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Speaker 1: Thirteen Days of Halloween Penance, a co production of iHeart

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Speaker 1: three D Audio Blumhouse Television and Grim and Mild from

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Speaker 1: Aaron Nanke. Headphones recommended, Listener discretion advised.

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Speaker 2: What is it a map? It doesn't look like any

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Speaker 2: map I've ever seen. I know for a fact someone

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Speaker 2: uses to escape. Well kind of, we just have to

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Speaker 2: crack the code. Concentric circles. Maybe the different cell blocks?

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Speaker 2: Are they round? I don't know. What about these symbols?

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Speaker 2: This one in the middle looks like an eye. Hmmm,

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Speaker 2: we're gonna need help. What about our neighbor frip. Yeah,

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Speaker 2: I wish, but he's made it clear he doesn't want

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Speaker 2: to be involved. I'm sorry. I don't have more to offer.

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Speaker 2: It all seems so complicated, but it can't really be right,

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Speaker 2: Like if the staff used these to get around. Some

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Speaker 2: of them are dumb as bricks, especially the guards. What

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Speaker 2: is it? Well, it might be a suicide mission, but

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Speaker 2: there is one more person I can ask, no, no, no, no,

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Speaker 2: am I crimes?

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Speaker 3: How do I get back?

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Speaker 2: Crimes?

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Speaker 3: I have to get back. I need to get back.

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Speaker 2: It's me Saury.

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Speaker 3: Saori, Wait, tell me which one? Which one? Are you?

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Speaker 2: Same as always, God crimes. What happened to you? They

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Speaker 2: just locked you up like any other prisoner.

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Speaker 3: Happened to me? What happened to me? What happened to me?

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Speaker 4: Every time I think I have it, lose it, and

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Speaker 4: then I've lost, I've lost.

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Speaker 3: I've lost it. I'll never be allowed to leave, I'll

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Speaker 3: never be able to go back back.

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Speaker 2: But where do you want to go? Back to crimes?

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Speaker 3: Where?

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Speaker 4: How can I say? How would I tell you? If

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Speaker 4: I can't show you? It's just I've just lost again.

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Speaker 4: The can't hold it, the kid hold it? Please please sorry.

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Speaker 3: Me help me.

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Speaker 2: Let's say I can. Will you do something for me?

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Speaker 3: Something? Anything? Nothing?

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Speaker 2: Right?

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Speaker 5: Some?

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Speaker 2: Any none? If I get closer, will you stay calm?

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Speaker 2: If I hand you something, will you promise to give

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Speaker 2: it back? You have to promise or I can't help you.

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Speaker 3: Mm hmmm mm hmm.

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Speaker 2: Have you ever seen anything like this before?

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Speaker 3: It's that yeah, yeah.

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Speaker 2: The Pendleton?

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Speaker 3: Yes, yes, that sounds right.

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Speaker 2: Can you tell me? Is this really a map?

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Speaker 6: The map?

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Speaker 3: I see I have one?

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Speaker 6: Right?

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Speaker 4: He put my keys, put my podcast, they took them,

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Speaker 4: They took everything.

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Speaker 7: Hey, hey, hey it's okay, it's okay.

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Speaker 2: Just focus now. This is very important. How does it work?

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Speaker 3: How does it work?

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Speaker 2: The map? Do you know how it works?

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Speaker 3: The map? No?

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Speaker 2: No? Did you before?

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Speaker 3: No?

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Speaker 2: Okay, do you know who does?

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Speaker 3: No one?

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Speaker 7: No one knows.

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Speaker 3: They did someone did along long time ago? What hell?

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Speaker 3: Everybody forgot?

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Speaker 2: But wait? If no one knows how it works, how

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Speaker 2: do you use it?

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Speaker 3: The white rooms?

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Speaker 2: White rooms?

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Speaker 3: There? The doors?

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Speaker 2: What kind of doors?

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Speaker 3: White doors?

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Speaker 2: Where do they go?

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Speaker 8: Well?

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Speaker 6: I was supposed to where I went? But where I

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Speaker 6: still land? Where I will be and never leave and

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Speaker 6: never be alone, never alone. I will never be alone again.

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Speaker 6: I will never be alone again, never alone. I will

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Speaker 6: never be alone again.

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Speaker 3: I will never be alone again.

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Speaker 2: Have you ever seen one of these white rooms? White rooms?

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Speaker 2: Doors glowing with light? My second day hear, I ran

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Speaker 2: through one behind the cafeteria. At the time, I wasn't

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Speaker 2: really sure what I was seeing, But now I wonder

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Speaker 2: if that's a portal to another part of the pen

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Speaker 2: or maybe out of here. I know where one is?

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Speaker 2: Really where at the end of the hall?

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Speaker 7: What?

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Speaker 9: How do you know that I used it to get here?

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Speaker 2: I always do? But why have I never seen it?

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Speaker 7: I don't know.

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Speaker 2: I can only ever seem to find it at night?

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Speaker 2: And what you just waltz through, no problem except that

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Speaker 2: it is loud inside. Okay, it's settled, then we go

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Speaker 2: that way. I just have to figure out how to

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Speaker 2: break out of my cell. Let's see what we have

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Speaker 2: to work with your pillo. It's where I keep the

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Speaker 2: extent of my earthly possessions. Besides one esoteric map that

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Speaker 2: may or may not be too cryptic to use. There's

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Speaker 2: this key I built in the machine shop that probably

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Speaker 2: does open anything, but works wonders at scraping away mortar.

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Speaker 2: One book the mirrors. It's interesting, actually I should read

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Speaker 2: some of it to you. This necklace, yeah, the pen

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Speaker 2: returned that to me, but it's not mine. I had

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Speaker 2: one really similar, but the other half of the moon.

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Speaker 9: I think it's mine.

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Speaker 2: Really wow, that's uh oh well, hey, please take it back.

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Speaker 2: You don't want it. I'm just keeping it in my pillowcase.

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Speaker 2: You might actually get away with wearing it here let me.

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Speaker 2: They also returned my juicy fruit. Do you want a piece?

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Speaker 2: Maybe later? I think you are forgetting something. Well, there's

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Speaker 2: just cold. I was given fifteen sixty, but as that

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Speaker 2: was a product of my own deduction, I'm starting to

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Speaker 2: think it's as worthless as the key. No, something else?

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Speaker 10: Come here?

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Speaker 2: Okay, closer, closer.

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Speaker 9: One, Bobby, Oh.

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Speaker 2: Right, for my haircut? For maximum security. This place can

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Speaker 2: be pretty lax. Hey, you don't think we could? Could

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Speaker 2: we use this to pick the lock?

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Speaker 11: Yeah?

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Speaker 2: No, Well, at least I'll be able to keep my

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Speaker 2: hair out of my eyes. Anything else not that I

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Speaker 2: can think of, looks like this is it?

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Speaker 9: Oh shit?

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Speaker 2: What? Well? It may be crazy, but I have one

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Speaker 2: idea for the come or maybe the book.

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Speaker 12: Lock up two minutes.

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Speaker 7: Everyone in your cells, Hey, no problem, boss, happy to oblige.

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Speaker 5: Right, Rodriguez, but quietly one loves of which you concut?

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Speaker 2: It's Martinez. Eureka. Ready as I'll ever be? Which way

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Speaker 2: over here around the east corner. I can't believe this

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Speaker 2: has been here the whole time. You want to go first?

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Speaker 2: For good luck, I'd rather follow you. Here goes nothing.

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Speaker 7: Hey, I'm here.

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Speaker 13: Where'd you go?

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Speaker 5: This way?

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Speaker 13: I can't see you?

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Speaker 7: Follow my boys, it's so loud.

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Speaker 2: Almost there?

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Speaker 7: Now?

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Speaker 2: What are you?

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Speaker 9: Okay?

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Speaker 7: Yeah?

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Speaker 2: Why are we in the bathroom? There's so many baths.

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Speaker 2: I'm never really sure where they will lead. This is

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Speaker 2: a lot nicer than ours. They even have toilets. Maybe

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Speaker 2: this is I don't know the executive.

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Speaker 7: Wing, carpet, wallpaper.

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Speaker 2: Or definitely not in sea block anymore. Which way. Yeah,

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Speaker 2: I'm gonna say this map is useless. We're just gonna

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Speaker 2: have to pick a direction and try it. It would

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Speaker 2: help if we knew what we were looking for. Okay, here,

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Speaker 2: do be damned. If we see this ax again, we'll

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Speaker 2: know we've made a circle.

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Speaker 9: Run hide.

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Speaker 2: Sh you want to get out of the closet. Okay,

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Speaker 2: there are practically a million doors here. How about this one,

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Speaker 2: the kitchen, the laundry.

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Speaker 7: What's that? Uh trash?

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Speaker 2: A swimming pool? Feel like a dip. Maybe we can

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Speaker 2: swim to safety?

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Speaker 7: Uh No, not me. You can't swim.

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Speaker 2: I just don't like water. Did jim? What they call

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Speaker 2: the recreation area around here? Don't you recognize it?

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Speaker 7: Hmmm?

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Speaker 2: I don't think so. I could have sworn I saw

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Speaker 2: you here once, really from a distance, but I don't

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Speaker 2: think you saw me. What's that the Panoptogon tower and

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Speaker 2: all seeing eye in the the eyeball on the map.

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Speaker 2: If that's the tower, it's right in the middle, and

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Speaker 2: maybe from the top we can see a way out.

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Speaker 2: I can't see inside one way glass it's probably crawling

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Speaker 2: with guards, but it might be our best chance, or

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Speaker 2: our only chance.

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Speaker 9: I'll go if you call.

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Speaker 2: Well, no One on the first floor. That is the

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Speaker 2: longest spiral staircase I've ever seen, thirteen fourteen. What are

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Speaker 2: you doing counting the steps twenty fifty ninety.

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Speaker 9: One to fifty?

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Speaker 2: I can't believe it. They aren't watching anything. There's no

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Speaker 2: one in here, and why would there be. There's nothing

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Speaker 2: to see, no outside, no sky, just more and more

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Speaker 2: rooms and corridors and cells. This is fucking hopeless. What

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Speaker 2: does the map say?

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Speaker 7: The map? You mean this fucking paper white?

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Speaker 2: What do you want to do now? I feel like

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Speaker 2: I fucked this all up. We almost had everything we needed.

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Speaker 9: We could have made it.

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Speaker 2: We should have. I should have waited till I knew more,

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Speaker 2: until I had a plan, a real plan. This was

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Speaker 2: slap dash, it improvised, impulsive. I took our one chance

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Speaker 2: and wasted it. We are not dead yet. Come on,

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Speaker 2: let's go down and look around some more. On forty nine,

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Speaker 2: on forty seven, I'm sorry that was pathetic. There's really

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Speaker 2: no precedent for this situation, but that's just like me

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Speaker 2: to completely lose my cool at the dumbest possible moment

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Speaker 2: mercurial my mother used to call me. Really, I feel

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Speaker 2: like I'm getting better. If nothing else, my time here

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Speaker 2: has taught me a little bit of patience. It's been

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Speaker 2: a hard lesson to learn. All the best lessons are

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Speaker 2: you are really remarkable. Even if this escape ends up

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Speaker 2: a huge failure. I'm glad we got to do it together.

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Speaker 8: Me too.

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Speaker 2: I can't believe this, but I I don't even know

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Speaker 2: your name. I'm cy Si, Yeah, you know, like ci

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Speaker 2: Ah Right, I'm Lily Lily, like the flower Lily. That's nice.

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Speaker 2: It's a nickname, really a translation. Don't tell anyone, but

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Speaker 2: my real name is Sayuri. Wait what.

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Speaker 8: Hey?

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Speaker 3: What are you doing? You can't be in here?

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Speaker 13: Shit is way get back there.

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Speaker 7: This is the same hallway as before. Hurry, that's my

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Speaker 7: axe on the wall. Come on faster. Wait what are

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Speaker 7: these doores?

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Speaker 2: Even?

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Speaker 7: Say? C? Nine one one, B twelve forty seven A

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Speaker 7: fifteen sixty?

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Speaker 13: Wait?

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Speaker 7: What the store fifteen sixty? The code locked?

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Speaker 3: Shit?

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Speaker 2: But what if we have to hurry? This is insane?

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Speaker 7: But what if the key I made good?

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Speaker 2: God of incomprehensible mercy. It's another white room.

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Speaker 10: Go through.

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Speaker 13: Hey, I made it.

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Speaker 7: Come on, Lily, where'd you go?

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Speaker 13: Are you there? Hey, Lily, help me?

230
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Speaker 7: I'm stuck.

231
00:15:46,120 --> 00:15:47,160
Speaker 10: Fuck fuck fuck?

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Speaker 2: Okay, okay, maybe she found her own way. Yeah, yeah, yeah,

233
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Speaker 2: maybe she's just on the other side. I just have

234
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Speaker 2: to make my way through. Okay, maybe maybe over Oh no,

235
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Speaker 2: no so maybe so maybe this ow?

236
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Speaker 11: Ow?

237
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Speaker 7: How does anyone now?

238
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Speaker 2: Okay? Okay, go slowly?

239
00:16:08,120 --> 00:16:08,600
Speaker 13: No?

240
00:16:08,600 --> 00:16:09,480
Speaker 1: No?

241
00:16:15,000 --> 00:16:16,720
Speaker 2: Where am I moment?

242
00:16:16,800 --> 00:16:17,160
Speaker 1: Please?

243
00:16:17,720 --> 00:16:18,480
Speaker 2: Front office?

244
00:16:19,000 --> 00:16:19,240
Speaker 3: Hold?

245
00:16:19,280 --> 00:16:19,600
Speaker 1: Please?

246
00:16:19,720 --> 00:16:21,480
Speaker 2: How did I just one moment? Please?

247
00:16:22,000 --> 00:16:22,720
Speaker 7: Front office?

248
00:16:23,240 --> 00:16:24,840
Speaker 14: Are you still there?

249
00:16:24,880 --> 00:16:25,600
Speaker 9: Just another moment?

250
00:16:25,680 --> 00:16:26,000
Speaker 14: Please?

251
00:16:27,000 --> 00:16:27,840
Speaker 2: Thank you for waiting.

252
00:16:28,440 --> 00:16:29,520
Speaker 14: Now do you have an appointment?

253
00:16:31,280 --> 00:16:31,720
Speaker 4: Miss?

254
00:16:32,240 --> 00:16:36,120
Speaker 2: Oh? You're asking? Do you have an appointment to see him? Him?

255
00:16:36,480 --> 00:16:36,760
Speaker 10: Why?

256
00:16:36,920 --> 00:16:37,480
Speaker 9: The warden?

257
00:16:37,600 --> 00:16:41,640
Speaker 2: Of course, the warden. I found. No one sees the warden.

258
00:16:41,480 --> 00:16:44,680
Speaker 14: Not without an appointment. But he has a free minute.

259
00:16:44,680 --> 00:16:48,760
Speaker 14: Now if you can be quick about it, I run office. Yes,

260
00:16:49,320 --> 00:16:52,240
Speaker 14: all right, let me put you on hold. Please through

261
00:16:52,280 --> 00:16:53,840
Speaker 14: the door now.

262
00:16:53,680 --> 00:16:58,200
Speaker 7: Please, thank you. I'm not an office. Are you still there?

263
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Speaker 14: Okay?

264
00:17:00,520 --> 00:17:01,280
Speaker 2: Please continue.

265
00:17:02,160 --> 00:17:06,040
Speaker 8: Statistical analysis of the last fiscal years suggests an overall

266
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Speaker 8: two percent decrease in the retention of staff within the

267
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Speaker 8: facilities and.

268
00:17:09,560 --> 00:17:12,040
Speaker 10: Perstruction two percent.

269
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Speaker 8: However, oh dear, it seems that there was an oversight

270
00:17:16,359 --> 00:17:18,439
Speaker 8: in a collection of data from the outset, calling the

271
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Speaker 8: validity of the entire survey into question.

272
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Speaker 10: The entire survey is based.

273
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Speaker 8: On the officer's analysis of the analysis. Will need Oh dear,

274
00:17:28,440 --> 00:17:31,240
Speaker 8: you're not gonna like them. Just tell me a full

275
00:17:31,280 --> 00:17:34,560
Speaker 8: review of the review process between all department heads and

276
00:17:34,720 --> 00:17:35,480
Speaker 8: we both know.

277
00:17:35,440 --> 00:17:36,000
Speaker 3: What that means.

278
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Speaker 10: Wait, don't say it.

279
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Speaker 8: You'll need to assemble a new subcommittee to investigate the incongruity.

280
00:17:41,880 --> 00:17:45,160
Speaker 10: No anything, but is there really no other word?

281
00:17:45,400 --> 00:17:45,720
Speaker 14: Please?

282
00:17:46,200 --> 00:17:51,160
Speaker 10: I'm begging you? Oh my sorry, so sorry? Hello, please

283
00:17:51,160 --> 00:17:51,439
Speaker 10: come in.

284
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Speaker 8: First things first, we'll have to submit the applications to

285
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Speaker 8: request the properly.

286
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Speaker 10: My apologies. Did we have an appointment?

287
00:18:00,200 --> 00:18:00,480
Speaker 3: No?

288
00:18:01,359 --> 00:18:04,200
Speaker 10: I please have a seat?

289
00:18:05,320 --> 00:18:05,840
Speaker 7: Uh?

290
00:18:05,960 --> 00:18:07,960
Speaker 9: Where right?

291
00:18:10,000 --> 00:18:14,719
Speaker 10: Please? So what is this about?

292
00:18:15,640 --> 00:18:16,000
Speaker 9: Okay?

293
00:18:16,280 --> 00:18:19,040
Speaker 10: I I should know, But the truth is I've been

294
00:18:19,080 --> 00:18:22,840
Speaker 10: a little behind schedule since Oh well, honestly, I'm not

295
00:18:22,840 --> 00:18:24,520
Speaker 10: sure there is any tax to catch up. So we

296
00:18:24,680 --> 00:18:26,560
Speaker 10: don't have to do what we can while we are.

297
00:18:27,720 --> 00:18:32,160
Speaker 10: But why don't we start with you? What is your

298
00:18:32,200 --> 00:18:39,640
Speaker 10: resident number? My resident number? You should have been given

299
00:18:39,640 --> 00:18:42,280
Speaker 10: one during your requisition before there was a full accounting

300
00:18:42,280 --> 00:18:46,320
Speaker 10: of your personal effects, not to self investigate review process

301
00:18:46,320 --> 00:18:49,480
Speaker 10: to verify standard percentures with requisition offers in regards to

302
00:18:49,520 --> 00:18:55,439
Speaker 10: best practices. Yes, they did EXPLENDID and the number it

303
00:18:55,600 --> 00:18:57,399
Speaker 10: was alpha?

304
00:18:57,560 --> 00:18:59,800
Speaker 2: Something was I expected to remember that?

305
00:19:01,080 --> 00:19:05,560
Speaker 10: M How about your name? We could cross reference alpha

306
00:19:05,600 --> 00:19:06,600
Speaker 10: residents by name.

307
00:19:07,560 --> 00:19:12,520
Speaker 7: Well, that's the thing. It's Siuri Martinez.

308
00:19:12,200 --> 00:19:15,600
Speaker 10: Martinez, Martinez Martinez. Let me see, let me see. Oh,

309
00:19:15,960 --> 00:19:19,000
Speaker 10: oh well that's odd.

310
00:19:19,400 --> 00:19:20,880
Speaker 2: What what's odd?

311
00:19:21,320 --> 00:19:22,680
Speaker 10: You said it was under alpha?

312
00:19:23,520 --> 00:19:23,960
Speaker 2: I think so.

313
00:19:24,680 --> 00:19:29,199
Speaker 10: Well, then we have a problem here. Oh dear, what

314
00:19:29,400 --> 00:19:34,199
Speaker 10: is it? Two fives one alpha one beta, both with

315
00:19:34,240 --> 00:19:37,639
Speaker 10: the resident number s AE one five six zero. You

316
00:19:37,680 --> 00:19:41,119
Speaker 10: said Rodriguez or Martinez Martinez.

317
00:19:41,160 --> 00:19:44,200
Speaker 2: It's always been Martinez Martinez Martius.

318
00:19:44,920 --> 00:19:49,439
Speaker 10: Oh dear, I see what happened here? This can't be

319
00:19:50,880 --> 00:19:56,280
Speaker 10: You both shouldn't of course signed off one Doctor Raymond?

320
00:19:57,240 --> 00:19:58,600
Speaker 3: But why.

321
00:20:00,200 --> 00:20:00,679
Speaker 5: Run of there?

322
00:20:01,160 --> 00:20:02,960
Speaker 10: Can you get doctor Raymont on the phone?

323
00:20:03,000 --> 00:20:03,280
Speaker 3: Please?

324
00:20:03,600 --> 00:20:06,120
Speaker 5: But sir, every line is already on hold. We can't

325
00:20:06,119 --> 00:20:08,280
Speaker 5: take another call, let alone make one.

326
00:20:08,480 --> 00:20:11,680
Speaker 10: Oh bother, I do apologize. We'll have to hurry this along.

327
00:20:11,960 --> 00:20:13,320
Speaker 2: Are you going to tell me what's going on?

328
00:20:15,560 --> 00:20:23,280
Speaker 10: HM? In this world, miss Martinez, there are certain apparencies,

329
00:20:24,040 --> 00:20:28,400
Speaker 10: oddities cases You couldn't call unnatural, because all are in

330
00:20:28,480 --> 00:20:32,680
Speaker 10: some way of nature, but its most capricious tricks to form.

331
00:20:33,600 --> 00:20:37,240
Speaker 10: There are too many descriptives to choose from, some societal,

332
00:20:37,480 --> 00:20:42,080
Speaker 10: some spiritual, some scientific. Of them all, I prefer the

333
00:20:42,200 --> 00:20:47,679
Speaker 10: term anomaly. Time and time again, history has shown that

334
00:20:47,720 --> 00:20:51,240
Speaker 10: public life functions at its most harmonious with the minimum

335
00:20:51,280 --> 00:20:55,040
Speaker 10: of these anomalies in its midst And that is what

336
00:20:55,080 --> 00:21:01,280
Speaker 10: our facility is for. Perhaps rather assuredly during your time here,

337
00:21:01,560 --> 00:21:05,600
Speaker 10: that the pen is not like other places. That is

338
00:21:05,640 --> 00:21:10,000
Speaker 10: my design, as far back as anyone remembers, and indeed

339
00:21:10,080 --> 00:21:13,439
Speaker 10: long before I myself held this office, the directive has

340
00:21:13,480 --> 00:21:19,320
Speaker 10: been clear. To detect, to locate, to procure, to study,

341
00:21:19,800 --> 00:21:24,200
Speaker 10: to rehabilitate, if possible, but above all, to separate these

342
00:21:24,240 --> 00:21:28,480
Speaker 10: disruptive elements from the rest of society. Excuse me.

343
00:21:30,840 --> 00:21:33,800
Speaker 2: Saying that's true, Then what does it have to do

344
00:21:33,840 --> 00:21:34,080
Speaker 2: with me?

345
00:21:35,280 --> 00:21:37,320
Speaker 7: Are you trying to say that I'm one of these cases?

346
00:21:38,240 --> 00:21:39,840
Speaker 2: Then what makes me anomalous?

347
00:21:42,200 --> 00:21:46,520
Speaker 10: Maybe you, maybe her, maybe neither of you, except for

348
00:21:46,560 --> 00:21:48,840
Speaker 10: the fact that you shouldn't be here together.

349
00:21:49,600 --> 00:21:53,640
Speaker 7: So it was a mistake, a grave one. Then let

350
00:21:53,640 --> 00:21:55,280
Speaker 7: me go, Let us go.

351
00:21:56,119 --> 00:21:58,480
Speaker 10: I wish I could you're the warden?

352
00:21:58,960 --> 00:21:59,840
Speaker 13: Are you in charge?

353
00:22:00,240 --> 00:22:03,120
Speaker 10: You know the last time I left this desk, Miss Martinez,

354
00:22:04,520 --> 00:22:05,080
Speaker 10: me neither.

355
00:22:06,080 --> 00:22:07,159
Speaker 3: I am not in charge.

356
00:22:07,600 --> 00:22:11,479
Speaker 10: The system is, I am, but its implement less than

357
00:22:11,520 --> 00:22:15,360
Speaker 10: an extremity, not its head, not even an armor toe,

358
00:22:15,800 --> 00:22:19,959
Speaker 10: a single nerve operating amidst a chain that cannot be broken,

359
00:22:20,359 --> 00:22:24,159
Speaker 10: at least evolve from the inside out. You may feel

360
00:22:24,280 --> 00:22:28,199
Speaker 10: that your liberty has been stripped away. You must, but

361
00:22:28,359 --> 00:22:30,760
Speaker 10: know that mine has long been dead and buried.

362
00:22:31,720 --> 00:22:34,360
Speaker 5: Sir Section C is calling a ten to seventy four,

363
00:22:34,480 --> 00:22:35,840
Speaker 5: possibly too two.

364
00:22:35,840 --> 00:22:40,080
Speaker 10: Ten seventy fours. Oh dear, do we have the file sport?

365
00:22:40,520 --> 00:22:43,919
Speaker 5: I'm looking, but there's some confusion on the name. Seems

366
00:22:43,960 --> 00:22:46,439
Speaker 5: like a filing air between two primary cases.

367
00:22:47,400 --> 00:22:50,160
Speaker 10: We'll need to completely change the agenda just one moment.

368
00:22:50,359 --> 00:22:51,800
Speaker 5: Well, I don't think now.

369
00:22:51,920 --> 00:22:55,359
Speaker 2: Is that's about me?

370
00:22:55,520 --> 00:22:55,920
Speaker 1: Isn't it?

371
00:22:56,960 --> 00:22:58,600
Speaker 3: Or he or both of you?

372
00:22:59,440 --> 00:23:01,720
Speaker 10: They're coming, I'd say, they're on.

373
00:23:01,680 --> 00:23:06,320
Speaker 2: Their way to throw me in my cell. We're solitary

374
00:23:06,359 --> 00:23:11,040
Speaker 2: again or worse. And then what.

375
00:23:12,520 --> 00:23:13,080
Speaker 8: M hm.

376
00:23:17,880 --> 00:23:20,439
Speaker 10: You may have heard it's impossible to escape this place.

377
00:23:22,119 --> 00:23:29,119
Speaker 10: Idious bye and bye. Everyone gives up, But that doesn't

378
00:23:29,160 --> 00:23:29,879
Speaker 10: mean you have to.

379
00:23:32,840 --> 00:23:39,720
Speaker 2: I thank you, But I don't understand. Why are you

380
00:23:39,800 --> 00:23:40,199
Speaker 2: doing this?

381
00:23:41,320 --> 00:23:44,879
Speaker 10: Because I know it's hopeless, But why should you believe

382
00:23:44,920 --> 00:23:46,639
Speaker 10: that just because I said it?

383
00:24:00,720 --> 00:24:04,800
Speaker 2: Pendleton with its million fucking doors, Oh you can't escape,

384
00:24:04,800 --> 00:24:06,560
Speaker 2: but you can follow a million stories and land on

385
00:24:06,560 --> 00:24:09,960
Speaker 2: your ass right in the middle of a what even

386
00:24:10,119 --> 00:24:10,639
Speaker 2: is this place?

387
00:24:11,800 --> 00:24:12,000
Speaker 11: Say?

388
00:24:12,560 --> 00:24:15,480
Speaker 7: Really, where did you we got away?

389
00:24:15,920 --> 00:24:16,480
Speaker 9: I did too.

390
00:24:17,640 --> 00:24:21,040
Speaker 2: Listen, we gotta talk about something, you and me. I

391
00:24:21,040 --> 00:24:23,439
Speaker 2: think I know what you're going to say, that you

392
00:24:23,840 --> 00:24:28,199
Speaker 2: are and you are, but we're not not what the

393
00:24:28,280 --> 00:24:32,439
Speaker 2: same like I am me and you are you? Unless

394
00:24:32,440 --> 00:24:35,760
Speaker 2: I've got it backwards. Either way, It's nice to find

395
00:24:35,800 --> 00:24:40,439
Speaker 2: you again. Yeah, I guess we'll circle back on that.

396
00:24:41,119 --> 00:24:46,360
Speaker 2: Okay for now, maybe we still have a chance. But

397
00:24:46,440 --> 00:24:51,080
Speaker 2: where are we? Is this a water treatment plant? Seems

398
00:24:51,200 --> 00:24:54,720
Speaker 2: like a solid guess, feel like a swim now?

399
00:24:58,520 --> 00:24:58,840
Speaker 8: Whoa?

400
00:25:01,600 --> 00:25:05,000
Speaker 2: Well we can fit at least for the moment. If

401
00:25:05,040 --> 00:25:09,000
Speaker 2: this gets into a wade through sewage, crawl through shit situation,

402
00:25:09,200 --> 00:25:12,439
Speaker 2: I'll make it. If it gets above neck deep, you

403
00:25:12,520 --> 00:25:15,399
Speaker 2: might have to leave me behind. I would never What.

404
00:25:15,560 --> 00:25:15,760
Speaker 5: Was that.

405
00:25:17,720 --> 00:25:22,040
Speaker 7: Side control? Go ahead, you're desalination.

406
00:25:21,520 --> 00:25:31,800
Speaker 3: Now side what you are going to runs through that bipe?

407
00:25:32,200 --> 00:25:36,000
Speaker 3: What if you get stuck, what about windsor tide comes

408
00:25:36,040 --> 00:25:37,600
Speaker 3: even tied?

409
00:25:38,160 --> 00:25:40,640
Speaker 2: You know there's only one way out of this, your

410
00:25:40,760 --> 00:25:45,159
Speaker 2: choice to make it difficult tide? Yeah, what about that valve?

411
00:25:46,920 --> 00:25:51,600
Speaker 12: Got them control prepared, descaling, I'll be with this.

412
00:25:53,040 --> 00:25:55,400
Speaker 7: What exactly do you think that's gonna do? Why don't

413
00:25:55,400 --> 00:26:05,440
Speaker 7: we find out together? Back up? That's it?

414
00:26:06,680 --> 00:26:07,960
Speaker 9: What did you think would happen?

415
00:26:08,760 --> 00:26:09,520
Speaker 7: Flush them out?

416
00:26:10,720 --> 00:26:12,600
Speaker 3: Nut jute? Be scaling?

417
00:26:13,400 --> 00:26:15,680
Speaker 7: What initiate be scaling?

418
00:26:17,080 --> 00:26:17,359
Speaker 14: Shit?

419
00:26:18,119 --> 00:26:21,160
Speaker 7: Now get over here and we'll make it. Step otherwise

420
00:26:21,200 --> 00:26:22,600
Speaker 7: you can wait there and drown.

421
00:26:25,240 --> 00:26:27,080
Speaker 2: Is this the end looks like it?

422
00:26:28,720 --> 00:26:28,960
Speaker 8: You know?

423
00:26:29,680 --> 00:26:31,840
Speaker 2: There is actually one thing I forgot to mention? What

424
00:26:32,160 --> 00:26:33,639
Speaker 2: no time? Just pass me your necklace.

425
00:26:34,040 --> 00:26:37,800
Speaker 7: Okay, now now close your eyes tight. Whatever happens, don't

426
00:26:37,800 --> 00:26:41,120
Speaker 7: open them until I say so. Okay, got it closed.

427
00:26:41,520 --> 00:26:43,560
Speaker 7: This is it. I'm counting to five.

428
00:26:44,040 --> 00:26:54,480
Speaker 12: Perfect one house mana two manaa mana manna manap.

429
00:26:54,960 --> 00:27:00,920
Speaker 7: Just get your eyes close. A scaling solution, and dude.

430
00:27:03,480 --> 00:27:06,720
Speaker 2: I guess that was a bluff. You can look now.

431
00:27:08,160 --> 00:27:10,840
Speaker 9: Where did they go? What was that?

432
00:27:11,640 --> 00:27:15,040
Speaker 2: A gift someone gave me? Seems more like a curse

433
00:27:15,760 --> 00:27:23,000
Speaker 2: that too, Come on, God, that's cold. I don't know

434
00:27:23,040 --> 00:27:25,560
Speaker 2: how I'm gonna do this. You might want to take

435
00:27:25,600 --> 00:27:26,400
Speaker 2: your shoes off.

436
00:27:30,640 --> 00:27:33,280
Speaker 7: Is the water getting deeper or is the pipe getting smaller?

437
00:27:34,440 --> 00:27:35,399
Speaker 9: Maybe both.

438
00:27:37,040 --> 00:27:45,080
Speaker 7: Gneeze, waist, shoulder, neck. We're going to have to swim

439
00:27:45,119 --> 00:27:47,480
Speaker 7: for it. I know. I'm not sure I can hold

440
00:27:47,520 --> 00:27:52,600
Speaker 7: on to me. We'll go together. Okay, Okay, big breath.

441
00:28:01,600 --> 00:28:03,919
Speaker 9: You'll be Yeah, I'm fine.

442
00:28:04,720 --> 00:28:08,600
Speaker 2: Did you see it? What the lights up ahead? I

443
00:28:08,640 --> 00:28:09,400
Speaker 2: didn't see any light.

444
00:28:09,560 --> 00:28:10,680
Speaker 9: It's some kind of opening.

445
00:28:10,960 --> 00:28:14,119
Speaker 2: I'm sure of it. Whatever happens, swim towards it.

446
00:28:14,200 --> 00:28:15,320
Speaker 7: Okay, whatever happens.

447
00:28:15,320 --> 00:28:15,800
Speaker 8: What do you mean?

448
00:28:15,960 --> 00:28:17,720
Speaker 9: Eyes open, straight ahead.

449
00:28:18,119 --> 00:28:19,280
Speaker 2: Swim as fast as you can.

450
00:28:19,320 --> 00:28:21,320
Speaker 7: You got it. You're you're not.

451
00:28:21,240 --> 00:28:21,760
Speaker 2: Gonna hold on.

452
00:28:21,880 --> 00:28:22,960
Speaker 9: You'll be faster alone.

453
00:28:23,160 --> 00:28:27,840
Speaker 15: We both will, okay, Hi ready, okay? Three?

454
00:28:28,760 --> 00:28:36,359
Speaker 7: Two h.

455
00:28:59,760 --> 00:29:13,360
Speaker 10: H I see.

456
00:29:14,960 --> 00:29:23,480
Speaker 11: Ye see show bye, see see show bye. You see

457
00:29:24,360 --> 00:29:28,840
Speaker 11: see show bye. You see fallow Save God?

458
00:29:29,040 --> 00:29:30,240
Speaker 2: Show guy.

459
00:29:30,320 --> 00:29:36,520
Speaker 11: You see fellow Save God, Show guy say fellow Save God.

460
00:29:36,720 --> 00:29:50,000
Speaker 13: Show Lily, Lily, m hm, Lily, can you hear me?

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Speaker 7: I can see it.

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Speaker 2: There's the life.

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Speaker 7: It's it's the outside.

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Speaker 15: Oh yeah, I see guys.

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Speaker 1: Thirteen Days of Halloween Pennance, starring Natalie Morales, Episode eleven

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Speaker 1: Escape written by Alexander Williams and Matthew Riddle, featuring the

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Speaker 1: voices of Alex Bowling, Tara Buck, Jay Jones, Raphael Corkil,

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Speaker 1: Rachel Rosenbloom, Anda, and Noah Feinberg. Directed by Alexander Williams.

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Speaker 1: Executive producers Aaron Manke, Noah Feinberg, Chris Dicky, Matt Frederick

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Speaker 1: and Alexander Williams. Supervising producers Trevor Young and Josh Thain.

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Speaker 1: Producers Jesse funk Rima Ilkali, Noami Griffin, Chandler Mays, and

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Speaker 1: Casby Bias. Script editing by Lauren Vogelbaum, Story consultants Ben

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Speaker 1: Bolan and Matthew Riddle. Casting by Sunday Bowling CSA and

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Speaker 1: Meg Mormon CSA. Production coordinator Wayna Calderon. Production assistants Jenna

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Speaker 1: Johnson and Winona Lowe. Theme music by Rose Azerti with

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Speaker 1: vocals by Anna Hummler, recorded at This Is Sound Design

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Speaker 1: Studios in Burbank, California. Engineered by Ross ERRONEU Special thanks

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Speaker 1: to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca.

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Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and

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Speaker 1: Alexander Williams, and is a production of iHeart Podcasts, Blumhouse

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Speaker 1: Television and Grim and Mild from Aaron make Learn more

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Speaker 1: about the show at Grimandmild dot com. Slash thirteen days

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Speaker 1: and find more podcasts from iHeartRadio by visiting the iHeartRadio app,

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Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.

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Speaker 1: Happy Halloween,