Speaker 1: Thirteen Days of Halloween Penance, a co production of iHeart
Speaker 1: three D Audio Blumhouse Television and Grim and Mild from
Speaker 1: Aaron Nanke. Headphones recommended, Listener discretion advised.
Speaker 2: What is it a map? It doesn't look like any
Speaker 2: map I've ever seen. I know for a fact someone
Speaker 2: uses to escape. Well kind of, we just have to
Speaker 2: crack the code. Concentric circles, maybe the different cell blocks?
Speaker 2: Are they around? I don't know. What about these symbols?
Speaker 2: This one in the middle looks like an eye. Hmmm,
Speaker 2: we're gonna need help. What about our neighbor frip. Yeah,
Speaker 2: I wish, but he's made it clear he doesn't want
Speaker 2: to be involved. I'm sorry. I don't have more to offer.
Speaker 2: It all seems so complicated, but it can't really be right,
Speaker 2: Like if the staff used these to get around. Some
Speaker 2: of them are dumb as bricks, especially the guards.
Speaker 3: What is it?
Speaker 2: Well, it might be a suicide mission, but there is
Speaker 2: one more person I can ask, no, no, no, no, am
Speaker 2: I crimes?
Speaker 4: How do I get back?
Speaker 2: Crimes?
Speaker 4: I have to get back. I need to get back.
Speaker 2: It's me Saury.
Speaker 4: Saori, Wait, tell me which one? Which one? Are you?
Speaker 2: Same as always, God crimes. What happened to you? They
Speaker 2: just locked you up like any other prisoner.
Speaker 4: Happened to me? What happened to me? What happened to me?
Speaker 4: Every time I think I have it and lose it
Speaker 4: and then.
Speaker 5: I've lost them, I've lost I've lost it.
Speaker 4: I'll never be allowed to leave, I'll never be able
Speaker 4: to go back back.
Speaker 2: But where do you want to go? Back to crimes?
Speaker 4: Where?
Speaker 5: How can I say? How would I tell you? If
Speaker 5: I can't show you? It's just I've just lost again.
Speaker 5: The kid hold it? The kid hold it?
Speaker 4: Please? Please sorry me help me?
Speaker 2: Let's say I can. Will you do something for me?
Speaker 4: Something?
Speaker 6: Anything?
Speaker 4: Nothing?
Speaker 2: Right?
Speaker 6: Some?
Speaker 2: Any none? If I get closer, will you stay calm?
Speaker 2: If I hand you something, will you promise to give
Speaker 2: it back? You have to promise or I can't help you.
Speaker 4: Mm hmmm mm hmm.
Speaker 2: Have you ever seen anything like this before? It's that yeah, yeah,
Speaker 2: the Pendleton.
Speaker 4: Yes, yes, that sounds right.
Speaker 2: Can you tell me? Is this really a map?
Speaker 4: The map? I see I have one? Right?
Speaker 5: He put my keys, put my podcast, they took them,
Speaker 5: They took everything.
Speaker 7: Hey, hey, hey it's okay, it's okay.
Speaker 2: Just focus now. This is very important how does it work?
Speaker 4: How does it work?
Speaker 2: The map? Do you know how it works?
Speaker 4: The map? No?
Speaker 2: No? Did you before?
Speaker 4: No?
Speaker 2: Okay, do you know who does?
Speaker 4: No one?
Speaker 2: No one knows.
Speaker 4: They did. Someone did along long time ago? What hell?
Speaker 4: Everybody forgot it?
Speaker 2: But wait? If no one knows how it works, how
Speaker 2: do you use it?
Speaker 4: The white rooms?
Speaker 2: White rooms?
Speaker 4: There? The doors?
Speaker 2: What kind of doors?
Speaker 4: White doors?
Speaker 2: Where do they go? Well?
Speaker 4: I was supposed to where I went? But where I
Speaker 4: still land? Where I will be and never leave and
Speaker 4: never be alone, never alone. I will never be alone again.
Speaker 4: I will never be alone again, never alone. I will
Speaker 4: never be alone again.
Speaker 6: I will never be alone again.
Speaker 2: Have you ever seen one of these white rooms? White rooms?
Speaker 2: Doors glowing with light? My second day hear I ran
Speaker 2: through one behind the cafeteria. At the time, I wasn't
Speaker 2: really sure what I was seeing, But now I wonder
Speaker 2: if that's a portal to another part of the pen
Speaker 2: or maybe out of here. I know where one is?
Speaker 2: Really where at the end of the hall?
Speaker 7: What?
Speaker 2: How do you know that I used it to get here?
Speaker 2: I always do? But why have I never seen it?
Speaker 2: I don't know. I can only ever seem to find
Speaker 2: it at night and what You just waltz through, no
Speaker 2: problem except that it is loud inside. Okay, it's settled,
Speaker 2: then we go that way. I just have to figure
Speaker 2: out how to break out of my cell. Let's see
Speaker 2: what we have to work with your pillo. It's where
Speaker 2: I keep the extent of my earthly possessions. Besides one
Speaker 2: esoteric map that may or may not be too cryptic
Speaker 2: to use. There's this key I built in the machine
Speaker 2: shop that probably does open anything, but works wonders at
Speaker 2: scraping away mortar. One book the mirrors. It's interesting, actually
Speaker 2: I should read some of it to you. This necklace, yeah,
Speaker 2: the pen returned that to me, but it's not mine.
Speaker 2: I had one really similar, but the other half of
Speaker 2: the moon, I think it's mine. Really wow, that's uh
Speaker 2: oh well, hey, please take it back. You don't want it.
Speaker 2: I'm just keeping it in my pillowcase. You might actually
Speaker 2: get away with wearing it here. Let me. They also
Speaker 2: returned my juicy fruit. Do you want a piece? Maybe later?
Speaker 2: I think you are forgetting something. Well, there's just cold.
Speaker 2: I was given fifteen sixty, but as that was a
Speaker 2: product of my own deduction, I'm starting to think it's
Speaker 2: as worthless as the key. No something else?
Speaker 3: Come here?
Speaker 2: Okay, closer, closer.
Speaker 8: One, Bobby?
Speaker 2: Oh, right for my haircut for maximum security. This place
Speaker 2: can be pretty lax. Hey, you don't think we could?
Speaker 2: Could we use this to pick the lock? Yeah? No, Well,
Speaker 2: at least I'll be able to keep my hair out
Speaker 2: of my eyes. Anything else not that I can think of,
Speaker 2: looks like this? Is it?
Speaker 9: Oh shit?
Speaker 2: What? Well? It may be crazy, but I have one
Speaker 2: idea for the come or maybe the book.
Speaker 10: Lock up two minutes.
Speaker 9: Everyone in your cells.
Speaker 7: Hey, no problem, boss, happy to oblige.
Speaker 2: Right, Rodriguez, but quietly.
Speaker 4: When loves of which.
Speaker 10: You Calcutta, it's Martinez, Eureka, Ready as I'll ever be?
Speaker 11: Which way over here around the east corner. I can't
Speaker 11: believe this has been here the whole time. You want
Speaker 11: to go first? For good luck, I'd rather follow you.
Speaker 11: Here goes nothing.
Speaker 2: Hey, I'm here. Where'd you go?
Speaker 12: This way?
Speaker 2: I can't see you?
Speaker 1: Follow my boys?
Speaker 7: It's so loud.
Speaker 2: Almost there?
Speaker 13: Now?
Speaker 2: What are you? Okay?
Speaker 7: Yeah?
Speaker 2: Why are we in the bathroom? There's so many baths.
Speaker 2: I'm never really sure where they will lead. This is
Speaker 2: a lot nicer than ours. They even have toilets. Maybe
Speaker 2: this is I don't know, the executive.
Speaker 9: Wing, carpet, wallpaper.
Speaker 2: Or definitely not in sea block anymore. Which way. Yeah,
Speaker 2: I'm gonna say this map is useless. We're just gonna
Speaker 2: have to pick a direction and try it. It would
Speaker 2: help if we knew what we were looking for. Okay, here,
Speaker 2: do be damned. If we see this ax again, we'll
Speaker 2: know we've made a circle. Run hide.
Speaker 14: Sh you want to get out of the closet.
Speaker 2: Okay, there are practically a million doors here. How about
Speaker 2: this one, the kitchen, the laundry.
Speaker 7: What's that?
Speaker 2: Uh?
Speaker 7: Trash?
Speaker 2: A swimming pool? Feel like a dip. Maybe we can
Speaker 2: swim to safety. Uh No, not me. You can't swim.
Speaker 2: I just don't like water, did jim? What they call
Speaker 2: the recreation area around here? Don't you recognize it? Hmmm?
Speaker 2: I don't think so. I could have sworn I saw
Speaker 2: you here once, really from a distance, but I don't
Speaker 2: think you saw me. What's that the Panoptogon tower and
Speaker 2: all seeing eye in the the eyeball on the map.
Speaker 2: If that's the tower, it's right in the middle, and
Speaker 2: maybe from the top we can see a way out.
Speaker 2: I can't see inside one way glass. It's probably crawling
Speaker 2: with guards, but it might be our best chance, or
Speaker 2: our only chance. I'll go if you call well, no
Speaker 2: one on the first floor. That is the longest spiral
Speaker 2: staircase I've ever seen, thirteen fourteen. What are you doing
Speaker 2: counting the steps twenty fifty ninety one to fifty? I
Speaker 2: can't believe it. They aren't watching anything. There's no one
Speaker 2: in here, and why would there be. There's nothing to see,
Speaker 2: no outside, no sky, just more and more rooms and
Speaker 2: corridors and cells.
Speaker 7: This is fucking hopeless. What does the map say?
Speaker 2: The map? You mean this fucking paper weight? What do
Speaker 2: you want to do now? I feel like I fucked
Speaker 2: this all up. We almost had everything we needed. We
Speaker 2: could have made it. We should have. I should have
Speaker 2: waited till I knew more, until I had a plan,
Speaker 2: a real plan. This was slap dash, it improvised, impulsive.
Speaker 2: I took our one chance and wasted it. We are
Speaker 2: not dead yet. Come on, let's go down and look
Speaker 2: around some more. On forty nine, on forty seven, I'm
Speaker 2: sorry that was pathetic. There's really no precedent for this situation,
Speaker 2: but that's just like me to completely lose my cool
Speaker 2: at the dumbest possible moment. Mercurial my mother used to
Speaker 2: call me. Really, I feel like I'm getting better. If
Speaker 2: nothing else, my time here has taught me a little
Speaker 2: bit of patience. It's been a hard lesson to learn.
Speaker 2: All the best lessons are You are really remarkable, even
Speaker 2: if this escape ends up a huge failure. I'm glad
Speaker 2: we got to do it together. Me too. I can't
Speaker 2: believe this, but I I don't even know your name.
Speaker 2: I'm cy Si. Yeah, you know, like ci Ah right,
Speaker 2: I'm Lily Lily, like the flower Lily. That's nice. It's
Speaker 2: a nickname, really a translation. Don't tell anyone, but my
Speaker 2: real name is Sayuri. Wait what.
Speaker 6: Hey?
Speaker 4: What are you doing?
Speaker 15: You can't be in here?
Speaker 9: Shit is way get back there.
Speaker 7: This is the same hallway as before. Hurry, that's my
Speaker 7: axe on the wall. Come on faster. Wait what are
Speaker 7: these doores even? Say? C nine one one, B twelve
Speaker 7: forty seven A fifteen sixty? Wait what the store fifteen sixty?
Speaker 7: The code locked?
Speaker 13: Shit?
Speaker 2: But what if we have to hurry? This is insane?
Speaker 7: But what if the key I made good?
Speaker 2: God of incomprehensible mercy. It's another white room.
Speaker 3: Go through.
Speaker 2: Hey, I made it. Come on, Lily, where'd you go?
Speaker 12: Are you there?
Speaker 2: Hey, Lily?
Speaker 11: Help me?
Speaker 7: I'm stuck.
Speaker 2: Fuck fuck fuck?
Speaker 13: Okay, okay, maybe she found her own way. Yeah, yeah, yeah,
Speaker 13: maybe she's just on the other side. I just have
Speaker 13: to make my way through. Okay, maybe maybe over.
Speaker 2: Oh no, no, summi, maybe this out? O? How does
Speaker 2: anyone now? Okay? Okay, go slowly?
Speaker 9: No?
Speaker 5: No?
Speaker 2: Where am I moment?
Speaker 1: Please?
Speaker 2: Front office?
Speaker 4: Hold?
Speaker 1: Please?
Speaker 2: How did I just one moment? Please?
Speaker 7: Front office?
Speaker 15: Are you still there?
Speaker 2: Just another moment?
Speaker 15: Please?
Speaker 2: Thank you for waiting.
Speaker 15: Now do you have an appointment?
Speaker 2: Miss? Oh? You're asking? Do you have an appointment to
Speaker 2: see him? Him?
Speaker 7: Why?
Speaker 2: The warden?
Speaker 7: Of course, the warden.
Speaker 2: I found. No one sees the warden.
Speaker 15: Not without an appointment. But he has a free minute.
Speaker 15: Now if you can be quick about it, I run office. Yes,
Speaker 15: all right, let me put you on hold. Please through
Speaker 15: the door now.
Speaker 7: Please thank you.
Speaker 9: I'm not an office.
Speaker 2: Are you still there?
Speaker 15: Okay?
Speaker 2: Please continue.
Speaker 8: Statistical analysis of the last fiscal years suggests an overall
Speaker 8: two percent decrease in the retention of staff within the
Speaker 8: facilities and.
Speaker 3: Perstruction two percent.
Speaker 8: However, oh dear it seems that there was an oversight
Speaker 8: in a collection of data from the outset, calling the
Speaker 8: validity of the entire survey into question.
Speaker 3: The entire survey is based on the officer's analysis of
Speaker 3: the analysis.
Speaker 8: Will need Oh dear, you're.
Speaker 4: Not gonna like them.
Speaker 3: Just tell me a.
Speaker 8: Full review of the review process between all department heads
Speaker 8: and we both know.
Speaker 4: What that means.
Speaker 3: Wait, don't say it.
Speaker 8: You'll need to assemble a new subcommittee to investigate the incongruity.
Speaker 3: No anything, but is there really no other word?
Speaker 4: Please?
Speaker 3: I'm begging you. Oh my sorry, so sorry? Hello, Please
Speaker 3: come in.
Speaker 8: First things first, we'll have to submit the applications to
Speaker 8: request the properly.
Speaker 3: My apologies. Did we have an appointment?
Speaker 2: No?
Speaker 3: I please have a seat?
Speaker 7: Uh?
Speaker 2: Where right?
Speaker 3: Please? So what is this about?
Speaker 2: Okay?
Speaker 3: I I should know, But the truth is I've been
Speaker 3: a little behind schedule since. Oh well, honestly, I'm not
Speaker 3: sure there is any tax to catch up. So we
Speaker 3: don't have to do what we can while we are.
Speaker 3: But why don't we start with you? What is your
Speaker 3: resident number? My resident number? You should have been given
Speaker 3: one during your requisition before there was a full accounting
Speaker 3: of your personal effects not to self investigate review process
Speaker 3: to verify standard procentures with requisition offers in regards to
Speaker 3: best practices. Yes, they did explendid and the number it
Speaker 3: was alpha?
Speaker 2: Something was I expected to remember that?
Speaker 4: M How about your name?
Speaker 3: We could cross reference ALPHA residents by name.
Speaker 2: Well, that's the thing.
Speaker 7: It's Siuri Martinez.
Speaker 3: Martinez, Martinez, MARTIEZ. Let me see, let me see. Oh
Speaker 3: oh well that's odd.
Speaker 2: What what's on?
Speaker 3: You said it was under alpha?
Speaker 2: I think so.
Speaker 3: Well, then we have a problem here. Oh dear, what
Speaker 3: is it? Two five one alpha one beta, both with
Speaker 3: the resident number s AE one five six zero. You
Speaker 3: said Rodriguez or Martinez Martinez.
Speaker 2: It's always been Martinez Martinez Martinez.
Speaker 3: Oh dear, I see what happened here? This can't be
Speaker 3: you books shouldn't of course signed off one doctor Raymond?
Speaker 4: But why.
Speaker 16: Run of there?
Speaker 3: Can you get doctor Raymont on the phone?
Speaker 4: Please?
Speaker 16: But sir, every line is already on hold. We can't
Speaker 16: take another call, let alone make one.
Speaker 3: Oh bother, I do apologize. We'll have to hurry this along.
Speaker 2: Are you going to tell me what's going on?
Speaker 3: HM? In this world, miss Martinez, there are certain feparencies oddities.
Speaker 3: Cases you couldn't call unnatural, because all are in some
Speaker 3: way of nature, but its most capricious tricks to form.
Speaker 3: There are too many descriptives to choose from, some societal,
Speaker 3: some spiritual, some scientific of them all, I prefer the
Speaker 3: term anomaly. Time and time again, history has shown that
Speaker 3: public life functions at its most harmonious with the minimum
Speaker 3: of these anomalies in its midst And that is what
Speaker 3: our facility is for. Perhaps rather assuredly during your time here,
Speaker 3: that the pen is not like other places. That is
Speaker 3: my design, as far back as anyone remembers, and indeed
Speaker 3: long before I myself held this office, the directive has
Speaker 3: been clear. To detect, to locate, to procure, to study,
Speaker 3: to rehabilitate, if possible, but above all, to separate these
Speaker 3: disruptive elements from the rest of society. Excuse me.
Speaker 2: Saying that's true, Then what does it have to do
Speaker 2: with me?
Speaker 7: Are you trying to say that I'm one of these cases?
Speaker 2: Then what makes me anomalous?
Speaker 3: Maybe you, maybe her, maybe neither of you, except for
Speaker 3: the fact that you shouldn't be here together.
Speaker 7: So it was a mistake, a grave one. Then let
Speaker 7: me go, Let us go.
Speaker 3: I wish I could.
Speaker 2: You're the warden.
Speaker 7: Are you in charge?
Speaker 3: You know the last time I left this desk, Miss Martinez,
Speaker 3: me neither. I am not in charge. The system is,
Speaker 3: I am, but its implement less than an extremity, not
Speaker 3: its head, not even an armor toe, a single nerve
Speaker 3: operating amidst a chain that cannot be broken, at least
Speaker 3: evolve from the inside out. You may feel that your
Speaker 3: liberty has been stripped away. You must, but know that
Speaker 3: mine has long been dead and buried.
Speaker 16: Sir Section C is calling a ten to seventy four,
Speaker 16: possibly too two.
Speaker 3: Ten seventy fours. Oh dear, do we have the filesport?
Speaker 16: I'm looking, but there's some confusion on the name. Seems
Speaker 16: like a filing air between two primary cases.
Speaker 3: We'll need to completely change the agenda just one moment.
Speaker 16: Well, I don't think now.
Speaker 2: Is that's about me? Isn't it?
Speaker 4: Or he or both of you?
Speaker 2: They're coming, I'd say, they're on their way to throw
Speaker 2: me in my cell. We're solitary again or worse. And
Speaker 2: then what mm hmm.
Speaker 3: You may have heard it's impossible to escape this place.
Speaker 3: Idious bye and bye. Everyone gives up. But that doesn't
Speaker 3: mean you have to.
Speaker 2: I thank you, but I don't understand. Why are you
Speaker 2: doing this?
Speaker 3: Because I know it's hopeless, But why should you believe
Speaker 3: that just because I said it?
Speaker 7: Pendleton with its million fucking doors, Oh.
Speaker 2: You can't escape, but you can follow a million stories
Speaker 2: and land on your ass right in the middle of
Speaker 2: a what even is this place?
Speaker 6: Say?
Speaker 12: Really, where did you we got away?
Speaker 2: I did too. Listen, we gotta talk about something, you
Speaker 2: and me. I think I know what you're going to say,
Speaker 2: that you are and you are, but we're not not
Speaker 2: what the same like I am me and you are
Speaker 2: you unless I've got it backwards. Either way, it's nice
Speaker 2: to find you again. Yeah, I guess we'll circle back
Speaker 2: on that. Okay for now, maybe we still have a chance.
Speaker 2: But where are we? Is this a water treatment plant?
Speaker 14: Seems like a solid guess, feel like a swim now?
Speaker 8: Whoa?
Speaker 2: Well, we can fit at least for the moment. If
Speaker 2: this gets into a wade through sewage, crawl through shit situation,
Speaker 2: I'll make it. If it gets above neck deep, you
Speaker 2: might have to leave me behind. I would never What
Speaker 2: was that?
Speaker 9: Hide control?
Speaker 7: Go ahead desalination?
Speaker 4: Now is did side you? What you are going to runs?
Speaker 4: Through that pipe. What if you get stuck? What about
Speaker 4: windsor tide comes even tied?
Speaker 11: You know there's only one way out of this, your
Speaker 11: choice to make it difficult tide?
Speaker 2: Yeah? What about that valve?
Speaker 9: Got them control?
Speaker 4: Prepared?
Speaker 2: Descaling? I'll be with this.
Speaker 9: What exactly do you think that's gonna do?
Speaker 2: Why don't we find out together?
Speaker 4: Back up?
Speaker 2: That's it?
Speaker 9: What did you think would happen?
Speaker 7: Flush them out?
Speaker 4: Nut yet? Be scally?
Speaker 7: What initiate? Be scaling?
Speaker 2: Shit? Now get over here and we'll make it.
Speaker 9: Step otherwise you can wait there and drown.
Speaker 2: Is this the end? Looks like it?
Speaker 8: You know?
Speaker 2: There is actually one thing I forgot to mention? What
Speaker 2: no time? Just pass me your necklace.
Speaker 7: Okay, now now close your eyes tight.
Speaker 2: Whatever happens, don't open them until I say so, Okay,
Speaker 2: got it closed.
Speaker 9: This is it.
Speaker 7: I'm counting to five.
Speaker 2: Perfect one mana tru manaa mana mana mana.
Speaker 8: Happening?
Speaker 11: Just get your eyes close.
Speaker 2: A scaling solution, And dude, I guess that was a bluff.
Speaker 2: You can look now where did they go? What was
Speaker 2: that a gift someone gave me? Seems more like a curse?
Speaker 2: That too, Come on, God, that's cold. I don't know
Speaker 2: how I'm gonna do this. You might want to take
Speaker 2: your shoes off.
Speaker 7: Is the water getting deeper or is the pipe getting smaller?
Speaker 5: Maybe?
Speaker 7: Both gneeze, waist, shoulder, neck.
Speaker 2: We're going to have to swim for it.
Speaker 7: I I'm not sure I can hold on to me.
Speaker 2: We'll go together.
Speaker 7: Okay, okay, big breath.
Speaker 9: You'll be Yeah, I'm fine.
Speaker 2: Did you see it? What the lights up ahead? I
Speaker 2: didn't see any light.
Speaker 7: It's some kind of opening.
Speaker 2: I'm sure of it.
Speaker 7: Whatever happens, swim towards it. Okay, whatever happens.
Speaker 8: What do you mean?
Speaker 7: Eyes open, straight ahead, Swim.
Speaker 2: As fast as you can.
Speaker 9: You got it.
Speaker 2: You're you're not.
Speaker 11: Gonna hold on.
Speaker 2: You'll be faster alone.
Speaker 13: We both will, okay, Hi ready, okay?
Speaker 3: Three?
Speaker 2: Two h.
Speaker 1: H h.
Speaker 6: I see ye see shall bye, see see show bye,
Speaker 6: see see show bye, see fallow Save God.
Speaker 2: Show guy, See fellow.
Speaker 6: Save God, Show guy, say fellow, Save God.
Speaker 12: Show Lily, Lily, m hm, Lily, can you hear me?
Speaker 2: I can see it. There's good life.
Speaker 7: It's it's the outside.
Speaker 10: Oh yeah, I see.
Speaker 2: Guys.
Speaker 1: Thirteen Days of Halloween Pennance, starring Natalie Morales. Episode eleven
Speaker 1: Escape written by Alexander Williams and Matthew Riddle, featuring the
Speaker 1: voices of Alex Bowling, Tara Buck, Jay Jones, Raphael Corkil,
Speaker 1: Rachel Rosenbloom, Anam and Noah Feinberg. Directed by Alexander Williams.
Speaker 1: Executive producers Aaron Manke, Noah Feinberg, Chris Dicky, Matt Frederick
Speaker 1: and Alexander Williams. Supervising producers Trevor Young and Josh Thain.
Speaker 1: Producers Jesse funk, Rima Ilkali, Noami Griffin, Chandler Mays, and
Speaker 1: Casby Bias. Script editing by Lauren Vogelbaum, Story consultants Ben
Speaker 1: Bolan and Matthew Riddle. Casting by Sunday Bowling CSA and
Speaker 1: Meg Mormon CSA. Production coordinator Wayna Calderon, Production assistants Jenna
Speaker 1: Johnson and Winona Lowe. Theme music by Rose Azerti with
Speaker 1: vocals by Anna Hummler, recorded at This Is Sound Design
Speaker 1: Studios in Burbank, California. Engineered by ross Erronel Special thanks
Speaker 1: to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca.
Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and
Speaker 1: Alexander Williams, and is a production of iHeart Podcasts, Blumhouse
Speaker 1: Television and Grim and Mild from Aaron Makee. Learn more
Speaker 1: about the show at Grimandmild dot com. Slash thirteen days
Speaker 1: and find more podcasts from iHeartRadio by visiting the iHeartRadio app,
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.
Speaker 1: Happy Halloween,