WEBVTT - 73: The Midsommar Monster Spectacular with John Levenstein

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<v Speaker 1>This is a Night Call special announcement. We're so happy

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<v Speaker 1>to be back from our hiatus and with our new

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<v Speaker 1>network I Heart Media. For the next two weeks, we'll

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<v Speaker 1>be opening a time portal and releasing the episodes we

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<v Speaker 1>recorded during the break with some very special guests and

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<v Speaker 1>excellent night calls from our listeners. We'll also be releasing

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<v Speaker 1>an extra episode next week to thank you for your

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<v Speaker 1>patients and now that we're back, give us a call

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<v Speaker 1>at two four oh four six night or email us

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<v Speaker 1>at Night Call podcast at gmail. Now back to your

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<v Speaker 1>strange days and lonely nights at eight pm in a

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<v Speaker 1>research island in the Long Island Sound and you're listening

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<v Speaker 1>to Night Call. Hello and welcome to Night Call, a

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<v Speaker 1>podcast for your strange days and lonely nights. I am

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<v Speaker 1>Tess Lynch in Los Angeles, and with me I have

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<v Speaker 1>Molly Lambert, and joining us from New York, we have

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<v Speaker 1>Emily Yoshida and we'll be joined in the second half

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<v Speaker 1>of the show today by writer John Levinstein to discuss

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<v Speaker 1>his new show, Frankenstein's Monster's Monster Frankenstein. But first an

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<v Speaker 1>Area fifty one update. Yeah, so I can't remember when

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<v Speaker 1>I saw this, but this was viral at some point,

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<v Speaker 1>I want to say last Wednesday, so it's old news

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<v Speaker 1>by now, but the parents it's night call news. It

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<v Speaker 1>was very up our alley, and I felt like I

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<v Speaker 1>had to address it on our like I felt like

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<v Speaker 1>I was a spokesperson for a big company and it

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<v Speaker 1>was like, yes, we've seen, we we know about the

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<v Speaker 1>viral Facebook invite is aware, We've been made awareness. I

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<v Speaker 1>felt like I was the US government having I'm sorry,

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<v Speaker 1>but yeah, there was Yeah. It was a Facebook invite

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<v Speaker 1>to storm area fifty one. Yeah, yeah, started by um,

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<v Speaker 1>started by an account called oh wait I had it

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<v Speaker 1>um ship posting because I'm in shambles, so you know

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<v Speaker 1>it's probably for real and um and yeah at this

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<v Speaker 1>at this point has over one million rstps, which are joking,

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<v Speaker 1>means like five people will actually show up for it.

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<v Speaker 1>Um but but the uh, the I think the full

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<v Speaker 1>text of the the invite is just like if we

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<v Speaker 1>Naruto run, which is a specific style of anime running

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<v Speaker 1>where your arms are back and you run really first,

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<v Speaker 1>that they can't they won't be able to stop us. Um.

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<v Speaker 1>I guess the goal is to The stated goal was

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<v Speaker 1>to free the aliens. Look, I mean, okay, all of

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<v Speaker 1>this is stuff that I am behind in in in theory. Um,

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<v Speaker 1>I'm just I'm just saying, like I think I was

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<v Speaker 1>going through the person's account who posted this the ship

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<v Speaker 1>posting because I'm in shambles, because I was just like,

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<v Speaker 1>what level of ship posts is this person? Like? Are

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<v Speaker 1>they a horrible like for Channer or are they just

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<v Speaker 1>like idiot Team? Yeah, and it seems more like idiot

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<v Speaker 1>team having a laugh. Like I went through almost their

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<v Speaker 1>entire history and I was like, there's nothing here that's

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<v Speaker 1>like crazily racist or anything like that. As I'll just

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<v Speaker 1>it's like stilly you know, ship posts. But um, but still,

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<v Speaker 1>I mean, I think that the person was sort of

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<v Speaker 1>like overwhelmed by the degree which it went viral and

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<v Speaker 1>also how many um, dead serious people. Yeah, I was

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<v Speaker 1>the most interesting thing is that there are the people

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<v Speaker 1>who are dead serious, the people who are not at

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<v Speaker 1>all serious, and then the very interesting gray area between

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<v Speaker 1>them where you just can't tell if these people are

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<v Speaker 1>serious or not. Because I was like, I didn't know

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<v Speaker 1>that we were doing still doing things like this as

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<v Speaker 1>a joke anymore, right as far as I can tell,

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<v Speaker 1>in nineteen when people are like re forming a militia

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<v Speaker 1>and going to the pizza place they like do it.

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<v Speaker 1>So this also seems kind of ill advised because it's

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<v Speaker 1>a military base and you're not going to get very far.

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<v Speaker 1>It's not like the official statement was like please don't,

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<v Speaker 1>just please don't. But I've seen a lot of interesting

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<v Speaker 1>talk around this where people are like, is this a

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<v Speaker 1>subconscious reaction to wanting to take people out of ice concentrations? Yeah,

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<v Speaker 1>I mean it does feel like, I mean, why don't

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<v Speaker 1>you just start a petition to do that? Then? Well?

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<v Speaker 1>Let yeah, I think four thousand people showed up in

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<v Speaker 1>l a um outside a detention center. I think. I mean,

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<v Speaker 1>in a way, it's like nice to see something that

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<v Speaker 1>is kind of just like a good framing on how

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<v Speaker 1>everybody is so frustrated by, you know, just feeling this

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<v Speaker 1>immediate need to change things and how like everything you

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<v Speaker 1>do is still insufficient because it's like a massive projected fantasy,

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<v Speaker 1>right exactly. Yeah, I mean that was like the joke

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<v Speaker 1>that I posted was like, we'll totally join in to

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<v Speaker 1>free the aliens from Area fifty one once we've taken

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<v Speaker 1>care of a couple of more important things right now.

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<v Speaker 1>But I mean, I do feel like it's it's Yeah,

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<v Speaker 1>it could be a joke about it could be a

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<v Speaker 1>joke about, you know, that kind of powerless feeling of

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<v Speaker 1>not being able to do anything about everybody in these

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<v Speaker 1>ice detention facilities. Or it could be a joke on

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<v Speaker 1>these like crazy conspiracy things. Yeah yeah, yeah, um and

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<v Speaker 1>and and in that, in that way, you can understand

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<v Speaker 1>why it went viral. It just resonates. You know. Sometimes

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<v Speaker 1>it's fun to just join a group. Uh, more fun

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<v Speaker 1>than being by yourself, no matter what the group is.

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<v Speaker 1>Let's talk about a little movie called Midsummer Oh my god,

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<v Speaker 1>you guys made. We still need some are our respective

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<v Speaker 1>coastal locations, and then we came together to talk about it. Uh,

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<v Speaker 1>we've all been very excited to talk about this movie.

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<v Speaker 1>We've had some time to think about it, and I

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<v Speaker 1>wonder if you guys have the same experience that I

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<v Speaker 1>was very glad actually to have some time to let

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<v Speaker 1>it breathe in my brain. Uh. When we when Molly

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<v Speaker 1>and I came out of the l A screening, we

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<v Speaker 1>we were both like, what does it mean? And then

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<v Speaker 1>realize it's gonna take a long time to figure it

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<v Speaker 1>out probably, Um, but we all really enjoyed Midsummer Obviously,

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<v Speaker 1>if you haven't seen it, you should go see uh,

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<v Speaker 1>but don't go with someone you're dating. Probably not. Yeah. Um.

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<v Speaker 1>I also want to say that another person told me

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<v Speaker 1>about the Blue Valentine Curse, which tests are spoken about

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<v Speaker 1>on the podcast before, that if you watch that movie

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<v Speaker 1>with a significant other, you will break up, and that

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<v Speaker 1>uh true true spears from the uh This podcast of

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<v Speaker 1>Self Care podcast said he wants to talk about the

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<v Speaker 1>plot of Blue Valentine with a girlfriend. That'll do it.

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<v Speaker 1>They broke up. Yep. You don't have to actually sit

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<v Speaker 1>through the movie. You can have a discussion about what

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<v Speaker 1>you thought about the movie, and that can make you

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<v Speaker 1>break up. It is um. I I did a poll

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<v Speaker 1>a while ago on Twitter and only I think it

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<v Speaker 1>was only like seventy percent of people broke up who

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<v Speaker 1>were surveyed after watching Blue Valentine. But I'm going to

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<v Speaker 1>go ahead and say, fake news, a hundred percent of

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<v Speaker 1>you will break up. I know, I mean it. I

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<v Speaker 1>was like, what is it going on? Who is messing

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<v Speaker 1>with my poll? Um? If you're uh forced a loot

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<v Speaker 1>of self reflection on the part of everybody, Yeah, about

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<v Speaker 1>UH bad trips it did trips and bad relationships or

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<v Speaker 1>just like stale. They don't even need to be like

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<v Speaker 1>I think the kind of point of the movie or

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<v Speaker 1>why why a lot of it works to me, is

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<v Speaker 1>that the relationship doesn't need to be like operatically bad.

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<v Speaker 1>It could just be kind of dysfunctional and not like

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<v Speaker 1>you know, something that people should know both parties should

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<v Speaker 1>you get out of and just you know, cut their losses.

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<v Speaker 1>But it doesn't need to be anything, you know. I mean,

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<v Speaker 1>it's like kind of emotionally abusive and manipulative in some ways,

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<v Speaker 1>but that's about it. But even still, like that's all

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<v Speaker 1>it takes to go into this sort of heightened environment

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<v Speaker 1>of this Midsummer festival and in Sweden and like have

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<v Speaker 1>every single aspect of it exposed and open forum. This

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<v Speaker 1>prompted me to tell to us about the time when

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<v Speaker 1>I graduated college and I went to visit my college

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<v Speaker 1>boyfriend who was abroad. We were like technically on a break,

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<v Speaker 1>but we were like theoretically going to get back together.

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<v Speaker 1>When I went to visit him, um and I've never

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<v Speaker 1>been to Europe before, and I got there and he

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<v Speaker 1>had a new girlfriend that he hadn't told me about

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<v Speaker 1>because he was like, she's twenty six, so she knows

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<v Speaker 1>that it's not serious. And I told her when my

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<v Speaker 1>old girlfriend gets here, we're going on a trip together. Um.

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<v Speaker 1>And then we went on a trip together. And it

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<v Speaker 1>made me think about that a lot during this movie,

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<v Speaker 1>but we didn't. It wasn't you know. I was mad

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<v Speaker 1>at him, and then at a certain point I was like,

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<v Speaker 1>but also got to enjoy this trip. Oh my god,

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<v Speaker 1>I would not have been able to handle it as well.

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<v Speaker 1>I remembered when this happened in college. But when Molly

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<v Speaker 1>told me about it again, I got the chills of

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<v Speaker 1>how awful that is. I have a really hard time

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<v Speaker 1>traveling anyway. So I kind of came I don't think

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<v Speaker 1>I ever really took a trip. I never took like

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<v Speaker 1>an extended trip with anyone I was dating, probably because

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<v Speaker 1>I knew that I would lose. It's a litmus test,

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<v Speaker 1>you know instantly whether or not it's gonna work. And

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<v Speaker 1>it's just like this person had already like shown me

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<v Speaker 1>when I showed up that they were no longer. So

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<v Speaker 1>then I was like, we're alone on a trip together.

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<v Speaker 1>How weird is that? Because I don't trust you any more?

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<v Speaker 1>But also like going to go on this trip and

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<v Speaker 1>have to like prove my worth in some weird way.

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<v Speaker 1>And then we went to Croatia. Instead of you know,

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<v Speaker 1>horrible things happening, it was fine. We did go to

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<v Speaker 1>a weird festival though, um in Austria, the weirdest place

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<v Speaker 1>I've ever been, which this movie also made me think about.

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<v Speaker 1>And we went to like we were in Vienna, and

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<v Speaker 1>this waiter was like, go to the festival in the Danube.

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<v Speaker 1>And then it was literally like a state fair, like

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<v Speaker 1>a Viennese state fair. So it was like people cutting

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<v Speaker 1>up logs with chainsaws and playing Austrian pop punk and

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<v Speaker 1>like eating fried food. Um well, well, in in Midsummer

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<v Speaker 1>we should summarize the plot for those who haven't seen it. Um.

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<v Speaker 1>It is about a young woman named Danny played by

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<v Speaker 1>Florence Pew, who is she suffers from some anxiety it

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<v Speaker 1>seems like already, and then a horrible thing happens to

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<v Speaker 1>her family, which we shall not spoil here that kind

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<v Speaker 1>of center to a very dark place for a long time.

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<v Speaker 1>And meanwhile she's dating this guy whose name I can't

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<v Speaker 1>remember because he's just like that's Christian, that's right, yeah,

0:11:12.000 --> 0:11:17.360
<v Speaker 1>but played by Jack Grayner, who um, who is not

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<v Speaker 1>the best boyfriend, kind of like a claude. He's in

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<v Speaker 1>some kind of graduate school and he's an anthropology student,

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<v Speaker 1>and so him and his buddies have planned this like

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<v Speaker 1>wild summer trip to Sweden because one of his friends

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<v Speaker 1>is Swedish, grew up on a colummune and they have

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<v Speaker 1>this wild festival every summer. So all these dudes are

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<v Speaker 1>going to go, and uh, these two Danny and Christian

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<v Speaker 1>are still together for some reason, and she decides that

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<v Speaker 1>she wants to come along with them, kind of to

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<v Speaker 1>their disappointment. So they all go to the festival. They

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<v Speaker 1>do a lot of hallucinogens, the sun never goes down,

0:11:59.720 --> 0:12:03.480
<v Speaker 1>and and she has a journey of self discovery among

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<v Speaker 1>the flower people. It's part of the movie at the end. Um,

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<v Speaker 1>I have a theory about this movie, Yes, stand by

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<v Speaker 1>It's my theory the moment I saw it, and I'm

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<v Speaker 1>gonna stand by it. Weeks later, I think it's movies

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<v Speaker 1>about white supremacy, y'all. Okay, I'm gonna back that up

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<v Speaker 1>with because so Molly brought that up and I was like,

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<v Speaker 1>he's a little fan. It's not because the first thing

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<v Speaker 1>I thought was. This movie is about like a white

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<v Speaker 1>blonde girl and she goes to Sweden and she's accepted.

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<v Speaker 1>It's it's all scary white people doing scary European things.

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<v Speaker 1>It's true. If really captures that feeling of being in

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<v Speaker 1>Europe and being weirded out by the tradition. There's also

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<v Speaker 1>I think that well go ahead. Oh and I found

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<v Speaker 1>a Business Insider article that Um talks about Ari Astor

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<v Speaker 1>uh talking on a podcast, I believe, or in an interview,

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<v Speaker 1>but Ruben so there's a cure her in the movie

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<v Speaker 1>that that kind of is like a commentary on closed

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<v Speaker 1>societies and incest Um there is this is a commune

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<v Speaker 1>of people in Sweden and they they go to great

0:13:11.840 --> 0:13:15.720
<v Speaker 1>lengths to not inbreed, except when they intentionally inbreed, to

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<v Speaker 1>to produce an oracle basically, and there's an oracle named

0:13:18.679 --> 0:13:22.520
<v Speaker 1>Reuben Um and it says in the Business Insider they're

0:13:22.520 --> 0:13:26.160
<v Speaker 1>like an aster's words. Reuben embodies the political message of

0:13:26.160 --> 0:13:28.920
<v Speaker 1>the film, which is perhaps partly critiquing the global rise

0:13:28.920 --> 0:13:31.720
<v Speaker 1>of xenophobia and the return of the far right in Sweden.

0:13:32.000 --> 0:13:34.920
<v Speaker 1>As Astor said in an interview, if you consider Swedish history,

0:13:34.920 --> 0:13:37.720
<v Speaker 1>it's a very closed society, and what does that really mean.

0:13:37.960 --> 0:13:39.920
<v Speaker 1>There are things happening in Sweden right now that are

0:13:39.920 --> 0:13:42.160
<v Speaker 1>echoes of things that happened in the Second World War.

0:13:42.920 --> 0:13:45.720
<v Speaker 1>There you go, there you go, Because again I do

0:13:45.880 --> 0:13:48.120
<v Speaker 1>think there is part of the way that the far

0:13:48.280 --> 0:13:50.800
<v Speaker 1>right pushes their ideology is to be like, we have

0:13:50.880 --> 0:13:54.200
<v Speaker 1>to go back to this older, more innocent time. And

0:13:54.360 --> 0:13:58.080
<v Speaker 1>you know when everybody was the beautiful girls everywhere in

0:13:58.120 --> 0:14:00.960
<v Speaker 1>flower crowns and everything was great, um, and all we

0:14:01.000 --> 0:14:03.520
<v Speaker 1>had to do was kill some people for the crops

0:14:03.559 --> 0:14:05.880
<v Speaker 1>every once in a while, and I did get super

0:14:05.920 --> 0:14:09.880
<v Speaker 1>And and also the Nazis are very into, uh, you're

0:14:10.080 --> 0:14:13.200
<v Speaker 1>like this kind of esotericism. A lot of the the

0:14:13.320 --> 0:14:17.040
<v Speaker 1>Nazi love love that weird occult stuff. And turns out

0:14:17.160 --> 0:14:19.840
<v Speaker 1>that the form of Swedish paganism was the same form

0:14:19.880 --> 0:14:25.920
<v Speaker 1>of paganism in Germany, so there is a common history there. Um.

0:14:26.160 --> 0:14:32.480
<v Speaker 1>You should take our nightcall from Let's have some inside intel.

0:14:37.960 --> 0:14:40.200
<v Speaker 1>This is a night email, I believe right, it's a

0:14:40.320 --> 0:14:47.080
<v Speaker 1>night email from I'm probably totally mispronouncing as Oscar. Yeah,

0:14:47.480 --> 0:14:50.560
<v Speaker 1>I'm Osgar. You might note me as Bordo Blues on Twitter,

0:14:50.600 --> 0:14:53.400
<v Speaker 1>writing to you from Stockholm, Sweden, to hopefully share something

0:14:53.400 --> 0:14:56.200
<v Speaker 1>of use to your episode about Midsummer as well as

0:14:56.240 --> 0:14:59.400
<v Speaker 1>my general bewilderment I felt because of the experience around

0:14:59.400 --> 0:15:02.040
<v Speaker 1>this film. I saw the film and it's European premier

0:15:02.080 --> 0:15:04.600
<v Speaker 1>here with a bunch of producers in the Swedish actors

0:15:04.640 --> 0:15:07.160
<v Speaker 1>present A few days after Midsummer's Eve, which we observe

0:15:07.200 --> 0:15:09.640
<v Speaker 1>as a holiday, always landing on a Friday, making the

0:15:09.680 --> 0:15:13.360
<v Speaker 1>following Saturday, Midsummer's Day, a day off. Hundreds of thousands

0:15:13.400 --> 0:15:15.840
<v Speaker 1>of people leave the major cities for their hometowns, unless

0:15:15.840 --> 0:15:17.840
<v Speaker 1>you're from Stockholm like I am, to be with their

0:15:17.840 --> 0:15:20.400
<v Speaker 1>extended families and maybe raise a maypole and ring, dance

0:15:20.440 --> 0:15:23.040
<v Speaker 1>around it and definitely eat fermented or pickled herring with

0:15:23.080 --> 0:15:25.760
<v Speaker 1>potatoes and then get very drunk on beer and schnaps.

0:15:25.800 --> 0:15:28.160
<v Speaker 1>You drink up, you sing a song, you fill the glasses,

0:15:28.160 --> 0:15:31.160
<v Speaker 1>you repeat, all of which can lead to messy situations.

0:15:31.360 --> 0:15:34.360
<v Speaker 1>Even the official website for Sweden points out that quote

0:15:34.440 --> 0:15:36.720
<v Speaker 1>legend has it that the night before Midsummer's Day is

0:15:36.720 --> 0:15:39.240
<v Speaker 1>a magical time for love. It still is in a way.

0:15:39.400 --> 0:15:41.880
<v Speaker 1>During this night many a relationship is put to put

0:15:41.920 --> 0:15:44.640
<v Speaker 1>to the test under the influence of alcohol, the truth

0:15:44.680 --> 0:15:47.080
<v Speaker 1>will come out, which can lead both to marriage and

0:15:47.120 --> 0:15:53.120
<v Speaker 1>to divorce. So he Oscar goes on to talk about, Um,

0:15:53.240 --> 0:15:55.960
<v Speaker 1>a group of people like cliff diving while they were

0:15:56.040 --> 0:15:59.760
<v Speaker 1>drunk and that ended very badly. Um, somebody got impaled

0:15:59.760 --> 0:16:03.360
<v Speaker 1>on a they did. Uh. People being careless and not

0:16:03.360 --> 0:16:06.560
<v Speaker 1>noticing bears sitting in the middle of a desolate for forest.

0:16:06.640 --> 0:16:10.240
<v Speaker 1>Road fires that people like burning out of control because

0:16:10.240 --> 0:16:12.840
<v Speaker 1>they're too drunk to handle them. The disasters befalling the

0:16:12.840 --> 0:16:14.880
<v Speaker 1>poor tourists in the film are at least to me,

0:16:15.280 --> 0:16:19.120
<v Speaker 1>just exaggerated and more murderous than this stuff you almost

0:16:19.160 --> 0:16:21.960
<v Speaker 1>always here has happened to someone you know every summer.

0:16:22.520 --> 0:16:25.480
<v Speaker 1>The wild disorientation you feel from the constant light isn't

0:16:25.520 --> 0:16:28.000
<v Speaker 1>strange either, despite living with very little light for seven

0:16:28.040 --> 0:16:30.600
<v Speaker 1>to eight months, then your constant sunlight during summer is

0:16:30.600 --> 0:16:32.960
<v Speaker 1>still jarring, even if you've lived your all your life.

0:16:33.200 --> 0:16:35.160
<v Speaker 1>Your mind doesn't really adjust to it, and you need

0:16:35.160 --> 0:16:37.520
<v Speaker 1>black outlinders and sleeping mass to get through the days

0:16:37.560 --> 0:16:40.400
<v Speaker 1>with two hours of twilight not dark for a few months.

0:16:40.400 --> 0:16:42.440
<v Speaker 1>And that's just in Stockholm, which isn't in the North.

0:16:42.840 --> 0:16:45.440
<v Speaker 1>Florence Pugh looking exactly like someone you'd run into it

0:16:45.480 --> 0:16:48.400
<v Speaker 1>a Midsummer celebration or just wandering around here in general,

0:16:48.440 --> 0:16:50.960
<v Speaker 1>adds to the uneasy feeling of it all being just

0:16:51.040 --> 0:16:53.560
<v Speaker 1>a little too close to home, just like a two four.

0:16:53.560 --> 0:16:56.360
<v Speaker 1>Buying the Midsummer hashtag on Twitter did, which added an

0:16:56.400 --> 0:16:59.360
<v Speaker 1>emoji of her whaling, which became truly strange when Swedes

0:16:59.360 --> 0:17:05.600
<v Speaker 1>started tagging their Midsummer photos. I want to say, yeah,

0:17:05.640 --> 0:17:08.879
<v Speaker 1>this is really interesting. I learned about Midsummer maybe like

0:17:08.920 --> 0:17:11.919
<v Speaker 1>a year ago because a friend of mine went um

0:17:12.040 --> 0:17:15.800
<v Speaker 1>and it was very much like the setup for this movie.

0:17:16.000 --> 0:17:19.199
<v Speaker 1>It was my friend Mike Hernando Stern went with his

0:17:19.200 --> 0:17:22.879
<v Speaker 1>friend Max, who Swedish, back to Max's hometown for Midsummer

0:17:23.240 --> 0:17:25.880
<v Speaker 1>and I said to him, are you sure you want

0:17:25.880 --> 0:17:28.120
<v Speaker 1>to go into the forest with a bunch of like

0:17:28.119 --> 0:17:31.800
<v Speaker 1>white Swedish people. You know you're a Mexican Jewish person.

0:17:32.040 --> 0:17:34.800
<v Speaker 1>Are they going to sacrifice you for the crops um?

0:17:34.920 --> 0:17:38.560
<v Speaker 1>And then there was a movie about it, so well,

0:17:38.720 --> 0:17:44.080
<v Speaker 1>I think that's just my personal stereotype of all pagan

0:17:44.160 --> 0:17:47.159
<v Speaker 1>celebrations is that I think I'm going to be the

0:17:47.160 --> 0:17:51.480
<v Speaker 1>one who gets killed. Also, you love pagan celebration. I

0:17:51.480 --> 0:17:54.520
<v Speaker 1>feel like we've talked about this so many times, like yeah,

0:17:54.840 --> 0:17:57.800
<v Speaker 1>well I think I mean, obviously, this movie is in

0:17:57.880 --> 0:18:01.040
<v Speaker 1>many ways a remake of The wicker Man, which is

0:18:01.080 --> 0:18:05.160
<v Speaker 1>about another place sort of a weird ethno state removed

0:18:05.200 --> 0:18:07.879
<v Speaker 1>from time where they still do the pagan things. So

0:18:07.920 --> 0:18:12.399
<v Speaker 1>I did get really into researching uh pre Christianity, uh

0:18:12.440 --> 0:18:14.000
<v Speaker 1>and found out that a lot of the stuff in

0:18:14.040 --> 0:18:18.959
<v Speaker 1>Midsummer ripped from the headlines. Um. There, we didn't make

0:18:19.040 --> 0:18:21.359
<v Speaker 1>up a lot of stuff, just like totally whole cloyeah.

0:18:21.480 --> 0:18:25.520
<v Speaker 1>Something called something called a bloat Apparently blo with an

0:18:25.520 --> 0:18:28.879
<v Speaker 1>accent t um was a thing that you had to

0:18:28.920 --> 0:18:32.919
<v Speaker 1>do every summer where they would sacrifice a few people

0:18:33.560 --> 0:18:39.240
<v Speaker 1>to ensure that the crops remained, uh going good of course, um,

0:18:39.280 --> 0:18:43.639
<v Speaker 1>and that being a widespread phenomenon among every culture and

0:18:43.680 --> 0:18:46.959
<v Speaker 1>pre Christianity. It is really weird and interesting how everybody

0:18:47.000 --> 0:18:49.919
<v Speaker 1>like refers back to that as this time of brutalism,

0:18:49.960 --> 0:18:54.639
<v Speaker 1>when obviously we live in an extremely brutalist, horrible time

0:18:54.720 --> 0:18:58.280
<v Speaker 1>now that is just sanctioned. And you know, some of

0:18:58.320 --> 0:19:00.560
<v Speaker 1>what they were saying was very seductive of like oh,

0:19:00.640 --> 0:19:03.679
<v Speaker 1>we just acknowledge that, like you killed the old generation

0:19:03.800 --> 0:19:07.600
<v Speaker 1>and that's how you get the new generation. Also, by

0:19:07.600 --> 0:19:11.080
<v Speaker 1>the way, friend of Pod Colin Dicky, wrote about Midsummer

0:19:11.160 --> 0:19:14.120
<v Speaker 1>for Mother Jones, and his take on it was that

0:19:14.280 --> 0:19:19.440
<v Speaker 1>it was basically a commentary on people criticizing socialism, which

0:19:19.480 --> 0:19:23.200
<v Speaker 1>I was like, also a very interesting read. Right, well,

0:19:23.280 --> 0:19:25.800
<v Speaker 1>so this is more where I fall with this. I

0:19:25.800 --> 0:19:29.920
<v Speaker 1>don't think it's not about white supremacy, and I think

0:19:29.920 --> 0:19:32.480
<v Speaker 1>that that the I mean, well, the reason that it

0:19:32.520 --> 0:19:35.480
<v Speaker 1>takes place there's for like very boring industry reasons because

0:19:35.480 --> 0:19:38.960
<v Speaker 1>he got an assignment from a British that's true. I

0:19:39.000 --> 0:19:41.040
<v Speaker 1>think the fact that it's Sweden is part of what

0:19:41.160 --> 0:19:45.000
<v Speaker 1>makes it interesting because of all those things being played

0:19:45.040 --> 0:19:47.359
<v Speaker 1>into it. And like, honestly, as somebody who reads a

0:19:47.359 --> 0:19:50.040
<v Speaker 1>lot about like Germany leading up to the Nazis, like

0:19:50.080 --> 0:19:51.760
<v Speaker 1>a lot of the stuff that the Nazis used, like

0:19:51.800 --> 0:19:54.960
<v Speaker 1>the Nazi youth came out of stuff that Germans already

0:19:55.000 --> 0:19:57.000
<v Speaker 1>did and loved. That all had to do with like

0:19:57.440 --> 0:20:01.000
<v Speaker 1>scouting around outside and being in groups and living communally,

0:20:01.240 --> 0:20:03.639
<v Speaker 1>and the other branch of that is like hippies, you know,

0:20:03.800 --> 0:20:07.600
<v Speaker 1>comes out of that. So obviously it's like, I don't know,

0:20:07.680 --> 0:20:10.400
<v Speaker 1>Tess was just also talking about something she heard about

0:20:10.440 --> 0:20:13.359
<v Speaker 1>that was like a tech attempt to update communes, but

0:20:13.400 --> 0:20:16.480
<v Speaker 1>it costs so much money. Yes, it's like eight dollars

0:20:16.520 --> 0:20:18.920
<v Speaker 1>a month for just a bedroom, and then you get

0:20:18.920 --> 0:20:23.679
<v Speaker 1>to enjoy communal suffers. I was like, well, oh, I

0:20:23.720 --> 0:20:26.040
<v Speaker 1>was just gonna say. I mean, so, I don't think

0:20:26.040 --> 0:20:30.000
<v Speaker 1>that it's not about white supremacy, and I think that

0:20:30.000 --> 0:20:33.400
<v Speaker 1>that imagery is like being used very intentionally of just

0:20:33.440 --> 0:20:36.920
<v Speaker 1>like the creepiness of a town or a village just

0:20:37.000 --> 0:20:39.720
<v Speaker 1>full of white people, like dressed in white Like I

0:20:40.400 --> 0:20:42.720
<v Speaker 1>think that that he knows what he's doing with on

0:20:42.760 --> 0:20:45.480
<v Speaker 1>the aesthetic level there. But I think I think the

0:20:45.560 --> 0:20:48.160
<v Speaker 1>way that the movie hits deeper for me, and it's

0:20:48.160 --> 0:20:51.320
<v Speaker 1>not not it's not in opposition to that as a theme,

0:20:51.320 --> 0:20:54.119
<v Speaker 1>but I think it's like maybe a little broader is

0:20:54.160 --> 0:20:58.640
<v Speaker 1>this idea of like how a community can make your

0:20:58.720 --> 0:21:03.280
<v Speaker 1>individual feels feel bigger. So that is like obviously a

0:21:03.280 --> 0:21:05.919
<v Speaker 1>phenomenon that happens with the all right, that happens with

0:21:06.000 --> 0:21:09.280
<v Speaker 1>these sort of how people get radicalized online, but it

0:21:09.320 --> 0:21:11.879
<v Speaker 1>also happens in more mundane ways, and I think like

0:21:11.960 --> 0:21:14.239
<v Speaker 1>this kind of shows it happening through a breakup and

0:21:14.280 --> 0:21:17.000
<v Speaker 1>like I was just thinking about like, you know, sometimes

0:21:17.000 --> 0:21:20.560
<v Speaker 1>you see somebody on Twitter or something who is having

0:21:20.600 --> 0:21:25.320
<v Speaker 1>a hard time or is mad about something um and

0:21:25.680 --> 0:21:27.520
<v Speaker 1>you know, because it's Twitter, you get the very brief

0:21:27.520 --> 0:21:30.280
<v Speaker 1>cliff notes version of it. But then if you do that,

0:21:30.680 --> 0:21:32.920
<v Speaker 1>you can get like a chorus of people and your

0:21:32.920 --> 0:21:36.680
<v Speaker 1>mentions like like grieving with you, telling you that you're

0:21:36.760 --> 0:21:39.199
<v Speaker 1>right to feel upset in some cases, like drumming up

0:21:39.280 --> 0:21:42.560
<v Speaker 1>your feeling of being upset, like providing an echo chamber

0:21:42.560 --> 0:21:44.879
<v Speaker 1>to make your individual feeling that up until then you

0:21:44.920 --> 0:21:48.639
<v Speaker 1>were feeling by yourself a big shared thing that is

0:21:48.680 --> 0:21:52.560
<v Speaker 1>even more justified and can be weaponized really easily too.

0:21:53.000 --> 0:21:55.320
<v Speaker 1>And I think, and I think, yeah, I think what

0:21:55.400 --> 0:21:57.760
<v Speaker 1>we're all saying is like and then that feeling of

0:21:57.840 --> 0:22:01.080
<v Speaker 1>group nous, which is a good thing in some ways,

0:22:01.200 --> 0:22:04.360
<v Speaker 1>can be like manipulated in two directions, and those directions

0:22:04.960 --> 0:22:07.280
<v Speaker 1>and fascism and that is where it feels like everything

0:22:07.400 --> 0:22:09.680
<v Speaker 1>is going right now anyway is into one of those

0:22:09.680 --> 0:22:13.720
<v Speaker 1>two directions. So yeah, I think the movie, I mean,

0:22:13.880 --> 0:22:16.320
<v Speaker 1>we all really liked it. It obviously provoked a really

0:22:16.320 --> 0:22:19.600
<v Speaker 1>strong reaction and all of us, which I think, well,

0:22:19.680 --> 0:22:23.080
<v Speaker 1>I also, yeah, I mean, I I really liked it,

0:22:23.080 --> 0:22:26.440
<v Speaker 1>and it's been interesting to see how people have responded

0:22:26.480 --> 0:22:29.320
<v Speaker 1>to this also compared to how they responded to Hereditary,

0:22:29.359 --> 0:22:33.199
<v Speaker 1>Ariaster's last movie. Because I really like Hereditary, but like

0:22:33.280 --> 0:22:35.880
<v Speaker 1>it didn't really get under my skin, which feels weird

0:22:35.880 --> 0:22:38.560
<v Speaker 1>because it's like very creepy on a very kind of

0:22:38.600 --> 0:22:42.000
<v Speaker 1>profound level and it's very upsetting. You're probably the only

0:22:42.040 --> 0:22:44.320
<v Speaker 1>person who got more creeped out by this one than

0:22:44.359 --> 0:22:45.840
<v Speaker 1>that one. I didn't, you know, it's not that I

0:22:45.840 --> 0:22:48.560
<v Speaker 1>got more creeped out by it. Like in many ways,

0:22:48.720 --> 0:22:51.080
<v Speaker 1>Mid Summer isn't really trying to be a horror film,

0:22:51.080 --> 0:22:53.359
<v Speaker 1>and the way that Hereditary is it's kind of funny.

0:22:53.359 --> 0:22:55.679
<v Speaker 1>It's like yeah, it's like, yeah, it's funny. It's like

0:22:55.760 --> 0:23:00.000
<v Speaker 1>kind of just more an intense experience than much less

0:23:00.040 --> 0:23:03.080
<v Speaker 1>so than just like like a horror genre. But that's

0:23:03.080 --> 0:23:05.840
<v Speaker 1>why comedy is how it felt. Sure, Yeah, I mean

0:23:05.920 --> 0:23:08.840
<v Speaker 1>yeah it has yeah, but I think, like I think

0:23:08.880 --> 0:23:13.320
<v Speaker 1>that it kind of depends on how how for me.

0:23:13.480 --> 0:23:16.560
<v Speaker 1>I don't really have a huge like family, and I

0:23:16.640 --> 0:23:20.399
<v Speaker 1>don't like the dynamics of a family are not dynamics

0:23:20.400 --> 0:23:23.080
<v Speaker 1>that I obsess about a lot. Because it's just never

0:23:23.119 --> 0:23:25.960
<v Speaker 1>been a big part of my life. But like relationships

0:23:25.960 --> 0:23:28.639
<v Speaker 1>that I have with other people, like even just like

0:23:28.680 --> 0:23:31.199
<v Speaker 1>the experience of traveling with people who don't want you

0:23:31.280 --> 0:23:33.280
<v Speaker 1>to be there, that kind of stuff is all like

0:23:33.600 --> 0:23:36.639
<v Speaker 1>very deep for me. So like that was very I

0:23:36.720 --> 0:23:39.320
<v Speaker 1>felt this one on a much deeper level. It finds

0:23:39.400 --> 0:23:42.120
<v Speaker 1>like the good veins of discomfort to tap into, because

0:23:42.160 --> 0:23:44.159
<v Speaker 1>I definitely, I mean, like Creditary, I think maybe it

0:23:44.280 --> 0:23:46.480
<v Speaker 1>is just like it affects you more, maybe if you

0:23:46.560 --> 0:23:48.520
<v Speaker 1>have a sibling when you're just like that feeling of

0:23:48.560 --> 0:23:52.680
<v Speaker 1>like yeah and caring about them. But yeah, I think

0:23:53.320 --> 0:23:55.280
<v Speaker 1>I think like all we would agree that, like all

0:23:55.320 --> 0:23:58.399
<v Speaker 1>the readings are valid. Well, I read something interesting that

0:23:58.640 --> 0:24:01.080
<v Speaker 1>um where are Aster said that he wanted the movie

0:24:01.119 --> 0:24:04.840
<v Speaker 1>to function where the first for the first viewing, you

0:24:04.920 --> 0:24:08.080
<v Speaker 1>see it as kind of like a straightforward story and

0:24:08.119 --> 0:24:11.200
<v Speaker 1>the hard to have like their own you know, motivations

0:24:11.240 --> 0:24:14.040
<v Speaker 1>and like Danny kind of comes in and and it's

0:24:14.040 --> 0:24:16.160
<v Speaker 1>a story about her like interacting with them. But then

0:24:16.200 --> 0:24:19.280
<v Speaker 1>he wanted, you know, on subsequent viewings for you to

0:24:19.400 --> 0:24:23.399
<v Speaker 1>kind of see the harda as like the externalization of

0:24:23.440 --> 0:24:26.080
<v Speaker 1>how Danny is feeling and how you know, they are

0:24:26.080 --> 0:24:28.159
<v Speaker 1>all of these scenes where they mimic her grief and

0:24:28.160 --> 0:24:30.760
<v Speaker 1>they mimic her anger, and so in a way, it's

0:24:30.880 --> 0:24:33.760
<v Speaker 1>it's he said, it was like a fairy tale for Danny,

0:24:33.880 --> 0:24:35.840
<v Speaker 1>where to everyone else it was like a horror story.

0:24:35.880 --> 0:24:37.880
<v Speaker 1>But to her it's like a fairy tale. And I think,

0:24:37.920 --> 0:24:39.959
<v Speaker 1>like all of our Asters, I mean all of our

0:24:40.040 --> 0:24:42.040
<v Speaker 1>Asters movies, and I've only seen two of them. I

0:24:42.040 --> 0:24:45.800
<v Speaker 1>didn't see his um his first, which was The strange

0:24:45.840 --> 0:24:47.520
<v Speaker 1>thing about the Joneses is that the name is a

0:24:47.560 --> 0:24:53.160
<v Speaker 1>short but they all deal with families and dysfunction within families,

0:24:53.200 --> 0:24:56.080
<v Speaker 1>mental illness within families. UM. And I think pretty much,

0:24:56.280 --> 0:24:59.160
<v Speaker 1>I think most people who have a family can understand

0:24:59.240 --> 0:25:01.760
<v Speaker 1>what it means to to be to have a family

0:25:01.760 --> 0:25:04.639
<v Speaker 1>member who has either you know, either their neurotypical or

0:25:04.640 --> 0:25:06.960
<v Speaker 1>they have a mental illness, and how that kind of

0:25:07.119 --> 0:25:10.600
<v Speaker 1>becomes this thing that's specific to your family, that's closed

0:25:10.640 --> 0:25:14.680
<v Speaker 1>off and you can't really share with people outside your family. UM,

0:25:14.720 --> 0:25:16.800
<v Speaker 1>I don't you know. I feel like in the beginning

0:25:17.119 --> 0:25:20.840
<v Speaker 1>this setup of Danny's family experiencing this tragedy and her

0:25:21.400 --> 0:25:25.240
<v Speaker 1>needing to reach out beyond her actual nuclear family for

0:25:25.359 --> 0:25:28.880
<v Speaker 1>support and being very isolated within that in a way,

0:25:29.040 --> 0:25:32.040
<v Speaker 1>her traveling to a commune where the family is not

0:25:32.480 --> 0:25:36.680
<v Speaker 1>necessarily biologically related, but they all share the same kind

0:25:36.720 --> 0:25:39.880
<v Speaker 1>of like mythology, so so there's no family secret, there's

0:25:39.920 --> 0:25:42.640
<v Speaker 1>no family shame. It's a shared shame. But again it's

0:25:42.680 --> 0:25:46.920
<v Speaker 1>like they're all creepy white people with blue eyes, and yeah,

0:25:47.160 --> 0:25:50.440
<v Speaker 1>but this is something that I think everybody's experienced, regardless

0:25:50.480 --> 0:25:53.439
<v Speaker 1>of if you're like a part of the area nation

0:25:53.560 --> 0:25:56.680
<v Speaker 1>or not. Right, like you can feel alien especially like

0:25:56.680 --> 0:25:59.399
<v Speaker 1>like people who are gay and like don't feel included

0:25:59.440 --> 0:26:01.439
<v Speaker 1>in their family find a second family outside of it,

0:26:01.480 --> 0:26:05.119
<v Speaker 1>Like there are a lot of positive applications exactly exactly

0:26:05.160 --> 0:26:08.280
<v Speaker 1>and wanting to find a family outside of your own family.

0:26:08.440 --> 0:26:10.400
<v Speaker 1>I think that's why for her it's a fairy tale,

0:26:10.440 --> 0:26:13.000
<v Speaker 1>is because even though there are so many fucked up

0:26:13.040 --> 0:26:17.080
<v Speaker 1>things happening among this this group, there, there were already

0:26:17.119 --> 0:26:19.359
<v Speaker 1>so many fund up things happening in Danny's own Like

0:26:19.600 --> 0:26:23.040
<v Speaker 1>the issue was that she could not share that with people,

0:26:23.160 --> 0:26:27.000
<v Speaker 1>like no one understood, and now she's in a place where, Yeah,

0:26:27.160 --> 0:26:30.280
<v Speaker 1>you found a quote from Ariastar also that supports my

0:26:30.359 --> 0:26:34.000
<v Speaker 1>thesis about how the people of color who come on

0:26:34.040 --> 0:26:37.080
<v Speaker 1>the trip are all killed off and not well yes,

0:26:37.400 --> 0:26:41.439
<v Speaker 1>so yeah, they basically I'll find it basically it was

0:26:41.440 --> 0:26:44.240
<v Speaker 1>that they are not they are not chosen to be

0:26:44.359 --> 0:26:47.679
<v Speaker 1>mated with. Yes, the idea of beplaicitly because it's to

0:26:47.800 --> 0:26:50.080
<v Speaker 1>keep the like it's well, yeah, I mean it's it's

0:26:50.160 --> 0:26:52.760
<v Speaker 1>just something that you do notice of, like, okay, well

0:26:52.760 --> 0:26:55.520
<v Speaker 1>the people who are sticking out as not being white

0:26:55.520 --> 0:26:59.119
<v Speaker 1>Arian people are you know, dispatched with it reminded, I

0:26:59.119 --> 0:27:01.120
<v Speaker 1>don't know, just like this the creepy atmosphere. And again

0:27:01.160 --> 0:27:03.240
<v Speaker 1>maybe I'm bringing my own reading to it because of

0:27:03.280 --> 0:27:06.920
<v Speaker 1>my own feelings about Germany and like you know, europe

0:27:07.080 --> 0:27:12.399
<v Speaker 1>Pian paganism and you know, places that weird places in Europe.

0:27:12.400 --> 0:27:14.600
<v Speaker 1>But you know, I always find all that kind of

0:27:14.600 --> 0:27:17.280
<v Speaker 1>culture really creepy, and the fetishization of it by Americans

0:27:17.359 --> 0:27:19.680
<v Speaker 1>especially to be really creepy. You know, all the sort

0:27:19.720 --> 0:27:23.040
<v Speaker 1>of like Scandinavian cooking. It's like, what are we really

0:27:23.359 --> 0:27:27.440
<v Speaker 1>Well there's also I read a theory that was not

0:27:27.680 --> 0:27:29.800
<v Speaker 1>it wasn't backed up by a lot of stuff, but

0:27:29.800 --> 0:27:33.280
<v Speaker 1>it was very interesting that the student, the you know,

0:27:33.800 --> 0:27:37.280
<v Speaker 1>whatever anthropology student who ends up inviting these these other

0:27:37.320 --> 0:27:40.360
<v Speaker 1>friends of his to visit. It's his village, it's his family.

0:27:40.840 --> 0:27:43.679
<v Speaker 1>There's a theory that maybe he chose Danny, and that

0:27:43.760 --> 0:27:47.679
<v Speaker 1>the whole tragedy that happens to Danny earlier is in

0:27:47.800 --> 0:27:51.919
<v Speaker 1>fact orchestrated by this student because he's basically trying to

0:27:52.000 --> 0:27:54.320
<v Speaker 1>bring her into the fold. I saw it as that

0:27:54.480 --> 0:27:56.800
<v Speaker 1>he found a person who was coming out of like

0:27:56.800 --> 0:28:00.440
<v Speaker 1>an abusive, fucked up situation and prayer. Yes, but it's

0:28:00.520 --> 0:28:04.280
<v Speaker 1>also it's technically she's she's like twenty five, it's her birthday,

0:28:04.320 --> 0:28:07.720
<v Speaker 1>and according to the Harda Seasons of Life, which plays

0:28:07.720 --> 0:28:09.919
<v Speaker 1>a really big role in the narrative of the movie,

0:28:10.040 --> 0:28:12.840
<v Speaker 1>she's in her own midsummer like, she's literally in the

0:28:12.880 --> 0:28:15.520
<v Speaker 1>middle of the summer season of her life. So, I

0:28:15.560 --> 0:28:17.639
<v Speaker 1>mean it does seem as though she was kind of

0:28:17.680 --> 0:28:20.080
<v Speaker 1>like hand picked. Yeah, And I remember at the beginning

0:28:20.080 --> 0:28:22.440
<v Speaker 1>being sort of like, oh, why did they pick such

0:28:22.480 --> 0:28:26.080
<v Speaker 1>a like Jennifer Lawrence looking ask girl, uh, you know,

0:28:26.200 --> 0:28:28.119
<v Speaker 1>and then I was like, oh, because it wants to

0:28:28.160 --> 0:28:31.680
<v Speaker 1>be you know. Yeah. Also, I'm not a hundred percent

0:28:31.720 --> 0:28:34.640
<v Speaker 1>positive on this, but I'm pretty sure like Florence Pierre

0:28:34.680 --> 0:28:36.960
<v Speaker 1>is not a natural blonde like they made her blonde

0:28:36.960 --> 0:28:39.400
<v Speaker 1>for this movie, and I think that's also shows how

0:28:39.440 --> 0:28:42.680
<v Speaker 1>intentional it is, you know. Yeah, I mean she's really

0:28:42.720 --> 0:28:46.360
<v Speaker 1>great in the movie. She's so good. She's so good.

0:28:46.480 --> 0:28:48.560
<v Speaker 1>Everybody was good, and I liked the creepy guy who

0:28:48.600 --> 0:28:51.120
<v Speaker 1>brings them all in. He was really good. I thought, Yeah,

0:28:51.160 --> 0:28:54.600
<v Speaker 1>he's like a really interesting character. I think, like the

0:28:54.720 --> 0:28:57.280
<v Speaker 1>whole part where he like draws the picture of her

0:28:57.560 --> 0:29:00.520
<v Speaker 1>and like he really is so kind to her, more

0:29:00.560 --> 0:29:07.560
<v Speaker 1>so than anybody else on the trip. Yeah. So yeah,

0:29:07.600 --> 0:29:09.800
<v Speaker 1>needless to say, we've all been thinking about this movie

0:29:09.800 --> 0:29:12.640
<v Speaker 1>a lot. So seeing it, yeah, I mean just to

0:29:13.200 --> 0:29:15.760
<v Speaker 1>oh well, just to plug a little bit. I didn't

0:29:15.840 --> 0:29:19.520
<v Speaker 1>pretty long interview with Ari Astor on Vulture that you

0:29:19.560 --> 0:29:23.160
<v Speaker 1>can read. Um, I think it's in our newsletter, that

0:29:23.240 --> 0:29:26.080
<v Speaker 1>our Night Call newsletter that we sent out. It was

0:29:26.120 --> 0:29:29.160
<v Speaker 1>in yeah, this month's I feel like this movie really

0:29:29.200 --> 0:29:32.200
<v Speaker 1>captures the feeling of being in another place, of being

0:29:32.240 --> 0:29:35.360
<v Speaker 1>in somewhere that is not your home, and having to

0:29:35.400 --> 0:29:37.600
<v Speaker 1>decide if you are going to feel homesick or just

0:29:37.600 --> 0:29:42.800
<v Speaker 1>like give yourself over to how different it is. Yeah, Um,

0:29:43.040 --> 0:29:48.040
<v Speaker 1>Nightcall Commune coming soon, No, thank you, no way. Communal

0:29:48.160 --> 0:29:53.760
<v Speaker 1>tables as far as the eye can see. Nightcall, Commune

0:29:53.760 --> 0:29:56.320
<v Speaker 1>will be like a bungalow court, so everybody has their

0:29:56.320 --> 0:29:59.400
<v Speaker 1>own space. That's a good idea. Can I briefly just

0:29:59.600 --> 0:30:03.080
<v Speaker 1>introduce U is a palate cleanser email from a listener

0:30:03.160 --> 0:30:07.320
<v Speaker 1>about the cat fox? Okay, because I must um. We

0:30:07.440 --> 0:30:10.640
<v Speaker 1>got a listener email the other day. The subject was

0:30:10.840 --> 0:30:13.960
<v Speaker 1>cat fox bit my brother and I'm just going to

0:30:14.080 --> 0:30:17.640
<v Speaker 1>force us to read this now, Dear night Call. I

0:30:17.680 --> 0:30:19.640
<v Speaker 1>was listening to the episode where you talked about the

0:30:19.640 --> 0:30:22.400
<v Speaker 1>cat fox, and as you described it, I slowly began

0:30:22.440 --> 0:30:25.400
<v Speaker 1>to realize that it might be the animal that bit

0:30:25.480 --> 0:30:28.160
<v Speaker 1>my brother. A few years ago, my younger brother was

0:30:28.200 --> 0:30:30.720
<v Speaker 1>on a hiking trip in Corsica and late one night

0:30:30.760 --> 0:30:32.760
<v Speaker 1>on the trail, he was attacked by an animal that

0:30:32.800 --> 0:30:35.160
<v Speaker 1>he said looked like a giant cat or a fox.

0:30:35.560 --> 0:30:37.280
<v Speaker 1>Not wanting to take the chance that it might have

0:30:37.320 --> 0:30:39.560
<v Speaker 1>been rabid, he cut his trip short and found a

0:30:39.600 --> 0:30:42.440
<v Speaker 1>hospital that could examine the bite on his foot. For years,

0:30:42.480 --> 0:30:44.680
<v Speaker 1>my family of made jokes about the fox that attacked

0:30:44.720 --> 0:30:47.520
<v Speaker 1>him on vacation and how strange it was considered they

0:30:47.520 --> 0:30:50.320
<v Speaker 1>don't normally go near humans. I called him and asked

0:30:50.360 --> 0:30:52.280
<v Speaker 1>him to look up this animal. He said that the

0:30:52.280 --> 0:30:54.440
<v Speaker 1>place where it was discovered is the exact part of

0:30:54.480 --> 0:30:56.960
<v Speaker 1>the island where it happened. Also the fact that they're

0:30:57.000 --> 0:30:59.880
<v Speaker 1>nocturnal and aggressive also fits with his story. So all

0:30:59.880 --> 0:31:01.920
<v Speaker 1>the oh, they're cute, don't go looking for the cat

0:31:02.000 --> 0:31:07.120
<v Speaker 1>fox unless you want to get bit. Wow yep, thank god. Okay,

0:31:07.120 --> 0:31:08.560
<v Speaker 1>what if I do want to get bit because I

0:31:08.560 --> 0:31:10.840
<v Speaker 1>want to turn into a wear cat fox? I think

0:31:10.880 --> 0:31:13.520
<v Speaker 1>you might just get rabies and die. So don't do that.

0:31:15.040 --> 0:31:18.600
<v Speaker 1>You can might feel the same. I mean, you can

0:31:18.640 --> 0:31:21.040
<v Speaker 1>just go in another kin direction. What if I get rabies?

0:31:21.080 --> 0:31:23.800
<v Speaker 1>But I feel like I've become a cat fox? Yeah,

0:31:24.120 --> 0:31:28.360
<v Speaker 1>mysterious burglaries keep happening at night. Oh by the way, um,

0:31:28.400 --> 0:31:31.160
<v Speaker 1>a long time ago on this podcast, I talked about

0:31:31.320 --> 0:31:35.840
<v Speaker 1>on legal Reddit how the bats in an abandoned attict

0:31:35.920 --> 0:31:37.800
<v Speaker 1>we're going to give everyone in the house rabies, and

0:31:37.880 --> 0:31:40.640
<v Speaker 1>someone corrected us and said, like, not all bats have brabies,

0:31:40.680 --> 0:31:43.560
<v Speaker 1>and we issued that correction. But I have now come

0:31:43.640 --> 0:31:47.120
<v Speaker 1>completely full circle where I am going to buy a

0:31:47.200 --> 0:31:50.200
<v Speaker 1>bad airbnb is what they're called. It's a bad house

0:31:50.240 --> 0:31:57.080
<v Speaker 1>that you keep in your airbat. An air bat I'll

0:31:57.080 --> 0:32:00.680
<v Speaker 1>buy one. I'm actually thinking I might wait an will fall,

0:32:01.160 --> 0:32:04.360
<v Speaker 1>just to be seasonally appropriate, but I will report back. Wait,

0:32:04.880 --> 0:32:07.320
<v Speaker 1>go on, I'm getting a bad house for outside, so

0:32:07.440 --> 0:32:13.440
<v Speaker 1>bats will eat my mosquitoes. They're backs yeahs in Griffith Park.

0:32:13.560 --> 0:32:17.200
<v Speaker 1>I guess bats are so got to invite more bats

0:32:17.240 --> 0:32:19.560
<v Speaker 1>to this party in l A. After we were talking

0:32:19.560 --> 0:32:21.480
<v Speaker 1>on the podcast, I was talking about this jun Geto

0:32:21.680 --> 0:32:23.840
<v Speaker 1>short story about bats that I've been thinking about a lot.

0:32:24.440 --> 0:32:25.680
<v Speaker 1>That's what I thought. You met an air bat and

0:32:25.680 --> 0:32:27.120
<v Speaker 1>bat was going to be was like a house where

0:32:27.120 --> 0:32:31.440
<v Speaker 1>you let bats feed on you know. But we'll see,

0:32:31.520 --> 0:32:34.200
<v Speaker 1>you know, seasonal depression. I might have to go down

0:32:34.240 --> 0:32:37.720
<v Speaker 1>that road. And if so, Yeah, what does the bad

0:32:37.760 --> 0:32:41.480
<v Speaker 1>house look like, I'll show I'll show you a picture

0:32:41.480 --> 0:32:43.440
<v Speaker 1>and we'll put it in the show notes. But they

0:32:43.480 --> 0:32:45.440
<v Speaker 1>just come like eat food. Is like a birdhouse for baths.

0:32:45.560 --> 0:32:50.480
<v Speaker 1>They live there. They like to be huddled close together. Yeah.

0:32:50.640 --> 0:32:54.720
<v Speaker 1>So that's that's where we're at with the bats now,

0:32:54.960 --> 0:33:01.560
<v Speaker 1>speaking of um being goth af uh, we have a

0:33:01.640 --> 0:33:04.960
<v Speaker 1>guest for the pod this weekend, John Levenstein, talking about

0:33:04.960 --> 0:33:11.920
<v Speaker 1>his show Frankenstein's Monsters, Monster Frankenstein, Did I get it. Yes, yes,

0:33:13.480 --> 0:33:22.040
<v Speaker 1>so that is coming up in just a second. And

0:33:22.120 --> 0:33:26.320
<v Speaker 1>now joining us are very special guest John Levenstein, writer,

0:33:27.480 --> 0:33:33.400
<v Speaker 1>uh and creator of the new show Frankenstein's Monster, Monster

0:33:33.440 --> 0:33:41.320
<v Speaker 1>Frankenstein Almost Frankenstein's Monster's Monster Frankenstein. I love the name

0:33:41.360 --> 0:33:45.760
<v Speaker 1>of the show. Yes, um, and thanks for joining us, John,

0:33:46.080 --> 0:33:47.840
<v Speaker 1>Thank you for having me. I'm so excited to see

0:33:47.880 --> 0:33:51.120
<v Speaker 1>what happens here. John, Are you a big Frankenstein fan

0:33:51.480 --> 0:33:57.080
<v Speaker 1>out of curiosity? Not at all, need to be. I

0:33:57.120 --> 0:34:00.560
<v Speaker 1>was just wondering, No, And I'd say, it's like danger

0:34:00.600 --> 0:34:03.000
<v Speaker 1>of It's one of those areas like right on the

0:34:03.000 --> 0:34:07.920
<v Speaker 1>precipice of being overdone, like zombies or vampires. Um. And

0:34:07.960 --> 0:34:09.800
<v Speaker 1>I was upset why. I said, oh no, drunk History

0:34:09.840 --> 0:34:12.560
<v Speaker 1>is doing a Frankenstein thing now. I I the idea

0:34:12.760 --> 0:34:15.680
<v Speaker 1>first encouraged me just because I pictured David Harbor in

0:34:15.680 --> 0:34:19.960
<v Speaker 1>the role. Well, yeah, so, could you explain to somebody,

0:34:20.000 --> 0:34:23.280
<v Speaker 1>to an alien who's just landed on Earth and downloaded Netflix,

0:34:23.320 --> 0:34:28.319
<v Speaker 1>could you explain the premise of the show of Frankenstein's

0:34:28.360 --> 0:34:33.120
<v Speaker 1>Monsters Monster Frankenstein. Correct, all right, there was an evolution,

0:34:33.239 --> 0:34:35.719
<v Speaker 1>but at this point, and I'm terrible explaining it by

0:34:35.719 --> 0:34:38.680
<v Speaker 1>the way, and when I released the trailer, Max Silvestri

0:34:38.800 --> 0:34:41.080
<v Speaker 1>texted me to say that this is a better explanation

0:34:41.080 --> 0:34:43.280
<v Speaker 1>than I had ever given him any trying to explain

0:34:43.320 --> 0:34:45.160
<v Speaker 1>the show to him. I'm not I'm not that good

0:34:45.160 --> 0:34:48.279
<v Speaker 1>at it. But anyway, it's as if David Harbor from

0:34:48.320 --> 0:34:51.920
<v Speaker 1>Stranger Things came from an acting family and his father

0:34:52.080 --> 0:34:55.520
<v Speaker 1>had made a play for television in the seventies called

0:34:55.560 --> 0:35:00.000
<v Speaker 1>Frankenstein's Monsters Monster Frankenstein. And in this play for television,

0:35:00.040 --> 0:35:04.239
<v Speaker 1>and David's father played Dr Frankenstein. This is backstory who

0:35:04.280 --> 0:35:07.480
<v Speaker 1>created life um it tried to kill him. He had

0:35:07.520 --> 0:35:11.799
<v Speaker 1>to kill it first. Since then, he's been uh perpetrating

0:35:11.840 --> 0:35:15.200
<v Speaker 1>a hoax where when the funding source shows up, he

0:35:15.480 --> 0:35:18.080
<v Speaker 1>hires someone to pretend to be him, and he pretends

0:35:18.120 --> 0:35:20.319
<v Speaker 1>to be the life that he created. So it means

0:35:20.320 --> 0:35:23.440
<v Speaker 1>that David is going back and forth between speaking as

0:35:23.560 --> 0:35:26.560
<v Speaker 1>Dr Frankenstein and then someone enters the room and he

0:35:26.640 --> 0:35:28.880
<v Speaker 1>has to switch it up and pretend to be the monster.

0:35:29.600 --> 0:35:32.080
<v Speaker 1>And part of what led me to the idea, aside

0:35:32.080 --> 0:35:36.279
<v Speaker 1>from David's heavy brow is um I love like in

0:35:36.440 --> 0:35:41.479
<v Speaker 1>theater for television, the clunkiness of entrances and exits, yes,

0:35:42.600 --> 0:35:44.160
<v Speaker 1>and so there's a lot of them here. And also

0:35:44.280 --> 0:35:46.719
<v Speaker 1>David is a very accomplished actor, and like watching him

0:35:46.719 --> 0:35:50.320
<v Speaker 1>go back and forth is really entertaining. So things entertaining

0:35:50.320 --> 0:35:52.760
<v Speaker 1>Aunt's own, Like, I think the script I wrote is funny,

0:35:53.080 --> 0:35:56.640
<v Speaker 1>but it's also got this weird like sometimes lead in

0:35:56.760 --> 0:36:00.440
<v Speaker 1>tone like Fraser without a laugh track or something like

0:36:01.600 --> 0:36:04.600
<v Speaker 1>it's odd you know you just hear clump clumping on

0:36:04.600 --> 0:36:07.360
<v Speaker 1>like hollow floor. Oh yeah, And like early on we

0:36:07.440 --> 0:36:10.520
<v Speaker 1>have like a thirty second entrance. I would say that

0:36:10.840 --> 0:36:14.799
<v Speaker 1>a doctor makes coming down this creeky staircase and then

0:36:14.960 --> 0:36:18.279
<v Speaker 1>after this long, long entrance down the staircase, there's some

0:36:18.440 --> 0:36:21.600
<v Speaker 1>unnecessary blocking and then she finally speaks, and it might

0:36:21.680 --> 0:36:24.480
<v Speaker 1>be my favorite thing in the show, but it's not funny,

0:36:24.560 --> 0:36:28.839
<v Speaker 1>and that you would know where to where to laugh, right, Uh, Well,

0:36:28.880 --> 0:36:32.680
<v Speaker 1>we are big fans at night call of uh weird

0:36:32.840 --> 0:36:38.319
<v Speaker 1>Things and um of the show Frasier, yes, um, and

0:36:38.600 --> 0:36:44.600
<v Speaker 1>of Frankenstein and other monsters. So we were just wondering,

0:36:44.880 --> 0:36:48.400
<v Speaker 1>like what were the other inspirations? Were there any horror

0:36:48.400 --> 0:36:50.439
<v Speaker 1>movies involved in this or you just were thinking about

0:36:50.440 --> 0:36:53.520
<v Speaker 1>a weird place. Okay, So the inspirations. I would say, well, yeah,

0:36:53.520 --> 0:36:56.120
<v Speaker 1>there was, you know, I watched frank I rewatched Frankenstein

0:36:56.120 --> 0:36:58.919
<v Speaker 1>and The Bride of Frankenstein. I would say Dr Jackline Mr.

0:36:59.000 --> 0:37:03.440
<v Speaker 1>Hyde was an ration, but was more just theater, and

0:37:03.520 --> 0:37:07.960
<v Speaker 1>specifically theater for television. So things that we were watching

0:37:08.040 --> 0:37:12.440
<v Speaker 1>included I. Claudius, and again, like takes place in ancient room,

0:37:12.440 --> 0:37:14.080
<v Speaker 1>you would think it has nothing in common, but what

0:37:14.239 --> 0:37:16.359
<v Speaker 1>has in common with what we did. We were trying

0:37:16.400 --> 0:37:21.160
<v Speaker 1>to this like ambitious, high prestige, low budget television. And

0:37:21.239 --> 0:37:24.640
<v Speaker 1>so when you're watching I. Claudius, some will be walking

0:37:24.640 --> 0:37:27.640
<v Speaker 1>away from camera, and first of all, it's a long exit,

0:37:27.640 --> 0:37:29.560
<v Speaker 1>which I love. But then as they're moving away, you

0:37:29.600 --> 0:37:32.640
<v Speaker 1>start realizing, okay, that door that they're walking to, that

0:37:32.760 --> 0:37:36.160
<v Speaker 1>set is completely undressed, and they stuck a big a

0:37:36.200 --> 0:37:38.439
<v Speaker 1>couple of big candle holders or pillars there or something.

0:37:38.560 --> 0:37:41.319
<v Speaker 1>Just basically they did not quit furniture everywhere because they

0:37:41.320 --> 0:37:43.279
<v Speaker 1>didn't have the money, but they have this big set.

0:37:43.960 --> 0:37:48.200
<v Speaker 1>Actors are always positioning themselves in these plays for television

0:37:49.000 --> 0:37:52.040
<v Speaker 1>to see little performances within the performance. So it's like

0:37:52.080 --> 0:37:55.640
<v Speaker 1>basically they're sitting around. Someone will enter with a report

0:37:55.760 --> 0:37:57.759
<v Speaker 1>or a story or sing as a song, and the

0:37:57.800 --> 0:38:01.279
<v Speaker 1>way the other actors will just position themselves to see

0:38:01.360 --> 0:38:03.359
<v Speaker 1>the play with aunt play is so fun is so

0:38:03.400 --> 0:38:05.799
<v Speaker 1>funny to me, you know. And so we started just

0:38:06.120 --> 0:38:08.880
<v Speaker 1>attaching to these little things that were happening in every

0:38:08.920 --> 0:38:12.120
<v Speaker 1>play that we watched, and the main one was that

0:38:12.200 --> 0:38:16.440
<v Speaker 1>there's all these jokes about theater and talk about acting

0:38:16.640 --> 0:38:19.400
<v Speaker 1>and the nature of acting in plays, and like a

0:38:19.440 --> 0:38:22.440
<v Speaker 1>lot more resides. But like you're watching I Claudius, and

0:38:22.480 --> 0:38:25.080
<v Speaker 1>like someone makes an announcement the Emperor is coming, as

0:38:25.120 --> 0:38:27.600
<v Speaker 1>please stand, and then the other guy says, from this

0:38:27.640 --> 0:38:29.920
<v Speaker 1>happens in the foreground for like thirty seconds, I'm you

0:38:29.960 --> 0:38:32.120
<v Speaker 1>have a wonderful voice. Are you an actor? This is

0:38:32.160 --> 0:38:33.919
<v Speaker 1>ancient rome? And the guys like yes, but the work

0:38:34.040 --> 0:38:37.480
<v Speaker 1>just isn't there anymore, isn't what it used to be?

0:38:37.920 --> 0:38:40.040
<v Speaker 1>And the other person says it never was, my friend,

0:38:40.080 --> 0:38:43.000
<v Speaker 1>and then on with the scene, and there's like so

0:38:43.040 --> 0:38:46.080
<v Speaker 1>many things like that place, Like so within this place

0:38:46.160 --> 0:38:50.480
<v Speaker 1>supposedly about Frankenstein, there's a moment when like David's character

0:38:50.600 --> 0:38:53.600
<v Speaker 1>does a two minute diversion to talk about the nature

0:38:53.640 --> 0:38:56.760
<v Speaker 1>of acting and what acting is and what acting isn't

0:38:56.800 --> 0:38:58.680
<v Speaker 1>and there's like a lot of things like within the

0:38:58.760 --> 0:39:01.240
<v Speaker 1>play that could be from any play. I would say,

0:39:01.360 --> 0:39:04.239
<v Speaker 1>we're doing like moments where like mother is dying, but

0:39:04.520 --> 0:39:08.120
<v Speaker 1>she's introduced in a crazy way where it's like generic,

0:39:08.160 --> 0:39:09.799
<v Speaker 1>you don't have to know that much. We have mother

0:39:09.880 --> 0:39:12.520
<v Speaker 1>upstairs who's dying. We have a little niece who does

0:39:12.560 --> 0:39:15.080
<v Speaker 1>a dance in place with a gun. But like, but

0:39:15.280 --> 0:39:18.480
<v Speaker 1>like the backstory, the backstory is contained within the moment,

0:39:18.560 --> 0:39:21.800
<v Speaker 1>you know what I mean? Um as fans of the theater,

0:39:22.480 --> 0:39:27.760
<v Speaker 1>big fans, fans, this sounds so good, Like there's something

0:39:27.920 --> 0:39:31.120
<v Speaker 1>so I feel like. I mean, I haven't seen Eye Claudius,

0:39:31.160 --> 0:39:35.480
<v Speaker 1>but I feel like there there's something about watching, uh

0:39:35.680 --> 0:39:39.360
<v Speaker 1>like filmed stage productions, especially when you're really young, that

0:39:39.400 --> 0:39:42.399
<v Speaker 1>are just it's so dream like. There's something really hard

0:39:42.440 --> 0:39:45.040
<v Speaker 1>to like it's such a weird kind of unreality. I mean,

0:39:45.080 --> 0:39:46.799
<v Speaker 1>I feel like one that a lot of maybe you

0:39:46.800 --> 0:39:50.520
<v Speaker 1>guys watched this for like the Mary Martin Peter Pan one,

0:39:51.280 --> 0:39:54.520
<v Speaker 1>just like Peter Pan. And I mean, now there are

0:39:54.520 --> 0:39:58.600
<v Speaker 1>all these live musicals and everything on on NBC and

0:39:58.640 --> 0:40:01.120
<v Speaker 1>whoever else is doing them now, which is sort of

0:40:01.160 --> 0:40:03.880
<v Speaker 1>like a weird throwback to this this idea of like

0:40:04.160 --> 0:40:08.120
<v Speaker 1>filming the stage, which is just I don't know, it's

0:40:08.120 --> 0:40:11.000
<v Speaker 1>like an interesting thing to do on purpose. Um. And

0:40:11.080 --> 0:40:14.839
<v Speaker 1>sometimes now they're including an audience, right, yeah, yeah, yeah,

0:40:14.880 --> 0:40:17.480
<v Speaker 1>I think that Jesus Christ Superstar one had an audience

0:40:17.480 --> 0:40:20.040
<v Speaker 1>in it. But yeah, I love when they try to

0:40:20.239 --> 0:40:23.759
<v Speaker 1>make theater edgy. That's my favorite thing. Also we did

0:40:23.760 --> 0:40:28.799
<v Speaker 1>that too. We have some intense lighting effects, just as

0:40:28.960 --> 0:40:33.360
<v Speaker 1>do you have the belief pattern you we don't have

0:40:33.400 --> 0:40:35.480
<v Speaker 1>the leaf pattern. But like as we were about to

0:40:35.520 --> 0:40:39.520
<v Speaker 1>start shooting, um, Eva Anderson sent me the crazy Frankenstein

0:40:39.600 --> 0:40:42.040
<v Speaker 1>that was done a few years ago, um in Great

0:40:42.040 --> 0:40:44.200
<v Speaker 1>Britain where they were switching rolls back and forth. Who

0:40:44.280 --> 0:40:47.000
<v Speaker 1>was it? You did it? Remember the British David Hart

0:40:47.120 --> 0:40:50.080
<v Speaker 1>was the guy who did slum Dog Millionaire Danny Boyle

0:40:50.800 --> 0:40:54.359
<v Speaker 1>with his Frankenstein, And that had like some intense lighting

0:40:54.400 --> 0:40:58.200
<v Speaker 1>effects that we borrowed and reminded me of like bullshit

0:40:58.440 --> 0:41:01.640
<v Speaker 1>lighting effects in True West where it's like suddenly their

0:41:01.719 --> 0:41:04.680
<v Speaker 1>brother against brother in the Old West. Yeah, they've been

0:41:04.719 --> 0:41:08.000
<v Speaker 1>arguing about toasters five minutes ago, and now we're doing

0:41:08.000 --> 0:41:10.160
<v Speaker 1>like a lighting effect as if they're on the prairie

0:41:10.239 --> 0:41:14.200
<v Speaker 1>or something climax of the play spoiler. We've got a

0:41:14.239 --> 0:41:17.440
<v Speaker 1>couple of those of like really clunky lighting effects that

0:41:17.520 --> 0:41:20.440
<v Speaker 1>take forever when suddenly we dropped the music out of

0:41:20.440 --> 0:41:22.000
<v Speaker 1>the thing too, where you just have to wonder what

0:41:22.080 --> 0:41:23.880
<v Speaker 1>am I watching. There's a lot of moments in the

0:41:23.880 --> 0:41:26.000
<v Speaker 1>thing where if anyone made a noise, it would be

0:41:26.040 --> 0:41:27.800
<v Speaker 1>odd because there is no audience. You'd have to do

0:41:28.080 --> 0:41:29.719
<v Speaker 1>a little cough. You'd have to wonder who was that.

0:41:30.040 --> 0:41:32.040
<v Speaker 1>I do love that weird feeling. I feel like I

0:41:32.040 --> 0:41:35.919
<v Speaker 1>watched the Bergman Magic Flute that was on PBS a lot.

0:41:35.960 --> 0:41:40.120
<v Speaker 1>How's that kind of weird? Like high ambition, low budget

0:41:40.840 --> 0:41:44.800
<v Speaker 1>glitter face paint on everybody? One that people loved that

0:41:44.960 --> 0:41:48.040
<v Speaker 1>got sucked into yesterday that was so bad you wouldn't

0:41:48.040 --> 0:41:50.480
<v Speaker 1>believe it. It's called I Think the Comedian. It's with

0:41:50.560 --> 0:41:54.160
<v Speaker 1>Mickey Rooney, maybe written by Roder and it's like the

0:41:54.320 --> 0:41:57.560
<v Speaker 1>it's the desperate comedy writer who's stealing material from a

0:41:57.600 --> 0:42:00.640
<v Speaker 1>dead man. But it's like an hour and half about

0:42:00.680 --> 0:42:04.040
<v Speaker 1>comedy without a laughing Yes, I am the person who

0:42:04.040 --> 0:42:07.280
<v Speaker 1>bought that Criterion set that was like great filmed plays

0:42:07.280 --> 0:42:09.960
<v Speaker 1>of the nineteen fifties and sixties and watched them all

0:42:10.000 --> 0:42:13.960
<v Speaker 1>and was like, A were not good. I was like, oh,

0:42:13.960 --> 0:42:17.120
<v Speaker 1>they're very weird and boring. My question for John is

0:42:17.160 --> 0:42:19.960
<v Speaker 1>what kind of doings do you have? Because my favorite

0:42:19.960 --> 0:42:23.360
<v Speaker 1>thing about televised plays is the doings, in particular the

0:42:23.360 --> 0:42:28.160
<v Speaker 1>sweeping of the floor, which on this podcast, the sweeping

0:42:28.160 --> 0:42:30.440
<v Speaker 1>of the floor is the thing that I cannot know

0:42:30.560 --> 0:42:32.680
<v Speaker 1>when you say doings, what is that? Man? What is doing?

0:42:32.760 --> 0:42:36.200
<v Speaker 1>What was the business? The fifth business? Something different that

0:42:36.280 --> 0:42:39.400
<v Speaker 1>I joined from Stephen King, but not it doesn't relate

0:42:39.440 --> 0:42:42.480
<v Speaker 1>to the theater. But the fifth business is the agent

0:42:42.480 --> 0:42:44.799
<v Speaker 1>of change who shows up and it's like I'm chaotic

0:42:44.880 --> 0:42:46.960
<v Speaker 1>now everything is different and moving the plot a lot.

0:42:47.120 --> 0:42:48.959
<v Speaker 1>So it's like sweeping the floor, like you mean within

0:42:49.000 --> 0:42:50.959
<v Speaker 1>the place would be like the stage manager in our

0:42:51.000 --> 0:42:53.880
<v Speaker 1>town or something. The doings is like you have a monologue,

0:42:53.880 --> 0:42:55.960
<v Speaker 1>but you have to be doing something. It's either you're

0:42:55.960 --> 0:42:58.560
<v Speaker 1>putting on your make up, You're sweeping the floors, You're

0:42:58.719 --> 0:43:01.480
<v Speaker 1>you're putting all the drink away, like all the glasses,

0:43:01.560 --> 0:43:03.399
<v Speaker 1>you're like manning the bar. A lot of this comes

0:43:03.400 --> 0:43:10.279
<v Speaker 1>from chairs up on table. We have. We do have

0:43:10.360 --> 0:43:14.440
<v Speaker 1>some doings. We have um, we have one conversation between

0:43:14.520 --> 0:43:17.560
<v Speaker 1>David Harbor and Cape Berlin in the lab where it

0:43:17.600 --> 0:43:20.600
<v Speaker 1>takes you a few seconds to realize that she's climbing

0:43:20.640 --> 0:43:23.000
<v Speaker 1>on top of him to funk him during this conversation,

0:43:26.080 --> 0:43:27.600
<v Speaker 1>and they treat it surf by way. It's kind like,

0:43:27.640 --> 0:43:30.080
<v Speaker 1>what is this business that's happening? And then suddenly you

0:43:30.080 --> 0:43:31.720
<v Speaker 1>see it for a new angle, It's like, oh God,

0:43:31.840 --> 0:43:35.200
<v Speaker 1>what they're really going at it? Now? We have we

0:43:35.239 --> 0:43:37.920
<v Speaker 1>do have we have doings with of course it's an

0:43:37.920 --> 0:43:40.839
<v Speaker 1>old play. We have doings with the decanters and glasses, yes,

0:43:42.239 --> 0:43:45.480
<v Speaker 1>and this case we also have test tubes. Um. We

0:43:45.560 --> 0:43:48.719
<v Speaker 1>have a lot of our doings are are around the

0:43:48.719 --> 0:43:51.000
<v Speaker 1>gun on the stage and we have one of our

0:43:51.040 --> 0:43:53.479
<v Speaker 1>sponsors for this play is check Off Guns and Ammo,

0:43:54.000 --> 0:43:57.640
<v Speaker 1>and the gun does go off in the end. Um.

0:43:57.680 --> 0:43:59.480
<v Speaker 1>We have like so we have any way, So there's

0:43:59.480 --> 0:44:01.600
<v Speaker 1>a play. Would say of our twenty eight minutes show,

0:44:01.640 --> 0:44:04.040
<v Speaker 1>maybe fifteen minutes of it is the play itself, but

0:44:04.120 --> 0:44:07.320
<v Speaker 1>there's a few other parts too. There's a documentary aspect

0:44:07.600 --> 0:44:10.680
<v Speaker 1>where David Harbor our David Harbor who were calling David

0:44:10.680 --> 0:44:14.719
<v Speaker 1>Harbor the third. His father is David Harvard Jr. Is uh. Look,

0:44:14.800 --> 0:44:17.440
<v Speaker 1>James was playing interviewing people. So the people he's interviewing

0:44:17.800 --> 0:44:21.680
<v Speaker 1>are his father's old manager or his father's old agent

0:44:21.760 --> 0:44:24.879
<v Speaker 1>and producer played by Michael Lerner and Mary Waronoff, who

0:44:24.880 --> 0:44:27.560
<v Speaker 1>were both so fantastic. They're both about eighty years old

0:44:27.960 --> 0:44:30.759
<v Speaker 1>with like some memory issues, but that made everything like

0:44:30.840 --> 0:44:33.880
<v Speaker 1>super realistic too, And then we shot a bunch of

0:44:34.000 --> 0:44:38.240
<v Speaker 1>archival material too, so we've got like later day David

0:44:38.280 --> 0:44:42.040
<v Speaker 1>Harbor Jr. In like an awkward MTV type interview in

0:44:42.080 --> 0:44:44.960
<v Speaker 1>the mid eighties based on like in the eighties used

0:44:45.000 --> 0:44:47.520
<v Speaker 1>to see everyone while someone like Roger Moore would come

0:44:47.520 --> 0:44:50.120
<v Speaker 1>on the show and those interviews were always really odd.

0:44:50.160 --> 0:44:52.560
<v Speaker 1>So we have like one of those interviews on MTV

0:44:52.680 --> 0:44:57.680
<v Speaker 1>type show. Because Alfred Molina is in Frankenstein's Monsters Monster Frankenstein.

0:44:58.080 --> 0:45:00.680
<v Speaker 1>In the backstory, we have that he's the greatest actor

0:45:00.719 --> 0:45:04.080
<v Speaker 1>in the world, I mean true story. He flew over

0:45:04.080 --> 0:45:06.360
<v Speaker 1>from England to do the part, and he has a

0:45:06.360 --> 0:45:09.160
<v Speaker 1>TV show called The Actor's Trunk, which we see clips

0:45:09.200 --> 0:45:12.000
<v Speaker 1>of now. In the Actor's Trunk. He has a trunk

0:45:12.040 --> 0:45:15.000
<v Speaker 1>on stage m Aubrey Fields. This is the Actor's Trunk,

0:45:15.280 --> 0:45:17.960
<v Speaker 1>and today our guest is when my favorite actors David

0:45:18.000 --> 0:45:21.080
<v Speaker 1>Harvard Jr. And I've given him a frying pan and

0:45:21.120 --> 0:45:23.440
<v Speaker 1>then you'll like go to the same where he's teaching

0:45:23.480 --> 0:45:25.760
<v Speaker 1>the audience how to act, the audience of like acting

0:45:25.840 --> 0:45:29.319
<v Speaker 1>students using the props in the trunk um. And then

0:45:29.360 --> 0:45:32.360
<v Speaker 1>we had him shooting a commercial for a London USA,

0:45:32.440 --> 0:45:35.520
<v Speaker 1>a Beef Wellington company, kind of like modeled after the

0:45:35.520 --> 0:45:38.840
<v Speaker 1>old Orson Wells commercial. It's all very Orson Wells just saw. Actually,

0:45:38.920 --> 0:45:40.560
<v Speaker 1>my friend went to you will know who this person

0:45:40.600 --> 0:45:45.680
<v Speaker 1>is ken Nordine's estate sale, and they had a Orson

0:45:45.760 --> 0:45:48.360
<v Speaker 1>Wells like a thing from when Orson Wells would do

0:45:48.560 --> 0:45:52.040
<v Speaker 1>basically well people do now where they'll record a video

0:45:52.080 --> 0:45:54.200
<v Speaker 1>message for you. It was like Orson Wells will do

0:45:54.239 --> 0:45:57.880
<v Speaker 1>your voiceover for the KTEL voiceover company. This big picture

0:45:57.920 --> 0:46:02.400
<v Speaker 1>of Arson Wells. Uh God, very very amazing. That so grazy.

0:46:02.719 --> 0:46:05.840
<v Speaker 1>And I'll see one last theater joke. David Harvard Juniors

0:46:05.880 --> 0:46:08.799
<v Speaker 1>catchphrase which comes up several times is and that's how

0:46:08.840 --> 0:46:12.799
<v Speaker 1>I got into Juilliard and the big drama, the Big

0:46:12.800 --> 0:46:14.560
<v Speaker 1>I'll give you one spoiler, because there's a lot of

0:46:14.560 --> 0:46:16.799
<v Speaker 1>plot here, is that turns out he did not go

0:46:16.840 --> 0:46:22.040
<v Speaker 1>to Juilliard. That's the greatest acting of all. Um. Well,

0:46:22.040 --> 0:46:24.160
<v Speaker 1>we're all very much looking forward to watching the show.

0:46:24.200 --> 0:46:25.880
<v Speaker 1>You can watch the show on Netflix. It will be

0:46:25.920 --> 0:46:29.640
<v Speaker 1>out when this is released, because the episode we are

0:46:29.680 --> 0:46:33.560
<v Speaker 1>making comes out soon. Um. Well, we have some nightcall.

0:46:33.640 --> 0:46:35.759
<v Speaker 1>We're going to take a nightcall. Yeah, I just wanted

0:46:35.760 --> 0:46:39.560
<v Speaker 1>to plug down Dan Longino. Is that how you say it? Correct?

0:46:40.480 --> 0:46:44.000
<v Speaker 1>Catch one, Catch a one quick, Dan lunch And I

0:46:44.040 --> 0:46:47.000
<v Speaker 1>was gonna say it's directed by Dan Longeno, who is

0:46:47.000 --> 0:46:48.759
<v Speaker 1>a friend of the Pond and we're big fans of

0:46:49.040 --> 0:46:52.080
<v Speaker 1>and you guys work together on Cruel Show, and I

0:46:52.120 --> 0:46:55.880
<v Speaker 1>think you guys are the masters of uh doing really

0:46:55.880 --> 0:46:59.359
<v Speaker 1>specific TV parody stuff that's really funny and weird, and

0:46:59.520 --> 0:47:01.920
<v Speaker 1>nobody will is doing so. Yeah. Dan was one of

0:47:01.960 --> 0:47:04.080
<v Speaker 1>the editors the first two years of Curl Show and

0:47:04.120 --> 0:47:07.280
<v Speaker 1>then became a director's season three after Jonathan Chryso left.

0:47:07.560 --> 0:47:10.520
<v Speaker 1>He directed Pen fifteen and then with this, And like

0:47:10.680 --> 0:47:15.360
<v Speaker 1>Dan's hallmark is he just can't stand anything on screen

0:47:15.400 --> 0:47:18.240
<v Speaker 1>that seems fake to him. And like, as an example,

0:47:18.280 --> 0:47:20.240
<v Speaker 1>we had one moment that we were going to shoot

0:47:20.239 --> 0:47:22.880
<v Speaker 1>where David was in a white wig as his father

0:47:23.400 --> 0:47:27.040
<v Speaker 1>like looking back on stage and uh, the kind of

0:47:27.080 --> 0:47:29.520
<v Speaker 1>like everyone's looking at like it looks a little cartoony

0:47:29.560 --> 0:47:31.799
<v Speaker 1>hair is messing with it. Okay, I guess it's okay now.

0:47:32.080 --> 0:47:34.239
<v Speaker 1>And I looked over it Dan and it seriously looked

0:47:34.280 --> 0:47:37.759
<v Speaker 1>like Dan was about to cry, and uh, actually, Dan,

0:47:37.920 --> 0:47:40.440
<v Speaker 1>what's going on? And he said, just it just looks

0:47:40.440 --> 0:47:46.600
<v Speaker 1>so stupid. And so he was like physically incapable of

0:47:46.600 --> 0:47:48.799
<v Speaker 1>doing something he thought was that fake. So like hair

0:47:48.960 --> 0:47:51.600
<v Speaker 1>rushed in. They took off the wig. They like whitened

0:47:51.640 --> 0:47:53.960
<v Speaker 1>David's hair instead. It was much better than what we

0:47:53.960 --> 0:47:56.000
<v Speaker 1>were about to shoot. But like I have almost I

0:47:56.040 --> 0:47:58.160
<v Speaker 1>have this internal mechanism where I was just gonna shoot it.

0:47:58.160 --> 0:47:59.680
<v Speaker 1>I was just like, well, I guess the hair looks stupid.

0:48:00.239 --> 0:48:02.440
<v Speaker 1>But as a director like Dan has these checks where

0:48:02.480 --> 0:48:04.640
<v Speaker 1>he won't do it. Wow, it was a bridge to

0:48:04.800 --> 0:48:08.120
<v Speaker 1>a wig too far. He likes authenticity. Yeah, well, we

0:48:08.120 --> 0:48:10.839
<v Speaker 1>were going to ask a question about authenticity. A night

0:48:10.920 --> 0:48:16.720
<v Speaker 1>email from friend Ken Night called friend Ken, Hey, Emily,

0:48:16.800 --> 0:48:19.239
<v Speaker 1>Molly and TuS. It is twelve twenty am and the

0:48:19.320 --> 0:48:22.719
<v Speaker 1>unseasonably cool suburbs of Milwaukee. I found out about the

0:48:22.719 --> 0:48:24.239
<v Speaker 1>podcast a few weeks ago. And I've been making my

0:48:24.280 --> 0:48:26.480
<v Speaker 1>way through the backlog. I just finished an episode where

0:48:26.480 --> 0:48:28.799
<v Speaker 1>doppelgangers were brought up, and it reminded me of my

0:48:28.840 --> 0:48:32.279
<v Speaker 1>own story. We were watching a fire safety video in

0:48:32.320 --> 0:48:34.760
<v Speaker 1>third or fourth grade. A fireman was talking to students

0:48:34.760 --> 0:48:37.520
<v Speaker 1>in a gym. The camera panned over the crowd and

0:48:37.600 --> 0:48:40.440
<v Speaker 1>paused on my double I remember the kids next to

0:48:40.440 --> 0:48:43.000
<v Speaker 1>me asking if that was me in the video. I

0:48:43.040 --> 0:48:45.520
<v Speaker 1>was positive it wasn't, but he looked just like me.

0:48:46.200 --> 0:48:49.840
<v Speaker 1>I distinctly remember feeling uneasy. The camera continued around the crowd,

0:48:49.840 --> 0:48:52.080
<v Speaker 1>and that's when I saw the one difference between us.

0:48:52.400 --> 0:48:54.600
<v Speaker 1>He had a wicked rat tail that went halfway down

0:48:54.600 --> 0:48:57.600
<v Speaker 1>his back. I wonder what cool me is doing? Now

0:48:58.400 --> 0:49:03.719
<v Speaker 1>take care? Can John do you have a doppelganger? I

0:49:03.920 --> 0:49:06.359
<v Speaker 1>you know, I'd like to say no, but a couple

0:49:06.400 --> 0:49:08.800
<v Speaker 1>of times back in the day, this was really irritating

0:49:08.800 --> 0:49:12.600
<v Speaker 1>to me. Um cars stopped on the street and the

0:49:12.719 --> 0:49:18.360
<v Speaker 1>driver like yelled out excitedly Suits because they thought I

0:49:18.480 --> 0:49:22.880
<v Speaker 1>was the guy Rick Hoffman from Suits. It's like a

0:49:22.960 --> 0:49:25.960
<v Speaker 1>little pod. It's like it's not the most flattering look alike,

0:49:26.000 --> 0:49:29.280
<v Speaker 1>but like, look likes aren't usually that flattering. You know totally.

0:49:29.320 --> 0:49:31.680
<v Speaker 1>When somebody tells you the person they think looks like you,

0:49:31.680 --> 0:49:34.200
<v Speaker 1>you're like them really well, but it can be worse

0:49:34.320 --> 0:49:37.839
<v Speaker 1>if if you if you're doppelganger is better looking, then

0:49:37.920 --> 0:49:41.000
<v Speaker 1>you're like, oh no, because now I'm the person that

0:49:41.640 --> 0:49:44.640
<v Speaker 1>I'm going to be the disappointment. I'm the poor man

0:49:44.800 --> 0:49:49.000
<v Speaker 1>somebody exactly. I do have a doppelganger story that just happened,

0:49:49.680 --> 0:49:53.319
<v Speaker 1>a great doppelganger story. I have a doppelganger who runs

0:49:53.320 --> 0:49:57.600
<v Speaker 1>an Instagram account called Valley Haunts. I follow that everybody

0:49:57.600 --> 0:50:01.600
<v Speaker 1>thinks it's me because I also take I also haunt

0:50:01.600 --> 0:50:03.359
<v Speaker 1>the valley, and I also take pictures of like weird

0:50:03.440 --> 0:50:05.239
<v Speaker 1>l a architecture all the time that are very much

0:50:05.239 --> 0:50:07.759
<v Speaker 1>in the exact same style as this person who goes

0:50:07.760 --> 0:50:11.120
<v Speaker 1>around documenting all the weird, weird old architecture that still

0:50:11.120 --> 0:50:14.240
<v Speaker 1>exists in the valley. Her name is Alex. We found

0:50:14.239 --> 0:50:16.319
<v Speaker 1>out because I was like who are you and she

0:50:16.440 --> 0:50:18.560
<v Speaker 1>was like, I'm a girl named Alex from the valley.

0:50:19.040 --> 0:50:22.640
<v Speaker 1>She the other day messaged me and was like, hey,

0:50:22.680 --> 0:50:25.359
<v Speaker 1>do you have a brother named Ben? And I was like, yes,

0:50:25.400 --> 0:50:27.400
<v Speaker 1>I do, and she was like, I also have a

0:50:27.440 --> 0:50:33.279
<v Speaker 1>brother named what why also with the producer mad Lib.

0:50:33.520 --> 0:50:38.040
<v Speaker 1>Wait what what so it's a double doppelganger. I called

0:50:38.080 --> 0:50:39.920
<v Speaker 1>my brother. I was like, you know that Simpsons episode

0:50:39.920 --> 0:50:42.160
<v Speaker 1>where they meet Board and Eliza, right and they solve

0:50:42.239 --> 0:50:44.400
<v Speaker 1>the crown before them, Like, that's what this felt like.

0:50:44.560 --> 0:50:47.320
<v Speaker 1>I was like, not only does she run a weird

0:50:47.400 --> 0:50:50.000
<v Speaker 1>Valley Instagram like he? Does she look like you? Or

0:50:50.120 --> 0:50:53.520
<v Speaker 1>is her her? I haven't seen a picture of her yet,

0:50:53.920 --> 0:50:59.480
<v Speaker 1>doesn't know what doppelganger this is not my? Yeah, this

0:50:59.560 --> 0:51:03.359
<v Speaker 1>is my your intellectual dopple ganger. Yes, well it's just read.

0:51:04.680 --> 0:51:06.600
<v Speaker 1>I guess there's only like two things for kids from

0:51:06.600 --> 0:51:09.120
<v Speaker 1>the Valley to do is start a weird Instagram account

0:51:09.160 --> 0:51:13.040
<v Speaker 1>or get into the underground hip hop game. Yeah, manage rappers.

0:51:14.160 --> 0:51:15.919
<v Speaker 1>I feel like the guy who wrote that email, though,

0:51:16.200 --> 0:51:18.120
<v Speaker 1>I don't think people really know what they look like.

0:51:18.160 --> 0:51:20.120
<v Speaker 1>They did that the camera's going around and that lands

0:51:20.120 --> 0:51:23.359
<v Speaker 1>on someone who looks exactly like me. I don't know

0:51:23.400 --> 0:51:25.480
<v Speaker 1>that I would know that someone looked ex about when

0:51:25.480 --> 0:51:28.280
<v Speaker 1>they do that Instagram thing where people are like celebrity

0:51:28.280 --> 0:51:32.960
<v Speaker 1>twins and everybody is very generous. That's terrible. Well, I

0:51:33.000 --> 0:51:37.680
<v Speaker 1>mean the fact that it sounds like his classmates. Classmates

0:51:37.719 --> 0:51:40.320
<v Speaker 1>are the ones who pointed it out, so that always

0:51:40.400 --> 0:51:45.440
<v Speaker 1>because it's always somebody else, and the classmates went crazy.

0:51:45.520 --> 0:51:49.880
<v Speaker 1>I don't know that the classmates said a word. People

0:51:49.960 --> 0:51:52.920
<v Speaker 1>love to project in their anecdotes that like everyone around

0:51:52.960 --> 0:51:58.480
<v Speaker 1>them had the same reaction that they just reading over

0:51:58.520 --> 0:52:02.480
<v Speaker 1>the tale. Have you, guys, ever had an exact appleganger?

0:52:02.520 --> 0:52:04.319
<v Speaker 1>Have you ever seen somebody that looks so much like

0:52:04.360 --> 0:52:09.720
<v Speaker 1>you freaked you out? Yes, several times. It's for a while,

0:52:09.760 --> 0:52:13.080
<v Speaker 1>I was my hairstyling glasses. It was like that's all

0:52:13.120 --> 0:52:16.319
<v Speaker 1>you see, your glasses and hair, you know, bangs and glasses.

0:52:16.600 --> 0:52:19.399
<v Speaker 1>So I had several and then there was apparently there's

0:52:19.400 --> 0:52:22.279
<v Speaker 1>a couple who lives like about a mile from me.

0:52:22.520 --> 0:52:26.000
<v Speaker 1>And frequently still people are like, oh, I just saw

0:52:26.040 --> 0:52:28.399
<v Speaker 1>you walking on hill Hurst And it was like, wasn't

0:52:28.440 --> 0:52:31.439
<v Speaker 1>we're talking more about like mirror pairs. Mirror pairs? Yeah,

0:52:31.480 --> 0:52:34.560
<v Speaker 1>not exactly doppelgangers, I mean not yeah, not like the

0:52:34.600 --> 0:52:38.400
<v Speaker 1>exact would you say Frankenstein's Monsters in any way a doppelganger?

0:52:39.520 --> 0:52:45.600
<v Speaker 1>I mean because David is playing Dr Frankenstein, who sometimes

0:52:45.640 --> 0:52:48.120
<v Speaker 1>pretends to be the monster. And then in the flashback

0:52:48.440 --> 0:52:50.799
<v Speaker 1>when the monster is alive. He plays the monster. It's

0:52:50.800 --> 0:52:54.000
<v Speaker 1>wald Wald doppelgangers. Would you say that this is the

0:52:54.040 --> 0:52:57.279
<v Speaker 1>first paraos, that he was just faking that he had

0:52:57.400 --> 0:53:00.000
<v Speaker 1>done something in order to advance science because he didn't

0:53:00.040 --> 0:53:02.560
<v Speaker 1>want to say the science wasn't there yet. I don't

0:53:02.600 --> 0:53:06.080
<v Speaker 1>even know when this thing takes place, Like I don't know.

0:53:06.160 --> 0:53:11.759
<v Speaker 1>If I don't, I guess I'm predates Edison. She wrote

0:53:11.800 --> 0:53:14.480
<v Speaker 1>it in like well, she wrote it in eighteen nineteen,

0:53:14.520 --> 0:53:16.200
<v Speaker 1>and then it came out a couple of years later.

0:53:17.160 --> 0:53:19.840
<v Speaker 1>I was talking about my play, like my play about

0:53:19.920 --> 0:53:21.960
<v Speaker 1>Dr Frankenstein, like, I don't know if I would be

0:53:22.000 --> 0:53:28.160
<v Speaker 1>surprised if a phone rang or not. Right, we like things.

0:53:27.320 --> 0:53:31.600
<v Speaker 1>That's a theater verse. Yeah, it's all the times at once.

0:53:31.840 --> 0:53:36.040
<v Speaker 1>And sometimes I had a very like concrete prop guy

0:53:36.200 --> 0:53:39.399
<v Speaker 1>who would ask me questions that I was answering metaphorically,

0:53:39.400 --> 0:53:41.040
<v Speaker 1>and when he would say things to me like what

0:53:41.160 --> 0:53:46.600
<v Speaker 1>decade is, would be like, it's not, it's no decade.

0:53:44.200 --> 0:53:49.960
<v Speaker 1>It's a prestige play. I was reading about the old

0:53:50.040 --> 0:53:53.800
<v Speaker 1>dark house genre and finding out that there's this play

0:53:53.840 --> 0:53:57.359
<v Speaker 1>that's been remade like five thousand times. That's The Ghostbreakers.

0:53:57.400 --> 0:54:02.239
<v Speaker 1>That was the beginning of the Universal Horror series. Uh,

0:54:02.440 --> 0:54:06.360
<v Speaker 1>and I like that Frankenstein, like the Frankenstein myth, you

0:54:06.400 --> 0:54:09.360
<v Speaker 1>can just bring it back over and over again. The

0:54:09.400 --> 0:54:11.440
<v Speaker 1>one thing legal told us we couldn't do. It's like,

0:54:11.480 --> 0:54:14.840
<v Speaker 1>you can't have a green like Frankenstein's public domain. But

0:54:14.920 --> 0:54:18.640
<v Speaker 1>the Universal Frankenstein is not public domain, like they created

0:54:18.680 --> 0:54:21.520
<v Speaker 1>that green creature where if you make it look too

0:54:21.640 --> 0:54:24.960
<v Speaker 1>much like that, they'll see you. Really, that's so weird.

0:54:25.080 --> 0:54:27.160
<v Speaker 1>How but I mean, there must be like a list

0:54:27.200 --> 0:54:32.839
<v Speaker 1>of the things that make that image Dracula copyrightable. Not

0:54:33.040 --> 0:54:37.000
<v Speaker 1>such is public domain, right, but it is the universal Dracula,

0:54:37.040 --> 0:54:41.440
<v Speaker 1>like if you get too close to that Dracula. Yeah,

0:54:42.040 --> 0:54:45.919
<v Speaker 1>but I feel like that was already I was thinking about,

0:54:46.000 --> 0:54:49.359
<v Speaker 1>was already an image before Dracula. Whereas I do, I

0:54:49.440 --> 0:54:51.520
<v Speaker 1>do kind of see the case to be made for

0:54:51.560 --> 0:54:55.080
<v Speaker 1>the Universal Frankenstein because there was no like all the

0:54:55.120 --> 0:54:57.759
<v Speaker 1>images or illustrations of Frankenstein prior to that movie look

0:54:57.840 --> 0:55:00.160
<v Speaker 1>nothing like that. They look they look like a they

0:55:00.200 --> 0:55:02.319
<v Speaker 1>look kind of zombie ish. It's like a like a

0:55:02.360 --> 0:55:05.200
<v Speaker 1>guy with like you know, fucked up a scorched scalp

0:55:05.320 --> 0:55:07.279
<v Speaker 1>or whatever and makes some stitches on his body, but

0:55:07.320 --> 0:55:10.040
<v Speaker 1>he's not green and he doesn't have that flat head

0:55:10.200 --> 0:55:14.040
<v Speaker 1>and his head. How did you approach conceptalizing what you

0:55:14.080 --> 0:55:16.560
<v Speaker 1>Frankenstein's Monster would look like? Oh, just that it had

0:55:16.719 --> 0:55:20.640
<v Speaker 1>because David was playing his father, who had this huge ego.

0:55:21.280 --> 0:55:25.120
<v Speaker 1>He thought he could do the transitions David's fictional father

0:55:25.640 --> 0:55:32.560
<v Speaker 1>from Monster to Dr Frankenstein purely through acting. So it's

0:55:32.600 --> 0:55:38.920
<v Speaker 1>like Bradley Cooper Elephant. We did We did nothing because

0:55:38.960 --> 0:55:41.640
<v Speaker 1>that's the greatest thing an actor can do, not put

0:55:41.640 --> 0:55:46.920
<v Speaker 1>on a up and transform. The prosthetic is my soul.

0:55:48.600 --> 0:55:51.600
<v Speaker 1>And the transformations were happening kind of fast, as like

0:55:51.680 --> 0:55:54.240
<v Speaker 1>people would enter an exit like back and forth. That's

0:55:54.120 --> 0:55:56.319
<v Speaker 1>that's part of how he was showing off in the

0:55:56.320 --> 0:56:01.680
<v Speaker 1>fake play Can't Wait, Well, everybody check out Frankenstein's Monsters

0:56:02.120 --> 0:56:07.080
<v Speaker 1>Monster Frankenstein Correct. It from John Levinstein, directed by Dan

0:56:07.120 --> 0:56:10.320
<v Speaker 1>Longino and starring an all star cast including David Harbor

0:56:10.400 --> 0:56:13.040
<v Speaker 1>and Cape Berland. Cape Perland. Come on night call please,

0:56:13.040 --> 0:56:15.680
<v Speaker 1>Oh yeah, we love you. Yeah, thanks so much for

0:56:15.760 --> 0:56:21.160
<v Speaker 1>joining us, Thank you for having that's all the night

0:56:21.200 --> 0:56:23.680
<v Speaker 1>calls we have today. Thanks so much for listening, and

0:56:23.760 --> 0:56:27.200
<v Speaker 1>please join us again next week and you can always

0:56:27.320 --> 0:56:31.279
<v Speaker 1>leave us a question, comment, or fan theory about Midsummer

0:56:31.760 --> 0:56:36.200
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0:56:36.320 --> 0:56:39.680
<v Speaker 1>four six Night, or leave us a night email at

0:56:39.760 --> 0:56:42.800
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0:56:42.840 --> 0:56:45.600
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0:56:49.480 --> 0:56:52.080
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0:56:52.440 --> 0:56:56.680
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0:56:56.719 --> 0:56:57.160
<v Speaker 1>next week