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Speaker 1: Thirteen Days of Halloween Penance, a co production of iHeart

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Speaker 1: three D Audio Blumhouse Television and Grim and Mild from

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Speaker 1: Aaron Nanke. Headphones recommended, Listener discretion advised.

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Speaker 2: What is it a map? It doesn't look like any

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Speaker 2: map I've ever seen. I know for a fact someone

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Speaker 2: uses to escape. Well kind of, we just have to

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Speaker 2: crack the code. Concentric circles, maybe the different cell blocks?

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Speaker 2: Are they around? I don't know. What about these symbols?

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Speaker 2: This one in the middle looks like an eye. Hmmm,

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Speaker 2: we're gonna need help. What about our neighbor frip. Yeah,

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Speaker 2: I wish, but he's made it clear he doesn't want

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Speaker 2: to be involved. I'm sorry. I don't have more to offer.

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Speaker 2: It all seems so complicated, but it can't really be right,

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Speaker 2: Like if the staff used these to get around. Some

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Speaker 2: of them are dumb as bricks, especially the guards.

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Speaker 3: What is it?

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Speaker 2: Well, it might be a suicide mission, but there is

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Speaker 2: one more person I can ask, no, no, no, no, am

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Speaker 2: I crimes?

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Speaker 4: How do I get back?

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Speaker 2: Crimes?

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Speaker 4: I have to get back. I need to get back.

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Speaker 2: It's me Saury.

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Speaker 4: Saori, Wait, tell me which one? Which one? Are you?

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Speaker 2: Same as always, God crimes. What happened to you? They

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Speaker 2: just locked you up like any other prisoner.

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Speaker 4: Happened to me? What happened to me? What happened to me?

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Speaker 4: Every time I think I have it and lose it

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Speaker 4: and then.

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Speaker 5: I've lost them, I've lost I've lost it.

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Speaker 4: I'll never be allowed to leave, I'll never be able

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Speaker 4: to go back back.

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Speaker 2: But where do you want to go? Back to crimes?

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Speaker 4: Where?

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Speaker 5: How can I say? How would I tell you? If

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Speaker 5: I can't show you? It's just I've just lost again.

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Speaker 5: The kid hold it? The kid hold it?

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Speaker 4: Please? Please sorry me help me?

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Speaker 2: Let's say I can. Will you do something for me?

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Speaker 4: Something?

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Speaker 6: Anything?

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Speaker 4: Nothing?

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Speaker 2: Right?

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Speaker 6: Some?

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Speaker 2: Any none? If I get closer, will you stay calm?

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Speaker 2: If I hand you something, will you promise to give

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Speaker 2: it back? You have to promise or I can't help you.

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Speaker 4: Mm hmmm mm hmm.

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Speaker 2: Have you ever seen anything like this before? It's that yeah, yeah,

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Speaker 2: the Pendleton.

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Speaker 4: Yes, yes, that sounds right.

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Speaker 2: Can you tell me? Is this really a map?

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Speaker 4: The map? I see I have one? Right?

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Speaker 5: He put my keys, put my podcast, they took them,

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Speaker 5: They took everything.

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Speaker 7: Hey, hey, hey it's okay, it's okay.

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Speaker 2: Just focus now. This is very important how does it work?

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Speaker 4: How does it work?

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Speaker 2: The map? Do you know how it works?

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Speaker 4: The map? No?

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Speaker 2: No? Did you before?

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Speaker 4: No?

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Speaker 2: Okay, do you know who does?

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Speaker 4: No one?

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Speaker 2: No one knows.

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Speaker 4: They did. Someone did along long time ago? What hell?

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Speaker 4: Everybody forgot it?

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Speaker 2: But wait? If no one knows how it works, how

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Speaker 2: do you use it?

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Speaker 4: The white rooms?

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Speaker 2: White rooms?

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Speaker 4: There? The doors?

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Speaker 2: What kind of doors?

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Speaker 4: White doors?

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Speaker 2: Where do they go? Well?

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Speaker 4: I was supposed to where I went? But where I

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Speaker 4: still land? Where I will be and never leave and

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Speaker 4: never be alone, never alone. I will never be alone again.

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Speaker 4: I will never be alone again, never alone. I will

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Speaker 4: never be alone again.

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Speaker 6: I will never be alone again.

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Speaker 2: Have you ever seen one of these white rooms? White rooms?

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Speaker 2: Doors glowing with light? My second day hear I ran

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Speaker 2: through one behind the cafeteria. At the time, I wasn't

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Speaker 2: really sure what I was seeing, But now I wonder

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Speaker 2: if that's a portal to another part of the pen

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Speaker 2: or maybe out of here. I know where one is?

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Speaker 2: Really where at the end of the hall?

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Speaker 7: What?

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Speaker 2: How do you know that I used it to get here?

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Speaker 2: I always do? But why have I never seen it?

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Speaker 2: I don't know. I can only ever seem to find

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Speaker 2: it at night and what You just waltz through, no

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Speaker 2: problem except that it is loud inside. Okay, it's settled,

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Speaker 2: then we go that way. I just have to figure

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Speaker 2: out how to break out of my cell. Let's see

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Speaker 2: what we have to work with your pillo. It's where

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Speaker 2: I keep the extent of my earthly possessions. Besides one

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Speaker 2: esoteric map that may or may not be too cryptic

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Speaker 2: to use. There's this key I built in the machine

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Speaker 2: shop that probably does open anything, but works wonders at

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Speaker 2: scraping away mortar. One book the mirrors. It's interesting, actually

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Speaker 2: I should read some of it to you. This necklace, yeah,

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Speaker 2: the pen returned that to me, but it's not mine.

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Speaker 2: I had one really similar, but the other half of

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Speaker 2: the moon, I think it's mine. Really wow, that's uh

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Speaker 2: oh well, hey, please take it back. You don't want it.

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Speaker 2: I'm just keeping it in my pillowcase. You might actually

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Speaker 2: get away with wearing it here. Let me. They also

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Speaker 2: returned my juicy fruit. Do you want a piece? Maybe later?

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Speaker 2: I think you are forgetting something. Well, there's just cold.

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Speaker 2: I was given fifteen sixty, but as that was a

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Speaker 2: product of my own deduction, I'm starting to think it's

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Speaker 2: as worthless as the key. No something else?

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Speaker 3: Come here?

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Speaker 2: Okay, closer, closer.

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Speaker 8: One, Bobby?

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Speaker 2: Oh, right for my haircut for maximum security. This place

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Speaker 2: can be pretty lax. Hey, you don't think we could?

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Speaker 2: Could we use this to pick the lock? Yeah? No, Well,

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Speaker 2: at least I'll be able to keep my hair out

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Speaker 2: of my eyes. Anything else not that I can think of,

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Speaker 2: looks like this? Is it?

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Speaker 9: Oh shit?

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Speaker 2: What? Well? It may be crazy, but I have one

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Speaker 2: idea for the come or maybe the book.

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Speaker 10: Lock up two minutes.

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Speaker 9: Everyone in your cells.

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Speaker 7: Hey, no problem, boss, happy to oblige.

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Speaker 2: Right, Rodriguez, but quietly.

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Speaker 4: When loves of which.

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Speaker 10: You Calcutta, it's Martinez, Eureka, Ready as I'll ever be?

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Speaker 11: Which way over here around the east corner. I can't

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Speaker 11: believe this has been here the whole time. You want

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Speaker 11: to go first? For good luck, I'd rather follow you.

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Speaker 11: Here goes nothing.

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Speaker 2: Hey, I'm here. Where'd you go?

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Speaker 12: This way?

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Speaker 2: I can't see you?

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Speaker 1: Follow my boys?

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Speaker 7: It's so loud.

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Speaker 2: Almost there?

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Speaker 13: Now?

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Speaker 2: What are you? Okay?

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Speaker 7: Yeah?

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Speaker 2: Why are we in the bathroom? There's so many baths.

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Speaker 2: I'm never really sure where they will lead. This is

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Speaker 2: a lot nicer than ours. They even have toilets. Maybe

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Speaker 2: this is I don't know, the executive.

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Speaker 9: Wing, carpet, wallpaper.

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Speaker 2: Or definitely not in sea block anymore. Which way. Yeah,

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Speaker 2: I'm gonna say this map is useless. We're just gonna

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Speaker 2: have to pick a direction and try it. It would

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Speaker 2: help if we knew what we were looking for. Okay, here,

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Speaker 2: do be damned. If we see this ax again, we'll

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Speaker 2: know we've made a circle. Run hide.

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Speaker 14: Sh you want to get out of the closet.

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Speaker 2: Okay, there are practically a million doors here. How about

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Speaker 2: this one, the kitchen, the laundry.

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Speaker 7: What's that?

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Speaker 2: Uh?

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Speaker 7: Trash?

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Speaker 2: A swimming pool? Feel like a dip. Maybe we can

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Speaker 2: swim to safety. Uh No, not me. You can't swim.

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Speaker 2: I just don't like water, did jim? What they call

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Speaker 2: the recreation area around here? Don't you recognize it? Hmmm?

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Speaker 2: I don't think so. I could have sworn I saw

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Speaker 2: you here once, really from a distance, but I don't

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Speaker 2: think you saw me. What's that the Panoptogon tower and

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Speaker 2: all seeing eye in the the eyeball on the map.

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Speaker 2: If that's the tower, it's right in the middle, and

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Speaker 2: maybe from the top we can see a way out.

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Speaker 2: I can't see inside one way glass. It's probably crawling

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Speaker 2: with guards, but it might be our best chance, or

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Speaker 2: our only chance. I'll go if you call well, no

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Speaker 2: one on the first floor. That is the longest spiral

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Speaker 2: staircase I've ever seen, thirteen fourteen. What are you doing

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Speaker 2: counting the steps twenty fifty ninety one to fifty? I

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Speaker 2: can't believe it. They aren't watching anything. There's no one

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Speaker 2: in here, and why would there be. There's nothing to see,

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Speaker 2: no outside, no sky, just more and more rooms and

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Speaker 2: corridors and cells.

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Speaker 7: This is fucking hopeless. What does the map say?

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Speaker 2: The map? You mean this fucking paper weight? What do

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Speaker 2: you want to do now? I feel like I fucked

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Speaker 2: this all up. We almost had everything we needed. We

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Speaker 2: could have made it. We should have. I should have

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Speaker 2: waited till I knew more, until I had a plan,

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Speaker 2: a real plan. This was slap dash, it improvised, impulsive.

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Speaker 2: I took our one chance and wasted it. We are

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Speaker 2: not dead yet. Come on, let's go down and look

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Speaker 2: around some more. On forty nine, on forty seven, I'm

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Speaker 2: sorry that was pathetic. There's really no precedent for this situation,

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Speaker 2: but that's just like me to completely lose my cool

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Speaker 2: at the dumbest possible moment. Mercurial my mother used to

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Speaker 2: call me. Really, I feel like I'm getting better. If

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Speaker 2: nothing else, my time here has taught me a little

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Speaker 2: bit of patience. It's been a hard lesson to learn.

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Speaker 2: All the best lessons are You are really remarkable, even

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Speaker 2: if this escape ends up a huge failure. I'm glad

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Speaker 2: we got to do it together. Me too. I can't

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Speaker 2: believe this, but I I don't even know your name.

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Speaker 2: I'm cy Si. Yeah, you know, like ci Ah right,

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Speaker 2: I'm Lily Lily, like the flower Lily. That's nice. It's

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Speaker 2: a nickname, really a translation. Don't tell anyone, but my

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Speaker 2: real name is Sayuri. Wait what.

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Speaker 6: Hey?

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Speaker 4: What are you doing?

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Speaker 15: You can't be in here?

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Speaker 9: Shit is way get back there.

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Speaker 7: This is the same hallway as before. Hurry, that's my

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Speaker 7: axe on the wall. Come on faster. Wait what are

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Speaker 7: these doores even? Say? C nine one one, B twelve

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Speaker 7: forty seven A fifteen sixty? Wait what the store fifteen sixty?

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Speaker 7: The code locked?

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Speaker 13: Shit?

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Speaker 2: But what if we have to hurry? This is insane?

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Speaker 7: But what if the key I made good?

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Speaker 2: God of incomprehensible mercy. It's another white room.

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Speaker 3: Go through.

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Speaker 2: Hey, I made it. Come on, Lily, where'd you go?

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Speaker 12: Are you there?

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Speaker 2: Hey, Lily?

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Speaker 11: Help me?

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Speaker 7: I'm stuck.

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Speaker 2: Fuck fuck fuck?

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Speaker 13: Okay, okay, maybe she found her own way. Yeah, yeah, yeah,

228
00:15:52,520 --> 00:15:54,880
Speaker 13: maybe she's just on the other side. I just have

229
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Speaker 13: to make my way through. Okay, maybe maybe over.

230
00:15:59,080 --> 00:16:03,600
Speaker 2: Oh no, no, summi, maybe this out? O? How does

231
00:16:03,640 --> 00:16:07,720
Speaker 2: anyone now? Okay? Okay, go slowly?

232
00:16:08,120 --> 00:16:09,320
Speaker 9: No?

233
00:16:08,600 --> 00:16:08,640
Speaker 5: No?

234
00:16:15,000 --> 00:16:16,720
Speaker 2: Where am I moment?

235
00:16:16,800 --> 00:16:17,160
Speaker 1: Please?

236
00:16:17,720 --> 00:16:18,480
Speaker 2: Front office?

237
00:16:19,000 --> 00:16:19,240
Speaker 4: Hold?

238
00:16:19,280 --> 00:16:19,600
Speaker 1: Please?

239
00:16:19,720 --> 00:16:21,480
Speaker 2: How did I just one moment? Please?

240
00:16:22,000 --> 00:16:22,720
Speaker 7: Front office?

241
00:16:23,240 --> 00:16:24,840
Speaker 15: Are you still there?

242
00:16:24,880 --> 00:16:25,600
Speaker 2: Just another moment?

243
00:16:25,680 --> 00:16:26,000
Speaker 15: Please?

244
00:16:27,000 --> 00:16:27,840
Speaker 2: Thank you for waiting.

245
00:16:28,400 --> 00:16:29,520
Speaker 15: Now do you have an appointment?

246
00:16:31,280 --> 00:16:34,440
Speaker 2: Miss? Oh? You're asking? Do you have an appointment to

247
00:16:34,440 --> 00:16:35,960
Speaker 2: see him? Him?

248
00:16:36,480 --> 00:16:36,760
Speaker 7: Why?

249
00:16:36,920 --> 00:16:37,480
Speaker 2: The warden?

250
00:16:37,600 --> 00:16:39,400
Speaker 7: Of course, the warden.

251
00:16:39,960 --> 00:16:41,640
Speaker 2: I found. No one sees the warden.

252
00:16:41,480 --> 00:16:44,680
Speaker 15: Not without an appointment. But he has a free minute.

253
00:16:44,680 --> 00:16:48,760
Speaker 15: Now if you can be quick about it, I run office. Yes,

254
00:16:49,320 --> 00:16:52,240
Speaker 15: all right, let me put you on hold. Please through

255
00:16:52,280 --> 00:16:53,840
Speaker 15: the door now.

256
00:16:53,680 --> 00:16:55,600
Speaker 7: Please thank you.

257
00:16:55,640 --> 00:16:57,040
Speaker 9: I'm not an office.

258
00:16:57,400 --> 00:16:58,200
Speaker 2: Are you still there?

259
00:16:59,600 --> 00:16:59,960
Speaker 15: Okay?

260
00:17:00,520 --> 00:17:01,280
Speaker 2: Please continue.

261
00:17:02,160 --> 00:17:06,040
Speaker 8: Statistical analysis of the last fiscal years suggests an overall

262
00:17:06,359 --> 00:17:08,840
Speaker 8: two percent decrease in the retention of staff within the

263
00:17:08,840 --> 00:17:09,480
Speaker 8: facilities and.

264
00:17:09,560 --> 00:17:12,040
Speaker 3: Perstruction two percent.

265
00:17:12,720 --> 00:17:16,320
Speaker 8: However, oh dear it seems that there was an oversight

266
00:17:16,359 --> 00:17:18,439
Speaker 8: in a collection of data from the outset, calling the

267
00:17:18,480 --> 00:17:20,560
Speaker 8: validity of the entire survey into question.

268
00:17:22,040 --> 00:17:25,760
Speaker 3: The entire survey is based on the officer's analysis of

269
00:17:25,840 --> 00:17:26,600
Speaker 3: the analysis.

270
00:17:26,600 --> 00:17:28,840
Speaker 8: Will need Oh dear, you're.

271
00:17:28,680 --> 00:17:29,480
Speaker 4: Not gonna like them.

272
00:17:29,720 --> 00:17:31,040
Speaker 3: Just tell me a.

273
00:17:31,000 --> 00:17:34,080
Speaker 8: Full review of the review process between all department heads

274
00:17:34,480 --> 00:17:35,480
Speaker 8: and we both know.

275
00:17:35,440 --> 00:17:36,000
Speaker 4: What that means.

276
00:17:36,200 --> 00:17:37,479
Speaker 3: Wait, don't say it.

277
00:17:38,280 --> 00:17:41,639
Speaker 8: You'll need to assemble a new subcommittee to investigate the incongruity.

278
00:17:41,880 --> 00:17:45,160
Speaker 3: No anything, but is there really no other word?

279
00:17:45,359 --> 00:17:45,719
Speaker 4: Please?

280
00:17:46,200 --> 00:17:51,160
Speaker 3: I'm begging you. Oh my sorry, so sorry? Hello, Please

281
00:17:51,160 --> 00:17:51,439
Speaker 3: come in.

282
00:17:51,680 --> 00:17:54,280
Speaker 8: First things first, we'll have to submit the applications to

283
00:17:54,320 --> 00:17:55,080
Speaker 8: request the properly.

284
00:17:56,359 --> 00:17:58,639
Speaker 3: My apologies. Did we have an appointment?

285
00:18:00,200 --> 00:18:00,480
Speaker 2: No?

286
00:18:01,359 --> 00:18:04,200
Speaker 3: I please have a seat?

287
00:18:05,320 --> 00:18:05,840
Speaker 7: Uh?

288
00:18:05,960 --> 00:18:07,960
Speaker 2: Where right?

289
00:18:10,000 --> 00:18:14,719
Speaker 3: Please? So what is this about?

290
00:18:15,640 --> 00:18:16,000
Speaker 2: Okay?

291
00:18:16,280 --> 00:18:19,040
Speaker 3: I I should know, But the truth is I've been

292
00:18:19,080 --> 00:18:22,840
Speaker 3: a little behind schedule since. Oh well, honestly, I'm not

293
00:18:22,840 --> 00:18:24,520
Speaker 3: sure there is any tax to catch up. So we

294
00:18:24,680 --> 00:18:26,560
Speaker 3: don't have to do what we can while we are.

295
00:18:27,720 --> 00:18:32,160
Speaker 3: But why don't we start with you? What is your

296
00:18:32,200 --> 00:18:39,640
Speaker 3: resident number? My resident number? You should have been given

297
00:18:39,640 --> 00:18:42,280
Speaker 3: one during your requisition before there was a full accounting

298
00:18:42,280 --> 00:18:46,320
Speaker 3: of your personal effects not to self investigate review process

299
00:18:46,320 --> 00:18:49,480
Speaker 3: to verify standard procentures with requisition offers in regards to

300
00:18:49,520 --> 00:18:55,439
Speaker 3: best practices. Yes, they did explendid and the number it

301
00:18:55,600 --> 00:18:57,399
Speaker 3: was alpha?

302
00:18:57,560 --> 00:18:59,800
Speaker 2: Something was I expected to remember that?

303
00:19:01,080 --> 00:19:03,320
Speaker 4: M How about your name?

304
00:19:03,840 --> 00:19:06,600
Speaker 3: We could cross reference ALPHA residents by name.

305
00:19:07,560 --> 00:19:08,520
Speaker 2: Well, that's the thing.

306
00:19:08,680 --> 00:19:12,520
Speaker 7: It's Siuri Martinez.

307
00:19:12,200 --> 00:19:15,600
Speaker 3: Martinez, Martinez, MARTIEZ. Let me see, let me see. Oh

308
00:19:15,960 --> 00:19:19,000
Speaker 3: oh well that's odd.

309
00:19:19,400 --> 00:19:20,720
Speaker 2: What what's on?

310
00:19:21,320 --> 00:19:22,680
Speaker 3: You said it was under alpha?

311
00:19:23,520 --> 00:19:23,960
Speaker 2: I think so.

312
00:19:24,680 --> 00:19:29,199
Speaker 3: Well, then we have a problem here. Oh dear, what

313
00:19:29,400 --> 00:19:34,199
Speaker 3: is it? Two five one alpha one beta, both with

314
00:19:34,240 --> 00:19:37,639
Speaker 3: the resident number s AE one five six zero. You

315
00:19:37,680 --> 00:19:41,119
Speaker 3: said Rodriguez or Martinez Martinez.

316
00:19:41,160 --> 00:19:44,200
Speaker 2: It's always been Martinez Martinez Martinez.

317
00:19:44,920 --> 00:19:49,439
Speaker 3: Oh dear, I see what happened here? This can't be

318
00:19:50,880 --> 00:19:56,280
Speaker 3: you books shouldn't of course signed off one doctor Raymond?

319
00:19:57,240 --> 00:19:58,600
Speaker 4: But why.

320
00:20:00,200 --> 00:20:00,679
Speaker 16: Run of there?

321
00:20:01,160 --> 00:20:02,960
Speaker 3: Can you get doctor Raymont on the phone?

322
00:20:03,000 --> 00:20:03,280
Speaker 4: Please?

323
00:20:03,600 --> 00:20:06,120
Speaker 16: But sir, every line is already on hold. We can't

324
00:20:06,119 --> 00:20:08,160
Speaker 16: take another call, let alone make one.

325
00:20:08,480 --> 00:20:11,680
Speaker 3: Oh bother, I do apologize. We'll have to hurry this along.

326
00:20:11,960 --> 00:20:13,320
Speaker 2: Are you going to tell me what's going on?

327
00:20:15,560 --> 00:20:24,639
Speaker 3: HM? In this world, miss Martinez, there are certain feparencies oddities.

328
00:20:25,680 --> 00:20:28,560
Speaker 3: Cases you couldn't call unnatural, because all are in some

329
00:20:28,720 --> 00:20:32,680
Speaker 3: way of nature, but its most capricious tricks to form.

330
00:20:33,600 --> 00:20:37,240
Speaker 3: There are too many descriptives to choose from, some societal,

331
00:20:37,480 --> 00:20:42,080
Speaker 3: some spiritual, some scientific of them all, I prefer the

332
00:20:42,200 --> 00:20:47,679
Speaker 3: term anomaly. Time and time again, history has shown that

333
00:20:47,720 --> 00:20:51,240
Speaker 3: public life functions at its most harmonious with the minimum

334
00:20:51,280 --> 00:20:55,040
Speaker 3: of these anomalies in its midst And that is what

335
00:20:55,080 --> 00:21:01,280
Speaker 3: our facility is for. Perhaps rather assuredly during your time here,

336
00:21:01,560 --> 00:21:05,600
Speaker 3: that the pen is not like other places. That is

337
00:21:05,640 --> 00:21:10,000
Speaker 3: my design, as far back as anyone remembers, and indeed

338
00:21:10,080 --> 00:21:13,439
Speaker 3: long before I myself held this office, the directive has

339
00:21:13,480 --> 00:21:19,320
Speaker 3: been clear. To detect, to locate, to procure, to study,

340
00:21:19,800 --> 00:21:24,200
Speaker 3: to rehabilitate, if possible, but above all, to separate these

341
00:21:24,240 --> 00:21:28,480
Speaker 3: disruptive elements from the rest of society. Excuse me.

342
00:21:30,840 --> 00:21:33,800
Speaker 2: Saying that's true, Then what does it have to do

343
00:21:33,840 --> 00:21:34,080
Speaker 2: with me?

344
00:21:35,320 --> 00:21:37,320
Speaker 7: Are you trying to say that I'm one of these cases?

345
00:21:38,240 --> 00:21:39,840
Speaker 2: Then what makes me anomalous?

346
00:21:42,200 --> 00:21:46,560
Speaker 3: Maybe you, maybe her, maybe neither of you, except for

347
00:21:46,560 --> 00:21:48,840
Speaker 3: the fact that you shouldn't be here together.

348
00:21:49,600 --> 00:21:53,640
Speaker 7: So it was a mistake, a grave one. Then let

349
00:21:53,640 --> 00:21:55,280
Speaker 7: me go, Let us go.

350
00:21:56,119 --> 00:21:57,000
Speaker 3: I wish I could.

351
00:21:57,720 --> 00:21:58,480
Speaker 2: You're the warden.

352
00:21:58,960 --> 00:21:59,840
Speaker 7: Are you in charge?

353
00:22:00,240 --> 00:22:03,120
Speaker 3: You know the last time I left this desk, Miss Martinez,

354
00:22:04,520 --> 00:22:08,359
Speaker 3: me neither. I am not in charge. The system is,

355
00:22:09,080 --> 00:22:12,879
Speaker 3: I am, but its implement less than an extremity, not

356
00:22:13,040 --> 00:22:16,919
Speaker 3: its head, not even an armor toe, a single nerve

357
00:22:17,359 --> 00:22:20,840
Speaker 3: operating amidst a chain that cannot be broken, at least

358
00:22:20,840 --> 00:22:24,640
Speaker 3: evolve from the inside out. You may feel that your

359
00:22:24,640 --> 00:22:28,639
Speaker 3: liberty has been stripped away. You must, but know that

360
00:22:28,760 --> 00:22:30,760
Speaker 3: mine has long been dead and buried.

361
00:22:31,720 --> 00:22:34,360
Speaker 16: Sir Section C is calling a ten to seventy four,

362
00:22:34,480 --> 00:22:36,000
Speaker 16: possibly too two.

363
00:22:35,840 --> 00:22:40,120
Speaker 3: Ten seventy fours. Oh dear, do we have the filesport?

364
00:22:40,520 --> 00:22:43,919
Speaker 16: I'm looking, but there's some confusion on the name. Seems

365
00:22:43,960 --> 00:22:46,440
Speaker 16: like a filing air between two primary cases.

366
00:22:47,400 --> 00:22:50,160
Speaker 3: We'll need to completely change the agenda just one moment.

367
00:22:50,359 --> 00:22:51,800
Speaker 16: Well, I don't think now.

368
00:22:51,920 --> 00:22:55,920
Speaker 2: Is that's about me? Isn't it?

369
00:22:56,960 --> 00:22:58,600
Speaker 4: Or he or both of you?

370
00:22:59,440 --> 00:23:03,320
Speaker 2: They're coming, I'd say, they're on their way to throw

371
00:23:03,400 --> 00:23:10,639
Speaker 2: me in my cell. We're solitary again or worse. And

372
00:23:10,680 --> 00:23:13,040
Speaker 2: then what mm hmm.

373
00:23:17,880 --> 00:23:20,439
Speaker 3: You may have heard it's impossible to escape this place.

374
00:23:22,119 --> 00:23:29,159
Speaker 3: Idious bye and bye. Everyone gives up. But that doesn't

375
00:23:29,160 --> 00:23:29,879
Speaker 3: mean you have to.

376
00:23:32,840 --> 00:23:39,720
Speaker 2: I thank you, but I don't understand. Why are you

377
00:23:39,800 --> 00:23:40,199
Speaker 2: doing this?

378
00:23:41,320 --> 00:23:44,879
Speaker 3: Because I know it's hopeless, But why should you believe

379
00:23:44,920 --> 00:23:46,639
Speaker 3: that just because I said it?

380
00:24:00,720 --> 00:24:04,240
Speaker 7: Pendleton with its million fucking doors, Oh.

381
00:24:04,000 --> 00:24:06,119
Speaker 2: You can't escape, but you can follow a million stories

382
00:24:06,119 --> 00:24:07,679
Speaker 2: and land on your ass right in the middle of

383
00:24:07,720 --> 00:24:10,639
Speaker 2: a what even is this place?

384
00:24:11,800 --> 00:24:12,000
Speaker 6: Say?

385
00:24:12,560 --> 00:24:15,480
Speaker 12: Really, where did you we got away?

386
00:24:15,920 --> 00:24:20,240
Speaker 2: I did too. Listen, we gotta talk about something, you

387
00:24:20,359 --> 00:24:22,680
Speaker 2: and me. I think I know what you're going to say,

388
00:24:23,119 --> 00:24:27,159
Speaker 2: that you are and you are, but we're not not

389
00:24:27,560 --> 00:24:30,960
Speaker 2: what the same like I am me and you are

390
00:24:31,000 --> 00:24:35,280
Speaker 2: you unless I've got it backwards. Either way, it's nice

391
00:24:35,320 --> 00:24:40,200
Speaker 2: to find you again. Yeah, I guess we'll circle back

392
00:24:40,240 --> 00:24:45,159
Speaker 2: on that. Okay for now, maybe we still have a chance.

393
00:24:46,200 --> 00:24:50,080
Speaker 2: But where are we? Is this a water treatment plant?

394
00:24:50,680 --> 00:24:54,720
Speaker 14: Seems like a solid guess, feel like a swim now?

395
00:24:58,520 --> 00:24:58,840
Speaker 8: Whoa?

396
00:25:01,600 --> 00:25:05,000
Speaker 2: Well, we can fit at least for the moment. If

397
00:25:05,040 --> 00:25:09,000
Speaker 2: this gets into a wade through sewage, crawl through shit situation,

398
00:25:09,200 --> 00:25:12,439
Speaker 2: I'll make it. If it gets above neck deep, you

399
00:25:12,520 --> 00:25:15,359
Speaker 2: might have to leave me behind. I would never What

400
00:25:15,560 --> 00:25:15,720
Speaker 2: was that?

401
00:25:17,760 --> 00:25:19,120
Speaker 9: Hide control?

402
00:25:19,560 --> 00:25:21,360
Speaker 7: Go ahead desalination?

403
00:25:21,520 --> 00:25:30,840
Speaker 4: Now is did side you? What you are going to runs?

404
00:25:30,880 --> 00:25:34,879
Speaker 4: Through that pipe. What if you get stuck? What about

405
00:25:34,920 --> 00:25:37,600
Speaker 4: windsor tide comes even tied?

406
00:25:38,160 --> 00:25:40,640
Speaker 11: You know there's only one way out of this, your

407
00:25:40,760 --> 00:25:42,639
Speaker 11: choice to make it difficult tide?

408
00:25:43,119 --> 00:25:45,159
Speaker 2: Yeah? What about that valve?

409
00:25:46,920 --> 00:25:48,120
Speaker 9: Got them control?

410
00:25:48,480 --> 00:25:48,920
Speaker 4: Prepared?

411
00:25:48,960 --> 00:25:51,600
Speaker 2: Descaling? I'll be with this.

412
00:25:53,040 --> 00:25:54,760
Speaker 9: What exactly do you think that's gonna do?

413
00:25:55,000 --> 00:25:56,280
Speaker 2: Why don't we find out together?

414
00:25:56,640 --> 00:26:00,800
Speaker 4: Back up?

415
00:26:04,920 --> 00:26:05,440
Speaker 2: That's it?

416
00:26:06,680 --> 00:26:07,960
Speaker 9: What did you think would happen?

417
00:26:08,760 --> 00:26:10,399
Speaker 7: Flush them out?

418
00:26:10,720 --> 00:26:12,600
Speaker 4: Nut yet? Be scally?

419
00:26:13,400 --> 00:26:15,680
Speaker 7: What initiate? Be scaling?

420
00:26:17,080 --> 00:26:19,760
Speaker 2: Shit? Now get over here and we'll make it.

421
00:26:19,840 --> 00:26:22,600
Speaker 9: Step otherwise you can wait there and drown.

422
00:26:25,240 --> 00:26:27,120
Speaker 2: Is this the end? Looks like it?

423
00:26:28,720 --> 00:26:28,960
Speaker 8: You know?

424
00:26:29,680 --> 00:26:31,840
Speaker 2: There is actually one thing I forgot to mention? What

425
00:26:32,160 --> 00:26:33,639
Speaker 2: no time? Just pass me your necklace.

426
00:26:34,040 --> 00:26:36,400
Speaker 7: Okay, now now close your eyes tight.

427
00:26:36,840 --> 00:26:39,080
Speaker 2: Whatever happens, don't open them until I say so, Okay,

428
00:26:39,800 --> 00:26:41,120
Speaker 2: got it closed.

429
00:26:41,520 --> 00:26:42,240
Speaker 9: This is it.

430
00:26:42,560 --> 00:26:43,560
Speaker 7: I'm counting to five.

431
00:26:44,040 --> 00:26:51,920
Speaker 2: Perfect one mana tru manaa mana mana mana.

432
00:26:54,240 --> 00:26:54,600
Speaker 8: Happening?

433
00:26:54,960 --> 00:26:56,240
Speaker 11: Just get your eyes close.

434
00:26:58,480 --> 00:27:04,560
Speaker 2: A scaling solution, And dude, I guess that was a bluff.

435
00:27:05,840 --> 00:27:10,680
Speaker 2: You can look now where did they go? What was

436
00:27:10,760 --> 00:27:15,040
Speaker 2: that a gift someone gave me? Seems more like a curse?

437
00:27:15,760 --> 00:27:23,000
Speaker 2: That too, Come on, God, that's cold. I don't know

438
00:27:23,000 --> 00:27:25,560
Speaker 2: how I'm gonna do this. You might want to take

439
00:27:25,600 --> 00:27:26,400
Speaker 2: your shoes off.

440
00:27:30,640 --> 00:27:33,320
Speaker 7: Is the water getting deeper or is the pipe getting smaller?

441
00:27:34,440 --> 00:27:34,680
Speaker 5: Maybe?

442
00:27:34,840 --> 00:27:42,800
Speaker 7: Both gneeze, waist, shoulder, neck.

443
00:27:43,720 --> 00:27:45,399
Speaker 2: We're going to have to swim for it.

444
00:27:45,520 --> 00:27:47,840
Speaker 7: I I'm not sure I can hold on to me.

445
00:27:48,359 --> 00:27:49,200
Speaker 2: We'll go together.

446
00:27:49,560 --> 00:27:52,600
Speaker 7: Okay, okay, big breath.

447
00:28:01,600 --> 00:28:03,919
Speaker 9: You'll be Yeah, I'm fine.

448
00:28:04,720 --> 00:28:08,600
Speaker 2: Did you see it? What the lights up ahead? I

449
00:28:08,640 --> 00:28:09,400
Speaker 2: didn't see any light.

450
00:28:09,600 --> 00:28:10,680
Speaker 7: It's some kind of opening.

451
00:28:10,960 --> 00:28:11,639
Speaker 2: I'm sure of it.

452
00:28:12,240 --> 00:28:15,320
Speaker 7: Whatever happens, swim towards it. Okay, whatever happens.

453
00:28:15,320 --> 00:28:15,800
Speaker 8: What do you mean?

454
00:28:15,960 --> 00:28:18,679
Speaker 7: Eyes open, straight ahead, Swim.

455
00:28:18,440 --> 00:28:19,280
Speaker 2: As fast as you can.

456
00:28:19,320 --> 00:28:19,760
Speaker 9: You got it.

457
00:28:20,520 --> 00:28:21,320
Speaker 2: You're you're not.

458
00:28:21,240 --> 00:28:21,760
Speaker 11: Gonna hold on.

459
00:28:21,880 --> 00:28:22,960
Speaker 2: You'll be faster alone.

460
00:28:23,160 --> 00:28:27,200
Speaker 13: We both will, okay, Hi ready, okay?

461
00:28:27,600 --> 00:28:27,840
Speaker 3: Three?

462
00:28:28,760 --> 00:28:33,480
Speaker 2: Two h.

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Speaker 1: H h.

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Speaker 6: I see ye see shall bye, see see show bye,

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Speaker 6: see see show bye, see fallow Save God.

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00:29:29,040 --> 00:29:31,800
Speaker 2: Show guy, See fellow.

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00:29:31,960 --> 00:29:36,520
Speaker 6: Save God, Show guy, say fellow, Save God.

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00:29:36,720 --> 00:29:50,000
Speaker 12: Show Lily, Lily, m hm, Lily, can you hear me?

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Speaker 2: I can see it. There's good life.

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Speaker 7: It's it's the outside.

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00:30:26,960 --> 00:30:36,440
Speaker 10: Oh yeah, I see.

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Speaker 2: Guys.

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Speaker 1: Thirteen Days of Halloween Pennance, starring Natalie Morales. Episode eleven

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00:30:49,040 --> 00:30:53,360
Speaker 1: Escape written by Alexander Williams and Matthew Riddle, featuring the

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00:30:53,400 --> 00:30:58,040
Speaker 1: voices of Alex Bowling, Tara Buck, Jay Jones, Raphael Corkil,

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00:30:58,360 --> 00:31:04,440
Speaker 1: Rachel Rosenbloom, Anam and Noah Feinberg. Directed by Alexander Williams.

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00:31:04,600 --> 00:31:09,320
Speaker 1: Executive producers Aaron Manke, Noah Feinberg, Chris Dicky, Matt Frederick

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00:31:09,400 --> 00:31:14,040
Speaker 1: and Alexander Williams. Supervising producers Trevor Young and Josh Thain.

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00:31:14,360 --> 00:31:19,200
Speaker 1: Producers Jesse funk, Rima Ilkali, Noami Griffin, Chandler Mays, and

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00:31:19,360 --> 00:31:24,040
Speaker 1: Casby Bias. Script editing by Lauren Vogelbaum, Story consultants Ben

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00:31:24,080 --> 00:31:28,040
Speaker 1: Bolan and Matthew Riddle. Casting by Sunday Bowling CSA and

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00:31:28,120 --> 00:31:33,840
Speaker 1: Meg Mormon CSA. Production coordinator Wayna Calderon, Production assistants Jenna

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00:31:33,920 --> 00:31:38,080
Speaker 1: Johnson and Winona Lowe. Theme music by Rose Azerti with

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00:31:38,240 --> 00:31:41,960
Speaker 1: vocals by Anna Hummler, recorded at This Is Sound Design

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00:31:42,040 --> 00:31:47,360
Speaker 1: Studios in Burbank, California. Engineered by ross Erronel Special thanks

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00:31:47,360 --> 00:31:51,800
Speaker 1: to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca.

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00:31:52,360 --> 00:31:55,400
Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and

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00:31:55,480 --> 00:31:59,640
Speaker 1: Alexander Williams, and is a production of iHeart Podcasts, Blumhouse

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00:31:59,680 --> 00:32:03,280
Speaker 1: Television and Grim and Mild from Aaron Makee. Learn more

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00:32:03,320 --> 00:32:07,120
Speaker 1: about the show at Grimandmild dot com. Slash thirteen days

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00:32:07,320 --> 00:32:11,160
Speaker 1: and find more podcasts from iHeartRadio by visiting the iHeartRadio app,

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00:32:11,280 --> 00:32:14,440
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.

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00:32:15,080 --> 00:32:16,000
Speaker 1: Happy Halloween,