WEBVTT - New Blood and Bad Blood!

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<v Speaker 1>It's nine Ogen one Allegie with Jenny Garth and Tory spelling.

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<v Speaker 2>You guys, here we are, and this must be a

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<v Speaker 2>guy thing because some juicy stuff is happening.

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<v Speaker 3>Why does it have to be a guy thing.

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<v Speaker 2>I don't know, it's the name of the episode. It

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<v Speaker 2>doesn't have to you know what, let's retile the episode

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<v Speaker 2>thirty three years later. This must be a girl thing.

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<v Speaker 2>And speaking of.

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<v Speaker 3>Girls, Speaking of girls, we got some new ones. We

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<v Speaker 3>do very exciting day here. There are two equally exciting

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<v Speaker 3>new additions to the cast in this episode.

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<v Speaker 2>You guys, yes, I mean an iconic actresses, Rebecca Gayheart,

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<v Speaker 2>Emma Callfield Rebeccat gay Heart.

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<v Speaker 1>I know.

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<v Speaker 2>I still crush on her.

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<v Speaker 1>So funny when you guys were saying we got two

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<v Speaker 1>new people, I didn't even think of Rebecca Gayheart because

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<v Speaker 1>for me, she's so synonymous with the show, even though

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<v Speaker 1>she's only on for a short time. It didn't even

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<v Speaker 1>like my brain didn't even think of her when you

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<v Speaker 1>said we got two new characters. I immediately went to

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<v Speaker 1>the editor because she felt new, whereas Rebecca Gayheart for me,

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<v Speaker 1>is so a part of the show, like it didn't

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<v Speaker 1>feel new. Do you know what I'm saying, likes new

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<v Speaker 1>This is the first time we see this is the

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<v Speaker 1>first time we've seen Tony.

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<v Speaker 2>But you're saying, just when you think of nine on

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<v Speaker 2>two and zero, you always think of Rebecca Gayheart like

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<v Speaker 2>it's as if she's a regular, always been there.

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<v Speaker 3>And yes, that's so interesting because she was only on

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<v Speaker 3>how many episodes? I wondered, not many, five.

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<v Speaker 1>Five or six?

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<v Speaker 2>And she sees no, no, no, no, no, no, no, no, it's

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<v Speaker 2>not on the whole season.

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<v Speaker 3>She made quite an impression on the sugar.

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<v Speaker 1>This is so weird to say more than I think

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<v Speaker 1>of Kathleen. Isn't that weird? Like I think of her?

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<v Speaker 1>And maybe it was just because she's it's just so prominent.

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<v Speaker 1>What happens.

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<v Speaker 3>We have confirmation that Rebecca was in eight episodes eight Sorry.

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<v Speaker 2>I said six, Jen, you hear this? Amy got something wrong?

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<v Speaker 3>I love it when that happened. Oh, here's a funny

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<v Speaker 3>thing though. So I was at a thing and come

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<v Speaker 3>to find out Emma call Field was at the same event. Dan, Nope,

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<v Speaker 3>I was walking in and she was walking out and

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<v Speaker 3>she dropped something. The woman in front of me dropped

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<v Speaker 3>something and was like scooping it up, and she looked

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<v Speaker 3>back up and she goes, oh hey, and then she

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<v Speaker 3>just kind of kept walking and by the time she passed,

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<v Speaker 3>I was like, I know her from somewhere, and then

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<v Speaker 3>later I realized, Oh, that was Emma call Field.

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<v Speaker 2>Wow for emotion. Did I go to college with her? No?

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<v Speaker 2>I only got college on TV. Wait, how everyone does

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<v Speaker 2>with us? Like I did go to college with her?

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<v Speaker 1>Think about this. Na Coffield does thirty episodes of nine

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<v Speaker 1>O two one?

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<v Speaker 3>Oh wow?

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<v Speaker 1>Does she stand out in your mind as much as

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<v Speaker 1>Tony Marshett.

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<v Speaker 3>Gotta be honest, super weird.

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<v Speaker 2>It's super weird, and I have to be honest. When

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<v Speaker 2>I saw her, I was like, oh, Jill novac Son

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<v Speaker 2>who ended up playing Tracy. Another topic, Brandon Walsh, same

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<v Speaker 2>same thing.

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<v Speaker 3>I wrote down her name as Jill.

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<v Speaker 1>There you go, and then I crossed it out and

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<v Speaker 1>I was like.

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<v Speaker 3>No, her character's name is Susan Keats.

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<v Speaker 2>They're wildly I mean, I guess I would say Brandon

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<v Speaker 2>Walsh has a type, but you're his type.

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<v Speaker 3>So no, this is odd, But you know what, it's

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<v Speaker 3>that editor role. No, but you don't care about that

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<v Speaker 3>editor role for some reason. Amy that character for you

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<v Speaker 3>in the newspaper office.

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<v Speaker 1>Is like, it's not as prominent as oh yeah, yeah,

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<v Speaker 1>same to say, she's super cute.

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<v Speaker 3>This like she's got a lot of pep in her step.

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<v Speaker 3>She brings a lot of energy to the scenes. You know,

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<v Speaker 3>she's fee yeah.

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<v Speaker 2>I like, yeah, no, I like her. But you're right,

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<v Speaker 2>it's kind of like, Sorry, guys, like the Andre Andrea character,

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<v Speaker 2>You're like, it's just the editor. Yeah, we zone out

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<v Speaker 2>when it's like, what would that be? Jen?

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<v Speaker 3>I don't know, but it's like she's the same character.

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<v Speaker 3>She's like the same character that Andrea played. So it's

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<v Speaker 3>so weird that they hired a brunette, similar body type. Yeah,

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<v Speaker 3>but she's a little edgier than Andrea and not you know,

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<v Speaker 3>doesn't seem as sweet as Andrea.

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<v Speaker 2>She'll never be chief wait chief. No. Yeah, she's sassier too.

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<v Speaker 1>She's a bit sassy. But I kind of like it.

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<v Speaker 3>We're here for it, Okay, So let's do this. Let's

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<v Speaker 3>do this. Season six, episode three, Must be a Guy

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<v Speaker 3>Thing Eric September twentieth, nineteen ninety five.

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<v Speaker 2>Kelly finds out Colin and Valerie share a past. Sorry, Jen,

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<v Speaker 2>Donna gets Ray one step closer to a record deal,

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<v Speaker 2>Dylan falls for the daughter of the man he wants

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<v Speaker 2>to kill, Brandon falls for the editor of the school newspaper,

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<v Speaker 2>and Steve is on the brink of flunking out of

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<v Speaker 2>school shocking again.

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<v Speaker 1>First of all, God, I feel a few sort of

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<v Speaker 1>what flag moments, if I may, if you will, love

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<v Speaker 1>and I know we can talk about it all. But

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<v Speaker 1>number one, Tony Marchett, the dad. If he killed Dylan's father,

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<v Speaker 1>wouldn't he immediately recognize? Yeah, thank you?

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<v Speaker 3>Yeah, he says, who's that kid? Who's that kid making

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<v Speaker 3>out with my daughter?

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<v Speaker 1>I'm so old in this episode, I'm like, he's not

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<v Speaker 1>college people.

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<v Speaker 3>No, he's Dylan looks like a grown ass man fact.

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<v Speaker 2>I mean, wait, wait, you guys, can you update me

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<v Speaker 2>on this? So Tony is in college or high school?

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<v Speaker 1>College?

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<v Speaker 3>No?

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<v Speaker 2>Sorry?

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<v Speaker 3>College? Do they take college?

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<v Speaker 2>Sorry? Jenn nine, go to college? Amy, she's in college.

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<v Speaker 2>Do they call out your name in a college class?

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<v Speaker 1>I guess in a very very very small section, they

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<v Speaker 1>might make sure you're there. If attendance counts in some way,

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<v Speaker 1>probably more would be a sign in, But I didn't.

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<v Speaker 1>That did not bother me that much because he had

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<v Speaker 1>to figure out who Tony Morris shot with.

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<v Speaker 2>I know, but I was just like, Eh, okay.

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<v Speaker 3>Do you guys want me to tell you who directed

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<v Speaker 3>this episode?

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<v Speaker 2>Sure do?

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<v Speaker 3>Jason Priestley and it was written by John Eisendraft, who

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<v Speaker 3>is also new to the show. If I'm not mistaken,

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<v Speaker 3>season six enter John Eisendraft as executive producer.

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<v Speaker 2>He became executive producer. So is this when.

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<v Speaker 3>Chuck left and John Bleman.

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<v Speaker 1>Correct, Oh wow, it's Priestley ish as his right?

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<v Speaker 2>It was.

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<v Speaker 1>It wasn't like.

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<v Speaker 2>With the top hat right now? What the heck?

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<v Speaker 3>Wait, you're so right? I thought this was like that.

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<v Speaker 3>It was more he's matured, you guys, he's directed. He's

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<v Speaker 3>matured as a director.

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<v Speaker 2>Until I read it on our rundown, had no idea.

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<v Speaker 2>Would never have thought this was adjacent episode.

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<v Speaker 3>Nope, me either, correct John?

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<v Speaker 2>What new EPs? Maybe they were like I.

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<v Speaker 3>I go back because I'm finding out now that John's

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<v Speaker 3>title wasn't executive producer. He was supervising producer right now.

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<v Speaker 2>He may get right now he ends up though like

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<v Speaker 2>season ten he was he ran the show. Correction, we

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<v Speaker 2>ran the show.

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<v Speaker 3>You know what was exciting for me in this episode?

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<v Speaker 3>I have the the collection on the the what's that

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<v Speaker 3>called little sticky thing that you put things on in

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<v Speaker 3>a computers? Nope, sorry, I love those though it goes

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<v Speaker 3>in the thing. Yeah, a little thing you put in

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<v Speaker 3>the thing that Darren Martin gave me with all the

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<v Speaker 3>shows and the original music. So I got to hear

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<v Speaker 3>Jamie Walters.

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<v Speaker 1>I did too. I did too because I watched it

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<v Speaker 1>on the DVD.

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<v Speaker 2>So that's okay. So, yes, Darren Martin gave us flash drives.

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<v Speaker 3>Thank you so much, Darren.

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<v Speaker 2>We're super grateful. But Jen, I would love to hear

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<v Speaker 2>for a moment. Did anything change hearing him? Seeing now

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<v Speaker 2>that you heard him perform on the show, no Ah.

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<v Speaker 1>Does make you like him more if that's what you're saying.

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<v Speaker 1>I mean, I feel like.

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<v Speaker 3>That's not my kind of music. So but I appreciated

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<v Speaker 3>his like husky sultryness up.

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<v Speaker 2>There, husky like that.

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<v Speaker 1>Yeah, yeah he does.

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<v Speaker 3>I don't know.

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<v Speaker 1>I don't want to wait say the same thing that

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<v Speaker 1>hurt beauty to an angel. I don't want to say

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<v Speaker 1>the same thing again. But like, why did they make

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<v Speaker 1>him bad good? They should have just made him good

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<v Speaker 1>or terrible.

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<v Speaker 3>It's like, no, he was good then bad, now good,

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<v Speaker 3>and he was bad again, now he's good again. Very

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<v Speaker 3>very confusing.

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<v Speaker 2>Well, why did they gen ear muffs? Huh? Kill tone?

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<v Speaker 2>I heard you, oh ma'am.

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<v Speaker 3>But I also kind of know that's happening. Okay, I

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<v Speaker 3>kind of remember.

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<v Speaker 2>I mean she was a keeper like that, that was

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<v Speaker 2>a that should have been a nine or two and

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<v Speaker 2>oh Lifer. I'm just saying, so beautiful, such a pretty girl.

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<v Speaker 3>Her eyes remind me of your eyes, like you guys

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<v Speaker 3>have similar faces in when I was looking.

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<v Speaker 2>At her, remind me of you or Amy? You me you,

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<v Speaker 2>that's the thing you've ever said to me.

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<v Speaker 1>She's so unique looking like she she looks like a doll.

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<v Speaker 2>Uh DOLLI And we loved her. We got from jump,

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<v Speaker 2>we got along with her. She was just so great

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<v Speaker 2>and kind and fun and just she she should have

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<v Speaker 2>stayed on for all ten seasons. I'm just saying it.

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<v Speaker 3>Let's go, let's go from the top. Do you want

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<v Speaker 3>to hey, do you want to take us through this week?

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<v Speaker 2>Uh? You know, my brain doesn't like to work like that.

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<v Speaker 2>That's your jam. Well, but if you want to go

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<v Speaker 2>in order.

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<v Speaker 3>Do you want to know trivia?

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<v Speaker 2>Yeah?

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<v Speaker 3>Definitely yes, Tiffany Theeson's older brother, Todd Deeson, appeared as

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<v Speaker 3>Larry Malanowski in this episode. I don't know who Larry

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<v Speaker 3>Malanowski is. Did I see Larry Melanowski?

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<v Speaker 2>Wait? What Tiffany's brother, older brother was in this? Was

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<v Speaker 2>he an? Apparently?

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<v Speaker 3>I can't even remember what he looked like her. Yeah,

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<v Speaker 3>that would make sense.

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<v Speaker 2>Yep.

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<v Speaker 3>We're gonna start at the peach pit where the gang

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<v Speaker 3>is hanging out, and we see Donna's bra. Did you

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<v Speaker 3>notice the opening shot is First of all, I'm like, wait,

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<v Speaker 3>Val and Donna are buddies now hanging out at the

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<v Speaker 3>peach pit having fries makes no sense.

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<v Speaker 1>We ended the.

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<v Speaker 3>Last cause and everybody yes, and that's why likes her again.

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<v Speaker 1>God, we started to like her, and then then everyone

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<v Speaker 1>that's the thing. Everyone blows like the wind, including her.

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<v Speaker 1>You all hate her and like her. He's like good

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<v Speaker 1>and bad? Like what?

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<v Speaker 3>And then of course we find out Kelly and Colin

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<v Speaker 3>come in, and magically Val knows Colin.

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<v Speaker 2>Of all the Gingers, of all the Diners and Beverly Hills,

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<v Speaker 2>you could walk into why Japan walk into mine? Colin

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<v Speaker 2>Robbins Valerie.

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<v Speaker 3>Went on a European tour together when I had braces.

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<v Speaker 2>But before that though, before they walk in, I feel

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<v Speaker 2>like this is where we first see the magic starting

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<v Speaker 2>between Claire and Steve.

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<v Speaker 3>We see a little sparkles. Yes, we do, we do.

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<v Speaker 3>I don't know. I'm not feeling that yet. I feel

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<v Speaker 3>like they're like kind of like leading up to that, probably,

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<v Speaker 3>but I don't reel kind of no.

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<v Speaker 1>If I you know, like two friends that pretend they

0:12:44.480 --> 0:12:46.760
<v Speaker 1>don't like each other, that you're like, are they kissing

0:12:46.800 --> 0:12:48.080
<v Speaker 1>in the closet? Do you know what I mean?

0:12:48.120 --> 0:12:49.680
<v Speaker 3>Like they're like jabbing at each other.

0:12:49.920 --> 0:12:54.800
<v Speaker 1>Yeah, there's always like choking that'll cast you. You can't

0:12:54.840 --> 0:12:56.200
<v Speaker 1>afford that, you know.

0:12:57.240 --> 0:12:59.640
<v Speaker 2>Meanwhile, before I don't think I've ever seen them speak

0:12:59.679 --> 0:13:01.240
<v Speaker 2>to each other on the show.

0:13:01.720 --> 0:13:02.200
<v Speaker 1>But all of a.

0:13:02.200 --> 0:13:06.800
<v Speaker 3>Sudden, of course, oh my go oh yeah this this

0:13:06.880 --> 0:13:09.000
<v Speaker 3>episode that there's a lot of convenient things happening.

0:13:10.160 --> 0:13:12.800
<v Speaker 1>Yeah, convenient things. Yeah.

0:13:12.840 --> 0:13:17.439
<v Speaker 3>But when when when Val calls out call it, I

0:13:17.480 --> 0:13:22.760
<v Speaker 3>was like, oh my god, say it isn't so yeah, Jen,

0:13:23.040 --> 0:13:23.920
<v Speaker 3>I didn't remember that.

0:13:24.880 --> 0:13:29.319
<v Speaker 2>I didn't either, No, why did they do that? I

0:13:29.440 --> 0:13:33.920
<v Speaker 2>know what happens later, but I didn't know they knew

0:13:33.920 --> 0:13:35.120
<v Speaker 2>each other from before.

0:13:36.200 --> 0:13:37.240
<v Speaker 3>Here's my problem.

0:13:37.240 --> 0:13:41.360
<v Speaker 2>With this episode aside from my bra showing.

0:13:41.480 --> 0:13:43.520
<v Speaker 3>Aside from your bra showing in one shot and then

0:13:43.559 --> 0:13:45.120
<v Speaker 3>not showing in the next shot, I was glad that

0:13:45.120 --> 0:13:48.000
<v Speaker 3>you sat up straight and somebody fixed it. The show

0:13:48.080 --> 0:13:48.400
<v Speaker 3>came on.

0:13:48.760 --> 0:13:49.720
<v Speaker 1>They pitted.

0:13:51.280 --> 0:13:57.120
<v Speaker 3>Kelly and Brenda against each other, thus kind of pitting

0:13:57.559 --> 0:14:04.440
<v Speaker 3>Jenny and Shannon against each other in this weird, surreal

0:14:04.640 --> 0:14:09.480
<v Speaker 3>bubble of a world because life was imitating our military separate. Yeah,

0:14:09.520 --> 0:14:13.680
<v Speaker 3>and we were very young and impressionable and formative. Now

0:14:15.120 --> 0:14:19.160
<v Speaker 3>they have Kelly pitting against Val. It's just like, it's like,

0:14:19.720 --> 0:14:23.280
<v Speaker 3>why are they doing this to these To Kelly? Why

0:14:23.360 --> 0:14:25.800
<v Speaker 3>is she always have to have these conflicts with other

0:14:25.880 --> 0:14:29.720
<v Speaker 3>girls in the show. I don't like it. And it's

0:14:29.720 --> 0:14:32.240
<v Speaker 3>all for their like dramatic whatever.

0:14:32.920 --> 0:14:36.880
<v Speaker 2>But you're the lead female. Hello, Why can't they make them?

0:14:37.200 --> 0:14:38.960
<v Speaker 2>Why can't they make the females get along?

0:14:40.920 --> 0:14:41.080
<v Speaker 1>Oh?

0:14:41.720 --> 0:14:45.680
<v Speaker 2>Because that's that's what we do now. Back then, you

0:14:45.720 --> 0:14:49.600
<v Speaker 2>know what, in high school and maybe college, I don't know,

0:14:49.680 --> 0:14:55.080
<v Speaker 2>I didn't go, but it's so rampant, like girls are

0:14:55.160 --> 0:14:57.160
<v Speaker 2>besties one day and then they hate each other and

0:14:57.160 --> 0:15:01.640
<v Speaker 2>then it's just so like I don't know, but you

0:15:01.720 --> 0:15:04.400
<v Speaker 2>had evolved at this point because you were able to

0:15:04.440 --> 0:15:08.040
<v Speaker 2>separate it because you and Tip became great friends, so

0:15:09.680 --> 0:15:13.040
<v Speaker 2>you guys had grown up and you didn't let art

0:15:13.360 --> 0:15:16.200
<v Speaker 2>imitate life and the lines blur.

0:15:16.440 --> 0:15:21.520
<v Speaker 1>Actually didn't feel that in the public perception that they

0:15:21.600 --> 0:15:26.680
<v Speaker 1>blurred the line as much then between Val and Kelly

0:15:26.800 --> 0:15:31.800
<v Speaker 1>as Tiffany and Jenny, as Shannon and Jenny, Brenda and Kelly,

0:15:31.880 --> 0:15:34.280
<v Speaker 1>Like for some reason, I don't know why. That's just

0:15:35.320 --> 0:15:39.600
<v Speaker 1>that's just my vibe, it didn't seem so much. Maybe

0:15:39.640 --> 0:15:41.680
<v Speaker 1>we were starting to know you more as celebrities, so

0:15:41.720 --> 0:15:43.480
<v Speaker 1>we weren't blurring the characters as much.

0:15:43.520 --> 0:15:45.960
<v Speaker 3>I don't know, it's just weird, like we never had.

0:15:46.720 --> 0:15:49.960
<v Speaker 3>It's becoming more and more apparent to me as I

0:15:50.000 --> 0:15:51.920
<v Speaker 3>get older and I'm able to see things from such

0:15:51.920 --> 0:15:57.280
<v Speaker 3>a different perspective. But the way that it started for

0:15:58.360 --> 0:16:04.480
<v Speaker 3>Brenda and Kelly, Shannon and Jenny, that they were never

0:16:05.000 --> 0:16:07.640
<v Speaker 3>they had the cards stacked against them as far as

0:16:07.680 --> 0:16:11.320
<v Speaker 3>getting along in a relationship like with each other. And

0:16:12.680 --> 0:16:16.320
<v Speaker 3>You're right, like I had gotten older, learned some things,

0:16:16.800 --> 0:16:23.440
<v Speaker 3>but I'm still seeing such a divide created by the man,

0:16:24.720 --> 0:16:27.800
<v Speaker 3>basically the man who wrote this, the man, you know

0:16:27.840 --> 0:16:30.760
<v Speaker 3>what I mean, Like It just feels like it's pissing

0:16:30.800 --> 0:16:33.400
<v Speaker 3>me off, is what I'm trying to say, because it's

0:16:33.480 --> 0:16:38.920
<v Speaker 3>really psychologically had a lot of effect on my life

0:16:38.960 --> 0:16:43.680
<v Speaker 3>personally and still to this king day. You guys, I

0:16:43.720 --> 0:16:46.080
<v Speaker 3>can sit on a stage, I love Shannon. I'll sit

0:16:46.120 --> 0:16:48.280
<v Speaker 3>on a stage and the audience will pit us against

0:16:48.280 --> 0:16:51.360
<v Speaker 3>one another in a in a Q and a forum,

0:16:52.920 --> 0:16:56.360
<v Speaker 3>and it so makes me so angry.

0:16:56.520 --> 0:16:58.840
<v Speaker 2>The characters or the two of you person the two

0:16:58.880 --> 0:17:02.200
<v Speaker 2>of us, Yeah.

0:17:01.000 --> 0:17:04.119
<v Speaker 3>The two of us. It's the characters that they're talking about,

0:17:04.160 --> 0:17:07.199
<v Speaker 3>but it's the two of us. They're receiving that energy

0:17:07.440 --> 0:17:10.560
<v Speaker 3>and having to process that energy and that information and

0:17:10.640 --> 0:17:13.520
<v Speaker 3>have it not affect our you know, emotions or our

0:17:13.880 --> 0:17:19.960
<v Speaker 3>mental state. Like there's something so just I don't know

0:17:19.960 --> 0:17:20.720
<v Speaker 3>how to explain it.

0:17:22.200 --> 0:17:22.800
<v Speaker 1>Yeah, I get that.

0:17:22.960 --> 0:17:27.840
<v Speaker 2>You just did, like I get it. Yeah, I understand now. Wow. Yeah.

0:17:27.880 --> 0:17:29.880
<v Speaker 3>And I really felt that at that last wherever we

0:17:29.880 --> 0:17:36.120
<v Speaker 3>were on that last panel when somebody said something, uh,

0:17:36.560 --> 0:17:38.640
<v Speaker 3>I don't even know what the what who said what?

0:17:38.680 --> 0:17:42.600
<v Speaker 3>But was like and then Shannon said, oh, they were

0:17:42.600 --> 0:17:45.679
<v Speaker 3>talking about how great it was with Brenda and Dylan

0:17:47.200 --> 0:17:49.760
<v Speaker 3>or something I don't know. Yeah, and then she and

0:17:49.800 --> 0:17:52.680
<v Speaker 3>then Shannon said something about, well she is a whore

0:17:54.119 --> 0:17:59.000
<v Speaker 3>and looked at me, but she meant Kelly mm hmm.

0:17:59.440 --> 0:18:05.000
<v Speaker 3>In that moment, I was like, whoa, ouch A, my

0:18:05.320 --> 0:18:08.600
<v Speaker 3>character wasn't a whore, and b I'm not a whore.

0:18:08.720 --> 0:18:11.560
<v Speaker 3>That just felt so weird and it just brought up

0:18:11.600 --> 0:18:14.320
<v Speaker 3>all that same ship, like that same feeling of like

0:18:15.720 --> 0:18:19.080
<v Speaker 3>we were just pitted against one another in a situation

0:18:19.320 --> 0:18:21.439
<v Speaker 3>and a scenario when there was absolutely no reason to

0:18:21.480 --> 0:18:25.080
<v Speaker 3>be that way, you know, because of the recollection of

0:18:25.080 --> 0:18:26.320
<v Speaker 3>what the characters went through.

0:18:27.400 --> 0:18:30.119
<v Speaker 1>Yeah, you're not wrong with how you're feeling, because I

0:18:30.200 --> 0:18:33.960
<v Speaker 1>see it in the comments. They really blur the person

0:18:34.680 --> 0:18:35.680
<v Speaker 1>and the character.

0:18:35.600 --> 0:18:38.840
<v Speaker 2>Right And I'm sitting here, even you telling me this

0:18:39.000 --> 0:18:42.359
<v Speaker 2>right now, with a pit in my stomach, feeling as

0:18:42.800 --> 0:18:45.120
<v Speaker 2>the in between between the two of you and you're.

0:18:45.000 --> 0:18:47.960
<v Speaker 3>Not in between, You're you were you know in between

0:18:48.000 --> 0:18:51.640
<v Speaker 3>that was Yeah, that's all you're a feeling.

0:18:52.000 --> 0:18:54.880
<v Speaker 1>Yep, that's the same she's feeling the same thing that

0:18:54.880 --> 0:18:56.240
<v Speaker 1>that Donna felt that way.

0:18:56.600 --> 0:19:01.280
<v Speaker 2>Yes, Donna and Tory back when we were young, like

0:19:01.359 --> 0:19:05.840
<v Speaker 2>always like so thirty years later, okay, in that crazy

0:19:05.840 --> 0:19:07.200
<v Speaker 2>thirty years later, Yep.

0:19:07.920 --> 0:19:12.960
<v Speaker 3>Three fifty year old women. It has the ability to

0:19:12.960 --> 0:19:14.919
<v Speaker 3>put me right back in that same feeling.

0:19:15.280 --> 0:19:19.440
<v Speaker 1>It's still happening, you're being It's it's not just thirty

0:19:19.520 --> 0:19:24.959
<v Speaker 1>years ago. It happened two weeks ago. So it just continues.

0:19:27.040 --> 0:19:30.919
<v Speaker 2>But that show, that show now and now we're like,

0:19:31.000 --> 0:19:37.840
<v Speaker 2>oh that show it not damaging. But like, you know,

0:19:38.240 --> 0:19:41.280
<v Speaker 2>just like high school for everybody, you still regress and

0:19:41.320 --> 0:19:44.919
<v Speaker 2>you still have moments. And I'm sure at high school

0:19:45.080 --> 0:19:48.879
<v Speaker 2>reunions and college reunions they have college reunions.

0:19:51.200 --> 0:19:54.320
<v Speaker 1>Excip the sort of you can have, yes, ish, not

0:19:54.400 --> 0:19:54.960
<v Speaker 1>like high school.

0:19:55.000 --> 0:19:57.600
<v Speaker 2>But yeah, fine, high school reunions. People go back and

0:19:58.000 --> 0:20:01.080
<v Speaker 2>they say, I've never gone to one that you just

0:20:01.160 --> 0:20:03.200
<v Speaker 2>kind of regress to, Like, oh my god, that's how

0:20:03.200 --> 0:20:06.840
<v Speaker 2>I was back then, because it's so like, what is

0:20:06.880 --> 0:20:11.160
<v Speaker 2>it like branded in you? It's like it's an impression printed. Yeah,

0:20:11.200 --> 0:20:13.920
<v Speaker 2>it's printed on your soul for ever. We had ten

0:20:14.000 --> 0:20:15.040
<v Speaker 2>years of that, you guys.

0:20:15.760 --> 0:20:17.840
<v Speaker 3>So yeah, anyway, thing.

0:20:17.760 --> 0:20:20.520
<v Speaker 1>If something happens over and over and over again and

0:20:20.640 --> 0:20:24.160
<v Speaker 1>continues to happen, I mean I think it's quite normal.

0:20:24.200 --> 0:20:26.119
<v Speaker 1>I mean I'm always fascinated, I tell you guys all

0:20:26.160 --> 0:20:29.320
<v Speaker 1>the time by the blurred line that the fans have

0:20:29.760 --> 0:20:31.359
<v Speaker 1>between the actors and the character.

0:20:31.480 --> 0:20:34.240
<v Speaker 3>And I have to say, while I am super appreciative

0:20:34.359 --> 0:20:39.320
<v Speaker 3>of everybody's take on it, everybody the reasoning behind it,

0:20:39.640 --> 0:20:43.600
<v Speaker 3>behind why they like who they like, I'm all for it.

0:20:43.680 --> 0:20:47.120
<v Speaker 3>Do you have your opinions, love one character not the other.

0:20:47.280 --> 0:20:53.199
<v Speaker 3>But it still has an impact on me when I

0:20:53.240 --> 0:20:56.200
<v Speaker 3>feel that energy coming from people and I don't like

0:20:56.320 --> 0:20:58.159
<v Speaker 3>it that I really don't like it. I don't like

0:20:58.240 --> 0:21:01.399
<v Speaker 3>putting myself in that environment. And I really realized that

0:21:01.480 --> 0:21:04.320
<v Speaker 3>after that Pittsburgh Q and A panel thing. I was

0:21:04.359 --> 0:21:08.840
<v Speaker 3>like really ready to throw in my towel at that point,

0:21:09.840 --> 0:21:12.359
<v Speaker 3>like I don't need this in my life. You know,

0:21:12.840 --> 0:21:14.959
<v Speaker 3>this feeling to come back to resurface.

0:21:15.600 --> 0:21:17.479
<v Speaker 1>Oh, it doesn't feel good because I don't like it

0:21:17.640 --> 0:21:20.480
<v Speaker 1>when they say I own you always just kiss their

0:21:20.560 --> 0:21:23.159
<v Speaker 1>ass and you don't like Shannon, Like it's I'm not

0:21:23.200 --> 0:21:24.960
<v Speaker 1>making it about me, but I'm saying it's like it's

0:21:25.000 --> 0:21:29.680
<v Speaker 1>something with this fandom. They really immediately if you criticize

0:21:29.720 --> 0:21:33.080
<v Speaker 1>a character in any way, it becomes about the real person.

0:21:33.160 --> 0:21:35.640
<v Speaker 2>I'm sure other shows too, right, Like could you liken

0:21:35.680 --> 0:21:36.879
<v Speaker 2>it to another show that?

0:21:37.520 --> 0:21:40.120
<v Speaker 3>Yeah, what's your experience? Amy? If because you do other

0:21:41.400 --> 0:21:42.520
<v Speaker 3>you know, other casts.

0:21:44.280 --> 0:21:48.480
<v Speaker 1>I've never I mean this intriguing. I've never quite made it. No,

0:21:48.680 --> 0:21:52.720
<v Speaker 1>I've never seen it like this where they fully blur

0:21:53.160 --> 0:21:56.280
<v Speaker 1>the actor with the character, and if you criticize a character,

0:21:57.720 --> 0:22:01.280
<v Speaker 1>they think you're criticizing the actor. The only reason I

0:22:01.280 --> 0:22:03.359
<v Speaker 1>think Tiffany might be different, and you guys correct me,

0:22:04.400 --> 0:22:08.040
<v Speaker 1>is because she was known quite known before for a

0:22:08.040 --> 0:22:11.520
<v Speaker 1>totally different character. So it would be harder to blur

0:22:11.720 --> 0:22:13.960
<v Speaker 1>Tiffany because she's so known for Saved by the Bell

0:22:15.000 --> 0:22:17.800
<v Speaker 1>that maybe that's why. And I don't know if you

0:22:17.840 --> 0:22:19.359
<v Speaker 1>feel it, but I don't feel the same.

0:22:19.400 --> 0:22:21.560
<v Speaker 3>I don't feel that way because Shannon was well known

0:22:21.600 --> 0:22:23.800
<v Speaker 3>to people for the roles that she had played before

0:22:24.119 --> 0:22:27.960
<v Speaker 3>like this, not like this.

0:22:28.160 --> 0:22:30.800
<v Speaker 1>I don't know, because I've never had I criticized Valerie

0:22:30.840 --> 0:22:33.000
<v Speaker 1>and nobody's like, you know, like Tiffany or maybe once.

0:22:33.080 --> 0:22:35.439
<v Speaker 1>But like, I don't know, I don't want to make it.

0:22:35.480 --> 0:22:36.960
<v Speaker 1>I'm not saying it's about me. I'm just giving my

0:22:37.000 --> 0:22:38.360
<v Speaker 1>examples of what I.

0:22:38.320 --> 0:22:41.280
<v Speaker 2>See in this time one more time.

0:22:41.280 --> 0:22:43.359
<v Speaker 1>I just feel bad because it's like who the f

0:22:43.400 --> 0:22:46.200
<v Speaker 1>am I to like even comment, but like I get it,

0:22:46.880 --> 0:22:47.840
<v Speaker 1>I do see it.

0:23:00.119 --> 0:23:05.000
<v Speaker 3>Anyway. This whole thing with val and Kelly just maybe

0:23:05.080 --> 0:23:05.880
<v Speaker 3>just made me think.

0:23:05.680 --> 0:23:09.120
<v Speaker 1>They're perpetuating the same thing again. They're just going right

0:23:09.160 --> 0:23:10.520
<v Speaker 1>back to the same.

0:23:10.400 --> 0:23:15.680
<v Speaker 3>Thing, creating a narrative that's not there, and then somehow

0:23:15.680 --> 0:23:20.399
<v Speaker 3>that narrative can really sneak into your being, you know,

0:23:20.480 --> 0:23:24.200
<v Speaker 3>and like your mind doesn't feel good.

0:23:24.119 --> 0:23:28.080
<v Speaker 1>Anyway, flip floppy. There's no consistency. That's the issue too.

0:23:28.080 --> 0:23:31.800
<v Speaker 1>It's like, I don't know what's up with Valerie As

0:23:31.800 --> 0:23:33.600
<v Speaker 1>a viewer. I'm like, do I like her or hate her?

0:23:34.400 --> 0:23:35.240
<v Speaker 1>I think I hate.

0:23:35.080 --> 0:23:39.880
<v Speaker 2>Her see it as a consumer of TV, like, I

0:23:40.040 --> 0:23:42.960
<v Speaker 2>feel like that's good, like that you want to be

0:23:43.040 --> 0:23:46.960
<v Speaker 2>like I love hate like it's it makes her different

0:23:47.200 --> 0:23:49.400
<v Speaker 2>than the other characters, and it makes her stand out

0:23:49.560 --> 0:23:52.760
<v Speaker 2>because you need that one, you know. It's the Heather

0:23:52.880 --> 0:23:54.480
<v Speaker 2>Lock there Mellower's place, Like.

0:23:54.720 --> 0:23:56.200
<v Speaker 1>Let me care, that's a great example.

0:23:56.320 --> 0:24:00.880
<v Speaker 3>Yeah, troublemaker. She's a troublemaker. Yeah, it's it's fine, it's fine.

0:24:00.920 --> 0:24:01.480
<v Speaker 1>That was just me.

0:24:01.960 --> 0:24:05.359
<v Speaker 3>I was having some like, you know, real.

0:24:05.560 --> 0:24:07.679
<v Speaker 1>So many questions about that kiss when we get to it,

0:24:07.720 --> 0:24:08.399
<v Speaker 1>But keep going.

0:24:08.520 --> 0:24:11.400
<v Speaker 3>Let's go back to the university where Dylan is on campus.

0:24:12.680 --> 0:24:16.840
<v Speaker 3>And he's going to find the son of Tony Marshett.

0:24:16.960 --> 0:24:23.720
<v Speaker 1>He thinks, right, just Brandon, they are not friends. They

0:24:23.720 --> 0:24:25.600
<v Speaker 1>have the strangest relationship.

0:24:25.880 --> 0:24:28.720
<v Speaker 3>Yeah, Dylan and Brandon kind of like, yeah, ragging on

0:24:28.760 --> 0:24:29.120
<v Speaker 3>each other.

0:24:31.359 --> 0:24:35.360
<v Speaker 1>And Brandon's right, it's totally bananas that like Dylan, like

0:24:35.359 --> 0:24:38.359
<v Speaker 1>like literally, we're taking so lightly that Dylan is thinking

0:24:38.400 --> 0:24:41.120
<v Speaker 1>of killing a person, like really and truly.

0:24:40.880 --> 0:24:47.880
<v Speaker 3>Like what like, yeah, that's that's alarming. Brandon should be alarmed,

0:24:48.000 --> 0:24:53.320
<v Speaker 3>not like sting him on or something like joking about it.

0:24:53.320 --> 0:24:55.439
<v Speaker 1>It's so odd. He had a gun.

0:24:57.000 --> 0:25:00.120
<v Speaker 3>Yes, he's purposely going there to find this this boy

0:25:00.119 --> 0:25:01.960
<v Speaker 3>things and then he finds out it's a beautiful girl.

0:25:02.000 --> 0:25:09.159
<v Speaker 3>Of course. We find out also that Valerie claims to

0:25:09.240 --> 0:25:11.439
<v Speaker 3>have an eternal flame for Colin.

0:25:13.560 --> 0:25:18.120
<v Speaker 2>Mmm. I love that song me too, Bangles.

0:25:18.200 --> 0:25:22.600
<v Speaker 1>Correct, it's a sort of conflict being created here, like

0:25:23.480 --> 0:25:27.560
<v Speaker 1>lots of uh chriss cross is developing.

0:25:27.720 --> 0:25:27.960
<v Speaker 2>Yeah.

0:25:28.400 --> 0:25:32.960
<v Speaker 3>Yeah, Donna and Claire gossip about Valerie and Colin, which

0:25:33.040 --> 0:25:35.480
<v Speaker 3>I don't even know why is it that much of

0:25:35.520 --> 0:25:38.440
<v Speaker 3>an interesting topic? I guess so I think.

0:25:38.240 --> 0:25:41.000
<v Speaker 1>I would be like, can you believe she knew him?

0:25:41.880 --> 0:25:42.120
<v Speaker 2>Would?

0:25:43.520 --> 0:25:45.960
<v Speaker 3>And then Kelly walks up from behind and can magically

0:25:46.000 --> 0:25:49.200
<v Speaker 3>hear them with her radar hearing, and it's.

0:25:49.080 --> 0:25:51.520
<v Speaker 2>Like, guys, not you, that's just Kelly.

0:25:52.760 --> 0:25:56.160
<v Speaker 1>Or you hello, correct because everyone's facing camera and you're

0:25:56.160 --> 0:25:58.239
<v Speaker 1>like and then they know she's there. It's like that

0:25:58.280 --> 0:25:59.879
<v Speaker 1>whole thing. I was like, Okay, that was.

0:26:01.800 --> 0:26:05.159
<v Speaker 3>Let's see. Colin Brandon announces to the gang that he

0:26:05.200 --> 0:26:08.760
<v Speaker 3>plans to become a journalist. Huh and he wants to

0:26:08.800 --> 0:26:13.840
<v Speaker 3>write a journalist is a big announcement, right, But I

0:26:13.840 --> 0:26:16.600
<v Speaker 3>guess he was. He was really focusing on the politics

0:26:16.640 --> 0:26:17.400
<v Speaker 3>there for a minute.

0:26:18.920 --> 0:26:21.480
<v Speaker 2>A good thing. That's over. Yeah, So they.

0:26:21.320 --> 0:26:23.680
<v Speaker 3>Saw that that didn't really resonate for people, and now

0:26:23.720 --> 0:26:30.320
<v Speaker 3>he's going back to journalism. Great, yeah, perfect. Colin kisses Kelly.

0:26:30.760 --> 0:26:36.800
<v Speaker 3>Valerie is noticeably disturbed, very upset by it, very flustered.

0:26:38.880 --> 0:26:41.440
<v Speaker 2>Because she can't keep a man. Like every guy she's

0:26:41.480 --> 0:26:46.280
<v Speaker 2>ever like felt anything for is in love with Kelly Taylor.

0:26:47.600 --> 0:26:53.040
<v Speaker 3>Yeah, I mean that's too convenient and really, yeah, she

0:26:53.200 --> 0:26:54.240
<v Speaker 3>wasn't such a pill.

0:26:54.800 --> 0:26:57.880
<v Speaker 1>I actually sort of would feel bad for her, like, because,

0:26:58.560 --> 0:27:00.400
<v Speaker 1>like I said, all the gin joints, like if your

0:27:00.520 --> 0:27:03.639
<v Speaker 1>crush came in with one of your best friends, totally

0:27:03.720 --> 0:27:09.120
<v Speaker 1>unbeknownst you'd be like, oh, oh wow, but she's such

0:27:09.119 --> 0:27:12.800
<v Speaker 1>a pill that you're kind of like stop it. You

0:27:12.840 --> 0:27:14.680
<v Speaker 1>don't have the same compassion you would if.

0:27:14.560 --> 0:27:17.080
<v Speaker 3>It was something right, you're more like, oh great.

0:27:17.359 --> 0:27:20.520
<v Speaker 2>Right, you're yeah, why did they call it such a pill?

0:27:21.040 --> 0:27:21.960
<v Speaker 2>I don't understand that.

0:27:22.720 --> 0:27:23.800
<v Speaker 3>If you if you're a pill?

0:27:24.000 --> 0:27:26.239
<v Speaker 2>Yeah, what's that reference? Like, I know it, but it's

0:27:26.320 --> 0:27:28.760
<v Speaker 2>like you like it when it's like the.

0:27:29.480 --> 0:27:32.200
<v Speaker 1>Oh hard to swallow? Somebody smart text of that. It's

0:27:32.200 --> 0:27:34.160
<v Speaker 1>like a hard to swallow because a pill is hard

0:27:34.160 --> 0:27:34.760
<v Speaker 1>to swallow.

0:27:35.040 --> 0:27:37.080
<v Speaker 2>Oh.

0:27:37.080 --> 0:27:42.679
<v Speaker 1>I think it's a clever interesting storyline. If it wasn't

0:27:43.040 --> 0:27:47.800
<v Speaker 1>Valerie unrequited love and like the whole then it could

0:27:47.960 --> 0:27:53.080
<v Speaker 1>be Okay. I mean, I don't know Claire, but that's

0:27:53.119 --> 0:27:55.400
<v Speaker 1>not very interesting. Nobody that we don't have the right

0:27:55.480 --> 0:28:00.560
<v Speaker 1>character for it to be interesting. But it's an interesting Yeah.

0:28:01.040 --> 0:28:06.400
<v Speaker 3>Yeah. Well. Uh, Steve, though, as you said in the synopsis,

0:28:06.920 --> 0:28:09.359
<v Speaker 3>is once again looking like he's gonna fail out.

0:28:09.600 --> 0:28:13.360
<v Speaker 1>Zero makes call it zero sense. Nobody in college would

0:28:13.400 --> 0:28:15.800
<v Speaker 1>go back to high school and look at your math.

0:28:16.320 --> 0:28:20.080
<v Speaker 1>That would never happen. This whole thing is ridiculous. It's

0:28:20.119 --> 0:28:22.120
<v Speaker 1>completely ridiculous. He got into school.

0:28:22.440 --> 0:28:23.640
<v Speaker 2>They don't like doing it.

0:28:23.840 --> 0:28:25.960
<v Speaker 3>Once you're in, they don't care.

0:28:26.640 --> 0:28:30.520
<v Speaker 2>Is it because Claire is so brilliant she's going to

0:28:30.600 --> 0:28:33.280
<v Speaker 2>help him? Ah? Okay, that's why they did it.

0:28:33.440 --> 0:28:36.840
<v Speaker 3>Okay. And this is also where we established this big,

0:28:37.080 --> 0:28:44.160
<v Speaker 3>you know, energy between Brandon and Susan Keats. Her article

0:28:44.360 --> 0:28:48.720
<v Speaker 3>was must be a guy thing. He didn't like it.

0:28:49.280 --> 0:28:50.640
<v Speaker 2>No, mm hmm.

0:28:51.200 --> 0:28:53.200
<v Speaker 3>We're gonna go to the construction site. Now, you guys

0:28:53.640 --> 0:28:55.680
<v Speaker 3>where Ray is welding welder.

0:28:55.720 --> 0:28:57.280
<v Speaker 1>I didn't even know he was a welder.

0:28:57.360 --> 0:29:00.160
<v Speaker 3>I didn't know either. I thought he built things, but

0:29:00.200 --> 0:29:02.000
<v Speaker 3>I guess, you know, he's.

0:29:01.840 --> 0:29:03.000
<v Speaker 2>A ray of all trades.

0:29:03.480 --> 0:29:06.120
<v Speaker 1>Really, I kind of liked it.

0:29:06.760 --> 0:29:09.800
<v Speaker 3>I was like, it was hot. That's hot welding.

0:29:10.360 --> 0:29:11.960
<v Speaker 1>It's a very specific skill.

0:29:12.240 --> 0:29:16.600
<v Speaker 2>I was like, this guy will welding of Magic Mike.

0:29:16.840 --> 0:29:19.720
<v Speaker 1>Doesn't he isn't he a welder or something in Magic Mike?

0:29:19.800 --> 0:29:22.160
<v Speaker 3>And then also, yeah, but you would have one of

0:29:22.200 --> 0:29:26.120
<v Speaker 3>those big, like clamp downy things on your right. So

0:29:26.160 --> 0:29:28.800
<v Speaker 3>they opted for those.

0:29:27.840 --> 0:29:32.120
<v Speaker 2>Goggles, swimming goggles. Those were they're a little steampunk. I

0:29:32.160 --> 0:29:32.480
<v Speaker 2>don't know.

0:29:32.640 --> 0:29:35.800
<v Speaker 3>Okay, So Donna calls him and she tells him that

0:29:36.160 --> 0:29:40.479
<v Speaker 3>missus Corman wants to repay her and that mister Corman

0:29:40.640 --> 0:29:43.160
<v Speaker 3>is the president of a record company.

0:29:43.320 --> 0:29:50.600
<v Speaker 2>Convenience, but gin joints all the welding sites.

0:29:51.000 --> 0:29:52.600
<v Speaker 3>Oh. Then the next day.

0:29:52.880 --> 0:29:55.920
<v Speaker 1>Very lovely and appreciative. I was like, Okay, you're being.

0:29:55.760 --> 0:29:58.480
<v Speaker 2>Real sweet trying to help her man out.

0:29:58.520 --> 0:29:58.960
<v Speaker 3>I liked it.

0:29:59.080 --> 0:30:01.800
<v Speaker 1>Yeah, everybody don.

0:30:01.160 --> 0:30:05.520
<v Speaker 3>Is very good at that. So then Valerie offers Colin,

0:30:05.720 --> 0:30:08.280
<v Speaker 3>of course, a private tour of the peach pit after dark,

0:30:09.760 --> 0:30:13.640
<v Speaker 3>and they start remembering their good old days in Europe.

0:30:14.040 --> 0:30:15.720
<v Speaker 1>And then he doesn't see you look at how you're

0:30:15.760 --> 0:30:20.320
<v Speaker 1>saying it. He sees a piece of art cam.

0:30:20.480 --> 0:30:24.560
<v Speaker 3>Oh yeah, Colin. He's he's very interested in the wall.

0:30:25.760 --> 0:30:29.720
<v Speaker 3>Nice wall. Wait, he says nice wall, and she says, well,

0:30:29.760 --> 0:30:31.480
<v Speaker 3>it does keep the ceiling off the floor.

0:30:31.600 --> 0:30:34.200
<v Speaker 1>That was actually funny. I was a little I giggled

0:30:34.200 --> 0:30:34.680
<v Speaker 1>a little at that.

0:30:35.160 --> 0:30:39.520
<v Speaker 3>He's very flirty. Already I don't like this guy, Like

0:30:39.600 --> 0:30:43.200
<v Speaker 3>as if you, I'm like, yeah, he's terrible. And then

0:30:43.360 --> 0:30:45.560
<v Speaker 3>by the end of the episode, I'm like, oh, no, way,

0:30:45.680 --> 0:30:46.080
<v Speaker 3>he's out.

0:30:48.200 --> 0:30:52.800
<v Speaker 2>But no pets wait, oh he's out in your mind.

0:30:52.800 --> 0:30:56.080
<v Speaker 2>You're like, I'm done. Yeah, I didn't remember way worse.

0:30:58.320 --> 0:31:00.040
<v Speaker 3>And then we go back to the school and and

0:31:00.120 --> 0:31:04.200
<v Speaker 3>it's the whole Dylan and Tony Marchett. Oh, and then

0:31:04.240 --> 0:31:07.600
<v Speaker 3>she she takes him and introduces him to her driver Bruno.

0:31:08.800 --> 0:31:10.960
<v Speaker 1>When did he knock the books? Was that the same

0:31:11.040 --> 0:31:13.440
<v Speaker 1>scene the big book knock.

0:31:14.320 --> 0:31:18.080
<v Speaker 2>All knocking, boots knocking books.

0:31:17.800 --> 0:31:20.120
<v Speaker 1>You know, when he bumps into her, her books go flying.

0:31:20.280 --> 0:31:24.600
<v Speaker 3>Yeah, yeah, well because he wants to meet her. Yeah,

0:31:25.160 --> 0:31:30.320
<v Speaker 3>and this whole time he's thinking, I want to meet

0:31:30.360 --> 0:31:31.800
<v Speaker 3>you because I want to kill your dad.

0:31:33.200 --> 0:31:36.880
<v Speaker 2>Is an interesting way to enter a relationship.

0:31:37.320 --> 0:31:43.040
<v Speaker 3>Yeah, I don't think. I mean, it makes no sense. Yeah.

0:31:43.120 --> 0:31:46.320
<v Speaker 3>Back at the pit at the p pad, that's right,

0:31:46.400 --> 0:31:49.920
<v Speaker 3>I said it. Uh. David walks in and gets yelled

0:31:49.920 --> 0:31:55.160
<v Speaker 3>at by Valerie for being late. There's a lot of

0:31:55.200 --> 0:31:56.680
<v Speaker 3>talk about David's mom.

0:31:56.520 --> 0:32:00.520
<v Speaker 1>In this episode, big subliminal storyline, because it does.

0:32:00.520 --> 0:32:01.440
<v Speaker 2>That coming next.

0:32:02.120 --> 0:32:04.959
<v Speaker 1>I don't remember when, but it does come. It's intentional

0:32:05.040 --> 0:32:06.120
<v Speaker 1>that they keep mentioning it.

0:32:06.320 --> 0:32:10.480
<v Speaker 3>Well, we just saw her living on the streets not

0:32:10.560 --> 0:32:15.320
<v Speaker 3>that long ago, and David and mill went to rescue her.

0:32:16.280 --> 0:32:18.920
<v Speaker 3>So I guess they're just keeping that character alive without

0:32:19.120 --> 0:32:23.360
<v Speaker 3>showing Yeah. Well, Kelly tells Valerie that David didn't deserve

0:32:23.400 --> 0:32:26.880
<v Speaker 3>to be talked to that way. And then val says,

0:32:26.920 --> 0:32:29.000
<v Speaker 3>I think you're just mad because she's letting call and

0:32:29.040 --> 0:32:38.160
<v Speaker 3>paint the mural. Who goes? What else? What else happened

0:32:38.520 --> 0:32:39.560
<v Speaker 3>that was significant?

0:32:40.240 --> 0:32:40.400
<v Speaker 1>Uh?

0:32:40.560 --> 0:32:44.240
<v Speaker 3>Dylan and Tony have a very romantic.

0:32:44.080 --> 0:32:46.440
<v Speaker 1>I like that she has a driver, but it's a

0:32:46.520 --> 0:32:50.080
<v Speaker 1>white car. I was like, oh, a white town car.

0:32:51.760 --> 0:32:55.360
<v Speaker 1>They went to that restaurant. What restaurant was that? Thereso? No,

0:32:56.600 --> 0:32:58.400
<v Speaker 1>it really showed the restaurant.

0:32:58.760 --> 0:33:01.400
<v Speaker 3>I had the name of the restaurant out loud, but

0:33:01.440 --> 0:33:03.800
<v Speaker 3>I can't remember now that was it.

0:33:03.840 --> 0:33:06.560
<v Speaker 2>I just feel like every time they show a fancy

0:33:06.680 --> 0:33:10.080
<v Speaker 2>restaurant on nine O two and zero thus far, they

0:33:10.120 --> 0:33:10.840
<v Speaker 2>all look the same.

0:33:12.480 --> 0:33:15.240
<v Speaker 3>Yeah, it's like a it's like a fancy restaurant in

0:33:15.320 --> 0:33:17.000
<v Speaker 3>San Fernando Valley?

0:33:18.120 --> 0:33:18.320
<v Speaker 1>Was it?

0:33:18.400 --> 0:33:22.680
<v Speaker 2>How dare you? I live here? Yeah? You're right.

0:33:24.640 --> 0:33:26.880
<v Speaker 3>They don't feel like Beverly Hills fancy.

0:33:27.640 --> 0:33:31.959
<v Speaker 2>They just never have any I feel like, I don't know,

0:33:32.040 --> 0:33:36.200
<v Speaker 2>there's there's no like decor. There is just very like

0:33:36.320 --> 0:33:40.040
<v Speaker 2>the very white tableclothing, white tablecloth, so that that's fancy

0:33:40.080 --> 0:33:41.160
<v Speaker 2>and like a fancy waiter.

0:33:41.200 --> 0:33:45.800
<v Speaker 3>And are we feeling are we feeling the chemistry between

0:33:45.800 --> 0:33:46.600
<v Speaker 3>these two characters.

0:33:48.160 --> 0:33:51.280
<v Speaker 1>Are not gonna even say because I'm so twisted on

0:33:51.920 --> 0:33:55.320
<v Speaker 1>for some reason this storyline. It's just so it was

0:33:55.320 --> 0:33:57.560
<v Speaker 1>so impressionable to me. Then it's the same reason that

0:33:57.600 --> 0:34:00.480
<v Speaker 1>I'm like she was on the whole time. She's a

0:34:00.760 --> 0:34:04.640
<v Speaker 1>main cast member. Like, so I can't tell because I

0:34:04.680 --> 0:34:09.080
<v Speaker 1>know I'm totally this whole storyline messes me up.

0:34:09.120 --> 0:34:12.800
<v Speaker 2>I'm like, I got to say, for the first time ever,

0:34:14.280 --> 0:34:19.520
<v Speaker 2>I feel like like I'm distracted by her a bit visually.

0:34:21.000 --> 0:34:21.960
<v Speaker 3>Because of her beauty.

0:34:22.440 --> 0:34:26.080
<v Speaker 2>Correct, and it's her first episode, so I'm just like

0:34:26.560 --> 0:34:31.640
<v Speaker 2>so Radar like zoned in on her external beauty that

0:34:31.760 --> 0:34:34.719
<v Speaker 2>it's heart is distracting. It even distracts from Luke a

0:34:34.760 --> 0:34:36.600
<v Speaker 2>little bit, which that's hard to do.

0:34:37.920 --> 0:34:39.960
<v Speaker 1>It does. That's a good point, do you know what

0:34:40.000 --> 0:34:43.879
<v Speaker 1>I mean? Was she the Noxema girl before this?

0:34:44.280 --> 0:34:44.600
<v Speaker 2>Correct?

0:34:45.440 --> 0:34:47.359
<v Speaker 1>So that's how we kind of knew that you got

0:34:47.360 --> 0:34:48.560
<v Speaker 1>the Noxema girl.

0:34:49.000 --> 0:34:51.480
<v Speaker 3>The splash, the splash, the water on the face.

0:34:51.320 --> 0:34:53.080
<v Speaker 1>Clashed, the water on the face, and yet her face

0:34:53.160 --> 0:34:55.800
<v Speaker 1>was perfect. I don't look like that when I woosh

0:34:55.920 --> 0:34:56.960
<v Speaker 1>water on my face.

0:34:56.719 --> 0:35:00.640
<v Speaker 3>So I look like a drowned rat. And it's very messy.

0:35:00.719 --> 0:35:03.440
<v Speaker 3>I want to say, if you try the Naximus splash

0:35:03.440 --> 0:35:19.440
<v Speaker 3>at home, it's very messy. Okay, So Steve's interviewing the

0:35:19.440 --> 0:35:24.200
<v Speaker 3>Geek Squad to find his tutor. It was a little entertaining.

0:35:24.320 --> 0:35:27.440
<v Speaker 3>I liked it. I wanted more, honestly, I was like

0:35:27.520 --> 0:35:28.680
<v Speaker 3>I could watch this for a while.

0:35:31.040 --> 0:35:34.359
<v Speaker 2>That was like the best we got of Jason's like, yeah,

0:35:34.480 --> 0:35:40.399
<v Speaker 2>that was. Then there's a big night.

0:35:40.840 --> 0:35:43.520
<v Speaker 3>Is this the big night at the peat Pad Crown?

0:35:44.000 --> 0:35:46.800
<v Speaker 1>The line to get in is so serious.

0:35:46.400 --> 0:35:48.680
<v Speaker 3>Now that yeah, it's a it's a hot.

0:35:48.760 --> 0:35:54.200
<v Speaker 2>Brandt joint is jumping that place if you have to laugh.

0:35:54.040 --> 0:35:56.480
<v Speaker 1>A little bit when Tony Marshett's like, I know this

0:35:56.840 --> 0:35:58.480
<v Speaker 1>really cool hellub.

0:36:00.160 --> 0:36:03.160
<v Speaker 3>It's called the peach pit after dark. And of course

0:36:03.239 --> 0:36:05.040
<v Speaker 3>Brandon can just walk to the front of the line

0:36:05.040 --> 0:36:10.280
<v Speaker 3>because he knows people. In fact, in his sports coach.

0:36:10.080 --> 0:36:11.160
<v Speaker 1>He's wearing a blazer.

0:36:11.360 --> 0:36:14.120
<v Speaker 2>I mean the college person that runs it lives in

0:36:14.160 --> 0:36:16.200
<v Speaker 2>his house. Well, if you want to talk about that

0:36:16.400 --> 0:36:18.400
<v Speaker 2>outfit that didn't happen, If.

0:36:18.239 --> 0:36:20.480
<v Speaker 3>You want to know about bad efforts, what about Steve's

0:36:20.520 --> 0:36:25.359
<v Speaker 3>shorts and socks?

0:36:22.080 --> 0:36:22.680
<v Speaker 2>I can't go.

0:36:25.360 --> 0:36:26.560
<v Speaker 3>It's so it's upsetting.

0:36:28.360 --> 0:36:31.160
<v Speaker 1>What George's with the socks, with the big sneakers.

0:36:32.000 --> 0:36:34.439
<v Speaker 2>I gotta say, for ten seasons they did him wrong.

0:36:34.719 --> 0:36:40.680
<v Speaker 2>That's all ultim Yeah, yeah, that's consistent. There you go,

0:36:40.960 --> 0:36:42.120
<v Speaker 2>there is something.

0:36:43.920 --> 0:36:46.040
<v Speaker 3>Oh my god, to the kiss.

0:36:46.239 --> 0:36:48.120
<v Speaker 1>Oh no, we have got to do the whole The

0:36:48.239 --> 0:36:50.720
<v Speaker 1>daughter that makes the record decisions? What?

0:36:51.680 --> 0:36:52.600
<v Speaker 2>Who cares? Right?

0:36:52.960 --> 0:36:54.600
<v Speaker 1>First of all, how is she even in that club?

0:36:55.480 --> 0:36:57.520
<v Speaker 3>I thought that was Dylan's sister for a second. She

0:36:57.560 --> 0:36:59.279
<v Speaker 3>looks just like bad actress.

0:37:00.040 --> 0:37:02.480
<v Speaker 1>Oh wait, maybe it's an eighteen and over I digress.

0:37:02.520 --> 0:37:03.960
<v Speaker 1>But still, how's she even in that club?

0:37:05.480 --> 0:37:09.160
<v Speaker 3>Well, because her dad's Roger Corman or whatever her name is,

0:37:09.640 --> 0:37:13.480
<v Speaker 3>Roger Corman. They go backstage. No, no, that's somebody, isn't it.

0:37:13.600 --> 0:37:19.840
<v Speaker 2>Yeah, like a huge director. Correct, And Roger Corman just

0:37:20.000 --> 0:37:20.680
<v Speaker 2>passed away.

0:37:21.400 --> 0:37:26.560
<v Speaker 3>Wow, right, well the same guy and this happens. You know,

0:37:26.640 --> 0:37:30.279
<v Speaker 3>I'm getting goosebumps because it's a sign, oh sign of

0:37:30.440 --> 0:37:35.000
<v Speaker 3>what Why would we say, Roger Corman? He just passed away.

0:37:35.120 --> 0:37:36.480
<v Speaker 3>It's weird. Those things are weird to me.

0:37:36.840 --> 0:37:40.360
<v Speaker 1>Okay, that scene in the dressing room is so boring

0:37:40.640 --> 0:37:44.440
<v Speaker 1>of the staring. It's so much staring. It's like Donna's

0:37:44.440 --> 0:37:46.160
<v Speaker 1>staring at Ray and Ray staring at the kid, and

0:37:46.239 --> 0:37:48.280
<v Speaker 1>the kids staring at Ray and Ray staring at Donna,

0:37:48.320 --> 0:37:50.080
<v Speaker 1>and it's just like that, and then.

0:37:50.000 --> 0:37:53.919
<v Speaker 3>Valerie's staring at Colin and Kelly, and then Valerie staring

0:37:53.960 --> 0:37:57.840
<v Speaker 3>at Colin and Kelly, and then Brandon's watching Dylan and Tony.

0:37:58.760 --> 0:38:01.200
<v Speaker 2>It's just a lot of watch you know. That was

0:38:01.239 --> 0:38:03.600
<v Speaker 2>like a Jason like call, though he was like, oh,

0:38:03.680 --> 0:38:04.600
<v Speaker 2>this is symbolic.

0:38:06.040 --> 0:38:08.279
<v Speaker 3>Hey, yeah, I gotta get in on that. I'm gonna

0:38:08.320 --> 0:38:10.160
<v Speaker 3>zoom in on that close up.

0:38:10.040 --> 0:38:12.920
<v Speaker 1>With the I've only one that wanted to know the

0:38:12.960 --> 0:38:15.440
<v Speaker 1>car that Susan Keats drives because it's white. And I

0:38:15.480 --> 0:38:17.400
<v Speaker 1>saw her first seat covers and I'm like, is it

0:38:17.400 --> 0:38:18.040
<v Speaker 1>a cabriolet?

0:38:18.160 --> 0:38:18.239
<v Speaker 2>Like?

0:38:18.239 --> 0:38:18.680
<v Speaker 1>What is it?

0:38:18.760 --> 0:38:21.840
<v Speaker 3>I wanted to be one of those bugs, Beatle what

0:38:21.880 --> 0:38:24.200
<v Speaker 3>do you call it? A cabriolet?

0:38:24.760 --> 0:38:28.200
<v Speaker 2>VW never got to see it. We call them bugs.

0:38:30.120 --> 0:38:35.040
<v Speaker 3>That was my first car, you guys, bug or rabbit Rabbit?

0:38:36.560 --> 0:38:45.279
<v Speaker 2>It was, Yeah, that's all I wanted was a red rabbit. Yeah.

0:38:45.280 --> 0:38:47.359
<v Speaker 1>That was a classic nineties girl car.

0:38:47.600 --> 0:38:49.160
<v Speaker 3>Oh, I wish I still had that car.

0:38:50.080 --> 0:38:50.319
<v Speaker 2>I don't.

0:38:50.360 --> 0:38:51.400
<v Speaker 1>I don't think it's that safe.

0:38:52.239 --> 0:38:54.600
<v Speaker 2>No, my parents wouldn't get it for me, because that's

0:38:54.640 --> 0:38:55.240
<v Speaker 2>what they said.

0:38:55.600 --> 0:38:59.279
<v Speaker 3>Okay, so we see Tony and Dylan making out in

0:38:59.320 --> 0:39:03.040
<v Speaker 3>the driveway. Her big castle slash mansion.

0:39:03.040 --> 0:39:04.160
<v Speaker 1>Does have the Porsche again.

0:39:05.280 --> 0:39:06.879
<v Speaker 3>It's a new one. Is the new one?

0:39:06.920 --> 0:39:07.040
<v Speaker 2>Right?

0:39:07.080 --> 0:39:07.879
<v Speaker 1>He got a new one.

0:39:08.600 --> 0:39:12.839
<v Speaker 2>How'd you feel about them making out? Yeah? Tell me

0:39:12.840 --> 0:39:13.439
<v Speaker 2>feel a lot?

0:39:13.560 --> 0:39:14.600
<v Speaker 3>I didn't feel a lot.

0:39:15.200 --> 0:39:18.600
<v Speaker 2>I don't know why I'm not feeling the chemistry, but

0:39:18.640 --> 0:39:22.719
<v Speaker 2>I remember they don't love them for it. I don't know.

0:39:22.840 --> 0:39:27.040
<v Speaker 3>I just don't feel a connection yet to you what's happening.

0:39:29.520 --> 0:39:33.239
<v Speaker 3>Maybe it's just me? Yeah, yeah, maybe I just don't

0:39:33.280 --> 0:39:34.920
<v Speaker 3>like seeing Dylan kiss other girls.

0:39:36.719 --> 0:39:39.120
<v Speaker 2>As your friend, I don't like seeing Dylan kiss other girls.

0:39:39.160 --> 0:39:43.480
<v Speaker 2>I don't that's what it's bad about. Yeah, no, that correction.

0:39:43.600 --> 0:39:45.879
<v Speaker 2>I liked Tim and Valerie kissing. Okay, you know what,

0:39:47.400 --> 0:39:49.600
<v Speaker 2>but I knew that wasn't like lasting. This is like

0:39:49.719 --> 0:39:52.399
<v Speaker 2>this is a good girl, like a good girl from

0:39:52.400 --> 0:39:53.280
<v Speaker 2>a bad family.

0:39:53.360 --> 0:39:57.440
<v Speaker 3>Like apparently she could be the one. But I know,

0:39:57.520 --> 0:40:04.360
<v Speaker 3>what are you coming? Mm hmm mm hmm. Colin wakes

0:40:04.440 --> 0:40:08.920
<v Speaker 3>up and serves Kelly breakfast. He made, he cooks and

0:40:09.000 --> 0:40:09.880
<v Speaker 3>he is an artist.

0:40:10.800 --> 0:40:15.239
<v Speaker 1>The phone call thee and we saw your handwriting. I

0:40:15.280 --> 0:40:17.600
<v Speaker 1>was like, oh, that's actually your handwriting. You grab like

0:40:17.600 --> 0:40:19.880
<v Speaker 1>the biggest pen and the biggest piece of paper in

0:40:19.920 --> 0:40:20.400
<v Speaker 1>the world.

0:40:20.880 --> 0:40:21.600
<v Speaker 3>Who's calling?

0:40:21.680 --> 0:40:21.919
<v Speaker 1>Who?

0:40:22.080 --> 0:40:22.840
<v Speaker 3>Who's Claudia?

0:40:22.920 --> 0:40:23.680
<v Speaker 1>Where is it?

0:40:23.920 --> 0:40:24.000
<v Speaker 2>No?

0:40:24.080 --> 0:40:27.240
<v Speaker 1>What's her name? Claudia, Claudia, Claudia. Yeah, at the gallery

0:40:27.239 --> 0:40:29.040
<v Speaker 1>find out. You'll find out it's not good.

0:40:29.040 --> 0:40:30.759
<v Speaker 2>Can we go back to what he painted? Like you?

0:40:30.840 --> 0:40:33.759
<v Speaker 2>Like you guys, like those watercolor roses he made for

0:40:33.800 --> 0:40:34.640
<v Speaker 2>her like I did.

0:40:34.680 --> 0:40:36.120
<v Speaker 3>Actually, I like to let a hell of a lot

0:40:36.160 --> 0:40:38.719
<v Speaker 3>better than the sketchy did of her in two seconds.

0:40:39.120 --> 0:40:42.120
<v Speaker 3>Who can sketch a portrait of someone that quickly. I

0:40:42.120 --> 0:40:44.279
<v Speaker 3>couldn't tell she was bothered or if it was more

0:40:44.480 --> 0:40:48.000
<v Speaker 3>like she was upset about her bed hair. I will

0:40:48.040 --> 0:40:52.200
<v Speaker 3>tell you a pixie does not wear well the next morning,

0:40:52.360 --> 0:40:53.920
<v Speaker 3>like you know what I mean, you got a short hair?

0:40:53.960 --> 0:40:54.600
<v Speaker 3>Do wake up?

0:40:54.600 --> 0:40:59.840
<v Speaker 2>It's like, now bothered me because I was just like,

0:40:59.880 --> 0:41:05.719
<v Speaker 2>I don't think of her, and certainly not you, I guess,

0:41:05.719 --> 0:41:09.040
<v Speaker 2>so the lines blur. You're not that girl, the jealous type.

0:41:09.080 --> 0:41:14.480
<v Speaker 2>So it like, I don't know it. It bothered me.

0:41:16.200 --> 0:41:19.040
<v Speaker 3>Well, maybe for a reason. Maybe Claudia is going to

0:41:19.080 --> 0:41:21.080
<v Speaker 3>come in and make some Laudia.

0:41:20.840 --> 0:41:21.440
<v Speaker 1>Is a problem.

0:41:21.640 --> 0:41:22.680
<v Speaker 3>Oh she is.

0:41:22.800 --> 0:41:24.760
<v Speaker 2>She's not just straight up business.

0:41:25.480 --> 0:41:28.360
<v Speaker 1>Not it's my memory served Oh okay.

0:41:28.000 --> 0:41:33.279
<v Speaker 2>So then Kelly, instinctly your gut, there you go.

0:41:33.640 --> 0:41:37.000
<v Speaker 3>But also I realized when they were at the pea

0:41:37.040 --> 0:41:39.560
<v Speaker 3>pad a you know, when they're at the you know,

0:41:39.719 --> 0:41:41.880
<v Speaker 3>pepad and I'm just gonna keep saying.

0:41:41.719 --> 0:41:43.200
<v Speaker 2>It, Oh my god, they're going to get so mad

0:41:43.239 --> 0:41:44.400
<v Speaker 2>at you pad.

0:41:46.040 --> 0:41:50.480
<v Speaker 3>She's a sex maniac. Kelly like, she yeah, like what

0:41:50.480 --> 0:41:52.239
<v Speaker 3>what when does she get all like kind of it?

0:41:53.040 --> 0:41:55.520
<v Speaker 1>It's gotten very adult. There's a lot more sex, a

0:41:55.520 --> 0:41:56.360
<v Speaker 1>lot more bed scenes.

0:41:56.400 --> 0:41:57.959
<v Speaker 3>He's like, yeah, he says, you want to go back

0:41:57.960 --> 0:42:03.160
<v Speaker 3>to my house and get naked, maybe uncomfortable.

0:42:02.480 --> 0:42:06.520
<v Speaker 2>It's a new relationship. We're like, yeah, duh, I guess so, honey.

0:42:07.040 --> 0:42:13.319
<v Speaker 3>I don't want to see that. And that's it. Oh wait, no, no, no,

0:42:13.400 --> 0:42:14.680
<v Speaker 3>that's not it. Sorry, big thing.

0:42:14.760 --> 0:42:17.879
<v Speaker 2>Oh my gosh. Subconsciously she wanted.

0:42:17.600 --> 0:42:18.040
<v Speaker 1>That to be.

0:42:18.160 --> 0:42:20.800
<v Speaker 3>It's over. And that's the end of the episode.

0:42:20.800 --> 0:42:21.359
<v Speaker 2>Thanks so much.

0:42:23.480 --> 0:42:26.840
<v Speaker 3>No, we we see At the end, Valerie continues to

0:42:26.880 --> 0:42:29.800
<v Speaker 3>flirt with Colin and tells him that she has always

0:42:29.960 --> 0:42:34.960
<v Speaker 3>dreamed about kissing him all these years, and he out

0:42:34.960 --> 0:42:37.959
<v Speaker 3>of the kindness of his heart kisses her.

0:42:38.560 --> 0:42:41.759
<v Speaker 1>A sympathy kiss or the beginning of something new. That's

0:42:41.800 --> 0:42:42.400
<v Speaker 1>what I want you.

0:42:42.520 --> 0:42:47.200
<v Speaker 3>I want you, guys to be very undeterminable because it

0:42:47.200 --> 0:42:51.759
<v Speaker 3>wouldn't happen, Like, would that happen unless he's attracted to her?

0:42:52.160 --> 0:42:56.520
<v Speaker 2>Correct? You know, a guy doesn't give someone a sympathy kiss,

0:42:56.600 --> 0:43:02.920
<v Speaker 2>especially when he has a full on girlfriend. It's not then.

0:43:03.000 --> 0:43:07.319
<v Speaker 3>The end of the episode is thanks, I'll never forget that. Oh,

0:43:07.360 --> 0:43:09.280
<v Speaker 3>it's just so strange, bizaar.

0:43:10.600 --> 0:43:12.880
<v Speaker 2>The kiss was weird too. It was just like a

0:43:13.000 --> 0:43:16.279
<v Speaker 2>lingering simple Yeah, it was simple, but it lingered this

0:43:16.360 --> 0:43:17.680
<v Speaker 2>it was like a smooch.

0:43:19.120 --> 0:43:21.799
<v Speaker 3>I can't amy you're not you don't like you. Like

0:43:21.880 --> 0:43:25.720
<v Speaker 3>if you had the chance to kiss Colin he sucks,

0:43:26.120 --> 0:43:29.520
<v Speaker 3>you would no, no no. If you were like you

0:43:29.560 --> 0:43:34.160
<v Speaker 3>didn't know he sucked mm hmm and you had the

0:43:34.239 --> 0:43:37.200
<v Speaker 3>chance to kiss him, would you know what?

0:43:37.640 --> 0:43:40.200
<v Speaker 2>We don't have a question before she answers friends with

0:43:40.320 --> 0:43:43.360
<v Speaker 2>you were not friends with you? She is Kelly?

0:43:44.360 --> 0:43:46.359
<v Speaker 3>Not friends with Kelly. I want to know, like an

0:43:46.360 --> 0:43:47.600
<v Speaker 3>objective Yeah.

0:43:47.840 --> 0:43:51.600
<v Speaker 1>Oh there's something schmarmie right out the gate. I find

0:43:51.680 --> 0:43:57.759
<v Speaker 1>him schmarmys the right word there's something Owie Owe about him.

0:43:57.840 --> 0:44:01.480
<v Speaker 1>He's not for me, He's he's the guy. He is

0:44:01.600 --> 0:44:02.799
<v Speaker 1>right out the gate for me.

0:44:02.920 --> 0:44:06.799
<v Speaker 3>I'm like, oh, and again, there are split people out there.

0:44:06.840 --> 0:44:09.799
<v Speaker 3>There's people that love Kelly and Colin together and there's

0:44:09.840 --> 0:44:12.359
<v Speaker 3>people that do not like them together. I think it's

0:44:12.440 --> 0:44:15.200
<v Speaker 3>always going to be the case. What Yeah, there's people

0:44:15.200 --> 0:44:20.480
<v Speaker 3>that love them together. He's because of your no, I've

0:44:20.600 --> 0:44:22.080
<v Speaker 3>read it with my eyeballs.

0:44:22.239 --> 0:44:23.319
<v Speaker 1>That shocks me.

0:44:24.520 --> 0:44:24.919
<v Speaker 3>Mm hmm.

0:44:25.600 --> 0:44:31.200
<v Speaker 2>Really before or like now at this point before he

0:44:31.480 --> 0:44:34.320
<v Speaker 2>like it? Okay, before Okay.

0:44:34.160 --> 0:44:36.719
<v Speaker 3>Yeah, I'm sure that'll change because it shocks me. Bad

0:44:36.719 --> 0:44:37.520
<v Speaker 3>things are coming.

0:44:38.239 --> 0:44:40.840
<v Speaker 2>I don't know. He's totally Donna and my type, Like

0:44:40.880 --> 0:44:45.120
<v Speaker 2>he's a bad boy, but not not not feeling it

0:44:45.120 --> 0:44:45.440
<v Speaker 2>for him.

0:44:45.440 --> 0:44:46.440
<v Speaker 3>You're not getting the tangles.

0:44:48.000 --> 0:44:48.399
<v Speaker 1>All right.

0:44:49.480 --> 0:44:51.040
<v Speaker 3>That's all I have to say about this episode. What

0:44:51.120 --> 0:44:51.440
<v Speaker 3>do you guys?

0:44:51.520 --> 0:44:53.719
<v Speaker 1>Rate it ten?

0:44:54.000 --> 0:44:56.359
<v Speaker 3>You're just saying that now for every episode this.

0:44:56.360 --> 0:44:58.360
<v Speaker 1>Is we just met Tony Marshett.

0:44:58.480 --> 0:45:02.400
<v Speaker 2>Come on, I don't feel that way.

0:45:04.040 --> 0:45:05.000
<v Speaker 3>What do you feel.

0:45:06.360 --> 0:45:10.319
<v Speaker 2>Now? I know it's Jason's episode that's influencing me to

0:45:10.640 --> 0:45:13.440
<v Speaker 2>give it a higher rating than I would to be honest,

0:45:14.239 --> 0:45:16.360
<v Speaker 2>just give it the rating I'll get it to seven.

0:45:16.840 --> 0:45:25.759
<v Speaker 3>Oh oh sorry, I'm just kidding. I give it an eight. Yeah,

0:45:25.880 --> 0:45:30.239
<v Speaker 3>there you have to people. Next week we have episode

0:45:30.520 --> 0:45:35.920
<v Speaker 3>six already in season four. Everything's coming up, Roses. Oh

0:45:36.000 --> 0:45:37.600
<v Speaker 3>is this the one where you're the Rose Queen?

0:45:38.400 --> 0:45:38.680
<v Speaker 2>Sure?

0:45:39.719 --> 0:45:42.799
<v Speaker 1>Stop it wait I think so?

0:45:43.360 --> 0:45:47.399
<v Speaker 2>Oh man, this is starting. That was that's just uncomfortable.

0:45:47.840 --> 0:45:54.680
<v Speaker 3>I'm excited to see this. Everything's coming up, Roses. All right,

0:45:54.719 --> 0:45:57.480
<v Speaker 3>you guys, that's it for us, all right, stuff Tell

0:45:57.480 --> 0:46:01.319
<v Speaker 3>the people goodbye, piece out Oh we love you.

0:46:02.080 --> 0:46:08.080
<v Speaker 1>Hye mhm