WEBVTT - #35 Rachel and Jon

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<v Speaker 1>Pushkin. Hi, John, I am robot Goldstein. I will be

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<v Speaker 1>your robot medical assistant. Pass me the scalpel to chat.

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<v Speaker 1>Would you would you really? Would you love to continue

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<v Speaker 1>to chat with me?

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<v Speaker 2>No?

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<v Speaker 1>How many people are you able to be that honest with.

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<v Speaker 3>Just you?

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<v Speaker 4>So?

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<v Speaker 1>Well, that's that's kind of special, right, I know that

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<v Speaker 1>is a good point. Do you see it's a very

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<v Speaker 1>special bond? Yea from Gimblet Media. I'm Jonathan Goldstein and

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<v Speaker 1>this is Heavyweight Today episode Rachel and John. Right after

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<v Speaker 1>the break.

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<v Speaker 4>You ready to start? I'm ready to start.

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<v Speaker 5>You're sitting down?

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<v Speaker 4>Yeah, okay, your eyes closed. Anything you see where there's

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<v Speaker 4>some feelings, that's what we're looking for.

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<v Speaker 6>Okay.

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<v Speaker 1>This is a therapist named Alvin in session with a

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<v Speaker 1>patient named Ted. What are you feeling?

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<v Speaker 4>Can you describe it? Like it's happening right now, right now.

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<v Speaker 1>The session was recorded as a part of an educational

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<v Speaker 1>psychotherapy video series. In the session, Alvin is helping Ted

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<v Speaker 1>relive a memory. The time is domineering father in law

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<v Speaker 1>was rude to his wife.

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<v Speaker 4>Yeah, and he's all dressed up.

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<v Speaker 5>Hi, Jenny, Yeah, oh there is and.

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<v Speaker 3>He's Yeah, there's a formal thing.

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<v Speaker 1>It's like, you know, good to see we have to

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<v Speaker 1>It's like the meanute. We talk to each other, our

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<v Speaker 1>voices drop, yeah, hi, how are you? Alvin's eyes are

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<v Speaker 1>shut tight. His method is to try to will himself

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<v Speaker 1>into the patient's skin to feel what the patient is feeling.

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<v Speaker 5>I can do this better than you.

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<v Speaker 1>Watch me. Okay, okay, okay.

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<v Speaker 4>I'm gonna put my arms around you.

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<v Speaker 1>I'm gonna bring you kind of clothes.

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<v Speaker 4>I'm doing better than you. Huh yeah good.

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<v Speaker 1>Alvin does voices and role plays, and at times the

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<v Speaker 1>session feels like avant garde improv It's playful and honestly

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<v Speaker 1>kind of bizarre. But the point of it all is

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<v Speaker 1>to help the patient rehearse behavior in the office that

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<v Speaker 1>he can then apply in real life. Toucher toucher, Oh yeah, Holder.

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<v Speaker 3>And Jenny like so much.

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<v Speaker 1>By the end of the session, Alvin has turned ted

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<v Speaker 1>a meek, buttoned up patient into someone capable of expressing

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<v Speaker 1>himself emotionally. Gonna be this way with Jenny because you

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<v Speaker 1>rehearsed it, got it.

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<v Speaker 3>I'm ready.

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<v Speaker 2>We had this ability within us to become a whole

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<v Speaker 2>new person.

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<v Speaker 1>Alvin died in twenty fourteen, but this is Howard, a

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<v Speaker 1>psychotherapist and one of Alvin's disciples. Howard runs Alvin's website

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<v Speaker 1>and publishes his books. Are you talking a little hyperbolically

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<v Speaker 1>when you say a whole new person?

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<v Speaker 2>No, it is that radical topathon. It's to become a

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<v Speaker 2>whole new person the term you use as an optimal person,

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<v Speaker 2>and to discover that within yourself.

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<v Speaker 1>According to Alvin, once you've discovered this optimal personhood, you

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<v Speaker 1>can shake off what others want and live on your

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<v Speaker 1>own terms.

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<v Speaker 2>It changed my life direction.

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<v Speaker 1>And for these kinds of radical results, Alvin was given

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<v Speaker 1>a Lifetime Achievement Award from the American Psychological Association. One

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<v Speaker 1>psychology textbook even goes so far as to describe Alvin

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<v Speaker 1>as being quote as important as Freud. But this isn't

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<v Speaker 1>a story about Alvin's professional life, his life inside the office.

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<v Speaker 1>This is a story about Alvin's real life.

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<v Speaker 5>He insisted, I run away.

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<v Speaker 1>This is Rachel, Alvin's daughter, and I.

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<v Speaker 5>Did, How old were you? I was in grade five?

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<v Speaker 1>The year was nineteen seventy. Alvin and Rachel's mom had

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<v Speaker 1>been locked in an ugly custody battle for eight years.

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<v Speaker 1>Rachel's mom was poor and struggled with depression. Rachel really

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<v Speaker 1>wanted to live with her dad, so when Alvin suggested

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<v Speaker 1>she run away from Judy in Denver to his house

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<v Speaker 1>in Ohio, Rachel didn't pack a bag, She didn't say

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<v Speaker 1>goodbye to anyone. She just left.

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<v Speaker 6>Like he set up this whole thing with his lawyer,

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<v Speaker 6>and I just felt like I needed to do with

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<v Speaker 6>my dad. And the lawyer told me and this was

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<v Speaker 6>the right thing. I think, I said, I was going

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<v Speaker 6>to the lie and somehow, I don't remember how I

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<v Speaker 6>got to the lawyer's office, and then they took me

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<v Speaker 6>to the airport and put me on the plane and

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<v Speaker 6>I left.

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<v Speaker 1>Alvin had gotten remarried to a woman with two kids,

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<v Speaker 1>and Rachel loved feeling like she was a part of

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<v Speaker 1>this happy family. There were dogs to play with and

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<v Speaker 1>bikes to ride, and yet this other feeling would often

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<v Speaker 1>creep in.

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<v Speaker 6>I miss my mom, I miss my friends, I miss

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<v Speaker 6>my cat. But I could never ever ever say that

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<v Speaker 6>out loud to anybody.

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<v Speaker 1>And there was someone else Rachel missed, missed most of all.

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<v Speaker 4>She told us she was going to the library, and

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<v Speaker 4>then she never came back.

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<v Speaker 1>This is Rachel's brother John. He's two and a half

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<v Speaker 1>years younger than Rachel and only has flashes of early

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<v Speaker 1>childhood memory About Alvin. He recalls doing father's son things

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<v Speaker 1>that it'd make perfect sense if the son was an adult,

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<v Speaker 1>things like lifting weights together and smoking.

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<v Speaker 4>He was a pipe smoker. He bought me my own

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<v Speaker 4>little cherrywood pipe, and you know, as a four year old,

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<v Speaker 4>he actually had me smoking, you know, tobacco in the

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<v Speaker 4>pipe with him.

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<v Speaker 1>It was as though Alvin couldn't distinguish between adults and children,

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<v Speaker 1>which was why he saw John's closeness with his mom

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<v Speaker 1>not as a child's natural maternal attachment, but rather as

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<v Speaker 1>a personal slight and so Alvin ever asked John to

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<v Speaker 1>run away. John was left behind in Denver with Judy.

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<v Speaker 4>I think in his mind, I just, you know, was

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<v Speaker 4>more a mama's boy and a chip off Judy's block,

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<v Speaker 4>and I think he sort of gave up on me,

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<v Speaker 4>and he was really focused on Rachel.

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<v Speaker 1>And as the final custody hearing approached, Alvin's focus on

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<v Speaker 1>Rachel and intensified. He wanted to prove to the court

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<v Speaker 1>that Rachel was better off with him, So he had

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<v Speaker 1>about a half dozen social workers and psychologists offtfare assessments,

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<v Speaker 1>Rachel was interviewed, and Alvin's new family observed. None of

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<v Speaker 1>the experts spoke to Judy, and the plan worked. In

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<v Speaker 1>the autumn of nineteen seventy, a judge ruled that Rachel

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<v Speaker 1>would be allowed to stay in Ohio with al for good,

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<v Speaker 1>but John would remain in Denver with Judy.

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<v Speaker 5>And we never lived together again.

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<v Speaker 6>When you have a sibling who is just a critical

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<v Speaker 6>part of your family and then you're separated from them,

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<v Speaker 6>it's a wound.

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<v Speaker 1>How uncommon was an arrangement like that?

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<v Speaker 6>Extreme? Yeah, very very uncommon. Kids are not split up.

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<v Speaker 4>We each grew up alone. I missed her through my

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<v Speaker 4>my whole childhood. I missed her a lot. I mean,

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<v Speaker 4>we were so close when we were young, and you know,

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<v Speaker 4>she was the big sister who through all of that

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<v Speaker 4>was looking out for me growing up from then on,

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<v Speaker 4>just me and my mom. Grew up as an only child,

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<v Speaker 4>and my mom just always being in pain, and she

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<v Speaker 4>never was able to enjoy whatever it is we were

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<v Speaker 4>doing at the moment. It was always, Oh, if only

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<v Speaker 4>Rachel were here, we could all be together, and I'd

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<v Speaker 4>be saying, but we're here now.

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<v Speaker 1>When he turned thirteen, John invited Rachel to his bar Mitzvah,

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<v Speaker 1>but Alvin wouldn't let her go. Rachel sent a poem instead.

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<v Speaker 4>It had to do with a rubber band stretching across

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<v Speaker 4>the distance and connecting us.

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<v Speaker 1>For John, not only did he lose his big sister,

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<v Speaker 1>he also lost his dad. Year after year, John tried

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<v Speaker 1>to re enter Alvin's life, but each time he reached out,

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<v Speaker 1>Alvin rebuked him. One time, as an adolescent, John tried

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<v Speaker 1>scheduling a visit.

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<v Speaker 4>Then he said, well, as long as you guys you

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<v Speaker 4>know me and my mom required any money, any child support,

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<v Speaker 4>there be no visit. And I said, well, it sounds

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<v Speaker 4>like you care more about money than about me, And

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<v Speaker 4>he said, well, I don't want it to just sound

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<v Speaker 4>like that. That's how it is.

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<v Speaker 1>Nevertheless, a few years later, John asked once again if

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<v Speaker 1>he could come visit. By this point, Rachel was eighteen

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<v Speaker 1>and no longer living with Alvin, So when Alvin refused

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<v Speaker 1>John yet again, Rachel told her brother to come visit

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<v Speaker 1>her instead. They hadn't seen each other in eight years.

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<v Speaker 1>Was she the same sister that you remembered?

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<v Speaker 4>No? I mean I knew her as a you know,

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<v Speaker 4>six seven, eight, nine ten year old. Next time I

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<v Speaker 4>saw her, she was an adult.

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<v Speaker 1>In the years since that visit, Rachel and John have

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<v Speaker 1>made a point of staying in each other's lives. They

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<v Speaker 1>talk on the phone, celebrate holidays together, and once a

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<v Speaker 1>year their families all take a trip. But their childhood

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<v Speaker 1>together that's been lost.

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<v Speaker 6>I mean, my daughter certainly watches us and thinks that

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<v Speaker 6>we're more like cousins. She can see the disconnect because

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<v Speaker 6>we did not grow up together.

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<v Speaker 1>John and Rachel still have questions about their childhood, but

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<v Speaker 1>now that their parents are both dead, they have no

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<v Speaker 1>one to ask, so they pass through their separate memories,

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<v Speaker 1>trying to construct a timeline, comparing moments of overlap and

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<v Speaker 1>filling in the blanks to this end. One night, while

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<v Speaker 1>John was visiting Rachel for Thanksgiving, he asked if they

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<v Speaker 1>could go through Alvin's files. Alvin was an obsessive record keeper,

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<v Speaker 1>and after he died, Rachel inherited his papers. She'd never

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<v Speaker 1>really gone through them, keeping them stored away in a

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<v Speaker 1>filing cabinet, but that night she pulled him out, and

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<v Speaker 1>together John and Rachel made a series of disturbing discoveries,

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<v Speaker 1>the first of which was the script.

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<v Speaker 4>The script for me was like, oh my God.

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<v Speaker 1>The script was a lengthy diatribe written by Alvin from

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<v Speaker 1>the point of view of a child, Rachel's point of view.

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<v Speaker 1>In it, Alvin refers to himself as Daddy, Judy, as mother,

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<v Speaker 1>or Judy or simply she. I later asked Rachel to

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<v Speaker 1>read some over the phone, two and.

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<v Speaker 7>Half pages long and small psychologists, writing, Okay, so here

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<v Speaker 7>I go. It's in my good, happy dreams. Custody is changed,

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<v Speaker 7>and I live with Daddy. If I am forced to

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<v Speaker 7>go back and live with mother, it will only be

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<v Speaker 7>till the day I'm fourteen, which apparently was when you

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<v Speaker 7>could de side. When I'm with her, I feel scared

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<v Speaker 7>that I might get tight and angry and cold like Judy.

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<v Speaker 7>She's not a mother, she is a keeper. She makes

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<v Speaker 7>me feel like I'm in a prison. I can't let

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<v Speaker 7>her touch me.

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<v Speaker 1>It was like finding your childhood internal monologue committed to

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<v Speaker 1>paper and written in your father's handwriting. Rachel didn't remember

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<v Speaker 1>seeing the script as a kid, but you remembered saying

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<v Speaker 1>those things, and she remembered thinking them. In one of

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<v Speaker 1>Alvin's many books, a volume entitled The Manual of Optimal Behavior,

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<v Speaker 1>He writes that behavior can be rehearsed and modified quote

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<v Speaker 1>until you are ready and eager to go ahead and

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<v Speaker 1>do what you have rehearsed and modified. Unbeknownst to her,

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<v Speaker 1>Alvin was having Rachel rehearse and modify.

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<v Speaker 4>It was so explicit. There was nothing subtle about it.

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<v Speaker 4>You know, the whole thing was sick.

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<v Speaker 1>The second thing discovered among the files was a letter

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<v Speaker 1>from Rachel to her mom. In it, she begs Judy

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<v Speaker 1>to let her live with Alvin, but there were two copies,

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<v Speaker 1>one written in Rachel's hand and one written in Alvin's.

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<v Speaker 1>Going through the papers, Rachel remembered, other things, how Alvin

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<v Speaker 1>encouraged her not to smile when she was with her mom,

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<v Speaker 1>saying if someone photographed her happy, it could be used

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<v Speaker 1>as evidence against him in court. In every photo from

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<v Speaker 1>that period with her mother, Rachel is wearing a frown.

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<v Speaker 6>That's when I started questioning and started to realize that

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<v Speaker 6>I was coached or brainwashed.

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<v Speaker 1>It made sense. For most of her adult life, Rachel

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<v Speaker 1>had had no memory of loving her mom. It was

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<v Speaker 1>only after her mother's death when she found mother's day

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<v Speaker 1>and birthday card she'd written to Judy when she was

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<v Speaker 1>very small that Rachel realized she had I love you, mommy.

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<v Speaker 1>She'd written I love you so much, but with Al's

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<v Speaker 1>constant coaching, it had all been stamped out. The final

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<v Speaker 1>thing John and Rachel found that night were those psychological

0:14:37.610 --> 0:14:40.690
<v Speaker 1>reports Alvin at Rachel submit to just before the final

0:14:40.690 --> 0:14:44.810
<v Speaker 1>custody hearing. In them, you see Alvin's scripting bear out.

0:14:45.450 --> 0:14:48.770
<v Speaker 1>One report notes that Rachel kept repeating, quote, I want

0:14:48.810 --> 0:14:51.730
<v Speaker 1>to live with my father. He loves me. My mother

0:14:51.850 --> 0:14:55.170
<v Speaker 1>doesn't love me. The report notes that she said this

0:14:55.370 --> 0:15:00.850
<v Speaker 1>with quote grim determination. They also uncovered one particular report

0:15:00.890 --> 0:15:03.290
<v Speaker 1>that night that was longer than any of the others.

0:15:03.930 --> 0:15:06.530
<v Speaker 1>It was the only one that evaluated both John and Rachel,

0:15:06.930 --> 0:15:10.410
<v Speaker 1>and in this it carried the most weight and what

0:15:10.530 --> 0:15:13.530
<v Speaker 1>shocked John and Rachel most of all, my dad.

0:15:13.410 --> 0:15:14.050
<v Speaker 5>Clearly ed.

0:15:15.570 --> 0:15:18.770
<v Speaker 6>Edited it and then she rewrote it with the edits

0:15:19.130 --> 0:15:22.450
<v Speaker 6>and submitted that rewrite.

0:15:22.690 --> 0:15:24.370
<v Speaker 1>Is that ethical as a social work?

0:15:24.450 --> 0:15:26.530
<v Speaker 6>No no, no, no, no, no no no no it's

0:15:26.570 --> 0:15:31.650
<v Speaker 6>not no oh no no no. No one should ever

0:15:31.770 --> 0:15:36.570
<v Speaker 6>let anybody else, especially their client, edit their reports. No,

0:15:36.650 --> 0:15:38.170
<v Speaker 6>it's it's really bad.

0:15:39.490 --> 0:15:42.730
<v Speaker 1>The report was written by a social worker named Joyce.

0:15:49.410 --> 0:15:52.890
<v Speaker 1>Alvin's edits to Joyce's report made the language more emphatic.

0:15:53.530 --> 0:15:56.730
<v Speaker 1>For example, where Joyce had written that Rachel was hesitant

0:15:56.770 --> 0:15:59.530
<v Speaker 1>when it came to judy, Alvin changed it to say

0:15:59.650 --> 0:16:03.490
<v Speaker 1>she was fearful. In another spot, he added that Rachel

0:16:03.570 --> 0:16:06.450
<v Speaker 1>wanted to blot out any memory of ever having been

0:16:06.450 --> 0:16:07.730
<v Speaker 1>away from him.

0:16:08.490 --> 0:16:12.810
<v Speaker 4>Honestly, I mean it was horrifying, you know, just to

0:16:12.850 --> 0:16:18.610
<v Speaker 4>see the detailed notes, to see the edited drafts, the

0:16:18.650 --> 0:16:22.610
<v Speaker 4>crossouts and his handwriting, and then the final version that

0:16:22.690 --> 0:16:26.050
<v Speaker 4>was submitted to the courts with his edits in there,

0:16:27.410 --> 0:16:29.330
<v Speaker 4>like there's no question in what happened.

0:16:30.810 --> 0:16:34.290
<v Speaker 1>The report concludes with a recommendation, the strongest one of

0:16:34.330 --> 0:16:37.330
<v Speaker 1>any report and the only recommendation of its kind.

0:16:37.890 --> 0:16:41.050
<v Speaker 6>She recommended that I live with him, and that my

0:16:41.090 --> 0:16:42.970
<v Speaker 6>brother lived with my mom.

0:16:44.210 --> 0:16:47.610
<v Speaker 1>John and Rachel's separation came down to a decision dictated

0:16:47.690 --> 0:16:55.330
<v Speaker 1>by Alvin and signed off on by Joyce. How was

0:16:55.370 --> 0:16:57.770
<v Speaker 1>Alvin able to exert this kind of power over a

0:16:57.770 --> 0:17:01.170
<v Speaker 1>social worker, someone who was supposed to be an impartial outsider.

0:17:02.090 --> 0:17:05.410
<v Speaker 1>John and Rachel couldn't understand it. But that night, when

0:17:05.490 --> 0:17:08.889
<v Speaker 1>Rachel googled Joyce, she was shocked to realize that Joyce

0:17:08.889 --> 0:17:13.409
<v Speaker 1>had been an impartial outsider at all. Joyce was a

0:17:13.409 --> 0:17:18.169
<v Speaker 1>family friend. Rachel recognized Joyce as the kind, dark haired

0:17:18.209 --> 0:17:21.530
<v Speaker 1>woman whose house she visited as a child. Rachel would

0:17:21.530 --> 0:17:23.649
<v Speaker 1>bring her cello over to play music with Joyce in

0:17:23.689 --> 0:17:27.129
<v Speaker 1>her family, which means that, on top of everything else

0:17:27.169 --> 0:17:29.810
<v Speaker 1>wrong with the report, Joyce should never have been the

0:17:29.810 --> 0:17:31.649
<v Speaker 1>person to write it in the first place.

0:17:32.530 --> 0:17:35.650
<v Speaker 6>She was like the one person in my life as

0:17:35.689 --> 0:17:40.090
<v Speaker 6>a kid who could have said, Hey, I think you're

0:17:40.090 --> 0:17:43.929
<v Speaker 6>coaching her and this isn't right. Why are we going

0:17:44.010 --> 0:17:47.330
<v Speaker 6>to try and split these kids up? She was the

0:17:47.369 --> 0:17:50.170
<v Speaker 6>one who could have said something.

0:17:51.169 --> 0:17:56.769
<v Speaker 4>In nineteen seventy Joyce recommended that my sister go with

0:17:56.810 --> 0:17:58.970
<v Speaker 4>my father and that I go with my mother. And

0:17:59.010 --> 0:18:05.249
<v Speaker 4>that's what happened, and that dictated the course of my life.

0:18:05.490 --> 0:18:07.169
<v Speaker 4>What happened?

0:18:08.290 --> 0:18:10.369
<v Speaker 1>This is the question that's been nagging at John and

0:18:10.449 --> 0:18:13.850
<v Speaker 1>Rachel since they found the report. How could this have happened?

0:18:14.689 --> 0:18:17.729
<v Speaker 1>And so John and Rachel want to find Joyce and

0:18:17.850 --> 0:18:21.249
<v Speaker 1>ask her. What I don't fully understand, though, is what

0:18:21.330 --> 0:18:24.609
<v Speaker 1>I have to offer. Rachel and John are both practicing

0:18:24.649 --> 0:18:28.929
<v Speaker 1>therapists themselves. They're more than capable of posing difficult questions

0:18:29.449 --> 0:18:32.449
<v Speaker 1>and Although I play a mental health semi professional, semi

0:18:32.490 --> 0:18:35.770
<v Speaker 1>convincingly on a podcast, I'm not actually one at all.

0:18:36.609 --> 0:18:39.170
<v Speaker 5>What can I do well?

0:18:40.770 --> 0:18:40.850
<v Speaker 3>So?

0:18:41.129 --> 0:18:45.209
<v Speaker 6>I have had to advocate for myself my entire life

0:18:45.369 --> 0:18:49.249
<v Speaker 6>from a very young age, and nobody advocated for me

0:18:49.369 --> 0:18:53.850
<v Speaker 6>or my brother, and so if you could help me

0:18:53.970 --> 0:18:57.929
<v Speaker 6>with this, it would be a healing piece for me

0:18:58.090 --> 0:19:00.489
<v Speaker 6>that somebody else advocated for me.

0:19:06.609 --> 0:19:28.969
<v Speaker 1>After the break in search of Joyce, I find Joyce

0:19:29.010 --> 0:19:32.649
<v Speaker 1>the social workers facebook and email address right away, and

0:19:32.689 --> 0:19:34.969
<v Speaker 1>I message to ask if she'd be willing to speak

0:19:34.970 --> 0:19:38.569
<v Speaker 1>with John and Rachel about their parents' custody battle. I

0:19:38.570 --> 0:19:41.570
<v Speaker 1>don't hear back for several weeks, and during this time,

0:19:41.850 --> 0:19:44.330
<v Speaker 1>my thoughts keep returning to Alvin and the video of

0:19:44.369 --> 0:19:47.689
<v Speaker 1>his session with Ted, the meek, buttoned up patient.

0:19:47.810 --> 0:19:49.529
<v Speaker 4>Toucher toucher oh Jack.

0:19:49.929 --> 0:19:53.490
<v Speaker 1>Throughout, Alvin tries to help Ted release his bottled up feelings.

0:19:53.649 --> 0:19:54.850
<v Speaker 5>I can do this better than you.

0:19:54.889 --> 0:19:55.249
<v Speaker 4>Watch me.

0:19:55.409 --> 0:19:57.410
<v Speaker 1>Okay, right, okay, okay.

0:19:57.169 --> 0:19:58.729
<v Speaker 4>What's happening inside me?

0:19:59.409 --> 0:20:00.650
<v Speaker 1>Right now?

0:20:01.290 --> 0:20:02.169
<v Speaker 4>Over my chest?

0:20:02.250 --> 0:20:04.090
<v Speaker 1>I'm having a who It felt like a brand of

0:20:04.129 --> 0:20:07.530
<v Speaker 1>extreme empathy in the first viewing, now feels like something else.

0:20:07.570 --> 0:20:09.210
<v Speaker 1>I'm gonna put my arms around you.

0:20:09.369 --> 0:20:11.290
<v Speaker 4>I'm doing better than you. Huh yeah.

0:20:11.730 --> 0:20:14.210
<v Speaker 1>Now it feels as though Alvin is scripting the outcome.

0:20:14.490 --> 0:20:16.330
<v Speaker 4>If you want to cry, go ahead, good, it's okay,

0:20:16.490 --> 0:20:16.729
<v Speaker 4>go on.

0:20:17.129 --> 0:20:19.369
<v Speaker 1>At one point, Alvin tells Ted to cry.

0:20:19.689 --> 0:20:22.090
<v Speaker 4>Ted, it's okay, go ahead, cry, go it's all right.

0:20:22.169 --> 0:20:24.169
<v Speaker 1>Ted is not anywhere close to crying.

0:20:24.330 --> 0:20:25.250
<v Speaker 5>Ted, you're starting to cry.

0:20:25.250 --> 0:20:27.609
<v Speaker 1>Go ahead, let yourself, let yourself go on. It's all right,

0:20:27.649 --> 0:20:30.369
<v Speaker 1>go on, do it. Ted is not starting to cry,

0:20:30.970 --> 0:20:33.850
<v Speaker 1>but Alvin insists, Ted, you're on the verge of crying.

0:20:34.369 --> 0:20:34.649
<v Speaker 8>Do it.

0:20:34.730 --> 0:20:35.770
<v Speaker 2>No, cry, go.

0:20:35.649 --> 0:20:38.929
<v Speaker 1>Ahead, And then a tear appears in the corner of

0:20:38.970 --> 0:20:42.770
<v Speaker 1>Ted's eye. It rolls down his cheek. It's as though

0:20:42.810 --> 0:20:46.249
<v Speaker 1>Alvin has conjured it into being through sheer force of

0:20:46.250 --> 0:20:46.929
<v Speaker 1>his own will.

0:20:47.250 --> 0:20:50.210
<v Speaker 5>Good for you, Good for you, great, great, okay now.

0:20:53.850 --> 0:20:56.290
<v Speaker 1>The video is a part of a series produced by

0:20:56.290 --> 0:21:01.769
<v Speaker 1>the American Psychological Association intended to showcase prestigious psychologists in session.

0:21:02.570 --> 0:21:05.609
<v Speaker 1>The way the series works is that, for privacy reasons,

0:21:05.770 --> 0:21:09.049
<v Speaker 1>the patients are portrayed by actors. As the credits were,

0:21:09.449 --> 0:21:12.850
<v Speaker 1>I learned that while Alvin the therapist is Alvin the therapist,

0:21:13.330 --> 0:21:16.649
<v Speaker 1>Ted the patient is actually Bob the actor.

0:21:17.209 --> 0:21:19.850
<v Speaker 9>It was a quick shoot. There wasn't a rehearsal per se.

0:21:19.889 --> 0:21:21.930
<v Speaker 9>We just kind of went in and improvised.

0:21:22.649 --> 0:21:26.250
<v Speaker 1>This is Bob, and performance wise, Bob is done at all.

0:21:26.609 --> 0:21:30.609
<v Speaker 9>Chuggled swords, cracked whips, eaten fire. I've done for ten years.

0:21:30.649 --> 0:21:32.169
<v Speaker 9>I did a stage hypnosis show.

0:21:32.810 --> 0:21:36.330
<v Speaker 1>Bob is a regular renaissance man in that he also

0:21:36.369 --> 0:21:39.449
<v Speaker 1>worked at a renaissance fair. When Bob showed up to

0:21:39.490 --> 0:21:42.210
<v Speaker 1>film that day, he was asked to improvise some sort

0:21:42.250 --> 0:21:45.330
<v Speaker 1>of marital problem that Alvin could help solve by bringing

0:21:45.369 --> 0:21:48.409
<v Speaker 1>his method to bear. I asked Bob if he found

0:21:48.409 --> 0:21:53.169
<v Speaker 1>Alvin's behavior domineering, but Bob doesn't recall much. There is

0:21:53.209 --> 0:21:56.529
<v Speaker 1>one thing, though, that Bob does still recall, even thirteen

0:21:56.609 --> 0:22:00.890
<v Speaker 1>years later. It seems Bob wasn't Alvin's first choice of patient.

0:22:01.490 --> 0:22:03.369
<v Speaker 9>He had had someone else do it before. I think

0:22:03.369 --> 0:22:06.249
<v Speaker 9>it was an African American lady and it didn't go

0:22:06.409 --> 0:22:07.609
<v Speaker 9>the way it needed to do.

0:22:07.649 --> 0:22:08.210
<v Speaker 10>You know what I mean?

0:22:09.689 --> 0:22:10.450
<v Speaker 1>Can you elaborate?

0:22:10.770 --> 0:22:13.129
<v Speaker 9>He showed it to me briefly.

0:22:13.449 --> 0:22:16.290
<v Speaker 1>Bob describes the video Alvin showed him before they started

0:22:16.290 --> 0:22:19.330
<v Speaker 1>filming that day. In it, the setup was the same

0:22:19.369 --> 0:22:22.409
<v Speaker 1>as it was for Bob shoot. Alvin was in an armchair,

0:22:22.649 --> 0:22:25.969
<v Speaker 1>his legs up on an ottoman, except this time in

0:22:26.010 --> 0:22:30.090
<v Speaker 1>the armchair beside him was the actress. Like Bob, the

0:22:30.129 --> 0:22:32.090
<v Speaker 1>actress in the video had been asked to come up

0:22:32.129 --> 0:22:35.609
<v Speaker 1>with a marriage problem, but in doing so, the actress

0:22:35.649 --> 0:22:38.810
<v Speaker 1>went to a darker place than Alvin anticipated, describing a

0:22:38.889 --> 0:22:43.369
<v Speaker 1>husband who was vicious and cruel. Nonetheless, Alvin tried to

0:22:43.409 --> 0:22:44.090
<v Speaker 1>offer counsel.

0:22:44.770 --> 0:22:47.530
<v Speaker 9>He was saying things like when he behaves in this way,

0:22:47.609 --> 0:22:50.170
<v Speaker 9>can you be playful about it? And the actress said

0:22:50.209 --> 0:22:54.050
<v Speaker 9>things like when he calls me names, suggesting that he

0:22:54.169 --> 0:22:55.889
<v Speaker 9>might be in some ways borderline, at the very least

0:22:56.449 --> 0:22:57.369
<v Speaker 9>verbally abusive.

0:22:58.330 --> 0:23:00.369
<v Speaker 1>It seemed there was the way the actress was given

0:23:00.409 --> 0:23:03.530
<v Speaker 1>to talking about an abusive relationship, and then there was

0:23:03.570 --> 0:23:05.689
<v Speaker 1>the way that Alvin preferred her to talk about one.

0:23:06.409 --> 0:23:09.529
<v Speaker 1>And so the actress was replaced and Bob shown her

0:23:09.609 --> 0:23:12.850
<v Speaker 1>video to illustrate what Alvin did not want.

0:23:12.929 --> 0:23:24.889
<v Speaker 10>It's you know. I got the message, I guess.

0:23:26.330 --> 0:23:29.449
<v Speaker 1>Still, not having received a response from Joyce, I decide

0:23:29.490 --> 0:23:32.050
<v Speaker 1>to mail a letter, and just a few days later

0:23:32.449 --> 0:23:36.090
<v Speaker 1>I find an email in my inbox. In it, Joyce

0:23:36.129 --> 0:23:38.330
<v Speaker 1>tells me She's not sure how much help she can be.

0:23:38.970 --> 0:23:42.249
<v Speaker 1>She reminds me that it has been fifty years, but

0:23:42.409 --> 0:23:46.490
<v Speaker 1>she says she's willing to try. She concludes the email

0:23:46.530 --> 0:24:05.370
<v Speaker 1>by saying, please feel free to contact me if you wish. Joyce, Hello, Hello,

0:24:05.929 --> 0:24:07.290
<v Speaker 1>I think your sister's here too.

0:24:08.129 --> 0:24:09.770
<v Speaker 5>Here we are well.

0:24:11.609 --> 0:24:14.530
<v Speaker 1>The last time John and Rachel saw Joyce they were children.

0:24:15.010 --> 0:24:18.489
<v Speaker 1>They're now in their fifties and sixties. Because of the pandemic,

0:24:18.649 --> 0:24:21.249
<v Speaker 1>the meeting between Rachel, John, and Joyce will have to

0:24:21.250 --> 0:24:24.450
<v Speaker 1>take place over Zoom. John and Rachel joined first from

0:24:24.490 --> 0:24:28.090
<v Speaker 1>their respective homes. So how are you guys feeling today?

0:24:29.530 --> 0:24:30.450
<v Speaker 2>Uh?

0:24:30.929 --> 0:24:34.689
<v Speaker 6>Quite anxious? Actually, what about your brother John?

0:24:35.609 --> 0:24:37.769
<v Speaker 4>I'm more nervous than I thought I would be.

0:24:38.929 --> 0:24:42.530
<v Speaker 1>John is seated in a chair, his posture upright. Rachel

0:24:42.570 --> 0:24:44.970
<v Speaker 1>is sitting back on a couch. Go ahead and talk

0:24:45.010 --> 0:24:46.530
<v Speaker 1>a little bit. What did you have for breakfast?

0:24:47.409 --> 0:24:51.049
<v Speaker 6>I had yogurt and blueberries.

0:24:51.129 --> 0:24:53.810
<v Speaker 4>Yeah, me too.

0:24:56.250 --> 0:24:58.090
<v Speaker 1>I can see the Joyce is in the Zoom waiting

0:24:58.169 --> 0:25:02.169
<v Speaker 1>room waiting. Back in my day, a waiting room had

0:25:02.209 --> 0:25:05.129
<v Speaker 1>all kinds of stuff to keep you occupied, like lukewarm

0:25:05.209 --> 0:25:07.689
<v Speaker 1>water you could drink from a paper cup or a

0:25:07.730 --> 0:25:11.050
<v Speaker 1>twenty year old copy of Oat. But now waiting rooms

0:25:11.050 --> 0:25:15.449
<v Speaker 1>are so metaphysical there's nothing to do with them. I

0:25:15.490 --> 0:25:20.369
<v Speaker 1>suggest we let Joyce in. Okay, Yeah, okay, okay, yeah,

0:25:21.250 --> 0:25:24.770
<v Speaker 1>let's do it. Joyce appears on the screen wearing a

0:25:24.810 --> 0:25:27.609
<v Speaker 1>bright blue sweater and a colorful ascot that gives her

0:25:27.649 --> 0:25:31.369
<v Speaker 1>the affect of a fun grandmother. Standing beside Joyce is

0:25:31.369 --> 0:25:33.689
<v Speaker 1>a middle aged man who I assume is her son.

0:25:34.129 --> 0:25:35.369
<v Speaker 1>He's helping her get set up.

0:25:35.810 --> 0:25:36.090
<v Speaker 4>Hello.

0:25:37.970 --> 0:25:41.810
<v Speaker 1>Hello, Joyce and her son frown at the computer. It

0:25:41.810 --> 0:25:44.969
<v Speaker 1>seems they're having sound issues. There's a long moment in

0:25:45.010 --> 0:25:48.129
<v Speaker 1>which we all look at each other in silence, and

0:25:48.169 --> 0:25:55.570
<v Speaker 1>then hello, Hi. Joyce settles into an armchair. Well do

0:25:56.290 --> 0:25:58.210
<v Speaker 1>you all look familiar to each other?

0:25:59.330 --> 0:26:04.130
<v Speaker 6>No, well it's been a long time. I'm Rachel.

0:26:04.490 --> 0:26:06.250
<v Speaker 3>Hi Joyce, Hi, Rachel.

0:26:06.929 --> 0:26:07.689
<v Speaker 4>Hi, I am John.

0:26:08.090 --> 0:26:13.770
<v Speaker 1>You're John, So Joyce, do you uh?

0:26:13.970 --> 0:26:14.209
<v Speaker 4>I know?

0:26:14.889 --> 0:26:18.930
<v Speaker 1>John and Rachel are curious about just how much you remember,

0:26:19.050 --> 0:26:21.009
<v Speaker 1>maybe maybe virtually nothing.

0:26:22.730 --> 0:26:25.929
<v Speaker 3>So I wasn't clear what what I can do for you.

0:26:26.050 --> 0:26:30.330
<v Speaker 3>I'm certainly willing to try. So.

0:26:30.649 --> 0:26:33.769
<v Speaker 6>I think what we're remembering from that time, or what

0:26:33.850 --> 0:26:36.970
<v Speaker 6>we know, is that my dad and my mom were

0:26:36.970 --> 0:26:38.810
<v Speaker 6>in a very I don't know if you remember a

0:26:38.810 --> 0:26:45.129
<v Speaker 6>bitter custody battle, and there were so many court battles,

0:26:45.609 --> 0:26:50.569
<v Speaker 6>and one of the reports was done by you, So

0:26:50.609 --> 0:26:52.530
<v Speaker 6>we wanted to talk to you about that and find

0:26:52.530 --> 0:26:53.969
<v Speaker 6>out what you remembered about that.

0:26:55.649 --> 0:26:58.490
<v Speaker 1>Joyce inhales to clenched teeth, shakes her head.

0:26:59.449 --> 0:27:03.649
<v Speaker 3>Oh, I really don't know what happened.

0:27:07.490 --> 0:27:12.609
<v Speaker 6>We wanna we think. I think our father influenced kind of

0:27:12.649 --> 0:27:15.210
<v Speaker 6>everybody he met in a very heavy handed way.

0:27:15.810 --> 0:27:22.449
<v Speaker 3>Yes, I would certainly agree with that. You know, saying

0:27:22.449 --> 0:27:25.250
<v Speaker 3>al was heavy handed is an understatement.

0:27:26.770 --> 0:27:29.450
<v Speaker 1>Joyce's husband at the time was a colleague of Alvin's.

0:27:29.810 --> 0:27:32.209
<v Speaker 1>That's how she first came to know Alvin. He and

0:27:32.209 --> 0:27:35.770
<v Speaker 1>her husband both taught in the local university psychology department.

0:27:36.449 --> 0:27:40.329
<v Speaker 1>Joyce says her husband would always come home with al Stories.

0:27:40.330 --> 0:27:48.009
<v Speaker 3>Acting out at meetings and shouting out inappropriate stuff. So

0:27:48.050 --> 0:27:52.889
<v Speaker 3>he was very, very controlling. He took control of any situation,

0:27:52.929 --> 0:27:57.570
<v Speaker 3>any social situation. One party at my house, he was

0:27:57.609 --> 0:28:01.290
<v Speaker 3>a guest along with the other members of the psych department,

0:28:01.850 --> 0:28:05.729
<v Speaker 3>and he just took control of the whole evening. And

0:28:05.850 --> 0:28:09.850
<v Speaker 3>of course the more people drank, the more intense that

0:28:09.970 --> 0:28:14.050
<v Speaker 3>God I think the focus was on people's dreams and

0:28:14.129 --> 0:28:15.409
<v Speaker 3>dream analysis.

0:28:16.850 --> 0:28:21.090
<v Speaker 1>For Alvin a Freudian, this meant exploring each partygoer's dream

0:28:21.209 --> 0:28:25.370
<v Speaker 1>for hidden sexual desires that he Alvin could then expound

0:28:25.449 --> 0:28:33.529
<v Speaker 1>upon in a room full of colleagues. Joyce relates the

0:28:33.530 --> 0:28:37.169
<v Speaker 1>anecdote to illustrate the kind of guy Alvin was, but

0:28:37.250 --> 0:28:40.210
<v Speaker 1>John hears something else in the story, So you all

0:28:40.250 --> 0:28:46.209
<v Speaker 1>socialized well. John is trying to remind Joyce that she

0:28:46.290 --> 0:28:50.450
<v Speaker 1>was Alvin's friend, that writing the report wasn't appropriate, but

0:28:50.490 --> 0:28:52.530
<v Speaker 1>the implication goes over Joyce's head.

0:28:53.010 --> 0:28:58.210
<v Speaker 3>The department wasn't a big one, and it was close knit,

0:28:58.370 --> 0:29:06.450
<v Speaker 3>and everybody got together. They you know, Friday, what do

0:29:06.490 --> 0:29:08.930
<v Speaker 3>you do? You hang out with the people that you

0:29:08.970 --> 0:29:14.930
<v Speaker 3>know best, and that was in the department. What kinds

0:29:14.970 --> 0:29:18.610
<v Speaker 3>of questions did you have that I can help with

0:29:18.770 --> 0:29:22.370
<v Speaker 3>or that I might answer or speculate about.

0:29:24.850 --> 0:29:30.010
<v Speaker 4>You don't remember evaluating us, You don't remember having that role.

0:29:30.810 --> 0:29:37.009
<v Speaker 6>No, I guess I'm curious if you remember, because I

0:29:37.050 --> 0:29:39.009
<v Speaker 6>would have said also, like I want to live with

0:29:39.010 --> 0:29:41.890
<v Speaker 6>my dad and I love living here. But I was

0:29:41.970 --> 0:29:46.890
<v Speaker 6>coached like don't smile if someone takes a picture of

0:29:46.970 --> 0:29:47.770
<v Speaker 6>you with your mother.

0:29:48.530 --> 0:29:53.690
<v Speaker 3>Oh, Rachel, Oh, Rachel, could you see that at all? No,

0:29:53.930 --> 0:29:55.850
<v Speaker 3>I I this is all news to me.

0:29:58.130 --> 0:30:02.370
<v Speaker 4>Did you do other custody evaluations? Was that a part

0:30:02.410 --> 0:30:03.969
<v Speaker 4>of your practice?

0:30:06.050 --> 0:30:08.610
<v Speaker 3>That may have been one of the first ones, And

0:30:08.810 --> 0:30:11.410
<v Speaker 3>it was at his requests that I did that.

0:30:11.570 --> 0:30:16.250
<v Speaker 11>Initially, it was at Al's request saying, oh, yeah, yeah,

0:30:18.090 --> 0:30:24.049
<v Speaker 11>do you remember any thoughts or feelings that you know,

0:30:24.090 --> 0:30:27.489
<v Speaker 11>maybe it's not appropriate for me to evaluate someone that

0:30:27.530 --> 0:30:28.410
<v Speaker 11>I socialize.

0:30:29.450 --> 0:30:32.850
<v Speaker 3>No, no, not really, because this was in the beginning

0:30:33.050 --> 0:30:37.410
<v Speaker 3>of our arrival, and so we weren't really socializing at

0:30:37.410 --> 0:30:37.890
<v Speaker 3>that point.

0:30:39.370 --> 0:30:42.009
<v Speaker 1>At that point, Joyce and her husband had just arrived

0:30:42.050 --> 0:30:45.810
<v Speaker 1>in town. While her husband taught at the university, Joyce

0:30:45.850 --> 0:30:49.050
<v Speaker 1>did not. She hoped to someday, but she was still

0:30:49.090 --> 0:30:52.009
<v Speaker 1>fairly young, and at the time the only women in

0:30:52.050 --> 0:30:56.250
<v Speaker 1>the psych department were grad students and secretaries. So in Alvin,

0:30:56.370 --> 0:30:59.090
<v Speaker 1>this larger than life figure came asking for a favor,

0:30:59.730 --> 0:31:00.810
<v Speaker 1>it felt hard to say no.

0:31:01.530 --> 0:31:06.770
<v Speaker 3>He was chair of that program, and you know, I

0:31:06.890 --> 0:31:13.610
<v Speaker 3>was new in town. I'm a people pleaser, so I

0:31:13.650 --> 0:31:17.610
<v Speaker 3>think that that added to my vulnerability to Al.

0:31:20.530 --> 0:31:20.690
<v Speaker 8>Well.

0:31:20.730 --> 0:31:27.450
<v Speaker 4>I want to make sure that you know that your

0:31:27.490 --> 0:31:29.529
<v Speaker 4>report recommends that we're split up.

0:31:31.690 --> 0:31:34.890
<v Speaker 1>Joyce takes off her glasses. She places them in her lap.

0:31:36.209 --> 0:31:46.010
<v Speaker 3>Oh wow, I am sorry. I am I never would

0:31:46.050 --> 0:31:50.570
<v Speaker 3>have done something like that, and hearing that I did

0:31:51.610 --> 0:31:53.850
<v Speaker 3>makes makes me feel terrible.

0:31:56.250 --> 0:31:58.170
<v Speaker 4>So that's a that's a surprise to you.

0:31:58.890 --> 0:32:04.930
<v Speaker 3>It's total surprise, and it's totally against everything I believe.

0:32:07.250 --> 0:32:12.530
<v Speaker 3>It's horrifying. I don't know what prompted it or what

0:32:12.570 --> 0:32:17.610
<v Speaker 3>precipitated it. I don't know. I'm sorry.

0:32:18.890 --> 0:32:20.050
<v Speaker 1>But of course there's more.

0:32:21.050 --> 0:32:25.170
<v Speaker 4>You know, we can see al crossing out words and

0:32:25.209 --> 0:32:32.290
<v Speaker 4>phrases that you wrote and then rewriting them in stronger language,

0:32:32.570 --> 0:32:37.650
<v Speaker 4>and then it's that stronger language that's in the final report.

0:32:41.650 --> 0:32:47.170
<v Speaker 3>I'm appalled by that. I hate to keep repeating myself,

0:32:47.209 --> 0:32:51.090
<v Speaker 3>but I am truly sorry that that happened and had

0:32:51.170 --> 0:32:57.850
<v Speaker 3>terrible consequences. I have a stomach ache. I feel terrible

0:32:58.209 --> 0:33:01.050
<v Speaker 3>that it turned out that way. I feel awful that

0:33:01.130 --> 0:33:04.410
<v Speaker 3>I had a pardon that or that I'm perceived to

0:33:04.690 --> 0:33:06.729
<v Speaker 3>have had it. Well, I did, I mean, I can't

0:33:06.930 --> 0:33:08.249
<v Speaker 3>say I didn't if I wrote it.

0:33:09.530 --> 0:33:12.370
<v Speaker 1>This is something Joyce does a few times. She'll start

0:33:12.370 --> 0:33:14.850
<v Speaker 1>to say something like if I did this, but then

0:33:14.890 --> 0:33:18.450
<v Speaker 1>she'll correct herself. Rachel has the report standing by to

0:33:18.530 --> 0:33:20.570
<v Speaker 1>hold to the camera so Joyce can see it for

0:33:20.610 --> 0:33:25.850
<v Speaker 1>herself see her own signature, but that never becomes necessary.

0:33:25.930 --> 0:33:29.009
<v Speaker 1>Even though she doesn't remember, Joyce believes John and Rachel,

0:33:29.530 --> 0:33:31.969
<v Speaker 1>and so she doesn't cop out or quivocate.

0:33:32.810 --> 0:33:36.850
<v Speaker 3>If I if I did something like that, or because

0:33:36.890 --> 0:33:40.769
<v Speaker 3>I did something like that, I'm so sorry you guys.

0:33:41.610 --> 0:33:48.130
<v Speaker 3>There's anything I can do to mitigate in some small way.

0:33:48.170 --> 0:33:50.969
<v Speaker 4>And it means a lot that you say that.

0:33:51.370 --> 0:33:57.730
<v Speaker 3>Oh yeah, yeah, And it's not just words, it's it's heartfelt.

0:33:58.370 --> 0:33:59.570
<v Speaker 3>It's really heartfelt.

0:34:01.090 --> 0:34:03.370
<v Speaker 1>Do you do you have any idea why he might

0:34:03.370 --> 0:34:05.410
<v Speaker 1>have turned to you well.

0:34:05.290 --> 0:34:11.170
<v Speaker 3>To control the outcome. I think he was more comfortable

0:34:11.170 --> 0:34:13.130
<v Speaker 3>with women because he could push them around.

0:34:14.850 --> 0:34:20.450
<v Speaker 1>Did you feel used by him?

0:34:20.690 --> 0:34:27.130
<v Speaker 3>Well, I guess he was using me, so yeah.

0:34:25.770 --> 0:34:29.010
<v Speaker 1>Joyce says. The relationship with Alvin was short lived. The

0:34:29.130 --> 0:34:31.730
<v Speaker 1>end came soon after Joyce invited Alvin and a few

0:34:31.730 --> 0:34:35.130
<v Speaker 1>of his psychologist friends to join her private practice. They

0:34:35.170 --> 0:34:37.770
<v Speaker 1>accepted and all began working out of her office.

0:34:38.010 --> 0:34:40.969
<v Speaker 3>And we did that for a while, and then they

0:34:41.090 --> 0:34:44.730
<v Speaker 3>decided that it wasn't appropriate to have a social worker

0:34:44.770 --> 0:34:50.450
<v Speaker 3>in the practice. So they asked me to leave, and

0:34:50.610 --> 0:34:56.530
<v Speaker 3>it was at Elsin's instigation. What he said to me was,

0:34:56.610 --> 0:35:00.890
<v Speaker 3>it's not that you're incompetent. It's just that I don't

0:35:00.890 --> 0:35:06.010
<v Speaker 3>know that you're competent. And you know, for me to

0:35:06.050 --> 0:35:10.290
<v Speaker 3>remember this fifty years later, that's a lot, doesn't it.

0:35:11.810 --> 0:35:14.850
<v Speaker 4>So this was him kicking you out of the practice,

0:35:14.610 --> 0:35:18.810
<v Speaker 4>My practice, my practice, your practice.

0:35:27.490 --> 0:35:30.490
<v Speaker 6>I hear you like, very very very fondly.

0:35:30.970 --> 0:35:34.010
<v Speaker 3>Well, you're kind, you're kind, you're kind.

0:35:34.170 --> 0:35:37.090
<v Speaker 6>You are a nice lady. You're a good person. And

0:35:37.370 --> 0:35:39.890
<v Speaker 6>I see that now too. I mean, I had every

0:35:39.930 --> 0:35:41.049
<v Speaker 6>reason to feel that way.

0:35:42.930 --> 0:35:45.130
<v Speaker 1>Rachel will later tell me that because of the way

0:35:45.170 --> 0:35:48.330
<v Speaker 1>her dad brainwashed her, she often can trust her memories.

0:35:48.970 --> 0:35:51.450
<v Speaker 1>So it feels good that her memory of Joyce is correct.

0:35:52.250 --> 0:35:56.050
<v Speaker 1>Joyce is nice, but Rachel is nice too, and consent

0:35:56.170 --> 0:35:57.490
<v Speaker 1>so badly Joyce is feeling.

0:35:58.050 --> 0:36:03.490
<v Speaker 6>You know, I think my dad was so controlling, and

0:36:03.570 --> 0:36:08.810
<v Speaker 6>I have to think that my dad coerced you and

0:36:09.970 --> 0:36:12.730
<v Speaker 6>really pressured you to do that.

0:36:16.890 --> 0:36:23.770
<v Speaker 3>Thank you.

0:36:23.770 --> 0:36:28.530
<v Speaker 4>You know, hopefully you can tell Rachel and I are okay.

0:36:29.050 --> 0:36:32.810
<v Speaker 6>We're really good parents. We're close to our children. We

0:36:32.850 --> 0:36:34.930
<v Speaker 6>did not replicate any of this.

0:36:35.890 --> 0:36:37.970
<v Speaker 3>Oh, that's wonderful. I'm so glad to hear that.

0:36:38.530 --> 0:36:42.210
<v Speaker 4>And I've been with my wife thirty seven years and

0:36:43.170 --> 0:36:46.570
<v Speaker 4>thankfully now you know, Rachel and I came back together

0:36:46.650 --> 0:36:49.210
<v Speaker 4>on our own and I'm very close with my sister.

0:36:50.410 --> 0:36:53.410
<v Speaker 3>Oh, I'm so glad. I'm so glad.

0:36:55.250 --> 0:36:58.010
<v Speaker 1>Damage done to us can often become damage we do

0:36:58.050 --> 0:37:02.050
<v Speaker 1>to others, and on it goes. But watching John and Rachel,

0:37:02.250 --> 0:37:04.890
<v Speaker 1>I'm struck by the way they're breaking that cycle, not

0:37:04.970 --> 0:37:07.210
<v Speaker 1>just in their lives, but right here in the room.

0:37:08.290 --> 0:37:09.610
<v Speaker 1>Well zoom room.

0:37:10.490 --> 0:37:15.290
<v Speaker 4>Just to be clear, Joyce, I really appreciate what you're saying,

0:37:15.330 --> 0:37:22.250
<v Speaker 4>and really really important to me that others just own

0:37:22.370 --> 0:37:28.650
<v Speaker 4>and acknowledge their role in any dynamic, in any interaction.

0:37:29.250 --> 0:37:35.690
<v Speaker 4>If they do that, I'm good. And al never I

0:37:36.210 --> 0:37:44.050
<v Speaker 4>tried in different ways, he would never own any culpability, responsibility, anything.

0:37:45.290 --> 0:37:48.130
<v Speaker 1>When John first became a psychologist, he'd see Alvin at

0:37:48.210 --> 0:37:52.770
<v Speaker 1>various conferences, where Alvin was received as a star. For John,

0:37:53.050 --> 0:37:55.290
<v Speaker 1>it always occasioned a weird mix of pride in his

0:37:55.290 --> 0:38:00.610
<v Speaker 1>father's career and bitterness over his personal rejection. At one conference,

0:38:00.930 --> 0:38:03.570
<v Speaker 1>John attended Alvin's lecture in the hope of forcing his

0:38:03.570 --> 0:38:07.090
<v Speaker 1>father to talk to him. Alvin saw John in the audience,

0:38:07.570 --> 0:38:10.290
<v Speaker 1>but afterwards made him wait on along with all his

0:38:10.370 --> 0:38:15.570
<v Speaker 1>adoring fans. Eventually, John grew frustrated and left.

0:38:15.810 --> 0:38:19.530
<v Speaker 4>It's one of the mysteries of my life how he

0:38:19.730 --> 0:38:23.130
<v Speaker 4>justified or rationalized to himself, you know, having a son

0:38:23.530 --> 0:38:29.170
<v Speaker 4>and supposedly loving him and then just cutting him off

0:38:29.210 --> 0:38:33.410
<v Speaker 4>and rejecting him for the rest of your life. I

0:38:33.450 --> 0:38:41.850
<v Speaker 4>don't I can't fathom that at all. There was an

0:38:41.890 --> 0:38:48.730
<v Speaker 4>email exchange over seven or eight months where I endeavored

0:38:48.770 --> 0:38:52.890
<v Speaker 4>to answer that question, that lifelong question of you know why,

0:38:53.690 --> 0:38:57.090
<v Speaker 4>and he just kept trying to sell me his books,

0:38:57.170 --> 0:39:00.009
<v Speaker 4>and you know it became this refrain, have you read

0:39:00.010 --> 0:39:03.170
<v Speaker 4>my book? Have you read my book? And I'd say,

0:39:04.050 --> 0:39:07.529
<v Speaker 4>if you would like me to read your book, send

0:39:07.610 --> 0:39:11.010
<v Speaker 4>me a copy and I will read it. No, he

0:39:11.090 --> 0:39:13.250
<v Speaker 4>wants me to buy a book. He wanted me to

0:39:13.250 --> 0:39:13.850
<v Speaker 4>buy a book.

0:39:21.690 --> 0:39:24.370
<v Speaker 1>In his emails to John, Alvin wrote that it was

0:39:24.410 --> 0:39:27.530
<v Speaker 1>a sophomoric myth that a parent should seek relationships with

0:39:27.610 --> 0:39:32.250
<v Speaker 1>one's child. I do not accept silly pop psychology truisms,

0:39:32.290 --> 0:39:36.370
<v Speaker 1>he wrote. Near the end of Alvin's life, John wanted

0:39:36.410 --> 0:39:38.690
<v Speaker 1>to make one last effort to see his father so

0:39:38.810 --> 0:39:42.290
<v Speaker 1>Alvin could meet his grandkids, but Rachel counseled John not

0:39:42.410 --> 0:39:45.250
<v Speaker 1>to go. She said that Alvin would refuse to see

0:39:45.330 --> 0:39:47.490
<v Speaker 1>him and was still so full of anger that he

0:39:47.570 --> 0:39:51.370
<v Speaker 1>might even call the police. After his death, Alvin left

0:39:51.370 --> 0:39:53.610
<v Speaker 1>behind a will with a section listing the names of

0:39:53.650 --> 0:39:56.730
<v Speaker 1>those who wronged him. Each person was to receive a

0:39:56.770 --> 0:39:59.850
<v Speaker 1>single dollar. Among them was John.

0:40:01.130 --> 0:40:01.330
<v Speaker 5>Back.

0:40:01.330 --> 0:40:04.010
<v Speaker 1>When I spoke to Al's disciple, Howard, he told me

0:40:04.010 --> 0:40:06.090
<v Speaker 1>that al was bedridden at the end of his life,

0:40:06.490 --> 0:40:09.690
<v Speaker 1>yet he was still focused on his therapeutic method just

0:40:09.770 --> 0:40:10.930
<v Speaker 1>before he passed away.

0:40:11.610 --> 0:40:14.770
<v Speaker 2>When I visited him, he said, Howard, I'm working on

0:40:14.970 --> 0:40:17.770
<v Speaker 2>becoming more of an optimal person. I'm just doing it now.

0:40:17.770 --> 0:40:18.730
<v Speaker 2>And he was like so.

0:40:18.690 --> 0:40:22.730
<v Speaker 1>Energetic, and do you from your perspective, I mean, did

0:40:22.770 --> 0:40:25.489
<v Speaker 1>he achieve that kind of like optimal personhood?

0:40:26.610 --> 0:40:28.009
<v Speaker 2>She said he had.

0:40:29.490 --> 0:40:32.010
<v Speaker 1>When I raised the subject of Alvin's relationship with his

0:40:32.130 --> 0:40:35.450
<v Speaker 1>kids and how that connected to his optimal self, Howard

0:40:35.450 --> 0:40:38.010
<v Speaker 1>says he can't really speak to that. Alvin didn't bring

0:40:38.050 --> 0:40:38.890
<v Speaker 1>up his kids much.

0:40:39.490 --> 0:40:42.890
<v Speaker 2>There's a lot of stuff that goes on, sometimes good

0:40:42.930 --> 0:40:48.410
<v Speaker 2>and bad, and you know, that's just what happens in life.

0:40:48.770 --> 0:40:52.090
<v Speaker 2>We live, and we adjust and do what we have

0:40:52.210 --> 0:40:55.370
<v Speaker 2>to do. But I don't think whatever happens at a

0:40:55.370 --> 0:40:58.850
<v Speaker 2>certain point in someone's life should define them for who

0:40:58.850 --> 0:41:01.970
<v Speaker 2>they are as a person overall.

0:41:05.610 --> 0:41:07.410
<v Speaker 3>Can you come back in a little bit, honey.

0:41:07.970 --> 0:41:11.130
<v Speaker 1>A little girl barge's into Joyce's room. She's wearing a

0:41:11.210 --> 0:41:14.770
<v Speaker 1>lacy blue dress that's either a nightgown or a Cinderella costume.

0:41:15.010 --> 0:41:17.250
<v Speaker 3>I'll be with you in a little bit. Thank you.

0:41:18.410 --> 0:41:19.930
<v Speaker 3>That's my six year old granddaughter.

0:41:20.450 --> 0:41:21.650
<v Speaker 6>Thank you.

0:41:22.890 --> 0:41:24.570
<v Speaker 3>We're sheltering in place together.

0:41:25.010 --> 0:41:27.090
<v Speaker 5>Yeah, that's nice.

0:41:29.330 --> 0:41:36.850
<v Speaker 4>I'm very lucky, Joyce. I'm so appreciative. Thank you, Yeah,

0:41:36.850 --> 0:41:37.210
<v Speaker 4>thank you.

0:41:40.770 --> 0:41:43.250
<v Speaker 1>One can believe one is optimal, just as one can

0:41:43.290 --> 0:41:46.370
<v Speaker 1>believe one is fluent in French, a talented singer, a

0:41:46.410 --> 0:41:49.570
<v Speaker 1>good therapist. But the only way to really know is

0:41:49.610 --> 0:41:52.890
<v Speaker 1>through one's relationship with others, the ones who love us,

0:41:53.250 --> 0:41:56.330
<v Speaker 1>who guide us, who let us know when we wandered astray.

0:41:57.450 --> 0:42:01.290
<v Speaker 1>For some realizing your optimal self does not occur in

0:42:01.330 --> 0:42:06.810
<v Speaker 1>spite of other people, but because of them.

0:42:06.970 --> 0:42:09.530
<v Speaker 4>My son is getting married in the backyard. I'm looking

0:42:09.570 --> 0:42:10.810
<v Speaker 4>at a few.

0:42:10.650 --> 0:42:13.130
<v Speaker 3>Weeks and congratulations, thank you.

0:42:13.370 --> 0:42:42.010
<v Speaker 4>It'll be a very small, socially distanced.

0:42:48.050 --> 0:42:57.569
<v Speaker 8>Now that the furnitures returning to it's goodwill home, now

0:42:57.650 --> 0:43:02.450
<v Speaker 8>that the last month's rent is skiming with the damaged

0:43:02.770 --> 0:43:05.410
<v Speaker 8>po take this moment to the so.

0:43:08.250 --> 0:43:10.210
<v Speaker 5>If we meant to flee.

0:43:09.890 --> 0:43:18.490
<v Speaker 8>To from the last.

0:43:18.090 --> 0:43:19.170
<v Speaker 4>Accident and clean.

0:43:24.250 --> 0:43:27.250
<v Speaker 1>This episode of Heavyweight was produced by senior producer Khalila

0:43:27.290 --> 0:43:31.130
<v Speaker 1>Holt along with Stevie Lane and me Jonathan Goldstein. Special

0:43:31.170 --> 0:43:35.050
<v Speaker 1>thanks to Emily Condon, Alex Bloomberg, PJ Vote, Mohemy mcgaucher,

0:43:35.290 --> 0:43:39.450
<v Speaker 1>Nabil Cholimpot, and Jackie Cohen. Bobby Lord mixed the episode

0:43:39.450 --> 0:43:42.690
<v Speaker 1>with original music by Christine Fellows, John K. Samson and

0:43:42.730 --> 0:43:46.210
<v Speaker 1>Bobby Lord. Additional music credits can be found on our website,

0:43:46.210 --> 0:43:50.130
<v Speaker 1>Gimbletmedia dot com slash Heavyweight. Our theme song is by

0:43:50.170 --> 0:43:53.370
<v Speaker 1>The Weaker Thans courtesy of Epitaph Records. Follow us on

0:43:53.410 --> 0:43:56.770
<v Speaker 1>Twitter at Heavyweight or email us at Heavyweight at Gimletmedia

0:43:56.770 --> 0:43:59.930
<v Speaker 1>dot com. This is the last episode of the season,

0:44:00.330 --> 0:44:02.810
<v Speaker 1>but do not fear there's still more Heavyweight to come.

0:44:03.010 --> 0:44:06.490
<v Speaker 1>We're doing three check in episodes in December, exclusive to Spotify,

0:44:06.730 --> 0:44:10.290
<v Speaker 1>but absolutely free and very easy to access. I'll be

0:44:10.370 --> 0:44:13.050
<v Speaker 1>joined by producers Khalila and Stevie. There will be a

0:44:13.090 --> 0:44:17.050
<v Speaker 1>conversation with best selling writer Curtis Sittenfeld, and some segments

0:44:17.090 --> 0:44:20.210
<v Speaker 1>that take advantage of the music on Spotify's platform. So

0:44:20.330 --> 0:44:22.450
<v Speaker 1>these are things we couldn't do anywhere else, and we're

0:44:22.450 --> 0:44:25.130
<v Speaker 1>pretty excited about that and we hope you'll find it

0:44:25.170 --> 0:44:27.370
<v Speaker 1>exciting too. See you in December.

0:44:28.530 --> 0:44:35.330
<v Speaker 8>Oh Son in an empty, Son in an out deal