1
00:00:00,240 --> 00:00:05,520
Speaker 1: It's nine Ogen one Allegie with Jenny Garth and Tory spelling.

2
00:00:09,920 --> 00:00:12,920
Speaker 2: You guys, here we are, and this must be a

3
00:00:12,920 --> 00:00:17,920
Speaker 2: guy thing because some juicy stuff is happening.

4
00:00:18,480 --> 00:00:19,840
Speaker 3: Why does it have to be a guy thing.

5
00:00:20,840 --> 00:00:22,480
Speaker 2: I don't know, it's the name of the episode. It

6
00:00:22,520 --> 00:00:25,720
Speaker 2: doesn't have to you know what, let's retile the episode

7
00:00:25,760 --> 00:00:28,320
Speaker 2: thirty three years later. This must be a girl thing.

8
00:00:28,640 --> 00:00:29,480
Speaker 2: And speaking of.

9
00:00:29,440 --> 00:00:33,599
Speaker 3: Girls, Speaking of girls, we got some new ones. We

10
00:00:33,680 --> 00:00:41,320
Speaker 3: do very exciting day here. There are two equally exciting

11
00:00:41,479 --> 00:00:44,880
Speaker 3: new additions to the cast in this episode.

12
00:00:44,880 --> 00:00:51,520
Speaker 2: You guys, yes, I mean an iconic actresses, Rebecca Gayheart,

13
00:00:51,560 --> 00:00:55,560
Speaker 2: Emma Callfield Rebeccat gay Heart.

14
00:00:55,760 --> 00:00:56,120
Speaker 1: I know.

15
00:00:57,840 --> 00:00:58,920
Speaker 2: I still crush on her.

16
00:01:00,240 --> 00:01:02,160
Speaker 1: So funny when you guys were saying we got two

17
00:01:02,240 --> 00:01:04,520
Speaker 1: new people, I didn't even think of Rebecca Gayheart because

18
00:01:04,560 --> 00:01:08,200
Speaker 1: for me, she's so synonymous with the show, even though

19
00:01:08,200 --> 00:01:10,440
Speaker 1: she's only on for a short time. It didn't even

20
00:01:10,480 --> 00:01:12,959
Speaker 1: like my brain didn't even think of her when you

21
00:01:13,040 --> 00:01:15,399
Speaker 1: said we got two new characters. I immediately went to

22
00:01:15,440 --> 00:01:19,200
Speaker 1: the editor because she felt new, whereas Rebecca Gayheart for me,

23
00:01:20,080 --> 00:01:22,360
Speaker 1: is so a part of the show, like it didn't

24
00:01:22,360 --> 00:01:24,920
Speaker 1: feel new. Do you know what I'm saying, likes new

25
00:01:24,920 --> 00:01:26,440
Speaker 1: This is the first time we see this is the

26
00:01:26,440 --> 00:01:27,480
Speaker 1: first time we've seen Tony.

27
00:01:28,240 --> 00:01:30,840
Speaker 2: But you're saying, just when you think of nine on

28
00:01:30,920 --> 00:01:33,240
Speaker 2: two and zero, you always think of Rebecca Gayheart like

29
00:01:33,520 --> 00:01:35,600
Speaker 2: it's as if she's a regular, always been there.

30
00:01:35,760 --> 00:01:38,840
Speaker 3: And yes, that's so interesting because she was only on

31
00:01:38,880 --> 00:01:41,800
Speaker 3: how many episodes? I wondered, not many, five.

32
00:01:41,720 --> 00:01:42,600
Speaker 1: Five or six?

33
00:01:42,760 --> 00:01:46,080
Speaker 2: And she sees no, no, no, no, no, no, no, no, it's

34
00:01:46,120 --> 00:01:47,080
Speaker 2: not on the whole season.

35
00:01:47,760 --> 00:01:50,360
Speaker 3: She made quite an impression on the sugar.

36
00:01:50,760 --> 00:01:52,840
Speaker 1: This is so weird to say more than I think

37
00:01:52,840 --> 00:01:55,600
Speaker 1: of Kathleen. Isn't that weird? Like I think of her?

38
00:01:56,440 --> 00:01:59,000
Speaker 1: And maybe it was just because she's it's just so prominent.

39
00:01:59,120 --> 00:01:59,760
Speaker 1: What happens.

40
00:02:00,400 --> 00:02:04,920
Speaker 3: We have confirmation that Rebecca was in eight episodes eight Sorry.

41
00:02:04,640 --> 00:02:08,240
Speaker 2: I said six, Jen, you hear this? Amy got something wrong?

42
00:02:09,440 --> 00:02:14,200
Speaker 3: I love it when that happened. Oh, here's a funny

43
00:02:14,200 --> 00:02:19,400
Speaker 3: thing though. So I was at a thing and come

44
00:02:19,440 --> 00:02:25,880
Speaker 3: to find out Emma call Field was at the same event. Dan, Nope,

45
00:02:25,960 --> 00:02:28,840
Speaker 3: I was walking in and she was walking out and

46
00:02:29,600 --> 00:02:32,840
Speaker 3: she dropped something. The woman in front of me dropped

47
00:02:32,840 --> 00:02:34,919
Speaker 3: something and was like scooping it up, and she looked

48
00:02:34,919 --> 00:02:37,280
Speaker 3: back up and she goes, oh hey, and then she

49
00:02:37,360 --> 00:02:40,600
Speaker 3: just kind of kept walking and by the time she passed,

50
00:02:40,639 --> 00:02:45,000
Speaker 3: I was like, I know her from somewhere, and then

51
00:02:45,240 --> 00:02:48,680
Speaker 3: later I realized, Oh, that was Emma call Field.

52
00:02:48,760 --> 00:02:53,360
Speaker 2: Wow for emotion. Did I go to college with her? No?

53
00:02:53,400 --> 00:02:57,519
Speaker 2: I only got college on TV. Wait, how everyone does

54
00:02:57,560 --> 00:03:00,200
Speaker 2: with us? Like I did go to college with her?

55
00:03:00,560 --> 00:03:04,400
Speaker 1: Think about this. Na Coffield does thirty episodes of nine

56
00:03:04,440 --> 00:03:04,880
Speaker 1: O two one?

57
00:03:04,919 --> 00:03:06,120
Speaker 3: Oh wow?

58
00:03:06,600 --> 00:03:10,720
Speaker 1: Does she stand out in your mind as much as

59
00:03:11,560 --> 00:03:13,519
Speaker 1: Tony Marshett.

60
00:03:13,040 --> 00:03:15,040
Speaker 3: Gotta be honest, super weird.

61
00:03:15,280 --> 00:03:18,239
Speaker 2: It's super weird, and I have to be honest. When

62
00:03:18,240 --> 00:03:20,760
Speaker 2: I saw her, I was like, oh, Jill novac Son

63
00:03:21,320 --> 00:03:25,800
Speaker 2: who ended up playing Tracy. Another topic, Brandon Walsh, same

64
00:03:26,600 --> 00:03:27,079
Speaker 2: same thing.

65
00:03:27,200 --> 00:03:31,640
Speaker 3: I wrote down her name as Jill.

66
00:03:31,919 --> 00:03:34,120
Speaker 1: There you go, and then I crossed it out and

67
00:03:34,160 --> 00:03:34,600
Speaker 1: I was like.

68
00:03:34,600 --> 00:03:36,839
Speaker 3: No, her character's name is Susan Keats.

69
00:03:37,240 --> 00:03:41,480
Speaker 2: They're wildly I mean, I guess I would say Brandon

70
00:03:41,520 --> 00:03:43,800
Speaker 2: Walsh has a type, but you're his type.

71
00:03:43,880 --> 00:03:46,440
Speaker 3: So no, this is odd, But you know what, it's

72
00:03:46,440 --> 00:03:48,600
Speaker 3: that editor role. No, but you don't care about that

73
00:03:48,720 --> 00:03:52,080
Speaker 3: editor role for some reason. Amy that character for you

74
00:03:52,240 --> 00:03:53,920
Speaker 3: in the newspaper office.

75
00:03:53,680 --> 00:03:57,760
Speaker 1: Is like, it's not as prominent as oh yeah, yeah,

76
00:03:57,840 --> 00:03:59,600
Speaker 1: same to say, she's super cute.

77
00:04:00,200 --> 00:04:02,440
Speaker 3: This like she's got a lot of pep in her step.

78
00:04:02,560 --> 00:04:05,600
Speaker 3: She brings a lot of energy to the scenes. You know,

79
00:04:05,840 --> 00:04:07,160
Speaker 3: she's fee yeah.

80
00:04:07,360 --> 00:04:09,280
Speaker 2: I like, yeah, no, I like her. But you're right,

81
00:04:09,360 --> 00:04:12,800
Speaker 2: it's kind of like, Sorry, guys, like the Andre Andrea character,

82
00:04:12,880 --> 00:04:18,160
Speaker 2: You're like, it's just the editor. Yeah, we zone out

83
00:04:18,200 --> 00:04:21,159
Speaker 2: when it's like, what would that be? Jen?

84
00:04:22,400 --> 00:04:24,640
Speaker 3: I don't know, but it's like she's the same character.

85
00:04:25,400 --> 00:04:27,880
Speaker 3: She's like the same character that Andrea played. So it's

86
00:04:27,880 --> 00:04:33,360
Speaker 3: so weird that they hired a brunette, similar body type. Yeah,

87
00:04:34,360 --> 00:04:36,719
Speaker 3: but she's a little edgier than Andrea and not you know,

88
00:04:37,320 --> 00:04:39,240
Speaker 3: doesn't seem as sweet as Andrea.

89
00:04:40,080 --> 00:04:44,560
Speaker 2: She'll never be chief wait chief. No. Yeah, she's sassier too.

90
00:04:44,640 --> 00:04:47,159
Speaker 1: She's a bit sassy. But I kind of like it.

91
00:04:48,440 --> 00:04:50,599
Speaker 3: We're here for it, Okay, So let's do this. Let's

92
00:04:50,600 --> 00:04:55,560
Speaker 3: do this. Season six, episode three, Must be a Guy

93
00:04:55,600 --> 00:04:58,880
Speaker 3: Thing Eric September twentieth, nineteen ninety five.

94
00:05:00,520 --> 00:05:04,000
Speaker 2: Kelly finds out Colin and Valerie share a past. Sorry, Jen,

95
00:05:04,760 --> 00:05:07,840
Speaker 2: Donna gets Ray one step closer to a record deal,

96
00:05:08,680 --> 00:05:10,800
Speaker 2: Dylan falls for the daughter of the man he wants

97
00:05:10,880 --> 00:05:14,600
Speaker 2: to kill, Brandon falls for the editor of the school newspaper,

98
00:05:14,640 --> 00:05:17,039
Speaker 2: and Steve is on the brink of flunking out of

99
00:05:17,080 --> 00:05:18,320
Speaker 2: school shocking again.

100
00:05:18,520 --> 00:05:21,400
Speaker 1: First of all, God, I feel a few sort of

101
00:05:21,680 --> 00:05:26,480
Speaker 1: what flag moments, if I may, if you will, love

102
00:05:26,680 --> 00:05:27,919
Speaker 1: and I know we can talk about it all. But

103
00:05:28,640 --> 00:05:36,919
Speaker 1: number one, Tony Marchett, the dad. If he killed Dylan's father,

104
00:05:37,640 --> 00:05:40,320
Speaker 1: wouldn't he immediately recognize? Yeah, thank you?

105
00:05:40,400 --> 00:05:45,360
Speaker 3: Yeah, he says, who's that kid? Who's that kid making

106
00:05:45,440 --> 00:05:46,160
Speaker 3: out with my daughter?

107
00:05:46,160 --> 00:05:48,600
Speaker 1: I'm so old in this episode, I'm like, he's not

108
00:05:48,720 --> 00:05:49,680
Speaker 1: college people.

109
00:05:49,480 --> 00:05:55,440
Speaker 3: No, he's Dylan looks like a grown ass man fact.

110
00:05:55,760 --> 00:06:00,599
Speaker 2: I mean, wait, wait, you guys, can you update me

111
00:06:00,680 --> 00:06:04,440
Speaker 2: on this? So Tony is in college or high school?

112
00:06:05,160 --> 00:06:05,600
Speaker 1: College?

113
00:06:06,000 --> 00:06:06,080
Speaker 3: No?

114
00:06:06,440 --> 00:06:06,760
Speaker 2: Sorry?

115
00:06:06,880 --> 00:06:08,880
Speaker 3: College? Do they take college?

116
00:06:08,880 --> 00:06:12,280
Speaker 2: Sorry? Jenn nine, go to college? Amy, she's in college.

117
00:06:12,600 --> 00:06:16,320
Speaker 2: Do they call out your name in a college class?

118
00:06:17,160 --> 00:06:21,760
Speaker 1: I guess in a very very very small section, they

119
00:06:21,920 --> 00:06:25,360
Speaker 1: might make sure you're there. If attendance counts in some way,

120
00:06:25,839 --> 00:06:28,800
Speaker 1: probably more would be a sign in, But I didn't.

121
00:06:29,400 --> 00:06:31,560
Speaker 1: That did not bother me that much because he had

122
00:06:31,600 --> 00:06:33,720
Speaker 1: to figure out who Tony Morris shot with.

123
00:06:33,760 --> 00:06:36,120
Speaker 2: I know, but I was just like, Eh, okay.

124
00:06:35,880 --> 00:06:37,560
Speaker 3: Do you guys want me to tell you who directed

125
00:06:37,560 --> 00:06:38,240
Speaker 3: this episode?

126
00:06:38,560 --> 00:06:38,919
Speaker 2: Sure do?

127
00:06:39,760 --> 00:06:45,039
Speaker 3: Jason Priestley and it was written by John Eisendraft, who

128
00:06:46,360 --> 00:06:49,080
Speaker 3: is also new to the show. If I'm not mistaken,

129
00:06:49,400 --> 00:06:54,320
Speaker 3: season six enter John Eisendraft as executive producer.

130
00:06:55,440 --> 00:07:01,080
Speaker 2: He became executive producer. So is this when.

131
00:07:03,000 --> 00:07:05,280
Speaker 3: Chuck left and John Bleman.

132
00:07:05,160 --> 00:07:10,080
Speaker 1: Correct, Oh wow, it's Priestley ish as his right?

133
00:07:10,400 --> 00:07:10,840
Speaker 2: It was.

134
00:07:11,560 --> 00:07:17,280
Speaker 1: It wasn't like.

135
00:07:18,040 --> 00:07:20,119
Speaker 2: With the top hat right now? What the heck?

136
00:07:21,480 --> 00:07:23,680
Speaker 3: Wait, you're so right? I thought this was like that.

137
00:07:23,960 --> 00:07:27,640
Speaker 3: It was more he's matured, you guys, he's directed. He's

138
00:07:27,880 --> 00:07:28,920
Speaker 3: matured as a director.

139
00:07:29,720 --> 00:07:33,320
Speaker 2: Until I read it on our rundown, had no idea.

140
00:07:33,360 --> 00:07:36,400
Speaker 2: Would never have thought this was adjacent episode.

141
00:07:36,520 --> 00:07:40,120
Speaker 3: Nope, me either, correct John?

142
00:07:40,280 --> 00:07:42,960
Speaker 2: What new EPs? Maybe they were like I.

143
00:07:43,320 --> 00:07:45,640
Speaker 3: I go back because I'm finding out now that John's

144
00:07:45,680 --> 00:07:49,640
Speaker 3: title wasn't executive producer. He was supervising producer right now.

145
00:07:49,680 --> 00:07:53,000
Speaker 2: He may get right now he ends up though like

146
00:07:53,120 --> 00:07:57,000
Speaker 2: season ten he was he ran the show. Correction, we

147
00:07:57,080 --> 00:07:57,760
Speaker 2: ran the show.

148
00:07:59,040 --> 00:08:01,000
Speaker 3: You know what was exciting for me in this episode?

149
00:08:01,120 --> 00:08:05,280
Speaker 3: I have the the collection on the the what's that

150
00:08:05,320 --> 00:08:07,400
Speaker 3: called little sticky thing that you put things on in

151
00:08:07,440 --> 00:08:12,000
Speaker 3: a computers? Nope, sorry, I love those though it goes

152
00:08:12,000 --> 00:08:15,120
Speaker 3: in the thing. Yeah, a little thing you put in

153
00:08:15,160 --> 00:08:18,320
Speaker 3: the thing that Darren Martin gave me with all the

154
00:08:18,360 --> 00:08:21,600
Speaker 3: shows and the original music. So I got to hear

155
00:08:21,760 --> 00:08:23,200
Speaker 3: Jamie Walters.

156
00:08:23,640 --> 00:08:25,280
Speaker 1: I did too. I did too because I watched it

157
00:08:25,360 --> 00:08:25,880
Speaker 1: on the DVD.

158
00:08:26,040 --> 00:08:33,480
Speaker 2: So that's okay. So, yes, Darren Martin gave us flash drives.

159
00:08:34,080 --> 00:08:35,760
Speaker 3: Thank you so much, Darren.

160
00:08:37,240 --> 00:08:40,240
Speaker 2: We're super grateful. But Jen, I would love to hear

161
00:08:40,320 --> 00:08:43,800
Speaker 2: for a moment. Did anything change hearing him? Seeing now

162
00:08:43,840 --> 00:08:47,760
Speaker 2: that you heard him perform on the show, no Ah.

163
00:08:48,840 --> 00:08:50,839
Speaker 1: Does make you like him more if that's what you're saying.

164
00:08:51,360 --> 00:08:52,240
Speaker 1: I mean, I feel like.

165
00:08:52,520 --> 00:08:55,839
Speaker 3: That's not my kind of music. So but I appreciated

166
00:08:55,880 --> 00:08:59,160
Speaker 3: his like husky sultryness up.

167
00:08:59,080 --> 00:09:02,959
Speaker 2: There, husky like that.

168
00:09:03,920 --> 00:09:04,840
Speaker 1: Yeah, yeah he does.

169
00:09:05,200 --> 00:09:06,240
Speaker 3: I don't know.

170
00:09:07,640 --> 00:09:10,360
Speaker 1: I don't want to wait say the same thing that

171
00:09:10,480 --> 00:09:15,400
Speaker 1: hurt beauty to an angel. I don't want to say

172
00:09:15,400 --> 00:09:17,400
Speaker 1: the same thing again. But like, why did they make

173
00:09:17,440 --> 00:09:20,280
Speaker 1: him bad good? They should have just made him good

174
00:09:21,400 --> 00:09:22,040
Speaker 1: or terrible.

175
00:09:22,440 --> 00:09:24,959
Speaker 3: It's like, no, he was good then bad, now good,

176
00:09:26,600 --> 00:09:30,760
Speaker 3: and he was bad again, now he's good again. Very

177
00:09:30,840 --> 00:09:31,640
Speaker 3: very confusing.

178
00:09:32,559 --> 00:09:38,520
Speaker 2: Well, why did they gen ear muffs? Huh? Kill tone?

179
00:09:40,400 --> 00:09:42,800
Speaker 2: I heard you, oh ma'am.

180
00:09:43,200 --> 00:09:45,680
Speaker 3: But I also kind of know that's happening. Okay, I

181
00:09:45,720 --> 00:09:46,320
Speaker 3: kind of remember.

182
00:09:46,360 --> 00:09:49,720
Speaker 2: I mean she was a keeper like that, that was

183
00:09:49,760 --> 00:09:51,280
Speaker 2: a that should have been a nine or two and

184
00:09:51,360 --> 00:09:55,079
Speaker 2: oh Lifer. I'm just saying, so beautiful, such a pretty girl.

185
00:09:55,280 --> 00:09:57,680
Speaker 3: Her eyes remind me of your eyes, like you guys

186
00:09:57,760 --> 00:10:00,800
Speaker 3: have similar faces in when I was looking.

187
00:10:00,600 --> 00:10:05,840
Speaker 2: At her, remind me of you or Amy? You me you,

188
00:10:05,960 --> 00:10:07,839
Speaker 2: that's the thing you've ever said to me.

189
00:10:08,559 --> 00:10:11,640
Speaker 1: She's so unique looking like she she looks like a doll.

190
00:10:12,040 --> 00:10:16,280
Speaker 2: Uh DOLLI And we loved her. We got from jump,

191
00:10:16,480 --> 00:10:20,760
Speaker 2: we got along with her. She was just so great

192
00:10:21,040 --> 00:10:25,520
Speaker 2: and kind and fun and just she she should have

193
00:10:25,559 --> 00:10:27,880
Speaker 2: stayed on for all ten seasons. I'm just saying it.

194
00:10:28,520 --> 00:10:30,520
Speaker 3: Let's go, let's go from the top. Do you want

195
00:10:30,520 --> 00:10:32,679
Speaker 3: to hey, do you want to take us through this week?

196
00:10:34,040 --> 00:10:36,280
Speaker 2: Uh? You know, my brain doesn't like to work like that.

197
00:10:36,280 --> 00:10:39,600
Speaker 2: That's your jam. Well, but if you want to go

198
00:10:39,640 --> 00:10:40,240
Speaker 2: in order.

199
00:10:40,679 --> 00:10:41,760
Speaker 3: Do you want to know trivia?

200
00:10:42,400 --> 00:10:42,600
Speaker 2: Yeah?

201
00:10:42,800 --> 00:10:48,880
Speaker 3: Definitely yes, Tiffany Theeson's older brother, Todd Deeson, appeared as

202
00:10:49,000 --> 00:10:54,079
Speaker 3: Larry Malanowski in this episode. I don't know who Larry

203
00:10:54,120 --> 00:10:58,520
Speaker 3: Malanowski is. Did I see Larry Melanowski?

204
00:10:59,120 --> 00:11:04,560
Speaker 2: Wait? What Tiffany's brother, older brother was in this? Was

205
00:11:04,559 --> 00:11:07,000
Speaker 2: he an? Apparently?

206
00:11:07,880 --> 00:11:11,320
Speaker 3: I can't even remember what he looked like her. Yeah,

207
00:11:11,360 --> 00:11:12,080
Speaker 3: that would make sense.

208
00:11:12,240 --> 00:11:12,440
Speaker 2: Yep.

209
00:11:12,679 --> 00:11:14,760
Speaker 3: We're gonna start at the peach pit where the gang

210
00:11:14,840 --> 00:11:18,680
Speaker 3: is hanging out, and we see Donna's bra. Did you

211
00:11:18,760 --> 00:11:22,360
Speaker 3: notice the opening shot is First of all, I'm like, wait,

212
00:11:22,640 --> 00:11:25,439
Speaker 3: Val and Donna are buddies now hanging out at the

213
00:11:25,440 --> 00:11:30,680
Speaker 3: peach pit having fries makes no sense.

214
00:11:30,720 --> 00:11:32,040
Speaker 1: We ended the.

215
00:11:32,080 --> 00:11:36,720
Speaker 3: Last cause and everybody yes, and that's why likes her again.

216
00:11:36,880 --> 00:11:40,280
Speaker 1: God, we started to like her, and then then everyone

217
00:11:40,640 --> 00:11:43,000
Speaker 1: that's the thing. Everyone blows like the wind, including her.

218
00:11:43,320 --> 00:11:46,800
Speaker 1: You all hate her and like her. He's like good

219
00:11:46,880 --> 00:11:48,520
Speaker 1: and bad? Like what?

220
00:11:48,920 --> 00:11:53,800
Speaker 3: And then of course we find out Kelly and Colin

221
00:11:53,920 --> 00:11:58,440
Speaker 3: come in, and magically Val knows Colin.

222
00:11:58,960 --> 00:12:04,079
Speaker 2: Of all the Gingers, of all the Diners and Beverly Hills,

223
00:12:04,120 --> 00:12:07,440
Speaker 2: you could walk into why Japan walk into mine? Colin

224
00:12:07,640 --> 00:12:09,960
Speaker 2: Robbins Valerie.

225
00:12:09,880 --> 00:12:13,280
Speaker 3: Went on a European tour together when I had braces.

226
00:12:13,400 --> 00:12:16,760
Speaker 2: But before that though, before they walk in, I feel

227
00:12:16,760 --> 00:12:21,160
Speaker 2: like this is where we first see the magic starting

228
00:12:21,280 --> 00:12:23,080
Speaker 2: between Claire and Steve.

229
00:12:23,600 --> 00:12:28,240
Speaker 3: We see a little sparkles. Yes, we do, we do.

230
00:12:29,679 --> 00:12:32,280
Speaker 3: I don't know. I'm not feeling that yet. I feel

231
00:12:32,280 --> 00:12:37,120
Speaker 3: like they're like kind of like leading up to that, probably,

232
00:12:37,240 --> 00:12:39,559
Speaker 3: but I don't reel kind of no.

233
00:12:39,679 --> 00:12:44,440
Speaker 1: If I you know, like two friends that pretend they

234
00:12:44,480 --> 00:12:46,760
Speaker 1: don't like each other, that you're like, are they kissing

235
00:12:46,800 --> 00:12:48,080
Speaker 1: in the closet? Do you know what I mean?

236
00:12:48,120 --> 00:12:49,680
Speaker 3: Like they're like jabbing at each other.

237
00:12:49,920 --> 00:12:54,800
Speaker 1: Yeah, there's always like choking that'll cast you. You can't

238
00:12:54,840 --> 00:12:56,200
Speaker 1: afford that, you know.

239
00:12:57,240 --> 00:12:59,640
Speaker 2: Meanwhile, before I don't think I've ever seen them speak

240
00:12:59,679 --> 00:13:01,240
Speaker 2: to each other on the show.

241
00:13:01,720 --> 00:13:02,200
Speaker 1: But all of a.

242
00:13:02,200 --> 00:13:06,800
Speaker 3: Sudden, of course, oh my go oh yeah this this

243
00:13:06,880 --> 00:13:09,000
Speaker 3: episode that there's a lot of convenient things happening.

244
00:13:10,160 --> 00:13:12,800
Speaker 1: Yeah, convenient things. Yeah.

245
00:13:12,840 --> 00:13:17,439
Speaker 3: But when when when Val calls out call it, I

246
00:13:17,480 --> 00:13:22,760
Speaker 3: was like, oh my god, say it isn't so yeah, Jen,

247
00:13:23,040 --> 00:13:23,920
Speaker 3: I didn't remember that.

248
00:13:24,880 --> 00:13:29,319
Speaker 2: I didn't either, No, why did they do that? I

249
00:13:29,440 --> 00:13:33,920
Speaker 2: know what happens later, but I didn't know they knew

250
00:13:33,920 --> 00:13:35,120
Speaker 2: each other from before.

251
00:13:36,200 --> 00:13:37,240
Speaker 3: Here's my problem.

252
00:13:37,240 --> 00:13:41,360
Speaker 2: With this episode aside from my bra showing.

253
00:13:41,480 --> 00:13:43,520
Speaker 3: Aside from your bra showing in one shot and then

254
00:13:43,559 --> 00:13:45,120
Speaker 3: not showing in the next shot, I was glad that

255
00:13:45,120 --> 00:13:48,000
Speaker 3: you sat up straight and somebody fixed it. The show

256
00:13:48,080 --> 00:13:48,400
Speaker 3: came on.

257
00:13:48,760 --> 00:13:49,720
Speaker 1: They pitted.

258
00:13:51,280 --> 00:13:57,120
Speaker 3: Kelly and Brenda against each other, thus kind of pitting

259
00:13:57,559 --> 00:14:04,440
Speaker 3: Jenny and Shannon against each other in this weird, surreal

260
00:14:04,640 --> 00:14:09,480
Speaker 3: bubble of a world because life was imitating our military separate. Yeah,

261
00:14:09,520 --> 00:14:13,680
Speaker 3: and we were very young and impressionable and formative. Now

262
00:14:15,120 --> 00:14:19,160
Speaker 3: they have Kelly pitting against Val. It's just like, it's like,

263
00:14:19,720 --> 00:14:23,280
Speaker 3: why are they doing this to these To Kelly? Why

264
00:14:23,360 --> 00:14:25,800
Speaker 3: is she always have to have these conflicts with other

265
00:14:25,880 --> 00:14:29,720
Speaker 3: girls in the show. I don't like it. And it's

266
00:14:29,720 --> 00:14:32,240
Speaker 3: all for their like dramatic whatever.

267
00:14:32,920 --> 00:14:36,880
Speaker 2: But you're the lead female. Hello, Why can't they make them?

268
00:14:37,200 --> 00:14:38,960
Speaker 2: Why can't they make the females get along?

269
00:14:40,920 --> 00:14:41,080
Speaker 1: Oh?

270
00:14:41,720 --> 00:14:45,680
Speaker 2: Because that's that's what we do now. Back then, you

271
00:14:45,720 --> 00:14:49,600
Speaker 2: know what, in high school and maybe college, I don't know,

272
00:14:49,680 --> 00:14:55,080
Speaker 2: I didn't go, but it's so rampant, like girls are

273
00:14:55,160 --> 00:14:57,160
Speaker 2: besties one day and then they hate each other and

274
00:14:57,160 --> 00:15:01,640
Speaker 2: then it's just so like I don't know, but you

275
00:15:01,720 --> 00:15:04,400
Speaker 2: had evolved at this point because you were able to

276
00:15:04,440 --> 00:15:08,040
Speaker 2: separate it because you and Tip became great friends, so

277
00:15:09,680 --> 00:15:13,040
Speaker 2: you guys had grown up and you didn't let art

278
00:15:13,360 --> 00:15:16,200
Speaker 2: imitate life and the lines blur.

279
00:15:16,440 --> 00:15:21,520
Speaker 1: Actually didn't feel that in the public perception that they

280
00:15:21,600 --> 00:15:26,680
Speaker 1: blurred the line as much then between Val and Kelly

281
00:15:26,800 --> 00:15:31,800
Speaker 1: as Tiffany and Jenny, as Shannon and Jenny, Brenda and Kelly,

282
00:15:31,880 --> 00:15:34,280
Speaker 1: Like for some reason, I don't know why. That's just

283
00:15:35,320 --> 00:15:39,600
Speaker 1: that's just my vibe, it didn't seem so much. Maybe

284
00:15:39,640 --> 00:15:41,680
Speaker 1: we were starting to know you more as celebrities, so

285
00:15:41,720 --> 00:15:43,480
Speaker 1: we weren't blurring the characters as much.

286
00:15:43,520 --> 00:15:45,960
Speaker 3: I don't know, it's just weird, like we never had.

287
00:15:46,720 --> 00:15:49,960
Speaker 3: It's becoming more and more apparent to me as I

288
00:15:50,000 --> 00:15:51,920
Speaker 3: get older and I'm able to see things from such

289
00:15:51,920 --> 00:15:57,280
Speaker 3: a different perspective. But the way that it started for

290
00:15:58,360 --> 00:16:04,480
Speaker 3: Brenda and Kelly, Shannon and Jenny, that they were never

291
00:16:05,000 --> 00:16:07,640
Speaker 3: they had the cards stacked against them as far as

292
00:16:07,680 --> 00:16:11,320
Speaker 3: getting along in a relationship like with each other. And

293
00:16:12,680 --> 00:16:16,320
Speaker 3: You're right, like I had gotten older, learned some things,

294
00:16:16,800 --> 00:16:23,440
Speaker 3: but I'm still seeing such a divide created by the man,

295
00:16:24,720 --> 00:16:27,800
Speaker 3: basically the man who wrote this, the man, you know

296
00:16:27,840 --> 00:16:30,760
Speaker 3: what I mean, Like It just feels like it's pissing

297
00:16:30,800 --> 00:16:33,400
Speaker 3: me off, is what I'm trying to say, because it's

298
00:16:33,480 --> 00:16:38,920
Speaker 3: really psychologically had a lot of effect on my life

299
00:16:38,960 --> 00:16:43,680
Speaker 3: personally and still to this king day. You guys, I

300
00:16:43,720 --> 00:16:46,080
Speaker 3: can sit on a stage, I love Shannon. I'll sit

301
00:16:46,120 --> 00:16:48,280
Speaker 3: on a stage and the audience will pit us against

302
00:16:48,280 --> 00:16:51,360
Speaker 3: one another in a in a Q and a forum,

303
00:16:52,920 --> 00:16:56,360
Speaker 3: and it so makes me so angry.

304
00:16:56,520 --> 00:16:58,840
Speaker 2: The characters or the two of you person the two

305
00:16:58,880 --> 00:17:02,200
Speaker 2: of us, Yeah.

306
00:17:01,000 --> 00:17:04,119
Speaker 3: The two of us. It's the characters that they're talking about,

307
00:17:04,160 --> 00:17:07,199
Speaker 3: but it's the two of us. They're receiving that energy

308
00:17:07,440 --> 00:17:10,560
Speaker 3: and having to process that energy and that information and

309
00:17:10,640 --> 00:17:13,520
Speaker 3: have it not affect our you know, emotions or our

310
00:17:13,880 --> 00:17:19,960
Speaker 3: mental state. Like there's something so just I don't know

311
00:17:19,960 --> 00:17:20,720
Speaker 3: how to explain it.

312
00:17:22,200 --> 00:17:22,800
Speaker 1: Yeah, I get that.

313
00:17:22,960 --> 00:17:27,840
Speaker 2: You just did, like I get it. Yeah, I understand now. Wow. Yeah.

314
00:17:27,880 --> 00:17:29,880
Speaker 3: And I really felt that at that last wherever we

315
00:17:29,880 --> 00:17:36,120
Speaker 3: were on that last panel when somebody said something, uh,

316
00:17:36,560 --> 00:17:38,640
Speaker 3: I don't even know what the what who said what?

317
00:17:38,680 --> 00:17:42,600
Speaker 3: But was like and then Shannon said, oh, they were

318
00:17:42,600 --> 00:17:45,679
Speaker 3: talking about how great it was with Brenda and Dylan

319
00:17:47,200 --> 00:17:49,760
Speaker 3: or something I don't know. Yeah, and then she and

320
00:17:49,800 --> 00:17:52,680
Speaker 3: then Shannon said something about, well she is a whore

321
00:17:54,119 --> 00:17:59,000
Speaker 3: and looked at me, but she meant Kelly mm hmm.

322
00:17:59,440 --> 00:18:05,000
Speaker 3: In that moment, I was like, whoa, ouch A, my

323
00:18:05,320 --> 00:18:08,600
Speaker 3: character wasn't a whore, and b I'm not a whore.

324
00:18:08,720 --> 00:18:11,560
Speaker 3: That just felt so weird and it just brought up

325
00:18:11,600 --> 00:18:14,320
Speaker 3: all that same ship, like that same feeling of like

326
00:18:15,720 --> 00:18:19,080
Speaker 3: we were just pitted against one another in a situation

327
00:18:19,320 --> 00:18:21,439
Speaker 3: and a scenario when there was absolutely no reason to

328
00:18:21,480 --> 00:18:25,080
Speaker 3: be that way, you know, because of the recollection of

329
00:18:25,080 --> 00:18:26,320
Speaker 3: what the characters went through.

330
00:18:27,400 --> 00:18:30,119
Speaker 1: Yeah, you're not wrong with how you're feeling, because I

331
00:18:30,200 --> 00:18:33,960
Speaker 1: see it in the comments. They really blur the person

332
00:18:34,680 --> 00:18:35,680
Speaker 1: and the character.

333
00:18:35,600 --> 00:18:38,840
Speaker 2: Right And I'm sitting here, even you telling me this

334
00:18:39,000 --> 00:18:42,359
Speaker 2: right now, with a pit in my stomach, feeling as

335
00:18:42,800 --> 00:18:45,120
Speaker 2: the in between between the two of you and you're.

336
00:18:45,000 --> 00:18:47,960
Speaker 3: Not in between, You're you were you know in between

337
00:18:48,000 --> 00:18:51,640
Speaker 3: that was Yeah, that's all you're a feeling.

338
00:18:52,000 --> 00:18:54,880
Speaker 1: Yep, that's the same she's feeling the same thing that

339
00:18:54,880 --> 00:18:56,240
Speaker 1: that Donna felt that way.

340
00:18:56,600 --> 00:19:01,280
Speaker 2: Yes, Donna and Tory back when we were young, like

341
00:19:01,359 --> 00:19:05,840
Speaker 2: always like so thirty years later, okay, in that crazy

342
00:19:05,840 --> 00:19:07,200
Speaker 2: thirty years later, Yep.

343
00:19:07,920 --> 00:19:12,960
Speaker 3: Three fifty year old women. It has the ability to

344
00:19:12,960 --> 00:19:14,919
Speaker 3: put me right back in that same feeling.

345
00:19:15,280 --> 00:19:19,440
Speaker 1: It's still happening, you're being It's it's not just thirty

346
00:19:19,520 --> 00:19:24,959
Speaker 1: years ago. It happened two weeks ago. So it just continues.

347
00:19:27,040 --> 00:19:30,919
Speaker 2: But that show, that show now and now we're like,

348
00:19:31,000 --> 00:19:37,840
Speaker 2: oh that show it not damaging. But like, you know,

349
00:19:38,240 --> 00:19:41,280
Speaker 2: just like high school for everybody, you still regress and

350
00:19:41,320 --> 00:19:44,919
Speaker 2: you still have moments. And I'm sure at high school

351
00:19:45,080 --> 00:19:48,879
Speaker 2: reunions and college reunions they have college reunions.

352
00:19:51,200 --> 00:19:54,320
Speaker 1: Excip the sort of you can have, yes, ish, not

353
00:19:54,400 --> 00:19:54,960
Speaker 1: like high school.

354
00:19:55,000 --> 00:19:57,600
Speaker 2: But yeah, fine, high school reunions. People go back and

355
00:19:58,000 --> 00:20:01,080
Speaker 2: they say, I've never gone to one that you just

356
00:20:01,160 --> 00:20:03,200
Speaker 2: kind of regress to, Like, oh my god, that's how

357
00:20:03,200 --> 00:20:06,840
Speaker 2: I was back then, because it's so like, what is

358
00:20:06,880 --> 00:20:11,160
Speaker 2: it like branded in you? It's like it's an impression printed. Yeah,

359
00:20:11,200 --> 00:20:13,920
Speaker 2: it's printed on your soul for ever. We had ten

360
00:20:14,000 --> 00:20:15,040
Speaker 2: years of that, you guys.

361
00:20:15,760 --> 00:20:17,840
Speaker 3: So yeah, anyway, thing.

362
00:20:17,760 --> 00:20:20,520
Speaker 1: If something happens over and over and over again and

363
00:20:20,640 --> 00:20:24,160
Speaker 1: continues to happen, I mean I think it's quite normal.

364
00:20:24,200 --> 00:20:26,119
Speaker 1: I mean I'm always fascinated, I tell you guys all

365
00:20:26,160 --> 00:20:29,320
Speaker 1: the time by the blurred line that the fans have

366
00:20:29,760 --> 00:20:31,359
Speaker 1: between the actors and the character.

367
00:20:31,480 --> 00:20:34,240
Speaker 3: And I have to say, while I am super appreciative

368
00:20:34,359 --> 00:20:39,320
Speaker 3: of everybody's take on it, everybody the reasoning behind it,

369
00:20:39,640 --> 00:20:43,600
Speaker 3: behind why they like who they like, I'm all for it.

370
00:20:43,680 --> 00:20:47,120
Speaker 3: Do you have your opinions, love one character not the other.

371
00:20:47,280 --> 00:20:53,199
Speaker 3: But it still has an impact on me when I

372
00:20:53,240 --> 00:20:56,200
Speaker 3: feel that energy coming from people and I don't like

373
00:20:56,320 --> 00:20:58,159
Speaker 3: it that I really don't like it. I don't like

374
00:20:58,240 --> 00:21:01,399
Speaker 3: putting myself in that environment. And I really realized that

375
00:21:01,480 --> 00:21:04,320
Speaker 3: after that Pittsburgh Q and A panel thing. I was

376
00:21:04,359 --> 00:21:08,840
Speaker 3: like really ready to throw in my towel at that point,

377
00:21:09,840 --> 00:21:12,359
Speaker 3: like I don't need this in my life. You know,

378
00:21:12,840 --> 00:21:14,959
Speaker 3: this feeling to come back to resurface.

379
00:21:15,600 --> 00:21:17,479
Speaker 1: Oh, it doesn't feel good because I don't like it

380
00:21:17,640 --> 00:21:20,480
Speaker 1: when they say I own you always just kiss their

381
00:21:20,560 --> 00:21:23,159
Speaker 1: ass and you don't like Shannon, Like it's I'm not

382
00:21:23,200 --> 00:21:24,960
Speaker 1: making it about me, but I'm saying it's like it's

383
00:21:25,000 --> 00:21:29,680
Speaker 1: something with this fandom. They really immediately if you criticize

384
00:21:29,720 --> 00:21:33,080
Speaker 1: a character in any way, it becomes about the real person.

385
00:21:33,160 --> 00:21:35,640
Speaker 2: I'm sure other shows too, right, Like could you liken

386
00:21:35,680 --> 00:21:36,879
Speaker 2: it to another show that?

387
00:21:37,520 --> 00:21:40,120
Speaker 3: Yeah, what's your experience? Amy? If because you do other

388
00:21:41,400 --> 00:21:42,520
Speaker 3: you know, other casts.

389
00:21:44,280 --> 00:21:48,480
Speaker 1: I've never I mean this intriguing. I've never quite made it. No,

390
00:21:48,680 --> 00:21:52,720
Speaker 1: I've never seen it like this where they fully blur

391
00:21:53,160 --> 00:21:56,280
Speaker 1: the actor with the character, and if you criticize a character,

392
00:21:57,720 --> 00:22:01,280
Speaker 1: they think you're criticizing the actor. The only reason I

393
00:22:01,280 --> 00:22:03,359
Speaker 1: think Tiffany might be different, and you guys correct me,

394
00:22:04,400 --> 00:22:08,040
Speaker 1: is because she was known quite known before for a

395
00:22:08,040 --> 00:22:11,520
Speaker 1: totally different character. So it would be harder to blur

396
00:22:11,720 --> 00:22:13,960
Speaker 1: Tiffany because she's so known for Saved by the Bell

397
00:22:15,000 --> 00:22:17,800
Speaker 1: that maybe that's why. And I don't know if you

398
00:22:17,840 --> 00:22:19,359
Speaker 1: feel it, but I don't feel the same.

399
00:22:19,400 --> 00:22:21,560
Speaker 3: I don't feel that way because Shannon was well known

400
00:22:21,600 --> 00:22:23,800
Speaker 3: to people for the roles that she had played before

401
00:22:24,119 --> 00:22:27,960
Speaker 3: like this, not like this.

402
00:22:28,160 --> 00:22:30,800
Speaker 1: I don't know, because I've never had I criticized Valerie

403
00:22:30,840 --> 00:22:33,000
Speaker 1: and nobody's like, you know, like Tiffany or maybe once.

404
00:22:33,080 --> 00:22:35,439
Speaker 1: But like, I don't know, I don't want to make it.

405
00:22:35,480 --> 00:22:36,960
Speaker 1: I'm not saying it's about me. I'm just giving my

406
00:22:37,000 --> 00:22:38,360
Speaker 1: examples of what I.

407
00:22:38,320 --> 00:22:41,280
Speaker 2: See in this time one more time.

408
00:22:41,280 --> 00:22:43,359
Speaker 1: I just feel bad because it's like who the f

409
00:22:43,400 --> 00:22:46,200
Speaker 1: am I to like even comment, but like I get it,

410
00:22:46,880 --> 00:22:47,840
Speaker 1: I do see it.

411
00:23:00,119 --> 00:23:05,000
Speaker 3: Anyway. This whole thing with val and Kelly just maybe

412
00:23:05,080 --> 00:23:05,880
Speaker 3: just made me think.

413
00:23:05,680 --> 00:23:09,120
Speaker 1: They're perpetuating the same thing again. They're just going right

414
00:23:09,160 --> 00:23:10,520
Speaker 1: back to the same.

415
00:23:10,400 --> 00:23:15,680
Speaker 3: Thing, creating a narrative that's not there, and then somehow

416
00:23:15,680 --> 00:23:20,399
Speaker 3: that narrative can really sneak into your being, you know,

417
00:23:20,480 --> 00:23:24,200
Speaker 3: and like your mind doesn't feel good.

418
00:23:24,119 --> 00:23:28,080
Speaker 1: Anyway, flip floppy. There's no consistency. That's the issue too.

419
00:23:28,080 --> 00:23:31,800
Speaker 1: It's like, I don't know what's up with Valerie As

420
00:23:31,800 --> 00:23:33,600
Speaker 1: a viewer. I'm like, do I like her or hate her?

421
00:23:34,400 --> 00:23:35,240
Speaker 1: I think I hate.

422
00:23:35,080 --> 00:23:39,880
Speaker 2: Her see it as a consumer of TV, like, I

423
00:23:40,040 --> 00:23:42,960
Speaker 2: feel like that's good, like that you want to be

424
00:23:43,040 --> 00:23:46,960
Speaker 2: like I love hate like it's it makes her different

425
00:23:47,200 --> 00:23:49,400
Speaker 2: than the other characters, and it makes her stand out

426
00:23:49,560 --> 00:23:52,760
Speaker 2: because you need that one, you know. It's the Heather

427
00:23:52,880 --> 00:23:54,480
Speaker 2: Lock there Mellower's place, Like.

428
00:23:54,720 --> 00:23:56,200
Speaker 1: Let me care, that's a great example.

429
00:23:56,320 --> 00:24:00,880
Speaker 3: Yeah, troublemaker. She's a troublemaker. Yeah, it's it's fine, it's fine.

430
00:24:00,920 --> 00:24:01,480
Speaker 1: That was just me.

431
00:24:01,960 --> 00:24:05,359
Speaker 3: I was having some like, you know, real.

432
00:24:05,560 --> 00:24:07,679
Speaker 1: So many questions about that kiss when we get to it,

433
00:24:07,720 --> 00:24:08,399
Speaker 1: But keep going.

434
00:24:08,520 --> 00:24:11,400
Speaker 3: Let's go back to the university where Dylan is on campus.

435
00:24:12,680 --> 00:24:16,840
Speaker 3: And he's going to find the son of Tony Marshett.

436
00:24:16,960 --> 00:24:23,720
Speaker 1: He thinks, right, just Brandon, they are not friends. They

437
00:24:23,720 --> 00:24:25,600
Speaker 1: have the strangest relationship.

438
00:24:25,880 --> 00:24:28,720
Speaker 3: Yeah, Dylan and Brandon kind of like, yeah, ragging on

439
00:24:28,760 --> 00:24:29,120
Speaker 3: each other.

440
00:24:31,359 --> 00:24:35,360
Speaker 1: And Brandon's right, it's totally bananas that like Dylan, like

441
00:24:35,359 --> 00:24:38,359
Speaker 1: like literally, we're taking so lightly that Dylan is thinking

442
00:24:38,400 --> 00:24:41,120
Speaker 1: of killing a person, like really and truly.

443
00:24:40,880 --> 00:24:47,880
Speaker 3: Like what like, yeah, that's that's alarming. Brandon should be alarmed,

444
00:24:48,000 --> 00:24:53,320
Speaker 3: not like sting him on or something like joking about it.

445
00:24:53,320 --> 00:24:55,439
Speaker 1: It's so odd. He had a gun.

446
00:24:57,000 --> 00:25:00,120
Speaker 3: Yes, he's purposely going there to find this this boy

447
00:25:00,119 --> 00:25:01,960
Speaker 3: things and then he finds out it's a beautiful girl.

448
00:25:02,000 --> 00:25:09,159
Speaker 3: Of course. We find out also that Valerie claims to

449
00:25:09,240 --> 00:25:11,439
Speaker 3: have an eternal flame for Colin.

450
00:25:13,560 --> 00:25:18,120
Speaker 2: Mmm. I love that song me too, Bangles.

451
00:25:18,200 --> 00:25:22,600
Speaker 1: Correct, it's a sort of conflict being created here, like

452
00:25:23,480 --> 00:25:27,560
Speaker 1: lots of uh chriss cross is developing.

453
00:25:27,720 --> 00:25:27,960
Speaker 2: Yeah.

454
00:25:28,400 --> 00:25:32,960
Speaker 3: Yeah, Donna and Claire gossip about Valerie and Colin, which

455
00:25:33,040 --> 00:25:35,480
Speaker 3: I don't even know why is it that much of

456
00:25:35,520 --> 00:25:38,440
Speaker 3: an interesting topic? I guess so I think.

457
00:25:38,240 --> 00:25:41,000
Speaker 1: I would be like, can you believe she knew him?

458
00:25:41,880 --> 00:25:42,120
Speaker 2: Would?

459
00:25:43,520 --> 00:25:45,960
Speaker 3: And then Kelly walks up from behind and can magically

460
00:25:46,000 --> 00:25:49,200
Speaker 3: hear them with her radar hearing, and it's.

461
00:25:49,080 --> 00:25:51,520
Speaker 2: Like, guys, not you, that's just Kelly.

462
00:25:52,760 --> 00:25:56,160
Speaker 1: Or you hello, correct because everyone's facing camera and you're

463
00:25:56,160 --> 00:25:58,239
Speaker 1: like and then they know she's there. It's like that

464
00:25:58,280 --> 00:25:59,879
Speaker 1: whole thing. I was like, Okay, that was.

465
00:26:01,800 --> 00:26:05,159
Speaker 3: Let's see. Colin Brandon announces to the gang that he

466
00:26:05,200 --> 00:26:08,760
Speaker 3: plans to become a journalist. Huh and he wants to

467
00:26:08,800 --> 00:26:13,840
Speaker 3: write a journalist is a big announcement, right, But I

468
00:26:13,840 --> 00:26:16,600
Speaker 3: guess he was. He was really focusing on the politics

469
00:26:16,640 --> 00:26:17,400
Speaker 3: there for a minute.

470
00:26:18,920 --> 00:26:21,480
Speaker 2: A good thing. That's over. Yeah, So they.

471
00:26:21,320 --> 00:26:23,680
Speaker 3: Saw that that didn't really resonate for people, and now

472
00:26:23,720 --> 00:26:30,320
Speaker 3: he's going back to journalism. Great, yeah, perfect. Colin kisses Kelly.

473
00:26:30,760 --> 00:26:36,800
Speaker 3: Valerie is noticeably disturbed, very upset by it, very flustered.

474
00:26:38,880 --> 00:26:41,440
Speaker 2: Because she can't keep a man. Like every guy she's

475
00:26:41,480 --> 00:26:46,280
Speaker 2: ever like felt anything for is in love with Kelly Taylor.

476
00:26:47,600 --> 00:26:53,040
Speaker 3: Yeah, I mean that's too convenient and really, yeah, she

477
00:26:53,200 --> 00:26:54,240
Speaker 3: wasn't such a pill.

478
00:26:54,800 --> 00:26:57,880
Speaker 1: I actually sort of would feel bad for her, like, because,

479
00:26:58,560 --> 00:27:00,400
Speaker 1: like I said, all the gin joints, like if your

480
00:27:00,520 --> 00:27:03,639
Speaker 1: crush came in with one of your best friends, totally

481
00:27:03,720 --> 00:27:09,120
Speaker 1: unbeknownst you'd be like, oh, oh wow, but she's such

482
00:27:09,119 --> 00:27:12,800
Speaker 1: a pill that you're kind of like stop it. You

483
00:27:12,840 --> 00:27:14,680
Speaker 1: don't have the same compassion you would if.

484
00:27:14,560 --> 00:27:17,080
Speaker 3: It was something right, you're more like, oh great.

485
00:27:17,359 --> 00:27:20,520
Speaker 2: Right, you're yeah, why did they call it such a pill?

486
00:27:21,040 --> 00:27:21,960
Speaker 2: I don't understand that.

487
00:27:22,720 --> 00:27:23,800
Speaker 3: If you if you're a pill?

488
00:27:24,000 --> 00:27:26,239
Speaker 2: Yeah, what's that reference? Like, I know it, but it's

489
00:27:26,320 --> 00:27:28,760
Speaker 2: like you like it when it's like the.

490
00:27:29,480 --> 00:27:32,200
Speaker 1: Oh hard to swallow? Somebody smart text of that. It's

491
00:27:32,200 --> 00:27:34,160
Speaker 1: like a hard to swallow because a pill is hard

492
00:27:34,160 --> 00:27:34,760
Speaker 1: to swallow.

493
00:27:35,040 --> 00:27:37,080
Speaker 2: Oh.

494
00:27:37,080 --> 00:27:42,679
Speaker 1: I think it's a clever interesting storyline. If it wasn't

495
00:27:43,040 --> 00:27:47,800
Speaker 1: Valerie unrequited love and like the whole then it could

496
00:27:47,960 --> 00:27:53,080
Speaker 1: be Okay. I mean, I don't know Claire, but that's

497
00:27:53,119 --> 00:27:55,400
Speaker 1: not very interesting. Nobody that we don't have the right

498
00:27:55,480 --> 00:28:00,560
Speaker 1: character for it to be interesting. But it's an interesting Yeah.

499
00:28:01,040 --> 00:28:06,400
Speaker 3: Yeah. Well. Uh, Steve, though, as you said in the synopsis,

500
00:28:06,920 --> 00:28:09,359
Speaker 3: is once again looking like he's gonna fail out.

501
00:28:09,600 --> 00:28:13,360
Speaker 1: Zero makes call it zero sense. Nobody in college would

502
00:28:13,400 --> 00:28:15,800
Speaker 1: go back to high school and look at your math.

503
00:28:16,320 --> 00:28:20,080
Speaker 1: That would never happen. This whole thing is ridiculous. It's

504
00:28:20,119 --> 00:28:22,120
Speaker 1: completely ridiculous. He got into school.

505
00:28:22,440 --> 00:28:23,640
Speaker 2: They don't like doing it.

506
00:28:23,840 --> 00:28:25,960
Speaker 3: Once you're in, they don't care.

507
00:28:26,640 --> 00:28:30,520
Speaker 2: Is it because Claire is so brilliant she's going to

508
00:28:30,600 --> 00:28:33,280
Speaker 2: help him? Ah? Okay, that's why they did it.

509
00:28:33,440 --> 00:28:36,840
Speaker 3: Okay. And this is also where we established this big,

510
00:28:37,080 --> 00:28:44,160
Speaker 3: you know, energy between Brandon and Susan Keats. Her article

511
00:28:44,360 --> 00:28:48,720
Speaker 3: was must be a guy thing. He didn't like it.

512
00:28:49,280 --> 00:28:50,640
Speaker 2: No, mm hmm.

513
00:28:51,200 --> 00:28:53,200
Speaker 3: We're gonna go to the construction site. Now, you guys

514
00:28:53,640 --> 00:28:55,680
Speaker 3: where Ray is welding welder.

515
00:28:55,720 --> 00:28:57,280
Speaker 1: I didn't even know he was a welder.

516
00:28:57,360 --> 00:29:00,160
Speaker 3: I didn't know either. I thought he built things, but

517
00:29:00,200 --> 00:29:02,000
Speaker 3: I guess, you know, he's.

518
00:29:01,840 --> 00:29:03,000
Speaker 2: A ray of all trades.

519
00:29:03,480 --> 00:29:06,120
Speaker 1: Really, I kind of liked it.

520
00:29:06,760 --> 00:29:09,800
Speaker 3: I was like, it was hot. That's hot welding.

521
00:29:10,360 --> 00:29:11,960
Speaker 1: It's a very specific skill.

522
00:29:12,240 --> 00:29:16,600
Speaker 2: I was like, this guy will welding of Magic Mike.

523
00:29:16,840 --> 00:29:19,720
Speaker 1: Doesn't he isn't he a welder or something in Magic Mike?

524
00:29:19,800 --> 00:29:22,160
Speaker 3: And then also, yeah, but you would have one of

525
00:29:22,200 --> 00:29:26,120
Speaker 3: those big, like clamp downy things on your right. So

526
00:29:26,160 --> 00:29:28,800
Speaker 3: they opted for those.

527
00:29:27,840 --> 00:29:32,120
Speaker 2: Goggles, swimming goggles. Those were they're a little steampunk. I

528
00:29:32,160 --> 00:29:32,480
Speaker 2: don't know.

529
00:29:32,640 --> 00:29:35,800
Speaker 3: Okay, So Donna calls him and she tells him that

530
00:29:36,160 --> 00:29:40,479
Speaker 3: missus Corman wants to repay her and that mister Corman

531
00:29:40,640 --> 00:29:43,160
Speaker 3: is the president of a record company.

532
00:29:43,320 --> 00:29:50,600
Speaker 2: Convenience, but gin joints all the welding sites.

533
00:29:51,000 --> 00:29:52,600
Speaker 3: Oh. Then the next day.

534
00:29:52,880 --> 00:29:55,920
Speaker 1: Very lovely and appreciative. I was like, Okay, you're being.

535
00:29:55,760 --> 00:29:58,480
Speaker 2: Real sweet trying to help her man out.

536
00:29:58,520 --> 00:29:58,960
Speaker 3: I liked it.

537
00:29:59,080 --> 00:30:01,800
Speaker 1: Yeah, everybody don.

538
00:30:01,160 --> 00:30:05,520
Speaker 3: Is very good at that. So then Valerie offers Colin,

539
00:30:05,720 --> 00:30:08,280
Speaker 3: of course, a private tour of the peach pit after dark,

540
00:30:09,760 --> 00:30:13,640
Speaker 3: and they start remembering their good old days in Europe.

541
00:30:14,040 --> 00:30:15,720
Speaker 1: And then he doesn't see you look at how you're

542
00:30:15,760 --> 00:30:20,320
Speaker 1: saying it. He sees a piece of art cam.

543
00:30:20,480 --> 00:30:24,560
Speaker 3: Oh yeah, Colin. He's he's very interested in the wall.

544
00:30:25,760 --> 00:30:29,720
Speaker 3: Nice wall. Wait, he says nice wall, and she says, well,

545
00:30:29,760 --> 00:30:31,480
Speaker 3: it does keep the ceiling off the floor.

546
00:30:31,600 --> 00:30:34,200
Speaker 1: That was actually funny. I was a little I giggled

547
00:30:34,200 --> 00:30:34,680
Speaker 1: a little at that.

548
00:30:35,160 --> 00:30:39,520
Speaker 3: He's very flirty. Already I don't like this guy, Like

549
00:30:39,600 --> 00:30:43,200
Speaker 3: as if you, I'm like, yeah, he's terrible. And then

550
00:30:43,360 --> 00:30:45,560
Speaker 3: by the end of the episode, I'm like, oh, no, way,

551
00:30:45,680 --> 00:30:46,080
Speaker 3: he's out.

552
00:30:48,200 --> 00:30:52,800
Speaker 2: But no pets wait, oh he's out in your mind.

553
00:30:52,800 --> 00:30:56,080
Speaker 2: You're like, I'm done. Yeah, I didn't remember way worse.

554
00:30:58,320 --> 00:31:00,040
Speaker 3: And then we go back to the school and and

555
00:31:00,120 --> 00:31:04,200
Speaker 3: it's the whole Dylan and Tony Marchett. Oh, and then

556
00:31:04,240 --> 00:31:07,600
Speaker 3: she she takes him and introduces him to her driver Bruno.

557
00:31:08,800 --> 00:31:10,960
Speaker 1: When did he knock the books? Was that the same

558
00:31:11,040 --> 00:31:13,440
Speaker 1: scene the big book knock.

559
00:31:14,320 --> 00:31:18,080
Speaker 2: All knocking, boots knocking books.

560
00:31:17,800 --> 00:31:20,120
Speaker 1: You know, when he bumps into her, her books go flying.

561
00:31:20,280 --> 00:31:24,600
Speaker 3: Yeah, yeah, well because he wants to meet her. Yeah,

562
00:31:25,160 --> 00:31:30,320
Speaker 3: and this whole time he's thinking, I want to meet

563
00:31:30,360 --> 00:31:31,800
Speaker 3: you because I want to kill your dad.

564
00:31:33,200 --> 00:31:36,880
Speaker 2: Is an interesting way to enter a relationship.

565
00:31:37,320 --> 00:31:43,040
Speaker 3: Yeah, I don't think. I mean, it makes no sense. Yeah.

566
00:31:43,120 --> 00:31:46,320
Speaker 3: Back at the pit at the p pad, that's right,

567
00:31:46,400 --> 00:31:49,920
Speaker 3: I said it. Uh. David walks in and gets yelled

568
00:31:49,920 --> 00:31:55,160
Speaker 3: at by Valerie for being late. There's a lot of

569
00:31:55,200 --> 00:31:56,680
Speaker 3: talk about David's mom.

570
00:31:56,520 --> 00:32:00,520
Speaker 1: In this episode, big subliminal storyline, because it does.

571
00:32:00,520 --> 00:32:01,440
Speaker 2: That coming next.

572
00:32:02,120 --> 00:32:04,959
Speaker 1: I don't remember when, but it does come. It's intentional

573
00:32:05,040 --> 00:32:06,120
Speaker 1: that they keep mentioning it.

574
00:32:06,320 --> 00:32:10,480
Speaker 3: Well, we just saw her living on the streets not

575
00:32:10,560 --> 00:32:15,320
Speaker 3: that long ago, and David and mill went to rescue her.

576
00:32:16,280 --> 00:32:18,920
Speaker 3: So I guess they're just keeping that character alive without

577
00:32:19,120 --> 00:32:23,360
Speaker 3: showing Yeah. Well, Kelly tells Valerie that David didn't deserve

578
00:32:23,400 --> 00:32:26,880
Speaker 3: to be talked to that way. And then val says,

579
00:32:26,920 --> 00:32:29,000
Speaker 3: I think you're just mad because she's letting call and

580
00:32:29,040 --> 00:32:38,160
Speaker 3: paint the mural. Who goes? What else? What else happened

581
00:32:38,520 --> 00:32:39,560
Speaker 3: that was significant?

582
00:32:40,240 --> 00:32:40,400
Speaker 1: Uh?

583
00:32:40,560 --> 00:32:44,240
Speaker 3: Dylan and Tony have a very romantic.

584
00:32:44,080 --> 00:32:46,440
Speaker 1: I like that she has a driver, but it's a

585
00:32:46,520 --> 00:32:50,080
Speaker 1: white car. I was like, oh, a white town car.

586
00:32:51,760 --> 00:32:55,360
Speaker 1: They went to that restaurant. What restaurant was that? Thereso? No,

587
00:32:56,600 --> 00:32:58,400
Speaker 1: it really showed the restaurant.

588
00:32:58,760 --> 00:33:01,400
Speaker 3: I had the name of the restaurant out loud, but

589
00:33:01,440 --> 00:33:03,800
Speaker 3: I can't remember now that was it.

590
00:33:03,840 --> 00:33:06,560
Speaker 2: I just feel like every time they show a fancy

591
00:33:06,680 --> 00:33:10,080
Speaker 2: restaurant on nine O two and zero thus far, they

592
00:33:10,120 --> 00:33:10,840
Speaker 2: all look the same.

593
00:33:12,480 --> 00:33:15,240
Speaker 3: Yeah, it's like a it's like a fancy restaurant in

594
00:33:15,320 --> 00:33:17,000
Speaker 3: San Fernando Valley?

595
00:33:18,120 --> 00:33:18,320
Speaker 1: Was it?

596
00:33:18,400 --> 00:33:22,680
Speaker 2: How dare you? I live here? Yeah? You're right.

597
00:33:24,640 --> 00:33:26,880
Speaker 3: They don't feel like Beverly Hills fancy.

598
00:33:27,640 --> 00:33:31,959
Speaker 2: They just never have any I feel like, I don't know,

599
00:33:32,040 --> 00:33:36,200
Speaker 2: there's there's no like decor. There is just very like

600
00:33:36,320 --> 00:33:40,040
Speaker 2: the very white tableclothing, white tablecloth, so that that's fancy

601
00:33:40,080 --> 00:33:41,160
Speaker 2: and like a fancy waiter.

602
00:33:41,200 --> 00:33:45,800
Speaker 3: And are we feeling are we feeling the chemistry between

603
00:33:45,800 --> 00:33:46,600
Speaker 3: these two characters.

604
00:33:48,160 --> 00:33:51,280
Speaker 1: Are not gonna even say because I'm so twisted on

605
00:33:51,920 --> 00:33:55,320
Speaker 1: for some reason this storyline. It's just so it was

606
00:33:55,320 --> 00:33:57,560
Speaker 1: so impressionable to me. Then it's the same reason that

607
00:33:57,600 --> 00:34:00,480
Speaker 1: I'm like she was on the whole time. She's a

608
00:34:00,760 --> 00:34:04,640
Speaker 1: main cast member. Like, so I can't tell because I

609
00:34:04,680 --> 00:34:09,080
Speaker 1: know I'm totally this whole storyline messes me up.

610
00:34:09,120 --> 00:34:12,800
Speaker 2: I'm like, I got to say, for the first time ever,

611
00:34:14,280 --> 00:34:19,520
Speaker 2: I feel like like I'm distracted by her a bit visually.

612
00:34:21,000 --> 00:34:21,960
Speaker 3: Because of her beauty.

613
00:34:22,440 --> 00:34:26,080
Speaker 2: Correct, and it's her first episode, so I'm just like

614
00:34:26,560 --> 00:34:31,640
Speaker 2: so Radar like zoned in on her external beauty that

615
00:34:31,760 --> 00:34:34,719
Speaker 2: it's heart is distracting. It even distracts from Luke a

616
00:34:34,760 --> 00:34:36,600
Speaker 2: little bit, which that's hard to do.

617
00:34:37,920 --> 00:34:39,960
Speaker 1: It does. That's a good point, do you know what

618
00:34:40,000 --> 00:34:43,879
Speaker 1: I mean? Was she the Noxema girl before this?

619
00:34:44,280 --> 00:34:44,600
Speaker 2: Correct?

620
00:34:45,440 --> 00:34:47,359
Speaker 1: So that's how we kind of knew that you got

621
00:34:47,360 --> 00:34:48,560
Speaker 1: the Noxema girl.

622
00:34:49,000 --> 00:34:51,480
Speaker 3: The splash, the splash, the water on the face.

623
00:34:51,320 --> 00:34:53,080
Speaker 1: Clashed, the water on the face, and yet her face

624
00:34:53,160 --> 00:34:55,800
Speaker 1: was perfect. I don't look like that when I woosh

625
00:34:55,920 --> 00:34:56,960
Speaker 1: water on my face.

626
00:34:56,719 --> 00:35:00,640
Speaker 3: So I look like a drowned rat. And it's very messy.

627
00:35:00,719 --> 00:35:03,440
Speaker 3: I want to say, if you try the Naximus splash

628
00:35:03,440 --> 00:35:19,440
Speaker 3: at home, it's very messy. Okay, So Steve's interviewing the

629
00:35:19,440 --> 00:35:24,200
Speaker 3: Geek Squad to find his tutor. It was a little entertaining.

630
00:35:24,320 --> 00:35:27,440
Speaker 3: I liked it. I wanted more, honestly, I was like

631
00:35:27,520 --> 00:35:28,680
Speaker 3: I could watch this for a while.

632
00:35:31,040 --> 00:35:34,359
Speaker 2: That was like the best we got of Jason's like, yeah,

633
00:35:34,480 --> 00:35:40,399
Speaker 2: that was. Then there's a big night.

634
00:35:40,840 --> 00:35:43,520
Speaker 3: Is this the big night at the peat Pad Crown?

635
00:35:44,000 --> 00:35:46,800
Speaker 1: The line to get in is so serious.

636
00:35:46,400 --> 00:35:48,680
Speaker 3: Now that yeah, it's a it's a hot.

637
00:35:48,760 --> 00:35:54,200
Speaker 2: Brandt joint is jumping that place if you have to laugh.

638
00:35:54,040 --> 00:35:56,480
Speaker 1: A little bit when Tony Marshett's like, I know this

639
00:35:56,840 --> 00:35:58,480
Speaker 1: really cool hellub.

640
00:36:00,160 --> 00:36:03,160
Speaker 3: It's called the peach pit after dark. And of course

641
00:36:03,239 --> 00:36:05,040
Speaker 3: Brandon can just walk to the front of the line

642
00:36:05,040 --> 00:36:10,280
Speaker 3: because he knows people. In fact, in his sports coach.

643
00:36:10,080 --> 00:36:11,160
Speaker 1: He's wearing a blazer.

644
00:36:11,360 --> 00:36:14,120
Speaker 2: I mean the college person that runs it lives in

645
00:36:14,160 --> 00:36:16,200
Speaker 2: his house. Well, if you want to talk about that

646
00:36:16,400 --> 00:36:18,400
Speaker 2: outfit that didn't happen, If.

647
00:36:18,239 --> 00:36:20,480
Speaker 3: You want to know about bad efforts, what about Steve's

648
00:36:20,520 --> 00:36:25,359
Speaker 3: shorts and socks?

649
00:36:22,080 --> 00:36:22,680
Speaker 2: I can't go.

650
00:36:25,360 --> 00:36:26,560
Speaker 3: It's so it's upsetting.

651
00:36:28,360 --> 00:36:31,160
Speaker 1: What George's with the socks, with the big sneakers.

652
00:36:32,000 --> 00:36:34,439
Speaker 2: I gotta say, for ten seasons they did him wrong.

653
00:36:34,719 --> 00:36:40,680
Speaker 2: That's all ultim Yeah, yeah, that's consistent. There you go,

654
00:36:40,960 --> 00:36:42,120
Speaker 2: there is something.

655
00:36:43,920 --> 00:36:46,040
Speaker 3: Oh my god, to the kiss.

656
00:36:46,239 --> 00:36:48,120
Speaker 1: Oh no, we have got to do the whole The

657
00:36:48,239 --> 00:36:50,720
Speaker 1: daughter that makes the record decisions? What?

658
00:36:51,680 --> 00:36:52,600
Speaker 2: Who cares? Right?

659
00:36:52,960 --> 00:36:54,600
Speaker 1: First of all, how is she even in that club?

660
00:36:55,480 --> 00:36:57,520
Speaker 3: I thought that was Dylan's sister for a second. She

661
00:36:57,560 --> 00:36:59,279
Speaker 3: looks just like bad actress.

662
00:37:00,040 --> 00:37:02,480
Speaker 1: Oh wait, maybe it's an eighteen and over I digress.

663
00:37:02,520 --> 00:37:03,960
Speaker 1: But still, how's she even in that club?

664
00:37:05,480 --> 00:37:09,160
Speaker 3: Well, because her dad's Roger Corman or whatever her name is,

665
00:37:09,640 --> 00:37:13,480
Speaker 3: Roger Corman. They go backstage. No, no, that's somebody, isn't it.

666
00:37:13,600 --> 00:37:19,840
Speaker 2: Yeah, like a huge director. Correct, And Roger Corman just

667
00:37:20,000 --> 00:37:20,680
Speaker 2: passed away.

668
00:37:21,400 --> 00:37:26,560
Speaker 3: Wow, right, well the same guy and this happens. You know,

669
00:37:26,640 --> 00:37:30,279
Speaker 3: I'm getting goosebumps because it's a sign, oh sign of

670
00:37:30,440 --> 00:37:35,000
Speaker 3: what Why would we say, Roger Corman? He just passed away.

671
00:37:35,120 --> 00:37:36,480
Speaker 3: It's weird. Those things are weird to me.

672
00:37:36,840 --> 00:37:40,360
Speaker 1: Okay, that scene in the dressing room is so boring

673
00:37:40,640 --> 00:37:44,440
Speaker 1: of the staring. It's so much staring. It's like Donna's

674
00:37:44,440 --> 00:37:46,160
Speaker 1: staring at Ray and Ray staring at the kid, and

675
00:37:46,239 --> 00:37:48,280
Speaker 1: the kids staring at Ray and Ray staring at Donna,

676
00:37:48,320 --> 00:37:50,080
Speaker 1: and it's just like that, and then.

677
00:37:50,000 --> 00:37:53,919
Speaker 3: Valerie's staring at Colin and Kelly, and then Valerie staring

678
00:37:53,960 --> 00:37:57,840
Speaker 3: at Colin and Kelly, and then Brandon's watching Dylan and Tony.

679
00:37:58,760 --> 00:38:01,200
Speaker 2: It's just a lot of watch you know. That was

680
00:38:01,239 --> 00:38:03,600
Speaker 2: like a Jason like call, though he was like, oh,

681
00:38:03,680 --> 00:38:04,600
Speaker 2: this is symbolic.

682
00:38:06,040 --> 00:38:08,279
Speaker 3: Hey, yeah, I gotta get in on that. I'm gonna

683
00:38:08,320 --> 00:38:10,160
Speaker 3: zoom in on that close up.

684
00:38:10,040 --> 00:38:12,920
Speaker 1: With the I've only one that wanted to know the

685
00:38:12,960 --> 00:38:15,440
Speaker 1: car that Susan Keats drives because it's white. And I

686
00:38:15,480 --> 00:38:17,400
Speaker 1: saw her first seat covers and I'm like, is it

687
00:38:17,400 --> 00:38:18,040
Speaker 1: a cabriolet?

688
00:38:18,160 --> 00:38:18,239
Speaker 2: Like?

689
00:38:18,239 --> 00:38:18,680
Speaker 1: What is it?

690
00:38:18,760 --> 00:38:21,840
Speaker 3: I wanted to be one of those bugs, Beatle what

691
00:38:21,880 --> 00:38:24,200
Speaker 3: do you call it? A cabriolet?

692
00:38:24,760 --> 00:38:28,200
Speaker 2: VW never got to see it. We call them bugs.

693
00:38:30,120 --> 00:38:35,040
Speaker 3: That was my first car, you guys, bug or rabbit Rabbit?

694
00:38:36,560 --> 00:38:45,279
Speaker 2: It was, Yeah, that's all I wanted was a red rabbit. Yeah.

695
00:38:45,280 --> 00:38:47,359
Speaker 1: That was a classic nineties girl car.

696
00:38:47,600 --> 00:38:49,160
Speaker 3: Oh, I wish I still had that car.

697
00:38:50,080 --> 00:38:50,319
Speaker 2: I don't.

698
00:38:50,360 --> 00:38:51,400
Speaker 1: I don't think it's that safe.

699
00:38:52,239 --> 00:38:54,600
Speaker 2: No, my parents wouldn't get it for me, because that's

700
00:38:54,640 --> 00:38:55,240
Speaker 2: what they said.

701
00:38:55,600 --> 00:38:59,279
Speaker 3: Okay, so we see Tony and Dylan making out in

702
00:38:59,320 --> 00:39:03,040
Speaker 3: the driveway. Her big castle slash mansion.

703
00:39:03,040 --> 00:39:04,160
Speaker 1: Does have the Porsche again.

704
00:39:05,280 --> 00:39:06,879
Speaker 3: It's a new one. Is the new one?

705
00:39:06,920 --> 00:39:07,040
Speaker 2: Right?

706
00:39:07,080 --> 00:39:07,879
Speaker 1: He got a new one.

707
00:39:08,600 --> 00:39:12,839
Speaker 2: How'd you feel about them making out? Yeah? Tell me

708
00:39:12,840 --> 00:39:13,439
Speaker 2: feel a lot?

709
00:39:13,560 --> 00:39:14,600
Speaker 3: I didn't feel a lot.

710
00:39:15,200 --> 00:39:18,600
Speaker 2: I don't know why I'm not feeling the chemistry, but

711
00:39:18,640 --> 00:39:22,719
Speaker 2: I remember they don't love them for it. I don't know.

712
00:39:22,840 --> 00:39:27,040
Speaker 3: I just don't feel a connection yet to you what's happening.

713
00:39:29,520 --> 00:39:33,239
Speaker 3: Maybe it's just me? Yeah, yeah, maybe I just don't

714
00:39:33,280 --> 00:39:34,920
Speaker 3: like seeing Dylan kiss other girls.

715
00:39:36,719 --> 00:39:39,120
Speaker 2: As your friend, I don't like seeing Dylan kiss other girls.

716
00:39:39,160 --> 00:39:43,480
Speaker 2: I don't that's what it's bad about. Yeah, no, that correction.

717
00:39:43,600 --> 00:39:45,879
Speaker 2: I liked Tim and Valerie kissing. Okay, you know what,

718
00:39:47,400 --> 00:39:49,600
Speaker 2: but I knew that wasn't like lasting. This is like

719
00:39:49,719 --> 00:39:52,399
Speaker 2: this is a good girl, like a good girl from

720
00:39:52,400 --> 00:39:53,280
Speaker 2: a bad family.

721
00:39:53,360 --> 00:39:57,440
Speaker 3: Like apparently she could be the one. But I know,

722
00:39:57,520 --> 00:40:04,360
Speaker 3: what are you coming? Mm hmm mm hmm. Colin wakes

723
00:40:04,440 --> 00:40:08,920
Speaker 3: up and serves Kelly breakfast. He made, he cooks and

724
00:40:09,000 --> 00:40:09,880
Speaker 3: he is an artist.

725
00:40:10,800 --> 00:40:15,239
Speaker 1: The phone call thee and we saw your handwriting. I

726
00:40:15,280 --> 00:40:17,600
Speaker 1: was like, oh, that's actually your handwriting. You grab like

727
00:40:17,600 --> 00:40:19,880
Speaker 1: the biggest pen and the biggest piece of paper in

728
00:40:19,920 --> 00:40:20,400
Speaker 1: the world.

729
00:40:20,880 --> 00:40:21,600
Speaker 3: Who's calling?

730
00:40:21,680 --> 00:40:21,919
Speaker 1: Who?

731
00:40:22,080 --> 00:40:22,840
Speaker 3: Who's Claudia?

732
00:40:22,920 --> 00:40:23,680
Speaker 1: Where is it?

733
00:40:23,920 --> 00:40:24,000
Speaker 2: No?

734
00:40:24,080 --> 00:40:27,240
Speaker 1: What's her name? Claudia, Claudia, Claudia. Yeah, at the gallery

735
00:40:27,239 --> 00:40:29,040
Speaker 1: find out. You'll find out it's not good.

736
00:40:29,040 --> 00:40:30,759
Speaker 2: Can we go back to what he painted? Like you?

737
00:40:30,840 --> 00:40:33,759
Speaker 2: Like you guys, like those watercolor roses he made for

738
00:40:33,800 --> 00:40:34,640
Speaker 2: her like I did.

739
00:40:34,680 --> 00:40:36,120
Speaker 3: Actually, I like to let a hell of a lot

740
00:40:36,160 --> 00:40:38,719
Speaker 3: better than the sketchy did of her in two seconds.

741
00:40:39,120 --> 00:40:42,120
Speaker 3: Who can sketch a portrait of someone that quickly. I

742
00:40:42,120 --> 00:40:44,279
Speaker 3: couldn't tell she was bothered or if it was more

743
00:40:44,480 --> 00:40:48,000
Speaker 3: like she was upset about her bed hair. I will

744
00:40:48,040 --> 00:40:52,200
Speaker 3: tell you a pixie does not wear well the next morning,

745
00:40:52,360 --> 00:40:53,920
Speaker 3: like you know what I mean, you got a short hair?

746
00:40:53,960 --> 00:40:54,600
Speaker 3: Do wake up?

747
00:40:54,600 --> 00:40:59,840
Speaker 2: It's like, now bothered me because I was just like,

748
00:40:59,880 --> 00:41:05,719
Speaker 2: I don't think of her, and certainly not you, I guess,

749
00:41:05,719 --> 00:41:09,040
Speaker 2: so the lines blur. You're not that girl, the jealous type.

750
00:41:09,080 --> 00:41:14,480
Speaker 2: So it like, I don't know it. It bothered me.

751
00:41:16,200 --> 00:41:19,040
Speaker 3: Well, maybe for a reason. Maybe Claudia is going to

752
00:41:19,080 --> 00:41:21,080
Speaker 3: come in and make some Laudia.

753
00:41:20,840 --> 00:41:21,440
Speaker 1: Is a problem.

754
00:41:21,640 --> 00:41:22,680
Speaker 3: Oh she is.

755
00:41:22,800 --> 00:41:24,760
Speaker 2: She's not just straight up business.

756
00:41:25,480 --> 00:41:28,360
Speaker 1: Not it's my memory served Oh okay.

757
00:41:28,000 --> 00:41:33,279
Speaker 2: So then Kelly, instinctly your gut, there you go.

758
00:41:33,640 --> 00:41:37,000
Speaker 3: But also I realized when they were at the pea

759
00:41:37,040 --> 00:41:39,560
Speaker 3: pad a you know, when they're at the you know,

760
00:41:39,719 --> 00:41:41,880
Speaker 3: pepad and I'm just gonna keep saying.

761
00:41:41,719 --> 00:41:43,200
Speaker 2: It, Oh my god, they're going to get so mad

762
00:41:43,239 --> 00:41:44,400
Speaker 2: at you pad.

763
00:41:46,040 --> 00:41:50,480
Speaker 3: She's a sex maniac. Kelly like, she yeah, like what

764
00:41:50,480 --> 00:41:52,239
Speaker 3: what when does she get all like kind of it?

765
00:41:53,040 --> 00:41:55,520
Speaker 1: It's gotten very adult. There's a lot more sex, a

766
00:41:55,520 --> 00:41:56,360
Speaker 1: lot more bed scenes.

767
00:41:56,400 --> 00:41:57,959
Speaker 3: He's like, yeah, he says, you want to go back

768
00:41:57,960 --> 00:42:03,160
Speaker 3: to my house and get naked, maybe uncomfortable.

769
00:42:02,480 --> 00:42:06,520
Speaker 2: It's a new relationship. We're like, yeah, duh, I guess so, honey.

770
00:42:07,040 --> 00:42:13,319
Speaker 3: I don't want to see that. And that's it. Oh wait, no, no, no,

771
00:42:13,400 --> 00:42:14,680
Speaker 3: that's not it. Sorry, big thing.

772
00:42:14,760 --> 00:42:17,879
Speaker 2: Oh my gosh. Subconsciously she wanted.

773
00:42:17,600 --> 00:42:18,040
Speaker 1: That to be.

774
00:42:18,160 --> 00:42:20,800
Speaker 3: It's over. And that's the end of the episode.

775
00:42:20,800 --> 00:42:21,359
Speaker 2: Thanks so much.

776
00:42:23,480 --> 00:42:26,840
Speaker 3: No, we we see At the end, Valerie continues to

777
00:42:26,880 --> 00:42:29,800
Speaker 3: flirt with Colin and tells him that she has always

778
00:42:29,960 --> 00:42:34,960
Speaker 3: dreamed about kissing him all these years, and he out

779
00:42:34,960 --> 00:42:37,959
Speaker 3: of the kindness of his heart kisses her.

780
00:42:38,560 --> 00:42:41,759
Speaker 1: A sympathy kiss or the beginning of something new. That's

781
00:42:41,800 --> 00:42:42,400
Speaker 1: what I want you.

782
00:42:42,520 --> 00:42:47,200
Speaker 3: I want you, guys to be very undeterminable because it

783
00:42:47,200 --> 00:42:51,759
Speaker 3: wouldn't happen, Like, would that happen unless he's attracted to her?

784
00:42:52,160 --> 00:42:56,520
Speaker 2: Correct? You know, a guy doesn't give someone a sympathy kiss,

785
00:42:56,600 --> 00:43:02,920
Speaker 2: especially when he has a full on girlfriend. It's not then.

786
00:43:03,000 --> 00:43:07,319
Speaker 3: The end of the episode is thanks, I'll never forget that. Oh,

787
00:43:07,360 --> 00:43:09,280
Speaker 3: it's just so strange, bizaar.

788
00:43:10,600 --> 00:43:12,880
Speaker 2: The kiss was weird too. It was just like a

789
00:43:13,000 --> 00:43:16,279
Speaker 2: lingering simple Yeah, it was simple, but it lingered this

790
00:43:16,360 --> 00:43:17,680
Speaker 2: it was like a smooch.

791
00:43:19,120 --> 00:43:21,799
Speaker 3: I can't amy you're not you don't like you. Like

792
00:43:21,880 --> 00:43:25,720
Speaker 3: if you had the chance to kiss Colin he sucks,

793
00:43:26,120 --> 00:43:29,520
Speaker 3: you would no, no no. If you were like you

794
00:43:29,560 --> 00:43:34,160
Speaker 3: didn't know he sucked mm hmm and you had the

795
00:43:34,239 --> 00:43:37,200
Speaker 3: chance to kiss him, would you know what?

796
00:43:37,640 --> 00:43:40,200
Speaker 2: We don't have a question before she answers friends with

797
00:43:40,320 --> 00:43:43,360
Speaker 2: you were not friends with you? She is Kelly?

798
00:43:44,360 --> 00:43:46,359
Speaker 3: Not friends with Kelly. I want to know, like an

799
00:43:46,360 --> 00:43:47,600
Speaker 3: objective Yeah.

800
00:43:47,840 --> 00:43:51,600
Speaker 1: Oh there's something schmarmie right out the gate. I find

801
00:43:51,680 --> 00:43:57,759
Speaker 1: him schmarmys the right word there's something Owie Owe about him.

802
00:43:57,840 --> 00:44:01,480
Speaker 1: He's not for me, He's he's the guy. He is

803
00:44:01,600 --> 00:44:02,799
Speaker 1: right out the gate for me.

804
00:44:02,920 --> 00:44:06,799
Speaker 3: I'm like, oh, and again, there are split people out there.

805
00:44:06,840 --> 00:44:09,799
Speaker 3: There's people that love Kelly and Colin together and there's

806
00:44:09,840 --> 00:44:12,359
Speaker 3: people that do not like them together. I think it's

807
00:44:12,440 --> 00:44:15,200
Speaker 3: always going to be the case. What Yeah, there's people

808
00:44:15,200 --> 00:44:20,480
Speaker 3: that love them together. He's because of your no, I've

809
00:44:20,600 --> 00:44:22,080
Speaker 3: read it with my eyeballs.

810
00:44:22,239 --> 00:44:23,319
Speaker 1: That shocks me.

811
00:44:24,520 --> 00:44:24,919
Speaker 3: Mm hmm.

812
00:44:25,600 --> 00:44:31,200
Speaker 2: Really before or like now at this point before he

813
00:44:31,480 --> 00:44:34,320
Speaker 2: like it? Okay, before Okay.

814
00:44:34,160 --> 00:44:36,719
Speaker 3: Yeah, I'm sure that'll change because it shocks me. Bad

815
00:44:36,719 --> 00:44:37,520
Speaker 3: things are coming.

816
00:44:38,239 --> 00:44:40,840
Speaker 2: I don't know. He's totally Donna and my type, Like

817
00:44:40,880 --> 00:44:45,120
Speaker 2: he's a bad boy, but not not not feeling it

818
00:44:45,120 --> 00:44:45,440
Speaker 2: for him.

819
00:44:45,440 --> 00:44:46,440
Speaker 3: You're not getting the tangles.

820
00:44:48,000 --> 00:44:48,399
Speaker 1: All right.

821
00:44:49,480 --> 00:44:51,040
Speaker 3: That's all I have to say about this episode. What

822
00:44:51,120 --> 00:44:51,440
Speaker 3: do you guys?

823
00:44:51,520 --> 00:44:53,719
Speaker 1: Rate it ten?

824
00:44:54,000 --> 00:44:56,359
Speaker 3: You're just saying that now for every episode this.

825
00:44:56,360 --> 00:44:58,360
Speaker 1: Is we just met Tony Marshett.

826
00:44:58,480 --> 00:45:02,400
Speaker 2: Come on, I don't feel that way.

827
00:45:04,040 --> 00:45:05,000
Speaker 3: What do you feel.

828
00:45:06,360 --> 00:45:10,319
Speaker 2: Now? I know it's Jason's episode that's influencing me to

829
00:45:10,640 --> 00:45:13,440
Speaker 2: give it a higher rating than I would to be honest,

830
00:45:14,239 --> 00:45:16,360
Speaker 2: just give it the rating I'll get it to seven.

831
00:45:16,840 --> 00:45:25,759
Speaker 3: Oh oh sorry, I'm just kidding. I give it an eight. Yeah,

832
00:45:25,880 --> 00:45:30,239
Speaker 3: there you have to people. Next week we have episode

833
00:45:30,520 --> 00:45:35,920
Speaker 3: six already in season four. Everything's coming up, Roses. Oh

834
00:45:36,000 --> 00:45:37,600
Speaker 3: is this the one where you're the Rose Queen?

835
00:45:38,400 --> 00:45:38,680
Speaker 2: Sure?

836
00:45:39,719 --> 00:45:42,799
Speaker 1: Stop it wait I think so?

837
00:45:43,360 --> 00:45:47,399
Speaker 2: Oh man, this is starting. That was that's just uncomfortable.

838
00:45:47,840 --> 00:45:54,680
Speaker 3: I'm excited to see this. Everything's coming up, Roses. All right,

839
00:45:54,719 --> 00:45:57,480
Speaker 3: you guys, that's it for us, all right, stuff Tell

840
00:45:57,480 --> 00:46:01,319
Speaker 3: the people goodbye, piece out Oh we love you.

841
00:46:02,080 --> 00:46:08,080
Speaker 1: Hye mhm