WEBVTT - Wrestling Secrets Revealed

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<v Speaker 1>M. What's up everybody? Welcome back to a brand new

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<v Speaker 1>episode of Wrestling with Freddie. And today's episode is story

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<v Speaker 1>Time with Uncle Frederick. And this is Wrestling with Freddie

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<v Speaker 1>now stuffing up for the min The host of Wrestling

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<v Speaker 1>with Freddie, Freddie Brice tune. Yeah. On today's episode, we're

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<v Speaker 1>gonna tell well, I don't know how many stories we're

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<v Speaker 1>gonna tell. There's always a bunch of side quests, but

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<v Speaker 1>I'm gonna try to focus on two stories, and one

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<v Speaker 1>of which was asking me on Twitter. So if any

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<v Speaker 1>of you guys know of anything going on when I

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<v Speaker 1>worked there that you have questions about, feel free to

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<v Speaker 1>hit me up on social media. That's real fpj R.

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<v Speaker 1>On Twitter. That's the best way for me to answer

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<v Speaker 1>wrestling questions. I'm not on Instagram that much, so this question,

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<v Speaker 1>I'm sorry, I don't remember your name, but I'm gonna

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<v Speaker 1>get good at that by season two maybe. But he

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<v Speaker 1>asked about the story of hayde Vanson. And for those

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<v Speaker 1>who there's some like hardcoes right now, they're like, no

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<v Speaker 1>freaking way. Yes I wrote this with a couple other people,

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<v Speaker 1>but yes I wrote this, and yes it died a

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<v Speaker 1>horrible death, So we're gonna get into that, and for

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<v Speaker 1>those of you who don't know, it's just a funny story.

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<v Speaker 1>And then the other story we're gonna tell it was

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<v Speaker 1>my worst day in the company. And I'm pretty sure

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<v Speaker 1>Vince did it to me just as as a practical

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<v Speaker 1>joke they call it a rib was just ribbing you.

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<v Speaker 1>But man, it sucked. And that was when SmackDown I

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<v Speaker 1>think was on. Maybe it was the c W or

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<v Speaker 1>the up N. It was a long time ago, and

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<v Speaker 1>they've changed names a lot more than w W wrestler's names.

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<v Speaker 1>But they made me direct a segment for the Masked

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<v Speaker 1>Magician because he had a show on the same network

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<v Speaker 1>and they were trying to cross promote, and he was

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<v Speaker 1>going to use wrestlers as like the volunteers from the audience.

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<v Speaker 1>Now we're gonna start with this story because for those

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<v Speaker 1>of you who don't know, I love magic. When I

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<v Speaker 1>was a little kid, I went to a magic shop

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<v Speaker 1>here in Los Angeles, California, and so like some of

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<v Speaker 1>the best magicians in the world were here, and it

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<v Speaker 1>was a place called the Magic Castle, and you could

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<v Speaker 1>go there and eat and they would perform for you.

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<v Speaker 1>And these were like top top shelf magicians. And I

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<v Speaker 1>went to a magic shop and my mom said, you

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<v Speaker 1>can get one trick, any trick you want. And I

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<v Speaker 1>looked around at everything, and I didn't look at the

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<v Speaker 1>back of any of the boxes. I just looked around.

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<v Speaker 1>And I went back to my mom and I said,

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<v Speaker 1>I don't want I don't want to get any of

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<v Speaker 1>these tricks. And she said why not, and I said,

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<v Speaker 1>because I don't want to know how they work. And

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<v Speaker 1>there's a scene from a movie with Christian Bale and

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<v Speaker 1>Hugh Jackman and they're like dueling magicians and Christian Bale,

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<v Speaker 1>I don't want to spoil it for you if you

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<v Speaker 1>haven't seen it, but he's in love with this with

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<v Speaker 1>this woman, and he's doing a magic trick and this

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<v Speaker 1>is like the eight hundreds in England, I believe. And

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<v Speaker 1>he's doing a bullet catch, which was a spectacular trick

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<v Speaker 1>because magicians had died doing it, and his wife or

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<v Speaker 1>his girlfriend doesn't want him to do it, and he says, no,

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<v Speaker 1>it's perfectly safe. She goes, show me how to do it.

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<v Speaker 1>He's like, no, I can't. I can't show you how

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<v Speaker 1>to do it. She goes, well, then you can't. You

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<v Speaker 1>can't do it. You you have more responsibilities than just yourself.

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<v Speaker 1>Now you have me, we're going to have a child.

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<v Speaker 1>You have responsibilities that your father says, all right, if

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<v Speaker 1>I show you will you will you let me do it.

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<v Speaker 1>She says okay. He does the bullet catch, and then

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<v Speaker 1>he reveals the trick that he pulls the bullet from

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<v Speaker 1>the gun before he ever gives her the pistol to fire,

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<v Speaker 1>and so it's just watting. There is no bullet, and

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<v Speaker 1>he breaks it down. He basically says the gun is empty,

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<v Speaker 1>there is no bullet, and she looks at him and

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<v Speaker 1>she it's almost instead of relief, it's disappointment. And then

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<v Speaker 1>she says, oh, well, when you know how it's done,

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<v Speaker 1>it's not that special, is it. And you can see

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<v Speaker 1>his heart break the way a woman should have in

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<v Speaker 1>his heart, and he says, well, no, you know, it's

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<v Speaker 1>still it's still pretty dangerous. You know, people can die

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<v Speaker 1>doing this, and she just like shrugs it off, like yeah, okay,

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<v Speaker 1>whatever whatever, And that to me was magic, right. I

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<v Speaker 1>never wanted to know how it was done. It was

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<v Speaker 1>why I couldn't watch wrestling for about eight months when

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<v Speaker 1>I left the company, because I knew. I knew all

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<v Speaker 1>the tricks and some of the magic had had faded away,

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<v Speaker 1>And it wasn't until my daughter got real into it

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<v Speaker 1>that I came back sort of full circle. So I'm

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<v Speaker 1>the perfect guy to direct a segment for a character

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<v Speaker 1>whose entire gimmick is destroying magician's careers and exposing all

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<v Speaker 1>their secrets and all their trade secrets and and making

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<v Speaker 1>magic no longer magic. Like that guy that did that

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<v Speaker 1>Scuzzy John was his name, John Moffatt Or no, that's

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<v Speaker 1>the character from Silence of the Lambs, the New York

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<v Speaker 1>journalist that got slapped by by Dr De David Schultz.

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<v Speaker 1>And there was a wrestler who like gave up the

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<v Speaker 1>secrets in order to help this story get made. Like

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<v Speaker 1>screw that guy, and screw the mass magician. His name

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<v Speaker 1>was like Valve Valentine or something and so and this

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<v Speaker 1>may sound hardcore, like wow, Freddie is really getting on

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<v Speaker 1>a soapbox for magicians, but and I know it is,

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<v Speaker 1>it's ridiculous, but check this out. Man, Like these men

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<v Speaker 1>and these women, their entire livelihood is on making you

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<v Speaker 1>guess right, how do you do it? How do you

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<v Speaker 1>do it? So all these YouTube videos, all these Instagram

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<v Speaker 1>videos and Valve Valentine who started it with his mass

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<v Speaker 1>magician crap, like that's that's hurting magicians. It's not getting

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<v Speaker 1>people more excited about magic, not anymore so than they'd

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<v Speaker 1>be if they saw a magician and wondered how they

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<v Speaker 1>could do it. No, it's just people putting a spotlight

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<v Speaker 1>on themselves because they don't have what it takes. They're

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<v Speaker 1>not the three dimensional magician. They may just be good

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<v Speaker 1>at slide a hand, or they may just be good

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<v Speaker 1>on the microphone, or maybe they're just funny, but none

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<v Speaker 1>of the other skills are up to part. And they're

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<v Speaker 1>mad about that, and they're trying to get their own

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<v Speaker 1>shine and make money in a new way. But it's

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<v Speaker 1>just destroyed the magic business. So now I get to

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<v Speaker 1>work with this guy, So Vince gives me Maria and

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<v Speaker 1>Maria Cannellis that is, and uh Biscuits and Gravy what

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<v Speaker 1>were their names? Festus became Luke Gallows and uh Gordie's kid.

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<v Speaker 1>I don't remember, but anyway, they their theme music wing

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<v Speaker 1>Biscuits and Grave and Festus was this character played by Luke.

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<v Speaker 1>You guys know him. Now it's Luke Gallows. If you

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<v Speaker 1>watched a w or or the indie scenes, now, shout

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<v Speaker 1>out to my buddy Angelo who gave him that name.

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<v Speaker 1>And uh, his character doesn't speak. He was not mute.

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<v Speaker 1>He was just kind of dumb, right and just sort

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<v Speaker 1>of like lobotomized. And then when the bell would ring,

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<v Speaker 1>this is his gimmick. I'm not saying this was great,

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<v Speaker 1>but it made me laugh at least when the wrestling

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<v Speaker 1>bell would ring, he would like run, He just beat

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<v Speaker 1>the crap out of whoever was in front of him,

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<v Speaker 1>and if the bell ring again, he would go back

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<v Speaker 1>into his docile, lobotomized state, which doesn't give a long

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<v Speaker 1>career for a character like that, because the moment someone goes, well,

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<v Speaker 1>maybe if I just ring the bell again in the

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<v Speaker 1>middle of the match and he'll stop, and then I

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<v Speaker 1>can just pin it, which happened, and then the characters

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<v Speaker 1>magic kind of died right them as the tag team

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<v Speaker 1>he Maria Canellis, and the story is supposed to be

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<v Speaker 1>that Festus has a crush on Maria. I'm like trying

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<v Speaker 1>to prevent a migraine wall explaining this this storyline to you, guys,

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<v Speaker 1>that's how painful this memory is, and uh, they're gonna

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<v Speaker 1>do this magic thing together, the mass magician is. It's

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<v Speaker 1>going to be like a date kind of. So I

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<v Speaker 1>wake up that morning and I feel horrible. I grabbed thermometer.

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<v Speaker 1>Take my temperature one degrees sick as a dog. There

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<v Speaker 1>is no there are no sick days at the w

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<v Speaker 1>w E. You go, You go to work unless you're dead,

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<v Speaker 1>and even then they fire you. He's fired. He didn't

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<v Speaker 1>show up. Dude, he's dead. Well, he won't care, so

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<v Speaker 1>he wouldn't do that. So I feel like crap. I

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<v Speaker 1>take a ton of medicine, I get to work. I

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<v Speaker 1>get hit with the masked freaking magician on a segment

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<v Speaker 1>No one's gonna watch on a segment. No wrestling fan

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<v Speaker 1>wants to watch a segment I don't want to watch

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<v Speaker 1>or be a part of, or be associated with in

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<v Speaker 1>any way, shape or form. And did I mention I

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<v Speaker 1>have a hundred one to temperature. So God bless Luke.

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<v Speaker 1>This is Festus, and God bless Maria for galas goes Man,

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<v Speaker 1>you look sickred and shamous because she is a solf,

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<v Speaker 1>white and pale. She could like see his heart beat

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<v Speaker 1>like a like a baby fish or a baby frog.

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<v Speaker 1>He goes, man, you look worse than shame is, which

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<v Speaker 1>makes me mile and laugh. But man, I'm hurting. And

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<v Speaker 1>then incomes sky val Valentine, and now I can't just

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<v Speaker 1>tell the guy I hate you. Man, you're jerk and

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<v Speaker 1>you're everything that's wrong with the show business. If they

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<v Speaker 1>can't afford a scripted shows, so they pay you peanuts

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<v Speaker 1>and you get an hour on TV, screw you. I

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<v Speaker 1>can't say that, right, So I say, hey, Vole, it's

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<v Speaker 1>nice to meet you. Uh, what are the tricks that

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<v Speaker 1>you'd like to perform for us today? So he's gonna

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<v Speaker 1>do the head spinning around on the box trick. Hey,

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<v Speaker 1>that's new and fresh and hit. At least he's not exposing,

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<v Speaker 1>you know, something that's not stupid, and then that they

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<v Speaker 1>didn't expose on Looney Tunes. And the other is a levitation.

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<v Speaker 1>He's gonna levitate Maria and uh, I have never seen

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<v Speaker 1>a levitation be performed, So now I have to watch

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<v Speaker 1>it because I have to let everyone know where the

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<v Speaker 1>cameras are going to be. Right. Well, actually he helped

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<v Speaker 1>with that because he has to protect his props. I

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<v Speaker 1>don't I'm not trying to take credit for it. So

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<v Speaker 1>he's like, hey, we need a camera here here, and

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<v Speaker 1>here's all right, I'll grab these guys. I'm writing some

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<v Speaker 1>diet log for Maria and Festus too, so she can

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<v Speaker 1>be his lovely assistant. Right, and uh, I'm looking at

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<v Speaker 1>the levitation gimmick and it's so loud. It's so loud.

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<v Speaker 1>And he turns on. It's like and it starts to go.

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<v Speaker 1>I'm like, bro, how what how? How do you want

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<v Speaker 1>me to this? He goes, oh, well, when I perform

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<v Speaker 1>it on my show, there's a lot of music play,

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<v Speaker 1>all right, man, Well, all right, I'll put some music

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<v Speaker 1>in and post I guess, but right on. And so

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<v Speaker 1>Maria comes in and and she doesn't have much dialogue.

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<v Speaker 1>It's like, hey, Festus, are you ready to see some magic?

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<v Speaker 1>It's I'm literally I don't want to be there. I'm

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<v Speaker 1>just trying to make this go as quickly as possible. Maria,

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<v Speaker 1>the first trick they're gonna do is the head in

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<v Speaker 1>the box. I hate telling the story. So she gets

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<v Speaker 1>in and uh, he closes the box up, the one

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<v Speaker 1>that goes around her body, and then there's a little

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<v Speaker 1>door for the second box that's around her head, and

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<v Speaker 1>you can see her smiling face and h he clo.

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<v Speaker 1>He closes the box and he turns it degrees and

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<v Speaker 1>he opens the back of the box. And what should

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<v Speaker 1>be Maria's red hair? Is this a red wig that

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<v Speaker 1>is about eight inches shorter than Maria's hair when she

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<v Speaker 1>got in the box And not even remotely did you

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<v Speaker 1>can look this up on YouTube and not even remotely

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<v Speaker 1>the same color texture or anything. Okay, So I'm already

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<v Speaker 1>sitting there and the camera guy was Luise, I think

0:11:35.480 --> 0:11:38.120
<v Speaker 1>his name was Luise. He looks over to me and

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<v Speaker 1>he goes, how did you get stuck with this ship?

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<v Speaker 1>And I think I said something like I think he

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<v Speaker 1>knows I like magic. I was talking about magic, and

0:11:46.640 --> 0:11:48.440
<v Speaker 1>I think he just did this to like screw me

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<v Speaker 1>over because I think I might have said screwed the

0:11:50.600 --> 0:11:53.440
<v Speaker 1>mass magician or something like that. And he's shaking his

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<v Speaker 1>head and the bits over. We do one take. We

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<v Speaker 1>do one take, and he goes, how wasn't I go, man,

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<v Speaker 1>that that was great. Let's just let's get to the

0:12:02.040 --> 0:12:04.640
<v Speaker 1>next one. I'm ready to go throw up at this point.

0:12:04.880 --> 0:12:06.680
<v Speaker 1>So while they set up, I go to the bathroom.

0:12:07.040 --> 0:12:09.200
<v Speaker 1>I got like a like a wet towel that I

0:12:09.280 --> 0:12:11.960
<v Speaker 1>bring over to UH to caterine. I fill up with

0:12:12.040 --> 0:12:14.120
<v Speaker 1>ice and I go back to where we're shooting in

0:12:14.160 --> 0:12:16.560
<v Speaker 1>this like cafeteria. I lay on a table and I

0:12:16.600 --> 0:12:20.000
<v Speaker 1>just put the ice over my head. While I'm laying there.

0:12:21.040 --> 0:12:24.240
<v Speaker 1>Maria is, she's so sweet. She comes up, she takes

0:12:24.280 --> 0:12:27.280
<v Speaker 1>the ice pack off my head, and she goes, Freddy.

0:12:27.520 --> 0:12:30.360
<v Speaker 1>I go, what she goes, don't sell? I said, what

0:12:30.960 --> 0:12:33.280
<v Speaker 1>she goes, don't sell? So what are you talking about?

0:12:33.360 --> 0:12:35.640
<v Speaker 1>She goes. Every single old timer that walks by here,

0:12:35.800 --> 0:12:37.760
<v Speaker 1>if they see you, every single one of them is

0:12:37.800 --> 0:12:40.040
<v Speaker 1>gonna go tell Vince and tell him what that I'm

0:12:40.040 --> 0:12:41.959
<v Speaker 1>sick because a dog. She goes, No, They're gonna tell

0:12:42.000 --> 0:12:47.160
<v Speaker 1>me you're a little bit. Was like, oh no, all right, fair,

0:12:47.559 --> 0:12:49.600
<v Speaker 1>fair enough. No more ice bags, or at least not

0:12:49.640 --> 0:12:55.520
<v Speaker 1>in public view. So it's time for levitation. And as

0:12:55.559 --> 0:12:57.679
<v Speaker 1>the day goes on, you know how how it feels

0:12:57.679 --> 0:12:59.520
<v Speaker 1>when you have the flu, You get worse as the

0:12:59.600 --> 0:13:04.160
<v Speaker 1>day goes on. Right, So I'm feeling like garbage canny.

0:13:04.840 --> 0:13:08.360
<v Speaker 1>I'm drinking like they're a flu by the gallon, I think,

0:13:08.440 --> 0:13:12.000
<v Speaker 1>or maybe it was just t and I'm basically hallucinating,

0:13:12.040 --> 0:13:15.360
<v Speaker 1>like I'm guys are the worst when we're sick. Girls

0:13:15.400 --> 0:13:17.480
<v Speaker 1>are tougher than guys when it comes to getting sick. Man,

0:13:17.679 --> 0:13:20.520
<v Speaker 1>I just wanted my mom. So we do levitation and

0:13:20.640 --> 0:13:25.360
<v Speaker 1>Maria lays down on the Maria lays down on this

0:13:25.480 --> 0:13:32.400
<v Speaker 1>board and uh uh. The mass magician pushes the button

0:13:33.240 --> 0:13:36.679
<v Speaker 1>and it goes, it goes up, and then one of

0:13:36.679 --> 0:13:39.840
<v Speaker 1>there's two hydraulics and one of them stops working, and

0:13:39.960 --> 0:13:43.839
<v Speaker 1>so the right one keeps going up, which means her

0:13:43.880 --> 0:13:46.240
<v Speaker 1>feet are going in the air, but her head's not.

0:13:47.000 --> 0:13:50.120
<v Speaker 1>And she starts sliding like she goes well, and he goes,

0:13:50.520 --> 0:13:52.679
<v Speaker 1>hold on, hold on, hold on, and so he has

0:13:52.720 --> 0:13:54.840
<v Speaker 1>to turn it off. And I'm shaking my head just

0:13:55.000 --> 0:13:59.360
<v Speaker 1>in shame, frustration and entertainment and joy to see this

0:13:59.400 --> 0:14:04.240
<v Speaker 1>guy get posed. And uh gets off the table and

0:14:04.280 --> 0:14:05.920
<v Speaker 1>he goes, hold on, hold on, let me fix it.

0:14:05.960 --> 0:14:09.360
<v Speaker 1>I go all right, man, try to fix it. And

0:14:09.400 --> 0:14:12.440
<v Speaker 1>I go up to Louise and I said, uh, look,

0:14:12.440 --> 0:14:15.080
<v Speaker 1>we're gonna send it to the truck and we're just

0:14:15.120 --> 0:14:18.760
<v Speaker 1>gonna cut right before it uh, before it gets right

0:14:18.760 --> 0:14:21.600
<v Speaker 1>before the thing the gimmick breaks the rig because we

0:14:21.640 --> 0:14:26.200
<v Speaker 1>can't do that, and val Valentine goes, hey, guys, yeah,

0:14:26.200 --> 0:14:29.440
<v Speaker 1>he goes, uh my, hye, draw is completely broken. I'm

0:14:29.440 --> 0:14:31.240
<v Speaker 1>not gonna be able to do a second take. And

0:14:31.320 --> 0:14:33.600
<v Speaker 1>Luise goes, hey, man, so I think we should just

0:14:33.600 --> 0:14:36.120
<v Speaker 1>send this to the truck and just cut it right

0:14:36.120 --> 0:14:41.840
<v Speaker 1>before the thing bread And it is the single worst

0:14:41.960 --> 0:14:46.600
<v Speaker 1>segment in the history of SmackDown on any channel, whether

0:14:46.640 --> 0:14:49.520
<v Speaker 1>it was the c W, whether it was the up N,

0:14:50.000 --> 0:14:53.000
<v Speaker 1>whether it was what was it before that, what is

0:14:53.040 --> 0:14:56.480
<v Speaker 1>it now, whether it's on Fox Sports, whether any channel,

0:14:56.600 --> 0:14:59.400
<v Speaker 1>it is the worst segments. So you guys try to

0:14:59.400 --> 0:15:01.480
<v Speaker 1>give me credit for a lot of stuff and say, Freddie,

0:15:01.720 --> 0:15:04.040
<v Speaker 1>you should go back and right man, Freddy, you should

0:15:04.040 --> 0:15:05.720
<v Speaker 1>go back and save him. Is that what you want?

0:15:06.200 --> 0:15:08.280
<v Speaker 1>Is that what you really want? Because I'm the man

0:15:08.400 --> 0:15:24.400
<v Speaker 1>responsible for the mass magician, sorry to say apologize now

0:15:24.440 --> 0:15:30.480
<v Speaker 1>this is the sad one hayde Vanson. We received a

0:15:30.600 --> 0:15:37.800
<v Speaker 1>note from Vince that said Undertaker needed an opponent to

0:15:38.000 --> 0:15:42.480
<v Speaker 1>run through before the next pay per view storyline. Basically,

0:15:42.520 --> 0:15:45.680
<v Speaker 1>someone had gotten hurt I don't remember who, and before

0:15:45.920 --> 0:15:48.800
<v Speaker 1>we could get take her to edge. They wanted someone

0:15:48.920 --> 0:15:52.880
<v Speaker 1>that we could just run through. But they wanted us

0:15:53.080 --> 0:15:55.840
<v Speaker 1>to have it be someone that that could mean something,

0:15:57.240 --> 0:15:59.160
<v Speaker 1>and so they wanted us to find someone from f

0:15:59.280 --> 0:16:02.040
<v Speaker 1>c W that we could bring up a sign, a

0:16:02.080 --> 0:16:07.239
<v Speaker 1>gimmick to basically smash and destroy him for the Undertaker.

0:16:07.440 --> 0:16:13.080
<v Speaker 1>So it was to Joseph it was Fasio Angelo Fazio,

0:16:13.600 --> 0:16:18.080
<v Speaker 1>Krista Joseph and it was meet were called Fasio Low

0:16:18.160 --> 0:16:20.560
<v Speaker 1>faz is what we called him, And to Joseph we

0:16:20.680 --> 0:16:24.360
<v Speaker 1>just called DJ. And they just called me Freddy or

0:16:24.560 --> 0:16:26.840
<v Speaker 1>at least buy my back. I'm sure they said some else.

0:16:27.760 --> 0:16:29.880
<v Speaker 1>So the three of us sat down and we started

0:16:29.920 --> 0:16:32.160
<v Speaker 1>talking about this, and all our brains kind of went

0:16:32.200 --> 0:16:33.880
<v Speaker 1>to the same place right away, which would be like

0:16:33.960 --> 0:16:37.320
<v Speaker 1>a cult, like a cultish kind of figure worshippers of

0:16:37.400 --> 0:16:40.640
<v Speaker 1>the Undertaker things like that. We're kind of spitting ideas

0:16:40.680 --> 0:16:44.320
<v Speaker 1>around and nothing's really clicking. And I don't remember who

0:16:44.400 --> 0:16:47.240
<v Speaker 1>said it. I want to say DJ, but I don't

0:16:47.240 --> 0:16:49.480
<v Speaker 1>remember who brought it up. But one of us said,

0:16:50.120 --> 0:16:53.920
<v Speaker 1>what if he claimed the Undertaker was his father? Who

0:16:54.040 --> 0:16:57.600
<v Speaker 1>said that? And then somebody else said, well, I don't

0:16:57.600 --> 0:16:59.360
<v Speaker 1>think anyone will buy that, but maybe it could be

0:16:59.400 --> 0:17:02.800
<v Speaker 1>like in a like us, like a supernatural sense. And

0:17:02.840 --> 0:17:05.080
<v Speaker 1>I remember being like no, either way, like either way

0:17:05.720 --> 0:17:10.920
<v Speaker 1>he's getting killed. Anyways, he's getting smashed up, which you know, again,

0:17:10.960 --> 0:17:13.000
<v Speaker 1>we're just trying to make this work. It's yes, that

0:17:13.040 --> 0:17:14.679
<v Speaker 1>would be a father killing his son, but he's not

0:17:14.720 --> 0:17:16.879
<v Speaker 1>really killing him. I just mean like smashing in the ring.

0:17:18.040 --> 0:17:21.000
<v Speaker 1>So uh so we try working with that and we

0:17:21.040 --> 0:17:24.080
<v Speaker 1>throw it to Michael and Freebird's like, yeah, you know

0:17:24.359 --> 0:17:28.119
<v Speaker 1>that whatever, he doesn't he doesn't care. And uh, we

0:17:28.240 --> 0:17:31.200
<v Speaker 1>write this promo and this idea that's kind of kind

0:17:31.200 --> 0:17:33.520
<v Speaker 1>of good. And he's sort of hacking into the to

0:17:33.640 --> 0:17:36.399
<v Speaker 1>the network feed, which is not original by any stretch.

0:17:36.440 --> 0:17:38.800
<v Speaker 1>Other wrestlers have done that before, but we thought this

0:17:38.880 --> 0:17:41.399
<v Speaker 1>was an authentic and organic way for a character like

0:17:41.480 --> 0:17:44.080
<v Speaker 1>this to come through. So he started hacking the feed

0:17:44.119 --> 0:17:47.200
<v Speaker 1>on on Front maybe as Thursday Night SmackDown back then,

0:17:47.960 --> 0:17:51.840
<v Speaker 1>and uh, they would be kind of grainy pictures. They

0:17:51.920 --> 0:17:55.200
<v Speaker 1>look kind of like eighties grainy, and uh. He would

0:17:55.280 --> 0:17:57.680
<v Speaker 1>have these messages for the Undertaker that he would come

0:17:57.680 --> 0:18:00.639
<v Speaker 1>in with and and talk about how you know, like

0:18:00.680 --> 0:18:03.800
<v Speaker 1>what everyone says, basically, his time is nearing an end,

0:18:03.840 --> 0:18:05.680
<v Speaker 1>and now it's it's going to be my time, and

0:18:06.119 --> 0:18:08.280
<v Speaker 1>I have anger and love for you and all this,

0:18:08.359 --> 0:18:09.840
<v Speaker 1>and he had this. He was a British guy. His

0:18:09.920 --> 0:18:13.680
<v Speaker 1>name was Hadrian. What a great name, Hadrian. I think

0:18:13.680 --> 0:18:18.960
<v Speaker 1>it was Hadrian Howard, and uh he had this ax

0:18:19.119 --> 0:18:22.720
<v Speaker 1>undertake up and that he sounded smooth when he spoke right,

0:18:23.800 --> 0:18:26.359
<v Speaker 1>shaved head bit of a beard. I think the beard

0:18:26.440 --> 0:18:30.200
<v Speaker 1>matched the hairling. And he looked real cool, real cool.

0:18:30.200 --> 0:18:33.600
<v Speaker 1>Look smaller guy though definitely a smaller guy, smaller than me.

0:18:33.840 --> 0:18:37.080
<v Speaker 1>I'm six one right now, and he was he was

0:18:38.400 --> 0:18:40.320
<v Speaker 1>I can't remember exactly what he looked like. I'm prettyure

0:18:40.359 --> 0:18:42.439
<v Speaker 1>he's buffer than me, which isn't saying much, but he

0:18:42.480 --> 0:18:44.560
<v Speaker 1>wasn't as tall as I am. I'm telling you all

0:18:44.560 --> 0:18:49.439
<v Speaker 1>this for a reason. So he's cutting these promos and

0:18:49.480 --> 0:18:51.879
<v Speaker 1>he's doing a good job, and so we get the

0:18:51.920 --> 0:18:55.280
<v Speaker 1>story approved by Freebird, and then we get it approved

0:18:55.280 --> 0:19:01.239
<v Speaker 1>by Vince, and we start shooting these little segments and uh,

0:19:01.440 --> 0:19:04.199
<v Speaker 1>they're airing on television. It's an ongoing thing. And he

0:19:04.320 --> 0:19:08.120
<v Speaker 1>and he's he's not calling out the Undertaker, but he's

0:19:08.160 --> 0:19:12.040
<v Speaker 1>sort of he's speaking about the Undertaker, and you're just

0:19:12.119 --> 0:19:14.720
<v Speaker 1>waiting to figure out what the reason for it is.

0:19:14.760 --> 0:19:17.720
<v Speaker 1>It can't just be I want your spot. That would

0:19:17.720 --> 0:19:20.399
<v Speaker 1>be stupid, and it wasn't. It was this father something.

0:19:20.520 --> 0:19:23.480
<v Speaker 1>So we're building up. I think we get two weeks

0:19:23.480 --> 0:19:28.119
<v Speaker 1>of TV out of it, and then we go to Bristol,

0:19:28.520 --> 0:19:32.320
<v Speaker 1>Connecticut and I'll never forget it because there's a train

0:19:32.400 --> 0:19:35.480
<v Speaker 1>station or a train track right by the arena and

0:19:35.480 --> 0:19:40.600
<v Speaker 1>we're gonna shoot this segment outside on this like graffiti,

0:19:41.480 --> 0:19:47.320
<v Speaker 1>moss and algae urine stained wall. It's just real dirty

0:19:47.359 --> 0:19:51.119
<v Speaker 1>and gritty, and we have like yellow Blade to Garamo

0:19:51.160 --> 0:19:54.800
<v Speaker 1>Del Torro lighting coming from one side and like blue

0:19:54.880 --> 0:19:58.959
<v Speaker 1>and Pink Ridley Scott Blade Runner lighting coming from the

0:19:58.960 --> 0:20:03.000
<v Speaker 1>other side, and we're shooting him super clothes and uh,

0:20:03.080 --> 0:20:05.240
<v Speaker 1>he busts out the pro minutes that is the best

0:20:05.240 --> 0:20:07.880
<v Speaker 1>one that he's done so far. Nothing in ring, everything

0:20:08.160 --> 0:20:11.560
<v Speaker 1>on on site and on location. So we cut it,

0:20:12.080 --> 0:20:16.800
<v Speaker 1>we show it. Everyone's excited and it's not showtime yet.

0:20:16.840 --> 0:20:18.960
<v Speaker 1>We shot this before. We shot this before the show

0:20:19.000 --> 0:20:20.920
<v Speaker 1>because this was the tape show, not the live one,

0:20:20.960 --> 0:20:23.639
<v Speaker 1>so you had more time to accomplish these goals. So

0:20:23.640 --> 0:20:28.600
<v Speaker 1>we're in the production meeting and everyone's putting their segments

0:20:28.600 --> 0:20:31.720
<v Speaker 1>through and all this and here comes our segment and

0:20:31.760 --> 0:20:34.600
<v Speaker 1>nobody said boot. No one said boot the last two weeks,

0:20:34.640 --> 0:20:36.520
<v Speaker 1>last two or even three weeks of TV that we

0:20:36.560 --> 0:20:39.840
<v Speaker 1>got out of it, not one agent, not Kevin Dunn,

0:20:40.480 --> 0:20:44.000
<v Speaker 1>not not Vince, not anybody. Sometimes we have people on

0:20:44.080 --> 0:20:46.800
<v Speaker 1>the Raw team dumping on like SmackDown ideas it was crazy,

0:20:46.840 --> 0:20:50.119
<v Speaker 1>Smagdown would catch heat and Smagdown sitting there like y'all

0:20:50.160 --> 0:20:52.639
<v Speaker 1>rewrite us the day of the show before you even

0:20:52.720 --> 0:20:57.200
<v Speaker 1>read the script, Like no one read SmackDown, nobody, no one,

0:20:57.359 --> 0:20:59.640
<v Speaker 1>Vince read it when we were in the production meeting.

0:20:59.680 --> 0:21:02.200
<v Speaker 1>That's where our production meetings for four hours long. So

0:21:04.160 --> 0:21:06.800
<v Speaker 1>we're all committed to this, or so we think, and

0:21:06.840 --> 0:21:11.160
<v Speaker 1>all of a sudden, out of nowhere, Hunter says, are

0:21:11.200 --> 0:21:15.280
<v Speaker 1>we seriously going with this guy? And remember this is

0:21:15.280 --> 0:21:17.560
<v Speaker 1>not a pay per view match? This is not a

0:21:17.560 --> 0:21:20.919
<v Speaker 1>guy that would get any sort of offense off on

0:21:21.000 --> 0:21:24.440
<v Speaker 1>the on the Undertaker. It would be just a build

0:21:24.520 --> 0:21:26.439
<v Speaker 1>up for the Undertaker to have something to do so

0:21:26.480 --> 0:21:29.800
<v Speaker 1>he could smash this guy and then get rolling over

0:21:29.840 --> 0:21:33.159
<v Speaker 1>to edge. He says, are we really going to go

0:21:33.200 --> 0:21:38.080
<v Speaker 1>with this guy? And Vince goes, man, what's the problem,

0:21:38.160 --> 0:21:41.240
<v Speaker 1>and he says, he looks like he cuts my grass

0:21:41.320 --> 0:21:47.840
<v Speaker 1>Man and literally and Vince laughed, and literally all the

0:21:47.880 --> 0:21:52.400
<v Speaker 1>air went out of the room. Everybody just went no, no,

0:21:52.920 --> 0:21:56.360
<v Speaker 1>like you could just feel it because we because now

0:21:56.400 --> 0:21:59.520
<v Speaker 1>it's embarrassing to the company, Well at least from my perspective.

0:21:59.560 --> 0:22:02.320
<v Speaker 1>You put thing on TV for three weeks and then

0:22:02.359 --> 0:22:06.000
<v Speaker 1>you remove it with no explanation. There's no way you

0:22:06.040 --> 0:22:10.200
<v Speaker 1>can do that. Like that doesn't happen on any show.

0:22:10.320 --> 0:22:13.520
<v Speaker 1>You You could replace someone, right like first Prince of

0:22:13.560 --> 0:22:15.720
<v Speaker 1>bel Air back in the day. No, I was under

0:22:15.840 --> 0:22:18.120
<v Speaker 1>just a new mom or on the soap operas when

0:22:18.119 --> 0:22:19.920
<v Speaker 1>they'd be like the role of so and so is

0:22:19.960 --> 0:22:23.440
<v Speaker 1>no played by Michael Barnett. I don't know who Michael

0:22:23.440 --> 0:22:26.440
<v Speaker 1>Barnett is. So I'm sitting there like there's no way,

0:22:26.480 --> 0:22:29.320
<v Speaker 1>there's no way, there's no way, and Vince laughs and

0:22:29.359 --> 0:22:33.000
<v Speaker 1>then Hunter laughs, and then Kevin Dunn laughs. Boy, and

0:22:33.040 --> 0:22:38.720
<v Speaker 1>I mean he sells for you would have thought you

0:22:38.960 --> 0:22:41.840
<v Speaker 1>that's the best joke ever. Right, So I'm like, oh man,

0:22:41.960 --> 0:22:44.480
<v Speaker 1>this is We're dead. We're dead. And Vince goes, all right,

0:22:44.560 --> 0:22:50.440
<v Speaker 1>dump it. And now it's not just your idea that's gone.

0:22:50.440 --> 0:22:53.639
<v Speaker 1>Whatever I had ideas get crushed. Now I gotta go

0:22:53.760 --> 0:22:59.439
<v Speaker 1>talk to homeboy and I gotta tell him that his

0:22:59.600 --> 0:23:02.960
<v Speaker 1>character or that he was so excited for. And imagine

0:23:03.000 --> 0:23:06.520
<v Speaker 1>you're in the minor leagues, okay, and you get called

0:23:06.600 --> 0:23:11.600
<v Speaker 1>up to the Yankees and the guy at first base

0:23:11.640 --> 0:23:17.480
<v Speaker 1>as a Hall of Famer it's Don Mattingly, and he says, hey,

0:23:17.560 --> 0:23:19.920
<v Speaker 1>I'm gonna show you the ropes, take you under my wing,

0:23:20.880 --> 0:23:23.159
<v Speaker 1>and you're gonna be you know, you're gonna be a

0:23:23.160 --> 0:23:25.600
<v Speaker 1>part of this baseball team. And you're like, wow, this

0:23:25.720 --> 0:23:29.440
<v Speaker 1>is like, this doesn't happen to anybody. Well, it doesn't. Uh.

0:23:29.480 --> 0:23:33.000
<v Speaker 1>This guy came up from f c W. His very

0:23:33.040 --> 0:23:36.520
<v Speaker 1>first professional wrestling storyline with the company was gonna be

0:23:36.600 --> 0:23:41.920
<v Speaker 1>with the greatest. He's over the moon, and then now

0:23:41.960 --> 0:23:44.320
<v Speaker 1>he has to be told that it's not gonna happen

0:23:45.920 --> 0:23:48.280
<v Speaker 1>because he looks like the guy that cut triple H

0:23:48.440 --> 0:23:54.960
<v Speaker 1>his grass. It is such a sickening, sickening feeling, and

0:23:55.040 --> 0:23:58.200
<v Speaker 1>it's our responsibility as as the writing team to communicate

0:23:58.240 --> 0:24:03.800
<v Speaker 1>it to this guy. And so it gets broken down

0:24:03.880 --> 0:24:09.720
<v Speaker 1>to him. He's clearly disappointed. And the question from any

0:24:09.960 --> 0:24:12.760
<v Speaker 1>artists who wants to work is, well, well, what's next?

0:24:13.280 --> 0:24:17.840
<v Speaker 1>Where do we go from here and I'm not. I

0:24:17.880 --> 0:24:20.000
<v Speaker 1>can't tell the guy like, yo, that's a rap, Like

0:24:20.160 --> 0:24:24.000
<v Speaker 1>that's it's done, Like you got deaded and it's it's done.

0:24:24.480 --> 0:24:26.159
<v Speaker 1>The best thing you could do is walk away for

0:24:26.200 --> 0:24:28.720
<v Speaker 1>a year and come back. Like I, I just wasn't

0:24:29.200 --> 0:24:32.000
<v Speaker 1>in the wrestling business headspace in or did I have

0:24:32.040 --> 0:24:34.560
<v Speaker 1>the experience yet to to break it down for him.

0:24:34.560 --> 0:24:36.960
<v Speaker 1>So I just said, I honestly have no idea. I

0:24:37.000 --> 0:24:41.960
<v Speaker 1>do not know. Three months later, I think I'm already

0:24:42.000 --> 0:24:45.480
<v Speaker 1>maybe six months later, I've now left the company and

0:24:45.520 --> 0:24:49.040
<v Speaker 1>I get an email from this dude and he's left

0:24:49.040 --> 0:24:52.800
<v Speaker 1>the company and he's just wanting to act. Now. I

0:24:52.880 --> 0:24:55.360
<v Speaker 1>remember sitting there going wow, like he could he could

0:24:55.359 --> 0:24:58.400
<v Speaker 1>maybe actually do that because he his his work was good,

0:24:59.320 --> 0:25:02.240
<v Speaker 1>good looking. Do definitely could play some bad guys for sure.

0:25:02.280 --> 0:25:04.920
<v Speaker 1>He had a very like stern mean face and a

0:25:05.119 --> 0:25:08.000
<v Speaker 1>sharp nose, sharp eyes like a hawk. Just looked like

0:25:08.600 --> 0:25:11.040
<v Speaker 1>a guy that would be in a fight with the

0:25:11.040 --> 0:25:14.359
<v Speaker 1>with the protagonist in a movie, right, I call my agents.

0:25:14.359 --> 0:25:16.200
<v Speaker 1>At the time, I don't remember where I was. I

0:25:16.200 --> 0:25:18.080
<v Speaker 1>think it was I c M. I wasn't. You gotta

0:25:18.080 --> 0:25:21.000
<v Speaker 1>remember I wasn't acting then. I'd never officially like let

0:25:21.000 --> 0:25:23.240
<v Speaker 1>go of my agent, but I didn't know them very well,

0:25:23.640 --> 0:25:25.719
<v Speaker 1>and I said, uh. I emailed him and said, hey,

0:25:25.720 --> 0:25:27.480
<v Speaker 1>I know this wrestler, he's one to act. Could I

0:25:27.520 --> 0:25:29.919
<v Speaker 1>maybe just get him like a like a hip pocket

0:25:29.920 --> 0:25:31.720
<v Speaker 1>deal with you guys, Or could he send a tape

0:25:31.760 --> 0:25:33.840
<v Speaker 1>an audition for you and just see if if you

0:25:33.920 --> 0:25:36.520
<v Speaker 1>like it. Maybe there's a junior agent there that could

0:25:36.520 --> 0:25:38.960
<v Speaker 1>work with him. The email I got back was we're

0:25:39.000 --> 0:25:41.919
<v Speaker 1>not looking to work with any professional wrestlers. And I

0:25:42.000 --> 0:25:44.080
<v Speaker 1>just sat there. I was like, man, because I you

0:25:44.160 --> 0:25:48.200
<v Speaker 1>gotta understand, I love these men and women. I genuinely

0:25:48.280 --> 0:25:52.480
<v Speaker 1>love them. I'll respect the sacrifices they make. I respect

0:25:52.480 --> 0:25:56.240
<v Speaker 1>what they put their bodies through. I respect the the

0:25:56.440 --> 0:25:59.040
<v Speaker 1>the amount of stress that they're under with the travel

0:25:59.119 --> 0:26:02.959
<v Speaker 1>they have, and the commitments that the company demands you

0:26:02.960 --> 0:26:06.439
<v Speaker 1>you make. So I I've seen them work way harder

0:26:06.440 --> 0:26:09.440
<v Speaker 1>than I've had to work for less. So I got

0:26:09.520 --> 0:26:11.360
<v Speaker 1>I got a lot of love for these for these

0:26:11.359 --> 0:26:14.120
<v Speaker 1>men and women, and I don't I don't like when

0:26:14.160 --> 0:26:17.200
<v Speaker 1>this business craps on on the wrestling business because I

0:26:17.200 --> 0:26:20.399
<v Speaker 1>think they have some really talented performers. Um. I know

0:26:20.480 --> 0:26:22.719
<v Speaker 1>we've talked about some of the actors before, and I

0:26:22.760 --> 0:26:25.760
<v Speaker 1>even forgot to mention Dave Batista because I'm an idiot,

0:26:25.760 --> 0:26:29.400
<v Speaker 1>but like, look at how carefully that guy has has

0:26:29.560 --> 0:26:34.680
<v Speaker 1>built and developed his career, right, Like he's never taken

0:26:34.680 --> 0:26:37.520
<v Speaker 1>on too much too soon, and don't hit me with will.

0:26:37.560 --> 0:26:39.679
<v Speaker 1>No one offered him the looting in movies. It was

0:26:39.760 --> 0:26:41.800
<v Speaker 1>just like the muscle guy parts. That's a bunch of BS.

0:26:41.880 --> 0:26:43.560
<v Speaker 1>I know for a fact that's BS, because I know

0:26:43.600 --> 0:26:45.560
<v Speaker 1>a movie that got offered to him where he was

0:26:45.680 --> 0:26:49.360
<v Speaker 1>the lead and the men, but he didn't feel ready yet.

0:26:49.440 --> 0:26:51.560
<v Speaker 1>He didn't want to put himself in that position with

0:26:51.600 --> 0:26:55.520
<v Speaker 1>a character that he didn't connect with, and at least

0:26:55.520 --> 0:26:57.800
<v Speaker 1>this is what was told to the producer, and so

0:26:57.880 --> 0:27:00.480
<v Speaker 1>he didn't do that movie. And you watched just sort

0:27:00.480 --> 0:27:03.560
<v Speaker 1>of grow from from a monster in a movie to

0:27:03.680 --> 0:27:06.560
<v Speaker 1>suddenly working with Jodie Foster in that weird hospital movie

0:27:06.600 --> 0:27:09.240
<v Speaker 1>where he was the orderly that kicked ass, but you

0:27:09.280 --> 0:27:12.760
<v Speaker 1>saw some vulnerability out of Dave. Then then he keeps evolving.

0:27:12.760 --> 0:27:15.439
<v Speaker 1>Now he's gonna do a romantic or not romantic comedy. Well,

0:27:15.440 --> 0:27:17.920
<v Speaker 1>I'm sure he will eventually, but he did a dad

0:27:18.200 --> 0:27:20.800
<v Speaker 1>daughter kind of vibe one. He's doing a buddy cop

0:27:20.880 --> 0:27:24.080
<v Speaker 1>movie now, like he's really starting to grow and take off.

0:27:24.160 --> 0:27:30.160
<v Speaker 1>So to see Hollywood embrace wrestling now, I'm always like, man,

0:27:30.359 --> 0:27:32.239
<v Speaker 1>you're just trying to make money off of me and

0:27:32.280 --> 0:27:34.840
<v Speaker 1>I And granted it's show business, right, and we all

0:27:34.880 --> 0:27:38.320
<v Speaker 1>know business is the bigger word, but they blow so

0:27:38.400 --> 0:27:41.960
<v Speaker 1>much smoke man, and I've seen him do it with actors,

0:27:41.960 --> 0:27:43.800
<v Speaker 1>so I know they do it with wrestlers. And it

0:27:43.920 --> 0:27:47.240
<v Speaker 1>was one of the things that always disappointed me about

0:27:47.320 --> 0:27:50.320
<v Speaker 1>my business, so to speak, was the way it just

0:27:52.400 --> 0:27:56.000
<v Speaker 1>it's so like segregated isn't the right word. But it

0:27:56.040 --> 0:27:58.480
<v Speaker 1>was like when I was coming up, there were TV

0:27:58.560 --> 0:27:59.880
<v Speaker 1>shows that I was like, man, that because I want

0:27:59.880 --> 0:28:01.760
<v Speaker 1>to do TVs. When they Freddy, you're a film actor,

0:28:01.760 --> 0:28:04.600
<v Speaker 1>you don't do television, I was like, what, I'm just

0:28:04.600 --> 0:28:07.520
<v Speaker 1>as an actor. There's no film before it, there's not

0:28:07.560 --> 0:28:10.320
<v Speaker 1>I'm an actor. And then Glenn Close did a show

0:28:10.320 --> 0:28:13.000
<v Speaker 1>where she played a lawyer. I think it's called Damages,

0:28:13.359 --> 0:28:16.840
<v Speaker 1>and that blasted the door wide open, and then every

0:28:16.840 --> 0:28:20.840
<v Speaker 1>film actor was suddenly a television actor, wounding Emmy's left

0:28:20.840 --> 0:28:24.000
<v Speaker 1>and right, and they loved the schedule. They loved the consistency,

0:28:24.200 --> 0:28:26.560
<v Speaker 1>They loved that they got to play one character for

0:28:26.600 --> 0:28:29.119
<v Speaker 1>a longer amount of time than just six weeks, and

0:28:29.320 --> 0:28:32.359
<v Speaker 1>really start to figure that that's exciting for an actor.

0:28:32.960 --> 0:28:35.320
<v Speaker 1>And so all of a sudden, that all got mushed,

0:28:35.359 --> 0:28:38.160
<v Speaker 1>and now you see Hollywood coming in and the rock

0:28:38.520 --> 0:28:42.040
<v Speaker 1>chicks down the door. And then John Cena, instead of

0:28:42.440 --> 0:28:45.240
<v Speaker 1>slipping on ice when he walked through it, he took

0:28:45.240 --> 0:28:47.920
<v Speaker 1>the frame off so they can't build it again. And

0:28:47.960 --> 0:28:51.400
<v Speaker 1>now all of a sudden they're loving wrestlers. So I hope,

0:28:52.640 --> 0:28:56.240
<v Speaker 1>I hope the trend continues. And uh, I appreciate all

0:28:56.280 --> 0:28:58.480
<v Speaker 1>of you guys and gals listening, and I will see

0:28:58.480 --> 0:29:02.200
<v Speaker 1>you next week right here on Wrestling of Freddy. This

0:29:02.280 --> 0:29:05.280
<v Speaker 1>has been a production of I Hearts Michael to podcast Network.

0:29:05.320 --> 0:29:07.600
<v Speaker 1>For more podcasts for my Heart Radio, visit the I

0:29:07.680 --> 0:29:10.720
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you listen to

0:29:10.760 --> 0:29:15.000
<v Speaker 1>your favorite shows. M h m hmmm.