WEBVTT - Codex Gigas

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<v Speaker 1>Welcome to steph you missed in History Class from hot

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<v Speaker 1>works dot com. Hello, and welcome to the podcast. I'm

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<v Speaker 1>Holly Fry and I'm Tracy V. Wilson, and hey Tracy.

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<v Speaker 1>We have not done a historical manuscript episode in a while.

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<v Speaker 1>I know we haven't, uh. And the Voyage Manuscript episode

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<v Speaker 1>that we did was very, very popular, but part of

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<v Speaker 1>that is because it is mysterious and people are constantly

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<v Speaker 1>trying to decode and crack it. The one that we're

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<v Speaker 1>talking about today comes with a little bit of mystery,

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<v Speaker 1>but I would say less than the Voyage Manuscript. But

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<v Speaker 1>unlike the Voyage Manuscript, we do know what this one says. Uh.

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<v Speaker 1>And this episode is actually one that I started a

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<v Speaker 1>while back, and then I just got derailed and wanted

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<v Speaker 1>to work on something else for the podcast instead, and

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<v Speaker 1>so I put it in a file that's like things

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<v Speaker 1>that I have started but not finished, and then recently

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<v Speaker 1>our listener Chatelaine wrote in to suggest it, so I

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<v Speaker 1>felt like it was time to dig it out of

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<v Speaker 1>cold storage and give it another look. So we're going

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<v Speaker 1>to talk about uh, what's called the Codex Gigas, and

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<v Speaker 1>you'll hear different pronunciations Tracy and I kind of combed

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<v Speaker 1>the the internet looking for various pronunciations to find the

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<v Speaker 1>right one, and we got so many different ones that

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<v Speaker 1>it actually became downright comical, as we would sit here

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<v Speaker 1>and go, no, look, this dude says it this way.

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<v Speaker 1>So we're just gonna go with gigas. We'll leave it there.

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<v Speaker 1>So the name, uh codex g Gas gives do him

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<v Speaker 1>about one of the notable features of this book. It

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<v Speaker 1>means giant book, because this thing is truly enormous. Yeah,

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<v Speaker 1>it is eighty nine by forty nine centimeters. Uh so

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<v Speaker 1>for an alternate measurement, that's about thirty five by nineteen inches,

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<v Speaker 1>so about a yard long. It contains three parchment leaves

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<v Speaker 1>which may be calf skin, plus two paper and leaves. Uh.

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<v Speaker 1>It's sent to weigh about as much as an average human.

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<v Speaker 1>I've seen numbers like one eight so somewhere in there.

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<v Speaker 1>The pages are arranged in two columns. There are a

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<v Speaker 1>hundred and six lines in each column. There are numbers

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<v Speaker 1>on the page, but the probably were added later. On

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<v Speaker 1>the same hand that wrote out the foliation also included

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<v Speaker 1>the date of fifteen sixty one, which is way after

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<v Speaker 1>the book was written, and the codex is bound in

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<v Speaker 1>leather covered wood. The manuscript was rebound in eight nineteen,

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<v Speaker 1>and we'll talk about that a little bit later, but

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<v Speaker 1>based on the notes at the time, the current wooden

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<v Speaker 1>boards that are used in its binding are the originals.

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<v Speaker 1>Notations around that rebinding suggests that the cover board had

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<v Speaker 1>a split down the center which had to be repaired,

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<v Speaker 1>and that may have been the impetus to have it

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<v Speaker 1>rebound at that point. There are also metal pieces at

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<v Speaker 1>the corners of the cover and some of these appear

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<v Speaker 1>to be replacements of earlier adornments. And there are several

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<v Speaker 1>long sections of text in the Codex Gigus. The first

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<v Speaker 1>is the Old Testament, The next is the Antiquities, written

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<v Speaker 1>by Flavius Josephus of the first century. The third text,

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<v Speaker 1>which is also by Flavius Josephus, is the Jewish War.

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<v Speaker 1>Next is an Encyclopedia of the Middle Ages, which was

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<v Speaker 1>written by Saint Isidore of Sevilla of Spain in the

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<v Speaker 1>sixth century, and after the encyclopedia is a section on

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<v Speaker 1>medical information, and then there is the New Testament. The

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<v Speaker 1>texts of the Old and New Testaments are what's known

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<v Speaker 1>as the Vulgate version, with two notable exceptions. The acts

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<v Speaker 1>of the apostles in the Book of Revelation are both

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<v Speaker 1>from an earlier biblical translation, the Vetis Latina. And the

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<v Speaker 1>last long section of the book is the Chronicle of Bohemia,

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<v Speaker 1>which is the first history of Bohemia that we have

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<v Speaker 1>on record, and this was written by Cosmas of Prague,

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<v Speaker 1>who lived from ten forty five to eleven twenty five approximately.

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<v Speaker 1>Because this is the first Bohemian history, it's a really

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<v Speaker 1>significant work. In addition to all of that other stuff,

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<v Speaker 1>there are several short pieces in the book as well.

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<v Speaker 1>One is written on penitence, one on exercising demons, and

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<v Speaker 1>there's a calendar that lists saints and famed Bohemians commemorated

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<v Speaker 1>on various Saints days. There was also at some point

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<v Speaker 1>a guide to monastic life in this big tone, called

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<v Speaker 1>the Rule of St. Benedict, but this portion has been removed.

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<v Speaker 1>The leaves have actually been cut out of the codex.

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<v Speaker 1>It's normal for medieval manuscripts to have illustrations all through,

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<v Speaker 1>and this is also two of the codex. One is

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<v Speaker 1>a simple portrait of the writer Josephus. There are also

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<v Speaker 1>pictures of Heaven and Earth contained within circular frames. At

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<v Speaker 1>the beginning of the Book of Genesis. There are fifty

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<v Speaker 1>seven initial letters in the text of the Codex that

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<v Speaker 1>are colorful and feature these vines spindling off of them,

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<v Speaker 1>and they appear at the beginning of each book of

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<v Speaker 1>the Bible, and also at the start of the Chronicle

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<v Speaker 1>of Bohemia, which was written, as we said, by Cosmos.

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<v Speaker 1>And this is important to note because it indicates the

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<v Speaker 1>pride and importance placed on this history of Bohemia. The

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<v Speaker 1>vines that are stylistically consistent throughout the illustrated letters appear

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<v Speaker 1>to be a canthus, and they are depicted as growing

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<v Speaker 1>in spirals round and in and out from the letters themselves.

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<v Speaker 1>On some of the letters, there are tiny animals, such

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<v Speaker 1>as birds that can be seen tucked in around the vines.

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<v Speaker 1>They're pretty these are pretty charming. The eye that opens

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<v Speaker 1>the Book of Esther features a squirrel on top of

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<v Speaker 1>it and it's eating a nut. It's so cute. I

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<v Speaker 1>almost feel slightly guilty referring to this, you know, important

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<v Speaker 1>medieval tome by going it's so cute. But the squirrels

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<v Speaker 1>very cute. The animals are darling. Yeah, there are a

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<v Speaker 1>lot of like medieval illuminations that that lend to themselves

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<v Speaker 1>to either cute or comical interpretations. There's some great blog

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<v Speaker 1>posts and tumblers and things floating around about various little charming, cute,

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<v Speaker 1>adorable segments of greater medieval illuminations. Yeah, all of these

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<v Speaker 1>little details are just they're super charming. Uh. One of

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<v Speaker 1>only two full page pictures in the book is a

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<v Speaker 1>depiction of Heavenly Jerusalem, and this features two tall towers

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<v Speaker 1>on either side of the page and a foundation wall

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<v Speaker 1>at their bases which appears to be made of stone,

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<v Speaker 1>And there are multiple smaller structures that are stacked in

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<v Speaker 1>this stylistic way to represent a dense city. And opposite

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<v Speaker 1>this illustration is what's perhaps become the most famous attribute

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<v Speaker 1>of the Codex Gigus, other than its massive size, which

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<v Speaker 1>is an illustration of the Devil. The portrait of the

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<v Speaker 1>devil is framed in exactly the same manner as the

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<v Speaker 1>image of Heavenly Jerusalem. Similar towers to the ones in

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<v Speaker 1>the Jerusalem painting are featured on either side of this

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<v Speaker 1>full body painting of the Devil. The devil is depicted

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<v Speaker 1>in what looks like a jumping position with his bent

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<v Speaker 1>legs tucked up partially underneath him. He has a greenish

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<v Speaker 1>blue face and spectacular red and yellow talents coming out

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<v Speaker 1>from his fingers and toes. And this image of the

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<v Speaker 1>devil is so eye catching that it has actually earned

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<v Speaker 1>the book the nickname the Devil's Bible. And as you

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<v Speaker 1>may suspect that this moniker has led to some sensation

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<v Speaker 1>analism around it. Yeah, when we were when we were

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<v Speaker 1>doing our looking into how to say the name, I

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<v Speaker 1>saw possibly the most sensationalized historical TV special I've ever seen,

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<v Speaker 1>and I'm not even gonna say what network it was from.

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<v Speaker 1>There have been a few, so it's not there's not

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<v Speaker 1>one one guilty party on that one. The vast majority

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<v Speaker 1>of the codex was written in a medieval script called

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<v Speaker 1>the Carolingian minuscule. The style came into being in the

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<v Speaker 1>ninth century, and it was popular through the twelfth century.

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<v Speaker 1>Then it kind of fell out of favor until it

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<v Speaker 1>was revived in the fifteenth century. And one of the

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<v Speaker 1>more fascinating aspects of this book is that researchers who

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<v Speaker 1>have studied it for many, many years have come to

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<v Speaker 1>the conclusion that one single scribe wrote an embellished the

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<v Speaker 1>entire book. And it appears that the person who wrote

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<v Speaker 1>out this text was very well trained, but had developed

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<v Speaker 1>a pretty unique style that makes the work distinctive. Uh.

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<v Speaker 1>And some of the pieces that I read, they've said, like,

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<v Speaker 1>we would know if we saw this work, this person's

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<v Speaker 1>work anywhere else. However, this is the only manuscript that's

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<v Speaker 1>known to have been the work of this person. This

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<v Speaker 1>this is pretty mysterious. Really, we have no evidence at

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<v Speaker 1>all of the works on which this scribe would have trained.

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<v Speaker 1>It's estimated that a medieval scribe would average roughly a

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<v Speaker 1>hundred lines a day, and so, factoring in the careful

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<v Speaker 1>ruling on each text page and the text itself, the

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<v Speaker 1>decoration pieces, all of that, it's um it's estimated that

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<v Speaker 1>this work would have taken between ten and twenty years

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<v Speaker 1>to complete. At an absolute minimum. Longer estimates suggests that

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<v Speaker 1>it could have been the work of a lifetime. Yeah,

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<v Speaker 1>you'll see different sort of breakdowns of how people estimate

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<v Speaker 1>how this would go. And they'll say, like you'll see

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<v Speaker 1>five years sometimes, but usually that is qualified as just

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<v Speaker 1>to write the text out. That doesn't include the marking

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<v Speaker 1>the pages with the ruling first and doing all the

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<v Speaker 1>other things and kind of designing it and pre planning

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<v Speaker 1>how it was all going to be laid out, because

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<v Speaker 1>this isn't haphazard at all. It really is a very

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<v Speaker 1>well designed and laid out book. Uh. The five years

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<v Speaker 1>is usually just for the writing, and then they add

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<v Speaker 1>in all the illustrations, and that's how they usually get.

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<v Speaker 1>Somewhere between ten and twenty years is the minimum amount.

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<v Speaker 1>Because of this single scribe fact and the nickname of

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<v Speaker 1>the Devil's Bible. As I said, there have been some

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<v Speaker 1>interesting theories around the codex and its creation, and there

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<v Speaker 1>have been some variations. One of the most popular involves

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<v Speaker 1>the idea that a monk sold his soul to the

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<v Speaker 1>devil to gain the time needed to complete the work.

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<v Speaker 1>But that's kind of a newer variation. Uh. One version

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<v Speaker 1>of that theme hints at a disgraced monk that's locked

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<v Speaker 1>away to do the work as a sort of penance.

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<v Speaker 1>Like he says he will do it in one night,

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<v Speaker 1>and according to this legend, he did so in a

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<v Speaker 1>single night, but he required the assistance of the devil

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<v Speaker 1>himself to do it. Uh, And so he kind of

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<v Speaker 1>made a deal with the devil that way. So that

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<v Speaker 1>he could achieve this ridiculously lofty goal he had set

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<v Speaker 1>and claimed he would achieve. That version actually traces all

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<v Speaker 1>the way back to medieval times. That's not a modern

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<v Speaker 1>invention around this book. That story has been going on

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<v Speaker 1>for hundreds of years, so very early in the book's life,

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<v Speaker 1>it had some crazy, uh drama attached to it. Yeah. Well,

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<v Speaker 1>it's it's a little odd to me that there is

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<v Speaker 1>this this drama because there were like some really ourd

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<v Speaker 1>expressions of religious piety in the in the medieval period,

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<v Speaker 1>like this is when there would be people who literally

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<v Speaker 1>walled themselves up into a tiny, tiny cloister in the

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<v Speaker 1>walls of a church. And so spending ten to twenty

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<v Speaker 1>years minimum of your life in a pious writing of

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<v Speaker 1>of a text does not strike me as that odd

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<v Speaker 1>in that context. So it's funny to me that there

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<v Speaker 1>are so many descriptions of what might have what might

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<v Speaker 1>have happened. Yeah, And I think a lot of that

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<v Speaker 1>kind of just comes from the the portrait of the

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<v Speaker 1>devil and sort of the largeness. I think it was

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<v Speaker 1>just sort of a really unique book from the get go,

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<v Speaker 1>and so people naturally kind of built up stories around it. Yeah,

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<v Speaker 1>One of these weird stories is that the manuscript is

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<v Speaker 1>written on the hide of a hundred and sixty donkeys,

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<v Speaker 1>and that they're Satanic images throughout. But this, similar to

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<v Speaker 1>the one about selling yourself to the devil, also pretty sensationalized. Yeah,

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<v Speaker 1>there are Again I didn't use it as one of

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<v Speaker 1>my sources. I watched a little bit of another kind

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<v Speaker 1>of very sensational documentary where they were saying, never in

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<v Speaker 1>any other Bible have there been images of demons and

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<v Speaker 1>talk of this sort of exorcism. And I'm like, it's

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<v Speaker 1>all one big religious Texas sort of you know, the

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<v Speaker 1>sort of exorcism stuff does not seem out of place

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<v Speaker 1>when you considered what this was, So it's kind of

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<v Speaker 1>you know, again, those are sensationalized. But before we get

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<v Speaker 1>to our next section, which is going to talk about

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<v Speaker 1>sort of the journey that this codex has been on

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<v Speaker 1>throughout its eight hundred year or so life, Uh, do

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<v Speaker 1>you want to pause for a word from a sponsor.

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0:14:08.120 --> 0:14:10.720
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0:14:10.800 --> 0:14:15.640
<v Speaker 1>com slash history. So uh to talk about sort of

0:14:15.679 --> 0:14:19.440
<v Speaker 1>the history of where this book has been and where

0:14:19.480 --> 0:14:23.600
<v Speaker 1>this manuscript has traveled. Uh. The Codex Gigus has been

0:14:23.720 --> 0:14:26.440
<v Speaker 1>dated as likely being written between twelve o four and

0:14:26.520 --> 0:14:29.640
<v Speaker 1>twelve thirty, And this dating range is based on a

0:14:29.720 --> 0:14:33.120
<v Speaker 1>couple of pieces of information. So, first is the appearance

0:14:33.360 --> 0:14:38.120
<v Speaker 1>of the Bohemian st Procopius, and Procopius appears on the

0:14:38.200 --> 0:14:41.400
<v Speaker 1>calendar segment of the text, and he wasn't canonized until

0:14:41.440 --> 0:14:44.200
<v Speaker 1>twelve oh four, so we know that's the earliest possible

0:14:44.280 --> 0:14:46.760
<v Speaker 1>date that this could have been started. On the other

0:14:47.000 --> 0:14:49.880
<v Speaker 1>end of the timeline is the death of Bishop Andreas

0:14:49.960 --> 0:14:53.080
<v Speaker 1>of Prague, and that's mentioned in the codex as well,

0:14:53.800 --> 0:14:57.520
<v Speaker 1>and UH he died in twelve three. The death of

0:14:57.600 --> 0:15:01.600
<v Speaker 1>Bohemian king Ottakar the first is not listed. He died

0:15:01.680 --> 0:15:05.040
<v Speaker 1>in twelve thirty. So it's believed that the manuscript was

0:15:05.080 --> 0:15:11.240
<v Speaker 1>finished sometime between those two notable deaths, and the Codex

0:15:11.400 --> 0:15:14.800
<v Speaker 1>was written in Bohemia, as evidenced by the fact that

0:15:14.880 --> 0:15:17.560
<v Speaker 1>the Chronicle of Bohemian and the History of It uh

0:15:18.040 --> 0:15:21.560
<v Speaker 1>and the calendar's listing of notable check figures. So those

0:15:21.560 --> 0:15:24.640
<v Speaker 1>are the clues that that was the origin point. We've

0:15:24.680 --> 0:15:27.160
<v Speaker 1>had some episodes about books that were really notable, but

0:15:27.240 --> 0:15:30.280
<v Speaker 1>they sat kind of in an unknown, unappreciated corner for

0:15:30.360 --> 0:15:33.360
<v Speaker 1>a long time until someone happened upon them. Not the

0:15:33.480 --> 0:15:36.560
<v Speaker 1>case with this one. Almost from the beginning of its life,

0:15:36.600 --> 0:15:40.920
<v Speaker 1>the Codex Gigas was recognized as a marvel and it

0:15:41.080 --> 0:15:45.960
<v Speaker 1>represented the knowledge of the Benedictine order in Bohemia. There

0:15:46.080 --> 0:15:47.960
<v Speaker 1>is a note in the codex which indicates that the

0:15:48.000 --> 0:15:51.840
<v Speaker 1>book was first kept in the Bohemian Benedictine monastery at Polos,

0:15:52.240 --> 0:15:55.240
<v Speaker 1>which I am probably butchering and I apologize. Uh. This

0:15:55.360 --> 0:15:57.840
<v Speaker 1>has led us some conclusions that the book must have

0:15:57.920 --> 0:16:00.680
<v Speaker 1>been written there, but if it was, would have been

0:16:00.840 --> 0:16:02.960
<v Speaker 1>even more of a marvel, really, because there is no

0:16:03.160 --> 0:16:06.880
<v Speaker 1>evidence that that monastery ever produced another medieval manuscript, so

0:16:06.920 --> 0:16:08.880
<v Speaker 1>it would have been this random outlier that kind of

0:16:08.960 --> 0:16:12.520
<v Speaker 1>appeared out of nowhere. One monk who's often named as

0:16:12.640 --> 0:16:16.240
<v Speaker 1>the likely scribe for this book is the is Herman,

0:16:16.520 --> 0:16:19.880
<v Speaker 1>the Recluse. Another is Soba Slause, which is written in

0:16:19.920 --> 0:16:22.000
<v Speaker 1>one of the book's margins as part of a prayer

0:16:22.080 --> 0:16:25.240
<v Speaker 1>to the Virgin Mary. But the writing of that note

0:16:25.440 --> 0:16:28.000
<v Speaker 1>differs a lot. It's pretty significant from the rest of

0:16:28.080 --> 0:16:33.160
<v Speaker 1>the manuscript, so probably someone added that later, regardless of

0:16:33.200 --> 0:16:36.280
<v Speaker 1>who wrote it and whether or not it originated at

0:16:36.320 --> 0:16:41.120
<v Speaker 1>that particular monastery, in need of funds that Benedicting monastery

0:16:41.360 --> 0:16:46.240
<v Speaker 1>pond it to the Cistercian monastery at Setlitz in twelve nine,

0:16:46.840 --> 0:16:51.280
<v Speaker 1>another Benedicting monastery at Brevnov to possession of the codex

0:16:51.880 --> 0:16:54.920
<v Speaker 1>via the work of an app An abbot named Beavor

0:16:55.600 --> 0:16:59.320
<v Speaker 1>working on behalf of Bishop Gregory of Prague. There's actually

0:16:59.400 --> 0:17:02.320
<v Speaker 1>some confus usual on this point, because Gregory did not

0:17:02.600 --> 0:17:06.159
<v Speaker 1>become Bishop of Prague until the following year, but was

0:17:06.280 --> 0:17:11.640
<v Speaker 1>clearly named in that position with the twelve ninety date. Yeah,

0:17:11.720 --> 0:17:13.600
<v Speaker 1>there have been theories about why that could have been

0:17:13.600 --> 0:17:16.200
<v Speaker 1>the case, and some just chalk it up to, oh,

0:17:16.240 --> 0:17:18.360
<v Speaker 1>I'm sure whoever wrote that note just got the year wrong,

0:17:18.720 --> 0:17:21.440
<v Speaker 1>but we don't really know. What we do know is

0:17:21.480 --> 0:17:24.480
<v Speaker 1>a while later, in fourteen twenty, the monks at Brevnov

0:17:24.560 --> 0:17:27.399
<v Speaker 1>had to evacuate their monastery when the Hussite War began

0:17:28.119 --> 0:17:30.399
<v Speaker 1>and they went to Brumov, and apparently they took the

0:17:30.440 --> 0:17:33.040
<v Speaker 1>book with them, And our evidence that we know that

0:17:33.119 --> 0:17:35.480
<v Speaker 1>the book traveled there with them, uh comes in the

0:17:35.520 --> 0:17:39.440
<v Speaker 1>form of a letter written by a Mr. Johannes Froneberg,

0:17:39.800 --> 0:17:42.280
<v Speaker 1>who saw the book while he was visiting Brumov in

0:17:42.359 --> 0:17:45.639
<v Speaker 1>fourteen seventy seven. And described it in a letter to

0:17:45.800 --> 0:17:47.399
<v Speaker 1>someone else, so we know it was there. At that

0:17:47.520 --> 0:17:51.360
<v Speaker 1>point in the fifteen hundreds, that became customary for visitors

0:17:51.480 --> 0:17:54.560
<v Speaker 1>to the Brumov Monastery to enter their names into the codex,

0:17:55.040 --> 0:17:56.720
<v Speaker 1>so it turned into kind of a guest book and

0:17:56.840 --> 0:18:00.960
<v Speaker 1>historical record. For example, we know that Ferdinand the first

0:18:01.080 --> 0:18:04.560
<v Speaker 1>King of Bohemia stayed at the monastery when traveling to

0:18:04.800 --> 0:18:09.399
<v Speaker 1>Prague because his visit was recorded in the codex. And

0:18:09.680 --> 0:18:13.879
<v Speaker 1>Rudolph the second Holy Roman Emperor and King of Bohemia,

0:18:13.920 --> 0:18:16.280
<v Speaker 1>who we did an entire episode on a while back,

0:18:17.000 --> 0:18:19.639
<v Speaker 1>took a great interest in the codex. He was so

0:18:19.880 --> 0:18:22.400
<v Speaker 1>fascinated by the book that he actually wanted to take

0:18:22.440 --> 0:18:25.760
<v Speaker 1>it with him to Prague, and eventually a deal was

0:18:25.880 --> 0:18:28.920
<v Speaker 1>struck with Abbott Martin of the Brevnov Monks and with

0:18:29.040 --> 0:18:32.680
<v Speaker 1>the prior of Brumov Monastery overseeing things. The book was

0:18:32.800 --> 0:18:36.560
<v Speaker 1>handed over to Rudolph the Second as a loan. The

0:18:37.000 --> 0:18:41.800
<v Speaker 1>massive volume headed the Prague on March fourth, and it

0:18:41.880 --> 0:18:46.120
<v Speaker 1>reached the Royal royal household there sometimes shortly after March six.

0:18:47.080 --> 0:18:49.880
<v Speaker 1>Along the way, starts and stops were noted and people

0:18:50.000 --> 0:18:54.560
<v Speaker 1>signed it as it passed through their towns. Rudolph the

0:18:54.600 --> 0:18:58.880
<v Speaker 1>Second secretary and other acquaintances studied the manuscript with great interest.

0:18:59.359 --> 0:19:01.680
<v Speaker 1>You may recall from our episode on Rudolph the Second

0:19:01.960 --> 0:19:04.280
<v Speaker 1>that he was into the occult, so anything with even

0:19:04.800 --> 0:19:09.080
<v Speaker 1>a minor whiff of supernatural intrigue was hugely exciting to him.

0:19:09.960 --> 0:19:14.199
<v Speaker 1>In the end, Rudolph the Second was a little bit

0:19:14.240 --> 0:19:16.400
<v Speaker 1>of a weasel in this lone deal. He never returned

0:19:16.440 --> 0:19:19.800
<v Speaker 1>the book to the monks. Instead, he had it cataloged

0:19:19.840 --> 0:19:22.879
<v Speaker 1>as one of his many treasures, and the entry that

0:19:23.000 --> 0:19:26.560
<v Speaker 1>details it as part of Rudolph the Seconds collection includes

0:19:26.800 --> 0:19:28.920
<v Speaker 1>this mention of the devil having worked on it, so

0:19:29.040 --> 0:19:31.760
<v Speaker 1>that sort of further this rumor about its origin points

0:19:32.680 --> 0:19:34.760
<v Speaker 1>uh and before we get to sort of where it

0:19:34.920 --> 0:19:37.080
<v Speaker 1>ends up and stays for quite some time. Do you

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<v Speaker 1>type in stuff that's stamps dot com and enter stuff. So, uh,

0:20:52.920 --> 0:20:55.399
<v Speaker 1>where we left off, Roodolf the second had kind of

0:20:55.480 --> 0:20:58.560
<v Speaker 1>decided that the Codex Gigus was his and he had

0:20:58.600 --> 0:21:03.080
<v Speaker 1>it entered into his election catalog. And near the end

0:21:03.119 --> 0:21:05.040
<v Speaker 1>of the Thirty Years War, which took place between the

0:21:05.080 --> 0:21:07.680
<v Speaker 1>Protestants and the Catholics. We talked about that in some

0:21:07.760 --> 0:21:11.280
<v Speaker 1>other episodes as well. Prague was invaded by Swedish forces

0:21:11.400 --> 0:21:14.600
<v Speaker 1>on July sixteenth, sixteen forty eight, and the treasures of

0:21:14.720 --> 0:21:18.920
<v Speaker 1>Prague were looted, and that included the Codex Gigas. Rudolph

0:21:18.920 --> 0:21:21.560
<v Speaker 1>the Second was no longer in power at that point,

0:21:21.640 --> 0:21:24.720
<v Speaker 1>but his huge collection was still part of, you know,

0:21:24.800 --> 0:21:29.119
<v Speaker 1>sort of Prague's treasures. Swedish forces moved really quickly to

0:21:29.240 --> 0:21:31.560
<v Speaker 1>inventory and pack up all the items they had taken,

0:21:31.680 --> 0:21:34.199
<v Speaker 1>because anything that hadn't been carted away by the end

0:21:34.240 --> 0:21:35.960
<v Speaker 1>of the war was going to have to be returned

0:21:35.960 --> 0:21:39.480
<v Speaker 1>to its rightful home so quick. Christina of Sweden, who

0:21:39.520 --> 0:21:42.320
<v Speaker 1>we've had a previous episode on, had her men ship

0:21:42.400 --> 0:21:45.440
<v Speaker 1>all the goods they could to the Baltic coast. Yes,

0:21:45.560 --> 0:21:47.720
<v Speaker 1>she just wanted them to get everything out of Prague

0:21:47.720 --> 0:21:49.560
<v Speaker 1>as quickly as possible because she wanted to keep all

0:21:49.600 --> 0:21:53.439
<v Speaker 1>those spoils. Uh and the Codex, along with many other items,

0:21:53.480 --> 0:21:56.680
<v Speaker 1>spent the winter of sixteen sixteen forty nine in the

0:21:56.800 --> 0:21:59.960
<v Speaker 1>fortress at Domits after the war ended in October of sixteen,

0:22:01.320 --> 0:22:04.359
<v Speaker 1>and this, along with the rest of the booty, finally

0:22:04.440 --> 0:22:08.720
<v Speaker 1>reached Stockholm in May of sixteen forty nine. When Christina's

0:22:08.800 --> 0:22:12.640
<v Speaker 1>librarian cataloged the many books taken from Prague, the Kodex

0:22:12.720 --> 0:22:16.280
<v Speaker 1>ky Gas was the first item on the list. But surprisingly,

0:22:16.440 --> 0:22:19.920
<v Speaker 1>when Christina abdicated took many of her books with her,

0:22:20.480 --> 0:22:24.920
<v Speaker 1>the codex was left behind and remained at the castle. Yeah,

0:22:24.960 --> 0:22:27.000
<v Speaker 1>we don't know why if it was just because it

0:22:27.080 --> 0:22:29.080
<v Speaker 1>was large and unweeldy, although she would have had a

0:22:29.200 --> 0:22:33.119
<v Speaker 1>huge you know, uh, presumably considering all of the other

0:22:33.160 --> 0:22:34.640
<v Speaker 1>things she took with her, she would have had things

0:22:34.720 --> 0:22:36.720
<v Speaker 1>that could carry something that size. But we don't know

0:22:36.760 --> 0:22:38.720
<v Speaker 1>why she left it behind. She took a lot of

0:22:38.920 --> 0:22:44.399
<v Speaker 1>art with her, so yes, uh. In six seven, the

0:22:44.520 --> 0:22:47.520
<v Speaker 1>castle in Stockholm had a fire, which could have been

0:22:47.560 --> 0:22:50.040
<v Speaker 1>disastrous and it could have wiped out the record of

0:22:50.080 --> 0:22:53.840
<v Speaker 1>the Codex forever, except it was saved because somebody hucked

0:22:53.880 --> 0:22:55.840
<v Speaker 1>it out a window to get it away from the fire.

0:22:56.800 --> 0:22:59.240
<v Speaker 1>The manuscript and in some versions of the tale that

0:22:59.280 --> 0:23:03.400
<v Speaker 1>are not substained jadd A person below. Uh, we're damaged

0:23:03.480 --> 0:23:06.320
<v Speaker 1>by this desperate rescue effort. And after the fire, the

0:23:06.560 --> 0:23:09.560
<v Speaker 1>manuscript was recataloged again and kept in the Royal Library,

0:23:10.119 --> 0:23:13.840
<v Speaker 1>and the custom of visitors signing it continued. In seventeen,

0:23:14.800 --> 0:23:19.600
<v Speaker 1>Joseph Debruski of Prague's Royal Society of Sciences visited Stockholm

0:23:19.720 --> 0:23:22.639
<v Speaker 1>and he saw the codex. While researching possible items of

0:23:22.720 --> 0:23:26.840
<v Speaker 1>check significance in Sweden, he published the first really detailed

0:23:26.880 --> 0:23:30.440
<v Speaker 1>report on the manuscript. A comprehensive Swedish account of the

0:23:30.480 --> 0:23:34.160
<v Speaker 1>manuscript was written in eighteen eleven by Lorenzo Hammers Gold.

0:23:36.080 --> 0:23:39.879
<v Speaker 1>Throughout the years since these two works, many historians and

0:23:39.960 --> 0:23:44.480
<v Speaker 1>theologians have studied and written about the manuscript at length. Yeah,

0:23:44.560 --> 0:23:47.960
<v Speaker 1>those are usually the two instances where it stops being

0:23:48.000 --> 0:23:50.600
<v Speaker 1>about this may have been about the devil. This is

0:23:50.760 --> 0:23:52.399
<v Speaker 1>you know, it's it's not so much any of the

0:23:52.480 --> 0:23:54.200
<v Speaker 1>legends around it. And they really kind of just do

0:23:54.800 --> 0:23:58.200
<v Speaker 1>a detailed analysis. They write out how the script was written,

0:23:58.280 --> 0:24:00.600
<v Speaker 1>They write out, you know, details about sizing and the

0:24:00.680 --> 0:24:04.440
<v Speaker 1>ruling and possible meanings of things. But those are really

0:24:04.520 --> 0:24:07.840
<v Speaker 1>the big two that they uh that are often referenced

0:24:07.880 --> 0:24:10.840
<v Speaker 1>as like when it really became something that was significantly

0:24:11.080 --> 0:24:15.120
<v Speaker 1>documented and recorded. And we mentioned earlier in the podcast

0:24:15.200 --> 0:24:17.359
<v Speaker 1>that the book was rebound and repaired in the early

0:24:17.440 --> 0:24:20.200
<v Speaker 1>eighteen hundreds, and the man who did that work was

0:24:20.280 --> 0:24:23.440
<v Speaker 1>named Samuel Sloman, and he was paid a total of

0:24:23.520 --> 0:24:27.000
<v Speaker 1>seventy eight weeks dollar for the job. A copy of

0:24:27.080 --> 0:24:29.440
<v Speaker 1>his invoice is kept in the Royal Library of Sweden.

0:24:30.080 --> 0:24:32.520
<v Speaker 1>And there's a sort of charming comparison in the notes

0:24:32.600 --> 0:24:35.280
<v Speaker 1>on the National Library of Sweden's site about this book

0:24:36.280 --> 0:24:39.320
<v Speaker 1>about the money that Salmon was paid for his work

0:24:39.920 --> 0:24:43.320
<v Speaker 1>on the Codex, and it states, quote, this is difficult

0:24:43.359 --> 0:24:46.359
<v Speaker 1>to relate to modern currency, but in eighteen twenty a

0:24:46.480 --> 0:24:49.480
<v Speaker 1>cow could cost forty five reeks dollar, and this gives

0:24:49.560 --> 0:24:53.960
<v Speaker 1>some idea of the value of Sonoman's work. I love

0:24:54.000 --> 0:24:58.159
<v Speaker 1>that it's measured in how much cows would cost. Because

0:24:58.240 --> 0:25:01.240
<v Speaker 1>of the enormous sighe at the Codex, it would seem

0:25:01.280 --> 0:25:04.320
<v Speaker 1>like an unwieldy thing to actually study or read. But

0:25:04.400 --> 0:25:07.040
<v Speaker 1>there's evidence that the so called Devil's Bible did see

0:25:07.119 --> 0:25:09.679
<v Speaker 1>some practical use. We know that it would have been

0:25:09.720 --> 0:25:11.960
<v Speaker 1>normal for both the Old and New Testaments, who have

0:25:12.080 --> 0:25:14.320
<v Speaker 1>been read daily in a monastery, and it stands to

0:25:14.480 --> 0:25:17.080
<v Speaker 1>reason that the missing pages of the Rule of Saint

0:25:17.119 --> 0:25:22.280
<v Speaker 1>Benedict would have had practical application as well, and it

0:25:22.440 --> 0:25:25.360
<v Speaker 1>was also common for Benedictine monks to care for the sick.

0:25:25.960 --> 0:25:29.040
<v Speaker 1>There are actually several Benedictine monasteries throughout Europe that have

0:25:29.119 --> 0:25:32.080
<v Speaker 1>been recognized for their medical knowledge and their teaching throughout

0:25:32.119 --> 0:25:35.080
<v Speaker 1>the centuries, so the medical text and the Codex may

0:25:35.119 --> 0:25:38.159
<v Speaker 1>have had very practical uses in those endeavors. There are

0:25:38.200 --> 0:25:40.960
<v Speaker 1>also some actual indications of use, so we don't have

0:25:41.080 --> 0:25:44.200
<v Speaker 1>to depend on the presumption of the book's importance in

0:25:44.240 --> 0:25:47.960
<v Speaker 1>the context of normal monastic pursuits. And the margins of

0:25:48.000 --> 0:25:50.639
<v Speaker 1>the manuscript at various points of interest. Is the Latin

0:25:50.720 --> 0:25:53.680
<v Speaker 1>word nota in a different script than the scribe used

0:25:54.240 --> 0:25:57.520
<v Speaker 1>several thirteenth century prayers are also written in the margins,

0:25:58.920 --> 0:26:03.080
<v Speaker 1>and there are also musical notations and notes about songs

0:26:03.160 --> 0:26:06.280
<v Speaker 1>that would normally accompany a mass that have been kind

0:26:06.320 --> 0:26:09.040
<v Speaker 1>of jotted at the bottoms of various pages of the calendar,

0:26:09.520 --> 0:26:12.000
<v Speaker 1>so we know people were actually using this and touching

0:26:12.040 --> 0:26:14.439
<v Speaker 1>it and making notes in it like they would almost

0:26:14.480 --> 0:26:18.000
<v Speaker 1>any other book. While the Kodax Gigas has been on

0:26:18.160 --> 0:26:22.080
<v Speaker 1>display in both New York and Berlin. In two thousand seven,

0:26:22.160 --> 0:26:25.080
<v Speaker 1>it went home to Prague for a little while. The

0:26:25.280 --> 0:26:28.159
<v Speaker 1>largest medieval manuscript we know of was loaned to the

0:26:28.200 --> 0:26:31.679
<v Speaker 1>Czech Republic by Sweden to be displayed from September twenty,

0:26:31.880 --> 0:26:36.159
<v Speaker 1>two thousand seven until January six, two thousand eight, and

0:26:36.280 --> 0:26:40.159
<v Speaker 1>it drew pretty huge crowds, uh, despite the fact that

0:26:40.240 --> 0:26:42.200
<v Speaker 1>it was kind of limited in how you could see it.

0:26:43.080 --> 0:26:45.639
<v Speaker 1>Only sixty people per hour could be admitted to the

0:26:45.720 --> 0:26:49.160
<v Speaker 1>room where the book was displayed, and visitors were only

0:26:49.200 --> 0:26:52.040
<v Speaker 1>allowed to stay for ten minutes each to catch a

0:26:52.080 --> 0:26:55.000
<v Speaker 1>glimpse of the book, which was in its specially designed case,

0:26:55.040 --> 0:26:58.200
<v Speaker 1>so obviously people could not interact with it. But what's

0:26:58.320 --> 0:27:01.680
<v Speaker 1>very sort of telling is the book was opened to

0:27:01.920 --> 0:27:04.800
<v Speaker 1>one particular page for display, and of course that was

0:27:05.680 --> 0:27:08.960
<v Speaker 1>where on the one side is the illustration on the

0:27:09.040 --> 0:27:11.960
<v Speaker 1>left of Heavenly Jerusalem, and on the other is the Devil.

0:27:12.080 --> 0:27:16.320
<v Speaker 1>Of course, so that is the Codex Gigus. Do you

0:27:16.400 --> 0:27:20.320
<v Speaker 1>also have listener mail, I suppose so absolutely do. This

0:27:20.480 --> 0:27:23.520
<v Speaker 1>is from our listener Miles, and it is about our

0:27:23.600 --> 0:27:25.920
<v Speaker 1>narcolepsy episode and he wrote this one only the first

0:27:26.000 --> 0:27:29.159
<v Speaker 1>one had aired and he says thank you for producing

0:27:29.200 --> 0:27:32.239
<v Speaker 1>an episode dedicated to narcolepsy. I'm a twenty eight year

0:27:32.280 --> 0:27:34.960
<v Speaker 1>old male in Melbourne, Australia who was diagnosed with the

0:27:35.000 --> 0:27:39.240
<v Speaker 1>condition plus cataplexy four years ago. My symptoms started with

0:27:39.280 --> 0:27:41.680
<v Speaker 1>my face feeling funny in a faintness coming over me

0:27:41.800 --> 0:27:45.040
<v Speaker 1>whilst laughing. I spent a week in hospital after collapsing

0:27:45.080 --> 0:27:47.800
<v Speaker 1>in the bush after an attack. After many tests, I

0:27:47.960 --> 0:27:50.960
<v Speaker 1>was sent home and told I was depressed. I recall

0:27:51.040 --> 0:27:53.440
<v Speaker 1>one doctor being annoyed at me for constantly falling asleep

0:27:53.480 --> 0:27:55.959
<v Speaker 1>whilst they were trying to monitor my brain for epilepsy.

0:27:56.760 --> 0:27:59.320
<v Speaker 1>Refusing to accept that diagnosis, I turned to Google and

0:27:59.440 --> 0:28:02.840
<v Speaker 1>I correctly diagnosed myself. I have an excellent specialist who

0:28:02.840 --> 0:28:04.639
<v Speaker 1>I keep in touch with, and I manage the condition

0:28:04.720 --> 0:28:07.960
<v Speaker 1>as best I can. Finally, I became a podcast history

0:28:08.000 --> 0:28:10.520
<v Speaker 1>stuff addict as a result of this condition, as I

0:28:10.560 --> 0:28:13.760
<v Speaker 1>find that listening to something interesting keeps my brain alert

0:28:14.080 --> 0:28:17.800
<v Speaker 1>while I work on my computer all day. Before being diagnosed,

0:28:17.880 --> 0:28:20.400
<v Speaker 1>I was going totally crazy. I was like a drunk

0:28:20.480 --> 0:28:22.359
<v Speaker 1>lunatic with a temper all the time, and it's a

0:28:22.440 --> 0:28:25.240
<v Speaker 1>miracle that my partner Jane stayed with me while I

0:28:25.280 --> 0:28:27.239
<v Speaker 1>get by with our ecalepsy is a real drag. It's

0:28:27.280 --> 0:28:29.879
<v Speaker 1>impossible to convey to people the feeling of a sleep attack,

0:28:30.440 --> 0:28:32.720
<v Speaker 1>and I find the hardest thing about being ourcaleptic is

0:28:32.800 --> 0:28:35.680
<v Speaker 1>that very few people understand the severity of the condition

0:28:36.119 --> 0:28:39.280
<v Speaker 1>and how consistent it is. Not an hour passes without

0:28:39.320 --> 0:28:41.520
<v Speaker 1>me having to think about what I'm eating, and while

0:28:41.680 --> 0:28:44.520
<v Speaker 1>when I'll be sleeping, being up beat, thinking ahead and

0:28:44.640 --> 0:28:47.200
<v Speaker 1>getting to work are the hardest things. Looking forward to

0:28:47.280 --> 0:28:49.520
<v Speaker 1>part two. Thank you so much, Miles, because I feel

0:28:49.520 --> 0:28:51.360
<v Speaker 1>like this is an insight into it that like we

0:28:51.440 --> 0:28:53.280
<v Speaker 1>can never provide, we can do all the research we

0:28:53.400 --> 0:28:56.760
<v Speaker 1>can uh and even throughout Tracy and I recording today,

0:28:56.760 --> 0:28:58.080
<v Speaker 1>I have my computer in front of me and I

0:28:58.160 --> 0:29:00.600
<v Speaker 1>have seen a couple of other email is popping up

0:29:00.720 --> 0:29:03.400
<v Speaker 1>with the notifications in the corner about the narcolepsy episode,

0:29:03.440 --> 0:29:05.520
<v Speaker 1>and one I opened during a break and it was

0:29:05.800 --> 0:29:08.520
<v Speaker 1>another person kind of discussing how hard it is to

0:29:08.520 --> 0:29:10.560
<v Speaker 1>live with So I'm very thankful that we have kind

0:29:10.600 --> 0:29:14.760
<v Speaker 1>of some some additional insight to inform that those podcast

0:29:14.800 --> 0:29:16.960
<v Speaker 1>episodes and kind of what it's really like. So thank

0:29:17.000 --> 0:29:19.000
<v Speaker 1>you so much, Miles. I really do appreciate you sharing

0:29:19.040 --> 0:29:21.600
<v Speaker 1>your story with us. If you would like to write

0:29:21.640 --> 0:29:24.080
<v Speaker 1>to us, you can do so at history podcast at

0:29:24.120 --> 0:29:26.480
<v Speaker 1>how stuff works dot com. You know so hook up

0:29:26.480 --> 0:29:29.200
<v Speaker 1>with us on Twitter at Miston History and on Facebook

0:29:29.240 --> 0:29:32.000
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0:29:32.080 --> 0:29:35.000
<v Speaker 1>mist in history dot CoML dot com and on Pinterest

0:29:35.080 --> 0:29:38.000
<v Speaker 1>at pinterest dot com slash mist in History. This codex

0:29:38.040 --> 0:29:41.560
<v Speaker 1>episode is another one that I look forward to. Pinning, pinning, pinning. Uh.

0:29:41.720 --> 0:29:43.840
<v Speaker 1>You can also visit us at miss in history dot

0:29:43.880 --> 0:29:46.400
<v Speaker 1>spreadshirt dot com if you would like some cool missed

0:29:46.400 --> 0:29:50.000
<v Speaker 1>in History merchandise like t shirts and bags, et cetera.

0:29:51.120 --> 0:29:53.160
<v Speaker 1>If you would like to research a little bit more

0:29:53.160 --> 0:29:54.880
<v Speaker 1>about what we talked about today, you could go to

0:29:55.160 --> 0:29:57.880
<v Speaker 1>our parents site, how stuff Works. Type in the word

0:29:57.960 --> 0:30:00.080
<v Speaker 1>codex into the search term, and you will get an

0:30:00.160 --> 0:30:02.640
<v Speaker 1>article called top ten rare books, which we'll talk about

0:30:02.680 --> 0:30:05.600
<v Speaker 1>some other codexes. I don't know if that's the correct

0:30:05.600 --> 0:30:07.800
<v Speaker 1>way to pluralize that, but you should go visit it

0:30:07.880 --> 0:30:10.200
<v Speaker 1>and read that article. You can also visit us at

0:30:10.200 --> 0:30:11.840
<v Speaker 1>our home on the web, which is missed in History

0:30:11.880 --> 0:30:15.560
<v Speaker 1>dot com, where you will find our entire back catalog

0:30:15.640 --> 0:30:18.720
<v Speaker 1>of episodes. There are show notes for any of the episodes.

0:30:18.760 --> 0:30:20.840
<v Speaker 1>In the last couple of years, we also have the

0:30:20.840 --> 0:30:23.200
<v Speaker 1>occasional blog post, so come and visit us there at

0:30:23.240 --> 0:30:25.440
<v Speaker 1>missed in History dot com and visit our parent company,

0:30:25.520 --> 0:30:31.560
<v Speaker 1>how stuff Works dot com for more on this and

0:30:31.680 --> 0:30:34.400
<v Speaker 1>thousands of other topics. Is it how staff works dot com.