Speaker 1: First of all, you don't know me. We all about
Speaker 1: that high school drama, girl drama girl, all about them.
Speaker 2: High school queens. We'll take you for a ride. And
Speaker 2: our comic girl shared for the right teams drama, queens
Speaker 2: up girl fashion, but your tough girl, you could sit
Speaker 2: with us.
Speaker 1: Girl drama, queens drama, Queens drama, Queens drama, drama, Queens drama, queens.
Speaker 3: Qna, it's not for Quna.
Speaker 2: We need a jingle questions. I know, what a funny
Speaker 2: thing for us to be trying to figure out what
Speaker 2: the jingle is without our resident musician today.
Speaker 3: Yeah, it's her assignment. I know a Q and A song.
Speaker 2: Joy's taking Maria to camp, so she's not here today,
Speaker 2: but as a former camper and permanent forever in my council,
Speaker 2: I love camp so much. She was so apologetic about
Speaker 2: missing this Q and A and I was like, go
Speaker 2: go to camp for all of us.
Speaker 3: Yeah, no one loves camp more than you do.
Speaker 4: You in a clipboard and activities and an a gender soul,
Speaker 4: Oh girl advisor.
Speaker 2: It's a dream wife for me really. But I am
Speaker 2: excited about today because we got like, we got real
Speaker 2: good questions today. These these make me feel excited.
Speaker 4: You're good because you look at them beforehand. I get
Speaker 4: here and I see them as we go, and I'm.
Speaker 3: Like, oh, I should have thought about this.
Speaker 2: I mean honestly, I just read them while we were
Speaker 2: getting our recordings going.
Speaker 4: I haven't.
Speaker 3: Oh okay, I feel better.
Speaker 2: You know, I didn't look at these in advance. I
Speaker 2: like to be spontaneously inspired. But while we figured out, like,
Speaker 2: you know, the technical side of this job we do,
Speaker 2: I did peruse and I like them.
Speaker 4: It's responsible for you to admit that, baby, thank you. Yeah,
Speaker 4: you know.
Speaker 2: It's actually really funny because, like I don't know, as
Speaker 2: an adult, learning that not everyone is like honest to
Speaker 2: a fault. I'm like, huh, what's that like to just
Speaker 2: hold things back?
Speaker 4: That's interesting imagine if you're just like, yes, well I
Speaker 4: am imagineable one of the two of us.
Speaker 3: Well.
Speaker 2: And what was really funny was a friend of mine
Speaker 2: was like, well, you know, like you got diagnosed with
Speaker 2: adult ADHD, which makes your whole childhood make sense, but like,
Speaker 2: you know, a lot of women who have that are
Speaker 2: also like gently autistic. Do you think maybe that's why
Speaker 2: you have such a truth complex? And I was like, huh,
Speaker 2: I haven't examined that with my therapist quite enough yet,
Speaker 2: but I do. I do have a lot of like
Speaker 2: interesting things I do to self soothe. So maybe I
Speaker 2: don't know. I'm open. They didn't they didn't check us out.
Speaker 4: They just put us at the bad kid desk when
Speaker 4: we were little.
Speaker 2: They told us we were misbehaving.
Speaker 3: Yeah, no, we weren't. All right.
Speaker 4: Well, we have a question here from Jason. I wonder
Speaker 4: if he's naughty like we are. Jason, many years after
Speaker 4: this show ended, he says, do you think you could
Speaker 4: jump back into your character if you had to shoot
Speaker 4: an episode next month? If so, how easy or hard
Speaker 4: would it be? And what do you think you would
Speaker 4: have to do to prepare for it? Jason, That's an
Speaker 4: amazing question.
Speaker 2: This is such a good question.
Speaker 3: I mean I could go to where tomorrow.
Speaker 2: I think I could too.
Speaker 4: Yeah, and I I haven't acted in a long time,
Speaker 4: but Peyton is just like, I don't know, those are.
Speaker 3: Our girls, Peyton Brook are our girls.
Speaker 2: Yeah. I think that I could go to work like
Speaker 2: tomorrow very easily. And then part of me goes, but wait,
Speaker 2: would I be Would I feel scared if I didn't
Speaker 2: prepare like I feel like Brooke and Peyton are in
Speaker 2: us so much that we could snap right back in.
Speaker 2: But it's also really been a long time. So suddenly
Speaker 2: I'm going, well, maybe there's like three or four episodes
Speaker 2: from the more recent years or I guess the latter
Speaker 2: years in the show that I would want to just
Speaker 2: rewatch just to be like, hold on, let me let
Speaker 2: me hear it, let me hear the cadence of not
Speaker 2: just my voice but yours and Daphne's and you know
Speaker 2: what I mean.
Speaker 3: Yeah, wait, which three episodes would you watch? What are
Speaker 3: your prep episodes?
Speaker 2: Gosh, I don't know. I I feel like I would
Speaker 2: want I feel like I would probably want to rewatch
Speaker 2: your wedding episode. I think I would want to rewatch
Speaker 2: I don't know what episode it is. This is so silly,
Speaker 2: but there's one from season seven that I remember Lisa
Speaker 2: and I being so fun In and Austin and I
Speaker 2: had really sweet stuff and I just something happens at
Speaker 2: the store. I just remember I had this cute little
Speaker 2: like black and tan corset and a pencil skirt. I
Speaker 2: loved it fit that day, And I'm like, I want
Speaker 2: to watch that episode. I think that one was good
Speaker 2: and i'd probably want to watch. I'd probably want to
Speaker 2: watch like the end of season eight.
Speaker 3: Yeah, I don't know. I don't know.
Speaker 2: Now it's getting fuzzy because I haven't actually seen these yet,
Speaker 2: so I'm not sure if I'm remembering correctly.
Speaker 3: No, that's a that's important. I mean the prep matters.
Speaker 3: I think. I don't know.
Speaker 4: I don't I don't love acting anymore, but I love Peyton,
Speaker 4: and I think the idea of revisiting her and Brooke
Speaker 4: and everyone else is very attractive to me. Yeah, that
Speaker 4: feels like it's not work. It feels like it's like
Speaker 4: a cool hang.
Speaker 2: Yeah, it's weird because had you asked me that question
Speaker 2: before we started this podcast, i'd be like, I'm not
Speaker 2: doing that. But it is so interesting how doing this
Speaker 2: show has made me fall back in love or like
Speaker 2: maybe really truly in love for the first time with
Speaker 2: our show, and now I'm like, oh my god, I
Speaker 2: want to do I want to do an episode of
Speaker 2: our show from this feeling.
Speaker 3: Yeah, same, same, from this centered space.
Speaker 4: Yeah.
Speaker 2: I just feel so proud. I feel so much ownership
Speaker 2: of it. I really feel I feel like we made
Speaker 2: something really special, and I'm like, oh, it'd be so
Speaker 2: cool to like, you know, parallel universe and make an
Speaker 2: episode from this place and see how it well.
Speaker 4: And now that we've gotten to say out loud how
Speaker 4: much of the characters were based on us, whether it
Speaker 4: was the good stuff or the trauma, it feels like
Speaker 4: now I can say I really like Peyton Sawyer, I
Speaker 4: really like that Davis.
Speaker 3: I really like all the characters on our show. I
Speaker 3: like those people.
Speaker 4: So anytime you get a script for something, there's so
Speaker 4: many variables, and it's scary because you don't know what
Speaker 4: other actors are going to get cast. You don't know
Speaker 4: if the producers are dicks. You know, you don't know
Speaker 4: if the editor is going to be good or bad,
Speaker 4: and how the result will look, you know, like you'd.
Speaker 3: Have no control over all of that.
Speaker 4: But what I can say is I think there's enough
Speaker 4: in the world of Tree Hill that I can feel
Speaker 4: pretty safe going back and having like a great time.
Speaker 4: Let's just what happens if we just go back to
Speaker 4: Wilmington tomorrow and just show up at screen gems Well
Speaker 4: say hey, guys, we're here.
Speaker 2: We know what we should do. Remember, during the pandemic,
Speaker 2: all sorts of people started doing those live table reads
Speaker 2: of like classic movies for charity, we should go to
Speaker 2: Thallion Hall and like do a live theater night and
Speaker 2: and like do a table read performance of one of
Speaker 2: our favorite episodes.
Speaker 3: Yeah, I'd even read some fan fiction.
Speaker 4: Wild okay, wild, Okay, fine, great, Jason, Yes, we'll be
Speaker 4: back at work shortly.
Speaker 3: Thank you so much for asking.
Speaker 4: Thank you.
Speaker 2: Okay. Tony wants to know if you could assign a
Speaker 2: song to each of your characters to describe them. What
Speaker 2: would it be and why? Example, to me, Peyton is
Speaker 2: the song absolutely story of a Girl by nine Days?
Speaker 3: Really? Is it awful that I don't know that song?
Speaker 2: This is a girl? Oh my god?
Speaker 3: Never mind, I do know that song.
Speaker 2: Is she Cried a River and drom the whole world?
Speaker 2: That feels right for Peyton. Actually, it's a really good call.
Speaker 2: Are you making fun of me?
Speaker 3: What's your song? What's your book? Days?
Speaker 2: I don't have any idea why this just came to mind,
Speaker 2: but we are family. Maybe because that's just like my
Speaker 2: song for us, I don't know.
Speaker 4: Yeah, I got all my sisters, mab.
Speaker 2: Yeah, that feels really fun. I guess subconsciously that comes
Speaker 2: up for me because we talk so much about how
Speaker 2: it's actually the female friendships that are the greatest love
Speaker 2: story of our show. And I love that so much.
Speaker 2: And I love redefining like the great love story of
Speaker 2: your life. And yeah, maybe that's why my subconscious is
Speaker 2: like your family. I'm into that.
Speaker 3: I love it.
Speaker 4: So I listened to the same song the whole time
Speaker 4: I was there.
Speaker 1: It was.
Speaker 4: Mad World Tears for Fears because it was from the
Speaker 4: Donnie Darko soundtrack, right, and there was something so Donnie
Speaker 4: Darko about Peyton Sawyer, just like nothing makes sense, everything's
Speaker 4: so awful. That was kind of my mantra song. Yeah,
Speaker 4: and I love that song. The message in it is
Speaker 4: so dark, but it's so catchy, which is Peyton darkness,
Speaker 4: but make it catchy.
Speaker 2: I like that a lot.
Speaker 3: Fantastic nine Days sings that song. Huh.
Speaker 4: All right, well, I guess I'm learning every.
Speaker 2: Day unless I'm singing the wrong song to you.
Speaker 4: Courtney wants to know you have mentioned a couple times
Speaker 4: about where in eighteen hour days, just wondering how you
Speaker 4: can do that and function okay the next day. How
Speaker 4: do you remember lines and not look half dead when
Speaker 4: you've only had four.
Speaker 3: To five hours of sleep?
Speaker 4: Or do they give you a day off after a
Speaker 4: long day, or they don't.
Speaker 2: No, they don't.
Speaker 4: I mean sometimes if you work a solid chunk of
Speaker 4: like three long days in a row, they'll have shot
Speaker 4: all your stuff out.
Speaker 2: But not usually because even when you get a day off,
Speaker 2: you have to come in for like fitting. Yeah, you
Speaker 2: got to like go do all the dialogue fixes and
Speaker 2: everything else.
Speaker 3: For cheerleading dance.
Speaker 2: So you're usually working even if you have a quote
Speaker 2: unquote day off. So the thing is, and this is
Speaker 2: why you hear people talk about how, you know, crazy
Speaker 2: the hours are, but also how hard it is to
Speaker 2: have any sort of like routine or life this job.
Speaker 2: Because let's say, like we would do on season one,
Speaker 2: we would shoot in the gym at the high school
Speaker 2: on Sundays because we had to be there when the
Speaker 2: kids weren't actually there. So we'd usually go to work
Speaker 2: on Sunday around four am, so we'd be ready by
Speaker 2: six am and then you could shoot. Those were usually
Speaker 2: eighteen hour days.
Speaker 4: Because we knew we only had the gym for that
Speaker 4: one day, so you had had to get everything.
Speaker 2: So if you went from six am to six pm
Speaker 2: is twelve hours, and then you'd go.
Speaker 3: There's always overtime in travel, Yeah, you'd.
Speaker 2: Go another six hours, so you'd go to midnight. You know,
Speaker 2: they wouldn't check your travel time or your hair makeup time.
Speaker 2: But if we'd wrap, if we'd shoot until midnight, that
Speaker 2: meant that I think the earliest we could be back
Speaker 2: at work the next day was like crew and stuff
Speaker 2: is like eight am for setup. So let's say then
Speaker 2: they say that your call time is ten am for shooting.
Speaker 2: That means you are going to shoot until at least
Speaker 2: ten pm or midnight that next day. So what happens
Speaker 2: is every day gets later and later. So that's why
Speaker 2: when you hear us talk about, especially in season one,
Speaker 2: that term friturday when you shoot from like a Friday
Speaker 2: into a Saturday morning. Our Saturdays were actually Fridays, so
Speaker 2: we'd shoot from like six pm on Thursday night to
Speaker 2: six am on Friday, and then we'd have to be
Speaker 2: back at work at four am on Sunday. So they
Speaker 2: give you a little bit of time. They can't bring
Speaker 2: you into work, you know, four or five hours later.
Speaker 2: That's actually against the law, but what it means is
Speaker 2: because they have to turn you around, you go later
Speaker 2: and later every single day, so you go from like
Speaker 2: the crack of dawn shift to the graveyard shift every
Speaker 2: week and then back, which is why none of us
Speaker 2: have great memories. Everyone's like, I don't remember that, and
Speaker 2: it's like, yeah, of course you don't, because you weren't
Speaker 2: really sleeping.
Speaker 3: No, we're just going through the motions.
Speaker 4: I will I will say it's not always an eighteen
Speaker 4: hour day, but the shortest day you will ever have
Speaker 4: on a film set is twelve hours. You'll never work
Speaker 4: less than twelve hours. And I didn't realize until I,
Speaker 4: you know, like left the world of TV, that other
Speaker 4: people are like grossed out by that. They're like, what
Speaker 4: twelve hour day? What? And it wasn't until Gus and
Speaker 4: I just started talking about this because he pulled a
Speaker 4: twelve hour day the other day and was still like,
Speaker 4: still had more to do. And I was like, dude,
Speaker 4: you're pulling film hours.
Speaker 3: And he was like, yeah, I know, I'm in prep
Speaker 3: right now. But when I become an actor, like I
Speaker 3: just got to work on my like my spear and searching.
Speaker 3: I was like, or you could just be fourteen, or you.
Speaker 2: Don't have to do that, baby. Yeah, it's tricky, and
Speaker 2: I think it's also really tricky because for the girls,
Speaker 2: it's harder because your hair and makeup calls are so
Speaker 2: much longer cause, oh my god, they have to match
Speaker 2: your hair every single day, so you have to get
Speaker 2: a blowout every single morning. So you are usually a
Speaker 2: two hour pre call, so they have time to get
Speaker 2: you in one you know, hair chair for forty five
Speaker 2: minutes and the makeup chair for forty five minutes, and
Speaker 2: then you can go and get changed and get wired,
Speaker 2: and you know, make sure you've eaten something before you
Speaker 2: get on set, because there's not time to eat on set.
Speaker 3: And you're not supposed to eat in your wardrobe.
Speaker 2: You're sure not because if you're ruin it, you screw
Speaker 2: up everybody else's day. And so like a twelve hour
Speaker 2: day for set is never shorter than a fourteen hour
Speaker 2: day for us, which is, you know, part of why
Speaker 2: I think people really can struggle, like to feel like
Speaker 2: they can maintain their life and relationships when they're working
Speaker 2: on something like this, because you just live at work.
Speaker 4: We just really sold it, didn't we We made it
Speaker 4: sound so fun.
Speaker 2: I know, God, isn't that terrible? But the thing is,
Speaker 2: I like to be honest with people because people you
Speaker 2: know nearly, Like when people come to set or people
Speaker 2: start doing this job, a lot of people have like
Speaker 2: a culture shock and they don't handle it well. So
Speaker 2: I don't know. I don't mean to like crush your dreams,
Speaker 2: but I do want to tell you the truth.
Speaker 4: Yeah.
Speaker 2: See, this might be that spicy brain thing I was
Speaker 2: talking about earlier. I can't lie. I'm sorry.
Speaker 3: I love it about you.
Speaker 4: You know, there's some kid out there that was just
Speaker 4: debating whether or not they wanted to go to college
Speaker 4: and study like acting for film, and now they know
Speaker 4: there are just some consequences involved.
Speaker 2: Yeah, if you want to have a nine to five,
Speaker 2: do something else. But if you still love it, you
Speaker 2: can come play in the circus with us.
Speaker 4: Here.
Speaker 2: We are here, we are okay. Speaking of of what
Speaker 2: we do on these crazy days on set, Hannah says,
Speaker 2: what activities did you guys like to do in between takes?
Speaker 2: I'm an actress here in Sweden, so I know how
Speaker 2: long the wait can sometimes be. It's easier to keep
Speaker 2: busy on your phone, et cetera. But what did you
Speaker 2: do back then?
Speaker 3: Oh the dark ages?
Speaker 2: Yeah, because we weren't doom scrolling all day. That's hilarious.
Speaker 2: It is hilarious.
Speaker 3: I mean I will say like we had sidekicks.
Speaker 2: Yeah, we sure did, Hillary, and I loved those. I
Speaker 2: don't know, I don't feel like we would have that
Speaker 2: much downtime unless we were doing like a big you know,
Speaker 2: a gym or a concert or something where there was
Speaker 2: so much time to do, like different setups and turnarounds.
Speaker 2: We were a well oiled machine man. We hustled through things.
Speaker 2: I think, I don't know. We read a lot of books.
Speaker 3: We read a lot, didn't we a lot?
Speaker 4: Yeah?
Speaker 3: We read. We slept.
Speaker 4: I mean I would go back to my trailer and
Speaker 4: sleep for fifteen minutes if I could. I was so
Speaker 4: tired all the time because I also had a really
Speaker 4: active social life outside of work, because I was so
Speaker 4: traumatized at work that I made friends with so many
Speaker 4: other people in Wilmington. So I would just like live
Speaker 4: to go be with them in my off hours.
Speaker 3: But then that meant I wasn't sleeping.
Speaker 2: Yeah. We really did kind of burn the candle at
Speaker 2: both ends there.
Speaker 3: God, what a time to be live. Our twenties were incredible.
Speaker 2: You were wow, we were so fun. Yeah, I mean
Speaker 2: it was a lot of reading. I think, like honestly,
Speaker 2: that is part of where I got so so into
Speaker 2: my practice of reading so much news, because it started
Speaker 2: to really frustrate me as somebody who does love to read,
Speaker 2: Like the in and out in a book where you
Speaker 2: get through read eight pages and then they're ready for
Speaker 2: you again, started to get so frustrating to me that
Speaker 2: I just I started like taking down our articles and
Speaker 2: always carrying like the paper or whatever. So I think
Speaker 2: that's part of where my obsession with the news came from,
Speaker 2: because it almost felt easier for me to go article
Speaker 2: by article in between setups. Makes sense. Soho, who was
Speaker 2: knitting on our set? Well?
Speaker 3: Joy and I knit. Yeah, it was crocheting and knitting, but.
Speaker 2: You were crocheting a lot. I feel like, yeah, you
Speaker 2: were knitting too, weren't you.
Speaker 3: I was knitting in season one and then I was like,
Speaker 3: this is dumb.
Speaker 4: I'm just gonna crochet because not only have one little
Speaker 4: hook to worry about instead of two knitting needles that
Speaker 4: I consistently lose.
Speaker 3: Yeah, and it was easier, I.
Speaker 4: Don't think as much because when you knit, you know,
Speaker 4: you like knit a row, you purl ando you you
Speaker 4: know whatever, back and forth.
Speaker 3: You have to remember the pattern.
Speaker 2: And that's too much to keep track of when you're
Speaker 2: constantly getting interrupted. Yeah, I was always like, wow, look
Speaker 2: at them making stuff that they can hold. I know,
Speaker 2: rite a bunch of random facts about the economic crash
Speaker 2: in Iceland in the nineties, Like what am I doing?
Speaker 3: Hey, that's valuable too.
Speaker 2: Some somewhere when I go on Jeopardy someday.
Speaker 3: Yeah, that'll be my God. Have you done Celebrity Jeopardy?
Speaker 2: I haven't, but I may or may not have just
Speaker 2: been asked to what.
Speaker 4: Oh, I'm gonna flip out, so we'll see. Are you
Speaker 4: allowed to have a cheerleading section?
Speaker 2: I will? I will put it in my rider. Do
Speaker 2: we get those or are those just from musicians?
Speaker 3: No, I've got I'm coming all right.
Speaker 4: Samantha wants to know is there anything that your character
Speaker 4: wore or used in the show that belonged to you
Speaker 4: in real life?
Speaker 3: M h give it.
Speaker 2: I'll give you mine. You'll love this because we love
Speaker 2: Jesse and Edge Verge so much. When we were doing
Speaker 2: the series finale, I went in and got one of
Speaker 2: her North Carolina silhouette necklaces with the enamel on it,
Speaker 2: and I wore it in the episode and I bought
Speaker 2: it and was so excited about it ahead of time,
Speaker 2: and I was like, I really really want to wear this,
Speaker 2: like I always want the image of this place on
Speaker 2: me for the end of this job. And in that episode,
Speaker 2: Austin's directing a project, Julian's like making a TV show,
Speaker 2: and so he asked Carol, our wardrobe supervisor, to have
Speaker 2: that exact same cut out of the state embroidered on
Speaker 2: his hat. And so Julian's director's hat has it on
Speaker 2: it too. Cute, so it like that necklace. Really, it
Speaker 2: really gave us like an iconography for the last episode.
Speaker 2: And I still have it. I have it like up.
Speaker 2: It just hangs on like a little thing in my closet.
Speaker 2: I love it.
Speaker 4: That.
Speaker 3: Yeah, it's really cute.
Speaker 2: It's really sweet.
Speaker 4: I had a lot of I had all of Peyton's
Speaker 4: cowboy boots.
Speaker 3: Those are all mine.
Speaker 4: And then in season five there's some very holy jeans.
Speaker 3: It's five into six, there's some genes.
Speaker 4: That are just torn to shit, and those are personal genes.
Speaker 4: It was like, yeah, girl, because like jeans that someone
Speaker 4: else buys you are not the same as the genes
Speaker 4: that you buy yourself.
Speaker 2: Mm hmm.
Speaker 4: And I loved our costume designer so much, and she
Speaker 4: just any time I would wear something to work, Carol
Speaker 4: would be like, hey, can we just have that?
Speaker 2: Yeah, let's just do this, Let's put you in that.
Speaker 2: Yeah yeah yeah.
Speaker 3: So yeah, all the roughnecks was mine. I think we
Speaker 3: have time for one last question, Baby.
Speaker 4: I do too.
Speaker 2: Oh this is interesting, Anne asks, I've noticed that the
Speaker 2: music seemed to change after Peyton and Lucas left Treoll.
Speaker 2: Did Hillary have any input as to the type of
Speaker 2: music Peyton listen to and played in her scenes or
Speaker 2: did they just bring in a different music coordinator?
Speaker 3: Did it change?
Speaker 2: I don't know. It's actually really interesting. I've never thought
Speaker 2: about it in that way because I think the music
Speaker 2: industry in general was going through a shift. Yeah, in
Speaker 2: two thousand and nine, like sounds were changing, things were shifting.
Speaker 2: But I don't I don't know. I mean, I I
Speaker 2: assumed we still had the same team putting our music together.
Speaker 3: But what you're saying is that it was cooler when
Speaker 3: I was there.
Speaker 2: Well obviously always, but yeah, I like, I don't know
Speaker 2: if maybe he decided he I don't.
Speaker 4: Know, maybe he wasn't spending money on it anymore, you know,
Speaker 4: what I mean, Like, we were definitely spending money on
Speaker 4: it when I was there, and I know that money
Speaker 4: was like a big conversation for all the different departments.
Speaker 4: Our writers have spoken about it, you know, we've spoken
Speaker 4: about it. And so anytime you cut money from one
Speaker 4: department and it goes into someone else's pocket, you know
Speaker 4: who knows. But it costs money to have great music
Speaker 4: on a show. And we were so lucky working with
Speaker 4: Warner Brothers because they had a record label that we
Speaker 4: could always just kind of tap into. So I can't
Speaker 4: speak for what happened after I left, but I do
Speaker 4: know that being someplace like Warner Brothers and having access
Speaker 4: to great artists was a part of the job that
Speaker 4: I particularly enjoyed. Like it was cool to be a
Speaker 4: VJ and then essentially just get to be a VJ
Speaker 4: on our show.
Speaker 2: Yeah, that was amazing. Well, clearly your musical taste was missed,
Speaker 2: not just by me, but by Anne and everyone else.
Speaker 4: Well, Anne, I appreciate you. I appreciate all of these questions.
Speaker 4: They were very good questions, good questions. Yeah, into it.
Speaker 4: So you guys join us next week as always, drama queens,
Speaker 4: We're going to bring you some drama and some flavor
Speaker 4: and hopefully some sick tunes.
Speaker 3: We'll think of some great tunes for you next week.
Speaker 2: I love it. Thanks y'all. Hey, hey, thanks for listening.
Speaker 2: Don't forget to leave us a review. You can also
Speaker 2: follow us on Instagram at Drama Queens ot.
Speaker 4: H or email us at Drama Queens at iHeartRadio dot com.
Speaker 3: See you next time.
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