WEBVTT - Garret Dillahunt

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<v Speaker 1>Yeah, and I did some I did some soaps. I

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<v Speaker 1>got this recurring on a soap and cash my little checks,

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<v Speaker 1>and I would just look at the stack of cash

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<v Speaker 1>in my cupboard, you know, I put it up. I

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<v Speaker 1>just opened the door and look at it, like, look.

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<v Speaker 2>At that, Look at that cash.

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<v Speaker 1>There must be a thousand dollars there.

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<v Speaker 3>You know.

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<v Speaker 1>It's just like right, so stupid, but so wonderful, you know.

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<v Speaker 1>And just the fact that I kept going kind of

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<v Speaker 1>always shocks me. I was so dumb, I didn't know

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<v Speaker 1>to quit.

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<v Speaker 3>Hi.

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<v Speaker 1>I'm Garrett Dillant, and I was a little stoned for

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<v Speaker 1>this entire interview.

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<v Speaker 4>Hi everybody, it's Brian Baumgartner here, the host of your

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<v Speaker 4>absolute favorite podcast, I'm sure of it, Off the Beat.

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<v Speaker 3>Thank you for joining us today.

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<v Speaker 4>Is well from his own self introduction a second ago,

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<v Speaker 4>you could probably already tell this is a fun one.

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<v Speaker 4>You are in for a real treat with today's guest,

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<v Speaker 4>Garrett Dilla Hunt. Now, I am not high, but we

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<v Speaker 4>do have a lot of other stuff in common. We

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<v Speaker 4>both started in the theater, we both knew Rain Wilson

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<v Speaker 4>as a stage actor. We both guest starred on Criminal Minds,

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<v Speaker 4>and we both appeared in a music video together where

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<v Speaker 4>we did a choreographed dance. This is all true, and honestly,

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<v Speaker 4>all of it was pretty good, so you should go

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<v Speaker 4>check it out. Garrett does, however, have a number of

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<v Speaker 4>other credits that well that I do not. He is

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<v Speaker 4>in one of my all time favorite movies Academy Award

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<v Speaker 4>winner No Country for Old Men, and one of my

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<v Speaker 4>favorite television shows, dead Wood, not to mention the fact

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<v Speaker 4>that he was in Fear of the Walking Dead dead

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<v Speaker 4>to me, Dawn of the Dead, The Dead Don't Hurt.

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<v Speaker 3>Yes, we're sending a theme here, Okay, Well, here we go.

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<v Speaker 4>There are some not dead titles to Raising Hope, The

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<v Speaker 4>Mindy Project, Hand of God, and a brand new series

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<v Speaker 4>called Ghosts of Beirut, which I am very excited about. Now,

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<v Speaker 4>Garrett is going to regale us with tales from his

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<v Speaker 4>college days in Seattle, his theater days in New York,

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<v Speaker 4>and his current days in Hollywood. Sit back and enjoy

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<v Speaker 4>this conversation with the fantastic Garrett Dilla Hunt.

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<v Speaker 1>Bubble and Squeak. I love it, Bubble and Squeakano, Bubble

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<v Speaker 1>and Squeak. I could get every mon lift over from

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<v Speaker 1>the ninety four.

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<v Speaker 3>What's up, carrot? Hey man, how are you? I'm good.

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<v Speaker 1>It's been a long long time.

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<v Speaker 4>It's been a long time. Now do you remember the

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<v Speaker 4>last time we saw each other?

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<v Speaker 1>Was it that music video?

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<v Speaker 5>Oh?

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<v Speaker 4>The music video? Okay, no, I don't think so. Actually,

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<v Speaker 4>so this came to me. I think you were in it.

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<v Speaker 4>If you weren't in it, disregard, but hand of God.

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<v Speaker 4>Yeah I was in Hand of God.

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<v Speaker 1>Of course you were.

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<v Speaker 3>Yeah, that's right, but well, thank you. That's really what

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<v Speaker 3>I was.

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<v Speaker 1>We didn't have any scenes together.

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<v Speaker 4>Well now, wait a second, so maybe now, maybe you

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<v Speaker 4>weren't in it. And if you weren't, then that because

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<v Speaker 4>I was trying to think, I was like, we had

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<v Speaker 4>to have been together at some point, but I was

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<v Speaker 4>all with Ron. But then there was a weird sex dream.

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<v Speaker 4>Were you in the sex dream? And it was God,

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<v Speaker 4>you weren't in the set? You weren't in the sex dream? Well,

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<v Speaker 4>because I was so distracted, because it was one of

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<v Speaker 4>these things where I was, this is going off the

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<v Speaker 4>rails already, But because I was like, and I tried

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<v Speaker 4>to search to find out if you were there, because

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<v Speaker 4>I was it was in the show with Ron the

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<v Speaker 4>whole time. Except this one weird sex dream and I

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<v Speaker 4>was meeting everyone else kind of for the first time,

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<v Speaker 4>and it was like in between Dana Delaney's legs and

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<v Speaker 4>it was me and not Ron, and we were and

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<v Speaker 4>I was just trying to stay very focused.

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<v Speaker 1>Its good? Was it always that way? Why is it

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<v Speaker 1>always the first day?

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<v Speaker 3>Nice to you, Hi, Dana? How are you?

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<v Speaker 4>It's so this is I apologize for what's about to

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<v Speaker 4>happen here for the next four hours.

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<v Speaker 3>I apologize that was not me.

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<v Speaker 1>I would definitely remember.

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<v Speaker 4>That you weren't in it, Okay, well that was the

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<v Speaker 4>thing is it was a screaming rewatch. No, I know,

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<v Speaker 4>we hand of God everyone Ron Perlman, Yes, I loved

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<v Speaker 4>that show. It was it was it was gone too

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<v Speaker 4>soon as far as I'm concerned.

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<v Speaker 1>You fit right in. I I remember because I saw

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<v Speaker 1>the episodes. We didn't have any scenes.

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<v Speaker 4>I think we had no No, we had together all right,

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<v Speaker 4>Well here you go failed. Yes, there was a music

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<v Speaker 4>video though. That was that was Ingrid Michaelson.

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<v Speaker 1>Ingrid Michaelson. Who's so talented, isn't.

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<v Speaker 3>She so talented?

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<v Speaker 4>And what's funny actually is that I ended up in

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<v Speaker 4>bed in a weird pajama silk thing in that too.

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<v Speaker 3>With with the.

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<v Speaker 1>On something here, pedal pedals all over me.

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<v Speaker 4>That's another one. Ingrid Michael music video good to see

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<v Speaker 4>You again. I in going back and doing a little

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<v Speaker 4>dive into you. I didn't realize how many similarities we have.

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<v Speaker 4>We'll talk about that in a minute. But you grew

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<v Speaker 4>up in Washington, I know, born in California. What were

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<v Speaker 4>your earliest influences? What were you watching as a kid.

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<v Speaker 4>What were some of your your favorite shows?

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<v Speaker 1>I really loved Alias Smith and Jones.

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<v Speaker 3>Okay, that one.

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<v Speaker 1>It was a Western with Hannibal Hayes and Kid Curry,

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<v Speaker 1>the two most successful outlaws the West has ever known.

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<v Speaker 1>Out of all the trains and banks they robbed, they

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<v Speaker 1>never shot anyone. I know, right.

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<v Speaker 3>I love that.

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<v Speaker 1>I loved like six Million Dollar Man and Incredible Hulk,

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<v Speaker 1>Bill Dixby and Luke Can the Wolf Boy. Do you

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<v Speaker 1>remember any of these?

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<v Speaker 3>I don't, none of you.

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<v Speaker 4>Yeah, this is these are unexpected hits like yeah.

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<v Speaker 1>Well now rewart taste, I think, Yeah, when did.

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<v Speaker 4>You When did you first begin thinking about yourself as

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<v Speaker 4>a as a performer or an actor? I mean, I

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<v Speaker 4>know you went to UWU studied journalism. Were you interested

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<v Speaker 4>in the arts prior?

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<v Speaker 1>Well, you know, like a lot of us, pretty shy,

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<v Speaker 1>you know, particularly in those days, you know, really shy.

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<v Speaker 1>And I never never would have thought i'd be an actor.

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<v Speaker 1>I couldn't conceive of getting up in front of people

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<v Speaker 1>and doing anything. But I wanted to be a writer,

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<v Speaker 1>you know, so that was artistic. And I like to draw,

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<v Speaker 1>but my pursuits were more solitary, I think, originally interesting,

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<v Speaker 1>but yeah, and I didn't This is always the weird

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<v Speaker 1>part of these interviews. When I was a senior in

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<v Speaker 1>high school, my older brother was killed in a drunk

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<v Speaker 1>driving accident, which totally threw me for a loop and

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<v Speaker 1>sent me into college in a very you know, fucked up,

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<v Speaker 1>you know, as you can imagine. And everybody has tragedy

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<v Speaker 1>of one sort or another, but I was. I was

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<v Speaker 1>really lost and drifting and I didn't know. I did

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<v Speaker 1>journalism because that's what the plan was, because I was

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<v Speaker 1>a star on the school newspaper in high school and thought, well,

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<v Speaker 1>this is what I'll do. And I really stumbled into

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<v Speaker 1>an acting class. Basically it was a I thought I

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<v Speaker 1>should write some plays, So what's that about? And everyone

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<v Speaker 1>had said you should take an acting class so you

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<v Speaker 1>know what you're writing for, and which was a terrifying prospect.

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<v Speaker 1>But I just thought I'd take this one class and

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<v Speaker 1>get out. And that was my last year of college

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<v Speaker 1>at you dubbed there, and I just loved it. I

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<v Speaker 1>just was like, oh, I'm sure it was therapeutic, you know,

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<v Speaker 1>I was. I could not I could be someone else,

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<v Speaker 1>someone else tell me really smart things to say that

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<v Speaker 1>I never could have thought of. You know, you have

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<v Speaker 1>this idea about yourself it's sort of worthless or whatever.

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<v Speaker 1>It was just I just I just dove in. I did.

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<v Speaker 1>I was doing so many things at want because I

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<v Speaker 1>just I just want to I just want to be

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<v Speaker 1>somebody else. Then I just loved it. I finally found

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<v Speaker 1>something I could do. I felt like, and uh and

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<v Speaker 1>and give me a scape. But it established some habits.

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<v Speaker 1>I'm still kind of doing that. I still kind of

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<v Speaker 1>go from one thing to another and maybe should be

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<v Speaker 1>a little pick here, you know, but I don't know. So, yeah,

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<v Speaker 1>that that was my first inklings.

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<v Speaker 4>Well that I mean that that one. That's surprising to

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<v Speaker 4>me that it was, that it was so late. I mean,

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<v Speaker 4>I certainly share with you and and it's it's even

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<v Speaker 4>hard for my mom to understand that that that that

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<v Speaker 4>attention isn't something that I want or ever really wanted that,

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<v Speaker 4>you know, for me, it's when you begin to transform

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<v Speaker 4>into that character or.

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<v Speaker 1>I don't know's I know you feel you feel cheesy

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<v Speaker 1>talking about it, but it's true.

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<v Speaker 4>Yeah, but but for you for it to have happened

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<v Speaker 4>so late is very surprising. Did you then begin taking

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<v Speaker 4>other classes? I know eventually you landed in the mattress

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<v Speaker 4>program at NYU. Was that immediately after school or how

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<v Speaker 4>did that come about?

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<v Speaker 6>No?

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<v Speaker 1>I kind of got out of school and thought like, oh,

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<v Speaker 1>now what and I just kind of acted around Seattle

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<v Speaker 1>for a year and then and then I thought, you know,

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<v Speaker 1>I was doing tons of plays whatever I could do,

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<v Speaker 1>and sleeping and stairwells. He didn't care. You didn't care

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<v Speaker 1>when you're young, you know what I mean? Yeah, I

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<v Speaker 1>could sleep anyway, you know, But I just got I

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<v Speaker 1>don't know what I'm doing. I need some training, And

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<v Speaker 1>so me and a bunch of other people there were

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<v Speaker 1>these things called the leagues. Back then, it was a

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<v Speaker 1>certain it was just a collection of schools like Yale

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<v Speaker 1>and Juilliard and n Y U and a lot of

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<v Speaker 1>others that kind of comprised this supposed superior actor training.

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<v Speaker 1>But there was tons of schools across the country, and

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<v Speaker 1>they held auditions in three places at that time. Now

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<v Speaker 1>it's everywhere, or you can probably zoom it in, but

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<v Speaker 1>you had to get to Chicago, New York, or San

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<v Speaker 1>Francisco to audition, and there'd be a ton of schools there.

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<v Speaker 1>I was a security guard at a bank, like the

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<v Speaker 1>night shift at a bank, which would keep me free

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<v Speaker 1>to audition or do stuff.

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<v Speaker 6>During the day.

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<v Speaker 1>And that's where I honed all my monologues from my audition,

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<v Speaker 1>powder blue security guard uniform in an empty conference room, right,

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<v Speaker 1>practicing as a monologue. What a dork, but what what

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<v Speaker 1>flun Anyway, carpooled some tiny dots in with a bunch

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<v Speaker 1>of friends of mine who were also auditioning down to

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<v Speaker 1>San Francisco and slept in somebody's hallway. And I didn't

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<v Speaker 1>have any money for the application fees, which seemed exorbitant

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<v Speaker 1>at the time, you know, seventy five bucks or something

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<v Speaker 1>just to apply, you know, and it was you know,

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<v Speaker 1>it limited your choices. So I just had to crash.

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<v Speaker 1>I just had to crash. Everybody. I just went up

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<v Speaker 1>to the desk and this is my name. I don't

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<v Speaker 1>have the money for the fee. Do you have an

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<v Speaker 1>empty slot? You know? And a lot of them let

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<v Speaker 1>you in. You know. Julliard did not Yale.

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<v Speaker 4>Yeah, you know.

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<v Speaker 1>I wasn't playing by the rules, you know, So I understand.

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<v Speaker 1>But YU did and act and UC San Diego. There's

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<v Speaker 1>a place called the Denver Center, real good places. And

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<v Speaker 1>Rain Wilson had left UDUB just before I did to

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<v Speaker 1>go to n YU, so that was maybe in my

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<v Speaker 1>brain a little bit too. He was a kind of

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<v Speaker 1>wonder kind at the undergrad program there got all the

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<v Speaker 1>juicy parts.

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<v Speaker 3>Did you know him?

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<v Speaker 1>And then you know him? I knew him a little bit.

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<v Speaker 1>I mean I knew from around we were. My roommate

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<v Speaker 1>was another great guy named Matt Ross, who was mainly

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<v Speaker 1>directing now he does. But those two were great and

0:13:01.960 --> 0:13:03.920
<v Speaker 1>got cast and everything, and I was, like I said,

0:13:04.000 --> 0:13:07.000
<v Speaker 1>just starting. So I'd see them at callbacks and stuff

0:13:07.040 --> 0:13:08.360
<v Speaker 1>and think, well, they're going to get it. Or I

0:13:08.360 --> 0:13:11.520
<v Speaker 1>would always say something stupid or do something really naive

0:13:11.600 --> 0:13:15.120
<v Speaker 1>and stupid. So I felt like he liked to me

0:13:15.280 --> 0:13:20.680
<v Speaker 1>very much, just like, oh god, you know, but yeah,

0:13:20.679 --> 0:13:22.280
<v Speaker 1>he's a he's a good dude, good friend.

0:13:22.520 --> 0:13:25.800
<v Speaker 4>Well, by the way, you always expect that he's he's

0:13:25.880 --> 0:13:27.760
<v Speaker 4>not gonna like you very much. I mean that is

0:13:28.480 --> 0:13:32.320
<v Speaker 4>sort of par for the course, even after Yeah, it's

0:13:32.320 --> 0:13:35.440
<v Speaker 4>just his face, his smug face, the.

0:13:35.720 --> 0:13:41.360
<v Speaker 1>Asshole solving the world's problems. Yeah, exactly, smart.

0:13:41.840 --> 0:13:43.199
<v Speaker 3>Bad about myself.

0:13:44.160 --> 0:13:51.120
<v Speaker 1>Let's start a boozeline, you and me. But anyway, Yeah,

0:13:51.120 --> 0:13:53.080
<v Speaker 1>so then I chose en by You just because I'd

0:13:53.120 --> 0:13:56.280
<v Speaker 1>never I got into NYU and a couple others, and

0:13:57.040 --> 0:13:59.440
<v Speaker 1>I'd never been east of Montana. That was my logic.

0:13:59.559 --> 0:14:01.720
<v Speaker 1>I wanted to see the east. I went to NYU,

0:14:01.760 --> 0:14:03.720
<v Speaker 1>and thank god I did.

0:14:05.320 --> 0:14:06.880
<v Speaker 3>What did that experience give you?

0:14:07.880 --> 0:14:09.840
<v Speaker 1>I think it was just a safe place to land.

0:14:09.960 --> 0:14:12.679
<v Speaker 1>You know, I'd gone from my small town to Seattle

0:14:12.840 --> 0:14:16.360
<v Speaker 1>and the size of that city was mind boggling to me,

0:14:16.400 --> 0:14:19.480
<v Speaker 1>and it seemed so confusing. And then it went from

0:14:19.520 --> 0:14:23.840
<v Speaker 1>there to New York, which you know, I was I

0:14:23.880 --> 0:14:26.320
<v Speaker 1>was like John Voyden midnight cowboy there. I just was

0:14:26.440 --> 0:14:29.680
<v Speaker 1>so out of place and like dressed like an alien

0:14:30.200 --> 0:14:34.400
<v Speaker 1>found you know, human clothing from nineteen seventy nine. It

0:14:34.440 --> 0:14:37.120
<v Speaker 1>was just it was, you know, amazing. You know when

0:14:37.160 --> 0:14:39.120
<v Speaker 1>there was a group of people waiting for me that

0:14:39.160 --> 0:14:41.440
<v Speaker 1>would helped me out, and it was a good experience

0:14:41.440 --> 0:14:45.520
<v Speaker 1>for me. I think being very inexperienced helped, you know

0:14:45.520 --> 0:14:47.400
<v Speaker 1>what I mean. I wasn't coming in with any real

0:14:47.440 --> 0:14:50.320
<v Speaker 1>barriers at the breakthrough or anything like that. But I

0:14:50.320 --> 0:14:54.160
<v Speaker 1>don't think it's for everybody, conservatory training, but it was

0:14:54.200 --> 0:14:54.640
<v Speaker 1>good for me.

0:14:55.400 --> 0:14:59.520
<v Speaker 4>Were you focused at that time on the business at

0:14:59.560 --> 0:15:01.960
<v Speaker 4>all or for you was it just about Was it

0:15:02.000 --> 0:15:03.240
<v Speaker 4>about learning the craft?

0:15:04.480 --> 0:15:04.720
<v Speaker 3>Yeah?

0:15:05.280 --> 0:15:08.000
<v Speaker 1>I wasn't really aware of the business that much.

0:15:08.560 --> 0:15:08.880
<v Speaker 3>Mhm.

0:15:10.520 --> 0:15:13.120
<v Speaker 1>Unfortunately, you know, I wish I was. I wish, But

0:15:13.240 --> 0:15:15.080
<v Speaker 1>to this day, I'm not great at it, you know

0:15:15.120 --> 0:15:19.200
<v Speaker 1>what I mean. But I'm also not afraid of it,

0:15:19.720 --> 0:15:23.640
<v Speaker 1>you know, which I think was the more important factor

0:15:23.680 --> 0:15:25.720
<v Speaker 1>of that, you know, because it's it's a part of it.

0:15:25.760 --> 0:15:27.200
<v Speaker 1>If you're not if you're not going to play a

0:15:27.280 --> 0:15:29.480
<v Speaker 1>little bit, then you're just wasting your time. You're just

0:15:29.520 --> 0:15:32.040
<v Speaker 1>going to be sad, you know, right. So I was,

0:15:32.240 --> 0:15:34.760
<v Speaker 1>I was not. It took a while. I just I

0:15:34.880 --> 0:15:37.560
<v Speaker 1>just was going to do plays and that that that

0:15:37.560 --> 0:15:38.480
<v Speaker 1>that's all I need.

0:15:38.760 --> 0:15:41.120
<v Speaker 4>So that's that's sort of our first similarity. I mean,

0:15:41.160 --> 0:15:45.240
<v Speaker 4>I started and for you know, seven years out of

0:15:45.480 --> 0:15:48.880
<v Speaker 4>out of college, for me, I was I was a

0:15:48.920 --> 0:15:52.000
<v Speaker 4>theater actor, and that's where I thought my life was.

0:15:52.440 --> 0:15:56.760
<v Speaker 4>That's that was all I saw and really wanted to be.

0:15:56.960 --> 0:15:58.560
<v Speaker 4>I know, you, it's a great life.

0:15:58.840 --> 0:16:00.720
<v Speaker 1>If you could get just a little better pay, be

0:16:00.760 --> 0:16:01.400
<v Speaker 1>a great life.

0:16:01.920 --> 0:16:02.080
<v Speaker 3>Right.

0:16:03.120 --> 0:16:06.120
<v Speaker 4>What is it for you about live performance? What do

0:16:06.120 --> 0:16:08.000
<v Speaker 4>you like about you say it's a great life.

0:16:08.240 --> 0:16:09.960
<v Speaker 1>It is. I mean, I haven't done it play in

0:16:10.000 --> 0:16:13.120
<v Speaker 1>a while, It's been maybe six years or so, neither.

0:16:13.400 --> 0:16:15.880
<v Speaker 1>But I feel very fortunate in the things I've gotten

0:16:15.920 --> 0:16:19.240
<v Speaker 1>to do on film and TV, Brian. I feel like

0:16:19.280 --> 0:16:22.440
<v Speaker 1>an actor, you know, I feel challenged, you know most

0:16:22.440 --> 0:16:24.960
<v Speaker 1>of the time, you know, and that's I am aware

0:16:25.040 --> 0:16:29.080
<v Speaker 1>that that's that's a huge stroke of luck. And I

0:16:29.160 --> 0:16:32.320
<v Speaker 1>feel very fortunate to get to play interesting characters because

0:16:32.320 --> 0:16:33.640
<v Speaker 1>a lot, you know, I have a lot of very

0:16:33.680 --> 0:16:37.160
<v Speaker 1>talented friends that get stuck playing one thing or repeating

0:16:37.160 --> 0:16:39.840
<v Speaker 1>that thing over and over or whatever. I think to

0:16:39.960 --> 0:16:43.880
<v Speaker 1>theater trained people, that's we always knew, that's what it was.

0:16:43.920 --> 0:16:45.440
<v Speaker 1>We're going to play a bunch of people. And that

0:16:45.840 --> 0:16:48.800
<v Speaker 1>was the interesting part to stand in all these different

0:16:48.800 --> 0:16:54.480
<v Speaker 1>shoes and learn and culture and grow your empathy. So

0:16:55.520 --> 0:16:57.240
<v Speaker 1>I don't want to sound I say all that to

0:16:57.280 --> 0:16:59.840
<v Speaker 1>say like I don't. I don't want to come across

0:16:59.840 --> 0:17:03.960
<v Speaker 1>as like I'm I fancy myself as some amazing theater guy.

0:17:04.240 --> 0:17:04.600
<v Speaker 6>You know, I.

0:17:06.080 --> 0:17:08.400
<v Speaker 1>It's a mistress. I haven't visited in a while, and

0:17:08.440 --> 0:17:12.320
<v Speaker 1>it's I feel guilty about it, but I sure loved it.

0:17:12.359 --> 0:17:15.480
<v Speaker 1>When I was exclusively doing that, it gave me. It

0:17:15.560 --> 0:17:18.800
<v Speaker 1>gave me everything I'm doing now right, And I think

0:17:18.840 --> 0:17:21.760
<v Speaker 1>I loved I loved I loved the work. I love.

0:17:21.800 --> 0:17:24.760
<v Speaker 1>I love having time to really get in there with

0:17:24.800 --> 0:17:27.959
<v Speaker 1>a bunch of like minded folks and and spend some

0:17:28.040 --> 0:17:30.679
<v Speaker 1>weeks figuring out exactly what's going on here, and then

0:17:30.720 --> 0:17:32.720
<v Speaker 1>how to tell it the best. I think I really

0:17:32.760 --> 0:17:35.080
<v Speaker 1>love that process. And then and then that the fact

0:17:35.119 --> 0:17:37.840
<v Speaker 1>that every night is different. You know that the audience

0:17:37.920 --> 0:17:40.200
<v Speaker 1>is an actual factor in the way this is gonna

0:17:40.600 --> 0:17:43.600
<v Speaker 1>gonna work tonight. You know what I mean? It's different

0:17:43.640 --> 0:17:47.200
<v Speaker 1>every every night, just a little bit can knot get

0:17:47.280 --> 0:17:51.000
<v Speaker 1>way off course or to a whole new exciting place

0:17:51.000 --> 0:17:51.880
<v Speaker 1>that you didn't expect.

0:17:52.680 --> 0:17:56.600
<v Speaker 4>Isn't that interesting? Because You're You're exactly right, every night

0:17:57.400 --> 0:18:01.040
<v Speaker 4>is different. Yet on the face of it, you're doing

0:18:01.119 --> 0:18:07.400
<v Speaker 4>the same thing everything right, and yes, and now you're

0:18:07.440 --> 0:18:10.840
<v Speaker 4>exploring a character or a story.

0:18:10.480 --> 0:18:14.320
<v Speaker 3>For as short as a week to you know.

0:18:14.359 --> 0:18:17.399
<v Speaker 4>Three or four months on a film or you know,

0:18:17.720 --> 0:18:21.160
<v Speaker 4>years and years. But still every day you're doing something,

0:18:22.000 --> 0:18:24.400
<v Speaker 4>you're doing something different. But you're right, it is about

0:18:24.440 --> 0:18:27.320
<v Speaker 4>the immediacy and the feedback that you're getting from a

0:18:27.440 --> 0:18:30.160
<v Speaker 4>particular audience at a particular time.

0:18:30.760 --> 0:18:33.760
<v Speaker 1>I mean, yeah, it's certainly an important part in the

0:18:33.760 --> 0:18:36.639
<v Speaker 1>equation anyway. I know if it's the biggest, but it's big.

0:18:36.920 --> 0:18:38.959
<v Speaker 1>It's great to be in places where there's just moments

0:18:38.960 --> 0:18:41.440
<v Speaker 1>of inspiration, isn't it? You know what I mean? When

0:18:42.040 --> 0:18:46.919
<v Speaker 1>when everybody's present, it's miraculous that anything gets made with

0:18:47.000 --> 0:18:49.720
<v Speaker 1>all those egos in one room or so many people

0:18:49.760 --> 0:18:53.080
<v Speaker 1>and entities to satisfy, and you still come up, you

0:18:53.080 --> 0:18:55.760
<v Speaker 1>come up with the show. You're like, hey, we did it,

0:18:56.040 --> 0:18:57.720
<v Speaker 1>we did it. It's miraculous.

0:18:58.119 --> 0:19:15.399
<v Speaker 5>It is.

0:19:16.320 --> 0:19:19.480
<v Speaker 4>When you began transitioning to film and television, was this

0:19:19.800 --> 0:19:24.000
<v Speaker 4>an abrupt shift? I heard or you have have been

0:19:24.080 --> 0:19:30.080
<v Speaker 4>quoted as saying that you did theater until you got hungry,

0:19:30.080 --> 0:19:34.800
<v Speaker 4>literally hungry. And that's when I was scared it auditioning

0:19:34.840 --> 0:19:35.840
<v Speaker 4>for film and television?

0:19:35.840 --> 0:19:36.919
<v Speaker 3>Now, is that true?

0:19:38.119 --> 0:19:41.200
<v Speaker 1>Kind of you know? It was. I remember the day

0:19:41.520 --> 0:19:44.320
<v Speaker 1>I lived in this great little apartment on seventy first

0:19:44.320 --> 0:19:47.840
<v Speaker 1>in Columbus. I mean, the walls built to the side

0:19:47.880 --> 0:19:51.800
<v Speaker 1>of the bathtub comprised one you know, it was like

0:19:51.960 --> 0:19:55.080
<v Speaker 1>three hundred square foot place. I mean, but I loved

0:19:55.080 --> 0:19:57.439
<v Speaker 1>it so much. It was so cheap, and it allowed

0:19:57.480 --> 0:20:00.640
<v Speaker 1>me to travel around the country and do theater whatever else.

0:20:00.680 --> 0:20:03.880
<v Speaker 1>You know, I didn't have to find a sub letter necessary, right,

0:20:04.760 --> 0:20:06.919
<v Speaker 1>but I was. I was hungry that day, and I

0:20:06.960 --> 0:20:08.919
<v Speaker 1>was like, the cupboard was kind of bear and I

0:20:08.960 --> 0:20:11.160
<v Speaker 1>was like, you know, I'm going to make for dinner tonight.

0:20:11.240 --> 0:20:13.040
<v Speaker 1>And I was and I went outside, like where am

0:20:13.040 --> 0:20:15.520
<v Speaker 1>I going to get some dinner? And I passed a

0:20:15.600 --> 0:20:19.560
<v Speaker 1>classmate of mine, someone who graduated sometime after I did,

0:20:19.640 --> 0:20:23.040
<v Speaker 1>and he was just like, man, dude, I saw you

0:20:24.080 --> 0:20:26.560
<v Speaker 1>the bentioned doing the New York Times. That was such

0:20:26.560 --> 0:20:29.000
<v Speaker 1>a great review or what you know, whatever thing I

0:20:29.119 --> 0:20:31.960
<v Speaker 1>had been doing, right, like, you're doing so good. You're

0:20:32.000 --> 0:20:36.280
<v Speaker 1>working NonStop, and and in my head I was thinking,

0:20:37.440 --> 0:20:41.160
<v Speaker 1>I'm doing good, Oh my god, you know what I mean,

0:20:41.240 --> 0:20:44.880
<v Speaker 1>I'm like, oh my god, he's I don't know where

0:20:44.880 --> 0:20:48.000
<v Speaker 1>dinner's coming from, and you know what I mean, And

0:20:48.040 --> 0:20:50.520
<v Speaker 1>it just it skewed me a little bit. And I

0:20:50.600 --> 0:20:54.840
<v Speaker 1>just was like, I deserve I deserve to be paid something,

0:20:55.320 --> 0:20:59.959
<v Speaker 1>a livable wage, you know what I mean. I'm not

0:21:00.320 --> 0:21:03.360
<v Speaker 1>here and cancer, but you know I'm working hard for you,

0:21:03.440 --> 0:21:06.280
<v Speaker 1>and I don't know. It just made me wish i'd

0:21:06.359 --> 0:21:08.840
<v Speaker 1>branched out earlier before. There's no reason I couldn't if

0:21:08.840 --> 0:21:10.440
<v Speaker 1>no one was saying not to. I just didn't know

0:21:10.480 --> 0:21:12.920
<v Speaker 1>how to do it or what I was doing. Yeah,

0:21:12.960 --> 0:21:15.640
<v Speaker 1>and I did some I did some soaps. I got

0:21:15.640 --> 0:21:18.320
<v Speaker 1>this recurring on a soap and cash my little checks

0:21:18.359 --> 0:21:20.520
<v Speaker 1>and I would just look at the stack of cash

0:21:20.560 --> 0:21:22.560
<v Speaker 1>in my cupboard, you know, I put it up. I

0:21:22.720 --> 0:21:24.400
<v Speaker 1>just opened the door and look at it, like, look

0:21:24.400 --> 0:21:28.800
<v Speaker 1>at that, Look at that cash. There must be a

0:21:28.880 --> 0:21:29.600
<v Speaker 1>thousand dollars.

0:21:29.880 --> 0:21:30.080
<v Speaker 3>You know.

0:21:30.119 --> 0:21:35.720
<v Speaker 1>It's just like right, so stupid, but so wonderful, you know.

0:21:35.840 --> 0:21:37.960
<v Speaker 1>And just the fact that I kept going kind of

0:21:38.000 --> 0:21:40.919
<v Speaker 1>always shocks me. I was so dumb. I didn't know

0:21:41.040 --> 0:21:43.840
<v Speaker 1>to quit. But I really enjoyed being on a set.

0:21:43.960 --> 0:21:46.240
<v Speaker 1>And then Deadwood made me have fun.

0:21:46.680 --> 0:21:48.200
<v Speaker 3>Yeah, I want to talk about dead.

0:21:48.240 --> 0:21:50.600
<v Speaker 4>What I first want to ask you just and this

0:21:50.640 --> 0:21:53.840
<v Speaker 4>is this is just for my own personal edification. I

0:21:54.280 --> 0:22:01.840
<v Speaker 4>feel like character based procedural show NYPD. Early in your career,

0:22:01.880 --> 0:22:04.719
<v Speaker 4>you were cast on NYPD Blue, And just want to

0:22:04.840 --> 0:22:07.760
<v Speaker 4>ask you, was this a show that you were a

0:22:07.800 --> 0:22:10.440
<v Speaker 4>fan of yourself, and just a little bit about your

0:22:10.480 --> 0:22:14.480
<v Speaker 4>experience on that show because it was so early for you.

0:22:14.960 --> 0:22:15.160
<v Speaker 3>Yeah.

0:22:15.160 --> 0:22:17.760
<v Speaker 1>I think I got my SAG card on that or

0:22:17.800 --> 0:22:19.680
<v Speaker 1>that or that was the one job I did where

0:22:19.680 --> 0:22:21.520
<v Speaker 1>you didn't have to join yet, you know. That was

0:22:21.560 --> 0:22:24.240
<v Speaker 1>my first one, not too far out of school, So

0:22:24.400 --> 0:22:27.600
<v Speaker 1>the early nineties. I guess I don't remember a ton

0:22:27.640 --> 0:22:30.919
<v Speaker 1>about the experience. I remember because Jimmy Smith's was in

0:22:31.000 --> 0:22:34.560
<v Speaker 1>it at that time, and I think Dennis Franz was still.

0:22:34.320 --> 0:22:37.040
<v Speaker 3>There, right, yeah, yeah, he would have been, yeah.

0:22:37.040 --> 0:22:39.119
<v Speaker 1>Because I think he was there in this conversation. But

0:22:39.160 --> 0:22:43.600
<v Speaker 1>I remember Jimmy Smith's, you know, I was just I

0:22:43.760 --> 0:22:46.320
<v Speaker 1>just marveled at how much work they were doing, you know,

0:22:46.560 --> 0:22:48.240
<v Speaker 1>I just had my little scene to do. It was

0:22:48.280 --> 0:22:51.800
<v Speaker 1>this I think some art dealer who was fencing some

0:22:51.880 --> 0:22:54.840
<v Speaker 1>stolen paintings, and I remember his name was Bryce Cooper

0:22:54.880 --> 0:22:59.760
<v Speaker 1>Smith and I had a horrible vest but it was

0:23:00.000 --> 0:23:04.600
<v Speaker 1>diferent times Brian judgment when you dig that up. But

0:23:05.440 --> 0:23:08.680
<v Speaker 1>I just remember him. He's doing this scene, He's learning

0:23:09.240 --> 0:23:11.600
<v Speaker 1>the next episode while we're doing that, like he was,

0:23:11.760 --> 0:23:15.080
<v Speaker 1>he was his head was spinning, you know, And I

0:23:15.080 --> 0:23:17.560
<v Speaker 1>think that was his actual problem with Milch, was that

0:23:17.960 --> 0:23:19.679
<v Speaker 1>he didn't get the material in time. So it was

0:23:19.680 --> 0:23:22.800
<v Speaker 1>always just breakneck speed. But it was daunting to me,

0:23:23.400 --> 0:23:25.639
<v Speaker 1>but also kind of I wanted. I wanted to feel

0:23:25.640 --> 0:23:26.359
<v Speaker 1>that challenge.

0:23:26.720 --> 0:23:30.160
<v Speaker 4>In two thousand and four, you just mentioned it one

0:23:30.160 --> 0:23:34.199
<v Speaker 4>of my favorite series of all time. Dead would your

0:23:34.320 --> 0:23:40.480
<v Speaker 4>role I want to talk about Francis Walcott just terrifying.

0:23:40.960 --> 0:23:44.680
<v Speaker 4>But you did play a different character in season one?

0:23:45.400 --> 0:23:49.200
<v Speaker 4>So was this just they They just wanted you back,

0:23:49.240 --> 0:23:51.679
<v Speaker 4>and they decided that they didn't care that you had

0:23:51.680 --> 0:23:53.720
<v Speaker 4>appeared as a different character in season one?

0:23:55.320 --> 0:23:55.520
<v Speaker 6>You know?

0:23:55.640 --> 0:23:58.680
<v Speaker 1>David Rutt writes about that in his book, I wish

0:23:58.720 --> 0:24:01.600
<v Speaker 1>I could. I wish I'd thought to queue that up. Well,

0:24:02.160 --> 0:24:06.280
<v Speaker 1>but uh yeah, I don't. I don't know why he

0:24:06.400 --> 0:24:12.080
<v Speaker 1>did unless they're I don't know. I'll talk as if

0:24:12.080 --> 0:24:14.720
<v Speaker 1>it was me in that moment, because I was sad

0:24:14.800 --> 0:24:18.359
<v Speaker 1>to leave. I really was enjoying myself on that show.

0:24:18.359 --> 0:24:22.879
<v Speaker 1>It still to this day the kind of experience on

0:24:22.960 --> 0:24:26.159
<v Speaker 1>set that I try to replicate, and apparently a lot

0:24:26.240 --> 0:24:29.760
<v Speaker 1>of my former cast mates do the same thing, which

0:24:29.800 --> 0:24:31.760
<v Speaker 1>is stupid. We're just trying to make everything dead with

0:24:31.880 --> 0:24:35.960
<v Speaker 1>you know. They because because David comes out before we

0:24:36.040 --> 0:24:38.800
<v Speaker 1>shoot anything, comes out of the writer's room and he

0:24:39.000 --> 0:24:42.200
<v Speaker 1>sort of sets the scene in the most poetic, beautiful

0:24:42.240 --> 0:24:47.240
<v Speaker 1>manner you've ever heard, and it was so motivating to

0:24:47.400 --> 0:24:50.560
<v Speaker 1>us all because he just he just reminded us that

0:24:50.640 --> 0:24:54.560
<v Speaker 1>this was sort of a spiritual experience and I didn't

0:24:54.560 --> 0:24:56.879
<v Speaker 1>expect to get so kind of cheesy an actory today.

0:24:56.920 --> 0:25:00.200
<v Speaker 1>It's really not how I usually do things, but it's

0:25:00.440 --> 0:25:05.399
<v Speaker 1>like it was wonderful, you know, and it was I

0:25:05.400 --> 0:25:07.520
<v Speaker 1>don't think I've ever worked with someone who was so

0:25:08.000 --> 0:25:10.440
<v Speaker 1>who was so good at sort of incorporating everyone else

0:25:10.600 --> 0:25:13.320
<v Speaker 1>around them, if if that makes sense. He because he's

0:25:13.320 --> 0:25:17.040
<v Speaker 1>written this incredible stuff that's in n Iambic Pentamin. It's

0:25:17.119 --> 0:25:21.200
<v Speaker 1>blank verse a lot of the time, you know, and

0:25:21.680 --> 0:25:24.240
<v Speaker 1>you wouldn't think that someone that could write this brilliantly

0:25:24.280 --> 0:25:27.240
<v Speaker 1>would be open to it, but it's it's what informed

0:25:27.280 --> 0:25:30.359
<v Speaker 1>everything and he would see you do something, he'd be like, oh, yeah, yeah,

0:25:30.520 --> 0:25:32.840
<v Speaker 1>now this time say this, like, if you're going to

0:25:32.920 --> 0:25:36.920
<v Speaker 1>do that, which I liked, let's add this dialogue to it,

0:25:36.960 --> 0:25:40.480
<v Speaker 1>which would then inspire you know, Joe behind the camera

0:25:40.520 --> 0:25:43.439
<v Speaker 1>to change the shot, well, if he's going to do that.

0:25:43.920 --> 0:25:46.399
<v Speaker 1>It was just this whirlwind of creativity where everybody was

0:25:46.440 --> 0:25:49.399
<v Speaker 1>completely involved, and we'd go when we weren't working, just

0:25:49.440 --> 0:25:52.760
<v Speaker 1>to watch. I haven't experienced that before or since.

0:25:53.680 --> 0:25:54.040
<v Speaker 3>Yeah.

0:25:54.560 --> 0:25:58.520
<v Speaker 4>Did you feel like the fact that it was set

0:25:58.880 --> 0:26:03.280
<v Speaker 4>as a western well affected the work for you? I mean,

0:26:03.320 --> 0:26:10.800
<v Speaker 4>I've heard tell that the practical the practical environment was

0:26:11.000 --> 0:26:14.800
<v Speaker 4>very difficult for all of you, but it feels like

0:26:15.440 --> 0:26:19.520
<v Speaker 4>it was so rife with creativity that that just became

0:26:19.560 --> 0:26:21.000
<v Speaker 4>an obstacle to overcome.

0:26:21.560 --> 0:26:23.840
<v Speaker 3>But it was still exciting to be there. Is that

0:26:24.119 --> 0:26:26.960
<v Speaker 3>Is that accurate? I think?

0:26:27.080 --> 0:26:29.680
<v Speaker 1>I mean we were at the Melody Ranch in New Hall,

0:26:30.160 --> 0:26:33.320
<v Speaker 1>which isn't far from la and it's a set, but

0:26:33.400 --> 0:26:39.520
<v Speaker 1>it's built real intelligently, you know, because you're in your trailer,

0:26:40.080 --> 0:26:43.520
<v Speaker 1>you get on your costume, and Jennie Bryant was the

0:26:43.520 --> 0:26:46.240
<v Speaker 1>costume designer and she does have to work for you anyway,

0:26:46.320 --> 0:26:47.840
<v Speaker 1>like you put on I put on a wall cotton

0:26:47.880 --> 0:26:51.120
<v Speaker 1>at a completely different posture. You know, I didn't think right.

0:26:51.440 --> 0:26:53.320
<v Speaker 1>But then you walk around a corner and you can't

0:26:53.359 --> 0:26:58.159
<v Speaker 1>see anything but a western town with some incredibly dedicated

0:26:58.160 --> 0:27:02.200
<v Speaker 1>background performers who've invented whole life stories for themselves, and

0:27:02.880 --> 0:27:06.040
<v Speaker 1>you know, giving up semesters of law school to be

0:27:06.119 --> 0:27:06.919
<v Speaker 1>there for the season.

0:27:06.920 --> 0:27:07.199
<v Speaker 3>It was.

0:27:07.280 --> 0:27:10.720
<v Speaker 1>It was crazy. We had like Deadwood Checke's you know,

0:27:11.080 --> 0:27:14.159
<v Speaker 1>from day one, and they gave us so much atmosphere

0:27:14.200 --> 0:27:17.480
<v Speaker 1>in life, so it was really easy to click into

0:27:17.520 --> 0:27:21.239
<v Speaker 1>the world, I think, and and the fact that it

0:27:21.280 --> 0:27:24.879
<v Speaker 1>was so elevated it really pushed us to be on

0:27:24.960 --> 0:27:27.760
<v Speaker 1>our game. It's have you Have you had the good

0:27:27.760 --> 0:27:31.120
<v Speaker 1>fortune to shoot on film? Like anything, you must say yes.

0:27:31.200 --> 0:27:32.399
<v Speaker 3>But it's been a long time.

0:27:32.640 --> 0:27:35.119
<v Speaker 1>It's been a while. I've had a few experiences with

0:27:35.160 --> 0:27:38.760
<v Speaker 1>it and it's I really miss it, and I miss

0:27:38.800 --> 0:27:41.520
<v Speaker 1>it because of what it does to It does to

0:27:41.600 --> 0:27:45.400
<v Speaker 1>everybody that I mean, you walk on, it's a completely

0:27:45.400 --> 0:27:49.040
<v Speaker 1>different atmosphere because everybody's primed, everybody's ready. We have to

0:27:49.040 --> 0:27:51.160
<v Speaker 1>be ready, you know, because this is going to roll

0:27:51.920 --> 0:27:55.520
<v Speaker 1>and it's going to cost a lot of money. There's

0:27:55.560 --> 0:27:58.600
<v Speaker 1>no stopping and backing up and going oh my bad, whoops,

0:27:58.680 --> 0:28:00.320
<v Speaker 1>this is back up and we'll do this, you know,

0:28:00.400 --> 0:28:02.920
<v Speaker 1>like we've gotten used to digitally. It's made us a

0:28:02.960 --> 0:28:06.960
<v Speaker 1>little lazy. But that was the atmosphere every day on Deadwook,

0:28:07.000 --> 0:28:09.919
<v Speaker 1>you know, and everybody really wanted to not be the

0:28:09.960 --> 0:28:14.840
<v Speaker 1>weak link and to support support everybody else. And I

0:28:14.840 --> 0:28:16.480
<v Speaker 1>don't know, it was it was a good time.

0:28:17.440 --> 0:28:21.720
<v Speaker 3>That's so I haven't thought about that in so long though.

0:28:22.240 --> 0:28:28.240
<v Speaker 4>Shooting on film immediately ups the ante and the meetings

0:28:28.920 --> 0:28:34.359
<v Speaker 4>for you're exactly right, because there's no farting around because

0:28:34.400 --> 0:28:36.800
<v Speaker 4>you were literally just costing money.

0:28:37.000 --> 0:28:40.080
<v Speaker 1>If you're far around, you know your stuff. Yeah, are

0:28:40.120 --> 0:28:42.720
<v Speaker 1>you ready to shoot this? You know they've rehearsed it

0:28:42.760 --> 0:28:45.680
<v Speaker 1>to death. You know, the stunts are like, you know,

0:28:45.800 --> 0:28:49.960
<v Speaker 1>queue it up. It was amazing on Looper. Looper shot

0:28:49.960 --> 0:28:53.400
<v Speaker 1>on film, and I'm nervous anyway every time I for

0:28:53.440 --> 0:28:56.640
<v Speaker 1>some reason, I can own a television set just fine,

0:28:56.680 --> 0:28:58.080
<v Speaker 1>and then I get on a movie set and I'm

0:28:58.160 --> 0:29:02.000
<v Speaker 1>just like, oh, never been here before. But I'm with

0:29:02.040 --> 0:29:06.200
<v Speaker 1>Emily and you know, Joseph Gordon Levitt and I have

0:29:06.280 --> 0:29:08.960
<v Speaker 1>a gun. On Joseph and it's this big scene and

0:29:09.080 --> 0:29:11.800
<v Speaker 1>I'm immediately thinking, like, where's everyone so tense? You know,

0:29:11.840 --> 0:29:15.880
<v Speaker 1>it's it's because it's on film, You're like everyone's it's

0:29:15.920 --> 0:29:18.440
<v Speaker 1>like we're about to start a play, you know, like

0:29:18.880 --> 0:29:21.240
<v Speaker 1>time to go, and it's time to be one hundred percent.

0:29:21.600 --> 0:29:24.760
<v Speaker 1>And I and I went up. I went completely up,

0:29:25.360 --> 0:29:27.480
<v Speaker 1>and I'm looking at down my gun, at Joseph, and

0:29:27.760 --> 0:29:30.880
<v Speaker 1>Joseph's acting and then I can see him realize I've

0:29:30.880 --> 0:29:33.280
<v Speaker 1>gone up, you know what I mean, So then he's

0:29:33.280 --> 0:29:37.560
<v Speaker 1>trying to help. It was so awful then just caught.

0:29:37.720 --> 0:29:40.960
<v Speaker 1>Immediately Ryan comes out, you know, like you know, we're good,

0:29:41.000 --> 0:29:45.240
<v Speaker 1>and it was so humiliating, but the boy you felt alive,

0:29:45.520 --> 0:29:47.760
<v Speaker 1>you know what I mean, You're it's exactly right. You've

0:29:47.760 --> 0:29:49.840
<v Speaker 1>got to I don't know.

0:29:49.920 --> 0:29:55.120
<v Speaker 3>Yeah, what do you think the legacy of dead Wood is?

0:29:55.880 --> 0:30:01.120
<v Speaker 1>I don't know. I really want to to read David's book.

0:30:01.120 --> 0:30:04.960
<v Speaker 1>It's called Life's Work. I think you'll find it really inspiring.

0:30:06.200 --> 0:30:08.080
<v Speaker 1>I don't know. I mean, it was a golden era

0:30:08.120 --> 0:30:11.000
<v Speaker 1>of television, wasn't it. I mean the Wire and Sopranos,

0:30:11.000 --> 0:30:13.800
<v Speaker 1>and I don't know if I know what the legacy

0:30:13.840 --> 0:30:15.959
<v Speaker 1>of it would be, you know, but it sure as

0:30:15.960 --> 0:30:19.480
<v Speaker 1>a benchmark in my career, and I guess I'm glad

0:30:19.520 --> 0:30:21.920
<v Speaker 1>it came so early. You know, it's something that you

0:30:21.960 --> 0:30:25.320
<v Speaker 1>wanted to feel again, it was there was beauty in

0:30:25.400 --> 0:30:30.280
<v Speaker 1>something that's so articulate, and the audience was not condescended

0:30:30.320 --> 0:30:33.960
<v Speaker 1>to you know, and we could they could handle the language,

0:30:33.960 --> 0:30:38.480
<v Speaker 1>and you could tell a story that just moving man's

0:30:38.520 --> 0:30:42.920
<v Speaker 1>making order out of chaos located in the town of Deadwood.

0:30:42.960 --> 0:30:46.000
<v Speaker 3>It's beautiful, beautiful.

0:30:46.640 --> 0:30:48.800
<v Speaker 1>I mean the office must have been kind of that way, right.

0:30:48.840 --> 0:30:50.800
<v Speaker 1>I mean, I've never been on the show that's gone

0:30:50.800 --> 0:30:55.280
<v Speaker 1>that long, that maintained excellence for so long. I mean

0:30:55.320 --> 0:30:57.600
<v Speaker 1>that last day must have been insane for you guys.

0:30:58.280 --> 0:31:02.160
<v Speaker 3>Yes it was. I mean that was ten years.

0:31:02.800 --> 0:31:06.040
<v Speaker 4>That's you know, as I I mean, it's so stupid

0:31:06.040 --> 0:31:07.720
<v Speaker 4>to say this, but to me, it does kind of

0:31:07.760 --> 0:31:11.720
<v Speaker 4>put it into perspective. It's like high school and college

0:31:11.840 --> 0:31:14.880
<v Speaker 4>and then a couple more years, like just in terms

0:31:14.880 --> 0:31:17.480
<v Speaker 4>of just the length of time, and also.

0:31:17.600 --> 0:31:19.880
<v Speaker 1>I mean that's the start of my entire career.

0:31:20.160 --> 0:31:22.800
<v Speaker 4>Right and also just as you how you grow as

0:31:22.800 --> 0:31:27.840
<v Speaker 4>a person for your life and changes and all of that. Yeah, No,

0:31:28.000 --> 0:31:29.760
<v Speaker 4>absolutely is it.

0:31:29.720 --> 0:31:32.440
<v Speaker 1>Hard to move on from something like that, like it,

0:31:32.920 --> 0:31:36.120
<v Speaker 1>I've never experienced it, so I'm genuinely curious and like,

0:31:38.160 --> 0:31:40.600
<v Speaker 1>I struggle when I have a good experience on one thing,

0:31:40.640 --> 0:31:43.600
<v Speaker 1>and how will I ever equal that? And what was

0:31:43.600 --> 0:31:44.800
<v Speaker 1>the biggest hurdle for you?

0:31:45.080 --> 0:31:49.560
<v Speaker 3>I'm sure Deadwood was was similar? Well, I think that, you.

0:31:49.520 --> 0:31:55.040
<v Speaker 4>Know, the last oh, let's call it five years, right,

0:31:55.160 --> 0:32:00.440
<v Speaker 4>so kind of from after the writers strike of two

0:32:00.520 --> 0:32:02.720
<v Speaker 4>thousand and seven eight, which was kind of in the

0:32:02.760 --> 0:32:06.240
<v Speaker 4>middle early middle of our run. You know, we were

0:32:06.280 --> 0:32:11.920
<v Speaker 4>doing essentially thirty episodes a year, so there was you know,

0:32:12.080 --> 0:32:16.480
<v Speaker 4>when it was over, it was like trying to re

0:32:16.720 --> 0:32:18.480
<v Speaker 4>enter what other life?

0:32:18.680 --> 0:32:19.840
<v Speaker 3>What other life is?

0:32:20.800 --> 0:32:23.720
<v Speaker 4>Just the rhythm of life became so different and obviously,

0:32:24.840 --> 0:32:26.320
<v Speaker 4>you know, in a lot of ways, not for the

0:32:26.360 --> 0:32:29.880
<v Speaker 4>better because you're like, oh wait, what what how am.

0:32:29.800 --> 0:32:31.440
<v Speaker 3>I filling my time now?

0:32:32.120 --> 0:32:34.400
<v Speaker 4>But yeah, no, just the relationships that we had in

0:32:34.440 --> 0:32:36.080
<v Speaker 4>the amount of time that we spent together.

0:32:36.120 --> 0:32:38.000
<v Speaker 3>I mean it's like such a cliche, but.

0:32:38.640 --> 0:32:41.680
<v Speaker 4>That you know, spending way more time with these people

0:32:42.040 --> 0:32:43.440
<v Speaker 4>than your family.

0:32:43.080 --> 0:32:43.880
<v Speaker 3>For ten years.

0:32:43.920 --> 0:32:47.440
<v Speaker 1>Yes, yeah, you're a company, Yeah, you know, you know,

0:32:47.520 --> 0:32:50.160
<v Speaker 1>every little nuance. I mean, it's why it's such a

0:32:50.240 --> 0:32:52.480
<v Speaker 1>rich experience watching it.

0:32:52.720 --> 0:32:55.480
<v Speaker 4>Well, and I think Deadwood is very much the same,

0:32:55.480 --> 0:32:58.360
<v Speaker 4>which I'm sure is partly in your brain why you're

0:32:58.360 --> 0:33:01.600
<v Speaker 4>bringing it up. You're all sort of immersed in that

0:33:01.880 --> 0:33:06.239
<v Speaker 4>world which is so specific, with such rich characters and

0:33:06.280 --> 0:33:10.400
<v Speaker 4>interactions that because it takes place just like the Office

0:33:10.440 --> 0:33:14.440
<v Speaker 4>is a controlled environment, is you know, essentially with all

0:33:14.520 --> 0:33:18.239
<v Speaker 4>within this small town and the potential for you to

0:33:18.840 --> 0:33:23.800
<v Speaker 4>have interactions with multiple people just by walking in one

0:33:24.200 --> 0:33:31.600
<v Speaker 4>storefront or whatever. Right, Yeah, yeah, Mindy Kaling, Yeah, I

0:33:31.640 --> 0:33:33.080
<v Speaker 4>mean the Mindy Project.

0:33:33.520 --> 0:33:36.640
<v Speaker 1>Oh my god, what a force of nature that woman is. Huh,

0:33:36.720 --> 0:33:39.040
<v Speaker 1>what a fortunate I mean, did you have I have

0:33:39.080 --> 0:33:41.480
<v Speaker 1>no idea what it must have been like on the office,

0:33:41.480 --> 0:33:43.600
<v Speaker 1>and I'm so jealous of that experience, But did you

0:33:43.640 --> 0:33:47.160
<v Speaker 1>have any inkling of what was laying and weight laying

0:33:47.200 --> 0:33:49.479
<v Speaker 1>in wait inside that mind? You know?

0:33:49.680 --> 0:33:51.120
<v Speaker 3>I think it was all there.

0:33:51.680 --> 0:33:54.160
<v Speaker 2>I mean, look, you saw she was a baby, she wrote,

0:33:54.200 --> 0:33:57.720
<v Speaker 2>she wrote, I mean what she was? Was she twenty five?

0:33:58.000 --> 0:34:01.960
<v Speaker 2>I don't I mean she wrote the first Dundee's episode

0:34:01.960 --> 0:34:04.640
<v Speaker 2>that we did, like the beginning, and I don't know

0:34:04.760 --> 0:34:05.719
<v Speaker 2>she wasn't old.

0:34:06.040 --> 0:34:08.000
<v Speaker 3>Let me just I'll spoiler alert.

0:34:08.120 --> 0:34:10.320
<v Speaker 1>She was. She was a wonder kid from the jump.

0:34:10.640 --> 0:34:13.960
<v Speaker 4>Yes, she was just Yes, and she I mean she

0:34:14.480 --> 0:34:18.160
<v Speaker 4>ended up over the seven eight years writing some of

0:34:18.360 --> 0:34:21.799
<v Speaker 4>the best episodes. I mean, I mean the Dundees, the

0:34:21.800 --> 0:34:26.440
<v Speaker 4>injury aka Michael burns his foot on a George Foreman grill,

0:34:26.640 --> 0:34:29.360
<v Speaker 4>that was hers, you know it.

0:34:29.719 --> 0:34:31.560
<v Speaker 3>Uh, she's amazing.

0:34:32.120 --> 0:34:35.520
<v Speaker 1>Yes, she's a lot of respect for her. Yeah. Yeah,

0:34:35.640 --> 0:34:40.919
<v Speaker 1>I feel like I'm not a lazy person, but oh

0:34:40.920 --> 0:34:43.160
<v Speaker 1>my god, when I'm around her, I feel like I'm

0:34:43.200 --> 0:34:46.160
<v Speaker 1>standing still, I'm earth bound. And you know, she's just

0:34:46.640 --> 0:34:51.040
<v Speaker 1>a whirlwind of creativity. It's it's amazing, It is amazing.

0:34:51.239 --> 0:34:53.239
<v Speaker 1>I love her. If you're listening, I love you, and

0:34:53.280 --> 0:34:54.920
<v Speaker 1>I wish she returned my calls quicker.

0:34:55.360 --> 0:34:57.319
<v Speaker 3>Oh yeah, well there's that.

0:34:58.080 --> 0:34:59.839
<v Speaker 4>I have to ask one more question about that, because

0:34:59.840 --> 0:35:02.920
<v Speaker 4>you you brought it up. It's it's funny because when

0:35:02.920 --> 0:35:08.360
<v Speaker 4>I was thinking about Francis Walcott, I was thinking about

0:35:08.719 --> 0:35:15.160
<v Speaker 4>your posture and physicality. How important for you is physicality

0:35:15.200 --> 0:35:19.319
<v Speaker 4>when you're when you're working on a role or when

0:35:19.360 --> 0:35:22.040
<v Speaker 4>you create a role. How important is physicality for you?

0:35:23.000 --> 0:35:27.240
<v Speaker 1>Well, it's I'm trying to think now, if it's most

0:35:27.239 --> 0:35:29.440
<v Speaker 1>of the time. It's kind of the way infamy, and

0:35:29.719 --> 0:35:32.640
<v Speaker 1>it might be I didn't think it was, but I'm thinking.

0:35:32.760 --> 0:35:35.839
<v Speaker 1>I keep thinking, like do I well, I guess that one.

0:35:35.840 --> 0:35:39.400
<v Speaker 1>I kind of did that. Even on Deadwood, I wanted

0:35:39.440 --> 0:35:42.839
<v Speaker 1>to be shorter as Jack McCall than Keith was. Keith

0:35:42.880 --> 0:35:45.840
<v Speaker 1>Caring is about my height, so I was always slouching

0:35:46.480 --> 0:35:48.680
<v Speaker 1>down with that. And then I don't know if you

0:35:48.719 --> 0:35:50.840
<v Speaker 1>put these limits on yourself. I'm sure you do. We

0:35:50.920 --> 0:35:53.840
<v Speaker 1>all do. But I for the longest time thought no

0:35:53.880 --> 0:35:58.320
<v Speaker 1>one was going to buy me in a suit. I

0:35:58.360 --> 0:36:00.960
<v Speaker 1>don't know why, but I was, no one's gonna buy it.

0:36:01.000 --> 0:36:03.480
<v Speaker 1>I'm you know, I'm from a trucker's family and I

0:36:03.560 --> 0:36:05.960
<v Speaker 1>work in the orchards, and I kind of I don't

0:36:06.040 --> 0:36:08.080
<v Speaker 1>own a suit. You know, no one's gonna buy it.

0:36:08.080 --> 0:36:11.239
<v Speaker 1>It's just the dumbest thing. And then Jennie Bryant puts

0:36:11.280 --> 0:36:13.799
<v Speaker 1>me in a two sides it's too small, you know,

0:36:14.000 --> 0:36:17.799
<v Speaker 1>duster for Wolcott, and I'm just suddenly like I'm I'm

0:36:17.880 --> 0:36:21.640
<v Speaker 1>tall and upright. And it was such a big help,

0:36:22.120 --> 0:36:23.799
<v Speaker 1>you know. It's such a big help. And I think

0:36:23.880 --> 0:36:26.320
<v Speaker 1>sometimes opens the door to everything. Do you feel the

0:36:26.360 --> 0:36:28.160
<v Speaker 1>same way, is that where you're staying totally.

0:36:28.239 --> 0:36:32.400
<v Speaker 4>For me, shoes are very important. Yeah, and it makes

0:36:32.440 --> 0:36:36.960
<v Speaker 4>me feel bad when I'm doing something.

0:36:37.120 --> 0:36:38.160
<v Speaker 3>Like very small.

0:36:38.239 --> 0:36:39.680
<v Speaker 4>I don't know, I don't even know how to say that,

0:36:39.760 --> 0:36:43.680
<v Speaker 4>but like where I'm like, dude, nobody cares about your shoes.

0:36:43.680 --> 0:36:45.200
<v Speaker 3>You know what I mean. When I'm like talking.

0:36:45.280 --> 0:36:50.040
<v Speaker 4>Having caught a conversation with with the with the with

0:36:50.080 --> 0:36:52.680
<v Speaker 4>the wardrobe person on the show I was just working on,

0:36:52.719 --> 0:36:54.800
<v Speaker 4>I was like, man, I don't want to be that guy,

0:36:55.560 --> 0:36:58.400
<v Speaker 4>but it is for me, it is it is important,

0:36:58.640 --> 0:36:59.320
<v Speaker 4>it is important.

0:36:59.320 --> 0:37:00.920
<v Speaker 1>It is Yeah. I'm kind of glad to hear you

0:37:00.960 --> 0:37:03.319
<v Speaker 1>say that because I only recently have I been able

0:37:03.360 --> 0:37:06.399
<v Speaker 1>to like swap out into more comfy shoes if I'm

0:37:06.440 --> 0:37:10.640
<v Speaker 1>off camera. But for the longest time, I'm just like

0:37:10.719 --> 0:37:12.640
<v Speaker 1>I have to I don't.

0:37:12.440 --> 0:37:16.319
<v Speaker 3>Have to have run I know. I know me too.

0:37:16.800 --> 0:37:18.839
<v Speaker 4>Don't get me wrong. I will go through on some

0:37:18.880 --> 0:37:22.280
<v Speaker 4>flip flops these days, I mean occasionally off camera.

0:37:22.440 --> 0:37:27.560
<v Speaker 1>Only well they didn't they things changed with those feet.

0:37:27.520 --> 0:37:31.280
<v Speaker 3>Yes they do. I bring this.

0:37:32.680 --> 0:37:36.920
<v Speaker 4>Very small blip on my IMDb page and you have

0:37:37.040 --> 0:37:41.719
<v Speaker 4>it as well. To me, the hardest job I have

0:37:41.800 --> 0:37:48.240
<v Speaker 4>ever had was on Criminal Minds. Yes, and I saw you. Yeah,

0:37:48.360 --> 0:37:52.600
<v Speaker 4>because it's a show that's run that ran for one

0:37:52.680 --> 0:37:56.120
<v Speaker 4>hundred years, right and by the way, I mean no

0:37:56.280 --> 0:38:00.359
<v Speaker 4>disrespect for all the regulars that are there, but in

0:38:00.400 --> 0:38:06.879
<v Speaker 4>my mind, the lead of every episode is the guest star.

0:38:07.920 --> 0:38:13.160
<v Speaker 4>And so you are walking in to a show that

0:38:13.280 --> 0:38:16.400
<v Speaker 4>is that pre exit that it pre exists, and everybody

0:38:16.440 --> 0:38:20.760
<v Speaker 4>knows everybody, and they've been working together for twenty seven

0:38:20.880 --> 0:38:22.440
<v Speaker 4>years and now.

0:38:22.480 --> 0:38:25.000
<v Speaker 1>Here here's some pressure and here's.

0:38:25.000 --> 0:38:27.800
<v Speaker 3>Yeah, you're now the lead this week.

0:38:28.080 --> 0:38:32.520
<v Speaker 4>I found it just like mind just it was just

0:38:32.600 --> 0:38:34.360
<v Speaker 4>a mind bend for me.

0:38:34.600 --> 0:38:35.680
<v Speaker 3>Did you have that too? Ye?

0:38:36.880 --> 0:38:39.719
<v Speaker 1>No, you don't care, No, no, not at all.

0:38:39.880 --> 0:38:40.120
<v Speaker 3>I had.

0:38:40.280 --> 0:38:43.120
<v Speaker 1>I was having a completely different experience though, because I

0:38:43.120 --> 0:38:46.360
<v Speaker 1>mean I needed a paycheck at the time, you know, Okay,

0:38:46.880 --> 0:38:48.560
<v Speaker 1>And so I walk I walk in there like we're

0:38:48.560 --> 0:38:50.840
<v Speaker 1>gonna give you two episodes, and I'm just playing a

0:38:50.840 --> 0:38:53.319
<v Speaker 1>guy laying in a bed like I never leave the bed.

0:38:53.680 --> 0:38:57.080
<v Speaker 1>He's completely paralyzed. You know, there's a breathing machine for him.

0:38:57.120 --> 0:39:01.839
<v Speaker 1>But he's the mastermind manipulating is you know, less less

0:39:01.880 --> 0:39:05.560
<v Speaker 1>intelligent brother to do these horrible crimes like okay, all right,

0:39:05.640 --> 0:39:07.960
<v Speaker 1>No one will see this. I'm embarrassed maybe or I

0:39:07.960 --> 0:39:10.360
<v Speaker 1>think I should be, but I'm I'm like, I just

0:39:10.400 --> 0:39:12.400
<v Speaker 1>want to work, you know, I need to work. I

0:39:12.440 --> 0:39:15.239
<v Speaker 1>love to work and work off. And I showed up

0:39:15.239 --> 0:39:19.120
<v Speaker 1>in one of the regulars. Like she just was simultaneously

0:39:20.040 --> 0:39:24.560
<v Speaker 1>so you know, flattering and also just humiliating because she

0:39:24.560 --> 0:39:28.239
<v Speaker 1>she just went crazy. She was this massive fan. I

0:39:28.239 --> 0:39:30.440
<v Speaker 1>didn't know, you know, she just was like, why are

0:39:30.440 --> 0:39:32.479
<v Speaker 1>you doing this show? Why are you here?

0:39:33.120 --> 0:39:33.960
<v Speaker 6>What are you doing?

0:39:34.360 --> 0:39:35.120
<v Speaker 1>Oh my god?

0:39:35.280 --> 0:39:36.680
<v Speaker 6>Like so I was.

0:39:37.200 --> 0:39:40.960
<v Speaker 1>I was simultaneously like super flattered and like really embarrassed,

0:39:41.000 --> 0:39:44.759
<v Speaker 1>like because I'm like, I just need to need a paycheck, man,

0:39:44.960 --> 0:39:45.920
<v Speaker 1>what do you mean? Why am I?

0:39:46.080 --> 0:39:49.040
<v Speaker 3>Oh that's so funny, that's so good.

0:39:49.600 --> 0:39:51.600
<v Speaker 1>And then I think I'm in and out and you know,

0:39:52.360 --> 0:39:56.520
<v Speaker 1>no one will know or something. But that's everyone. Everyone

0:39:56.560 --> 0:40:01.319
<v Speaker 1>watches that show. Like everyone you've experienced that, like ten

0:40:01.400 --> 0:40:03.120
<v Speaker 1>years at the office. But like, oh, I loved you

0:40:03.160 --> 0:40:08.040
<v Speaker 1>on Criminal Minds all the time. Well no, but no,

0:40:08.960 --> 0:40:09.439
<v Speaker 1>thank god.

0:40:09.800 --> 0:40:12.120
<v Speaker 4>I get it all the time, man. I mean I

0:40:12.120 --> 0:40:15.399
<v Speaker 4>don't know what channel it's on, but it's still playing. Yeah,

0:40:15.440 --> 0:40:18.040
<v Speaker 4>because I get it. I get it a couple of

0:40:18.080 --> 0:40:21.919
<v Speaker 4>times a month. It is always surprising to me. Yeah, well,

0:40:22.040 --> 0:40:25.080
<v Speaker 4>your job was much easier. I found it. I found

0:40:25.120 --> 0:40:27.719
<v Speaker 4>it so difficult, and I love it, and I'm always

0:40:27.920 --> 0:40:30.400
<v Speaker 4>so when someone comes up and mentions it, I'm I, oh,

0:40:30.520 --> 0:40:32.879
<v Speaker 4>you know, it does make me feel good because I

0:40:32.920 --> 0:40:36.319
<v Speaker 4>was very self conscious for a long time about it.

0:40:36.320 --> 0:40:38.240
<v Speaker 3>It's just like, I think I was terrible.

0:40:39.000 --> 0:40:41.040
<v Speaker 1>How often does that happen to you too? Is that happened?

0:40:41.040 --> 0:40:44.640
<v Speaker 1>Snakrd A bit like when I think I did my worst.

0:40:45.480 --> 0:40:47.120
<v Speaker 1>Other people think that was the best thing I've ever

0:40:47.120 --> 0:40:48.879
<v Speaker 1>seen you do, or you see it and you're like, oh,

0:40:48.880 --> 0:40:49.839
<v Speaker 1>that was actually pretty good.

0:40:50.000 --> 0:41:11.000
<v Speaker 6>I have no taste.

0:41:13.360 --> 0:41:15.719
<v Speaker 4>You're in one of my favorite television shows of all

0:41:15.800 --> 0:41:21.080
<v Speaker 4>time and also, no joke, my favorite movies.

0:41:21.200 --> 0:41:23.800
<v Speaker 3>Of all time with the Coen Brothers.

0:41:24.719 --> 0:41:27.480
<v Speaker 4>Talk to me a little bit about that, and also

0:41:28.080 --> 0:41:31.920
<v Speaker 4>just the huge success obviously at the Academy Awards No

0:41:32.000 --> 0:41:33.120
<v Speaker 4>Country for Old Men.

0:41:33.680 --> 0:41:36.760
<v Speaker 3>Your experience working on that and how it came about.

0:41:38.640 --> 0:41:41.439
<v Speaker 1>It's amazing how long ago that was, and I think

0:41:41.480 --> 0:41:46.440
<v Speaker 1>it was after it was after Jesse James and I

0:41:46.440 --> 0:41:49.000
<v Speaker 1>only bring it up because Roger Deacon shot both of

0:41:49.000 --> 0:41:51.919
<v Speaker 1>those movies. Okay, I went from one to the other

0:41:51.960 --> 0:41:55.319
<v Speaker 1>and I got to be there with him for two

0:41:55.400 --> 0:41:58.360
<v Speaker 1>movie experiences. So that was fantastic that I was company

0:41:58.440 --> 0:42:01.360
<v Speaker 1>with the DP already, but it took a while to

0:42:01.360 --> 0:42:04.200
<v Speaker 1>get that gig. I was a big fan of Cormack

0:42:04.280 --> 0:42:08.040
<v Speaker 1>McCarthy's stuff. I found him in college and just ate

0:42:08.120 --> 0:42:09.959
<v Speaker 1>him up, like a lot of dudes did, I think.

0:42:10.040 --> 0:42:13.080
<v Speaker 1>But he was just an amazing writer, and I vowed

0:42:13.120 --> 0:42:17.600
<v Speaker 1>I'd be in every Cormtt McCarthy movie ever made. I failed,

0:42:20.120 --> 0:42:25.680
<v Speaker 1>but I got an auditioned for that one for Llewellyn

0:42:25.760 --> 0:42:29.960
<v Speaker 1>Llewellyn Moss, who eventually was played by Josh Brolin, but

0:42:30.080 --> 0:42:33.520
<v Speaker 1>Josh wasn't the original choice. I think this is I'm

0:42:33.560 --> 0:42:35.920
<v Speaker 1>not breaking some story here, you know. I think Josh

0:42:35.920 --> 0:42:37.600
<v Speaker 1>talks about it. But I think they went to Heath

0:42:37.680 --> 0:42:43.560
<v Speaker 1>Ledger first and I had auditioned for him. Heath said no.

0:42:43.640 --> 0:42:46.040
<v Speaker 1>Then they had another round of auditions. I auditioned again

0:42:46.760 --> 0:42:49.120
<v Speaker 1>for Lluellen Moss. I think they went to Joaquin Phoenix

0:42:49.760 --> 0:42:53.799
<v Speaker 1>at some point, and so there's a story out there

0:42:53.800 --> 0:42:55.360
<v Speaker 1>that it was more times than it was, but I

0:42:55.360 --> 0:42:59.000
<v Speaker 1>think I think three times I auditioned for the boys

0:42:59.040 --> 0:43:01.600
<v Speaker 1>for llewell and Moss and I kind of always imagined

0:43:01.640 --> 0:43:05.680
<v Speaker 1>that character being kind of longer and lankier and coyote ish.

0:43:05.800 --> 0:43:10.800
<v Speaker 1>But look, at some point, you know, you got to

0:43:10.840 --> 0:43:12.480
<v Speaker 1>have someone more famous if we want to get this

0:43:12.520 --> 0:43:18.400
<v Speaker 1>movie made. And and also I think Josh was so

0:43:18.560 --> 0:43:21.560
<v Speaker 1>fucking perfect in it. He was just great. I thought

0:43:21.560 --> 0:43:24.759
<v Speaker 1>he was a worthy adversary for Sugar. But I think

0:43:24.800 --> 0:43:28.280
<v Speaker 1>they liked me enough to at least see me those times.

0:43:28.320 --> 0:43:30.320
<v Speaker 1>I really liked them, even though I was really nervous

0:43:30.360 --> 0:43:33.080
<v Speaker 1>every time I went to their offices. And then they

0:43:33.120 --> 0:43:35.399
<v Speaker 1>had how about this guy? Would you read this guy?

0:43:36.160 --> 0:43:40.160
<v Speaker 1>And auditioned again for a different part. I guess it's

0:43:40.239 --> 0:43:43.400
<v Speaker 1>just an audition story that I took ten minutes to tell. Yeah,

0:43:43.520 --> 0:43:44.600
<v Speaker 1>I auditioned.

0:43:44.160 --> 0:43:47.480
<v Speaker 3>No, but that's no. But that's interesting. Yeah.

0:43:47.560 --> 0:43:50.600
<v Speaker 1>And you know, I've gotten a lot of jobs like that,

0:43:50.960 --> 0:43:53.839
<v Speaker 1>like we want you in this somewhere, we don't know where,

0:43:53.920 --> 0:43:56.160
<v Speaker 1>but we'll be it and not I think back on it,

0:43:56.360 --> 0:43:59.959
<v Speaker 1>those are some of my best experiences. So I got

0:44:00.239 --> 0:44:04.120
<v Speaker 1>I got Wendell, and then we went to New Mexico

0:44:04.160 --> 0:44:07.640
<v Speaker 1>and shot the thing and it was just a lot

0:44:07.680 --> 0:44:09.800
<v Speaker 1>of fun. I can't tell you who does what still?

0:44:10.200 --> 0:44:13.120
<v Speaker 1>When the two are working with you. They were always together,

0:44:13.200 --> 0:44:16.439
<v Speaker 1>at least when they dealt with me, and they'd walk

0:44:16.520 --> 0:44:19.080
<v Speaker 1>up sort of kick rocks a little bit and like, well,

0:44:19.120 --> 0:44:21.239
<v Speaker 1>what'd you think of that? I was like, I don't know.

0:44:21.400 --> 0:44:23.480
<v Speaker 1>That was pretty good, Like, yeah, that's pretty good. Do

0:44:23.560 --> 0:44:24.360
<v Speaker 1>you want to go again?

0:44:24.680 --> 0:44:24.879
<v Speaker 3>Yeah?

0:44:24.960 --> 0:44:27.239
<v Speaker 1>Okay, all right, let's go good. And then they'd walk off.

0:44:28.000 --> 0:44:30.200
<v Speaker 1>Then we go again. And sometimes I'm in scenes with

0:44:30.280 --> 0:44:33.719
<v Speaker 1>Tommy and he's also a director, so he'd be help him.

0:44:33.760 --> 0:44:36.240
<v Speaker 1>Like once off camera he goes like this, I'm on horseback,

0:44:36.280 --> 0:44:38.200
<v Speaker 1>and so I knew my feet were out too far.

0:44:38.320 --> 0:44:41.680
<v Speaker 1>He wanted me to put my toes in. I kind

0:44:41.680 --> 0:44:44.680
<v Speaker 1>of had three directors there, but I didn't care. I

0:44:44.800 --> 0:44:47.120
<v Speaker 1>liked him. Well, Tommy is the handful. I'm glad he

0:44:47.239 --> 0:44:47.560
<v Speaker 1>liked me.

0:44:48.400 --> 0:44:49.920
<v Speaker 3>That's awesome. Yeah.

0:44:50.000 --> 0:44:55.000
<v Speaker 4>I watched it again recently on a plane. I apologized

0:44:55.000 --> 0:44:56.800
<v Speaker 4>to the Colen brothers in advance for watching it on

0:44:56.840 --> 0:45:00.640
<v Speaker 4>a plane. I feel like they're just and Roger because

0:45:02.000 --> 0:45:05.440
<v Speaker 4>every every shot is framed so well, but the movie

0:45:05.440 --> 0:45:10.560
<v Speaker 4>holds up incredibly, incredibly well, not edited strangely. On this plane,

0:45:10.560 --> 0:45:12.400
<v Speaker 4>I'm glad there wasn't a child sitting next to me.

0:45:13.920 --> 0:45:19.600
<v Speaker 4>So in twenty ten you start raising hope. How was

0:45:19.640 --> 0:45:23.480
<v Speaker 4>it for you working on a comedy on television? I mean,

0:45:23.480 --> 0:45:26.680
<v Speaker 4>how was that did you? Were you nervous about that?

0:45:26.880 --> 0:45:29.040
<v Speaker 4>Did you just consider it another job?

0:45:30.520 --> 0:45:34.320
<v Speaker 1>Well? I wanted to do a comedy. Actually, my first

0:45:34.400 --> 0:45:37.759
<v Speaker 1>jobs were all comedies I did. At the same time

0:45:37.760 --> 0:45:40.560
<v Speaker 1>I was doing Deadwood, I was doing a minute with

0:45:40.600 --> 0:45:45.320
<v Speaker 1>Stan Hooper, which was this half hour with Norm McDonald's Yes, okay,

0:45:45.320 --> 0:45:47.759
<v Speaker 1>I loved it. And the pilots I got when I

0:45:47.800 --> 0:45:51.279
<v Speaker 1>first decided to do pilot seasons, and I got like

0:45:51.400 --> 0:45:54.520
<v Speaker 1>three pilots my first time ever out, and I just thought,

0:45:54.560 --> 0:45:57.520
<v Speaker 1>why what have I been waiting for it? Look, this

0:45:57.560 --> 0:45:59.680
<v Speaker 1>will fund the entire year of theater for me if

0:45:59.719 --> 0:46:05.200
<v Speaker 1>I do. So, I didn't feel like anything new to me,

0:46:05.719 --> 0:46:08.000
<v Speaker 1>you know, I think I might have lost track about

0:46:08.000 --> 0:46:11.160
<v Speaker 1>how many you know, awful people I've been playing or

0:46:11.360 --> 0:46:16.439
<v Speaker 1>scary people or whatever, just dramas. And so I said,

0:46:16.520 --> 0:46:18.400
<v Speaker 1>I think we just finished Last House on the Left,

0:46:18.400 --> 0:46:20.240
<v Speaker 1>and I was like, can we do some comedy please,

0:46:20.520 --> 0:46:23.160
<v Speaker 1>you know, let's find a comedy. And you know, it

0:46:23.200 --> 0:46:25.680
<v Speaker 1>took some hoop jumping, because by that point you're the

0:46:25.800 --> 0:46:29.080
<v Speaker 1>drama guy. Or the murdering drama, and I thought I

0:46:29.120 --> 0:46:32.200
<v Speaker 1>didn't I didn't understand that. So I was like, oh,

0:46:32.320 --> 0:46:36.120
<v Speaker 1>oh sure, I'm happy to audition, of course. And Martha

0:46:36.200 --> 0:46:39.880
<v Speaker 1>was already cast. Martha Plimpton and Lucas Neff were already cast,

0:46:39.920 --> 0:46:44.120
<v Speaker 1>and I went and read with them, and yeah, I

0:46:44.160 --> 0:46:47.160
<v Speaker 1>think it's actually the most like me of any part

0:46:47.200 --> 0:46:47.680
<v Speaker 1>I played.

0:46:48.360 --> 0:46:48.760
<v Speaker 3>Really.

0:46:49.400 --> 0:46:51.880
<v Speaker 1>Yeah, I'm kind of I'm not the brightest bulb, and

0:46:51.920 --> 0:46:56.319
<v Speaker 1>I'm just I'm goofy. I like to I love I

0:46:56.360 --> 0:47:00.600
<v Speaker 1>love that stuff. I love a goofy childhood. So it is.

0:47:04.360 --> 0:47:05.320
<v Speaker 3>Chloris Leachman.

0:47:05.960 --> 0:47:10.279
<v Speaker 4>As you mentioned, Lucas Neth, Martha Plumpton, you got a

0:47:10.320 --> 0:47:12.280
<v Speaker 4>nomination for Critics' Choice Awards.

0:47:12.960 --> 0:47:13.520
<v Speaker 1>That's right.

0:47:13.719 --> 0:47:18.160
<v Speaker 4>The story I mean, having having your son adopt the

0:47:18.640 --> 0:47:21.719
<v Speaker 4>you know, or you take over as the father of

0:47:21.920 --> 0:47:25.120
<v Speaker 4>a serial killer mom who's been put to death. I mean,

0:47:25.160 --> 0:47:28.280
<v Speaker 4>this is this sounds like dark stuff on the surface,

0:47:28.360 --> 0:47:31.480
<v Speaker 4>but incredibly funny. I find it so interesting that you

0:47:31.520 --> 0:47:33.879
<v Speaker 4>think that that character is is most like you.

0:47:35.280 --> 0:47:35.520
<v Speaker 6>Yeah.

0:47:35.560 --> 0:47:39.759
<v Speaker 1>It was just very comfortable. And Greg had had a

0:47:39.800 --> 0:47:41.919
<v Speaker 1>hard time talking to David Milch. You know, we both

0:47:41.920 --> 0:47:45.880
<v Speaker 1>were too sort of awkward socially awkward people, and so

0:47:46.080 --> 0:47:49.359
<v Speaker 1>the conversation was awful, you know, but I loved him,

0:47:49.360 --> 0:47:52.280
<v Speaker 1>you know, and I wanted him to know. And Greg

0:47:52.400 --> 0:47:55.000
<v Speaker 1>was different. We just Greg Garcia, I know, you know

0:47:55.040 --> 0:47:58.920
<v Speaker 1>who that is, And yeah, he's a We just had

0:47:58.960 --> 0:48:01.200
<v Speaker 1>the same sense of humor and we just would riff

0:48:01.360 --> 0:48:03.800
<v Speaker 1>on ideas with each other all day. I just loved

0:48:03.840 --> 0:48:06.399
<v Speaker 1>working with him, and I wanted to do well for him,

0:48:06.440 --> 0:48:07.040
<v Speaker 1>you know what I mean?

0:48:08.160 --> 0:48:08.319
<v Speaker 3>Right?

0:48:08.400 --> 0:48:11.439
<v Speaker 1>And Martha's a fucking gift from God. You know, She's

0:48:11.480 --> 0:48:14.279
<v Speaker 1>like a food source in a scene with you, I

0:48:14.320 --> 0:48:14.759
<v Speaker 1>loved it.

0:48:16.200 --> 0:48:16.680
<v Speaker 3>You.

0:48:16.680 --> 0:48:20.320
<v Speaker 4>You also, around this time, right after this, you join

0:48:21.640 --> 0:48:25.719
<v Speaker 4>a long running historic franchise, Fear of the Walking Dead.

0:48:26.000 --> 0:48:30.360
<v Speaker 3>Did you get scared on set? Or do you just

0:48:31.400 --> 0:48:33.520
<v Speaker 3>the zombies come on?

0:48:33.600 --> 0:48:36.359
<v Speaker 1>You know, I mean we're seeing how the sausage is made,

0:48:36.400 --> 0:48:37.880
<v Speaker 1>you know what I mean, we see him smoking and

0:48:37.920 --> 0:48:40.680
<v Speaker 1>on their cell phones, you know, between takes. It's you know,

0:48:40.840 --> 0:48:44.360
<v Speaker 1>it's not it's not super scary for us, but we

0:48:44.440 --> 0:48:45.840
<v Speaker 1>want to make it scary obviously.

0:48:45.960 --> 0:48:50.640
<v Speaker 4>Yeah, did you enjoy that world, the zombie world, because

0:48:50.680 --> 0:48:52.400
<v Speaker 4>this is the departure for you as well.

0:48:52.840 --> 0:48:54.640
<v Speaker 1>Yeah, I got a I got a whole bunch of

0:48:54.640 --> 0:48:57.200
<v Speaker 1>boxes and comic books in there. And you know, I've

0:48:57.239 --> 0:48:59.520
<v Speaker 1>always loved sci fi. I love sci fi and Westerns.

0:48:59.560 --> 0:49:02.760
<v Speaker 1>I just think he can tell any story without offending anyone.

0:49:02.880 --> 0:49:06.280
<v Speaker 1>You know, you can locate any theme and those genres.

0:49:06.600 --> 0:49:10.080
<v Speaker 1>So I was a fan of the walking Toed comic books,

0:49:10.320 --> 0:49:10.799
<v Speaker 1>you know, and.

0:49:10.800 --> 0:49:12.239
<v Speaker 3>You were you were a comic book.

0:49:12.320 --> 0:49:16.560
<v Speaker 1>Okay, Yeah, They're like storyboards, aren't they. And they taught

0:49:16.600 --> 0:49:21.799
<v Speaker 1>me a lot about about framing and you know, expressiveness physically,

0:49:22.000 --> 0:49:24.920
<v Speaker 1>you know, because just it's always at the most heightened

0:49:25.000 --> 0:49:29.120
<v Speaker 1>moment of every scene they draw in those boxes. But

0:49:29.120 --> 0:49:31.000
<v Speaker 1>but yeah, and then there was a moment I was

0:49:31.040 --> 0:49:35.719
<v Speaker 1>talking about with Scott Gimble about being Meagan on the

0:49:36.480 --> 0:49:39.040
<v Speaker 1>on the on the shows. He was looking at several people,

0:49:39.120 --> 0:49:41.640
<v Speaker 1>I think, yeah, and it couldn't work it out. And

0:49:41.800 --> 0:49:43.239
<v Speaker 1>it was during the Hand of God and Hand of

0:49:43.280 --> 0:49:46.680
<v Speaker 1>God came back and Jeffrey Dean Morgan ended up playing

0:49:46.719 --> 0:49:50.000
<v Speaker 1>that part as he probably always would have. But that

0:49:50.080 --> 0:49:53.640
<v Speaker 1>started a relationship with me and Scott. And so when

0:49:53.680 --> 0:49:57.080
<v Speaker 1>then they were kind of rebooting Fear in the fourth season,

0:49:57.120 --> 0:49:59.160
<v Speaker 1>they brought in a bunch of new people and and

0:49:59.239 --> 0:50:01.719
<v Speaker 1>he had a role for me. This sort of gunslinging,

0:50:03.160 --> 0:50:05.320
<v Speaker 1>click draw artist cowboys.

0:50:07.200 --> 0:50:08.440
<v Speaker 3>So it's still a cowboy.

0:50:08.800 --> 0:50:13.239
<v Speaker 4>It doesn't matter what the genre is, it's still it's

0:50:13.320 --> 0:50:14.240
<v Speaker 4>still a cowboy.

0:50:14.719 --> 0:50:17.920
<v Speaker 1>I'm gonna I'm from I'm from Washington State, you know

0:50:17.960 --> 0:50:19.040
<v Speaker 1>what I mean. It's not like.

0:50:21.680 --> 0:50:30.480
<v Speaker 4>Not Texas, No Ghosts of Bear Root. I'm very excited.

0:50:31.000 --> 0:50:36.880
<v Speaker 4>I'm very excited about this show. Have you seen it yet?

0:50:37.360 --> 0:50:42.040
<v Speaker 4>It's about it's coming out folks here in the second

0:50:42.080 --> 0:50:44.000
<v Speaker 4>May nineteenth.

0:50:43.560 --> 0:50:46.799
<v Speaker 1>May nineteenth streaming. I think yeah, twenty first on air.

0:50:47.840 --> 0:50:49.200
<v Speaker 3>The story is so interesting.

0:50:49.640 --> 0:50:53.359
<v Speaker 4>Talk to me about playing a real person and how

0:50:53.400 --> 0:50:56.680
<v Speaker 4>many of the people who who knew him were.

0:50:56.480 --> 0:50:59.080
<v Speaker 3>You able to communicate with or did you not want.

0:50:58.880 --> 0:51:01.319
<v Speaker 1>To do that? Yeah, that's that's funny that you ask

0:51:01.400 --> 0:51:04.200
<v Speaker 1>about that. Have you played have you had to play

0:51:04.560 --> 0:51:07.640
<v Speaker 1>characters that are biographical? You've done biographical kind of work.

0:51:07.680 --> 0:51:12.520
<v Speaker 4>I have done biographical but old Yeah, nobody would be around.

0:51:12.800 --> 0:51:15.280
<v Speaker 1>Yes, I mean, my guy's not around either, but certainly

0:51:15.320 --> 0:51:18.279
<v Speaker 1>people who knew him were. But I think it's it's

0:51:18.400 --> 0:51:20.799
<v Speaker 1>really daunting, especially at least at least the way I

0:51:20.880 --> 0:51:22.960
<v Speaker 1>work and the way I get jobs. I don't have

0:51:23.160 --> 0:51:27.279
<v Speaker 1>generally months in advance to prepare yes, And I rely

0:51:27.360 --> 0:51:30.400
<v Speaker 1>a lot on sort of on set inspiration anyway, you know,

0:51:30.880 --> 0:51:34.840
<v Speaker 1>I'm open to that. But when I play someone and

0:51:34.840 --> 0:51:36.319
<v Speaker 1>it seems like there's been a ton of them all

0:51:36.360 --> 0:51:38.759
<v Speaker 1>of a sudden, you know, I feel a real onus

0:51:38.840 --> 0:51:41.280
<v Speaker 1>to represent them well for the sake of the people

0:51:41.280 --> 0:51:44.080
<v Speaker 1>that are that are living and knew them, and especially

0:51:44.080 --> 0:51:46.319
<v Speaker 1>the ones that talk to me. You know. I did

0:51:46.360 --> 0:51:49.080
<v Speaker 1>talk to one person who knew him, and it's you know,

0:51:49.080 --> 0:51:51.319
<v Speaker 1>it's been a long time for her since she saw him,

0:51:51.360 --> 0:51:54.840
<v Speaker 1>but she remembers those days and I really enjoyed talking

0:51:54.880 --> 0:51:56.840
<v Speaker 1>to her, getting to know her a little bit, and

0:51:56.880 --> 0:51:58.839
<v Speaker 1>then she helped me get to know this guy who

0:51:58.920 --> 0:52:01.120
<v Speaker 1>I do not look like. You know, I don't know

0:52:01.160 --> 0:52:02.960
<v Speaker 1>what he sounded like. You know, he was a spy.

0:52:03.080 --> 0:52:05.520
<v Speaker 1>There's there's no tape on him, you know, other than

0:52:06.040 --> 0:52:08.160
<v Speaker 1>other than a horrifying tape at the end, you know,

0:52:08.280 --> 0:52:11.160
<v Speaker 1>So I don't know what he sounded like for sure.

0:52:11.280 --> 0:52:13.880
<v Speaker 1>I don't know what his rhythms were, and I'm relying

0:52:13.960 --> 0:52:16.719
<v Speaker 1>on the script, so a lot of it feels out

0:52:16.719 --> 0:52:18.080
<v Speaker 1>of my hands. I don't know if that's how it

0:52:18.120 --> 0:52:20.960
<v Speaker 1>felt for you, But I'm just like I'm doing this

0:52:21.000 --> 0:52:23.160
<v Speaker 1>with a full heart. I don't I'm not trying to

0:52:23.160 --> 0:52:25.279
<v Speaker 1>insult your guy, but you know, this is this is

0:52:25.280 --> 0:52:27.040
<v Speaker 1>what it feels like to me. If this is a

0:52:27.080 --> 0:52:29.000
<v Speaker 1>situation and you tell me this is what he's like.

0:52:29.880 --> 0:52:32.680
<v Speaker 1>I think it was something like this, and that detective

0:52:32.680 --> 0:52:37.720
<v Speaker 1>work is fun, but I'd rather, I think, play someone

0:52:37.760 --> 0:52:40.120
<v Speaker 1>that I can create from the boots up.

0:52:40.520 --> 0:52:43.200
<v Speaker 4>Yeah, but that's very interesting. I didn't think about that

0:52:43.520 --> 0:52:45.640
<v Speaker 4>when I was reading about this project. The fact that

0:52:45.760 --> 0:52:50.000
<v Speaker 4>he was a spy. It was in the CIA, so

0:52:50.160 --> 0:52:53.640
<v Speaker 4>there is yeah, there isn't that. There isn't a whole

0:52:53.760 --> 0:52:56.960
<v Speaker 4>ton of knowledge. I mean that was his job was

0:52:57.000 --> 0:52:58.720
<v Speaker 4>to stay private.

0:52:59.400 --> 0:53:02.000
<v Speaker 1>You didn't have a family, didn't have children, you know,

0:53:02.080 --> 0:53:04.880
<v Speaker 1>so we're relying on co workers. Oh, he was always

0:53:04.960 --> 0:53:08.200
<v Speaker 1>dressed well, he was special Forces, he was he was

0:53:08.280 --> 0:53:10.680
<v Speaker 1>kind of a hammer. He's a blunt instrument. But it's fun.

0:53:11.160 --> 0:53:13.120
<v Speaker 1>In fact, Chlorus Leachman said that to me once. I

0:53:13.120 --> 0:53:15.520
<v Speaker 1>asked her, how are you still so excited about this?

0:53:15.560 --> 0:53:19.279
<v Speaker 1>Because she had stories, man, she had amazing stories, And

0:53:19.320 --> 0:53:22.880
<v Speaker 1>she said, I just I just love it. I feel

0:53:22.920 --> 0:53:25.719
<v Speaker 1>like a detective come on a set and you go, oh,

0:53:25.760 --> 0:53:27.399
<v Speaker 1>that's who she is, and you pick up a little

0:53:27.440 --> 0:53:31.000
<v Speaker 1>piece and then another piece. She's ninety, you know, and

0:53:31.040 --> 0:53:34.280
<v Speaker 1>she's still excited about it. And I'm struggling with being jaded.

0:53:34.360 --> 0:53:34.520
<v Speaker 6>You know.

0:53:34.560 --> 0:53:37.680
<v Speaker 1>It's like it was so inspiring because that is fun.

0:53:38.040 --> 0:53:40.320
<v Speaker 1>It is fun to figure it out, isn't it?

0:53:40.320 --> 0:53:41.040
<v Speaker 3>It is fun?

0:53:41.560 --> 0:53:42.000
<v Speaker 1>I don't know.

0:53:42.200 --> 0:53:42.439
<v Speaker 3>Yeah.

0:53:42.480 --> 0:53:45.479
<v Speaker 4>And by the way, she doesn't get any if you're

0:53:45.520 --> 0:53:48.160
<v Speaker 4>if you're needing a pick me up at any time,

0:53:49.320 --> 0:53:52.440
<v Speaker 4>just get yourself a dose of Chlorus Leachman.

0:53:52.640 --> 0:53:57.359
<v Speaker 3>There's no there's no question about that. Well.

0:53:57.440 --> 0:54:01.919
<v Speaker 4>You also have, by the way, uh, golfing buddy of mine,

0:54:02.040 --> 0:54:07.319
<v Speaker 4>Michael Panya and you a million miles away about the

0:54:07.360 --> 0:54:09.720
<v Speaker 4>first Latino in space.

0:54:10.760 --> 0:54:12.279
<v Speaker 3>When is that coming out?

0:54:12.560 --> 0:54:14.680
<v Speaker 1>You know, I'm not sure when it's coming out.

0:54:14.520 --> 0:54:18.160
<v Speaker 4>But okay, thanks for the specific, specific answer. I appreciate that.

0:54:18.360 --> 0:54:19.120
<v Speaker 1>I don't think they know.

0:54:19.800 --> 0:54:21.319
<v Speaker 3>Okay, well, there you go.

0:54:21.680 --> 0:54:23.279
<v Speaker 1>We just did the A dr for it, so I

0:54:23.320 --> 0:54:26.040
<v Speaker 1>know they're in their final stages, you know, and are

0:54:26.120 --> 0:54:28.799
<v Speaker 1>very excited about it. It's a great director, and I

0:54:28.920 --> 0:54:31.480
<v Speaker 1>like Michael a lot. I'm jealous at your is golfing

0:54:31.480 --> 0:54:34.879
<v Speaker 1>buddy that must that is a funny round of golf man,

0:54:35.080 --> 0:54:37.360
<v Speaker 1>is a that is a lot of laughing.

0:54:37.560 --> 0:54:39.560
<v Speaker 3>It's always it's always fun.

0:54:41.280 --> 0:54:45.719
<v Speaker 4>I well, congratulations and good luck when that comes out.

0:54:45.800 --> 0:54:50.480
<v Speaker 4>But uh, Ghost of be Rout. Guys, this is a

0:54:50.560 --> 0:54:54.840
<v Speaker 4>four part story. Talk to me a little bit about

0:54:55.160 --> 0:54:56.760
<v Speaker 4>I'm sorry, is it immod.

0:54:57.320 --> 0:54:59.279
<v Speaker 1>It's a it's a hard name to say, and I'm

0:54:59.320 --> 0:55:00.480
<v Speaker 1>glad I never had to say.

0:55:01.120 --> 0:55:03.920
<v Speaker 3>Okay, yeah, it's well, it's about.

0:55:04.040 --> 0:55:06.200
<v Speaker 1>It's kind of the no country for old men in

0:55:06.280 --> 0:55:06.680
<v Speaker 1>terms of.

0:55:06.680 --> 0:55:08.200
<v Speaker 3>Terrorists in the CIA.

0:55:08.400 --> 0:55:11.760
<v Speaker 1>Yeah, yeah, you know, it's about this decade long search

0:55:11.880 --> 0:55:16.799
<v Speaker 1>for the in mad Moutinier, the ghost. He had all

0:55:16.800 --> 0:55:19.759
<v Speaker 1>these nicknames, but he was just bedeviling the CIA and

0:55:19.800 --> 0:55:25.040
<v Speaker 1>Mosad with these hits, and he kind of reinvented terrorism.

0:55:25.080 --> 0:55:29.239
<v Speaker 1>It was something we'd never seen before, the suicide bombers,

0:55:29.280 --> 0:55:33.120
<v Speaker 1>you know, driving truckloads of bombs. I mean, I was

0:55:33.239 --> 0:55:36.160
<v Speaker 1>I was a kid in the early eighties. I mean

0:55:36.200 --> 0:55:37.680
<v Speaker 1>I was in high school in the early ladies, and

0:55:37.960 --> 0:55:40.680
<v Speaker 1>I remember these stories like another day. It just seemed

0:55:41.520 --> 0:55:43.360
<v Speaker 1>there was this new kind of chaos, there was a

0:55:43.400 --> 0:55:45.920
<v Speaker 1>new fear, you know, that we're still dealing with today.

0:55:46.520 --> 0:55:49.440
<v Speaker 1>And Greg Barker, who's much smarter than I am, who

0:55:49.480 --> 0:55:52.560
<v Speaker 1>wrote this script, he's done this thing where it's it's

0:55:52.600 --> 0:55:57.760
<v Speaker 1>almost like like there's real journalists interspersed in here giving

0:55:57.800 --> 0:56:01.440
<v Speaker 1>interviews about what's going on and introducing it to characters,

0:56:01.440 --> 0:56:04.440
<v Speaker 1>and it's it's I think it's pretty well done, and

0:56:04.880 --> 0:56:06.680
<v Speaker 1>it's and I know it's very tense. I haven't seen

0:56:06.719 --> 0:56:10.880
<v Speaker 1>the whole thing, but it spans forty years almost the

0:56:10.920 --> 0:56:12.040
<v Speaker 1>new terrorism.

0:56:12.280 --> 0:56:18.880
<v Speaker 3>Well, a political thriller. No Country for Old Men. Uh take.

0:56:20.520 --> 0:56:24.440
<v Speaker 4>That is the new law. That's you got me with that? No,

0:56:24.600 --> 0:56:28.480
<v Speaker 4>I find it. I find it fascinating. Good luck with

0:56:28.520 --> 0:56:32.840
<v Speaker 4>that and with everything else. You know, Look, I just

0:56:32.880 --> 0:56:37.000
<v Speaker 4>admire your work so much, truly, and I'm half jealous

0:56:37.520 --> 0:56:39.719
<v Speaker 4>of the dramas that you've gotten to work on.

0:56:39.800 --> 0:56:42.000
<v Speaker 3>So I mean, you could take that too. You can

0:56:42.080 --> 0:56:43.480
<v Speaker 3>take that to the bank.

0:56:43.760 --> 0:56:46.520
<v Speaker 1>That's awful kind of It's it's so nice talking to you, man.

0:56:46.600 --> 0:56:49.359
<v Speaker 1>This is a really fun conversation. I really appreciate being here.

0:56:49.480 --> 0:56:55.480
<v Speaker 4>Thank you, Thank you, Garrett Dilla Hunt. Go back watch

0:56:55.520 --> 0:56:57.000
<v Speaker 4>his Criminal Minds episode.

0:56:57.040 --> 0:56:57.759
<v Speaker 3>We've got a lot.

0:56:57.840 --> 0:57:00.279
<v Speaker 4>We've got a lot here to go back and check

0:57:00.320 --> 0:57:07.960
<v Speaker 4>out find his vest in NYPD Blue. Garrett, thank you

0:57:08.040 --> 0:57:11.400
<v Speaker 4>so much, and I hope to see you soon a

0:57:11.600 --> 0:57:12.520
<v Speaker 4>music video.

0:57:13.560 --> 0:57:17.440
<v Speaker 1>Sure you time Machine Ingrid Michael's and me and Brian

0:57:17.960 --> 0:57:18.280
<v Speaker 1>in the.

0:57:18.240 --> 0:57:22.760
<v Speaker 4>Sheets time Machine, we sang, we dance. I have rose

0:57:22.840 --> 0:57:25.400
<v Speaker 4>petals on me, Garrett, thank you so much.

0:57:25.680 --> 0:57:26.160
<v Speaker 1>I love it.

0:57:39.000 --> 0:57:41.520
<v Speaker 3>Well, it looks like I've got some homework to do.

0:57:41.960 --> 0:57:42.160
<v Speaker 5>I have.

0:57:42.600 --> 0:57:45.760
<v Speaker 4>I have to go rewatch the music video because that

0:57:45.920 --> 0:57:48.800
<v Speaker 4>was that was a fun time, but long ago. I

0:57:48.920 --> 0:57:52.960
<v Speaker 4>must find Garrett in that vest on NYPD Blue And

0:57:53.000 --> 0:57:56.920
<v Speaker 4>we all need to start watching Ghosts of Beirut streaming

0:57:56.960 --> 0:58:01.480
<v Speaker 4>now on Showtime. And you know, I think it might

0:58:01.520 --> 0:58:05.720
<v Speaker 4>even be time to watch Deadwood again, because well that's

0:58:05.720 --> 0:58:09.160
<v Speaker 4>a great show. Thank you Garrett for well for your

0:58:09.240 --> 0:58:13.120
<v Speaker 4>incredible body of work, and also for taking the time

0:58:13.160 --> 0:58:16.320
<v Speaker 4>to talk to me. Listeners, you have some homework too.

0:58:16.560 --> 0:58:19.400
<v Speaker 4>You need to go interact with our Instagram page, leave

0:58:19.480 --> 0:58:22.120
<v Speaker 4>us a review, make sure you come back next week

0:58:22.200 --> 0:58:23.360
<v Speaker 4>for another episode.

0:58:23.440 --> 0:58:27.320
<v Speaker 3>Oh and one more thing, this is very important, Okay,

0:58:27.720 --> 0:58:37.000
<v Speaker 3>have a great week off.

0:58:37.040 --> 0:58:41.040
<v Speaker 4>The Beat is hosted and executive produced by me Brian Baumgartner,

0:58:41.320 --> 0:58:45.320
<v Speaker 4>alongside our executive producer Lang Lead. Our senior producer is

0:58:45.400 --> 0:58:49.400
<v Speaker 4>Diego Tapia. Our producers are Liz Hayes, Hannah Harris, and

0:58:49.480 --> 0:58:53.760
<v Speaker 4>Emily Carr. Our talent producer is Ryan Papa Zachary, and

0:58:53.880 --> 0:58:58.080
<v Speaker 4>our intern is Sammy Katz. Our theme song Bubble and Squeak,

0:58:58.400 --> 0:59:01.520
<v Speaker 4>performed by the one Only creep Rid