WEBVTT - S4/E11 | Escape

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<v Speaker 1>Thirteen Days of Halloween Penance, a co production of iHeart

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<v Speaker 1>three D Audio Blumhouse Television and Grim and Mild from

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<v Speaker 1>Aaron Nanke. Headphones recommended, Listener discretion advised.

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<v Speaker 2>What is it a map? It doesn't look like any

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<v Speaker 2>map I've ever seen. I know for a fact someone

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<v Speaker 2>uses to escape. Well kind of, we just have to

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<v Speaker 2>crack the code. Concentric circles, maybe the different cell blocks?

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<v Speaker 2>Are they around? I don't know. What about these symbols?

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<v Speaker 2>This one in the middle looks like an eye. Hmmm,

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<v Speaker 2>we're gonna need help. What about our neighbor frip. Yeah,

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<v Speaker 2>I wish, but he's made it clear he doesn't want

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<v Speaker 2>to be involved. I'm sorry. I don't have more to offer.

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<v Speaker 2>It all seems so complicated, but it can't really be right,

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<v Speaker 2>Like if the staff used these to get around. Some

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<v Speaker 2>of them are dumb as bricks, especially the guards.

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<v Speaker 3>What is it?

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<v Speaker 2>Well, it might be a suicide mission, but there is

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<v Speaker 2>one more person I can ask, no, no, no, no, am

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<v Speaker 2>I crimes?

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<v Speaker 4>How do I get back?

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<v Speaker 2>Crimes?

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<v Speaker 4>I have to get back. I need to get back.

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<v Speaker 2>It's me Saury.

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<v Speaker 4>Saori, Wait, tell me which one? Which one? Are you?

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<v Speaker 2>Same as always, God crimes. What happened to you? They

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<v Speaker 2>just locked you up like any other prisoner.

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<v Speaker 4>Happened to me? What happened to me? What happened to me?

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<v Speaker 4>Every time I think I have it and lose it

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<v Speaker 4>and then.

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<v Speaker 5>I've lost them, I've lost I've lost it.

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<v Speaker 4>I'll never be allowed to leave, I'll never be able

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<v Speaker 4>to go back back.

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<v Speaker 2>But where do you want to go? Back to crimes?

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<v Speaker 4>Where?

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<v Speaker 5>How can I say? How would I tell you? If

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<v Speaker 5>I can't show you? It's just I've just lost again.

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<v Speaker 5>The kid hold it? The kid hold it?

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<v Speaker 4>Please? Please sorry me help me?

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<v Speaker 2>Let's say I can. Will you do something for me?

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<v Speaker 4>Something?

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<v Speaker 6>Anything?

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<v Speaker 4>Nothing?

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<v Speaker 2>Right?

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<v Speaker 6>Some?

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<v Speaker 2>Any none? If I get closer, will you stay calm?

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<v Speaker 2>If I hand you something, will you promise to give

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<v Speaker 2>it back? You have to promise or I can't help you.

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<v Speaker 4>Mm hmmm mm hmm.

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<v Speaker 2>Have you ever seen anything like this before? It's that yeah, yeah,

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<v Speaker 2>the Pendleton.

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<v Speaker 4>Yes, yes, that sounds right.

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<v Speaker 2>Can you tell me? Is this really a map?

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<v Speaker 4>The map? I see I have one? Right?

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<v Speaker 5>He put my keys, put my podcast, they took them,

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<v Speaker 5>They took everything.

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<v Speaker 7>Hey, hey, hey it's okay, it's okay.

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<v Speaker 2>Just focus now. This is very important how does it work?

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<v Speaker 4>How does it work?

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<v Speaker 2>The map? Do you know how it works?

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<v Speaker 4>The map? No?

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<v Speaker 2>No? Did you before?

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<v Speaker 4>No?

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<v Speaker 2>Okay, do you know who does?

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<v Speaker 4>No one?

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<v Speaker 2>No one knows.

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<v Speaker 4>They did. Someone did along long time ago? What hell?

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<v Speaker 4>Everybody forgot it?

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<v Speaker 2>But wait? If no one knows how it works, how

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<v Speaker 2>do you use it?

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<v Speaker 4>The white rooms?

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<v Speaker 2>White rooms?

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<v Speaker 4>There? The doors?

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<v Speaker 2>What kind of doors?

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<v Speaker 4>White doors?

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<v Speaker 2>Where do they go? Well?

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<v Speaker 4>I was supposed to where I went? But where I

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<v Speaker 4>still land? Where I will be and never leave and

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<v Speaker 4>never be alone, never alone. I will never be alone again.

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<v Speaker 4>I will never be alone again, never alone. I will

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<v Speaker 4>never be alone again.

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<v Speaker 6>I will never be alone again.

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<v Speaker 2>Have you ever seen one of these white rooms? White rooms?

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<v Speaker 2>Doors glowing with light? My second day hear I ran

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<v Speaker 2>through one behind the cafeteria. At the time, I wasn't

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<v Speaker 2>really sure what I was seeing, But now I wonder

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<v Speaker 2>if that's a portal to another part of the pen

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<v Speaker 2>or maybe out of here. I know where one is?

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<v Speaker 2>Really where at the end of the hall?

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<v Speaker 7>What?

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<v Speaker 2>How do you know that I used it to get here?

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<v Speaker 2>I always do? But why have I never seen it?

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<v Speaker 2>I don't know. I can only ever seem to find

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<v Speaker 2>it at night and what You just waltz through, no

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<v Speaker 2>problem except that it is loud inside. Okay, it's settled,

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<v Speaker 2>then we go that way. I just have to figure

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<v Speaker 2>out how to break out of my cell. Let's see

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<v Speaker 2>what we have to work with your pillo. It's where

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<v Speaker 2>I keep the extent of my earthly possessions. Besides one

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<v Speaker 2>esoteric map that may or may not be too cryptic

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<v Speaker 2>to use. There's this key I built in the machine

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<v Speaker 2>shop that probably does open anything, but works wonders at

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<v Speaker 2>scraping away mortar. One book the mirrors. It's interesting, actually

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<v Speaker 2>I should read some of it to you. This necklace, yeah,

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<v Speaker 2>the pen returned that to me, but it's not mine.

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<v Speaker 2>I had one really similar, but the other half of

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<v Speaker 2>the moon, I think it's mine. Really wow, that's uh

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<v Speaker 2>oh well, hey, please take it back. You don't want it.

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<v Speaker 2>I'm just keeping it in my pillowcase. You might actually

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<v Speaker 2>get away with wearing it here. Let me. They also

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<v Speaker 2>returned my juicy fruit. Do you want a piece? Maybe later?

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<v Speaker 2>I think you are forgetting something. Well, there's just cold.

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<v Speaker 2>I was given fifteen sixty, but as that was a

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<v Speaker 2>product of my own deduction, I'm starting to think it's

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<v Speaker 2>as worthless as the key. No something else?

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<v Speaker 3>Come here?

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<v Speaker 2>Okay, closer, closer.

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<v Speaker 8>One, Bobby?

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<v Speaker 2>Oh, right for my haircut for maximum security. This place

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<v Speaker 2>can be pretty lax. Hey, you don't think we could?

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<v Speaker 2>Could we use this to pick the lock? Yeah? No, Well,

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<v Speaker 2>at least I'll be able to keep my hair out

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<v Speaker 2>of my eyes. Anything else not that I can think of,

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<v Speaker 2>looks like this? Is it?

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<v Speaker 9>Oh shit?

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<v Speaker 2>What? Well? It may be crazy, but I have one

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<v Speaker 2>idea for the come or maybe the book.

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<v Speaker 10>Lock up two minutes.

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<v Speaker 9>Everyone in your cells.

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<v Speaker 7>Hey, no problem, boss, happy to oblige.

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<v Speaker 2>Right, Rodriguez, but quietly.

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<v Speaker 4>When loves of which.

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<v Speaker 10>You Calcutta, it's Martinez, Eureka, Ready as I'll ever be?

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<v Speaker 11>Which way over here around the east corner. I can't

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<v Speaker 11>believe this has been here the whole time. You want

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<v Speaker 11>to go first? For good luck, I'd rather follow you.

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<v Speaker 11>Here goes nothing.

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<v Speaker 2>Hey, I'm here. Where'd you go?

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<v Speaker 12>This way?

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<v Speaker 2>I can't see you?

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<v Speaker 1>Follow my boys?

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<v Speaker 7>It's so loud.

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<v Speaker 2>Almost there?

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<v Speaker 13>Now?

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<v Speaker 2>What are you? Okay?

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<v Speaker 7>Yeah?

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<v Speaker 2>Why are we in the bathroom? There's so many baths.

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<v Speaker 2>I'm never really sure where they will lead. This is

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<v Speaker 2>a lot nicer than ours. They even have toilets. Maybe

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<v Speaker 2>this is I don't know, the executive.

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<v Speaker 9>Wing, carpet, wallpaper.

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<v Speaker 2>Or definitely not in sea block anymore. Which way. Yeah,

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<v Speaker 2>I'm gonna say this map is useless. We're just gonna

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<v Speaker 2>have to pick a direction and try it. It would

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<v Speaker 2>help if we knew what we were looking for. Okay, here,

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<v Speaker 2>do be damned. If we see this ax again, we'll

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<v Speaker 2>know we've made a circle. Run hide.

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<v Speaker 14>Sh you want to get out of the closet.

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<v Speaker 2>Okay, there are practically a million doors here. How about

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<v Speaker 2>this one, the kitchen, the laundry.

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<v Speaker 7>What's that?

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<v Speaker 2>Uh?

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<v Speaker 7>Trash?

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<v Speaker 2>A swimming pool? Feel like a dip. Maybe we can

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<v Speaker 2>swim to safety. Uh No, not me. You can't swim.

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<v Speaker 2>I just don't like water, did jim? What they call

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<v Speaker 2>the recreation area around here? Don't you recognize it? Hmmm?

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<v Speaker 2>I don't think so. I could have sworn I saw

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<v Speaker 2>you here once, really from a distance, but I don't

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<v Speaker 2>think you saw me. What's that the Panoptogon tower and

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<v Speaker 2>all seeing eye in the the eyeball on the map.

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<v Speaker 2>If that's the tower, it's right in the middle, and

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<v Speaker 2>maybe from the top we can see a way out.

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<v Speaker 2>I can't see inside one way glass. It's probably crawling

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<v Speaker 2>with guards, but it might be our best chance, or

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<v Speaker 2>our only chance. I'll go if you call well, no

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<v Speaker 2>one on the first floor. That is the longest spiral

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<v Speaker 2>staircase I've ever seen, thirteen fourteen. What are you doing

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<v Speaker 2>counting the steps twenty fifty ninety one to fifty? I

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<v Speaker 2>can't believe it. They aren't watching anything. There's no one

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<v Speaker 2>in here, and why would there be. There's nothing to see,

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<v Speaker 2>no outside, no sky, just more and more rooms and

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<v Speaker 2>corridors and cells.

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<v Speaker 7>This is fucking hopeless. What does the map say?

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<v Speaker 2>The map? You mean this fucking paper weight? What do

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<v Speaker 2>you want to do now? I feel like I fucked

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<v Speaker 2>this all up. We almost had everything we needed. We

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<v Speaker 2>could have made it. We should have. I should have

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<v Speaker 2>waited till I knew more, until I had a plan,

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<v Speaker 2>a real plan. This was slap dash, it improvised, impulsive.

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<v Speaker 2>I took our one chance and wasted it. We are

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<v Speaker 2>not dead yet. Come on, let's go down and look

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<v Speaker 2>around some more. On forty nine, on forty seven, I'm

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<v Speaker 2>sorry that was pathetic. There's really no precedent for this situation,

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<v Speaker 2>but that's just like me to completely lose my cool

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<v Speaker 2>at the dumbest possible moment. Mercurial my mother used to

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<v Speaker 2>call me. Really, I feel like I'm getting better. If

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<v Speaker 2>nothing else, my time here has taught me a little

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<v Speaker 2>bit of patience. It's been a hard lesson to learn.

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<v Speaker 2>All the best lessons are You are really remarkable, even

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<v Speaker 2>if this escape ends up a huge failure. I'm glad

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<v Speaker 2>we got to do it together. Me too. I can't

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<v Speaker 2>believe this, but I I don't even know your name.

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<v Speaker 2>I'm cy Si. Yeah, you know, like ci Ah right,

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<v Speaker 2>I'm Lily Lily, like the flower Lily. That's nice. It's

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<v Speaker 2>a nickname, really a translation. Don't tell anyone, but my

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<v Speaker 2>real name is Sayuri. Wait what.

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<v Speaker 6>Hey?

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<v Speaker 4>What are you doing?

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<v Speaker 15>You can't be in here?

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<v Speaker 9>Shit is way get back there.

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<v Speaker 7>This is the same hallway as before. Hurry, that's my

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<v Speaker 7>axe on the wall. Come on faster. Wait what are

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<v Speaker 7>these doores even? Say? C nine one one, B twelve

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<v Speaker 7>forty seven A fifteen sixty? Wait what the store fifteen sixty?

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<v Speaker 7>The code locked?

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<v Speaker 13>Shit?

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<v Speaker 2>But what if we have to hurry? This is insane?

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<v Speaker 7>But what if the key I made good?

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<v Speaker 2>God of incomprehensible mercy. It's another white room.

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<v Speaker 3>Go through.

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<v Speaker 2>Hey, I made it. Come on, Lily, where'd you go?

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<v Speaker 12>Are you there?

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<v Speaker 2>Hey, Lily?

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<v Speaker 11>Help me?

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<v Speaker 7>I'm stuck.

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<v Speaker 2>Fuck fuck fuck?

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<v Speaker 13>Okay, okay, maybe she found her own way. Yeah, yeah, yeah,

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<v Speaker 13>maybe she's just on the other side. I just have

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<v Speaker 13>to make my way through. Okay, maybe maybe over.

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<v Speaker 2>Oh no, no, summi, maybe this out? O? How does

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<v Speaker 2>anyone now? Okay? Okay, go slowly?

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<v Speaker 9>No?

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<v Speaker 5>No?

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<v Speaker 2>Where am I moment?

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<v Speaker 1>Please?

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<v Speaker 2>Front office?

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<v Speaker 4>Hold?

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<v Speaker 1>Please?

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<v Speaker 2>How did I just one moment? Please?

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<v Speaker 7>Front office?

0:16:23.240 --> 0:16:24.840
<v Speaker 15>Are you still there?

0:16:24.880 --> 0:16:25.600
<v Speaker 2>Just another moment?

0:16:25.680 --> 0:16:26.000
<v Speaker 15>Please?

0:16:27.000 --> 0:16:27.840
<v Speaker 2>Thank you for waiting.

0:16:28.400 --> 0:16:29.520
<v Speaker 15>Now do you have an appointment?

0:16:31.280 --> 0:16:34.440
<v Speaker 2>Miss? Oh? You're asking? Do you have an appointment to

0:16:34.440 --> 0:16:35.960
<v Speaker 2>see him? Him?

0:16:36.480 --> 0:16:36.760
<v Speaker 7>Why?

0:16:36.920 --> 0:16:37.480
<v Speaker 2>The warden?

0:16:37.600 --> 0:16:39.400
<v Speaker 7>Of course, the warden.

0:16:39.960 --> 0:16:41.640
<v Speaker 2>I found. No one sees the warden.

0:16:41.480 --> 0:16:44.680
<v Speaker 15>Not without an appointment. But he has a free minute.

0:16:44.680 --> 0:16:48.760
<v Speaker 15>Now if you can be quick about it, I run office. Yes,

0:16:49.320 --> 0:16:52.240
<v Speaker 15>all right, let me put you on hold. Please through

0:16:52.280 --> 0:16:53.840
<v Speaker 15>the door now.

0:16:53.680 --> 0:16:55.600
<v Speaker 7>Please thank you.

0:16:55.640 --> 0:16:57.040
<v Speaker 9>I'm not an office.

0:16:57.400 --> 0:16:58.200
<v Speaker 2>Are you still there?

0:16:59.600 --> 0:16:59.960
<v Speaker 15>Okay?

0:17:00.520 --> 0:17:01.280
<v Speaker 2>Please continue.

0:17:02.160 --> 0:17:06.040
<v Speaker 8>Statistical analysis of the last fiscal years suggests an overall

0:17:06.359 --> 0:17:08.840
<v Speaker 8>two percent decrease in the retention of staff within the

0:17:08.840 --> 0:17:09.480
<v Speaker 8>facilities and.

0:17:09.560 --> 0:17:12.040
<v Speaker 3>Perstruction two percent.

0:17:12.720 --> 0:17:16.320
<v Speaker 8>However, oh dear it seems that there was an oversight

0:17:16.359 --> 0:17:18.439
<v Speaker 8>in a collection of data from the outset, calling the

0:17:18.480 --> 0:17:20.560
<v Speaker 8>validity of the entire survey into question.

0:17:22.040 --> 0:17:25.760
<v Speaker 3>The entire survey is based on the officer's analysis of

0:17:25.840 --> 0:17:26.600
<v Speaker 3>the analysis.

0:17:26.600 --> 0:17:28.840
<v Speaker 8>Will need Oh dear, you're.

0:17:28.680 --> 0:17:29.480
<v Speaker 4>Not gonna like them.

0:17:29.720 --> 0:17:31.040
<v Speaker 3>Just tell me a.

0:17:31.000 --> 0:17:34.080
<v Speaker 8>Full review of the review process between all department heads

0:17:34.480 --> 0:17:35.480
<v Speaker 8>and we both know.

0:17:35.440 --> 0:17:36.000
<v Speaker 4>What that means.

0:17:36.200 --> 0:17:37.479
<v Speaker 3>Wait, don't say it.

0:17:38.280 --> 0:17:41.639
<v Speaker 8>You'll need to assemble a new subcommittee to investigate the incongruity.

0:17:41.880 --> 0:17:45.160
<v Speaker 3>No anything, but is there really no other word?

0:17:45.359 --> 0:17:45.719
<v Speaker 4>Please?

0:17:46.200 --> 0:17:51.160
<v Speaker 3>I'm begging you. Oh my sorry, so sorry? Hello, Please

0:17:51.160 --> 0:17:51.439
<v Speaker 3>come in.

0:17:51.680 --> 0:17:54.280
<v Speaker 8>First things first, we'll have to submit the applications to

0:17:54.320 --> 0:17:55.080
<v Speaker 8>request the properly.

0:17:56.359 --> 0:17:58.639
<v Speaker 3>My apologies. Did we have an appointment?

0:18:00.200 --> 0:18:00.480
<v Speaker 2>No?

0:18:01.359 --> 0:18:04.200
<v Speaker 3>I please have a seat?

0:18:05.320 --> 0:18:05.840
<v Speaker 7>Uh?

0:18:05.960 --> 0:18:07.960
<v Speaker 2>Where right?

0:18:10.000 --> 0:18:14.719
<v Speaker 3>Please? So what is this about?

0:18:15.640 --> 0:18:16.000
<v Speaker 2>Okay?

0:18:16.280 --> 0:18:19.040
<v Speaker 3>I I should know, But the truth is I've been

0:18:19.080 --> 0:18:22.840
<v Speaker 3>a little behind schedule since. Oh well, honestly, I'm not

0:18:22.840 --> 0:18:24.520
<v Speaker 3>sure there is any tax to catch up. So we

0:18:24.680 --> 0:18:26.560
<v Speaker 3>don't have to do what we can while we are.

0:18:27.720 --> 0:18:32.160
<v Speaker 3>But why don't we start with you? What is your

0:18:32.200 --> 0:18:39.640
<v Speaker 3>resident number? My resident number? You should have been given

0:18:39.640 --> 0:18:42.280
<v Speaker 3>one during your requisition before there was a full accounting

0:18:42.280 --> 0:18:46.320
<v Speaker 3>of your personal effects not to self investigate review process

0:18:46.320 --> 0:18:49.480
<v Speaker 3>to verify standard procentures with requisition offers in regards to

0:18:49.520 --> 0:18:55.439
<v Speaker 3>best practices. Yes, they did explendid and the number it

0:18:55.600 --> 0:18:57.399
<v Speaker 3>was alpha?

0:18:57.560 --> 0:18:59.800
<v Speaker 2>Something was I expected to remember that?

0:19:01.080 --> 0:19:03.320
<v Speaker 4>M How about your name?

0:19:03.840 --> 0:19:06.600
<v Speaker 3>We could cross reference ALPHA residents by name.

0:19:07.560 --> 0:19:08.520
<v Speaker 2>Well, that's the thing.

0:19:08.680 --> 0:19:12.520
<v Speaker 7>It's Siuri Martinez.

0:19:12.200 --> 0:19:15.600
<v Speaker 3>Martinez, Martinez, MARTIEZ. Let me see, let me see. Oh

0:19:15.960 --> 0:19:19.000
<v Speaker 3>oh well that's odd.

0:19:19.400 --> 0:19:20.720
<v Speaker 2>What what's on?

0:19:21.320 --> 0:19:22.680
<v Speaker 3>You said it was under alpha?

0:19:23.520 --> 0:19:23.960
<v Speaker 2>I think so.

0:19:24.680 --> 0:19:29.199
<v Speaker 3>Well, then we have a problem here. Oh dear, what

0:19:29.400 --> 0:19:34.199
<v Speaker 3>is it? Two five one alpha one beta, both with

0:19:34.240 --> 0:19:37.639
<v Speaker 3>the resident number s AE one five six zero. You

0:19:37.680 --> 0:19:41.119
<v Speaker 3>said Rodriguez or Martinez Martinez.

0:19:41.160 --> 0:19:44.200
<v Speaker 2>It's always been Martinez Martinez Martinez.

0:19:44.920 --> 0:19:49.439
<v Speaker 3>Oh dear, I see what happened here? This can't be

0:19:50.880 --> 0:19:56.280
<v Speaker 3>you books shouldn't of course signed off one doctor Raymond?

0:19:57.240 --> 0:19:58.600
<v Speaker 4>But why.

0:20:00.200 --> 0:20:00.679
<v Speaker 16>Run of there?

0:20:01.160 --> 0:20:02.960
<v Speaker 3>Can you get doctor Raymont on the phone?

0:20:03.000 --> 0:20:03.280
<v Speaker 4>Please?

0:20:03.600 --> 0:20:06.120
<v Speaker 16>But sir, every line is already on hold. We can't

0:20:06.119 --> 0:20:08.160
<v Speaker 16>take another call, let alone make one.

0:20:08.480 --> 0:20:11.680
<v Speaker 3>Oh bother, I do apologize. We'll have to hurry this along.

0:20:11.960 --> 0:20:13.320
<v Speaker 2>Are you going to tell me what's going on?

0:20:15.560 --> 0:20:24.639
<v Speaker 3>HM? In this world, miss Martinez, there are certain feparencies oddities.

0:20:25.680 --> 0:20:28.560
<v Speaker 3>Cases you couldn't call unnatural, because all are in some

0:20:28.720 --> 0:20:32.680
<v Speaker 3>way of nature, but its most capricious tricks to form.

0:20:33.600 --> 0:20:37.240
<v Speaker 3>There are too many descriptives to choose from, some societal,

0:20:37.480 --> 0:20:42.080
<v Speaker 3>some spiritual, some scientific of them all, I prefer the

0:20:42.200 --> 0:20:47.679
<v Speaker 3>term anomaly. Time and time again, history has shown that

0:20:47.720 --> 0:20:51.240
<v Speaker 3>public life functions at its most harmonious with the minimum

0:20:51.280 --> 0:20:55.040
<v Speaker 3>of these anomalies in its midst And that is what

0:20:55.080 --> 0:21:01.280
<v Speaker 3>our facility is for. Perhaps rather assuredly during your time here,

0:21:01.560 --> 0:21:05.600
<v Speaker 3>that the pen is not like other places. That is

0:21:05.640 --> 0:21:10.000
<v Speaker 3>my design, as far back as anyone remembers, and indeed

0:21:10.080 --> 0:21:13.439
<v Speaker 3>long before I myself held this office, the directive has

0:21:13.480 --> 0:21:19.320
<v Speaker 3>been clear. To detect, to locate, to procure, to study,

0:21:19.800 --> 0:21:24.200
<v Speaker 3>to rehabilitate, if possible, but above all, to separate these

0:21:24.240 --> 0:21:28.480
<v Speaker 3>disruptive elements from the rest of society. Excuse me.

0:21:30.840 --> 0:21:33.800
<v Speaker 2>Saying that's true, Then what does it have to do

0:21:33.840 --> 0:21:34.080
<v Speaker 2>with me?

0:21:35.320 --> 0:21:37.320
<v Speaker 7>Are you trying to say that I'm one of these cases?

0:21:38.240 --> 0:21:39.840
<v Speaker 2>Then what makes me anomalous?

0:21:42.200 --> 0:21:46.560
<v Speaker 3>Maybe you, maybe her, maybe neither of you, except for

0:21:46.560 --> 0:21:48.840
<v Speaker 3>the fact that you shouldn't be here together.

0:21:49.600 --> 0:21:53.640
<v Speaker 7>So it was a mistake, a grave one. Then let

0:21:53.640 --> 0:21:55.280
<v Speaker 7>me go, Let us go.

0:21:56.119 --> 0:21:57.000
<v Speaker 3>I wish I could.

0:21:57.720 --> 0:21:58.480
<v Speaker 2>You're the warden.

0:21:58.960 --> 0:21:59.840
<v Speaker 7>Are you in charge?

0:22:00.240 --> 0:22:03.120
<v Speaker 3>You know the last time I left this desk, Miss Martinez,

0:22:04.520 --> 0:22:08.359
<v Speaker 3>me neither. I am not in charge. The system is,

0:22:09.080 --> 0:22:12.879
<v Speaker 3>I am, but its implement less than an extremity, not

0:22:13.040 --> 0:22:16.919
<v Speaker 3>its head, not even an armor toe, a single nerve

0:22:17.359 --> 0:22:20.840
<v Speaker 3>operating amidst a chain that cannot be broken, at least

0:22:20.840 --> 0:22:24.640
<v Speaker 3>evolve from the inside out. You may feel that your

0:22:24.640 --> 0:22:28.639
<v Speaker 3>liberty has been stripped away. You must, but know that

0:22:28.760 --> 0:22:30.760
<v Speaker 3>mine has long been dead and buried.

0:22:31.720 --> 0:22:34.360
<v Speaker 16>Sir Section C is calling a ten to seventy four,

0:22:34.480 --> 0:22:36.000
<v Speaker 16>possibly too two.

0:22:35.840 --> 0:22:40.120
<v Speaker 3>Ten seventy fours. Oh dear, do we have the filesport?

0:22:40.520 --> 0:22:43.919
<v Speaker 16>I'm looking, but there's some confusion on the name. Seems

0:22:43.960 --> 0:22:46.440
<v Speaker 16>like a filing air between two primary cases.

0:22:47.400 --> 0:22:50.160
<v Speaker 3>We'll need to completely change the agenda just one moment.

0:22:50.359 --> 0:22:51.800
<v Speaker 16>Well, I don't think now.

0:22:51.920 --> 0:22:55.920
<v Speaker 2>Is that's about me? Isn't it?

0:22:56.960 --> 0:22:58.600
<v Speaker 4>Or he or both of you?

0:22:59.440 --> 0:23:03.320
<v Speaker 2>They're coming, I'd say, they're on their way to throw

0:23:03.400 --> 0:23:10.639
<v Speaker 2>me in my cell. We're solitary again or worse. And

0:23:10.680 --> 0:23:13.040
<v Speaker 2>then what mm hmm.

0:23:17.880 --> 0:23:20.439
<v Speaker 3>You may have heard it's impossible to escape this place.

0:23:22.119 --> 0:23:29.159
<v Speaker 3>Idious bye and bye. Everyone gives up. But that doesn't

0:23:29.160 --> 0:23:29.879
<v Speaker 3>mean you have to.

0:23:32.840 --> 0:23:39.720
<v Speaker 2>I thank you, but I don't understand. Why are you

0:23:39.800 --> 0:23:40.199
<v Speaker 2>doing this?

0:23:41.320 --> 0:23:44.879
<v Speaker 3>Because I know it's hopeless, But why should you believe

0:23:44.920 --> 0:23:46.639
<v Speaker 3>that just because I said it?

0:24:00.720 --> 0:24:04.240
<v Speaker 7>Pendleton with its million fucking doors, Oh.

0:24:04.000 --> 0:24:06.119
<v Speaker 2>You can't escape, but you can follow a million stories

0:24:06.119 --> 0:24:07.679
<v Speaker 2>and land on your ass right in the middle of

0:24:07.720 --> 0:24:10.639
<v Speaker 2>a what even is this place?

0:24:11.800 --> 0:24:12.000
<v Speaker 6>Say?

0:24:12.560 --> 0:24:15.480
<v Speaker 12>Really, where did you we got away?

0:24:15.920 --> 0:24:20.240
<v Speaker 2>I did too. Listen, we gotta talk about something, you

0:24:20.359 --> 0:24:22.680
<v Speaker 2>and me. I think I know what you're going to say,

0:24:23.119 --> 0:24:27.159
<v Speaker 2>that you are and you are, but we're not not

0:24:27.560 --> 0:24:30.960
<v Speaker 2>what the same like I am me and you are

0:24:31.000 --> 0:24:35.280
<v Speaker 2>you unless I've got it backwards. Either way, it's nice

0:24:35.320 --> 0:24:40.200
<v Speaker 2>to find you again. Yeah, I guess we'll circle back

0:24:40.240 --> 0:24:45.159
<v Speaker 2>on that. Okay for now, maybe we still have a chance.

0:24:46.200 --> 0:24:50.080
<v Speaker 2>But where are we? Is this a water treatment plant?

0:24:50.680 --> 0:24:54.720
<v Speaker 14>Seems like a solid guess, feel like a swim now?

0:24:58.520 --> 0:24:58.840
<v Speaker 8>Whoa?

0:25:01.600 --> 0:25:05.000
<v Speaker 2>Well, we can fit at least for the moment. If

0:25:05.040 --> 0:25:09.000
<v Speaker 2>this gets into a wade through sewage, crawl through shit situation,

0:25:09.200 --> 0:25:12.439
<v Speaker 2>I'll make it. If it gets above neck deep, you

0:25:12.520 --> 0:25:15.359
<v Speaker 2>might have to leave me behind. I would never What

0:25:15.560 --> 0:25:15.720
<v Speaker 2>was that?

0:25:17.760 --> 0:25:19.120
<v Speaker 9>Hide control?

0:25:19.560 --> 0:25:21.360
<v Speaker 7>Go ahead desalination?

0:25:21.520 --> 0:25:30.840
<v Speaker 4>Now is did side you? What you are going to runs?

0:25:30.880 --> 0:25:34.879
<v Speaker 4>Through that pipe. What if you get stuck? What about

0:25:34.920 --> 0:25:37.600
<v Speaker 4>windsor tide comes even tied?

0:25:38.160 --> 0:25:40.640
<v Speaker 11>You know there's only one way out of this, your

0:25:40.760 --> 0:25:42.639
<v Speaker 11>choice to make it difficult tide?

0:25:43.119 --> 0:25:45.159
<v Speaker 2>Yeah? What about that valve?

0:25:46.920 --> 0:25:48.120
<v Speaker 9>Got them control?

0:25:48.480 --> 0:25:48.920
<v Speaker 4>Prepared?

0:25:48.960 --> 0:25:51.600
<v Speaker 2>Descaling? I'll be with this.

0:25:53.040 --> 0:25:54.760
<v Speaker 9>What exactly do you think that's gonna do?

0:25:55.000 --> 0:25:56.280
<v Speaker 2>Why don't we find out together?

0:25:56.640 --> 0:26:00.800
<v Speaker 4>Back up?

0:26:04.920 --> 0:26:05.440
<v Speaker 2>That's it?

0:26:06.680 --> 0:26:07.960
<v Speaker 9>What did you think would happen?

0:26:08.760 --> 0:26:10.399
<v Speaker 7>Flush them out?

0:26:10.720 --> 0:26:12.600
<v Speaker 4>Nut yet? Be scally?

0:26:13.400 --> 0:26:15.680
<v Speaker 7>What initiate? Be scaling?

0:26:17.080 --> 0:26:19.760
<v Speaker 2>Shit? Now get over here and we'll make it.

0:26:19.840 --> 0:26:22.600
<v Speaker 9>Step otherwise you can wait there and drown.

0:26:25.240 --> 0:26:27.120
<v Speaker 2>Is this the end? Looks like it?

0:26:28.720 --> 0:26:28.960
<v Speaker 8>You know?

0:26:29.680 --> 0:26:31.840
<v Speaker 2>There is actually one thing I forgot to mention? What

0:26:32.160 --> 0:26:33.639
<v Speaker 2>no time? Just pass me your necklace.

0:26:34.040 --> 0:26:36.400
<v Speaker 7>Okay, now now close your eyes tight.

0:26:36.840 --> 0:26:39.080
<v Speaker 2>Whatever happens, don't open them until I say so, Okay,

0:26:39.800 --> 0:26:41.120
<v Speaker 2>got it closed.

0:26:41.520 --> 0:26:42.240
<v Speaker 9>This is it.

0:26:42.560 --> 0:26:43.560
<v Speaker 7>I'm counting to five.

0:26:44.040 --> 0:26:51.920
<v Speaker 2>Perfect one mana tru manaa mana mana mana.

0:26:54.240 --> 0:26:54.600
<v Speaker 8>Happening?

0:26:54.960 --> 0:26:56.240
<v Speaker 11>Just get your eyes close.

0:26:58.480 --> 0:27:04.560
<v Speaker 2>A scaling solution, And dude, I guess that was a bluff.

0:27:05.840 --> 0:27:10.680
<v Speaker 2>You can look now where did they go? What was

0:27:10.760 --> 0:27:15.040
<v Speaker 2>that a gift someone gave me? Seems more like a curse?

0:27:15.760 --> 0:27:23.000
<v Speaker 2>That too, Come on, God, that's cold. I don't know

0:27:23.000 --> 0:27:25.560
<v Speaker 2>how I'm gonna do this. You might want to take

0:27:25.600 --> 0:27:26.400
<v Speaker 2>your shoes off.

0:27:30.640 --> 0:27:33.320
<v Speaker 7>Is the water getting deeper or is the pipe getting smaller?

0:27:34.440 --> 0:27:34.680
<v Speaker 5>Maybe?

0:27:34.840 --> 0:27:42.800
<v Speaker 7>Both gneeze, waist, shoulder, neck.

0:27:43.720 --> 0:27:45.399
<v Speaker 2>We're going to have to swim for it.

0:27:45.520 --> 0:27:47.840
<v Speaker 7>I I'm not sure I can hold on to me.

0:27:48.359 --> 0:27:49.200
<v Speaker 2>We'll go together.

0:27:49.560 --> 0:27:52.600
<v Speaker 7>Okay, okay, big breath.

0:28:01.600 --> 0:28:03.919
<v Speaker 9>You'll be Yeah, I'm fine.

0:28:04.720 --> 0:28:08.600
<v Speaker 2>Did you see it? What the lights up ahead? I

0:28:08.640 --> 0:28:09.400
<v Speaker 2>didn't see any light.

0:28:09.600 --> 0:28:10.680
<v Speaker 7>It's some kind of opening.

0:28:10.960 --> 0:28:11.639
<v Speaker 2>I'm sure of it.

0:28:12.240 --> 0:28:15.320
<v Speaker 7>Whatever happens, swim towards it. Okay, whatever happens.

0:28:15.320 --> 0:28:15.800
<v Speaker 8>What do you mean?

0:28:15.960 --> 0:28:18.679
<v Speaker 7>Eyes open, straight ahead, Swim.

0:28:18.440 --> 0:28:19.280
<v Speaker 2>As fast as you can.

0:28:19.320 --> 0:28:19.760
<v Speaker 9>You got it.

0:28:20.520 --> 0:28:21.320
<v Speaker 2>You're you're not.

0:28:21.240 --> 0:28:21.760
<v Speaker 11>Gonna hold on.

0:28:21.880 --> 0:28:22.960
<v Speaker 2>You'll be faster alone.

0:28:23.160 --> 0:28:27.200
<v Speaker 13>We both will, okay, Hi ready, okay?

0:28:27.600 --> 0:28:27.840
<v Speaker 3>Three?

0:28:28.760 --> 0:28:33.480
<v Speaker 2>Two h.

0:28:39.240 --> 0:28:59.880
<v Speaker 1>H h.

0:29:12.760 --> 0:29:22.720
<v Speaker 6>I see ye see shall bye, see see show bye,

0:29:22.880 --> 0:29:29.080
<v Speaker 6>see see show bye, see fallow Save God.

0:29:29.040 --> 0:29:31.800
<v Speaker 2>Show guy, See fellow.

0:29:31.960 --> 0:29:36.520
<v Speaker 6>Save God, Show guy, say fellow, Save God.

0:29:36.720 --> 0:29:50.000
<v Speaker 12>Show Lily, Lily, m hm, Lily, can you hear me?

0:29:54.280 --> 0:30:12.400
<v Speaker 2>I can see it. There's good life.

0:30:10.880 --> 0:30:18.160
<v Speaker 7>It's it's the outside.

0:30:26.960 --> 0:30:36.440
<v Speaker 10>Oh yeah, I see.

0:30:38.520 --> 0:30:40.360
<v Speaker 2>Guys.

0:30:43.160 --> 0:30:48.640
<v Speaker 1>Thirteen Days of Halloween Pennance, starring Natalie Morales. Episode eleven

0:30:49.040 --> 0:30:53.360
<v Speaker 1>Escape written by Alexander Williams and Matthew Riddle, featuring the

0:30:53.400 --> 0:30:58.040
<v Speaker 1>voices of Alex Bowling, Tara Buck, Jay Jones, Raphael Corkil,

0:30:58.360 --> 0:31:04.440
<v Speaker 1>Rachel Rosenbloom, Anam and Noah Feinberg. Directed by Alexander Williams.

0:31:04.600 --> 0:31:09.320
<v Speaker 1>Executive producers Aaron Manke, Noah Feinberg, Chris Dicky, Matt Frederick

0:31:09.400 --> 0:31:14.040
<v Speaker 1>and Alexander Williams. Supervising producers Trevor Young and Josh Thain.

0:31:14.360 --> 0:31:19.200
<v Speaker 1>Producers Jesse funk, Rima Ilkali, Noami Griffin, Chandler Mays, and

0:31:19.360 --> 0:31:24.040
<v Speaker 1>Casby Bias. Script editing by Lauren Vogelbaum, Story consultants Ben

0:31:24.080 --> 0:31:28.040
<v Speaker 1>Bolan and Matthew Riddle. Casting by Sunday Bowling CSA and

0:31:28.120 --> 0:31:33.840
<v Speaker 1>Meg Mormon CSA. Production coordinator Wayna Calderon, Production assistants Jenna

0:31:33.920 --> 0:31:38.080
<v Speaker 1>Johnson and Winona Lowe. Theme music by Rose Azerti with

0:31:38.240 --> 0:31:41.960
<v Speaker 1>vocals by Anna Hummler, recorded at This Is Sound Design

0:31:42.040 --> 0:31:47.360
<v Speaker 1>Studios in Burbank, California. Engineered by ross Erronel Special thanks

0:31:47.360 --> 0:31:51.800
<v Speaker 1>to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca.

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<v Speaker 1>Thirteen Days of Halloween was created by Matt Frederick and

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<v Speaker 1>Alexander Williams, and is a production of iHeart Podcasts, Blumhouse

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<v Speaker 1>Television and Grim and Mild from Aaron Makee. Learn more

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<v Speaker 1>about the show at Grimandmild dot com. Slash thirteen days

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<v Speaker 1>and find more podcasts from iHeartRadio by visiting the iHeartRadio app,

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<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

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<v Speaker 1>Happy Halloween,