1
00:00:03,640 --> 00:00:05,240
Speaker 1: No worry, And now.

2
00:00:06,680 --> 00:00:09,760
Speaker 2: Thirty is not the new forty. Forty is forty, thirty

3
00:00:09,840 --> 00:00:13,520
Speaker 2: is thirty, twenty is twenty. Forty is definitely forty. I

4
00:00:13,600 --> 00:00:16,520
Speaker 2: keep telling everybody laughing. Every day you wake up, it's

5
00:00:16,560 --> 00:00:18,599
Speaker 2: a you never know what the body is going to do.

6
00:00:19,200 --> 00:00:21,880
Speaker 2: Pose you get the forty, that's another Rockefeller thing I'll tried.

7
00:00:23,000 --> 00:00:26,279
Speaker 2: Thirty is the new twenty. That's what's up? How that

8
00:00:26,320 --> 00:00:26,759
Speaker 2: hook went?

9
00:00:27,040 --> 00:00:28,840
Speaker 1: I mean, when you getting when you know what it is,

10
00:00:28,840 --> 00:00:30,480
Speaker 1: when you're getting money like that, you don't even you

11
00:00:30,520 --> 00:00:33,240
Speaker 1: don't even keep counting your birthdays anymore. No, it doesn't matter.

12
00:00:33,520 --> 00:00:35,360
Speaker 1: Every day is like it's like whatever, man, I'm doing

13
00:00:35,360 --> 00:00:37,360
Speaker 1: whatever I want to do. So in that case, and

14
00:00:37,400 --> 00:00:39,480
Speaker 1: when you're rich, like who gives a fuck? You probably

15
00:00:39,520 --> 00:00:41,519
Speaker 1: got good health insurant. Yeah, yeah, nobody get a fuck

16
00:00:41,560 --> 00:00:42,919
Speaker 1: like you probably still feel like you're doing.

17
00:00:42,960 --> 00:00:46,000
Speaker 2: Thirty is a new medicare. That's what's up exactly, You're fine, exactly.

18
00:00:46,159 --> 00:00:47,080
Speaker 2: How was your weekend?

19
00:00:47,400 --> 00:00:47,880
Speaker 1: It was cool?

20
00:00:47,880 --> 00:00:50,239
Speaker 2: It was like, yeah, I think, what did I do

21
00:00:50,280 --> 00:00:52,920
Speaker 2: this weekend? I don't even remember when I did this weekend?

22
00:00:53,159 --> 00:00:54,400
Speaker 1: You got you got the guns out, You have the

23
00:00:54,440 --> 00:00:56,920
Speaker 1: guns out, You got the tached session. So the guns out.

24
00:00:56,920 --> 00:00:58,360
Speaker 2: Well, I have a lot of tattoo me getting a

25
00:00:58,400 --> 00:01:00,600
Speaker 2: tattoo is not like a highlight of it is.

26
00:01:00,640 --> 00:01:02,880
Speaker 1: Man, I have this entire part of my body. We

27
00:01:02,920 --> 00:01:04,800
Speaker 1: don't do shit anymore. So when you get a tattoo,

28
00:01:04,880 --> 00:01:07,920
Speaker 1: you sit down there tattoo shop for like five hours. Man,

29
00:01:07,959 --> 00:01:10,200
Speaker 1: my man killing it. Yeah, that's the thing. Now when

30
00:01:10,200 --> 00:01:11,480
Speaker 1: you go get a new tat, like you got to

31
00:01:11,520 --> 00:01:12,560
Speaker 1: show it off, you know what I mean.

32
00:01:13,160 --> 00:01:15,880
Speaker 2: I mean, I guess it's it's not even close to done.

33
00:01:15,920 --> 00:01:17,720
Speaker 2: So I'm I'm not going to leave the whole whole

34
00:01:17,800 --> 00:01:20,200
Speaker 2: right onto. Of course, you know I want to. I

35
00:01:20,200 --> 00:01:22,080
Speaker 2: definitely want to grow to be a dirt back like

36
00:01:22,360 --> 00:01:23,880
Speaker 2: I want to look as shitty as possible.

37
00:01:24,080 --> 00:01:26,280
Speaker 1: I never, uh see, I never got a tat because

38
00:01:26,319 --> 00:01:28,560
Speaker 1: I knew, like my OCD, I wouldn't want to see

39
00:01:28,840 --> 00:01:30,959
Speaker 1: any more of my just skin plaining anymore.

40
00:01:31,120 --> 00:01:35,360
Speaker 2: Yeah, I got tattoos really early. Tattoos are amazing. I

41
00:01:35,400 --> 00:01:38,160
Speaker 2: never advocate against tattoos for my children. I'm cool with

42
00:01:38,280 --> 00:01:40,560
Speaker 2: y'all getting tattoos. If you're listening to this twenty years

43
00:01:40,600 --> 00:01:44,440
Speaker 2: from now, just don't get them early because I have

44
00:01:44,480 --> 00:01:47,440
Speaker 2: shitty tattoos. But I have tattoos that I don't regret.

45
00:01:47,480 --> 00:01:49,400
Speaker 2: But it's like if I would have just waited just

46
00:01:49,560 --> 00:01:52,720
Speaker 2: a little a little bit longer experiences. Yeah, and then

47
00:01:52,720 --> 00:01:55,360
Speaker 2: I have, like I have tattoos the way like chicks

48
00:01:55,360 --> 00:01:58,360
Speaker 2: get bad surgery, Like they'll go back to Colombia and

49
00:01:58,400 --> 00:02:00,160
Speaker 2: try to fix it, and it's like, your ass looks

50
00:02:00,160 --> 00:02:02,480
Speaker 2: even weirder now. I did that with this tattoo that

51
00:02:02,520 --> 00:02:04,400
Speaker 2: I hate. They tried to fix it. It looks even

52
00:02:04,440 --> 00:02:05,000
Speaker 2: shittier now.

53
00:02:05,320 --> 00:02:07,800
Speaker 1: Yeah, it's a it's definitely an age limit too, Like

54
00:02:07,840 --> 00:02:10,320
Speaker 1: I can't I can't get a tatt now like that win,

55
00:02:10,639 --> 00:02:12,920
Speaker 1: that's not true. I can't get my first tat at

56
00:02:12,960 --> 00:02:16,360
Speaker 1: thirty nine. Yeah, hell no, you know what I mean.

57
00:02:16,480 --> 00:02:18,239
Speaker 1: They'll shout out to my man, Steve Man. That's the

58
00:02:18,320 --> 00:02:20,840
Speaker 1: best tattoo artist in the world, Steve. He's dying to

59
00:02:20,919 --> 00:02:23,360
Speaker 1: tat me, and I just I'm like, bro, I'm too old, man,

60
00:02:23,400 --> 00:02:24,680
Speaker 1: I can't get my first tat you would.

61
00:02:24,680 --> 00:02:26,840
Speaker 2: You wouldn't get New roryan Mall tatted on you. You

62
00:02:26,880 --> 00:02:28,080
Speaker 2: ain't get my name on you.

63
00:02:28,120 --> 00:02:34,079
Speaker 1: No, I definitely, Yo, What if I was just show

64
00:02:34,120 --> 00:02:35,040
Speaker 1: up with the Rory and malls.

65
00:02:35,480 --> 00:02:37,880
Speaker 2: I would give you a promo code for tattoo removal.

66
00:02:37,919 --> 00:02:40,040
Speaker 2: That would be like, yo, just put mall.

67
00:02:40,120 --> 00:02:42,280
Speaker 1: That's that's that's that's discussing. Don't get my name, don't

68
00:02:42,280 --> 00:02:44,000
Speaker 1: put my red beard on. Yeah, no, no, don't do that,

69
00:02:44,040 --> 00:02:45,959
Speaker 1: don't do that. But yeah, I'm past that window. That

70
00:02:46,000 --> 00:02:47,280
Speaker 1: windows closed. I've accepted it.

71
00:02:47,320 --> 00:02:48,960
Speaker 2: But in the same token, which I think I've said

72
00:02:49,000 --> 00:02:52,040
Speaker 2: this before, I don't trust people that have like all

73
00:02:52,040 --> 00:02:54,560
Speaker 2: their tattoos are immaculate because to me, you got them

74
00:02:54,560 --> 00:02:56,160
Speaker 2: way later in life, and I can't really trust you

75
00:02:56,200 --> 00:02:57,160
Speaker 2: because that's kind of fucking weird.

76
00:02:57,200 --> 00:02:58,639
Speaker 1: Why do you have all the maculate tattoos?

77
00:02:58,720 --> 00:03:00,840
Speaker 2: Yeah, that tells me like you were pussy growing up

78
00:03:01,080 --> 00:03:03,040
Speaker 2: and like you wanted to get them.

79
00:03:03,240 --> 00:03:04,920
Speaker 1: To make sure you to make a nice day. Yeah, Like, na,

80
00:03:05,160 --> 00:03:07,079
Speaker 1: I don't want to see that beautiful sleep. Where's the

81
00:03:07,120 --> 00:03:09,119
Speaker 1: wis the wis the Japanese? Yes?

82
00:03:09,280 --> 00:03:11,400
Speaker 2: Yeah, show me the Chinese emblem that you actually know

83
00:03:11,440 --> 00:03:13,360
Speaker 2: what that ship is exactly? Where's your last name at?

84
00:03:13,400 --> 00:03:14,800
Speaker 2: Come on, give me the last name. Showed me some

85
00:03:14,840 --> 00:03:18,280
Speaker 2: panther from footprints, poor Prince showed me give me the

86
00:03:18,320 --> 00:03:19,960
Speaker 2: death before dishonor attacked.

87
00:03:23,000 --> 00:03:25,720
Speaker 1: Yeah, show me. Determination is somewhere on your body, like then,

88
00:03:25,760 --> 00:03:28,080
Speaker 1: I know you started early. Yeah, I need ambition on

89
00:03:28,120 --> 00:03:30,040
Speaker 1: your chest. Where's that? But that's good though. You almost

90
00:03:30,040 --> 00:03:32,120
Speaker 1: finished with your right arm, or at least you started. Yeah,

91
00:03:32,120 --> 00:03:33,840
Speaker 1: I just started. I gotta do that. A lot lot

92
00:03:33,880 --> 00:03:34,200
Speaker 1: more to do.

93
00:03:34,280 --> 00:03:37,720
Speaker 2: Yes, shout out to Grin styles Grenn is doing great.

94
00:03:37,720 --> 00:03:40,760
Speaker 2: Grin's back up in the Bronx. Yeah, shout out to Grin.

95
00:03:40,840 --> 00:03:42,640
Speaker 1: Yeah. I went. I didn't really do much. I went

96
00:03:42,640 --> 00:03:46,280
Speaker 1: out Saturday. I went out. I was in the city

97
00:03:46,320 --> 00:03:48,160
Speaker 1: a little bit, hanging out, just trying to see what's

98
00:03:48,200 --> 00:03:51,320
Speaker 1: going on. She with new new spots to popping up

99
00:03:51,360 --> 00:03:53,040
Speaker 1: here and there. It was nice, well, it was nice

100
00:03:53,040 --> 00:03:54,400
Speaker 1: for most of the day. Then it kind of rained

101
00:03:54,400 --> 00:03:56,680
Speaker 1: a little bit, but I was it. Man, I don't

102
00:03:56,680 --> 00:03:58,080
Speaker 1: really do too much this weekend.

103
00:03:58,240 --> 00:04:01,480
Speaker 2: Didn't see anything while you were out.

104
00:04:01,880 --> 00:04:04,119
Speaker 1: It was a it was a few New York is back.

105
00:04:04,400 --> 00:04:06,680
Speaker 1: New York looks like it's it's it's up and running.

106
00:04:07,560 --> 00:04:10,040
Speaker 1: The masks are kind of fading away. I'm seeing less

107
00:04:10,080 --> 00:04:13,200
Speaker 1: and less people with masks. I've not seen a mask yet. Yeah,

108
00:04:13,240 --> 00:04:15,840
Speaker 1: I'm saying less and less people with masks. So that's

109
00:04:15,840 --> 00:04:18,800
Speaker 1: a good thing. Uh, but yeah, the city is back man,

110
00:04:18,880 --> 00:04:21,520
Speaker 1: traffic like traffic is all the way back. And now

111
00:04:21,560 --> 00:04:23,520
Speaker 1: you got to leave your house. If it was thirty

112
00:04:23,520 --> 00:04:25,640
Speaker 1: forty five minutes, it's an hour and fifteen.

113
00:04:25,320 --> 00:04:27,040
Speaker 2: Now I did, uh, I don't think it was. Over

114
00:04:27,080 --> 00:04:29,680
Speaker 2: the weekend. I did go out.

115
00:04:29,960 --> 00:04:34,680
Speaker 1: I went to a release party. That's disgusting. That's so

116
00:04:35,000 --> 00:04:35,920
Speaker 1: I did know. Those are my people.

117
00:04:35,960 --> 00:04:38,160
Speaker 2: I went to shout out to Boss Boss Cole and

118
00:04:38,160 --> 00:04:40,520
Speaker 2: Litle TJ put out the character, Yeah the Jackie, which

119
00:04:40,560 --> 00:04:43,599
Speaker 2: for white people the int Boro Parkway. Unfamiliar with what

120
00:04:43,640 --> 00:04:46,239
Speaker 2: the Jackie Robins is used to be the Interboro Parkway,

121
00:04:46,279 --> 00:04:49,000
Speaker 2: as my mother would refer to it, calling it the Jackie.

122
00:04:49,200 --> 00:04:51,680
Speaker 1: The Jackie. No great fucking rider.

123
00:04:51,720 --> 00:04:53,240
Speaker 2: I went to that though, but it was nice for

124
00:04:53,279 --> 00:04:57,800
Speaker 2: people that are familiar with meat packing. You I didn't

125
00:04:57,800 --> 00:04:58,400
Speaker 2: think that went through.

126
00:05:00,000 --> 00:05:00,560
Speaker 1: I went through.

127
00:05:00,920 --> 00:05:03,839
Speaker 2: You don't worry about the meatpacking district, yes, which also

128
00:05:03,920 --> 00:05:04,400
Speaker 2: is a pause.

129
00:05:04,480 --> 00:05:06,880
Speaker 1: Yes it is. I don't care where it's located, it's

130
00:05:06,880 --> 00:05:08,560
Speaker 1: still a pause. Yeah.

131
00:05:09,040 --> 00:05:10,960
Speaker 2: Can we get some things off the pause list though,

132
00:05:11,200 --> 00:05:14,000
Speaker 2: because because anytime anyone asked where you're at, you say

133
00:05:14,040 --> 00:05:17,120
Speaker 2: meat packing. When you're there, you're supposed toy pause first though,

134
00:05:17,800 --> 00:05:18,720
Speaker 2: just make it one word pause.

135
00:05:18,760 --> 00:05:21,039
Speaker 1: Meatpacking District. It was on gans of Ord and you

136
00:05:21,040 --> 00:05:23,479
Speaker 1: feel there you go, I'm on gangs Off, I'm on

137
00:05:23,560 --> 00:05:26,080
Speaker 1: West eleventh whatever you want to call it, eleven, whatever

138
00:05:26,080 --> 00:05:26,760
Speaker 1: you want to call it.

139
00:05:26,839 --> 00:05:29,560
Speaker 2: Yeah, for those that don't know, it's all like this

140
00:05:29,760 --> 00:05:31,360
Speaker 2: cobblestone gravel ship.

141
00:05:31,680 --> 00:05:33,280
Speaker 1: I love it down there, and it made me.

142
00:05:33,839 --> 00:05:36,680
Speaker 2: It made me appreciate women my age because because I

143
00:05:36,720 --> 00:05:39,760
Speaker 2: did see all like the younger girls coming out in heels,

144
00:05:39,760 --> 00:05:40,719
Speaker 2: which is appreciated.

145
00:05:41,560 --> 00:05:45,320
Speaker 1: You know, heels are back. It was sneakers for a while. Yeah,

146
00:05:45,480 --> 00:05:47,680
Speaker 1: they can't walk on that ship cobblestone.

147
00:05:47,720 --> 00:05:49,919
Speaker 2: Know it's hard to walk, but you remember all the

148
00:05:49,920 --> 00:05:52,240
Speaker 2: girls that you knew there was OG's of pause the

149
00:05:52,240 --> 00:05:53,000
Speaker 2: meatpacking district.

150
00:05:53,440 --> 00:05:56,560
Speaker 1: I got when I say those girls, yeah, no Jesus

151
00:05:56,560 --> 00:05:57,480
Speaker 1: that yeah, yeah.

152
00:05:57,279 --> 00:05:59,200
Speaker 2: They could do that. They could run one hundred meters

153
00:05:59,240 --> 00:06:00,840
Speaker 2: dash down that cobblestone and kiels.

154
00:06:00,839 --> 00:06:01,320
Speaker 1: They gotta get to.

155
00:06:01,320 --> 00:06:04,040
Speaker 2: These chicks were stumbling before they walked in. They weren't

156
00:06:04,080 --> 00:06:07,120
Speaker 2: drunk yet. They gotta get they everywhere their city legs back,

157
00:06:07,200 --> 00:06:09,160
Speaker 2: their whole legs. They got to get their whole legs back.

158
00:06:09,160 --> 00:06:11,760
Speaker 1: You know, you know, they start walking and running the cobblestone,

159
00:06:11,800 --> 00:06:14,520
Speaker 1: trying to get to the door before the promoter says,

160
00:06:14,520 --> 00:06:15,520
Speaker 1: I'm going back inside.

161
00:06:15,640 --> 00:06:17,200
Speaker 2: But I see, I don't know if they were they

162
00:06:17,200 --> 00:06:18,520
Speaker 2: were raised this generation.

163
00:06:18,560 --> 00:06:20,680
Speaker 1: I'm talking like twenty three twenty four year old women.

164
00:06:20,960 --> 00:06:23,200
Speaker 2: I don't know if they were raised in the heel era,

165
00:06:24,320 --> 00:06:26,600
Speaker 2: because they're from the sneakerhead era where chicks started to

166
00:06:26,600 --> 00:06:30,160
Speaker 2: become sneakerheads. Like even the trendy go out chicks are sneakerheads.

167
00:06:30,360 --> 00:06:32,839
Speaker 1: Well, that type of release party would would definitely be

168
00:06:32,880 --> 00:06:34,040
Speaker 1: the sneak ahead it was.

169
00:06:34,400 --> 00:06:36,320
Speaker 2: But you know that whole block is a bunch of clubs.

170
00:06:36,320 --> 00:06:39,000
Speaker 2: It's not everyone was going there. You just watched the

171
00:06:39,040 --> 00:06:41,840
Speaker 2: cobblestone massacre of women trying to walk down that entire thing.

172
00:06:42,720 --> 00:06:45,119
Speaker 2: I just don't think these chicks are are heel ready.

173
00:06:45,360 --> 00:06:47,000
Speaker 2: I don't think it's the era. Yeah, they gotta, they

174
00:06:47,000 --> 00:06:48,720
Speaker 2: gotta get their their city legs back.

175
00:06:48,760 --> 00:06:50,640
Speaker 1: They got to know how to remember how to run

176
00:06:50,680 --> 00:06:55,839
Speaker 1: the hills, how to walk on cobblestone, and the sidewalk grates,

177
00:06:55,920 --> 00:06:57,680
Speaker 1: you know, the rates on the sidewalk. You gotta remember

178
00:06:57,680 --> 00:07:00,600
Speaker 1: how to walk on those. But yeah, I was the

179
00:07:00,640 --> 00:07:02,720
Speaker 1: party of the overall. I was it. I was cool,

180
00:07:03,200 --> 00:07:06,560
Speaker 1: you know, regular, regular, regular shit. Yeah, I was gonna

181
00:07:06,560 --> 00:07:08,520
Speaker 1: come out. But it started storming, and then it was like,

182
00:07:08,600 --> 00:07:10,680
Speaker 1: you know, I was like, you know, after it rain,

183
00:07:10,760 --> 00:07:13,120
Speaker 1: I was like, I want to go downtown. I get it.

184
00:07:13,160 --> 00:07:13,920
Speaker 1: I'm passed on it.

185
00:07:14,040 --> 00:07:16,200
Speaker 2: When was the last time you like talked to like

186
00:07:16,240 --> 00:07:22,200
Speaker 2: a twenty four year old. I'm not saying like in

187
00:07:22,360 --> 00:07:25,240
Speaker 2: a sexual way or just just like just had like

188
00:07:25,280 --> 00:07:28,800
Speaker 2: a cool conversation where like random things could come up,

189
00:07:28,800 --> 00:07:30,920
Speaker 2: maybe at a dinner with a bunch of people, like

190
00:07:31,040 --> 00:07:32,760
Speaker 2: just where there was twenty four year olds around.

191
00:07:32,800 --> 00:07:35,000
Speaker 1: It's been a while, it's been a while.

192
00:07:34,880 --> 00:07:37,960
Speaker 2: Okay, So I did that, and like I don't know

193
00:07:37,960 --> 00:07:39,920
Speaker 2: how baby pictures got brought up. I think someone maybe

194
00:07:39,920 --> 00:07:41,800
Speaker 2: posted a baby picture on their ig story. So I

195
00:07:42,040 --> 00:07:45,559
Speaker 2: just started whipping out their baby pictures. It just became

196
00:07:45,560 --> 00:07:50,800
Speaker 2: one of those things at dinner and I was thrown

197
00:07:50,840 --> 00:07:55,120
Speaker 2: off because twenty four year old chicks baby pictures are

198
00:07:55,160 --> 00:08:02,080
Speaker 2: in HD Oh yeah they don't know about the early eighties.

199
00:08:02,640 --> 00:08:05,280
Speaker 2: I was like the Red Dark pictures. Yeah this is

200
00:08:05,320 --> 00:08:06,200
Speaker 2: from two thousand and two.

201
00:08:06,360 --> 00:08:09,440
Speaker 1: Yeah, yeah, legitimate, it's a thing. Bro.

202
00:08:09,800 --> 00:08:12,280
Speaker 2: Yeah, like that's how much in the world is means.

203
00:08:12,360 --> 00:08:13,600
Speaker 2: I was like, oh, is that like your little sister.

204
00:08:13,680 --> 00:08:18,200
Speaker 1: No, that's me. Yeah, yeah, Yeah, it's scary. It's scary

205
00:08:18,240 --> 00:08:19,120
Speaker 1: when you think about.

206
00:08:18,920 --> 00:08:21,360
Speaker 2: It, because of course, all these women are of age

207
00:08:21,600 --> 00:08:23,200
Speaker 2: and I'm thirty one, so it's not weird to be

208
00:08:23,240 --> 00:08:25,960
Speaker 2: around twenty four year old. It's not my ideal situation

209
00:08:26,040 --> 00:08:28,680
Speaker 2: in age whatever, right, you know, it's subjective. People could

210
00:08:28,680 --> 00:08:30,400
Speaker 2: be mature. I don't want to argue with y'all on age.

211
00:08:31,240 --> 00:08:33,360
Speaker 2: It just really put things in person and not just

212
00:08:33,520 --> 00:08:36,280
Speaker 2: I'm not that old. No, my baby pictures are Yeah,

213
00:08:36,520 --> 00:08:38,360
Speaker 2: they like tailing. They like to tailing you.

214
00:08:38,360 --> 00:08:40,959
Speaker 1: You were born in ninety ninety so yeah, you like

215
00:08:41,000 --> 00:08:44,239
Speaker 1: the tail end of the of the film.

216
00:08:44,640 --> 00:08:47,000
Speaker 2: Yeah, like you have to go get it digital? Yeah, yes,

217
00:08:47,080 --> 00:08:48,640
Speaker 2: and like throwaway camera and.

218
00:08:48,640 --> 00:08:51,720
Speaker 1: Now everything is digital. Everybody has great skin in their

219
00:08:51,760 --> 00:08:56,440
Speaker 1: baby pictures. Yeah, and they's toddler pictures. It was fucking terrifying. Yeah,

220
00:08:56,440 --> 00:08:58,080
Speaker 1: I have some mom, I have some pictures. I don't

221
00:08:58,120 --> 00:09:00,200
Speaker 1: even my mom had to point out that it was me.

222
00:09:00,320 --> 00:09:03,000
Speaker 1: That's how dark the pictures are. She's like, no, that' shoot.

223
00:09:03,000 --> 00:09:05,520
Speaker 1: I was like, that's me, Like I didn't even know, Okay,

224
00:09:05,600 --> 00:09:08,200
Speaker 1: like the pictures are so red and brown, and it's

225
00:09:08,240 --> 00:09:10,480
Speaker 1: just like this was eighty three, you know what I'm saying.

226
00:09:10,520 --> 00:09:11,960
Speaker 1: I was two years old, so it's like this is

227
00:09:12,040 --> 00:09:13,080
Speaker 1: like this is real film.

228
00:09:13,160 --> 00:09:16,760
Speaker 2: Right. Camera technology went crazy, I feel like in the

229
00:09:16,840 --> 00:09:21,160
Speaker 2: late nineties like faster than because honestly, when I went

230
00:09:21,280 --> 00:09:24,319
Speaker 2: to my grandmother's funeral, obviously people had like old pictures

231
00:09:24,360 --> 00:09:27,040
Speaker 2: and shit, my pops pictures look the same as my

232
00:09:27,080 --> 00:09:29,160
Speaker 2: baby pictures. Right, there was a couple where it looked

233
00:09:29,200 --> 00:09:30,559
Speaker 2: like me. I was like, oh shit, that must be me.

234
00:09:31,280 --> 00:09:32,640
Speaker 2: They were the exact same grain.

235
00:09:32,760 --> 00:09:34,840
Speaker 1: Yeah, it's definitely not everything is digital.

236
00:09:34,880 --> 00:09:36,600
Speaker 2: Like even a lot of these, A twenty four year

237
00:09:36,600 --> 00:09:39,600
Speaker 2: old and a thirty one year old was fucking drastically different.

238
00:09:39,679 --> 00:09:42,680
Speaker 1: Yeah, yeah, it's it's also, you know, you start to

239
00:09:42,720 --> 00:09:45,400
Speaker 1: talk even about just culture and music, you realize, like

240
00:09:45,440 --> 00:09:47,840
Speaker 1: a lot of these, you know, these younger casts that's

241
00:09:47,840 --> 00:09:51,559
Speaker 1: moving around now like twenty four to twenty five, it's like, oh,

242
00:09:51,640 --> 00:09:54,920
Speaker 1: you don't even you can't even you don't even remember

243
00:09:54,960 --> 00:09:58,440
Speaker 1: what it was like when certain like classic records came out. No,

244
00:09:58,679 --> 00:10:00,720
Speaker 1: like some of these kids, they don't even when Benjamin's

245
00:10:00,760 --> 00:10:03,800
Speaker 1: came out. But here's the thing I remember but I

246
00:10:03,800 --> 00:10:06,360
Speaker 1: don't remember. Yeah, you wasn't, but you wasn't outside, You

247
00:10:06,440 --> 00:10:07,560
Speaker 1: wasn't already like that.

248
00:10:07,600 --> 00:10:09,640
Speaker 2: Of course I remember that record on the radio and

249
00:10:09,800 --> 00:10:12,120
Speaker 2: was singing it, but I was my mom was driving

250
00:10:12,160 --> 00:10:15,280
Speaker 2: me school and making sure I got in safely.

251
00:10:15,559 --> 00:10:20,800
Speaker 1: Yeah, yeah, it's it's getting old, man. I guess I

252
00:10:20,880 --> 00:10:24,160
Speaker 1: enjoyed the aging process. I just age it. Every time

253
00:10:24,200 --> 00:10:26,760
Speaker 1: I told somebody my age, they think I'm lying, well, yeah,

254
00:10:26,800 --> 00:10:29,000
Speaker 1: you look younger. They're like, no way. I'm like, yeah, man,

255
00:10:29,080 --> 00:10:30,800
Speaker 1: it is what it is. My knees, my knees when

256
00:10:30,800 --> 00:10:32,280
Speaker 1: I wake up in the morning, they'll tell you everything.

257
00:10:32,600 --> 00:10:33,720
Speaker 1: You hear him cracking them out.

258
00:10:34,080 --> 00:10:36,320
Speaker 2: Well, he just he thought I was younger than thirty.

259
00:10:36,360 --> 00:10:38,199
Speaker 2: So I appreciated that. So my skincare is working to

260
00:10:38,280 --> 00:10:40,600
Speaker 2: some degree. I don't know if this light this lighting today,

261
00:10:40,600 --> 00:10:42,400
Speaker 2: that's got a haircut, I look extra ball today.

262
00:10:42,679 --> 00:10:45,280
Speaker 1: Yeah, you guys, a good one against the green man's.

263
00:10:45,320 --> 00:10:48,360
Speaker 1: That's the starting to go, because listen, you ready to party,

264
00:10:48,480 --> 00:10:49,760
Speaker 1: ready to go to meeting with that cut.

265
00:10:49,800 --> 00:10:51,840
Speaker 2: You can do anything with that cut. It's just the

266
00:10:51,880 --> 00:10:55,160
Speaker 2: cut that disguises balding. Like if you get the good

267
00:10:55,160 --> 00:10:59,239
Speaker 2: barber that's balded before he knows where to taper the sides.

268
00:10:59,320 --> 00:11:01,480
Speaker 1: So it's all right. But that's just this what I

269
00:11:01,600 --> 00:11:05,960
Speaker 1: understand about you. You're not bolding like quarantine. It was

270
00:11:06,040 --> 00:11:07,760
Speaker 1: like I met her, it was like, yo, bro, you

271
00:11:07,800 --> 00:11:09,960
Speaker 1: got a full hairline. You have like a full head

272
00:11:09,960 --> 00:11:11,880
Speaker 1: of hair. I just I don't know, man, you just

273
00:11:11,920 --> 00:11:13,960
Speaker 1: have your look and you just used to a certain aesthetic,

274
00:11:14,000 --> 00:11:17,880
Speaker 1: like I get it. Yeah, the shaved head, beard, tattooed,

275
00:11:17,880 --> 00:11:25,480
Speaker 1: dirt bag looking good old American boy.

276
00:11:23,640 --> 00:11:28,320
Speaker 2: You know the colors that don't eagles and buttwise, what

277
00:11:28,400 --> 00:11:32,439
Speaker 2: you want from me? Oh man, what July just happened?

278
00:11:32,440 --> 00:11:35,840
Speaker 2: I did want to know what would you do in

279
00:11:35,840 --> 00:11:38,120
Speaker 2: the situation if a woman asked you to live in

280
00:11:38,120 --> 00:11:38,760
Speaker 2: the moment.

281
00:11:39,559 --> 00:11:41,920
Speaker 1: If she asked, if she told me living the moment.

282
00:11:41,760 --> 00:11:43,400
Speaker 2: Yeah, you were. You were laying down with her, and

283
00:11:43,400 --> 00:11:48,120
Speaker 2: she just whispered living the moment. We were already laying down.

284
00:11:48,360 --> 00:11:51,200
Speaker 2: Oh so I'm probably already naked.

285
00:11:51,520 --> 00:11:53,679
Speaker 1: That's the only time you've laid down with a woman. No,

286
00:11:53,720 --> 00:11:55,720
Speaker 1: but I'm just saying, if I'm laying down with a woman,

287
00:11:55,760 --> 00:11:58,920
Speaker 1: we're laying down nine times out of ten draws, draws

288
00:11:58,920 --> 00:12:02,000
Speaker 1: at minimum, you don't want you maybe I know. Yeah,

289
00:12:02,000 --> 00:12:06,280
Speaker 1: we never have outside clothes on the bed, but live

290
00:12:06,320 --> 00:12:09,080
Speaker 1: in a moment. Yeah, I said that during bathroom sex.

291
00:12:09,760 --> 00:12:10,439
Speaker 1: Live in a moment.

292
00:12:10,559 --> 00:12:15,400
Speaker 2: No, don't have your outside clothes on here, Come on,

293
00:12:15,440 --> 00:12:18,440
Speaker 2: no outside clothing here in the bathroom. Yeah, I like,

294
00:12:18,480 --> 00:12:21,440
Speaker 2: no public bathroom. Yeah, like at the spot, yeah, like.

295
00:12:21,480 --> 00:12:23,160
Speaker 1: No, you gotta in here. No, you got to take

296
00:12:23,200 --> 00:12:25,800
Speaker 1: hold of the suff living the moment. I don't know,

297
00:12:26,000 --> 00:12:29,720
Speaker 1: probably start kissing, and you know, I think as you

298
00:12:29,720 --> 00:12:32,880
Speaker 1: get old, I think kissing is like that's like one

299
00:12:32,920 --> 00:12:34,440
Speaker 1: of those things when you get older, like you look

300
00:12:34,440 --> 00:12:35,120
Speaker 1: forward to kissing.

301
00:12:35,160 --> 00:12:37,720
Speaker 2: I think, don't do that because you have clowned me

302
00:12:37,840 --> 00:12:41,160
Speaker 2: for years about my love for just making out.

303
00:12:41,600 --> 00:12:43,719
Speaker 1: No, but you know it's different with white boys. Y'all

304
00:12:43,760 --> 00:12:46,559
Speaker 1: make out like as soon as you meet a girl, true,

305
00:12:46,800 --> 00:12:48,600
Speaker 1: Like y'all be in the spot and just be like.

306
00:12:48,600 --> 00:12:50,080
Speaker 1: I'm like, how long have you known each other? After

307
00:12:50,200 --> 00:12:51,800
Speaker 1: watching out kissing? Like, no, we just met.

308
00:12:51,920 --> 00:12:54,960
Speaker 2: That's how you get to know them through kissing. Listen,

309
00:12:55,080 --> 00:12:57,800
Speaker 2: I'm not about to learn everything about you. I don't

310
00:12:57,800 --> 00:12:59,360
Speaker 2: even want to know your favorite color. If I don't

311
00:12:59,360 --> 00:13:03,000
Speaker 2: know if you can kiss bad kissingers like really termed

312
00:13:03,000 --> 00:13:05,199
Speaker 2: me up, Like you you can have fire pussy and

313
00:13:05,240 --> 00:13:09,080
Speaker 2: if you can't kiss like it really bothers because especially

314
00:13:09,520 --> 00:13:12,600
Speaker 2: talking about aging and my knees are just shot at

315
00:13:12,600 --> 00:13:13,000
Speaker 2: this point.

316
00:13:13,400 --> 00:13:15,120
Speaker 1: Missionary is like a big part of my life.

317
00:13:15,360 --> 00:13:18,280
Speaker 2: Yes, and face to face, I like to make out,

318
00:13:18,880 --> 00:13:20,600
Speaker 2: so before I know your favorite color, Like, we got

319
00:13:20,640 --> 00:13:24,199
Speaker 2: to figure out do we have kissing chemistry? And I

320
00:13:24,559 --> 00:13:26,520
Speaker 2: only bragged this way because the only thing I'm good

321
00:13:26,520 --> 00:13:27,160
Speaker 2: at is kissing.

322
00:13:27,920 --> 00:13:30,080
Speaker 1: So that's that's why I shine. That's what's like.

323
00:13:30,120 --> 00:13:34,400
Speaker 2: They think it's about to go up.

324
00:13:34,440 --> 00:13:36,880
Speaker 1: Yeah, he's good at kissing, But no, if you're good

325
00:13:36,880 --> 00:13:40,480
Speaker 1: at kissing, I think that that that usually says a lot.

326
00:13:40,720 --> 00:13:44,360
Speaker 1: That says because I've never understand how I definitely don't

327
00:13:44,400 --> 00:13:48,200
Speaker 1: understand how women don't know how to kiss. I don't understand that.

328
00:13:48,920 --> 00:13:51,319
Speaker 2: I've always debated this and lost the debate every time

329
00:13:51,360 --> 00:13:54,360
Speaker 2: I've had it. I think kissing is more intimate than sex.

330
00:13:56,080 --> 00:14:01,360
Speaker 2: I see, I understand, I understand. But meanwhile I was

331
00:14:01,400 --> 00:14:04,880
Speaker 2: also the advocate of kissing strangers and not fucking them. Yeah.

332
00:14:04,920 --> 00:14:07,920
Speaker 1: See that's why I'm all kissing is intimate. Though kissing

333
00:14:08,000 --> 00:14:10,920
Speaker 1: is very intimate, Like I think it's crazy if you're

334
00:14:10,920 --> 00:14:14,600
Speaker 1: having protected sex and you're like doing missionary you're kissing her.

335
00:14:14,880 --> 00:14:16,840
Speaker 1: I was like, fam, y'all, this is way too intimate

336
00:14:16,880 --> 00:14:20,120
Speaker 1: and like intense, Like that's why I always clown you

337
00:14:20,200 --> 00:14:20,840
Speaker 1: condom users.

338
00:14:20,880 --> 00:14:24,000
Speaker 2: I'm joking, safe sex is why clown you condom users

339
00:14:24,040 --> 00:14:26,720
Speaker 2: where like short of be like, oh nah, I gave

340
00:14:26,760 --> 00:14:28,160
Speaker 2: him head and then I made them put a condom on.

341
00:14:28,200 --> 00:14:30,000
Speaker 1: I'm like, so your mouth is STD proof, but you

342
00:14:31,400 --> 00:14:34,800
Speaker 1: never I forget it. It's well, but we had this talk before.

343
00:14:34,920 --> 00:14:38,800
Speaker 1: The condoms are more so, yes, it's for STDs, but

344
00:14:39,440 --> 00:14:43,520
Speaker 1: the condoms really are for pregnancy, like to prevent pregnancy.

345
00:14:43,560 --> 00:14:46,080
Speaker 1: Because we had this talk before. You wouldn't have sex

346
00:14:46,120 --> 00:14:48,400
Speaker 1: with a woman if she had an STD, if you

347
00:14:48,440 --> 00:14:50,760
Speaker 1: knew that and still put on a condom. That's what

348
00:14:50,840 --> 00:14:51,280
Speaker 1: I'm saying.

349
00:14:51,560 --> 00:14:54,960
Speaker 2: So you wouldn't do it even if you had a condom, Like,

350
00:14:55,000 --> 00:14:57,920
Speaker 2: you wouldn't take that gamble if she said, listen the

351
00:14:57,960 --> 00:15:00,960
Speaker 2: possibility of for getting pregnant, take the risk eping with

352
00:15:00,960 --> 00:15:02,320
Speaker 2: the condom.

353
00:15:02,640 --> 00:15:04,800
Speaker 1: If you get a girl pregnant with a condom on fami,

354
00:15:04,800 --> 00:15:06,880
Speaker 1: it's just time. Like God was just like I agree

355
00:15:06,880 --> 00:15:08,960
Speaker 1: with you. We're just about to have this and this

356
00:15:09,000 --> 00:15:11,800
Speaker 1: is what it is like. Imagine, imagine you wear a

357
00:15:11,880 --> 00:15:13,760
Speaker 1: condom with a woman, and I know a woman that

358
00:15:13,840 --> 00:15:16,560
Speaker 1: got pregnant when she was on playing B. I'm not

359
00:15:16,600 --> 00:15:16,880
Speaker 1: playing B.

360
00:15:17,000 --> 00:15:20,520
Speaker 2: I'm sorry birth control really swear to God? Yeah m

361
00:15:20,680 --> 00:15:21,840
Speaker 2: hm in high school.

362
00:15:22,080 --> 00:15:22,400
Speaker 1: Wow.

363
00:15:23,000 --> 00:15:24,920
Speaker 2: I don't know why chick was already on birth control

364
00:15:24,920 --> 00:15:27,720
Speaker 2: in the mid two thousands, but hey, in high school.

365
00:15:27,800 --> 00:15:32,720
Speaker 1: Yeah, yeah, that's a little uh. I don't think I

366
00:15:32,760 --> 00:15:34,440
Speaker 1: knew any girls. I just think maybe she was reading

367
00:15:34,440 --> 00:15:36,960
Speaker 1: the directions wrong. That was my theory. I was like,

368
00:15:37,240 --> 00:15:39,120
Speaker 1: maybe she just missed, like missed the day.

369
00:15:39,280 --> 00:15:41,440
Speaker 2: Yeah, maybe you know, she didn't know her days of

370
00:15:41,440 --> 00:15:44,280
Speaker 2: the week and took a Thursday pill on a Saturday.

371
00:15:44,720 --> 00:15:47,040
Speaker 1: That's rough. If you if a girl tell you she's

372
00:15:47,040 --> 00:15:50,040
Speaker 1: pregnant and she's on the pregnant on on on pills,

373
00:15:50,440 --> 00:15:51,920
Speaker 1: like on birth control.

374
00:15:51,680 --> 00:15:56,040
Speaker 2: I just gotta imagine her father. Like, because men were stupid,

375
00:15:56,560 --> 00:16:00,360
Speaker 2: especially in the mid two thousands, on like women and

376
00:16:00,400 --> 00:16:02,480
Speaker 2: what their needs are, Like we think birth control is

377
00:16:02,480 --> 00:16:05,200
Speaker 2: all about, like you must be fucking and you don't

378
00:16:05,240 --> 00:16:06,840
Speaker 2: want to use a condom, you want to get pregnant,

379
00:16:06,840 --> 00:16:08,200
Speaker 2: But it has a lot to do with their periods

380
00:16:08,240 --> 00:16:10,080
Speaker 2: and all that type of shit. It's a health thing, right,

381
00:16:10,320 --> 00:16:13,000
Speaker 2: which you know is now men were deciding to try

382
00:16:13,040 --> 00:16:13,800
Speaker 2: to understand women.

383
00:16:14,160 --> 00:16:16,960
Speaker 1: Finally in twenty twenty one, we're finally trying to break it.

384
00:16:17,520 --> 00:16:20,520
Speaker 2: Just imagine that father like having to agree for his

385
00:16:20,640 --> 00:16:24,120
Speaker 2: daughter to get on birth control at fifteen sixteen and

386
00:16:24,160 --> 00:16:25,119
Speaker 2: then she's still.

387
00:16:24,840 --> 00:16:30,240
Speaker 1: Come back pregnant. That's tough. I am going down to

388
00:16:30,320 --> 00:16:32,240
Speaker 1: it as a parent. What do you do though, in

389
00:16:32,280 --> 00:16:35,240
Speaker 1: that situation If your daughter comes home at fifteen sixteen

390
00:16:35,280 --> 00:16:37,480
Speaker 1: and tells you she's pregnant.

391
00:16:37,840 --> 00:16:40,680
Speaker 2: I wouldn't even know how to answer that. I'd feel

392
00:16:40,720 --> 00:16:42,560
Speaker 2: stupid answering that because I don't.

393
00:16:42,320 --> 00:16:45,440
Speaker 1: But you do want kids, of course, So I mean,

394
00:16:45,560 --> 00:16:48,080
Speaker 1: just hypothetically, if your daughter comes in and says, Dad,

395
00:16:48,120 --> 00:16:50,280
Speaker 1: you know, I want to talk to you about something,

396
00:16:51,920 --> 00:16:53,760
Speaker 1: I would lean on the abortion side.

397
00:16:54,720 --> 00:16:59,040
Speaker 2: But I know that's also a traumatic experience, and I

398
00:16:59,040 --> 00:17:01,320
Speaker 2: don't know if this is a contra virtual statement. I

399
00:17:01,360 --> 00:17:03,680
Speaker 2: don't know if a fifteen year old can make that

400
00:17:03,760 --> 00:17:07,439
Speaker 2: decision on her own when she and if she I

401
00:17:07,480 --> 00:17:10,239
Speaker 2: expect to be a very present father. So it's not like,

402
00:17:10,880 --> 00:17:12,760
Speaker 2: you know, she has guidance in these types of things.

403
00:17:12,840 --> 00:17:14,879
Speaker 2: I'm not saying that would be the number one thing, right,

404
00:17:15,800 --> 00:17:17,719
Speaker 2: you know, I wouldn't shame her for it. I just

405
00:17:18,359 --> 00:17:20,760
Speaker 2: real conversation. Yeah you have to and then let her

406
00:17:20,920 --> 00:17:23,080
Speaker 2: look at both sides of it. But I would think,

407
00:17:24,200 --> 00:17:27,960
Speaker 2: you know, that may be the better decision depending on

408
00:17:28,160 --> 00:17:32,120
Speaker 2: what is going on in the gentleman's life and everything

409
00:17:32,520 --> 00:17:35,880
Speaker 2: among that. And yeah, like once once I have kids,

410
00:17:35,880 --> 00:17:37,800
Speaker 2: I don't know if I want to have grandkids right away.

411
00:17:38,200 --> 00:17:40,440
Speaker 2: I'm just trying to get these little funks through school. Yeah,

412
00:17:40,440 --> 00:17:43,720
Speaker 2: Like I back and think about that fucking grandkid on me.

413
00:17:43,840 --> 00:17:46,040
Speaker 1: Yeah, I sit back and think about that sometimes, Like

414
00:17:46,640 --> 00:17:49,359
Speaker 1: I can't even see me being a grandfather, Like I

415
00:17:49,400 --> 00:17:50,159
Speaker 1: can't even see it.

416
00:17:50,359 --> 00:17:53,160
Speaker 2: Yeah, I got to hurry up, just because I want

417
00:17:53,200 --> 00:17:57,520
Speaker 2: my mom to be as active as she wants to

418
00:17:57,560 --> 00:17:59,720
Speaker 2: be as a grandparent, like with age. And I also

419
00:17:59,800 --> 00:18:01,640
Speaker 2: want to be able to like dump my children off

420
00:18:01,640 --> 00:18:04,320
Speaker 2: to my mom very consistently, Like I want to use

421
00:18:04,359 --> 00:18:07,080
Speaker 2: that crush. I know parents don't admit that, but I

422
00:18:07,160 --> 00:18:07,520
Speaker 2: watch it.

423
00:18:07,560 --> 00:18:09,200
Speaker 1: I see it. I'm not a parent, parents still see it.

424
00:18:09,280 --> 00:18:10,080
Speaker 1: Grandparents love it.

425
00:18:10,119 --> 00:18:11,879
Speaker 2: You drop your kids off at your grandparents, go do

426
00:18:11,880 --> 00:18:13,760
Speaker 2: your ship and I'm not mad at you, just admit it.

427
00:18:13,840 --> 00:18:16,080
Speaker 1: Yeah, grand grandparents love it as much as they say

428
00:18:16,160 --> 00:18:18,960
Speaker 1: they they don't and they hate it and they still

429
00:18:19,040 --> 00:18:21,000
Speaker 1: want to have time. They love when you bring their

430
00:18:21,040 --> 00:18:22,639
Speaker 1: grandkids over and uh.

431
00:18:22,880 --> 00:18:25,240
Speaker 2: Some of the grandkids. Yeah, being at your grandparents' house

432
00:18:25,359 --> 00:18:26,000
Speaker 2: always a ship.

433
00:18:26,080 --> 00:18:28,080
Speaker 1: Like our parents got to stop. And you love your grandkids,

434
00:18:28,080 --> 00:18:29,440
Speaker 1: you want you want them all the time. Cut it in.

435
00:18:30,480 --> 00:18:31,879
Speaker 2: But no, why I asked you that live in the

436
00:18:31,880 --> 00:18:36,800
Speaker 2: moment question to go back quickly? I'm just tired of

437
00:18:36,840 --> 00:18:39,920
Speaker 2: women like finding out our tricks and using them against us.

438
00:18:40,320 --> 00:18:40,919
Speaker 1: O tricks.

439
00:18:41,480 --> 00:18:43,600
Speaker 2: I've definitely used to live in the moment line. I've

440
00:18:43,600 --> 00:18:46,760
Speaker 2: definitely used the I feel like we've known each other

441
00:18:46,800 --> 00:18:50,840
Speaker 2: forever line. Like women are now using these lines against us, absolutely,

442
00:18:50,920 --> 00:18:53,479
Speaker 2: and it's working on us. Like we're eating it up

443
00:18:53,480 --> 00:18:55,919
Speaker 2: more than they ate it up. Listen, we we really

444
00:18:56,040 --> 00:18:59,119
Speaker 2: we believe a lot of shit. We men are very simple.

445
00:18:59,160 --> 00:19:01,600
Speaker 1: We just once we feel like the woman likes us,

446
00:19:02,280 --> 00:19:05,200
Speaker 1: whatever she says, that's like giving us a compident, Like yeah,

447
00:19:05,200 --> 00:19:07,119
Speaker 1: I mean you know, I'm just this is what it

448
00:19:07,160 --> 00:19:08,280
Speaker 1: is with me, this is what you get.

449
00:19:08,359 --> 00:19:10,040
Speaker 2: And then you're a man so you're supposed to have

450
00:19:10,080 --> 00:19:12,040
Speaker 2: this false confidence and portray it and you're like.

451
00:19:12,080 --> 00:19:14,320
Speaker 1: Yeah, I mean, of course it's me. Yeah, yeah, that's

452
00:19:14,320 --> 00:19:17,120
Speaker 1: what she think that. Yeah, why wouldn't you like me? Like, yeah,

453
00:19:17,359 --> 00:19:19,240
Speaker 1: we just need to know that the woman likes us.

454
00:19:19,359 --> 00:19:21,800
Speaker 2: I just I'm starting to realize at thirty one. It

455
00:19:21,840 --> 00:19:24,239
Speaker 2: took me this long. Men are the most naive out

456
00:19:24,280 --> 00:19:25,879
Speaker 2: of the genders. We believe anything.

457
00:19:25,960 --> 00:19:29,760
Speaker 1: M hmmm. We're easily tricked. Absolutely. It only takes a

458
00:19:29,840 --> 00:19:33,600
Speaker 1: sentence for us to agree. Absolutely. Yeah, we're terrible men

459
00:19:33,640 --> 00:19:36,080
Speaker 1: are We're very simple, Like we just want to know

460
00:19:36,800 --> 00:19:40,800
Speaker 1: the basics. We'll figure everything else out on the way,

461
00:19:40,840 --> 00:19:43,000
Speaker 1: But just give us the basics. Oh you like me,

462
00:19:43,080 --> 00:19:45,320
Speaker 1: or you want to spend time me, great, everything else

463
00:19:45,359 --> 00:19:47,840
Speaker 1: we're going to fuck up, but we'll learn along the way. Yeah.

464
00:19:47,880 --> 00:19:51,439
Speaker 2: And we're easily manipulated in the sense that we're so simple,

465
00:19:51,680 --> 00:19:53,080
Speaker 2: like it only takes uh.

466
00:19:53,520 --> 00:19:55,480
Speaker 1: Yeah, I just want to be with you. I'm not

467
00:19:55,520 --> 00:19:58,080
Speaker 1: talking to nobody else. And we like and we believe it,

468
00:19:58,200 --> 00:20:00,479
Speaker 1: and we believe it. That's why I think get heart

469
00:20:00,520 --> 00:20:04,040
Speaker 1: broken so easily. Oh, we get We're the worst when

470
00:20:04,040 --> 00:20:04,520
Speaker 1: it comes dark.

471
00:20:04,600 --> 00:20:04,840
Speaker 2: Yeah.

472
00:20:04,880 --> 00:20:07,040
Speaker 1: I think that's because we believe a lot of the

473
00:20:07,080 --> 00:20:08,960
Speaker 1: shit that women tell us, and we just fall right

474
00:20:08,960 --> 00:20:10,880
Speaker 1: into the like we just eat it up.

475
00:20:11,560 --> 00:20:15,600
Speaker 2: Men men kind of never really fall out of love.

476
00:20:17,240 --> 00:20:20,720
Speaker 2: Women certainly do. That's why when I was saying how

477
00:20:20,760 --> 00:20:24,280
Speaker 2: many episodes ago that women aren't liars, they just don't

478
00:20:24,400 --> 00:20:27,240
Speaker 2: finish their sentences, like where women will say I love you,

479
00:20:27,320 --> 00:20:29,880
Speaker 2: and they just forget the end of the sentence until

480
00:20:29,920 --> 00:20:32,000
Speaker 2: you do this fuck shit, and then I will no

481
00:20:32,040 --> 00:20:34,879
Speaker 2: longer love you. Men, on the other hand, will always

482
00:20:34,920 --> 00:20:37,719
Speaker 2: love you, will resent you and hate you and pretend

483
00:20:37,760 --> 00:20:40,840
Speaker 2: like we're okay forever, but we will always still love

484
00:20:40,880 --> 00:20:43,520
Speaker 2: you no matter what. Women, I think can really get

485
00:20:43,560 --> 00:20:46,040
Speaker 2: over shit. I don't think men get over shit. I

486
00:20:46,040 --> 00:20:47,640
Speaker 2: think women really do get over shit.

487
00:20:47,920 --> 00:20:49,720
Speaker 1: Okay, so let me ask you this question. Do you

488
00:20:49,800 --> 00:20:53,560
Speaker 1: think that do you think that men cheat more than

489
00:20:53,600 --> 00:20:56,760
Speaker 1: women or do we just get caught more than women.

490
00:20:58,240 --> 00:21:04,239
Speaker 2: I think men probably cheat more than women. Yeah, men

491
00:21:04,240 --> 00:21:06,399
Speaker 2: priae cheat more than women, though they do say fifty

492
00:21:06,400 --> 00:21:10,160
Speaker 2: percent of relationships cheat. So somehow with that math, if

493
00:21:10,160 --> 00:21:12,320
Speaker 2: we're going with men and women, one hundred percent of

494
00:21:12,440 --> 00:21:16,440
Speaker 2: relationships would cheat if that's the case. But one man,

495
00:21:16,480 --> 00:21:18,560
Speaker 2: I think what was the second part, because I do

496
00:21:18,640 --> 00:21:18,960
Speaker 2: think men.

497
00:21:19,040 --> 00:21:21,479
Speaker 1: Do men cheat more than women or do we just

498
00:21:21,520 --> 00:21:27,720
Speaker 1: get caught cheating more than women do? Because women that's

499
00:21:27,760 --> 00:21:31,400
Speaker 1: another good point. Women are great at cheating. Yeah, great

500
00:21:31,480 --> 00:21:33,800
Speaker 1: at cheating. It's almost scary how good they are. Oh no,

501
00:21:33,840 --> 00:21:35,959
Speaker 1: I which I'm not proud of.

502
00:21:36,200 --> 00:21:38,800
Speaker 2: I have slept with a woman that had a man,

503
00:21:39,280 --> 00:21:41,399
Speaker 2: and shorty was like a fucking navy seal.

504
00:21:41,840 --> 00:21:43,200
Speaker 1: I was like, yo, it's not that serious.

505
00:21:44,160 --> 00:21:47,000
Speaker 2: Like she was covering her tracks like no, and making

506
00:21:47,000 --> 00:21:49,520
Speaker 2: me an accomplice, and it like before you know it,

507
00:21:49,560 --> 00:21:52,480
Speaker 2: now you're on a covert hold on, yeah, yeah, yeah,

508
00:21:52,960 --> 00:21:55,760
Speaker 2: I'm an accessory after the fact, would you murder something?

509
00:21:55,800 --> 00:21:59,560
Speaker 2: Absolutely exactly? But to me, like, all right, does that

510
00:21:59,560 --> 00:22:04,840
Speaker 2: make it or does that make it better that women

511
00:22:04,960 --> 00:22:07,840
Speaker 2: cheat better? Yeah? Like, if you're going on these covert

512
00:22:07,880 --> 00:22:12,440
Speaker 2: missions and you're like really going nuts in covering your

513
00:22:12,480 --> 00:22:14,360
Speaker 2: tracks and going through all these steps to make sure

514
00:22:14,400 --> 00:22:17,760
Speaker 2: you're not caught, is that not worse because you had

515
00:22:18,400 --> 00:22:20,480
Speaker 2: you had to really plot this shit out. Yeah, Like

516
00:22:20,520 --> 00:22:23,520
Speaker 2: when men cheat, and granted men have gone out purposely

517
00:22:23,520 --> 00:22:25,879
Speaker 2: to cheat, don't get it twisted, but it's in a

518
00:22:25,920 --> 00:22:28,880
Speaker 2: really dumb way, Like all right, I'm gonna go cheat,

519
00:22:28,880 --> 00:22:30,600
Speaker 2: and if I can't cheat, then I'm not gonna cheat.

520
00:22:30,840 --> 00:22:34,480
Speaker 2: Like it's mad simple, like that map out plan you

521
00:22:34,520 --> 00:22:37,200
Speaker 2: had to like sit with your homegirls like you're on

522
00:22:37,280 --> 00:22:39,600
Speaker 2: your zero dark thirty about to go kill Bin Laden

523
00:22:40,040 --> 00:22:43,840
Speaker 2: type of shit you could have stopped a lot of times. Right.

524
00:22:45,040 --> 00:22:46,600
Speaker 2: The man brain is just like, well, I guess I

525
00:22:46,640 --> 00:22:48,960
Speaker 2: can go cheat. Yeah, oh wait, I can't beat, I'll

526
00:22:49,000 --> 00:22:51,320
Speaker 2: go home. Like I think that's just not much ways

527
00:22:51,359 --> 00:22:53,679
Speaker 2: to stop cheating. In a man's way of cheating, it's

528
00:22:53,680 --> 00:22:54,840
Speaker 2: either I'm gonna go beat or I'm not.

529
00:22:55,240 --> 00:22:57,040
Speaker 1: I think that's why men are so hurt when their

530
00:22:57,080 --> 00:23:01,160
Speaker 1: women cheats. Oh yeah, because it takes it takes more. Yeah,

531
00:23:01,240 --> 00:23:04,000
Speaker 1: And I think just knowing that another dude was like

532
00:23:05,280 --> 00:23:07,840
Speaker 1: smashing your queen, it just it just stings a little more.

533
00:23:08,160 --> 00:23:10,400
Speaker 1: It things a lot. It just things. It's like, uh,

534
00:23:10,520 --> 00:23:13,760
Speaker 1: it's like I think with us, women kind of expected

535
00:23:13,840 --> 00:23:17,600
Speaker 1: we're more, you know, just attractive to physical things, and

536
00:23:17,680 --> 00:23:20,480
Speaker 1: whereas men, we feel like a woman is more attracted

537
00:23:20,520 --> 00:23:23,440
Speaker 1: to things deeper than just physical. So now it's like, okay,

538
00:23:23,440 --> 00:23:26,159
Speaker 1: so this dude tapped into your mental He's like you

539
00:23:26,160 --> 00:23:28,400
Speaker 1: know what I mean because cheating is not just physical

540
00:23:29,000 --> 00:23:31,080
Speaker 1: mental cheating is way worse than me. Then yeah, like

541
00:23:31,080 --> 00:23:33,840
Speaker 1: if if you find out your girl is like having

542
00:23:33,880 --> 00:23:38,240
Speaker 1: like you know, FaceTime and text like like text histories

543
00:23:38,280 --> 00:23:41,560
Speaker 1: with other men and like really talking to them and

544
00:23:41,800 --> 00:23:45,560
Speaker 1: that shit is like, Okay, who am I? Who is?

545
00:23:45,600 --> 00:23:47,720
Speaker 1: Who is this woman? Like I don't even know her anymore?

546
00:23:47,760 --> 00:23:49,000
Speaker 1: Like you know what I'm.

547
00:23:48,840 --> 00:23:51,600
Speaker 2: Saying, And then that pulls up the like if you

548
00:23:51,640 --> 00:23:53,520
Speaker 2: get caught cheating, it's like, man, she knew who she

549
00:23:53,640 --> 00:23:55,280
Speaker 2: was a pardon she knew who I was when she

550
00:23:55,320 --> 00:23:57,400
Speaker 2: met me, Like she knew who I was, she met

551
00:23:57,400 --> 00:23:59,760
Speaker 2: me this way, right, and then you start thinking like damn,

552
00:23:59,800 --> 00:24:00,600
Speaker 2: how I meet her?

553
00:24:01,160 --> 00:24:04,440
Speaker 1: How long has she been doing this? It seems so nice?

554
00:24:04,480 --> 00:24:07,200
Speaker 1: Exactly exactly, That's what I'm saying, Like do men cheat

555
00:24:07,240 --> 00:24:10,200
Speaker 1: more or do we just get caught more? Well that's

556
00:24:10,240 --> 00:24:12,840
Speaker 1: why when you when you date the quote unquote more

557
00:24:12,880 --> 00:24:17,320
Speaker 1: promiscuous women, it doesn't sting as much because you expect

558
00:24:17,320 --> 00:24:19,840
Speaker 1: it not expected, you're just like all right, I mean

559
00:24:20,600 --> 00:24:24,000
Speaker 1: charges to the game, like that's they're around, they have

560
00:24:24,040 --> 00:24:27,120
Speaker 1: the resources, they know where to go when they need

561
00:24:27,119 --> 00:24:29,080
Speaker 1: to do these things. It would be the ones that

562
00:24:29,280 --> 00:24:32,320
Speaker 1: like throw you for a loop, like mm hm, you

563
00:24:32,359 --> 00:24:34,560
Speaker 1: don't go outside? How did you? Where did you find

564
00:24:34,560 --> 00:24:37,479
Speaker 1: you have time? Where did you find the cheat? Would you?

565
00:24:37,840 --> 00:24:39,639
Speaker 1: Would you stay with your girl if she if you

566
00:24:39,720 --> 00:24:40,480
Speaker 1: caught a cheating on you?

567
00:24:41,200 --> 00:24:42,400
Speaker 2: Uh, that's objective.

568
00:24:42,440 --> 00:24:42,840
Speaker 1: I don't know.

569
00:24:42,920 --> 00:24:44,679
Speaker 2: I've been kind of an advocate of saying that's not

570
00:24:44,680 --> 00:24:47,560
Speaker 2: a deal breaker for me. It's how you cheat is

571
00:24:47,600 --> 00:24:47,960
Speaker 2: big to me.

572
00:24:48,800 --> 00:24:50,760
Speaker 1: It's a deal breaker for me only because I feel

573
00:24:50,760 --> 00:24:53,880
Speaker 1: like if you if you're with somebody and they cheat

574
00:24:53,880 --> 00:24:57,080
Speaker 1: on you, and you take them back after they cheat

575
00:24:57,119 --> 00:24:59,400
Speaker 1: on you, I think it sends a message that there's

576
00:24:59,480 --> 00:25:03,600
Speaker 1: nothing that this person can do that would cause them

577
00:25:03,640 --> 00:25:06,040
Speaker 1: to lose you. Like if you take your girl back

578
00:25:06,080 --> 00:25:09,560
Speaker 1: after she's laid down with another man. In her brain,

579
00:25:09,640 --> 00:25:11,159
Speaker 1: she's like, oh, he's never gonna leave me, Like what

580
00:25:11,240 --> 00:25:12,760
Speaker 1: else cannot There's nothing worse than this.

581
00:25:13,000 --> 00:25:16,879
Speaker 2: I guess I just put things higher on a relationship

582
00:25:16,960 --> 00:25:20,320
Speaker 2: than sex. Of course, that's not the number one way

583
00:25:20,359 --> 00:25:24,040
Speaker 2: you could betray me. I suppose, really, which I guess

584
00:25:24,160 --> 00:25:26,320
Speaker 2: is maybe weird. Yeah, I was about to say, what's

585
00:25:26,320 --> 00:25:28,680
Speaker 2: the so what is it? What is higher betrayal than

586
00:25:29,200 --> 00:25:31,160
Speaker 2: having sex with another man from your from your from

587
00:25:31,200 --> 00:25:31,600
Speaker 2: your woman.

588
00:25:33,680 --> 00:25:36,440
Speaker 1: Hmm, how do I worry this correctly? If she's caught

589
00:25:36,480 --> 00:25:44,920
Speaker 1: having dinner with the ops. You walk in the spot

590
00:25:44,960 --> 00:25:47,000
Speaker 1: and see your girl sitting down with the Ops, that

591
00:25:47,040 --> 00:25:47,800
Speaker 1: ship hurt more?

592
00:25:50,040 --> 00:25:50,200
Speaker 2: Yo?

593
00:25:50,280 --> 00:25:52,120
Speaker 1: Yeah you can't say it hurt more with your good

594
00:25:52,160 --> 00:25:53,920
Speaker 1: wife be at dinner with the OPPU, bro, God?

595
00:25:54,400 --> 00:25:57,720
Speaker 2: Like, did you appetizer to like you?

596
00:25:57,840 --> 00:25:59,320
Speaker 1: Oh? You hanging with the Ops?

597
00:25:59,359 --> 00:25:59,399
Speaker 2: Like?

598
00:25:59,440 --> 00:26:01,000
Speaker 1: You know, I don't fuck with this dude. You got

599
00:26:01,040 --> 00:26:01,880
Speaker 1: barata with the eyes?

600
00:26:02,000 --> 00:26:02,160
Speaker 2: Yeah?

601
00:26:03,119 --> 00:26:05,359
Speaker 1: You guys open the cheese together here. That might be worse.

602
00:26:05,440 --> 00:26:07,520
Speaker 1: That might be worse. That might be worse. Your girl

603
00:26:07,520 --> 00:26:10,399
Speaker 1: on a date with the Ops might be worse. That

604
00:26:10,480 --> 00:26:14,280
Speaker 1: might be worse. What makes an OP? Man? I don't

605
00:26:14,320 --> 00:26:16,159
Speaker 1: we just use that word. I don't know what an

606
00:26:16,160 --> 00:26:19,040
Speaker 1: op is, man, I just it's the word. Now. I've

607
00:26:19,040 --> 00:26:21,400
Speaker 1: been called an OP, and I'm like, fam, we're not ops, Sam,

608
00:26:21,400 --> 00:26:24,000
Speaker 1: I don't even go outside. I can't be nobody's OP.

609
00:26:24,160 --> 00:26:26,000
Speaker 1: I don't even really care. Yeah, I don't go I

610
00:26:26,320 --> 00:26:28,960
Speaker 1: can't be your OP, bro. But no, I think.

611
00:26:30,400 --> 00:26:33,119
Speaker 2: To answer your actual serious question, I think checking out

612
00:26:33,160 --> 00:26:38,200
Speaker 2: a relationship which eventually leads to cheating without any words

613
00:26:38,240 --> 00:26:40,480
Speaker 2: being said about it is a bit more of a betrayal,

614
00:26:40,640 --> 00:26:42,840
Speaker 2: and that goes back to that communication conversation we're having

615
00:26:42,840 --> 00:26:44,440
Speaker 2: where it is very difficult to talk to your partner

616
00:26:44,480 --> 00:26:46,320
Speaker 2: about major things, where it's like, hey, I don't think

617
00:26:46,320 --> 00:26:50,400
Speaker 2: I'm really present here anymore. I think presence in relationships,

618
00:26:50,440 --> 00:26:52,440
Speaker 2: I don't even mean in the physical form. That can

619
00:26:52,480 --> 00:26:54,800
Speaker 2: be much more of a betrayal than sleeping with somebody

620
00:26:54,840 --> 00:26:58,480
Speaker 2: because that portrayal happens, and then the cheating typically happens.

621
00:26:59,000 --> 00:27:01,000
Speaker 2: So if you don't voice that, that's kind of more

622
00:27:01,040 --> 00:27:02,280
Speaker 2: of a which I've done before.

623
00:27:02,440 --> 00:27:04,680
Speaker 1: Yeah, So I'm not in no way saying like how

624
00:27:04,680 --> 00:27:06,440
Speaker 1: could women do this? Like I've done that as well.

625
00:27:06,840 --> 00:27:08,479
Speaker 2: That to me is more of a betrayal because that's

626
00:27:08,520 --> 00:27:10,920
Speaker 2: where all this shit kind of trickles down too. When

627
00:27:10,920 --> 00:27:13,359
Speaker 2: you start fucking eating mots realisticks with the ops, you

628
00:27:13,400 --> 00:27:17,080
Speaker 2: start fucking dudes like that comes from checking out and

629
00:27:17,160 --> 00:27:19,560
Speaker 2: not being present in a relationship or being there for

630
00:27:19,600 --> 00:27:22,160
Speaker 2: somebody in you know, an emotional type of way.

631
00:27:22,480 --> 00:27:24,600
Speaker 1: That was one of the reasons why, you know, when

632
00:27:24,600 --> 00:27:26,879
Speaker 1: people were talking people like ya, I haven't had a

633
00:27:26,880 --> 00:27:28,600
Speaker 1: girl in forever, but that was That's one of the

634
00:27:28,640 --> 00:27:35,080
Speaker 1: reasons why I don't like commit to one woman or

635
00:27:35,119 --> 00:27:37,440
Speaker 1: I haven't in a while, it's because, you know, I'm

636
00:27:37,440 --> 00:27:39,679
Speaker 1: honest with myself. I'm like, let's be honest here, like

637
00:27:40,320 --> 00:27:43,080
Speaker 1: I'm not ready to just be with one woman. I'm

638
00:27:43,119 --> 00:27:45,840
Speaker 1: not ready to just you know, settle down and before

639
00:27:45,920 --> 00:27:48,560
Speaker 1: I be a piece of shit or be you know

640
00:27:48,600 --> 00:27:51,520
Speaker 1: what I'm saying, like just lie to a woman. I'd

641
00:27:51,600 --> 00:27:53,800
Speaker 1: rather just be like listen with friends, were having fun,

642
00:27:53,840 --> 00:27:56,480
Speaker 1: we enjoying each other. This is nothing too serious. It's

643
00:27:56,520 --> 00:27:58,440
Speaker 1: always respect, you know. It's always a certain level of

644
00:27:58,480 --> 00:28:00,639
Speaker 1: respect that I try to keep with old women that

645
00:28:00,640 --> 00:28:00,960
Speaker 1: I date.

646
00:28:01,040 --> 00:28:02,760
Speaker 2: Can I ask you a question that, though absolutely to

647
00:28:03,160 --> 00:28:08,520
Speaker 2: cut you off perposetly, what to make it fair to

648
00:28:08,520 --> 00:28:11,880
Speaker 2: say that to be self aware in that place? What

649
00:28:11,920 --> 00:28:15,120
Speaker 2: do you think would make you ready and what makes

650
00:28:15,119 --> 00:28:17,359
Speaker 2: you think you would be ready when the right woman comes.

651
00:28:18,680 --> 00:28:20,760
Speaker 1: I don't know if it's any particular thing that I

652
00:28:20,760 --> 00:28:22,840
Speaker 1: could say would make me ready. I just think that

653
00:28:22,880 --> 00:28:25,160
Speaker 1: when you meet somebody and you kind of just click

654
00:28:25,240 --> 00:28:26,800
Speaker 1: and vibe with them, you get to a point where

655
00:28:26,840 --> 00:28:28,919
Speaker 1: you're like, yo, I don't ever want to do anything

656
00:28:28,920 --> 00:28:31,000
Speaker 1: to hurt this person because I fuck with them on

657
00:28:31,040 --> 00:28:33,960
Speaker 1: that level, like you, to me, your girl should be

658
00:28:34,000 --> 00:28:36,800
Speaker 1: like your homie, your best friend, Like you wouldn't want

659
00:28:36,800 --> 00:28:39,520
Speaker 1: to do anything to betray your homie. You wouldn't. You

660
00:28:39,560 --> 00:28:41,480
Speaker 1: wouldn't want to do anything to betray your best friend.

661
00:28:42,680 --> 00:28:44,040
Speaker 1: So when you when you get to that point with

662
00:28:44,160 --> 00:28:46,200
Speaker 1: a woman, and it's like it would hurt me to

663
00:28:46,360 --> 00:28:49,920
Speaker 1: like know that I did something to betray her her

664
00:28:50,000 --> 00:28:52,640
Speaker 1: trust and I was, I was, I was disloyal to her.

665
00:28:53,120 --> 00:28:55,240
Speaker 1: I think once you get to that point with a woman,

666
00:28:55,560 --> 00:28:57,680
Speaker 1: I think you just know, like this is my this

667
00:28:57,760 --> 00:28:59,920
Speaker 1: is my partner, this is who I want to be with. You.

668
00:29:01,440 --> 00:29:02,680
Speaker 1: Do you think it takes a while to get to

669
00:29:02,680 --> 00:29:05,680
Speaker 1: that point? Yeah, I think absolutely. I think people don't.

670
00:29:05,720 --> 00:29:08,160
Speaker 1: We don't spend enough time getting to know, Like we

671
00:29:08,280 --> 00:29:10,160
Speaker 1: just said, you don't even sometimes you don't even know

672
00:29:10,320 --> 00:29:12,400
Speaker 1: your partner, Like it's a lot of things you don't

673
00:29:12,440 --> 00:29:15,920
Speaker 1: know people. I think people are just afraid of being alone.

674
00:29:15,960 --> 00:29:18,080
Speaker 1: The thought of being alone. I think people are afraid of.

675
00:29:18,200 --> 00:29:22,560
Speaker 1: I think people are afraid of, you know, feeling like

676
00:29:22,600 --> 00:29:26,400
Speaker 1: they missed out on something like I to me, it's

677
00:29:26,440 --> 00:29:31,400
Speaker 1: better to be single and alone than to sell a

678
00:29:31,480 --> 00:29:35,480
Speaker 1: lie and a dream to somebody and have them thinking that, oh,

679
00:29:35,560 --> 00:29:37,120
Speaker 1: this is what we're own, this is where a couple,

680
00:29:37,200 --> 00:29:38,720
Speaker 1: you know, it's just us, and then they turn around

681
00:29:38,720 --> 00:29:40,040
Speaker 1: to find out like you're a piece of shit. You've

682
00:29:40,040 --> 00:29:42,760
Speaker 1: been fucking everybody. Like to me, it's like, Yo, why

683
00:29:42,800 --> 00:29:44,480
Speaker 1: are you doing that? Why not just be single?

684
00:29:44,640 --> 00:29:47,240
Speaker 2: I guess my question in that is when you're saying

685
00:29:47,240 --> 00:29:51,320
Speaker 2: you're leading. When you start talking to a woman, you're saying, hey,

686
00:29:51,320 --> 00:29:53,560
Speaker 2: I'm not ready to have a relationship. I'm you know,

687
00:29:53,680 --> 00:29:55,720
Speaker 2: out here, not really on the commitment thing. I'll always

688
00:29:55,760 --> 00:29:56,960
Speaker 2: be honest with you. We could do this and we

689
00:29:57,000 --> 00:30:00,320
Speaker 2: do that. If you're leading with that, you're not really

690
00:30:00,360 --> 00:30:02,560
Speaker 2: allowing the space to really get to know them, to

691
00:30:02,560 --> 00:30:05,160
Speaker 2: see if they'll be the homie partner or anything, because

692
00:30:05,160 --> 00:30:07,640
Speaker 2: your mentality going in is well, this is gonna last

693
00:30:07,840 --> 00:30:10,240
Speaker 2: for as much fun as I can have and then

694
00:30:10,240 --> 00:30:10,840
Speaker 2: I'm gonna be out.

695
00:30:11,000 --> 00:30:13,240
Speaker 1: No. But that's what I said. You can go into it.

696
00:30:14,000 --> 00:30:16,680
Speaker 1: You know, like you meet a woman and you know, like,

697
00:30:16,720 --> 00:30:19,360
Speaker 1: I'm not really looking for anything serious right now, but

698
00:30:19,400 --> 00:30:21,960
Speaker 1: then sometimes shit happens hanging out and you're like, damn,

699
00:30:22,120 --> 00:30:23,920
Speaker 1: show us the best relationships. That's what I'm saying like

700
00:30:24,000 --> 00:30:26,520
Speaker 1: she's cool, like seen each other four times this week,

701
00:30:26,600 --> 00:30:28,800
Speaker 1: hung out like and then you look up and you

702
00:30:28,880 --> 00:30:30,600
Speaker 1: feel like, damn, this is like now this is a

703
00:30:30,600 --> 00:30:33,560
Speaker 1: real friend, Like I know everything she's talking about prior

704
00:30:33,960 --> 00:30:38,120
Speaker 1: relationships and you know whatever, business goals and life goals

705
00:30:38,160 --> 00:30:41,040
Speaker 1: and y'all start, you know, just forming this chemistry in

706
00:30:41,080 --> 00:30:43,480
Speaker 1: this bond. And then you look up and you like, yo,

707
00:30:43,520 --> 00:30:45,120
Speaker 1: this is my you know what I'm saying, like, this

708
00:30:45,200 --> 00:30:47,720
Speaker 1: is my this is my my homie, this is my girl.

709
00:30:48,200 --> 00:30:51,160
Speaker 2: Do you think you're scared of taking risks for both

710
00:30:51,160 --> 00:30:53,040
Speaker 2: parties to not hurt her and hurt yourself.

711
00:30:53,680 --> 00:30:55,600
Speaker 1: No, I'm not afraid to take a risk. I'm I'm

712
00:30:55,600 --> 00:30:59,800
Speaker 1: just honest, Like I know, like right now, it like

713
00:31:00,000 --> 00:31:02,560
Speaker 1: I'm not stable enough. I don't sit down long enough,

714
00:31:02,560 --> 00:31:05,240
Speaker 1: like I'm moving around. I'm out of town in town,

715
00:31:05,320 --> 00:31:07,000
Speaker 1: like it's a lot of shit going on.

716
00:31:07,120 --> 00:31:08,880
Speaker 2: But that's what that could never change though, So you

717
00:31:09,000 --> 00:31:11,040
Speaker 2: kind of I don't want to say have to adapt

718
00:31:11,080 --> 00:31:13,040
Speaker 2: to your lifestyle, she has to adapt to your lifestyle

719
00:31:13,040 --> 00:31:15,880
Speaker 2: and vice versa, but you do have to take that

720
00:31:16,080 --> 00:31:18,880
Speaker 2: risk of the fear of Yo, I fuck with this person,

721
00:31:18,920 --> 00:31:20,959
Speaker 2: but it may not be the right time. But let

722
00:31:21,040 --> 00:31:24,239
Speaker 2: me still move forward this that went back to our

723
00:31:24,440 --> 00:31:27,800
Speaker 2: wasting time conversation. We're doing that lyrical breakdown, like you

724
00:31:27,960 --> 00:31:30,960
Speaker 2: got to go out and risk and fail, and on

725
00:31:31,000 --> 00:31:32,800
Speaker 2: top of that, that's how you're really gonna know if

726
00:31:32,840 --> 00:31:35,000
Speaker 2: that's really your homie, if that's really the person that

727
00:31:35,040 --> 00:31:37,520
Speaker 2: you're gonna be with, because you're gonna have to fail

728
00:31:37,560 --> 00:31:40,720
Speaker 2: with them for sure. So I maybe, and I was

729
00:31:40,720 --> 00:31:43,320
Speaker 2: never a serial dater by any means, but I did

730
00:31:43,400 --> 00:31:45,960
Speaker 2: take risks and fail. And that's probably why I've known

731
00:31:46,000 --> 00:31:49,080
Speaker 2: the mud as much as I have in dating and

732
00:31:49,120 --> 00:31:51,960
Speaker 2: getting to know someone, because I know myself better. And

733
00:31:52,000 --> 00:31:54,560
Speaker 2: I'd like that's why I like women that have a

734
00:31:54,640 --> 00:31:56,840
Speaker 2: past to some degree, like they know themselves better, they

735
00:31:56,840 --> 00:31:58,560
Speaker 2: know how they're going to react to things, they know

736
00:31:58,600 --> 00:32:00,560
Speaker 2: how to weather the storm through shit because they've done

737
00:32:00,600 --> 00:32:03,800
Speaker 2: it already. I feel like that that mentality sometimes for

738
00:32:03,920 --> 00:32:07,120
Speaker 2: people that say like it's a noble place like dog,

739
00:32:07,160 --> 00:32:08,760
Speaker 2: I'm not trying to go out if I know them

740
00:32:08,800 --> 00:32:11,040
Speaker 2: and be out trying to see other women or be

741
00:32:11,080 --> 00:32:11,800
Speaker 2: on the road or whatever.

742
00:32:11,800 --> 00:32:13,400
Speaker 1: I'm not going to sit down and tell a girl

743
00:32:13,440 --> 00:32:14,240
Speaker 1: that we're in a relationship.

744
00:32:14,240 --> 00:32:16,240
Speaker 2: That's noble, but you still do have to take the

745
00:32:16,320 --> 00:32:17,800
Speaker 2: risk because what if you being on tour for the

746
00:32:17,840 --> 00:32:19,800
Speaker 2: rest of your life is how you eat, You're gonna

747
00:32:19,800 --> 00:32:22,520
Speaker 2: have to know how to absolutely, But you get to

748
00:32:22,560 --> 00:32:25,520
Speaker 2: that point where you're just like that's over it, Like

749
00:32:25,640 --> 00:32:28,200
Speaker 2: I don't even want to I don't care about ever

750
00:32:28,280 --> 00:32:31,520
Speaker 2: being you know, like that with another woman.

751
00:32:31,680 --> 00:32:33,520
Speaker 1: I don't like you just know when you at that

752
00:32:33,600 --> 00:32:34,920
Speaker 1: point like nah, I'm cool man.

753
00:32:35,280 --> 00:32:40,520
Speaker 2: No, listen, drug addicts don't get over drugs. They just

754
00:32:40,600 --> 00:32:43,040
Speaker 2: learn how to deal without doing drugs.

755
00:32:43,440 --> 00:32:46,160
Speaker 1: Like you're all right, So you just compare like being

756
00:32:46,200 --> 00:32:48,800
Speaker 1: in a relationship to like on drugs.

757
00:32:48,800 --> 00:32:51,600
Speaker 2: Being single and just going out and seeing women in

758
00:32:51,640 --> 00:32:55,840
Speaker 2: that lifestyle. That's the drug, okay, and you can get

759
00:32:55,840 --> 00:32:58,800
Speaker 2: addicted to that and you get for a lot of men,

760
00:32:59,080 --> 00:33:01,080
Speaker 2: a lot of men. We have to be honest, that

761
00:33:01,280 --> 00:33:04,920
Speaker 2: is somewhat of a drug in an addiction that you

762
00:33:05,000 --> 00:33:06,680
Speaker 2: may not just wake up one day be like yo,

763
00:33:06,760 --> 00:33:11,400
Speaker 2: I'm over this, Like right, A lot of times you

764
00:33:11,480 --> 00:33:13,640
Speaker 2: just have to learn to not do it anymore, Like

765
00:33:13,760 --> 00:33:15,800
Speaker 2: it's really that's really what it is.

766
00:33:15,840 --> 00:33:17,760
Speaker 1: Oh no, for sure, but that's that's been a thing

767
00:33:17,760 --> 00:33:21,520
Speaker 1: for me, Like I haven't been like when you can't again,

768
00:33:21,560 --> 00:33:23,680
Speaker 1: you can't. You can't just be out here just trying

769
00:33:23,720 --> 00:33:25,320
Speaker 1: to just like jump on anything.

770
00:33:25,320 --> 00:33:26,760
Speaker 2: Oh No, that's nasty, that's nasty. That's not what I'm

771
00:33:26,760 --> 00:33:28,520
Speaker 2: talking about. I'm not about that reckless type of shit.

772
00:33:28,600 --> 00:33:31,200
Speaker 1: Yeah yeah, yeah, I'm also saying, like, you know, you

773
00:33:31,360 --> 00:33:34,800
Speaker 1: just know when you meet a woman and you like, damn,

774
00:33:34,880 --> 00:33:36,920
Speaker 1: like she's dope, you know what I'm saying. But I

775
00:33:36,960 --> 00:33:39,720
Speaker 1: know she ain't with none of the fuck shit, you

776
00:33:39,760 --> 00:33:41,440
Speaker 1: know what I'm saying, And you might know you still

777
00:33:41,480 --> 00:33:43,880
Speaker 1: got a little funck shit left in the tank and

778
00:33:43,880 --> 00:33:45,880
Speaker 1: you like, yo, let me not even I'm not even

779
00:33:45,920 --> 00:33:47,920
Speaker 1: because I fuck with her. I'm not even wasting her time, Like,

780
00:33:48,000 --> 00:33:49,120
Speaker 1: let me just leave her alone.

781
00:33:49,120 --> 00:33:51,480
Speaker 2: But that's like the rehab where it's like, yeah, I

782
00:33:51,520 --> 00:33:54,320
Speaker 2: can't be on my drug addiction shit here, but it

783
00:33:54,360 --> 00:33:57,280
Speaker 2: doesn't mean I'm still not feeding for drugs right for sure.

784
00:33:57,280 --> 00:34:00,000
Speaker 1: So it's something you have to learn to do. Yeah. Yeah, absolutely.

785
00:34:00,240 --> 00:34:03,360
Speaker 2: In no way am I saying men are out here

786
00:34:03,400 --> 00:34:06,080
Speaker 2: just fucking everything that walks. But I do think men,

787
00:34:06,280 --> 00:34:09,239
Speaker 2: especially in certain industries, are in certain environments. Let me

788
00:34:09,280 --> 00:34:10,879
Speaker 2: not even say that because the dude at McDonald's wants

789
00:34:10,880 --> 00:34:12,400
Speaker 2: to live this way and may live this way too

790
00:34:12,400 --> 00:34:15,880
Speaker 2: in his own hood. Absolutely, you kind of have to

791
00:34:16,000 --> 00:34:19,200
Speaker 2: just adapt to getting out of that if you want

792
00:34:19,200 --> 00:34:21,360
Speaker 2: a relationship. It's in no way you're gonna wake up

793
00:34:21,400 --> 00:34:23,080
Speaker 2: one day and just be like, Yo, I'm over, Yoh,

794
00:34:23,080 --> 00:34:25,560
Speaker 2: I fucked, I hit my thousand bitch.

795
00:34:25,360 --> 00:34:28,600
Speaker 1: Yes, I'm done. It doesn't work that it doesn't work.

796
00:34:28,600 --> 00:34:30,120
Speaker 2: It's like no one ever hits the crack pipe and

797
00:34:30,120 --> 00:34:32,200
Speaker 2: it's like, all right, oh that was the last good high.

798
00:34:32,400 --> 00:34:34,480
Speaker 1: Like it don't work. You really have to do the work.

799
00:34:34,360 --> 00:34:36,799
Speaker 2: To get out of that mentality, and women have to

800
00:34:36,800 --> 00:34:39,200
Speaker 2: do that, probably less than men, but women have to

801
00:34:39,239 --> 00:34:41,320
Speaker 2: do that as well to get out of certain lifestyles

802
00:34:41,360 --> 00:34:44,680
Speaker 2: to be better partners. It's a very intricate thing where

803
00:34:44,680 --> 00:34:46,360
Speaker 2: it's old timing.

804
00:34:46,360 --> 00:34:48,759
Speaker 1: Bro, that's just work and it's old time. And like

805
00:34:48,840 --> 00:34:51,120
Speaker 1: I tell people all the time, if you see people

806
00:34:51,160 --> 00:34:54,319
Speaker 1: that have a healthy relationship and you know, I mean

807
00:34:54,400 --> 00:34:56,600
Speaker 1: like they're happy and you know, again the optics on

808
00:34:56,600 --> 00:34:59,080
Speaker 1: the outside, they could be going through turmoil in the house,

809
00:34:59,440 --> 00:35:01,960
Speaker 1: but for the most part you notice these people like

810
00:35:02,040 --> 00:35:04,520
Speaker 1: damn they dope. Their relationship is crazy, Like they really

811
00:35:04,520 --> 00:35:07,640
Speaker 1: down for each other, they best friends. They that that

812
00:35:07,800 --> 00:35:10,000
Speaker 1: was timing, like they both met at a time in

813
00:35:10,040 --> 00:35:12,560
Speaker 1: their life where they were just ready for that and

814
00:35:12,600 --> 00:35:15,759
Speaker 1: they may not even they might not have known it,

815
00:35:16,239 --> 00:35:19,600
Speaker 1: but it just happened so like naturally for them, where

816
00:35:19,640 --> 00:35:23,480
Speaker 1: it's like you see them, it's like, yo, ain't nobody

817
00:35:23,480 --> 00:35:24,160
Speaker 1: coming in between that?

818
00:35:24,480 --> 00:35:26,719
Speaker 2: Or or there's an other side of that coin is

819
00:35:26,760 --> 00:35:29,080
Speaker 2: where they met with bad time, and they met when

820
00:35:29,080 --> 00:35:32,600
Speaker 2: they were young and their lives went in different ways.

821
00:35:32,600 --> 00:35:34,560
Speaker 2: But the only thing keeping them together is because we

822
00:35:34,640 --> 00:35:37,920
Speaker 2: want to stick together as friends. And that takes fucking

823
00:35:37,960 --> 00:35:40,880
Speaker 2: turmoil and a bunch of bullshit. It takes relapsing, it

824
00:35:40,880 --> 00:35:44,080
Speaker 2: takes going back to rehab, It takes finding another drug.

825
00:35:44,160 --> 00:35:46,040
Speaker 2: If it finds all right, my addiction used to be this,

826
00:35:46,120 --> 00:35:49,120
Speaker 2: let me go find another healthier addiction. Like it all

827
00:35:49,160 --> 00:35:51,880
Speaker 2: comes with that entire thing, which is a perfect segue.

828
00:35:52,200 --> 00:35:55,120
Speaker 2: Why don't you let me like women's photos when they're

829
00:35:55,120 --> 00:35:55,439
Speaker 2: in love?

830
00:35:57,680 --> 00:36:00,800
Speaker 1: I just thought you texted me just to give some backstory.

831
00:36:00,840 --> 00:36:04,279
Speaker 1: I saw I was scrolling on Instagram and I saw

832
00:36:04,440 --> 00:36:08,320
Speaker 1: Rory like someone's picture that we both know, and shot

833
00:36:08,400 --> 00:36:11,600
Speaker 1: her shout out to her. She she posted a picture

834
00:36:11,600 --> 00:36:15,040
Speaker 1: with her boyfriend, Her and a boyfriend. Beautiful photo. Beautiful

835
00:36:15,360 --> 00:36:17,319
Speaker 1: the love was just jumping through the phone. You could

836
00:36:17,360 --> 00:36:21,840
Speaker 1: just you could just feel it, and only like maybe

837
00:36:22,040 --> 00:36:25,120
Speaker 1: a few people liked it. But because me, we have

838
00:36:25,160 --> 00:36:29,759
Speaker 1: a mutual follower in Rory. It says Rory's name, So yeah,

839
00:36:29,760 --> 00:36:33,520
Speaker 1: I saw it. I was like, I was like, picture

840
00:36:33,600 --> 00:36:35,879
Speaker 1: was up maybe four minutes. So I'm like, I never

841
00:36:35,960 --> 00:36:38,680
Speaker 1: caught Rory this early on a like ever, so I

842
00:36:38,760 --> 00:36:40,920
Speaker 1: had to fuck with him. I'm like, I'm like, I

843
00:36:40,960 --> 00:36:43,600
Speaker 1: screenshot it. I texted to his phone. I said, Rory,

844
00:36:43,640 --> 00:36:44,680
Speaker 1: what you like about this picture?

845
00:36:45,239 --> 00:36:48,719
Speaker 2: First of all algorithms? Okay, okay, yeah, it was the

846
00:36:48,719 --> 00:36:50,480
Speaker 2: first one in my alg She was in my love

847
00:36:50,560 --> 00:36:51,400
Speaker 2: is in my algorithms.

848
00:36:51,560 --> 00:36:53,759
Speaker 1: I know, I get it. Like listen, I'm telling you.

849
00:36:53,800 --> 00:36:57,640
Speaker 1: It was it was just I felt it through the phone. Yeah,

850
00:36:57,719 --> 00:37:00,239
Speaker 1: that's gonna pop up first because they know I'm a

851
00:37:00,280 --> 00:37:02,920
Speaker 1: double tap. Okay, Okay. I was just thrown off a

852
00:37:02,920 --> 00:37:05,520
Speaker 1: little bit. It's not that I don't I'm laughing at

853
00:37:05,560 --> 00:37:08,319
Speaker 1: you liking a picture of somebody in love. It was

854
00:37:08,360 --> 00:37:10,600
Speaker 1: just it was just a little early in the clock.

855
00:37:10,840 --> 00:37:12,600
Speaker 1: It was like it was like it was a lot

856
00:37:12,640 --> 00:37:14,400
Speaker 1: of time left on the clock. I just didn't expect

857
00:37:14,400 --> 00:37:14,800
Speaker 1: that shot.

858
00:37:14,920 --> 00:37:17,480
Speaker 2: We just did a lot of mature bullshit. Let's get

859
00:37:17,480 --> 00:37:21,279
Speaker 2: to some toxic shit, Okkay. Sometimes we should cut to

860
00:37:21,280 --> 00:37:25,520
Speaker 2: Brittany record. Toxic, that's the record you thought of. Why

861
00:37:25,560 --> 00:37:29,239
Speaker 2: not great record, not a future record. No, let's go

862
00:37:29,280 --> 00:37:31,600
Speaker 2: to spirits. She just got a new lawyer, like she's

863
00:37:31,640 --> 00:37:32,680
Speaker 2: about to get her life back.

864
00:37:32,760 --> 00:37:33,719
Speaker 1: Shout out to Brittany Man.

865
00:37:33,800 --> 00:37:35,719
Speaker 2: Yeah, I saw that Congress, Britty, it's actually really great.

866
00:37:35,719 --> 00:37:38,000
Speaker 2: All right, let's get into some real, some toxic talk.

867
00:37:38,360 --> 00:37:38,680
Speaker 1: Okay.

868
00:37:40,360 --> 00:37:43,160
Speaker 2: Sometimes you have to double tap that picture to let

869
00:37:43,160 --> 00:37:45,839
Speaker 2: her know you're an ally. Hmm.

870
00:37:46,480 --> 00:37:49,320
Speaker 1: Okay, I see where we're going. All you gotta do

871
00:37:49,400 --> 00:37:51,239
Speaker 1: is get me to play and I'm okay, so I'm

872
00:37:51,239 --> 00:37:53,399
Speaker 1: gonna come off. I'm gonna come off the pand down. Okay. Yeah.

873
00:37:53,560 --> 00:37:56,640
Speaker 2: Sometimes you gotta double tap that to let her know,

874
00:37:57,120 --> 00:37:59,000
Speaker 2: you know what time it is.

875
00:37:59,280 --> 00:38:01,160
Speaker 1: And I'm gonna go I'm gonna go a step further.

876
00:38:01,320 --> 00:38:04,960
Speaker 1: And sometimes you gotta double tap it because y'all might

877
00:38:05,000 --> 00:38:07,520
Speaker 1: have a little history and you ain't spoke to her

878
00:38:07,600 --> 00:38:08,799
Speaker 1: in a minute, so you want her to know that

879
00:38:08,880 --> 00:38:11,480
Speaker 1: you see where she's at in life. Right, it can.

880
00:38:12,200 --> 00:38:13,080
Speaker 1: It can go both ways.

881
00:38:13,160 --> 00:38:17,080
Speaker 2: Yeah. Yeah, let's focus on the first one of when

882
00:38:17,120 --> 00:38:20,719
Speaker 2: you double tap her and her boyfriend, I mean her,

883
00:38:20,920 --> 00:38:23,279
Speaker 2: I don't know if her man has been around for

884
00:38:23,320 --> 00:38:25,319
Speaker 2: a while, I don't know his pedigree as far as

885
00:38:25,640 --> 00:38:28,040
Speaker 2: knowing dudes and how they move. But a lot of girls,

886
00:38:28,080 --> 00:38:31,359
Speaker 2: back to men being easily manipulated, can easily spin that

887
00:38:31,400 --> 00:38:33,960
Speaker 2: to like, look, that's just a friend. He liked us, right,

888
00:38:34,080 --> 00:38:36,959
Speaker 2: he liked us chilling together, like he loves love.

889
00:38:37,040 --> 00:38:40,080
Speaker 1: He's just happy for us. Like it kind of takes

890
00:38:40,440 --> 00:38:42,080
Speaker 1: it kind of takes the raida.

891
00:38:42,200 --> 00:38:44,160
Speaker 2: Sometimes if your follower is just sitting there and you're

892
00:38:44,160 --> 00:38:45,480
Speaker 2: not liking that, he's gonna be.

893
00:38:45,400 --> 00:38:47,400
Speaker 1: Like, well, yeah, what's up with what's up with him?

894
00:38:47,480 --> 00:38:49,719
Speaker 2: Yeah, So sometimes you have to double tap just to

895
00:38:49,800 --> 00:38:51,880
Speaker 2: let her know that you will hold it down, like

896
00:38:52,000 --> 00:38:55,000
Speaker 2: anytime if he comes to you as a man, which

897
00:38:55,000 --> 00:38:56,440
Speaker 2: we have to admit, please happens.

898
00:38:56,640 --> 00:38:59,960
Speaker 1: Please don't don't don't do that. Men should never It's

899
00:39:00,040 --> 00:39:00,480
Speaker 1: happened to me.

900
00:39:01,160 --> 00:39:04,840
Speaker 2: No, absolutely in person, not in a DM, which I

901
00:39:05,040 --> 00:39:08,279
Speaker 2: can respect it in person of like, let me take

902
00:39:08,320 --> 00:39:10,600
Speaker 2: that back. I don't respect it, but I respected it

903
00:39:10,640 --> 00:39:12,600
Speaker 2: more than a DM because I didn't know, dude, Okay,

904
00:39:12,760 --> 00:39:15,839
Speaker 2: he was like asked, I'll always hold it down no

905
00:39:15,880 --> 00:39:18,279
Speaker 2: matter what. Yeah, I don't do but but but we

906
00:39:18,400 --> 00:39:21,120
Speaker 2: know that as men, I'm never gonna tell a strange man.

907
00:39:21,320 --> 00:39:24,320
Speaker 2: I would yes, like me and your girl have a history,

908
00:39:24,360 --> 00:39:28,600
Speaker 2: and I think crazy. I think there's some insecure dudes

909
00:39:28,600 --> 00:39:31,200
Speaker 2: that love validation that would be happy to say to

910
00:39:31,200 --> 00:39:32,040
Speaker 2: another dude, yeah.

911
00:39:31,920 --> 00:39:35,120
Speaker 1: Fuck you girl, that's nasty. I actually think.

912
00:39:35,160 --> 00:39:38,360
Speaker 2: I actually think most rap songs on men's side and

913
00:39:38,480 --> 00:39:40,880
Speaker 2: women's side are all based on telling people that. Like,

914
00:39:40,880 --> 00:39:43,399
Speaker 2: I think it's hilarious that chicks always talk about they

915
00:39:43,400 --> 00:39:45,920
Speaker 2: hate cheaters. But every female rapper all they do is say, Yo,

916
00:39:45,920 --> 00:39:48,720
Speaker 2: your dude is in my sheets right now, Like.

917
00:39:48,760 --> 00:39:51,960
Speaker 1: Yo, that's yo. Listen man, that's some funny shit. Your

918
00:39:52,040 --> 00:39:53,040
Speaker 1: dude is in my sheets.

919
00:39:53,400 --> 00:39:56,439
Speaker 2: Listen to every female rapper now, they're all taking your man.

920
00:39:56,560 --> 00:39:58,120
Speaker 1: But we got it. And that's another thing we got

921
00:39:58,120 --> 00:39:59,759
Speaker 1: to stop doing. We got to stop listening to these

922
00:39:59,840 --> 00:40:01,680
Speaker 1: rappers and these artists because let me tell you something,

923
00:40:01,680 --> 00:40:04,640
Speaker 1: I've seen some of the these artists that be talking,

924
00:40:04,640 --> 00:40:07,520
Speaker 1: these rappers that be talking crazy pimp player shit in

925
00:40:07,560 --> 00:40:10,600
Speaker 1: they songs. I don't seen some personal text messages to

926
00:40:10,600 --> 00:40:12,239
Speaker 1: the women that they they.

927
00:40:12,680 --> 00:40:16,160
Speaker 2: Like, are you are you suggesting that rappers aren't living there?

928
00:40:16,200 --> 00:40:18,840
Speaker 1: No? No, no, no, I'm not listen. I'm not suggesting it.

929
00:40:18,920 --> 00:40:21,359
Speaker 1: We know it. But it would it would it would

930
00:40:21,520 --> 00:40:24,799
Speaker 1: like really like it would really put things in perspective.

931
00:40:24,920 --> 00:40:28,880
Speaker 1: If like the casual fan could just read some of

932
00:40:28,920 --> 00:40:31,920
Speaker 1: the text messages from like their favorite rapper to like

933
00:40:31,960 --> 00:40:34,400
Speaker 1: the women that they date or why why like it

934
00:40:34,480 --> 00:40:36,480
Speaker 1: be shit? I'd be like, no, he did not say that,

935
00:40:36,600 --> 00:40:39,839
Speaker 1: or why rappers have hated us? Oh my god? Like

936
00:40:40,640 --> 00:40:42,560
Speaker 1: I ask me, are over women?

937
00:40:42,719 --> 00:40:42,959
Speaker 2: Yeah?

938
00:40:43,000 --> 00:40:45,560
Speaker 1: Like I didn't. I don't like at least weird, That's

939
00:40:45,560 --> 00:40:47,680
Speaker 1: what i'maying. I didn't understand that at first. I'm like, wait,

940
00:40:47,800 --> 00:40:52,160
Speaker 1: like she's fucking with a rapper? Why is he like

941
00:40:52,360 --> 00:40:55,440
Speaker 1: throw a shade towards me? I'm just the casual How

942
00:40:55,600 --> 00:40:58,000
Speaker 1: how I don't care? And you could take her to Turks? Yes,

943
00:41:00,840 --> 00:41:02,719
Speaker 1: because I'm sure not gonna do it, but that's why.

944
00:41:02,719 --> 00:41:04,480
Speaker 1: But that's why they care. Wow, I don't care. But

945
00:41:04,520 --> 00:41:06,120
Speaker 1: that's why I think it's a it's a it's an

946
00:41:06,160 --> 00:41:08,360
Speaker 1: ego thing. They feel like, Yo, you fucking with me?

947
00:41:08,719 --> 00:41:10,920
Speaker 1: I got more money? Than him. I got more jewelry

948
00:41:10,960 --> 00:41:13,000
Speaker 1: than him. I got more cars than him. Like, you

949
00:41:13,000 --> 00:41:15,640
Speaker 1: should not be with that, dude. I think I have

950
00:41:15,719 --> 00:41:19,399
Speaker 1: better conversation than you. They don't want to go there.

951
00:41:19,440 --> 00:41:22,600
Speaker 1: I got better personality. Yeah, I'm funnier than you, exactly,

952
00:41:22,680 --> 00:41:25,160
Speaker 1: Like I'm cooler than you. Like I guide her better,

953
00:41:25,200 --> 00:41:29,920
Speaker 1: but you can't got it? Okay, Hey listen, however, you

954
00:41:29,960 --> 00:41:30,920
Speaker 1: get your shit off, Get it off.

955
00:41:31,000 --> 00:41:33,640
Speaker 2: I set up her swimwear LLC. You just took her

956
00:41:33,640 --> 00:41:34,480
Speaker 2: somewhere and swimwear.

957
00:41:34,600 --> 00:41:37,720
Speaker 1: Yeah. See that's the thing. You tap into a different emotion.

958
00:41:38,120 --> 00:41:41,399
Speaker 1: These niggas think just just just spending money, and it's like, nah,

959
00:41:41,480 --> 00:41:44,160
Speaker 1: fam like that, ain't it? Like you gotta do more?

960
00:41:44,239 --> 00:41:45,440
Speaker 1: You know what I'm saying. You got to really get

961
00:41:45,440 --> 00:41:48,800
Speaker 1: to know. Those dudes are so corny, myself included. Yeah,

962
00:41:49,000 --> 00:41:50,640
Speaker 1: but it happens. It happens to all of us.

963
00:41:50,640 --> 00:41:53,160
Speaker 2: Man, what was the second part of that conversation, Because

964
00:41:53,160 --> 00:41:54,200
Speaker 2: I want to get away from that. I was talking

965
00:41:54,239 --> 00:41:56,080
Speaker 2: about being an ally. You brought up another good point

966
00:41:56,239 --> 00:41:57,200
Speaker 2: of what else it could.

967
00:41:57,080 --> 00:42:00,840
Speaker 1: Be about liking a picture? Yeah, just to let her know,

968
00:42:01,160 --> 00:42:02,799
Speaker 1: like y'all have a history and you know, just to

969
00:42:02,840 --> 00:42:04,759
Speaker 1: let y'all may not have spoken in a while. It's

970
00:42:04,840 --> 00:42:06,359
Speaker 1: just to let her know, like, Okay, I see you, you

971
00:42:06,400 --> 00:42:09,000
Speaker 1: pregnant now, okay, I see you know y'all got a

972
00:42:09,040 --> 00:42:11,400
Speaker 1: house together, or you know, it's just kind of like

973
00:42:11,440 --> 00:42:12,160
Speaker 1: that type of thing.

974
00:42:12,560 --> 00:42:15,640
Speaker 2: Sometimes it's just like I'm still around, I still see you.

975
00:42:15,719 --> 00:42:19,520
Speaker 1: Yeah, yeah, yeah, it's sometimes depending on who it is.

976
00:42:19,560 --> 00:42:22,040
Speaker 1: It's like, yo, listen, you know, I know y'all be

977
00:42:22,080 --> 00:42:24,480
Speaker 1: this around the time, y'all go through y'all thing with y'all,

978
00:42:24,560 --> 00:42:26,239
Speaker 1: y'all stop fucking with each other for a few months.

979
00:42:26,280 --> 00:42:27,880
Speaker 1: Like I'm here, I have to ask her.

980
00:42:27,920 --> 00:42:31,120
Speaker 2: I need you to take your three stacks cool off?

981
00:42:31,760 --> 00:42:33,239
Speaker 2: Need you to take your cool off? Have you ever

982
00:42:33,280 --> 00:42:37,759
Speaker 2: sent the spiteful or maybe a congrats with a little bit.

983
00:42:37,680 --> 00:42:39,000
Speaker 1: Of sauce on it?

984
00:42:39,000 --> 00:42:40,760
Speaker 2: It was a little bit a little bit of Morton

985
00:42:40,840 --> 00:42:43,440
Speaker 2: salt in there on a congrats. Yeah, I've never a

986
00:42:43,480 --> 00:42:45,520
Speaker 2: little bit of Morton on it. I've liked the picture

987
00:42:45,560 --> 00:42:47,080
Speaker 2: with it. It was a salt like though.

988
00:42:47,960 --> 00:42:49,600
Speaker 1: Let you know, it's a salt like I don't really

989
00:42:49,680 --> 00:42:52,160
Speaker 1: like this shit, you know, you know where you don't

990
00:42:52,239 --> 00:42:53,680
Speaker 1: like it like I don't. I don't like seeing you

991
00:42:53,680 --> 00:42:56,120
Speaker 1: happy with this, nigga, that's actually what I want to

992
00:42:56,200 --> 00:43:00,239
Speaker 1: like quicker. Yeah, but you salty. That's why I'm a

993
00:43:00,239 --> 00:43:02,680
Speaker 1: salty person. Yeah yeah, no, absolutely like you definitely feel

994
00:43:02,719 --> 00:43:05,120
Speaker 1: the type of way like a word. Okay, so y'all

995
00:43:05,120 --> 00:43:07,480
Speaker 1: see that, y'all are y'all public with it now? Okay, listen.

996
00:43:07,520 --> 00:43:09,040
Speaker 1: I could be a dirty saltyat. I could be the

997
00:43:09,080 --> 00:43:12,560
Speaker 1: Hudson River. I get on my real dirty salty little

998
00:43:12,560 --> 00:43:16,600
Speaker 1: lowries on them. Yeah, but you gotta do it, but

999
00:43:16,640 --> 00:43:18,640
Speaker 1: they I think women like that. I think women like

1000
00:43:18,760 --> 00:43:22,080
Speaker 1: knowing that a guy that they used to, you know,

1001
00:43:22,200 --> 00:43:25,120
Speaker 1: be with and spend time which still has some feelings

1002
00:43:25,120 --> 00:43:26,960
Speaker 1: for them. And you know, I think I think to

1003
00:43:27,000 --> 00:43:29,319
Speaker 1: an extent, as long as you're not overly aggressive with it,

1004
00:43:29,360 --> 00:43:31,279
Speaker 1: as long as you're not in her text messages and

1005
00:43:31,640 --> 00:43:34,279
Speaker 1: random FaceTime and knowing she's probably a man like As

1006
00:43:34,320 --> 00:43:36,319
Speaker 1: long as you're not doing stuff like that, I think

1007
00:43:36,320 --> 00:43:39,520
Speaker 1: it's fine liking a picture. I think that, you know,

1008
00:43:39,560 --> 00:43:41,200
Speaker 1: women they like that. They like to know that you're

1009
00:43:41,200 --> 00:43:42,960
Speaker 1: still looking and you're still paying attention to them. You know.

1010
00:43:42,960 --> 00:43:48,600
Speaker 2: Another thing I've noticed the post quarantine m H, I

1011
00:43:48,640 --> 00:43:52,839
Speaker 2: think women have retired the move their head to show

1012
00:43:52,880 --> 00:43:56,600
Speaker 2: the Rose Royce symbol behind their head.

1013
00:43:57,719 --> 00:43:58,239
Speaker 1: The new one.

1014
00:43:58,239 --> 00:43:59,960
Speaker 2: Now since outside is open, they're gonna let you know

1015
00:44:00,040 --> 00:44:04,400
Speaker 2: when they're in a sprinter. I've seen a couple other

1016
00:44:04,520 --> 00:44:07,799
Speaker 2: still the double ass. Listen, I've seen the sprint. If

1017
00:44:07,840 --> 00:44:09,800
Speaker 2: the sprinter one is getting a little out of control,

1018
00:44:10,400 --> 00:44:12,160
Speaker 2: I know the car has lights on the bottom.

1019
00:44:12,280 --> 00:44:14,719
Speaker 1: I get it. Yeah, I know all your friends can fit.

1020
00:44:15,560 --> 00:44:19,200
Speaker 1: It's it's funny when you catch catch things like that though,

1021
00:44:19,280 --> 00:44:24,240
Speaker 1: especially from women that you you might know personally. It's like, oh, boy,

1022
00:44:24,640 --> 00:44:25,320
Speaker 1: you too.

1023
00:44:25,400 --> 00:44:27,680
Speaker 2: And then I start and then I start getting into

1024
00:44:27,680 --> 00:44:30,440
Speaker 2: the psychology of it, like, all right, I know you.

1025
00:44:30,440 --> 00:44:33,879
Speaker 2: You wouldn't post this if there wasn't a reason. You're

1026
00:44:33,920 --> 00:44:35,080
Speaker 2: trying to piss somebody off.

1027
00:44:35,160 --> 00:44:38,799
Speaker 1: Yeah, trying to piss a girl off. That too, is

1028
00:44:38,800 --> 00:44:42,040
Speaker 1: not always men. It's not always no, you know when

1029
00:44:42,080 --> 00:44:43,840
Speaker 1: it's men, Yeah.

1030
00:44:43,640 --> 00:44:46,279
Speaker 2: They try to piss off their ex friends or the

1031
00:44:46,320 --> 00:44:48,160
Speaker 2: chicks that are hating or whatever the fuck they say

1032
00:44:48,200 --> 00:44:52,320
Speaker 2: these days. Absolutely, But now the influx of women in

1033
00:44:52,400 --> 00:44:55,960
Speaker 2: sprinters on my timeline has got into a kind of a.

1034
00:44:55,920 --> 00:45:00,359
Speaker 1: Crazrin influx of women on private jets when you you

1035
00:45:00,440 --> 00:45:03,600
Speaker 1: follow a different I'm down here in the mud bro with.

1036
00:45:05,200 --> 00:45:07,360
Speaker 1: But it's women that I never would have thought was

1037
00:45:07,440 --> 00:45:11,439
Speaker 1: would be on private jets. I'm just like, how yeah,

1038
00:45:12,040 --> 00:45:13,680
Speaker 1: you know what I'm saying. It's like, okay, I'm not

1039
00:45:14,320 --> 00:45:16,200
Speaker 1: you know, I'm not mad, but it's just like.

1040
00:45:17,160 --> 00:45:21,360
Speaker 2: You, I mean, listen, who's putting you on a chartered

1041
00:45:21,719 --> 00:45:24,640
Speaker 2: PPP loans went crazy and they're still trying to find people,

1042
00:45:24,840 --> 00:45:27,680
Speaker 2: so like it might let's spend up this money before

1043
00:45:27,719 --> 00:45:28,520
Speaker 2: we get Yeah.

1044
00:45:28,600 --> 00:45:30,719
Speaker 1: Yeah, I'm not mad at it. Listen, I get it, man,

1045
00:45:30,840 --> 00:45:32,360
Speaker 1: live life, have fun, do what you do.

1046
00:45:33,560 --> 00:45:33,600
Speaker 3: No.

1047
00:45:33,680 --> 00:45:37,239
Speaker 2: I just think because typically with the type of women

1048
00:45:37,280 --> 00:45:40,120
Speaker 2: we're talking about, stipilieve rappers or athletes that would be

1049
00:45:40,120 --> 00:45:42,160
Speaker 2: in those private jets, let's just call a spade of spade.

1050
00:45:42,400 --> 00:45:45,680
Speaker 2: Let's not sit here and lie. I just think they're

1051
00:45:45,680 --> 00:45:47,200
Speaker 2: taking anybody at this point.

1052
00:45:48,840 --> 00:45:50,840
Speaker 1: Some I've seen I definitely felt like that.

1053
00:45:50,880 --> 00:45:53,239
Speaker 2: I'm like, okay, this sounds like, hey, I promise this,

1054
00:45:53,360 --> 00:45:55,000
Speaker 2: I swear to God, it's not no.

1055
00:45:55,120 --> 00:45:57,640
Speaker 1: It's just that when you know certain and it's it's

1056
00:45:57,680 --> 00:46:01,520
Speaker 1: the same for guys. I'm not judging the girl at all.

1057
00:46:01,680 --> 00:46:04,600
Speaker 2: I'm you know, I'm happy, like, yeah, go ahead, go yeah,

1058
00:46:04,760 --> 00:46:06,000
Speaker 2: you never get this experience.

1059
00:46:06,040 --> 00:46:08,680
Speaker 1: Yeah, listen, I get it. But just like some some

1060
00:46:08,680 --> 00:46:11,799
Speaker 1: some women see guys with a certain type of woman

1061
00:46:11,840 --> 00:46:15,000
Speaker 1: and they're like, she's with him, like because they look

1062
00:46:15,000 --> 00:46:17,319
Speaker 1: at the women like you definitely shouldn't be with him,

1063
00:46:17,360 --> 00:46:19,799
Speaker 1: Like you know what I'm saying, Like it goes both ways.

1064
00:46:19,840 --> 00:46:20,120
Speaker 1: I think.

1065
00:46:20,160 --> 00:46:21,600
Speaker 2: I think all Maul and I are trying to say

1066
00:46:21,640 --> 00:46:23,439
Speaker 2: is we want to be taken on a private jet?

1067
00:46:24,760 --> 00:46:26,720
Speaker 1: Is that what we said? That what we're hitting that that's.

1068
00:46:26,560 --> 00:46:29,080
Speaker 2: How they're gonna play this clip as of course, Yeah,

1069
00:46:29,080 --> 00:46:31,279
Speaker 2: we are just trying for a rapper athlete to bring

1070
00:46:31,360 --> 00:46:32,279
Speaker 2: us on a private jet.

1071
00:46:32,440 --> 00:46:38,920
Speaker 1: I saw a clip floating around on on Instagram about

1072
00:46:38,960 --> 00:46:43,760
Speaker 1: a guy who's you seemed to ruffle some feathers out there,

1073
00:46:44,920 --> 00:46:48,320
Speaker 1: and I just found it interesting because which feathers he ruffled?

1074
00:46:48,800 --> 00:46:53,120
Speaker 1: It was a few because in the comments they were going, uh,

1075
00:46:55,880 --> 00:46:59,560
Speaker 1: letters H E, R E. That means I'm here, that

1076
00:46:59,600 --> 00:47:01,239
Speaker 1: means come outside, and that.

1077
00:47:01,160 --> 00:47:03,920
Speaker 3: Means when we go, like whatever our plans are, we're

1078
00:47:03,960 --> 00:47:06,120
Speaker 3: going to go do what our plans we're set to do.

1079
00:47:06,480 --> 00:47:08,640
Speaker 3: I'm not getting out of the car to open your

1080
00:47:08,640 --> 00:47:10,759
Speaker 3: door or to meet you at the door, or to

1081
00:47:10,840 --> 00:47:14,640
Speaker 3: ring your doorbell when you can just walk downstairs. Honestly,

1082
00:47:15,160 --> 00:47:17,040
Speaker 3: I know a lot of people don't want to hear this,

1083
00:47:17,640 --> 00:47:20,640
Speaker 3: but I personally believe, and this is just my personal

1084
00:47:21,000 --> 00:47:24,360
Speaker 3: perception on me and my friends and all the females

1085
00:47:24,400 --> 00:47:27,200
Speaker 3: that we have dealt with collectively.

1086
00:47:28,080 --> 00:47:34,200
Speaker 1: Chivery is almost dead. It's on its last leg. So

1087
00:47:34,239 --> 00:47:36,280
Speaker 1: it's not true. Maybe I might hold the door open.

1088
00:47:36,120 --> 00:47:39,080
Speaker 3: For you, Yeah, but I'm not getting out of my

1089
00:47:39,120 --> 00:47:42,400
Speaker 3: car to ring your doorbell to tell you to come downstairs.

1090
00:47:41,880 --> 00:47:44,399
Speaker 1: To get back in the car. That actually doesn't even

1091
00:47:44,440 --> 00:47:44,879
Speaker 1: make sense.

1092
00:47:46,040 --> 00:47:50,160
Speaker 3: As a guy, I will admit that doesn't stop me

1093
00:47:50,200 --> 00:47:52,120
Speaker 3: from getting a box when you don't do it. It's

1094
00:47:52,160 --> 00:47:55,200
Speaker 3: actually like the more disrespectful you are these days.

1095
00:47:55,080 --> 00:47:57,640
Speaker 1: The more that they give you the box easier. That's

1096
00:47:57,640 --> 00:48:01,440
Speaker 1: not true either. I get it. That's a social media topic.

1097
00:48:01,480 --> 00:48:01,840
Speaker 1: I get it.

1098
00:48:01,880 --> 00:48:05,160
Speaker 2: That's not true. Let's let's let's buy into it. Let's

1099
00:48:05,239 --> 00:48:09,399
Speaker 2: let's let's go with this. Chivalry I think is just confused. Now,

1100
00:48:10,440 --> 00:48:13,760
Speaker 2: if you're asked me to pay the rent at your apartment,

1101
00:48:14,080 --> 00:48:19,200
Speaker 2: don't ask me to open the door to Okay, pick

1102
00:48:19,239 --> 00:48:23,040
Speaker 2: your battles in chivalry, So give up the give up

1103
00:48:23,080 --> 00:48:25,960
Speaker 2: the car door. Yes, but if you want me to

1104
00:48:25,960 --> 00:48:29,520
Speaker 2: pay your rent, open the door that I'm paying for,

1105
00:48:30,800 --> 00:48:34,399
Speaker 2: do something here because because at that at that point, listen,

1106
00:48:34,480 --> 00:48:36,719
Speaker 2: you have to make your your child has to do

1107
00:48:36,800 --> 00:48:39,160
Speaker 2: chores in the house, right because they're not paying no bills.

1108
00:48:39,160 --> 00:48:41,000
Speaker 1: You don't pay the bills in here, earn your keep.

1109
00:48:41,680 --> 00:48:45,120
Speaker 1: Take it to kill me. Listen, man, I'm trying to

1110
00:48:45,120 --> 00:48:48,440
Speaker 1: set the screen. You know what I'm saying, Like, I'm trying. Look,

1111
00:48:48,520 --> 00:48:51,640
Speaker 1: here's my thing. I think you're right in I'm an

1112
00:48:51,640 --> 00:48:54,160
Speaker 1: admitted bill pay Listen. I think you're right in saying

1113
00:48:54,160 --> 00:48:57,280
Speaker 1: that because what he said was right. I'm not getting

1114
00:48:57,280 --> 00:49:00,200
Speaker 1: out the car to go ring your bell and you

1115
00:49:00,200 --> 00:49:03,200
Speaker 1: to come mess and open your door. Okay, that may

1116
00:49:03,239 --> 00:49:04,920
Speaker 1: be a little that may be going above and befare

1117
00:49:04,960 --> 00:49:08,480
Speaker 1: does she live? Can I pull into the driveway? Do

1118
00:49:08,600 --> 00:49:10,839
Speaker 1: I have to go to twenty six e? Like you

1119
00:49:10,840 --> 00:49:12,960
Speaker 1: have to give me the environment in which we're in.

1120
00:49:13,160 --> 00:49:18,120
Speaker 1: I think again, I think that it's certain things that

1121
00:49:18,600 --> 00:49:21,640
Speaker 1: to say chivalry is dead, it's definitely not. It's not dead,

1122
00:49:21,680 --> 00:49:24,480
Speaker 1: it's not even it's not dying. But I think that

1123
00:49:25,160 --> 00:49:27,600
Speaker 1: there are some things like the example gave of getting

1124
00:49:27,600 --> 00:49:29,600
Speaker 1: out the car going upstairs to ring the bell whatever

1125
00:49:29,640 --> 00:49:32,400
Speaker 1: whatever way for you to come down. Maybe that's a

1126
00:49:32,440 --> 00:49:35,080
Speaker 1: little extreme, but maybe you can wait outside the car

1127
00:49:35,160 --> 00:49:36,879
Speaker 1: and you know, for when she comes down and open

1128
00:49:36,920 --> 00:49:39,920
Speaker 1: the door. I guess you don't have to go, like

1129
00:49:39,960 --> 00:49:42,080
Speaker 1: to the door upstairs to the apartment and like all

1130
00:49:42,080 --> 00:49:42,480
Speaker 1: of that shit.

1131
00:49:42,560 --> 00:49:44,520
Speaker 2: I guess I would just be tired of being my

1132
00:49:44,640 --> 00:49:48,440
Speaker 2: representative at this point in my life. I'm hypothetically speaking,

1133
00:49:48,760 --> 00:49:51,440
Speaker 2: I would just be tired of that. Like, I'm probably

1134
00:49:51,480 --> 00:49:55,040
Speaker 2: not gonna do that forever. So I'm like, I like

1135
00:49:55,080 --> 00:49:57,880
Speaker 2: to be No, go up to your fucking apartment and

1136
00:49:58,000 --> 00:50:00,600
Speaker 2: open it to grab your that's a little that's as

1137
00:50:00,600 --> 00:50:03,160
Speaker 2: far as the car door goes. If we're walking to

1138
00:50:03,239 --> 00:50:05,719
Speaker 2: my car, I will one thousand percent always open your

1139
00:50:06,640 --> 00:50:08,960
Speaker 2: That has never changed. And if I'm in the car,

1140
00:50:09,520 --> 00:50:12,800
Speaker 2: I'll probably lean over. Yeah, yeah, I lean over, unlock

1141
00:50:12,880 --> 00:50:14,879
Speaker 2: and do it. You got power locks, now, you ain't

1142
00:50:14,880 --> 00:50:16,040
Speaker 2: eve gotta lean over no more.

1143
00:50:16,160 --> 00:50:16,640
Speaker 1: That's true.

1144
00:50:16,760 --> 00:50:16,920
Speaker 2: You know.

1145
00:50:16,960 --> 00:50:19,600
Speaker 1: I'm like, I have a Mansta. They still have power

1146
00:50:19,600 --> 00:50:21,799
Speaker 1: locks in. What are you talking about. I've been in

1147
00:50:21,800 --> 00:50:23,959
Speaker 1: the Mansta, that's true. You've been in the power locked

1148
00:50:23,960 --> 00:50:25,520
Speaker 1: Open the door for me and the monster what he's

1149
00:50:25,560 --> 00:50:26,200
Speaker 1: talking about.

1150
00:50:26,520 --> 00:50:28,359
Speaker 2: But it's nicer if you lean over and open it,

1151
00:50:28,440 --> 00:50:31,879
Speaker 2: Like yeah, it's a different gesture, but no, chivalry isn't dead.

1152
00:50:31,960 --> 00:50:35,400
Speaker 1: I mean it's again. I think that I'm sorry to

1153
00:50:35,400 --> 00:50:37,480
Speaker 1: cut you. I think that going upstairs opening the door

1154
00:50:37,600 --> 00:50:39,759
Speaker 1: is a little extreme and all of that sometimes, but

1155
00:50:39,920 --> 00:50:42,120
Speaker 1: opening the car door, to me is that's normal shit,

1156
00:50:42,200 --> 00:50:42,640
Speaker 1: that's normal.

1157
00:50:42,960 --> 00:50:47,399
Speaker 2: Sometimes I feel like that chivalry ship, like the stereotypical

1158
00:50:47,400 --> 00:50:49,720
Speaker 2: one of like opening the car door when she walks

1159
00:50:49,719 --> 00:50:52,760
Speaker 2: out type of thing, not actual chivaly, Like the stereotypical

1160
00:50:52,880 --> 00:50:57,520
Speaker 2: shit makes me look more like I'm full of shit, okay,

1161
00:50:57,680 --> 00:51:01,000
Speaker 2: like you're trying to yet, like I feel like she

1162
00:51:01,080 --> 00:51:03,279
Speaker 2: should raise an eyebrow in a bad day, like.

1163
00:51:03,280 --> 00:51:05,040
Speaker 1: He's doing too much, like like he's trying to.

1164
00:51:05,160 --> 00:51:07,720
Speaker 2: Like this might be creepy, like why are you waiting

1165
00:51:07,760 --> 00:51:10,920
Speaker 2: outside my building next to your car, like standing like this,

1166
00:51:11,040 --> 00:51:12,800
Speaker 2: like here's my masda, madam?

1167
00:51:13,040 --> 00:51:15,800
Speaker 1: You look like here's my masdam madamn.

1168
00:51:17,160 --> 00:51:19,320
Speaker 2: Like I feel like it may look creepy, Like I

1169
00:51:19,360 --> 00:51:21,520
Speaker 2: don't mind pulling pulling your chair out is not creepy.

1170
00:51:21,560 --> 00:51:23,960
Speaker 2: And I just feel like there's some overly chivalry shit

1171
00:51:24,080 --> 00:51:25,360
Speaker 2: that is creepy.

1172
00:51:25,760 --> 00:51:28,520
Speaker 1: Yeah, I think I think certain things are a little much.

1173
00:51:28,560 --> 00:51:30,960
Speaker 1: It's a little it's a little too aggressive. It's like,

1174
00:51:31,000 --> 00:51:31,960
Speaker 1: all right, calm down.

1175
00:51:31,960 --> 00:51:35,799
Speaker 2: And the type of women I like are funny, silly, sarcastic,

1176
00:51:35,960 --> 00:51:37,640
Speaker 2: like they're gonna look at me like, yo, if you

1177
00:51:37,640 --> 00:51:39,080
Speaker 2: don't get your ask that.

1178
00:51:39,320 --> 00:51:41,840
Speaker 1: Like me my personality, Yo, cut it out, like what

1179
00:51:41,880 --> 00:51:43,120
Speaker 1: are you doing? Like you look stupid?

1180
00:51:43,440 --> 00:51:45,799
Speaker 2: Like that's all responsible, even with my corny person Now,

1181
00:51:45,800 --> 00:51:47,600
Speaker 2: I feel like, all right, get back.

1182
00:51:47,560 --> 00:51:49,759
Speaker 1: The Yeah, like it's certain women will look at you

1183
00:51:49,800 --> 00:51:51,759
Speaker 1: like a little crazy, like that's a little unecessary. But no,

1184
00:51:51,840 --> 00:51:55,080
Speaker 1: chivalry isn't dead. And I saw, uh, you know, Instagram

1185
00:51:55,160 --> 00:51:57,239
Speaker 1: had fun with that the women were killing him and

1186
00:51:57,480 --> 00:51:59,160
Speaker 1: a lot of guys jumping and was killing him too,

1187
00:51:59,200 --> 00:52:04,640
Speaker 1: so as guys wouldn't do it. Well, they were saying

1188
00:52:04,680 --> 00:52:08,279
Speaker 1: that he was a little too you know, he was

1189
00:52:08,280 --> 00:52:10,239
Speaker 1: going a little too crazy with the chivalry is dead

1190
00:52:10,320 --> 00:52:11,879
Speaker 1: and I don't. I don't think it is at all.

1191
00:52:12,200 --> 00:52:15,680
Speaker 1: Chivalry is not dead. No, is just normal opening a

1192
00:52:15,719 --> 00:52:17,280
Speaker 1: car door and you're walking with a lady.

1193
00:52:18,000 --> 00:52:21,760
Speaker 2: I opened the door at the bank for any woman

1194
00:52:21,960 --> 00:52:24,280
Speaker 2: on earth, Like that's it's not chivalry.

1195
00:52:24,400 --> 00:52:26,840
Speaker 1: It's just something that's like you just see a woman coming,

1196
00:52:27,160 --> 00:52:28,960
Speaker 1: even if it's a guy walking behind me, I hold

1197
00:52:29,000 --> 00:52:31,560
Speaker 1: the door like it's not like it's you know, just

1198
00:52:31,600 --> 00:52:32,440
Speaker 1: certain things you just do.

1199
00:52:32,600 --> 00:52:35,640
Speaker 2: Real chivalry is a different type of behavior. That's not

1200
00:52:35,680 --> 00:52:38,279
Speaker 2: opening car doors, right, So if that's a make or

1201
00:52:38,320 --> 00:52:41,239
Speaker 2: break for a woman, like, stop watching Bronxtail.

1202
00:52:40,840 --> 00:52:43,799
Speaker 1: Yeah, please, because they still live They still living off

1203
00:52:43,800 --> 00:52:47,160
Speaker 1: for that one. No, we living off of that, are we?

1204
00:52:47,320 --> 00:52:49,279
Speaker 2: Because he said Shorty's supposed to open the door for

1205
00:52:49,280 --> 00:52:51,080
Speaker 2: you after you open it for her, She's supposed to

1206
00:52:51,120 --> 00:52:53,640
Speaker 2: lean over, yeah and open and open that When.

1207
00:52:53,600 --> 00:52:55,200
Speaker 1: When did Bronxtail come out? Can you look that up?

1208
00:52:55,400 --> 00:52:59,080
Speaker 2: That was ninety I want to say four. I thought

1209
00:52:59,080 --> 00:53:01,960
Speaker 2: it was late eighty three, ninety three. I was the nineties,

1210
00:53:02,120 --> 00:53:04,680
Speaker 2: ninety four. That has not happened since nineteen ninety three.

1211
00:53:05,400 --> 00:53:07,400
Speaker 2: Keisha is the only woman that's ever done that. And

1212
00:53:07,440 --> 00:53:09,440
Speaker 2: I know her name was not Keisha in that Keisha

1213
00:53:09,480 --> 00:53:12,640
Speaker 2: from Belly what was her name. She's the only woman

1214
00:53:12,640 --> 00:53:14,680
Speaker 2: that earth to ever lean over and open that door.

1215
00:53:15,000 --> 00:53:17,719
Speaker 1: I've never seen that in real life. Never.

1216
00:53:18,040 --> 00:53:20,799
Speaker 2: No, that was that was? That was a bronx tail

1217
00:53:20,960 --> 00:53:22,320
Speaker 2: like that was just a taiale that never.

1218
00:53:22,560 --> 00:53:24,560
Speaker 1: That was supposed to be back then in the what

1219
00:53:24,640 --> 00:53:27,120
Speaker 1: was at the sixties they were sixty seventies, there was

1220
00:53:27,640 --> 00:53:32,799
Speaker 1: so but yeah, chivalry is not dead. So please don't

1221
00:53:32,800 --> 00:53:35,279
Speaker 1: believe that it's O Kate open car doors. They killed me.

1222
00:53:35,320 --> 00:53:39,040
Speaker 1: They killed me for paying for a homegirls dinner that

1223
00:53:39,120 --> 00:53:40,680
Speaker 1: I wasn't through. They killed me for that. So it's

1224
00:53:40,719 --> 00:53:42,560
Speaker 1: like you just don't know anything. I don't know anymore.

1225
00:53:42,560 --> 00:53:44,799
Speaker 1: I don't know what's going on anymore. You do not

1226
00:53:44,880 --> 00:53:47,280
Speaker 1: open the door, do I not? You paid for his chivalry,

1227
00:53:49,960 --> 00:53:53,040
Speaker 1: But I mean, you know it's okay fish, that's my

1228
00:53:53,080 --> 00:53:56,600
Speaker 1: home girl. You put him on consignment for his chivalry. No, no,

1229
00:53:57,200 --> 00:54:01,439
Speaker 1: my homegirl. Man, that was funny. Laugh you're gonna force

1230
00:54:01,480 --> 00:54:05,319
Speaker 1: me to laugh at this shit. You fronted shithing else.

1231
00:54:05,320 --> 00:54:06,160
Speaker 1: I wanted to ask.

1232
00:54:06,000 --> 00:54:10,640
Speaker 2: You, uh okay, because I was gonna say we get

1233
00:54:10,640 --> 00:54:13,200
Speaker 2: a music. But but while you're looking, I'm just gonna

1234
00:54:13,200 --> 00:54:15,799
Speaker 2: admit as the first person, it's it's July fifteenth. While

1235
00:54:15,800 --> 00:54:18,840
Speaker 2: we're recording this. This came out in July sixteenth. I

1236
00:54:18,840 --> 00:54:20,880
Speaker 2: think I miss summer already. I think it's over. I

1237
00:54:20,960 --> 00:54:24,600
Speaker 2: think I'm too late. I just realized that summer. I

1238
00:54:24,680 --> 00:54:25,319
Speaker 2: know what you mean.

1239
00:54:25,760 --> 00:54:27,399
Speaker 1: It just hit me. I was like, oh, fuck, we're

1240
00:54:27,400 --> 00:54:29,040
Speaker 1: in summer. Yeah, because I was trying to plan a

1241
00:54:29,120 --> 00:54:31,520
Speaker 1: trip and I'm just like, okay, two weeks from now,

1242
00:54:31,520 --> 00:54:32,920
Speaker 1: it was August. I missed it.

1243
00:54:33,080 --> 00:54:35,320
Speaker 2: Yeah, it's like you can't and once you start planning

1244
00:54:35,360 --> 00:54:38,719
Speaker 2: the summer in August, yeah, it's like just focus on

1245
00:54:38,760 --> 00:54:39,720
Speaker 2: your costume for Halloween.

1246
00:54:39,840 --> 00:54:41,359
Speaker 1: Yeah. But you know what it is too. I think

1247
00:54:41,400 --> 00:54:45,319
Speaker 1: I think this we were kind of sort of just

1248
00:54:45,320 --> 00:54:49,680
Speaker 1: coming out of COVID restrictions and lockdowns and mandates and

1249
00:54:49,719 --> 00:54:52,200
Speaker 1: all of that, kind of leaning into the summer. So

1250
00:54:52,280 --> 00:54:54,840
Speaker 1: it kind of we got like a little slow start,

1251
00:54:55,239 --> 00:54:56,960
Speaker 1: you know what I mean. Some people, some people have

1252
00:54:57,040 --> 00:55:00,600
Speaker 1: not slowed down since the pandemic started. People been some people.

1253
00:55:00,600 --> 00:55:03,719
Speaker 1: I know, I've been traveling and going places. But I

1254
00:55:03,760 --> 00:55:05,319
Speaker 1: think that's what it was. I think, you know, it

1255
00:55:05,360 --> 00:55:07,960
Speaker 1: was still kind of sort of some restrictions and is

1256
00:55:07,960 --> 00:55:10,520
Speaker 1: it okay, is it safe? Things? You know, certain cities

1257
00:55:10,560 --> 00:55:14,799
Speaker 1: are just now opening. But yeah, man, fucking I'm planning

1258
00:55:14,880 --> 00:55:16,120
Speaker 1: a trip, bro. I got to get out of here.

1259
00:55:16,160 --> 00:55:17,319
Speaker 1: I'm I got to get off the grid for a

1260
00:55:17,320 --> 00:55:20,040
Speaker 1: few days. And when people are like Tom Hanks and

1261
00:55:20,080 --> 00:55:21,360
Speaker 1: cast away for a few days.

1262
00:55:22,360 --> 00:55:22,880
Speaker 2: I mean.

1263
00:55:24,640 --> 00:55:27,360
Speaker 1: To stay away from Beast Boss, but you know, I

1264
00:55:27,480 --> 00:55:29,000
Speaker 1: just want to I just want to go off the

1265
00:55:29,000 --> 00:55:29,640
Speaker 1: grid for a minute.

1266
00:55:29,640 --> 00:55:30,920
Speaker 2: Man. Well I'm about to go off the grid. I'm

1267
00:55:30,960 --> 00:55:32,560
Speaker 2: about to go to it. While you're hearing this, I'll

1268
00:55:32,600 --> 00:55:35,719
Speaker 2: be in Atlanta. Oh you off the grid, You way

1269
00:55:35,719 --> 00:55:37,800
Speaker 2: off the grid.

1270
00:55:38,719 --> 00:55:40,759
Speaker 1: Off the grid here. Yeah, I'm going from Atlanta to

1271
00:55:40,880 --> 00:55:42,880
Speaker 1: l A. Look that.

1272
00:55:43,000 --> 00:55:44,640
Speaker 2: No, that's when I realized I didn't have a summer.

1273
00:55:45,120 --> 00:55:47,120
Speaker 2: When I was booking, I was like, all right, by

1274
00:55:47,120 --> 00:55:49,920
Speaker 2: the time, I'm back another week, and now it's summer's over.

1275
00:55:51,000 --> 00:55:53,719
Speaker 1: This summer, that's why I'm taking the time to plant something. Man,

1276
00:55:53,800 --> 00:55:56,160
Speaker 1: fuck that, because I'm I'm just the type of person

1277
00:55:56,480 --> 00:55:58,000
Speaker 1: I have to force myself to do it or it's

1278
00:55:58,040 --> 00:56:00,520
Speaker 1: just like I'm just gonna look up and the summer's over. Yeah.

1279
00:56:01,440 --> 00:56:04,839
Speaker 1: Oh well, we wasted last summer. We could waste this one. Yeah.

1280
00:56:05,719 --> 00:56:09,000
Speaker 2: Uh knew music though music did come out, music did

1281
00:56:09,040 --> 00:56:13,200
Speaker 2: come out. Uh Snow's album Are You Feel would probably

1282
00:56:13,200 --> 00:56:18,040
Speaker 2: be the top one. I'm glad that we recorded this

1283
00:56:18,239 --> 00:56:21,840
Speaker 2: almost a week after it came out, because if we

1284
00:56:21,880 --> 00:56:23,960
Speaker 2: came the next day I would have been thoroughly confused.

1285
00:56:25,840 --> 00:56:29,440
Speaker 2: I was very confused off the first listen. It was

1286
00:56:29,560 --> 00:56:31,319
Speaker 2: not in a bad way, in no way. I was like, yo,

1287
00:56:31,400 --> 00:56:34,000
Speaker 2: it's just trash. I was just confused, especially for the

1288
00:56:34,000 --> 00:56:39,080
Speaker 2: first half of the album. I think as much I'm

1289
00:56:39,120 --> 00:56:42,920
Speaker 2: a hypocrite admittedly, H always like when artists developed their

1290
00:56:42,960 --> 00:56:46,600
Speaker 2: sound or whatever. I went into that album wanting these

1291
00:56:46,640 --> 00:56:51,760
Speaker 2: feelings part two h And it was not that artists fault.

1292
00:56:52,440 --> 00:56:55,640
Speaker 2: That's a consumer's fault, absolutely, and she shouldn't ever think

1293
00:56:55,760 --> 00:56:58,719
Speaker 2: that she should do this for Rory part two of

1294
00:56:58,800 --> 00:56:59,640
Speaker 2: my feelings.

1295
00:57:00,080 --> 00:57:01,040
Speaker 1: It just threw me off.

1296
00:57:01,080 --> 00:57:02,520
Speaker 2: I don't want to say it was up tempo, but

1297
00:57:02,600 --> 00:57:06,640
Speaker 2: it was just a little different of a sound from

1298
00:57:06,719 --> 00:57:09,359
Speaker 2: the moodier sound that it wasn't last feels and other

1299
00:57:09,320 --> 00:57:09,760
Speaker 2: those feelings.

1300
00:57:09,800 --> 00:57:12,120
Speaker 1: It wasn't what we expected. But I guess I don't

1301
00:57:12,160 --> 00:57:14,600
Speaker 1: love that shit so much. Yeah, it's grown on me.

1302
00:57:14,800 --> 00:57:16,280
Speaker 1: Every time I listen to it, I like it more.

1303
00:57:16,800 --> 00:57:19,920
Speaker 2: Yeah, And I actually found I felt less moodiness off

1304
00:57:19,960 --> 00:57:22,280
Speaker 2: the first few listens. The more I listen to it

1305
00:57:22,280 --> 00:57:24,680
Speaker 2: now I'm catching more moody shit, Like she still has

1306
00:57:24,760 --> 00:57:25,960
Speaker 2: those herb bars in there.

1307
00:57:26,640 --> 00:57:27,520
Speaker 1: They still exist.

1308
00:57:27,800 --> 00:57:30,600
Speaker 2: Yeah, but I think it was a good development of sound.

1309
00:57:30,760 --> 00:57:32,760
Speaker 1: It just took me a little bit to get there. Yeah,

1310
00:57:32,760 --> 00:57:36,040
Speaker 1: it's grown on me. The more I listened to it,

1311
00:57:36,160 --> 00:57:38,400
Speaker 1: the more I start to you know, I like it more.

1312
00:57:38,440 --> 00:57:42,200
Speaker 1: The melodies and catching like bars and the lyrics more

1313
00:57:44,200 --> 00:57:46,440
Speaker 1: I like it, you know, overall, I like the project.

1314
00:57:46,520 --> 00:57:47,960
Speaker 1: Like I said, I think it was a little different

1315
00:57:48,040 --> 00:57:52,840
Speaker 1: than what I expected. Once I saw the two Talaler features,

1316
00:57:52,880 --> 00:57:56,400
Speaker 1: I was that's I was, okay, this is something a

1317
00:57:56,400 --> 00:57:59,560
Speaker 1: little different. So but hearing it, it was like, okay,

1318
00:58:00,240 --> 00:58:02,960
Speaker 1: yeah it was. It's different, But I like it, And

1319
00:58:03,000 --> 00:58:04,880
Speaker 1: the more I listen to it, the more I like it.

1320
00:58:04,920 --> 00:58:10,080
Speaker 2: So Temporary Temporary highs the song, not the album title,

1321
00:58:11,800 --> 00:58:16,760
Speaker 2: did make me think about trying Molly again for temporary

1322
00:58:16,840 --> 00:58:20,760
Speaker 2: high Yeah, like but like Moody Molly, like not turn

1323
00:58:20,840 --> 00:58:24,800
Speaker 2: up Molly. Yeah that's one of those drug records. But again, yeah,

1324
00:58:24,840 --> 00:58:27,440
Speaker 2: Tyler to your point, Tyler being on it, not to

1325
00:58:27,440 --> 00:58:30,280
Speaker 2: say Tyler hasn't done features for people, but he's getting

1326
00:58:30,280 --> 00:58:32,360
Speaker 2: a little bit more active and doing features for artists.

1327
00:58:32,360 --> 00:58:36,920
Speaker 2: We would and produced that. I think both records i'd like.

1328
00:58:37,440 --> 00:58:39,000
Speaker 2: I would love for Tyler just to get more in

1329
00:58:39,040 --> 00:58:41,680
Speaker 2: that bag. Of producing for other people. If he puts

1330
00:58:41,680 --> 00:58:43,640
Speaker 2: a verse on it, even better. But I'd like to

1331
00:58:43,640 --> 00:58:47,680
Speaker 2: see Tyler just produce more for other people. Yeah, but yeah, overall,

1332
00:58:47,760 --> 00:58:50,760
Speaker 2: I mean, I I'd love to give you all crazy breakdown,

1333
00:58:50,800 --> 00:58:53,720
Speaker 2: but this is I'm surprised that it's taking me this

1334
00:58:53,760 --> 00:58:55,800
Speaker 2: long to really try to digest the Snow album. It

1335
00:58:55,880 --> 00:58:57,440
Speaker 2: confused the funk out of me in the beginning. It

1336
00:58:57,440 --> 00:58:59,880
Speaker 2: wasn't it wasn't what we expected, and I think that's

1337
00:58:59,880 --> 00:59:01,960
Speaker 2: what we expected. I think that's a good things. I

1338
00:59:01,960 --> 00:59:04,320
Speaker 2: think artist should confuse the fuck out of you. Absolutely,

1339
00:59:04,960 --> 00:59:07,200
Speaker 2: But but it is good. It is really good. I

1340
00:59:07,240 --> 00:59:09,320
Speaker 2: do like the up tempo stuff. I guess if you

1341
00:59:09,320 --> 00:59:11,000
Speaker 2: think about the month it was put out and the

1342
00:59:11,040 --> 00:59:13,560
Speaker 2: time it was put out, I'd probably try to put

1343
00:59:13,560 --> 00:59:15,480
Speaker 2: out that first half of the album to be up tempo.

1344
00:59:16,120 --> 00:59:17,680
Speaker 1: So shout out to Snow.

1345
00:59:17,920 --> 00:59:18,240
Speaker 2: I like it.

1346
00:59:18,280 --> 00:59:20,120
Speaker 1: Shout outs to no Id.

1347
00:59:20,080 --> 00:59:24,600
Speaker 2: James Fauntleroy on the album. Yeah, but I still still

1348
00:59:24,640 --> 00:59:27,720
Speaker 2: need the eighties. Felt like James just threw a little

1349
00:59:27,720 --> 00:59:31,160
Speaker 2: Parsley on it. He ain't really get his bag bag.

1350
00:59:31,280 --> 00:59:34,000
Speaker 2: Yeah yeah, yeah, which is fine though. I like when

1351
00:59:34,040 --> 00:59:35,800
Speaker 2: when James pops up he did it with Scissors two.

1352
00:59:36,160 --> 00:59:37,919
Speaker 2: I like when he just throws something on real quick.

1353
00:59:38,080 --> 00:59:40,640
Speaker 2: That's that's not a full verse. Did you listen to

1354
00:59:40,760 --> 00:59:41,400
Speaker 2: Vince's album?

1355
00:59:41,840 --> 00:59:45,160
Speaker 1: I did. I like it. Saw Vince tweet.

1356
00:59:45,400 --> 00:59:49,280
Speaker 2: I think it was him tweeting retweeted the tweet that

1357
00:59:49,480 --> 00:59:52,720
Speaker 2: his fan base was saying, it doesn't sound like him.

1358
00:59:53,000 --> 00:59:57,640
Speaker 1: Uh again, the same thing with the Snow album's fans

1359
00:59:57,640 --> 01:00:01,920
Speaker 1: were expecting something that we already got before, hearing the

1360
01:00:02,040 --> 01:00:05,640
Speaker 1: same type of Vince that they've heard before, and that's

1361
01:00:05,680 --> 01:00:09,360
Speaker 1: not where he is. You know, he's he's older, he

1362
01:00:09,400 --> 01:00:12,440
Speaker 1: has more experiences, he has more things to talk about,

1363
01:00:13,080 --> 01:00:14,840
Speaker 1: and I think that's just this is just him expression

1364
01:00:14,880 --> 01:00:17,080
Speaker 1: that on the album. It's just a different person.

1365
01:00:17,400 --> 01:00:20,160
Speaker 2: And again, I wouldn't say Vince and I are best

1366
01:00:20,200 --> 01:00:24,920
Speaker 2: friends or even friends in that capacity. We're acquaintances and associates.

1367
01:00:24,960 --> 01:00:28,640
Speaker 2: But even based off just his tweets and his personality

1368
01:00:28,640 --> 01:00:33,320
Speaker 2: and interviews, this album to me sounded like Vince, like

1369
01:00:33,400 --> 01:00:37,360
Speaker 2: more than his other music, like a more mature I

1370
01:00:37,400 --> 01:00:41,600
Speaker 2: wouldn't even say mature, just sounds like Vince Staples from

1371
01:00:41,640 --> 01:00:44,520
Speaker 2: Long Beach Like. It didn't sound like some of like

1372
01:00:44,520 --> 01:00:46,600
Speaker 2: the Summer six shit that may have been. I don't

1373
01:00:46,600 --> 01:00:49,480
Speaker 2: want to say it wasn't dancy type shit, but Vince

1374
01:00:49,520 --> 01:00:51,520
Speaker 2: has killed the up tempo shit before, like he's done

1375
01:00:51,840 --> 01:00:55,960
Speaker 2: that genre. And in no way is this a YG album,

1376
01:00:56,040 --> 01:00:58,680
Speaker 2: but like it sounded like Vince. To me, it sounded

1377
01:00:58,720 --> 01:01:01,919
Speaker 2: like good rapping over good beats. And I know that's

1378
01:01:01,960 --> 01:01:03,640
Speaker 2: like a surface thing to say, but I was so

1379
01:01:03,760 --> 01:01:06,000
Speaker 2: shocked that Vince has said that his fan base felt like,

1380
01:01:06,320 --> 01:01:07,840
Speaker 2: oh here it is. Got a lot of people telling

1381
01:01:07,840 --> 01:01:10,080
Speaker 2: me Vince Staples by Vince Staples doesn't sound like me?

1382
01:01:10,520 --> 01:01:14,320
Speaker 2: Make it make sense? We online today's troubleshooting. It sounded

1383
01:01:14,360 --> 01:01:15,200
Speaker 2: exactly like Vince to me.

1384
01:01:15,840 --> 01:01:20,680
Speaker 1: Do you think that's a good thing what he's doing tweeting? Well,

1385
01:01:20,680 --> 01:01:23,720
Speaker 1: when you tweet what the fans reaction is to your

1386
01:01:23,840 --> 01:01:27,840
Speaker 1: current project, and then you say we're online today troubleshooting,

1387
01:01:27,840 --> 01:01:31,000
Speaker 1: which means I'm online ready to engage and go back

1388
01:01:31,040 --> 01:01:35,240
Speaker 1: and forth with fans about why y'all feel like this

1389
01:01:35,280 --> 01:01:37,680
Speaker 1: album doesn't sound like me. To me, I think you

1390
01:01:37,800 --> 01:01:41,080
Speaker 1: just opening it because if we're gonna be honest, a

1391
01:01:41,120 --> 01:01:44,400
Speaker 1: lot of people probably didn't hear this Vince Staples album,

1392
01:01:44,800 --> 01:01:46,720
Speaker 1: and they're going to be in his mentions just saying, Yo,

1393
01:01:46,720 --> 01:01:47,680
Speaker 1: this shit is trash.

1394
01:01:48,040 --> 01:01:51,360
Speaker 2: So then you get a false gauge of the strategy

1395
01:01:51,480 --> 01:01:54,360
Speaker 2: to that. And I don't think in any way did

1396
01:01:54,400 --> 01:01:56,240
Speaker 2: Vince do this as a strategy. I don't think he's

1397
01:01:56,240 --> 01:01:59,040
Speaker 2: that type of person. He is an active tweeter.

1398
01:01:58,840 --> 01:02:00,000
Speaker 1: If you will, Yeah, no, for sure.

1399
01:02:00,240 --> 01:02:01,880
Speaker 2: I don't think this was the strategy of like, let's

1400
01:02:01,880 --> 01:02:04,280
Speaker 2: get people to talk about it more. But a lot

1401
01:02:04,320 --> 01:02:07,000
Speaker 2: of people do that in the sense of it doesn't

1402
01:02:07,040 --> 01:02:09,760
Speaker 2: matter if it's negative, let's just get everyone to talk

1403
01:02:09,800 --> 01:02:12,080
Speaker 2: about it. They usually wouldn't talk about it because now

1404
01:02:12,080 --> 01:02:18,720
Speaker 2: it's becoming a subject on the timeline. So in some capacity, yeah,

1405
01:02:18,800 --> 01:02:20,880
Speaker 2: I don't think Vince did that here, because Vince is

1406
01:02:20,960 --> 01:02:24,160
Speaker 2: very in tune with his fan base and he actively

1407
01:02:24,200 --> 01:02:24,760
Speaker 2: talks to them.

1408
01:02:24,840 --> 01:02:27,040
Speaker 1: But right, so, look, so somebody says, for me, the

1409
01:02:27,120 --> 01:02:29,600
Speaker 1: bars was air, but the beats were cool. I just

1410
01:02:29,640 --> 01:02:34,080
Speaker 1: expected it to go harder and then Vince was Vince says,

1411
01:02:34,120 --> 01:02:38,520
Speaker 1: defined go harder, but I know what that means.

1412
01:02:38,640 --> 01:02:42,880
Speaker 2: And listening all listening to the Vince album multiple times

1413
01:02:42,880 --> 01:02:47,680
Speaker 2: at this point, Vince found and we're gonna sound very rap,

1414
01:02:47,760 --> 01:02:51,840
Speaker 2: nerdy and corny here, but the pockets Vince found in there.

1415
01:02:51,880 --> 01:02:57,880
Speaker 2: I think people associate rapping and the ability to rap

1416
01:02:57,920 --> 01:03:00,480
Speaker 2: and quote unquote going harder, like this tweet says to

1417
01:03:01,000 --> 01:03:01,760
Speaker 2: rapping faster.

1418
01:03:03,160 --> 01:03:04,920
Speaker 1: Is that what you think that the fans thn go harder?

1419
01:03:04,960 --> 01:03:05,040
Speaker 2: Is?

1420
01:03:05,160 --> 01:03:05,400
Speaker 1: Yes?

1421
01:03:06,360 --> 01:03:08,320
Speaker 2: I think yeah, Like if you're you're gonna find a

1422
01:03:08,320 --> 01:03:10,120
Speaker 2: beat that you could just wrap straight through to and

1423
01:03:10,160 --> 01:03:12,040
Speaker 2: then we're gonna go to the hook. The beats that

1424
01:03:12,120 --> 01:03:14,680
Speaker 2: Vince has on this are pocket beats, and he has

1425
01:03:14,840 --> 01:03:17,600
Speaker 2: great lyrics, but he's just doing them in a flow

1426
01:03:17,680 --> 01:03:21,720
Speaker 2: that is slower, right, It's just not the same let

1427
01:03:21,720 --> 01:03:25,600
Speaker 2: me rap, It's not his La Leakers freestyle, right, Yeah,

1428
01:03:25,640 --> 01:03:28,280
Speaker 2: I mean I guess music though, Like fam, I don't

1429
01:03:28,320 --> 01:03:30,360
Speaker 2: want every rapper just rapped straight fucking through.

1430
01:03:30,640 --> 01:03:33,360
Speaker 1: Yeah, No, that shit is annoying at some point. I

1431
01:03:33,440 --> 01:03:36,000
Speaker 1: understand how you have to please your fan base, and

1432
01:03:36,240 --> 01:03:38,440
Speaker 1: you know, you have to give them what they want.

1433
01:03:39,200 --> 01:03:42,000
Speaker 1: But I do like the fact that artists, you know,

1434
01:03:42,040 --> 01:03:46,360
Speaker 1: they they mature and they grow their sound, They've experienced more,

1435
01:03:46,640 --> 01:03:48,600
Speaker 1: they have more things to talk about, they have different

1436
01:03:48,600 --> 01:03:52,920
Speaker 1: perspectives to talk from now, So I understand. You know,

1437
01:03:53,000 --> 01:03:55,240
Speaker 1: if fans are like, it doesn't really sound like because

1438
01:03:55,240 --> 01:03:56,720
Speaker 1: you fall when you meet a fan. When you meet

1439
01:03:56,720 --> 01:03:58,160
Speaker 1: an artist and you fall in love with a artists,

1440
01:03:59,080 --> 01:04:01,240
Speaker 1: you fall in love with what you first heard from

1441
01:04:01,320 --> 01:04:03,640
Speaker 1: him or her. That's a fact, and then you wanted

1442
01:04:03,720 --> 01:04:06,120
Speaker 1: to kind of stay that. You don't want to grow

1443
01:04:06,240 --> 01:04:08,080
Speaker 1: with the artists, and you know what I mean. And

1444
01:04:08,360 --> 01:04:11,360
Speaker 1: I think it's consumers. Consumers are well, we all know

1445
01:04:11,360 --> 01:04:16,560
Speaker 1: consumers are lazy. But it's our duty sometimes to grow

1446
01:04:16,600 --> 01:04:18,240
Speaker 1: with the artists that we love, when we support and

1447
01:04:18,240 --> 01:04:20,920
Speaker 1: we appreciate. And I think that sometimes we just get

1448
01:04:20,960 --> 01:04:23,920
Speaker 1: stuck in a box. Like you know a lot of

1449
01:04:23,920 --> 01:04:26,840
Speaker 1: people that love Prince. Let's say, you know, purple Rain

1450
01:04:26,920 --> 01:04:29,240
Speaker 1: is the shit. It's like, do you want Prince to

1451
01:04:29,280 --> 01:04:31,720
Speaker 1: make purple rain for the rest of his life? Like

1452
01:04:32,360 --> 01:04:33,800
Speaker 1: you know what I mean? Or do you want Prince

1453
01:04:33,840 --> 01:04:35,600
Speaker 1: to grow like Mary Jay to say, well, when Mary

1454
01:04:35,680 --> 01:04:37,000
Speaker 1: is hurt, when she's going through something, that's when our

1455
01:04:37,040 --> 01:04:39,439
Speaker 1: music is the best. It's okay, So you want Mary

1456
01:04:39,480 --> 01:04:41,880
Speaker 1: to be not happy for the rest of her life? Like, well,

1457
01:04:42,080 --> 01:04:45,240
Speaker 1: I guess that poses the question do I really care

1458
01:04:45,560 --> 01:04:49,240
Speaker 1: about this artist or do I care about their art? Right? Right?

1459
01:04:49,320 --> 01:04:51,360
Speaker 2: That that's really where that is. And I don't know

1460
01:04:52,040 --> 01:04:55,320
Speaker 2: where we define fan and stand or where we draw

1461
01:04:55,360 --> 01:04:59,880
Speaker 2: that line. But yeah, there's there's plenty of people in

1462
01:04:59,880 --> 01:05:03,280
Speaker 2: a Again, I've empathize with people and do care about

1463
01:05:03,320 --> 01:05:07,600
Speaker 2: their well being regardless of humanity because I'm auditioning for

1464
01:05:07,600 --> 01:05:12,280
Speaker 2: the Miss America pageant. But yeah, some consumers do not

1465
01:05:12,400 --> 01:05:14,760
Speaker 2: give a fuck about your mind state. They just want

1466
01:05:14,800 --> 01:05:17,680
Speaker 2: you to produce the best music for them. And I

1467
01:05:17,680 --> 01:05:20,400
Speaker 2: almost feel like a lot of stands that way too. Yeah,

1468
01:05:20,440 --> 01:05:21,320
Speaker 2: but that's why I said this.

1469
01:05:21,320 --> 01:05:23,440
Speaker 1: This what Vince is doing, you know, talking about his

1470
01:05:23,520 --> 01:05:26,480
Speaker 1: album that people are indifferent about online. It's kind of

1471
01:05:27,040 --> 01:05:28,920
Speaker 1: I don't know if it's a good idea because you

1472
01:05:29,000 --> 01:05:31,640
Speaker 1: leave yourself open to just have this dialogue with people

1473
01:05:31,640 --> 01:05:34,640
Speaker 1: that again, they just want the Vince that they fell

1474
01:05:34,680 --> 01:05:36,120
Speaker 1: in love with. They don't want no new shit. They

1475
01:05:36,120 --> 01:05:37,680
Speaker 1: don't want you to try shit as an artist. They

1476
01:05:37,680 --> 01:05:40,360
Speaker 1: don't want you to experiment. Give me the shit that

1477
01:05:40,400 --> 01:05:42,880
Speaker 1: I fell in love with you for, and then get

1478
01:05:42,880 --> 01:05:43,720
Speaker 1: the fuck out my way.

1479
01:05:43,880 --> 01:05:46,280
Speaker 2: Well, I mean, you just allow more stupidity to come.

1480
01:05:46,320 --> 01:05:48,480
Speaker 2: And anytime you ask a question on the internet, and

1481
01:05:48,520 --> 01:05:50,919
Speaker 2: I'm guilty of this as of maybe twenty four hours ago,

1482
01:05:51,040 --> 01:05:54,360
Speaker 2: you just allow more stupidity and opinions that never would

1483
01:05:54,360 --> 01:05:56,880
Speaker 2: have been said to begin with. Now there's a platform.

1484
01:05:56,920 --> 01:06:00,760
Speaker 2: But I don't think this Vin's album is like some

1485
01:06:01,480 --> 01:06:04,439
Speaker 2: outer like eight A Weights and Heartbreaks version, like it's

1486
01:06:04,480 --> 01:06:06,320
Speaker 2: a great Vince out.

1487
01:06:06,720 --> 01:06:07,280
Speaker 1: I like it.

1488
01:06:07,520 --> 01:06:11,880
Speaker 2: Yeah, I think that's rapping. His good lyrics is good raps.

1489
01:06:11,920 --> 01:06:14,920
Speaker 2: It's good songs, it's good songs, it's good production. It's like,

1490
01:06:15,720 --> 01:06:17,240
Speaker 2: you know, what is it to be upset about?

1491
01:06:17,240 --> 01:06:19,960
Speaker 1: But again, I understand how consumers fall in love with

1492
01:06:20,080 --> 01:06:22,360
Speaker 1: artists and the sound and they don't want that sound

1493
01:06:22,360 --> 01:06:24,120
Speaker 1: to change. So I understand that whole thing. Did you

1494
01:06:24,880 --> 01:06:28,000
Speaker 1: you see t Pain on Twitch? I believe it was Twitch.

1495
01:06:28,440 --> 01:06:30,240
Speaker 1: I didn't see it on Twitch, but I saw the

1496
01:06:30,560 --> 01:06:33,880
Speaker 1: viral clip going around. We can play a little snippet

1497
01:06:33,960 --> 01:06:40,520
Speaker 1: of it. God damn it. Do some different music. We

1498
01:06:40,720 --> 01:06:43,280
Speaker 1: have all the sick that you're doing. We already have it.

1499
01:06:43,360 --> 01:06:46,080
Speaker 1: Lit Uzi Berd is already doing it. Lout Baby is

1500
01:06:46,120 --> 01:06:48,960
Speaker 1: already doing it. Up Baby is already doing it. It's

1501
01:06:49,040 --> 01:06:52,440
Speaker 1: literally two niggas with Bailey in their names. That's all there.

1502
01:06:52,440 --> 01:06:55,760
Speaker 1: Ain't doing all the music you want doing something else.

1503
01:07:00,040 --> 01:07:02,640
Speaker 1: I get it. I just appreciate Tea paying I think

1504
01:07:02,640 --> 01:07:04,919
Speaker 1: he's hilarious. Yeah, I get it, you know, I mean,

1505
01:07:05,000 --> 01:07:09,200
Speaker 1: you know it's again, you know it's and I'm not

1506
01:07:09,200 --> 01:07:11,600
Speaker 1: one of those guys like I because I came I

1507
01:07:11,640 --> 01:07:14,600
Speaker 1: came up in the era of you know and Snoop

1508
01:07:14,680 --> 01:07:16,680
Speaker 1: and Dre and the chronic and all of that, you know,

1509
01:07:16,840 --> 01:07:20,400
Speaker 1: Doggy style. My mom would kick my door down if

1510
01:07:20,440 --> 01:07:22,200
Speaker 1: I had Doggy Style playing in the room, tell me

1511
01:07:22,240 --> 01:07:24,840
Speaker 1: to turn that shit off. And so when you get older,

1512
01:07:24,880 --> 01:07:28,120
Speaker 1: it's just the sound changes and rap. And my mom

1513
01:07:28,200 --> 01:07:31,120
Speaker 1: was a fan of rap. She just didn't understand or

1514
01:07:31,160 --> 01:07:36,560
Speaker 1: appreciate some of the early quote unquote gangster rap from

1515
01:07:36,560 --> 01:07:39,240
Speaker 1: the West Coast that I liked, okay with with with

1516
01:07:39,280 --> 01:07:41,680
Speaker 1: Doctor Dre and with Snoop because of the content, you know,

1517
01:07:41,840 --> 01:07:44,760
Speaker 1: the language, you know, it was. I was young, so

1518
01:07:44,840 --> 01:07:47,560
Speaker 1: my mom didn't really want me, you know, I get

1519
01:07:47,640 --> 01:07:51,360
Speaker 1: taken in that type of shit. But you know, I

1520
01:07:51,400 --> 01:07:53,480
Speaker 1: look at it like when you look back now, you

1521
01:07:53,520 --> 01:07:56,880
Speaker 1: look at the people and the and the legacy that

1522
01:07:57,040 --> 01:07:59,840
Speaker 1: gangster rap has produced. With Doctor Dre, Look who he

1523
01:07:59,920 --> 01:08:02,040
Speaker 1: is today with Snoop, the cool he is today, you

1524
01:08:02,080 --> 01:08:03,720
Speaker 1: know what I mean. With a lot of these artists

1525
01:08:04,000 --> 01:08:07,000
Speaker 1: from out you know, from when I was younger. So

1526
01:08:07,160 --> 01:08:10,160
Speaker 1: the new sound of rap, I don't knock it.

1527
01:08:10,320 --> 01:08:12,680
Speaker 2: But one would say that what Snoop and ra were

1528
01:08:12,680 --> 01:08:15,560
Speaker 2: doing was completely innovative and not the sound that was

1529
01:08:15,560 --> 01:08:16,599
Speaker 2: happening really at all.

1530
01:08:16,640 --> 01:08:18,479
Speaker 1: How can we say that this isn't innovative with a

1531
01:08:18,520 --> 01:08:21,120
Speaker 1: lot of the I'm not saying that, but rappers are doing. Okay,

1532
01:08:21,120 --> 01:08:23,120
Speaker 1: I'll be the old guy here to say that when

1533
01:08:23,120 --> 01:08:25,600
Speaker 1: Snoop and Drake came out, it was much more innovative

1534
01:08:25,720 --> 01:08:27,160
Speaker 1: than but.

1535
01:08:27,360 --> 01:08:30,760
Speaker 2: Make this sound now. I think there's a lot of influences.

1536
01:08:31,400 --> 01:08:33,200
Speaker 2: They were also pioneers. You have to add that in

1537
01:08:33,280 --> 01:08:36,560
Speaker 2: oh if nothing had happened like to that degree in

1538
01:08:36,640 --> 01:08:38,120
Speaker 2: hip hop with the g function and the type of

1539
01:08:38,160 --> 01:08:38,920
Speaker 2: samples they were using.

1540
01:08:38,920 --> 01:08:40,519
Speaker 1: And that's why doctor Dre is such a fucking genius.

1541
01:08:42,160 --> 01:08:44,840
Speaker 2: Yes, you can see the direct influences, and you can

1542
01:08:44,880 --> 01:08:48,160
Speaker 2: see people chasing sounds much more now than you could then.

1543
01:08:48,200 --> 01:08:51,280
Speaker 2: And that also has to do with pioneers and how

1544
01:08:51,280 --> 01:08:53,920
Speaker 2: many people were even rapping and then kind of recreating

1545
01:08:53,960 --> 01:08:59,479
Speaker 2: the genre in the early part of that. But I

1546
01:08:59,520 --> 01:09:01,600
Speaker 2: would have to be objective here because I came in

1547
01:09:01,640 --> 01:09:05,920
Speaker 2: here and I killed Usher. Did you for saying what

1548
01:09:05,960 --> 01:09:07,800
Speaker 2: he said about T Pain.

1549
01:09:08,200 --> 01:09:09,839
Speaker 1: Okay, oh yeah, yes, yes.

1550
01:09:09,760 --> 01:09:12,760
Speaker 2: I did come in here and say that, and to

1551
01:09:12,880 --> 01:09:16,160
Speaker 2: some degree have to be objective and not a hypocrite.

1552
01:09:17,320 --> 01:09:20,000
Speaker 2: Or maybe I'm being a hypocrite here, you guys decide

1553
01:09:21,000 --> 01:09:23,360
Speaker 2: this could be kind of what Usher is saying, because

1554
01:09:23,400 --> 01:09:25,479
Speaker 2: I think a lot of these artists down a little

1555
01:09:25,520 --> 01:09:32,719
Speaker 2: Baby derived from T Pain explain, I think pain making.

1556
01:09:33,520 --> 01:09:35,680
Speaker 2: He of course was not the first person he used autotune,

1557
01:09:35,720 --> 01:09:42,240
Speaker 2: but making autotune so popular amongst that time and in

1558
01:09:42,320 --> 01:09:45,639
Speaker 2: the genre specifically of rap and R and B, turning

1559
01:09:45,680 --> 01:09:49,080
Speaker 2: the autotune all the way up did bring in a

1560
01:09:49,080 --> 01:09:51,400
Speaker 2: lot of it. And this is not about Baby, little Baby, Yachty,

1561
01:09:51,439 --> 01:09:52,960
Speaker 2: any of the artists that he mentioned, but just the

1562
01:09:53,040 --> 01:09:55,559
Speaker 2: idea of him saying, we already have these guys, why

1563
01:09:55,600 --> 01:09:56,880
Speaker 2: is everyone else trying to make this music?

1564
01:09:57,040 --> 01:09:57,280
Speaker 1: Right?

1565
01:09:58,320 --> 01:10:02,599
Speaker 2: He did make music in this era easier to make.

1566
01:10:02,640 --> 01:10:06,479
Speaker 2: For the novice baby is not a novice yacht. He's

1567
01:10:06,479 --> 01:10:07,000
Speaker 2: not a novice.

1568
01:10:07,040 --> 01:10:08,040
Speaker 1: Anyone he named there is not.

1569
01:10:08,200 --> 01:10:12,160
Speaker 2: But everyone else can now make music easier because the

1570
01:10:12,200 --> 01:10:15,599
Speaker 2: auto tune sound, in the electronic sound is so easy

1571
01:10:15,640 --> 01:10:17,120
Speaker 2: to fuck it. All I need is my laptop and

1572
01:10:17,160 --> 01:10:20,120
Speaker 2: this mic and I can sound great. So it has

1573
01:10:20,160 --> 01:10:22,639
Speaker 2: every idiot that does not really care about music going

1574
01:10:22,680 --> 01:10:25,920
Speaker 2: out to make it, and eventually an idiot song is

1575
01:10:25,920 --> 01:10:28,800
Speaker 2: gonna catch. It's gonna happen. It's inevitable, and it's happened

1576
01:10:28,800 --> 01:10:30,240
Speaker 2: a million times. And we see the people that really

1577
01:10:30,240 --> 01:10:32,920
Speaker 2: care about music, people that use autotune, and don't we

1578
01:10:33,000 --> 01:10:37,160
Speaker 2: see the difference. So I can see Usher sitting back

1579
01:10:37,200 --> 01:10:39,360
Speaker 2: watching this clip, going, fam, this is what I was

1580
01:10:39,400 --> 01:10:39,960
Speaker 2: talking about.

1581
01:10:40,720 --> 01:10:44,280
Speaker 1: You may have ruined music. I have to be objective

1582
01:10:45,240 --> 01:10:45,799
Speaker 1: because I'd.

1583
01:10:45,680 --> 01:10:48,680
Speaker 2: Be a hypocrite to not take this point and go, well,

1584
01:10:48,680 --> 01:10:50,800
Speaker 2: all right, maybe this is what Usher was saying. I

1585
01:10:50,880 --> 01:10:52,880
Speaker 2: disagree with Usher still, and I'm standing on that, and

1586
01:10:52,920 --> 01:10:54,840
Speaker 2: I think it was corny. I still stand with t Pain.

1587
01:10:54,880 --> 01:10:56,680
Speaker 2: I'm a t Pain stand and I don't think he

1588
01:10:56,800 --> 01:10:59,840
Speaker 2: ruined music. And I don't think anything is wrong here.

1589
01:11:00,040 --> 01:11:03,960
Speaker 2: And I think every artisting name is amazing. I just, yeah,

1590
01:11:04,120 --> 01:11:07,320
Speaker 2: what did you expect? Like music is the easiest it's

1591
01:11:07,400 --> 01:11:10,760
Speaker 2: ever been to make? Right now, I'm not saying good

1592
01:11:10,880 --> 01:11:11,760
Speaker 2: music at all.

1593
01:11:11,760 --> 01:11:12,360
Speaker 1: I'll get with me.

1594
01:11:12,960 --> 01:11:14,720
Speaker 2: And also, I don't think that's fair too, because I

1595
01:11:14,720 --> 01:11:17,920
Speaker 2: think there's plenty of artists that are making innovative music

1596
01:11:18,000 --> 01:11:21,799
Speaker 2: right now, Like, you can't scream this when Tyler's album

1597
01:11:21,920 --> 01:11:24,160
Speaker 2: just came out and is selling what it's selling. Can't

1598
01:11:24,160 --> 01:11:25,840
Speaker 2: say that when cole shit is selling what it's selling.

1599
01:11:26,240 --> 01:11:28,160
Speaker 2: If you want to talk about all the people chasing

1600
01:11:28,960 --> 01:11:31,320
Speaker 2: the sound, the current sound, and chasing the babies of

1601
01:11:31,360 --> 01:11:34,600
Speaker 2: the world fast, that's gonna have. It's inevitable.

1602
01:11:34,840 --> 01:11:39,120
Speaker 1: Yeah, whenever anything pops and anything like blows up, you're

1603
01:11:39,160 --> 01:11:42,200
Speaker 1: going to get a whole wave of you know, kids

1604
01:11:42,240 --> 01:11:45,000
Speaker 1: trying it who didn't have a clothing brand in twenty ten.

1605
01:11:45,120 --> 01:11:48,519
Speaker 2: Yeah, like once pressing T shirts became easier, everyone at

1606
01:11:48,560 --> 01:11:50,320
Speaker 2: a T shirt company, and then we saw who was

1607
01:11:50,360 --> 01:11:53,120
Speaker 2: good at it and who really wasn't, and it faded podcasting,

1608
01:11:54,280 --> 01:11:57,360
Speaker 2: mixtapes anything like, Yes, it's the same thing. And again

1609
01:11:57,680 --> 01:11:59,200
Speaker 2: I do want to say I think Pain was kind

1610
01:11:59,240 --> 01:12:02,040
Speaker 2: of just being a little funny and well even he

1611
01:12:02,160 --> 01:12:05,559
Speaker 2: was being super serious and he wasn't shitting on the artists.

1612
01:12:05,600 --> 01:12:07,920
Speaker 1: He was calming. He was just saying like we already

1613
01:12:08,000 --> 01:12:10,880
Speaker 1: have them, like stop trying to be them, stop trying

1614
01:12:10,880 --> 01:12:13,840
Speaker 1: to sound like them, Like find your sound, find who

1615
01:12:13,880 --> 01:12:16,880
Speaker 1: you are, find your stories, find your your energy, and

1616
01:12:16,880 --> 01:12:18,960
Speaker 1: then you put that out into the world. For me,

1617
01:12:19,040 --> 01:12:20,479
Speaker 1: a lot of the New Ship that I had to

1618
01:12:20,560 --> 01:12:24,160
Speaker 1: realize is that when I'm listening you know again, I

1619
01:12:24,560 --> 01:12:26,839
Speaker 1: started listening to a lot of these these these cats

1620
01:12:27,120 --> 01:12:29,760
Speaker 1: with the same ears I grew up with. Like the

1621
01:12:30,040 --> 01:12:32,280
Speaker 1: is that I was listening to Nas and Jay and

1622
01:12:32,400 --> 01:12:36,360
Speaker 1: Big and Bone Thugs and Dre and Snoop. And it's like,

1623
01:12:37,000 --> 01:12:39,880
Speaker 1: I can't try to listen to this generation with those

1624
01:12:39,960 --> 01:12:43,479
Speaker 1: ears because they're not saying the same things. They're not

1625
01:12:43,680 --> 01:12:47,320
Speaker 1: you know, they're not creating it the same way. Like

1626
01:12:47,360 --> 01:12:49,000
Speaker 1: a lot of the New Ship. You know, I noticed,

1627
01:12:49,000 --> 01:12:52,840
Speaker 1: like the whole entire song sounds like a hook because

1628
01:12:52,840 --> 01:12:55,560
Speaker 1: there's so much melody and rapping now where it's like

1629
01:12:55,640 --> 01:12:59,000
Speaker 1: then the verse sounds like the hook, you know what

1630
01:12:59,040 --> 01:13:01,320
Speaker 1: I mean. Like so it's like, okay, I get what

1631
01:13:01,360 --> 01:13:04,120
Speaker 1: they doing, Like this is this is day bounced, this

1632
01:13:04,160 --> 01:13:07,360
Speaker 1: is they wave, this is how they they write their

1633
01:13:07,400 --> 01:13:10,519
Speaker 1: bars like and with melodies, and now the verses sound

1634
01:13:10,560 --> 01:13:12,400
Speaker 1: like the hook. Then when you get back to the hook,

1635
01:13:13,120 --> 01:13:15,080
Speaker 1: it's kind of like little remnants of the melody that

1636
01:13:15,160 --> 01:13:17,000
Speaker 1: was in the verse. Like so it's like you just

1637
01:13:17,040 --> 01:13:20,559
Speaker 1: got to understand the way this generation constructs their art

1638
01:13:20,720 --> 01:13:22,800
Speaker 1: and that's all it is, Like I and I tell

1639
01:13:22,800 --> 01:13:24,800
Speaker 1: that to a lot of you know, catch my age.

1640
01:13:24,840 --> 01:13:26,639
Speaker 1: I'm like, y'all got to stop listening to these younger

1641
01:13:26,720 --> 01:13:30,040
Speaker 1: artists with these you know, older generation is like, they're

1642
01:13:30,040 --> 01:13:33,040
Speaker 1: not saying the same things that Jay was saying, that

1643
01:13:33,160 --> 01:13:35,880
Speaker 1: Nas was saying that. You know, they're not constructing these bars.

1644
01:13:35,880 --> 01:13:38,040
Speaker 1: It's not sixteen in the hook no more. It's not.

1645
01:13:38,439 --> 01:13:40,679
Speaker 1: It's the songs are not even structured the same anymore,

1646
01:13:40,680 --> 01:13:42,800
Speaker 1: you know what I mean. Like sometimes now they come

1647
01:13:42,920 --> 01:13:44,840
Speaker 1: right in with a hook. Oh of course, and then

1648
01:13:45,160 --> 01:13:46,680
Speaker 1: I'm like, oh shit, that's the verse, Like you know

1649
01:13:46,720 --> 01:13:49,160
Speaker 1: what I mean. It's like so I with the streaming,

1650
01:13:49,600 --> 01:13:51,679
Speaker 1: you gotta catch people's tention right away. I was looking

1651
01:13:51,720 --> 01:13:54,720
Speaker 1: at a blues album that came out, and we were

1652
01:13:54,720 --> 01:13:58,800
Speaker 1: looking at all the features and I'm like, damn, Like, okay,

1653
01:13:58,800 --> 01:14:01,400
Speaker 1: this is a lot of features. What I get it

1654
01:14:01,439 --> 01:14:04,280
Speaker 1: with the streaming error, you have to collab. You have

1655
01:14:04,360 --> 01:14:06,040
Speaker 1: to get these artists that may have a bigger name,

1656
01:14:06,160 --> 01:14:08,840
Speaker 1: a bigger following, which they see their name, they're gonna

1657
01:14:08,840 --> 01:14:10,760
Speaker 1: click on it. Like, so you got to understand the

1658
01:14:10,760 --> 01:14:15,280
Speaker 1: way the game is being played now. It's it's the

1659
01:14:15,280 --> 01:14:18,240
Speaker 1: primary artist hustle. Yeah, like, but it's no different than

1660
01:14:18,240 --> 01:14:20,240
Speaker 1: it's blue ad. What John Legend on is a the

1661
01:14:20,280 --> 01:14:21,200
Speaker 1: intro everybody.

1662
01:14:21,240 --> 01:14:21,559
Speaker 2: I don't know.

1663
01:14:21,560 --> 01:14:22,920
Speaker 1: I don't know if John Legend is a.

1664
01:14:22,880 --> 01:14:25,280
Speaker 2: Primary artist and that primary artist For people that don't

1665
01:14:25,360 --> 01:14:27,800
Speaker 2: on streaming, it's you'll see sometimes it'll say the artist

1666
01:14:27,840 --> 01:14:29,800
Speaker 2: and then featuring in the title. Yes, Then other times

1667
01:14:29,800 --> 01:14:32,679
Speaker 2: it'll say the artist and the artist yes. Primary artist

1668
01:14:32,800 --> 01:14:34,400
Speaker 2: means it's now on their page.

1669
01:14:34,439 --> 01:14:37,439
Speaker 1: Yeah, it's going through their Apple. Yeah.

1670
01:14:37,520 --> 01:14:39,720
Speaker 2: So when you click John Legends page, I don't know

1671
01:14:39,720 --> 01:14:41,800
Speaker 2: if he's primary artists. Just an example, it would have

1672
01:14:41,800 --> 01:14:44,080
Speaker 2: that blue song right there, so all John Legends fans

1673
01:14:44,120 --> 01:14:45,160
Speaker 2: will go right to that song.

1674
01:14:45,320 --> 01:14:46,639
Speaker 1: So you're playing that fucking game.

1675
01:14:46,680 --> 01:14:49,559
Speaker 2: And also it's interesting he brought up how artists are

1676
01:14:49,600 --> 01:14:53,960
Speaker 2: making songs now, rappers in particular, and so many R

1677
01:14:53,960 --> 01:14:56,160
Speaker 2: and B sessions. A lot of time, if there's be

1678
01:14:56,320 --> 01:14:59,439
Speaker 2: playing or a riff or anything, R and B artists

1679
01:14:59,439 --> 01:15:01,760
Speaker 2: will just take a mike and just how melodies and

1680
01:15:02,080 --> 01:15:03,920
Speaker 2: try to find their way through that and then put

1681
01:15:03,960 --> 01:15:05,840
Speaker 2: words to the melodies. Later they'll just find the melody

1682
01:15:05,840 --> 01:15:08,479
Speaker 2: through the whole thing and put words later. Yeah, rappers

1683
01:15:08,520 --> 01:15:12,640
Speaker 2: are doing that now too. It's not so much pendipad

1684
01:15:13,240 --> 01:15:15,439
Speaker 2: or even going in and rapping the way Jay does,

1685
01:15:15,600 --> 01:15:17,240
Speaker 2: or how a lot of rappers claim they used to.

1686
01:15:17,320 --> 01:15:20,080
Speaker 2: Once Jay said, I don't write it down. They're literally

1687
01:15:20,479 --> 01:15:23,400
Speaker 2: doing the melodic thing on rap records and then placing

1688
01:15:23,400 --> 01:15:26,080
Speaker 2: the words later. Right, They're creating songs that are not

1689
01:15:26,160 --> 01:15:30,280
Speaker 2: in the same format, which it's whatever. And Pain is

1690
01:15:30,280 --> 01:15:32,000
Speaker 2: allowed to say everything he wants to because he's an

1691
01:15:32,000 --> 01:15:33,360
Speaker 2: innovator and change music.

1692
01:15:33,479 --> 01:15:35,400
Speaker 1: So I'm not. I've never man a sentiment, so I

1693
01:15:35,479 --> 01:15:38,960
Speaker 1: understand what he's saying. It's like, you know, you gotta you.

1694
01:15:39,360 --> 01:15:41,840
Speaker 1: It's okay to be inspired because we're all inspired by

1695
01:15:41,840 --> 01:15:46,000
Speaker 1: those before and so you draw inspiration from from from

1696
01:15:46,160 --> 01:15:48,559
Speaker 1: artists and from athletes or whoever like that you look

1697
01:15:48,640 --> 01:15:51,040
Speaker 1: up to. But I think most of what he's saying

1698
01:15:51,120 --> 01:15:54,880
Speaker 1: is you have to have some type of uniqueness to it, though,

1699
01:15:55,080 --> 01:15:57,760
Speaker 1: like you have to still insert yourself in who you

1700
01:15:57,840 --> 01:16:01,320
Speaker 1: really are, into your artistry. It's okay want to use

1701
01:16:01,360 --> 01:16:03,400
Speaker 1: some of the same color palettes as the baby and

1702
01:16:03,720 --> 01:16:08,000
Speaker 1: little Baby when you're painting, but you can't, you know,

1703
01:16:08,120 --> 01:16:11,160
Speaker 1: try to mimic their stroke of the brush and you

1704
01:16:11,240 --> 01:16:12,800
Speaker 1: know what I mean, like, you can't you can't go

1705
01:16:12,840 --> 01:16:14,200
Speaker 1: all the way here with it. You can use some

1706
01:16:14,200 --> 01:16:17,479
Speaker 1: of the same colors, but don't try to exact emulate

1707
01:16:17,560 --> 01:16:19,840
Speaker 1: exactly what the person did it.

1708
01:16:20,320 --> 01:16:21,800
Speaker 2: And we can we can wrap this up. But I

1709
01:16:21,840 --> 01:16:23,439
Speaker 2: think he made a lot of interesting points that I

1710
01:16:23,479 --> 01:16:25,679
Speaker 2: just wanted to comment on. When you said you don't

1711
01:16:25,720 --> 01:16:29,559
Speaker 2: go into this new era with your old head ears,

1712
01:16:30,840 --> 01:16:32,960
Speaker 2: that's another thing that people because to me, a lot

1713
01:16:33,000 --> 01:16:35,240
Speaker 2: of these dudes sound exactly the same, but I'm not

1714
01:16:35,360 --> 01:16:38,720
Speaker 2: invested in this sound the same way. I know there's

1715
01:16:38,800 --> 01:16:41,720
Speaker 2: older people when I was growing up that would say

1716
01:16:41,760 --> 01:16:44,120
Speaker 2: to me that all the music I was listening to,

1717
01:16:44,360 --> 01:16:46,439
Speaker 2: all the guys sounded the same, and I'm like, you're

1718
01:16:46,520 --> 01:16:49,599
Speaker 2: fucking crazy. It don't sound the same. They just had

1719
01:16:49,680 --> 01:16:52,880
Speaker 2: a different era's ears. It's like, Doug, I'm invested in this.

1720
01:16:52,960 --> 01:16:56,000
Speaker 2: I can tell where they sound different. To me, a

1721
01:16:56,040 --> 01:16:58,559
Speaker 2: lot of young dudes sound the same, but for the

1722
01:16:58,560 --> 01:17:00,560
Speaker 2: most part, I'm not invested in that. And some of

1723
01:17:00,560 --> 01:17:02,680
Speaker 2: them are name almost the same. Their name's almost to

1724
01:17:02,720 --> 01:17:03,840
Speaker 2: say like who am I?

1725
01:17:03,880 --> 01:17:04,240
Speaker 1: Who is this?

1726
01:17:04,439 --> 01:17:06,479
Speaker 2: So I can see the younger kids being like, no,

1727
01:17:06,600 --> 01:17:09,240
Speaker 2: this song sounds drastically different than this song and me

1728
01:17:09,360 --> 01:17:10,559
Speaker 2: going your fucking nuts.

1729
01:17:10,600 --> 01:17:11,439
Speaker 1: No, it doesn't know for.

1730
01:17:11,360 --> 01:17:13,280
Speaker 2: Sure, but that happened to me too. It's a cycle, bro,

1731
01:17:13,360 --> 01:17:15,439
Speaker 2: that shit happened to me too. It's a cycle. It

1732
01:17:15,439 --> 01:17:18,040
Speaker 2: comes back around. So we are now our parents when

1733
01:17:18,080 --> 01:17:19,920
Speaker 2: it comes to this music. Shit, yeah, you know what

1734
01:17:19,960 --> 01:17:21,760
Speaker 2: I mean. It's it's you laugh at it. It's like,

1735
01:17:21,760 --> 01:17:25,120
Speaker 2: oh shit, I understand. I just I think with the Internet,

1736
01:17:25,200 --> 01:17:28,440
Speaker 2: we can all find the music we like so easily.

1737
01:17:28,560 --> 01:17:31,200
Speaker 2: So like I've been trying not to ship on stuff

1738
01:17:31,200 --> 01:17:33,160
Speaker 2: I don't like it, Like fam it's not made for me.

1739
01:17:33,280 --> 01:17:36,559
Speaker 1: It's not exactly, and that's why it's that's why it's fine.

1740
01:17:36,560 --> 01:17:38,640
Speaker 1: It's like it's not for me. I'll listen to a

1741
01:17:38,640 --> 01:17:40,519
Speaker 1: lot of these artists that come out and I'm just like, Okay,

1742
01:17:40,680 --> 01:17:43,080
Speaker 1: I won't go back to that. I won't play that again.

1743
01:17:43,479 --> 01:17:45,920
Speaker 1: But I understand and I respect the fact that this

1744
01:17:46,040 --> 01:17:49,280
Speaker 1: generation has found their sound, has found their niche, and

1745
01:17:49,280 --> 01:17:52,559
Speaker 1: it has carved their way in the culture. And listen,

1746
01:17:52,600 --> 01:17:54,920
Speaker 1: as long as they're doing something positive and they're making

1747
01:17:54,920 --> 01:17:57,280
Speaker 1: money for themselves and their families to live a better life,

1748
01:17:58,600 --> 01:17:59,439
Speaker 1: I'm not knocking it.

1749
01:17:59,560 --> 01:18:02,000
Speaker 2: Listen I'm with it, but we can't go back to

1750
01:18:02,040 --> 01:18:06,720
Speaker 2: our era. At least Styles Styles alb was crazy Styles.

1751
01:18:07,439 --> 01:18:10,480
Speaker 2: See now we're talking. See now, it's a different appreciation.

1752
01:18:10,640 --> 01:18:11,160
Speaker 2: You know what I'm saying.

1753
01:18:11,240 --> 01:18:13,559
Speaker 1: It's something for all of us. You know what I mean,

1754
01:18:13,560 --> 01:18:15,320
Speaker 1: It's something for all of us. Styles put out his

1755
01:18:15,680 --> 01:18:18,800
Speaker 1: put out his album. Uh, what is the name of

1756
01:18:18,840 --> 01:18:22,320
Speaker 1: a ghosting? Ghosting? Ghosting? Listen to it. Over the weekend,

1757
01:18:22,840 --> 01:18:27,599
Speaker 1: he got some joints on here man styles consistency. I'm

1758
01:18:27,680 --> 01:18:35,200
Speaker 1: putting Styles in top seven or eight most consistent rappers

1759
01:18:35,200 --> 01:18:38,200
Speaker 1: of all time. I'm not mad at that. I'm not

1760
01:18:38,280 --> 01:18:40,519
Speaker 1: mad at that. And you know what I love about Styles.

1761
01:18:40,760 --> 01:18:43,760
Speaker 1: He's still to what the the fan said de Vince,

1762
01:18:43,800 --> 01:18:46,880
Speaker 1: He's still going hard. But it's like I love the

1763
01:18:46,880 --> 01:18:49,519
Speaker 1: fact that the content, the content has kind of like

1764
01:18:50,240 --> 01:18:51,320
Speaker 1: you know what I mean. Now he's like, now I'm

1765
01:18:51,320 --> 01:18:53,720
Speaker 1: selling juice. You know what I'm saying, Like, I think

1766
01:18:53,720 --> 01:18:56,679
Speaker 1: that's flys Like he's selling juice. He on the se malls,

1767
01:18:56,680 --> 01:18:59,240
Speaker 1: she's like your alkaline body. I'm never taking the vaccine.

1768
01:18:59,360 --> 01:19:01,840
Speaker 1: Like he putting those type of bars in it where

1769
01:19:01,840 --> 01:19:04,120
Speaker 1: it's still it's still Styles, but he's just showing you

1770
01:19:04,200 --> 01:19:08,559
Speaker 1: growth like I'm on a different The actual lyrics haven't

1771
01:19:08,600 --> 01:19:11,280
Speaker 1: changed as far as how top tier of them has been. Right.

1772
01:19:11,400 --> 01:19:14,280
Speaker 2: Listen, man, when we when we had styles at the

1773
01:19:14,320 --> 01:19:16,720
Speaker 2: Barclayers for for Loser, he was in the green room

1774
01:19:16,800 --> 01:19:18,760
Speaker 2: and took out a blanket and kicked his shoes off

1775
01:19:18,960 --> 01:19:21,320
Speaker 2: and just laid on the blanket chilling with his wife,

1776
01:19:21,760 --> 01:19:23,760
Speaker 2: kicking it like it was the most beautiful thing in

1777
01:19:23,800 --> 01:19:24,400
Speaker 2: the world to see.

1778
01:19:24,479 --> 01:19:27,080
Speaker 1: I love. I loved watching the maturation of the Ghost

1779
01:19:27,360 --> 01:19:28,800
Speaker 1: Like he's said, we're chilling it.

1780
01:19:29,040 --> 01:19:31,760
Speaker 2: Hey, my people delayed styles like we're cool, man, we're

1781
01:19:31,840 --> 01:19:32,599
Speaker 2: chilling the problem.

1782
01:19:32,720 --> 01:19:35,320
Speaker 1: I had my green juice today all as well. I'll

1783
01:19:35,439 --> 01:19:36,640
Speaker 1: you know what I mean, Like, it's just dope to

1784
01:19:36,680 --> 01:19:39,639
Speaker 1: see older rappers grow old in the in the culture

1785
01:19:40,240 --> 01:19:43,120
Speaker 1: and still look good. Like we was talking about the

1786
01:19:43,240 --> 01:19:46,960
Speaker 1: verses with Keith Sweat and Bobby and I was saying,

1787
01:19:46,960 --> 01:19:48,960
Speaker 1: I keep Sweat still looks you know what I mean,

1788
01:19:49,000 --> 01:19:52,120
Speaker 1: Like he's in shape. Yeah, he doesn't look like he

1789
01:19:52,200 --> 01:19:54,479
Speaker 1: fell on hard times, Like he still looks like I

1790
01:19:54,600 --> 01:19:58,280
Speaker 1: like when artists that I grew up on as I

1791
01:19:58,320 --> 01:20:01,760
Speaker 1: get old enough, obviously, as they get old, there's still like, oh,

1792
01:20:01,800 --> 01:20:04,919
Speaker 1: they still look good though they don't look crazy. They're

1793
01:20:04,960 --> 01:20:07,280
Speaker 1: not out here looking like, you know, like they're doing bad.

1794
01:20:07,320 --> 01:20:09,760
Speaker 1: I like that. And Dows is one of those artists that,

1795
01:20:10,120 --> 01:20:14,200
Speaker 1: especially coming from RAT in the late nineties early two thousands,

1796
01:20:14,200 --> 01:20:16,679
Speaker 1: you would have never thought that this is the styles

1797
01:20:16,680 --> 01:20:17,360
Speaker 1: that we would have.

1798
01:20:17,520 --> 01:20:20,360
Speaker 2: But that's what's so great about it, exactly exactly, and

1799
01:20:20,439 --> 01:20:22,200
Speaker 2: I mean hip hop, of course is still a young

1800
01:20:22,240 --> 01:20:24,240
Speaker 2: man's game, when we like it or not. It's just

1801
01:20:24,280 --> 01:20:29,160
Speaker 2: great to see those type of artists, specifically aging so well,

1802
01:20:29,439 --> 01:20:32,960
Speaker 2: aging gracefully, being great examples for how to age and

1803
01:20:33,040 --> 01:20:35,519
Speaker 2: hip hop, how to continue to make money and hip hop,

1804
01:20:35,880 --> 01:20:38,080
Speaker 2: how to still work at that age where it's like, hey,

1805
01:20:38,080 --> 01:20:39,439
Speaker 2: am I too old with music out?

1806
01:20:39,560 --> 01:20:40,920
Speaker 1: And no you're not.

1807
01:20:41,080 --> 01:20:43,240
Speaker 2: There's still a whole fan base of people that grew

1808
01:20:43,280 --> 01:20:45,960
Speaker 2: up with you, Like we're all old over here too.

1809
01:20:46,600 --> 01:20:49,080
Speaker 1: I love it shots styles. I think that's a good segue.

1810
01:20:49,200 --> 01:20:53,760
Speaker 1: Love this project. Yeah, the Versus not the one we

1811
01:20:53,760 --> 01:20:56,559
Speaker 1: thought was going to be announced, but maybe the greatest

1812
01:20:56,640 --> 01:21:02,240
Speaker 1: versus announcement of all time up there, this is this

1813
01:21:02,320 --> 01:21:05,080
Speaker 1: is this is definitely one to me, no no, no to me,

1814
01:21:05,280 --> 01:21:08,519
Speaker 1: I think to I think to most people from our culture.

1815
01:21:08,560 --> 01:21:10,360
Speaker 2: Though I'm well aware of all the announcements. I'm well

1816
01:21:10,360 --> 01:21:12,120
Speaker 2: aware you guys are gonna kill me. Yeah, no, me,

1817
01:21:12,320 --> 01:21:12,760
Speaker 2: this is me.

1818
01:21:12,880 --> 01:21:15,120
Speaker 1: This is definitely one of the ones, because you know why,

1819
01:21:15,160 --> 01:21:18,559
Speaker 1: I don't think that we saw this one coming. No, No,

1820
01:21:18,680 --> 01:21:21,120
Speaker 1: this was like blindsided, just came out of nowhere. I

1821
01:21:21,200 --> 01:21:24,519
Speaker 1: just looked up and I was like, the Locks versus dipset.

1822
01:21:24,080 --> 01:21:26,720
Speaker 2: And I just didn't think anyone would ever want to

1823
01:21:26,760 --> 01:21:30,519
Speaker 2: play with kiss after they watched Kiss on versus. Right,

1824
01:21:31,080 --> 01:21:34,120
Speaker 2: then you're adding chic and styles and it's like, all right,

1825
01:21:34,200 --> 01:21:35,479
Speaker 2: I don't know if I want to play with them.

1826
01:21:35,640 --> 01:21:37,920
Speaker 1: When we sat down with Jim, did he allude to this.

1827
01:21:38,280 --> 01:21:42,200
Speaker 2: No, we talked g UNIT verse dip Set. He didn't

1828
01:21:42,200 --> 01:21:45,880
Speaker 2: say the Locks. I don't don't think so. But we

1829
01:21:45,880 --> 01:21:48,360
Speaker 2: were talking about g UNIT and this sent or when

1830
01:21:48,400 --> 01:21:49,360
Speaker 2: he called in. I don't know if it was when

1831
01:21:49,400 --> 01:21:51,920
Speaker 2: he called in or sat with us, but yeah, this

1832
01:21:51,960 --> 01:21:54,639
Speaker 2: one is at Madison Square Garden.

1833
01:21:54,760 --> 01:21:58,320
Speaker 1: Yeah, this, this is this. Listen, man, this is either

1834
01:21:58,360 --> 01:22:00,479
Speaker 1: gonna be a beautiful night or it's gonna be crime

1835
01:22:00,560 --> 01:22:01,080
Speaker 1: rateing the city.

1836
01:22:01,160 --> 01:22:01,280
Speaker 2: Man.

1837
01:22:01,280 --> 01:22:04,080
Speaker 1: It's gonna listen, It's gonna go one of two ways.

1838
01:22:04,400 --> 01:22:05,800
Speaker 1: I'm hoping it's a beautiful night.

1839
01:22:06,000 --> 01:22:07,720
Speaker 2: I think it's gonna be super peaceful. And I think

1840
01:22:07,720 --> 01:22:11,840
Speaker 2: that's what's again talking about styles and how he's aged

1841
01:22:11,840 --> 01:22:13,599
Speaker 2: in hip hop and out gracefully's age. I think it's

1842
01:22:13,640 --> 01:22:16,160
Speaker 2: gonna be such a beautiful night. No, I'm hoping for

1843
01:22:16,200 --> 01:22:18,920
Speaker 2: a beautiful night. And I'm and listen, you know, I'm not.

1844
01:22:19,400 --> 01:22:21,120
Speaker 2: I love our culture. I love, but you know some

1845
01:22:21,200 --> 01:22:23,080
Speaker 2: things come with our culture, man. And if you start

1846
01:22:23,120 --> 01:22:26,639
Speaker 2: playing certain records in the spot, it's just that energy

1847
01:22:26,720 --> 01:22:28,960
Speaker 2: is just like yo, listen, homie, right here, I pop

1848
01:22:29,000 --> 01:22:30,479
Speaker 2: on this nigga, like I don't know him.

1849
01:22:30,600 --> 01:22:33,519
Speaker 1: He didn't do anything, but while I was on, you

1850
01:22:33,560 --> 01:22:35,639
Speaker 1: know what I'm saying. So it's kind of like, yeah,

1851
01:22:35,680 --> 01:22:36,200
Speaker 1: you know what I mean.

1852
01:22:36,280 --> 01:22:38,599
Speaker 2: It's it's just a certain and if it looked like

1853
01:22:38,640 --> 01:22:41,920
Speaker 2: you leaning more towards dipset and I'm leaning more towards

1854
01:22:41,960 --> 01:22:44,320
Speaker 2: the locks and we right here, it could go down,

1855
01:22:45,360 --> 01:22:46,840
Speaker 2: you know what I'm saying. Like I'm gonna start rapping

1856
01:22:46,920 --> 01:22:49,000
Speaker 2: my kiss balls at you. You're gonna start rapping your

1857
01:22:49,040 --> 01:22:51,400
Speaker 2: can balls at me, And it's like yo, but I'll

1858
01:22:51,400 --> 01:22:52,240
Speaker 2: punch you in your face.

1859
01:22:52,280 --> 01:22:54,759
Speaker 1: Though, Like let's just keep it. Let's keep that energy

1860
01:22:54,840 --> 01:22:56,719
Speaker 1: right there. Like you know, you can still get punched

1861
01:22:56,720 --> 01:22:57,960
Speaker 1: in your mouth in here, you know what I'm saying.

1862
01:22:58,000 --> 01:23:00,559
Speaker 1: But you know, all jokes aside, this is this is

1863
01:23:00,600 --> 01:23:03,960
Speaker 1: this is beautiful. Man. I love it. I was kind

1864
01:23:03,960 --> 01:23:06,040
Speaker 1: of falling off the versus thing now that you know,

1865
01:23:06,080 --> 01:23:09,280
Speaker 1: everything is back open, but I like I've been rushing

1866
01:23:09,280 --> 01:23:10,800
Speaker 1: to them the same way I was. Yeah, but I

1867
01:23:10,880 --> 01:23:14,200
Speaker 1: like this because Madison Square Garden first and foremost. I

1868
01:23:14,200 --> 01:23:16,519
Speaker 1: don't know if it's open to the general I don't

1869
01:23:16,520 --> 01:23:18,120
Speaker 1: know how they're doing this shit. I would hope it

1870
01:23:18,120 --> 01:23:19,880
Speaker 1: would be. Yeah, I haven't. I haven't asked any these

1871
01:23:19,880 --> 01:23:22,439
Speaker 1: type of questions. But if it's open to the general public,

1872
01:23:22,600 --> 01:23:25,679
Speaker 1: I think it's this is gonna be sold out. Yeah.

1873
01:23:26,240 --> 01:23:28,519
Speaker 1: And I just like the fact that it's a versus thing,

1874
01:23:28,560 --> 01:23:30,160
Speaker 1: which means now people that are not in the New

1875
01:23:30,200 --> 01:23:33,280
Speaker 1: York area still get the experience and see this. Yeah,

1876
01:23:33,560 --> 01:23:35,120
Speaker 1: you know what I mean. So it's a lot of

1877
01:23:35,160 --> 01:23:38,719
Speaker 1: things where I'm just like, this is a win for rap,

1878
01:23:39,200 --> 01:23:43,799
Speaker 1: hip hop culture, New York rap culture, for the locks,

1879
01:23:43,840 --> 01:23:46,120
Speaker 1: for the diplomats, this all that shit is fun. Who

1880
01:23:46,120 --> 01:23:50,040
Speaker 1: you got, man, Damn, I ain't think you was gonna

1881
01:23:50,080 --> 01:23:52,559
Speaker 1: go there you got. I don't care.

1882
01:23:52,680 --> 01:23:54,599
Speaker 2: It's a win for everyone. We love the Locks, we

1883
01:23:54,640 --> 01:23:57,759
Speaker 2: love dip Set. There's staples in our lives forever.

1884
01:23:58,040 --> 01:24:02,839
Speaker 1: I don't know all the love. Who do you have? Okay,

1885
01:24:03,120 --> 01:24:04,719
Speaker 1: let me just ask us one question before I answer

1886
01:24:04,760 --> 01:24:09,479
Speaker 1: that question. Are they only playing their group records? Or

1887
01:24:09,520 --> 01:24:12,920
Speaker 1: are they playing solo records from members of the group.

1888
01:24:13,000 --> 01:24:15,320
Speaker 2: So I have two cop outs. One My first cop

1889
01:24:15,320 --> 01:24:16,400
Speaker 2: out was what are the rules?

1890
01:24:16,640 --> 01:24:18,519
Speaker 1: Yeah? I need to know what the rules are. Yeah,

1891
01:24:18,600 --> 01:24:20,120
Speaker 1: But before I can answer that, I need to know

1892
01:24:20,200 --> 01:24:24,519
Speaker 1: because if if you're allowing jim to play solo records,

1893
01:24:24,520 --> 01:24:26,760
Speaker 1: and you're allowing you know, kids and styles and all

1894
01:24:26,800 --> 01:24:33,080
Speaker 1: them and can if they're playing solo records, it might

1895
01:24:33,120 --> 01:24:36,160
Speaker 1: be hard to beat dips the Diplomats.

1896
01:24:36,479 --> 01:24:39,160
Speaker 2: So to that point, I had said when we were

1897
01:24:39,200 --> 01:24:42,200
Speaker 2: talking to Jimmy about g Unit and Dipset, I was like,

1898
01:24:42,240 --> 01:24:44,320
Speaker 2: I would like to see where all, right, first five

1899
01:24:44,400 --> 01:24:48,160
Speaker 2: records are cam verse fifty. Then jim like, if you

1900
01:24:48,320 --> 01:24:51,240
Speaker 2: did solo records for the first five, then group records

1901
01:24:51,240 --> 01:24:53,519
Speaker 2: for the first five, and then if there's a way

1902
01:24:53,560 --> 01:24:55,880
Speaker 2: to do it structure, Yes, that could be really cool, right,

1903
01:24:55,880 --> 01:24:58,000
Speaker 2: then it's just group records to end. Yes, that could

1904
01:24:58,040 --> 01:24:59,320
Speaker 2: be really dope. I don't know if that's what they're

1905
01:24:59,320 --> 01:25:02,840
Speaker 2: gonna do, but if it's all crew records, I gotta

1906
01:25:02,880 --> 01:25:06,040
Speaker 2: go with the Locks. Here here's my second cop out.

1907
01:25:06,439 --> 01:25:08,760
Speaker 2: I think there's gonna be a New York score, and

1908
01:25:08,800 --> 01:25:12,080
Speaker 2: then I think there's gonna be a worldwide score. I

1909
01:25:12,120 --> 01:25:17,040
Speaker 2: don't think you're beating the Locks in a worldwide score worldwide.

1910
01:25:17,000 --> 01:25:17,400
Speaker 1: And that's no.

1911
01:25:17,479 --> 01:25:19,160
Speaker 2: And by the way, dip set is worldwide. Don't get

1912
01:25:19,200 --> 01:25:24,000
Speaker 2: it fucking twisted. I just think with some of the

1913
01:25:24,040 --> 01:25:26,559
Speaker 2: Lock shit, because they were in that bad boy era,

1914
01:25:26,960 --> 01:25:29,479
Speaker 2: in that machine, and of course the music that they made,

1915
01:25:31,280 --> 01:25:33,320
Speaker 2: a lot of their bigger records of the stuff that

1916
01:25:33,320 --> 01:25:36,240
Speaker 2: they're on went crazy. We saw that in Kisses Battle

1917
01:25:36,240 --> 01:25:38,639
Speaker 2: against Fab It was like, how could you even compete

1918
01:25:38,640 --> 01:25:42,800
Speaker 2: against this is a fucking staple in every country in

1919
01:25:42,840 --> 01:25:46,920
Speaker 2: the world type shit. Dip Set, of course is worldwide,

1920
01:25:47,080 --> 01:25:51,120
Speaker 2: don't get that twisted. But New York that shit just

1921
01:25:51,200 --> 01:25:54,880
Speaker 2: hits a little different compared to I think some of

1922
01:25:54,920 --> 01:25:58,759
Speaker 2: the locks bigger songs. Los definitely has the New York records.

1923
01:25:58,760 --> 01:25:59,880
Speaker 2: I'm not saying opposite with you.

1924
01:26:00,120 --> 01:26:01,720
Speaker 1: This stuf. I think that if it's I think the

1925
01:26:01,760 --> 01:26:04,040
Speaker 1: New York score, maybe that's our age difference. Yeah, I

1926
01:26:04,040 --> 01:26:06,439
Speaker 1: think the Locks wins with the New York Score. Really

1927
01:26:06,560 --> 01:26:09,599
Speaker 1: I think I think I think globally, Diplomats might be

1928
01:26:09,640 --> 01:26:12,840
Speaker 1: a bigger brand and and more, you know that more

1929
01:26:12,880 --> 01:26:14,880
Speaker 1: people know them globally than the Locks.

1930
01:26:14,920 --> 01:26:18,040
Speaker 2: Maybe I think they're records. I'm not saying they're brands.

1931
01:26:18,080 --> 01:26:20,519
Speaker 2: I think dipset. I think people that don't even listen.

1932
01:26:20,360 --> 01:26:21,600
Speaker 1: Well, if you know the brand, you gotta know.

1933
01:26:22,320 --> 01:26:24,679
Speaker 2: I think people I think people that wear dip st

1934
01:26:24,720 --> 01:26:27,880
Speaker 2: stuff may only know one song or two songs. I

1935
01:26:27,880 --> 01:26:30,640
Speaker 2: think it's become so trendy because they're so cool to

1936
01:26:30,840 --> 01:26:33,880
Speaker 2: just wear, like almost to the way people like nerds

1937
01:26:33,880 --> 01:26:35,599
Speaker 2: wear Jay Diller shirts and I'm like, do you guys

1938
01:26:35,800 --> 01:26:36,880
Speaker 2: have do you even listen to Jay dillar?

1939
01:26:36,880 --> 01:26:38,000
Speaker 1: It's just been cool to wear it.

1940
01:26:38,479 --> 01:26:42,200
Speaker 2: Dip set has surpassed music so much that it's just dipset.

1941
01:26:42,240 --> 01:26:44,160
Speaker 1: Is that that do so? Yeah?

1942
01:26:44,360 --> 01:26:47,120
Speaker 2: Locks, I think when music has done that with records,

1943
01:26:47,120 --> 01:26:49,960
Speaker 2: all about the Benjamins and shit like that. HM, And I

1944
01:26:49,960 --> 01:26:52,040
Speaker 2: think this is probably our age difference here when I'm

1945
01:26:52,080 --> 01:26:53,840
Speaker 2: saying dip set with the New York Records because I

1946
01:26:53,960 --> 01:26:56,599
Speaker 2: was finally started going outside when dip set really hit,

1947
01:26:57,120 --> 01:26:59,439
Speaker 2: when Locks was doing just the New York Records.

1948
01:26:59,479 --> 01:27:02,439
Speaker 1: Ye see, I wasn't in the tunnel. I mean, I know,

1949
01:27:02,560 --> 01:27:05,040
Speaker 1: I was, I was, I was, I was young. I

1950
01:27:05,080 --> 01:27:07,760
Speaker 1: wasn't in the tunnel either, but I just it was

1951
01:27:07,800 --> 01:27:12,000
Speaker 1: a certain It's just a certain uh, it's a certain

1952
01:27:12,080 --> 01:27:13,880
Speaker 1: love that you know if you if you're from New

1953
01:27:13,920 --> 01:27:17,280
Speaker 1: York City, and I'll say if you was in high school,

1954
01:27:18,600 --> 01:27:20,519
Speaker 1: if you were in high school when the Locks came out,

1955
01:27:20,920 --> 01:27:22,759
Speaker 1: because to me, when you're in high school, you're traveling,

1956
01:27:23,360 --> 01:27:26,880
Speaker 1: getting on the train, the subway, the bus, finally starting,

1957
01:27:26,960 --> 01:27:28,840
Speaker 1: one of your friends in different neighborhoods, going to their

1958
01:27:28,840 --> 01:27:30,599
Speaker 1: houses on the weekend, so you kind of like moving

1959
01:27:30,640 --> 01:27:33,920
Speaker 1: around the city a little bit, and just that energy

1960
01:27:34,080 --> 01:27:36,439
Speaker 1: when you know when the Locks came out, if you

1961
01:27:36,439 --> 01:27:38,759
Speaker 1: went in high school around that time, it's a different

1962
01:27:39,320 --> 01:27:40,559
Speaker 1: connection that you have to that.

1963
01:27:40,920 --> 01:27:43,280
Speaker 2: And that's why I say our age difference, cause dip

1964
01:27:43,360 --> 01:27:46,040
Speaker 2: st hit, like dip set really hit, jip Set. Of course,

1965
01:27:46,080 --> 01:27:48,160
Speaker 2: Cam and Jim was already doing shit, but high school

1966
01:27:48,200 --> 01:27:51,439
Speaker 2: is when it's the diplomat that was it yeah, like period, No.

1967
01:27:51,479 --> 01:27:54,880
Speaker 1: I get it. I definitely understand. But either way, man,

1968
01:27:54,960 --> 01:27:57,439
Speaker 1: I you know, I'm I just I just love this

1969
01:27:59,280 --> 01:28:00,760
Speaker 1: and the fact that they do at the Guarden, which

1970
01:28:00,760 --> 01:28:02,640
Speaker 1: means they're gonna be on stage and it's gonna be

1971
01:28:02,960 --> 01:28:07,280
Speaker 1: I think this is dope. I thought about going, like,

1972
01:28:07,320 --> 01:28:09,639
Speaker 1: I'm like, I gotta get in the MSG that I'm going.

1973
01:28:10,000 --> 01:28:15,840
Speaker 1: But thousand, I don't know if because you kind of

1974
01:28:15,920 --> 01:28:18,599
Speaker 1: enjoy the records more when you're watching it, like if

1975
01:28:18,640 --> 01:28:23,000
Speaker 1: you're not there, I disagree for this one. I got

1976
01:28:23,000 --> 01:28:25,640
Speaker 1: I gotta I gotta be there. Yeah, I thought about it.

1977
01:28:25,720 --> 01:28:27,719
Speaker 1: I thought about it. But if if I'm just giving

1978
01:28:27,720 --> 01:28:30,719
Speaker 1: you an answer, who I got right now, not knowing anything,

1979
01:28:30,800 --> 01:28:40,120
Speaker 1: the rules, whatever, whatever. I got the locks in seven games, man, Okay,

1980
01:28:40,360 --> 01:28:41,440
Speaker 1: locks and seven.

1981
01:28:43,680 --> 01:28:46,479
Speaker 2: It's funny. I agree with you. But just to make

1982
01:28:46,520 --> 01:28:49,080
Speaker 2: this interesting, I may be able to argue that it's

1983
01:28:49,120 --> 01:28:51,560
Speaker 2: hard to beat the Benjamins. Bro It's impossible, you know

1984
01:28:51,560 --> 01:28:53,920
Speaker 2: what I'm saying. It's like there's not a better It's

1985
01:28:53,920 --> 01:28:55,080
Speaker 2: like when you play that and.

1986
01:28:55,040 --> 01:28:56,880
Speaker 1: Then it's like we got other ship that we could

1987
01:28:57,960 --> 01:29:01,840
Speaker 1: in and Jim and Cam and Joell's they got some

1988
01:29:01,960 --> 01:29:06,479
Speaker 1: fucking anthems. Don't get it twisted. It all comes down

1989
01:29:06,479 --> 01:29:08,160
Speaker 1: to what we will say. It's how you play your cards,

1990
01:29:08,160 --> 01:29:10,720
Speaker 1: it's how it's it's when you play what. Yeah, it's

1991
01:29:10,720 --> 01:29:12,400
Speaker 1: when you play what. But at this point it don't

1992
01:29:12,400 --> 01:29:14,240
Speaker 1: even match every.

1993
01:29:14,160 --> 01:29:17,240
Speaker 2: Crazy dipset song that I'm thinking of. I could think

1994
01:29:17,280 --> 01:29:19,680
Speaker 2: of a Locks song or someone in the Locks that

1995
01:29:19,760 --> 01:29:22,920
Speaker 2: could retort that record exactly. That's why this night and

1996
01:29:23,000 --> 01:29:25,120
Speaker 2: vice versa. Except for the Benjamin, I don't think there's

1997
01:29:25,120 --> 01:29:25,840
Speaker 2: a song that could go. No.

1998
01:29:26,320 --> 01:29:28,800
Speaker 1: Benjamins is a wins whenever you play it, whoever you

1999
01:29:28,800 --> 01:29:29,120
Speaker 1: play it.

2000
01:29:29,200 --> 01:29:32,200
Speaker 2: Against this, I think it's Benjamin's and Juicy, the one

2001
01:29:32,240 --> 01:29:34,679
Speaker 2: in one A and one B of the greatest rap

2002
01:29:34,720 --> 01:29:35,400
Speaker 2: songs ever.

2003
01:29:35,640 --> 01:29:39,880
Speaker 1: Yeah for sure, so for sure. But it's gonna be dope. Man.

2004
01:29:39,960 --> 01:29:41,559
Speaker 1: This is this is because, like I said, this came out.

2005
01:29:41,560 --> 01:29:43,479
Speaker 1: I didn't know anything. I didn't even hear anything about

2006
01:29:43,479 --> 01:29:46,320
Speaker 1: this happening. And I looked up and it was like announced.

2007
01:29:46,320 --> 01:29:47,560
Speaker 1: I was like, what the fun is? There was a

2008
01:29:47,600 --> 01:29:49,960
Speaker 1: Twitter joke? Yeah me too. Then I seen at Madison

2009
01:29:49,960 --> 01:29:51,120
Speaker 1: Square Guard and I was like, no, this is not

2010
01:29:51,160 --> 01:29:54,280
Speaker 1: That's what I really thought it was. This is is

2011
01:29:54,320 --> 01:29:57,120
Speaker 1: not a real thing. But it's real, it's happening, and

2012
01:29:57,280 --> 01:30:01,120
Speaker 1: I'm excited for it. And listen, I'm yeah locks himself.

2013
01:30:01,120 --> 01:30:03,080
Speaker 2: If we can, I'm gonna buy my ticket and go

2014
01:30:03,360 --> 01:30:05,400
Speaker 2: sit in a nice seat a distance.

2015
01:30:05,479 --> 01:30:06,960
Speaker 1: I one of those bleeds. No, I want to be

2016
01:30:08,280 --> 01:30:10,280
Speaker 1: watch I want to be next to Messier's jersey, like

2017
01:30:10,360 --> 01:30:13,080
Speaker 1: in the stands. Put me right under Messier's jersey, Put

2018
01:30:13,080 --> 01:30:17,040
Speaker 1: me under the nineteen seventy three championship, put me way

2019
01:30:17,120 --> 01:30:19,439
Speaker 1: up there in the back and you know what I mean,

2020
01:30:19,520 --> 01:30:23,240
Speaker 1: Let me just let me chill man, you want to

2021
01:30:23,240 --> 01:30:25,200
Speaker 1: park of that, But yeah, I do think I want

2022
01:30:25,240 --> 01:30:26,479
Speaker 1: to be in the building for that, though, I just

2023
01:30:26,520 --> 01:30:29,240
Speaker 1: think it's far night. You're just far in the corner

2024
01:30:29,280 --> 01:30:31,880
Speaker 1: of the building. Candas Parker's on the cover of two K.

2025
01:30:32,640 --> 01:30:35,839
Speaker 1: Congrats to Canvas. That's one of the greatest female athletes

2026
01:30:36,080 --> 01:30:38,800
Speaker 1: of our time. Are they adding like a.

2027
01:30:38,960 --> 01:30:43,760
Speaker 2: W n B A feature to two K or I'm

2028
01:30:43,800 --> 01:30:44,160
Speaker 2: not sure?

2029
01:30:45,320 --> 01:30:47,640
Speaker 1: Yeah, I'm not a video game. Yeah I haven't. I

2030
01:30:47,640 --> 01:30:51,000
Speaker 1: haven't played. I have fallen off the two K wagon

2031
01:30:51,120 --> 01:30:53,800
Speaker 1: for years. I have not played two K. It got

2032
01:30:53,840 --> 01:30:57,240
Speaker 1: too weird, it got too technical, Like I started missing

2033
01:30:57,240 --> 01:30:59,880
Speaker 1: wide open layups one year and I was just like, yo,

2034
01:31:00,120 --> 01:31:02,599
Speaker 1: the fuck is going on? Like yeah, I'm by myself

2035
01:31:02,640 --> 01:31:04,320
Speaker 1: at the rim and I'm missing layups. So I was

2036
01:31:04,400 --> 01:31:06,200
Speaker 1: just like all right. And then my homeboys like, yo,

2037
01:31:06,240 --> 01:31:08,280
Speaker 1: you know if you tap it too soon, and I'm

2038
01:31:08,320 --> 01:31:10,599
Speaker 1: just like all right. When they start doing that, I'm

2039
01:31:10,720 --> 01:31:11,080
Speaker 1: checked out.

2040
01:31:11,120 --> 01:31:13,599
Speaker 2: I went to the same struggle because I bought an

2041
01:31:13,720 --> 01:31:17,479
Speaker 2: Xbox and Don't Kill Me PS Seven People because I

2042
01:31:17,840 --> 01:31:19,760
Speaker 2: announced that during quarantine. I was like, hey, just bought

2043
01:31:19,800 --> 01:31:21,840
Speaker 2: an Xbox. It's been a while since I played video

2044
01:31:22,200 --> 01:31:24,760
Speaker 2: for Murdered me. My driver was a PlayStation kid growing up.

2045
01:31:24,760 --> 01:31:26,280
Speaker 2: I just bought an Xbox because I thought that's what

2046
01:31:26,320 --> 01:31:30,280
Speaker 2: everyone's on. I bought two K and I couldn't do

2047
01:31:30,600 --> 01:31:32,200
Speaker 2: and I was like, all right, at least Madden is

2048
01:31:32,240 --> 01:31:32,720
Speaker 2: still the same.

2049
01:31:33,280 --> 01:31:34,519
Speaker 1: I was just falling and Madden.

2050
01:31:35,479 --> 01:31:38,920
Speaker 2: I couldn't do a thing on two K, Rookie, I

2051
01:31:38,960 --> 01:31:41,160
Speaker 2: was like, how do you even dribble in this fucking It's.

2052
01:31:41,120 --> 01:31:44,000
Speaker 1: Two games that I played years ago that made me

2053
01:31:44,040 --> 01:31:46,160
Speaker 1: completely stop playing because I just felt like a piece

2054
01:31:46,160 --> 01:31:47,960
Speaker 1: of shit and I just didn't know what I was doing.

2055
01:31:48,280 --> 01:31:51,320
Speaker 1: It was two K and Fifa. Now, if you ever

2056
01:31:51,360 --> 01:31:53,320
Speaker 1: played Fifa, I have ice to be nice, you have

2057
01:31:53,360 --> 01:31:56,680
Speaker 1: to work really hard to get near the goal and

2058
01:31:56,720 --> 01:31:59,720
Speaker 1: get a clear shot. The thing with me is I

2059
01:31:59,720 --> 01:32:00,880
Speaker 1: would getting it the goal.

2060
01:32:01,520 --> 01:32:03,800
Speaker 2: Yeah, but I would kick that ship all the way

2061
01:32:03,800 --> 01:32:05,840
Speaker 2: in the fucking stands, and I'm just like, all right,

2062
01:32:05,880 --> 01:32:08,160
Speaker 2: fam Like, how do I kick this ball into the

2063
01:32:08,200 --> 01:32:08,639
Speaker 2: fucking goal?

2064
01:32:08,720 --> 01:32:12,280
Speaker 1: Sometimes as a metaphor for life, more, it is a

2065
01:32:12,320 --> 01:32:15,880
Speaker 1: metaphor for life. You gotta understand. No, you're absolutely right,

2066
01:32:16,160 --> 01:32:19,719
Speaker 1: but but but yes, so I stopped playing because these

2067
01:32:19,760 --> 01:32:23,240
Speaker 1: games just got too technical, I guess to Getting the

2068
01:32:23,280 --> 01:32:25,200
Speaker 1: cover is still a big deal with your athlete because

2069
01:32:25,200 --> 01:32:26,639
Speaker 1: it is the cover of one of the more popular

2070
01:32:26,680 --> 01:32:29,599
Speaker 1: games in the world. Great cover too. Shout out to Katie.

2071
01:32:29,640 --> 01:32:31,120
Speaker 1: I seen he's on one of the covers. They have

2072
01:32:31,160 --> 01:32:34,240
Speaker 1: a version with Katie on it. Luca, who I think

2073
01:32:34,320 --> 01:32:37,600
Speaker 1: is gonna be the face of international basketball for a

2074
01:32:37,640 --> 01:32:40,320
Speaker 1: lot of years because he's white. Well, no, he's one

2075
01:32:40,360 --> 01:32:45,559
Speaker 1: of the greatest international players ever. Rory, that's what That's why. Yeah,

2076
01:32:45,560 --> 01:32:48,320
Speaker 1: but I'm not playing this ship, man. I fell off

2077
01:32:48,360 --> 01:32:51,080
Speaker 1: the two K bandwagon years ago. I can't play it

2078
01:32:51,120 --> 01:32:53,639
Speaker 1: no more. It's too technical. I missed a wide open

2079
01:32:53,720 --> 01:32:56,240
Speaker 1: layup with somebody who fucking dunks everything at the rim

2080
01:32:56,280 --> 01:32:56,559
Speaker 1: at that.

2081
01:32:56,640 --> 01:32:59,160
Speaker 2: So listen, man, I come from the NBA Live era

2082
01:32:59,200 --> 01:33:01,080
Speaker 2: when Jordan was player number ninety nine.

2083
01:33:01,320 --> 01:33:03,120
Speaker 1: So this ain't the same for me.

2084
01:33:03,160 --> 01:33:03,240
Speaker 2: Noo.

2085
01:33:03,320 --> 01:33:04,720
Speaker 1: Yeah, this ain't just saint it for me. But the

2086
01:33:05,160 --> 01:33:07,479
Speaker 1: cover looks cool, looks like a cool piece of art.

2087
01:33:08,040 --> 01:33:09,880
Speaker 1: I come from the NBA Live era when you had

2088
01:33:09,880 --> 01:33:13,080
Speaker 1: to sub in Kobe, Oh my god, you haven't played.

2089
01:33:13,520 --> 01:33:14,599
Speaker 1: That was years ago.

2090
01:33:14,880 --> 01:33:17,080
Speaker 2: It was a live ninety eight maybe yeah, that was

2091
01:33:17,479 --> 01:33:21,960
Speaker 2: seven subbing and Kobe, that just sounds sweater god vividly

2092
01:33:22,000 --> 01:33:26,040
Speaker 2: remember that Pierre Moss fashion show look crazy?

2093
01:33:26,680 --> 01:33:29,320
Speaker 1: That just looked beautiful. To shout out to that of

2094
01:33:29,560 --> 01:33:32,160
Speaker 1: Madam c. J. Walker's the State, Yeah it was upstate. Yeah,

2095
01:33:32,160 --> 01:33:34,000
Speaker 1: so I knew it was that. Madam c. J. Walker's

2096
01:33:34,840 --> 01:33:38,439
Speaker 1: a state I believe, which is historical and it's it's

2097
01:33:38,479 --> 01:33:40,759
Speaker 1: full circle. It shows how far we've come, how many

2098
01:33:41,280 --> 01:33:44,639
Speaker 1: barriers she helped to knock down for us in fashion

2099
01:33:44,680 --> 01:33:47,840
Speaker 1: and beauty. And shout out to Piermore, shout out to Kirby.

2100
01:33:48,320 --> 01:33:50,960
Speaker 1: Yeah for sure, No, that that looked amazing. That was

2101
01:33:50,960 --> 01:33:53,800
Speaker 1: one of those which I rarely have.

2102
01:33:53,960 --> 01:33:56,719
Speaker 2: The fomo ship I was looking at that ship, Like, damn,

2103
01:33:56,760 --> 01:33:58,280
Speaker 2: that would be something I would really go.

2104
01:33:58,560 --> 01:34:02,280
Speaker 1: It was dope that looked really out. Cribs is coming

2105
01:34:02,280 --> 01:34:05,680
Speaker 1: back on MTV. I just let's just leave. Let's just

2106
01:34:05,760 --> 01:34:09,400
Speaker 1: leave that there to fester. It is just do you

2107
01:34:09,479 --> 01:34:11,080
Speaker 1: do you do you smell a rollout? Is this part

2108
01:34:11,080 --> 01:34:13,559
Speaker 1: of the rollouts? It may be.

2109
01:34:14,400 --> 01:34:16,400
Speaker 2: I just think Cribs a little different now because of

2110
01:34:16,400 --> 01:34:19,080
Speaker 2: the Internet. People are too accessible.

2111
01:34:19,160 --> 01:34:21,800
Speaker 1: Like, yeah, they show their cribs every day on Instagram.

2112
01:34:21,640 --> 01:34:24,840
Speaker 2: And we we could easily know who's lying when we

2113
01:34:24,920 --> 01:34:29,879
Speaker 2: didn't know before. Yeah, like yeah, like I remember watching

2114
01:34:30,160 --> 01:34:34,680
Speaker 2: Joe Rule on MTV Cribs not even knowing how to

2115
01:34:34,760 --> 01:34:35,559
Speaker 2: navigate the house.

2116
01:34:36,840 --> 01:34:38,519
Speaker 1: I mean, listen, man, what you want? You know what

2117
01:34:38,520 --> 01:34:38,920
Speaker 1: I'm saying?

2118
01:34:39,040 --> 01:34:41,360
Speaker 2: Like I just got He had no idea where he was.

2119
01:34:41,479 --> 01:34:43,960
Speaker 1: Yeah, I just got here. We want me to do? Like, yeah,

2120
01:34:44,000 --> 01:34:46,439
Speaker 1: I'm in Miami. I guess yeah, Like I don't know

2121
01:34:46,439 --> 01:34:48,840
Speaker 1: what this door does where it leads to. But he

2122
01:34:48,920 --> 01:34:50,920
Speaker 1: was probably I hope was that this in this Cribs.

2123
01:34:51,040 --> 01:34:52,680
Speaker 1: I was not there. He was definitely I heard he

2124
01:34:52,720 --> 01:34:54,720
Speaker 1: was about to get your joke. Was not there. There

2125
01:34:54,760 --> 01:34:57,479
Speaker 1: was nowhere near that house. There was no think I'm joking.

2126
01:34:57,479 --> 01:34:59,000
Speaker 1: I just assume you be there. No, I wasn't there.

2127
01:35:00,040 --> 01:35:03,040
Speaker 1: Definitely not. Have you watched Dave on FX season two?

2128
01:35:03,600 --> 01:35:06,439
Speaker 1: I didn't except you, so I didn't see. I watched

2129
01:35:06,439 --> 01:35:11,280
Speaker 1: the first two episodes. Uh, one of my favorite shows. Man,

2130
01:35:11,960 --> 01:35:15,320
Speaker 1: this is one of my favorite shows. I started following

2131
01:35:15,360 --> 01:35:17,519
Speaker 1: him on Instagram. I didn't even know he had Instagram.

2132
01:35:17,960 --> 01:35:20,559
Speaker 2: I don't know if I'm that invested in Little Dicky.

2133
01:35:20,920 --> 01:35:23,280
Speaker 1: No, I mean, I'm not invested, Paul.

2134
01:35:23,320 --> 01:35:25,000
Speaker 2: I mean if you're pausing me for me packing, I'm

2135
01:35:25,000 --> 01:35:26,599
Speaker 2: pausing you for being invested in Little Dickey.

2136
01:35:26,720 --> 01:35:30,559
Speaker 1: But yeah, that was nasty. That was disgusting, and I

2137
01:35:30,560 --> 01:35:32,439
Speaker 1: think I tripled on the I'm invested, right, I said

2138
01:35:32,439 --> 01:35:34,320
Speaker 1: it three times, you double. I tried to give you

2139
01:35:34,360 --> 01:35:37,600
Speaker 1: a way out to whom I becoming disgusting. Get a

2140
01:35:37,640 --> 01:35:38,400
Speaker 1: hold of yourself.

2141
01:35:38,600 --> 01:35:42,400
Speaker 2: But now that the show is fucking great, I'm never

2142
01:35:42,479 --> 01:35:44,519
Speaker 2: gonna Well, yes, I am the guy that says you can.

2143
01:35:44,800 --> 01:35:48,960
Speaker 2: It's hard to top your first album. Season one was incredible. Yeah,

2144
01:35:49,160 --> 01:35:50,280
Speaker 2: Season two is good so far.

2145
01:35:50,600 --> 01:35:54,120
Speaker 1: It's definitely the One thing I do notice is to

2146
01:35:54,200 --> 01:35:57,200
Speaker 1: my expectations, the budget is definitely bigger. Oh for sure,

2147
01:35:57,880 --> 01:36:00,320
Speaker 1: Like the budget I'm like, Okay, you can see where

2148
01:36:00,360 --> 01:36:00,960
Speaker 1: the money went.

2149
01:36:01,280 --> 01:36:04,240
Speaker 2: For sure, but no, it's it's a phenomenal show. It's

2150
01:36:04,280 --> 01:36:09,479
Speaker 2: amazing writing. I can't speak enough on The Dave Show.

2151
01:36:09,680 --> 01:36:11,400
Speaker 2: It just makes me want Atlanta to come back to.

2152
01:36:11,720 --> 01:36:15,639
Speaker 1: Yeah, Atlanta was another show that I think not enough

2153
01:36:15,640 --> 01:36:19,360
Speaker 1: people paid attention to when it was when they debuted.

2154
01:36:19,560 --> 01:36:21,080
Speaker 1: I don't think a lot of people paid it enough.

2155
01:36:21,120 --> 01:36:24,720
Speaker 1: People paid attention to Atlanta. Was it the episode one

2156
01:36:24,760 --> 01:36:25,120
Speaker 1: of Dave?

2157
01:36:25,160 --> 01:36:27,400
Speaker 2: When? And I don't want to spoil things, but it's

2158
01:36:27,400 --> 01:36:30,080
Speaker 2: been out for a minute, so fuck y'all. The k

2159
01:36:30,120 --> 01:36:33,160
Speaker 2: pop episode? Was that episode one on the first season? No?

2160
01:36:33,280 --> 01:36:37,479
Speaker 2: Second season? The Korean pop shit? Maybe it was the

2161
01:36:37,520 --> 01:36:38,320
Speaker 2: second episode.

2162
01:36:38,400 --> 01:36:40,799
Speaker 1: I think it was the second.

2163
01:36:41,040 --> 01:36:44,599
Speaker 2: Well, the k pop artist her stunt double jumps off

2164
01:36:44,600 --> 01:36:47,880
Speaker 2: the buildings.

2165
01:36:48,560 --> 01:36:50,479
Speaker 1: Part of me and this is gonna make me sound

2166
01:36:50,520 --> 01:36:51,000
Speaker 1: really sick.

2167
01:36:51,479 --> 01:36:53,360
Speaker 2: I thought she did kill herself, and I was like, Oh,

2168
01:36:53,360 --> 01:36:55,120
Speaker 2: this is about to be the greatest season of all time.

2169
01:36:55,280 --> 01:36:59,479
Speaker 2: If on FX people are offering themselves from buildings. I

2170
01:36:59,560 --> 01:37:01,920
Speaker 2: was mad when that's how sick I am. When she

2171
01:37:02,080 --> 01:37:04,280
Speaker 2: hit the we realized it was a pad and that

2172
01:37:04,400 --> 01:37:06,120
Speaker 2: wasn't even her. I was like, oh, Damn.

2173
01:37:07,360 --> 01:37:09,120
Speaker 1: I thought I thought Dave was taking it there, like

2174
01:37:09,360 --> 01:37:12,040
Speaker 1: what you get upset about. No, Dave is not being

2175
01:37:12,080 --> 01:37:15,320
Speaker 1: that dark. I did like that.

2176
01:37:15,479 --> 01:37:19,920
Speaker 2: Uh Andrew Uh Santino is that his last name. He's

2177
01:37:19,920 --> 01:37:21,599
Speaker 2: a really funny comedian.

2178
01:37:21,600 --> 01:37:23,439
Speaker 1: I like his stand up. I like his podcast too.

2179
01:37:23,800 --> 01:37:26,560
Speaker 2: Andrew Santino finally talked about the plight of redheads.

2180
01:37:27,400 --> 01:37:28,000
Speaker 1: You guys just.

2181
01:37:27,960 --> 01:37:30,679
Speaker 2: Don't really understand, like what that was like to grow

2182
01:37:30,760 --> 01:37:32,680
Speaker 2: up as a pale skin redhead kid.

2183
01:37:32,760 --> 01:37:36,519
Speaker 1: It was. It was a bully. It was the fucking

2184
01:37:36,560 --> 01:37:39,599
Speaker 1: bull to the red thing. Yeah, but you know how

2185
01:37:39,640 --> 01:37:41,040
Speaker 1: it is. All you had to was punch one bully

2186
01:37:41,040 --> 01:37:45,760
Speaker 1: in the nose one. I mean that ends everything. That's

2187
01:37:46,000 --> 01:37:46,439
Speaker 1: bunch one.

2188
01:37:46,360 --> 01:37:48,680
Speaker 2: That my dad told me at a young age. And

2189
01:37:48,760 --> 01:37:50,800
Speaker 2: I tried it and I still got beat up, but.

2190
01:37:50,760 --> 01:37:52,600
Speaker 1: At least but it's a different beat up though, like

2191
01:37:52,640 --> 01:37:56,240
Speaker 1: they're not oh for sure, they don't know he'll fight back,

2192
01:37:56,320 --> 01:37:57,559
Speaker 1: like you gotta really fuck him up.

2193
01:37:57,880 --> 01:38:00,080
Speaker 2: But I will say I did always kind of like

2194
01:38:01,439 --> 01:38:03,960
Speaker 2: I hated being a redhead growing up because, like jokes aside,

2195
01:38:04,200 --> 01:38:05,880
Speaker 2: that is like the number one let's go pick on

2196
01:38:05,960 --> 01:38:10,599
Speaker 2: him thing. Yeah, in retrospect, I kind of appreciate it now,

2197
01:38:10,680 --> 01:38:14,680
Speaker 2: because that's the only thing they focused on. Like in

2198
01:38:14,760 --> 01:38:17,439
Speaker 2: those like roasting sessions of like it would just go

2199
01:38:17,560 --> 01:38:20,400
Speaker 2: right to the most stereotypical redhead jokes and like I

2200
01:38:20,520 --> 01:38:22,360
Speaker 2: was all right and kind of funny and could snap

2201
01:38:22,360 --> 01:38:25,120
Speaker 2: a little bit. They only just went to like the

2202
01:38:25,200 --> 01:38:30,439
Speaker 2: really they never like really dissected. They just stayed at

2203
01:38:30,479 --> 01:38:31,960
Speaker 2: the redhead shit like it could have got it could

2204
01:38:32,000 --> 01:38:32,920
Speaker 2: have gotten nastier for me.

2205
01:38:33,080 --> 01:38:36,320
Speaker 1: That's interesting because so there are more similarities in our culture.

2206
01:38:36,360 --> 01:38:39,080
Speaker 1: And as a redhead growing up, they went to that. Yeah,

2207
01:38:39,080 --> 01:38:41,080
Speaker 1: as a black kid growing up, if something was missing,

2208
01:38:41,120 --> 01:38:42,920
Speaker 1: they went to that. It was just us. It was like, yo,

2209
01:38:43,479 --> 01:38:46,040
Speaker 1: you'd be stealing shit. Your mom just broke like it

2210
01:38:46,120 --> 01:38:48,920
Speaker 1: always went to like financial like it's like, fam, it's

2211
01:38:48,920 --> 01:38:52,640
Speaker 1: more to me than just like there's other things you

2212
01:38:52,640 --> 01:38:54,840
Speaker 1: could joke on, like you could stop talking about my

2213
01:38:54,920 --> 01:38:55,879
Speaker 1: financial troubles.

2214
01:38:55,920 --> 01:38:58,080
Speaker 2: Like, but as you got older, that kind of separated

2215
01:38:58,080 --> 01:39:00,720
Speaker 2: the snappers from the like when they started getting into

2216
01:39:00,760 --> 01:39:03,360
Speaker 2: other shit, Like when they started dissecting your ankles, it

2217
01:39:03,439 --> 01:39:06,120
Speaker 2: was like, all right, fam, I can't wear ankle size anymore.

2218
01:39:06,160 --> 01:39:07,760
Speaker 1: But that was the thing, Like I tell people all

2219
01:39:07,800 --> 01:39:12,120
Speaker 1: the time, like you you learned how to dress from

2220
01:39:12,320 --> 01:39:15,719
Speaker 1: getting snapped on to this day. You know what I'm saying.

2221
01:39:15,720 --> 01:39:18,760
Speaker 1: Like on my block, it was literally like everybody would

2222
01:39:18,760 --> 01:39:21,479
Speaker 1: be on like the far corner, Like everybody would come

2223
01:39:21,479 --> 01:39:22,960
Speaker 1: from all the buildings and it would just stand on

2224
01:39:22,960 --> 01:39:26,760
Speaker 1: one corner. And so my building, when I used to

2225
01:39:26,760 --> 01:39:27,960
Speaker 1: come out the building, I always have to walk to

2226
01:39:28,000 --> 01:39:31,040
Speaker 1: the right to the corner. And literally I'm talking about

2227
01:39:31,040 --> 01:39:33,240
Speaker 1: from the time you lock eyes with the homies on

2228
01:39:33,240 --> 01:39:35,839
Speaker 1: the corner, you could tell if your fit was trash

2229
01:39:36,000 --> 01:39:38,719
Speaker 1: or not, cause if niggas just fall out and start

2230
01:39:38,760 --> 01:39:41,320
Speaker 1: laughing and I'm the only one walking towards the corner. Apecially,

2231
01:39:41,320 --> 01:39:43,680
Speaker 1: if you're walking with confidence, that's like, yo, come on,

2232
01:39:43,720 --> 01:39:46,000
Speaker 1: I thought this was it fellas like and then they

2233
01:39:46,200 --> 01:39:47,920
Speaker 1: just kill you for that, and then you can't go

2234
01:39:48,080 --> 01:39:49,360
Speaker 1: change because it makes it worse.

2235
01:39:49,560 --> 01:39:51,559
Speaker 2: Or when you try to avoid because you know how

2236
01:39:51,600 --> 01:39:53,120
Speaker 2: you look, and you try to avoid where you know

2237
01:39:53,160 --> 01:39:54,920
Speaker 2: people are going to bag, you still run into them

2238
01:39:54,960 --> 01:39:56,800
Speaker 2: and then they go run to where everyone is to

2239
01:39:56,920 --> 01:39:58,639
Speaker 2: let everyone know how they saw you.

2240
01:39:58,760 --> 01:40:00,760
Speaker 1: Oh my god. And nothing is worse than walking up

2241
01:40:00,760 --> 01:40:02,840
Speaker 1: to your friends while they're laughing about your outfit and

2242
01:40:02,840 --> 01:40:04,519
Speaker 1: you're trying to give them dap and say what's up?

2243
01:40:05,000 --> 01:40:06,840
Speaker 1: Like everyone's on the floor laughing. They don't want to

2244
01:40:06,840 --> 01:40:08,320
Speaker 1: shake your hand, right, they don't want to give you that.

2245
01:40:08,640 --> 01:40:11,160
Speaker 1: But what are you wearing? I'm like, fam, I got

2246
01:40:11,160 --> 01:40:13,720
Speaker 1: on the new J's. These are new. None of y'all have. Yeah,

2247
01:40:13,760 --> 01:40:15,600
Speaker 1: but maybe I ain't go all the way with the

2248
01:40:15,720 --> 01:40:17,800
Speaker 1: lay like I should have. But y'all don't because that

2249
01:40:17,880 --> 01:40:19,679
Speaker 1: was the thing as long as you had the current

2250
01:40:19,760 --> 01:40:22,880
Speaker 1: sneakers on. But you could have. We wore gap jeans.

2251
01:40:22,920 --> 01:40:25,519
Speaker 1: That was the jeans when I was you know, Tommy.

2252
01:40:25,640 --> 01:40:27,320
Speaker 2: Dudes that would have the New Jordan's, but they would

2253
01:40:27,720 --> 01:40:31,040
Speaker 2: lay them too fucking tight, and the edge you laying with.

2254
01:40:32,840 --> 01:40:35,439
Speaker 1: I don't care how you saw. That's how you had

2255
01:40:35,479 --> 01:40:37,360
Speaker 1: to learn. You had to get snapped on. You had

2256
01:40:37,400 --> 01:40:39,160
Speaker 1: to your friends had to laugh at you and tell

2257
01:40:39,200 --> 01:40:41,599
Speaker 1: you look ridiculous. And then you learn next time when

2258
01:40:41,640 --> 01:40:42,920
Speaker 1: you when you put your outfit out on the bed,

2259
01:40:42,960 --> 01:40:44,200
Speaker 1: like now they gonna laugh at this one.

2260
01:40:44,360 --> 01:40:47,160
Speaker 2: And but also that's when like they really found out

2261
01:40:47,439 --> 01:40:49,519
Speaker 2: if you came from a poor family, because you would

2262
01:40:49,520 --> 01:40:52,200
Speaker 2: come with like the new sneakers week one of like

2263
01:40:52,360 --> 01:40:55,360
Speaker 2: school m and then like Christmas would come around and

2264
01:40:55,360 --> 01:40:57,760
Speaker 2: you're still wearing the same like you didn't get the

2265
01:40:58,520 --> 01:41:00,680
Speaker 2: So even if you got the compliment, like on the

2266
01:41:00,720 --> 01:41:01,840
Speaker 2: first day of school.

2267
01:41:01,520 --> 01:41:03,639
Speaker 1: They were still watching you to say you were Yeah,

2268
01:41:03,640 --> 01:41:04,439
Speaker 1: you got to be consistent.

2269
01:41:05,280 --> 01:41:09,479
Speaker 2: That's how sick teenage boys are, Like they will sit

2270
01:41:09,560 --> 01:41:11,639
Speaker 2: and wait on the roast for six They'll be patient.

2271
01:41:11,680 --> 01:41:15,599
Speaker 1: Absolutely the part of being great. He looks, that's cool.

2272
01:41:15,640 --> 01:41:18,720
Speaker 1: Now I'll give let me see next months, let me

2273
01:41:18,720 --> 01:41:20,840
Speaker 1: see if you're gonna be consistent though, And but that

2274
01:41:21,000 --> 01:41:22,640
Speaker 1: was part of it, Like those are the things to

2275
01:41:22,680 --> 01:41:25,200
Speaker 1: me that made you who you are. But those are

2276
01:41:25,280 --> 01:41:28,719
Speaker 1: important times and growing up you had to get snapped

2277
01:41:28,760 --> 01:41:31,840
Speaker 1: on by your friends. It was part of growing up man, And.

2278
01:41:32,160 --> 01:41:34,880
Speaker 2: It started to let you know what you're comfortable with.

2279
01:41:34,960 --> 01:41:37,679
Speaker 2: Like you think I'm wearing striped gray pants right now.

2280
01:41:38,080 --> 01:41:40,559
Speaker 2: That didn't come from me getting roasted, exactly. I'm confident

2281
01:41:40,640 --> 01:41:42,400
Speaker 2: in wearing these. You know what I could do with

2282
01:41:42,479 --> 01:41:45,959
Speaker 2: you have to only because I've been killed forever exactly,

2283
01:41:46,800 --> 01:41:48,040
Speaker 2: like I know who I am now, I.

2284
01:41:48,040 --> 01:41:49,679
Speaker 1: Know how to push it off. But now I don't

2285
01:41:49,680 --> 01:41:52,400
Speaker 1: even know if if kids really go through that anymore.

2286
01:41:52,400 --> 01:41:55,679
Speaker 1: Now every all these young catchers win Blinciaga, these nings

2287
01:41:55,720 --> 01:41:57,320
Speaker 1: be wining eight hundred dollar jeans. I don't feel for

2288
01:41:57,320 --> 01:42:01,000
Speaker 1: the kids. I feel for their parents shiting getting it

2289
01:42:01,000 --> 01:42:01,400
Speaker 1: from somewhere.

2290
01:42:01,520 --> 01:42:04,760
Speaker 2: The sneakers I wanted, granted, were expensive for my mom,

2291
01:42:04,800 --> 01:42:07,000
Speaker 2: but I was never asked for no designer shit.

2292
01:42:07,240 --> 01:42:09,840
Speaker 1: But sneakers weren't even as expensive back when I was

2293
01:42:09,840 --> 01:42:12,840
Speaker 1: in high school. Yeah, like Jordan's was maybe the most

2294
01:42:12,880 --> 01:42:16,120
Speaker 1: expensive at like one hundred I'd say hundred and ten maybe, yeah,

2295
01:42:16,160 --> 01:42:18,120
Speaker 1: like maybe at that And that was like, you know,

2296
01:42:19,240 --> 01:42:20,599
Speaker 1: this is it. You know what I'm saying. You can

2297
01:42:20,600 --> 01:42:23,320
Speaker 1: get everything else, but you getting one pair of ease.

2298
01:42:23,439 --> 01:42:26,559
Speaker 1: But you know, I don't know these cats now they

2299
01:42:26,680 --> 01:42:29,479
Speaker 1: wearing eight hundred dollars Chanell sneakers to school.

2300
01:42:29,800 --> 01:42:31,760
Speaker 2: Yeah, and they're roasted each other online. So it don't

2301
01:42:31,760 --> 01:42:32,160
Speaker 2: count to me.

2302
01:42:32,680 --> 01:42:34,160
Speaker 1: Yeah, it just doesn't. It doesn't count me.

2303
01:42:34,240 --> 01:42:36,000
Speaker 2: It doesn't because you don't even know how far that

2304
01:42:36,040 --> 01:42:38,439
Speaker 2: could go to, Like, uh, and you got to hear

2305
01:42:38,479 --> 01:42:39,200
Speaker 2: it with your friend.

2306
01:42:39,240 --> 01:42:41,360
Speaker 1: You can't read the joke. You gotta hear it. There

2307
01:42:41,360 --> 01:42:44,679
Speaker 1: has to be delivery. Yeah, yea, yeah, I missed delivery.

2308
01:42:46,840 --> 01:42:51,120
Speaker 2: BMF Show executive produced by fifty September twenty sixth on

2309
01:42:51,400 --> 01:42:55,760
Speaker 2: Stars Okay, trailer looked crazy, looked like it was shot

2310
01:42:55,960 --> 01:42:57,160
Speaker 2: like for real, for real.

2311
01:42:57,760 --> 01:43:00,360
Speaker 1: This is the BMF one Okay show.

2312
01:43:01,520 --> 01:43:04,599
Speaker 2: Uh yeah, it's got like it looks like the same things,

2313
01:43:04,640 --> 01:43:08,639
Speaker 2: the same lenses as Snowfall. Like the ship is shot

2314
01:43:08,680 --> 01:43:11,599
Speaker 2: really well. It looks like a movie exactly. I'm really

2315
01:43:11,600 --> 01:43:14,479
Speaker 2: excited for this. Fifty hasn't missed on Stars. Fifty hasn't

2316
01:43:14,479 --> 01:43:15,760
Speaker 2: missed with the show, and.

2317
01:43:16,680 --> 01:43:20,800
Speaker 1: He's he's he's dominating the television game right now. And

2318
01:43:20,840 --> 01:43:22,599
Speaker 1: I like it because, you know, it's a it's an

2319
01:43:22,640 --> 01:43:26,920
Speaker 1: extension of storytelling through hip hop, through rap, and he's

2320
01:43:26,960 --> 01:43:30,160
Speaker 1: just taking stories that are important to our culture and

2321
01:43:30,280 --> 01:43:31,920
Speaker 1: just you know, putting them on the screen so that

2322
01:43:31,960 --> 01:43:35,639
Speaker 1: people can receive it in in in a different way.

2323
01:43:36,280 --> 01:43:41,080
Speaker 2: What's has there been The latest on on Meta's status

2324
01:43:41,160 --> 01:43:43,479
Speaker 2: is I haven't heard anything in a long time.

2325
01:43:43,560 --> 01:43:46,800
Speaker 1: No, but he should be coming home soon. I thought, so, yeah,

2326
01:43:46,800 --> 01:43:48,240
Speaker 1: he should be. He should be. He should be coming

2327
01:43:48,240 --> 01:43:51,680
Speaker 1: home soon because he's been He's been away for a

2328
01:43:51,720 --> 01:43:55,519
Speaker 1: lot of years, so I think he got somewhere around that.

2329
01:43:56,439 --> 01:43:59,200
Speaker 2: Can you look up Meta's what meta sentence was? Because

2330
01:43:59,240 --> 01:44:01,519
Speaker 2: I feel like he's be coming out coming home soon.

2331
01:44:04,640 --> 01:44:16,400
Speaker 2: Let's let's quickly look at this all right, he got thirty.

2332
01:44:12,479 --> 01:44:14,720
Speaker 1: Big meets actually federal prison eleven years early, he was

2333
01:44:14,720 --> 01:44:17,280
Speaker 1: rejected to appealed the decision and was getting rejected. The

2334
01:44:17,320 --> 01:44:19,240
Speaker 1: brothers were both arrested in two thousand and five two

2335
01:44:19,240 --> 01:44:22,240
Speaker 1: thousand and eight. Both were sentenced thirty years in federal prison. Okay,

2336
01:44:22,840 --> 01:44:27,840
Speaker 1: thirty years and two thousand, Yeah, that's a he's close

2337
01:44:27,880 --> 01:44:30,040
Speaker 1: to half done. I mean, if he has more appeals,

2338
01:44:30,080 --> 01:44:32,240
Speaker 1: we'll see, because I know there was some weird, fu

2339
01:44:32,320 --> 01:44:35,200
Speaker 1: gazy shit in that trial where they kind of had

2340
01:44:35,920 --> 01:44:39,600
Speaker 1: a real reason to appeal on what was going on. Nonetheless,

2341
01:44:40,680 --> 01:44:44,240
Speaker 1: a legend of our culture, you know, one of the

2342
01:44:44,240 --> 01:44:49,439
Speaker 1: biggest figures in our culture. And again shout out to

2343
01:44:49,479 --> 01:44:51,920
Speaker 1: fifty for putting this story together and putting it on

2344
01:44:51,920 --> 01:44:53,120
Speaker 1: the screen so people can see it.

2345
01:44:53,320 --> 01:44:56,600
Speaker 2: Yeah, and I think, again, I want to put out

2346
01:44:56,960 --> 01:45:00,280
Speaker 2: false facts, but I was. I'm under the impression that

2347
01:45:00,680 --> 01:45:03,400
Speaker 2: meet Your's son was heavily involved with Fifty and putting

2348
01:45:03,400 --> 01:45:04,200
Speaker 2: this together, which.

2349
01:45:04,000 --> 01:45:06,000
Speaker 1: I respect that. I love that, I respect that.

2350
01:45:06,479 --> 01:45:08,840
Speaker 2: I remember them talking early when Fifty was struck was

2351
01:45:08,840 --> 01:45:10,880
Speaker 2: pitching this the stars and that entire thing. I don't

2352
01:45:10,880 --> 01:45:12,760
Speaker 2: know what the status is now, but I know early

2353
01:45:12,800 --> 01:45:16,479
Speaker 2: that Mitya's son was involved, So I think that's that's

2354
01:45:16,479 --> 01:45:19,599
Speaker 2: great that his family can be part of, you know,

2355
01:45:19,920 --> 01:45:22,639
Speaker 2: a situation that did turn out a bit tragic.

2356
01:45:23,439 --> 01:45:27,040
Speaker 1: So yeah, but that's that's all I got. You got

2357
01:45:27,040 --> 01:45:27,559
Speaker 1: anything else?

2358
01:45:29,479 --> 01:45:29,719
Speaker 2: Nah?

2359
01:45:29,800 --> 01:45:37,280
Speaker 1: Man? Uh No, I don't have anything else. Uh no?

2360
01:45:37,920 --> 01:45:41,599
Speaker 1: Oh uh? Sports Cash dolls in it as she should

2361
01:45:41,640 --> 01:45:48,280
Speaker 1: be Detroit story. Dope, I didn't see. I didn't know that. Okay,

2362
01:45:48,360 --> 01:45:51,880
Speaker 1: you should have should have you, right, she ain't even

2363
01:45:51,920 --> 01:45:53,680
Speaker 1: call me, She ain't even called me tell me she

2364
01:45:53,720 --> 01:45:55,840
Speaker 1: was shooting this, I mean and das. You know how

2365
01:45:55,880 --> 01:46:02,120
Speaker 1: those goes can't even telling them, like ya, telling what

2366
01:46:02,160 --> 01:46:04,160
Speaker 1: I'm doing. I'm not doing that. They tracking the eye

2367
01:46:04,200 --> 01:46:10,320
Speaker 1: message something else. You were saying, Sports Serious tied to

2368
01:46:10,320 --> 01:46:14,160
Speaker 1: the two as we're recording this. Oh yeah, man, I'm

2369
01:46:14,800 --> 01:46:17,160
Speaker 1: that changed. Yeah, I'm a little. I'm a little I'm

2370
01:46:17,160 --> 01:46:20,240
Speaker 1: a little scared now man for Chris Paul Man, it's

2371
01:46:20,280 --> 01:46:22,320
Speaker 1: gonna break my heart of Chris. Don't get it. This ship, man,

2372
01:46:23,360 --> 01:46:25,559
Speaker 1: it's gonna break my heart. I'm rooting for them. I

2373
01:46:25,560 --> 01:46:27,360
Speaker 1: think they I think they're still gonna win it. I think.

2374
01:46:27,400 --> 01:46:29,040
Speaker 1: I think Milwaukee did what they were supposed to do.

2375
01:46:29,120 --> 01:46:33,080
Speaker 1: They went home and they protected home court and they

2376
01:46:33,120 --> 01:46:36,920
Speaker 1: won both games. But the ref and I don't like

2377
01:46:36,960 --> 01:46:39,479
Speaker 1: to I'm not one of those guys that watch sports

2378
01:46:39,520 --> 01:46:43,040
Speaker 1: and blames the refs, but the refs do have a

2379
01:46:43,080 --> 01:46:48,840
Speaker 1: significant amount of influence on the game. And the refs

2380
01:46:48,840 --> 01:46:51,240
Speaker 1: just need to be more consistent, that's all. I'm not

2381
01:46:51,320 --> 01:46:56,559
Speaker 1: gonna nitpick and say, but Game four down this. You know,

2382
01:46:56,760 --> 01:46:58,280
Speaker 1: the towards the end of the game, it just was

2383
01:46:58,320 --> 01:47:02,400
Speaker 1: a little too inconsistent for me with the calls. They

2384
01:47:02,439 --> 01:47:05,680
Speaker 1: missed a lot of calls, the out of bounds off

2385
01:47:05,680 --> 01:47:07,559
Speaker 1: of Devin Booker when it wasn't even out of bounds

2386
01:47:07,760 --> 01:47:09,160
Speaker 1: for him, but then they gave it back because they

2387
01:47:09,160 --> 01:47:11,000
Speaker 1: could have called him for a six file and they didn't.

2388
01:47:11,960 --> 01:47:14,200
Speaker 1: But it's just like those things to me, you know,

2389
01:47:14,240 --> 01:47:17,840
Speaker 1: it it goes, it just sways the game in a

2390
01:47:17,880 --> 01:47:20,360
Speaker 1: different way. Man. So and I get it. They on

2391
01:47:20,400 --> 01:47:22,080
Speaker 1: the court. They have to call things in real time

2392
01:47:22,160 --> 01:47:25,720
Speaker 1: as it's happening. That's not easy to do, but I mean,

2393
01:47:25,920 --> 01:47:28,519
Speaker 1: you gotta we gotta do something. It has to be

2394
01:47:28,560 --> 01:47:31,000
Speaker 1: a little more consistent. But I think it's a great finals.

2395
01:47:31,000 --> 01:47:33,200
Speaker 1: I'm not mad. I did have the Sons in four,

2396
01:47:34,400 --> 01:47:36,960
Speaker 1: but you know, looking at the series now, I'm not

2397
01:47:37,040 --> 01:47:39,360
Speaker 1: mad at seeing seven games of this. Yeah, I was

2398
01:47:39,360 --> 01:47:42,880
Speaker 1: gonna say, yeah, this closed this exciting. I'm not mad

2399
01:47:42,880 --> 01:47:44,320
Speaker 1: at it. I think it's a lot of a lot

2400
01:47:44,320 --> 01:47:48,000
Speaker 1: of good players on the floors. It's fun basketball. I'm

2401
01:47:48,040 --> 01:47:50,080
Speaker 1: not mad at I still I still have the Sons winning, though.

2402
01:47:50,080 --> 01:47:52,040
Speaker 1: I think I think Chris Paul and Devin Booker just

2403
01:47:52,680 --> 01:47:54,679
Speaker 1: they might be a little too much in the seven

2404
01:47:54,720 --> 01:47:55,320
Speaker 1: game series.

2405
01:47:55,439 --> 01:47:58,760
Speaker 2: You think Sons and seven if it goes seven years,

2406
01:47:58,800 --> 01:48:01,320
Speaker 2: Sons and seven. Okay, Yeah, I still got I think

2407
01:48:01,360 --> 01:48:03,200
Speaker 2: I think it'll go seven. Yeah, I still got the

2408
01:48:03,200 --> 01:48:05,639
Speaker 2: Sons winning it in game seven would be in Phoenix.

2409
01:48:05,680 --> 01:48:09,600
Speaker 2: So yeah, you know, off these last two games, I

2410
01:48:09,640 --> 01:48:12,040
Speaker 2: can't really see one of these teams win into in a.

2411
01:48:12,040 --> 01:48:12,479
Speaker 1: Row right now.

2412
01:48:12,560 --> 01:48:12,760
Speaker 2: Yeah.

2413
01:48:12,760 --> 01:48:17,160
Speaker 1: It was again, man, I the Sons just, you know,

2414
01:48:17,280 --> 01:48:19,479
Speaker 1: I think they when they won those first two games,

2415
01:48:19,520 --> 01:48:22,280
Speaker 1: I think they may have felt like Milwaukee was just

2416
01:48:22,320 --> 01:48:25,200
Speaker 1: gonna lay down and just give up and just kind

2417
01:48:25,200 --> 01:48:27,960
Speaker 1: of like we're down two oh and whatever. But I

2418
01:48:27,960 --> 01:48:30,760
Speaker 1: think I think I think Phoenix, I think they have

2419
01:48:31,000 --> 01:48:34,360
Speaker 1: enough to to figure this ship out, going back, going

2420
01:48:34,360 --> 01:48:35,840
Speaker 1: back home, getting to win in Game five?

2421
01:48:38,800 --> 01:48:42,320
Speaker 2: Any uh Knicks insider information? We getting a point guard?

2422
01:48:42,439 --> 01:48:46,280
Speaker 1: Like? I don't know, man, I haven't I haven't spoken

2423
01:48:46,280 --> 01:48:48,439
Speaker 1: to Julius and not not like he would tell me,

2424
01:48:48,880 --> 01:48:50,360
Speaker 1: not like I would ask. I wouldn't even ask what

2425
01:48:50,360 --> 01:48:54,240
Speaker 1: they're doing. But no, I don't know, man, I don't

2426
01:48:54,240 --> 01:48:55,880
Speaker 1: know what the Knicks is gonna do. They do need

2427
01:48:55,920 --> 01:48:59,000
Speaker 1: a point guard, they do need a point guard, but

2428
01:49:01,160 --> 01:49:03,080
Speaker 1: I don't know. I don't know. I don't know what.

2429
01:49:03,600 --> 01:49:05,960
Speaker 2: Get in the front office, man, they need me in

2430
01:49:06,000 --> 01:49:08,080
Speaker 2: the front office, And I'm just saying to.

2431
01:49:08,120 --> 01:49:10,280
Speaker 1: Go to the front like standing in front of you.

2432
01:49:10,479 --> 01:49:12,040
Speaker 2: Just go stand in front of the office and started

2433
01:49:12,240 --> 01:49:17,360
Speaker 2: and start yelling ship, Yeah a point guard in this

2434
01:49:17,479 --> 01:49:20,880
Speaker 2: fucking building. Yeah, I'm walking around. I don't see a

2435
01:49:20,920 --> 01:49:21,599
Speaker 2: point anywhere.

2436
01:49:21,720 --> 01:49:24,080
Speaker 1: Yeah, man, I don't know. The Knicks. Hopefully they they

2437
01:49:24,120 --> 01:49:26,200
Speaker 1: did get one, though, because they they got exposed in

2438
01:49:26,240 --> 01:49:27,800
Speaker 1: that serious because Atlanta. I feel like they should have

2439
01:49:27,840 --> 01:49:28,760
Speaker 1: beat Atlanta. I still do.

2440
01:49:29,120 --> 01:49:32,240
Speaker 2: Well. I think a lot of people didn't realize Atlanta

2441
01:49:32,400 --> 01:49:34,280
Speaker 2: was for real the way they was for real.

2442
01:49:34,360 --> 01:49:36,080
Speaker 1: In this I knew, I knew they were. I knew

2443
01:49:36,080 --> 01:49:38,120
Speaker 1: Atlanta was for real, but I you know, I just

2444
01:49:38,120 --> 01:49:41,240
Speaker 1: felt like the Knicks just they played so much better

2445
01:49:41,240 --> 01:49:44,160
Speaker 1: in the regular season, and you know, Trey Young was

2446
01:49:44,240 --> 01:49:46,800
Speaker 1: just again they got exposed at the point guard spot.

2447
01:49:47,120 --> 01:49:49,599
Speaker 1: They was asking d Rose a little bit too much

2448
01:49:49,680 --> 01:49:52,280
Speaker 1: to to do and carry too much of the low

2449
01:49:52,800 --> 01:49:55,360
Speaker 1: Julius didn't play, you know, as well as he could have.

2450
01:49:56,760 --> 01:49:59,800
Speaker 1: But they'll be back. They'll be back next year. I

2451
01:49:59,800 --> 01:50:01,280
Speaker 1: think then. I think the Knicks are going to be

2452
01:50:01,320 --> 01:50:08,200
Speaker 1: a consistent playoff team. Yeah, that what you got planning for? Oh, Atlanta.

2453
01:50:08,680 --> 01:50:10,519
Speaker 1: I've been in Atlanta right now. I think I'm gonna

2454
01:50:10,520 --> 01:50:13,400
Speaker 1: meet you in l A. Yeah, we should do something thing.

2455
01:50:13,439 --> 01:50:16,400
Speaker 1: We could get some get some ship done in l A.

2456
01:50:16,880 --> 01:50:20,320
Speaker 1: I'll be hiding in Atlanta. It's too wild out there

2457
01:50:20,320 --> 01:50:21,639
Speaker 1: for me. Atlanta.

2458
01:50:21,880 --> 01:50:25,160
Speaker 2: Yeah, I'll be I love studio to the hotel. I

2459
01:50:25,160 --> 01:50:25,880
Speaker 2: love Atlanta too.

2460
01:50:25,960 --> 01:50:26,200
Speaker 1: Yeah.

2461
01:50:26,280 --> 01:50:28,759
Speaker 2: I just I just know when I'm out there alone,

2462
01:50:28,960 --> 01:50:31,760
Speaker 2: it's probably better to just go to the studio and

2463
01:50:31,800 --> 01:50:32,920
Speaker 2: go to the hotel.

2464
01:50:33,040 --> 01:50:37,160
Speaker 1: Just work is to eat right back to work, man.

2465
01:50:37,760 --> 01:50:41,280
Speaker 1: So I'll be laying low. I'll be at j R. Crickets,

2466
01:50:41,280 --> 01:50:44,880
Speaker 1: maybe take out. So yeah, I'm gonna meet you in LA.

2467
01:50:45,000 --> 01:50:47,559
Speaker 1: We get some work done, man, enjoy some some good weather.

2468
01:50:49,800 --> 01:50:54,360
Speaker 1: I don't know, maybe hit a few parties. Chelsee got

2469
01:50:54,400 --> 01:50:55,840
Speaker 1: you you got your good cut. You gotta go out

2470
01:50:55,840 --> 01:50:56,919
Speaker 1: when you got the good cut.

2471
01:50:56,960 --> 01:51:01,360
Speaker 2: I got and knock on wood. I don't feel sick.

2472
01:51:01,840 --> 01:51:03,080
Speaker 2: And last time we were in l A, I was,

2473
01:51:03,840 --> 01:51:06,439
Speaker 2: I think physically dying. Yeah, so maybe I'll actually go

2474
01:51:06,439 --> 01:51:08,720
Speaker 2: outside the this is your rematch, this is you get

2475
01:51:08,720 --> 01:51:11,360
Speaker 2: to get the fight l A again. Yeah yeah, yeah,

2476
01:51:11,360 --> 01:51:14,439
Speaker 2: and hopefully I don't McGregor my ankle, right, But.

2477
01:51:15,920 --> 01:51:19,880
Speaker 1: That's that's what I'm sorry. It's my Irish brother. Proud

2478
01:51:19,880 --> 01:51:23,639
Speaker 1: does feel about that. I think he might be done, man,

2479
01:51:25,040 --> 01:51:27,519
Speaker 1: I think he thinks he might be done prior to

2480
01:51:27,560 --> 01:51:29,519
Speaker 1: this fight too. I think I think he's done. I

2481
01:51:29,520 --> 01:51:34,639
Speaker 1: think McGregor, I think he that injury one. I don't

2482
01:51:34,640 --> 01:51:38,599
Speaker 1: think that his uh, his main focus is fighting anymore.

2483
01:51:38,880 --> 01:51:41,000
Speaker 1: I don't think it has been for a little while now.

2484
01:51:41,040 --> 01:51:41,200
Speaker 2: Yeah.

2485
01:51:41,240 --> 01:51:44,839
Speaker 1: I think that fire, that fire that he had climbing,

2486
01:51:44,920 --> 01:51:46,880
Speaker 1: you know, to success. I think you know, once you

2487
01:51:46,920 --> 01:51:48,960
Speaker 1: attain it, it's hard to keep that same hunger because

2488
01:51:48,960 --> 01:51:52,080
Speaker 1: now you've reached your goals. And I mean, of course

2489
01:51:52,080 --> 01:51:54,960
Speaker 1: you can keep setting goals, but just looking at McGregor

2490
01:51:55,040 --> 01:51:57,839
Speaker 1: the last few fights, he doesn't look like he's, uh,

2491
01:51:58,320 --> 01:52:00,720
Speaker 1: he's all the way there. Yeah, look like he's kind

2492
01:52:00,720 --> 01:52:02,800
Speaker 1: of like he expects to just walk in the ring

2493
01:52:02,840 --> 01:52:05,080
Speaker 1: and that cats are just gonna lay down, and but

2494
01:52:05,120 --> 01:52:08,360
Speaker 1: that's not he has a target. They don't like him.

2495
01:52:08,520 --> 01:52:13,200
Speaker 2: Fighters are running backs like to see a fighter have

2496
01:52:13,320 --> 01:52:17,080
Speaker 2: longevity is a rare fucking thing though, Like even the

2497
01:52:17,120 --> 01:52:18,840
Speaker 2: greatest you got a couple of years in you like

2498
01:52:19,600 --> 01:52:23,280
Speaker 2: just too violent for sure. Running backs, the greatest running

2499
01:52:23,280 --> 01:52:26,360
Speaker 2: backs like they don't have the longest seat. It's the

2500
01:52:26,400 --> 01:52:30,000
Speaker 2: most violent fucking position, like just grabbing a ball and

2501
01:52:30,080 --> 01:52:34,080
Speaker 2: running into larger dudes. Boxing, mm a, you're just getting

2502
01:52:34,120 --> 01:52:36,320
Speaker 2: your fucking head kicked in How long can you really

2503
01:52:36,320 --> 01:52:36,599
Speaker 2: do it?

2504
01:52:37,120 --> 01:52:38,800
Speaker 1: Yeah? It might, it might be over for Connor, but

2505
01:52:38,840 --> 01:52:42,799
Speaker 1: he's he's a legend, without without a doubt, he's a legend.

2506
01:52:42,920 --> 01:52:45,280
Speaker 1: So but that was that was that was he was

2507
01:52:45,280 --> 01:52:46,880
Speaker 1: losing that and no, you know he was losing that

2508
01:52:46,880 --> 01:52:50,439
Speaker 1: fight before did the injury. He was getting his ass kicked.

2509
01:52:50,520 --> 01:52:52,200
Speaker 1: So it's not even I'm not even looking thinking about

2510
01:52:52,200 --> 01:52:54,559
Speaker 1: the injury, just looking at the fight before the injury,

2511
01:52:54,600 --> 01:52:57,599
Speaker 1: it was just like he's just not there. He's not there.

2512
01:52:57,640 --> 01:52:59,000
Speaker 1: So I think it might be time for him to

2513
01:52:59,640 --> 01:53:01,880
Speaker 1: hang it up and just get into the promotion side.

2514
01:53:03,160 --> 01:53:06,960
Speaker 1: Go fight one of the Paul brothers. Why not. It's

2515
01:53:06,960 --> 01:53:08,880
Speaker 1: a bag dog.

2516
01:53:09,520 --> 01:53:13,120
Speaker 2: If we're talking about listen, and you know I'm more

2517
01:53:13,160 --> 01:53:15,920
Speaker 2: of a boxing fan than I am any type of

2518
01:53:15,920 --> 01:53:16,840
Speaker 2: mixed martial arts.

2519
01:53:17,920 --> 01:53:23,400
Speaker 1: If the Paul brothers step into an m m A ring, no, no, no, no,

2520
01:53:23,400 --> 01:53:23,800
Speaker 1: no, no no.

2521
01:53:24,080 --> 01:53:27,760
Speaker 2: If somebody can't fly in them, you can't. You can't

2522
01:53:27,800 --> 01:53:28,439
Speaker 2: step into that.

2523
01:53:28,520 --> 01:53:31,800
Speaker 1: You can't fake mmm. No. McGregor would be box Yeah,

2524
01:53:31,920 --> 01:53:34,720
Speaker 1: McGregor would be stepping into a boxing ring. No, they

2525
01:53:34,760 --> 01:53:38,559
Speaker 1: would never be stepping into no fuck. No, no tho

2526
01:53:38,800 --> 01:53:40,640
Speaker 1: the Paul brothers, No, not to They know not to

2527
01:53:40,680 --> 01:53:42,720
Speaker 1: do that. I would. No, that's a whole different that's

2528
01:53:42,760 --> 01:53:43,599
Speaker 1: a whole different thing.

2529
01:53:43,640 --> 01:53:45,559
Speaker 2: No, no, no, That's why I never believe that Mayweather

2530
01:53:46,080 --> 01:53:47,760
Speaker 2: was going to go into the m m A ship

2531
01:53:47,840 --> 01:53:49,719
Speaker 2: No greatest fighter.

2532
01:53:49,800 --> 01:53:51,880
Speaker 1: Yeah, I could argue at all time, you don't know.

2533
01:53:52,560 --> 01:53:54,400
Speaker 2: You don't play with that. That's like getting a tattoo

2534
01:53:54,400 --> 01:53:55,000
Speaker 2: when you're forty.

2535
01:53:55,680 --> 01:53:58,280
Speaker 1: Don't go into it. Don't do that just don't do it.

2536
01:53:58,280 --> 01:54:00,479
Speaker 1: It's certain things you just should not do. You should

2537
01:54:00,520 --> 01:54:02,800
Speaker 1: not play around with the UFC ring. Don't do that.

2538
01:54:02,960 --> 01:54:06,000
Speaker 2: Yeah, I'd be in the boxing gym watching the mixed

2539
01:54:06,000 --> 01:54:07,560
Speaker 2: martial arts guys.

2540
01:54:07,600 --> 01:54:10,080
Speaker 1: It's just different. It's different. It's different. It's just different.

2541
01:54:10,160 --> 01:54:12,160
Speaker 1: Leave those guys alone, like I have my shoes on.

2542
01:54:12,360 --> 01:54:16,880
Speaker 1: Yeah no, no, no, they're just different. It's leave that

2543
01:54:16,880 --> 01:54:19,439
Speaker 1: ship alone. You cannot fuck around with UFC. That mm

2544
01:54:19,479 --> 01:54:20,639
Speaker 1: a shit. Leave that ship alone.

2545
01:54:21,040 --> 01:54:24,200
Speaker 2: If you're at the dojo and somebody take their shoes off,

2546
01:54:26,200 --> 01:54:26,800
Speaker 2: ain't your time?

2547
01:54:26,840 --> 01:54:28,599
Speaker 1: And you know, I'm thinking it's a sound of respect,

2548
01:54:28,600 --> 01:54:30,280
Speaker 1: don't you. Ain't you supposed to take your shoes off

2549
01:54:30,280 --> 01:54:33,160
Speaker 1: of the dojo at world boxing gym. It's a little

2550
01:54:33,160 --> 01:54:34,920
Speaker 1: different if you have your shoes off. Yeah no. First

2551
01:54:34,960 --> 01:54:36,720
Speaker 1: of all, any man takes his shoes off before he

2552
01:54:36,760 --> 01:54:38,680
Speaker 1: fights you. That's what you're in the street fighting the

2553
01:54:38,760 --> 01:54:40,680
Speaker 1: dude like, hold up, let me take my You're not

2554
01:54:40,720 --> 01:54:45,760
Speaker 1: fighting a dude that's barefoot. Never, no, no, But that's

2555
01:54:45,840 --> 01:54:47,640
Speaker 1: we should table that. I like that.

2556
01:54:47,680 --> 01:54:51,200
Speaker 2: We keep tabling conversations, getting backs. Then we got to

2557
01:54:51,200 --> 01:54:53,280
Speaker 2: get into just the mix. The mixed martial art guy

2558
01:54:53,640 --> 01:54:54,080
Speaker 2: at the bar.

2559
01:54:55,080 --> 01:54:56,880
Speaker 1: You shouldn't get into the mixed mar leave him alone.

2560
01:54:56,920 --> 01:54:59,680
Speaker 1: Don't really know him. You don't know him. It is

2561
01:54:59,760 --> 01:55:02,640
Speaker 1: cheap go. They never lie. I know just I don't

2562
01:55:02,680 --> 01:55:05,680
Speaker 1: fight anymore. That's the thing. Like I just don't know

2563
01:55:05,680 --> 01:55:08,280
Speaker 1: who is who? Yeah, me neither see. I pay for dinners.

2564
01:55:08,520 --> 01:55:11,720
Speaker 2: Like listen, it's different. You can tell, like how someone

2565
01:55:11,760 --> 01:55:14,400
Speaker 2: walks sometimes, or their mannerisms. They have a gun, I

2566
01:55:14,440 --> 01:55:17,240
Speaker 2: can still see that. I still have that. Yeah, I

2567
01:55:17,280 --> 01:55:20,280
Speaker 2: don't know who does mm A anymore. It's impossible to spot.

2568
01:55:20,080 --> 01:55:22,760
Speaker 1: The coulie flower is usually give it away, but sometimes

2569
01:55:23,000 --> 01:55:25,080
Speaker 1: they don't have that. They'll know that type of ship.

2570
01:55:26,000 --> 01:55:29,240
Speaker 1: Let's just show love to everybody. Heap. It is love

2571
01:55:29,800 --> 01:55:32,720
Speaker 1: what you're drinking. Yeah see, there you go. Love and respect. Man.

2572
01:55:33,880 --> 01:55:37,440
Speaker 2: All right, man, cool episode. We'll see y'all next week.

2573
01:55:38,040 --> 01:55:40,000
Speaker 2: Actually have some cool ship dropping next week. Yeah, we

2574
01:55:40,040 --> 01:55:42,920
Speaker 2: have some some guest based things dropping next week that

2575
01:55:42,960 --> 01:55:46,360
Speaker 2: I'm excited to put out. Some more sketch shit coming out.

2576
01:55:46,960 --> 01:55:48,320
Speaker 2: I don't even need to. I don't even want to

2577
01:55:48,320 --> 01:55:50,440
Speaker 2: do the surprise anymore, because we want to stay consistent

2578
01:55:50,440 --> 01:55:52,800
Speaker 2: with this, try to keep ourselves honest, working man. We

2579
01:55:52,840 --> 01:55:55,520
Speaker 2: got constantly put out some different type of ship.

2580
01:55:55,640 --> 01:55:58,680
Speaker 1: The response was great, Yeah, well you did a great job.

2581
01:55:58,920 --> 01:56:02,200
Speaker 1: Thank you man, you did as well. Yeah, and we

2582
01:56:02,360 --> 01:56:05,600
Speaker 1: got we got. We don't want to give away too much,

2583
01:56:05,640 --> 01:56:06,920
Speaker 1: but we got. We got more shit coming.

2584
01:56:07,080 --> 01:56:10,120
Speaker 2: And I'm starting to really really tap into the sick

2585
01:56:10,200 --> 01:56:13,720
Speaker 2: individual I am with writing as you should. You know,

2586
01:56:13,920 --> 01:56:16,760
Speaker 2: like I'm I'm discovering new things about myself. Get terrified me.

2587
01:56:17,760 --> 01:56:19,160
Speaker 2: All right, see, I don't even want to know where

2588
01:56:19,160 --> 01:56:21,200
Speaker 2: you're going with it. But the one skit that we're

2589
01:56:21,200 --> 01:56:23,600
Speaker 2: working on now is gonna be hilarious. I started writing

2590
01:56:23,640 --> 01:56:25,480
Speaker 2: some of that ship as well, super funny, but yeah,

2591
01:56:25,640 --> 01:56:28,720
Speaker 2: I just realized that when no one understood that the

2592
01:56:28,760 --> 01:56:32,680
Speaker 2: first two jokes in that sketch, one was about hilarious

2593
01:56:32,720 --> 01:56:37,320
Speaker 2: people jumping off jumping onto the tracks to kill themselves,

2594
01:56:37,920 --> 01:56:40,520
Speaker 2: and then the second one blaming nine to eleven on gentrification,

2595
01:56:40,640 --> 01:56:42,720
Speaker 2: I was like, all right, maybe if you keep some

2596
01:56:42,800 --> 01:56:43,760
Speaker 2: of the six ships myself.

2597
01:56:43,840 --> 01:56:45,920
Speaker 1: It was gold, It was comedy gold. I loved it.

2598
01:56:46,040 --> 01:56:46,600
Speaker 1: I loved it.

2599
01:56:47,360 --> 01:56:50,440
Speaker 2: But yeah, all right, well we have another another crew

2600
01:56:50,480 --> 01:56:53,480
Speaker 2: coming in, so we'll hollered the people next week.

2601
01:56:53,640 --> 01:56:55,600
Speaker 1: Be safe. We'll be in l a.

2602
01:56:58,240 --> 01:57:00,960
Speaker 2: Be around doing whatever we do in La Catch me

2603
01:57:01,000 --> 01:57:02,840
Speaker 2: at Saddle Ranch Peace.

2604
01:57:06,240 --> 01:57:07,840
Speaker 1: No Willian Mound

2605
01:57:11,520 --> 01:57:11,560
Speaker 2: H