Speaker 1: It's nine Ogen one Allegie with Jenny Garth and Tory spelling.
Speaker 2: You guys, here we are, and this must be a
Speaker 2: guy thing because some juicy stuff is happening.
Speaker 3: Why does it have to be a guy thing.
Speaker 2: I don't know, it's the name of the episode. It
Speaker 2: doesn't have to you know what, let's retile the episode
Speaker 2: thirty three years later. This must be a girl thing.
Speaker 2: And speaking of.
Speaker 3: Girls, Speaking of girls, we got some new ones. We
Speaker 3: do very exciting day here. There are two equally exciting
Speaker 3: new additions to the cast in this episode.
Speaker 2: You guys, yes, I mean an iconic actresses, Rebecca Gayheart,
Speaker 2: Emma Callfield Rebeccat gay Heart.
Speaker 1: I know.
Speaker 2: I still crush on her.
Speaker 1: So funny when you guys were saying we got two
Speaker 1: new people, I didn't even think of Rebecca Gayheart because
Speaker 1: for me, she's so synonymous with the show, even though
Speaker 1: she's only on for a short time. It didn't even
Speaker 1: like my brain didn't even think of her when you
Speaker 1: said we got two new characters. I immediately went to
Speaker 1: the editor because she felt new, whereas Rebecca Gayheart for me,
Speaker 1: is so a part of the show, like it didn't
Speaker 1: feel new. Do you know what I'm saying, likes new
Speaker 1: This is the first time we see this is the
Speaker 1: first time we've seen Tony.
Speaker 2: But you're saying, just when you think of nine on
Speaker 2: two and zero, you always think of Rebecca Gayheart like
Speaker 2: it's as if she's a regular, always been there.
Speaker 3: And yes, that's so interesting because she was only on
Speaker 3: how many episodes? I wondered, not many, five.
Speaker 1: Five or six?
Speaker 2: And she sees no, no, no, no, no, no, no, no, it's
Speaker 2: not on the whole season.
Speaker 3: She made quite an impression on the sugar.
Speaker 1: This is so weird to say more than I think
Speaker 1: of Kathleen. Isn't that weird? Like I think of her?
Speaker 1: And maybe it was just because she's it's just so prominent.
Speaker 1: What happens.
Speaker 3: We have confirmation that Rebecca was in eight episodes eight Sorry.
Speaker 2: I said six, Jen, you hear this? Amy got something wrong?
Speaker 3: I love it when that happened. Oh, here's a funny
Speaker 3: thing though. So I was at a thing and come
Speaker 3: to find out Emma call Field was at the same event. Dan, Nope,
Speaker 3: I was walking in and she was walking out and
Speaker 3: she dropped something. The woman in front of me dropped
Speaker 3: something and was like scooping it up, and she looked
Speaker 3: back up and she goes, oh hey, and then she
Speaker 3: just kind of kept walking and by the time she passed,
Speaker 3: I was like, I know her from somewhere, and then
Speaker 3: later I realized, Oh, that was Emma call Field.
Speaker 2: Wow for emotion. Did I go to college with her? No?
Speaker 2: I only got college on TV. Wait, how everyone does
Speaker 2: with us? Like I did go to college with her?
Speaker 1: Think about this. Na Coffield does thirty episodes of nine
Speaker 1: O two one?
Speaker 3: Oh wow?
Speaker 1: Does she stand out in your mind as much as
Speaker 1: Tony Marshett.
Speaker 3: Gotta be honest, super weird.
Speaker 2: It's super weird, and I have to be honest. When
Speaker 2: I saw her, I was like, oh, Jill novac Son
Speaker 2: who ended up playing Tracy. Another topic, Brandon Walsh, same
Speaker 2: same thing.
Speaker 3: I wrote down her name as Jill.
Speaker 1: There you go, and then I crossed it out and
Speaker 1: I was like.
Speaker 3: No, her character's name is Susan Keats.
Speaker 2: They're wildly I mean, I guess I would say Brandon
Speaker 2: Walsh has a type, but you're his type.
Speaker 3: So no, this is odd, But you know what, it's
Speaker 3: that editor role. No, but you don't care about that
Speaker 3: editor role for some reason. Amy that character for you
Speaker 3: in the newspaper office.
Speaker 1: Is like, it's not as prominent as oh yeah, yeah,
Speaker 1: same to say, she's super cute.
Speaker 3: This like she's got a lot of pep in her step.
Speaker 3: She brings a lot of energy to the scenes. You know,
Speaker 3: she's fee yeah.
Speaker 2: I like, yeah, no, I like her. But you're right,
Speaker 2: it's kind of like, Sorry, guys, like the Andre Andrea character,
Speaker 2: You're like, it's just the editor. Yeah, we zone out
Speaker 2: when it's like, what would that be? Jen?
Speaker 3: I don't know, but it's like she's the same character.
Speaker 3: She's like the same character that Andrea played. So it's
Speaker 3: so weird that they hired a brunette, similar body type. Yeah,
Speaker 3: but she's a little edgier than Andrea and not you know,
Speaker 3: doesn't seem as sweet as Andrea.
Speaker 2: She'll never be chief wait chief. No. Yeah, she's sassier too.
Speaker 1: She's a bit sassy. But I kind of like it.
Speaker 3: We're here for it, Okay, So let's do this. Let's
Speaker 3: do this. Season six, episode three, Must be a Guy
Speaker 3: Thing Eric September twentieth, nineteen ninety five.
Speaker 2: Kelly finds out Colin and Valerie share a past. Sorry, Jen,
Speaker 2: Donna gets Ray one step closer to a record deal,
Speaker 2: Dylan falls for the daughter of the man he wants
Speaker 2: to kill, Brandon falls for the editor of the school newspaper,
Speaker 2: and Steve is on the brink of flunking out of
Speaker 2: school shocking again.
Speaker 1: First of all, God, I feel a few sort of
Speaker 1: what flag moments, if I may, if you will, love
Speaker 1: and I know we can talk about it all. But
Speaker 1: number one, Tony Marchett, the dad. If he killed Dylan's father,
Speaker 1: wouldn't he immediately recognize? Yeah, thank you?
Speaker 3: Yeah, he says, who's that kid? Who's that kid making
Speaker 3: out with my daughter?
Speaker 1: I'm so old in this episode, I'm like, he's not
Speaker 1: college people.
Speaker 3: No, he's Dylan looks like a grown ass man fact.
Speaker 2: I mean, wait, wait, you guys, can you update me
Speaker 2: on this? So Tony is in college or high school?
Speaker 1: College?
Speaker 3: No?
Speaker 2: Sorry?
Speaker 3: College? Do they take college?
Speaker 2: Sorry? Jenn nine, go to college? Amy, she's in college.
Speaker 2: Do they call out your name in a college class?
Speaker 1: I guess in a very very very small section, they
Speaker 1: might make sure you're there. If attendance counts in some way,
Speaker 1: probably more would be a sign in, But I didn't.
Speaker 1: That did not bother me that much because he had
Speaker 1: to figure out who Tony Morris shot with.
Speaker 2: I know, but I was just like, Eh, okay.
Speaker 3: Do you guys want me to tell you who directed
Speaker 3: this episode?
Speaker 2: Sure do?
Speaker 3: Jason Priestley and it was written by John Eisendraft, who
Speaker 3: is also new to the show. If I'm not mistaken,
Speaker 3: season six enter John Eisendraft as executive producer.
Speaker 2: He became executive producer. So is this when.
Speaker 3: Chuck left and John Bleman.
Speaker 1: Correct, Oh wow, it's Priestley ish as his right?
Speaker 2: It was.
Speaker 1: It wasn't like.
Speaker 2: With the top hat right now? What the heck?
Speaker 3: Wait, you're so right? I thought this was like that.
Speaker 3: It was more he's matured, you guys, he's directed. He's
Speaker 3: matured as a director.
Speaker 2: Until I read it on our rundown, had no idea.
Speaker 2: Would never have thought this was adjacent episode.
Speaker 3: Nope, me either, correct John?
Speaker 2: What new EPs? Maybe they were like I.
Speaker 3: I go back because I'm finding out now that John's
Speaker 3: title wasn't executive producer. He was supervising producer right now.
Speaker 2: He may get right now he ends up though like
Speaker 2: season ten he was he ran the show. Correction, we
Speaker 2: ran the show.
Speaker 3: You know what was exciting for me in this episode?
Speaker 3: I have the the collection on the the what's that
Speaker 3: called little sticky thing that you put things on in
Speaker 3: a computers? Nope, sorry, I love those though it goes
Speaker 3: in the thing. Yeah, a little thing you put in
Speaker 3: the thing that Darren Martin gave me with all the
Speaker 3: shows and the original music. So I got to hear
Speaker 3: Jamie Walters.
Speaker 1: I did too. I did too because I watched it
Speaker 1: on the DVD.
Speaker 2: So that's okay. So, yes, Darren Martin gave us flash drives.
Speaker 3: Thank you so much, Darren.
Speaker 2: We're super grateful. But Jen, I would love to hear
Speaker 2: for a moment. Did anything change hearing him? Seeing now
Speaker 2: that you heard him perform on the show, no Ah.
Speaker 1: Does make you like him more if that's what you're saying.
Speaker 1: I mean, I feel like.
Speaker 3: That's not my kind of music. So but I appreciated
Speaker 3: his like husky sultryness up.
Speaker 2: There, husky like that.
Speaker 1: Yeah, yeah he does.
Speaker 3: I don't know.
Speaker 1: I don't want to wait say the same thing that
Speaker 1: hurt beauty to an angel. I don't want to say
Speaker 1: the same thing again. But like, why did they make
Speaker 1: him bad good? They should have just made him good
Speaker 1: or terrible.
Speaker 3: It's like, no, he was good then bad, now good,
Speaker 3: and he was bad again, now he's good again. Very
Speaker 3: very confusing.
Speaker 2: Well, why did they gen ear muffs? Huh? Kill tone?
Speaker 2: I heard you, oh ma'am.
Speaker 3: But I also kind of know that's happening. Okay, I
Speaker 3: kind of remember.
Speaker 2: I mean she was a keeper like that, that was
Speaker 2: a that should have been a nine or two and
Speaker 2: oh Lifer. I'm just saying, so beautiful, such a pretty girl.
Speaker 3: Her eyes remind me of your eyes, like you guys
Speaker 3: have similar faces in when I was looking.
Speaker 2: At her, remind me of you or Amy? You me you,
Speaker 2: that's the thing you've ever said to me.
Speaker 1: She's so unique looking like she she looks like a doll.
Speaker 2: Uh DOLLI And we loved her. We got from jump,
Speaker 2: we got along with her. She was just so great
Speaker 2: and kind and fun and just she she should have
Speaker 2: stayed on for all ten seasons. I'm just saying it.
Speaker 3: Let's go, let's go from the top. Do you want
Speaker 3: to hey, do you want to take us through this week?
Speaker 2: Uh? You know, my brain doesn't like to work like that.
Speaker 2: That's your jam. Well, but if you want to go
Speaker 2: in order.
Speaker 3: Do you want to know trivia?
Speaker 2: Yeah?
Speaker 3: Definitely yes, Tiffany Theeson's older brother, Todd Deeson, appeared as
Speaker 3: Larry Malanowski in this episode. I don't know who Larry
Speaker 3: Malanowski is. Did I see Larry Melanowski?
Speaker 2: Wait? What Tiffany's brother, older brother was in this? Was
Speaker 2: he an? Apparently?
Speaker 3: I can't even remember what he looked like her. Yeah,
Speaker 3: that would make sense.
Speaker 2: Yep.
Speaker 3: We're gonna start at the peach pit where the gang
Speaker 3: is hanging out, and we see Donna's bra. Did you
Speaker 3: notice the opening shot is First of all, I'm like, wait,
Speaker 3: Val and Donna are buddies now hanging out at the
Speaker 3: peach pit having fries makes no sense.
Speaker 1: We ended the.
Speaker 3: Last cause and everybody yes, and that's why likes her again.
Speaker 1: God, we started to like her, and then then everyone
Speaker 1: that's the thing. Everyone blows like the wind, including her.
Speaker 1: You all hate her and like her. He's like good
Speaker 1: and bad? Like what?
Speaker 3: And then of course we find out Kelly and Colin
Speaker 3: come in, and magically Val knows Colin.
Speaker 2: Of all the Gingers, of all the Diners and Beverly Hills,
Speaker 2: you could walk into why Japan walk into mine? Colin
Speaker 2: Robbins Valerie.
Speaker 3: Went on a European tour together when I had braces.
Speaker 2: But before that though, before they walk in, I feel
Speaker 2: like this is where we first see the magic starting
Speaker 2: between Claire and Steve.
Speaker 3: We see a little sparkles. Yes, we do, we do.
Speaker 3: I don't know. I'm not feeling that yet. I feel
Speaker 3: like they're like kind of like leading up to that, probably,
Speaker 3: but I don't reel kind of no.
Speaker 1: If I you know, like two friends that pretend they
Speaker 1: don't like each other, that you're like, are they kissing
Speaker 1: in the closet? Do you know what I mean?
Speaker 3: Like they're like jabbing at each other.
Speaker 1: Yeah, there's always like choking that'll cast you. You can't
Speaker 1: afford that, you know.
Speaker 2: Meanwhile, before I don't think I've ever seen them speak
Speaker 2: to each other on the show.
Speaker 1: But all of a.
Speaker 3: Sudden, of course, oh my go oh yeah this this
Speaker 3: episode that there's a lot of convenient things happening.
Speaker 1: Yeah, convenient things. Yeah.
Speaker 3: But when when when Val calls out call it, I
Speaker 3: was like, oh my god, say it isn't so yeah, Jen,
Speaker 3: I didn't remember that.
Speaker 2: I didn't either, No, why did they do that? I
Speaker 2: know what happens later, but I didn't know they knew
Speaker 2: each other from before.
Speaker 3: Here's my problem.
Speaker 2: With this episode aside from my bra showing.
Speaker 3: Aside from your bra showing in one shot and then
Speaker 3: not showing in the next shot, I was glad that
Speaker 3: you sat up straight and somebody fixed it. The show
Speaker 3: came on.
Speaker 1: They pitted.
Speaker 3: Kelly and Brenda against each other, thus kind of pitting
Speaker 3: Jenny and Shannon against each other in this weird, surreal
Speaker 3: bubble of a world because life was imitating our military separate. Yeah,
Speaker 3: and we were very young and impressionable and formative. Now
Speaker 3: they have Kelly pitting against Val. It's just like, it's like,
Speaker 3: why are they doing this to these To Kelly? Why
Speaker 3: is she always have to have these conflicts with other
Speaker 3: girls in the show. I don't like it. And it's
Speaker 3: all for their like dramatic whatever.
Speaker 2: But you're the lead female. Hello, Why can't they make them?
Speaker 2: Why can't they make the females get along?
Speaker 1: Oh?
Speaker 2: Because that's that's what we do now. Back then, you
Speaker 2: know what, in high school and maybe college, I don't know,
Speaker 2: I didn't go, but it's so rampant, like girls are
Speaker 2: besties one day and then they hate each other and
Speaker 2: then it's just so like I don't know, but you
Speaker 2: had evolved at this point because you were able to
Speaker 2: separate it because you and Tip became great friends, so
Speaker 2: you guys had grown up and you didn't let art
Speaker 2: imitate life and the lines blur.
Speaker 1: Actually didn't feel that in the public perception that they
Speaker 1: blurred the line as much then between Val and Kelly
Speaker 1: as Tiffany and Jenny, as Shannon and Jenny, Brenda and Kelly,
Speaker 1: Like for some reason, I don't know why. That's just
Speaker 1: that's just my vibe, it didn't seem so much. Maybe
Speaker 1: we were starting to know you more as celebrities, so
Speaker 1: we weren't blurring the characters as much.
Speaker 3: I don't know, it's just weird, like we never had.
Speaker 3: It's becoming more and more apparent to me as I
Speaker 3: get older and I'm able to see things from such
Speaker 3: a different perspective. But the way that it started for
Speaker 3: Brenda and Kelly, Shannon and Jenny, that they were never
Speaker 3: they had the cards stacked against them as far as
Speaker 3: getting along in a relationship like with each other. And
Speaker 3: You're right, like I had gotten older, learned some things,
Speaker 3: but I'm still seeing such a divide created by the man,
Speaker 3: basically the man who wrote this, the man, you know
Speaker 3: what I mean, Like It just feels like it's pissing
Speaker 3: me off, is what I'm trying to say, because it's
Speaker 3: really psychologically had a lot of effect on my life
Speaker 3: personally and still to this king day. You guys, I
Speaker 3: can sit on a stage, I love Shannon. I'll sit
Speaker 3: on a stage and the audience will pit us against
Speaker 3: one another in a in a Q and a forum,
Speaker 3: and it so makes me so angry.
Speaker 2: The characters or the two of you person the two
Speaker 2: of us, Yeah.
Speaker 3: The two of us. It's the characters that they're talking about,
Speaker 3: but it's the two of us. They're receiving that energy
Speaker 3: and having to process that energy and that information and
Speaker 3: have it not affect our you know, emotions or our
Speaker 3: mental state. Like there's something so just I don't know
Speaker 3: how to explain it.
Speaker 1: Yeah, I get that.
Speaker 2: You just did, like I get it. Yeah, I understand now. Wow. Yeah.
Speaker 3: And I really felt that at that last wherever we
Speaker 3: were on that last panel when somebody said something, uh,
Speaker 3: I don't even know what the what who said what?
Speaker 3: But was like and then Shannon said, oh, they were
Speaker 3: talking about how great it was with Brenda and Dylan
Speaker 3: or something I don't know. Yeah, and then she and
Speaker 3: then Shannon said something about, well she is a whore
Speaker 3: and looked at me, but she meant Kelly mm hmm.
Speaker 3: In that moment, I was like, whoa, ouch A, my
Speaker 3: character wasn't a whore, and b I'm not a whore.
Speaker 3: That just felt so weird and it just brought up
Speaker 3: all that same ship, like that same feeling of like
Speaker 3: we were just pitted against one another in a situation
Speaker 3: and a scenario when there was absolutely no reason to
Speaker 3: be that way, you know, because of the recollection of
Speaker 3: what the characters went through.
Speaker 1: Yeah, you're not wrong with how you're feeling, because I
Speaker 1: see it in the comments. They really blur the person
Speaker 1: and the character.
Speaker 2: Right And I'm sitting here, even you telling me this
Speaker 2: right now, with a pit in my stomach, feeling as
Speaker 2: the in between between the two of you and you're.
Speaker 3: Not in between, You're you were you know in between
Speaker 3: that was Yeah, that's all you're a feeling.
Speaker 1: Yep, that's the same she's feeling the same thing that
Speaker 1: that Donna felt that way.
Speaker 2: Yes, Donna and Tory back when we were young, like
Speaker 2: always like so thirty years later, okay, in that crazy
Speaker 2: thirty years later, Yep.
Speaker 3: Three fifty year old women. It has the ability to
Speaker 3: put me right back in that same feeling.
Speaker 1: It's still happening, you're being It's it's not just thirty
Speaker 1: years ago. It happened two weeks ago. So it just continues.
Speaker 2: But that show, that show now and now we're like,
Speaker 2: oh that show it not damaging. But like, you know,
Speaker 2: just like high school for everybody, you still regress and
Speaker 2: you still have moments. And I'm sure at high school
Speaker 2: reunions and college reunions they have college reunions.
Speaker 1: Excip the sort of you can have, yes, ish, not
Speaker 1: like high school.
Speaker 2: But yeah, fine, high school reunions. People go back and
Speaker 2: they say, I've never gone to one that you just
Speaker 2: kind of regress to, Like, oh my god, that's how
Speaker 2: I was back then, because it's so like, what is
Speaker 2: it like branded in you? It's like it's an impression printed. Yeah,
Speaker 2: it's printed on your soul for ever. We had ten
Speaker 2: years of that, you guys.
Speaker 3: So yeah, anyway, thing.
Speaker 1: If something happens over and over and over again and
Speaker 1: continues to happen, I mean I think it's quite normal.
Speaker 1: I mean I'm always fascinated, I tell you guys all
Speaker 1: the time by the blurred line that the fans have
Speaker 1: between the actors and the character.
Speaker 3: And I have to say, while I am super appreciative
Speaker 3: of everybody's take on it, everybody the reasoning behind it,
Speaker 3: behind why they like who they like, I'm all for it.
Speaker 3: Do you have your opinions, love one character not the other.
Speaker 3: But it still has an impact on me when I
Speaker 3: feel that energy coming from people and I don't like
Speaker 3: it that I really don't like it. I don't like
Speaker 3: putting myself in that environment. And I really realized that
Speaker 3: after that Pittsburgh Q and A panel thing. I was
Speaker 3: like really ready to throw in my towel at that point,
Speaker 3: like I don't need this in my life. You know,
Speaker 3: this feeling to come back to resurface.
Speaker 1: Oh, it doesn't feel good because I don't like it
Speaker 1: when they say I own you always just kiss their
Speaker 1: ass and you don't like Shannon, Like it's I'm not
Speaker 1: making it about me, but I'm saying it's like it's
Speaker 1: something with this fandom. They really immediately if you criticize
Speaker 1: a character in any way, it becomes about the real person.
Speaker 2: I'm sure other shows too, right, Like could you liken
Speaker 2: it to another show that?
Speaker 3: Yeah, what's your experience? Amy? If because you do other
Speaker 3: you know, other casts.
Speaker 1: I've never I mean this intriguing. I've never quite made it. No,
Speaker 1: I've never seen it like this where they fully blur
Speaker 1: the actor with the character, and if you criticize a character,
Speaker 1: they think you're criticizing the actor. The only reason I
Speaker 1: think Tiffany might be different, and you guys correct me,
Speaker 1: is because she was known quite known before for a
Speaker 1: totally different character. So it would be harder to blur
Speaker 1: Tiffany because she's so known for Saved by the Bell
Speaker 1: that maybe that's why. And I don't know if you
Speaker 1: feel it, but I don't feel the same.
Speaker 3: I don't feel that way because Shannon was well known
Speaker 3: to people for the roles that she had played before
Speaker 3: like this, not like this.
Speaker 1: I don't know, because I've never had I criticized Valerie
Speaker 1: and nobody's like, you know, like Tiffany or maybe once.
Speaker 1: But like, I don't know, I don't want to make it.
Speaker 1: I'm not saying it's about me. I'm just giving my
Speaker 1: examples of what I.
Speaker 2: See in this time one more time.
Speaker 1: I just feel bad because it's like who the f
Speaker 1: am I to like even comment, but like I get it,
Speaker 1: I do see it.
Speaker 3: Anyway. This whole thing with val and Kelly just maybe
Speaker 3: just made me think.
Speaker 1: They're perpetuating the same thing again. They're just going right
Speaker 1: back to the same.
Speaker 3: Thing, creating a narrative that's not there, and then somehow
Speaker 3: that narrative can really sneak into your being, you know,
Speaker 3: and like your mind doesn't feel good.
Speaker 1: Anyway, flip floppy. There's no consistency. That's the issue too.
Speaker 1: It's like, I don't know what's up with Valerie As
Speaker 1: a viewer. I'm like, do I like her or hate her?
Speaker 1: I think I hate.
Speaker 2: Her see it as a consumer of TV, like, I
Speaker 2: feel like that's good, like that you want to be
Speaker 2: like I love hate like it's it makes her different
Speaker 2: than the other characters, and it makes her stand out
Speaker 2: because you need that one, you know. It's the Heather
Speaker 2: Lock there Mellower's place, Like.
Speaker 1: Let me care, that's a great example.
Speaker 3: Yeah, troublemaker. She's a troublemaker. Yeah, it's it's fine, it's fine.
Speaker 1: That was just me.
Speaker 3: I was having some like, you know, real.
Speaker 1: So many questions about that kiss when we get to it,
Speaker 1: But keep going.
Speaker 3: Let's go back to the university where Dylan is on campus.
Speaker 3: And he's going to find the son of Tony Marshett.
Speaker 1: He thinks, right, just Brandon, they are not friends. They
Speaker 1: have the strangest relationship.
Speaker 3: Yeah, Dylan and Brandon kind of like, yeah, ragging on
Speaker 3: each other.
Speaker 1: And Brandon's right, it's totally bananas that like Dylan, like
Speaker 1: like literally, we're taking so lightly that Dylan is thinking
Speaker 1: of killing a person, like really and truly.
Speaker 3: Like what like, yeah, that's that's alarming. Brandon should be alarmed,
Speaker 3: not like sting him on or something like joking about it.
Speaker 1: It's so odd. He had a gun.
Speaker 3: Yes, he's purposely going there to find this this boy
Speaker 3: things and then he finds out it's a beautiful girl.
Speaker 3: Of course. We find out also that Valerie claims to
Speaker 3: have an eternal flame for Colin.
Speaker 2: Mmm. I love that song me too, Bangles.
Speaker 1: Correct, it's a sort of conflict being created here, like
Speaker 1: lots of uh chriss cross is developing.
Speaker 2: Yeah.
Speaker 3: Yeah, Donna and Claire gossip about Valerie and Colin, which
Speaker 3: I don't even know why is it that much of
Speaker 3: an interesting topic? I guess so I think.
Speaker 1: I would be like, can you believe she knew him?
Speaker 2: Would?
Speaker 3: And then Kelly walks up from behind and can magically
Speaker 3: hear them with her radar hearing, and it's.
Speaker 2: Like, guys, not you, that's just Kelly.
Speaker 1: Or you hello, correct because everyone's facing camera and you're
Speaker 1: like and then they know she's there. It's like that
Speaker 1: whole thing. I was like, Okay, that was.
Speaker 3: Let's see. Colin Brandon announces to the gang that he
Speaker 3: plans to become a journalist. Huh and he wants to
Speaker 3: write a journalist is a big announcement, right, But I
Speaker 3: guess he was. He was really focusing on the politics
Speaker 3: there for a minute.
Speaker 2: A good thing. That's over. Yeah, So they.
Speaker 3: Saw that that didn't really resonate for people, and now
Speaker 3: he's going back to journalism. Great, yeah, perfect. Colin kisses Kelly.
Speaker 3: Valerie is noticeably disturbed, very upset by it, very flustered.
Speaker 2: Because she can't keep a man. Like every guy she's
Speaker 2: ever like felt anything for is in love with Kelly Taylor.
Speaker 3: Yeah, I mean that's too convenient and really, yeah, she
Speaker 3: wasn't such a pill.
Speaker 1: I actually sort of would feel bad for her, like, because,
Speaker 1: like I said, all the gin joints, like if your
Speaker 1: crush came in with one of your best friends, totally
Speaker 1: unbeknownst you'd be like, oh, oh wow, but she's such
Speaker 1: a pill that you're kind of like stop it. You
Speaker 1: don't have the same compassion you would if.
Speaker 3: It was something right, you're more like, oh great.
Speaker 2: Right, you're yeah, why did they call it such a pill?
Speaker 2: I don't understand that.
Speaker 3: If you if you're a pill?
Speaker 2: Yeah, what's that reference? Like, I know it, but it's
Speaker 2: like you like it when it's like the.
Speaker 1: Oh hard to swallow? Somebody smart text of that. It's
Speaker 1: like a hard to swallow because a pill is hard
Speaker 1: to swallow.
Speaker 2: Oh.
Speaker 1: I think it's a clever interesting storyline. If it wasn't
Speaker 1: Valerie unrequited love and like the whole then it could
Speaker 1: be Okay. I mean, I don't know Claire, but that's
Speaker 1: not very interesting. Nobody that we don't have the right
Speaker 1: character for it to be interesting. But it's an interesting Yeah.
Speaker 3: Yeah. Well. Uh, Steve, though, as you said in the synopsis,
Speaker 3: is once again looking like he's gonna fail out.
Speaker 1: Zero makes call it zero sense. Nobody in college would
Speaker 1: go back to high school and look at your math.
Speaker 1: That would never happen. This whole thing is ridiculous. It's
Speaker 1: completely ridiculous. He got into school.
Speaker 2: They don't like doing it.
Speaker 3: Once you're in, they don't care.
Speaker 2: Is it because Claire is so brilliant she's going to
Speaker 2: help him? Ah? Okay, that's why they did it.
Speaker 3: Okay. And this is also where we established this big,
Speaker 3: you know, energy between Brandon and Susan Keats. Her article
Speaker 3: was must be a guy thing. He didn't like it.
Speaker 2: No, mm hmm.
Speaker 3: We're gonna go to the construction site. Now, you guys
Speaker 3: where Ray is welding welder.
Speaker 1: I didn't even know he was a welder.
Speaker 3: I didn't know either. I thought he built things, but
Speaker 3: I guess, you know, he's.
Speaker 2: A ray of all trades.
Speaker 1: Really, I kind of liked it.
Speaker 3: I was like, it was hot. That's hot welding.
Speaker 1: It's a very specific skill.
Speaker 2: I was like, this guy will welding of Magic Mike.
Speaker 1: Doesn't he isn't he a welder or something in Magic Mike?
Speaker 3: And then also, yeah, but you would have one of
Speaker 3: those big, like clamp downy things on your right. So
Speaker 3: they opted for those.
Speaker 2: Goggles, swimming goggles. Those were they're a little steampunk. I
Speaker 2: don't know.
Speaker 3: Okay, So Donna calls him and she tells him that
Speaker 3: missus Corman wants to repay her and that mister Corman
Speaker 3: is the president of a record company.
Speaker 2: Convenience, but gin joints all the welding sites.
Speaker 3: Oh. Then the next day.
Speaker 1: Very lovely and appreciative. I was like, Okay, you're being.
Speaker 2: Real sweet trying to help her man out.
Speaker 3: I liked it.
Speaker 1: Yeah, everybody don.
Speaker 3: Is very good at that. So then Valerie offers Colin,
Speaker 3: of course, a private tour of the peach pit after dark,
Speaker 3: and they start remembering their good old days in Europe.
Speaker 1: And then he doesn't see you look at how you're
Speaker 1: saying it. He sees a piece of art cam.
Speaker 3: Oh yeah, Colin. He's he's very interested in the wall.
Speaker 3: Nice wall. Wait, he says nice wall, and she says, well,
Speaker 3: it does keep the ceiling off the floor.
Speaker 1: That was actually funny. I was a little I giggled
Speaker 1: a little at that.
Speaker 3: He's very flirty. Already I don't like this guy, Like
Speaker 3: as if you, I'm like, yeah, he's terrible. And then
Speaker 3: by the end of the episode, I'm like, oh, no, way,
Speaker 3: he's out.
Speaker 2: But no pets wait, oh he's out in your mind.
Speaker 2: You're like, I'm done. Yeah, I didn't remember way worse.
Speaker 3: And then we go back to the school and and
Speaker 3: it's the whole Dylan and Tony Marchett. Oh, and then
Speaker 3: she she takes him and introduces him to her driver Bruno.
Speaker 1: When did he knock the books? Was that the same
Speaker 1: scene the big book knock.
Speaker 2: All knocking, boots knocking books.
Speaker 1: You know, when he bumps into her, her books go flying.
Speaker 3: Yeah, yeah, well because he wants to meet her. Yeah,
Speaker 3: and this whole time he's thinking, I want to meet
Speaker 3: you because I want to kill your dad.
Speaker 2: Is an interesting way to enter a relationship.
Speaker 3: Yeah, I don't think. I mean, it makes no sense. Yeah.
Speaker 3: Back at the pit at the p pad, that's right,
Speaker 3: I said it. Uh. David walks in and gets yelled
Speaker 3: at by Valerie for being late. There's a lot of
Speaker 3: talk about David's mom.
Speaker 1: In this episode, big subliminal storyline, because it does.
Speaker 2: That coming next.
Speaker 1: I don't remember when, but it does come. It's intentional
Speaker 1: that they keep mentioning it.
Speaker 3: Well, we just saw her living on the streets not
Speaker 3: that long ago, and David and mill went to rescue her.
Speaker 3: So I guess they're just keeping that character alive without
Speaker 3: showing Yeah. Well, Kelly tells Valerie that David didn't deserve
Speaker 3: to be talked to that way. And then val says,
Speaker 3: I think you're just mad because she's letting call and
Speaker 3: paint the mural. Who goes? What else? What else happened
Speaker 3: that was significant?
Speaker 1: Uh?
Speaker 3: Dylan and Tony have a very romantic.
Speaker 1: I like that she has a driver, but it's a
Speaker 1: white car. I was like, oh, a white town car.
Speaker 1: They went to that restaurant. What restaurant was that? Thereso? No,
Speaker 1: it really showed the restaurant.
Speaker 3: I had the name of the restaurant out loud, but
Speaker 3: I can't remember now that was it.
Speaker 2: I just feel like every time they show a fancy
Speaker 2: restaurant on nine O two and zero thus far, they
Speaker 2: all look the same.
Speaker 3: Yeah, it's like a it's like a fancy restaurant in
Speaker 3: San Fernando Valley?
Speaker 1: Was it?
Speaker 2: How dare you? I live here? Yeah? You're right.
Speaker 3: They don't feel like Beverly Hills fancy.
Speaker 2: They just never have any I feel like, I don't know,
Speaker 2: there's there's no like decor. There is just very like
Speaker 2: the very white tableclothing, white tablecloth, so that that's fancy
Speaker 2: and like a fancy waiter.
Speaker 3: And are we feeling are we feeling the chemistry between
Speaker 3: these two characters.
Speaker 1: Are not gonna even say because I'm so twisted on
Speaker 1: for some reason this storyline. It's just so it was
Speaker 1: so impressionable to me. Then it's the same reason that
Speaker 1: I'm like she was on the whole time. She's a
Speaker 1: main cast member. Like, so I can't tell because I
Speaker 1: know I'm totally this whole storyline messes me up.
Speaker 2: I'm like, I got to say, for the first time ever,
Speaker 2: I feel like like I'm distracted by her a bit visually.
Speaker 3: Because of her beauty.
Speaker 2: Correct, and it's her first episode, so I'm just like
Speaker 2: so Radar like zoned in on her external beauty that
Speaker 2: it's heart is distracting. It even distracts from Luke a
Speaker 2: little bit, which that's hard to do.
Speaker 1: It does. That's a good point, do you know what
Speaker 1: I mean? Was she the Noxema girl before this?
Speaker 2: Correct?
Speaker 1: So that's how we kind of knew that you got
Speaker 1: the Noxema girl.
Speaker 3: The splash, the splash, the water on the face.
Speaker 1: Clashed, the water on the face, and yet her face
Speaker 1: was perfect. I don't look like that when I woosh
Speaker 1: water on my face.
Speaker 3: So I look like a drowned rat. And it's very messy.
Speaker 3: I want to say, if you try the Naximus splash
Speaker 3: at home, it's very messy. Okay, So Steve's interviewing the
Speaker 3: Geek Squad to find his tutor. It was a little entertaining.
Speaker 3: I liked it. I wanted more, honestly, I was like
Speaker 3: I could watch this for a while.
Speaker 2: That was like the best we got of Jason's like, yeah,
Speaker 2: that was. Then there's a big night.
Speaker 3: Is this the big night at the peat Pad Crown?
Speaker 1: The line to get in is so serious.
Speaker 3: Now that yeah, it's a it's a hot.
Speaker 2: Brandt joint is jumping that place if you have to laugh.
Speaker 1: A little bit when Tony Marshett's like, I know this
Speaker 1: really cool hellub.
Speaker 3: It's called the peach pit after dark. And of course
Speaker 3: Brandon can just walk to the front of the line
Speaker 3: because he knows people. In fact, in his sports coach.
Speaker 1: He's wearing a blazer.
Speaker 2: I mean the college person that runs it lives in
Speaker 2: his house. Well, if you want to talk about that
Speaker 2: outfit that didn't happen, If.
Speaker 3: You want to know about bad efforts, what about Steve's
Speaker 3: shorts and socks?
Speaker 2: I can't go.
Speaker 3: It's so it's upsetting.
Speaker 1: What George's with the socks, with the big sneakers.
Speaker 2: I gotta say, for ten seasons they did him wrong.
Speaker 2: That's all ultim Yeah, yeah, that's consistent. There you go,
Speaker 2: there is something.
Speaker 3: Oh my god, to the kiss.
Speaker 1: Oh no, we have got to do the whole The
Speaker 1: daughter that makes the record decisions? What?
Speaker 2: Who cares? Right?
Speaker 1: First of all, how is she even in that club?
Speaker 3: I thought that was Dylan's sister for a second. She
Speaker 3: looks just like bad actress.
Speaker 1: Oh wait, maybe it's an eighteen and over I digress.
Speaker 1: But still, how's she even in that club?
Speaker 3: Well, because her dad's Roger Corman or whatever her name is,
Speaker 3: Roger Corman. They go backstage. No, no, that's somebody, isn't it.
Speaker 2: Yeah, like a huge director. Correct, And Roger Corman just
Speaker 2: passed away.
Speaker 3: Wow, right, well the same guy and this happens. You know,
Speaker 3: I'm getting goosebumps because it's a sign, oh sign of
Speaker 3: what Why would we say, Roger Corman? He just passed away.
Speaker 3: It's weird. Those things are weird to me.
Speaker 1: Okay, that scene in the dressing room is so boring
Speaker 1: of the staring. It's so much staring. It's like Donna's
Speaker 1: staring at Ray and Ray staring at the kid, and
Speaker 1: the kids staring at Ray and Ray staring at Donna,
Speaker 1: and it's just like that, and then.
Speaker 3: Valerie's staring at Colin and Kelly, and then Valerie staring
Speaker 3: at Colin and Kelly, and then Brandon's watching Dylan and Tony.
Speaker 2: It's just a lot of watch you know. That was
Speaker 2: like a Jason like call, though he was like, oh,
Speaker 2: this is symbolic.
Speaker 3: Hey, yeah, I gotta get in on that. I'm gonna
Speaker 3: zoom in on that close up.
Speaker 1: With the I've only one that wanted to know the
Speaker 1: car that Susan Keats drives because it's white. And I
Speaker 1: saw her first seat covers and I'm like, is it
Speaker 1: a cabriolet?
Speaker 2: Like?
Speaker 1: What is it?
Speaker 3: I wanted to be one of those bugs, Beatle what
Speaker 3: do you call it? A cabriolet?
Speaker 2: VW never got to see it. We call them bugs.
Speaker 3: That was my first car, you guys, bug or rabbit Rabbit?
Speaker 2: It was, Yeah, that's all I wanted was a red rabbit. Yeah.
Speaker 1: That was a classic nineties girl car.
Speaker 3: Oh, I wish I still had that car.
Speaker 2: I don't.
Speaker 1: I don't think it's that safe.
Speaker 2: No, my parents wouldn't get it for me, because that's
Speaker 2: what they said.
Speaker 3: Okay, so we see Tony and Dylan making out in
Speaker 3: the driveway. Her big castle slash mansion.
Speaker 1: Does have the Porsche again.
Speaker 3: It's a new one. Is the new one?
Speaker 2: Right?
Speaker 1: He got a new one.
Speaker 2: How'd you feel about them making out? Yeah? Tell me
Speaker 2: feel a lot?
Speaker 3: I didn't feel a lot.
Speaker 2: I don't know why I'm not feeling the chemistry, but
Speaker 2: I remember they don't love them for it. I don't know.
Speaker 3: I just don't feel a connection yet to you what's happening.
Speaker 3: Maybe it's just me? Yeah, yeah, maybe I just don't
Speaker 3: like seeing Dylan kiss other girls.
Speaker 2: As your friend, I don't like seeing Dylan kiss other girls.
Speaker 2: I don't that's what it's bad about. Yeah, no, that correction.
Speaker 2: I liked Tim and Valerie kissing. Okay, you know what,
Speaker 2: but I knew that wasn't like lasting. This is like
Speaker 2: this is a good girl, like a good girl from
Speaker 2: a bad family.
Speaker 3: Like apparently she could be the one. But I know,
Speaker 3: what are you coming? Mm hmm mm hmm. Colin wakes
Speaker 3: up and serves Kelly breakfast. He made, he cooks and
Speaker 3: he is an artist.
Speaker 1: The phone call thee and we saw your handwriting. I
Speaker 1: was like, oh, that's actually your handwriting. You grab like
Speaker 1: the biggest pen and the biggest piece of paper in
Speaker 1: the world.
Speaker 3: Who's calling?
Speaker 1: Who?
Speaker 3: Who's Claudia?
Speaker 1: Where is it?
Speaker 2: No?
Speaker 1: What's her name? Claudia, Claudia, Claudia. Yeah, at the gallery
Speaker 1: find out. You'll find out it's not good.
Speaker 2: Can we go back to what he painted? Like you?
Speaker 2: Like you guys, like those watercolor roses he made for
Speaker 2: her like I did.
Speaker 3: Actually, I like to let a hell of a lot
Speaker 3: better than the sketchy did of her in two seconds.
Speaker 3: Who can sketch a portrait of someone that quickly. I
Speaker 3: couldn't tell she was bothered or if it was more
Speaker 3: like she was upset about her bed hair. I will
Speaker 3: tell you a pixie does not wear well the next morning,
Speaker 3: like you know what I mean, you got a short hair?
Speaker 3: Do wake up?
Speaker 2: It's like, now bothered me because I was just like,
Speaker 2: I don't think of her, and certainly not you, I guess,
Speaker 2: so the lines blur. You're not that girl, the jealous type.
Speaker 2: So it like, I don't know it. It bothered me.
Speaker 3: Well, maybe for a reason. Maybe Claudia is going to
Speaker 3: come in and make some Laudia.
Speaker 1: Is a problem.
Speaker 3: Oh she is.
Speaker 2: She's not just straight up business.
Speaker 1: Not it's my memory served Oh okay.
Speaker 2: So then Kelly, instinctly your gut, there you go.
Speaker 3: But also I realized when they were at the pea
Speaker 3: pad a you know, when they're at the you know,
Speaker 3: pepad and I'm just gonna keep saying.
Speaker 2: It, Oh my god, they're going to get so mad
Speaker 2: at you pad.
Speaker 3: She's a sex maniac. Kelly like, she yeah, like what
Speaker 3: what when does she get all like kind of it?
Speaker 1: It's gotten very adult. There's a lot more sex, a
Speaker 1: lot more bed scenes.
Speaker 3: He's like, yeah, he says, you want to go back
Speaker 3: to my house and get naked, maybe uncomfortable.
Speaker 2: It's a new relationship. We're like, yeah, duh, I guess so, honey.
Speaker 3: I don't want to see that. And that's it. Oh wait, no, no, no,
Speaker 3: that's not it. Sorry, big thing.
Speaker 2: Oh my gosh. Subconsciously she wanted.
Speaker 1: That to be.
Speaker 3: It's over. And that's the end of the episode.
Speaker 2: Thanks so much.
Speaker 3: No, we we see At the end, Valerie continues to
Speaker 3: flirt with Colin and tells him that she has always
Speaker 3: dreamed about kissing him all these years, and he out
Speaker 3: of the kindness of his heart kisses her.
Speaker 1: A sympathy kiss or the beginning of something new. That's
Speaker 1: what I want you.
Speaker 3: I want you, guys to be very undeterminable because it
Speaker 3: wouldn't happen, Like, would that happen unless he's attracted to her?
Speaker 2: Correct? You know, a guy doesn't give someone a sympathy kiss,
Speaker 2: especially when he has a full on girlfriend. It's not then.
Speaker 3: The end of the episode is thanks, I'll never forget that. Oh,
Speaker 3: it's just so strange, bizaar.
Speaker 2: The kiss was weird too. It was just like a
Speaker 2: lingering simple Yeah, it was simple, but it lingered this
Speaker 2: it was like a smooch.
Speaker 3: I can't amy you're not you don't like you. Like
Speaker 3: if you had the chance to kiss Colin he sucks,
Speaker 3: you would no, no no. If you were like you
Speaker 3: didn't know he sucked mm hmm and you had the
Speaker 3: chance to kiss him, would you know what?
Speaker 2: We don't have a question before she answers friends with
Speaker 2: you were not friends with you? She is Kelly?
Speaker 3: Not friends with Kelly. I want to know, like an
Speaker 3: objective Yeah.
Speaker 1: Oh there's something schmarmie right out the gate. I find
Speaker 1: him schmarmys the right word there's something Owie Owe about him.
Speaker 1: He's not for me, He's he's the guy. He is
Speaker 1: right out the gate for me.
Speaker 3: I'm like, oh, and again, there are split people out there.
Speaker 3: There's people that love Kelly and Colin together and there's
Speaker 3: people that do not like them together. I think it's
Speaker 3: always going to be the case. What Yeah, there's people
Speaker 3: that love them together. He's because of your no, I've
Speaker 3: read it with my eyeballs.
Speaker 1: That shocks me.
Speaker 3: Mm hmm.
Speaker 2: Really before or like now at this point before he
Speaker 2: like it? Okay, before Okay.
Speaker 3: Yeah, I'm sure that'll change because it shocks me. Bad
Speaker 3: things are coming.
Speaker 2: I don't know. He's totally Donna and my type, Like
Speaker 2: he's a bad boy, but not not not feeling it
Speaker 2: for him.
Speaker 3: You're not getting the tangles.
Speaker 1: All right.
Speaker 3: That's all I have to say about this episode. What
Speaker 3: do you guys?
Speaker 1: Rate it ten?
Speaker 3: You're just saying that now for every episode this.
Speaker 1: Is we just met Tony Marshett.
Speaker 2: Come on, I don't feel that way.
Speaker 3: What do you feel.
Speaker 2: Now? I know it's Jason's episode that's influencing me to
Speaker 2: give it a higher rating than I would to be honest,
Speaker 2: just give it the rating I'll get it to seven.
Speaker 3: Oh oh sorry, I'm just kidding. I give it an eight. Yeah,
Speaker 3: there you have to people. Next week we have episode
Speaker 3: six already in season four. Everything's coming up, Roses. Oh
Speaker 3: is this the one where you're the Rose Queen?
Speaker 2: Sure?
Speaker 1: Stop it wait I think so?
Speaker 2: Oh man, this is starting. That was that's just uncomfortable.
Speaker 3: I'm excited to see this. Everything's coming up, Roses. All right,
Speaker 3: you guys, that's it for us, all right, stuff Tell
Speaker 3: the people goodbye, piece out Oh we love you.
Speaker 1: Hye mhm