1 00:00:05,240 --> 00:00:08,959 Speaker 1: Previously on the Princess of South Beach, my long last 2 00:00:09,039 --> 00:00:12,360 Speaker 1: twin Maria del Carmin and my maid Estraya wants to 3 00:00:12,360 --> 00:00:15,720 Speaker 1: get revenge on my fake parents Luisan Esteban for murdering 4 00:00:15,720 --> 00:00:19,680 Speaker 1: our biological mother and stealing me as a baby. Wow, 5 00:00:20,079 --> 00:00:23,720 Speaker 1: what a sentence. If that wasn't enough, we found out 6 00:00:23,720 --> 00:00:27,160 Speaker 1: that Rahoul got me pregnant on purpose because his dad, Nacho, 7 00:00:27,520 --> 00:00:31,120 Speaker 1: wants access to our family fortune. Yes, that is the 8 00:00:31,160 --> 00:00:33,840 Speaker 1: same Nacho who happens to be sleeping with my dad 9 00:00:33,880 --> 00:00:37,839 Speaker 1: as Stevan, the Conservative candidate in the upcoming elections for 10 00:00:37,960 --> 00:00:41,760 Speaker 1: mayor of Miami. Hi theres mio. All this plot twisting 11 00:00:41,880 --> 00:00:54,960 Speaker 1: is so DRAMATICA. Can I hear? You? Don't worry? There's 12 00:00:55,000 --> 00:00:57,920 Speaker 1: nobody here. Louisa's at the club, and it's that one 13 00:00:58,000 --> 00:01:00,560 Speaker 1: is off doing some rich person sport like admin. No 14 00:01:00,640 --> 00:01:03,400 Speaker 1: lacross the sump it. The house is all ours to 15 00:01:03,400 --> 00:01:09,080 Speaker 1: snoop around and investigate. Oh, finally that's great. The kids, 16 00:01:09,080 --> 00:01:11,880 Speaker 1: to my catuna, to my MATAA. Oh, you can't just 17 00:01:11,959 --> 00:01:13,679 Speaker 1: walk in here. What if I was asleep or in 18 00:01:13,720 --> 00:01:19,280 Speaker 1: the bathroom or even like naked. I Gloria, I love 19 00:01:19,280 --> 00:01:21,640 Speaker 1: that you haven't lost your confusing sense of humor despite 20 00:01:21,680 --> 00:01:24,679 Speaker 1: the temporary amnesia. Sorry for bursting in. I was just 21 00:01:24,680 --> 00:01:26,560 Speaker 1: so excited to see you. I feel like I haven't 22 00:01:26,600 --> 00:01:28,360 Speaker 1: seen you in weeks. I'm more than me either. We 23 00:01:28,560 --> 00:01:33,199 Speaker 1: saw each other literally forty eight hours ago, hours, days, months, years. 24 00:01:33,520 --> 00:01:36,160 Speaker 1: What is time for a man in love? You know what? 25 00:01:36,240 --> 00:01:39,400 Speaker 1: We need? A proper date, something deeply romantic. I'm a 26 00:01:39,400 --> 00:01:42,480 Speaker 1: little busy today, Raoul, that's that true. I took a 27 00:01:42,480 --> 00:01:45,160 Speaker 1: peek at your calendar. You are completely free. I have 28 00:01:45,200 --> 00:01:47,800 Speaker 1: a calendar. No, I can't hold it in any longer. 29 00:01:47,920 --> 00:01:50,480 Speaker 1: I have a wonderful date, all planned out for us surprise. 30 00:01:50,840 --> 00:01:53,680 Speaker 1: Oh my god. Really, I've never been on a date. 31 00:01:54,000 --> 00:01:57,920 Speaker 1: I mean since the temporary amnesia. We're doing something we've 32 00:01:57,920 --> 00:02:00,400 Speaker 1: never done before, something you couldn't have dream up in 33 00:02:00,440 --> 00:02:08,000 Speaker 1: your wildest dreams, like like go carts, even wilder. Actually, Raoul, 34 00:02:08,120 --> 00:02:10,400 Speaker 1: Gloria still isn't feeling good enough to go out on 35 00:02:10,440 --> 00:02:16,400 Speaker 1: exciting dates? Isn't that very Gloria? Um, she looks perfectly 36 00:02:16,400 --> 00:02:18,800 Speaker 1: fine to me. Will you give me the pleasure of 37 00:02:18,919 --> 00:02:22,120 Speaker 1: taking you on an incredibly romantic day of thrilling adventures? 38 00:02:22,320 --> 00:02:27,720 Speaker 1: My sweet love, Rose okay, yes, all right, I'm in perfect. 39 00:02:27,800 --> 00:02:29,600 Speaker 1: I'll come pick you up around two. See you then, 40 00:02:29,639 --> 00:02:32,160 Speaker 1: mimor the icing to my doughnut, the milk for my 41 00:02:32,240 --> 00:02:35,880 Speaker 1: brazen brand, the glasses on my face, the shoelaces on 42 00:02:35,960 --> 00:02:41,720 Speaker 1: my perfect shoe. Oh hey, Mariana Carmen, did you forget 43 00:02:41,800 --> 00:02:45,799 Speaker 1: I exist? You promised we were going to investigate today? Yes, 44 00:02:46,040 --> 00:02:49,280 Speaker 1: but did you hear what Raoul said? He has a 45 00:02:49,360 --> 00:02:54,280 Speaker 1: surprise filled with an a quote thrilling adventures. No, what 46 00:02:54,320 --> 00:02:58,440 Speaker 1: if he takes me to Disney girl? It's overrated. It's 47 00:02:58,480 --> 00:03:00,560 Speaker 1: a small world. Ain't even small, it's big and they 48 00:03:00,600 --> 00:03:02,320 Speaker 1: all acree. I don't know what that is. But what 49 00:03:02,360 --> 00:03:04,040 Speaker 1: if he takes me in a hot air balloon? Those 50 00:03:04,080 --> 00:03:07,040 Speaker 1: things are pretty days. You hot in an air? You 51 00:03:07,080 --> 00:03:09,600 Speaker 1: want to be in hot air in a balloon? What 52 00:03:09,639 --> 00:03:12,560 Speaker 1: about a pony ride at sunset on the beach? You 53 00:03:12,680 --> 00:03:17,919 Speaker 1: cannot ride ponies as an adult. The most exciting thing 54 00:03:17,960 --> 00:03:19,880 Speaker 1: we do at the convent was go on a picnic, 55 00:03:19,960 --> 00:03:24,000 Speaker 1: which is just eating, but outside and with ants. Can 56 00:03:24,040 --> 00:03:28,519 Speaker 1: I enjoy being Gloria just for today? Alright? Alright, alright fine, 57 00:03:28,919 --> 00:03:32,000 Speaker 1: but tomorrow we work on our investigation and revenge and 58 00:03:32,080 --> 00:03:35,960 Speaker 1: sabotage the whole day. Got it? Well, I promise, Oh 59 00:03:36,000 --> 00:03:37,640 Speaker 1: my god, I wonder what the state is going to 60 00:03:37,720 --> 00:03:40,920 Speaker 1: be like. I have a good feeling about the ponies, Maria. 61 00:03:41,040 --> 00:03:44,680 Speaker 1: I hadn't told you seven you cannot ride ponies as 62 00:03:44,720 --> 00:03:46,640 Speaker 1: an adult. It won't be in my little pony, be 63 00:03:46,720 --> 00:03:52,000 Speaker 1: my little broke ass pony. So well, Maria del Garmin 64 00:03:52,080 --> 00:03:55,240 Speaker 1: gets ready for her big day. Luisa is a crosstown 65 00:03:55,280 --> 00:03:58,440 Speaker 1: with her therapist, doctor Goldberg, planning one of her own. 66 00:04:01,640 --> 00:04:03,720 Speaker 1: And then he turned over and told me he couldn't 67 00:04:03,800 --> 00:04:06,400 Speaker 1: because he had a headache. And how did that make 68 00:04:06,440 --> 00:04:09,240 Speaker 1: you feel? I mean, he's had a headache every night 69 00:04:09,240 --> 00:04:13,280 Speaker 1: for the last six years, so I wasn't surprised. Honestly, 70 00:04:13,480 --> 00:04:18,280 Speaker 1: it's fine. I don't care. My life is perfect, right, Luisa, 71 00:04:18,560 --> 00:04:21,320 Speaker 1: If you really want to reconnect with your husband, maybe 72 00:04:21,320 --> 00:04:24,560 Speaker 1: you have to try something new. What if you surprise 73 00:04:24,760 --> 00:04:29,080 Speaker 1: Estevan with something, something unexpected, you know, break up their 74 00:04:29,160 --> 00:04:34,480 Speaker 1: routine a surprise. I guess I haven't stopped by Estevan's 75 00:04:34,520 --> 00:04:36,960 Speaker 1: office in quite a while. I could drop in for 76 00:04:37,000 --> 00:04:40,640 Speaker 1: a quick visit. Sure, even something simple like taking him 77 00:04:40,680 --> 00:04:44,320 Speaker 1: lunch can shake things up and spark a change, you know, doctor, 78 00:04:44,400 --> 00:04:47,360 Speaker 1: despite the fact you want a real doctor a psychiatrist 79 00:04:47,400 --> 00:04:50,120 Speaker 1: as a real doctor, sometimes you do have good ideas, 80 00:04:51,320 --> 00:04:56,039 Speaker 1: Thank you, Luisa. Oh well, we're out of time, thank God. 81 00:04:56,480 --> 00:05:02,560 Speaker 1: See you next week. Looks like a Stivan is in 82 00:05:02,640 --> 00:05:09,039 Speaker 1: for an unpleasant surprise, and Louisa might be too. And 83 00:05:09,120 --> 00:05:12,760 Speaker 1: give me ten of those suit jackets and oh, one 84 00:05:12,760 --> 00:05:16,120 Speaker 1: in each color? Yes and quick, I am dropping these 85 00:05:16,160 --> 00:05:19,560 Speaker 1: off as a sexy surprise for my husband. Yes, missus Calderm, 86 00:05:19,839 --> 00:05:23,080 Speaker 1: you know we also have times to go with each one. Perfect, 87 00:05:23,520 --> 00:05:29,240 Speaker 1: I'll take all of them. Ola, Luisa natchal you look 88 00:05:29,320 --> 00:05:34,960 Speaker 1: so you Hi? What are you doing here? Well, I 89 00:05:35,040 --> 00:05:36,600 Speaker 1: was on my way to your husband's office and I 90 00:05:36,640 --> 00:05:41,960 Speaker 1: saw this with the window. I thought I should say Hi, Hi, Hi. 91 00:05:44,920 --> 00:05:47,839 Speaker 1: Look Louisa, I think we got off on the wrong foot. 92 00:05:48,560 --> 00:05:50,479 Speaker 1: I know you don't like me much, but it's been 93 00:05:50,560 --> 00:05:53,080 Speaker 1: ten years. Don't you think it's time you and me 94 00:05:53,160 --> 00:05:56,640 Speaker 1: burry the hatchet? I mean, after all, we're going to 95 00:05:56,720 --> 00:06:00,359 Speaker 1: be family soon, Mina Nacho. Let me make one thing clear. 96 00:06:01,120 --> 00:06:05,680 Speaker 1: Gloria maybe marrying your walking cliche of a son, but 97 00:06:05,760 --> 00:06:09,159 Speaker 1: you and I will never be family. You will never 98 00:06:09,320 --> 00:06:16,200 Speaker 1: be a little. Let's not pretend that isn't what you're after? Right? Wait? Wait, wait, wait, Luisa, 99 00:06:16,560 --> 00:06:18,919 Speaker 1: there's no need to be hostile like you and I 100 00:06:19,000 --> 00:06:21,839 Speaker 1: want the same things. A happy union for our children, 101 00:06:21,880 --> 00:06:25,920 Speaker 1: a prosperous future for our familiesn't happiest day one, But 102 00:06:26,160 --> 00:06:28,120 Speaker 1: don't you want to stay one to be happy? Are 103 00:06:28,160 --> 00:06:31,360 Speaker 1: you suggesting I don't know how to keep my husband happy? No, no, 104 00:06:31,880 --> 00:06:35,040 Speaker 1: I'm sure you know how to keep him happy. Of 105 00:06:35,080 --> 00:06:38,400 Speaker 1: course not. Then what are you implying. I'm not implying anything. 106 00:06:38,600 --> 00:06:41,440 Speaker 1: I'm just trying to be friendly. You're not being friendly. 107 00:06:42,000 --> 00:06:44,640 Speaker 1: You're a snake, and I'm the only one that sees it. 108 00:06:44,800 --> 00:06:46,920 Speaker 1: Look I am stay One's best friend. Don't think you're 109 00:06:46,920 --> 00:06:48,480 Speaker 1: getting away. You know what you think I'm up to. 110 00:06:48,520 --> 00:06:51,560 Speaker 1: You may have tricks I've never and why you assume 111 00:06:51,640 --> 00:06:55,360 Speaker 1: the worst of me? I built myself from nothing. There's 112 00:06:55,400 --> 00:06:57,560 Speaker 1: no from whatever it takes to get what you want. 113 00:06:57,920 --> 00:07:01,120 Speaker 1: You're impossible like you and your son to take it 114 00:07:01,160 --> 00:07:07,320 Speaker 1: over this family. Sorry to interrupt this reunion, but miss Calderon, 115 00:07:07,400 --> 00:07:09,960 Speaker 1: did you want the ties and silk as well? Yes? 116 00:07:10,440 --> 00:07:15,240 Speaker 1: I said all of the ties got it? Sorry, Luisa, 117 00:07:16,840 --> 00:07:22,920 Speaker 1: I'm not going anywhere. So I'm just saying both of 118 00:07:22,920 --> 00:07:26,480 Speaker 1: our lives would be easier if we could just get along. 119 00:07:27,240 --> 00:07:32,320 Speaker 1: If you want to play this game, natche be my guest. 120 00:07:33,000 --> 00:07:35,800 Speaker 1: You wouldn't be the first to understand at me. Now, 121 00:07:35,960 --> 00:07:39,640 Speaker 1: if you'll excuse me, my armes suits are waiting. Don't worry. 122 00:07:39,800 --> 00:07:41,760 Speaker 1: I'm sure you can find something for yourself in the 123 00:07:41,800 --> 00:07:50,960 Speaker 1: clearance section. It's in the basement. I need some aloe 124 00:07:51,160 --> 00:07:55,960 Speaker 1: sick burn. Luisa, will you make your triumphant badass bitch exit. 125 00:07:56,360 --> 00:08:05,800 Speaker 1: Let's see how Maria del carmin surprise date is going. Jeez, 126 00:08:06,640 --> 00:08:09,400 Speaker 1: I will slow down. I can't see anything. Well, that's 127 00:08:09,440 --> 00:08:11,760 Speaker 1: the point of a blindfold of my caramelized lump of sugar. 128 00:08:12,320 --> 00:08:16,040 Speaker 1: So what's the surprise date? Where are we going? You'll 129 00:08:16,080 --> 00:08:19,280 Speaker 1: never guess. It's a place you've never been before. Enough 130 00:08:19,320 --> 00:08:23,000 Speaker 1: with the hot air balloons, enough with those beautiful sunsets, 131 00:08:23,160 --> 00:08:26,360 Speaker 1: and enough with those relaxing cruise ships to the Caribbean. 132 00:08:26,600 --> 00:08:28,480 Speaker 1: I wanted to get back to basics, just you and me, 133 00:08:28,960 --> 00:08:38,600 Speaker 1: So I brought you to a public park. Yay, and 134 00:08:38,600 --> 00:08:41,199 Speaker 1: then where's the surprise? This is a surprise me more. 135 00:08:41,440 --> 00:08:45,560 Speaker 1: You've never been to anything public. I don't understand. We're 136 00:08:45,640 --> 00:08:51,200 Speaker 1: at a public parker like a bark person. What today, 137 00:08:51,280 --> 00:08:53,760 Speaker 1: we're gonna see how the other half lives really get 138 00:08:53,800 --> 00:08:56,559 Speaker 1: to know each other outside all the glitz and glam. 139 00:08:56,679 --> 00:08:58,840 Speaker 1: That's why I planned this poor person date, because I 140 00:08:58,880 --> 00:09:00,360 Speaker 1: want you to know that I would still love you 141 00:09:00,440 --> 00:09:03,080 Speaker 1: outside of all the money and the thing. So we're 142 00:09:03,200 --> 00:09:06,000 Speaker 1: here to just walk and talk in the park and 143 00:09:06,040 --> 00:09:09,760 Speaker 1: have a picnic in a public park. You have got 144 00:09:09,800 --> 00:09:11,880 Speaker 1: to stop saying that people are starting to stay over. 145 00:09:12,400 --> 00:09:15,599 Speaker 1: So there's food. I'm starving? Wait? Was I supposed to 146 00:09:15,600 --> 00:09:19,800 Speaker 1: bring food? Yes? Can we just buy a picnic here somewhere? Hey, 147 00:09:19,920 --> 00:09:23,000 Speaker 1: you common person, how much do you want for that picnic? Oh? Stop, 148 00:09:23,280 --> 00:09:26,440 Speaker 1: you can't just buy someone's picnic. Let's let's just go alone. 149 00:09:27,600 --> 00:09:31,680 Speaker 1: What a wonderful suggestion, my tender bed kitten. A little 150 00:09:31,720 --> 00:09:34,320 Speaker 1: solo time with you is exactly what I've been craving. 151 00:09:34,520 --> 00:09:36,559 Speaker 1: What no, no, no, no, no no no no no no 152 00:09:36,559 --> 00:09:40,080 Speaker 1: no no, I'm I'm not referring to that. Let's go 153 00:09:40,160 --> 00:09:43,640 Speaker 1: home and you can tell me exactly what you're referring. 154 00:09:44,240 --> 00:09:47,880 Speaker 1: But oh, I'm not ready to. You know, I've been thinking, 155 00:09:48,040 --> 00:09:51,120 Speaker 1: and there's something super romantic that I want to do. 156 00:09:51,559 --> 00:09:54,920 Speaker 1: I think we should wait until we're married. Wait for what? 157 00:09:55,360 --> 00:10:04,560 Speaker 1: Wait to you know, to say to sex together? Why 158 00:10:04,960 --> 00:10:09,000 Speaker 1: I read it in a magazine. There are couples who 159 00:10:09,120 --> 00:10:11,080 Speaker 1: just put a pause on all that a month before 160 00:10:11,120 --> 00:10:16,480 Speaker 1: getting married to uh increase the anticipation of it. Oh 161 00:10:16,600 --> 00:10:19,920 Speaker 1: oh um, of course, if that's what you want, you 162 00:10:19,920 --> 00:10:21,560 Speaker 1: can tell me if you don't like it, or if 163 00:10:21,559 --> 00:10:23,600 Speaker 1: you want to interrupt right now and say you were kidding, 164 00:10:24,480 --> 00:10:29,240 Speaker 1: you could get something you know. Um, okay, okay, we 165 00:10:29,280 --> 00:10:36,400 Speaker 1: will wait. Then you're the bread to my uh my, 166 00:10:36,600 --> 00:10:49,200 Speaker 1: my sandwich. Yeah, I'm sorry, Manita. I guess today wasn't 167 00:10:49,200 --> 00:10:53,280 Speaker 1: what you expected. Let's see if luisa surprise turns out better. 168 00:11:05,920 --> 00:11:10,440 Speaker 1: Thank you, oh, thank you. You know I love you. 169 00:11:11,040 --> 00:11:14,160 Speaker 1: We are back on with Tea with Tatiana, and I'm 170 00:11:14,200 --> 00:11:19,880 Speaker 1: your host, Tatiana. Obviously, the rich and famous have lives 171 00:11:19,960 --> 00:11:25,200 Speaker 1: that everybody envies, but could we also be suffering? I mean, 172 00:11:25,360 --> 00:11:30,480 Speaker 1: could they be suffering? Tonight's guest is a psychiatrist who 173 00:11:30,520 --> 00:11:35,200 Speaker 1: has treated some of the most famous, including one of 174 00:11:35,240 --> 00:11:44,560 Speaker 1: the Calderones. Please welcome doctor old ber My dear, it's 175 00:11:44,600 --> 00:11:48,560 Speaker 1: a pleasure having such a renowned doctor. I've heard you've 176 00:11:48,600 --> 00:11:54,240 Speaker 1: treated Julio Iglesia's Ricky Martin, Paulina Rubio, and my boyfriend 177 00:11:54,240 --> 00:11:59,040 Speaker 1: in another life, Will Smith. That, Diana, I'm afraid I'm 178 00:11:59,040 --> 00:12:01,959 Speaker 1: not able to review. Oh, the identity of my patients. 179 00:12:02,600 --> 00:12:06,240 Speaker 1: It's confidential, you see. But it is true that I 180 00:12:06,280 --> 00:12:09,040 Speaker 1: work with celebrities, and that's why I want to talk 181 00:12:09,080 --> 00:12:13,560 Speaker 1: about a very serious issue, how fame and social media 182 00:12:13,800 --> 00:12:17,880 Speaker 1: can damage the emotional psyche. So, since you brought it up, 183 00:12:18,200 --> 00:12:22,240 Speaker 1: people say they have seen Louisa Calderone coming out of 184 00:12:22,280 --> 00:12:26,440 Speaker 1: your office. Is that true? Oh? Well, like I said, 185 00:12:27,040 --> 00:12:30,120 Speaker 1: I can't talk about it now. Coming back to our 186 00:12:30,160 --> 00:12:32,640 Speaker 1: issue here, doctor, why don't you tell us about the 187 00:12:32,679 --> 00:12:36,640 Speaker 1: psyche of the probably soon to be first Lady of Miami. 188 00:12:36,880 --> 00:12:42,120 Speaker 1: Oh that would be unprofessional. Oh my god, just kidding, 189 00:12:43,080 --> 00:12:47,000 Speaker 1: unless you want to tell us, and then I'm not kidding. Okay, 190 00:12:47,040 --> 00:12:50,319 Speaker 1: Well tell us about what it's like to treat celebrities. 191 00:12:50,640 --> 00:12:54,880 Speaker 1: Well that, Diana. It's interesting work. Lots of patients struggle 192 00:12:54,960 --> 00:12:57,920 Speaker 1: with a lack of confidence. But I do have a 193 00:12:58,000 --> 00:13:02,960 Speaker 1: patient who is very, very confident. Let's call her patient X. 194 00:13:03,400 --> 00:13:07,560 Speaker 1: Are you talking about the Louisa Calderone. No, no, no, no, 195 00:13:07,640 --> 00:13:11,880 Speaker 1: I'm talking about another patient, patient X. So I've been 196 00:13:11,880 --> 00:13:16,880 Speaker 1: working with Louis with X on finding her happy place. 197 00:13:17,360 --> 00:13:21,480 Speaker 1: And speaking of happy places, you know which one is mine? 198 00:13:22,679 --> 00:13:28,280 Speaker 1: My Lincoln aviator GT Oh, tell me more. I like 199 00:13:28,400 --> 00:13:32,280 Speaker 1: to drive around and practice my daily affirmations. I am 200 00:13:32,320 --> 00:13:38,120 Speaker 1: an intelligent, powerful and beautiful woman before every session. It's 201 00:13:38,120 --> 00:13:42,079 Speaker 1: something I already know, but it's nice to be reminded. 202 00:13:42,400 --> 00:13:47,079 Speaker 1: That's a great tip, doctor. I'm gonna try that. Unfortunately, 203 00:13:47,160 --> 00:13:51,440 Speaker 1: we are out of time, and remember the only excuse 204 00:13:51,520 --> 00:13:55,880 Speaker 1: to not post is if you're in a coma. We'll 205 00:13:55,920 --> 00:14:16,440 Speaker 1: be back with more Calderone scandals on the next team. Satianna. Oh, 206 00:14:17,520 --> 00:14:21,760 Speaker 1: I'm sorry, Manita. I guess today wasn't what you expected. 207 00:14:22,560 --> 00:14:29,400 Speaker 1: Let's see if luisa surprise turns out better. You won't 208 00:14:29,400 --> 00:14:33,400 Speaker 1: believe why I ran into the let's talking more kissing 209 00:14:35,000 --> 00:14:39,160 Speaker 1: your wife? What are we talking about her? Are you 210 00:14:39,240 --> 00:14:41,760 Speaker 1: trying to kill the mood? No? Look that that woman 211 00:14:41,800 --> 00:14:45,080 Speaker 1: has always hated me, and I wonder if she suspects 212 00:14:45,480 --> 00:14:53,800 Speaker 1: us something. And look, we don't be ridiculous. I've been 213 00:14:53,800 --> 00:14:56,600 Speaker 1: married to that woman for twenty years and she has 214 00:14:56,680 --> 00:15:00,760 Speaker 1: never say suspected the clean because I don't think she 215 00:15:00,760 --> 00:15:03,800 Speaker 1: would believe it if she started with her own to eat. 216 00:15:05,960 --> 00:15:15,840 Speaker 1: I brought you a surprise. Uh oh, what's that you 217 00:15:15,880 --> 00:15:21,160 Speaker 1: were saying? Estevan, this is gonna get good popcorn anyone. 218 00:15:23,720 --> 00:15:27,200 Speaker 1: If you're enjoying Princess of South Beach, please subscribe, rate, 219 00:15:27,240 --> 00:15:30,720 Speaker 1: and review our show wherever you're listening. The Princess of 220 00:15:30,760 --> 00:15:33,120 Speaker 1: South Beach is a production of I Heearts, Michael Tura 221 00:15:33,200 --> 00:15:37,160 Speaker 1: Podcast Network, and Sonaro, Created and directed by Jasmine Romero, 222 00:15:37,480 --> 00:15:41,560 Speaker 1: written by Jasmine Romero and Joanna Houseman with help from Danielaserkis, 223 00:15:41,800 --> 00:15:47,520 Speaker 1: Monisa Hendrix and Christian Had produced by Luis, Executive produced 224 00:15:47,560 --> 00:15:50,720 Speaker 1: by conal Byrne and Gazelle Bances for iHeart by Joanna 225 00:15:50,760 --> 00:15:54,560 Speaker 1: Houseman and by Jasmine Romero and Joshua Weinstein for Sonaro. 226 00:15:54,960 --> 00:15:59,840 Speaker 1: Performances in this episode by Rachel Zegler, Gina Torres, Raoulas Sparza, 227 00:16:00,240 --> 00:16:05,920 Speaker 1: Danni Pino, X Mayo, Andy Bustillos, and Laura Gomez. Our 228 00:16:05,960 --> 00:16:10,800 Speaker 1: production manager is Gerenza Chitis. Recording and engineering by Emiliano Quintanar, 229 00:16:11,080 --> 00:16:15,760 Speaker 1: with sound designed by Edwin Irigoyen. Cassandra Tinajo, Andres Bayena, 230 00:16:16,000 --> 00:16:19,840 Speaker 1: Diego Medina and Andres Coronaldo. Assistant sound designed by Eric 231 00:16:19,880 --> 00:16:24,520 Speaker 1: Senttheno Casting in coordination by Andres Chaitis, Folly by Samantha 232 00:16:24,560 --> 00:16:28,360 Speaker 1: Gonzalez Fong, our theme song and original music by Rodrigo 233 00:16:28,360 --> 00:16:30,560 Speaker 1: Garcia Roles and Charlie Hernandez