WEBVTT - Susan Estelle Jansen Meets World

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<v Speaker 1>I want to see where you guys land on this

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<v Speaker 1>because I think it's a product of having grown up

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<v Speaker 1>without television. I cannot be in a room with a

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<v Speaker 1>television on, like if there's a TV on, like, I

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<v Speaker 1>can't go to a restaurant or a bar with it.

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<v Speaker 1>I stare at it the entire time. Like, so there's

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<v Speaker 1>no such thing as comfort TV for me. Like, well,

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<v Speaker 1>you've talked about going to sleep with the television, like

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<v Speaker 1>I will saut it.

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<v Speaker 2>Yeah, I'm the same way, writer. I can't stand it.

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<v Speaker 2>It's to me, TV is not background noise. It's the focus.

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<v Speaker 2>If you're gonna watch it, it needs to be the

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<v Speaker 2>entire focus. And I want everyone else reading for it. Yes,

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<v Speaker 2>And I'm like, guys, this show is on, but if

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<v Speaker 2>you'd like to talk, we can turn it off. I

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<v Speaker 2>have no problem with either of them, but like, it's

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<v Speaker 2>not for me background noise.

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<v Speaker 3>No.

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<v Speaker 1>And you walk into some people's houses, like my in laws,

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<v Speaker 1>you know, they they just are one of those houses.

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<v Speaker 1>They just always kind of had the TV on. It's

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<v Speaker 1>mostly sports, like my father in law watches sports, but

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<v Speaker 1>oh my god, it drives me crazy. And like I

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<v Speaker 1>walk into the house and everybody else acts as if

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<v Speaker 1>like nothing's happening, and I'm like, do you see this

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<v Speaker 1>TV screaming at us right now? It is begging to

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<v Speaker 1>be watched. What are you doing there? Wonderful in your ear?

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<v Speaker 4>That's what it's doing.

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<v Speaker 5>We we we were not one of It's funny because

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<v Speaker 5>you would think we would be one of those families.

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<v Speaker 4>We weren't.

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<v Speaker 5>We were not a lot like TV during meals stuff

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<v Speaker 5>like that. TV was oh no, we were not allowed

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<v Speaker 5>to have any of the well, yeah, that's the thing,

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<v Speaker 5>and then we'd all, you know, gather around the old

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<v Speaker 5>boob too. But no, to me, it's weird because I

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<v Speaker 5>Sue and I are different in that she likes to

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<v Speaker 5>sleep with the TV on too, but it has to

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<v Speaker 5>be something she's seen ten thousand times, so she doesn't

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<v Speaker 5>want to stay up and walk. Whereas even if I'm

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<v Speaker 5>rolled over on my stomach, chances are I'm still watching.

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<v Speaker 4>It in my head.

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<v Speaker 2>Right.

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<v Speaker 5>No, So when I hear mash or cheers or Seinfeld

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<v Speaker 5>or something behind me, like Danielle you recently, you and

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<v Speaker 5>I were flying somewhere and you put Cheers back on

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<v Speaker 5>on the flight and I was like watching my screen

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<v Speaker 5>but glancing over and watching Cheers on Danielle's screen with

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<v Speaker 5>note like not being able to hear it, but still

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<v Speaker 5>watching Cheers, and now it's I'm completely back into Cheers.

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<v Speaker 2>Oh that's so funny because you.

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<v Speaker 4>Just turned it on. So it's like all of a sudden,

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<v Speaker 4>I'm back.

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<v Speaker 5>But I will like and Sue will test me sometimes

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<v Speaker 5>Seinfelder Mash will be on and I'll be literally on

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<v Speaker 5>my stomach with my arms like falling asleep, and she'll go,

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<v Speaker 5>what's happening on the screen right now? And I'll be like,

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<v Speaker 5>George is sitting down, He's wearing a red shirt. He's

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<v Speaker 5>on a couch and he's holding a cracked magazine with

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<v Speaker 5>a bus on front.

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<v Speaker 4>And She's just like, how do you do that? It's like,

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<v Speaker 4>I'm still watching it.

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<v Speaker 2>Did I already tell you the story writer about when

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<v Speaker 2>Will and I were flying together and he put the

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<v Speaker 2>tea so he has a screen in front of him

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<v Speaker 2>on the seat and he goes to the TV. And

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<v Speaker 2>what it was that you put on? It was weep

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<v Speaker 2>weep Okay. He puts Veep on and I see I go, oh,

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<v Speaker 2>he's watching veep okay. And I'm just sitting next to him.

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<v Speaker 2>I've got an audiobook in whatever. Oh no, I was

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<v Speaker 2>watching something too. I put something on and then Will

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<v Speaker 2>turns it on. He watches it for maybe two minutes,

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<v Speaker 2>and then all of a sudden, he goes, lowers his

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<v Speaker 2>hat down over his eyes, leans back in his seat,

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<v Speaker 2>goes to sleep, and I go, oh, well's gonna sleep.

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<v Speaker 2>A few minutes later the episode ends, Will still asleep

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<v Speaker 2>and I go, oh, that's nice. TV turned off. He

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<v Speaker 2>can go to sleep. He goes, lifts up his hat,

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<v Speaker 2>goes back to the thing, turns on a second episode

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<v Speaker 2>of Weep, and then lowers his hat an episode of Veep.

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<v Speaker 2>What is he doing? And then I realized, oh, he

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<v Speaker 2>actually woke up because the TV show stopped, and now

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<v Speaker 2>in order to put the little baby back to sleep,

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<v Speaker 2>he has to put the episode of Veep back on it.

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<v Speaker 2>He did it like four or five times. I was like,

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<v Speaker 2>this is the worst sleep ever I did. Miserable.

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<v Speaker 3>That's awful. Yeah, I love it.

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<v Speaker 1>Torture You're literally tortured and yourself awake every.

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<v Speaker 4>I love it.

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<v Speaker 1>Twenty two minutes. Yeah, what about commercials? Can you guys

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<v Speaker 1>handle commercials?

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<v Speaker 5>I'm not a fan of commercials, That's why I Yeah,

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<v Speaker 5>the DVDs, especially, like the advent of I could get

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<v Speaker 5>all my favorite shows on DVD was just a revelation

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<v Speaker 5>for me. The play all button was just like, oh,

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<v Speaker 5>every time I hit playing, I.

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<v Speaker 1>Find commercials so jarring and bizarre, and like when I'm watching,

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<v Speaker 1>I mean, I just can't They're like train wrecks. I

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<v Speaker 1>just don't like I have to watch them, of course

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<v Speaker 1>because the TV's screaming, I mean, and often with commercials,

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<v Speaker 1>they are literally screaming at you, right, And then I

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<v Speaker 1>just like the world present, especially like because I've been

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<v Speaker 1>on the road now, so we are in hotel rooms

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<v Speaker 1>every once in a while, like when we were on

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<v Speaker 1>doing our shows, and it's the first time watching commercials within,

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<v Speaker 1>you know, sitting next to me, and like, I didn't

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<v Speaker 1>realize that somewhere over the last like twenty years, basically

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<v Speaker 1>a quarter of all commercials are pharmaceuticals m I think,

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<v Speaker 1>which are accurate? Yeah, mind boggling to me. Like every

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<v Speaker 1>fourth commercial, I'm like, what is happening. This is a

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<v Speaker 1>new thing that I didn't know I had a problem

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<v Speaker 1>with that I need to be solved by this pill

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<v Speaker 1>that I need to ask my doctor about. And this

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<v Speaker 1>is then and suddenly I've gotten a glimpse of somebody's

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<v Speaker 1>life and their pets and their kids and like what

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<v Speaker 1>they do for a living. And it's like four minutes,

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<v Speaker 1>and you know, and India is just like this is

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<v Speaker 1>a thing, and I'm like, oh god, yeah, like this

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<v Speaker 1>is a thing. Apparently we all have diarrhea.

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<v Speaker 2>And we need help on the fence about TV commercials,

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<v Speaker 2>But boy, do I love podcast commercials?

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<v Speaker 1>Yes?

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<v Speaker 2>I think podcast commercials are great, very true. They're funny,

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<v Speaker 2>they're engaging, you know, they're clever. I don't even notice

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<v Speaker 2>person yeah personal, Yeah, I feel like it's just you know,

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<v Speaker 2>my friends sitting.

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<v Speaker 1>Like a warm, comfy blanket.

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<v Speaker 2>That's exactly right.

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<v Speaker 1>Television.

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<v Speaker 4>I saw one last night.

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<v Speaker 5>SOO and I were watching TV last night and I

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<v Speaker 5>literally saw one where the first side effect was death.

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<v Speaker 5>Why do you need to hear the rest of them

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<v Speaker 5>after that?

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<v Speaker 1>Dud? Does it?

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<v Speaker 5>Does it matter that your skin's gonna itch if the

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<v Speaker 5>first thing that happens is you die.

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<v Speaker 2>Like, if you don't die, you may still itch. That's

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<v Speaker 2>why they want you to know. You may not die,

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<v Speaker 2>but you may be itchy with loose bowels itchy exactly.

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<v Speaker 4>Isn't that just what being in love is like.

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<v Speaker 2>Come on, yikes, welcome to pod meets Loose Bowels. I'm

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<v Speaker 2>Dan yell Offishal.

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<v Speaker 5>I'm right or Strong, and I'm Wilfordell Secure.

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<v Speaker 4>Doctor is right for you.

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<v Speaker 2>We're taking the show on the road and visiting over

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<v Speaker 2>a dozen cities as Pod Meets World is coming to

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<v Speaker 2>a city near you.

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<v Speaker 1>Next up is Philadelphia on September thirtieth at the met

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<v Speaker 1>for our biggest show yet.

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<v Speaker 5>We'll be joined by Treeta McGee great person, Matthew Lawrence,

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<v Speaker 5>great person, and Tony Quinn who's a horror garbage human being.

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<v Speaker 2>No you don't mean that, will.

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<v Speaker 5>Oh No, it's the great smelling kind of garbage, you know,

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<v Speaker 5>like outside of Pope Refactory.

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<v Speaker 4>I love you, Tony.

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<v Speaker 1>Tickets are still available right now at Podmeatsworldshow dot.

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<v Speaker 2>Com and you can see our entire schedule, which includes

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<v Speaker 2>stops in Cleveland, Toronto, and Pittsburgh in October, and.

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<v Speaker 4>So much more, including the release dates in Texas.

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<v Speaker 1>Podmeatsworldshow dot Com right now get your tickets to see

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<v Speaker 1>us live in a city near you.

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<v Speaker 2>Well, if you have listened to the first two seasons

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<v Speaker 2>of Podmeats World, you know that we talked a lot

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<v Speaker 2>about the writer's room and the dynamics that lived inside it.

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<v Speaker 2>We've joked numerous times that our podcast is more Raschamon

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<v Speaker 2>than Rewatch, since everyone saw everything differently, and yet the

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<v Speaker 2>truth lies probably somewhere in between all of our memories.

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<v Speaker 1>Everyone named Tapanga good exactly.

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<v Speaker 2>We already know how many stories about that there are.

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<v Speaker 2>But one thing we always pointed out and we love

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<v Speaker 2>to see on screen was the name. Susan Estelle Jansen,

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<v Speaker 2>a rare female voice on the show. Her contributions to

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<v Speaker 2>Boy Meets World are undeniable. In season one, she wrote

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<v Speaker 2>Killer Bee, Santa's Little Helper, and It's a Wonderful Night.

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<v Speaker 2>In season two, The Uninvited Fear strikes Out, Sierra No,

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<v Speaker 2>and Wrong Side of the Tracks. Then we're getting a

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<v Speaker 2>little ahead of ourselves. But one of her two other

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<v Speaker 2>scripts are in season four, and one is Hair Today,

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<v Speaker 2>Goon Tomorrow, the legendary hair catching some big episode right banners. Yeah,

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<v Speaker 2>So to say she helps steer the pop culture ship

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<v Speaker 2>that was Boy Meets World would be an understatement. She

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<v Speaker 2>was one of the sales The Harvard and usc Film

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<v Speaker 2>School grad also wrote on Home Improvement and another Michael

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<v Speaker 2>Jacobs show You Wish. Then she was the executive producer

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<v Speaker 2>for Lizzie McGuire and the writer of the Lizzie McGuire movie,

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<v Speaker 2>and also she penned the live action Brats movie. But

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<v Speaker 2>she couldn't escape us because she came back and wrote

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<v Speaker 2>for season one, the season one finale of Girl Meets World,

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<v Speaker 2>which was called Girl Meets First Date. She's had quite

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<v Speaker 2>a career, and all during a time when you couldn't

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<v Speaker 2>say quite a career for very many female writer producers

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<v Speaker 2>in the industry. And today we are thrilled to reunite

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<v Speaker 2>with her. Let's please welcome Susan Estelle Jansen to our podcast. Wow,

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<v Speaker 2>how are you?

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<v Speaker 3>My god, it is so good to see all of you, guys.

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<v Speaker 3>It's crazy, it's so good to see you.

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<v Speaker 2>We were just talking about in your in your intro

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<v Speaker 2>that you wrote the season the season finale of season

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<v Speaker 2>one for Girl Meets World. But also I remember you

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<v Speaker 2>on set during our pilot.

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<v Speaker 3>I was there, I checked, I ran into came, I

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<v Speaker 3>totally kim undvited. I crashed it. I like that. I

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<v Speaker 3>ran into Michael in the lobby of the Disney Channel building, okay,

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<v Speaker 3>and he told me that he was doing it. I'm like,

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<v Speaker 3>oh my god, I would love to stop by. And

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<v Speaker 3>then I showed up for the pilot re and then

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<v Speaker 3>I just stayed all week. Oh man, it all week

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<v Speaker 3>to help out because it was kind of a little chaotic.

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<v Speaker 2>Oh you think I'm That's what I was saying. I

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<v Speaker 2>was like, you decided to stay. If anything, thank god,

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<v Speaker 2>I don't have to be here.

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<v Speaker 3>No, it was like, it was so amazing to see everybody,

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<v Speaker 3>and even though it was chaotic, to feel a little

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<v Speaker 3>bit of that old magic.

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<v Speaker 2>Yeah, you were the uninvited, just like the script.

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<v Speaker 3>I was totally the uninvited. It couldn't it very badly?

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<v Speaker 2>Thankfully it did not. So let's start with the easiest

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<v Speaker 2>question we have. What got you into writing for TV?

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<v Speaker 6>Oh?

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<v Speaker 3>My god, so funny. So I had an uncle at

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<v Speaker 3>Paramount who worked in the legal department and had negotiated

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<v Speaker 3>all the contracts for the writers on Star Trek. Okay

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<v Speaker 3>to be sweetheart, if you can be funny, you can

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<v Speaker 3>make a nice living.

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<v Speaker 7>Right.

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<v Speaker 5>Oh.

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<v Speaker 2>I deserted writing script.

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<v Speaker 3>That was literally it. Because I'd always saw of myself

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<v Speaker 3>as sort of a very you know, dark, moody person,

0:11:10.520 --> 0:11:13.120
<v Speaker 3>and I'd never really tried to write comedy, and oh

0:11:13.160 --> 0:11:15.559
<v Speaker 3>my god, this was a funny thing. Up until this point,

0:11:15.800 --> 0:11:18.280
<v Speaker 3>literally up until that point, I did not own a

0:11:18.320 --> 0:11:23.160
<v Speaker 3>television and had never watched television. And I went out

0:11:23.200 --> 0:11:26.559
<v Speaker 3>and I bought this little funeye, this off brand TV

0:11:26.800 --> 0:11:30.079
<v Speaker 3>with a little VCR thing in it, and I bought

0:11:30.120 --> 0:11:33.720
<v Speaker 3>the Funeye, and I bought a copy of I bought

0:11:33.720 --> 0:11:37.640
<v Speaker 3>a copy of TV Guide, and I like looked up

0:11:37.679 --> 0:11:40.400
<v Speaker 3>things that I should be watching on TV Guide, and

0:11:40.440 --> 0:11:42.720
<v Speaker 3>I like set myself out like I'm going to watch

0:11:42.800 --> 0:11:51.280
<v Speaker 3>popular shows for a week. And then the president of television,

0:11:51.360 --> 0:11:54.040
<v Speaker 3>a paramount like, said well, you know, this is our

0:11:54.080 --> 0:11:56.960
<v Speaker 3>new show. And I think it was it was called

0:11:57.000 --> 0:11:57.559
<v Speaker 3>down Home.

0:11:57.840 --> 0:11:59.040
<v Speaker 2>It was okay, so.

0:11:59.040 --> 0:12:02.120
<v Speaker 3>Called down Home. And he gave me a pilot episode

0:12:02.280 --> 0:12:04.120
<v Speaker 3>of down Home and he said, well, this is what

0:12:04.480 --> 0:12:06.120
<v Speaker 3>this is what a script looks like, you know, and

0:12:06.200 --> 0:12:08.959
<v Speaker 3>this is how you write it. And I went out

0:12:09.280 --> 0:12:11.280
<v Speaker 3>and I bought the script writing software and I put

0:12:11.320 --> 0:12:15.120
<v Speaker 3>it on my computer, and five days later I turned

0:12:15.160 --> 0:12:18.400
<v Speaker 3>in a script. And he had never expected to see

0:12:18.400 --> 0:12:20.840
<v Speaker 3>me again, and I turned in the script and he

0:12:20.960 --> 0:12:24.040
<v Speaker 3>read this and he said, you know, against all odds,

0:12:24.200 --> 0:12:28.000
<v Speaker 3>I think you may actually be able to do this. Wow,

0:12:28.120 --> 0:12:30.960
<v Speaker 3>I am going to turn you over to somebody who's

0:12:31.120 --> 0:12:34.319
<v Speaker 3>like appropriately sized. I took this meeting as a favor,

0:12:35.800 --> 0:12:37.760
<v Speaker 3>far too important to waste my time with you, But

0:12:37.800 --> 0:12:40.600
<v Speaker 3>I'm going to turn it over to somebody appropriately sized.

0:12:41.559 --> 0:12:46.040
<v Speaker 3>He turned me over to another development executive named Maria Krenna,

0:12:46.679 --> 0:12:50.920
<v Speaker 3>Richard Krena's daughter, and she helped me put together a

0:12:50.960 --> 0:12:56.160
<v Speaker 3>slate of specscripts and help me find an agent.

0:12:56.720 --> 0:12:57.200
<v Speaker 7>Wow.

0:12:57.640 --> 0:12:59.440
<v Speaker 3>I believe it was still I was still in folk

0:12:59.480 --> 0:13:00.319
<v Speaker 3>school at the time time.

0:13:01.120 --> 0:13:04.040
<v Speaker 2>Okay, so we're also where you were at Harvard or.

0:13:04.160 --> 0:13:07.160
<v Speaker 3>Harvard and then usc Film School, which I did not

0:13:07.280 --> 0:13:08.960
<v Speaker 3>even know was a competitive admission.

0:13:10.280 --> 0:13:14.679
<v Speaker 4>Is Harvard is at a university or idiot?

0:13:16.080 --> 0:13:18.079
<v Speaker 3>It's a small private college, Baggie.

0:13:18.120 --> 0:13:19.439
<v Speaker 4>Oh okay, okay. Interesting.

0:13:19.840 --> 0:13:20.800
<v Speaker 2>What was your major?

0:13:21.600 --> 0:13:25.400
<v Speaker 3>English? And American literature and language? And my mom was

0:13:25.559 --> 0:13:29.000
<v Speaker 3>so disappointed when I got into the industry, so disappointed.

0:13:29.280 --> 0:13:30.400
<v Speaker 2>What did she want you to do?

0:13:30.760 --> 0:13:32.680
<v Speaker 3>A poet? She wanted me to be a poet?

0:13:33.800 --> 0:13:34.240
<v Speaker 7>Wow?

0:13:35.160 --> 0:13:38.640
<v Speaker 3>Yeah, I studied poetry. I want a National Endowment for

0:13:38.679 --> 0:13:42.880
<v Speaker 3>the Arts award when I was seventeen for poetry. And

0:13:42.880 --> 0:13:46.360
<v Speaker 3>he wanted me to like be a poet because words

0:13:46.440 --> 0:13:49.320
<v Speaker 3>always I'm got to give repea Words always meant so

0:13:49.440 --> 0:13:52.680
<v Speaker 3>much to me. I was always, always, always loved writing.

0:13:53.520 --> 0:13:55.439
<v Speaker 3>In fact, my earliest memory I went to school with

0:13:55.480 --> 0:14:00.160
<v Speaker 3>Tatum O'Neil crazy pushed it through a rosebush bitch. I

0:14:00.160 --> 0:14:06.040
<v Speaker 3>went to start and they asked me if I felt

0:14:06.040 --> 0:14:08.960
<v Speaker 3>bad about it, and I'm like, no, absolutely not. She

0:14:09.160 --> 0:14:10.160
<v Speaker 3>totally deserved it.

0:14:10.240 --> 0:14:11.920
<v Speaker 2>What happened, tell me the story, what happened when she

0:14:11.960 --> 0:14:12.280
<v Speaker 2>did so.

0:14:12.400 --> 0:14:17.080
<v Speaker 3>It was Montessori school and we, like we were supposed to.

0:14:17.120 --> 0:14:19.200
<v Speaker 3>There was like a big deal about who was first

0:14:19.240 --> 0:14:21.560
<v Speaker 3>in line after playground for a class I think we

0:14:21.560 --> 0:14:25.280
<v Speaker 3>were like four, right, so, but like being that first

0:14:25.360 --> 0:14:29.120
<v Speaker 3>person in line after recess to walk into the classroom

0:14:29.160 --> 0:14:32.360
<v Speaker 3>and be first was a huge deal if very seldom

0:14:32.400 --> 0:14:35.800
<v Speaker 3>got it. I managed to make it first, and Tatum

0:14:35.920 --> 0:14:38.320
<v Speaker 3>decided that she was going to cut in in front

0:14:38.360 --> 0:14:40.640
<v Speaker 3>of me, and the front of the line happened to

0:14:40.640 --> 0:14:42.160
<v Speaker 3>be right next to rose bushes.

0:14:42.800 --> 0:14:44.480
<v Speaker 2>Well, so she was asking for.

0:14:44.400 --> 0:14:52.360
<v Speaker 3>It, asking for it, asking for it. But that was

0:14:52.400 --> 0:14:55.720
<v Speaker 3>my first memory of writing. Because at the school when

0:14:55.760 --> 0:14:58.480
<v Speaker 3>we came back, they said that we should write about

0:14:58.880 --> 0:15:02.200
<v Speaker 3>Christmas vacation, right, So we were supposed to write like

0:15:02.320 --> 0:15:05.720
<v Speaker 3>three sentences about Christmas vacation on that on the big

0:15:05.760 --> 0:15:09.080
<v Speaker 3>paper with the you know, the double lines. Yes, okay,

0:15:09.320 --> 0:15:13.560
<v Speaker 3>we all remember. So I wrote about Christmas vacation and

0:15:13.600 --> 0:15:16.000
<v Speaker 3>they put it up on the board and I remember

0:15:16.160 --> 0:15:19.880
<v Speaker 3>looking at it and reading it over and thinking I

0:15:19.960 --> 0:15:23.239
<v Speaker 3>didn't get it, Like I didn't really capture.

0:15:23.520 --> 0:15:26.360
<v Speaker 2>I didn't nail the Christmas vacation story.

0:15:26.360 --> 0:15:27.880
<v Speaker 3>On Christmas vacation? Fully?

0:15:28.920 --> 0:15:29.200
<v Speaker 4>Did you?

0:15:29.400 --> 0:15:35.040
<v Speaker 1>Have you done a rewrite? Self disappointment? So you were

0:15:35.040 --> 0:15:36.120
<v Speaker 1>paid to be a writer.

0:15:37.840 --> 0:15:42.080
<v Speaker 3>Speaking of which I brought a souvenir self disappointment souvenir.

0:15:42.960 --> 0:15:46.600
<v Speaker 3>So I don't think you guys even knew existed, it,

0:15:46.680 --> 0:15:51.080
<v Speaker 3>says dear ABC Channel seven ray boy Meets World. We

0:15:51.160 --> 0:15:54.080
<v Speaker 3>really enjoyed Friday evening shows. But what is it with

0:15:54.160 --> 0:15:57.880
<v Speaker 3>the writers for Boy Meets World? The storylines are boring,

0:15:58.280 --> 0:16:02.040
<v Speaker 3>whereas Cooper and step by Step are interesting and challenging.

0:16:02.520 --> 0:16:07.000
<v Speaker 3>Get new writers for Boy Meets World. Thanks be Creesy.

0:16:07.720 --> 0:16:09.360
<v Speaker 1>What is a fan letter?

0:16:09.560 --> 0:16:12.080
<v Speaker 4>LARISI that's my pen name.

0:16:14.400 --> 0:16:16.880
<v Speaker 3>And she actually, you know, it's so funny. I never

0:16:16.960 --> 0:16:19.880
<v Speaker 3>wrote back to her, but I do have her regrets.

0:16:20.160 --> 0:16:21.480
<v Speaker 2>Well maybe she's still there.

0:16:21.560 --> 0:16:25.040
<v Speaker 6>Let's let's make it up there.

0:16:25.680 --> 0:16:28.720
<v Speaker 3>I say that because I remember something show that to me,

0:16:28.760 --> 0:16:30.760
<v Speaker 3>I'm like, oh, I am taking that, I am framing that,

0:16:30.880 --> 0:16:32.640
<v Speaker 3>I am putting out of my house, and I'm keeping

0:16:32.640 --> 0:16:33.080
<v Speaker 3>it forever.

0:16:33.400 --> 0:16:35.920
<v Speaker 2>I love it. So how do you then, so they

0:16:35.960 --> 0:16:38.480
<v Speaker 2>end up hiring you at Paramount? How do you end

0:16:38.560 --> 0:16:42.600
<v Speaker 2>up on like the biggest show at that time, Home Improvement?

0:16:42.720 --> 0:16:44.640
<v Speaker 2>And was that your first TV writing job?

0:16:45.120 --> 0:16:49.600
<v Speaker 3>Well, my first TV writing job was actually on it

0:16:49.640 --> 0:16:52.680
<v Speaker 3>was almost on the art. Do you remember the Arsenio

0:16:52.840 --> 0:16:58.720
<v Speaker 3>Hall Show? Yes, yeah, but he but it wasn't just

0:16:58.800 --> 0:17:04.280
<v Speaker 3>the Arsenio Hall Show. There was like another ancillary show

0:17:04.320 --> 0:17:07.480
<v Speaker 3>that was like our Sineo or something, and they wanted

0:17:07.600 --> 0:17:10.680
<v Speaker 3>me to do that, and I showed up and they

0:17:10.960 --> 0:17:13.640
<v Speaker 3>just I don't think I was quite as urban as

0:17:13.680 --> 0:17:18.320
<v Speaker 3>they had envisioned. They decided that they didn't actually want

0:17:18.320 --> 0:17:22.600
<v Speaker 3>to hire me, So that was kind of hugely disappointing.

0:17:23.119 --> 0:17:25.439
<v Speaker 3>And then I got hired to do one episode of

0:17:25.480 --> 0:17:27.359
<v Speaker 3>this random show called Teach.

0:17:28.400 --> 0:17:31.960
<v Speaker 2>Yep, I remember Teach too. Why do I remember that show?

0:17:32.160 --> 0:17:32.560
<v Speaker 2>I feel like.

0:17:32.560 --> 0:17:35.199
<v Speaker 4>Somebody else on the podcast has talked about Teach.

0:17:35.920 --> 0:17:39.480
<v Speaker 3>Teach was the show about the black teacher at the

0:17:39.520 --> 0:17:45.639
<v Speaker 3>White Kid the White Boys boarding school back East.

0:17:45.680 --> 0:17:46.280
<v Speaker 2>Mentioned Teach.

0:17:46.400 --> 0:17:48.840
<v Speaker 5>Somebody else has mentioned Teach on this podcast. I don't

0:17:48.840 --> 0:17:50.200
<v Speaker 5>know who, but somebody else has yet.

0:17:50.880 --> 0:17:53.439
<v Speaker 3>Yeah. Anyway, so teach. So maybe Teach was like an

0:17:53.480 --> 0:17:58.720
<v Speaker 3>amazing theater show for everybody. But then I got the

0:17:58.840 --> 0:18:02.119
<v Speaker 3>interview with the the three guys who did home improvement,

0:18:02.760 --> 0:18:06.000
<v Speaker 3>and they hired me on and I had no idea

0:18:06.640 --> 0:18:09.240
<v Speaker 3>how huge it was going to be, but I had.

0:18:10.400 --> 0:18:13.160
<v Speaker 3>It was before the Internet, and I had this insane

0:18:13.280 --> 0:18:17.119
<v Speaker 3>mind for trivia and just remembered random stuff. So I

0:18:17.280 --> 0:18:19.919
<v Speaker 3>was like the voice of Wilson. I was a person

0:18:19.960 --> 0:18:22.320
<v Speaker 3>that they could always count on to pull some like

0:18:22.480 --> 0:18:27.160
<v Speaker 3>strange piece of information out of my head. I love

0:18:27.240 --> 0:18:29.320
<v Speaker 3>that guy. He was so nice. He drank brown liquor,

0:18:29.359 --> 0:18:31.679
<v Speaker 3>and he was married to a woman who was an

0:18:31.760 --> 0:18:32.600
<v Speaker 3>ordained minister.

0:18:33.000 --> 0:18:37.119
<v Speaker 2>Oh oh that's cool, that's very cool. What's the brown liquor?

0:18:37.520 --> 0:18:39.840
<v Speaker 1>Bourbon like bourbon or whiskey.

0:18:40.840 --> 0:18:43.000
<v Speaker 3>I mean it was just like he was just in

0:18:43.119 --> 0:18:45.480
<v Speaker 3>an dressing room and drank brown liquor.

0:18:56.800 --> 0:18:56.960
<v Speaker 6>Well.

0:18:57.000 --> 0:19:00.240
<v Speaker 2>Another one of your scripts was for an episode Calledhunting

0:19:00.280 --> 0:19:03.040
<v Speaker 2>of Taylor House. Do you remember working with a young

0:19:03.600 --> 0:19:07.040
<v Speaker 2>pre sean Hunter, right or strong a minute?

0:19:07.160 --> 0:19:11.000
<v Speaker 1>She wrote that episode you kise yes, yes.

0:19:13.400 --> 0:19:14.160
<v Speaker 2>Episode.

0:19:14.320 --> 0:19:16.959
<v Speaker 1>Yeah, I'm the kid who the brad who calls it

0:19:17.000 --> 0:19:19.800
<v Speaker 1>full time and gets kicked out of scared by the

0:19:19.840 --> 0:19:22.880
<v Speaker 1>haunted house. Are you serious? We never made this connection.

0:19:23.000 --> 0:19:24.320
<v Speaker 1>It was only like two years later.

0:19:25.040 --> 0:19:26.440
<v Speaker 3>He never made this connection.

0:19:26.720 --> 0:19:29.840
<v Speaker 1>I believe that you wrote my episode of Home Improvement.

0:19:30.119 --> 0:19:33.119
<v Speaker 3>I love that launched your career. I'm so happy. That

0:19:33.200 --> 0:19:35.160
<v Speaker 3>actually makes me really really really happy.

0:19:35.400 --> 0:19:35.840
<v Speaker 4>That's cool.

0:19:36.320 --> 0:19:37.760
<v Speaker 7>My god, that's so funny.

0:19:37.880 --> 0:19:41.080
<v Speaker 2>Isn't that funny? Especially because Home Improvement was probably one

0:19:41.119 --> 0:19:44.160
<v Speaker 2>of the reasons you were called in for Boy Meets World.

0:19:44.520 --> 0:19:46.520
<v Speaker 1>Yeah. Well, I was really close to being a regular

0:19:46.560 --> 0:19:50.320
<v Speaker 1>on Home Improvement. I went back. I auditioned for every brother,

0:19:50.840 --> 0:19:53.600
<v Speaker 1>like when they were doing the pilot, you know, and

0:19:53.640 --> 0:19:55.720
<v Speaker 1>I was like sort of in between ages. I'm like, ye,

0:19:55.800 --> 0:19:58.960
<v Speaker 1>slightly older than Jonathan or actually Zach was younger but

0:19:59.080 --> 0:20:02.040
<v Speaker 1>just bigger. I remember they kept like shuffling all of

0:20:02.119 --> 0:20:04.919
<v Speaker 1>us around, and like, I just remember reading for Home

0:20:04.960 --> 0:20:07.400
<v Speaker 1>Improvement like six times. I don't think I ever networked

0:20:07.400 --> 0:20:09.040
<v Speaker 1>for it, but I got close, and I remember being

0:20:09.040 --> 0:20:12.240
<v Speaker 1>like ugh and then getting the guest star whatever. A

0:20:12.320 --> 0:20:15.240
<v Speaker 1>year or two later. And then yeah, and then that

0:20:15.480 --> 0:20:18.879
<v Speaker 1>like that awareness of me as an ABC kid actor

0:20:19.240 --> 0:20:21.520
<v Speaker 1>probably did lead to boy Met's work. Yeah, sure, it's

0:20:21.560 --> 0:20:22.200
<v Speaker 1>so funny.

0:20:22.680 --> 0:20:22.920
<v Speaker 6>Yeah.

0:20:22.960 --> 0:20:25.280
<v Speaker 2>And so, Susan, how did Boy Meet's World come into

0:20:25.320 --> 0:20:25.920
<v Speaker 2>your life?

0:20:26.000 --> 0:20:26.119
<v Speaker 1>Like?

0:20:26.160 --> 0:20:28.480
<v Speaker 2>How was it pitched to you? Were you aware of

0:20:28.520 --> 0:20:30.760
<v Speaker 2>the show before I came in?

0:20:31.000 --> 0:20:34.679
<v Speaker 3>Right after the pilot was shot, So I saw the pilot,

0:20:34.880 --> 0:20:39.520
<v Speaker 3>there was. I did two years on Home Improvement and

0:20:39.560 --> 0:20:43.000
<v Speaker 3>then they let me go, So I was, which was

0:20:44.000 --> 0:20:46.240
<v Speaker 3>it was a really really really bad moment for me.

0:20:46.320 --> 0:20:49.040
<v Speaker 3>They let me go. They just they they didn't renew

0:20:49.080 --> 0:20:52.600
<v Speaker 3>my option for the third year. Wow. And so I

0:20:52.680 --> 0:20:56.160
<v Speaker 3>was looking around and I interviewed on a couple things,

0:20:56.480 --> 0:21:01.879
<v Speaker 3>and I really liked my phone, And honestly, it was

0:21:02.800 --> 0:21:06.520
<v Speaker 3>I think my career wound up being so much better

0:21:06.560 --> 0:21:09.120
<v Speaker 3>than it would have been if I had just continued

0:21:09.119 --> 0:21:12.919
<v Speaker 3>working for the guys on Home Improvement on Home Improvement

0:21:13.359 --> 0:21:17.800
<v Speaker 3>because they were very, very insular, and I was not

0:21:18.080 --> 0:21:22.359
<v Speaker 3>involved with anything outside of the writer's room. And once

0:21:22.400 --> 0:21:26.280
<v Speaker 3>I moved over to Boy Meets World and Michael, he

0:21:26.560 --> 0:21:30.320
<v Speaker 3>was all about growing talent. He was really all about

0:21:30.600 --> 0:21:32.760
<v Speaker 3>you were involved in anything, You were involved in the

0:21:32.840 --> 0:21:36.520
<v Speaker 3>casting of your episode. You know, when your episode is shooting,

0:21:36.520 --> 0:21:38.560
<v Speaker 3>you can go down, well, if you could find time,

0:21:38.600 --> 0:21:39.960
<v Speaker 3>you could go down to the stage.

0:21:42.000 --> 0:21:46.280
<v Speaker 2>So how did you meet Michael in that process? Okay,

0:21:46.640 --> 0:21:48.520
<v Speaker 2>the in the hiring process for Boy Meets World.

0:21:48.600 --> 0:21:51.560
<v Speaker 3>Okay, yeah, literally in the hiring process.

0:21:52.040 --> 0:21:54.919
<v Speaker 2>Wow. So we have obviously dissected that first season writer's

0:21:55.000 --> 0:21:57.480
<v Speaker 2>room a lot, so we don't need to go deep

0:21:57.560 --> 0:21:57.879
<v Speaker 2>into it.

0:21:58.320 --> 0:22:01.080
<v Speaker 3>And I said, I said to your husband, it's Russia

0:22:01.240 --> 0:22:04.880
<v Speaker 3>on It's like totally different.

0:22:05.400 --> 0:22:08.960
<v Speaker 2>Yeah, because one has a totally different.

0:22:08.720 --> 0:22:13.120
<v Speaker 3>Take on your origin story. Okay, it's on BuzzFeed, Yeah.

0:22:13.000 --> 0:22:14.680
<v Speaker 2>Totally Okay, what's your take?

0:22:15.119 --> 0:22:19.359
<v Speaker 3>Okay, So my take was that you came in. We

0:22:20.040 --> 0:22:23.680
<v Speaker 3>had a show that was like a science fare show,

0:22:24.280 --> 0:22:27.080
<v Speaker 3>and there were two girls who would doing some like

0:22:27.160 --> 0:22:29.600
<v Speaker 3>hippie skippy ecological project about it.

0:22:29.800 --> 0:22:31.760
<v Speaker 2>I was one of those, Yes, we're one of those.

0:22:32.040 --> 0:22:34.880
<v Speaker 3>No lines, I had a couple of lines. Yeah, no,

0:22:35.000 --> 0:22:35.520
<v Speaker 3>you did not.

0:22:36.640 --> 0:22:39.000
<v Speaker 2>I did because I auditioned with Monday.

0:22:39.080 --> 0:22:41.879
<v Speaker 3>No and Monday. You may have auditioned for them later,

0:22:42.160 --> 0:22:44.399
<v Speaker 3>but on Monday you had You may have auditioned, but

0:22:44.440 --> 0:22:46.080
<v Speaker 3>you did not have lines on Monday. Well.

0:22:46.080 --> 0:22:49.600
<v Speaker 2>It also wasn't a Monday, it was a Friday. We

0:22:49.640 --> 0:22:52.200
<v Speaker 2>started our weeks on Fridays. We taped on Thursdays because

0:22:52.240 --> 0:22:56.400
<v Speaker 2>Michael left for the Sabbath on Friday night, so a Monday. Forgot,

0:22:56.640 --> 0:22:59.240
<v Speaker 2>it was only there on a Saturday. Correct, you worked

0:22:59.240 --> 0:23:01.800
<v Speaker 2>on Saturdays. I've got it was a different schedule. So

0:23:01.840 --> 0:23:07.120
<v Speaker 2>again set roushamont. Okay, So Friday, so we're reading on Friday.

0:23:07.720 --> 0:23:10.359
<v Speaker 3>You I don't remember you having lines on Friday, but

0:23:10.400 --> 0:23:14.240
<v Speaker 3>I remember David Traynor coming to us, I guess Monday Tuesday,

0:23:14.960 --> 0:23:18.680
<v Speaker 3>saying that I would love Riley was not working out,

0:23:18.760 --> 0:23:21.320
<v Speaker 3>but that he had real faith in you and it

0:23:21.400 --> 0:23:23.840
<v Speaker 3>was giving you lines, and we're like, okay, we'll come down.

0:23:24.080 --> 0:23:25.879
<v Speaker 3>We'll come down to run through and see how it goes.

0:23:26.119 --> 0:23:30.760
<v Speaker 3>We completely agreed with him, and by Thursday taping you

0:23:30.920 --> 0:23:31.920
<v Speaker 3>had all the lines.

0:23:32.960 --> 0:23:36.480
<v Speaker 2>Yeah, that's not at all what happened. No, no, it's

0:23:36.520 --> 0:23:38.600
<v Speaker 2>not it all. What happened Friday, I was at the

0:23:38.640 --> 0:23:41.359
<v Speaker 2>table read I had like maybe two lines, one in

0:23:41.359 --> 0:23:44.440
<v Speaker 2>the classroom, one in the cafeteria, and it was Marl

0:23:44.520 --> 0:23:48.160
<v Speaker 2>and I. Friday afternoon, before I went home, I auditioned

0:23:48.200 --> 0:23:50.399
<v Speaker 2>for Tapanga. On the way home, they called me and

0:23:50.440 --> 0:23:53.040
<v Speaker 2>said you have the role of Tapanga. On Monday, I

0:23:53.080 --> 0:23:56.280
<v Speaker 2>came back in as Tapanga and did the run through.

0:23:56.760 --> 0:23:58.000
<v Speaker 2>I did the whole day as Tapanga.

0:23:58.200 --> 0:24:00.280
<v Speaker 3>Remember her having a name in that epoch.

0:24:00.119 --> 0:24:03.119
<v Speaker 2>So yeah, she did. She had a name from the

0:24:03.119 --> 0:24:05.560
<v Speaker 2>audition I remember, I remember because I auditioned for Topanga.

0:24:05.600 --> 0:24:06.840
<v Speaker 2>I just didn't get it.

0:24:06.840 --> 0:24:09.399
<v Speaker 3>It's so crazy because I would have thought that if

0:24:09.440 --> 0:24:12.000
<v Speaker 3>you went and looked at his script, because we had

0:24:12.240 --> 0:24:16.479
<v Speaker 3>we we had no interest in the character at all

0:24:17.200 --> 0:24:19.159
<v Speaker 3>until you Danielle.

0:24:19.240 --> 0:24:22.560
<v Speaker 2>Like, the character wasn't big? Was that whole episode was

0:24:22.600 --> 0:24:25.000
<v Speaker 2>about basically about Tapega and her name was in it

0:24:25.040 --> 0:24:27.119
<v Speaker 2>from from the beginning. So yeah, I mean it is.

0:24:27.160 --> 0:24:28.600
<v Speaker 2>It's just memories are weird.

0:24:28.960 --> 0:24:31.800
<v Speaker 3>I remember it. This is again't russiam On. This is

0:24:31.840 --> 0:24:35.400
<v Speaker 3>how I remember. I remember it that it started out

0:24:35.440 --> 0:24:38.440
<v Speaker 3>as this nothing role. You didn't have lines. You were

0:24:38.480 --> 0:24:41.159
<v Speaker 3>given the lines of the other actress who kind of

0:24:41.200 --> 0:24:44.800
<v Speaker 3>fell by the wayside, right that you got the lines,

0:24:44.880 --> 0:24:48.560
<v Speaker 3>and that after the episode, as we are watching it,

0:24:48.720 --> 0:24:51.480
<v Speaker 3>tape magic was happening and we're.

0:24:51.359 --> 0:24:54.080
<v Speaker 2>Like, well I believe that part. I do think that

0:24:54.160 --> 0:24:57.320
<v Speaker 2>Tapanga wasn't ever even after I got the part. Topanga

0:24:57.400 --> 0:25:01.000
<v Speaker 2>wasn't expected to become a mass part of the show.

0:25:01.080 --> 0:25:03.560
<v Speaker 2>And I do know stories because my parents and my

0:25:03.600 --> 0:25:06.199
<v Speaker 2>grandparents were there at the live studio audience tapings and

0:25:06.240 --> 0:25:09.600
<v Speaker 2>they would watch from the stands, but where they would

0:25:09.600 --> 0:25:11.240
<v Speaker 2>sit in the stands where it was very close to

0:25:11.280 --> 0:25:14.600
<v Speaker 2>video village, and my grandfather used to tell me every

0:25:14.760 --> 0:25:17.359
<v Speaker 2>single thing Michael said about me while watching the screen.

0:25:17.680 --> 0:25:20.240
<v Speaker 2>And I know that there were on that first taping,

0:25:20.320 --> 0:25:23.360
<v Speaker 2>Michael was like right in front of the camera pointing

0:25:23.400 --> 0:25:26.320
<v Speaker 2>at me and going, there's something there, There's something there.

0:25:26.520 --> 0:25:30.320
<v Speaker 2>And so I do one hundred percent know that after

0:25:30.480 --> 0:25:33.879
<v Speaker 2>I booked the role and we started we recorded that episode,

0:25:34.880 --> 0:25:37.119
<v Speaker 2>light bulbs were going off that maybe there could be

0:25:37.200 --> 0:25:41.199
<v Speaker 2>more for this character and this actress like that for sure, Yes,

0:25:41.680 --> 0:25:44.560
<v Speaker 2>that's for sure. No one, no one has even questioned

0:25:44.600 --> 0:25:48.480
<v Speaker 2>that Tapega was not supposed to be some like you know, I.

0:25:48.400 --> 0:25:50.960
<v Speaker 3>Have to remember you having a name until we started

0:25:50.960 --> 0:25:52.240
<v Speaker 3>writing you into scripts.

0:25:52.920 --> 0:25:55.560
<v Speaker 2>Tapeka was already in the script. I just wasn't her

0:25:55.720 --> 0:25:57.960
<v Speaker 2>on the first day. Somebody else was. And then I

0:25:58.000 --> 0:26:00.359
<v Speaker 2>took over the role on that first day Monday, the

0:26:00.480 --> 0:26:04.600
<v Speaker 2>run through day, and and it stayed the same Monday, Tuesday, Wednesday, Thursday.

0:26:05.280 --> 0:26:08.159
<v Speaker 3>Okay, that's interesting because I wouldn't I wouldn't have thought

0:26:08.200 --> 0:26:11.800
<v Speaker 3>that we would have given those few lines a name.

0:26:12.520 --> 0:26:15.280
<v Speaker 2>Yeah, well I auditioned for them and they did well.

0:26:15.400 --> 0:26:17.359
<v Speaker 3>The lazy I.

0:26:17.320 --> 0:26:18.560
<v Speaker 4>Know now, Yeah, she was.

0:26:18.720 --> 0:26:26.240
<v Speaker 5>She was named by Bill Lawrence or Michael Jacobs Orman or.

0:26:27.119 --> 0:26:29.800
<v Speaker 4>Or so. We've heard different stories.

0:26:30.160 --> 0:26:32.840
<v Speaker 3>Everyone's taking credit. I'm going to go with I'm going

0:26:32.920 --> 0:26:35.359
<v Speaker 3>to go with Mike Jacobs because he drove past to

0:26:35.480 --> 0:26:39.520
<v Speaker 3>Panga Canyon every day back and forth to work.

0:26:39.880 --> 0:26:43.520
<v Speaker 2>Yeah, that's the story. That's the story heard that Michael tells.

0:26:43.640 --> 0:26:45.840
<v Speaker 2>And everybody has their own. Everyone has their own.

0:26:45.840 --> 0:26:47.560
<v Speaker 4>Bill Lawrence got one.

0:26:47.640 --> 0:26:50.000
<v Speaker 2>Yep, Bill Lawrence has got one. That Lawrence is because

0:26:50.000 --> 0:26:54.399
<v Speaker 2>of his last name. That guy. So what was it

0:26:54.560 --> 0:26:57.960
<v Speaker 2>like for I mean, a rare female writer in what

0:26:58.160 --> 0:27:01.320
<v Speaker 2>has everyone admitted was just a big boys club at

0:27:01.320 --> 0:27:03.960
<v Speaker 2>the time, like the nineties writers rooms were big old

0:27:03.960 --> 0:27:05.679
<v Speaker 2>boys club. What was your experience?

0:27:05.800 --> 0:27:05.919
<v Speaker 6>Like?

0:27:06.680 --> 0:27:12.880
<v Speaker 3>It was rough? It was, it was well, it was

0:27:14.640 --> 0:27:17.360
<v Speaker 3>a lot of things. I mean, I will not betray

0:27:17.520 --> 0:27:20.600
<v Speaker 3>the sanctity of the writer's room because like that was

0:27:20.640 --> 0:27:22.800
<v Speaker 3>the thing about the writer's room was it was this

0:27:22.960 --> 0:27:27.040
<v Speaker 3>incredibly insulated space. Like literally as soon as the door

0:27:27.080 --> 0:27:32.040
<v Speaker 3>opened and somebody walked in, it was silent. Yeah, as

0:27:32.080 --> 0:27:34.920
<v Speaker 3>soon as the door closed, it took back up again.

0:27:35.560 --> 0:27:38.000
<v Speaker 3>And what I will say in defense of the Writer's

0:27:38.119 --> 0:27:43.399
<v Speaker 3>Room was that anything went like there. It had to

0:27:43.440 --> 0:27:48.679
<v Speaker 3>be a place where you could pitch anything, anything and

0:27:48.920 --> 0:27:52.639
<v Speaker 3>feel like you could say anybody could say anything. Yes,

0:27:53.640 --> 0:27:56.919
<v Speaker 3>So for better or for worse, that's kind of a

0:27:57.280 --> 0:28:00.520
<v Speaker 3>rough environment to be in as a you know, I

0:28:00.560 --> 0:28:01.400
<v Speaker 3>was in my twenties.

0:28:02.000 --> 0:28:03.600
<v Speaker 2>Oh my gosh, I.

0:28:03.600 --> 0:28:07.240
<v Speaker 3>Was younger than Yeah, I was young.

0:28:07.440 --> 0:28:09.720
<v Speaker 2>I mean you were like twenty some odd years younger

0:28:09.760 --> 0:28:13.440
<v Speaker 2>than we are now.

0:28:12.359 --> 0:28:14.760
<v Speaker 3>So I was. So it was it was a lot

0:28:14.840 --> 0:28:20.800
<v Speaker 3>to be thrown into, and it was it was. It

0:28:20.960 --> 0:28:21.960
<v Speaker 3>was crazy.

0:28:22.680 --> 0:28:26.760
<v Speaker 2>Did you feel heard? Did you feel like you were okay? Good?

0:28:26.920 --> 0:28:28.399
<v Speaker 2>You felt like your voice mattered?

0:28:28.920 --> 0:28:31.160
<v Speaker 1>Oh my god, yeah, great, that's great.

0:28:31.880 --> 0:28:36.960
<v Speaker 3>Absolutely, I felt like I felt like I really felt

0:28:37.000 --> 0:28:40.680
<v Speaker 3>like from the jump, Michael really thought I had a

0:28:40.680 --> 0:28:44.120
<v Speaker 3>lot to offer, right, So that really so I felt

0:28:44.320 --> 0:28:48.600
<v Speaker 3>really really good about that. And I just adored the show.

0:28:49.000 --> 0:28:51.760
<v Speaker 3>But you remember there were years that I was gone

0:28:51.800 --> 0:28:55.160
<v Speaker 3>from it because me off to do like other projects

0:28:55.160 --> 0:28:55.560
<v Speaker 3>with him.

0:28:55.880 --> 0:28:58.360
<v Speaker 2>Yep, that happened with a lot of people. That's how

0:28:58.520 --> 0:29:00.560
<v Speaker 2>you know, that's it. We had different sh runners for

0:29:00.600 --> 0:29:02.720
<v Speaker 2>periods of time because Michael was off doing you know,

0:29:02.960 --> 0:29:05.000
<v Speaker 2>a bunch of other shows, which when you strike while

0:29:05.000 --> 0:29:06.200
<v Speaker 2>of irons Hot Baby, you know.

0:29:06.960 --> 0:29:08.000
<v Speaker 1>So I have I have a question for you.

0:29:08.120 --> 0:29:11.160
<v Speaker 4>Said you came in at the pilot at the.

0:29:12.600 --> 0:29:14.600
<v Speaker 5>The pilot had been shot, so at the after the pilot,

0:29:14.640 --> 0:29:16.720
<v Speaker 5>I mean, I'm sorry, do you were you involved in

0:29:16.760 --> 0:29:17.680
<v Speaker 5>my casting at all?

0:29:17.880 --> 0:29:20.280
<v Speaker 4>Because I know that they were, they changed everything up

0:29:20.280 --> 0:29:20.959
<v Speaker 4>after the pilot.

0:29:21.120 --> 0:29:27.000
<v Speaker 3>No, I remember Rusty was a huge question mark afterwards.

0:29:26.520 --> 0:29:27.880
<v Speaker 4>But that was it you you so you were.

0:29:28.280 --> 0:29:29.880
<v Speaker 5>I'm trying to remember who was actually in the room

0:29:29.920 --> 0:29:33.400
<v Speaker 5>when I was like auditioning or screen testing, and I

0:29:33.480 --> 0:29:34.800
<v Speaker 5>was didn't know if you were there or not.

0:29:35.880 --> 0:29:39.440
<v Speaker 3>I honestly can't remember. The one that I remember, really,

0:29:39.600 --> 0:29:45.480
<v Speaker 3>really really being involved with was recasting the dad recasting Rusty.

0:29:46.120 --> 0:29:48.440
<v Speaker 2>For Rusty yeah, because the dad there was a different dad, Yeah,

0:29:48.480 --> 0:29:49.880
<v Speaker 2>recasting and we're yeah.

0:29:50.120 --> 0:30:02.200
<v Speaker 6>Yeah.

0:30:02.240 --> 0:30:04.280
<v Speaker 2>So I just want to remind everybody about some of

0:30:04.320 --> 0:30:07.840
<v Speaker 2>our favorite storylines from season one. We have in Killer Bees,

0:30:08.160 --> 0:30:10.880
<v Speaker 2>Eric tries to take a date to an Aerosmith concert,

0:30:11.120 --> 0:30:13.400
<v Speaker 2>but is scared that he's going to run into his parents.

0:30:13.880 --> 0:30:16.840
<v Speaker 2>In It's a Wonderful Life, Eric fails his driver's test

0:30:16.840 --> 0:30:19.480
<v Speaker 2>and pretends to pass while Corey and Sean rents, I'm

0:30:19.480 --> 0:30:22.480
<v Speaker 2>blowing up your head Part five Stumpy's Revenge.

0:30:23.400 --> 0:30:25.120
<v Speaker 3>That sounds like a bluff unscrappt.

0:30:25.440 --> 0:30:31.080
<v Speaker 2>I know, right, it does. Where were your ideas coming from? Like,

0:30:31.200 --> 0:30:33.920
<v Speaker 2>especially since you had worked primarily in family television, do

0:30:33.960 --> 0:30:36.120
<v Speaker 2>you what was your like, where were where was your

0:30:36.120 --> 0:30:37.640
<v Speaker 2>inspiration coming from?

0:30:38.240 --> 0:30:42.520
<v Speaker 3>Well, you know, it was it was always it was

0:30:42.640 --> 0:30:46.720
<v Speaker 3>always kind of relationship based. I mean, it was always

0:30:47.560 --> 0:30:50.600
<v Speaker 3>the and Michael always had such a sense of wanting

0:30:50.640 --> 0:30:53.160
<v Speaker 3>to have a great message at the end of the day,

0:30:53.480 --> 0:30:56.680
<v Speaker 3>but not being so dogmatic that you didn't have fun

0:30:56.760 --> 0:30:57.360
<v Speaker 3>getting there.

0:30:57.600 --> 0:30:57.880
<v Speaker 2>Yeah.

0:30:58.040 --> 0:31:02.080
<v Speaker 3>Sure, it was always like some weird, crazy journey and

0:31:02.120 --> 0:31:04.479
<v Speaker 3>at the end of it you wound up with, you know,

0:31:05.880 --> 0:31:08.800
<v Speaker 3>be a better brother, don't lie to your parents. Right.

0:31:10.600 --> 0:31:16.080
<v Speaker 3>So I think that it was just remembering my childhood,

0:31:16.160 --> 0:31:18.560
<v Speaker 3>like you just kind of go back and you remember, like,

0:31:18.640 --> 0:31:21.360
<v Speaker 3>what were all the things that I was struggling with

0:31:21.560 --> 0:31:23.720
<v Speaker 3>when I was in sage? What were my hopes, what

0:31:23.800 --> 0:31:27.320
<v Speaker 3>were my dreams. I mean, because I think that when

0:31:27.360 --> 0:31:32.680
<v Speaker 3>you become an adult, you often forget the richness of

0:31:32.720 --> 0:31:37.440
<v Speaker 3>the internal life of children. And it is a rich,

0:31:37.720 --> 0:31:42.640
<v Speaker 3>interesting internal life and more you know, grown up than

0:31:42.720 --> 0:31:45.520
<v Speaker 3>people often give it credit for. I mean, I think

0:31:45.560 --> 0:31:50.080
<v Speaker 3>there's a rule infantalization, and I think that I hopefully

0:31:50.120 --> 0:31:52.640
<v Speaker 3>we got around some of that, and hopefully we really

0:31:53.200 --> 0:31:57.000
<v Speaker 3>you know, talked about things that kids were struggling with.

0:31:57.520 --> 0:31:59.680
<v Speaker 2>Well, speaking of that, we talked a lot about the

0:31:59.680 --> 0:32:04.000
<v Speaker 2>big change in focus between season one and season two,

0:32:04.160 --> 0:32:06.240
<v Speaker 2>and we talked about the big shift in the writer's

0:32:06.320 --> 0:32:09.960
<v Speaker 2>room as well, with April not coming back. So what

0:32:10.240 --> 0:32:12.440
<v Speaker 2>do you remember about that time about the aging up

0:32:12.520 --> 0:32:14.240
<v Speaker 2>between season one and season two?

0:32:16.120 --> 0:32:19.080
<v Speaker 3>Well, I remember we also didn't we also lose Mincas.

0:32:19.000 --> 0:32:20.520
<v Speaker 2>Yes, yeah right, he was gone.

0:32:20.920 --> 0:32:23.960
<v Speaker 3>Ye yeah, manas I missed because he was again he

0:32:24.080 --> 0:32:27.480
<v Speaker 3>was part of this kind of younger world. And it

0:32:27.560 --> 0:32:29.720
<v Speaker 3>was funny because I was talking to my son about

0:32:29.720 --> 0:32:32.480
<v Speaker 3>this and he was he was asking me to like

0:32:32.600 --> 0:32:36.200
<v Speaker 3>tell him about the show, and I, you know, I said,

0:32:36.240 --> 0:32:40.680
<v Speaker 3>it started as really a kid show, and then as

0:32:40.760 --> 0:32:44.200
<v Speaker 3>the kids grew up, the show kind of grew up

0:32:44.240 --> 0:32:48.120
<v Speaker 3>with them. Yeah. I think that was that was sort

0:32:48.120 --> 0:32:51.720
<v Speaker 3>of it was clear to us that you guys were

0:32:51.760 --> 0:32:54.200
<v Speaker 3>growing up and we had to and we really had

0:32:54.240 --> 0:32:56.440
<v Speaker 3>to deal with that moving forward. I mean, the one

0:32:56.480 --> 0:32:58.800
<v Speaker 3>I remember was when you called up Danielle and You're like,

0:32:58.800 --> 0:32:59.600
<v Speaker 3>I want to go by here.

0:33:01.280 --> 0:33:04.840
<v Speaker 2>It was during the summer. Hey guys, so it's summer

0:33:04.960 --> 0:33:07.480
<v Speaker 2>and I really want to cut my hair. And Michael's like, what.

0:33:07.480 --> 0:33:08.440
<v Speaker 4>Don't you talk about?

0:33:10.720 --> 0:33:15.920
<v Speaker 3>I know episode, I know that is live. That episode is,

0:33:16.000 --> 0:33:19.680
<v Speaker 3>I will say, one of my favorite Hollywood memories and

0:33:19.760 --> 0:33:21.840
<v Speaker 3>I to this day tell the story of it.

0:33:22.200 --> 0:33:24.480
<v Speaker 2>Do you okay? I want to know from your perspective,

0:33:24.520 --> 0:33:28.000
<v Speaker 2>because again, Russiamon, we all have our own. Did you

0:33:28.200 --> 0:33:31.600
<v Speaker 2>feel like an enormous sense of responsibility behind me, like

0:33:31.760 --> 0:33:34.360
<v Speaker 2>cutting off my hair? What was going on behind the scenes?

0:33:34.720 --> 0:33:39.320
<v Speaker 3>Yeah, okay, so I felt an enormous sense of responsibility

0:33:39.600 --> 0:33:42.360
<v Speaker 3>for you cutting off your hair because I remember, like

0:33:42.560 --> 0:33:46.080
<v Speaker 3>I was the girl with like the crazy I always

0:33:46.120 --> 0:33:49.440
<v Speaker 3>had the crazy long hair, and I remember that I

0:33:49.520 --> 0:33:52.040
<v Speaker 3>decided that I wanted to get the Dorothy Hamill haircut.

0:33:52.480 --> 0:33:56.320
<v Speaker 3>Oh my gosh, it was. I looked like the late

0:33:56.360 --> 0:33:57.440
<v Speaker 3>great Elvis Presley.

0:33:57.560 --> 0:33:57.960
<v Speaker 5>It was.

0:34:01.200 --> 0:34:03.680
<v Speaker 3>So when you said you wanted to cut your hair.

0:34:03.880 --> 0:34:06.760
<v Speaker 3>I had this sense like this was going to be

0:34:07.000 --> 0:34:12.920
<v Speaker 3>more emotional than you realized. Yeah, you know, does that

0:34:12.960 --> 0:34:13.839
<v Speaker 3>make sense.

0:34:13.680 --> 0:34:15.520
<v Speaker 2>Totally that you were like, Oh, she thinks it's going

0:34:15.560 --> 0:34:17.560
<v Speaker 2>to be no big deal, but there's a big sense

0:34:17.560 --> 0:34:19.520
<v Speaker 2>of identity there that she doesn't realize.

0:34:19.680 --> 0:34:22.439
<v Speaker 3>Is why it was so important for us to do

0:34:22.640 --> 0:34:25.840
<v Speaker 3>the episode and not just have it be oh, she

0:34:25.920 --> 0:34:29.160
<v Speaker 3>cut her hair, because it's like, it's it's huge, And

0:34:29.239 --> 0:34:31.719
<v Speaker 3>I knew that all any mom who had ever had

0:34:31.800 --> 0:34:35.480
<v Speaker 3>long hair was going to be like lued to the screen. Yes,

0:34:36.440 --> 0:34:40.360
<v Speaker 3>and I remember it was it was it was only

0:34:40.400 --> 0:34:43.680
<v Speaker 3>about you cutting your hair, very very peripherally, because it

0:34:43.760 --> 0:34:47.879
<v Speaker 3>was about Corey and about his sense of who he

0:34:48.239 --> 0:34:51.560
<v Speaker 3>was and what his looks were and how he presented

0:34:51.600 --> 0:34:56.239
<v Speaker 3>to the world. And you grabbing your hair and in

0:34:56.560 --> 0:35:00.799
<v Speaker 3>the bathroom and just hugging it out to prove to

0:35:00.880 --> 0:35:07.760
<v Speaker 3>him that that your physical being was not your internal being,

0:35:07.840 --> 0:35:11.000
<v Speaker 3>that like the person you were was not a function

0:35:11.080 --> 0:35:12.160
<v Speaker 3>of how you looked.

0:35:12.640 --> 0:35:14.760
<v Speaker 2>Right, And then of course she proves him wrong because

0:35:14.800 --> 0:35:17.600
<v Speaker 2>she immediately becomes a totally changes.

0:35:17.560 --> 0:35:22.080
<v Speaker 3>Yeah, exactly, the whole total meltdown, but that but eventually

0:35:22.160 --> 0:35:29.960
<v Speaker 3>it comes around, right, so I remember you having literally

0:35:30.520 --> 0:35:35.480
<v Speaker 3>before you you grabbed your hair, you grabbed the scissors,

0:35:35.719 --> 0:35:38.800
<v Speaker 3>and you melt it down. I remember we stopped taping.

0:35:39.040 --> 0:35:39.680
<v Speaker 3>Do you remember that?

0:35:39.960 --> 0:35:43.600
<v Speaker 2>No, Oh, but I do. I do remember that. It

0:35:43.680 --> 0:35:47.960
<v Speaker 2>was a real stop and start. There was the you're

0:35:48.120 --> 0:35:51.200
<v Speaker 2>you know, you're gonna grab your hair and you're gonna

0:35:51.239 --> 0:35:53.680
<v Speaker 2>cut your hair, and then and and we'll let you

0:35:53.719 --> 0:35:55.719
<v Speaker 2>know when you can actually do it. And in the

0:35:55.760 --> 0:35:58.560
<v Speaker 2>between times Jeff McCracken would yell stop or Michael would

0:35:58.600 --> 0:36:01.000
<v Speaker 2>yell stop because we could only cut my hair like

0:36:01.120 --> 0:36:08.399
<v Speaker 2>one good yell cut which and then the way I

0:36:08.440 --> 0:36:10.840
<v Speaker 2>was gonna get to go and finish it was just

0:36:10.920 --> 0:36:14.480
<v Speaker 2>they weren't gonna yell anything. And so I was like,

0:36:14.560 --> 0:36:17.040
<v Speaker 2>I even remember then when nobody yelled anything. I was like,

0:36:18.080 --> 0:36:19.239
<v Speaker 2>I remember crying that.

0:36:19.280 --> 0:36:22.000
<v Speaker 1>Day, but I don't why. I don't remember you crying.

0:36:22.320 --> 0:36:25.880
<v Speaker 1>That's what That's what I thought. You were crying because

0:36:26.239 --> 0:36:29.000
<v Speaker 1>it was taking so long. You were getting yelled at.

0:36:29.200 --> 0:36:30.440
<v Speaker 1>I feel like you were getting yelled at.

0:36:30.560 --> 0:36:32.520
<v Speaker 2>I was getting yelled at. I remember getting yelled at.

0:36:32.640 --> 0:36:34.239
<v Speaker 1>It wasn't because you've cut your hair. I think you

0:36:34.280 --> 0:36:35.040
<v Speaker 1>wanted to cut your.

0:36:34.920 --> 0:36:37.399
<v Speaker 2>Hair to cut my hair. It was just.

0:36:39.160 --> 0:36:39.760
<v Speaker 4>At this point.

0:36:39.840 --> 0:36:44.400
<v Speaker 3>Yeah, I remember you not I remember you not being

0:36:44.440 --> 0:36:47.800
<v Speaker 3>sure that you could do it. I remember going back

0:36:47.960 --> 0:36:53.400
<v Speaker 3>into the makeup area with you, and and I remember

0:36:53.560 --> 0:36:55.440
<v Speaker 3>this is how I remember that. You were like, I

0:36:55.480 --> 0:36:59.000
<v Speaker 3>can't do this, this is too much, it's overwhelming. I

0:36:59.080 --> 0:37:02.239
<v Speaker 3>just can't. And we stopped, and I remember going in

0:37:02.560 --> 0:37:04.879
<v Speaker 3>And I don't know if I was the only one

0:37:04.880 --> 0:37:07.840
<v Speaker 3>who spoke to you. I can't imagine that I was

0:37:07.880 --> 0:37:09.600
<v Speaker 3>the only one who spoke to you at this point,

0:37:09.840 --> 0:37:13.400
<v Speaker 3>and like your mom would have been there talking to you. Yeah, probably,

0:37:13.719 --> 0:37:18.440
<v Speaker 3>But I remember talking to you and trying to walk

0:37:18.480 --> 0:37:24.160
<v Speaker 3>you through the lesson of the episode, which was its hair.

0:37:25.000 --> 0:37:28.360
<v Speaker 2>Yeah, I mean, I promise you there was nothing I

0:37:28.400 --> 0:37:30.239
<v Speaker 2>wanted more at the time than to cut my hair.

0:37:30.440 --> 0:37:32.399
<v Speaker 2>I really wanted to cut my hair. I was so

0:37:32.440 --> 0:37:33.960
<v Speaker 2>sick of my long hair. I felt like it's like

0:37:34.000 --> 0:37:36.520
<v Speaker 2>a child with long hair. I wanted to cut it.

0:37:36.560 --> 0:37:39.560
<v Speaker 2>I do remember that the actual filming of it was

0:37:39.920 --> 0:37:42.000
<v Speaker 2>very stressful, and I remember Michael coming up to me,

0:37:42.040 --> 0:37:43.880
<v Speaker 2>and probably because he had heard your story of you

0:37:43.920 --> 0:37:45.799
<v Speaker 2>cutting your hair and you saying, you know, you look

0:37:45.880 --> 0:37:48.120
<v Speaker 2>like Elvis. After Michael coming up to me, and going

0:37:48.120 --> 0:37:49.600
<v Speaker 2>show me where you're gonna cut it, Show me where,

0:37:49.600 --> 0:37:51.040
<v Speaker 2>show me where on your short Where are you gonna

0:37:51.040 --> 0:37:52.759
<v Speaker 2>cut it? When you say you want short hair, where

0:37:52.760 --> 0:37:54.279
<v Speaker 2>are you gonna do it? And being like I'm gonna

0:37:54.280 --> 0:37:55.600
<v Speaker 2>cut it to hair and said no, you're gonna do

0:37:55.600 --> 0:37:57.080
<v Speaker 2>it here, do it here, do it down here, and

0:37:57.120 --> 0:37:59.920
<v Speaker 2>being like okay, and like grabbing my hair and figuring

0:37:59.920 --> 0:38:01.920
<v Speaker 2>out where the scissors were going to go. And again

0:38:02.400 --> 0:38:06.799
<v Speaker 2>it was you know, when I wasn't supposed to cut

0:38:06.800 --> 0:38:09.040
<v Speaker 2>my hair, they would yell stop and somebody would come

0:38:09.120 --> 0:38:10.719
<v Speaker 2>running in and it'd be like, okay, I didn't cut

0:38:10.719 --> 0:38:11.839
<v Speaker 2>my hair. I didn't cut my hair. And we did

0:38:11.840 --> 0:38:13.360
<v Speaker 2>that so many times. We had to make sure we

0:38:13.400 --> 0:38:15.440
<v Speaker 2>had all the shots we needed. And then when I

0:38:15.480 --> 0:38:17.400
<v Speaker 2>was supposed to go, just nobody said anything, and then

0:38:17.400 --> 0:38:19.920
<v Speaker 2>I just took the scissors and started hacking away at it.

0:38:20.600 --> 0:38:21.960
<v Speaker 2>And then that night I got to go home with

0:38:22.000 --> 0:38:24.080
<v Speaker 2>half cut hair, and all I could remember was thinking, Oh,

0:38:24.120 --> 0:38:27.000
<v Speaker 2>I'm just so excited to have this haircut done tomorrow.

0:38:27.320 --> 0:38:31.160
<v Speaker 2>I'll have this good professional haircut tomorrow, which was very,

0:38:31.680 --> 0:38:34.920
<v Speaker 2>very exciting for me. Yeah, So how much when you're

0:38:34.960 --> 0:38:37.680
<v Speaker 2>writing a script and you come up with an idea

0:38:37.800 --> 0:38:41.719
<v Speaker 2>and the writer's room gets it and they start, you know,

0:38:42.440 --> 0:38:46.920
<v Speaker 2>putting it all together. How much detail goes into a

0:38:46.960 --> 0:38:49.919
<v Speaker 2>script and how much of the thought that like we've

0:38:49.960 --> 0:38:51.799
<v Speaker 2>heard from, you know, when we would sit in note

0:38:51.800 --> 0:38:54.160
<v Speaker 2>sessions and Michael would tell us about this is really

0:38:54.160 --> 0:38:55.799
<v Speaker 2>what this is about and it's about this and all

0:38:55.840 --> 0:38:58.240
<v Speaker 2>the different layers. How much of that is talked about

0:38:58.360 --> 0:39:01.320
<v Speaker 2>in the writer's room while you're putting together the script.

0:39:02.160 --> 0:39:05.280
<v Speaker 3>Okay, so there's there's a few processes to putting together

0:39:05.320 --> 0:39:09.320
<v Speaker 3>this script. So there's there's sort of this initial germ

0:39:09.360 --> 0:39:12.360
<v Speaker 3>of an idea, and sometimes the germ of an idea

0:39:12.600 --> 0:39:15.879
<v Speaker 3>is generated by the writer and sometimes by the room,

0:39:17.040 --> 0:39:20.480
<v Speaker 3>and if it's generated by the room, it gets assigned

0:39:20.560 --> 0:39:23.440
<v Speaker 3>to somebody. If it's generated by the writer, you usually

0:39:23.440 --> 0:39:25.360
<v Speaker 3>get to hang on to that germ of an idea

0:39:25.600 --> 0:39:29.799
<v Speaker 3>and kind of go with it. Right, So you have

0:39:29.880 --> 0:39:32.160
<v Speaker 3>the germ of the idea, you sort of lay out

0:39:32.239 --> 0:39:35.040
<v Speaker 3>the the react structure and the you know, the basic

0:39:35.160 --> 0:39:38.839
<v Speaker 3>movement and kind of what it's about, and then the

0:39:38.880 --> 0:39:41.920
<v Speaker 3>writer goes home and writes the script.

0:39:42.320 --> 0:39:44.040
<v Speaker 2>Yeah, all on their own.

0:39:44.719 --> 0:39:48.040
<v Speaker 3>And then you come back and then they rip your

0:39:48.040 --> 0:39:51.840
<v Speaker 3>baby to pieces and like bring ands dining in and

0:39:51.920 --> 0:39:56.279
<v Speaker 3>giving it a electro shock, and yeah, yeah, Michael was

0:39:56.400 --> 0:39:59.960
<v Speaker 3>notorious for that because I remember, and it was all

0:40:00.000 --> 0:40:02.160
<v Speaker 3>always the same. I love the Manta death, but it

0:40:02.239 --> 0:40:04.600
<v Speaker 3>was always the same. He would I would come in

0:40:05.000 --> 0:40:07.400
<v Speaker 3>and he would tell me what an amazing job I

0:40:07.480 --> 0:40:10.200
<v Speaker 3>had done and how much he loved the script, and

0:40:10.239 --> 0:40:13.200
<v Speaker 3>then he would put it up on the screen and

0:40:13.480 --> 0:40:18.640
<v Speaker 3>erase yep, erase it, and then we would start again.

0:40:20.320 --> 0:40:22.399
<v Speaker 3>Why did I go out? Like why did I?

0:40:22.400 --> 0:40:23.600
<v Speaker 2>Hey, why did I do that?

0:40:24.000 --> 0:40:25.000
<v Speaker 3>Why did I do that?

0:40:25.880 --> 0:40:27.640
<v Speaker 6>Why did I do it?

0:40:27.680 --> 0:40:30.400
<v Speaker 3>But I will tell you what I really admire about Michael,

0:40:30.680 --> 0:40:32.719
<v Speaker 3>and what I really admired about the other guys I

0:40:32.719 --> 0:40:38.280
<v Speaker 3>worked for, which was not an industry standard, was he'd

0:40:38.320 --> 0:40:39.719
<v Speaker 3>never put his name on.

0:40:39.680 --> 0:40:43.360
<v Speaker 2>Scripts, right, Yeah, sure, he never.

0:40:43.200 --> 0:40:46.880
<v Speaker 3>Put He did so much work and so much writing,

0:40:47.040 --> 0:40:49.319
<v Speaker 3>and he never put his name on scripts. And as

0:40:49.400 --> 0:40:51.920
<v Speaker 3>you know now from all those little green envelopes that

0:40:51.960 --> 0:40:55.399
<v Speaker 3>come to you, there's a financial cost to that, right,

0:40:55.640 --> 0:40:58.600
<v Speaker 3>He never ever ever did it. And I remember when

0:40:58.640 --> 0:41:00.560
<v Speaker 3>I went on and I did Lizzie and I did

0:41:00.600 --> 0:41:03.759
<v Speaker 3>other things, same thing. I refuse to do it. I

0:41:03.880 --> 0:41:07.200
<v Speaker 3>just I am not putting my name. I don't care

0:41:07.280 --> 0:41:10.000
<v Speaker 3>how much work I put into this. I'm this is

0:41:10.040 --> 0:41:10.719
<v Speaker 3>for the writers.

0:41:11.040 --> 0:41:13.440
<v Speaker 5>Yeah, it's like a political speech writer, where it's you know,

0:41:13.480 --> 0:41:15.239
<v Speaker 5>you're never going to take credit for any of the

0:41:15.280 --> 0:41:17.399
<v Speaker 5>speeches that any of the presidents or senators or anything.

0:41:17.440 --> 0:41:19.680
<v Speaker 3>A lot of but a lot of people did there.

0:41:19.840 --> 0:41:22.480
<v Speaker 3>There were other there were other people out there who did.

0:41:22.520 --> 0:41:25.160
<v Speaker 3>And I always really admired Michael that he didn't.

0:41:25.719 --> 0:41:27.480
<v Speaker 5>Now, I know you said you're not going to violate

0:41:27.480 --> 0:41:29.640
<v Speaker 5>the sanctity of the writer's room, and I totally respect that.

0:41:30.880 --> 0:41:31.400
<v Speaker 7>I do.

0:41:31.719 --> 0:41:31.799
<v Speaker 3>No.

0:41:32.040 --> 0:41:35.120
<v Speaker 5>Just curiously though, because we've heard a lot about kind

0:41:35.120 --> 0:41:38.200
<v Speaker 5>of season one, the split that was in the room,

0:41:38.280 --> 0:41:40.680
<v Speaker 5>because it was like team Michael and team April.

0:41:41.520 --> 0:41:45.680
<v Speaker 3>I mean all the way. I loathed April Kelly really,

0:41:46.280 --> 0:41:48.240
<v Speaker 3>Oh yeah, I loathe that woman.

0:41:48.520 --> 0:41:51.080
<v Speaker 2>Why she was.

0:41:52.840 --> 0:41:56.720
<v Speaker 3>She was not a woman's woman is perhaps the best

0:41:56.719 --> 0:41:58.319
<v Speaker 3>way to put it. Like you would have thought that

0:41:58.600 --> 0:42:01.560
<v Speaker 3>going into the writer's room, I would have had an

0:42:01.680 --> 0:42:08.040
<v Speaker 3>ally in the other woman in the room. She really

0:42:08.600 --> 0:42:11.200
<v Speaker 3>she hated me from the jump. She hated me from

0:42:11.200 --> 0:42:14.200
<v Speaker 3>the jump because Michael liked me and thought I was talented,

0:42:14.480 --> 0:42:17.680
<v Speaker 3>and she found she was one of those zero sum

0:42:17.719 --> 0:42:21.080
<v Speaker 3>people that there's a limited amount of talent and success

0:42:21.080 --> 0:42:23.440
<v Speaker 3>in the world and anyone who had any of it

0:42:23.560 --> 0:42:25.600
<v Speaker 3>was taking it out of her pocket. Hm.

0:42:26.040 --> 0:42:28.040
<v Speaker 4>Wow, okay, yeah, I have.

0:42:28.360 --> 0:42:31.560
<v Speaker 3>I have. There are very few people I don't have

0:42:31.600 --> 0:42:33.680
<v Speaker 3>anything nice to say about. She's one of them.

0:42:34.760 --> 0:42:37.920
<v Speaker 5>Okay, Well, hey, we're trying to get because again we're

0:42:38.000 --> 0:42:41.520
<v Speaker 5>not there. We're kids were not in the writer's room.

0:42:41.680 --> 0:42:43.920
<v Speaker 5>We have no idea the dynamic that's happening there. So

0:42:44.120 --> 0:42:47.080
<v Speaker 5>as adults, we're just trying to get as many stories

0:42:47.120 --> 0:42:49.759
<v Speaker 5>as we can and piece everything together. So for the

0:42:49.800 --> 0:42:52.839
<v Speaker 5>most part, we're you know, people April did not want

0:42:52.840 --> 0:42:54.520
<v Speaker 5>to come on but had a kind of read a

0:42:54.520 --> 0:42:56.560
<v Speaker 5>statement on the air. But we've had other people on

0:42:56.680 --> 0:42:59.520
<v Speaker 5>that were quote unquote team April, and then we've had

0:42:59.560 --> 0:43:02.080
<v Speaker 5>people on that we're team Michael. And again, one of

0:43:02.080 --> 0:43:03.960
<v Speaker 5>the things that we always say that was such a

0:43:04.000 --> 0:43:07.040
<v Speaker 5>positive experience for us is we were completely kept out

0:43:07.080 --> 0:43:07.319
<v Speaker 5>of this.

0:43:07.520 --> 0:43:10.759
<v Speaker 3>Yeah, I want you to see mom and dad finding.

0:43:10.880 --> 0:43:14.799
<v Speaker 5>Right exactly, And and that was to the benefit of

0:43:14.920 --> 0:43:16.680
<v Speaker 5>the adults that were around us. There's a lot of

0:43:16.680 --> 0:43:18.560
<v Speaker 5>things that the adults did that weren't great, but that

0:43:18.680 --> 0:43:20.839
<v Speaker 5>was one thing that was phenomenal is they made sure

0:43:20.880 --> 0:43:22.799
<v Speaker 5>that that didn't spill onto the set. We didn't know

0:43:22.840 --> 0:43:25.200
<v Speaker 5>any of it was going on, so we're kind of

0:43:25.480 --> 0:43:28.680
<v Speaker 5>piecing these stories together as we go, and and it's

0:43:28.760 --> 0:43:31.200
<v Speaker 5>it's interesting because some people will come on and say,

0:43:31.200 --> 0:43:32.800
<v Speaker 5>I'm not going to talk about anything that happened in

0:43:32.800 --> 0:43:35.040
<v Speaker 5>the writer's room, and again I completely and totally respect that,

0:43:35.320 --> 0:43:36.799
<v Speaker 5>And then some people will come on and give us

0:43:36.800 --> 0:43:38.960
<v Speaker 5>little nuggets, and then other people will come on and say, like,

0:43:39.000 --> 0:43:42.920
<v Speaker 5>I hated that person. So we're just trying to get

0:43:42.960 --> 0:43:45.600
<v Speaker 5>a glimpse into what the room was like.

0:43:45.760 --> 0:43:48.440
<v Speaker 4>Frankly, So it's it's really.

0:43:48.320 --> 0:43:52.000
<v Speaker 1>We'll never know because so many different perspectives.

0:43:52.960 --> 0:43:55.640
<v Speaker 3>Yeah, because it's interesting because I guess what I was

0:43:55.680 --> 0:43:58.520
<v Speaker 3>saying about. Like with Michael, I always felt like he

0:43:58.760 --> 0:44:02.239
<v Speaker 3>really liked me and liked my work and wanted me

0:44:02.360 --> 0:44:07.160
<v Speaker 3>involved and was and was like really there to to

0:44:07.200 --> 0:44:12.279
<v Speaker 3>incubate talent and to and to get the most out

0:44:12.320 --> 0:44:15.760
<v Speaker 3>of a person. I found very much the opposite from April.

0:44:15.800 --> 0:44:18.759
<v Speaker 3>I found that that she was the one who was

0:44:18.800 --> 0:44:21.240
<v Speaker 3>going to flat out ignore me, flat out not listen

0:44:21.280 --> 0:44:24.880
<v Speaker 3>to anything I had to say, scorn me, mock me.

0:44:25.080 --> 0:44:30.160
<v Speaker 3>I mean like, yeah, okay, she had two writers that

0:44:30.239 --> 0:44:35.600
<v Speaker 3>were hers can Kudah and was the other woman was

0:44:35.600 --> 0:44:37.080
<v Speaker 3>a wasn't even a writer.

0:44:37.239 --> 0:44:40.839
<v Speaker 2>She was our writers assistance, Yeah, writer assistant.

0:44:40.320 --> 0:44:43.799
<v Speaker 3>But she insisted on her getting a script. I think.

0:44:46.080 --> 0:44:46.560
<v Speaker 4>Jeanette.

0:44:46.719 --> 0:44:49.520
<v Speaker 3>Yeah, those were her two people. Those were Jeanette.

0:44:49.560 --> 0:44:51.719
<v Speaker 4>Jeanette came on the pod and and and kind of.

0:44:52.400 --> 0:44:54.760
<v Speaker 2>Was wrote and her scripts were both great.

0:44:55.000 --> 0:44:57.560
<v Speaker 5>Yeah, I mean she had her scripts were wonderful in

0:44:57.600 --> 0:44:59.719
<v Speaker 5>season one, and we we liked them so much that

0:44:59.760 --> 0:45:01.239
<v Speaker 5>we were like, we have to track her down. And

0:45:01.280 --> 0:45:04.680
<v Speaker 5>she gave us one perspective, frankly, of what it was

0:45:04.760 --> 0:45:06.440
<v Speaker 5>like to be in the writer's room and it was

0:45:06.560 --> 0:45:08.799
<v Speaker 5>very much team April. So you know, we want to

0:45:08.800 --> 0:45:10.920
<v Speaker 5>make sure that we're as balanced and fair as we

0:45:10.960 --> 0:45:11.279
<v Speaker 5>can be.

0:45:11.640 --> 0:45:15.080
<v Speaker 3>And I can really, I can really really see that

0:45:15.200 --> 0:45:18.879
<v Speaker 3>because it is so hard to get a break and

0:45:19.000 --> 0:45:22.880
<v Speaker 3>for and April really did put herself out for these two.

0:45:23.200 --> 0:45:29.640
<v Speaker 3>April really really they were absolutely her hires, her people.

0:45:29.920 --> 0:45:31.359
<v Speaker 3>She asked care of.

0:45:31.320 --> 0:45:33.640
<v Speaker 2>Them, and so was Bill Lawrence, who was another person

0:45:33.680 --> 0:45:36.600
<v Speaker 2>she was really fighting to, you know, get a script,

0:45:36.600 --> 0:45:41.520
<v Speaker 2>and then he pitched us back and it got through Yeah,

0:45:41.560 --> 0:45:45.000
<v Speaker 2>what are your memories of us as kids? Like, how

0:45:45.040 --> 0:45:49.360
<v Speaker 2>did you guys, how did you specifically see us?

0:45:49.400 --> 0:45:54.239
<v Speaker 3>Well, I will say, I just you know, I don't

0:45:54.239 --> 0:45:56.560
<v Speaker 3>feel like I got to spend an enormous amount of

0:45:56.600 --> 0:45:57.200
<v Speaker 3>time with you.

0:45:57.480 --> 0:45:59.239
<v Speaker 2>Yeah, you know what I mean.

0:45:59.320 --> 0:46:02.080
<v Speaker 3>I I felt like all the time I spent with

0:46:02.160 --> 0:46:05.959
<v Speaker 3>you was kind of working time. But when I did

0:46:06.160 --> 0:46:11.839
<v Speaker 3>get a chance to be with you outside of that,

0:46:12.120 --> 0:46:15.960
<v Speaker 3>I was always so proud. I always felt like you

0:46:16.040 --> 0:46:21.080
<v Speaker 3>guys were such good kids with such good values. I

0:46:21.080 --> 0:46:27.360
<v Speaker 3>remember writer, when you got your first paycheck, you bought books. Yeah, yeah,

0:46:27.600 --> 0:46:31.560
<v Speaker 3>you bought beautiful, beautiful, beautiful books. And I'm like, these

0:46:31.680 --> 0:46:36.880
<v Speaker 3>are these are wonderful kids. And I really felt like

0:46:38.320 --> 0:46:41.720
<v Speaker 3>Michael was really a family man and he really did

0:46:41.920 --> 0:46:49.000
<v Speaker 3>try to keep a respectful, family oriented set.

0:46:49.600 --> 0:46:50.040
<v Speaker 2>Yeah.

0:46:50.680 --> 0:46:54.040
<v Speaker 3>I really admired that. I really admired that, and I

0:46:54.080 --> 0:46:56.560
<v Speaker 3>and when I went on, that was like important to

0:46:56.640 --> 0:46:59.840
<v Speaker 3>me to like, it's got to be a good family set.

0:47:00.800 --> 0:47:02.719
<v Speaker 2>What who are some of your favorite guest stars that

0:47:02.760 --> 0:47:05.600
<v Speaker 2>we had over the years. I mean we had Brittany Murphy,

0:47:05.719 --> 0:47:09.120
<v Speaker 2>Tony Quinn obviously, who was there for all of second season, Uh,

0:47:09.360 --> 0:47:13.200
<v Speaker 2>you know, an a third season also Adam Scott like,

0:47:13.239 --> 0:47:19.959
<v Speaker 2>did you have any favorite guest stars? Was it Trick

0:47:21.120 --> 0:47:23.600
<v Speaker 2>one of the Yeah, one of the guitarists.

0:47:23.000 --> 0:47:24.600
<v Speaker 4>The guitarist from Chick was there.

0:47:24.680 --> 0:47:29.080
<v Speaker 3>Yeah, yes, that was yeah, that was like.

0:47:29.120 --> 0:47:29.920
<v Speaker 1>Yeah, he was.

0:47:29.960 --> 0:47:32.320
<v Speaker 4>That was tongues though he was I think he was.

0:47:32.320 --> 0:47:33.120
<v Speaker 4>Was he one of the tongues?

0:47:33.160 --> 0:47:34.200
<v Speaker 2>He was one of the tongues?

0:47:34.320 --> 0:47:36.000
<v Speaker 4>Okay, he was one of the tongues.

0:47:36.040 --> 0:47:39.120
<v Speaker 1>Interesting, and you worked with Sherman a bunch too, because

0:47:39.360 --> 0:47:42.600
<v Speaker 1>if you went on to You Wish, that was basically YouTube, right.

0:47:42.800 --> 0:47:45.720
<v Speaker 3>You Wish was like, I remember when we finished You Wish,

0:47:46.560 --> 0:47:50.000
<v Speaker 3>my Nina Bargell, I don't know who was my assistant

0:47:50.040 --> 0:47:51.640
<v Speaker 3>and who I took on to be a writer on

0:47:51.719 --> 0:47:55.960
<v Speaker 3>Lizzie she as She came to me with all the

0:47:56.120 --> 0:47:58.880
<v Speaker 3>scripts for You Wish, and she asked what should I

0:47:58.880 --> 0:48:00.919
<v Speaker 3>do with them? And I said, hang on to them

0:48:01.440 --> 0:48:04.320
<v Speaker 3>and if I ever get like two full of myself,

0:48:04.480 --> 0:48:06.920
<v Speaker 3>just bust out these scripts and sholm to me.

0:48:09.239 --> 0:48:12.319
<v Speaker 1>So that was not a great experienced experience. Apparently it was.

0:48:12.520 --> 0:48:16.279
<v Speaker 3>It was so interesting, it was like it was surreal.

0:48:16.920 --> 0:48:20.440
<v Speaker 3>It was absolutely surreal because you know, we had created

0:48:20.440 --> 0:48:24.759
<v Speaker 3>this show with a genie who could do anything. So

0:48:24.800 --> 0:48:27.000
<v Speaker 3>then you had to come up with all the reasons

0:48:27.120 --> 0:48:31.120
<v Speaker 3>why the genie couldn't just solve every problem with like

0:48:31.200 --> 0:48:32.080
<v Speaker 3>the snack.

0:48:33.280 --> 0:48:33.800
<v Speaker 6>Fingers.

0:48:33.840 --> 0:48:36.880
<v Speaker 3>And we and then we kind of a lot of

0:48:36.920 --> 0:48:40.759
<v Speaker 3>times we went down the uh I dream of Genie road,

0:48:40.920 --> 0:48:43.799
<v Speaker 3>which was, you know, the major told her that she

0:48:44.080 --> 0:48:50.520
<v Speaker 3>can't use her right. So but we'd switched the sexes,

0:48:51.280 --> 0:48:55.960
<v Speaker 3>so the we had a female mom and then the

0:48:56.000 --> 0:48:58.880
<v Speaker 3>male Genie. So the mom just came off as the

0:48:58.960 --> 0:49:01.439
<v Speaker 3>depth of all fun. You must not ever do any

0:49:01.840 --> 0:49:06.240
<v Speaker 3>fun right, and it was. And then we spent more

0:49:06.360 --> 0:49:10.600
<v Speaker 3>money on that than we were so insanely over budget

0:49:10.640 --> 0:49:13.279
<v Speaker 3>on that. But I will say that I was the

0:49:13.280 --> 0:49:16.239
<v Speaker 3>one who pitched that he lived in Barbie's dream house,

0:49:16.280 --> 0:49:17.520
<v Speaker 3>which I felt was prescient.

0:49:18.320 --> 0:49:20.160
<v Speaker 2>Huh, there you go.

0:49:20.640 --> 0:49:23.120
<v Speaker 3>I'm like, we are going to build Barbie's dreamhouse and

0:49:23.200 --> 0:49:24.799
<v Speaker 3>that is where the genie is going to live.

0:49:25.120 --> 0:49:27.960
<v Speaker 2>I love that. Well, you left us and you went

0:49:28.000 --> 0:49:31.760
<v Speaker 2>on too EP and scored two Emmy nominations for Lizzie McGuire.

0:49:31.960 --> 0:49:34.799
<v Speaker 2>So what was that experience? Like? Tell us everything about

0:49:34.880 --> 0:49:35.960
<v Speaker 2>being on Lizzie McGuire.

0:49:36.520 --> 0:49:39.200
<v Speaker 3>I loved it. It was the same sort. It was interesting.

0:49:39.239 --> 0:49:42.880
<v Speaker 3>I came in right after the pilot, and the woman

0:49:42.920 --> 0:49:46.880
<v Speaker 3>who had written the pilot got had written two pilots

0:49:46.920 --> 0:49:50.040
<v Speaker 3>that year, one with Gena Davis, and she decided to

0:49:50.080 --> 0:49:52.719
<v Speaker 3>go do the Gena Davis pilot. And Disney asked me

0:49:52.800 --> 0:49:55.160
<v Speaker 3>if I wanted to take over this little show on

0:49:55.480 --> 0:49:58.920
<v Speaker 3>the Disney Channel, and I'm like, absolutely, that sounds like,

0:49:59.000 --> 0:50:01.120
<v Speaker 3>you know, let me come in look at it. And

0:50:01.200 --> 0:50:05.000
<v Speaker 3>it was kind of a train wreck, and I rewrote

0:50:05.040 --> 0:50:10.680
<v Speaker 3>it and reshot it, and we were filming over in

0:50:10.960 --> 0:50:17.560
<v Speaker 3>Hollywood and Disney was over in Burbank. And because it

0:50:17.600 --> 0:50:20.880
<v Speaker 3>was like such this little crappy thing, nobody really wanted

0:50:20.960 --> 0:50:23.440
<v Speaker 3>to drive. So I kind of got to do my

0:50:23.480 --> 0:50:26.320
<v Speaker 3>own thing. And it was really, really, really fun. I

0:50:26.360 --> 0:50:28.719
<v Speaker 3>got to be my own little vision and I just

0:50:29.560 --> 0:50:33.680
<v Speaker 3>loved every minute of it. But at the end, there was,

0:50:34.440 --> 0:50:36.960
<v Speaker 3>you know, there was a certain amount of infighting and

0:50:37.440 --> 0:50:41.680
<v Speaker 3>Hillary really wanted to go on and have a movie career,

0:50:42.520 --> 0:50:48.120
<v Speaker 3>and she forced Disney to cancel the series, which kind

0:50:48.120 --> 0:50:48.839
<v Speaker 3>of broke my heart.

0:50:49.840 --> 0:50:51.959
<v Speaker 1>Yeah, so how long did it last?

0:50:52.440 --> 0:50:55.759
<v Speaker 3>We were only on for two seasons, and of the

0:50:55.840 --> 0:50:59.200
<v Speaker 3>second season, we went and we did the Lizzie McGuire movie,

0:50:59.520 --> 0:51:03.040
<v Speaker 3>which I did Dector and Strauss great. Brought in Dector

0:51:03.080 --> 0:51:05.880
<v Speaker 3>and Stress to rewrite me because they were like, oh like, well,

0:51:05.920 --> 0:51:07.640
<v Speaker 3>we're going to bringing people to rewrite you. And I'm

0:51:07.640 --> 0:51:09.640
<v Speaker 3>like who, and they said, Doctor and Strauss. I'm like, yes,

0:51:12.120 --> 0:51:14.640
<v Speaker 3>bring them, this is going to be perfect. So we

0:51:15.280 --> 0:51:17.680
<v Speaker 3>got together and did a writer's room and redid it

0:51:17.719 --> 0:51:20.239
<v Speaker 3>and it was. It was the most awesome experience being

0:51:20.320 --> 0:51:24.960
<v Speaker 3>back with those guys. But in order to agree to

0:51:25.120 --> 0:51:29.720
<v Speaker 3>do the movie, she insisted that the series be canceled.

0:51:29.719 --> 0:51:31.960
<v Speaker 3>She wouldn't do the movie unless they canceled the series.

0:51:32.200 --> 0:51:33.680
<v Speaker 5>Yeah, that was kind of par for the course at

0:51:33.680 --> 0:51:36.080
<v Speaker 5>the time there where it was it was Miley Cyrus

0:51:36.080 --> 0:51:38.200
<v Speaker 5>and everybody that were kind of wanted to break out of.

0:51:38.160 --> 0:51:38.959
<v Speaker 4>The Disney show.

0:51:39.200 --> 0:51:42.440
<v Speaker 5>So they went and did you know, covers of magazines

0:51:42.520 --> 0:51:43.880
<v Speaker 5>or something where it was, you know, try to be

0:51:43.920 --> 0:51:47.040
<v Speaker 5>provocative in some way to get Disney to let them go.

0:51:47.280 --> 0:51:48.399
<v Speaker 4>So yeah, interesting time.

0:51:48.960 --> 0:51:51.640
<v Speaker 1>Well, back then Disney Channel just didn't It was you know,

0:51:51.719 --> 0:51:53.200
<v Speaker 1>it was like there was Network and then there was

0:51:53.280 --> 0:51:56.800
<v Speaker 1>Disney Channel. And also just even being on a kids show,

0:51:56.880 --> 0:51:59.080
<v Speaker 1>you know, like it was always there was it was

0:51:59.120 --> 0:52:01.840
<v Speaker 1>hard to move out of any of those.

0:52:01.719 --> 0:52:04.000
<v Speaker 5>Realms and if we thought we were on a kid show,

0:52:04.040 --> 0:52:05.520
<v Speaker 5>if you were on a Disney Channel show, you were

0:52:05.640 --> 0:52:06.000
<v Speaker 5>like exact.

0:52:07.239 --> 0:52:09.680
<v Speaker 1>And the budgets, I mean, Disney Is just notoriously did

0:52:09.760 --> 0:52:11.600
<v Speaker 1>not spend money on their shows either, you know, like

0:52:11.640 --> 0:52:14.640
<v Speaker 1>Disney Channel shows would just have no budget compared to

0:52:14.719 --> 0:52:15.479
<v Speaker 1>a network show.

0:52:15.760 --> 0:52:27.240
<v Speaker 7>Yeah.

0:52:27.400 --> 0:52:32.560
<v Speaker 2>So, looking back now thirty years later, as a name

0:52:32.680 --> 0:52:35.160
<v Speaker 2>that is just so ingrained with Boy Meets World from

0:52:35.200 --> 0:52:38.280
<v Speaker 2>the start, what are your thoughts on Boy Meets World today?

0:52:38.320 --> 0:52:41.160
<v Speaker 2>Are you shocked to see that it still resonates all

0:52:41.160 --> 0:52:43.920
<v Speaker 2>these years later despite at the time it being a

0:52:43.920 --> 0:52:44.680
<v Speaker 2>mid level hit.

0:52:45.480 --> 0:52:52.319
<v Speaker 3>No, absolutely not, because there's something so essentially good about it.

0:52:52.800 --> 0:52:57.280
<v Speaker 3>And it really was a show designed for a family

0:52:57.360 --> 0:53:01.279
<v Speaker 3>to watch together. It was really a TGII show. I

0:53:01.480 --> 0:53:04.560
<v Speaker 3>tried to put in enough humor for adults to watch

0:53:04.640 --> 0:53:08.879
<v Speaker 3>and kids to enjoy and never have a moment when

0:53:09.280 --> 0:53:13.480
<v Speaker 3>the parents would be remotely concerned about what they were

0:53:13.520 --> 0:53:18.000
<v Speaker 3>going to see. And so I and honestly I miss it.

0:53:19.440 --> 0:53:22.400
<v Speaker 2>Obviously. W GA is on strike. But what are you

0:53:22.480 --> 0:53:25.680
<v Speaker 2>doing now or are you are? Do you consider yourself

0:53:25.680 --> 0:53:29.040
<v Speaker 2>to be retired semi retired? Would you? Would you? What

0:53:29.080 --> 0:53:30.520
<v Speaker 2>do you want? What do you want to do now?

0:53:31.320 --> 0:53:32.839
<v Speaker 3>Oh, my gosh, what do I want to do? Now?

0:53:32.880 --> 0:53:36.759
<v Speaker 3>I'm doing I'm doing some charity work. I my mom

0:53:36.760 --> 0:53:38.800
<v Speaker 3>and I just my mom is still a lot ninety

0:53:38.880 --> 0:53:39.359
<v Speaker 3>years old.

0:53:40.520 --> 0:53:42.800
<v Speaker 2>Has she has she forgiven you for not being a poet?

0:53:43.520 --> 0:53:48.600
<v Speaker 3>No? He literally still harps on it, literally to this day,

0:53:48.840 --> 0:53:49.920
<v Speaker 3>harps on it no matter what.

0:53:51.880 --> 0:53:52.359
<v Speaker 7>Come on.

0:53:53.440 --> 0:53:56.840
<v Speaker 3>I she and I just bought a vet clinic in

0:53:57.000 --> 0:54:01.080
<v Speaker 3>Barstow to offer low cost veterinaries services to the high

0:54:01.080 --> 0:54:01.960
<v Speaker 3>desert community.

0:54:02.160 --> 0:54:04.640
<v Speaker 2>Oh that's great, Wow, that's wonderful.

0:54:04.960 --> 0:54:09.160
<v Speaker 3>That is charity work. And then my college roommate and

0:54:09.200 --> 0:54:13.960
<v Speaker 3>I are just finishing up a novel. My college roommate

0:54:15.440 --> 0:54:17.440
<v Speaker 3>she was also became like kind of famous in her

0:54:17.440 --> 0:54:21.279
<v Speaker 3>own right. She wrote Dying Young, the Julia Roberts movie

0:54:22.200 --> 0:54:24.520
<v Speaker 3>in a movie, so she was sort of a big novelist.

0:54:25.120 --> 0:54:29.640
<v Speaker 3>So we decided to sit down and write and oh,

0:54:29.640 --> 0:54:31.439
<v Speaker 3>my god, this is like, this is crazy. You guys

0:54:31.480 --> 0:54:34.080
<v Speaker 3>don't even know this about me. My great grandmother was

0:54:34.080 --> 0:54:34.920
<v Speaker 3>a serial killer.

0:54:36.200 --> 0:54:36.480
<v Speaker 4>This is.

0:54:38.560 --> 0:54:40.160
<v Speaker 2>How do we not start with that?

0:54:40.960 --> 0:54:45.000
<v Speaker 1>Always lead with serial killer grandma?

0:54:45.440 --> 0:54:47.680
<v Speaker 3>Now you have to have me back, right.

0:54:47.960 --> 0:54:50.959
<v Speaker 2>That's true.

0:54:51.920 --> 0:54:56.799
<v Speaker 3>It was a serial killer. And my thought was like, not, like,

0:54:56.920 --> 0:54:59.839
<v Speaker 3>how do you wind up like kind of doing that? Right?

0:55:00.480 --> 0:55:01.839
<v Speaker 2>How do you get into that sort of work?

0:55:02.280 --> 0:55:05.960
<v Speaker 3>Thank you exactly. So I'm like, there's a story there.

0:55:06.080 --> 0:55:09.520
<v Speaker 2>And so that's what you're writing a novel about. Oh wow,

0:55:10.840 --> 0:55:14.719
<v Speaker 2>well it was nice, docu. It was great to see you.

0:55:14.760 --> 0:55:17.560
<v Speaker 1>Wait, wait, can you give us the cliff notes version

0:55:17.600 --> 0:55:20.359
<v Speaker 1>of who this person was and what she did?

0:55:20.440 --> 0:55:21.680
<v Speaker 2>Can we get a little bit about her?

0:55:22.280 --> 0:55:27.239
<v Speaker 3>Okay? So she she We have very long generations in

0:55:27.280 --> 0:55:29.760
<v Speaker 3>my family. We take a long time to like get traction.

0:55:30.360 --> 0:55:35.200
<v Speaker 3>So this was She finally died in Miami in the fifties,

0:55:35.480 --> 0:55:37.440
<v Speaker 3>swathed in jewels and furs.

0:55:37.560 --> 0:55:39.479
<v Speaker 2>Oh, I love it. That's how I want to go.

0:55:39.880 --> 0:55:46.960
<v Speaker 3>Uncaught, Like nobody ever caught her. Seven seven husbands died,

0:55:47.440 --> 0:55:53.879
<v Speaker 3>yes we according to family lore, only six of them

0:55:53.920 --> 0:55:54.920
<v Speaker 3>were intentional.

0:55:56.120 --> 0:55:58.200
<v Speaker 2>Oh, one died of natural causes.

0:55:58.440 --> 0:56:04.040
<v Speaker 3>Well that's okay, right, six maybe, and then she would

0:56:04.160 --> 0:56:07.040
<v Speaker 3>but she got away with it because well once she

0:56:07.200 --> 0:56:12.279
<v Speaker 3>was staggeringly beautiful. So and she was. She was a

0:56:12.480 --> 0:56:16.320
<v Speaker 3>beautiful young woman in a time when beautiful young women

0:56:16.440 --> 0:56:20.160
<v Speaker 3>didn't have a lot of options. She had an unattractive

0:56:20.400 --> 0:56:25.640
<v Speaker 3>cousin who was a mathematician who wrote the mathematics describing

0:56:25.680 --> 0:56:29.920
<v Speaker 3>the surface tension of water. So great grandmother was not

0:56:30.480 --> 0:56:35.800
<v Speaker 3>an idiot, but she was very had very few opportunities,

0:56:36.320 --> 0:56:39.560
<v Speaker 3>and marrying well was a real opportunity.

0:56:40.480 --> 0:56:43.120
<v Speaker 5>Most serial killers are actually pretty smart. Yeah, most most

0:56:43.239 --> 0:56:45.279
<v Speaker 5>serial killers are actually pretty smart. If you look at

0:56:45.280 --> 0:56:46.800
<v Speaker 5>some of the bundies and all the I don't know,

0:56:47.040 --> 0:56:49.440
<v Speaker 5>I know that, but they're all okay, so.

0:56:49.520 --> 0:56:51.000
<v Speaker 4>Well, that's going to be a fun book.

0:56:51.640 --> 0:56:55.560
<v Speaker 3>Yeah, sort of, I said it. I brought it, I

0:56:55.719 --> 0:56:58.319
<v Speaker 3>modernized it somewhat. I brought it up into the San

0:56:58.400 --> 0:57:02.360
<v Speaker 3>Fernando Valley in the eighties and sort of made it

0:57:02.600 --> 0:57:05.239
<v Speaker 3>Pilma and Louise meets Casino Coo.

0:57:05.400 --> 0:57:05.840
<v Speaker 2>I love it.

0:57:06.520 --> 0:57:07.120
<v Speaker 4>And now is this?

0:57:07.200 --> 0:57:09.959
<v Speaker 5>Did the serial killer aspect make its way into any

0:57:10.040 --> 0:57:14.520
<v Speaker 5>you Wish episodes or you It's so weird.

0:57:14.640 --> 0:57:18.440
<v Speaker 3>It was always such a it was it was like

0:57:19.240 --> 0:57:22.640
<v Speaker 3>telling somebody that I had blue eyes. Like it was

0:57:22.680 --> 0:57:25.000
<v Speaker 3>just it seems so obvious. I don't know why. I

0:57:25.000 --> 0:57:27.880
<v Speaker 3>always thought it was obvious that people would kind of.

0:57:28.040 --> 0:57:29.920
<v Speaker 2>That you had a serial killer killer grandmother.

0:57:29.960 --> 0:57:31.920
<v Speaker 3>I don't know, like it just seemed like it wasn't

0:57:31.920 --> 0:57:32.680
<v Speaker 3>worth mentioning.

0:57:33.160 --> 0:57:34.120
<v Speaker 4>I always assumed.

0:57:34.360 --> 0:57:37.680
<v Speaker 5>I always assumed you, yeah, someone I didn't want to

0:57:37.680 --> 0:57:39.520
<v Speaker 5>bring it up because I figured everybody knew. But I

0:57:39.560 --> 0:57:42.800
<v Speaker 5>was like, I bet her grandmother was a serial killer.

0:57:44.080 --> 0:57:45.520
<v Speaker 4>I just figured, okay.

0:57:45.560 --> 0:57:50.120
<v Speaker 3>Exactly exactly. So I'm working on that. And then, you know,

0:57:50.240 --> 0:57:54.360
<v Speaker 3>I have a fourteen year old son. Wow, I have

0:57:54.400 --> 0:57:56.680
<v Speaker 3>a fourteen year old son who wanted to say hello?

0:57:56.800 --> 0:58:00.080
<v Speaker 3>Did you want to say hello? So excited about.

0:58:00.520 --> 0:58:05.320
<v Speaker 2>How are you? I? Well, what's your son's name?

0:58:05.960 --> 0:58:11.080
<v Speaker 3>My name is Jeffrey, Hi, Jeffrey, Jeffrey. My mom's a legend.

0:58:14.120 --> 0:58:15.960
<v Speaker 5>Did she just break the news to you that your

0:58:16.000 --> 0:58:17.520
<v Speaker 5>great grandmother is a serial killer?

0:58:17.560 --> 0:58:20.920
<v Speaker 3>Great great I was sitting on the chair over there.

0:58:21.040 --> 0:58:24.720
<v Speaker 3>I was just like, oh my god, yeah to know that. No,

0:58:24.920 --> 0:58:28.840
<v Speaker 3>we've been talking about this for years. Oh my god.

0:58:29.520 --> 0:58:33.120
<v Speaker 2>See this is what I all the family dinners that

0:58:33.200 --> 0:58:34.640
<v Speaker 2>I haven't been picking up on this.

0:58:35.160 --> 0:58:38.200
<v Speaker 3>But it's just not like things are starting to make sense.

0:58:38.800 --> 0:58:42.520
<v Speaker 3>But I would say that if you can't really go

0:58:42.600 --> 0:58:45.640
<v Speaker 3>back to television and be a mom.

0:58:46.200 --> 0:58:46.400
<v Speaker 2>Yeah.

0:58:46.440 --> 0:58:50.080
<v Speaker 3>So, but now he's you know, now he's a big guy.

0:58:50.960 --> 0:58:55.120
<v Speaker 3>So now he's old enough, and I'm thinking about maybe

0:58:55.160 --> 0:58:59.480
<v Speaker 3>dipping my toe back in just because it was. It

0:58:59.520 --> 0:59:02.040
<v Speaker 3>was the great greatest. I mean, yeah, now, wasn't it

0:59:02.080 --> 0:59:02.680
<v Speaker 3>the greatest?

0:59:03.040 --> 0:59:04.160
<v Speaker 2>It was. It was a good time.

0:59:05.160 --> 0:59:08.400
<v Speaker 3>Every day you got up and you were so excited

0:59:08.640 --> 0:59:11.560
<v Speaker 3>about showing up, Like there was never a day that

0:59:11.640 --> 0:59:15.360
<v Speaker 3>I didn't wake up thrilled to be going to work.

0:59:15.760 --> 0:59:16.840
<v Speaker 2>Yeah, that's great, and.

0:59:17.000 --> 0:59:20.120
<v Speaker 3>Just loving every minute of it, even when it was

0:59:20.160 --> 0:59:25.040
<v Speaker 3>like stressful or annoying. I always knew it was amazing.

0:59:25.320 --> 0:59:27.520
<v Speaker 3>I was always and that's what I was saying about,

0:59:27.560 --> 0:59:29.120
<v Speaker 3>like that hit feeling like that.

0:59:29.280 --> 0:59:32.720
<v Speaker 1>Right, Yeah, Yeah, it was such a positive set. Yeah,

0:59:32.800 --> 0:59:34.880
<v Speaker 1>I mean I feel like we were always laughing. We

0:59:34.920 --> 0:59:36.000
<v Speaker 1>were always having a good time.

0:59:36.040 --> 0:59:37.320
<v Speaker 4>I wanted to go to work every day too.

0:59:37.360 --> 0:59:40.280
<v Speaker 2>I was excited same, I couldn't wait. Well, Susan, thank

0:59:40.320 --> 0:59:43.400
<v Speaker 2>you so much for coming on and sharing your experiences

0:59:43.440 --> 0:59:45.280
<v Speaker 2>and your stories with us. It was so great to

0:59:45.280 --> 0:59:45.880
<v Speaker 2>see you again.

0:59:46.440 --> 0:59:48.600
<v Speaker 3>Oh my god. Yes, and when I finished my book,

0:59:48.600 --> 0:59:50.480
<v Speaker 3>when I finished my Serial Killer book, I will come

0:59:50.480 --> 0:59:51.960
<v Speaker 3>back and I will plug it with you.

0:59:52.120 --> 0:59:54.080
<v Speaker 2>Yes, please, Well, we also want to have you come

0:59:54.120 --> 0:59:56.480
<v Speaker 2>back when we eventually get to a recap one of

0:59:56.480 --> 0:59:59.240
<v Speaker 2>your episodes. We'd love to have you come back and

0:59:59.240 --> 1:00:01.120
<v Speaker 2>do a little recap with us and talk about all

1:00:01.160 --> 1:00:02.000
<v Speaker 2>that when we get to it.

1:00:02.320 --> 1:00:03.120
<v Speaker 3>I would love to do it.

1:00:03.280 --> 1:00:09.840
<v Speaker 2>Talk to you guys later, another reunion in the books guys,

1:00:09.880 --> 1:00:11.920
<v Speaker 2>thirty years, thirty years in the making.

1:00:12.600 --> 1:00:16.080
<v Speaker 1>I think that I think the biggest issue that we

1:00:16.200 --> 1:00:21.120
<v Speaker 1>face with memories with this podcast is Hollywood is a

1:00:21.160 --> 1:00:24.200
<v Speaker 1>place of stories, and everyone not only loves to tell

1:00:24.480 --> 1:00:27.560
<v Speaker 1>you know, everyone is a natural storyteller. If you're in Hollywood,

1:00:27.560 --> 1:00:29.760
<v Speaker 1>whether you're your actor, you're a writer, you're a producer,

1:00:29.920 --> 1:00:32.360
<v Speaker 1>you love stories and you love to tell stories. And

1:00:32.400 --> 1:00:35.440
<v Speaker 1>so a side effect of that is that everyone creates

1:00:35.680 --> 1:00:38.720
<v Speaker 1>stories while you're on set, while you're so it's like,

1:00:39.040 --> 1:00:41.080
<v Speaker 1>so she had, you know, for instance, like the haircutting

1:00:41.080 --> 1:00:43.560
<v Speaker 1>story right right, Like we all have our own version.

1:00:43.800 --> 1:00:47.200
<v Speaker 1>But in reality, like what she's remembering is mostly her

1:00:47.800 --> 1:00:50.520
<v Speaker 1>writing the script and which was the story of that,

1:00:50.880 --> 1:00:54.440
<v Speaker 1>and she's transposed I think what she remembers you being

1:00:54.520 --> 1:00:57.640
<v Speaker 1>upset that day, she's made it about the haircutting story,

1:00:57.760 --> 1:00:59.280
<v Speaker 1>and it's like it's a story on a story and

1:00:59.320 --> 1:01:02.360
<v Speaker 1>a story. So she's been able to tell a version

1:01:02.440 --> 1:01:04.760
<v Speaker 1>of that, you know, as part of her career, part

1:01:04.760 --> 1:01:07.439
<v Speaker 1>of her the writing experience she had. Whereas, of course

1:01:07.520 --> 1:01:10.240
<v Speaker 1>you had a much more like visceral reaction to like

1:01:10.520 --> 1:01:12.440
<v Speaker 1>grown men yelling at you while you're cutting your hair.

1:01:12.440 --> 1:01:13.240
<v Speaker 1>That's when you were crying.

1:01:13.360 --> 1:01:14.760
<v Speaker 4>I just wanted to cut your hair.

1:01:14.880 --> 1:01:17.240
<v Speaker 2>I just wanted to cut my hair. And I was asked,

1:01:17.480 --> 1:01:19.720
<v Speaker 2>could you please wait to write an episode about it?

1:01:19.840 --> 1:01:22.960
<v Speaker 1>But she has thirty years of storytelling.

1:01:22.600 --> 1:01:26.560
<v Speaker 2>Right, you know, she wrote her hair was very an

1:01:26.560 --> 1:01:31.160
<v Speaker 2>emotional experience. So no matter what happened with what with

1:01:31.240 --> 1:01:33.440
<v Speaker 2>the screaming, or why I could have been yelling somewhere,

1:01:33.440 --> 1:01:35.600
<v Speaker 2>she would have thought. She doesn't know it, but she's

1:01:35.640 --> 1:01:38.720
<v Speaker 2>also very emotional about her hair, like for her because

1:01:38.760 --> 1:01:41.920
<v Speaker 2>that was her experience. And so what she has remembered

1:01:41.920 --> 1:01:44.600
<v Speaker 2>from that is that I was so emotional about losing

1:01:44.640 --> 1:01:45.080
<v Speaker 2>my hair.

1:01:45.920 --> 1:01:47.320
<v Speaker 1>Yeah yeah, well.

1:01:47.400 --> 1:01:49.120
<v Speaker 2>Well, thank you all for joining us for this episode

1:01:49.120 --> 1:01:51.000
<v Speaker 2>of Pod Meets World. As always, you can follow our

1:01:51.080 --> 1:01:53.320
<v Speaker 2>Instagram pod meets World Show. You can send us your

1:01:53.360 --> 1:01:56.520
<v Speaker 2>emails pod meets World Show at gmail dot com. And

1:01:56.840 --> 1:01:57.840
<v Speaker 2>we have merch.

1:01:58.400 --> 1:02:01.200
<v Speaker 4>Turns out on merchandise. This is a serial killer.

1:02:01.640 --> 1:02:08.800
<v Speaker 2>Oh what a surprise. Podmeetsworldshow dot com and we will

1:02:08.840 --> 1:02:10.720
<v Speaker 2>see you all next time. Will send us out.

1:02:11.120 --> 1:02:12.840
<v Speaker 4>We love you all. Pod dismissed.

1:02:14.880 --> 1:02:17.560
<v Speaker 5>Pod Meets World is an iHeart podcast produced and hosted

1:02:17.600 --> 1:02:21.400
<v Speaker 5>by Danielle Fischel, Wilfredell and Ryder Strong Executive producers, Jensen

1:02:21.440 --> 1:02:24.760
<v Speaker 5>Carp and Amy Sugarman, Executive in charge of production, Danielle Romo,

1:02:24.880 --> 1:02:28.760
<v Speaker 5>producer and editor, Taras Sudbach, producer, Jackie Rodriguez, engineer and

1:02:28.800 --> 1:02:31.480
<v Speaker 5>Boy Meets World superfan Easton Allen. Our theme song is

1:02:31.480 --> 1:02:33.760
<v Speaker 5>by Kyle Morton of Typhoon and you can follow us

1:02:33.760 --> 1:02:36.840
<v Speaker 5>on Instagram at Pod Meets World Show or email us

1:02:36.840 --> 1:02:39.360
<v Speaker 5>at Podmeets Worldshow at gmail dot com.