01:15:13,080
Speaker 1: I would definitely like to hopefully had something giving back,

1327
01:15:13,160 --> 01:15:15,800
Speaker 1: something crazy to don't for the boys and girls club,

1328
01:15:15,880 --> 01:15:19,200
Speaker 1: boys schools, all of being part of all that. But

1329
01:15:19,320 --> 01:15:23,160
Speaker 1: my number one goal personal life wise, it's just make

1330
01:15:23,200 --> 01:15:25,680
Speaker 1: sure my mom would never want for nothing, make sure

1331
01:15:25,760 --> 01:15:28,120
Speaker 1: my daughter would never want for nothing. And my family

1332
01:15:28,439 --> 01:15:30,599
Speaker 1: because when I ain't having and I was down, they

1333
01:15:30,680 --> 01:15:33,040
Speaker 1: definitely made sure that I wasn't want onn't for nothing.

1334
01:15:34,120 --> 01:15:35,760
Speaker 1: To give it back to, you know, give it back

1335
01:15:35,840 --> 01:15:39,320
Speaker 1: to how you receive. That's dope and will for him,

1336
01:15:39,680 --> 01:15:41,240
Speaker 1: what would you like to see for him, you know,

1337
01:15:41,320 --> 01:15:43,320
Speaker 1: with his career and to keep things going to to

1338
01:15:43,439 --> 01:15:48,280
Speaker 1: to manifest it into the next level for him to

1339
01:15:48,360 --> 01:15:52,360
Speaker 1: make a giving out of his craft, not a living.

1340
01:15:53,200 --> 01:15:56,760
Speaker 1: What do you mean, so if he is successful to

1341
01:15:56,920 --> 01:16:00,360
Speaker 1: the point where he is giving, then way is he

1342
01:16:00,520 --> 01:16:04,320
Speaker 1: making a living? Because most people just make a living

1343
01:16:04,400 --> 01:16:08,000
Speaker 1: and they ain't giving shipped back and we got enough

1344
01:16:08,080 --> 01:16:12,080
Speaker 1: of that. So if he's making a living to the

1345
01:16:12,240 --> 01:16:16,519
Speaker 1: level to where he's making a given, then damn he's

1346
01:16:16,600 --> 01:16:19,920
Speaker 1: really making a living. Bro And there's room for that.

1347
01:16:20,080 --> 01:16:23,800
Speaker 1: There's thirst for that, there's hunger for that. People want that.

1348
01:16:24,320 --> 01:16:28,200
Speaker 1: And you know, he's the lyrics and the and the

1349
01:16:28,280 --> 01:16:33,200
Speaker 1: things that he stands for, you know, attract that. He's

1350
01:16:33,240 --> 01:16:36,560
Speaker 1: a magnet for that. And if I could, if I

1351
01:16:36,600 --> 01:16:39,360
Speaker 1: could be a part, an instrument to making that happen,

1352
01:16:40,120 --> 01:16:45,600
Speaker 1: then you know, I'd love to assist on on for

1353
01:16:45,720 --> 01:16:47,200
Speaker 1: him to be able to make a giving out of

1354
01:16:47,320 --> 01:16:51,320
Speaker 1: his career. Um, and that looks like this. It looks

1355
01:16:51,360 --> 01:16:55,479
Speaker 1: like I see a cross you something on Netflix where

1356
01:16:55,520 --> 01:17:00,800
Speaker 1: it's talking. I love documentaries on Netflix, and I want

1357
01:17:00,840 --> 01:17:03,360
Speaker 1: to see a quad documentary on on on the ills

1358
01:17:03,400 --> 01:17:07,160
Speaker 1: of Philadelphia four years from now. I want to see,

1359
01:17:07,640 --> 01:17:10,960
Speaker 1: you know, every every month he's hitting me with some

1360
01:17:11,080 --> 01:17:13,760
Speaker 1: awesome music, some stuff that's deep, some stuff that's just

1361
01:17:13,880 --> 01:17:16,120
Speaker 1: like I just want to zone out to k I

1362
01:17:16,160 --> 01:17:18,640
Speaker 1: want to I want to see quality Stable Center. I

1363
01:17:18,720 --> 01:17:21,800
Speaker 1: want to see Koa. I want to see the youth

1364
01:17:21,920 --> 01:17:24,479
Speaker 1: wearing like you know, voice of the youth, you know,

1365
01:17:24,840 --> 01:17:29,360
Speaker 1: attire um. I want to see Koa. I want to

1366
01:17:29,400 --> 01:17:32,439
Speaker 1: see books. I want to see Koa do a prison tour.

1367
01:17:32,920 --> 01:17:36,160
Speaker 1: I want to see a Quad do uh talks at colleges.

1368
01:17:36,800 --> 01:17:38,760
Speaker 1: I want to see Qua do like a college tour.

1369
01:17:39,400 --> 01:17:41,760
Speaker 1: I want to see KWA and Brixton. I want to

1370
01:17:41,760 --> 01:17:46,320
Speaker 1: see Koa and you know Zone in Spain. I wanna

1371
01:17:46,320 --> 01:17:49,799
Speaker 1: see Koa rock with somebody and the favelas of Brazil

1372
01:17:49,960 --> 01:17:52,759
Speaker 1: on the on the illness freaking like you know, funky

1373
01:17:52,840 --> 01:17:56,559
Speaker 1: beat on some like hip hop and Brazilian like dirty,

1374
01:17:56,640 --> 01:17:59,880
Speaker 1: grimy music. There's an LMC in Brazil right now in

1375
01:18:00,040 --> 01:18:02,680
Speaker 1: the favelas that I want to connect quite with. I

1376
01:18:02,720 --> 01:18:05,920
Speaker 1: want to see Quad work with somebody from South Korea.

1377
01:18:05,920 --> 01:18:07,600
Speaker 1: I want to see Quad work with you know, the

1378
01:18:07,920 --> 01:18:11,880
Speaker 1: somebody from the Southeast Asia ghetto MC. I want to

1379
01:18:11,880 --> 01:18:16,240
Speaker 1: see Chald work with somebody from some village in China. Uh,

1380
01:18:16,360 --> 01:18:18,479
Speaker 1: even though they banned hip hop in China, I wanna

1381
01:18:18,760 --> 01:18:21,720
Speaker 1: uh that's happening right now. Boom n me, here's a

1382
01:18:21,760 --> 01:18:23,599
Speaker 1: boom no. I mean that I let that dud podcast

1383
01:18:25,479 --> 01:18:29,720
Speaker 1: between Now and Choir has an opportunity to build a

1384
01:18:29,880 --> 01:18:37,080
Speaker 1: huge career. Kimdrick Lamar's proof that conscious music is needed

1385
01:18:37,120 --> 01:18:40,200
Speaker 1: in the world. So Chance the rapper. I want to

1386
01:18:40,240 --> 01:18:43,799
Speaker 1: see Quad do for Philly what Chance did for Chicago.

1387
01:18:44,000 --> 01:18:49,920
Speaker 1: Got you right and common and Kanye kind of paved

1388
01:18:49,960 --> 01:18:55,240
Speaker 1: the way, but Chance executed in ways that I would

1389
01:18:55,280 --> 01:18:57,760
Speaker 1: have thought Kanye would have. I want to see a

1390
01:18:57,880 --> 01:19:01,640
Speaker 1: freaking chuald Route project. That would be stupid. You know

1391
01:19:01,680 --> 01:19:04,280
Speaker 1: what I'm saying. I want to see you were black

1392
01:19:04,360 --> 01:19:07,360
Speaker 1: thought what Phillies in the house? Come on, all right?

1393
01:19:07,400 --> 01:19:08,720
Speaker 1: You know what I'm saying. I want to see Qual

1394
01:19:08,960 --> 01:19:11,000
Speaker 1: get Spooney g to come out and rock some shipped

1395
01:19:11,000 --> 01:19:13,679
Speaker 1: too over that PSK B that's the ship. You gotta

1396
01:19:13,760 --> 01:19:16,280
Speaker 1: rock over that PSK. I don't want to see qual

1397
01:19:17,200 --> 01:19:22,000
Speaker 1: I want to see freaking uh Um, DJ Premier and

1398
01:19:22,320 --> 01:19:27,880
Speaker 1: Royal Airs choa record. I like it, awesome collaboration called

1399
01:19:29,080 --> 01:19:31,519
Speaker 1: Can I preorder that already? Right? I mean, come on, bro,

1400
01:19:31,680 --> 01:19:34,960
Speaker 1: I could on some conscious stuff. What I want to

1401
01:19:35,000 --> 01:19:39,960
Speaker 1: see Kua do like a a project at Carnegie Hall

1402
01:19:40,280 --> 01:19:44,760
Speaker 1: with the Last Poets? What why not? Right between now

1403
01:19:44,800 --> 01:19:48,000
Speaker 1: and four years right, like just vision out, vision board

1404
01:19:49,320 --> 01:19:55,200
Speaker 1: execute right, and then by there's an awesome you know,

1405
01:19:55,320 --> 01:19:57,000
Speaker 1: like you get to that quad book. You get that

1406
01:19:57,080 --> 01:19:59,840
Speaker 1: quad book on, you know, for all the folks that

1407
01:20:00,120 --> 01:20:03,400
Speaker 1: in and out of the system and no way to

1408
01:20:04,080 --> 01:20:06,679
Speaker 1: you know, no guidance on how to like stay on course.

1409
01:20:08,360 --> 01:20:10,680
Speaker 1: There's there's it's needed right now because most folks they

1410
01:20:10,800 --> 01:20:12,760
Speaker 1: come out the system and they brag about being in

1411
01:20:12,840 --> 01:20:15,559
Speaker 1: the system, and there is no job for them. They

1412
01:20:15,640 --> 01:20:19,920
Speaker 1: can't vote. They really in a tight spot, I know

1413
01:20:20,000 --> 01:20:23,519
Speaker 1: because family members, you know. And uh, and that's the

1414
01:20:23,520 --> 01:20:25,880
Speaker 1: reason why my salute and look what what he was

1415
01:20:25,920 --> 01:20:29,800
Speaker 1: able to crystallize in sixty seconds? Like yo, that means

1416
01:20:30,600 --> 01:20:35,679
Speaker 1: there is a void to feel for that. And you know, sorry,

1417
01:20:35,720 --> 01:20:38,360
Speaker 1: I just I just put a whole laundry list. What

1418
01:20:38,439 --> 01:20:43,200
Speaker 1: I want to say, good luck executing. But we can

1419
01:20:43,280 --> 01:20:45,559
Speaker 1: do that, right. I'm just saying, you throw that ship

1420
01:20:45,640 --> 01:20:48,160
Speaker 1: out there. I'm a freaking you know. I put dream

1421
01:20:48,200 --> 01:20:50,280
Speaker 1: boards up and then a squad around it to try

1422
01:20:50,320 --> 01:20:52,680
Speaker 1: to execute the dreams. I like it. I like it

1423
01:20:53,160 --> 01:20:56,479
Speaker 1: all right. Listen, qua wait, I gotta ask you most

1424
01:20:56,600 --> 01:21:01,880
Speaker 1: portant questions l g P Qua, l g P stands

1425
01:21:01,960 --> 01:21:05,519
Speaker 1: for let's get paid, let's go all right, Iron Wrapped

1426
01:21:05,560 --> 01:21:08,240
Speaker 1: Ports Stereo Podcast, I wish you nothing but luck. Keep

1427
01:21:08,320 --> 01:21:12,720
Speaker 1: doing your thing. I respect it, I appreciate it, and

1428
01:21:12,840 --> 01:21:15,200
Speaker 1: I can't wait for the you know the rest of

1429
01:21:15,240 --> 01:21:19,000
Speaker 1: your stuff you're doing and Insomniac singles out shot with

1430
01:21:19,160 --> 01:21:21,200
Speaker 1: no permits the opening. It will come back to get

1431
01:21:21,240 --> 01:21:24,479
Speaker 1: that for you at downtown l A Iron Wrapped Ports

1432
01:21:24,479 --> 01:21:28,080
Speaker 1: Stereo podcast, l G p Qua Where I am. I

1433
01:21:28,160 --> 01:21:37,320
Speaker 1: appreciate you guys, right, thank you, thank you? Whoa glee?

1434
01:21:37,439 --> 01:21:51,919
Speaker 1: Stay me thanky woke? Whoa glee? Stay? We're from African

1435
01:21:52,000 --> 01:21:54,800
Speaker 1: actions to affirmative action. It's a pyramid. They hated up

1436
01:21:54,840 --> 01:21:57,320
Speaker 1: here is because of a blasting. I question the actions,

1437
01:21:57,360 --> 01:21:59,320
Speaker 1: like what are we doing? I as this is passing

1438
01:21:59,360 --> 01:22:01,479
Speaker 1: the fight we on offsite when we went from blacks

1439
01:22:01,560 --> 01:22:04,040
Speaker 1: chained up to blacks locked up the cops on the

1440
01:22:04,080 --> 01:22:06,280
Speaker 1: block train and get us all shout up. I questioned

1441
01:22:06,280 --> 01:22:08,840
Speaker 1: on reaction like why are we distracted trapped in the

1442
01:22:08,960 --> 01:22:11,880
Speaker 1: zoo like they call the Black Panther. We hustling, hustling,

1443
01:22:11,960 --> 01:22:14,360
Speaker 1: gain't no bro, you wrestling. Let me combing down to

1444
01:22:14,520 --> 01:22:16,800
Speaker 1: the bad hell. We gotta find the struggles, struggling with

1445
01:22:16,920 --> 01:22:19,000
Speaker 1: knowledge yourself. I don't want to be the leader quick

1446
01:22:19,040 --> 01:22:21,720
Speaker 1: to follow someone else by daily dilemma. Seemed to never

1447
01:22:21,800 --> 01:22:24,839
Speaker 1: be defeated by deadly egos. They need to be depleted.

1448
01:22:25,040 --> 01:22:28,400
Speaker 1: Social media activism should be deleted because the revolution won't

1449
01:22:28,439 --> 01:22:32,120
Speaker 1: be a revolution if the revolution is only tweeted and retweeted.

1450
01:22:32,880 --> 01:22:36,080
Speaker 1: My guy, Koah, wish you nothing but success. Keep doing

1451
01:22:36,120 --> 01:22:41,000
Speaker 1: your thing, keep rock and keep spitting. Will I am

1452
01:22:41,760 --> 01:22:47,760
Speaker 1: iconic producer, tchech fucking icon or yo. Let me just

1453
01:22:47,880 --> 01:22:49,680
Speaker 1: hold to say this, Sarah ray Maker and all the

1454
01:22:49,760 --> 01:22:52,240
Speaker 1: people that will Spot, thank you for setting us up.

1455
01:22:52,479 --> 01:22:54,479
Speaker 1: The guys that filmed it, thank you for setting up

1456
01:22:54,760 --> 01:22:58,360
Speaker 1: William's got a stupid studio. I talked about it on

1457
01:22:58,479 --> 01:23:00,880
Speaker 1: the interview. You heard me talk about it. Star Trek Shit,

1458
01:23:01,280 --> 01:23:04,400
Speaker 1: My man got some Star Trek ship, some real life

1459
01:23:04,720 --> 01:23:09,240
Speaker 1: star trek shit. International Star International starts the Iron Wrap

1460
01:23:09,280 --> 01:23:12,120
Speaker 1: Coors Stereo podcast, will Quad. Thank you for coming on

1461
01:23:12,240 --> 01:23:15,800
Speaker 1: the show, all the all the insight, all the information,

1462
01:23:16,080 --> 01:23:18,360
Speaker 1: and thank you for rocking with the best. Sarah, thank

1463
01:23:18,400 --> 01:23:20,920
Speaker 1: you for setting up ge Moody last name rhymes with duty.

1464
01:23:22,400 --> 01:23:23,800
Speaker 1: What what beat you want to get out of here

1465
01:23:23,840 --> 01:23:25,920
Speaker 1: with you want. But what's some of the new bangers

1466
01:23:25,960 --> 01:23:28,080
Speaker 1: you just put out? Give me some of that uh

1467
01:23:28,520 --> 01:23:31,840
Speaker 1: Tila rock? Give me that up? What's that Tila rock?

1468
01:23:32,080 --> 01:23:35,760
Speaker 1: It's yours hooking up the boom. Well back bool bat,

1469
01:23:35,920 --> 01:23:38,800
Speaker 1: let's go Iron Wrap Coors Stereo podcast. You know where

1470
01:23:38,840 --> 01:23:40,920
Speaker 1: to find it. Have no fear to Iron Wrap Corps

1471
01:23:40,920 --> 01:23:46,320
Speaker 1: Stereo podcast. This year I'm out back from bath from

1472
01:23:46,360 --> 01:24:02,280
Speaker 1: back from bapp facto cap for black between black for

1473
01:24:02,400 --> 01:24:07,040
Speaker 1: pen for black, between black for black, between black for

1474
01:24:07,200 --> 01:24:13,679
Speaker 1: pen for flat, between black back back back for peen,

1475
01:24:13,720 --> 01:24:18,400
Speaker 1: back for black, between black for pom for fast, between

1476
01:24:18,479 --> 01:24:23,160
Speaker 1: black for black, between black for pen for fast, between

1477
01:24:23,240 --> 01:24:27,960
Speaker 1: black for black, between black for pen for flat between

1478
01:24:28,040 --> 01:24:28,280
Speaker 1: black