WEBVTT - Pushkin Goes to the Olympics

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<v Speaker 1>Pushkin. Hello, Hello, Malcolm Glabo. Here here at Pushkin. We

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<v Speaker 1>love the Olympics. One of my strongest childhood memories was

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<v Speaker 1>the nineteen seventy six Olympics in Montreal, my homeland's first

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<v Speaker 1>Olympic Games.

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<v Speaker 2>I was a kid.

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<v Speaker 1>My family didn't have a television, but we rented one

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<v Speaker 1>just for the occasion. Two rabbit ears on top of

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<v Speaker 1>a grainy black and white set. Who put the TV

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<v Speaker 1>in the fireplace because there was no other place for it,

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<v Speaker 1>And I watched everything. The Romanian Nadya Komenitch bewitching the

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<v Speaker 1>world in gymnastics, my running hero John Walker powering away

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<v Speaker 1>around the final curve to win the men's fifteen hundred meters.

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<v Speaker 1>I still get nervous thinking about that race. Lassie Van's

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<v Speaker 1>improbable double in the five thousand meters, and the ten

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<v Speaker 1>thousand meters Alberto want to Rena, Cornelia ender Don Cory,

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<v Speaker 1>and the women's forby one hundred freestyle relay maybe the

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<v Speaker 1>greatest swimming race ever.

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<v Speaker 3>Wow.

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<v Speaker 1>I was a little kid and I fell in love

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<v Speaker 1>with the Olympics, and I've been in love ever since.

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<v Speaker 1>There are just so many good Olympic stories to tell.

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<v Speaker 1>So this summer a bunch of Pushkin shows are giving

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<v Speaker 1>you their unique takes on the games. Over at the

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<v Speaker 1>Happiness Lab, Lorie Santos will be talking with the coach

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<v Speaker 1>who coaches the coaches. Maya Shankar is going deep with

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<v Speaker 1>a whole suite of swimmers talking about their slight change

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<v Speaker 1>of plans. And my colleague bend A daff Haffrey and

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<v Speaker 1>I have done a nine part series about the nineteen

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<v Speaker 1>thirty six Olympics in Berlin, the Nazi Olympics, and today

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<v Speaker 1>I'm sharing a taste of some of my favorite stories

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<v Speaker 1>from Pushkin's Olympic summer. One from Revisionist History, another from

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<v Speaker 1>What's Your Problem, and to kick us all off, a

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<v Speaker 1>story from Tim Harford. Over at Cautionary Tales.

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<v Speaker 4>For sheer myth making about distance running, You can't beat

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<v Speaker 4>the Marathon. After the Greeks unexpectedly smashed an invading Persian

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<v Speaker 4>army at the Battle of Marathon, a chap called Philippides

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<v Speaker 4>ran twenty six miles to Athens with the good news,

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<v Speaker 4>and then, so the story goes, collapsed and died. Thus

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<v Speaker 4>began the legend of the Marathon. This is a race

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<v Speaker 4>so grueling, a challenge so overwhelming, that it could literally

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<v Speaker 4>kill you. Women weren't allowed to compete in the first Olympics,

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<v Speaker 4>let alone in the marathon. If it could kill a man,

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<v Speaker 4>can you imagine what it would do to the fragile

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<v Speaker 4>frame of a woman. The International Olympic Committee were reluctant

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<v Speaker 4>to let women compete in any events at all, and

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<v Speaker 4>when they were finally persuaded to admit female athletes in

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<v Speaker 4>nineteen twenty eight, the longest women's race was eight hundred meters.

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<v Speaker 4>It was a disaster. The newspapers of the day reported

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<v Speaker 4>the disturbing scenes The New York Evening Post.

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<v Speaker 5>Below us on the Cinderpath were eleven wretched women, five

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<v Speaker 5>of whom dropped out before the finish, while five collapsed

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<v Speaker 5>after reaching the tape. The Chicago Tribune added that one

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<v Speaker 5>finisher collapsed into unconsciousness and required medical attention. A press

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<v Speaker 5>syndicate reporter commented it.

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<v Speaker 4>Was not a very edifying spectacle to see a group

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<v Speaker 4>of fine girls running themselves into a state of exhaustion.

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<v Speaker 4>Other writers described the race as a disgrace or dangerous,

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<v Speaker 4>or opined that two hundred meters was surely the maximum

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<v Speaker 4>distance a woman could attempt without premature aging. And damage

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<v Speaker 4>to her reproductive capacity. But this is all, of course nonsense,

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<v Speaker 4>not just the stuff about damage to reproductive capacity, all

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<v Speaker 4>of it. There weren't eleven women in the race. There

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<v Speaker 4>were nine. Not only did the gold medalist Lena Radkebatschawer

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<v Speaker 4>break the world record, but so did the silver and

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<v Speaker 4>bronze medalists and the three women behind them, Which is,

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<v Speaker 4>I suppose what happens when an event doesn't have many precedents.

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<v Speaker 4>Nobody dropped out and nobody needed a doctor, no matter.

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<v Speaker 4>Rather than celebrating the greatest women's middle distance race in history,

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<v Speaker 4>the pundits wrote whatever sensationalized nonsense they felt like writing.

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<v Speaker 4>The International Olympic Committee used the fuss as an excuse

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<v Speaker 4>to keep the women's eight hundred meters out of the

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<v Speaker 4>Olympics for the next three decades. If women couldn't be

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<v Speaker 4>allowed to run eight hundred meters until nineteen sixty, you

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<v Speaker 4>can imagine what the male dominated athletic establishment of the

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<v Speaker 4>nineteen sixties thought of the idea of women running a marathon.

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<v Speaker 4>But there were a few independent, spirited women who liked

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<v Speaker 4>to run. Then, naturally enough, their thoughts turned to that

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<v Speaker 4>iconic distance. One of those women was Katherine Switzer. As

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<v Speaker 4>a girl, she told her father she wanted to be

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<v Speaker 4>a cheerleader. You don't want to be a cheerleader, honey,

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<v Speaker 4>he told her. Cheerleaders cheer for other people. You want

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<v Speaker 4>people to cheer for you. He encouraged her to run

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<v Speaker 4>a mile each day to get fit for sports, and

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<v Speaker 4>she did. She became a journalism student at Syracuse, where

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<v Speaker 4>there were women's sports teams at all, So she asked

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<v Speaker 4>to train with a men's cross country team. Sure, said

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<v Speaker 4>the head coach, and then she heard him laughing with

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<v Speaker 4>the other coaches behind her back. That only made her

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<v Speaker 4>more determined. More encouraging was volunteer coach Arnie Briggs, the

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<v Speaker 4>university mailman and, at fifty years of age, the veteran

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<v Speaker 4>of fifteen Boston Marathons. He was full of stories about

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<v Speaker 4>the classic marathon, which had first been held in the

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<v Speaker 4>late eighteen hundreds, and one December night, on a miserable

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<v Speaker 4>training run through a snowstorm as cars skidded and honked around,

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<v Speaker 4>Catherine had heard one too many of those tales. Let's

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<v Speaker 4>quit talking about the Boston Marathon and run the damn thing.

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<v Speaker 4>No woman can run the Boston marathon. Why not, I'm

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<v Speaker 4>running ten miles a night, Arney relented. No dame ever

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<v Speaker 4>ran the Boston Marathon. If any woman could do it,

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<v Speaker 4>you could, but you'd have to prove it to me.

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<v Speaker 4>If you ran the distance in practice, I'd be the

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<v Speaker 4>first to take you to Boston. Now you're talking, she thought,

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<v Speaker 4>a few months later, and three weeks before the marathon,

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<v Speaker 4>they ran thirty one miles in training. Arnie turned gray

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<v Speaker 4>and passed out, but Catherine was feeling great. The next day,

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<v Speaker 4>at Arne's insistence, she signed up for the race, signing

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<v Speaker 4>her name as she always did, Ka v.

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<v Speaker 2>Switzer.

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<v Speaker 4>She and Arnie checked the rule book. There was nothing

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<v Speaker 4>forbidding women to enter. Arne signed up too, as did

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<v Speaker 4>Catherine's boyfriend, Big Tom Miller, all two hundred and thirty

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<v Speaker 4>five pounds of him. He was a promising hammer thrower,

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<v Speaker 4>had been a serious college football player. And no, he

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<v Speaker 4>wasn't planning on training. He was pretty fit anyway, and

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<v Speaker 4>if a girl can run a marathon, I can run

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<v Speaker 4>a marathon. On Wednesday, April nineteenth, nineteen sixty seven, race day,

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<v Speaker 4>it was snowing. Most of the field were running in tracksuits.

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<v Speaker 4>There were seven hundred and forty one entrance, and Katherine

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<v Speaker 4>pinned her number to her sweatshirt with pride. Kay Switzer

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<v Speaker 4>two to sixty one. From the other runners, she got

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<v Speaker 4>a few looks of surprise, but a warm welcome. Hey,

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<v Speaker 4>you're going to go the whole way. Gosh, it's great

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<v Speaker 4>to see a girl here. Can you give me some

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<v Speaker 4>tips to get my wife to run? She'd love it

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<v Speaker 4>if I could just get her started. Arnie was beaming.

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<v Speaker 4>Big Tom unmissible in his bright orange Syracuse sweatshirt, wasn't

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<v Speaker 4>happy that Katherine was wearing lipstick, which might attract attention.

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<v Speaker 4>Take it off, he said, I shan't, she replied. The

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<v Speaker 4>crowd of runners squeezed closer and closer together as they

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<v Speaker 4>approached the start, and then they were off and feeling great.

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<v Speaker 4>Just four miles later, the fun would stop. Catherine Switzer

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<v Speaker 4>was running with her little group, including coach Arnie and

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<v Speaker 4>boyfriend Big Tom, feeling good and acknowledging the encouragement of

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<v Speaker 4>the other runners. But the four mile mark, the press

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<v Speaker 4>truck pulled alongside the little group to allow photographers a

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<v Speaker 4>good shot of that dame who was running the marathon.

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<v Speaker 4>Then Switzer recalled a man with an overcoat and felt

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<v Speaker 4>hat was there in the middle of the road, shaking

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<v Speaker 4>his finger at me. He said something to me as

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<v Speaker 4>I passed and reached out for my hand, catching my

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<v Speaker 4>glove instead and pulling it off.

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<v Speaker 2>Who was it?

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<v Speaker 4>A protester, a crank, but he was wearing an official's ribbon.

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<v Speaker 4>Moments later, I heard the scraping noise of leather shoes

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<v Speaker 4>coming up fast behind me. When a runner hears that

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<v Speaker 4>kind of noise, it's usually danger. Instinctively, I jerked my

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<v Speaker 4>head around quickly and looked square into the most vicious

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<v Speaker 4>face I'd ever seen. A big man, a huge man

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<v Speaker 4>with bad teeth, was set to pounds, and before I

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<v Speaker 4>could react, he grabbed my shoulder and flung me back, screaming,

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<v Speaker 4>get the hell out of my race and give me

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<v Speaker 4>those numbers. Katherine was terrified. She realized she'd wet her

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<v Speaker 4>pants in fear, and she turned to sprint away as

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<v Speaker 4>the furious official tried to rip the number off her sweatshirt.

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<v Speaker 4>The press truck was still there, The cameras were whirring

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<v Speaker 4>and clicking, and then, seemingly from nowhere, two hundred and

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<v Speaker 4>thirty five pounds of orange clad college football player crashed

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<v Speaker 4>into the official, who flew sideways and landed on the

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<v Speaker 4>roadside in a crumpled heap. Oh God, thought Katherine big

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<v Speaker 4>Tom's killed him. We're in trouble. Run like hell, yelled Arnie,

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<v Speaker 4>and they sprinted away from the scene with a press

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<v Speaker 4>truck in pursuit, cameras still clicking. It was an extraordinary scene,

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<v Speaker 4>and perhaps the strangest thing about it, Catherine Switzer wasn't

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<v Speaker 4>the first woman to run a marathon. She wasn't the

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<v Speaker 4>first woman to run the Boston Marathon. In fact, she

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<v Speaker 4>wasn't even the leading woman in this race. A mile

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<v Speaker 4>ahead of her, Roberta. Bobby Gibb was making serene progress

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<v Speaker 4>without an irate race official insight.

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<v Speaker 1>There's so much in this Cautionary Tales episode. Two groundbreaking

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<v Speaker 1>female marathoners and an epic two hundred and sixty eight

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<v Speaker 1>mile race two hundred and sixty eight miles along the

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<v Speaker 1>spine of England. You can find it now in the

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<v Speaker 1>Cautionary Tales feed. There are two things that define our era,

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<v Speaker 1>an absolute obsession with sports and incredible technological progress. Sylvia

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<v Speaker 1>Blemker works at their intersection. She's a professor of biomedical

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<v Speaker 1>engineering at the University of Virginia and the co founder

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<v Speaker 1>of Springbok Analytics. She figured out how to combine MRI

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<v Speaker 1>scans with artificial intelligence to create incredibly detailed analyzes of

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<v Speaker 1>our muscles. Springbox clients include Olympic athletes, major League Baseball,

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<v Speaker 1>and a bunch of professional basketball and soccer teams. Sylvia

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<v Speaker 1>Blenker talked about how her work helps elite athletes and

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<v Speaker 1>people with neuromuscular diseases in this interview with Jacob Goldstein

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<v Speaker 1>for What's Your Problem.

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<v Speaker 6>What's one surprising thing your work has taught you about

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<v Speaker 6>elite athletes.

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<v Speaker 7>I never thought I would see muscles that were so

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<v Speaker 7>developed they broke our scale.

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<v Speaker 5>Wow.

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<v Speaker 6>Yeah, like it was just too big the A I

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<v Speaker 6>couldn't figure out what it is.

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<v Speaker 7>Well, no, the AI found it. But we are like

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<v Speaker 7>our kind of rating system.

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<v Speaker 5>Wow.

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<v Speaker 6>Was there a particular athlete or a particular sport or

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<v Speaker 6>particular muscle?

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<v Speaker 5>What?

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<v Speaker 6>What? What muscle broke the scale?

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<v Speaker 2>Uh?

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<v Speaker 7>The gluteus maximus breaks it a fair Yeah, fantastic. Yes,

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<v Speaker 7>it's a pain in my butt.

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<v Speaker 6>Like because it's too big.

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<v Speaker 3>Yeah, yeah, it's just so big. The other thing is

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<v Speaker 3>that they have some tiny muscles too, huh, Like they have.

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<v Speaker 6>Like smaller than a normal person's muscle.

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<v Speaker 7>Much smaller.

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<v Speaker 2>Huh.

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<v Speaker 7>They put their muscle where they need it.

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<v Speaker 6>What's an example, like what muscle is tiny and what

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<v Speaker 6>kind of.

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<v Speaker 3>Athlete calf muscles are small and most fast athletes huh.

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<v Speaker 7>And either you look at a sprinter or like a

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<v Speaker 7>running back.

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<v Speaker 6>It's just all squad no calf, all.

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<v Speaker 7>Like thigh no calf, yeah bye and him.

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<v Speaker 3>It kind of makes sense because you know, if you're

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<v Speaker 3>trying to run fast, you wouldn't want to put a

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<v Speaker 3>lot of mass like at the end of your leg.

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<v Speaker 7>It's like as a lot of inertia to like move

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<v Speaker 7>your leg.

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<v Speaker 2>Huh.

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<v Speaker 3>Because you know, the muscles are important for sprinting, that's

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<v Speaker 3>the interesting thing. But they just don't they're small, They're

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<v Speaker 3>very small.

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<v Speaker 6>Huh uh huh. So I'm particularly interested at this moment

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<v Speaker 6>in the sports piece of what you do. I'm curious,

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<v Speaker 6>by the way, do you work with any Olympic teams

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<v Speaker 6>or Olympic athletes?

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<v Speaker 3>Yeah, yeah, We've actually been working with several different Olympic athletes.

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<v Speaker 7>The ones that probably that.

0:14:45.920 --> 0:14:49.080
<v Speaker 3>Come to mind most are multiple players on the US

0:14:49.120 --> 0:14:51.080
<v Speaker 3>women's national soccer team.

0:14:51.320 --> 0:14:54.000
<v Speaker 6>Oh cool, tell me, like, tell me the story of

0:14:54.040 --> 0:14:57.720
<v Speaker 6>that of that work. So they came to you, what

0:14:57.760 --> 0:14:59.440
<v Speaker 6>did what did they what do they want when they

0:14:59.440 --> 0:15:01.080
<v Speaker 6>came to like how did that? How did that begin?

0:15:03.120 --> 0:15:05.640
<v Speaker 7>They came to us along with their team.

0:15:06.240 --> 0:15:08.880
<v Speaker 3>So the technology we provide, you know, an athlete could

0:15:08.960 --> 0:15:12.280
<v Speaker 3>understand it, but really with their team to help them

0:15:12.400 --> 0:15:15.400
<v Speaker 3>figure out how to keep athletes healthy.

0:15:15.600 --> 0:15:18.240
<v Speaker 6>So what did they what did they say? What did

0:15:18.280 --> 0:15:20.240
<v Speaker 6>they say when they came to so?

0:15:21.600 --> 0:15:25.000
<v Speaker 3>Uh, for example, one athlete that's coming to mind had

0:15:25.880 --> 0:15:30.240
<v Speaker 3>a known imbalance side to side that based on a

0:15:30.400 --> 0:15:33.680
<v Speaker 3>history of injury, and they really wanted to know where

0:15:33.680 --> 0:15:35.160
<v Speaker 3>that imbalance was coming from.

0:15:35.360 --> 0:15:38.240
<v Speaker 6>So the the woman had had hurt one of her legs,

0:15:38.280 --> 0:15:40.760
<v Speaker 6>and that leg was even after she came back, that

0:15:40.840 --> 0:15:43.600
<v Speaker 6>leg was weaker essentially than the other. I mean, is

0:15:43.640 --> 0:15:46.479
<v Speaker 6>that the sort of gross macroy?

0:15:46.760 --> 0:15:49.040
<v Speaker 3>Yeah exactly, that's a that's a nice way to put it.

0:15:49.280 --> 0:15:52.520
<v Speaker 6>And and and they wanted a sort of finder like okay,

0:15:52.520 --> 0:15:54.680
<v Speaker 6>but we can see that, but what's going on on

0:15:54.720 --> 0:15:58.480
<v Speaker 6>the inside, like muscle by muscle tell us that, yes.

0:15:58.360 --> 0:16:00.480
<v Speaker 7>Exactly, that's precisely what we do.

0:16:00.520 --> 0:16:04.200
<v Speaker 3>We go on the inside because on the outside you

0:16:04.320 --> 0:16:09.240
<v Speaker 3>see perhaps that her knee extents or quads seem weaker

0:16:09.280 --> 0:16:12.080
<v Speaker 3>on one side than the other. But there's four quads,

0:16:12.440 --> 0:16:15.600
<v Speaker 3>quadre steps, four muscles, and so it's not clear which

0:16:15.640 --> 0:16:19.520
<v Speaker 3>of those muscles are actually the culprit for that imbalance

0:16:19.720 --> 0:16:21.040
<v Speaker 3>and in what way good.

0:16:21.160 --> 0:16:25.040
<v Speaker 6>So this is their question and then what happens next.

0:16:25.440 --> 0:16:29.240
<v Speaker 3>So this first step is an MRI scan, And so

0:16:30.240 --> 0:16:37.320
<v Speaker 3>with these athletes or teams, we have ways to connect

0:16:37.320 --> 0:16:40.760
<v Speaker 3>them with an MRI machine, whether it be through an

0:16:40.800 --> 0:16:44.680
<v Speaker 3>imaging center that they partner with, or we've even actually

0:16:44.680 --> 0:16:51.000
<v Speaker 3>brought MRI mobile trucks to sites to make it easier.

0:16:51.200 --> 0:16:53.600
<v Speaker 6>Run off the field and get an MRI and go

0:16:53.680 --> 0:16:54.600
<v Speaker 6>back and keep playing.

0:16:54.760 --> 0:16:56.280
<v Speaker 2>Yeah, yeah, kind yeah.

0:16:56.840 --> 0:16:59.680
<v Speaker 3>It helps just with the timing of things. But so

0:16:59.760 --> 0:17:03.240
<v Speaker 3>for we connect them there, so it takes about ten minutes.

0:17:03.840 --> 0:17:07.280
<v Speaker 3>Then they send those pictures up into the cloud into

0:17:08.359 --> 0:17:11.840
<v Speaker 3>our server and then we crunched through it and then

0:17:11.960 --> 0:17:15.920
<v Speaker 3>we send back a report on their muscles. We also

0:17:16.200 --> 0:17:20.080
<v Speaker 3>have what we call it interactive viewer, and it's presented

0:17:20.160 --> 0:17:23.800
<v Speaker 3>in the form of a three D model. Three dimensional model,

0:17:23.880 --> 0:17:27.439
<v Speaker 3>so you actually see your own legs, the muscles and bones,

0:17:27.480 --> 0:17:31.560
<v Speaker 3>your own muscles and bones, that we've identified from the

0:17:31.600 --> 0:17:36.280
<v Speaker 3>images going through a process called segmentation where we find

0:17:36.280 --> 0:17:38.439
<v Speaker 3>all the muscles and bones and then we reconstruct them.

0:17:38.440 --> 0:17:40.320
<v Speaker 3>So it's kind of like a digital twin of that

0:17:40.359 --> 0:17:43.760
<v Speaker 3>person that they can see on their computer. And so

0:17:43.960 --> 0:17:46.560
<v Speaker 3>along with it or a number or all these metrics

0:17:46.600 --> 0:17:53.200
<v Speaker 3>that helps them understand their balance, the development or strength

0:17:53.200 --> 0:17:55.880
<v Speaker 3>of the muscles, and the health of the muscles.

0:17:55.560 --> 0:18:00.720
<v Speaker 6>And so in the case of this soccer player who

0:18:00.760 --> 0:18:03.680
<v Speaker 6>came to you, who you know, knew knew she had

0:18:03.800 --> 0:18:05.840
<v Speaker 6>some kind of problem with her quadriceps on one side,

0:18:05.840 --> 0:18:08.320
<v Speaker 6>but didn't know what was going on, what did you find?

0:18:09.840 --> 0:18:14.080
<v Speaker 3>We found some imbalances and actually not just in those muscles.

0:18:14.840 --> 0:18:18.280
<v Speaker 3>It turns out that, you know, it's all connected. So

0:18:19.600 --> 0:18:23.719
<v Speaker 3>I think there were at least one calf muscle and

0:18:23.760 --> 0:18:26.920
<v Speaker 3>then some in the especially in the deep hip, those

0:18:27.000 --> 0:18:27.800
<v Speaker 3>were impacted.

0:18:28.720 --> 0:18:31.160
<v Speaker 7>So yeah, it kind of shows up everywhere.

0:18:31.280 --> 0:18:36.480
<v Speaker 6>To what extent can trainers or you know, strength coaches

0:18:39.520 --> 0:18:42.879
<v Speaker 6>develop programs that are sufficiently kind of fine grained to

0:18:42.960 --> 0:18:45.919
<v Speaker 6>match the kind of fine grained findings you're having, right Like,

0:18:46.000 --> 0:18:49.000
<v Speaker 6>for example, if you find, as I understand you did,

0:18:49.520 --> 0:18:54.199
<v Speaker 6>that a soccer player has one particular quadricep that is weak, Like,

0:18:54.520 --> 0:18:57.199
<v Speaker 6>are there workouts that target a single quadricep and not

0:18:57.280 --> 0:18:57.679
<v Speaker 6>the others?

0:18:58.200 --> 0:18:58.919
<v Speaker 7>Yep, there are.

0:18:59.320 --> 0:19:03.359
<v Speaker 6>That's cool for whichever quadricepp you're just like, just for fun,

0:19:03.440 --> 0:19:04.280
<v Speaker 6>give me an example.

0:19:05.640 --> 0:19:05.840
<v Speaker 5>You know.

0:19:05.880 --> 0:19:09.680
<v Speaker 3>One way that it's very simple is using something called biofeedback.

0:19:10.080 --> 0:19:10.800
<v Speaker 7>Huh.

0:19:10.840 --> 0:19:16.520
<v Speaker 3>So you can measure whether you use something called e MG,

0:19:16.760 --> 0:19:19.400
<v Speaker 3>which is a way to measure how much electrical activity

0:19:19.440 --> 0:19:21.679
<v Speaker 3>is a muscle, and then you can see which muscles

0:19:21.760 --> 0:19:24.600
<v Speaker 3>you're using for a given task. So if you give

0:19:24.640 --> 0:19:27.480
<v Speaker 3>people the feedback of which of those muscles they're using

0:19:28.119 --> 0:19:30.719
<v Speaker 3>and say, oh, no, you're not using this one, use

0:19:30.760 --> 0:19:33.879
<v Speaker 3>this one more, that actually works very effectively.

0:19:34.040 --> 0:19:38.440
<v Speaker 6>Oh really, So you can basically use your brain if

0:19:38.440 --> 0:19:42.840
<v Speaker 6>you're getting the feedback to focus on which quadricep you're exactly.

0:19:43.119 --> 0:19:45.440
<v Speaker 3>Yeah, and there's other ways you can you can give

0:19:45.480 --> 0:19:47.840
<v Speaker 3>the feedback in other different ways. But yeah, our brains

0:19:47.840 --> 0:19:50.560
<v Speaker 3>are very good at that. Once they get feedback, they're

0:19:50.680 --> 0:19:51.600
<v Speaker 3>very good at learning.

0:19:52.280 --> 0:19:55.199
<v Speaker 6>That's cool, especially somehow to think of what the lead athletes, right,

0:19:55.200 --> 0:19:58.159
<v Speaker 6>because they are already presumably like super dialed in in

0:19:58.240 --> 0:20:01.040
<v Speaker 6>terms of like the relationship between their brain and their

0:20:01.080 --> 0:20:02.240
<v Speaker 6>body at this very.

0:20:02.119 --> 0:20:03.200
<v Speaker 2>Elite level exactly.

0:20:03.600 --> 0:20:03.840
<v Speaker 5>Yeah.

0:20:03.960 --> 0:20:05.400
<v Speaker 7>The other I was going to mention.

0:20:06.720 --> 0:20:10.639
<v Speaker 3>A lot of players and teams use this not just

0:20:10.760 --> 0:20:15.119
<v Speaker 3>one time, but overtime. So they'll get a scan, figure

0:20:15.160 --> 0:20:18.960
<v Speaker 3>out a plan, work on that for maybe three months

0:20:19.720 --> 0:20:22.080
<v Speaker 3>or six months, and then do another scan and see

0:20:22.080 --> 0:20:25.760
<v Speaker 3>how things are progressing and adjust accordingly. So that's that's

0:20:25.800 --> 0:20:29.120
<v Speaker 3>definitely another way to in the long term see if

0:20:29.160 --> 0:20:31.720
<v Speaker 3>what they're doing is resulting in the change that they're

0:20:31.760 --> 0:20:32.720
<v Speaker 3>hoping to see.

0:20:33.359 --> 0:20:35.960
<v Speaker 6>So, what happened with that soccer player who had the

0:20:36.240 --> 0:20:38.200
<v Speaker 6>weak quadricep and other.

0:20:38.240 --> 0:20:42.359
<v Speaker 3>Related Yeah, No, I think she's doing great, like staying

0:20:42.359 --> 0:20:46.639
<v Speaker 3>healthy and and you know, getting ready.

0:20:47.080 --> 0:20:47.320
<v Speaker 1>Yeah.

0:20:47.359 --> 0:20:48.840
<v Speaker 6>So I know you can't tell us her name, but

0:20:48.920 --> 0:20:50.560
<v Speaker 6>will we see her in the Olympics this time?

0:20:50.640 --> 0:20:51.400
<v Speaker 7>Yeah.

0:20:53.560 --> 0:20:55.760
<v Speaker 1>You can hear more from that interview and a bunch

0:20:55.760 --> 0:20:58.680
<v Speaker 1>of other stories from people who are creating groundbreaking new

0:20:58.720 --> 0:21:03.600
<v Speaker 1>technologies on what's your problem. I'll be back in a

0:21:03.640 --> 0:21:06.640
<v Speaker 1>minute with the final leg of this relay race through

0:21:06.680 --> 0:21:22.600
<v Speaker 1>Pushkin's Olympics summer. Our last story today is one from

0:21:22.880 --> 0:21:26.920
<v Speaker 1>Revisionist Histories series about the nineteen thirty six Olympics in Berlin.

0:21:28.040 --> 0:21:30.840
<v Speaker 1>The series is all about why America chose to compete

0:21:30.840 --> 0:21:34.359
<v Speaker 1>in the Games when it was already clear who Hitler

0:21:34.640 --> 0:21:39.760
<v Speaker 1>was and what the Nazis stood for. Ben Daphaffrey takes

0:21:39.800 --> 0:21:43.920
<v Speaker 1>everyone's favorite story from the Berlin Olympics about two athletes

0:21:44.240 --> 0:21:47.720
<v Speaker 1>making good on the promise of the Games and breaks

0:21:47.760 --> 0:21:48.480
<v Speaker 1>it wide open.

0:21:50.040 --> 0:21:52.199
<v Speaker 8>The Collock Street tears around the clay circle with the

0:21:52.200 --> 0:21:54.560
<v Speaker 8>speed of the wind, increasing his lead with every stride.

0:21:55.000 --> 0:21:59.560
<v Speaker 2>About four thousand athletes competed in the nineteen thirty six

0:21:59.640 --> 0:22:04.359
<v Speaker 2>Olympics Games. Jesse Owens is the one people remember.

0:22:04.520 --> 0:22:06.359
<v Speaker 5>Streak Jesse Owens in one hundred meters.

0:22:08.480 --> 0:22:11.040
<v Speaker 8>He started building the other out and got that capa

0:22:11.080 --> 0:22:15.040
<v Speaker 8>coming second up on him.

0:22:15.160 --> 0:22:18.560
<v Speaker 2>Jesse Owens was born in Alabama, the son of a sharecropper,

0:22:18.960 --> 0:22:23.840
<v Speaker 2>self effacing, soft spoken, and an unbelievable athlete. In nineteen

0:22:23.880 --> 0:22:26.320
<v Speaker 2>thirty five, as a twenty one year old, he had

0:22:26.359 --> 0:22:30.160
<v Speaker 2>already set three world records in a single day, all

0:22:30.200 --> 0:22:32.399
<v Speaker 2>in the same hour. With a bad back.

0:22:33.400 --> 0:22:35.600
<v Speaker 9>The world's most runner makes the others look as if

0:22:35.600 --> 0:22:37.919
<v Speaker 9>they're walking as he wins the final and equals the

0:22:37.920 --> 0:22:38.840
<v Speaker 9>words record of time.

0:22:39.960 --> 0:22:44.000
<v Speaker 2>And in nineteen thirty six, even the Germans were expecting

0:22:44.040 --> 0:22:46.399
<v Speaker 2>something great from him.

0:22:47.119 --> 0:22:49.920
<v Speaker 9>How many board medals do your host to win? The

0:22:50.000 --> 0:22:55.199
<v Speaker 9>two part times, it's to desire very athlete to win

0:22:55.280 --> 0:22:55.840
<v Speaker 9>a first.

0:22:55.640 --> 0:22:57.080
<v Speaker 3>Place in the Olympic Games.

0:22:57.800 --> 0:23:01.040
<v Speaker 2>In nineteen thirty six, he was slated to in three events,

0:23:01.880 --> 0:23:03.359
<v Speaker 2>and since I'm in three.

0:23:03.240 --> 0:23:05.199
<v Speaker 8>Events, I hope to emerge with.

0:23:05.200 --> 0:23:06.120
<v Speaker 3>Three victory.

0:23:11.400 --> 0:23:15.240
<v Speaker 2>Broad jump one hundred meters, two hundred meters and the

0:23:15.320 --> 0:23:18.920
<v Speaker 2>broad jump. Later they added a fourth event, the four

0:23:19.080 --> 0:23:22.320
<v Speaker 2>by one hundred meter relay. He would win gold in

0:23:22.560 --> 0:23:26.679
<v Speaker 2>all four, the only person to win four gold medals

0:23:26.760 --> 0:23:29.920
<v Speaker 2>in the Berlin Olympics. And that is why you know

0:23:30.040 --> 0:23:33.280
<v Speaker 2>the name Jesse Owens. But it all could have turned

0:23:33.320 --> 0:23:40.639
<v Speaker 2>out differently because of that broad jump. You've seen a

0:23:40.720 --> 0:23:43.359
<v Speaker 2>broad jump before today. It's called the long jump, and

0:23:43.480 --> 0:23:46.320
<v Speaker 2>it's one of the more dramatic Olympic sports. The jumpers

0:23:46.359 --> 0:23:48.600
<v Speaker 2>sprint down the runway, hit a take off board and

0:23:49.400 --> 0:23:52.159
<v Speaker 2>they look like they're flying and then they land in

0:23:52.240 --> 0:23:56.720
<v Speaker 2>a huge spray of sand. So the morning of August fourth,

0:23:56.960 --> 0:24:00.000
<v Speaker 2>nineteen thirty six, ten thirty am in the right place,

0:24:00.040 --> 0:24:04.760
<v Speaker 2>sport Feld, it's the long jump qualifying rounds. Best jumpers

0:24:04.840 --> 0:24:07.639
<v Speaker 2>go on to the final. Owens had just run his

0:24:07.760 --> 0:24:11.040
<v Speaker 2>heat in the two hundred meters immediately after he headed

0:24:11.119 --> 0:24:13.399
<v Speaker 2>over to the pit. It was the third day of

0:24:13.480 --> 0:24:15.680
<v Speaker 2>the Games, and by then he already had his first

0:24:15.720 --> 0:24:19.720
<v Speaker 2>gold medal, so it was a surprise when he botched

0:24:19.760 --> 0:24:22.480
<v Speaker 2>his first jump. By some accounts, he thought it was

0:24:22.520 --> 0:24:26.879
<v Speaker 2>a practice run no sweat, though he had two more tries,

0:24:27.640 --> 0:24:30.880
<v Speaker 2>so he lined himself back up and started jogging down

0:24:30.920 --> 0:24:36.320
<v Speaker 2>the runway. He took off and came up short. He

0:24:36.480 --> 0:24:40.760
<v Speaker 2>had one jump left. If he screwed up that last jump,

0:24:41.000 --> 0:24:43.040
<v Speaker 2>he'd have been out of the contest, and he'd have

0:24:43.119 --> 0:24:46.000
<v Speaker 2>gone from being the only athlete to win four gold

0:24:46.080 --> 0:24:49.120
<v Speaker 2>medals in nineteen thirty six to one of three athletes

0:24:49.200 --> 0:24:52.480
<v Speaker 2>who'd won three golds, right up there with Conrad Frey

0:24:52.560 --> 0:24:56.080
<v Speaker 2>and Hendrika Mastenbroke, who actually would have had more total

0:24:56.160 --> 0:24:59.600
<v Speaker 2>medals than him. And I ask you, be honest, have

0:24:59.760 --> 0:25:03.680
<v Speaker 2>you you ever heard of Conrad Frey and Hendrika mastenbrook No,

0:25:04.560 --> 0:25:09.119
<v Speaker 2>And probably if he'd missed that final qualifying jump, you

0:25:09.240 --> 0:25:15.639
<v Speaker 2>wouldn't have heard of Jesse Owens either. So after the

0:25:15.720 --> 0:25:22.120
<v Speaker 2>first two misses, Owens was rattled. But then something miraculous happened,

0:25:23.160 --> 0:25:27.720
<v Speaker 2>something that changed the course of Jesse Owens's life and

0:25:27.880 --> 0:25:34.080
<v Speaker 2>made him a legend. It was cool that day in August,

0:25:34.720 --> 0:25:38.000
<v Speaker 2>clouds had rolled in over the stadium. Around one hundred

0:25:38.119 --> 0:25:42.600
<v Speaker 2>thousand people were in the stands watching in. America's most

0:25:42.680 --> 0:25:47.920
<v Speaker 2>famous athlete, Jesse Owens, was screwing up badly, which makes

0:25:48.000 --> 0:25:51.080
<v Speaker 2>no sense. All he had to do was jump seven

0:25:51.200 --> 0:25:54.560
<v Speaker 2>point one five meters to qualify. He already had a

0:25:54.600 --> 0:25:57.920
<v Speaker 2>world record for jumping a meter farther than that, So

0:25:58.080 --> 0:26:02.080
<v Speaker 2>what was going wrong? Malcolm and I decided to ask

0:26:02.119 --> 0:26:05.760
<v Speaker 2>an expert a legend. Actually it was about.

0:26:05.520 --> 0:26:06.240
<v Speaker 7>Ten years ago.

0:26:06.480 --> 0:26:08.879
<v Speaker 8>So the age is sixty five, I think. And I

0:26:09.000 --> 0:26:11.560
<v Speaker 8>jumped further than my high school mark.

0:26:12.240 --> 0:26:13.120
<v Speaker 5>Is that right? Yeah?

0:26:13.359 --> 0:26:15.560
<v Speaker 1>And you're the first American who jumped fifty seven feet.

0:26:16.080 --> 0:26:16.280
<v Speaker 8>Yeah.

0:26:17.680 --> 0:26:20.760
<v Speaker 2>One of the greatest American triple jumpers of all time,

0:26:21.680 --> 0:26:22.760
<v Speaker 2>Milan tiff.

0:26:23.760 --> 0:26:26.879
<v Speaker 8>I actually jumped sixty feet, but they didn't wouldn't recognize

0:26:26.920 --> 0:26:28.640
<v Speaker 8>it because I jumped out of the pit.

0:26:29.720 --> 0:26:30.960
<v Speaker 1>And where should you do that?

0:26:31.359 --> 0:26:31.600
<v Speaker 8>Right here?

0:26:31.640 --> 0:26:34.480
<v Speaker 5>You say, wow? And I jumped.

0:26:34.560 --> 0:26:37.520
<v Speaker 8>I completely jumped over the sand pit and landed on

0:26:37.600 --> 0:26:39.680
<v Speaker 8>the grass. I had grass stands all over the back

0:26:39.720 --> 0:26:39.879
<v Speaker 8>of me.

0:26:41.800 --> 0:26:44.000
<v Speaker 2>Going to see Milan was Malcolm's idea.

0:26:45.080 --> 0:26:47.920
<v Speaker 1>So when I was in high school, starting at the

0:26:47.960 --> 0:26:51.399
<v Speaker 1>age of twelve, I became a competitive runner, and I

0:26:51.520 --> 0:26:54.480
<v Speaker 1>was obsessed with track and field, and I subscribed to

0:26:54.520 --> 0:26:57.359
<v Speaker 1>Track and Field News, the Bible of the sport, as

0:26:57.400 --> 0:27:04.840
<v Speaker 1>it's called. And Millen Tiff was this extraordinary. First of all,

0:27:04.880 --> 0:27:07.920
<v Speaker 1>he was astonishing looking. He looked there was something kind

0:27:07.960 --> 0:27:11.560
<v Speaker 1>of ethereal about him, and he had as a kid,

0:27:11.640 --> 0:27:14.080
<v Speaker 1>he couldn't walk because he had I think polio or something.

0:27:14.320 --> 0:27:18.120
<v Speaker 1>And he was also an artist, really really bright colors

0:27:18.280 --> 0:27:22.720
<v Speaker 1>and kind of wildly imaginative and a little bit psychedelic.

0:27:23.440 --> 0:27:25.960
<v Speaker 1>But I was I was just obsessed with him as

0:27:26.040 --> 0:27:31.080
<v Speaker 1>this kind of like this this strange, otherworldly figure. And

0:27:31.160 --> 0:27:33.119
<v Speaker 1>he was a favorite in nineteen eighty. Had we not

0:27:33.240 --> 0:27:35.800
<v Speaker 1>boycotted the nineteen eighty Games, he might well have won

0:27:35.840 --> 0:27:38.680
<v Speaker 1>a gold medal. Anyway, I cannot wait. He's going to

0:27:38.720 --> 0:27:41.400
<v Speaker 1>be He's going to be a little bit. He might

0:27:41.480 --> 0:27:43.119
<v Speaker 1>be a little I don't know, but I have a

0:27:43.240 --> 0:27:46.600
<v Speaker 1>sense that he might be. He might be a little

0:27:46.960 --> 0:27:47.440
<v Speaker 1>out there.

0:27:49.160 --> 0:27:52.040
<v Speaker 2>This turned out to be pretty prescient. After meeting Lawn Tiff,

0:27:52.240 --> 0:27:54.560
<v Speaker 2>I felt like I had taken some kind of intense

0:27:54.600 --> 0:27:57.200
<v Speaker 2>psychedelic the effects of which I've yet to wear off.

0:27:57.440 --> 0:27:58.280
<v Speaker 8>The first humans.

0:27:58.480 --> 0:28:02.440
<v Speaker 2>It's unbelievable understood that to walk is just to take

0:28:02.480 --> 0:28:06.000
<v Speaker 2>a number of tiny, long jumps. I found myself transfixed

0:28:06.240 --> 0:28:09.440
<v Speaker 2>by an actually gorgeous painting of Milans portraying a pair

0:28:09.680 --> 0:28:13.240
<v Speaker 2>of empty tidy whities suspended in a blue abstract space

0:28:13.680 --> 0:28:17.080
<v Speaker 2>called mysteriously palm springs.

0:28:17.240 --> 0:28:19.760
<v Speaker 8>And the birds and the trees would all fly down.

0:28:19.880 --> 0:28:22.240
<v Speaker 8>They're just tapped into the same frequency as I have

0:28:22.400 --> 0:28:23.480
<v Speaker 8>when I'm running and jumping.

0:28:24.359 --> 0:28:26.760
<v Speaker 2>We flew out to Los Angeles, where he lives, so

0:28:26.880 --> 0:28:29.320
<v Speaker 2>he could take us out to the UCLA track, and

0:28:29.520 --> 0:28:32.400
<v Speaker 2>when we got there, there were several helicopters hovering above

0:28:32.480 --> 0:28:34.720
<v Speaker 2>us the whole time, which only made everything a little

0:28:34.760 --> 0:28:38.280
<v Speaker 2>more surreal, and Olympic legends just walking up to him,

0:28:38.560 --> 0:28:43.120
<v Speaker 2>literally bowing down. This, I think because they wouldn't normally

0:28:43.280 --> 0:28:46.440
<v Speaker 2>see him. He told us he prefers to run in

0:28:46.520 --> 0:28:53.360
<v Speaker 2>the morning, by which he meant three am. Tiff took

0:28:53.440 --> 0:28:55.760
<v Speaker 2>us out to the broad jump pit to help us

0:28:55.840 --> 0:28:59.800
<v Speaker 2>get inside Jesse Owens's mind, which we thought he could

0:28:59.800 --> 0:29:02.880
<v Speaker 2>do because he's a master of the approach. The part

0:29:03.000 --> 0:29:07.280
<v Speaker 2>Jesse Owens was screwing up. But also because so you

0:29:07.320 --> 0:29:09.440
<v Speaker 2>actually knew Jesse Owens when you were a kid. Yeah, yeah,

0:29:09.880 --> 0:29:12.200
<v Speaker 2>you know, I sit and he.

0:29:12.320 --> 0:29:15.560
<v Speaker 8>Tell the stories. Yeah, and not hear all the stories.

0:29:15.920 --> 0:29:19.160
<v Speaker 8>And you know he talked about his experience in Berlin.

0:29:20.520 --> 0:29:23.440
<v Speaker 2>You know, we asked him to tell us about how

0:29:23.480 --> 0:29:24.920
<v Speaker 2>you're supposed to approach a jump.

0:29:25.400 --> 0:29:28.000
<v Speaker 8>Yeah, you gotta have a gidea up first, that kind

0:29:28.040 --> 0:29:30.360
<v Speaker 8>of rockings. You have to have some or a jiggle

0:29:30.400 --> 0:29:32.240
<v Speaker 8>where you will call it. Yeah, you have to have

0:29:32.480 --> 0:29:34.960
<v Speaker 8>a jiggle or a gide up before you even get

0:29:35.000 --> 0:29:37.480
<v Speaker 8>into your run. Yeah, that adjustice your run.

0:29:37.800 --> 0:29:40.040
<v Speaker 2>Is that why this is obviously the broad jump, but

0:29:40.440 --> 0:29:42.200
<v Speaker 2>lose long. I noticed he does this sort of like

0:29:42.360 --> 0:29:45.600
<v Speaker 2>hitch in his leg before he starts running. Yeah, it's

0:29:45.680 --> 0:29:46.240
<v Speaker 2>like a dance.

0:29:46.480 --> 0:29:48.520
<v Speaker 8>It's like it's like a preparation.

0:29:48.680 --> 0:29:50.520
<v Speaker 6>Can you show us what your gidea up was, Well,

0:29:50.600 --> 0:29:51.280
<v Speaker 6>it's like a one.

0:29:51.280 --> 0:29:54.720
<v Speaker 8>Two, three, four five, then you start your run. Yeah.

0:29:55.040 --> 0:29:58.720
<v Speaker 8>And I told it to Willie Banks World Ragged, taught

0:29:58.760 --> 0:30:02.360
<v Speaker 8>it to h Bike Pile whol record.

0:30:03.480 --> 0:30:05.640
<v Speaker 2>We gave it a shot on the track where at

0:30:05.680 --> 0:30:09.000
<v Speaker 2>the very same time actual Olympic athletes were practicing for

0:30:09.120 --> 0:30:13.160
<v Speaker 2>this year's games. Was it embarrassing? It was mortifying. Did

0:30:13.200 --> 0:30:16.840
<v Speaker 2>we set a world record? Not even close. Did we

0:30:16.920 --> 0:30:20.880
<v Speaker 2>become friends with any Olympians they were otherwise occupied. But

0:30:21.200 --> 0:30:25.720
<v Speaker 2>this is the kind of dedication that deep historical investigations demand.

0:30:26.120 --> 0:30:27.840
<v Speaker 2>What was Did Jesse Owens have a gideo?

0:30:28.400 --> 0:30:31.320
<v Speaker 8>No, he had a stamp start because he was a sprinterer,

0:30:32.720 --> 0:30:35.600
<v Speaker 8>you see. Yeah, that's why he was losing the steps

0:30:35.600 --> 0:30:36.120
<v Speaker 8>all the time.

0:30:36.920 --> 0:30:39.440
<v Speaker 2>He didn't have a jiggle, well, he didn't have a che.

0:30:39.560 --> 0:30:41.920
<v Speaker 8>No, he didn't have a jiggle or a giddy. Yeah.

0:30:42.480 --> 0:30:44.880
<v Speaker 8>And it took his competitor to say, man, come on,

0:30:45.440 --> 0:30:46.840
<v Speaker 8>you gotta do something first.

0:30:48.320 --> 0:30:52.120
<v Speaker 2>Jesse Owens's competitor, facing down the pit there export feld

0:30:53.040 --> 0:30:59.960
<v Speaker 2>Loots Long. Lutzlong was Germany's champion broad jumper, Hitler's champ,

0:31:00.720 --> 0:31:03.720
<v Speaker 2>and he looked the part, a fine ak line nose

0:31:04.040 --> 0:31:07.120
<v Speaker 2>framed by your classic blonde hair and blue eyes. As

0:31:07.160 --> 0:31:10.040
<v Speaker 2>Owens wrote later, Hitler was in the stadium that morning

0:31:10.120 --> 0:31:13.880
<v Speaker 2>to watch. Owens knew that he'd like nothing better than

0:31:13.960 --> 0:31:16.920
<v Speaker 2>to see a black man lose to an Arian. The

0:31:17.040 --> 0:31:20.920
<v Speaker 2>thought was nanging at him, messing up his focus. And

0:31:21.000 --> 0:31:23.479
<v Speaker 2>then he'd looked up at the box where Hitler had

0:31:23.520 --> 0:31:27.120
<v Speaker 2>been watching the games, and saw that when Owens's turn came,

0:31:28.000 --> 0:31:33.320
<v Speaker 2>Hitler had just left. It made his blood boil. That's

0:31:33.360 --> 0:31:36.080
<v Speaker 2>why he was fouling out. He was psyched out by

0:31:36.080 --> 0:31:38.680
<v Speaker 2>all of it. Distract it, and when he saw how

0:31:38.720 --> 0:31:41.640
<v Speaker 2>amazing Lutslong was at the broad jump, he began to

0:31:41.720 --> 0:31:44.640
<v Speaker 2>wonder if there was something true about all this arian stuff.

0:31:45.600 --> 0:31:49.360
<v Speaker 2>He was down to his last jump, and then came

0:31:49.440 --> 0:31:54.520
<v Speaker 2>the miracle. In an autobiography he published in nineteen seventy eight,

0:31:54.640 --> 0:31:57.480
<v Speaker 2>Owens wrote, suddenly I felt a hand on my shoulder.

0:31:58.400 --> 0:31:59.280
<v Speaker 2>It was Lutslong.

0:32:00.600 --> 0:32:04.240
<v Speaker 9>Look, there is no time to waste with manners. What

0:32:04.400 --> 0:32:05.400
<v Speaker 9>has taken your goat?

0:32:06.240 --> 0:32:07.800
<v Speaker 2>Obviously we had to reenact this.

0:32:09.160 --> 0:32:11.479
<v Speaker 9>I had to smile a little in spite of myself

0:32:11.880 --> 0:32:16.080
<v Speaker 9>hearing his mixed up American idiom ah nothing, I said,

0:32:16.480 --> 0:32:19.040
<v Speaker 9>you know how it is? He was silent for a

0:32:19.080 --> 0:32:23.720
<v Speaker 9>few seconds. Yes, he said, finally, I know how it is.

0:32:24.400 --> 0:32:27.800
<v Speaker 9>But I also know you are a better jumper than this. Now,

0:32:28.480 --> 0:32:32.320
<v Speaker 9>what has taken your goat? I laughed out loud this time,

0:32:33.000 --> 0:32:36.680
<v Speaker 9>but I couldn't tell him him. Above all, I glanced

0:32:36.720 --> 0:32:39.000
<v Speaker 9>over at the broad jump pit. I was about to

0:32:39.040 --> 0:32:43.040
<v Speaker 9>be called. Lutz didn't waste words, even if he wasn't

0:32:43.080 --> 0:32:47.120
<v Speaker 9>sure of which ones to use. Is it what Reichkanze

0:32:47.240 --> 0:32:47.760
<v Speaker 9>Hitler did?

0:32:48.120 --> 0:32:48.640
<v Speaker 2>He asked.

0:32:49.640 --> 0:32:53.960
<v Speaker 9>I was thunderstruck that he'd say it. I started to answer,

0:32:54.520 --> 0:32:58.960
<v Speaker 9>but I didn't know what to say. I see he said, Look,

0:32:59.480 --> 0:33:02.720
<v Speaker 9>we talk of that later. Now you must jump and

0:33:02.880 --> 0:33:07.760
<v Speaker 9>you must qualify. But how I shot back? I have thought?

0:33:08.040 --> 0:33:11.400
<v Speaker 9>He said, you are like Aya. You must do it

0:33:11.560 --> 0:33:13.520
<v Speaker 9>one hundred percent correct.

0:33:14.400 --> 0:33:14.880
<v Speaker 2>I nodded.

0:33:15.280 --> 0:33:18.520
<v Speaker 9>Yet you must be sure not to foul. I nodded again,

0:33:18.920 --> 0:33:22.080
<v Speaker 9>this time in frustration, And as I did, I heard

0:33:22.120 --> 0:33:26.600
<v Speaker 9>the loudspeaker call my name. Lutz talked quickly. Then you

0:33:26.760 --> 0:33:30.400
<v Speaker 9>do both things, Jesse. You remeasure your steps, You take

0:33:30.480 --> 0:33:33.800
<v Speaker 9>off six inches behind the foul board. You jump as

0:33:33.920 --> 0:33:36.920
<v Speaker 9>hard as you can, but you need not fear to foul.

0:33:38.280 --> 0:33:40.920
<v Speaker 9>All at once, the panic emptied out of me like

0:33:41.000 --> 0:33:41.800
<v Speaker 9>a cloudburst.

0:33:43.080 --> 0:33:45.640
<v Speaker 2>Owens jogged up to the line and laid a towel

0:33:45.760 --> 0:33:48.480
<v Speaker 2>to mark where Long had told him to jump. He

0:33:48.760 --> 0:33:52.720
<v Speaker 2>lined up on the runway, maybe wiped his hands on

0:33:52.840 --> 0:33:57.640
<v Speaker 2>his jersey, and then he ran one step, two steps,

0:33:58.040 --> 0:34:00.760
<v Speaker 2>closer and closer to the pit, and he hit that

0:34:00.880 --> 0:34:04.000
<v Speaker 2>mark on the towel leapt into the air, and when

0:34:04.040 --> 0:34:07.200
<v Speaker 2>he finally got that, he qualified, and later that day,

0:34:07.520 --> 0:34:10.200
<v Speaker 2>with Hitler back in the stands in the metal event

0:34:10.280 --> 0:34:16.759
<v Speaker 2>itself well record, he set an Olympic record. And that's

0:34:16.800 --> 0:34:19.880
<v Speaker 2>when Lootes along the Aryan poster child who had just

0:34:20.080 --> 0:34:25.160
<v Speaker 2>lost to Jesse Owens, hugged him in front of Adolf Hitler,

0:34:25.960 --> 0:34:30.640
<v Speaker 2>and the Hitler was pissed man, but Long didn't just

0:34:30.800 --> 0:34:35.480
<v Speaker 2>embrace him, According to Jesse Owens, Later that night they

0:34:35.600 --> 0:34:40.480
<v Speaker 2>met up in the Olympic village. The hours ticked on

0:34:41.160 --> 0:34:44.400
<v Speaker 2>and they stayed up late, talking about their lives, the

0:34:44.520 --> 0:34:48.000
<v Speaker 2>state of the world in the uncertain future. Some kind

0:34:48.040 --> 0:34:50.839
<v Speaker 2>of strange bond had been formed between the men that day,

0:34:51.480 --> 0:34:54.920
<v Speaker 2>because then the next day they did it again, and

0:34:55.040 --> 0:35:00.839
<v Speaker 2>after that, again and again and again. Every single night

0:35:00.960 --> 0:35:05.400
<v Speaker 2>of the Games they met up to talk. They became friends.

0:35:06.160 --> 0:35:08.560
<v Speaker 2>The dream of the Olympics was real for them. They

0:35:08.680 --> 0:35:13.920
<v Speaker 2>bridged an unbridgable gap between two cultures, two races. Something

0:35:14.120 --> 0:35:18.120
<v Speaker 2>unbreakable had bound them. After the Games, when Owens was

0:35:18.200 --> 0:35:21.160
<v Speaker 2>back in America and Lutzlang was still in Nazi Germany,

0:35:21.560 --> 0:35:24.400
<v Speaker 2>they wrote letters to each other even after long was

0:35:24.480 --> 0:35:27.759
<v Speaker 2>serving in the Wehrmacht the Nazi army, back and forth

0:35:27.840 --> 0:35:33.560
<v Speaker 2>across the Atlantic for years. They kept coming until right

0:35:33.719 --> 0:35:38.360
<v Speaker 2>before Lutzlang was killed in the war. He was stationed

0:35:38.520 --> 0:35:42.560
<v Speaker 2>in the deserts of North Africa. On some lonely desert hour,

0:35:43.160 --> 0:35:46.120
<v Speaker 2>he sat down to write one last letter to his friend.

0:35:47.520 --> 0:35:50.160
<v Speaker 9>I am here, Jesse, where it seems there is only

0:35:50.239 --> 0:35:54.080
<v Speaker 9>the dry sand and the wet blood. I do not

0:35:54.200 --> 0:35:56.000
<v Speaker 9>fear so much for myself.

0:35:55.760 --> 0:35:56.479
<v Speaker 6>My friend, Jesse.

0:35:57.239 --> 0:35:59.400
<v Speaker 9>I fear for my woman, who was at home, and

0:35:59.800 --> 0:36:03.399
<v Speaker 9>my young son, Karl, who has never really known his father.

0:36:05.600 --> 0:36:08.440
<v Speaker 9>My heart tells me, if I be honest with you,

0:36:09.160 --> 0:36:11.680
<v Speaker 9>that this is the last letter I shall ever write.

0:36:13.200 --> 0:36:17.400
<v Speaker 9>If it is so, I ask you something. It is

0:36:17.800 --> 0:36:22.239
<v Speaker 9>something so very important to me. It is you go

0:36:22.400 --> 0:36:26.200
<v Speaker 9>to Germany when this war done. Someday find my Carl

0:36:27.080 --> 0:36:31.279
<v Speaker 9>and tell him about his father. Tell him, Jesse, what

0:36:31.480 --> 0:36:34.200
<v Speaker 9>times were like when we were not separated by war,

0:36:35.280 --> 0:36:40.239
<v Speaker 9>I am saying, Tell him how things can be between.

0:36:40.040 --> 0:36:47.600
<v Speaker 2>Men on this earth. There are tears in your eyes.

0:36:47.640 --> 0:36:50.879
<v Speaker 2>You would not be alone. This story is a big

0:36:51.000 --> 0:36:55.239
<v Speaker 2>part of the legend of Jesse Owens. If you look

0:36:55.320 --> 0:36:59.840
<v Speaker 2>up Jesse Owens in the Encyclopedia Britannica. There's the story

0:37:00.200 --> 0:37:03.359
<v Speaker 2>when they made a star studied Hollywood film about Jesse

0:37:03.440 --> 0:37:07.680
<v Speaker 2>Owens's life. Lutslog and that qualifying jump are the pivotal moment.

0:37:08.200 --> 0:37:11.040
<v Speaker 2>Retelling this story would help launch the career of the

0:37:11.160 --> 0:37:15.520
<v Speaker 2>greatest Olympic documentarian of all time, Bud Greenspan. And I'm

0:37:15.560 --> 0:37:17.960
<v Speaker 2>not an auctioneer, but I think it is the reason

0:37:18.080 --> 0:37:22.440
<v Speaker 2>why Lutslog's silver medal sold for nearly half a million

0:37:22.560 --> 0:37:26.520
<v Speaker 2>dollars two years ago, about five times the amount earned

0:37:27.000 --> 0:37:30.600
<v Speaker 2>for any other silver medal at auction. It's arguably the

0:37:30.760 --> 0:37:34.680
<v Speaker 2>most important story in Olympic history. It is proof of

0:37:34.760 --> 0:37:37.640
<v Speaker 2>the Olympic dream. It made the case that it was

0:37:37.719 --> 0:37:40.279
<v Speaker 2>good that America went to the Vilin Games because it

0:37:40.400 --> 0:37:44.440
<v Speaker 2>made possible this improbable friendship that transcended even the Second

0:37:44.480 --> 0:37:50.120
<v Speaker 2>World War, a story that was just too good to

0:37:50.200 --> 0:37:50.680
<v Speaker 2>be true.

0:38:00.960 --> 0:38:03.000
<v Speaker 1>You can hear the rest of this episode and the

0:38:03.160 --> 0:38:09.239
<v Speaker 1>whole Hitler's Olympics series by following Revisionist History, And if

0:38:09.239 --> 0:38:11.839
<v Speaker 1>you're looking for more Olympic content, take a look at

0:38:11.840 --> 0:38:16.280
<v Speaker 1>Happiness Lab Slight Change of Plans, and other Pushkin shows

0:38:16.680 --> 0:38:20.759
<v Speaker 1>This summer We're all going to the Olympics. Thanks for

0:38:20.920 --> 0:38:24.960
<v Speaker 1>help with this special episode goes to Sarah Nix, Sophie Crane,

0:38:25.440 --> 0:38:27.640
<v Speaker 1>Sarah Bugaier and Nina Lorence.