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Speaker 1: First of all, you don't know me. We all about

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Speaker 1: that high school drama, girl drama girl, all about them.

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Speaker 2: High school queens. We'll take you for a ride. And

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Speaker 2: our comic girl shared for the right teams drama, queens

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Speaker 2: up girl fashion, but your tough girl, you could sit

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Speaker 2: with us.

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Speaker 1: Girl drama, queens drama, Queens drama, Queens drama, drama, Queens drama, queens.

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Speaker 3: Qna, it's not for Quna.

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Speaker 2: We need a jingle questions. I know, what a funny

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Speaker 2: thing for us to be trying to figure out what

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Speaker 2: the jingle is without our resident musician today.

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Speaker 3: Yeah, it's her assignment. I know a Q and A song.

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Speaker 2: Joy's taking Maria to camp, so she's not here today,

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Speaker 2: but as a former camper and permanent forever in my council,

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Speaker 2: I love camp so much. She was so apologetic about

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Speaker 2: missing this Q and A and I was like, go

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Speaker 2: go to camp for all of us.

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Speaker 3: Yeah, no one loves camp more than you do.

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Speaker 4: You in a clipboard and activities and an a gender soul,

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Speaker 4: Oh girl advisor.

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Speaker 2: It's a dream wife for me really. But I am

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Speaker 2: excited about today because we got like, we got real

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Speaker 2: good questions today. These these make me feel excited.

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Speaker 4: You're good because you look at them beforehand. I get

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Speaker 4: here and I see them as we go, and I'm.

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Speaker 3: Like, oh, I should have thought about this.

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Speaker 2: I mean honestly, I just read them while we were

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Speaker 2: getting our recordings going.

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Speaker 4: I haven't.

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Speaker 3: Oh okay, I feel better.

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Speaker 2: You know, I didn't look at these in advance. I

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Speaker 2: like to be spontaneously inspired. But while we figured out, like,

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Speaker 2: you know, the technical side of this job we do,

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Speaker 2: I did peruse and I like them.

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Speaker 4: It's responsible for you to admit that, baby, thank you. Yeah,

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Speaker 4: you know.

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Speaker 2: It's actually really funny because, like I don't know, as

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Speaker 2: an adult, learning that not everyone is like honest to

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Speaker 2: a fault. I'm like, huh, what's that like to just

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Speaker 2: hold things back?

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Speaker 4: That's interesting imagine if you're just like, yes, well I

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Speaker 4: am imagineable one of the two of us.

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Speaker 3: Well.

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Speaker 2: And what was really funny was a friend of mine

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Speaker 2: was like, well, you know, like you got diagnosed with

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Speaker 2: adult ADHD, which makes your whole childhood make sense, but like,

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Speaker 2: you know, a lot of women who have that are

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Speaker 2: also like gently autistic. Do you think maybe that's why

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Speaker 2: you have such a truth complex? And I was like, huh,

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Speaker 2: I haven't examined that with my therapist quite enough yet,

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Speaker 2: but I do. I do have a lot of like

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Speaker 2: interesting things I do to self soothe. So maybe I

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Speaker 2: don't know. I'm open. They didn't they didn't check us out.

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Speaker 4: They just put us at the bad kid desk when

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Speaker 4: we were little.

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Speaker 2: They told us we were misbehaving.

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Speaker 3: Yeah, no, we weren't. All right.

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Speaker 4: Well, we have a question here from Jason. I wonder

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Speaker 4: if he's naughty like we are. Jason, many years after

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Speaker 4: this show ended, he says, do you think you could

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Speaker 4: jump back into your character if you had to shoot

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Speaker 4: an episode next month? If so, how easy or hard

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Speaker 4: would it be? And what do you think you would

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Speaker 4: have to do to prepare for it? Jason, That's an

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Speaker 4: amazing question.

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Speaker 2: This is such a good question.

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Speaker 3: I mean I could go to where tomorrow.

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Speaker 2: I think I could too.

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Speaker 4: Yeah, and I I haven't acted in a long time,

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Speaker 4: but Peyton is just like, I don't know, those are.

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Speaker 3: Our girls, Peyton Brook are our girls.

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Speaker 2: Yeah. I think that I could go to work like

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Speaker 2: tomorrow very easily. And then part of me goes, but wait,

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Speaker 2: would I be Would I feel scared if I didn't

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Speaker 2: prepare like I feel like Brooke and Peyton are in

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Speaker 2: us so much that we could snap right back in.

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Speaker 2: But it's also really been a long time. So suddenly

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Speaker 2: I'm going, well, maybe there's like three or four episodes

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Speaker 2: from the more recent years or I guess the latter

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Speaker 2: years in the show that I would want to just

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Speaker 2: rewatch just to be like, hold on, let me let

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Speaker 2: me hear it, let me hear the cadence of not

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Speaker 2: just my voice but yours and Daphne's and you know

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Speaker 2: what I mean.

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Speaker 3: Yeah, wait, which three episodes would you watch? What are

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Speaker 3: your prep episodes?

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Speaker 2: Gosh, I don't know. I I feel like I would

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Speaker 2: want I feel like I would probably want to rewatch

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Speaker 2: your wedding episode. I think I would want to rewatch

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Speaker 2: I don't know what episode it is. This is so silly,

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Speaker 2: but there's one from season seven that I remember Lisa

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Speaker 2: and I being so fun In and Austin and I

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Speaker 2: had really sweet stuff and I just something happens at

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Speaker 2: the store. I just remember I had this cute little

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Speaker 2: like black and tan corset and a pencil skirt. I

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Speaker 2: loved it fit that day, And I'm like, I want

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Speaker 2: to watch that episode. I think that one was good

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Speaker 2: and i'd probably want to watch. I'd probably want to

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Speaker 2: watch like the end of season eight.

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Speaker 3: Yeah, I don't know. I don't know.

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Speaker 2: Now it's getting fuzzy because I haven't actually seen these yet,

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Speaker 2: so I'm not sure if I'm remembering correctly.

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Speaker 3: No, that's a that's important. I mean the prep matters.

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Speaker 3: I think. I don't know.

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Speaker 4: I don't I don't love acting anymore, but I love Peyton,

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Speaker 4: and I think the idea of revisiting her and Brooke

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Speaker 4: and everyone else is very attractive to me. Yeah, that

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Speaker 4: feels like it's not work. It feels like it's like

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Speaker 4: a cool hang.

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Speaker 2: Yeah, it's weird because had you asked me that question

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Speaker 2: before we started this podcast, i'd be like, I'm not

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Speaker 2: doing that. But it is so interesting how doing this

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Speaker 2: show has made me fall back in love or like

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Speaker 2: maybe really truly in love for the first time with

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Speaker 2: our show, and now I'm like, oh my god, I

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Speaker 2: want to do I want to do an episode of

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Speaker 2: our show from this feeling.

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Speaker 3: Yeah, same, same, from this centered space.

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Speaker 4: Yeah.

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Speaker 2: I just feel so proud. I feel so much ownership

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Speaker 2: of it. I really feel I feel like we made

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Speaker 2: something really special, and I'm like, oh, it'd be so

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Speaker 2: cool to like, you know, parallel universe and make an

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Speaker 2: episode from this place and see how it well.

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Speaker 4: And now that we've gotten to say out loud how

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Speaker 4: much of the characters were based on us, whether it

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Speaker 4: was the good stuff or the trauma, it feels like

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Speaker 4: now I can say I really like Peyton Sawyer, I

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Speaker 4: really like that Davis.

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Speaker 3: I really like all the characters on our show. I

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Speaker 3: like those people.

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Speaker 4: So anytime you get a script for something, there's so

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Speaker 4: many variables, and it's scary because you don't know what

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Speaker 4: other actors are going to get cast. You don't know

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Speaker 4: if the producers are dicks. You know, you don't know

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Speaker 4: if the editor is going to be good or bad,

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Speaker 4: and how the result will look, you know, like you'd.

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Speaker 3: Have no control over all of that.

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Speaker 4: But what I can say is I think there's enough

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Speaker 4: in the world of Tree Hill that I can feel

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Speaker 4: pretty safe going back and having like a great time.

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Speaker 4: Let's just what happens if we just go back to

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Speaker 4: Wilmington tomorrow and just show up at screen gems Well

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Speaker 4: say hey, guys, we're here.

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Speaker 2: We know what we should do. Remember, during the pandemic,

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Speaker 2: all sorts of people started doing those live table reads

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Speaker 2: of like classic movies for charity, we should go to

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Speaker 2: Thallion Hall and like do a live theater night and

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Speaker 2: and like do a table read performance of one of

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Speaker 2: our favorite episodes.

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Speaker 3: Yeah, I'd even read some fan fiction.

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Speaker 4: Wild okay, wild, Okay, fine, great, Jason, Yes, we'll be

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Speaker 4: back at work shortly.

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Speaker 3: Thank you so much for asking.

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Speaker 4: Thank you.

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Speaker 2: Okay. Tony wants to know if you could assign a

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Speaker 2: song to each of your characters to describe them. What

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Speaker 2: would it be and why? Example, to me, Peyton is

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Speaker 2: the song absolutely story of a Girl by nine Days?

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Speaker 3: Really? Is it awful that I don't know that song?

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Speaker 2: This is a girl? Oh my god?

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Speaker 3: Never mind, I do know that song.

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Speaker 2: Is she Cried a River and drom the whole world?

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Speaker 2: That feels right for Peyton. Actually, it's a really good call.

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Speaker 2: Are you making fun of me?

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Speaker 3: What's your song? What's your book? Days?

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Speaker 2: I don't have any idea why this just came to mind,

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Speaker 2: but we are family. Maybe because that's just like my

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Speaker 2: song for us, I don't know.

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Speaker 4: Yeah, I got all my sisters, mab.

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Speaker 2: Yeah, that feels really fun. I guess subconsciously that comes

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Speaker 2: up for me because we talk so much about how

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Speaker 2: it's actually the female friendships that are the greatest love

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Speaker 2: story of our show. And I love that so much.

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Speaker 2: And I love redefining like the great love story of

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Speaker 2: your life. And yeah, maybe that's why my subconscious is

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Speaker 2: like your family. I'm into that.

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Speaker 3: I love it.

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Speaker 4: So I listened to the same song the whole time

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Speaker 4: I was there.

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Speaker 1: It was.

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Speaker 4: Mad World Tears for Fears because it was from the

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Speaker 4: Donnie Darko soundtrack, right, and there was something so Donnie

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Speaker 4: Darko about Peyton Sawyer, just like nothing makes sense, everything's

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Speaker 4: so awful. That was kind of my mantra song. Yeah,

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Speaker 4: and I love that song. The message in it is

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Speaker 4: so dark, but it's so catchy, which is Peyton darkness,

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Speaker 4: but make it catchy.

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Speaker 2: I like that a lot.

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Speaker 3: Fantastic nine Days sings that song. Huh.

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Speaker 4: All right, well, I guess I'm learning every.

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Speaker 2: Day unless I'm singing the wrong song to you.

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Speaker 4: Courtney wants to know you have mentioned a couple times

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Speaker 4: about where in eighteen hour days, just wondering how you

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Speaker 4: can do that and function okay the next day. How

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Speaker 4: do you remember lines and not look half dead when

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Speaker 4: you've only had four.

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Speaker 3: To five hours of sleep?

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Speaker 4: Or do they give you a day off after a

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Speaker 4: long day, or they don't.

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Speaker 2: No, they don't.

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Speaker 4: I mean sometimes if you work a solid chunk of

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Speaker 4: like three long days in a row, they'll have shot

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Speaker 4: all your stuff out.

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Speaker 2: But not usually because even when you get a day off,

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Speaker 2: you have to come in for like fitting. Yeah, you

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Speaker 2: got to like go do all the dialogue fixes and

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Speaker 2: everything else.

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Speaker 3: For cheerleading dance.

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Speaker 2: So you're usually working even if you have a quote

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Speaker 2: unquote day off. So the thing is, and this is

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Speaker 2: why you hear people talk about how, you know, crazy

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Speaker 2: the hours are, but also how hard it is to

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Speaker 2: have any sort of like routine or life this job.

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Speaker 2: Because let's say, like we would do on season one,

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Speaker 2: we would shoot in the gym at the high school

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Speaker 2: on Sundays because we had to be there when the

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Speaker 2: kids weren't actually there. So we'd usually go to work

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Speaker 2: on Sunday around four am, so we'd be ready by

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Speaker 2: six am and then you could shoot. Those were usually

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Speaker 2: eighteen hour days.

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Speaker 4: Because we knew we only had the gym for that

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Speaker 4: one day, so you had had to get everything.

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Speaker 2: So if you went from six am to six pm

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Speaker 2: is twelve hours, and then you'd go.

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Speaker 3: There's always overtime in travel, Yeah, you'd.

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Speaker 2: Go another six hours, so you'd go to midnight. You know,

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Speaker 2: they wouldn't check your travel time or your hair makeup time.

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Speaker 2: But if we'd wrap, if we'd shoot until midnight, that

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Speaker 2: meant that I think the earliest we could be back

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Speaker 2: at work the next day was like crew and stuff

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Speaker 2: is like eight am for setup. So let's say then

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Speaker 2: they say that your call time is ten am for shooting.

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Speaker 2: That means you are going to shoot until at least

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Speaker 2: ten pm or midnight that next day. So what happens

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Speaker 2: is every day gets later and later. So that's why

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Speaker 2: when you hear us talk about, especially in season one,

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Speaker 2: that term friturday when you shoot from like a Friday

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Speaker 2: into a Saturday morning. Our Saturdays were actually Fridays, so

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Speaker 2: we'd shoot from like six pm on Thursday night to

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Speaker 2: six am on Friday, and then we'd have to be

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Speaker 2: back at work at four am on Sunday. So they

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Speaker 2: give you a little bit of time. They can't bring

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Speaker 2: you into work, you know, four or five hours later.

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Speaker 2: That's actually against the law, but what it means is

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Speaker 2: because they have to turn you around, you go later

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Speaker 2: and later every single day, so you go from like

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Speaker 2: the crack of dawn shift to the graveyard shift every

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Speaker 2: week and then back, which is why none of us

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Speaker 2: have great memories. Everyone's like, I don't remember that, and

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Speaker 2: it's like, yeah, of course you don't, because you weren't

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Speaker 2: really sleeping.

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Speaker 3: No, we're just going through the motions.

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Speaker 4: I will I will say it's not always an eighteen

255
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Speaker 4: hour day, but the shortest day you will ever have

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Speaker 4: on a film set is twelve hours. You'll never work

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Speaker 4: less than twelve hours. And I didn't realize until I,

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Speaker 4: you know, like left the world of TV, that other

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Speaker 4: people are like grossed out by that. They're like, what

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Speaker 4: twelve hour day? What? And it wasn't until Gus and

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Speaker 4: I just started talking about this because he pulled a

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Speaker 4: twelve hour day the other day and was still like,

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Speaker 4: still had more to do. And I was like, dude,

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Speaker 4: you're pulling film hours.

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Speaker 3: And he was like, yeah, I know, I'm in prep

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Speaker 3: right now. But when I become an actor, like I

267
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Speaker 3: just got to work on my like my spear and searching.

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Speaker 3: I was like, or you could just be fourteen, or you.

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Speaker 2: Don't have to do that, baby. Yeah, it's tricky, and

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Speaker 2: I think it's also really tricky because for the girls,

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Speaker 2: it's harder because your hair and makeup calls are so

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Speaker 2: much longer cause, oh my god, they have to match

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Speaker 2: your hair every single day, so you have to get

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Speaker 2: a blowout every single morning. So you are usually a

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Speaker 2: two hour pre call, so they have time to get

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Speaker 2: you in one you know, hair chair for forty five

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Speaker 2: minutes and the makeup chair for forty five minutes, and

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Speaker 2: then you can go and get changed and get wired,

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Speaker 2: and you know, make sure you've eaten something before you

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Speaker 2: get on set, because there's not time to eat on set.

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Speaker 3: And you're not supposed to eat in your wardrobe.

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Speaker 2: You're sure not because if you're ruin it, you screw

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Speaker 2: up everybody else's day. And so like a twelve hour

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Speaker 2: day for set is never shorter than a fourteen hour

285
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Speaker 2: day for us, which is, you know, part of why

286
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Speaker 2: I think people really can struggle, like to feel like

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Speaker 2: they can maintain their life and relationships when they're working

288
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Speaker 2: on something like this, because you just live at work.

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Speaker 4: We just really sold it, didn't we We made it

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Speaker 4: sound so fun.

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Speaker 2: I know, God, isn't that terrible? But the thing is,

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Speaker 2: I like to be honest with people because people you

293
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Speaker 2: know nearly, Like when people come to set or people

294
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Speaker 2: start doing this job, a lot of people have like

295
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Speaker 2: a culture shock and they don't handle it well. So

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Speaker 2: I don't know. I don't mean to like crush your dreams,

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Speaker 2: but I do want to tell you the truth.

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Speaker 4: Yeah.

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Speaker 2: See, this might be that spicy brain thing I was

300
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Speaker 2: talking about earlier. I can't lie. I'm sorry.

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Speaker 3: I love it about you.

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Speaker 4: You know, there's some kid out there that was just

303
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Speaker 4: debating whether or not they wanted to go to college

304
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Speaker 4: and study like acting for film, and now they know

305
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Speaker 4: there are just some consequences involved.

306
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Speaker 2: Yeah, if you want to have a nine to five,

307
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Speaker 2: do something else. But if you still love it, you

308
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Speaker 2: can come play in the circus with us.

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Speaker 4: Here.

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Speaker 2: We are here, we are okay. Speaking of of what

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Speaker 2: we do on these crazy days on set, Hannah says,

312
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Speaker 2: what activities did you guys like to do in between takes?

313
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Speaker 2: I'm an actress here in Sweden, so I know how

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Speaker 2: long the wait can sometimes be. It's easier to keep

315
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Speaker 2: busy on your phone, et cetera. But what did you

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Speaker 2: do back then?

317
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Speaker 3: Oh the dark ages?

318
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Speaker 2: Yeah, because we weren't doom scrolling all day. That's hilarious.

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Speaker 2: It is hilarious.

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Speaker 3: I mean I will say like we had sidekicks.

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Speaker 2: Yeah, we sure did, Hillary, and I loved those. I

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Speaker 2: don't know, I don't feel like we would have that

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Speaker 2: much downtime unless we were doing like a big you know,

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Speaker 2: a gym or a concert or something where there was

325
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Speaker 2: so much time to do, like different setups and turnarounds.

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Speaker 2: We were a well oiled machine man. We hustled through things.

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Speaker 2: I think, I don't know. We read a lot of books.

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Speaker 3: We read a lot, didn't we a lot?

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Speaker 4: Yeah?

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Speaker 3: We read. We slept.

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Speaker 4: I mean I would go back to my trailer and

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Speaker 4: sleep for fifteen minutes if I could. I was so

333
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Speaker 4: tired all the time because I also had a really

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Speaker 4: active social life outside of work, because I was so

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Speaker 4: traumatized at work that I made friends with so many

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Speaker 4: other people in Wilmington. So I would just like live

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Speaker 4: to go be with them in my off hours.

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Speaker 3: But then that meant I wasn't sleeping.

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Speaker 2: Yeah. We really did kind of burn the candle at

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Speaker 2: both ends there.

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Speaker 3: God, what a time to be live. Our twenties were incredible.

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Speaker 2: You were wow, we were so fun. Yeah, I mean

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Speaker 2: it was a lot of reading. I think, like honestly,

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Speaker 2: that is part of where I got so so into

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Speaker 2: my practice of reading so much news, because it started

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Speaker 2: to really frustrate me as somebody who does love to read,

347
00:17:50,560 --> 00:17:52,879
Speaker 2: Like the in and out in a book where you

348
00:17:52,920 --> 00:17:55,600
Speaker 2: get through read eight pages and then they're ready for

349
00:17:55,680 --> 00:17:58,159
Speaker 2: you again, started to get so frustrating to me that

350
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Speaker 2: I just I started like taking down our articles and

351
00:18:00,520 --> 00:18:04,760
Speaker 2: always carrying like the paper or whatever. So I think

352
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Speaker 2: that's part of where my obsession with the news came from,

353
00:18:10,160 --> 00:18:13,119
Speaker 2: because it almost felt easier for me to go article

354
00:18:13,160 --> 00:18:19,560
Speaker 2: by article in between setups. Makes sense. Soho, who was

355
00:18:19,680 --> 00:18:21,960
Speaker 2: knitting on our set? Well?

356
00:18:22,040 --> 00:18:25,680
Speaker 3: Joy and I knit. Yeah, it was crocheting and knitting, but.

357
00:18:25,640 --> 00:18:28,119
Speaker 2: You were crocheting a lot. I feel like, yeah, you

358
00:18:28,160 --> 00:18:29,359
Speaker 2: were knitting too, weren't you.

359
00:18:30,119 --> 00:18:32,399
Speaker 3: I was knitting in season one and then I was like,

360
00:18:32,480 --> 00:18:33,320
Speaker 3: this is dumb.

361
00:18:34,320 --> 00:18:36,800
Speaker 4: I'm just gonna crochet because not only have one little

362
00:18:36,800 --> 00:18:39,119
Speaker 4: hook to worry about instead of two knitting needles that

363
00:18:39,200 --> 00:18:40,280
Speaker 4: I consistently lose.

364
00:18:40,800 --> 00:18:43,399
Speaker 3: Yeah, and it was easier, I.

365
00:18:43,760 --> 00:18:46,040
Speaker 4: Don't think as much because when you knit, you know,

366
00:18:46,080 --> 00:18:48,199
Speaker 4: you like knit a row, you purl ando you you

367
00:18:48,240 --> 00:18:50,119
Speaker 4: know whatever, back and forth.

368
00:18:50,240 --> 00:18:51,879
Speaker 3: You have to remember the pattern.

369
00:18:52,240 --> 00:18:54,160
Speaker 2: And that's too much to keep track of when you're

370
00:18:54,280 --> 00:18:57,680
Speaker 2: constantly getting interrupted. Yeah, I was always like, wow, look

371
00:18:57,720 --> 00:19:01,080
Speaker 2: at them making stuff that they can hold. I know,

372
00:19:01,240 --> 00:19:03,960
Speaker 2: rite a bunch of random facts about the economic crash

373
00:19:04,000 --> 00:19:06,639
Speaker 2: in Iceland in the nineties, Like what am I doing?

374
00:19:06,960 --> 00:19:08,360
Speaker 3: Hey, that's valuable too.

375
00:19:09,040 --> 00:19:12,600
Speaker 2: Some somewhere when I go on Jeopardy someday.

376
00:19:12,760 --> 00:19:15,520
Speaker 3: Yeah, that'll be my God. Have you done Celebrity Jeopardy?

377
00:19:15,720 --> 00:19:18,320
Speaker 2: I haven't, but I may or may not have just

378
00:19:18,359 --> 00:19:19,440
Speaker 2: been asked to what.

379
00:19:20,680 --> 00:19:22,800
Speaker 4: Oh, I'm gonna flip out, so we'll see. Are you

380
00:19:22,840 --> 00:19:24,160
Speaker 4: allowed to have a cheerleading section?

381
00:19:24,680 --> 00:19:27,280
Speaker 2: I will? I will put it in my rider. Do

382
00:19:27,400 --> 00:19:30,000
Speaker 2: we get those or are those just from musicians?

383
00:19:30,280 --> 00:19:32,880
Speaker 3: No, I've got I'm coming all right.

384
00:19:32,920 --> 00:19:36,800
Speaker 4: Samantha wants to know is there anything that your character

385
00:19:37,000 --> 00:19:40,120
Speaker 4: wore or used in the show that belonged to you

386
00:19:40,400 --> 00:19:41,119
Speaker 4: in real life?

387
00:19:41,520 --> 00:19:43,000
Speaker 3: M h give it.

388
00:19:43,160 --> 00:19:45,440
Speaker 2: I'll give you mine. You'll love this because we love

389
00:19:45,520 --> 00:19:48,720
Speaker 2: Jesse and Edge Verge so much. When we were doing

390
00:19:48,920 --> 00:19:51,520
Speaker 2: the series finale, I went in and got one of

391
00:19:51,520 --> 00:19:56,119
Speaker 2: her North Carolina silhouette necklaces with the enamel on it,

392
00:19:56,960 --> 00:20:01,439
Speaker 2: and I wore it in the episode and I bought

393
00:20:01,440 --> 00:20:03,480
Speaker 2: it and was so excited about it ahead of time,

394
00:20:03,520 --> 00:20:05,080
Speaker 2: and I was like, I really really want to wear this,

395
00:20:05,200 --> 00:20:07,600
Speaker 2: like I always want the image of this place on

396
00:20:07,680 --> 00:20:12,680
Speaker 2: me for the end of this job. And in that episode,

397
00:20:12,840 --> 00:20:16,760
Speaker 2: Austin's directing a project, Julian's like making a TV show,

398
00:20:17,400 --> 00:20:21,240
Speaker 2: and so he asked Carol, our wardrobe supervisor, to have

399
00:20:21,320 --> 00:20:25,000
Speaker 2: that exact same cut out of the state embroidered on

400
00:20:25,040 --> 00:20:27,879
Speaker 2: his hat. And so Julian's director's hat has it on

401
00:20:27,920 --> 00:20:32,560
Speaker 2: it too. Cute, so it like that necklace. Really, it

402
00:20:32,640 --> 00:20:35,680
Speaker 2: really gave us like an iconography for the last episode.

403
00:20:35,680 --> 00:20:38,080
Speaker 2: And I still have it. I have it like up.

404
00:20:38,640 --> 00:20:40,520
Speaker 2: It just hangs on like a little thing in my closet.

405
00:20:40,560 --> 00:20:40,919
Speaker 2: I love it.

406
00:20:41,400 --> 00:20:41,480
Speaker 4: That.

407
00:20:42,119 --> 00:20:43,440
Speaker 3: Yeah, it's really cute.

408
00:20:43,760 --> 00:20:44,800
Speaker 2: It's really sweet.

409
00:20:45,720 --> 00:20:51,080
Speaker 4: I had a lot of I had all of Peyton's

410
00:20:51,119 --> 00:20:51,800
Speaker 4: cowboy boots.

411
00:20:51,800 --> 00:20:52,560
Speaker 3: Those are all mine.

412
00:20:53,560 --> 00:21:00,840
Speaker 4: And then in season five there's some very holy jeans.

413
00:21:00,880 --> 00:21:02,760
Speaker 3: It's five into six, there's some genes.

414
00:21:02,480 --> 00:21:06,680
Speaker 4: That are just torn to shit, and those are personal genes.

415
00:21:07,119 --> 00:21:11,280
Speaker 4: It was like, yeah, girl, because like jeans that someone

416
00:21:11,280 --> 00:21:13,640
Speaker 4: else buys you are not the same as the genes

417
00:21:13,640 --> 00:21:14,640
Speaker 4: that you buy yourself.

418
00:21:15,200 --> 00:21:15,560
Speaker 2: Mm hmm.

419
00:21:16,760 --> 00:21:19,960
Speaker 4: And I loved our costume designer so much, and she

420
00:21:20,160 --> 00:21:22,000
Speaker 4: just any time I would wear something to work, Carol

421
00:21:22,000 --> 00:21:24,320
Speaker 4: would be like, hey, can we just have that?

422
00:21:25,200 --> 00:21:28,199
Speaker 2: Yeah, let's just do this, Let's put you in that.

423
00:21:28,720 --> 00:21:31,040
Speaker 2: Yeah yeah yeah.

424
00:21:30,760 --> 00:21:34,639
Speaker 3: So yeah, all the roughnecks was mine. I think we

425
00:21:34,720 --> 00:21:36,399
Speaker 3: have time for one last question, Baby.

426
00:21:36,240 --> 00:21:36,760
Speaker 4: I do too.

427
00:21:38,480 --> 00:21:42,080
Speaker 2: Oh this is interesting, Anne asks, I've noticed that the

428
00:21:42,160 --> 00:21:45,400
Speaker 2: music seemed to change after Peyton and Lucas left Treoll.

429
00:21:46,000 --> 00:21:48,159
Speaker 2: Did Hillary have any input as to the type of

430
00:21:48,240 --> 00:21:51,760
Speaker 2: music Peyton listen to and played in her scenes or

431
00:21:51,800 --> 00:21:54,320
Speaker 2: did they just bring in a different music coordinator?

432
00:21:54,920 --> 00:21:55,680
Speaker 3: Did it change?

433
00:21:56,119 --> 00:22:01,480
Speaker 2: I don't know. It's actually really interesting. I've never thought

434
00:22:01,520 --> 00:22:05,199
Speaker 2: about it in that way because I think the music

435
00:22:05,320 --> 00:22:08,520
Speaker 2: industry in general was going through a shift. Yeah, in

436
00:22:08,560 --> 00:22:12,800
Speaker 2: two thousand and nine, like sounds were changing, things were shifting.

437
00:22:15,680 --> 00:22:21,479
Speaker 2: But I don't I don't know. I mean, I I

438
00:22:21,560 --> 00:22:26,600
Speaker 2: assumed we still had the same team putting our music together.

439
00:22:27,080 --> 00:22:28,960
Speaker 3: But what you're saying is that it was cooler when

440
00:22:29,000 --> 00:22:29,480
Speaker 3: I was there.

441
00:22:30,080 --> 00:22:35,520
Speaker 2: Well obviously always, but yeah, I like, I don't know

442
00:22:35,560 --> 00:22:40,080
Speaker 2: if maybe he decided he I don't.

443
00:22:39,920 --> 00:22:42,920
Speaker 4: Know, maybe he wasn't spending money on it anymore, you know,

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00:22:42,960 --> 00:22:45,720
Speaker 4: what I mean, Like, we were definitely spending money on

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00:22:45,760 --> 00:22:47,679
Speaker 4: it when I was there, and I know that money

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00:22:47,800 --> 00:22:52,280
Speaker 4: was like a big conversation for all the different departments.

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00:22:52,320 --> 00:22:55,440
Speaker 4: Our writers have spoken about it, you know, we've spoken

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00:22:55,520 --> 00:22:58,120
Speaker 4: about it. And so anytime you cut money from one

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00:22:58,160 --> 00:23:00,959
Speaker 4: department and it goes into someone else's pocket, you know

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00:23:01,160 --> 00:23:05,640
Speaker 4: who knows. But it costs money to have great music

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00:23:06,160 --> 00:23:08,080
Speaker 4: on a show. And we were so lucky working with

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00:23:08,119 --> 00:23:10,240
Speaker 4: Warner Brothers because they had a record label that we

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00:23:10,280 --> 00:23:14,760
Speaker 4: could always just kind of tap into. So I can't

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00:23:14,800 --> 00:23:17,000
Speaker 4: speak for what happened after I left, but I do

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00:23:17,119 --> 00:23:20,360
Speaker 4: know that being someplace like Warner Brothers and having access

456
00:23:20,400 --> 00:23:23,240
Speaker 4: to great artists was a part of the job that

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00:23:23,359 --> 00:23:26,520
Speaker 4: I particularly enjoyed. Like it was cool to be a

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00:23:26,600 --> 00:23:29,240
Speaker 4: VJ and then essentially just get to be a VJ

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00:23:29,640 --> 00:23:30,160
Speaker 4: on our show.

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Speaker 2: Yeah, that was amazing. Well, clearly your musical taste was missed,

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00:23:38,000 --> 00:23:40,880
Speaker 2: not just by me, but by Anne and everyone else.

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Speaker 4: Well, Anne, I appreciate you. I appreciate all of these questions.

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00:23:47,240 --> 00:23:52,080
Speaker 4: They were very good questions, good questions. Yeah, into it.

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00:23:52,440 --> 00:23:56,040
Speaker 4: So you guys join us next week as always, drama queens,

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00:23:56,040 --> 00:23:58,400
Speaker 4: We're going to bring you some drama and some flavor

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00:23:59,000 --> 00:24:00,600
Speaker 4: and hopefully some sick tunes.

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00:24:00,640 --> 00:24:02,520
Speaker 3: We'll think of some great tunes for you next week.

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00:24:02,880 --> 00:24:06,560
Speaker 2: I love it. Thanks y'all. Hey, hey, thanks for listening.

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00:24:06,680 --> 00:24:08,920
Speaker 2: Don't forget to leave us a review. You can also

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00:24:09,000 --> 00:24:12,000
Speaker 2: follow us on Instagram at Drama Queens ot.

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00:24:12,080 --> 00:24:16,800
Speaker 4: H or email us at Drama Queens at iHeartRadio dot com.

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00:24:17,040 --> 00:24:18,040
Speaker 3: See you next time.

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00:24:19,280 --> 00:24:22,680
Speaker 1: We all about that high school drama. Girl Drama Girl,

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00:24:22,760 --> 00:24:25,160
Speaker 1: all about them high school queens.

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00:24:25,200 --> 00:24:27,400
Speaker 2: We'll take you for a ride at our comic Girl

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Speaker 2: Shared for the Right Teams. Drama queenslease my go up

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Speaker 2: girl fashion with your tough girl

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Speaker 1: You could sit with us Girl Drama Queens, Drama, Queense

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Speaker 1: Drama Queens Drama Drama Queens Drama Queens