1 00:00:01,440 --> 00:00:05,200 Speaker 1: It's the best Bits of the week with Morgan number two. 2 00:00:06,600 --> 00:00:08,600 Speaker 1: What U is up, y'all? A happy weekend? Excited to 3 00:00:08,600 --> 00:00:11,639 Speaker 1: be hanging out with y'all for another beautiful weekend. Well 4 00:00:11,680 --> 00:00:13,880 Speaker 1: it was beautiful and Nashville, and then we got storms again. 5 00:00:13,920 --> 00:00:17,160 Speaker 1: I mean, I swear the weather is driving me crazy lately, 6 00:00:17,200 --> 00:00:20,000 Speaker 1: including my allergies. They do not know what's happening. I 7 00:00:20,040 --> 00:00:22,160 Speaker 1: hope you guys are having a great weekend, and I'm 8 00:00:22,160 --> 00:00:24,000 Speaker 1: so appreciative that you guys are hanging out with me 9 00:00:24,079 --> 00:00:26,800 Speaker 1: for just a little bit of it. Whether you're cleaning 10 00:00:26,880 --> 00:00:29,880 Speaker 1: your house while listening, driving your kids somewhere, or maybe 11 00:00:29,880 --> 00:00:32,040 Speaker 1: you're just hanging out with me on your couch with 12 00:00:32,080 --> 00:00:34,680 Speaker 1: your dog. Either way, I love that you're here. Make 13 00:00:34,680 --> 00:00:36,760 Speaker 1: sure you check out Part one. Though. This weekend, I 14 00:00:36,800 --> 00:00:38,919 Speaker 1: had on Eddie with me and we talked about some 15 00:00:38,920 --> 00:00:40,959 Speaker 1: fun things. He did have a birthday this week, so 16 00:00:41,040 --> 00:00:43,839 Speaker 1: I made sure to read him his horoscope because you know, 17 00:00:43,960 --> 00:00:45,839 Speaker 1: nobody on the show really believes in that, but I 18 00:00:45,920 --> 00:00:48,000 Speaker 1: love to read them. And then we also talked about 19 00:00:48,000 --> 00:00:49,760 Speaker 1: the things that we would like to own from a 20 00:00:49,840 --> 00:00:52,920 Speaker 1: celebrity and the thing we would like to be named after. 21 00:00:53,040 --> 00:00:54,800 Speaker 1: So just a lot going on over there with Eddie. 22 00:00:54,800 --> 00:00:56,960 Speaker 1: Those are always some fun conversations for me, so be 23 00:00:57,040 --> 00:00:59,840 Speaker 1: sure to check out part one before you dive in. 24 00:01:00,440 --> 00:01:03,160 Speaker 1: Right now to the best bits of the week. Luke 25 00:01:03,200 --> 00:01:04,920 Speaker 1: Holmes was on the show this week and he talked 26 00:01:04,920 --> 00:01:08,240 Speaker 1: about his brand new album and he also answered uncomfortable 27 00:01:08,319 --> 00:01:10,920 Speaker 1: questions from our listeners. Luke comes is always a fun interview. 28 00:01:10,920 --> 00:01:13,520 Speaker 1: He's just super down to earth and he's also going 29 00:01:13,560 --> 00:01:16,319 Speaker 1: to be a dad of two here very soon, and 30 00:01:16,360 --> 00:01:18,240 Speaker 1: he's got a big world toward. Just a lot happening 31 00:01:18,360 --> 00:01:20,920 Speaker 1: for this guy. And not to mention, he does sing 32 00:01:21,200 --> 00:01:25,800 Speaker 1: my wind song. So I particularly love Luke Combs number seven, 33 00:01:26,200 --> 00:01:30,800 Speaker 1: So Bobby Bones Show interview in case you didn't know, well, 34 00:01:30,840 --> 00:01:33,399 Speaker 1: if you don't know about Luke Combs, welcome and I 35 00:01:33,400 --> 00:01:37,240 Speaker 1: think you're gonna like him. Luke Combs massive superstar and 36 00:01:37,280 --> 00:01:41,200 Speaker 1: went to college for business Appalachian State University in North Carolina. 37 00:01:41,319 --> 00:01:44,319 Speaker 1: All of a sudden, can sing real good, starts playing 38 00:01:44,319 --> 00:01:47,120 Speaker 1: at local bars, got a new album out. It's kind 39 00:01:47,120 --> 00:01:49,040 Speaker 1: of the second part of his first album. But it's 40 00:01:49,040 --> 00:01:51,520 Speaker 1: out and it's gonna do so well and it's gonna 41 00:01:51,520 --> 00:01:54,280 Speaker 1: crush and so he's here, let's do it. Let's talk 42 00:01:54,280 --> 00:01:58,920 Speaker 1: to our guy. The Friday morning conversation with Luke Combs, Hey, buddy, 43 00:01:58,960 --> 00:02:00,480 Speaker 1: how are you good? How are you go? Way to 44 00:02:00,560 --> 00:02:02,040 Speaker 1: listen or email us? I don't want to forget this. 45 00:02:02,080 --> 00:02:03,520 Speaker 1: I want to bring it up to you now. He 46 00:02:03,640 --> 00:02:05,240 Speaker 1: wanted to know if it was a red flag that 47 00:02:05,360 --> 00:02:09,920 Speaker 1: his girlfriend for his birthday she got him one of 48 00:02:09,919 --> 00:02:14,519 Speaker 1: the shirts Columbia shirt pants like you wear. She wants 49 00:02:14,520 --> 00:02:15,960 Speaker 1: them to grow a beard out, and she also has 50 00:02:15,960 --> 00:02:18,400 Speaker 1: a big fascination with you. And he's like, is this 51 00:02:18,440 --> 00:02:20,440 Speaker 1: a red flag that she wants me to look like 52 00:02:20,520 --> 00:02:23,400 Speaker 1: Luke Combs? Not so much about you, specifically about her 53 00:02:23,560 --> 00:02:25,360 Speaker 1: wanting him to look like somebody else. I feel like 54 00:02:25,360 --> 00:02:27,640 Speaker 1: it may be more of a fetish Well that's what 55 00:02:27,639 --> 00:02:29,520 Speaker 1: I said. I used the word fetish too, Yeah, because 56 00:02:29,560 --> 00:02:32,520 Speaker 1: I have that towards you as well, and so I related, right, Yeah, 57 00:02:33,480 --> 00:02:35,720 Speaker 1: I mean I guess it depends what advice would you 58 00:02:35,720 --> 00:02:38,360 Speaker 1: give him. I mean, just have poor genetics on the 59 00:02:38,400 --> 00:02:41,200 Speaker 1: beard thing. If you really want to grow like a 60 00:02:41,320 --> 00:02:45,359 Speaker 1: really patchy beard, is yours patchy? It looks a plus 61 00:02:45,120 --> 00:02:48,359 Speaker 1: It's no, it's I appreciate it, but this is it. 62 00:02:48,639 --> 00:02:50,519 Speaker 1: This isn't t this is it. It's just all that 63 00:02:50,639 --> 00:02:53,560 Speaker 1: grows it like it's maxed out. But I think it 64 00:02:53,600 --> 00:02:57,320 Speaker 1: looks good. I never felt there's old patchy beard. I've 65 00:02:57,320 --> 00:02:59,240 Speaker 1: never said that about you walking in. It's very nicky, 66 00:02:59,280 --> 00:03:02,200 Speaker 1: you know. Don't wish it was more high. I don't 67 00:03:02,240 --> 00:03:04,560 Speaker 1: have that. Billy May's like, I get it high this thing, 68 00:03:04,639 --> 00:03:06,720 Speaker 1: you know, but after shave without my glasses on because 69 00:03:06,720 --> 00:03:08,480 Speaker 1: I'm blind and I always forget to shave up near 70 00:03:08,520 --> 00:03:11,000 Speaker 1: my eyes, it goes that high. It actually, yeah, it 71 00:03:11,000 --> 00:03:13,280 Speaker 1: actually covers my eyebo. I have harry eyes. Wow. Yeah, 72 00:03:13,280 --> 00:03:16,040 Speaker 1: it's weird. Uh, you have a new out. You don't 73 00:03:16,040 --> 00:03:17,239 Speaker 1: even have to do promotions at this point, so I 74 00:03:17,280 --> 00:03:19,480 Speaker 1: appreciate you coming by. I mean I told him at 75 00:03:19,480 --> 00:03:21,280 Speaker 1: the Graham It's like, this is the most anticipated thing 76 00:03:21,520 --> 00:03:23,920 Speaker 1: and forever. You literally could do no promotion at all 77 00:03:23,960 --> 00:03:25,359 Speaker 1: and it would be massive. And then I was looking 78 00:03:25,360 --> 00:03:27,840 Speaker 1: at us as well. The album's coming out today. It's 79 00:03:27,840 --> 00:03:30,120 Speaker 1: actually out today. It's called Getting Old's second part of 80 00:03:30,200 --> 00:03:32,480 Speaker 1: the first record, but it's its own record. Yeah, for sure, 81 00:03:32,639 --> 00:03:34,320 Speaker 1: different things, no doubt. And then I was like, oh, 82 00:03:34,400 --> 00:03:37,280 Speaker 1: let me just promote some Lukecomb shows and sold out 83 00:03:37,360 --> 00:03:39,760 Speaker 1: is next to every single one of them, except in Zurich, Switzerland, 84 00:03:39,760 --> 00:03:42,920 Speaker 1: where it was like five seats left. Yeah, so you 85 00:03:43,040 --> 00:03:46,680 Speaker 1: five people in Zurich. This is the promotion. Now he 86 00:03:46,760 --> 00:03:49,640 Speaker 1: needs to make like ninety more dollars anarily after fees, 87 00:03:49,680 --> 00:03:53,200 Speaker 1: and so if you're in Zurich, otherwise everything is sold out. 88 00:03:53,640 --> 00:03:56,080 Speaker 1: One of the issues that I have had, and I 89 00:03:56,120 --> 00:03:58,680 Speaker 1: think as someone who is so in tune with his fans, 90 00:03:59,440 --> 00:04:02,000 Speaker 1: you'll understand you probably have done many things, is it 91 00:04:02,040 --> 00:04:04,000 Speaker 1: people buy up the tickets from my shows and try 92 00:04:04,000 --> 00:04:05,440 Speaker 1: to resell them for like four times as much, and 93 00:04:05,440 --> 00:04:07,040 Speaker 1: I get and I'm like, don't buy them. I told Mala, 94 00:04:07,080 --> 00:04:09,240 Speaker 1: I don't buy the red tickets. If do you have 95 00:04:09,280 --> 00:04:11,000 Speaker 1: that issue where people are buying them reselling them when 96 00:04:10,960 --> 00:04:13,240 Speaker 1: you're just like, I'm just trying to get people into shows. Yeah, definitely, 97 00:04:13,320 --> 00:04:15,680 Speaker 1: I mean everybody does you know, um, we've been doing 98 00:04:15,720 --> 00:04:18,480 Speaker 1: ticket Master verified for years now. Does that help a 99 00:04:18,520 --> 00:04:21,080 Speaker 1: whole lot? It does? Yeah, it does help a whole lot. 100 00:04:21,120 --> 00:04:23,839 Speaker 1: I mean, obviously it's not you know, it's it's impossible 101 00:04:23,880 --> 00:04:29,000 Speaker 1: to stop right that from happening, you know, like entirely, 102 00:04:29,360 --> 00:04:31,760 Speaker 1: but it helps a lot. Here's what I suggest. Set 103 00:04:31,800 --> 00:04:32,840 Speaker 1: up a ticket booth and you're in it like a 104 00:04:32,920 --> 00:04:35,400 Speaker 1: kissing booth before the show, they come buy them from you, 105 00:04:35,800 --> 00:04:39,280 Speaker 1: right up. Yeah, then you walk them in, Yeah, to 106 00:04:39,400 --> 00:04:42,400 Speaker 1: the metal detector. Yeah, everybody gets in. I mean, I 107 00:04:42,480 --> 00:04:44,760 Speaker 1: definitely think that it's something. It's something that needs to 108 00:04:44,800 --> 00:04:47,240 Speaker 1: be addressed somehow, in some way, shape or form. Like, 109 00:04:47,600 --> 00:04:50,120 Speaker 1: I'm not smart enough to know let me ask you this, 110 00:04:50,320 --> 00:04:52,640 Speaker 1: but it does need to happen because you're killing it. Obviously, 111 00:04:52,640 --> 00:04:54,160 Speaker 1: you've been killing it since the moment he came out 112 00:04:54,160 --> 00:04:57,000 Speaker 1: of the womb. Are you starting to save footage for 113 00:04:57,200 --> 00:04:59,120 Speaker 1: in like fifteen or twenty years so you can do 114 00:04:59,240 --> 00:05:02,640 Speaker 1: like a Garth whole package of your career because almost 115 00:05:02,720 --> 00:05:05,960 Speaker 1: now it's your success has been I mean, I haven't 116 00:05:05,960 --> 00:05:09,000 Speaker 1: seen anything like it, And I hope you've been saving 117 00:05:09,040 --> 00:05:11,160 Speaker 1: stuff because it's gonna take this at some point for 118 00:05:11,160 --> 00:05:13,360 Speaker 1: you to have it. Yeah, we have a lot of stuff, 119 00:05:13,400 --> 00:05:15,120 Speaker 1: you know. I think we're kind of trying to do 120 00:05:15,160 --> 00:05:19,080 Speaker 1: that right now. Yeah. It's just odd though, It's like 121 00:05:19,120 --> 00:05:21,480 Speaker 1: the thought of that to me is really strange. But 122 00:05:21,640 --> 00:05:23,640 Speaker 1: you could recreate some of it though. Shape's beard You're 123 00:05:23,680 --> 00:05:27,840 Speaker 1: like I'm nineteen, I'm going to Russian for a guy. Yeah, 124 00:05:27,880 --> 00:05:30,120 Speaker 1: we don't have anything that far back, I think, which 125 00:05:30,200 --> 00:05:32,920 Speaker 1: is kind of but at the time it's like you're 126 00:05:32,960 --> 00:05:36,560 Speaker 1: not thinking, man, I should be taking pictures of this, 127 00:05:36,839 --> 00:05:38,840 Speaker 1: And it wasn't as even though it was, it wasn't 128 00:05:38,920 --> 00:05:41,840 Speaker 1: as social media where you're recording everything, where if somebody 129 00:05:41,839 --> 00:05:44,200 Speaker 1: who's nineteen now, they're just doing it because it's the lifestyle, right, 130 00:05:44,240 --> 00:05:46,480 Speaker 1: it's they just do it. They're just doing that. Anyways. 131 00:05:47,080 --> 00:05:48,680 Speaker 1: You know, I saw you get the Grammys in LA 132 00:05:49,040 --> 00:05:50,600 Speaker 1: Is that more of a nerve racking thing for you 133 00:05:50,640 --> 00:05:52,480 Speaker 1: because you're dressed up formal? Or is it? Is it 134 00:05:52,520 --> 00:05:55,560 Speaker 1: just a really cool show? No, I mean it's I 135 00:05:55,600 --> 00:06:00,359 Speaker 1: think it's different just because it's like it's the all thing. 136 00:06:00,400 --> 00:06:03,320 Speaker 1: It's just so different. I mean, it's so different than 137 00:06:03,920 --> 00:06:06,039 Speaker 1: you know, going on the CMAS or or you're going 138 00:06:06,040 --> 00:06:09,200 Speaker 1: on a CMS or something. It's just like at those shows, 139 00:06:09,240 --> 00:06:10,800 Speaker 1: you know, you kind of feel like you at least 140 00:06:11,120 --> 00:06:14,479 Speaker 1: halfway no everybody that's there, and then you just gotta 141 00:06:14,640 --> 00:06:16,120 Speaker 1: you know, you go to the Grammys and you're just 142 00:06:16,160 --> 00:06:20,560 Speaker 1: like one of a million people, you know, and it's 143 00:06:20,600 --> 00:06:24,760 Speaker 1: like it's just weird and everybody it's just I mean, 144 00:06:24,800 --> 00:06:27,280 Speaker 1: you know, you're dressed up formal, but it's like you 145 00:06:27,360 --> 00:06:28,920 Speaker 1: might as well be wearing a T shirt compared to 146 00:06:28,960 --> 00:06:30,560 Speaker 1: when everybody else is wearing you know what I mean. 147 00:06:31,200 --> 00:06:33,800 Speaker 1: Did you see anybody while you're performing? I don't know 148 00:06:33,800 --> 00:06:36,880 Speaker 1: how the lights situation was. Could you see anybody famous 149 00:06:36,920 --> 00:06:38,880 Speaker 1: while you're playing? Or were you so just dialed in? 150 00:06:39,120 --> 00:06:41,560 Speaker 1: I didn't look. I mean, I just like I just 151 00:06:41,600 --> 00:06:43,560 Speaker 1: didn't want to. I just try not to look. You know, 152 00:06:43,640 --> 00:06:45,880 Speaker 1: I'm also a horrible guitar player, so I was really 153 00:06:45,880 --> 00:06:49,400 Speaker 1: focused I'm not missing as well. Yeah, that was more 154 00:06:49,400 --> 00:06:51,680 Speaker 1: of my concern at that time. Luke Holmbs is here. 155 00:06:51,839 --> 00:06:55,279 Speaker 1: The new record is out today. It is called Getting Old, 156 00:06:55,520 --> 00:06:57,440 Speaker 1: which so talk about the project in general. When you 157 00:06:57,440 --> 00:06:59,000 Speaker 1: did the first half of this, did you know what 158 00:06:59,080 --> 00:07:02,600 Speaker 1: the Growing Up was gonna be first half? Yeah? I did, Yeah, 159 00:07:02,640 --> 00:07:06,120 Speaker 1: because I had I had a song, and I feel like, 160 00:07:06,160 --> 00:07:08,840 Speaker 1: really the way it worked out was just I mean, 161 00:07:08,839 --> 00:07:11,840 Speaker 1: we recorded over the last I don't know, three years, 162 00:07:11,880 --> 00:07:14,880 Speaker 1: which is just kind of I think of that time 163 00:07:14,920 --> 00:07:17,600 Speaker 1: frame of when we recorded Growing Up and when recorded 164 00:07:17,600 --> 00:07:20,720 Speaker 1: Getting Old, it's like they weren't separate, like all the 165 00:07:20,760 --> 00:07:23,000 Speaker 1: songs were kind of recorded in this two and a 166 00:07:23,000 --> 00:07:27,800 Speaker 1: half three year period. There were songs picked for growing Up, 167 00:07:27,880 --> 00:07:32,160 Speaker 1: which it feels entirely different to me than the next one. 168 00:07:32,560 --> 00:07:34,440 Speaker 1: I feel like that's the thing now everybody's putting out 169 00:07:34,480 --> 00:07:38,200 Speaker 1: like a big, huge thing and not there's anything wrong 170 00:07:38,240 --> 00:07:39,960 Speaker 1: with that. It's just not what I want to do 171 00:07:40,000 --> 00:07:42,560 Speaker 1: because I feel like it's I want each song to 172 00:07:42,640 --> 00:07:45,680 Speaker 1: kind of get a moment for people to have a 173 00:07:45,760 --> 00:07:47,400 Speaker 1: chance to hear it. I guess yeah, as a consumer, 174 00:07:47,400 --> 00:07:51,080 Speaker 1: if somebody puts out thirty songs, I never even hit 175 00:07:51,120 --> 00:07:54,720 Speaker 1: play on twenty of them. It's hard. Fans not there. 176 00:07:54,760 --> 00:07:57,480 Speaker 1: I'm four years old. Yeah, it's hard. I mean it 177 00:07:57,600 --> 00:07:59,760 Speaker 1: is hard. You know. Luke Combs is here. We're gonna 178 00:07:59,760 --> 00:08:02,880 Speaker 1: play Going, Going, Gone, the records out today, getting old 179 00:08:03,080 --> 00:08:04,760 Speaker 1: and go stream it. I'm sure you will. You probably 180 00:08:04,760 --> 00:08:06,040 Speaker 1: listening to that and not this show. So you're not 181 00:08:06,080 --> 00:08:07,840 Speaker 1: even hearing me say this right now. Tell me that 182 00:08:07,880 --> 00:08:10,360 Speaker 1: ain't some stuff. Tell me that it needed to DiCaprio movie. 183 00:08:10,720 --> 00:08:12,760 Speaker 1: What is that one called? Yeah? No me, that ain't 184 00:08:12,800 --> 00:08:14,520 Speaker 1: radio inception? Right there? They're not even hearing it, and 185 00:08:14,520 --> 00:08:17,040 Speaker 1: I'm talking to them. When you have to deal with 186 00:08:17,080 --> 00:08:18,920 Speaker 1: the lottery and you have the lottery ticket scratch off? 187 00:08:18,920 --> 00:08:21,440 Speaker 1: Did you ever get one and scratch? I didn't. I 188 00:08:21,480 --> 00:08:24,280 Speaker 1: got some. I got a feed like from fans actually, 189 00:08:24,320 --> 00:08:26,400 Speaker 1: and like if you would have one, would they have 190 00:08:26,480 --> 00:08:28,120 Speaker 1: given you the money? Or is that like me being 191 00:08:28,120 --> 00:08:30,160 Speaker 1: a call or ten one of our radio stations. I 192 00:08:30,160 --> 00:08:32,400 Speaker 1: feel like that's why I didn't like scratch them, you know, 193 00:08:32,720 --> 00:08:34,839 Speaker 1: like if it was like, what if this was one? 194 00:08:35,480 --> 00:08:36,720 Speaker 1: What did you do with them? Give them away? I 195 00:08:36,760 --> 00:08:41,880 Speaker 1: have them. I still have them. They're just unscratched lunch. 196 00:08:45,440 --> 00:08:47,679 Speaker 1: I'm imagining you get offered so many brand deals. Are 197 00:08:47,679 --> 00:08:49,520 Speaker 1: there any that just don't make sense? But you think, hey, 198 00:08:49,520 --> 00:08:51,439 Speaker 1: that's probably a great product, but it just ain't for 199 00:08:51,559 --> 00:08:53,400 Speaker 1: me specifically, so you don't do it. I don't know. 200 00:08:53,440 --> 00:08:56,080 Speaker 1: I had someone a couple of years ago try to 201 00:08:56,520 --> 00:08:58,960 Speaker 1: I don't remember who it was, but someone tried to, 202 00:08:58,960 --> 00:09:01,080 Speaker 1: like do they wanted me to do like a cereal? 203 00:09:01,520 --> 00:09:06,800 Speaker 1: And I was like, what is that? Oh? That's good. 204 00:09:07,120 --> 00:09:09,400 Speaker 1: I don't know. I just just sitting I mean, I 205 00:09:09,440 --> 00:09:11,959 Speaker 1: like cereal or whatever, but I don't know. I'm I 206 00:09:12,080 --> 00:09:14,839 Speaker 1: try to be like as picky as I can about 207 00:09:14,840 --> 00:09:16,839 Speaker 1: that because I have the ability to do that right. 208 00:09:16,880 --> 00:09:19,840 Speaker 1: So it's kind of like like protecting my brand in 209 00:09:19,880 --> 00:09:22,199 Speaker 1: a way by like not doing things I think is 210 00:09:22,240 --> 00:09:26,760 Speaker 1: more valuable than just doing everything that comes your way, 211 00:09:26,840 --> 00:09:29,200 Speaker 1: you know what I mean, Because eventually I always think 212 00:09:29,240 --> 00:09:32,080 Speaker 1: of something too. It's like, you know, when I'm if 213 00:09:32,120 --> 00:09:34,920 Speaker 1: I'm making a decision for my career, whether it's something 214 00:09:34,960 --> 00:09:38,079 Speaker 1: I'm gonna say on stage or a thing that I'm 215 00:09:38,080 --> 00:09:39,920 Speaker 1: gonna brand, thing I'm gonna do, and as I'm like, 216 00:09:40,800 --> 00:09:43,840 Speaker 1: what are my like grandkids gonna think about this? You know, 217 00:09:44,120 --> 00:09:45,640 Speaker 1: like if they see if they were to see this, 218 00:09:45,679 --> 00:09:48,439 Speaker 1: would they be like, yeah, that was cool. I mean 219 00:09:48,480 --> 00:09:53,840 Speaker 1: if Grandpa had a cereal. If you're a kid, but 220 00:09:53,920 --> 00:09:56,200 Speaker 1: you're you're right, because I'm sure with you and with me. 221 00:09:56,280 --> 00:09:58,160 Speaker 1: I used to beg and say yes to everything because 222 00:09:58,200 --> 00:10:00,240 Speaker 1: I just needed to say yes to things to get 223 00:10:00,240 --> 00:10:02,960 Speaker 1: to the next point. But now the freedom for you 224 00:10:03,080 --> 00:10:04,640 Speaker 1: and even for me, I don't have to say yes everything. 225 00:10:04,679 --> 00:10:06,280 Speaker 1: I just say yes now the things I want to write. 226 00:10:06,800 --> 00:10:09,200 Speaker 1: But that wasn't always a case. Yeah, no doubt, and 227 00:10:09,240 --> 00:10:10,800 Speaker 1: I put I put out a cereal. They said Luke 228 00:10:10,800 --> 00:10:15,319 Speaker 1: didn't want to do. Yeah, it was called Barry Buttholes, Oh, 229 00:10:15,440 --> 00:10:19,320 Speaker 1: so you didn't do that, Bobby's I like it. Um, 230 00:10:19,640 --> 00:10:21,480 Speaker 1: what do you listen to at the house if you're 231 00:10:21,520 --> 00:10:26,240 Speaker 1: just listening to music for your own enjoyment? Um, Honestly, 232 00:10:26,280 --> 00:10:28,360 Speaker 1: I spend a lot of time in my garage and 233 00:10:28,400 --> 00:10:31,520 Speaker 1: the only like music I have out there is like 234 00:10:31,600 --> 00:10:34,600 Speaker 1: a set player. So it's only old stuff that we 235 00:10:34,640 --> 00:10:36,880 Speaker 1: used to buy at the gas station, pretty much from 236 00:10:36,880 --> 00:10:38,920 Speaker 1: the rat cassette rat like I have one that's like 237 00:10:39,040 --> 00:10:42,240 Speaker 1: Marlborough country music or something like. It's just like a 238 00:10:42,320 --> 00:10:46,640 Speaker 1: weird like I just at like I just put tapes in. Honestly, Yeah, 239 00:10:46,679 --> 00:10:48,240 Speaker 1: I mean I listened to a ton of new stuff 240 00:10:48,280 --> 00:10:51,319 Speaker 1: in the car, but you know, it's like mostly I'm 241 00:10:51,360 --> 00:10:53,079 Speaker 1: in the when I'm listening to music, I'm in the shop, 242 00:10:53,240 --> 00:10:55,000 Speaker 1: you know. And also when I listen to music, if 243 00:10:55,000 --> 00:10:56,840 Speaker 1: I'm enjoying stuff, I like to hear music that I'm 244 00:10:56,840 --> 00:10:58,800 Speaker 1: comfortable I have to think a whole lot about. So 245 00:10:58,840 --> 00:11:00,800 Speaker 1: it's always the stuff from what I was younger, Right, 246 00:11:00,840 --> 00:11:03,280 Speaker 1: It's like nineties country or John Mayer a Counting Crows 247 00:11:03,400 --> 00:11:05,559 Speaker 1: or like that's I don't have to or if I'm 248 00:11:05,559 --> 00:11:07,320 Speaker 1: watching a TV show and I'm just like not just 249 00:11:07,360 --> 00:11:09,360 Speaker 1: turning to vegi out. I don't watch something that's got 250 00:11:09,360 --> 00:11:12,959 Speaker 1: me like it's right the office, or it's something I've 251 00:11:12,960 --> 00:11:17,400 Speaker 1: seen ten thousand times. Yeah, do you watch anything good? Man? 252 00:11:17,520 --> 00:11:19,000 Speaker 1: We watch a lot of a lot of a lot 253 00:11:19,040 --> 00:11:21,240 Speaker 1: of crime shows, man, a lot of a lot of 254 00:11:21,320 --> 00:11:23,920 Speaker 1: murder mystery type stuff. That's kind of our jam. Is 255 00:11:23,960 --> 00:11:25,560 Speaker 1: it your jam? Because your wife wants it to be 256 00:11:25,600 --> 00:11:27,960 Speaker 1: your jam? No? I love it. I wanted to be 257 00:11:28,120 --> 00:11:30,040 Speaker 1: I wanted to be a detective before I did this, 258 00:11:30,160 --> 00:11:31,800 Speaker 1: so I was already in May. Me and my dad 259 00:11:31,800 --> 00:11:33,840 Speaker 1: watched a lot of it growing up. My wife loves 260 00:11:33,840 --> 00:11:36,760 Speaker 1: it too. What kind of detective? Homicide? Detective? Is what 261 00:11:36,800 --> 00:11:39,240 Speaker 1: I wanted to do? Yeah? What would even expose you 262 00:11:39,280 --> 00:11:41,520 Speaker 1: to the idea you could do that? Was it TV? Then? Probably? 263 00:11:41,520 --> 00:11:44,280 Speaker 1: It was probably television? Yeah, imagine you're watching The Last 264 00:11:44,280 --> 00:11:46,240 Speaker 1: of Us on HBO at all? I haven't. I keep 265 00:11:46,240 --> 00:11:48,560 Speaker 1: hearing about it, though I've heard it's great. It's not 266 00:11:48,600 --> 00:11:52,400 Speaker 1: a video game? Yes, yeah, it's the the odd Will 267 00:11:52,400 --> 00:11:55,000 Speaker 1: I like video game? Do you still play? I talked 268 00:11:55,000 --> 00:11:56,959 Speaker 1: to do you play? In your Kiscane Brown and I 269 00:11:57,000 --> 00:11:58,880 Speaker 1: hang out a little bit and he's always like, man, 270 00:11:58,880 --> 00:12:01,160 Speaker 1: you should get to a computer to play on. Should 271 00:12:01,360 --> 00:12:04,480 Speaker 1: you should? Yeah? And he's such an advocate of playing 272 00:12:04,559 --> 00:12:06,840 Speaker 1: on you see it's awesome. He's like, you're so fast, 273 00:12:06,840 --> 00:12:09,920 Speaker 1: you got more? Is that what you play on with? No? 274 00:12:10,040 --> 00:12:12,480 Speaker 1: I play with a controller? Oh you do? Okay? See 275 00:12:12,880 --> 00:12:15,000 Speaker 1: why why why is it so much better? Well, I 276 00:12:15,040 --> 00:12:17,600 Speaker 1: mean it's like, okay, so if you've got a console 277 00:12:17,720 --> 00:12:22,360 Speaker 1: right like, it has a it has a preset like Graphee, 278 00:12:22,840 --> 00:12:25,120 Speaker 1: you know. But the computer, it's like you can change 279 00:12:25,120 --> 00:12:27,520 Speaker 1: the parts out right, like so you can get the newest, 280 00:12:27,600 --> 00:12:29,840 Speaker 1: nicest graphics card. But I still have dial up? So 281 00:12:29,920 --> 00:12:31,719 Speaker 1: would that hurt me if I play video? Yeah, that 282 00:12:31,800 --> 00:12:37,360 Speaker 1: would be deal breaker, no doubt. All right, uncomfortable questions 283 00:12:37,400 --> 00:12:39,920 Speaker 1: from our listeners to take Coombs number one. How much 284 00:12:39,960 --> 00:12:42,720 Speaker 1: does Luke Coombs having his wallet right now? Oh? Okay, 285 00:12:42,800 --> 00:12:45,360 Speaker 1: I have my wallet right now. Most people though that 286 00:12:45,400 --> 00:12:47,400 Speaker 1: are rich. They'll carry a lot of cash. It's fat. 287 00:12:48,360 --> 00:12:52,480 Speaker 1: A lot of bills are card wallet. This is elephant. 288 00:12:52,480 --> 00:12:55,320 Speaker 1: I'm killed on his way here, sliced off about how 289 00:12:55,400 --> 00:12:58,760 Speaker 1: much money do I have? Is it one dollar? One dollar? 290 00:12:58,880 --> 00:13:03,320 Speaker 1: I have one dollar times one dollar and I'm not 291 00:13:03,360 --> 00:13:05,960 Speaker 1: sure what this is it looks like a hotel key. 292 00:13:06,040 --> 00:13:07,840 Speaker 1: It's a bed bath and beyond coupon from the mail 293 00:13:08,320 --> 00:13:09,959 Speaker 1: before they went out, He's like, I'm saving this one. 294 00:13:10,040 --> 00:13:12,600 Speaker 1: We gotta get that tour going. Yeah, one dollar. So 295 00:13:13,160 --> 00:13:18,319 Speaker 1: that's why we get people in Zurich. Oh yeah, every 296 00:13:18,400 --> 00:13:21,120 Speaker 1: show I sold out across the world. Yep um okay, 297 00:13:21,120 --> 00:13:24,120 Speaker 1: that's number one. Number two. Will Luke Combs open a 298 00:13:24,120 --> 00:13:28,080 Speaker 1: bar in Nashville? I don't know. I'd like to plans yet, 299 00:13:28,160 --> 00:13:31,760 Speaker 1: No plans, you know. Does Luke Combs hate or like 300 00:13:32,000 --> 00:13:35,920 Speaker 1: the comparisons to Garth Brooks. I think indifferent, you know. 301 00:13:36,000 --> 00:13:38,600 Speaker 1: I think people can't help but compare people. I think 302 00:13:38,600 --> 00:13:41,240 Speaker 1: it's human nature, you know. I mean it's cool, right, 303 00:13:41,480 --> 00:13:43,960 Speaker 1: I mean I would rather be compared to Garth Brooks 304 00:13:43,960 --> 00:13:47,720 Speaker 1: than someone who had one it's ang or somebody never 305 00:13:47,720 --> 00:13:49,800 Speaker 1: got a record deal. So I mean, if I had 306 00:13:49,800 --> 00:13:51,680 Speaker 1: to choose a comparison, I would say I would I 307 00:13:51,760 --> 00:13:53,839 Speaker 1: like that one. Nobody ever compares me to Garth Brooks. 308 00:13:54,160 --> 00:13:57,120 Speaker 1: That's pretty cool to me. Finally, and I don't understand 309 00:13:57,200 --> 00:13:59,559 Speaker 1: this question, so maybe there's some background to it that 310 00:13:59,559 --> 00:14:02,240 Speaker 1: you can they're just an idiot. Well, Luke Hombs, ever 311 00:14:02,320 --> 00:14:05,199 Speaker 1: reveal his songwriting pseudonym. Did you ever write under a 312 00:14:05,200 --> 00:14:10,280 Speaker 1: different name? Um, I think I have. I have a 313 00:14:10,320 --> 00:14:13,200 Speaker 1: cut on a Wheeler Walker Junior, Okay, which everybody wrote 314 00:14:13,320 --> 00:14:15,680 Speaker 1: rescuing him for those under a pseudonym. Yeah, I'm not 315 00:14:15,720 --> 00:14:17,320 Speaker 1: being ask you to say what you get a joke? 316 00:14:17,360 --> 00:14:19,000 Speaker 1: I mean it's you could you know, you could probably 317 00:14:19,000 --> 00:14:21,560 Speaker 1: figure it out pretty easy. I would imagine, you know, 318 00:14:21,680 --> 00:14:23,160 Speaker 1: because a lot there are a lot of people who 319 00:14:23,200 --> 00:14:26,760 Speaker 1: wrote under their real names. Are there and your grandkids 320 00:14:26,760 --> 00:14:28,040 Speaker 1: though you didn't want them to see that you wrote 321 00:14:28,080 --> 00:14:31,840 Speaker 1: a song called real Sloppy Boobies right for sure? Yes, 322 00:14:32,080 --> 00:14:34,520 Speaker 1: and that's not that song. But I know Ben, well, 323 00:14:34,560 --> 00:14:37,360 Speaker 1: we learn a wheeler really well? So, um, did you 324 00:14:37,360 --> 00:14:41,720 Speaker 1: write with with Ben? Yes? Isn't he like the nicest? Yeah? Really, 325 00:14:41,880 --> 00:14:44,960 Speaker 1: most like quiet Reserve. He's like, yeah, absolutely, it's totally 326 00:14:44,960 --> 00:14:47,040 Speaker 1: different than though, and then he goes into character and 327 00:14:47,040 --> 00:14:50,920 Speaker 1: it's like I don't even know you, bro. Yeah yeah, okay, 328 00:14:51,000 --> 00:14:54,320 Speaker 1: Luke the new records out, I will say this about you, 329 00:14:54,360 --> 00:14:55,760 Speaker 1: and I would like for you to lend to this 330 00:14:55,840 --> 00:14:58,640 Speaker 1: compliment if you don't mind. But I believe it's eighteen 331 00:14:58,880 --> 00:15:02,080 Speaker 1: tracks you wrote A co wrote on fifteen of them. 332 00:15:02,560 --> 00:15:06,400 Speaker 1: You are such in challenge a prominent songwriter aside from 333 00:15:06,440 --> 00:15:09,560 Speaker 1: being the biggest artist. But that means there are a 334 00:15:09,560 --> 00:15:10,880 Speaker 1: couple of songs that you put on the record that 335 00:15:10,920 --> 00:15:14,040 Speaker 1: you didn't write, which shows your respect for songwriters in general. Sure, 336 00:15:14,120 --> 00:15:15,560 Speaker 1: how did you decide to put on it? Because I 337 00:15:15,600 --> 00:15:17,800 Speaker 1: know you did the Tracy Chamman song fast Bar at 338 00:15:17,880 --> 00:15:19,920 Speaker 1: least two? Right, how did you decide to put on 339 00:15:19,920 --> 00:15:23,760 Speaker 1: a song that you didn't write? Um? I just felt like, 340 00:15:24,080 --> 00:15:26,240 Speaker 1: you know, I wasn't. It's not that I was ever 341 00:15:26,320 --> 00:15:28,840 Speaker 1: against it, I think, and maybe I was. Maybe that 342 00:15:28,920 --> 00:15:30,760 Speaker 1: you can pull an old interview clip where I was like, 343 00:15:30,800 --> 00:15:32,360 Speaker 1: I'll never pute a song that I did. Play the 344 00:15:32,360 --> 00:15:35,920 Speaker 1: clip where he says he hates other song, and maybe 345 00:15:35,920 --> 00:15:38,400 Speaker 1: that maybe that clip does exist somewhere of meybeing like, well, 346 00:15:38,400 --> 00:15:40,880 Speaker 1: I'll never put out a song that, um, that I 347 00:15:40,880 --> 00:15:44,200 Speaker 1: didn't write. Maybe that is out there, But UM, all 348 00:15:44,240 --> 00:15:46,040 Speaker 1: I can say is that, you know, I have a 349 00:15:46,040 --> 00:15:48,440 Speaker 1: lot of really talented friends, and two guys that I 350 00:15:48,480 --> 00:15:51,480 Speaker 1: write with really frequently are writers on on both of 351 00:15:51,520 --> 00:15:55,360 Speaker 1: these two songs. And so one of them was written 352 00:15:55,360 --> 00:15:59,440 Speaker 1: by Eric Church Johnson Singleton and Travis Meadows Um. Obviously 353 00:15:59,480 --> 00:16:02,880 Speaker 1: everybody knows I'm a big Church fan. Jonathan produced this 354 00:16:03,040 --> 00:16:05,960 Speaker 1: record with me and the last record with me, and 355 00:16:06,040 --> 00:16:09,920 Speaker 1: I'm a huge, huge Travis Meadows fan. So when I 356 00:16:09,960 --> 00:16:14,080 Speaker 1: heard that song, actually just like somebody got a hold 357 00:16:14,080 --> 00:16:16,840 Speaker 1: in my email I got Jonathan didn't even send it 358 00:16:16,880 --> 00:16:18,320 Speaker 1: to me, and your Eric didn't send it to me, 359 00:16:18,440 --> 00:16:21,280 Speaker 1: like it was some third party that was like, hey, 360 00:16:21,320 --> 00:16:24,680 Speaker 1: you should check this thing out. And I listened to 361 00:16:24,680 --> 00:16:27,400 Speaker 1: it and just immediately was like, man, this is really great, 362 00:16:27,960 --> 00:16:30,840 Speaker 1: so we should do it. And Jonathan was producing the record, 363 00:16:30,880 --> 00:16:32,280 Speaker 1: so I asked him. I was like, man, we should 364 00:16:32,320 --> 00:16:34,560 Speaker 1: do this, and he was like, yeah, dude, I loved 365 00:16:34,720 --> 00:16:36,920 Speaker 1: I'd love for you to you know what I mean. 366 00:16:36,920 --> 00:16:38,680 Speaker 1: Obviously he was stoked about it. I think it's such 367 00:16:38,680 --> 00:16:41,360 Speaker 1: a compliment to your ego in the way of you 368 00:16:41,360 --> 00:16:42,600 Speaker 1: wouldn't be able to do what you do if you 369 00:16:42,600 --> 00:16:44,680 Speaker 1: didn't have a healthy one. Because even himself, I'm like, 370 00:16:44,720 --> 00:16:46,680 Speaker 1: I'm gonna please buy tickets. I'm I think you should 371 00:16:46,680 --> 00:16:47,760 Speaker 1: buy tickets to watch me do this, or I think 372 00:16:47,800 --> 00:16:49,360 Speaker 1: you spend your time you want to listen to my show. 373 00:16:49,400 --> 00:16:51,080 Speaker 1: I have to have an ego to be successful, sure, 374 00:16:51,120 --> 00:16:53,480 Speaker 1: because this is a nutty business. It is, no doubt, 375 00:16:53,600 --> 00:16:57,040 Speaker 1: but there's some awareness and an ego check with you going, 376 00:16:57,600 --> 00:16:59,360 Speaker 1: there's a couple songs that are really good that deserve 377 00:16:59,440 --> 00:17:00,840 Speaker 1: to be on this. I don't have to write every 378 00:17:00,840 --> 00:17:02,960 Speaker 1: song on the record. Yeah, without a doubt. You know, 379 00:17:03,120 --> 00:17:05,639 Speaker 1: I think, is that getting old? I think so. I 380 00:17:08,080 --> 00:17:10,639 Speaker 1: think I think there's definitely some maturity to that, you know, 381 00:17:11,200 --> 00:17:14,560 Speaker 1: um to be able to understand that. You know, there's 382 00:17:14,560 --> 00:17:17,480 Speaker 1: people that will always write better songs than you. You know, 383 00:17:17,600 --> 00:17:21,000 Speaker 1: that's inevitable. You know, Um, there are days when you 384 00:17:21,040 --> 00:17:23,359 Speaker 1: may write better songs than them. But they might write 385 00:17:23,480 --> 00:17:25,480 Speaker 1: four hundred songs a year and you might I might 386 00:17:25,480 --> 00:17:29,000 Speaker 1: write twenty or thirty. You know. So obviously there's gonna 387 00:17:29,000 --> 00:17:32,160 Speaker 1: be songs out there that you know, are inevitably better 388 00:17:32,200 --> 00:17:34,640 Speaker 1: than something that I could have wrote. Last question, by 389 00:17:34,680 --> 00:17:37,160 Speaker 1: the way, a new album out today, Getting Old. It's 390 00:17:37,200 --> 00:17:39,600 Speaker 1: a second it's just a new album, because it's confusing 391 00:17:39,640 --> 00:17:41,760 Speaker 1: when I say it's a new album Getting Old, It's 392 00:17:41,760 --> 00:17:45,040 Speaker 1: like it's like the sequel. Yeah. So final question, if 393 00:17:45,080 --> 00:17:47,920 Speaker 1: I said, okay, look, Luke, they came to me yesterday 394 00:17:47,920 --> 00:17:49,639 Speaker 1: and said I'm gonna die in an hour. If you 395 00:17:49,640 --> 00:17:51,760 Speaker 1: don't write me, can you write a hit in an hour? 396 00:17:51,880 --> 00:17:54,440 Speaker 1: Straight up? Guaranteed hit in one hour? Or gun? In 397 00:17:54,520 --> 00:17:56,680 Speaker 1: my head, they're gonna kill me. I could write, I 398 00:17:56,720 --> 00:17:59,080 Speaker 1: could write a something that I feel like was a hit. 399 00:17:59,200 --> 00:18:00,880 Speaker 1: I felt like it was a hit in an hour. 400 00:18:01,440 --> 00:18:03,600 Speaker 1: Whether that means it's a hit or not is yet 401 00:18:03,640 --> 00:18:06,560 Speaker 1: to be seen. Okay, they just told me thirty minutes, Okay, 402 00:18:06,640 --> 00:18:12,480 Speaker 1: thirty minutes a chance. Okay. I'm not sure who it was. 403 00:18:12,480 --> 00:18:13,879 Speaker 1: They were in a mask, but I'm leaving it to you. 404 00:18:13,920 --> 00:18:19,679 Speaker 1: I wouldn't even start writing it. Sorry, Sorry, it's not 405 00:18:19,680 --> 00:18:22,320 Speaker 1: gonna happen, all right. New records out today, Luke always 406 00:18:22,359 --> 00:18:25,440 Speaker 1: good to see you, buddy. Likewise, thank y'all. It's the 407 00:18:25,480 --> 00:18:29,840 Speaker 1: best bits of the week with Morgan. Number two, we 408 00:18:30,080 --> 00:18:32,719 Speaker 1: caught up with Arkansas Keith this week. He's been visiting 409 00:18:32,800 --> 00:18:35,240 Speaker 1: Bobby and his wife Caitlin. In case you don't know 410 00:18:35,240 --> 00:18:38,639 Speaker 1: who Arkansas Keith is, he was once Bobby's stepdad, So 411 00:18:38,680 --> 00:18:41,560 Speaker 1: he's been visiting this week for his grandson's spring break, 412 00:18:41,600 --> 00:18:43,639 Speaker 1: and they've been having a whole lot of fun doing things. 413 00:18:43,680 --> 00:18:46,160 Speaker 1: But they've also been playing a whole lot of ping 414 00:18:46,200 --> 00:18:48,680 Speaker 1: pong which Arkansas Keith gave us the update on and 415 00:18:48,800 --> 00:18:51,600 Speaker 1: he talked about retirement. So just super fun catching up 416 00:18:51,640 --> 00:18:56,480 Speaker 1: with Arkansas Keith number six. Here's my stepdad for seven 417 00:18:56,560 --> 00:18:59,080 Speaker 1: years or so. He's in my house right now. He's 418 00:18:59,080 --> 00:19:01,480 Speaker 1: been staying with the last days. We're still very close. 419 00:19:01,560 --> 00:19:03,200 Speaker 1: He lives in Arkansas. His name is Keith. That's what 420 00:19:03,320 --> 00:19:08,040 Speaker 1: we call him, Arkansas Keith. Here he is Keith. Okay, 421 00:19:08,160 --> 00:19:09,879 Speaker 1: my house right now here he is, Hey, what's going on? 422 00:19:09,920 --> 00:19:11,680 Speaker 1: What are you guys doing right now? Poor in the 423 00:19:11,720 --> 00:19:14,879 Speaker 1: poor tournament right now? What what do you mean poor tournament? 424 00:19:15,280 --> 00:19:23,119 Speaker 1: You and you and your grandson? Yeah, pong tournament. Well, 425 00:19:24,480 --> 00:19:27,159 Speaker 1: I didn't know at sixty five years old he was 426 00:19:27,160 --> 00:19:29,200 Speaker 1: still a mean ping pong player. Man, he was good. 427 00:19:29,200 --> 00:19:31,399 Speaker 1: I've got an Arkansas right back ping pong table and 428 00:19:31,440 --> 00:19:32,920 Speaker 1: he was like, let's play a little bit. So I 429 00:19:32,960 --> 00:19:35,359 Speaker 1: haven't opened the case to like the paddles and the balls, 430 00:19:35,880 --> 00:19:37,439 Speaker 1: and I'm like, okay, I'll take it easy on your 431 00:19:37,440 --> 00:19:42,200 Speaker 1: old timer. Why my button, it's on my Instagram. You 432 00:19:42,240 --> 00:19:44,200 Speaker 1: can see us actually playing. Did you ever play ping 433 00:19:44,240 --> 00:19:47,199 Speaker 1: pong at a high level? No? I know you got 434 00:19:47,200 --> 00:19:49,399 Speaker 1: a good ping pong table. I know that did you 435 00:19:49,440 --> 00:19:51,840 Speaker 1: play like I don't know, the seventies and eighties you 436 00:19:51,840 --> 00:19:54,760 Speaker 1: play a lot of ping pong? Yeah? I did you 437 00:19:54,800 --> 00:19:56,919 Speaker 1: still feel like you got it? No, I'm not like 438 00:19:56,960 --> 00:19:59,000 Speaker 1: I used to, but I mean I can still better around. 439 00:19:59,160 --> 00:20:00,720 Speaker 1: You know, I get better than were you played about 440 00:20:00,760 --> 00:20:03,760 Speaker 1: you yet it sounds like Toby Keith as good as 441 00:20:03,800 --> 00:20:07,760 Speaker 1: I want. Hey, So since the last time we've talked, 442 00:20:08,240 --> 00:20:12,080 Speaker 1: you have fully retired or no, I am fully retired? 443 00:20:12,320 --> 00:20:15,040 Speaker 1: And what does that mean for you? Every single day? 444 00:20:15,040 --> 00:20:19,080 Speaker 1: So what are you doing now? Going off? Nice? What 445 00:20:19,119 --> 00:20:22,040 Speaker 1: I want to do? You do a lot more hunting, fishing, 446 00:20:22,200 --> 00:20:25,919 Speaker 1: and a lot more walking in the woods and whatever 447 00:20:25,960 --> 00:20:28,359 Speaker 1: I want to do. So if you wake up on 448 00:20:28,400 --> 00:20:30,159 Speaker 1: a random Tuesday, what time do you wake up in 449 00:20:30,200 --> 00:20:38,240 Speaker 1: the morning? Probably around fourth thirty? Wait? Whatired? Hired? That's 450 00:20:38,280 --> 00:20:41,159 Speaker 1: just what I do. You know I may not get up, 451 00:20:41,200 --> 00:20:43,560 Speaker 1: but you know I'll be up fourth thirty. Duck seating perfect, 452 00:20:43,560 --> 00:20:46,879 Speaker 1: you know, hunting then whatever I gotta do? Duck seatons 453 00:20:46,880 --> 00:20:49,320 Speaker 1: over without just hanging around the house till daylight and 454 00:20:50,920 --> 00:20:55,520 Speaker 1: co fishing or I love it? Do you feel like 455 00:20:55,640 --> 00:20:57,960 Speaker 1: in retirement you're really gonna thrive? Like? Were you really 456 00:20:57,960 --> 00:21:01,240 Speaker 1: looking forward to this. I've really been looking forward to 457 00:21:01,320 --> 00:21:05,000 Speaker 1: I wanted to retire last year, but anyway, I'm going 458 00:21:05,040 --> 00:21:07,920 Speaker 1: to do great with it. So you're in Nashville now, 459 00:21:07,920 --> 00:21:10,240 Speaker 1: you came to see me and Kitlyn, And how has 460 00:21:10,280 --> 00:21:12,439 Speaker 1: that been so far? I can't believe what the barns 461 00:21:12,440 --> 00:21:16,560 Speaker 1: are like? Yeah, we shifted the barn from an old, 462 00:21:16,560 --> 00:21:19,240 Speaker 1: crappy barn to a living place. And so what else 463 00:21:19,280 --> 00:21:21,520 Speaker 1: is happening with you right now? Just living it? Man? 464 00:21:21,600 --> 00:21:23,320 Speaker 1: You know, I just me and the dogs and that's it, 465 00:21:23,440 --> 00:21:25,760 Speaker 1: you know, I just I walked my dog just about 466 00:21:25,800 --> 00:21:29,600 Speaker 1: every day. And my routine day is get up to 467 00:21:30,640 --> 00:21:34,120 Speaker 1: see what the world like, go put the dogs, feed them, 468 00:21:34,200 --> 00:21:36,960 Speaker 1: then I eat and then go from there. How do 469 00:21:36,960 --> 00:21:39,879 Speaker 1: you feel about aliens? Do you think there's anything bigger 470 00:21:39,880 --> 00:21:43,760 Speaker 1: than us out there? You know, back when I was younger, 471 00:21:43,800 --> 00:21:46,200 Speaker 1: I didn't believe that, but nowadays I'm really starting to wonder. 472 00:21:47,000 --> 00:21:48,960 Speaker 1: I've been reading a lot about Oswell and do a 473 00:21:49,000 --> 00:21:52,560 Speaker 1: lot of research on Roswell and that's really got me going, 474 00:21:52,680 --> 00:21:55,480 Speaker 1: you know, and Aurora, Texas and those kind of places 475 00:21:55,480 --> 00:22:00,680 Speaker 1: what they've crashed. So so you read books on like 476 00:22:00,680 --> 00:22:03,159 Speaker 1: like UFOs and what do you feel like, your biggest 477 00:22:03,160 --> 00:22:10,360 Speaker 1: takeaway from those books is the government cover up? For sure. Yeah, 478 00:22:10,400 --> 00:22:14,399 Speaker 1: I felt that what's in Aurora Lights Aurora is the 479 00:22:14,960 --> 00:22:17,520 Speaker 1: same kind of thing that happened that Rossville, only it 480 00:22:17,560 --> 00:22:21,520 Speaker 1: was earlier in the century before we had all the media. Wow, 481 00:22:22,880 --> 00:22:25,400 Speaker 1: same kind of shield, same kind of aliens, same thing 482 00:22:25,560 --> 00:22:28,000 Speaker 1: the Rora texts, I believe it was. Are you still 483 00:22:28,040 --> 00:22:31,919 Speaker 1: reading up on the Civil War? I am? Is that 484 00:22:31,960 --> 00:22:35,040 Speaker 1: your favorite topic? It's getting to be. I'm really really 485 00:22:35,040 --> 00:22:36,840 Speaker 1: getting into it. What would you say is your favorite 486 00:22:36,840 --> 00:22:42,840 Speaker 1: topic to read about? Well, mostly Arkansas, the people in 487 00:22:42,960 --> 00:22:45,960 Speaker 1: Arkansas that were involved in it. But you know, I mean, 488 00:22:46,000 --> 00:22:48,160 Speaker 1: I like all the war and to sail, but I'm 489 00:22:48,160 --> 00:22:52,480 Speaker 1: really getting into the local part of Darling County, Montgomery 490 00:22:52,560 --> 00:22:57,639 Speaker 1: County and those people have participated in the war for 491 00:22:57,760 --> 00:23:00,679 Speaker 1: the war too. Other than the war war, Other than 492 00:23:00,720 --> 00:23:05,160 Speaker 1: the Civil War and aliens? What else do you read about? Sports? 493 00:23:05,680 --> 00:23:10,720 Speaker 1: Old sports? I'm talking about Herndie Banks, Mickey Man, a 494 00:23:10,800 --> 00:23:15,760 Speaker 1: little kind of Gas, Mickey Lowlich, Bobby Gibson. You killed 495 00:23:15,800 --> 00:23:20,000 Speaker 1: the animals, but lately I killed some ducks back in 496 00:23:20,080 --> 00:23:22,800 Speaker 1: duck season, and I shot some deer, but you know, 497 00:23:23,000 --> 00:23:25,840 Speaker 1: put the season's over now, So I'm reverting over to patients. 498 00:23:26,800 --> 00:23:31,720 Speaker 1: Conney fishing a few wall some crappee, nice walleye. What's 499 00:23:31,720 --> 00:23:36,040 Speaker 1: the best eaton? I like the walleye? Yeah, what's the worst? 500 00:23:36,040 --> 00:23:42,520 Speaker 1: Eating fish? Bass? Maybe strip or I'm not fond of him. Yeah, 501 00:23:42,920 --> 00:23:46,000 Speaker 1: all right, well show, just wanted to check in then't 502 00:23:46,000 --> 00:23:47,680 Speaker 1: talk to you. I said, well, you're over at the house, 503 00:23:47,960 --> 00:23:49,199 Speaker 1: so I thought like we'd give you a call real 504 00:23:49,240 --> 00:23:51,080 Speaker 1: quick and see what was going on? Anything else on 505 00:23:51,119 --> 00:23:54,200 Speaker 1: your mind at all? I just wanted eighties that take 506 00:23:54,680 --> 00:23:56,639 Speaker 1: I'm here, man, Hey, are you gonna go see some 507 00:23:56,640 --> 00:23:58,919 Speaker 1: sites or anything while you're here? Take your grandson around? 508 00:24:00,960 --> 00:24:06,680 Speaker 1: Pretty well? Stuck this thing? Bones were? Yeah, forget the 509 00:24:08,800 --> 00:24:11,800 Speaker 1: I have a question for Keith, Yeah, go ahead. Okay, 510 00:24:11,960 --> 00:24:16,640 Speaker 1: Hey Keith, since you're retired, Eddie and Lunchbox they want 511 00:24:16,680 --> 00:24:19,280 Speaker 1: to retire too, but they're not making any plans. Do 512 00:24:19,320 --> 00:24:21,359 Speaker 1: you have any advice for them, because clearly this is 513 00:24:21,400 --> 00:24:23,920 Speaker 1: something you planned for. Are they not saving any money? Yeah? 514 00:24:23,920 --> 00:24:26,320 Speaker 1: How did you do that? You're better get ready now? 515 00:24:26,480 --> 00:24:31,720 Speaker 1: I mean, you know, too late to start working on it. Well, 516 00:24:31,720 --> 00:24:34,200 Speaker 1: what did you do? Just put money aside? Here? Yeah? Money? 517 00:24:34,200 --> 00:24:38,320 Speaker 1: Are they gonna government gonna pay for retirement plan. You 518 00:24:38,400 --> 00:24:41,840 Speaker 1: had a retirement plan? It who but that helped me 519 00:24:41,880 --> 00:24:43,639 Speaker 1: a lot. You know, how long did you work at 520 00:24:43,640 --> 00:24:48,640 Speaker 1: the mill party? Two years? But I'm my office there. 521 00:24:49,280 --> 00:24:51,240 Speaker 1: I'm forty four now though, is it too late for 522 00:24:51,240 --> 00:24:53,399 Speaker 1: me to start that four one? I would start it 523 00:24:53,520 --> 00:24:56,359 Speaker 1: right now, man, Yeah, today, go down and talk to 524 00:24:56,400 --> 00:24:59,520 Speaker 1: somebody and just start start a roll by right now. 525 00:25:00,160 --> 00:25:03,760 Speaker 1: I don't take much, all right. He's got four he's 526 00:25:03,800 --> 00:25:05,760 Speaker 1: got four kids. He says he can't save anything yet 527 00:25:05,760 --> 00:25:08,880 Speaker 1: he's still gambles and plays golf. Thoughts. Well, I mean yeah, 528 00:25:09,000 --> 00:25:12,720 Speaker 1: I mean you could at okay, all right, go just 529 00:25:12,840 --> 00:25:14,879 Speaker 1: go talk, Just go talk to somebody about it. Man, 530 00:25:15,000 --> 00:25:18,360 Speaker 1: Just go go down talk to somebody. All right, Thank you. 531 00:25:18,480 --> 00:25:20,320 Speaker 1: We'll see you after I get off work. See you 532 00:25:20,359 --> 00:25:23,199 Speaker 1: later on alright, man, can't wait? All right? We got 533 00:25:23,240 --> 00:25:25,640 Speaker 1: full table hot and ready, hear, I have a full 534 00:25:25,680 --> 00:25:27,920 Speaker 1: table to paint, fun table. All right, See you later 535 00:25:27,960 --> 00:25:34,000 Speaker 1: man later by Arkansas Key, it's the best bits of 536 00:25:34,040 --> 00:25:38,240 Speaker 1: the week with Morgan number two. I'm gonna give you 537 00:25:38,240 --> 00:25:40,600 Speaker 1: all a little bit of insider baseball right here. I 538 00:25:40,640 --> 00:25:42,640 Speaker 1: believe that's what's called I don't know it. Sounds right, 539 00:25:42,680 --> 00:25:45,639 Speaker 1: But Bobby shared his top three favorite radio singles on 540 00:25:45,760 --> 00:25:48,720 Speaker 1: country radio right now. Now what this means is that 541 00:25:48,800 --> 00:25:52,800 Speaker 1: these songs are currently at country radio. Not every song 542 00:25:52,920 --> 00:25:55,960 Speaker 1: that artist puts out is sent to country radio. Take 543 00:25:56,200 --> 00:25:59,240 Speaker 1: for example, Morgan Wallan, who just put out over thirty 544 00:25:59,240 --> 00:26:01,159 Speaker 1: songs on an album. Not all of those songs are 545 00:26:01,160 --> 00:26:03,639 Speaker 1: going to go to country radio. They're gonna send the 546 00:26:03,640 --> 00:26:05,960 Speaker 1: ones that they feel best should be on country radio 547 00:26:06,040 --> 00:26:08,199 Speaker 1: that they can get to fans and do all the 548 00:26:08,280 --> 00:26:10,680 Speaker 1: streaming and all that exciting things. But not all of 549 00:26:10,720 --> 00:26:13,119 Speaker 1: the songs will come here. So these three songs that 550 00:26:13,160 --> 00:26:16,439 Speaker 1: Bobby chose are ones that are currently at country radio 551 00:26:16,560 --> 00:26:18,880 Speaker 1: and he's been jamming to them. So just a little 552 00:26:18,880 --> 00:26:21,679 Speaker 1: insider tip of what a single means rather than just 553 00:26:21,760 --> 00:26:24,320 Speaker 1: a song that an artist puts out. And you're also 554 00:26:24,359 --> 00:26:26,520 Speaker 1: only going to hear about five seconds of each of 555 00:26:26,520 --> 00:26:28,480 Speaker 1: these songs right now because we don't want to go 556 00:26:28,520 --> 00:26:31,439 Speaker 1: to podcast Jill and so we can't play the full clips. 557 00:26:31,480 --> 00:26:33,119 Speaker 1: But you're still going to get the whole gist of it. 558 00:26:33,160 --> 00:26:35,040 Speaker 1: And then if you really like the five second clip 559 00:26:35,080 --> 00:26:36,760 Speaker 1: you hear, you can go watch it on YouTube or 560 00:26:36,760 --> 00:26:40,040 Speaker 1: wherever you stream music. Number five, great email, And I 561 00:26:40,040 --> 00:26:41,480 Speaker 1: didn't put this in the mail bag because it's going 562 00:26:41,560 --> 00:26:43,040 Speaker 1: to take a full segment to go through this, but 563 00:26:43,280 --> 00:26:45,359 Speaker 1: they're right. Hello, Bobby Bones. Orn't you mentioned the other 564 00:26:45,440 --> 00:26:46,760 Speaker 1: day that you don't get to pick what songs are 565 00:26:46,760 --> 00:26:48,959 Speaker 1: played on the radio. Just wondering which favorite song on 566 00:26:49,000 --> 00:26:53,280 Speaker 1: the radio is right now? Signed justin. The deal is, yeah, 567 00:26:53,560 --> 00:26:55,960 Speaker 1: the songs that are played. I don't program the music, 568 00:26:56,040 --> 00:26:59,000 Speaker 1: but if I want to play something, I can. I 569 00:26:59,040 --> 00:27:01,639 Speaker 1: just don't want to pick all the music. So but 570 00:27:01,760 --> 00:27:04,320 Speaker 1: here are my three favorite radio singles right now. I 571 00:27:04,400 --> 00:27:06,760 Speaker 1: mean the songs that they're trying to get to number 572 00:27:06,760 --> 00:27:09,840 Speaker 1: one or move up the charts, etc. Number three, massive 573 00:27:09,840 --> 00:27:11,919 Speaker 1: fan of her. She came on a podcast and she 574 00:27:11,960 --> 00:27:15,080 Speaker 1: talked about being in town for twelve years before anything worked, 575 00:27:15,080 --> 00:27:17,479 Speaker 1: and she was just grinding. She stayed the same style 576 00:27:17,800 --> 00:27:20,120 Speaker 1: and people were like, that'll never work. That's two country, 577 00:27:20,119 --> 00:27:23,160 Speaker 1: that'll never work. Well when you know she's super talented, 578 00:27:23,359 --> 00:27:25,760 Speaker 1: and finally people you know, got their eyes and her 579 00:27:25,760 --> 00:27:28,640 Speaker 1: ears checked. Her name's Haley Whitters. This is my third 580 00:27:28,680 --> 00:27:31,160 Speaker 1: favorite song right now on the radio. This is called 581 00:27:31,200 --> 00:27:39,640 Speaker 1: Everything She Ain't all Right. That was number three because 582 00:27:39,640 --> 00:27:41,320 Speaker 1: the email said, what's your favorite song on the radio 583 00:27:41,400 --> 00:27:44,080 Speaker 1: right now? That was Haley Whitters Everything she Ain't. Number 584 00:27:44,119 --> 00:27:48,760 Speaker 1: two is Morgan Evans over for you. This song's real good. 585 00:27:49,000 --> 00:27:51,600 Speaker 1: This song I think a lot of people can relate to, 586 00:27:51,680 --> 00:27:53,600 Speaker 1: and it does have to be that same exact story, 587 00:27:54,040 --> 00:27:57,320 Speaker 1: but that's a very similar story. And so many people 588 00:27:57,359 --> 00:27:58,840 Speaker 1: messaging me going, I heard that song and I cry, 589 00:27:58,960 --> 00:28:01,320 Speaker 1: and I think it's a wonderful written song. He sang, 590 00:28:01,320 --> 00:28:03,320 Speaker 1: it's so good in the studio, it's my number two 591 00:28:03,359 --> 00:28:09,439 Speaker 1: favorite radio song right now? How long has it been? Old? 592 00:28:10,720 --> 00:28:14,520 Speaker 1: Honorable mention was Zach Bryan something in the Orange, which 593 00:28:14,600 --> 00:28:17,239 Speaker 1: is an awesome song, but we still have number one 594 00:28:17,280 --> 00:28:21,800 Speaker 1: to go. It's easy. What yeah up there? Now? That 595 00:28:21,960 --> 00:28:24,040 Speaker 1: is not it on the list right here? Good? Yeah? 596 00:28:24,040 --> 00:28:26,560 Speaker 1: It is a It is a really good one. Gets 597 00:28:26,600 --> 00:28:28,720 Speaker 1: stuck in my head. What do you think? Hat a 598 00:28:28,720 --> 00:28:35,159 Speaker 1: little up now? Like Dan maybe? And he guesses no, 599 00:28:35,640 --> 00:28:38,200 Speaker 1: I say this. I saw her at the opera and 600 00:28:38,320 --> 00:28:40,280 Speaker 1: she's so cool. We were walking by. I was taking 601 00:28:40,360 --> 00:28:42,760 Speaker 1: Caitlyn's dad and grandpa and my wife Kaitlyn. We're walking 602 00:28:42,760 --> 00:28:44,200 Speaker 1: around backsage at the opera. I was kind of given 603 00:28:44,240 --> 00:28:46,280 Speaker 1: them the tour and she was in a room and 604 00:28:46,280 --> 00:28:47,880 Speaker 1: I was like, hey, what's going on, and we were 605 00:28:47,880 --> 00:28:50,680 Speaker 1: just gonna not bother the person because they're getting ready 606 00:28:50,680 --> 00:28:51,960 Speaker 1: for a show. And they were like, no, come in, 607 00:28:52,000 --> 00:28:54,080 Speaker 1: come in, come in, I'll meet everybody. And so they 608 00:28:54,080 --> 00:28:56,080 Speaker 1: spent time with Caitlyn's grandpa, talked with him for a 609 00:28:56,080 --> 00:28:59,760 Speaker 1: long time, Caitlyn's dad and then us, and then I 610 00:28:59,800 --> 00:29:01,200 Speaker 1: was like, hey, we should go so you can get ready. 611 00:29:01,240 --> 00:29:04,080 Speaker 1: They're like, well, okay, Like they're that cool. Okay. They 612 00:29:04,120 --> 00:29:06,680 Speaker 1: played that song, the song who played they played in 613 00:29:06,720 --> 00:29:11,920 Speaker 1: this studio and it was like, dang, that's real good. Dang, 614 00:29:12,000 --> 00:29:16,480 Speaker 1: what is this different? Next level good? They huh, I'm 615 00:29:16,560 --> 00:29:18,840 Speaker 1: using day as a as a I'm not saying here 616 00:29:19,000 --> 00:29:23,280 Speaker 1: here she okay, I'm picturing multiple people, but yes, go ahead, 617 00:29:23,280 --> 00:29:27,520 Speaker 1: anybody Morgan, Ashley McBride, that's it. Oh yeah, Ashley McBride 618 00:29:27,680 --> 00:29:29,600 Speaker 1: and her new song light On in the Kitchen is 619 00:29:29,600 --> 00:29:31,840 Speaker 1: my favorite song right now on the radio. So good. 620 00:29:31,880 --> 00:29:38,160 Speaker 1: I love it. Always law in the Kitchen. It's the 621 00:29:38,200 --> 00:29:44,600 Speaker 1: best Bits of the week with Morgan. Number two. Amy 622 00:29:44,600 --> 00:29:47,200 Speaker 1: shared some personal news on the show last week, and 623 00:29:47,280 --> 00:29:49,200 Speaker 1: this week she's sharing a little bit of what's happened 624 00:29:49,200 --> 00:29:51,800 Speaker 1: in her life in the past year or so. One 625 00:29:51,840 --> 00:29:53,920 Speaker 1: of those things being that she had to take a 626 00:29:54,040 --> 00:29:58,000 Speaker 1: co parenting online class and it wasn't like optional, she 627 00:29:58,080 --> 00:29:59,840 Speaker 1: had to take it to in order to do some 628 00:30:00,080 --> 00:30:02,760 Speaker 1: the things that were happening. So this is Amy sharing 629 00:30:02,960 --> 00:30:06,520 Speaker 1: what that whole experience was. Like Number four. Last week 630 00:30:06,600 --> 00:30:09,600 Speaker 1: here Amy was talking about how she's getting a divorce 631 00:30:09,720 --> 00:30:12,480 Speaker 1: and we were very sensitive to talking about it for 632 00:30:12,520 --> 00:30:13,800 Speaker 1: a long time. There's a lot of reasons that we 633 00:30:13,800 --> 00:30:17,600 Speaker 1: weren't able to talk about it, kids, legal stuff, privacy issues. 634 00:30:17,840 --> 00:30:19,280 Speaker 1: But we did and it's out and a lot of 635 00:30:19,280 --> 00:30:21,760 Speaker 1: people are reaching out there. They've been fantastic about at 636 00:30:21,800 --> 00:30:23,280 Speaker 1: least to me from what I've seen, it been cool 637 00:30:23,280 --> 00:30:26,720 Speaker 1: with you. Yeah, anybody not been cool? I mean yeah. 638 00:30:26,800 --> 00:30:31,280 Speaker 1: I try to just swipe on by did meet their 639 00:30:31,440 --> 00:30:33,960 Speaker 1: name most people, and I feel like I'm supposed to 640 00:30:34,000 --> 00:30:36,280 Speaker 1: see these comments are the ones that are like, oh man, 641 00:30:36,320 --> 00:30:38,240 Speaker 1: I'm going through this too, and so that's where it's like, 642 00:30:38,240 --> 00:30:41,280 Speaker 1: oh wow, Like it's because it's not easy to navigate, 643 00:30:41,640 --> 00:30:43,880 Speaker 1: and I feel for anybody that's having to do it. 644 00:30:43,920 --> 00:30:45,880 Speaker 1: And you know, some of the stuff that I've done 645 00:30:45,920 --> 00:30:47,520 Speaker 1: over the last six months that I have not been 646 00:30:47,560 --> 00:30:49,640 Speaker 1: able to talk about is like how I was really 647 00:30:49,640 --> 00:30:52,600 Speaker 1: nervous I was going to fail my co parenting divorce 648 00:30:52,760 --> 00:30:55,760 Speaker 1: course that I had to take. It's a four hours 649 00:30:55,920 --> 00:30:57,760 Speaker 1: making you take it, you say, have to take the law. 650 00:30:58,320 --> 00:31:01,920 Speaker 1: Oh really, so every stage it is different. But the 651 00:31:02,040 --> 00:31:05,240 Speaker 1: state of Tennessee at least like when you go before 652 00:31:05,480 --> 00:31:09,120 Speaker 1: like the judge. So there's courts that are looking at 653 00:31:09,160 --> 00:31:12,360 Speaker 1: everything and this has to be completed and you have 654 00:31:12,440 --> 00:31:15,080 Speaker 1: to pass a test after you take the four hour course. 655 00:31:15,760 --> 00:31:17,320 Speaker 1: And it doesn't it's not one of those where you 656 00:31:17,320 --> 00:31:20,080 Speaker 1: can just you know, act like you took the four hours. 657 00:31:20,280 --> 00:31:24,920 Speaker 1: There's a timer, so it's timing. It knows yeah, each page, 658 00:31:24,960 --> 00:31:27,760 Speaker 1: like you're on there until you've completed it and watched 659 00:31:27,760 --> 00:31:32,560 Speaker 1: the videos. Kind of questions as though an example, well 660 00:31:32,600 --> 00:31:35,800 Speaker 1: you watch so for example, it would be like you 661 00:31:36,320 --> 00:31:39,560 Speaker 1: they take you through a scenario of a like a video, 662 00:31:39,560 --> 00:31:42,200 Speaker 1: a reenactment or something of a family where the co 663 00:31:42,360 --> 00:31:44,440 Speaker 1: parents are not being nice to each other and how 664 00:31:44,480 --> 00:31:47,040 Speaker 1: they're handling the situation is not necessarily going to be 665 00:31:47,040 --> 00:31:49,600 Speaker 1: beneficial for the kids, and you have to watch the 666 00:31:49,640 --> 00:31:52,200 Speaker 1: whole scenes so you know, like hey, then the question 667 00:31:52,200 --> 00:31:55,240 Speaker 1: would be like, hey, what did you know the dad 668 00:31:55,680 --> 00:31:57,840 Speaker 1: stay wrong in this case? Like what could he have 669 00:31:57,880 --> 00:32:00,680 Speaker 1: done better? And then you pick the answer. But sometimes 670 00:32:00,720 --> 00:32:03,560 Speaker 1: I felt like my core like believed like stuff I 671 00:32:03,600 --> 00:32:05,440 Speaker 1: believe in how I would handle it. It was a 672 00:32:05,480 --> 00:32:08,440 Speaker 1: little bit different than I guess what the law is saying. 673 00:32:08,560 --> 00:32:10,280 Speaker 1: So I was so nervous I was going to answer 674 00:32:10,400 --> 00:32:13,560 Speaker 1: stuff wrong. I only missed two questions though, how do 675 00:32:13,640 --> 00:32:16,080 Speaker 1: have any I don't remember four? That's what I was 676 00:32:16,080 --> 00:32:19,160 Speaker 1: gonna say. Oh no, it was a full blown test, 677 00:32:19,280 --> 00:32:23,520 Speaker 1: like it was four hours over fifty questions. Well, probably 678 00:32:23,840 --> 00:32:26,600 Speaker 1: how'd you feel about the acting in the scenes? Well 679 00:32:26,640 --> 00:32:28,440 Speaker 1: I thought that people, Well what I wanted to know 680 00:32:28,640 --> 00:32:31,360 Speaker 1: it's I'm assuming it was reenacting. Yeah, I had to 681 00:32:31,360 --> 00:32:36,680 Speaker 1: be let us know when the kids no, no, no. 682 00:32:36,920 --> 00:32:39,360 Speaker 1: What I meant to say was I know they're reenacting, 683 00:32:39,400 --> 00:32:42,200 Speaker 1: but I don't know if these are like real families 684 00:32:42,200 --> 00:32:44,560 Speaker 1: that they pulled their husband and wives where they're like, hey, 685 00:32:44,800 --> 00:32:47,640 Speaker 1: we know you're going through this. This is awesome. Oh 686 00:32:47,680 --> 00:32:50,400 Speaker 1: really yeah they did a good job that I was 687 00:32:50,440 --> 00:32:51,600 Speaker 1: gonna ask did you watch it and we're like this 688 00:32:51,880 --> 00:32:55,560 Speaker 1: corny acting. Maybe that's a good guy could get Well, 689 00:32:57,640 --> 00:33:01,840 Speaker 1: that's good. Somebody who's getting divorced see it. It's like, wow, look, 690 00:33:02,040 --> 00:33:04,920 Speaker 1: has anything happened with your acting career. No, I'm still 691 00:33:04,920 --> 00:33:08,440 Speaker 1: taking lessons, but I have not auditioned for anything either. 692 00:33:09,400 --> 00:33:11,800 Speaker 1: But I'm trying to get through some big life things 693 00:33:11,920 --> 00:33:17,280 Speaker 1: right now. But I'm still consistent in my practice and 694 00:33:17,440 --> 00:33:20,800 Speaker 1: that's important to me. Was missing two questions. It's still 695 00:33:20,800 --> 00:33:24,040 Speaker 1: a past test, right, Yeah, I've passed, so that was good. 696 00:33:24,040 --> 00:33:25,880 Speaker 1: So I've got that and you know, you know Ben 697 00:33:25,920 --> 00:33:28,080 Speaker 1: how to do it too, and we're co parenting in 698 00:33:28,120 --> 00:33:32,280 Speaker 1: a way that I think that course actually helped us too. 699 00:33:33,040 --> 00:33:34,880 Speaker 1: It taught us a lot, but so did our co 700 00:33:35,000 --> 00:33:39,960 Speaker 1: parenting therapists or counselor. And the kids are the main priority. 701 00:33:40,160 --> 00:33:42,000 Speaker 1: What if you don't take the test, they make you 702 00:33:42,040 --> 00:33:44,920 Speaker 1: get back together like the law, Sorry, you have to 703 00:33:44,920 --> 00:33:47,040 Speaker 1: do it. But if you don't, like, well looks like 704 00:33:47,040 --> 00:33:49,560 Speaker 1: you got to be married. Still. Well, so even once 705 00:33:49,560 --> 00:33:52,760 Speaker 1: you file, there's like a ninety day, like nothing can 706 00:33:52,800 --> 00:33:57,400 Speaker 1: really happen even for ninety days because they want you to. Yeah, 707 00:33:57,440 --> 00:33:59,760 Speaker 1: so to make sure nobody's filing out of any sort 708 00:33:59,800 --> 00:34:02,560 Speaker 1: of you know, angst or anger or anything. And I 709 00:34:02,560 --> 00:34:05,920 Speaker 1: wonder how many people that ninety days actually works for 710 00:34:05,960 --> 00:34:08,759 Speaker 1: them to Oh, I'm sure a lot. Yeah yeah, but 711 00:34:08,880 --> 00:34:12,960 Speaker 1: can you imagine if you did it was an instant 712 00:34:13,160 --> 00:34:16,000 Speaker 1: Yeah yeah, I'll take a divorce please, and I'll take 713 00:34:16,080 --> 00:34:19,239 Speaker 1: some guawk and then all of a sudden, okay, you 714 00:34:19,360 --> 00:34:22,439 Speaker 1: did out all the time. What I don't understand though, 715 00:34:22,640 --> 00:34:24,839 Speaker 1: is like when we had kids, you know, when we 716 00:34:24,840 --> 00:34:27,160 Speaker 1: were just like parenting to begin with, we don't have 717 00:34:27,200 --> 00:34:29,399 Speaker 1: to take a test. We should take a test when 718 00:34:29,440 --> 00:34:31,400 Speaker 1: we just have the first kid, not just like they 719 00:34:32,200 --> 00:34:35,040 Speaker 1: should lock up our private parts and they can't unlock 720 00:34:35,120 --> 00:34:37,759 Speaker 1: until you take a test about having kids. Right. Well, 721 00:34:37,800 --> 00:34:40,400 Speaker 1: so that's how I felt about the adoption process. Like 722 00:34:40,440 --> 00:34:43,319 Speaker 1: if I was able to get pregnant, which we had 723 00:34:43,360 --> 00:34:46,719 Speaker 1: fertility stuff so I wasn't, But if I had been, 724 00:34:46,760 --> 00:34:49,839 Speaker 1: I would have just walla had a baby. But adoption, no, 725 00:34:49,920 --> 00:34:52,680 Speaker 1: I had to like all kinds of things, paper work, this, 726 00:34:52,840 --> 00:34:55,920 Speaker 1: that homestead. They can control that, right, And I get it. 727 00:34:55,920 --> 00:34:58,279 Speaker 1: That's valid. You can't just be handing out kids to people, right, 728 00:34:58,640 --> 00:35:00,759 Speaker 1: But it is a little like sometimes it's just we 729 00:35:00,800 --> 00:35:03,040 Speaker 1: need will you have a baby, take a test before 730 00:35:03,040 --> 00:35:05,440 Speaker 1: you have it? Wila. Again, you don't get the key 731 00:35:05,440 --> 00:35:10,040 Speaker 1: to your private right until that's what it is. We're 732 00:35:10,080 --> 00:35:12,359 Speaker 1: all wearing contraptions around our waist, all right, and then 733 00:35:12,640 --> 00:35:15,360 Speaker 1: you know, don't you don't have one on one days 734 00:35:15,760 --> 00:35:21,239 Speaker 1: gratulations for you? Yeah, I only got two wrong. We're 735 00:35:21,280 --> 00:35:23,719 Speaker 1: all good on that front. Yeah, Just for anyone that's 736 00:35:23,719 --> 00:35:26,239 Speaker 1: frustrated by the process of having to take a co 737 00:35:26,360 --> 00:35:30,840 Speaker 1: parenting or divorce course online like mandatory it Actually you 738 00:35:30,880 --> 00:35:33,839 Speaker 1: can learn from it. So lean in, ask questions, want 739 00:35:33,840 --> 00:35:36,600 Speaker 1: to be better, because then you can be amicable. There 740 00:35:36,640 --> 00:35:41,200 Speaker 1: you go, heard it from her. Maybe if you're the 741 00:35:41,280 --> 00:35:44,680 Speaker 1: more you know, it's the best Bits of the week 742 00:35:45,440 --> 00:35:49,520 Speaker 1: with Morgan. Number two an awesome interview on the show. 743 00:35:49,600 --> 00:35:52,560 Speaker 1: This week we had Three Doors Down and Candlebox stop by. 744 00:35:52,640 --> 00:35:55,480 Speaker 1: Well Brad from Three Doors Down and Kevin from Candlebox. 745 00:35:55,719 --> 00:35:57,799 Speaker 1: They came on and they not only performed a few 746 00:35:57,840 --> 00:35:59,880 Speaker 1: of their songs, but they also talked about their joint 747 00:36:00,040 --> 00:36:03,160 Speaker 1: tour which just got announced this week. Super exciting news 748 00:36:03,239 --> 00:36:04,799 Speaker 1: and we just love both of these guys. They were 749 00:36:04,800 --> 00:36:07,040 Speaker 1: super fun and shared a lot of their cool stories. 750 00:36:07,080 --> 00:36:08,680 Speaker 1: They are rock stars, so they have a lot of 751 00:36:08,680 --> 00:36:11,160 Speaker 1: fun stories to share. So here's that interview with Bobby 752 00:36:11,760 --> 00:36:15,360 Speaker 1: number three on the Bobby Bones Show. Now Brad Arnold 753 00:36:15,400 --> 00:36:18,080 Speaker 1: of Three Doors Down and Kevin Martin enough Candle Box. 754 00:36:18,400 --> 00:36:20,160 Speaker 1: You know, guys, I know we're here today to announce 755 00:36:20,200 --> 00:36:23,040 Speaker 1: a tour and this is basically the only tour I 756 00:36:23,040 --> 00:36:25,840 Speaker 1: would ever pay money for. Yes, I just want you 757 00:36:25,840 --> 00:36:29,640 Speaker 1: guys to know, like when I know, Brad, bradut that 758 00:36:29,680 --> 00:36:31,000 Speaker 1: we're friends. Now, if I saw you get the grocery store, 759 00:36:31,000 --> 00:36:32,880 Speaker 1: I go up to and be like, what up, buddy? Absolutely, 760 00:36:33,440 --> 00:36:35,239 Speaker 1: but Kevin, I had met you. Yeah, but I grew 761 00:36:35,320 --> 00:36:38,160 Speaker 1: up you know, listening to the Candlebox like crazy. So 762 00:36:38,200 --> 00:36:40,040 Speaker 1: it's really really great to spend time with you here. 763 00:36:40,080 --> 00:36:41,960 Speaker 1: When they said you guys were willing to come in, 764 00:36:42,239 --> 00:36:43,879 Speaker 1: I said, how much will it costs? Me? Like that's 765 00:36:43,880 --> 00:36:46,040 Speaker 1: how big a fan I am. So Brad, let's start 766 00:36:46,080 --> 00:36:48,480 Speaker 1: with this Three Doors Down going out doing the tour 767 00:36:49,120 --> 00:36:52,319 Speaker 1: and how do you find and Kevin and Candle Box, Like, 768 00:36:52,320 --> 00:36:54,239 Speaker 1: how did this tour come together? Well, we actually played 769 00:36:54,239 --> 00:36:57,799 Speaker 1: a show together last year. It was last year, and 770 00:36:57,960 --> 00:37:00,800 Speaker 1: I think we talked about a little bit then and uh, 771 00:37:00,880 --> 00:37:04,719 Speaker 1: the time and kind of work definitely, and we're both 772 00:37:04,719 --> 00:37:06,719 Speaker 1: going out this summer and I couldn't think of a 773 00:37:06,760 --> 00:37:10,800 Speaker 1: better combination. When they asked me about it, I was like, yeah, 774 00:37:11,000 --> 00:37:16,640 Speaker 1: because who's they who? Well, I guess yeah, people got it? 775 00:37:16,719 --> 00:37:18,279 Speaker 1: Are people called it? Because whoever they are like it? 776 00:37:18,360 --> 00:37:20,520 Speaker 1: Like whoever they are like it? And so when you 777 00:37:20,520 --> 00:37:23,160 Speaker 1: guys go do these shows, why are you playing any 778 00:37:23,239 --> 00:37:25,880 Speaker 1: new music at all? We all we actually are trying. 779 00:37:26,040 --> 00:37:28,480 Speaker 1: We're playing We have one song that we put together 780 00:37:28,520 --> 00:37:31,279 Speaker 1: just on the last tour, and uh, we need to 781 00:37:31,320 --> 00:37:33,279 Speaker 1: put a couple more together between now and NIM will 782 00:37:33,320 --> 00:37:35,040 Speaker 1: see how that goes. But we will play a little 783 00:37:35,040 --> 00:37:36,920 Speaker 1: bit of new media too much though, that's my point. Yeah, 784 00:37:36,960 --> 00:37:38,759 Speaker 1: not too much. Did you know, just a little bit 785 00:37:38,800 --> 00:37:40,840 Speaker 1: if you got something exactly, but you know, one or 786 00:37:40,880 --> 00:37:44,759 Speaker 1: two and then we nostalgia owl exactly. That's I mean, Kevin, So, 787 00:37:44,840 --> 00:37:47,840 Speaker 1: how you know we listen to Candlebox growing up? Your 788 00:37:48,120 --> 00:37:51,920 Speaker 1: voice to me was that of like a quiet intensity, 789 00:37:52,040 --> 00:37:54,680 Speaker 1: like together constantly. Didn't know where I was gonna go. 790 00:37:54,840 --> 00:37:56,279 Speaker 1: How in the world, because I have so many friends 791 00:37:56,320 --> 00:37:59,200 Speaker 1: that are now forty forty five that used to sing 792 00:37:59,200 --> 00:38:02,480 Speaker 1: and they have to like sing hard anymore? How are 793 00:38:02,480 --> 00:38:05,360 Speaker 1: you not talking your songs at this point? Um? I 794 00:38:05,520 --> 00:38:07,960 Speaker 1: drink a lot of whiskey. Um, And that's no lie. 795 00:38:08,000 --> 00:38:11,440 Speaker 1: I mean I I years ago. You know, I never 796 00:38:11,480 --> 00:38:13,200 Speaker 1: did a lot of drugs or anything. And I started 797 00:38:13,200 --> 00:38:15,480 Speaker 1: singing when I was six years old and choir and 798 00:38:16,280 --> 00:38:18,359 Speaker 1: I always sang all the way through high school because 799 00:38:18,360 --> 00:38:20,400 Speaker 1: you know, it's nice to have that elective that you know, 800 00:38:20,440 --> 00:38:22,480 Speaker 1: you don't really have to pay attention to. But I 801 00:38:22,520 --> 00:38:24,440 Speaker 1: never really wanted to be a singing rock band, and 802 00:38:24,760 --> 00:38:27,280 Speaker 1: I was a drummer, and I got kind of stuck 803 00:38:27,320 --> 00:38:29,560 Speaker 1: with this gig with Canterbox. And that's no lie, That's 804 00:38:29,560 --> 00:38:31,399 Speaker 1: why I get stuck with the gig. Yeah, I got 805 00:38:31,400 --> 00:38:33,120 Speaker 1: stuck with the gig as the lead singer of a 806 00:38:33,160 --> 00:38:35,600 Speaker 1: reluctant lead singer of a rock and roll band. So 807 00:38:35,640 --> 00:38:37,640 Speaker 1: the first record, I didn't really know what I was doing, 808 00:38:38,440 --> 00:38:40,440 Speaker 1: and I went through a lot of issues with my 809 00:38:40,520 --> 00:38:43,480 Speaker 1: voice because I just didn't understand how to perform live. 810 00:38:44,160 --> 00:38:47,080 Speaker 1: And then over the years getting used to what what 811 00:38:47,120 --> 00:38:49,319 Speaker 1: I was capable of doing with it and understanding how 812 00:38:49,320 --> 00:38:51,960 Speaker 1: it worked, and getting away from you know, liquors that 813 00:38:52,000 --> 00:38:54,160 Speaker 1: are like Vodkas or whatever that kind of draw your 814 00:38:54,239 --> 00:38:57,760 Speaker 1: voice out. I started drinking whiskey in like two nineteen 815 00:38:57,920 --> 00:39:00,200 Speaker 1: ninety eight and it changed everything. Now I don't. I'm 816 00:39:00,480 --> 00:39:01,960 Speaker 1: joking like with a lot of which making a note 817 00:39:01,960 --> 00:39:03,799 Speaker 1: here start during a whiskey today after the show. But 818 00:39:03,960 --> 00:39:05,759 Speaker 1: I do I have you know, I sip on it 819 00:39:05,840 --> 00:39:08,080 Speaker 1: during during the shows and I found that it helps. 820 00:39:08,080 --> 00:39:09,560 Speaker 1: But I do take care of it. Man. I don't smoke, 821 00:39:09,640 --> 00:39:15,000 Speaker 1: I don't do drugs, and I'm relatively healthy. Kevin, are 822 00:39:15,000 --> 00:39:17,200 Speaker 1: you ever anywhere? And because I know the answer for Brad, 823 00:39:17,200 --> 00:39:19,080 Speaker 1: because I hear it every time I'm in Kroger three 824 00:39:19,120 --> 00:39:21,160 Speaker 1: doors down. It's like rocking on time. You ever somewhere 825 00:39:21,160 --> 00:39:23,879 Speaker 1: and you hear your A Canna Walks song, You're like, dang, 826 00:39:23,920 --> 00:39:25,960 Speaker 1: this is like a family place. Now. Back in the day, 827 00:39:25,960 --> 00:39:28,919 Speaker 1: this would have never been played. It that John's pizzeria. Yeah, 828 00:39:28,960 --> 00:39:33,279 Speaker 1: I heard it once in a Walmart. It's funny. It's 829 00:39:33,280 --> 00:39:35,479 Speaker 1: always far behind. I mean, you know, it's that's the song. 830 00:39:35,760 --> 00:39:37,680 Speaker 1: It's been paying my rent for thirty plus years now, 831 00:39:37,719 --> 00:39:40,560 Speaker 1: but um, yeah, I do, and it's it still feels good. 832 00:39:40,560 --> 00:39:42,000 Speaker 1: I remember the first time I heard it. We were 833 00:39:42,040 --> 00:39:44,360 Speaker 1: outside of Seattle. We were in Las Vegas and m 834 00:39:44,440 --> 00:39:46,680 Speaker 1: it came on the radio station and you know, there's 835 00:39:46,680 --> 00:39:48,320 Speaker 1: nothing like that feeling when you hear your song on 836 00:39:48,320 --> 00:39:50,759 Speaker 1: the radio the first time and he's like, man, I've 837 00:39:50,760 --> 00:39:53,000 Speaker 1: made it, And even if you don't, it's just somebody 838 00:39:53,000 --> 00:39:56,040 Speaker 1: else is playing your song, and uh, it's a weird feeling, 839 00:39:56,040 --> 00:39:59,839 Speaker 1: but it's funny when you're in a grocery store stick. 840 00:40:00,000 --> 00:40:03,560 Speaker 1: So yeah, you know, Brad with three Doors down, what 841 00:40:03,600 --> 00:40:06,359 Speaker 1: were the lean years like when it was I don't 842 00:40:06,360 --> 00:40:08,319 Speaker 1: know if we're gonna be able to do this, like, well, 843 00:40:08,680 --> 00:40:11,440 Speaker 1: how is the living? Were in a van. We were 844 00:40:11,520 --> 00:40:14,239 Speaker 1: pretty blessed to always, you know, when Kryptonite came out, 845 00:40:14,280 --> 00:40:16,759 Speaker 1: it was successful pretty quick, you know. But at the 846 00:40:16,800 --> 00:40:19,960 Speaker 1: same time, you know, nine months from that, we were 847 00:40:19,960 --> 00:40:22,920 Speaker 1: prepared to quit because we had been a pretty successful 848 00:40:22,920 --> 00:40:24,799 Speaker 1: little local band. Even though we never toured and we 849 00:40:24,800 --> 00:40:27,400 Speaker 1: were from a little town, we did really good around there. 850 00:40:27,400 --> 00:40:29,040 Speaker 1: And when kind of like you know, you go through 851 00:40:29,040 --> 00:40:30,960 Speaker 1: phases and epend it kind of gets wore out on it. 852 00:40:31,000 --> 00:40:34,319 Speaker 1: You know, me and Matt our original guitar player, we 853 00:40:34,320 --> 00:40:36,359 Speaker 1: were both like six months away. Was like, all right, 854 00:40:36,360 --> 00:40:38,200 Speaker 1: if we don't do something pretty quick and we have 855 00:40:38,320 --> 00:40:41,439 Speaker 1: something substantial happening, we're gonna go to college. And because 856 00:40:41,440 --> 00:40:44,399 Speaker 1: we were just teenagers and by the grace of God 857 00:40:44,480 --> 00:40:49,040 Speaker 1: within that time, like uh CPRN down in Mississippi started 858 00:40:49,080 --> 00:40:51,279 Speaker 1: playing the song and it became a hit and we 859 00:40:51,320 --> 00:40:54,359 Speaker 1: got signed and and I mean, but we were we 860 00:40:54,360 --> 00:40:57,160 Speaker 1: were on the vertical of giving up ourselves. You know, 861 00:40:57,160 --> 00:40:59,719 Speaker 1: you don't hear your accent when you sing that, which 862 00:40:59,719 --> 00:41:03,200 Speaker 1: is we British people too. For the most part, they'll 863 00:41:03,239 --> 00:41:05,000 Speaker 1: be like, why why go? And I'm singing there like hello, 864 00:41:05,200 --> 00:41:08,160 Speaker 1: here I am today. Do you ever hear that? People 865 00:41:08,160 --> 00:41:09,360 Speaker 1: talk to you and they're like, I didn't expect you 866 00:41:09,400 --> 00:41:11,640 Speaker 1: to be so country time. I feel like if you 867 00:41:11,640 --> 00:41:14,240 Speaker 1: guys came out now, you would be like a country, 868 00:41:14,280 --> 00:41:16,560 Speaker 1: like a rock. Like if you existed right now, it's 869 00:41:16,600 --> 00:41:19,080 Speaker 1: three doors down, brand new, you'd be here. We would 870 00:41:19,080 --> 00:41:22,080 Speaker 1: be absolutely absolutely well, Kevin, that's not the case with 871 00:41:22,120 --> 00:41:23,759 Speaker 1: you guys. You guys would still be going. You're not 872 00:41:23,920 --> 00:41:26,160 Speaker 1: You're from like the Northwest though, right, well I was. 873 00:41:26,239 --> 00:41:27,960 Speaker 1: I was born in Chicago, but I was raised in 874 00:41:28,000 --> 00:41:29,799 Speaker 1: the South. I grew up in San Antonio, Texas. Oh 875 00:41:29,880 --> 00:41:31,400 Speaker 1: you did. Yeah, So every now and then you'll hear 876 00:41:31,480 --> 00:41:33,440 Speaker 1: me slip into a little bit of y'all and notnot. 877 00:41:33,480 --> 00:41:35,840 Speaker 1: But I moved to Seattle when I was fourteen in 878 00:41:35,920 --> 00:41:38,480 Speaker 1: nineteen eighty four, and um, and that was my dad 879 00:41:38,520 --> 00:41:40,759 Speaker 1: took a job with an old boss and that was 880 00:41:41,320 --> 00:41:43,040 Speaker 1: And at the first concert I saw there was Chris 881 00:41:43,080 --> 00:41:45,799 Speaker 1: Cornell playing drums with Sound Garden as a three piece, 882 00:41:46,080 --> 00:41:47,959 Speaker 1: and he was singing like a banshee and I was like, man, 883 00:41:48,000 --> 00:41:50,040 Speaker 1: what is going on in this city? You know? And uh, 884 00:41:50,680 --> 00:41:53,440 Speaker 1: and that was it for me. I was immediately enamored 885 00:41:53,480 --> 00:41:57,319 Speaker 1: and inspired by just great music from that beautiful little town. 886 00:41:57,400 --> 00:41:59,000 Speaker 1: I feel like you guys came out and you could 887 00:41:59,080 --> 00:42:01,680 Speaker 1: correct me, because this is how any note like after 888 00:42:01,840 --> 00:42:04,480 Speaker 1: the whole grunge thing happened, and I felt like you 889 00:42:04,520 --> 00:42:06,520 Speaker 1: guys were kind of unfairly compared to it because it 890 00:42:06,560 --> 00:42:08,719 Speaker 1: wasn't really the exactly the same time, but because you 891 00:42:08,760 --> 00:42:11,640 Speaker 1: were from Seattle, people like, it's another Seattle band. Did 892 00:42:11,640 --> 00:42:14,600 Speaker 1: do you feel like that? Is that observation is somewhat accurate? 893 00:42:14,880 --> 00:42:17,400 Speaker 1: Very accurate. I mean, it was an easy label to 894 00:42:17,400 --> 00:42:20,080 Speaker 1: throw on a band like Candlebox because the whole city 895 00:42:20,160 --> 00:42:24,080 Speaker 1: was considered grunge. You know, we're we're about five years 896 00:42:24,080 --> 00:42:26,319 Speaker 1: in age younger than a lot of those guys as well, 897 00:42:26,840 --> 00:42:28,719 Speaker 1: so you know, I was sixteen years old working in 898 00:42:28,719 --> 00:42:30,640 Speaker 1: a shoe store when Chris Cornell was coming in to 899 00:42:30,760 --> 00:42:32,640 Speaker 1: get flyers to hang up on the walls. You know. 900 00:42:32,719 --> 00:42:36,040 Speaker 1: So we did come around a lot later than those guys, 901 00:42:36,040 --> 00:42:39,480 Speaker 1: so it hindered a little bit of our career. I mean, 902 00:42:39,560 --> 00:42:41,600 Speaker 1: you know, we were never media darlings like the rest 903 00:42:41,600 --> 00:42:43,560 Speaker 1: of the grunge band, so it kind of was like 904 00:42:43,560 --> 00:42:45,640 Speaker 1: we kind of had to beat our beat the door 905 00:42:45,640 --> 00:42:48,000 Speaker 1: down ourselves, which was fun, you know. I mean here 906 00:42:48,000 --> 00:42:49,719 Speaker 1: we are thirty years later, still doing it. But everything 907 00:42:49,760 --> 00:42:51,600 Speaker 1: about turning into a boy band though about that time too, 908 00:42:51,600 --> 00:42:53,680 Speaker 1: you could have easily flipped over it and learn to dance. 909 00:42:54,120 --> 00:42:56,879 Speaker 1: I should have. Did you you ever sing any other 910 00:42:56,960 --> 00:42:59,840 Speaker 1: kind of music? Like? Growing up? Like inquired? Like you 911 00:43:00,040 --> 00:43:02,920 Speaker 1: probably could have been a good, uh stage singer? Did 912 00:43:02,920 --> 00:43:04,600 Speaker 1: you do that at all? I'm a first tenor. Um, 913 00:43:04,600 --> 00:43:05,960 Speaker 1: I did a lot of I did a lot of 914 00:43:06,280 --> 00:43:08,920 Speaker 1: drama in high school because it was where the girls were. Um. 915 00:43:08,960 --> 00:43:11,319 Speaker 1: I always took the electives where there were girls. UM. 916 00:43:11,480 --> 00:43:14,560 Speaker 1: I'm a big fan of so um. But yeah, I 917 00:43:14,640 --> 00:43:17,080 Speaker 1: sang in drama, UM, and I sang in choir. I did. 918 00:43:17,360 --> 00:43:20,760 Speaker 1: I've done pieces in Italian French. I did a barbershop 919 00:43:20,800 --> 00:43:22,399 Speaker 1: quartet with my brother, which was a lot of fun 920 00:43:22,480 --> 00:43:23,799 Speaker 1: for a couple of years. You know, did you have 921 00:43:23,800 --> 00:43:25,560 Speaker 1: to drop all that once you guys got cool in 922 00:43:25,600 --> 00:43:28,600 Speaker 1: candlebox because you don't want to I don't want to 923 00:43:28,600 --> 00:43:30,680 Speaker 1: see a candleboxing in a barbershop quartet, I'll be oyest 924 00:43:31,000 --> 00:43:33,160 Speaker 1: not that time. No, I was. I stopped that right 925 00:43:33,200 --> 00:43:36,799 Speaker 1: around the age of seventeen. Yeah, when you are in 926 00:43:36,880 --> 00:43:40,160 Speaker 1: a band that is coming from Seattle and obviously you 927 00:43:40,200 --> 00:43:42,080 Speaker 1: have all those influences around, you were able to see 928 00:43:42,080 --> 00:43:43,800 Speaker 1: them as a kid, like did you ever see Nirvana 929 00:43:43,880 --> 00:43:46,279 Speaker 1: play what did Yeah? So I saw them play Radio Shack, 930 00:43:46,320 --> 00:43:48,560 Speaker 1: the notorious video tape that's going around that was down 931 00:43:48,560 --> 00:43:50,600 Speaker 1: in Tacoma. Um. I saw a lot of the early 932 00:43:51,040 --> 00:43:55,319 Speaker 1: Screaming Trees, gigs, Um Grunt Truck, Skinyard sound Garden, saw 933 00:43:55,360 --> 00:43:56,839 Speaker 1: the movie. I was at the Mookie Blaylock show when 934 00:43:56,840 --> 00:44:00,600 Speaker 1: they par Jam. Yeah, I mean it. You know, at 935 00:44:00,600 --> 00:44:02,760 Speaker 1: the time, a lot of people just assumed that Seattle 936 00:44:02,840 --> 00:44:05,640 Speaker 1: was this massive metropolis. It was a tiny little town man, 937 00:44:05,760 --> 00:44:08,799 Speaker 1: and it's like you know, you, I think when I 938 00:44:08,840 --> 00:44:12,480 Speaker 1: moved there, maybe a million people in the entire Seattle community. 939 00:44:13,000 --> 00:44:17,280 Speaker 1: But all the venues were within a mile of one another, 940 00:44:17,360 --> 00:44:20,600 Speaker 1: so a lot of them were all ages venues which 941 00:44:20,640 --> 00:44:22,040 Speaker 1: you could go and see these bands play, and some 942 00:44:22,080 --> 00:44:23,480 Speaker 1: of them that were bars you'd have to have a 943 00:44:23,480 --> 00:44:25,719 Speaker 1: fake ID to sneak into. But yeah, I was. I 944 00:44:25,760 --> 00:44:27,680 Speaker 1: was fortunate enough. And like I said, I worked at 945 00:44:27,800 --> 00:44:32,040 Speaker 1: Fluevog Shoes, which was where Susan Silver, who had Silver Management. 946 00:44:32,120 --> 00:44:35,520 Speaker 1: She was managing Alice and Chains, Sound Garden, Screaming Trees, 947 00:44:35,560 --> 00:44:37,680 Speaker 1: a bunch of those bands. I worked with her. So 948 00:44:37,719 --> 00:44:39,600 Speaker 1: those guys all come in to get flyers and stuff 949 00:44:39,640 --> 00:44:42,080 Speaker 1: for the shows, and that's how I met a lot 950 00:44:42,120 --> 00:44:44,720 Speaker 1: of those musicians as well. Brad, you're putting this towards 951 00:44:44,760 --> 00:44:46,719 Speaker 1: the three Doors down away from the sign anniversary tour 952 00:44:46,760 --> 00:44:51,120 Speaker 1: with Candlebox. How long who goes? Do you have a 953 00:44:51,520 --> 00:44:54,160 Speaker 1: like a baby that comes on first? Or does it 954 00:44:54,239 --> 00:44:56,279 Speaker 1: go straight Candlebox? That maybe too much for me. It's 955 00:44:56,320 --> 00:44:59,880 Speaker 1: a it's just it's wow, that's it. Huh, That's it's straight, 956 00:45:00,080 --> 00:45:03,520 Speaker 1: like let's go. Ye. So they're early yeah, yeah, So 957 00:45:03,560 --> 00:45:05,719 Speaker 1: when the ticket says the show starting, you want to 958 00:45:05,760 --> 00:45:08,680 Speaker 1: be there for that part show starting? YEA twenty five 959 00:45:08,719 --> 00:45:14,719 Speaker 1: minutes after you missed the baby. So, Brad, you've been 960 00:45:14,760 --> 00:45:17,879 Speaker 1: playing with these these guys, obviously with three doors down 961 00:45:17,880 --> 00:45:19,399 Speaker 1: for a long time. Can you guys just like look 962 00:45:19,400 --> 00:45:21,719 Speaker 1: at each other and do a chin move or an 963 00:45:21,719 --> 00:45:24,040 Speaker 1: here and then you know, now you've communicated so much 964 00:45:24,080 --> 00:45:26,640 Speaker 1: over such a long period of time, a little bit 965 00:45:26,840 --> 00:45:28,560 Speaker 1: like or like you get them look like it was 966 00:45:28,560 --> 00:45:32,160 Speaker 1: a wrong note? That's a song. Wrong note? Yeah, there's 967 00:45:32,200 --> 00:45:34,320 Speaker 1: more wrong notes. Does that ever happen where you look like? 968 00:45:34,440 --> 00:45:39,200 Speaker 1: What was that? Yeah? Are you? Are you the alpha? Uh? No, 969 00:45:39,600 --> 00:45:42,600 Speaker 1: I think we're all just kind of Rod's kind of there. Yeah, 970 00:45:42,600 --> 00:45:44,439 Speaker 1: if there, if there's an alpha, I think in our band, 971 00:45:44,440 --> 00:45:46,920 Speaker 1: it's it's great. Our drummer who'll just take a trophy 972 00:45:46,960 --> 00:45:50,279 Speaker 1: has to Yes, yes, he's We definitely looked at him 973 00:45:50,280 --> 00:45:53,040 Speaker 1: to be the band leader. Do they ever talk? Do 974 00:45:53,040 --> 00:45:55,000 Speaker 1: you guys talk to each other on the mic? Not 975 00:45:55,040 --> 00:45:56,600 Speaker 1: where the crowd can hear it. I'm always concerned that 976 00:45:56,600 --> 00:45:58,560 Speaker 1: microll you gonna put something out, So we've stopped using 977 00:45:58,600 --> 00:46:01,840 Speaker 1: that because I'd be like, hey, Eddie, h fans, I 978 00:46:01,840 --> 00:46:04,080 Speaker 1: can see a winner. I'm afraid that I'll go over 979 00:46:04,120 --> 00:46:05,960 Speaker 1: the top, So we stop using that. Now I have 980 00:46:06,080 --> 00:46:08,000 Speaker 1: one back there by Gregg that I have a little 981 00:46:08,000 --> 00:46:09,839 Speaker 1: stalt box that I can talk to my monitor guy. 982 00:46:09,960 --> 00:46:12,839 Speaker 1: The band guys can't hear me, but my monitor guy 983 00:46:12,840 --> 00:46:16,240 Speaker 1: and my front of house guy can hear me, because sometimes, um, sometimes, 984 00:46:16,320 --> 00:46:17,440 Speaker 1: you know, I have a lot to say to my 985 00:46:17,440 --> 00:46:19,439 Speaker 1: monitor guy sometimes. And I have a new monitor guy, 986 00:46:19,600 --> 00:46:21,319 Speaker 1: and I have a lot of nice things to say 987 00:46:21,680 --> 00:46:23,839 Speaker 1: to him, and I in the past I've had some 988 00:46:24,160 --> 00:46:26,759 Speaker 1: less than nice things to say, But I like sometimes 989 00:46:27,280 --> 00:46:29,759 Speaker 1: I'm one of my pit peeves is when my feet 990 00:46:29,800 --> 00:46:32,520 Speaker 1: start vibrating. If the sub starts running too hard, I 991 00:46:32,560 --> 00:46:34,440 Speaker 1: can kind of it messes with a die from of 992 00:46:34,480 --> 00:46:37,280 Speaker 1: the mic, and sometimes it messes with your vocal chords, 993 00:46:37,280 --> 00:46:39,759 Speaker 1: you know, just so much vibration. So if I can 994 00:46:39,760 --> 00:46:42,400 Speaker 1: fill it through my feet, I'd be like, hey, hey, Curtis, 995 00:46:42,520 --> 00:46:44,600 Speaker 1: you want to back down a little bit, buddy, you know? 996 00:46:44,640 --> 00:46:46,800 Speaker 1: And he will and U that's the only people that 997 00:46:46,880 --> 00:46:49,400 Speaker 1: can hear through mine. What song does this? The three 998 00:46:49,440 --> 00:46:53,279 Speaker 1: Doors down crowd sing back the loudest um say here 999 00:46:53,280 --> 00:46:57,680 Speaker 1: without You and Kryptonite. The thing about here without you 1000 00:46:57,800 --> 00:47:00,839 Speaker 1: is who sings it back? Because here and there we've 1001 00:47:00,840 --> 00:47:05,040 Speaker 1: got stuck on some shows, and uh that really, if 1002 00:47:05,080 --> 00:47:07,880 Speaker 1: you just looked at the list, you're like three Doors 1003 00:47:07,920 --> 00:47:10,640 Speaker 1: Down is all that. But you know, on those shows 1004 00:47:10,640 --> 00:47:12,400 Speaker 1: we play some of our deeper stuff on our records, 1005 00:47:12,400 --> 00:47:14,000 Speaker 1: and some of our deeper stuff a little heavier than 1006 00:47:14,080 --> 00:47:16,799 Speaker 1: stuff you hear, and so it we fit in those 1007 00:47:16,800 --> 00:47:19,520 Speaker 1: shows just fine. But it's so awesome to see like 1008 00:47:19,560 --> 00:47:23,800 Speaker 1: this big, gnarly like biker looking just like rip your arms, dude. 1009 00:47:24,000 --> 00:47:27,440 Speaker 1: He will be the most fervent singer of here without 1010 00:47:27,480 --> 00:47:34,480 Speaker 1: you in the crowd. It's amazing, Brad. We play some 1011 00:47:34,640 --> 00:47:36,680 Speaker 1: here without you. We will all right here, Brad here, 1012 00:47:36,760 --> 00:47:38,799 Speaker 1: Brad Arnold from Three Doors Down. By the way, we're 1013 00:47:38,840 --> 00:47:41,879 Speaker 1: announcing the big tour right now. It's the Three Doors 1014 00:47:41,920 --> 00:47:45,040 Speaker 1: Down away from the Sun Anniversary tour with Candlebox. I 1015 00:47:45,080 --> 00:47:48,960 Speaker 1: will be there. Are you guys coming here? We are? Okay? Good? Yeah, 1016 00:47:49,040 --> 00:47:51,640 Speaker 1: all right, yeah, I'll be there. I don't know where. 1017 00:47:51,640 --> 00:47:54,680 Speaker 1: I'll be under the stage, drinking the sweat of my 1018 00:47:54,760 --> 00:47:58,040 Speaker 1: favorite artists. All right, here we go, this is m Ray. 1019 00:47:58,080 --> 00:48:00,600 Speaker 1: We good. Now are you slip into the second verse? 1020 00:48:03,120 --> 00:48:06,880 Speaker 1: Still intense as ever? Come on, sound good. I'm worried 1021 00:48:06,960 --> 00:48:08,719 Speaker 1: asking that guys, just seeing this early in the morning. 1022 00:48:08,760 --> 00:48:10,640 Speaker 1: I was like, I'll just talk to him. You give 1023 00:48:10,680 --> 00:48:14,560 Speaker 1: me goosebumps, man. When you killing it, dude, I'm singing 1024 00:48:14,560 --> 00:48:15,960 Speaker 1: it like four times in the car on the way 1025 00:48:15,960 --> 00:48:18,120 Speaker 1: in it down. That's what I did have a morning 1026 00:48:18,200 --> 00:48:20,040 Speaker 1: driving into the show. I mean, like talking to myself. 1027 00:48:20,120 --> 00:48:23,040 Speaker 1: People I think I'm crazy because I'm also loosening up. 1028 00:48:23,080 --> 00:48:24,560 Speaker 1: I got hours and hours of the show to do. 1029 00:48:24,760 --> 00:48:26,560 Speaker 1: All right, there he is Brad Arnold from Three Doors Down. 1030 00:48:26,600 --> 00:48:31,040 Speaker 1: A nice shot. Okay, Kevin, let's switch it up. It's 1031 00:48:31,040 --> 00:48:35,280 Speaker 1: your turn now. Baby, that's what I call him, baby, Baby, Listen, 1032 00:48:35,320 --> 00:48:37,600 Speaker 1: I grew up. It's the first time we've had Kevin 1033 00:48:37,600 --> 00:48:40,960 Speaker 1: in from Candlebox, and Brad's been so gracious to play 1034 00:48:41,040 --> 00:48:43,200 Speaker 1: like shows with us and be on this show. And 1035 00:48:43,239 --> 00:48:45,000 Speaker 1: we did that. You've been so gracious to have me. 1036 00:48:45,120 --> 00:48:47,480 Speaker 1: We did the Three Doors Down anniversary of the album together. 1037 00:48:47,560 --> 00:48:50,040 Speaker 1: We shot that. So I'm a I'm a big big 1038 00:48:50,040 --> 00:48:53,000 Speaker 1: Brad fan, big three Doors Down fan, big big Bobby's fan. 1039 00:48:53,040 --> 00:48:55,400 Speaker 1: To Kevin, I need you to be a big Bobby fan. Now, 1040 00:48:56,200 --> 00:48:57,880 Speaker 1: I tell you what I think. I'm all right, so 1041 00:48:57,920 --> 00:49:02,120 Speaker 1: I like to hear what you do. Um, can you 1042 00:49:02,160 --> 00:49:05,000 Speaker 1: do like a verse and chorus so far behind. Absolutely absolutely, 1043 00:49:08,160 --> 00:49:10,319 Speaker 1: I'd have dropped that like five times. I feel like 1044 00:49:12,280 --> 00:49:15,799 Speaker 1: no fear, no fear jump right in. Hey Kevin, are 1045 00:49:15,800 --> 00:49:18,680 Speaker 1: you OCD type guy? I am, I'm very I very 1046 00:49:18,760 --> 00:49:21,239 Speaker 1: much am so where I'm trying to fix it a 1047 00:49:21,239 --> 00:49:25,319 Speaker 1: little bit. So with you and your ocity tendencies. Are 1048 00:49:25,320 --> 00:49:29,319 Speaker 1: they cleaning? Are they straightening? What is it that's affecting you? 1049 00:49:29,640 --> 00:49:33,320 Speaker 1: It's pretty much everything for me, Like I on the bus. 1050 00:49:33,400 --> 00:49:35,560 Speaker 1: I don't know about y'all, but like we have I 1051 00:49:35,680 --> 00:49:39,200 Speaker 1: send out specific rules, no shoes in the hallway, nothing 1052 00:49:39,280 --> 00:49:41,120 Speaker 1: left on account. You go full me mall. Yeah, it's 1053 00:49:41,200 --> 00:49:43,760 Speaker 1: it's full on, like and I have a special glass 1054 00:49:43,760 --> 00:49:46,120 Speaker 1: cleaner spray that I use on countertops and everything. It's 1055 00:49:46,120 --> 00:49:48,560 Speaker 1: like disinfectant stuff. Like I'm I'm super parani. We have 1056 00:49:48,600 --> 00:49:50,839 Speaker 1: ionizers on the bus to keep people from getting sick. 1057 00:49:50,920 --> 00:49:53,520 Speaker 1: It's good for you. I'm super super crazy. I'm a 1058 00:49:53,520 --> 00:49:57,319 Speaker 1: bigger fan, a bigger fan. Um So Lunchbucks here doesn't 1059 00:49:57,320 --> 00:49:58,799 Speaker 1: know a lot about music. It doesn't even like music 1060 00:49:58,800 --> 00:50:01,680 Speaker 1: really in general. It's heard that song before. Yeah, I 1061 00:50:01,880 --> 00:50:04,320 Speaker 1: know he doesn't care about music. He's like when he runs, 1062 00:50:04,320 --> 00:50:08,520 Speaker 1: he runs to nothing, He's just it's just bizarre. Had 1063 00:50:08,600 --> 00:50:10,880 Speaker 1: him a beautiful man, I had him. Watched the wood 1064 00:50:10,920 --> 00:50:15,600 Speaker 1: Stock sixty nine, Yes, and then you watched the one 1065 00:50:15,680 --> 00:50:18,399 Speaker 1: on was it not? What did you watch ninety nine? 1066 00:50:18,560 --> 00:50:21,279 Speaker 1: I've watched part of it, which was the crazy Were 1067 00:50:21,280 --> 00:50:23,919 Speaker 1: you at ninety nine? Were you? Oh? You were ninety four? 1068 00:50:24,080 --> 00:50:26,560 Speaker 1: So what was ninety four? Like? It was amazing? It 1069 00:50:26,640 --> 00:50:29,120 Speaker 1: was awesome. Yeah, it was beautiful man. Well, we we 1070 00:50:29,120 --> 00:50:31,280 Speaker 1: were on tour with Metallic at the time, so we 1071 00:50:31,280 --> 00:50:33,720 Speaker 1: we had to get there from because they added Friday 1072 00:50:33,800 --> 00:50:36,880 Speaker 1: Night at the last minute, so it was like bands 1073 00:50:36,920 --> 00:50:39,400 Speaker 1: like collect A Soul Live Us and then the Violent Films. 1074 00:50:39,400 --> 00:50:41,480 Speaker 1: We were the headliners on Friday Night, so we had 1075 00:50:41,480 --> 00:50:44,920 Speaker 1: to get from Kansas City to um to wherever that 1076 00:50:45,000 --> 00:50:46,960 Speaker 1: I think it was not Woodstock, New York, but we 1077 00:50:47,040 --> 00:50:50,360 Speaker 1: I think it was even further north um by Friday 1078 00:50:50,400 --> 00:50:52,879 Speaker 1: from a Wednesday and the Metallic was playing Saturday night, 1079 00:50:53,280 --> 00:50:55,759 Speaker 1: so we kind of had to rush ourselves there. But 1080 00:50:55,800 --> 00:50:58,399 Speaker 1: I remember I stayed up most of the two day 1081 00:50:58,480 --> 00:51:01,080 Speaker 1: drive because I was so excited. I mean, it was 1082 00:51:01,080 --> 00:51:03,279 Speaker 1: exciting touring with Metallica, but like I knew I was 1083 00:51:03,280 --> 00:51:06,520 Speaker 1: going to play this amazing three hundred thousand people show, 1084 00:51:06,719 --> 00:51:09,000 Speaker 1: Like I couldn't sleep, man, I was. I was so 1085 00:51:09,040 --> 00:51:11,520 Speaker 1: excited to get there. And we got there and they 1086 00:51:11,560 --> 00:51:13,319 Speaker 1: wouldn't let you watch the other bands because the stage 1087 00:51:13,320 --> 00:51:16,279 Speaker 1: would turn and they wanted you to experience the three 1088 00:51:16,360 --> 00:51:19,439 Speaker 1: hundred thousand people wave of excitement. Man, it was one time. 1089 00:51:19,760 --> 00:51:23,080 Speaker 1: It was beyond Yeah. I will never ever ever forget it. 1090 00:51:23,360 --> 00:51:25,680 Speaker 1: Did you have any friends that played that disaster ninety 1091 00:51:25,760 --> 00:51:28,120 Speaker 1: nine one? Well, yeah, a lot of a lot of 1092 00:51:28,120 --> 00:51:30,279 Speaker 1: the bands that played it, we were close to what 1093 00:51:30,280 --> 00:51:32,480 Speaker 1: did they call you and be like, yo, dude'd be 1094 00:51:32,480 --> 00:51:35,279 Speaker 1: glad you aren't here. No, but if you'd run into 1095 00:51:35,320 --> 00:51:37,239 Speaker 1: him on the road afterwards, like you know, months later, 1096 00:51:37,280 --> 00:51:39,520 Speaker 1: to be dude, that was a mess, you know. But 1097 00:51:40,160 --> 00:51:42,239 Speaker 1: I think it was just you know, when you're when 1098 00:51:42,239 --> 00:51:44,360 Speaker 1: you're greedy like that and you're going for the money 1099 00:51:44,480 --> 00:51:46,120 Speaker 1: and you are charging what they were charging, like ten 1100 00:51:46,160 --> 00:51:48,399 Speaker 1: dollars from bottles of water or something something stupid. Even 1101 00:51:49,080 --> 00:51:50,839 Speaker 1: they do now at every NFL game. We're like, no, 1102 00:51:50,960 --> 00:51:54,879 Speaker 1: man's yeah, but it was. Yeah. I did. The guys 1103 00:51:54,880 --> 00:51:56,920 Speaker 1: in the Offspring we played a show with them about 1104 00:51:56,960 --> 00:51:59,000 Speaker 1: six months after, and they were like, man, it was 1105 00:51:59,040 --> 00:52:02,600 Speaker 1: a mess. Well let's talk about the tour. So Brad, 1106 00:52:03,520 --> 00:52:05,600 Speaker 1: you put this together. You're all over the place, tickets, 1107 00:52:05,640 --> 00:52:08,959 Speaker 1: Quandselle on Friday this week. What do you want people 1108 00:52:08,960 --> 00:52:11,640 Speaker 1: to know, Brad? If they're on the fence about this tour, 1109 00:52:13,040 --> 00:52:15,719 Speaker 1: come come to this, get all the fence coming. It's 1110 00:52:15,719 --> 00:52:17,520 Speaker 1: gonna be a great It's gonna be a great time. 1111 00:52:17,560 --> 00:52:20,440 Speaker 1: I'm excited about this. I really this is gonna be 1112 00:52:20,480 --> 00:52:22,600 Speaker 1: a great show. It's gonna be a show that you 1113 00:52:22,719 --> 00:52:25,759 Speaker 1: leave on the way back to the parking lot with 1114 00:52:25,880 --> 00:52:27,960 Speaker 1: you buddies high five. And I think, Man, I think 1115 00:52:27,960 --> 00:52:29,840 Speaker 1: it's gonna be a great show. I'm excited about it. 1116 00:52:29,880 --> 00:52:32,640 Speaker 1: Are you playing all the hits? We are? Yeah. I 1117 00:52:32,640 --> 00:52:34,759 Speaker 1: can honestly say I haven't been this excited about a 1118 00:52:34,760 --> 00:52:36,319 Speaker 1: tour in a while, because if you said no, I 1119 00:52:36,360 --> 00:52:38,640 Speaker 1: wasn't coming. He's like, I know, we're playing no hits, 1120 00:52:40,080 --> 00:52:43,080 Speaker 1: deep cuts. Nobody knows if we're thinking about maybe, of 1121 00:52:43,120 --> 00:52:45,680 Speaker 1: course playing the hits and stuff, but last year and 1122 00:52:45,680 --> 00:52:47,520 Speaker 1: we're not gonna do it quite like we did one 1123 00:52:47,560 --> 00:52:50,120 Speaker 1: of the Middle Life twentieth year anniversary. We played the 1124 00:52:50,239 --> 00:52:52,920 Speaker 1: entire record, just front to back. We played other stuff too, 1125 00:52:53,400 --> 00:52:57,760 Speaker 1: thinking about doing that in some dimension, maybe like playing 1126 00:52:57,800 --> 00:53:00,200 Speaker 1: the whole record, but just slicing some other stuff in 1127 00:53:00,239 --> 00:53:02,040 Speaker 1: there as well. But it's kind of fun to do 1128 00:53:02,080 --> 00:53:05,000 Speaker 1: it like that. Um, it's kind of weird sometimes too. 1129 00:53:05,000 --> 00:53:07,359 Speaker 1: We'll see how it goes. Well. Look, thank you guys 1130 00:53:07,360 --> 00:53:09,759 Speaker 1: for coming in and playing awesome. Big fans of you both, Brad, 1131 00:53:09,840 --> 00:53:11,960 Speaker 1: you know, all of you and Kevin. We'll get there, buddy. 1132 00:53:12,040 --> 00:53:14,759 Speaker 1: We're off on the right foot though, I Sayah, that's right, 1133 00:53:14,920 --> 00:53:17,160 Speaker 1: So go check it out. Tickets on sell this Friday. 1134 00:53:17,440 --> 00:53:22,040 Speaker 1: And the Song TV series. Tell me about that. Oh, 1135 00:53:22,080 --> 00:53:25,160 Speaker 1: the Song TV series. We just film that. It's uh, 1136 00:53:25,320 --> 00:53:27,200 Speaker 1: it should air. I'm not really sure when it airs. 1137 00:53:27,200 --> 00:53:30,680 Speaker 1: When we came out and film it. Tgo forms just 1138 00:53:30,800 --> 00:53:34,320 Speaker 1: recently acoustic set and the first time we've done anything 1139 00:53:34,320 --> 00:53:36,359 Speaker 1: like that in a little while. Turn out really good. 1140 00:53:36,360 --> 00:53:38,239 Speaker 1: I'm excited for that day. Hear me too. What if 1141 00:53:38,280 --> 00:53:39,279 Speaker 1: you said, you know, we did it and it didn't 1142 00:53:39,320 --> 00:53:42,279 Speaker 1: turn out very good? Of course it's gonna be good, 1143 00:53:42,280 --> 00:53:44,480 Speaker 1: all right. I'm always worried about things like that. Man, 1144 00:53:44,760 --> 00:53:47,880 Speaker 1: Three Doors Down Candlebox tickets go on sell this Friday. 1145 00:53:48,000 --> 00:53:51,160 Speaker 1: Go to three Doors Down website. Go to Brad Socials. 1146 00:53:51,160 --> 00:53:53,279 Speaker 1: It's tickets are everywhere. You can find all the links 1147 00:53:53,360 --> 00:53:56,319 Speaker 1: up there and we will see you guys soon. All right, 1148 00:53:56,400 --> 00:54:01,920 Speaker 1: they are thank you. They are three. It's the best 1149 00:54:02,040 --> 00:54:11,040 Speaker 1: bits of the week. With Morgan number two, a pole 1150 00:54:11,120 --> 00:54:14,520 Speaker 1: revealed the current country music power rankings, and everybody had 1151 00:54:14,560 --> 00:54:17,239 Speaker 1: a lot of opinions on what that looked like. The 1152 00:54:17,280 --> 00:54:20,760 Speaker 1: power rankings shared Morgan Wall and Luke Combs, Landy Wilson 1153 00:54:20,760 --> 00:54:23,879 Speaker 1: and basically where they fall as if you're watching March 1154 00:54:24,000 --> 00:54:27,040 Speaker 1: Madness but Country Music edition. And so Bobby revealed what 1155 00:54:27,160 --> 00:54:29,600 Speaker 1: that pole looked like, and you guys shared if you 1156 00:54:29,640 --> 00:54:31,879 Speaker 1: guys agree with it, don't agree with it. So if 1157 00:54:31,880 --> 00:54:34,040 Speaker 1: you want to see like the full actual thing, besides, 1158 00:54:34,040 --> 00:54:36,319 Speaker 1: you just listen to the bits because we do make 1159 00:54:36,360 --> 00:54:38,360 Speaker 1: some cool videos on Instagram now, so you can go 1160 00:54:38,440 --> 00:54:41,440 Speaker 1: check those out at Bobby Bunchow. Number two II on 1161 00:54:41,600 --> 00:54:45,040 Speaker 1: Nashville put up power rankings and country music artists I 1162 00:54:45,120 --> 00:54:48,320 Speaker 1: think rank like college basketball teams. Nice, who do you 1163 00:54:48,360 --> 00:54:50,000 Speaker 1: think is number one? And I'll get to it number 1164 00:54:50,080 --> 00:54:53,840 Speaker 1: one because you know it's going to be wow, basically 1165 00:54:53,880 --> 00:54:55,719 Speaker 1: one of two people, Yeah, who do you think is 1166 00:54:55,800 --> 00:54:58,719 Speaker 1: number one? Luke Holmbs or more. Yeah, we'll pick one. 1167 00:54:58,800 --> 00:55:01,200 Speaker 1: You gotta pick one. You know he's gonna be two. 1168 00:55:01,280 --> 00:55:05,200 Speaker 1: It's rights on both, Okay, Okay, I'll go Loop comes 1169 00:55:05,800 --> 00:55:11,480 Speaker 1: Morgan wall Morgan Wallen, Morgan Wallen, dang Amy, dang. You 1170 00:55:11,520 --> 00:55:15,080 Speaker 1: did try to pick both, respect them at number ten, 1171 00:55:15,320 --> 00:55:27,799 Speaker 1: Ashley McBride, oh at number nine, Jordan Davis when Chris 1172 00:55:27,800 --> 00:55:30,560 Speaker 1: Stapleton at eight. I'm assuming some of this too is 1173 00:55:30,560 --> 00:55:33,399 Speaker 1: like what's happening currently as well as forever, because it's 1174 00:55:33,400 --> 00:55:40,080 Speaker 1: definitely a relevant poll here. Cody Johnson at seven, Kane 1175 00:55:40,120 --> 00:55:45,280 Speaker 1: Brown at six, at number five, Carrie Underwood, Oh god, 1176 00:55:46,800 --> 00:55:49,200 Speaker 1: she got a big tour right now? You single, Zach 1177 00:55:49,280 --> 00:55:55,239 Speaker 1: Bryant at number four, just to Landy Wilson at three, 1178 00:55:55,840 --> 00:56:02,560 Speaker 1: I got and a number two to Luke Combs number one, 1179 00:56:02,640 --> 00:56:11,080 Speaker 1: Travis Tritt, Morgan Walla. That's the top five according to 1180 00:56:11,080 --> 00:56:13,040 Speaker 1: this guy right now. I mean I'd probably put Kane 1181 00:56:13,080 --> 00:56:17,160 Speaker 1: I'd put Kane Brown into the top five. Definitely. I 1182 00:56:17,200 --> 00:56:19,319 Speaker 1: put Kane Brown up there right now. Otherwise I don't 1183 00:56:19,320 --> 00:56:21,279 Speaker 1: only have a problem with the top five. I mean, 1184 00:56:21,400 --> 00:56:23,200 Speaker 1: Luke Brian, why so I didn't have a single on 1185 00:56:23,200 --> 00:56:24,520 Speaker 1: the radio right now? Yeah, but I mean, he's on 1186 00:56:24,520 --> 00:56:26,040 Speaker 1: TV and I don't think he's torning either right now. 1187 00:56:26,680 --> 00:56:29,239 Speaker 1: Chill and I don't think he's on TV right now. 1188 00:56:29,280 --> 00:56:32,680 Speaker 1: He's taping. I don't think he's on TV right now. True, true, Okay, 1189 00:56:33,040 --> 00:56:37,319 Speaker 1: still working though, you know, bad argument? What crushed my 1190 00:56:37,360 --> 00:56:39,680 Speaker 1: player last month? Or yeah listen, no one's saying he's 1191 00:56:39,680 --> 00:56:42,960 Speaker 1: not a superstar, but this is like calling him lazy man. No, no, no, 1192 00:56:43,239 --> 00:56:45,959 Speaker 1: this is like saying, look, Kentucky's always been a terrible 1193 00:56:45,960 --> 00:56:48,239 Speaker 1: basketball team. No, no, no, there, they are massive and 1194 00:56:48,239 --> 00:56:49,600 Speaker 1: have been for a long time. With the last few years, 1195 00:56:49,640 --> 00:56:51,279 Speaker 1: haven't the last couple of months, he hasn't been up 1196 00:56:51,280 --> 00:56:53,279 Speaker 1: there to make the list, but I'm sure he will 1197 00:56:53,640 --> 00:56:59,440 Speaker 1: coming early next month. And then Bailey likes, I'm sorry, 1198 00:56:59,480 --> 00:57:03,560 Speaker 1: I'm sorry. Z that Brant Oh yeah everything that's crazy man, Yeah, 1199 00:57:03,840 --> 00:57:06,799 Speaker 1: I mean Zack Bryan was it guy that blew up 1200 00:57:06,800 --> 00:57:09,920 Speaker 1: on YouTube and then took YouTube over to TikTok and 1201 00:57:09,960 --> 00:57:12,799 Speaker 1: then turned TikTok into massive mainstream success. It's been really 1202 00:57:12,880 --> 00:57:16,600 Speaker 1: cool to see. All right, well I on Nashville. I 1203 00:57:16,600 --> 00:57:19,080 Speaker 1: can't wait till they release it. It's like every week 1204 00:57:19,080 --> 00:57:21,880 Speaker 1: we wait for the polls. I was number one this week. 1205 00:57:22,760 --> 00:57:26,520 Speaker 1: It's the Best Bits of the Week with Morgan number two. 1206 00:57:28,000 --> 00:57:30,800 Speaker 1: And we did a draft this week, which feels very 1207 00:57:30,840 --> 00:57:33,200 Speaker 1: appropriate given that we're in March madness time and a 1208 00:57:33,200 --> 00:57:35,640 Speaker 1: lot of exciting sports are going on. We did a draft, 1209 00:57:36,040 --> 00:57:38,480 Speaker 1: and everybody loves the Bobby Bone Show drafts, but this 1210 00:57:38,520 --> 00:57:41,440 Speaker 1: one was of hard words to spell. Listen, there's a 1211 00:57:41,480 --> 00:57:43,960 Speaker 1: lot of hard words that are really difficult for me 1212 00:57:44,040 --> 00:57:46,120 Speaker 1: to just speak, let alone spell. So I had a 1213 00:57:46,160 --> 00:57:48,200 Speaker 1: little flow up during the draft, and I would like 1214 00:57:48,280 --> 00:57:51,720 Speaker 1: nobody to hold that against me. That's all I'm gonna say. Okay, yep, 1215 00:57:51,800 --> 00:57:55,200 Speaker 1: thank you. Number one time for a draft, we're drafting 1216 00:57:55,280 --> 00:57:59,560 Speaker 1: words that are hard to spell. Amy first overall pick 1217 00:57:59,600 --> 00:58:02,080 Speaker 1: in the draft? What word are you drafting? Is the 1218 00:58:02,120 --> 00:58:04,240 Speaker 1: word that is hard to spell. I feel like everyone 1219 00:58:04,280 --> 00:58:07,640 Speaker 1: will feel me on this one restaurant. Yeah, oh come on, 1220 00:58:07,720 --> 00:58:10,520 Speaker 1: that'd have been my first pick. It's my one. So 1221 00:58:10,520 --> 00:58:12,200 Speaker 1: what we'll do is we'll I'll pick these little teams 1222 00:58:12,200 --> 00:58:16,400 Speaker 1: of three and then you vote Bobby Bones dot com. 1223 00:58:16,440 --> 00:58:18,960 Speaker 1: It's very easy that don't just pick the one best word, 1224 00:58:18,960 --> 00:58:21,520 Speaker 1: it's the whole team. Yeah, lunchbox, words that are hard 1225 00:58:21,560 --> 00:58:24,680 Speaker 1: to spell? You have the second pick, what do you have? Yeah, vacuum. 1226 00:58:25,760 --> 00:58:28,320 Speaker 1: It's pretty good when the WU gets me. Sometimes I 1227 00:58:28,320 --> 00:58:33,080 Speaker 1: think it's cum me vacuum, but it's vacuum. I don't 1228 00:58:33,080 --> 00:58:35,720 Speaker 1: know that. I couldn't tell you. I didn't know if 1229 00:58:35,720 --> 00:58:39,440 Speaker 1: it had two cs and two US. I don't know, Eddie. Look, guys, 1230 00:58:39,600 --> 00:58:41,760 Speaker 1: the hard part about this game was I wrote everything down, 1231 00:58:41,800 --> 00:58:43,000 Speaker 1: but I didn't know how to spell any of them. 1232 00:58:43,120 --> 00:58:47,040 Speaker 1: So nice, this is the hardest one phenomenon. Let's try. 1233 00:58:47,120 --> 00:58:49,320 Speaker 1: Let me try him try can do it? Oh, it 1234 00:58:49,480 --> 00:58:53,760 Speaker 1: is a hard one phenomenon Phi nam n O M 1235 00:58:53,840 --> 00:58:57,720 Speaker 1: phenomenon I N O M. Yeah, I don't know. Man, Oh, good, 1236 00:58:58,040 --> 00:59:01,920 Speaker 1: we go good? Whoever uses that word? I don't. I mean, 1237 00:59:01,960 --> 00:59:04,920 Speaker 1: I don't try to spell that phenomenon. I'm never I 1238 00:59:05,200 --> 00:59:06,960 Speaker 1: don't realise that that's what I'm saying. I definitely don't 1239 00:59:06,960 --> 00:59:08,640 Speaker 1: write it, or if I do, it's only on my 1240 00:59:08,720 --> 00:59:10,520 Speaker 1: computer so I can tell me and then I try 1241 00:59:10,520 --> 00:59:11,840 Speaker 1: to hit it and make it correct, just to give 1242 00:59:11,880 --> 00:59:14,360 Speaker 1: me the morgan, what do you got? I don't eat this, 1243 00:59:14,560 --> 00:59:17,080 Speaker 1: but I can never spell it when writing, and everybody 1244 00:59:17,120 --> 00:59:19,640 Speaker 1: always has an argument there there are two different ways 1245 00:59:19,680 --> 00:59:22,200 Speaker 1: to spell it and it's blone. That's a good one. 1246 00:59:23,200 --> 00:59:27,080 Speaker 1: That's good. Logney's a good one, not b o l o. 1247 00:59:27,360 --> 00:59:32,040 Speaker 1: Any Y has a first name, it's oh no, that's 1248 00:59:32,200 --> 00:59:36,640 Speaker 1: Oscar Oscar myerr, that's all I've been spelling it wrong forever, 1249 00:59:36,880 --> 00:59:40,120 Speaker 1: a stupid song. Okay, it's to me. I have the 1250 00:59:40,160 --> 00:59:46,520 Speaker 1: final pick. I'm gonna pick charcuterie. Oh, isn't a charcuterie board? 1251 00:59:46,680 --> 00:59:49,760 Speaker 1: That's impossible, and some I don't even how to say it. Really, 1252 00:59:50,120 --> 00:59:51,480 Speaker 1: you go to the restaurant. I think I'm saying it 1253 00:59:51,560 --> 00:59:53,920 Speaker 1: right now because I've been practicing it. Is that you 1254 00:59:53,960 --> 00:59:58,080 Speaker 1: say it? Charcuterie, Yeah, charcuterie, charcuterie boards. Cheese is basically meat. 1255 00:59:58,120 --> 01:00:00,360 Speaker 1: You get meat on a charcuter and cheese. Yeah, it's 1256 01:00:00,400 --> 01:00:04,480 Speaker 1: a or nuts. It's like a spread SHARKOUTI is my 1257 01:00:04,600 --> 01:00:07,480 Speaker 1: first overall pick. I'd probably say that more than I 1258 01:00:07,520 --> 01:00:10,080 Speaker 1: say phenomenon if I'm being honest. It's true. All right, 1259 01:00:10,160 --> 01:00:12,040 Speaker 1: So now we'll go backwards and I have the first pick. 1260 01:00:12,120 --> 01:00:16,000 Speaker 1: Here words that are hard to spell. I think I'm 1261 01:00:16,040 --> 01:00:23,080 Speaker 1: gonna go with definitely because is it definitly or is 1262 01:00:23,120 --> 01:00:26,160 Speaker 1: there no e on the end of definite? Definite definite. 1263 01:00:27,760 --> 01:00:29,320 Speaker 1: I don't know the answer to that, but I'm gonna go. 1264 01:00:29,520 --> 01:00:32,959 Speaker 1: Definitely is my second word, Morgan. Words are hard to spell. 1265 01:00:33,360 --> 01:00:35,040 Speaker 1: I always get this one wrong because it has the 1266 01:00:35,160 --> 01:00:43,880 Speaker 1: silent in the beginning. It's pneumonia, ohia, phenomia. That'll get you. Yeah, eddie, guys, karaoke, 1267 01:00:44,800 --> 01:00:49,200 Speaker 1: good luck, Okay, Yeah, yeah, that was tough. That's a 1268 01:00:49,240 --> 01:00:56,160 Speaker 1: good one, lunchbox. Yeah, embarrassed. Yeah yeah. Spell e M 1269 01:00:56,280 --> 01:00:59,520 Speaker 1: B A R E S S D. I don't think 1270 01:00:59,520 --> 01:01:01,840 Speaker 1: it's rights are and there's two How do you know? 1271 01:01:02,200 --> 01:01:03,760 Speaker 1: How do you know? Because I have a right run 1272 01:01:03,840 --> 01:01:07,680 Speaker 1: of me because I spell wrong every time Amy, I 1273 01:01:07,800 --> 01:01:12,600 Speaker 1: got license l I c E n S. I don't 1274 01:01:12,640 --> 01:01:17,280 Speaker 1: know that's it? Is it? I spell a round every 1275 01:01:17,320 --> 01:01:20,800 Speaker 1: single time me like cat dog. License is not that 1276 01:01:20,920 --> 01:01:24,200 Speaker 1: easy exactly Again, I'm with you, l I C E 1277 01:01:24,400 --> 01:01:27,160 Speaker 1: n S. I'm not a great speller. Is that it 1278 01:01:27,320 --> 01:01:28,720 Speaker 1: may not be right? I don't know. I don't know 1279 01:01:28,800 --> 01:01:31,320 Speaker 1: either is right. Yeah, Okay, Well there you go. Two rounds, 1280 01:01:31,360 --> 01:01:33,520 Speaker 1: and I guess I'm kneeling the troubles with that one. 1281 01:01:33,760 --> 01:01:36,600 Speaker 1: We're drafting words that are hard to spell. Amy has 1282 01:01:36,680 --> 01:01:40,920 Speaker 1: restaurant A plus and license all right, listen, it's hard, 1283 01:01:41,200 --> 01:01:44,040 Speaker 1: h Amy, what do you have? I mean, gosh, I 1284 01:01:44,120 --> 01:01:46,840 Speaker 1: feel like someone might have been taken, so I don't know. 1285 01:01:47,360 --> 01:01:54,960 Speaker 1: Well xylophone, Well, yeah, that's impossible. X y l a phone? Right? 1286 01:01:55,480 --> 01:01:58,080 Speaker 1: Is it is? That? Is it that simple? I don't know, Mike? 1287 01:01:58,160 --> 01:02:01,080 Speaker 1: Is it? I met some people? Gets a z he 1288 01:02:02,680 --> 01:02:08,840 Speaker 1: it's thank you? What? What? What's the problem? I just 1289 01:02:09,000 --> 01:02:10,800 Speaker 1: love words that you're just taking words that you don't 1290 01:02:10,800 --> 01:02:13,800 Speaker 1: even use, like of course he's last night we played 1291 01:02:13,800 --> 01:02:18,480 Speaker 1: Eli on My House. Bad. Yeah, man, I'm bad man. 1292 01:02:18,640 --> 01:02:24,000 Speaker 1: I gotta fragilistic, explodocious man. There's a couple that I 1293 01:02:24,120 --> 01:02:27,520 Speaker 1: struggle with. M I don't know that make gross people out. 1294 01:02:27,560 --> 01:02:29,680 Speaker 1: I'm not gonna do took this to heart and he's 1295 01:02:29,720 --> 01:02:33,360 Speaker 1: picking words he only uses. Day Absolutely everybody got thrown strategy, 1296 01:02:33,360 --> 01:02:36,440 Speaker 1: go ahead, what would gross people out? I'm gonna go 1297 01:02:36,520 --> 01:02:43,080 Speaker 1: with entrepreneur. That's so good. That's a good one, day, Eddie. 1298 01:02:43,280 --> 01:02:45,280 Speaker 1: It's not a hard word, but it's hard for me, 1299 01:02:45,640 --> 01:02:47,720 Speaker 1: and I bet people agree with me on this one. 1300 01:02:47,840 --> 01:02:52,760 Speaker 1: Beautiful I had. That's a good one. Morgan. I think 1301 01:02:52,760 --> 01:02:56,360 Speaker 1: I'm gonna go with colonel because it's actually spelled like colonel, 1302 01:02:56,800 --> 01:03:00,640 Speaker 1: but it's colonel like a popcorn kernel. No different, Those 1303 01:03:00,640 --> 01:03:04,680 Speaker 1: are two different men. Yeah they are, but it's pronounced colonel. No, no, no, 1304 01:03:06,040 --> 01:03:07,760 Speaker 1: there's two ways to spell colonel. One with a K, 1305 01:03:08,040 --> 01:03:10,600 Speaker 1: katie r any popcorn colonel. But when you when you 1306 01:03:10,800 --> 01:03:14,960 Speaker 1: say like a commander of an army colonel. Yeah, but 1307 01:03:15,080 --> 01:03:20,120 Speaker 1: it's a spelled colonial basically what I'm not wrong, right, 1308 01:03:20,160 --> 01:03:22,439 Speaker 1: but he's not wrong. I think the way she said 1309 01:03:22,440 --> 01:03:24,400 Speaker 1: it sounds sign. The way she said it she didn't mean. 1310 01:03:24,440 --> 01:03:26,920 Speaker 1: She said it like she would say she didn't mean it. 1311 01:03:27,200 --> 01:03:32,600 Speaker 1: Thank you, that's what. Maybe, yes, colonel colonel, that was 1312 01:03:32,600 --> 01:03:35,840 Speaker 1: a struggle. Okay, Finally, these are all words hard to 1313 01:03:35,880 --> 01:03:38,120 Speaker 1: say too, apparently not just hard to or hard to describe. 1314 01:03:38,280 --> 01:03:49,240 Speaker 1: I'm gonna go with narcissistic. Oh impossible, naarc No, what's 1315 01:03:49,280 --> 01:03:57,880 Speaker 1: after the sick? But also you give, you give license 1316 01:03:57,920 --> 01:04:00,200 Speaker 1: a little, but you give beautiful a good one. Just 1317 01:04:00,360 --> 01:04:03,480 Speaker 1: get it's a common one. Everyone always questions themselves when 1318 01:04:03,480 --> 01:04:06,320 Speaker 1: they do beautiful. Yeah, okay, here we go. Amy's team 1319 01:04:06,480 --> 01:04:12,720 Speaker 1: is restaurant license and xylophone, lunchboxes, vacuum embarrass and entrepreneur. 1320 01:04:13,680 --> 01:04:19,640 Speaker 1: Eddie's phenomenon karaoke and beautiful Morgan is Bologny pneumonia and 1321 01:04:20,080 --> 01:04:23,840 Speaker 1: Colonel I'm not sure which one, and then I'm Charcouterie 1322 01:04:23,880 --> 01:04:27,520 Speaker 1: definitely a narcissistic Wow. Good vote, doesn't be hard to 1323 01:04:27,600 --> 01:04:31,600 Speaker 1: vote Bones dot Com pick one and we'll pick a winner. 1324 01:04:31,880 --> 01:04:35,800 Speaker 1: Thank you, guys. It's the Best Bits of the Week 1325 01:04:36,600 --> 01:04:39,880 Speaker 1: with Morgan number two. I hope you guys had an 1326 01:04:39,920 --> 01:04:42,240 Speaker 1: enjoyable weekend. In this moment of hanging out with me 1327 01:04:42,400 --> 01:04:45,000 Speaker 1: on the Best Bits, it was super fun to hang 1328 01:04:45,040 --> 01:04:46,840 Speaker 1: out with y'all, just even for an hour. But be 1329 01:04:46,960 --> 01:04:49,320 Speaker 1: sure to check out Best Bits Part one. This weekend 1330 01:04:49,520 --> 01:04:51,520 Speaker 1: it was with Eddie and I am partial to say 1331 01:04:51,560 --> 01:04:53,520 Speaker 1: that it was very exciting to talk with him. We 1332 01:04:53,640 --> 01:04:55,320 Speaker 1: love catching up with each other and it basically always 1333 01:04:55,360 --> 01:04:57,560 Speaker 1: happens on the Best Bits. Other than that, we're working 1334 01:04:57,600 --> 01:04:59,080 Speaker 1: all the time, so we don't get a lot of 1335 01:04:59,160 --> 01:05:01,280 Speaker 1: catch up or there pre session, so you kind of 1336 01:05:01,320 --> 01:05:03,800 Speaker 1: hear it live on the mic in the Best Fits 1337 01:05:03,960 --> 01:05:06,160 Speaker 1: Part one. I love you all so much. Please have 1338 01:05:06,440 --> 01:05:09,720 Speaker 1: a great, safe, fun weekend. Can follow me on all 1339 01:05:09,760 --> 01:05:12,280 Speaker 1: the things at web Girl Morgan. I've been trying to 1340 01:05:12,360 --> 01:05:14,640 Speaker 1: go live on TikTok a little bit more recently, and 1341 01:05:14,880 --> 01:05:18,400 Speaker 1: that's been interesting because the guys like to crush that lately. 1342 01:05:18,560 --> 01:05:20,320 Speaker 1: But I hope you follow me and the show, of 1343 01:05:20,440 --> 01:05:22,960 Speaker 1: course at Bobby Bone Show on all the things. I'll 1344 01:05:23,000 --> 01:05:28,440 Speaker 1: see y'all later. Come on, Bobby Boney, Bobby Bones.