WEBVTT - Ernie Hudson

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<v Speaker 1>As I was walking out of the room, I just

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<v Speaker 1>just because I didn't know anything about horses and I

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<v Speaker 1>wasn't a dancer, and I had lied, and I just

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<v Speaker 1>didn't want to lie, and so I stopped and I

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<v Speaker 1>turned around and said, uh so, Mrs Parks, Uh you

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<v Speaker 1>know about those horses. I really, but I can learn.

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<v Speaker 1>I can learn. I like horses. But you know, he says,

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<v Speaker 1>he's and I saw the frustration. He says, okay, okay,

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<v Speaker 1>and that's it. Oh and you know that about the dancing. Hello, friends,

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<v Speaker 1>welcome back to Off the Beat. I'm your host, Brian

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<v Speaker 1>baum Gartner. Now you don't have to ask me who

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<v Speaker 1>are you gonna call, because you just heard that. I

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<v Speaker 1>am calling the incredible Ernie Hudson for today's episode. And listen.

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<v Speaker 1>If I had ghosts, I surely would be calling his

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<v Speaker 1>character Winston Zeta Moore as well. That's right. You may

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<v Speaker 1>know Ernie from Ghostbusters, you know, just one of the

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<v Speaker 1>most iconic franchises of my lifetime. Or perhaps you're more

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<v Speaker 1>familiar with him as Warden Leo Glenn from one of

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<v Speaker 1>my favorite television shows, oz or Elsie Duncan from the

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<v Speaker 1>Family Business or one of the other two hundred and

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<v Speaker 1>fifty plus projects that Ernie has acted in. No big deal.

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<v Speaker 1>He's what they call prolific. Ernie has been gracing screens

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<v Speaker 1>big and small for almost five decades, and I was

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<v Speaker 1>absolutely thrilled to sit down and talk to him about

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<v Speaker 1>his life. Let me tell you he has some stories

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<v Speaker 1>to share. Okay, here's a couple of spoilers. He is

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<v Speaker 1>path somehow includes the Marines, becoming a reserve deputy sheriff,

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<v Speaker 1>and working with several of my favorite directors from the office.

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<v Speaker 1>With that said, I'm gonna let you sit back and

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<v Speaker 1>enjoy our conversation. Please give a warm off the beat.

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<v Speaker 1>Welcome to Ernie Hudson, Bubble and Squeak. I love it,

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<v Speaker 1>Bubble and Squeak, Bubble and Squeaker cooking at every month,

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<v Speaker 1>left over from the night before. What's up, Ernie? Hey,

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<v Speaker 1>what's up? What's up? Are you doing? I'm great? How

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<v Speaker 1>are you doing? Fine? Man? Good to see you, Good

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<v Speaker 1>to see you. Thanks so much for talking to me. Yeah,

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<v Speaker 1>good to talk to you. Man. How's it going. I'm good.

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<v Speaker 1>I uh, We're going to discuss this a little later.

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<v Speaker 1>We've actually worked on the same project together. I don't

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<v Speaker 1>even know if my producers know this, but we never

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<v Speaker 1>appeared together. So there's there's a there's a there's a spoiler. Okay,

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<v Speaker 1>all right, okay, but I want to start back first

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<v Speaker 1>you first off, what so what was the project? Do

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<v Speaker 1>you don't remember? I was gonna tell I was gonna

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<v Speaker 1>tell you later, but okay, okay, okay, yeah, I'll tell

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<v Speaker 1>I'll tell you later. Okay. Uh. You you grew up

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<v Speaker 1>in Michigan? That yeah, now is that like in the

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<v Speaker 1>uper or we're we're in Michigan. You know, I grew

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<v Speaker 1>up in Michigan. I didn't think there was anything north

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<v Speaker 1>of say, Grand Rabbits, but Bears. So it took I

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<v Speaker 1>realized that people actually lived there. Gone from southwestern Michigan,

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<v Speaker 1>right along the coast, directly across the lake from Chicago. Okay,

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<v Speaker 1>so yeah, Betton Harbor, what about you? Are you from Michigan,

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<v Speaker 1>I'm from I'm from Atlanta, Georgia. But I was I

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<v Speaker 1>was just there. I was just I was actually in

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<v Speaker 1>Grand Rapids for the first time. Yeah. Yeah, Grand says um.

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<v Speaker 1>It's a city, It's a city of bold of Michigan.

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<v Speaker 1>I think it's probably the healthiest city I've worked in

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<v Speaker 1>Northern Michigan and Upper Peninsula, you know from time to time,

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<v Speaker 1>so I've actually been there, but it was not until

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<v Speaker 1>much month later on when you were growing up. Were

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<v Speaker 1>you interested in writing stories? Yeah? Yeah, with the writing,

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<v Speaker 1>I was interested in the writing. Um that was where

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<v Speaker 1>I thought my career was going to go and telling

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<v Speaker 1>I love telling stories, so the writing was a big

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<v Speaker 1>part of it. And when I got into college, that

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<v Speaker 1>was what I really wanted to focus on, even though

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<v Speaker 1>right away I started acting. I joined some groups and

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<v Speaker 1>whenever we were short of cast member, I've would step in,

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<v Speaker 1>you know, so and as it actually because I didn't

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<v Speaker 1>take it so serious. The acting was fun. It was

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<v Speaker 1>never it was never a job. You know, writing became

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<v Speaker 1>a job. And then uh, then I went to Yale

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<v Speaker 1>and they just totally destroyed my writing. So I haven't

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<v Speaker 1>written anything worth anything since. But really, yeah, yeah, it

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<v Speaker 1>was not It was I was talking to a young

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<v Speaker 1>lady who I was a classmate at Yale, and yeah,

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<v Speaker 1>I really didn't It wasn't a good move. But the acting,

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<v Speaker 1>again was fun and I didn't have to think about it,

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<v Speaker 1>and I still don't think about it too much. So

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<v Speaker 1>that's what I do well. That's that's healthy. Before before

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<v Speaker 1>we hear how Yale screwed you up though you you

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<v Speaker 1>attended Wayne State and you became a resident playwright at

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<v Speaker 1>Concept East, which I'm told is the oldest black theater

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<v Speaker 1>in in the country. It was for a long time.

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<v Speaker 1>I'm name is sure if they're still there. The city

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<v Speaker 1>has gone through so many changes, but for the longest

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<v Speaker 1>time and had been there, you know, just in the community,

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<v Speaker 1>really doing some great work. And Ron Milner, who you know,

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<v Speaker 1>did some things on Broadway and became a wealth established

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<v Speaker 1>Woody King who had the new Federal that if they

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<v Speaker 1>all came out of Concept East Theater, and so that

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<v Speaker 1>was kind of my introduction. But I was there thinking

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<v Speaker 1>of myself as a writer. Okay, but you you performed some.

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<v Speaker 1>I performed a lot. That's what I basically I realized

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<v Speaker 1>that's always been you know, I don't know, I think

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<v Speaker 1>I felt actors weren't as um legitimate or high on

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<v Speaker 1>the totem pole is something. Being a writer seemed more

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<v Speaker 1>I don't know, you know, just more something. Acting did

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<v Speaker 1>not seem like it was something that you could just say,

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<v Speaker 1>I'm an actor and that would be enough, you know,

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<v Speaker 1>you mean I'm an act a producer, I'm an actor director,

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<v Speaker 1>I'm an actor hyphen something, but just being an actor,

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<v Speaker 1>which it's what my life has turned into. This is

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<v Speaker 1>all I do. It's all I know how to do.

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<v Speaker 1>As you're as you're writing now, are they is concept?

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<v Speaker 1>Are they doing original works that you're helping to write? Well?

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<v Speaker 1>Are you talking about during the time? Yeah, original works? Um,

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<v Speaker 1>we would. We had a lot of workshop stuff, so

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<v Speaker 1>these are your plays we put on like it was

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<v Speaker 1>really community theater, grassroots. Yeah. And so I was writing

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<v Speaker 1>and they were doing little pieces, you know, little plays,

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<v Speaker 1>had a couple of I was at Wayne State. Wayne

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<v Speaker 1>State did some plays that I had written. Yeah, that

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<v Speaker 1>was sort of where I was, you know, when I

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<v Speaker 1>was thinking of myself. But but I all always it

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<v Speaker 1>was never appeared when I wasn't acting. And when you

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<v Speaker 1>went to Yale that was primarily to pursue writing. Yeah.

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<v Speaker 1>I got into the playwriting program that were I think

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<v Speaker 1>only there was six in the program and I made

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<v Speaker 1>an exception and brought me in. So I was the

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<v Speaker 1>number seven and it was I think only like a

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<v Speaker 1>at Yale School drama maybe a hundred thirty five students.

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<v Speaker 1>It's really small, very small, very small, and uh but

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<v Speaker 1>even then, I think that I got cast into play

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<v Speaker 1>the first week I was there. So the acting just

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<v Speaker 1>always kept trying to inform me that this is what

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<v Speaker 1>you need to be going. One of, if not your

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<v Speaker 1>first theatrical meaning film releases, was the co starring role

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<v Speaker 1>in Leadbelly. Yeah, and that's stretching it sat co starring,

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<v Speaker 1>But yeah, yes, I was in the field. You were

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<v Speaker 1>in the film. How did that come about? Now? At

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<v Speaker 1>this point are you are you solely focused on acting

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<v Speaker 1>or how do you how do you get connected with

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<v Speaker 1>Gordon Parks? No, I was. I was at my first

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<v Speaker 1>year at Yale. A friend who I worked with doing

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<v Speaker 1>a lot of community theater in Detroit, where I got

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<v Speaker 1>my equity card. He was in l A and he

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<v Speaker 1>was doing a play. And when we took the summer break,

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<v Speaker 1>I went to Minnesota, where my family was, I got

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<v Speaker 1>a call he was doing a play one of me,

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<v Speaker 1>and and so I came out to l A. Was

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<v Speaker 1>doing the play and trying to just see what I

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<v Speaker 1>could get going, which is absolutely nothing. And then I

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<v Speaker 1>had a devastating meeting with an agent in Beverly Hills

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<v Speaker 1>who told me that I would never work in Hollywood,

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<v Speaker 1>go back to Detroit. So set of really strange circumstances

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<v Speaker 1>kind of came together. A girl I had met at

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<v Speaker 1>a party. I was so devastated with this agent. I

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<v Speaker 1>mean I really was close to tears. I wasn't, actually,

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<v Speaker 1>I was so upset and so frustrated. I went to her,

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<v Speaker 1>went to see her, and we sat and and drank,

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<v Speaker 1>and I went home that night. Her dad came over

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<v Speaker 1>and I left my resume there and her dad was

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<v Speaker 1>Gordon Parks. The resume just by accident. But you know,

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<v Speaker 1>I sat the resume that I tried to give to

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<v Speaker 1>the agent on her piano, not consciously doing it. And

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<v Speaker 1>when he came over to dinner, he saw my resume

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<v Speaker 1>and photo and he was doing a movie called Lead Belly,

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<v Speaker 1>and so he, the studio of Paramount, tried to reach

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<v Speaker 1>out to me. Took him days because I was saying

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<v Speaker 1>at my brother's house and my niece would answer the

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<v Speaker 1>phone and hang up, but eventually I got the call.

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<v Speaker 1>And anyway, so that's kind of how things were meant

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<v Speaker 1>to happen. Apparently. So when I would have been going

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<v Speaker 1>back to my second year Yale, I went to Texas

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<v Speaker 1>to shoot lead belly. There was a choice between school

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<v Speaker 1>or work or work, and uh, you know, most of

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<v Speaker 1>the friends who pursued the whole academic course to the end,

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<v Speaker 1>they ended up teaching. And I knew. I knew that much.

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<v Speaker 1>I didn't want to be I didn't want to teach.

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<v Speaker 1>So that's, uh, that's how I got into and um, yeah,

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<v Speaker 1>Gordon Parks was amazing. I was in down in Austin,

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<v Speaker 1>Texas before it became Austin, Texas, and yeah, I just

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<v Speaker 1>had a great time. Did did his daughter? Was she

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<v Speaker 1>talking you up? Or how? I mean like he just

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<v Speaker 1>saw it and he saw the photo on her piano.

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<v Speaker 1>You know, I don't know. I just I get a

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<v Speaker 1>call and I was so depressed. I was so depressed

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<v Speaker 1>because this agent had just just took away all the confidence.

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<v Speaker 1>I mean, I was just really I was thinking my

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<v Speaker 1>brother's house that really wasn't room for me of you know,

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<v Speaker 1>then we neat dinner, that little girl would say I

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<v Speaker 1>was eating all the food up, So then I didn't

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<v Speaker 1>want to eat the food anymore. My sister in law

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<v Speaker 1>took my clothes to the laundry Matt and forgot and

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<v Speaker 1>left him, and so I really was no clothes basically um.

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<v Speaker 1>And so when I went to see this agent, I

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<v Speaker 1>borrowed my brother's He had a kind of a blue

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<v Speaker 1>jeans jacket and pants. But my brother is about forty

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<v Speaker 1>pounds lighted than I am, so they really didn't fit.

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<v Speaker 1>And I went in to see this agent. I borrowed

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<v Speaker 1>his car to go see the agent, and I parked

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<v Speaker 1>in a in a parking space that they charged, and

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<v Speaker 1>those days nobody charged them parking. I didn't think they

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<v Speaker 1>would charge. When I came out, I was so devastated.

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<v Speaker 1>And then they asked me for the money for the

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<v Speaker 1>parking and I had no money, and I just it

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<v Speaker 1>just all kind of that's when I went to see her.

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<v Speaker 1>So anyway, yeah, and he just saw the picture and

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<v Speaker 1>they called uh. And I finally got the call and

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<v Speaker 1>they said can you be here? And I said, yeah, yeah,

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<v Speaker 1>can come. But I had no car, so so I

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<v Speaker 1>went ran down the street to a friends, the friend

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<v Speaker 1>who invited me to do the play who's directing, And

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<v Speaker 1>I just took his keys. I didn't you know, I said, dude,

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<v Speaker 1>I gotta take a car. I just grab the keys,

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<v Speaker 1>jumped in his car, drove up to Paramount, went in

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<v Speaker 1>to see him, and you know, I had this this

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<v Speaker 1>audition and then he said, he said, I'm gonna ask you.

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<v Speaker 1>Uh he said, this is really it's about Honey lead better.

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<v Speaker 1>Lead Belly is, you know, his life. It's really important.

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<v Speaker 1>That is a race with a team of horses, and

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<v Speaker 1>I need someone who, you know, is familiar with horses.

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<v Speaker 1>Have you ever been around horses? And I said, oh yeah, yeah,

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<v Speaker 1>I know horses. I grew up with horses. He says, okay, so,

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<v Speaker 1>but there's also there's a big dance. There's a big challenge.

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<v Speaker 1>Lead Belly challenges Archie to this dance. And so you

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<v Speaker 1>really you're able to have to do this dance? Are

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<v Speaker 1>you a dancer? And I said, oh, yeah, yeah I can.

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<v Speaker 1>I can dance. I can dance. And then as I

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<v Speaker 1>was walking out of the room, I just because I

0:13:58.480 --> 0:14:00.720
<v Speaker 1>didn't know anything about horses and I was and a dancer,

0:14:01.160 --> 0:14:03.959
<v Speaker 1>and I had lied, and I just didn't want to lie,

0:14:04.240 --> 0:14:06.440
<v Speaker 1>and so I stopped and I turned around and said,

0:14:06.600 --> 0:14:10.680
<v Speaker 1>uh so, Mrs Parks, uh you know about those horses.

0:14:11.600 --> 0:14:14.120
<v Speaker 1>I really, but I can learn. I can learn. I

0:14:14.400 --> 0:14:17.080
<v Speaker 1>like horses. But you know, he says, he's and I

0:14:17.120 --> 0:14:20.960
<v Speaker 1>saw the frustration he says, okay, okay, And I said, oh,

0:14:21.040 --> 0:14:27.240
<v Speaker 1>and you know that about the dancing, But I can learn,

0:14:27.400 --> 0:14:32.080
<v Speaker 1>he said, just just waiting the hallway. So that I said,

0:14:32.120 --> 0:14:35.000
<v Speaker 1>in the hallway. And then the producer came up to

0:14:35.080 --> 0:14:39.520
<v Speaker 1>meeting and he said, Ernie um Gordon, he really liked

0:14:39.560 --> 0:14:41.320
<v Speaker 1>you and I he wants you to be in the movie.

0:14:41.560 --> 0:14:44.240
<v Speaker 1>So I'll tell you what. We're gonna pay you six

0:14:44.360 --> 0:14:47.240
<v Speaker 1>hundred and five dollars a week. How does that sound?

0:14:48.200 --> 0:14:51.120
<v Speaker 1>And I said, oh, yeah, sure, that'd be great. Well,

0:14:51.320 --> 0:14:58.400
<v Speaker 1>the minimum was six hundred four dollars. So I signed

0:14:58.440 --> 0:15:02.600
<v Speaker 1>a contract for absolutely the least of my bigger baby,

0:15:02.800 --> 0:15:05.200
<v Speaker 1>but I got the job. You know, what was it

0:15:05.280 --> 0:15:08.680
<v Speaker 1>like being on set, like you know, a movie set

0:15:09.200 --> 0:15:14.480
<v Speaker 1>down there on location, first significant work. What how was

0:15:14.520 --> 0:15:17.800
<v Speaker 1>that experience for you? It was, well, it was great.

0:15:17.960 --> 0:15:20.720
<v Speaker 1>My brother who he passed through a couple of years ago,

0:15:20.720 --> 0:15:22.160
<v Speaker 1>but he did a lot of films and a lot

0:15:22.200 --> 0:15:25.000
<v Speaker 1>of films together, he came down with me for a period.

0:15:25.240 --> 0:15:28.360
<v Speaker 1>The people were right. Austin was small. It wasn't Austin

0:15:28.400 --> 0:15:31.400
<v Speaker 1>the way it is now. I just found, you know,

0:15:31.520 --> 0:15:34.720
<v Speaker 1>the people truly amazing. I said to my brother, I said,

0:15:34.720 --> 0:15:38.120
<v Speaker 1>you know, wow, man, it's like the people here, which

0:15:38.240 --> 0:15:40.240
<v Speaker 1>when we were mostly around, you know, except for the

0:15:40.320 --> 0:15:44.200
<v Speaker 1>cast white areas because we're shooting out in the country.

0:15:44.680 --> 0:15:46.880
<v Speaker 1>I said, that's so nice, man, I mean, it's like

0:15:47.080 --> 0:15:50.240
<v Speaker 1>everybody's really, like, really cool. And he looked at me

0:15:50.280 --> 0:15:57.520
<v Speaker 1>and said, try being me. So so you're in the movie.

0:15:57.600 --> 0:16:00.680
<v Speaker 1>You're one of the actors, but I'm not. Oh, you know,

0:16:00.720 --> 0:16:05.040
<v Speaker 1>it's a whole different ball game with me. Uh but

0:16:05.480 --> 0:16:09.160
<v Speaker 1>which is usually his his complaint over the years. But yeah,

0:16:09.280 --> 0:16:12.000
<v Speaker 1>you know. The problem was I also that dance was

0:16:12.160 --> 0:16:16.800
<v Speaker 1>so exhausting and so strenuous and and and I realized

0:16:16.800 --> 0:16:18.480
<v Speaker 1>that I really had to work on it and it

0:16:18.640 --> 0:16:22.720
<v Speaker 1>in it. They had another dancer who they brought in.

0:16:22.840 --> 0:16:24.400
<v Speaker 1>I thought they were going to take my part away.

0:16:25.120 --> 0:16:28.720
<v Speaker 1>Xavier came in and he was amazing, and then I thought,

0:16:28.720 --> 0:16:31.280
<v Speaker 1>oh my god, they're gonna but they he was sort

0:16:31.280 --> 0:16:33.960
<v Speaker 1>of my backup in case I couldn't do but I

0:16:34.040 --> 0:16:36.280
<v Speaker 1>and that's when I thought, no, I'm doing this dance.

0:16:36.320 --> 0:16:39.320
<v Speaker 1>I gotta I gotta do this dance. But Roger Mosley,

0:16:39.360 --> 0:16:42.400
<v Speaker 1>who was starring and who passed away recently in front

0:16:42.400 --> 0:16:44.800
<v Speaker 1>of the producers and Gordon he came and saw me

0:16:45.000 --> 0:16:47.880
<v Speaker 1>dancing in one of the rehearsals and said, oh, I

0:16:47.880 --> 0:16:50.720
<v Speaker 1>guess it's not true what they say about all black

0:16:50.760 --> 0:16:58.520
<v Speaker 1>people can dance. So I was always that insecure, like

0:16:58.600 --> 0:17:01.280
<v Speaker 1>I gotta get this, and I got huh. I didn't

0:17:01.280 --> 0:17:03.600
<v Speaker 1>need my double and did all the dancing. I drove

0:17:03.640 --> 0:17:07.679
<v Speaker 1>those horses like never before I did it. But it

0:17:07.760 --> 0:17:09.879
<v Speaker 1>was great. Um, yeah it was you know, I was

0:17:09.960 --> 0:17:13.560
<v Speaker 1>making a movie and Gordon was amazing. He was a

0:17:13.600 --> 0:17:16.600
<v Speaker 1>friend up until he passed away. He always called me

0:17:16.640 --> 0:17:18.639
<v Speaker 1>the character's name, though he never called me Yarning. I

0:17:18.680 --> 0:17:22.080
<v Speaker 1>was always Archie and he he called Sydney Portier and

0:17:22.080 --> 0:17:25.840
<v Speaker 1>asked Sydney Portia to see me because Sydney was doing

0:17:25.840 --> 0:17:28.640
<v Speaker 1>the project. But that didn't work out quite as well.

0:17:28.680 --> 0:17:31.960
<v Speaker 1>But yeah, it was great. It was great. I was

0:17:32.000 --> 0:17:35.440
<v Speaker 1>in the movies. Finally, when you when you finished that,

0:17:36.080 --> 0:17:39.560
<v Speaker 1>how easy was it for you to continue to get work? Oh?

0:17:39.600 --> 0:17:42.639
<v Speaker 1>It was. It was rough because like that, Gordon had

0:17:42.680 --> 0:17:45.879
<v Speaker 1>called Sydney. Sidney had agreed to see me, but it

0:17:45.960 --> 0:17:48.760
<v Speaker 1>was taking too long. I'm like, when is it gonna

0:17:48.800 --> 0:17:52.800
<v Speaker 1>see me? So I called I left messages. Sydney was

0:17:52.880 --> 0:17:56.600
<v Speaker 1>over at twentieth century, and so I just decided I'm

0:17:56.640 --> 0:18:01.320
<v Speaker 1>just going to go there. So so I went to

0:18:01.480 --> 0:18:04.760
<v Speaker 1>his office as he was coming out to go play

0:18:04.800 --> 0:18:08.040
<v Speaker 1>golf or play tennis or something, and I so I said, Mr, Party,

0:18:08.160 --> 0:18:10.480
<v Speaker 1>I'm Ernie Hudson going in parks to colways. And he

0:18:10.600 --> 0:18:16.720
<v Speaker 1>was so annoyed that he never worked with me. But

0:18:17.320 --> 0:18:19.879
<v Speaker 1>I got I did a couple of TV things. I

0:18:19.880 --> 0:18:22.119
<v Speaker 1>got a pilot. Not that I was a regular, but

0:18:22.200 --> 0:18:25.080
<v Speaker 1>I got it was it was shooting, um serious. I

0:18:25.160 --> 0:18:28.040
<v Speaker 1>worked a bit, but at that point my marriage was

0:18:28.119 --> 0:18:31.440
<v Speaker 1>sort of in trouble, ending even in trouble a long time.

0:18:31.480 --> 0:18:34.080
<v Speaker 1>I just didn't realize it. And so I left l

0:18:34.119 --> 0:18:37.280
<v Speaker 1>A after that year and went to Minnesota to try

0:18:37.320 --> 0:18:42.399
<v Speaker 1>to pull my family together. And life goes on, but

0:18:44.480 --> 0:18:45.760
<v Speaker 1>you know, I tend to run on. So if I'm

0:18:45.800 --> 0:18:48.560
<v Speaker 1>running on with answers, just you know, it was just

0:18:48.720 --> 0:18:50.479
<v Speaker 1>it was one of those times when you don't know

0:18:50.560 --> 0:18:55.360
<v Speaker 1>what's coming next, but you just know that you're you know,

0:18:55.680 --> 0:18:57.760
<v Speaker 1>you're you're holding on and you're not gonna let go.

0:19:17.440 --> 0:19:21.600
<v Speaker 1>You did get a number of shows and movies here

0:19:21.600 --> 0:19:27.520
<v Speaker 1>and there. Incredible Hulk, Yeah, Jukes of Hazard. Yeah, that

0:19:27.680 --> 0:19:31.040
<v Speaker 1>was After I did some work that year, I went

0:19:31.080 --> 0:19:33.920
<v Speaker 1>to Minnesota and tried to pull my marriage, you get

0:19:33.920 --> 0:19:37.919
<v Speaker 1>the marriage totally. I realized that that everybody knew the

0:19:37.920 --> 0:19:40.840
<v Speaker 1>marriage is ended except me, you know. But finally that

0:19:41.000 --> 0:19:44.040
<v Speaker 1>was over. Did The Great White Hope in Minnesota some

0:19:44.119 --> 0:19:47.840
<v Speaker 1>plays there which were life changing for me. And when

0:19:47.880 --> 0:19:50.800
<v Speaker 1>I came back to l A the next year, I

0:19:50.840 --> 0:19:52.560
<v Speaker 1>went right to work. You went right and I never

0:19:52.640 --> 0:19:55.000
<v Speaker 1>stopped working yet. Where Where did you work? Did you

0:19:55.000 --> 0:19:58.600
<v Speaker 1>work at the Guthrie in Minnesota? No? No? I Um,

0:19:59.160 --> 0:20:01.000
<v Speaker 1>I didn't work at the three. I did, uh, the

0:20:01.040 --> 0:20:04.280
<v Speaker 1>Great White Hope at the Theater in the Round. The

0:20:04.480 --> 0:20:09.119
<v Speaker 1>play opened and it was life changing. I mean I was,

0:20:09.320 --> 0:20:11.439
<v Speaker 1>you know, starring in it. It was the first you know,

0:20:11.560 --> 0:20:15.639
<v Speaker 1>it was. I was turning thirty. I've been acting for

0:20:15.960 --> 0:20:19.400
<v Speaker 1>it seemed like ten years. I don't know how long

0:20:20.040 --> 0:20:22.119
<v Speaker 1>I have to add the years up, but a long time.

0:20:22.880 --> 0:20:25.600
<v Speaker 1>And I've been trying so hard, and I just felt like,

0:20:25.800 --> 0:20:28.080
<v Speaker 1>you know, my marriage is ending. I had no money,

0:20:28.720 --> 0:20:31.360
<v Speaker 1>stuck in Minnesota, I didn't have bus fare to get

0:20:31.359 --> 0:20:34.439
<v Speaker 1>back to l A. And so I did this play

0:20:34.520 --> 0:20:38.040
<v Speaker 1>and for me, The Gray White Hope was a chance

0:20:38.160 --> 0:20:41.640
<v Speaker 1>to just take everything I'd ever learned and poured into

0:20:41.680 --> 0:20:43.520
<v Speaker 1>this character. It was a great character when I was

0:20:43.600 --> 0:20:46.160
<v Speaker 1>I've never had a character like that in movies, but

0:20:46.920 --> 0:20:51.000
<v Speaker 1>I just I worked on it like it was. I

0:20:51.800 --> 0:20:54.879
<v Speaker 1>needed that affirmation. And the play opened huge and it

0:20:55.000 --> 0:20:59.800
<v Speaker 1>was a sellout and the press everything was just it

0:21:00.000 --> 0:21:02.879
<v Speaker 1>built my ego. So when I came out to l A,

0:21:02.920 --> 0:21:05.600
<v Speaker 1>I was sort of riding that wave, you know, and

0:21:05.800 --> 0:21:08.480
<v Speaker 1>uh and it it sort of carried. But I needed that.

0:21:08.640 --> 0:21:11.440
<v Speaker 1>So in Minnesota gave me that. I'll always be appreciative

0:21:11.480 --> 0:21:14.840
<v Speaker 1>Minnesota because just now, at the same time, I was

0:21:14.880 --> 0:21:18.080
<v Speaker 1>doing The Great White Hope the University of Minnesota that

0:21:18.280 --> 0:21:22.119
<v Speaker 1>taken some classes at but they did a production of

0:21:22.160 --> 0:21:25.239
<v Speaker 1>a play that I wrote, so that the writing was

0:21:25.280 --> 0:21:28.439
<v Speaker 1>still kind of happening a bit, at least in my mind.

0:21:29.000 --> 0:21:31.560
<v Speaker 1>But so the time I spent in Minnesota was really very,

0:21:31.640 --> 0:21:33.320
<v Speaker 1>very good. But I came out to l A. And

0:21:33.720 --> 0:21:35.520
<v Speaker 1>like I said, I went right to work on TV

0:21:35.560 --> 0:21:39.520
<v Speaker 1>a lot of TV shows, and uh, never really kind

0:21:39.560 --> 0:21:43.120
<v Speaker 1>of stopped working. Isn't it Isn't it amazing. I don't

0:21:43.119 --> 0:21:46.159
<v Speaker 1>know that I've talked to anybody about this, but it

0:21:46.240 --> 0:21:49.080
<v Speaker 1>can it could be something significant like your role in

0:21:49.119 --> 0:21:52.359
<v Speaker 1>the Great White Hope or something sometimes very small. That

0:21:52.359 --> 0:21:57.520
<v Speaker 1>that confidence, how much that helps you as you start

0:21:57.640 --> 0:22:03.080
<v Speaker 1>going out and audition. It's amazing, right, yeah, yeah, no,

0:22:03.200 --> 0:22:06.480
<v Speaker 1>it's it's um And you know, in times I realized

0:22:06.560 --> 0:22:09.920
<v Speaker 1>it was also physical because I used to think his kids,

0:22:09.920 --> 0:22:11.840
<v Speaker 1>you have to look a certain way of these guys

0:22:11.920 --> 0:22:14.280
<v Speaker 1>because they look this way. Then they got that or

0:22:14.720 --> 0:22:17.520
<v Speaker 1>But it's really it's not that. It's it's all about

0:22:17.560 --> 0:22:20.960
<v Speaker 1>what you carry with you. It's all about that inner

0:22:21.000 --> 0:22:23.880
<v Speaker 1>thing and that's what people buy, you know, And when

0:22:23.920 --> 0:22:27.520
<v Speaker 1>you're stressing in your worried or you don't think you're

0:22:27.560 --> 0:22:32.960
<v Speaker 1>you know, I, I don't know. That's something that we

0:22:33.040 --> 0:22:35.399
<v Speaker 1>find it. You know, it's always there, but we have

0:22:35.560 --> 0:22:39.159
<v Speaker 1>to find that the courage to to allow ourselves to

0:22:39.280 --> 0:22:44.199
<v Speaker 1>be maybe a little selfish, a little arrogant, little competent. Right,

0:22:44.720 --> 0:22:47.640
<v Speaker 1>you know, I believed with all my heart that I'm

0:22:47.720 --> 0:22:51.880
<v Speaker 1>the best. There is nobody better, I mean, you know, right,

0:22:52.720 --> 0:22:56.000
<v Speaker 1>And it makes a huge difference, it does. Uh, these

0:22:56.080 --> 0:22:59.840
<v Speaker 1>roles you're booking Dukes of Hazard, a team incredible whole

0:23:00.640 --> 0:23:03.720
<v Speaker 1>high Cliff manner. Are you are you? Are you happy

0:23:03.800 --> 0:23:06.399
<v Speaker 1>with the roles? That you're getting. Are you excited to

0:23:06.400 --> 0:23:09.760
<v Speaker 1>be working? Oh? Yeah, I was just I mean, I

0:23:09.800 --> 0:23:12.080
<v Speaker 1>was really excited to be working. I was I'm in

0:23:12.119 --> 0:23:15.960
<v Speaker 1>the game now, but and I assume that it's going

0:23:16.040 --> 0:23:19.680
<v Speaker 1>to build to get that that role that's going to transform,

0:23:19.720 --> 0:23:22.679
<v Speaker 1>and now I'm I'm on top of the game. And

0:23:22.760 --> 0:23:26.199
<v Speaker 1>that was always elusive. You know, I was working, working, working.

0:23:26.240 --> 0:23:30.560
<v Speaker 1>Even now at this fifty years later, you know, I

0:23:30.640 --> 0:23:33.240
<v Speaker 1>kind of go, yeah, but that role I need. Uh,

0:23:33.760 --> 0:23:36.560
<v Speaker 1>I haven't had that role. I haven't had that that

0:23:36.560 --> 0:23:39.680
<v Speaker 1>that what the great White Hope. I just was able

0:23:39.720 --> 0:23:42.480
<v Speaker 1>to every time I did the show and went home,

0:23:42.600 --> 0:23:47.000
<v Speaker 1>I was exhausted. I bought everything I knew to the work.

0:23:47.080 --> 0:23:49.040
<v Speaker 1>I haven't been able to usual that. I get stuff

0:23:49.080 --> 0:23:51.480
<v Speaker 1>like we don't need all what you got, We just

0:23:51.520 --> 0:23:53.720
<v Speaker 1>need you to do this and then get out of

0:23:53.720 --> 0:23:55.920
<v Speaker 1>the way so the other guy can do his thing.

0:23:56.840 --> 0:23:59.800
<v Speaker 1>So you know, I'm not asked for all of me

0:24:00.359 --> 0:24:03.479
<v Speaker 1>and and I'd love to it kind of like Jamie

0:24:03.480 --> 0:24:06.120
<v Speaker 1>Fox when he did Ray, I just felt like, Okay,

0:24:06.160 --> 0:24:09.439
<v Speaker 1>everything that Jamie Fox had went into that role. I

0:24:09.480 --> 0:24:12.159
<v Speaker 1>haven't had that yet, and so and I've been looking

0:24:12.160 --> 0:24:15.800
<v Speaker 1>for it. I assumed though that that would come next,

0:24:15.840 --> 0:24:19.040
<v Speaker 1>and it's sort of never never, kind of did you know,

0:24:19.440 --> 0:24:22.399
<v Speaker 1>roles changed? You know, early on it was kind of

0:24:22.480 --> 0:24:26.600
<v Speaker 1>the because of physicality, you know, you know, they're heavy,

0:24:26.680 --> 0:24:29.040
<v Speaker 1>you know, and then I became best friends and then

0:24:29.040 --> 0:24:32.760
<v Speaker 1>it became you know, so the work. I was never

0:24:32.840 --> 0:24:35.679
<v Speaker 1>locked into a thing because honestly, I was always looking

0:24:35.760 --> 0:24:40.520
<v Speaker 1>for adjusting whatever I needed to do to get the roles.

0:24:40.640 --> 0:24:42.400
<v Speaker 1>So if I needed to be funny, if I needed

0:24:42.400 --> 0:24:45.760
<v Speaker 1>to be whatever I needed to do to get the role,

0:24:46.800 --> 0:24:50.119
<v Speaker 1>and uh, I have friends who there. It was a

0:24:50.119 --> 0:24:53.679
<v Speaker 1>little bit more limited, but they worked because they sold

0:24:53.720 --> 0:24:57.040
<v Speaker 1>this this thing that they do and people love that,

0:24:57.320 --> 0:25:00.320
<v Speaker 1>you know. But I I was always like, no, got it.

0:25:00.359 --> 0:25:01.840
<v Speaker 1>And that was a single dad, so they had a

0:25:01.840 --> 0:25:05.600
<v Speaker 1>lot to do with with it too. So yeah, in

0:25:06.680 --> 0:25:14.000
<v Speaker 1>eight to eight three, moving into you, well, you made

0:25:14.040 --> 0:25:19.000
<v Speaker 1>Ivan Reitmann and you get cast, as Winston's said, are

0:25:19.040 --> 0:25:22.760
<v Speaker 1>more in Ghostbusters. Tell me about your casting story. How

0:25:22.760 --> 0:25:26.919
<v Speaker 1>did how did it come about? Well, the I Henry

0:25:26.920 --> 0:25:31.480
<v Speaker 1>Winkler was doing a television series he was producing at

0:25:31.480 --> 0:25:36.720
<v Speaker 1>ABC called The Ryan's Ryan's Four. It was about four

0:25:36.800 --> 0:25:40.000
<v Speaker 1>doctors and I got the audition and I wanted man

0:25:40.040 --> 0:25:42.320
<v Speaker 1>to play a doctor on TV. That was like that,

0:25:42.480 --> 0:25:44.320
<v Speaker 1>I just had to have this role. I went in

0:25:44.440 --> 0:25:47.800
<v Speaker 1>and I killed it, and they but they said they

0:25:47.800 --> 0:25:50.720
<v Speaker 1>ABC really liked me, and the producers really liked me,

0:25:50.800 --> 0:25:53.480
<v Speaker 1>but Henry was not so love me. So they wanted

0:25:53.520 --> 0:25:57.760
<v Speaker 1>me to go back and auditioned for Henry. And so

0:25:57.840 --> 0:26:00.840
<v Speaker 1>I went back in and as I was walking into

0:26:00.840 --> 0:26:03.240
<v Speaker 1>the room and they called me and Henry was leaving,

0:26:04.720 --> 0:26:08.560
<v Speaker 1>so and I was like, man, so and I went in.

0:26:08.640 --> 0:26:11.600
<v Speaker 1>I did the little dance came out. I got a

0:26:11.600 --> 0:26:14.840
<v Speaker 1>call from the agent later on saying bad news. You

0:26:14.880 --> 0:26:17.920
<v Speaker 1>didn't get Ryan's four. And I was like, but you

0:26:18.040 --> 0:26:22.280
<v Speaker 1>got this movie called Adventures in the Creep Zone shooting

0:26:22.320 --> 0:26:24.920
<v Speaker 1>in Vancouver, and I'm like Adventures in the Creep Zone

0:26:25.000 --> 0:26:27.440
<v Speaker 1>that I was really depressed. Well, Adventures in the Creep

0:26:27.520 --> 0:26:33.639
<v Speaker 1>Zone was a movie that Ivan Rightman would be producing

0:26:34.480 --> 0:26:38.720
<v Speaker 1>and with Peter Strauss and Molly Ringwall. So I did

0:26:38.760 --> 0:26:41.840
<v Speaker 1>that movie, got a chance to work with Ivan. But

0:26:42.000 --> 0:26:45.720
<v Speaker 1>the character in that movie was Washington, who was a

0:26:45.720 --> 0:26:47.680
<v Speaker 1>guy who was sort of bigger than life. My head

0:26:47.760 --> 0:26:50.480
<v Speaker 1>was shaved, I talked in the lower register. He was

0:26:50.520 --> 0:26:53.919
<v Speaker 1>just sort of one of those kind of bombassaing big guys,

0:26:54.000 --> 0:26:56.960
<v Speaker 1>you know, And I think Ivan saw me that way.

0:26:57.280 --> 0:26:59.919
<v Speaker 1>And so the first time I heard a ghost by

0:27:00.000 --> 0:27:03.399
<v Speaker 1>because it was a year after I had worked with

0:27:03.480 --> 0:27:06.520
<v Speaker 1>him on Space Center and I was visiting a friend

0:27:06.520 --> 0:27:08.879
<v Speaker 1>at Sea Signai Hospital and I have been ripe. I

0:27:09.000 --> 0:27:12.440
<v Speaker 1>just happened to be there, got on the elevator and

0:27:12.480 --> 0:27:16.119
<v Speaker 1>we're riding down and need you know, pleasant tries and

0:27:16.160 --> 0:27:19.920
<v Speaker 1>then he said, oh, I'm I'm doing this movie Ghostbusters

0:27:20.480 --> 0:27:23.320
<v Speaker 1>with a Billy and Danny, but there's nothing in it

0:27:23.400 --> 0:27:28.760
<v Speaker 1>for you do when they're really fast. And said, okay,

0:27:28.800 --> 0:27:31.800
<v Speaker 1>well that's uh, it's cool. And then I found out

0:27:31.880 --> 0:27:34.880
<v Speaker 1>that there was a role that were casting looking at

0:27:35.400 --> 0:27:37.959
<v Speaker 1>Black So but I think at one point they saw everybody,

0:27:38.240 --> 0:27:41.760
<v Speaker 1>but I've been they've refused to see me. So it

0:27:41.800 --> 0:27:45.560
<v Speaker 1>took me probably it feels like three months. It might

0:27:45.600 --> 0:27:48.640
<v Speaker 1>have been two months. I don't know, but it took

0:27:48.640 --> 0:27:51.160
<v Speaker 1>me a long time to finally my agent was able

0:27:51.200 --> 0:27:54.040
<v Speaker 1>to get an audition. And that was because I even

0:27:54.119 --> 0:27:56.720
<v Speaker 1>saw you in a certain way, I think so he

0:27:56.760 --> 0:27:59.639
<v Speaker 1>saw me in a certain way. The character I've played

0:27:59.760 --> 0:28:02.639
<v Speaker 1>in that movie would not work in ghost Busses because

0:28:02.680 --> 0:28:05.879
<v Speaker 1>he was just you know, like I said, and it

0:28:05.920 --> 0:28:08.080
<v Speaker 1>was he was over the top and that's what he

0:28:08.720 --> 0:28:12.000
<v Speaker 1>that's that was the character, you know. So but I

0:28:12.040 --> 0:28:16.960
<v Speaker 1>went in and auditioned, and I thought, I, Um, Harold

0:28:17.040 --> 0:28:20.760
<v Speaker 1>Ramos was in the room ivan his producers, and I

0:28:21.560 --> 0:28:23.640
<v Speaker 1>killed it. I mean I got the script. At first.

0:28:23.640 --> 0:28:26.720
<v Speaker 1>I got the script and I thought, oh my god,

0:28:26.800 --> 0:28:28.960
<v Speaker 1>this is so amazing. If I get this role, I

0:28:28.960 --> 0:28:31.960
<v Speaker 1>gotta get this role. Except I was a single dad.

0:28:32.160 --> 0:28:35.040
<v Speaker 1>The rent was due. I needed his job. I just

0:28:35.119 --> 0:28:39.960
<v Speaker 1>went in and then I got the feedback that they

0:28:40.240 --> 0:28:41.760
<v Speaker 1>liked me a lot. They wanted me to come in

0:28:41.880 --> 0:28:45.040
<v Speaker 1>and screen tests. I'm thinking, but they had a camera

0:28:45.040 --> 0:28:47.840
<v Speaker 1>in the room at the time, but okay, So I

0:28:47.920 --> 0:28:50.560
<v Speaker 1>went back in and then they said, well, they really

0:28:50.600 --> 0:28:52.680
<v Speaker 1>liked me and they wanted to come again. I think

0:28:52.720 --> 0:28:56.520
<v Speaker 1>I did like six auditions and they still weren't satisfied.

0:28:56.800 --> 0:28:58.760
<v Speaker 1>They said they were going to New York they were

0:28:58.800 --> 0:29:02.840
<v Speaker 1>gonna see some because there and so this is going on,

0:29:02.960 --> 0:29:06.280
<v Speaker 1>like it just felt like forever. I made the mistake

0:29:06.320 --> 0:29:11.120
<v Speaker 1>of calling um the casting director because I just needed

0:29:11.160 --> 0:29:15.640
<v Speaker 1>to know, and I said, uh, I'm I'm going to Hawaii,

0:29:16.240 --> 0:29:18.280
<v Speaker 1>and I didn't want to leave town in case this

0:29:18.320 --> 0:29:21.720
<v Speaker 1>was going to happen. So what's going on? And she said, well,

0:29:21.800 --> 0:29:23.760
<v Speaker 1>you know, I will let you know. Well, when they

0:29:23.800 --> 0:29:26.600
<v Speaker 1>went to negotiate, they said, oh, Ernie wants a job

0:29:26.600 --> 0:29:30.720
<v Speaker 1>because he's been calling casting director and so we don't

0:29:30.760 --> 0:29:35.960
<v Speaker 1>have to pay him anybody because he's so desperate. And

0:29:36.040 --> 0:29:41.960
<v Speaker 1>they didn't and so, uh but you know, it worked out,

0:29:42.000 --> 0:29:44.360
<v Speaker 1>but it was it was a struggle getting the job.

0:29:45.000 --> 0:29:50.160
<v Speaker 1>And yeah, Ghostbusters was a probably the biggest learning experience

0:29:50.400 --> 0:29:55.240
<v Speaker 1>I've had, and all my fifty five plus whatever years

0:29:55.280 --> 0:29:59.160
<v Speaker 1>I've been doing this, it was while it was it

0:29:59.280 --> 0:30:02.040
<v Speaker 1>was a struggle because it wasn't anything that I thought.

0:30:02.320 --> 0:30:04.320
<v Speaker 1>You know, at first I got the movie, but you're

0:30:04.320 --> 0:30:07.040
<v Speaker 1>not making that much money. I mean, I'm just lucky.

0:30:07.120 --> 0:30:10.280
<v Speaker 1>But the role was so amazing that I I get

0:30:10.320 --> 0:30:12.560
<v Speaker 1>this role. Man, I know, I'm gonna just I'm gonna

0:30:12.680 --> 0:30:16.040
<v Speaker 1>take Hollywood. And then I before we start chewing, they

0:30:16.160 --> 0:30:18.720
<v Speaker 1>changed the role and they took all the meat out

0:30:18.720 --> 0:30:21.600
<v Speaker 1>of it, and suddenly I'm coming in halfway through the

0:30:21.600 --> 0:30:23.360
<v Speaker 1>movie and it's like, that's not what I signed up.

0:30:23.440 --> 0:30:25.400
<v Speaker 1>I took no money because it's such a great role.

0:30:25.440 --> 0:30:29.280
<v Speaker 1>But now it's not a great role and so and

0:30:29.280 --> 0:30:32.880
<v Speaker 1>and then I do the movie and then uh, in

0:30:32.960 --> 0:30:36.280
<v Speaker 1>the movie, get ready, I'm not on the promotion, I'm

0:30:36.320 --> 0:30:39.120
<v Speaker 1>not on these three guys, and I'm not in it.

0:30:39.280 --> 0:30:42.440
<v Speaker 1>And so all the things are going to happen in

0:30:42.480 --> 0:30:46.840
<v Speaker 1>Hollywood didn't happen. And and I'm stuck in an apartment.

0:30:46.960 --> 0:30:49.479
<v Speaker 1>And now the movie is so huge that fans are

0:30:49.480 --> 0:30:53.680
<v Speaker 1>coming to my door. Go on and on and on.

0:30:53.800 --> 0:30:57.120
<v Speaker 1>So it was but all of it was me having

0:30:57.160 --> 0:31:00.880
<v Speaker 1>to go, how do I how and why I adjust?

0:31:00.920 --> 0:31:06.520
<v Speaker 1>And I think that is what has helped me to sustain.

0:31:06.720 --> 0:31:09.880
<v Speaker 1>How do I not be angry about this? But how

0:31:09.920 --> 0:31:13.120
<v Speaker 1>do I what's going on? And how do I make

0:31:13.200 --> 0:31:16.440
<v Speaker 1>peace with? And Harold Ramos was very helpful that way.

0:31:16.520 --> 0:31:20.600
<v Speaker 1>Harold carried himself in a way that I thought, no

0:31:20.600 --> 0:31:24.520
<v Speaker 1>matter what happens on the set, Harold is always you know,

0:31:24.560 --> 0:31:26.680
<v Speaker 1>he just knows how to navigate. And I would watch

0:31:26.800 --> 0:31:28.840
<v Speaker 1>him a lot, and I think I learned a lot.

0:31:29.000 --> 0:31:31.200
<v Speaker 1>Just you know, you can't lose it. When I was

0:31:31.240 --> 0:31:35.160
<v Speaker 1>a kid, you make me mad, I'll do this. You

0:31:35.240 --> 0:31:38.760
<v Speaker 1>can't do that and not have a career. But you

0:31:38.840 --> 0:31:42.320
<v Speaker 1>can't not do it and hate yourself. You gotta find

0:31:42.360 --> 0:31:44.480
<v Speaker 1>a way to still feel good about who you are

0:31:45.320 --> 0:31:47.960
<v Speaker 1>and still allow life to happen the way it happens.

0:31:48.080 --> 0:31:53.240
<v Speaker 1>And that's what Ghostbusters taught me. Yeah, Harold directed a

0:31:53.320 --> 0:31:55.640
<v Speaker 1>number of episodes of the Office, and I was lucky

0:31:55.720 --> 0:31:58.800
<v Speaker 1>enough to get to know him a little bit. What

0:31:58.920 --> 0:32:03.880
<v Speaker 1>a what a kind yea even killed That's it's really interesting.

0:32:03.880 --> 0:32:06.959
<v Speaker 1>I never thought about it that way, but yeah, you know,

0:32:07.320 --> 0:32:11.920
<v Speaker 1>he directed some probably our most complicated episode out of

0:32:12.000 --> 0:32:19.800
<v Speaker 1>two hundred and six never never unflappable. Yeah, yeah, no,

0:32:20.000 --> 0:32:23.200
<v Speaker 1>he um. I always sort of credit him. I mean,

0:32:23.760 --> 0:32:26.880
<v Speaker 1>not taking any away from my environment, but whenever things

0:32:26.880 --> 0:32:28.600
<v Speaker 1>would just get a little bit crazy a little bit,

0:32:28.600 --> 0:32:31.360
<v Speaker 1>and that's all, Harold was always the one that pulled

0:32:31.400 --> 0:32:33.760
<v Speaker 1>all the pieces back together, you know what I mean.

0:32:33.880 --> 0:32:37.360
<v Speaker 1>He just had a way and and I always considered him.

0:32:37.520 --> 0:32:40.000
<v Speaker 1>I mean we never really what we did hang out

0:32:40.000 --> 0:32:43.960
<v Speaker 1>a little bit, but I just really I was able

0:32:43.960 --> 0:32:46.800
<v Speaker 1>to tell him later on at the Austin Film Festival,

0:32:47.120 --> 0:32:49.400
<v Speaker 1>they asked me to present him with an award, but

0:32:49.480 --> 0:32:52.400
<v Speaker 1>he just it meant a lot to me at that time.

0:32:53.440 --> 0:32:55.920
<v Speaker 1>You know, when you're young, you get advice from friends

0:32:55.920 --> 0:32:58.600
<v Speaker 1>and it's not the best advice you get upset, and

0:32:58.640 --> 0:33:00.440
<v Speaker 1>he said, man, you ought to do this, said you

0:33:00.480 --> 0:33:03.520
<v Speaker 1>do something stupid. And then but it was nice having

0:33:03.600 --> 0:33:08.200
<v Speaker 1>someone kind of it wasn't a mentor, but just my

0:33:08.240 --> 0:33:11.400
<v Speaker 1>wife and I had been together for a number of

0:33:11.480 --> 0:33:14.800
<v Speaker 1>years since before I came out of l A and

0:33:14.840 --> 0:33:17.560
<v Speaker 1>we and I had been married once. It was awful.

0:33:17.640 --> 0:33:21.440
<v Speaker 1>I didn't want to marry again, and we were together,

0:33:21.840 --> 0:33:25.720
<v Speaker 1>but I was kind of not committed. And it was

0:33:25.760 --> 0:33:29.840
<v Speaker 1>actually Harold who was getting married at the time. But

0:33:30.320 --> 0:33:33.040
<v Speaker 1>I realized that she was. They were there was the closest,

0:33:33.080 --> 0:33:35.920
<v Speaker 1>there was a friendship, and that was what really mattered.

0:33:36.680 --> 0:33:38.480
<v Speaker 1>You know. I think sometimes in Hollywood, you think you

0:33:38.480 --> 0:33:40.720
<v Speaker 1>got to marry this kind of person, you know. I mean,

0:33:40.800 --> 0:33:43.640
<v Speaker 1>she wasn't the right color, she wasn't the right whatever,

0:33:44.240 --> 0:33:46.280
<v Speaker 1>you know, even though she's my best friend and we

0:33:46.360 --> 0:33:49.920
<v Speaker 1>have this very special bond, but it's not it's not

0:33:50.040 --> 0:33:52.800
<v Speaker 1>what I need to do what I And then I

0:33:52.800 --> 0:33:55.680
<v Speaker 1>think it was Harold that not for anything he said,

0:33:55.680 --> 0:33:58.600
<v Speaker 1>but I'm like, yeah, that, I mean, I want someone

0:33:59.280 --> 0:34:02.680
<v Speaker 1>I'm going to spend my life with and not someone

0:34:02.680 --> 0:34:07.280
<v Speaker 1>who looks a certain way or is approved by whoever. Yeah,

0:34:07.480 --> 0:34:10.200
<v Speaker 1>and uh and I know, I don't think I ever

0:34:10.200 --> 0:34:12.640
<v Speaker 1>said this to my wife, but I know that is

0:34:12.680 --> 0:34:14.560
<v Speaker 1>what made me go. You know what, I don't I

0:34:14.560 --> 0:34:18.359
<v Speaker 1>don't need anybody's approval to love who I love and

0:34:18.560 --> 0:34:22.120
<v Speaker 1>UH always and I still together now what he six

0:34:22.560 --> 0:34:27.279
<v Speaker 1>whatever years. But to make that final step, it was

0:34:27.920 --> 0:34:30.880
<v Speaker 1>just seeing Harold his relationship with his UH with his

0:34:30.920 --> 0:34:34.000
<v Speaker 1>wife was very very special. So I learned a lot

0:34:34.040 --> 0:34:38.640
<v Speaker 1>in so many ways. Yeah, well, I mean it's a

0:34:38.719 --> 0:34:42.640
<v Speaker 1>huge obviously. I mean it's just it's almost reductive to

0:34:42.680 --> 0:34:46.600
<v Speaker 1>talk about how huge the movie was. The opening weekend

0:34:47.040 --> 0:34:51.640
<v Speaker 1>set box office records at the time, it's sat there

0:34:51.680 --> 0:34:55.840
<v Speaker 1>for weeks being at the top. Is it? Is it

0:34:55.880 --> 0:34:59.400
<v Speaker 1>a blessing or a curse for you? You know some

0:34:59.480 --> 0:35:03.120
<v Speaker 1>things that's him, like curses end up being blessings. So

0:35:03.200 --> 0:35:05.239
<v Speaker 1>I don't know what it was. All I know is

0:35:05.360 --> 0:35:08.000
<v Speaker 1>at the time, once again I was a single dad.

0:35:08.719 --> 0:35:12.000
<v Speaker 1>I need to work, and I thought, okay, this is

0:35:12.000 --> 0:35:13.680
<v Speaker 1>going to open up my MOVI. And I've done some

0:35:13.719 --> 0:35:16.720
<v Speaker 1>movies before. I did a movie with John Candy called

0:35:16.719 --> 0:35:19.600
<v Speaker 1>Going was a Going Deserved. I think it was Going deserved.

0:35:19.960 --> 0:35:24.400
<v Speaker 1>I've done a few films before, but I thought Ghostbuster

0:35:24.440 --> 0:35:25.840
<v Speaker 1>was going to open the door because it's what I

0:35:25.880 --> 0:35:29.360
<v Speaker 1>always been told. Have been a big blockbuster movie, it

0:35:29.520 --> 0:35:33.000
<v Speaker 1>means other things with a major studio. So I didn't

0:35:33.000 --> 0:35:36.279
<v Speaker 1>make the money that I thought movie stars make. And

0:35:37.640 --> 0:35:39.800
<v Speaker 1>you know, I'm living in a neighborhood. There's no gates,

0:35:39.800 --> 0:35:43.200
<v Speaker 1>there's no kind of protection here, and suddenly I can't

0:35:43.200 --> 0:35:45.279
<v Speaker 1>get a movie. I cannot not get a movie. I

0:35:45.280 --> 0:35:49.440
<v Speaker 1>can't even get an interview. I even Colombia, who produced

0:35:49.440 --> 0:35:52.440
<v Speaker 1>the movie, who would invite me to come to their parties.

0:35:54.520 --> 0:35:56.640
<v Speaker 1>We're doing movie they were doing sold the story with

0:35:56.719 --> 0:35:59.320
<v Speaker 1>most of the black cast. I couldn't get an audition.

0:36:00.360 --> 0:36:03.719
<v Speaker 1>It was like everything froze up. And that was like

0:36:04.640 --> 0:36:07.799
<v Speaker 1>I didn't understand why it was. It wasn't until they

0:36:09.040 --> 0:36:12.520
<v Speaker 1>three years later, Nick Noley was doing a movie called Weeds,

0:36:12.520 --> 0:36:14.719
<v Speaker 1>and I finally got an audition and I went in

0:36:15.200 --> 0:36:17.759
<v Speaker 1>and I just had I had to have this role,

0:36:17.800 --> 0:36:20.040
<v Speaker 1>and I got the role. And then I did I

0:36:20.080 --> 0:36:23.239
<v Speaker 1>think six or seven movies back to back, and then

0:36:23.280 --> 0:36:27.480
<v Speaker 1>Ghostbusters too happened and the same thing happened. Everything shut down.

0:36:27.600 --> 0:36:31.200
<v Speaker 1>So I don't know. I don't know if producers thought

0:36:31.560 --> 0:36:34.759
<v Speaker 1>that somehow, I don't know what why. I can't explain why,

0:36:34.840 --> 0:36:37.520
<v Speaker 1>but it did not. And that's when I went to

0:36:37.560 --> 0:36:39.799
<v Speaker 1>do a lot of TV show, you know, because I

0:36:39.880 --> 0:36:42.080
<v Speaker 1>wasn't getting filmed, which is what I wanted to do.

0:36:42.560 --> 0:36:46.000
<v Speaker 1>Did you well, but let's hope for Ghostbusters too. They

0:36:46.040 --> 0:36:48.360
<v Speaker 1>paid you a little bit more. They paid me a

0:36:48.360 --> 0:36:52.160
<v Speaker 1>little bit more, but I think I got it. I

0:36:52.200 --> 0:36:54.520
<v Speaker 1>think they paid me about as much as those guys

0:36:54.600 --> 0:36:59.279
<v Speaker 1>per Diem was, you know, I mean, those guys each

0:36:59.280 --> 0:37:04.759
<v Speaker 1>got timper scent of the box office gross. Okay, so

0:37:04.760 --> 0:37:07.920
<v Speaker 1>so we we won't even go there. But they did

0:37:08.040 --> 0:37:13.480
<v Speaker 1>pay me more, and it was certainly more fun. Winston

0:37:13.880 --> 0:37:17.600
<v Speaker 1>was established. But I will say, and I ain't ad

0:37:17.680 --> 0:37:21.200
<v Speaker 1>at nobody, don't get me wrong here, but I will

0:37:21.280 --> 0:37:25.160
<v Speaker 1>say that the character's cut out of half of the movie. Again,

0:37:25.239 --> 0:37:29.200
<v Speaker 1>I'm like, where's Winston that? I mean, I opened the

0:37:29.200 --> 0:37:33.120
<v Speaker 1>movie and then I disappear, and so none of that

0:37:33.160 --> 0:37:36.080
<v Speaker 1>ever made sense. It still doesn't make sense. Fans are

0:37:36.120 --> 0:37:40.839
<v Speaker 1>okay with it, but I never really understand. But you know,

0:37:40.960 --> 0:37:44.560
<v Speaker 1>now it's a different time. Jason Reitman has sort of

0:37:44.600 --> 0:37:48.399
<v Speaker 1>taken over the Helm and ghost buses. You know, they're

0:37:48.440 --> 0:37:51.640
<v Speaker 1>moving forward with it. I went to UM. I got

0:37:51.719 --> 0:37:56.040
<v Speaker 1>invited to Chicago. They had a thirty year reunion release

0:37:56.080 --> 0:37:59.000
<v Speaker 1>of the movie, and so I got invited to Chicago,

0:37:59.080 --> 0:38:01.160
<v Speaker 1>go to the theater and introduced the movie and the

0:38:01.200 --> 0:38:03.879
<v Speaker 1>whole thing. And I get to Chicago and I said,

0:38:03.880 --> 0:38:06.560
<v Speaker 1>and it's the three guys on the I'm like, come

0:38:06.600 --> 0:38:13.640
<v Speaker 1>on thirty years later, guys, really, this is true. I

0:38:13.680 --> 0:38:17.239
<v Speaker 1>did that Today Show and Al Roker, who's a big

0:38:17.280 --> 0:38:19.200
<v Speaker 1>fan of the movie, and so they did the interview

0:38:19.239 --> 0:38:21.279
<v Speaker 1>and then he said, Ernie, we have some gifts for you.

0:38:21.760 --> 0:38:24.080
<v Speaker 1>And they gave me a little bag of Ghostbuster stuff

0:38:24.080 --> 0:38:27.880
<v Speaker 1>which was two dolls, which wasn't one of mine. And

0:38:27.920 --> 0:38:31.520
<v Speaker 1>then I got a T shirt. This is true. I'm

0:38:31.600 --> 0:38:35.280
<v Speaker 1>on the Today's Show. They give me a T shirt

0:38:35.480 --> 0:38:38.239
<v Speaker 1>and it's four guys on the T shirt, but it's

0:38:38.360 --> 0:38:43.319
<v Speaker 1>Danny Ackroyd. Twice I'm not on the T shirt. I go,

0:38:44.400 --> 0:38:46.480
<v Speaker 1>this has to be delivered. I mean, somebody had to

0:38:46.480 --> 0:38:51.239
<v Speaker 1>look at and I don't know. I don't know how

0:38:51.280 --> 0:38:53.480
<v Speaker 1>to react on national TV. I don't know if I

0:38:53.600 --> 0:38:55.600
<v Speaker 1>say something, if I don't say something. So I didn't

0:38:55.600 --> 0:39:00.600
<v Speaker 1>say anything, but I'm like, so, anyway, some Ghostbusters person

0:39:00.680 --> 0:39:04.520
<v Speaker 1>and I don't know, but it's uh, it's been interesting,

0:39:04.680 --> 0:39:07.399
<v Speaker 1>to say the least. But the fans are amazing. They've

0:39:07.440 --> 0:39:11.920
<v Speaker 1>always been very kind. I remember having a discussion with

0:39:12.040 --> 0:39:16.000
<v Speaker 1>one of the executive producers and Ivan, and the executive

0:39:16.000 --> 0:39:20.680
<v Speaker 1>producers said, you know, the fans they think Once is

0:39:20.760 --> 0:39:23.960
<v Speaker 1>just one of the Ghostbusters, Like, are you kidding me?

0:39:25.800 --> 0:39:32.120
<v Speaker 1>That's what I thought too. But I love the franchise.

0:39:32.200 --> 0:39:35.720
<v Speaker 1>I'm very happy. I've been um. And then I remember

0:39:35.760 --> 0:39:38.200
<v Speaker 1>I've been saying Once that. He says, you know, Ernie,

0:39:38.239 --> 0:39:41.440
<v Speaker 1>you worked, you work more than all the other guys,

0:39:41.480 --> 0:39:44.000
<v Speaker 1>and I go, yeah, because I had to make up

0:39:44.560 --> 0:40:08.240
<v Speaker 1>trying to catch up with that tender said Ghostbusters answer

0:40:08.360 --> 0:40:12.200
<v Speaker 1>the call, directed by Paul fig I was in that

0:40:14.000 --> 0:40:16.560
<v Speaker 1>so I will tell I will tell you the story.

0:40:16.800 --> 0:40:18.680
<v Speaker 1>I'll tell you this story. Very few people have heard

0:40:18.680 --> 0:40:20.200
<v Speaker 1>this story. I don't think I've ever told the story

0:40:20.239 --> 0:40:23.760
<v Speaker 1>before publicly. But I hope I don't get in trouble.

0:40:24.280 --> 0:40:27.560
<v Speaker 1>Alison Jones, who was casting director of the Office, and

0:40:27.640 --> 0:40:31.640
<v Speaker 1>Paul fig who directed a lot of episodes of the Office.

0:40:31.719 --> 0:40:34.960
<v Speaker 1>I get a call. It's about seven o'clock at night

0:40:35.880 --> 0:40:39.440
<v Speaker 1>and from Alison Jones direct I think directly to me.

0:40:39.760 --> 0:40:42.680
<v Speaker 1>We were friends, and she said, so there's this a

0:40:42.680 --> 0:40:47.160
<v Speaker 1>little part. It's gonna be something bigger. It happens at

0:40:47.200 --> 0:40:51.800
<v Speaker 1>the absolute climax of the movie. Paul said he needs

0:40:51.840 --> 0:40:55.520
<v Speaker 1>you in the movie and I said, okay, okay, you

0:40:55.560 --> 0:40:58.040
<v Speaker 1>know there's and she goes, there's not much there. Who

0:40:58.080 --> 0:41:00.080
<v Speaker 1>wants to m probably wants to do all this stuff

0:41:00.200 --> 0:41:03.440
<v Speaker 1>on set. He needs you to come to Boston tomorrow

0:41:04.360 --> 0:41:07.439
<v Speaker 1>the first flight of the day. And I'm like, what

0:41:07.440 --> 0:41:11.799
<v Speaker 1>wait tomorrow, Like both are and I said okay, And

0:41:11.880 --> 0:41:15.160
<v Speaker 1>I said how long will I be there? And she said,

0:41:16.320 --> 0:41:21.960
<v Speaker 1>I don't know. So like, yeah, this is one moment.

0:41:22.000 --> 0:41:25.839
<v Speaker 1>I mean, this is one moment in the movie. And

0:41:25.960 --> 0:41:29.560
<v Speaker 1>so I fly, I fly to like five thirty in

0:41:29.600 --> 0:41:32.479
<v Speaker 1>the morning, I'm getting up, I fly to Boston. I'm there,

0:41:32.800 --> 0:41:35.960
<v Speaker 1>and it is the climax of the movie. You got

0:41:36.000 --> 0:41:41.360
<v Speaker 1>them swinging around, ghosts coming up, all the ladies are there, everything,

0:41:41.480 --> 0:41:45.000
<v Speaker 1>And basically what happens is I come out in my bathrobe,

0:41:46.480 --> 0:41:49.799
<v Speaker 1>dead pan a joke, get killed by a ghost and

0:41:50.160 --> 0:41:54.080
<v Speaker 1>that's it. But because it was that there were all

0:41:54.080 --> 0:41:56.919
<v Speaker 1>of these elements, we shot the same scene for like

0:41:57.360 --> 0:42:00.080
<v Speaker 1>two and a half weeks. That kept getting interrupt it

0:42:00.200 --> 0:42:02.280
<v Speaker 1>by Rain. I think I was there about a month,

0:42:03.840 --> 0:42:06.799
<v Speaker 1>and um, and I was, I was. I was cut

0:42:06.840 --> 0:42:10.040
<v Speaker 1>from the movie. Now I'm back in. I think cut,

0:42:10.520 --> 0:42:14.800
<v Speaker 1>but I was cut. That's my Ghostbusters experience as well.

0:42:14.880 --> 0:42:17.120
<v Speaker 1>So well, if you were there for a month, you

0:42:17.160 --> 0:42:19.319
<v Speaker 1>made a whole lot more than I did, because they

0:42:19.320 --> 0:42:22.160
<v Speaker 1>were like, we want you in the movie and uh,

0:42:22.200 --> 0:42:25.200
<v Speaker 1>and I'm like, guys, uh, you make it seem like

0:42:25.239 --> 0:42:27.960
<v Speaker 1>I'm asking you to be in the movie. But so,

0:42:28.360 --> 0:42:31.320
<v Speaker 1>but you're You're not a Ghostbuster, You're the uncle. Did that?

0:42:31.400 --> 0:42:34.920
<v Speaker 1>I'm like, really, because that makes any sense to me.

0:42:35.120 --> 0:42:37.360
<v Speaker 1>But I love all the person Let me say I

0:42:37.440 --> 0:42:39.600
<v Speaker 1>enjoyed the movie, and I love all the ladies. They're

0:42:39.640 --> 0:42:43.000
<v Speaker 1>all incredibly funny. I think there was a lot funnier

0:42:43.040 --> 0:42:45.040
<v Speaker 1>if they weren't trying to be a version of us.

0:42:45.040 --> 0:42:48.960
<v Speaker 1>But that's another story. But but yeah, I did not

0:42:49.160 --> 0:42:55.080
<v Speaker 1>understand what I was doing and they were. The offer

0:42:55.280 --> 0:43:00.960
<v Speaker 1>was so ridiculous. I though, heart, I'm not jumping up

0:43:00.960 --> 0:43:04.200
<v Speaker 1>and down to necessarily go to work for you, so

0:43:05.480 --> 0:43:08.400
<v Speaker 1>you gotta at least make it interesting. But but I

0:43:08.440 --> 0:43:10.480
<v Speaker 1>love Paul, and you know, I drew working with him.

0:43:10.480 --> 0:43:13.960
<v Speaker 1>I've never worked with him before and now after after life,

0:43:14.000 --> 0:43:18.120
<v Speaker 1>this is it's all. It's just coming back and this

0:43:18.200 --> 0:43:21.160
<v Speaker 1>is this franchise is coming, okay, and you're happy about

0:43:21.800 --> 0:43:24.920
<v Speaker 1>I'm very happy. But well, I mean in the the

0:43:25.000 --> 0:43:27.040
<v Speaker 1>end of the movie, you know, they do the credits,

0:43:27.120 --> 0:43:30.640
<v Speaker 1>and so Winston has now done very well in life,

0:43:30.719 --> 0:43:34.680
<v Speaker 1>and so I think he's connected. We have the scene

0:43:34.920 --> 0:43:37.040
<v Speaker 1>and I said something about you know the ghostbus is

0:43:37.760 --> 0:43:40.520
<v Speaker 1>My boy said, yeah, we just we were talking. Yeah,

0:43:40.760 --> 0:43:42.719
<v Speaker 1>well you're a businessman, but you know you'll always be

0:43:42.760 --> 0:43:47.440
<v Speaker 1>a ghostbuster. Okay, So I I threw that line in

0:43:47.640 --> 0:43:52.160
<v Speaker 1>at the end, So so hopefully I'll always be a ghostbuster.

0:43:52.560 --> 0:43:55.880
<v Speaker 1>And uh, I know they're they're Jason is writing in

0:43:55.880 --> 0:43:59.360
<v Speaker 1>the new script. I understand Sony has approved it. This understanding.

0:43:59.440 --> 0:44:03.560
<v Speaker 1>I don't know, but I hope if there is, uh,

0:44:03.640 --> 0:44:05.880
<v Speaker 1>I'll be in it and they'll be happy to have

0:44:06.040 --> 0:44:09.800
<v Speaker 1>me enough to where it shows up in my bank account.

0:44:10.040 --> 0:44:13.120
<v Speaker 1>But well we'll see. I never you know this, I

0:44:13.239 --> 0:44:17.120
<v Speaker 1>never take anything for granted or soon. I'm just very

0:44:17.200 --> 0:44:21.400
<v Speaker 1>happy to still be you know, able to you know,

0:44:21.440 --> 0:44:23.200
<v Speaker 1>hang out and talk to you guys like you man.

0:44:23.239 --> 0:44:25.399
<v Speaker 1>I love me. I love your work. You know, just

0:44:25.600 --> 0:44:28.800
<v Speaker 1>uh yeah, I'm a fan. So well, this is a blessing.

0:44:28.920 --> 0:44:31.760
<v Speaker 1>Thank you so much. I'm such a big fan of yours.

0:44:31.760 --> 0:44:34.840
<v Speaker 1>I have to ask you about one of my favorite shows.

0:44:34.960 --> 0:44:37.440
<v Speaker 1>I don't know what this says about me. You know,

0:44:37.480 --> 0:44:41.440
<v Speaker 1>you talk to me earlier about well that you're a

0:44:41.480 --> 0:44:43.759
<v Speaker 1>bit of a chameleon in a way, and that that

0:44:43.880 --> 0:44:47.160
<v Speaker 1>your performance is not based on a persona that you

0:44:47.239 --> 0:44:50.000
<v Speaker 1>have created that people want to see over and over,

0:44:50.040 --> 0:44:53.800
<v Speaker 1>but it's about the character. And I have to mention.

0:44:54.080 --> 0:44:57.440
<v Speaker 1>I mean, obviously it's a little bit of time after Ghostbusters,

0:44:57.520 --> 0:45:00.919
<v Speaker 1>but you're getting cast in oz Oh. Yeah, as as

0:45:01.360 --> 0:45:05.560
<v Speaker 1>Warden Leo Glenn. Were you excited about that opportunity, being

0:45:05.560 --> 0:45:08.480
<v Speaker 1>able to do something different? Yeah? Yeah, you know, I

0:45:08.760 --> 0:45:12.520
<v Speaker 1>had to take what excites me. When people come to

0:45:12.560 --> 0:45:15.319
<v Speaker 1>me and say we love your work, we're doing this

0:45:15.440 --> 0:45:17.759
<v Speaker 1>and we like to have you come and work and

0:45:17.880 --> 0:45:20.640
<v Speaker 1>played with us, that means so much. When I got

0:45:20.640 --> 0:45:24.200
<v Speaker 1>to go on audition and and I don't even want

0:45:24.200 --> 0:45:25.920
<v Speaker 1>to not actually, at this stage in my life, I

0:45:25.920 --> 0:45:28.719
<v Speaker 1>don't do it anymore us Like you know what, guys, honestly,

0:45:28.800 --> 0:45:32.120
<v Speaker 1>I'm unless it was a role that was so amazing

0:45:32.200 --> 0:45:38.000
<v Speaker 1>So Tom Fontana was the senior writer producer on St Elsewhere,

0:45:38.239 --> 0:45:41.839
<v Speaker 1>you know, the series. Denzel was on it, and uh

0:45:41.960 --> 0:45:44.080
<v Speaker 1>it ran for a while. I did a half season

0:45:44.360 --> 0:45:48.360
<v Speaker 1>during the summer that the Second Ghostbus was on, and

0:45:48.400 --> 0:45:50.200
<v Speaker 1>we would talk a while. But I got a call

0:45:50.280 --> 0:45:53.800
<v Speaker 1>from him saying he was doing this series Odd to

0:45:53.920 --> 0:45:56.960
<v Speaker 1>Place in a Prison and he said, you know, we

0:45:57.040 --> 0:46:01.120
<v Speaker 1>always talked about working together. I didn't remember that, but

0:46:01.239 --> 0:46:06.360
<v Speaker 1>I said, oh yeah, and he said, you know, and

0:46:06.400 --> 0:46:08.120
<v Speaker 1>so I'm doing this and uh, you know, would you

0:46:08.120 --> 0:46:10.279
<v Speaker 1>like to come? And I'm like, yeah, you know, the

0:46:10.320 --> 0:46:13.080
<v Speaker 1>fact that he cared enough to invite me that meant

0:46:13.200 --> 0:46:15.480
<v Speaker 1>so much. And I love the character. But I was

0:46:15.520 --> 0:46:18.960
<v Speaker 1>amazed at the the actor of the cast, the people.

0:46:19.040 --> 0:46:23.520
<v Speaker 1>I still I just they showed up, and you know,

0:46:23.520 --> 0:46:25.399
<v Speaker 1>when you're working with a group of people and they

0:46:25.440 --> 0:46:28.560
<v Speaker 1>show up, you have to show up. I mean, and

0:46:28.600 --> 0:46:31.000
<v Speaker 1>I love that. That's how they should casting. Never cast

0:46:31.040 --> 0:46:34.040
<v Speaker 1>as something as they'll cast down. I think the actor

0:46:34.120 --> 0:46:36.719
<v Speaker 1>is kind of weakn so didn't anybody else It's but

0:46:37.160 --> 0:46:39.160
<v Speaker 1>it's it was just a great cast and I'm so

0:46:39.239 --> 0:46:43.000
<v Speaker 1>thankful to have been a part of it. And in fact,

0:46:43.040 --> 0:46:46.520
<v Speaker 1>I just worked with Tom Fontana and that whole production

0:46:46.560 --> 0:46:49.960
<v Speaker 1>crew on a serious call sitting on the hill with

0:46:50.719 --> 0:46:54.759
<v Speaker 1>Eldess Hodge and Kevin Bacon, and it was so much

0:46:54.800 --> 0:46:59.439
<v Speaker 1>fun to go and see those guys again. Your son

0:47:00.160 --> 0:47:03.440
<v Speaker 1>appeared in OZ with you. Yes, yeah, yeah, my son

0:47:03.960 --> 0:47:08.920
<v Speaker 1>who did some acting for a while. He's now sometimes

0:47:08.920 --> 0:47:12.160
<v Speaker 1>he produces things, but he's in the business educative he

0:47:12.239 --> 0:47:15.759
<v Speaker 1>does I don't wait that, but he uh, he's only

0:47:15.840 --> 0:47:18.200
<v Speaker 1>dabbles a bit. But he was in the one of

0:47:18.239 --> 0:47:20.719
<v Speaker 1>the seasons of OZ and it was Yeah, it was great.

0:47:20.719 --> 0:47:22.880
<v Speaker 1>I think he had a great time. You know. It

0:47:22.960 --> 0:47:25.359
<v Speaker 1>kind of reminded me in this. At the end of

0:47:25.360 --> 0:47:30.120
<v Speaker 1>that season, he gets killed, and so my character has

0:47:30.160 --> 0:47:34.960
<v Speaker 1>to go in and look at the body. And I

0:47:34.960 --> 0:47:36.680
<v Speaker 1>remember when he's a little kid, he would say, Dad,

0:47:36.840 --> 0:47:38.480
<v Speaker 1>you know, if you're going to die in a movie,

0:47:38.640 --> 0:47:40.759
<v Speaker 1>tell me, because I don't want to see that. I don't,

0:47:40.800 --> 0:47:42.319
<v Speaker 1>you know, I just I don't want to see you

0:47:42.960 --> 0:47:45.680
<v Speaker 1>die in a movie. And so then it was kind

0:47:45.680 --> 0:47:47.600
<v Speaker 1>of reverse since I'm going in there and I'm kind

0:47:47.600 --> 0:47:49.840
<v Speaker 1>of looking at him like he was dead, and it

0:47:50.000 --> 0:47:53.040
<v Speaker 1>was so weird, but but he was. He was wonderful

0:47:53.080 --> 0:47:55.480
<v Speaker 1>on the on the series and yeah, it was. It

0:47:55.600 --> 0:47:58.000
<v Speaker 1>was cool. Yeah, So I have to ask you about this.

0:47:58.080 --> 0:48:02.800
<v Speaker 1>I heard you a warden in OZ, a senior deputy

0:48:02.920 --> 0:48:07.840
<v Speaker 1>officer in ten eight Officers on Duty, a detective later

0:48:07.920 --> 0:48:12.960
<v Speaker 1>on in Desperate Housewives. You actually became a real life

0:48:13.200 --> 0:48:18.680
<v Speaker 1>reserve deputy sheriff in San Bernardino County. How did this

0:48:19.040 --> 0:48:22.680
<v Speaker 1>come about? Come about? What was what was this about? Well?

0:48:23.160 --> 0:48:28.560
<v Speaker 1>I was asked to do a Ghostbuster after the first Ghostbusters.

0:48:28.680 --> 0:48:32.960
<v Speaker 1>I would go to schools and and and talk to kids,

0:48:33.520 --> 0:48:36.360
<v Speaker 1>you know, and make the monitary Ghostbuster. It's kind of

0:48:36.360 --> 0:48:38.520
<v Speaker 1>a nice time to do. I got in by to

0:48:38.560 --> 0:48:41.399
<v Speaker 1>a school in Pasadena. I agree to go. They put

0:48:41.400 --> 0:48:43.560
<v Speaker 1>me up by the hotel, spend the night, got up

0:48:43.560 --> 0:48:46.600
<v Speaker 1>that morning, did the little thing. Checked out of the hotel.

0:48:47.440 --> 0:48:50.200
<v Speaker 1>The staff comes over. They want me to sign autographs,

0:48:50.200 --> 0:48:52.560
<v Speaker 1>which is and I'm I'm feeling pretty good about, you know,

0:48:53.120 --> 0:48:56.759
<v Speaker 1>this nice thing that I did. I walked out, go

0:48:56.960 --> 0:48:59.080
<v Speaker 1>into the garage and I walcome to the garage, I'm

0:48:59.120 --> 0:49:02.520
<v Speaker 1>grabbed leave from behind these guys. They throw me to

0:49:02.600 --> 0:49:05.080
<v Speaker 1>the ground. This guy got a chokehold on me. I'm

0:49:05.080 --> 0:49:08.000
<v Speaker 1>looking around trying to figure out what's going on. Something saying,

0:49:08.040 --> 0:49:10.840
<v Speaker 1>don't fight back. I'm looking at these boots and now

0:49:10.960 --> 0:49:15.560
<v Speaker 1>it's about fourteen cops and I'm on the ground and

0:49:17.080 --> 0:49:21.160
<v Speaker 1>I I just kind of and then I hit their

0:49:21.200 --> 0:49:24.359
<v Speaker 1>talking and the guy says, holy sh it, that's the guy.

0:49:24.400 --> 0:49:27.480
<v Speaker 1>That's the guy, you know, the guy that's the Ghostbuster guy.

0:49:27.640 --> 0:49:30.520
<v Speaker 1>And the guy who's holding me sort of jerks my

0:49:30.560 --> 0:49:32.239
<v Speaker 1>head around and looked at me in the face and

0:49:32.239 --> 0:49:35.200
<v Speaker 1>he said, oh man, this is oh oh. Man said

0:49:35.200 --> 0:49:38.000
<v Speaker 1>I'm sorry about that. So then they stammed me up,

0:49:38.040 --> 0:49:42.279
<v Speaker 1>and I'm like, go on. So they dust me off

0:49:42.400 --> 0:49:45.399
<v Speaker 1>and they're talking, but I'm trying to make sense out

0:49:45.400 --> 0:49:47.960
<v Speaker 1>of this. I'm insulted. I feel like I should have

0:49:48.760 --> 0:49:51.240
<v Speaker 1>I should have thought up, but I couldn't the police

0:49:51.840 --> 0:49:54.279
<v Speaker 1>and then they said, I said what why did you?

0:49:54.640 --> 0:49:56.759
<v Speaker 1>They said, well, oh man, he said, you know there

0:49:56.840 --> 0:50:01.160
<v Speaker 1>was a robbery. This kid robbed a store. At that

0:50:01.200 --> 0:50:05.120
<v Speaker 1>point of damn, fifty years old. This kid robs the thing.

0:50:05.239 --> 0:50:08.360
<v Speaker 1>And I fit the description? How did I fit the descriptions?

0:50:08.400 --> 0:50:10.759
<v Speaker 1>Walked through the door. So they said, do you mind

0:50:10.760 --> 0:50:12.920
<v Speaker 1>if we get an autograph? And I'm like no, I

0:50:14.200 --> 0:50:16.600
<v Speaker 1>So I get in my current and I'm just I

0:50:16.880 --> 0:50:21.120
<v Speaker 1>I hate myself because I didn't. It's just it was

0:50:21.160 --> 0:50:24.800
<v Speaker 1>just anyway. I was living in up in the mountains

0:50:24.840 --> 0:50:28.600
<v Speaker 1>Lake Carolhead and a friend of mine who was part

0:50:28.640 --> 0:50:31.839
<v Speaker 1>of the police department, they ran a special community thing

0:50:32.480 --> 0:50:34.960
<v Speaker 1>and and I told him the stories earn. He said,

0:50:34.960 --> 0:50:36.840
<v Speaker 1>you know what you need. You need to get a badge.

0:50:36.880 --> 0:50:41.040
<v Speaker 1>He says, why don't you join become a deputy? Sure, whatever,

0:50:41.120 --> 0:50:43.880
<v Speaker 1>and and well, in fact, we'll make you a sergeant.

0:50:44.760 --> 0:50:50.560
<v Speaker 1>So I got a sergeant's badge from the San Berdino Department.

0:50:50.640 --> 0:50:53.360
<v Speaker 1>You have to go and take the training and qualifying

0:50:53.440 --> 0:50:56.360
<v Speaker 1>all that. So I did, but I did it primarily

0:50:56.360 --> 0:50:58.440
<v Speaker 1>so I would have me a sheriff's badge. If I

0:50:58.440 --> 0:51:01.400
<v Speaker 1>ever got to stop, I can stage check my shield

0:51:02.040 --> 0:51:04.759
<v Speaker 1>and it got me out of h I bought a

0:51:04.760 --> 0:51:07.640
<v Speaker 1>new Porsche once, and I literally was driving this porch

0:51:08.000 --> 0:51:11.160
<v Speaker 1>a hundred and fifteen miles an hour on a stretch

0:51:11.280 --> 0:51:13.880
<v Speaker 1>on the one on one freeway, and I thought, oh

0:51:13.960 --> 0:51:15.759
<v Speaker 1>my god, this thing is fast. I looked back and

0:51:15.840 --> 0:51:19.480
<v Speaker 1>I see these lights, and I go, uh. And then

0:51:19.480 --> 0:51:22.359
<v Speaker 1>the first thought was he can't catch me. I can

0:51:22.400 --> 0:51:26.600
<v Speaker 1>all run it. I'm in a new Porsche. And then

0:51:26.640 --> 0:51:30.520
<v Speaker 1>I thought nah. So I pulled over and he pulls

0:51:30.680 --> 0:51:34.560
<v Speaker 1>up and he's pissed. I mean, he's really, he's just really.

0:51:35.200 --> 0:51:37.560
<v Speaker 1>So he comes up and uh, he said, your license,

0:51:37.680 --> 0:51:41.080
<v Speaker 1>and I would have it. So when I opened my wallet,

0:51:41.680 --> 0:51:45.560
<v Speaker 1>you see the badge with my license and he looks

0:51:45.600 --> 0:51:49.680
<v Speaker 1>at it and he says, I guess I'm working in

0:51:49.680 --> 0:51:54.000
<v Speaker 1>the wrong department and he walks away. So I was

0:51:54.040 --> 0:51:56.920
<v Speaker 1>in Australia. I did a wrong you turn. I showed

0:51:56.920 --> 0:52:01.560
<v Speaker 1>the bad but then I started getting fans who would

0:52:01.560 --> 0:52:05.799
<v Speaker 1>say this happened. They came in my home, they got

0:52:05.840 --> 0:52:09.719
<v Speaker 1>the wrong place, they beat all these horror stories and

0:52:09.760 --> 0:52:11.919
<v Speaker 1>so eventually I just gave a badge back and said,

0:52:11.960 --> 0:52:15.560
<v Speaker 1>you know what, guys, I can't I can't represent because

0:52:16.880 --> 0:52:20.239
<v Speaker 1>it's just too much going on, and so I don't

0:52:20.280 --> 0:52:25.520
<v Speaker 1>have anymore. But that's my that's the honest that's the

0:52:25.600 --> 0:52:29.279
<v Speaker 1>honest story. I did Steve Harvey Show once and I

0:52:29.360 --> 0:52:31.480
<v Speaker 1>was telling you I was in a shift her from

0:52:31.680 --> 0:52:34.000
<v Speaker 1>I said, yes, I said, but I took the training.

0:52:34.040 --> 0:52:35.359
<v Speaker 1>I learned a lot. He said, what do you learn?

0:52:35.440 --> 0:52:37.680
<v Speaker 1>How to how they can kick your ass some wars?

0:52:37.840 --> 0:52:45.680
<v Speaker 1>So anyway, that's that's why. Well, I mean, look your

0:52:45.880 --> 0:52:53.160
<v Speaker 1>Your career has been truly unbelievable. I mean, you're you're

0:52:53.200 --> 0:52:59.000
<v Speaker 1>still now fifty years later, acting in shows Bones, Law

0:52:59.000 --> 0:53:02.800
<v Speaker 1>and Order, Secret Life of the American Teenager, Modern Family.

0:53:03.480 --> 0:53:06.719
<v Speaker 1>I want to ask you about becoming Lily Tomlin's love

0:53:06.800 --> 0:53:10.920
<v Speaker 1>interest in Grace and Frankie. I heard you were a

0:53:10.920 --> 0:53:14.000
<v Speaker 1>fan of hers and of Jane Fonda, Is that right?

0:53:14.640 --> 0:53:16.839
<v Speaker 1>You know what, when I first started this business, they

0:53:16.840 --> 0:53:20.760
<v Speaker 1>were already established. Jane Fonda. Jane Fonda, She's always been established.

0:53:20.800 --> 0:53:23.600
<v Speaker 1>I mean, you know, it's especially asked me. They said

0:53:23.600 --> 0:53:26.280
<v Speaker 1>it wouldn't be Jane Fonda's love interest, and I'm like, wow,

0:53:26.600 --> 0:53:29.680
<v Speaker 1>there's a little trips age wise. I think, I don't know,

0:53:29.840 --> 0:53:33.720
<v Speaker 1>but I got Barbararella that poster in my mind. I'm like, okay,

0:53:33.760 --> 0:53:36.759
<v Speaker 1>I can I can work with that. And then they said, no,

0:53:37.440 --> 0:53:40.239
<v Speaker 1>we want you to be Lily Tomlin's love interest. Now

0:53:40.280 --> 0:53:43.160
<v Speaker 1>all I can see of Lily Tomas that big rocking chair.

0:53:44.520 --> 0:53:48.480
<v Speaker 1>You know. So, but when I met Lily, she's so lovely,

0:53:48.640 --> 0:53:51.200
<v Speaker 1>and I just but I've been a fan of theirs.

0:53:52.360 --> 0:53:56.600
<v Speaker 1>I had worked with Sam Waterson for on Law and

0:53:56.719 --> 0:53:59.480
<v Speaker 1>Order and done a season of that. But but I

0:53:59.800 --> 0:54:03.719
<v Speaker 1>just love Lily, and they're all amazing people. It was

0:54:03.760 --> 0:54:09.480
<v Speaker 1>just just a pleasure. Lily so amazing, and she has

0:54:09.520 --> 0:54:13.839
<v Speaker 1>a spirit that reminds me of my grandmother who raised me.

0:54:14.000 --> 0:54:18.080
<v Speaker 1>There was something about her integrity, age, it's about and

0:54:18.200 --> 0:54:20.959
<v Speaker 1>yet she's so down to earth. But when you say

0:54:21.000 --> 0:54:26.799
<v Speaker 1>to a woman, you remind me of my grandmother. Not

0:54:26.920 --> 0:54:30.160
<v Speaker 1>the best thing, but she just she's an amazing person,

0:54:30.440 --> 0:54:35.160
<v Speaker 1>wonderful actress. I just it was a real blessing too.

0:54:35.520 --> 0:54:38.560
<v Speaker 1>And that's what I loved about that show. Was a

0:54:38.600 --> 0:54:40.600
<v Speaker 1>lot of times they'll want me to be you know,

0:54:40.640 --> 0:54:42.759
<v Speaker 1>he mentioned the detective things, So I gotta be tough.

0:54:42.840 --> 0:54:45.480
<v Speaker 1>I gotta be something that doesn't feel natural, you know

0:54:45.520 --> 0:54:48.360
<v Speaker 1>what I mean. It's like I love telling stories, but

0:54:48.480 --> 0:54:51.000
<v Speaker 1>it has to be true to the character for me

0:54:51.440 --> 0:54:54.080
<v Speaker 1>to be able to play a character that was that

0:54:54.120 --> 0:54:57.279
<v Speaker 1>I didn't have to be the bad guy or the

0:54:57.800 --> 0:54:59.839
<v Speaker 1>just he was just a guy who liked this kind

0:54:59.840 --> 0:55:02.520
<v Speaker 1>of quirky woman. And it opened a door to a

0:55:02.520 --> 0:55:06.000
<v Speaker 1>whole new kind of fan base. I mean, older women

0:55:06.160 --> 0:55:13.040
<v Speaker 1>suddenly started asking for photographs with the Ghostbuster kids. Uh, well,

0:55:13.080 --> 0:55:15.600
<v Speaker 1>thank you so much for taking the time to talk

0:55:15.880 --> 0:55:19.319
<v Speaker 1>to me. I have long admired your work and thank

0:55:19.360 --> 0:55:22.440
<v Speaker 1>you consider it. It's such a pleasure. I wish you

0:55:22.520 --> 0:55:25.600
<v Speaker 1>nothing but the best moving forward. I know you've got

0:55:25.719 --> 0:55:29.200
<v Speaker 1>Quantum Leap out, You've got You're just you you. You

0:55:29.239 --> 0:55:32.680
<v Speaker 1>don't stop working, Ernie, and I love it. Well, thank

0:55:32.680 --> 0:55:36.160
<v Speaker 1>you so much, man, I you know, well, it's it's mutual. Man.

0:55:36.200 --> 0:55:39.200
<v Speaker 1>I really appreciate you, appreciate the work you're doing. I

0:55:39.320 --> 0:55:45.799
<v Speaker 1>heard about your record setting cameos, but that's like, how

0:55:45.840 --> 0:55:48.440
<v Speaker 1>did he do that that? You know, everybody's got to

0:55:48.480 --> 0:55:51.160
<v Speaker 1>be good at something. Everybody's got to be good at something.

0:55:52.040 --> 0:55:54.360
<v Speaker 1>But but no, I appreciate you man, good luck. I

0:55:54.640 --> 0:55:56.560
<v Speaker 1>wish we'd have more time to sort of hang out,

0:55:56.760 --> 0:55:59.560
<v Speaker 1>like I said, you schedule but no worries. Thank you,

0:55:59.680 --> 0:56:02.880
<v Speaker 1>thank you taking the time Quintum Leap. I should again

0:56:02.960 --> 0:56:07.000
<v Speaker 1>mentioned that it's on NBC Monday nights, Family Businesses on

0:56:07.239 --> 0:56:11.560
<v Speaker 1>BT Plus Fun. What a fun character that is? Yeah,

0:56:11.560 --> 0:56:15.000
<v Speaker 1>it's yeah. So it's all good. Take good care and

0:56:15.200 --> 0:56:17.200
<v Speaker 1>I'm always around mess we get a chance, we'll talk

0:56:17.239 --> 0:56:19.520
<v Speaker 1>to you, so look forward to it. Thanks Ernie, all right,

0:56:19.560 --> 0:56:34.680
<v Speaker 1>thank you, all right, by Ernie. It was so great

0:56:34.719 --> 0:56:37.680
<v Speaker 1>talking to you and getting to know you. Thank you

0:56:37.880 --> 0:56:40.840
<v Speaker 1>for coming on the podcast. I could have talked to

0:56:40.880 --> 0:56:45.280
<v Speaker 1>you all day. I am in awe of your career

0:56:45.440 --> 0:56:49.200
<v Speaker 1>and just promised me this. Okay, the next movie that

0:56:49.239 --> 0:56:56.520
<v Speaker 1>we're in together, let's actually appear in some scenes together. Okay, listeners,

0:56:56.640 --> 0:57:00.440
<v Speaker 1>thank you for stopping by. It is always a pleasure

0:57:00.719 --> 0:57:03.719
<v Speaker 1>getting to spend some time with you. Come back next week.

0:57:03.800 --> 0:57:08.440
<v Speaker 1>I promise I'll do my best to interview effectively an

0:57:08.560 --> 0:57:14.120
<v Speaker 1>amazing guest. Now, can you guess who it's going to be?

0:57:14.120 --> 0:57:25.200
<v Speaker 1>Because I'll never tell, but I'll see you soon. Off

0:57:25.240 --> 0:57:29.240
<v Speaker 1>the Beat is hosted an executive produced by me Brian Baumgartner,

0:57:29.520 --> 0:57:34.680
<v Speaker 1>alongside our executive producer Langley. Our producers are Diego Tapia,

0:57:34.920 --> 0:57:39.160
<v Speaker 1>Liz Hayes, Hannah Harris, and Emily Carr. Our talent producer

0:57:39.440 --> 0:57:44.000
<v Speaker 1>is Ryan Papa Zachary, and our intern is Sammy Cats.

0:57:44.040 --> 0:57:47.640
<v Speaker 1>Our theme song Bubble and Squeak, performed by my great

0:57:47.680 --> 0:58:01.160
<v Speaker 1>friend Creed Bratton m M