WEBVTT - Can We Make This Place Beautiful? with Maggie Smith

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<v Speaker 1>One thing that would evaporate really quickly would be what

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<v Speaker 1>does not kill you makes you stronger?

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<v Speaker 2>Right?

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<v Speaker 3>Woof gone?

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<v Speaker 1>Right? Because what if what does not kill you actually

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<v Speaker 1>causes you a lot of pain and anxiety and you

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<v Speaker 1>have to carry that around and find ways to endure it.

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<v Speaker 2>This is it's okay that you're not okay? And I'm

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<v Speaker 2>your host, Megan Divine. This week, how do we live

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<v Speaker 2>in a world that's at least half terrible? If you

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<v Speaker 2>recognize that line, you know the special treat we have

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<v Speaker 2>in store. My guest is poet Maggie Smith. Maggie is

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<v Speaker 2>the author of You Could Make This Place Beautiful and

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<v Speaker 2>the poem from which my opening line comes Good Bones.

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<v Speaker 2>Today on the show, we're talking about writing and marriage

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<v Speaker 2>and divorce and why you did not need whatever has

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<v Speaker 2>happened to you in order to become who you're meant

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<v Speaker 2>to be, Settle in friends. All of that and more

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<v Speaker 2>coming up right after this first break. Before we get started,

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<v Speaker 2>one quick note. While we cover a lot of emotional

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<v Speaker 2>relational territory in our time here together, this show is

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<v Speaker 2>not a substitute for skilled support with a licensed mental

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<v Speaker 2>health provider or for professional supervision related to your work.

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<v Speaker 2>Hey friends, I met Maggie Smith the same way millions

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<v Speaker 2>of other people did through her poem Good Bones. Now

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<v Speaker 2>you probably know this poem, but if you need a

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<v Speaker 2>reminder or a refresher, it begins Life is short. Though

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<v Speaker 2>I keep this from my children. Life is short, and

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<v Speaker 2>I've shortened mine in a thousand delicious ill advised ways,

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<v Speaker 2>A thousand deliciously ill advised ways I keep from my children.

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<v Speaker 2>The world is at least fifty percent terrible, and that's

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<v Speaker 2>a conservative estimate. Though I keep this from my children.

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<v Speaker 2>I bet you recognize that just from the opening lines.

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<v Speaker 2>Right in this episode, you're going to learn the backstory

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<v Speaker 2>to that poem, good Bones, and why, as Maggie says,

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<v Speaker 2>it's a barometer of the grief in the world, a

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<v Speaker 2>sign that something terrible has happened, like when that poem

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<v Speaker 2>goes viral again. And how weird it is to have

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<v Speaker 2>professional success based largely on something that broke your heart.

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<v Speaker 2>Maggie and I also discuss her new book, You Could

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<v Speaker 2>Make This Place Beautiful, which details the dissolution of her

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<v Speaker 2>marriage and the creation are really like the resurrection of

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<v Speaker 2>herself as a writer. We get into so many things

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<v Speaker 2>in this conversation that made my writer heart deliriously happy.

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<v Speaker 2>I was a fan of Maggie Smith before this conversation,

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<v Speaker 2>and she means so much more to me having had

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<v Speaker 2>this chance to connect. So I hope you love this

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<v Speaker 2>episode and love Maggie. Be sure to let me know

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<v Speaker 2>what you think. And speaking of letting me know what

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<v Speaker 2>you think, please leave a review of the show wherever

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<v Speaker 2>you get podcasts. I haven't seen any new reviews lately,

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<v Speaker 2>and that is one great way to tell me how

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<v Speaker 2>this season's guests are affecting you. All Right, on with

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<v Speaker 2>the show with the stellar Maggie Smith. Okay, So I

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<v Speaker 2>have been following you on social media and reading your

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<v Speaker 2>books and using lines of yours as starting places for

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<v Speaker 2>my own writing and also when I teach writing. So

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<v Speaker 2>I feel like I've known you for a long time,

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<v Speaker 2>even though we just met. So I'm just this is

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<v Speaker 2>my way of saying, I'm ridiculously happy to be here

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<v Speaker 2>with you today.

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<v Speaker 3>Ah same.

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<v Speaker 2>I want to address something right off the bat because

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<v Speaker 2>it is one of my absolute favorite things about you.

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<v Speaker 2>I feel like ninety nine percent of memoir writing is

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<v Speaker 2>like finding beauty inside terrible times.

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<v Speaker 3>Like I grew so much as a person.

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<v Speaker 2>It was difficult, but I love it and I hate

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<v Speaker 2>that stuff. I kind of knew this before I started

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<v Speaker 2>reading You could make this Place beautiful, But I as

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<v Speaker 2>I was reading it in a coffee shop, I actually

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<v Speaker 2>yelled various things, various variations of like Amon's sister Yea,

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<v Speaker 2>absolutely out loud so many times in crowded coffee shops.

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<v Speaker 2>When you write your personal story, it does not have

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<v Speaker 2>to be about being worth it.

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<v Speaker 1>Yeah, I think we have a sort of cultural obsession

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<v Speaker 1>with before and after, like like the before and after

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<v Speaker 1>photo of the made over kitchen, the before and after

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<v Speaker 1>images of the haircut, the before and after really of anything,

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<v Speaker 1>and same with same with storytelling. Right, It's like before

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<v Speaker 1>I was this, and then I figured it all out,

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<v Speaker 1>and after I was this. And so I feel like

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<v Speaker 1>the traditional narrative expectation of a memoir that that you

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<v Speaker 1>write out of a painful crisis in your life would

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<v Speaker 1>be like I was a caterpillar and then I wrote

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<v Speaker 1>this book and figured myself out, and then I emerged

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<v Speaker 1>at the end of the book Butterfly. But I am

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<v Speaker 1>still a caterpillar. I am just a more fully realized,

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<v Speaker 1>more self aware, more whole and boundaried caterpillar.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah.

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<v Speaker 2>One of the most popular memes on my own social

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<v Speaker 2>is like this picture of a chrysalis and it's like,

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<v Speaker 2>you know, standing outside the chrysalis shouting you're a butterfly

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<v Speaker 2>does not hasten anything. It just pisses off the goo

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<v Speaker 2>or something like that.

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<v Speaker 1>Oh yeah, because it's actually liquefied and so yeah, so

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<v Speaker 1>maybe I'm actually just the goo at this point. But

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<v Speaker 1>I do think we put a lot of pressure on

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<v Speaker 1>ourselves to metabolize experience in a way that makes us

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<v Speaker 1>quote better, as if just surviving it is not enough.

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<v Speaker 2>Yeah, there's that second half of the sentence of you

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<v Speaker 2>needed this because who you were before this happened wasn't

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<v Speaker 2>good enough.

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<v Speaker 1>Oh gosh, you needed this. That is just that's really something,

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<v Speaker 1>isn't it. I Mean I write about in the book

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<v Speaker 1>the sort of idea of material, and I have had

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<v Speaker 1>this said to me. I have friends who have written

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<v Speaker 1>about pretty traumatic things who have had this said to them,

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<v Speaker 1>which is, at least you got a book out of it,

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<v Speaker 1>or at least this experience wasn't wasted on someone who

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<v Speaker 1>isn't a writer, an artist, a filmmaker. You know, whatever

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<v Speaker 1>you do that you make things from your experience. And

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<v Speaker 1>I've been thinking a lot about that and how well

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<v Speaker 1>meaning I think that statement is, but also how offensive.

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<v Speaker 3>I find that offensive.

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<v Speaker 1>And I was thinking about it recently and thinking, actually,

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<v Speaker 1>I don't think of myself as I didn't get a

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<v Speaker 1>book out of my life imploding. I made a book

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<v Speaker 1>out of my life imploding. And it's a very just

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<v Speaker 1>pretty subtle verb shift there, but it feels a whole

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<v Speaker 1>lot like a verb shift I find helpful, which is,

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<v Speaker 1>oh gosh, my life imploded. Now I have to reimagine it.

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<v Speaker 1>I have to rebuild it, as opposed to oh my gosh,

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<v Speaker 1>my life imploded. Now I get to reimagine it. I

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<v Speaker 1>get to do something different, not that I wanted to,

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<v Speaker 1>but sometimes reframing it that way from myself is helpful.

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<v Speaker 1>If I see the like little hidden gifts inside the disaster,

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<v Speaker 1>it doesn't make the disaster worth it necessarily, you know, don't.

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<v Speaker 1>I don't think I needed this. I certainly didn't need

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<v Speaker 1>it as writing material. I could have written a book

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<v Speaker 1>about anything.

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<v Speaker 2>You know.

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<v Speaker 1>My kids didn't need this. None of us needed this.

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<v Speaker 1>We are not better or stronger because of it, not

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<v Speaker 1>in any way that makes it worth it.

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<v Speaker 2>No, this need to put a value, judgment, a transactional

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<v Speaker 2>value on what you do with what happens, right, Like,

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<v Speaker 2>I love that you wrote what did I not get

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<v Speaker 2>to write? Because this was what was mine to write.

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<v Speaker 2>I love that Like literally the night of my partner's funeral,

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<v Speaker 2>more than one person came up to me and said,

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<v Speaker 2>this is going to make you such a better therapist.

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<v Speaker 2>You're going to get to write. And also like I'm.

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<v Speaker 1>Angry on your behalf.

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<v Speaker 2>Thank you, thank you. So I got the like because

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<v Speaker 2>I was a writer before he died, and because I

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<v Speaker 2>was a therapist before he died, like those twin things

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<v Speaker 2>of this is going to make you so much better.

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<v Speaker 2>You're going to be such a gift to the world.

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<v Speaker 2>And I feel like you know this is this is

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<v Speaker 2>related territory that you write so evocatively and so beautifully.

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<v Speaker 2>But what did you not get to write? Because this

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<v Speaker 2>was yours to write? And I just like, I love

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<v Speaker 2>that so much. You also said you mentioned your kids

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<v Speaker 2>in here, and you said I would rather they not

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<v Speaker 2>learn to be so resilient. I would rather they learn

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<v Speaker 2>more about security and safety and be a little less resilient.

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<v Speaker 1>Yeah, I don't want resilient children. If resilience is what

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<v Speaker 1>we call it when we put kids through things, yeah,

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<v Speaker 1>or you know, because of the laws in this country

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<v Speaker 1>refuse to protect them adequately, and then we're supposed to

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<v Speaker 1>pat ourselves on the back because our kids are so

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<v Speaker 1>strong out of just sheer necessity.

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<v Speaker 3>That's not a gift.

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<v Speaker 2>I mean that resilience and it's not like that resilience

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<v Speaker 2>narrative is like what we push on everybody who is

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<v Speaker 2>experiencing something they should not be experiencing. But instead of

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<v Speaker 2>looking at that, I mean, right now, I'm thinking about

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<v Speaker 2>the black maternal health crisis, right and like how much

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<v Speaker 2>we raise black women for being resilient instead of dealing

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<v Speaker 2>with the fact that our systems put them in harm's

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<v Speaker 2>way for which they need to become more resilient so

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<v Speaker 2>it doesn't crush them. Like this whole resilience thing. I

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<v Speaker 2>was talking with a guest earlier this season about what

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<v Speaker 2>we applaud as resilience is actually the imprint of trauma.

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<v Speaker 3>Oh that's real.

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<v Speaker 1>Actually, my daughter said, you know when and she's fourteen,

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<v Speaker 1>and she said, you know, when people say kids are

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<v Speaker 1>old souls, it's because they've experienced trauma and I thought

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<v Speaker 1>that's right, Like when you have to grow up fast,

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<v Speaker 1>it's not a compliment that you can talk like an

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<v Speaker 1>adult or function like an adult. It's not a compliment

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<v Speaker 1>if you are eight and helping to raise your three

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<v Speaker 1>younger siblings because this country has no real support, especially

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<v Speaker 1>for single parents, but for working people period. Like, that's

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<v Speaker 1>not that's not a gift, that that's trauma.

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<v Speaker 2>Yeah, I wonder what would be different if we framed

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<v Speaker 2>it as that, Like how many words of support or

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<v Speaker 2>platitudes or condolences, Like how many of those phrases would

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<v Speaker 2>just evaporate if we understood that what we are celebrating

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<v Speaker 2>the things you create because this happened to you. What

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<v Speaker 2>a gift was hidden in that pain? Like if we

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<v Speaker 2>understood the mechanism that was actually happening, Like so so

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<v Speaker 2>much of our our ideas, our vocabulary around caring for

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<v Speaker 2>each other would disappear in favor of something else.

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<v Speaker 1>Yeah, one thing that would evaporate really quickly would be

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<v Speaker 1>what does.

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<v Speaker 3>Not kill you makes you stronger?

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<v Speaker 2>Right?

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<v Speaker 3>Woof gone?

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<v Speaker 1>Right? Because what if what does not kill you actually

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<v Speaker 1>causes you a lot of pain and anxiety and you

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<v Speaker 1>have to carry that around and find ways to endure it.

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<v Speaker 2>I think you're absolutely right about that, So that whole

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<v Speaker 2>we get impacted by the things that happen to us,

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<v Speaker 2>right like that which does not kill you makes you

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<v Speaker 2>stronger is such biological, relational, mental, emotional trash. But there's

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<v Speaker 2>a section in your book, and I'm totally going to

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<v Speaker 2>bring this back around, but there's a section in your

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<v Speaker 2>book about your miscarriage, and I think that section encapsulated

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<v Speaker 2>such a gorgeous example of what you just said about

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<v Speaker 2>what doesn't kill us makes us stronger. You talk about,

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<v Speaker 2>you know, being pregnant with your son, having lived through

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<v Speaker 2>two miscarriages previously, you can't un know what you know.

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<v Speaker 1>Yeah, it completely colored my experience of being pregnant with

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<v Speaker 1>him because the entire time I just thought, at any minute,

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<v Speaker 1>this is going to end. It just gave me, and

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<v Speaker 1>it gave me not the kind of joyous, expectant, happy

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<v Speaker 1>pregnant experience I had with my daughter. It was a

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<v Speaker 1>very anxiety filled, cortisol soaked pregnancy experience because I just

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<v Speaker 1>kept waiting for the other shoe to drop until the

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<v Speaker 1>very very end.

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<v Speaker 3>And that changes you.

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<v Speaker 2>Yeah, we get changed by the things we experience, And

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<v Speaker 2>I think in this culture, we don't think we should

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<v Speaker 2>get changed by the things we experience unless the only

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<v Speaker 2>the only change that's acceptable is like stronger, bigger, better

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<v Speaker 2>than right, like this whole positive trajectory, which is just

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<v Speaker 2>not what life is.

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<v Speaker 1>Yeah, you know, trauma does not give you a glow up.

0:13:18.679 --> 0:13:22.440
<v Speaker 1>That's that's the takeaway the tld R.

0:13:23.480 --> 0:13:25.400
<v Speaker 3>Trauma does not give anyone.

0:13:25.040 --> 0:13:27.960
<v Speaker 2>A glow up. I love that. That's perfect. I feel

0:13:27.960 --> 0:13:30.840
<v Speaker 2>like that should be tattooed somewhere or like. That is

0:13:30.840 --> 0:13:34.679
<v Speaker 2>a motivational that's a motivational thank you. That is a

0:13:34.720 --> 0:13:37.200
<v Speaker 2>motivational poster that I could get behind. Trauma does not

0:13:37.240 --> 0:13:38.080
<v Speaker 2>give you a glow up.

0:13:38.440 --> 0:13:44.160
<v Speaker 3>You feel free. I gift that to you.

0:13:44.280 --> 0:13:46.760
<v Speaker 1>Yeah, I mean if the lemons to the lemons to

0:13:46.880 --> 0:13:50.160
<v Speaker 1>lemonade thing. You know, when I wrote keep Moving, someone

0:13:51.080 --> 0:13:54.280
<v Speaker 1>really in a well meaning complimentary way, said, wow, you

0:13:54.360 --> 0:13:57.160
<v Speaker 1>really took those lemons and made lemonade. And then I

0:13:57.160 --> 0:13:59.520
<v Speaker 1>think she said and then added m F vodka to it,

0:14:00.040 --> 0:14:00.319
<v Speaker 1>And I.

0:14:00.360 --> 0:14:02.080
<v Speaker 3>Laughed because I knew what she meant.

0:14:02.480 --> 0:14:04.800
<v Speaker 1>Yeah right, I knew what she meant, Like she's she

0:14:04.960 --> 0:14:07.480
<v Speaker 1>meant you took straw and spun it into gold. You

0:14:07.520 --> 0:14:13.320
<v Speaker 1>took something terrible and made it into something that helped

0:14:13.360 --> 0:14:17.000
<v Speaker 1>you and your kids during a possible time. And yes,

0:14:17.160 --> 0:14:19.520
<v Speaker 1>I mean that is true, like there's there's no lie there.

0:14:19.560 --> 0:14:22.880
<v Speaker 1>That is absolutely true. But the other thing that is

0:14:22.920 --> 0:14:25.320
<v Speaker 1>true is that I didn't want that lemonade.

0:14:25.920 --> 0:14:27.240
<v Speaker 3>I could have had some other drink.

0:14:27.520 --> 0:14:29.560
<v Speaker 2>Right, we go back to that what did you not

0:14:29.640 --> 0:14:31.440
<v Speaker 2>get to live? Because this is what you had to

0:14:31.480 --> 0:14:34.440
<v Speaker 2>live and the fact that you are a writer like

0:14:34.760 --> 0:14:38.000
<v Speaker 2>writers have to write. Yeah, right, Like, this is how

0:14:38.040 --> 0:14:40.920
<v Speaker 2>we understand the world. This is how we metabolize what happens.

0:14:41.000 --> 0:14:45.320
<v Speaker 2>This is how we understand things. So it's not that

0:14:45.400 --> 0:14:49.120
<v Speaker 2>you get to write this because of what you lived.

0:14:49.200 --> 0:14:52.880
<v Speaker 2>It's that I am living this and words are how

0:14:52.960 --> 0:14:57.160
<v Speaker 2>I know to consume it or to be in it.

0:14:57.200 --> 0:14:59.920
<v Speaker 2>I'm speaking of words like I like word a phase

0:15:00.120 --> 0:15:02.640
<v Speaker 2>right there? But yeah, does that feel accurate?

0:15:03.040 --> 0:15:03.200
<v Speaker 1>Yeah?

0:15:03.240 --> 0:15:03.680
<v Speaker 3>It does.

0:15:03.760 --> 0:15:06.080
<v Speaker 1>I mean I don't often know what I think or

0:15:06.160 --> 0:15:11.040
<v Speaker 1>feel clearly until I've written it down and then I'm like, oh,

0:15:11.360 --> 0:15:15.640
<v Speaker 1>that's what it is. Somehow my processing really works through

0:15:15.640 --> 0:15:19.120
<v Speaker 1>my right hand and my pen onto paper, which makes

0:15:19.120 --> 0:15:21.080
<v Speaker 1>this a challenge. Right, I have I'm thinking on the

0:15:21.120 --> 0:15:24.400
<v Speaker 1>fly here, I'm I'm not writing, but yeah, I don't.

0:15:24.520 --> 0:15:26.600
<v Speaker 1>I don't often know how I feel about something. And

0:15:27.080 --> 0:15:33.120
<v Speaker 1>for me, this particular book felt like a large armoire

0:15:33.760 --> 0:15:37.600
<v Speaker 1>parked in front of a doorway. And it's not so

0:15:37.720 --> 0:15:41.160
<v Speaker 1>much that I wanted to write this book. It was

0:15:41.200 --> 0:15:43.400
<v Speaker 1>the book I had to write so I could write

0:15:43.400 --> 0:15:47.240
<v Speaker 1>other books, almost like a clearing, you know, like I

0:15:47.360 --> 0:15:53.640
<v Speaker 1>had to move this giant piece of furniture away from

0:15:53.960 --> 0:15:56.720
<v Speaker 1>the doorway so I could go through it. And I

0:15:56.760 --> 0:15:59.960
<v Speaker 1>don't think I could have. I could have just busy

0:16:00.320 --> 0:16:05.320
<v Speaker 1>myself with other things while living the experiences that I

0:16:05.360 --> 0:16:08.320
<v Speaker 1>write about in this book without processing them on paper.

0:16:08.760 --> 0:16:10.280
<v Speaker 2>One of those things that I super love about you

0:16:10.360 --> 0:16:13.160
<v Speaker 2>is where I started write, like your work is not

0:16:13.480 --> 0:16:19.360
<v Speaker 2>the typical transformation narrative right where I learned some lessons

0:16:19.400 --> 0:16:21.720
<v Speaker 2>I grew as a person. Everything's good now I can

0:16:21.760 --> 0:16:23.360
<v Speaker 2>look back and say thank you to it and be

0:16:23.440 --> 0:16:30.320
<v Speaker 2>grateful for like all of that stuff, the power in

0:16:30.400 --> 0:16:32.440
<v Speaker 2>your work, in your stories, in the ways that you

0:16:32.480 --> 0:16:36.680
<v Speaker 2>speak about your life. For me, one of the one

0:16:36.720 --> 0:16:39.840
<v Speaker 2>of the big things is that you don't make lemonade

0:16:40.280 --> 0:16:43.960
<v Speaker 2>is that you're able to traverse that both and yes

0:16:44.040 --> 0:16:47.720
<v Speaker 2>and territory that people try to rush out of so quickly,

0:16:47.840 --> 0:16:49.920
<v Speaker 2>or insist that we rush out of so quickly, Like

0:16:50.520 --> 0:16:52.640
<v Speaker 2>that both of these things can be true. That I

0:16:52.680 --> 0:16:56.920
<v Speaker 2>am so thankful for my family, for the person I am,

0:16:57.040 --> 0:17:00.360
<v Speaker 2>for the words that I say, and none of this

0:17:01.480 --> 0:17:05.040
<v Speaker 2>is awesome, Like this isn't anything that I wanted. We

0:17:05.080 --> 0:17:07.080
<v Speaker 2>just spent a whole bunch of time talking about, Like

0:17:07.280 --> 0:17:09.959
<v Speaker 2>this is not a transformation story. This is not a

0:17:10.160 --> 0:17:13.000
<v Speaker 2>thank you letter to my pain for teaching me who

0:17:13.080 --> 0:17:15.240
<v Speaker 2>I really wanted to be. Like all of this stuff,

0:17:15.920 --> 0:17:21.399
<v Speaker 2>And at the very same time, there's something very cool

0:17:22.240 --> 0:17:26.040
<v Speaker 2>about seeing the impact of your words and your story

0:17:26.080 --> 0:17:27.959
<v Speaker 2>and the way that you tell it, seeing the impact

0:17:28.000 --> 0:17:30.439
<v Speaker 2>on the world. So I want to take a scene

0:17:30.600 --> 0:17:33.720
<v Speaker 2>from your new book, if I might, where you describe

0:17:33.880 --> 0:17:36.960
<v Speaker 2>watching a character on Madame Secretary read your poem good Bones.

0:17:37.640 --> 0:17:39.080
<v Speaker 2>I know you know what I'm talking about here, But

0:17:39.119 --> 0:17:41.639
<v Speaker 2>you knew your poem would be in there, but you

0:17:41.680 --> 0:17:45.280
<v Speaker 2>didn't know how or where. But what you expected was

0:17:45.320 --> 0:17:49.440
<v Speaker 2>really different from what happened. Can you tell me about that?

0:17:49.440 --> 0:17:50.879
<v Speaker 2>This is my favorite scene in the whole book.

0:17:51.320 --> 0:17:57.480
<v Speaker 1>Yeah, I thought, because Good Bones traveled really via internet, right,

0:17:57.520 --> 0:18:00.199
<v Speaker 1>I mean, it was something that went viral online, So

0:18:00.920 --> 0:18:02.000
<v Speaker 1>all I knew was that it.

0:18:01.960 --> 0:18:03.240
<v Speaker 3>Was going to be in the episode.

0:18:03.320 --> 0:18:05.639
<v Speaker 1>I had no idea who would say it. I didn't

0:18:05.640 --> 0:18:09.159
<v Speaker 1>know how it would appear. And I think part of

0:18:09.200 --> 0:18:12.879
<v Speaker 1>me expected, first of all, a woman to be sharing it,

0:18:12.920 --> 0:18:15.560
<v Speaker 1>because it is a poem spoken by a mother's speaker.

0:18:16.280 --> 0:18:18.600
<v Speaker 1>And I also expected it to be read off of

0:18:18.640 --> 0:18:21.800
<v Speaker 1>a phone or a computer screen, like oh, here, look

0:18:21.800 --> 0:18:23.760
<v Speaker 1>at this tweet or here's something that is someone sent

0:18:23.800 --> 0:18:29.040
<v Speaker 1>me on Facebook. And so in the scene, a male character,

0:18:29.960 --> 0:18:34.240
<v Speaker 1>the chief of staff, opens his wallet and pulls out

0:18:34.280 --> 0:18:37.120
<v Speaker 1>this piece of paper and at that time, I think

0:18:37.160 --> 0:18:40.080
<v Speaker 1>I'm watching it, and I'd had a little champagne. At

0:18:40.080 --> 0:18:42.919
<v Speaker 1>that point, I think I'm watching it, and I'm thinking,

0:18:43.040 --> 0:18:47.000
<v Speaker 1>is this Wait? Is this the scene? Every time someone moves,

0:18:47.040 --> 0:18:48.000
<v Speaker 1>I'm thinking, is this it?

0:18:48.080 --> 0:18:50.800
<v Speaker 3>Is this it? And he pulls this piece of.

0:18:50.760 --> 0:18:54.160
<v Speaker 1>Paper out of his wallet and unfolds it and says

0:18:54.320 --> 0:18:57.159
<v Speaker 1>something like, you know, this reminds me of this poem

0:18:57.200 --> 0:19:00.359
<v Speaker 1>by Maggie Smith called good Bones, and he reads the

0:19:00.400 --> 0:19:04.800
<v Speaker 1>poem from this piece of paper from his wallet, and it,

0:19:05.280 --> 0:19:08.479
<v Speaker 1>I mean, I just balked. I just absolutely cried, because

0:19:08.800 --> 0:19:10.520
<v Speaker 1>first of all, it was a man, which I did

0:19:10.520 --> 0:19:14.320
<v Speaker 1>not see coming. Second of all, it was something that

0:19:14.440 --> 0:19:17.280
<v Speaker 1>was not living on a screen. It was something he'd

0:19:17.359 --> 0:19:23.200
<v Speaker 1>thought to print and cut small and carry with him,

0:19:23.520 --> 0:19:26.679
<v Speaker 1>you know, like a little talisman, the way I carry

0:19:26.720 --> 0:19:29.080
<v Speaker 1>things that mean, you know, like a little note from

0:19:29.080 --> 0:19:32.160
<v Speaker 1>my son, or an acorn he might find, or something

0:19:33.280 --> 0:19:38.240
<v Speaker 1>that was so unexpected and so touching to me. I'm

0:19:38.280 --> 0:19:39.199
<v Speaker 1>still not over it.

0:19:39.720 --> 0:19:44.560
<v Speaker 2>Yeah, yeah, Like there is an intensity there of like

0:19:44.680 --> 0:19:47.920
<v Speaker 2>knowing that your words, like this little pocket of your

0:19:47.920 --> 0:19:53.160
<v Speaker 2>life is carried around so intimately, like that your words

0:19:54.200 --> 0:19:59.080
<v Speaker 2>make survival for someone. Can we talk about that, because man,

0:20:00.080 --> 0:20:00.840
<v Speaker 2>it's intense.

0:20:01.880 --> 0:20:02.720
<v Speaker 3>It is intense.

0:20:03.400 --> 0:20:07.040
<v Speaker 1>I have such a strange relationship with that poem.

0:20:07.359 --> 0:20:08.040
<v Speaker 3>In general.

0:20:09.160 --> 0:20:14.960
<v Speaker 1>It's kind of a disaster barometer, kind of a grief barometer.

0:20:15.680 --> 0:20:16.000
<v Speaker 3>Really.

0:20:16.160 --> 0:20:19.679
<v Speaker 1>It's like the grief bat signal on the Internet, where

0:20:20.160 --> 0:20:24.720
<v Speaker 1>if my social media mentions ramp up really high, there's

0:20:24.760 --> 0:20:27.320
<v Speaker 1>a good chance something bad has happened in the world

0:20:28.200 --> 0:20:32.919
<v Speaker 1>because people are sharing my work as it's sort of

0:20:32.960 --> 0:20:36.040
<v Speaker 1>like a sense of community or solace or comfort or

0:20:36.359 --> 0:20:41.120
<v Speaker 1>hope or here we are again, particularly if it's that poem.

0:20:41.760 --> 0:20:47.960
<v Speaker 1>And so for years, every time people shared that, I

0:20:47.960 --> 0:20:50.480
<v Speaker 1>would get this sort of pit in my stomach and

0:20:50.560 --> 0:20:53.200
<v Speaker 1>immediately go to some news network to find out what

0:20:53.240 --> 0:20:57.040
<v Speaker 1>it happened. Whereas if I had written a poem that

0:20:57.160 --> 0:21:00.399
<v Speaker 1>was celebrated and shared widely when babies were born or

0:21:00.440 --> 0:21:04.600
<v Speaker 1>people got married, or you know, it would have given

0:21:04.640 --> 0:21:07.400
<v Speaker 1>me a different feeling when I saw it being shared widely.

0:21:07.520 --> 0:21:12.120
<v Speaker 1>But when a piece of work that you've made is shared,

0:21:13.560 --> 0:21:18.159
<v Speaker 1>you know, after every school shooting, it's hard to be

0:21:18.320 --> 0:21:26.800
<v Speaker 1>happy about expanding your readership via your own nation's refusal

0:21:27.400 --> 0:21:31.320
<v Speaker 1>to enact gun control, for example. And then now for

0:21:31.400 --> 0:21:34.280
<v Speaker 1>people who have read the memoir, you know that palm

0:21:34.359 --> 0:21:39.000
<v Speaker 1>also had an impact on my marriage because my career

0:21:39.119 --> 0:21:43.639
<v Speaker 1>sort of like overnight, my readership just became much wider,

0:21:43.920 --> 0:21:46.720
<v Speaker 1>and I was asked to travel and do more things

0:21:47.200 --> 0:21:50.159
<v Speaker 1>in a really unexpected way, not in the way that

0:21:50.200 --> 0:21:52.440
<v Speaker 1>you would be able to plan for tenure, or plan

0:21:52.520 --> 0:21:55.280
<v Speaker 1>for a promotion, or you know, even plan for a

0:21:55.320 --> 0:21:57.159
<v Speaker 1>second child. You know, there are things that we can

0:21:57.240 --> 0:21:59.720
<v Speaker 1>plan for in our lives when we know a big

0:21:59.800 --> 0:22:03.560
<v Speaker 1>che is coming, and a poem going viral overnight is

0:22:03.600 --> 0:22:07.200
<v Speaker 1>not one of them. And the growing pains from that

0:22:07.720 --> 0:22:11.200
<v Speaker 1>had a big impact on my life. So I've had

0:22:11.520 --> 0:22:14.879
<v Speaker 1>a weird relationship with that poem for a long time,

0:22:14.920 --> 0:22:17.280
<v Speaker 1>and I guess my hope with the memoir is that

0:22:18.080 --> 0:22:21.680
<v Speaker 1>there might be people because the title you could Make

0:22:21.680 --> 0:22:24.959
<v Speaker 1>This Place Beautiful is from the poem, there might be

0:22:25.000 --> 0:22:29.200
<v Speaker 1>people who find the poem via this book and have

0:22:29.240 --> 0:22:33.600
<v Speaker 1>a completely different relationship with it that has nothing to

0:22:33.680 --> 0:22:39.800
<v Speaker 1>do with grief in that way. In some ways, titling

0:22:39.840 --> 0:22:43.160
<v Speaker 1>the book the line from that poem was a kind

0:22:43.200 --> 0:22:46.760
<v Speaker 1>of reclamation for me because I am proud of the poem.

0:22:46.800 --> 0:22:50.320
<v Speaker 1>It's just a hard thing to sort of have traveling

0:22:50.440 --> 0:22:54.640
<v Speaker 1>in the world with my name on it. Given why it.

0:22:54.680 --> 0:22:57.040
<v Speaker 2>Travels, I had not thought of that.

0:22:57.960 --> 0:22:58.680
<v Speaker 3>It's a blessing.

0:22:58.720 --> 0:23:02.800
<v Speaker 1>I do understand that people are sharing it because it

0:23:02.840 --> 0:23:04.800
<v Speaker 1>gives them a sense of hope and comfort.

0:23:05.520 --> 0:23:06.200
<v Speaker 3>So there's that.

0:23:06.440 --> 0:23:11.040
<v Speaker 1>I do get that, But it is still hard, particularly

0:23:11.160 --> 0:23:15.320
<v Speaker 1>to have your I mean, success feels like a strange word,

0:23:16.040 --> 0:23:18.280
<v Speaker 1>but to sort of like it's like our having a

0:23:18.359 --> 0:23:22.520
<v Speaker 1>hit radio song, right to have your hit radio song

0:23:22.640 --> 0:23:29.560
<v Speaker 1>be taps, you know, something that is shared because of

0:23:29.600 --> 0:23:30.800
<v Speaker 1>shared collective grief.

0:23:31.359 --> 0:23:36.359
<v Speaker 2>Yeah, And it's it's interesting because like you just articulated

0:23:36.359 --> 0:23:42.400
<v Speaker 2>that in a way that through my whole career I

0:23:42.480 --> 0:23:45.520
<v Speaker 2>haven't quite put into words like how weird it is

0:23:46.760 --> 0:23:54.760
<v Speaker 2>to have such professional success, because that success means that

0:23:54.800 --> 0:23:58.520
<v Speaker 2>people are in pain right when they reach for your words,

0:23:58.600 --> 0:24:02.000
<v Speaker 2>because the worst has happened. Yes, you know, one of

0:24:02.040 --> 0:24:05.800
<v Speaker 2>the things that that I will say sometimes to people

0:24:05.880 --> 0:24:10.680
<v Speaker 2>is I hope you never need me, right, because if

0:24:10.680 --> 0:24:13.760
<v Speaker 2>this work is settling into your heart, it's because your

0:24:14.200 --> 0:24:18.000
<v Speaker 2>your heart has need. Yeah, you see you're seeking it,

0:24:18.080 --> 0:24:23.040
<v Speaker 2>and it's it's a very it is a very strange profession.

0:24:23.640 --> 0:24:25.600
<v Speaker 3>Yeah, it's really weird.

0:24:26.240 --> 0:24:32.000
<v Speaker 2>And glorious and wonderful because we know that unsurvivable things happen.

0:24:32.119 --> 0:24:35.840
<v Speaker 2>We know that people get sick, and this country will

0:24:35.880 --> 0:24:39.719
<v Speaker 2>always value guns over children, and we we just we

0:24:39.840 --> 0:24:42.320
<v Speaker 2>know all of this stuff and if there is something

0:24:42.359 --> 0:24:46.359
<v Speaker 2>that we can offer that lays down beside that, Yeah.

0:24:46.080 --> 0:24:49.640
<v Speaker 3>Oh I like the way you put that. Thank you. Yeah,

0:24:49.760 --> 0:24:50.400
<v Speaker 3>you're welcome.

0:24:51.240 --> 0:24:52.600
<v Speaker 2>We do weird work.

0:24:52.840 --> 0:24:55.359
<v Speaker 1>I know, And I mean in my case, its and

0:24:55.359 --> 0:24:56.880
<v Speaker 1>and largely unwittingly.

0:24:58.480 --> 0:25:00.720
<v Speaker 2>Yeah, mine is on purpose. Yours was not on purpose,

0:25:01.040 --> 0:25:01.760
<v Speaker 2>not at all.

0:25:02.359 --> 0:25:05.520
<v Speaker 1>I mean, just you know, Hey, I'm a mom in Ohio.

0:25:05.600 --> 0:25:08.440
<v Speaker 1>I wrote a poem thinking about what it is to

0:25:08.480 --> 0:25:12.840
<v Speaker 1>bring kids into a world that, in my words, is

0:25:12.880 --> 0:25:15.600
<v Speaker 1>at least half terrible in a concern And how do

0:25:15.680 --> 0:25:18.679
<v Speaker 1>I And that's the conservative estimate and getting you know,

0:25:19.040 --> 0:25:23.119
<v Speaker 1>sometimes more conservative by the day, and what is that like?

0:25:23.520 --> 0:25:27.040
<v Speaker 1>And really not speaking for anyone other than me, And

0:25:27.119 --> 0:25:32.600
<v Speaker 1>so yeah, I'm very unwitting that it has had the

0:25:32.680 --> 0:25:33.520
<v Speaker 1>life that it's had.

0:25:33.920 --> 0:25:44.359
<v Speaker 2>Yeah, before we get back to my conversation with Maggie Smith,

0:25:44.400 --> 0:25:48.639
<v Speaker 2>I want to talk with you about writing, specifically writing

0:25:48.680 --> 0:25:50.960
<v Speaker 2>from something that broke your heart the way Maggie and

0:25:51.040 --> 0:25:54.360
<v Speaker 2>I have been discussing. Over the last eight years, more

0:25:54.359 --> 0:25:57.119
<v Speaker 2>than fifteen thousand people have used the writing prompts in

0:25:57.160 --> 0:25:59.719
<v Speaker 2>my Writing Your Grief course to explore not just their

0:25:59.760 --> 0:26:05.160
<v Speaker 2>grief but also their identities, their beliefs, their relationships with themselves. Now,

0:26:05.200 --> 0:26:07.760
<v Speaker 2>I'm definitely biased because I created it, but I do

0:26:07.920 --> 0:26:10.399
<v Speaker 2>truly believe that this thirty day course will help you

0:26:10.440 --> 0:26:13.320
<v Speaker 2>inhabit your grief in a new way. It's not going

0:26:13.359 --> 0:26:18.480
<v Speaker 2>to fix anything, but writing does make things different. This

0:26:18.680 --> 0:26:22.000
<v Speaker 2>self guided Writing your Grief course is always available wherever

0:26:22.040 --> 0:26:26.760
<v Speaker 2>you are, whenever you're ready, whenever you're actually not ready,

0:26:26.800 --> 0:26:30.240
<v Speaker 2>but you want to explore things anyway, check it out,

0:26:30.800 --> 0:26:36.119
<v Speaker 2>Visit refugegrief dot com backslash WYG. That's WYG the initials

0:26:36.160 --> 0:26:38.600
<v Speaker 2>for Writing your Grief, or just check the link in

0:26:38.640 --> 0:26:41.679
<v Speaker 2>the show notes. All right, back to my conversation with

0:26:41.720 --> 0:26:45.960
<v Speaker 2>the stellar Maggie Smith. It's interesting that you said, you know,

0:26:46.320 --> 0:26:48.880
<v Speaker 2>I'm a mom out here in the Midwest talking about

0:26:48.880 --> 0:26:52.280
<v Speaker 2>something very intimate. And one of the things about writing

0:26:52.640 --> 0:26:56.920
<v Speaker 2>intimate things on the public stage is that people think

0:26:56.960 --> 0:27:00.399
<v Speaker 2>they know you because you've written these pieces. I remember

0:27:00.440 --> 0:27:02.520
<v Speaker 2>Cheryl straight saying when Wild came out that people thought

0:27:02.520 --> 0:27:04.440
<v Speaker 2>they knew her because of what she wrote in that book,

0:27:04.480 --> 0:27:07.280
<v Speaker 2>like they thought they were friends. So we write these

0:27:07.280 --> 0:27:11.800
<v Speaker 2>intimate things, but we are not intimates. It's a strange thing,

0:27:12.600 --> 0:27:14.520
<v Speaker 2>right have you found that, like while you while you're

0:27:14.560 --> 0:27:17.360
<v Speaker 2>becoming more and more visible, that like, oh.

0:27:17.240 --> 0:27:23.919
<v Speaker 1>Yes, yeah, my friends call me now the divorce Whisperer, and.

0:27:23.920 --> 0:27:27.760
<v Speaker 3>I'll tell you it's to a whole lane of T shirts.

0:27:28.280 --> 0:27:32.239
<v Speaker 1>I know, like where's my lifetime show? Yeah, And I

0:27:32.280 --> 0:27:35.280
<v Speaker 1>have to say, it doesn't feel like a burden. It

0:27:35.359 --> 0:27:37.439
<v Speaker 1>really kind of feels like a gift. And do I

0:27:37.520 --> 0:27:40.679
<v Speaker 1>respond always no, but I do respond a lot. I mean,

0:27:40.920 --> 0:27:45.160
<v Speaker 1>people will slide into my dms with stories or saying

0:27:45.200 --> 0:27:47.879
<v Speaker 1>this released you know, this was, this book was my

0:27:47.960 --> 0:27:51.040
<v Speaker 1>divorce bible, or I give this book to everyone going

0:27:51.119 --> 0:27:54.280
<v Speaker 1>through the thing, or my situation is so much like

0:27:54.359 --> 0:27:58.159
<v Speaker 1>yours and I feel so seen, or my situation is

0:27:58.200 --> 0:28:02.880
<v Speaker 1>so different from yours, but the emotions you expressed are

0:28:02.960 --> 0:28:07.840
<v Speaker 1>so like mine, and I feel so seen. And to me,

0:28:07.960 --> 0:28:10.639
<v Speaker 1>that really is a gift. It doesn't feel like a

0:28:10.640 --> 0:28:15.440
<v Speaker 1>burden because what I go to books for, and music, frankly,

0:28:16.359 --> 0:28:22.720
<v Speaker 1>and art and film is to sort of interpret my experience,

0:28:23.920 --> 0:28:28.320
<v Speaker 1>to sort of translate my own life vis a vis

0:28:28.400 --> 0:28:34.520
<v Speaker 1>these other people's made things. And so if people are

0:28:34.600 --> 0:28:39.240
<v Speaker 1>able to do that through my made things, it just

0:28:39.320 --> 0:28:42.920
<v Speaker 1>makes me feel like I'm part of some strange cycle

0:28:43.360 --> 0:28:49.560
<v Speaker 1>of experience, metabolize make, experience, metabolize make, and.

0:28:49.680 --> 0:28:51.320
<v Speaker 3>I'm taking in things all the time.

0:28:52.160 --> 0:28:54.560
<v Speaker 1>You know, there are books that have saved me. There

0:28:54.600 --> 0:28:58.760
<v Speaker 1>are records that have saved me. I don't always slide

0:28:58.760 --> 0:29:02.840
<v Speaker 1>into people's dms, but I definitely have a lot of

0:29:02.880 --> 0:29:07.360
<v Speaker 1>people out there that their work has meant something critical

0:29:07.440 --> 0:29:09.560
<v Speaker 1>to me has just sort of floated down into my

0:29:09.680 --> 0:29:13.480
<v Speaker 1>hands at just the right time. So to be that

0:29:13.560 --> 0:29:15.960
<v Speaker 1>for someone else when I know what it feels like

0:29:16.000 --> 0:29:21.360
<v Speaker 1>to be the receiver of that gift is like really humbling.

0:29:21.840 --> 0:29:25.880
<v Speaker 2>Yes, yes, even after all of the years of doing

0:29:25.920 --> 0:29:27.880
<v Speaker 2>this work and all of the dms and all of

0:29:27.880 --> 0:29:32.840
<v Speaker 2>the comments, Like my assistant knows to save the really

0:29:33.120 --> 0:29:35.200
<v Speaker 2>like the really good ones or something that we haven't

0:29:35.200 --> 0:29:37.200
<v Speaker 2>seen before and collects them and sends them to me,

0:29:37.840 --> 0:29:41.040
<v Speaker 2>because there's just there is something about that knowing that

0:29:42.160 --> 0:29:46.200
<v Speaker 2>something I said or something I created is a life

0:29:46.280 --> 0:29:49.280
<v Speaker 2>raft for somebody else right now, matter like it mattered,

0:29:49.360 --> 0:29:54.280
<v Speaker 2>it changed something, it made something survivable, It set off

0:29:55.280 --> 0:29:57.880
<v Speaker 2>some chain of thoughts like that. You know, It's like

0:29:57.960 --> 0:30:00.840
<v Speaker 2>the great ping pong game of life, life with multiple

0:30:01.040 --> 0:30:03.400
<v Speaker 2>balls in a never ending arena right like there, We're

0:30:03.440 --> 0:30:07.040
<v Speaker 2>always impacting each other and picking up things and carrying them,

0:30:07.320 --> 0:30:10.360
<v Speaker 2>knowing how impacted I've been just what you just said

0:30:10.360 --> 0:30:12.920
<v Speaker 2>like that, Knowing how impact I've been by other people's words,

0:30:13.720 --> 0:30:19.120
<v Speaker 2>and how much the right sentence can arrive and change

0:30:19.160 --> 0:30:19.560
<v Speaker 2>the world.

0:30:20.360 --> 0:30:21.560
<v Speaker 3>Oh my gosh, it's everything.

0:30:21.640 --> 0:30:24.520
<v Speaker 1>I have a post it note that I can see

0:30:24.560 --> 0:30:28.640
<v Speaker 1>from my desk that's on my wall or on my

0:30:28.800 --> 0:30:32.000
<v Speaker 1>office window. So what's beautiful about it is that I

0:30:32.040 --> 0:30:35.760
<v Speaker 1>can see, like scene behind it, and it's my neighbor's

0:30:35.800 --> 0:30:39.840
<v Speaker 1>magnolia trees. But it's realca let everything happened to you.

0:30:39.960 --> 0:30:43.760
<v Speaker 1>Beauty and terror just keep going. No feeling is final.

0:30:44.720 --> 0:30:47.760
<v Speaker 1>It lives on my window. It's lived there for years.

0:30:48.520 --> 0:30:52.640
<v Speaker 1>I see it every day and it means something to me,

0:30:52.880 --> 0:30:55.440
<v Speaker 1>and it means something different to me every day, because

0:30:55.800 --> 0:30:58.560
<v Speaker 1>some days are beauty days and some days are terror days,

0:30:59.360 --> 0:31:03.760
<v Speaker 1>and some days toggle you know, but just yeah, I

0:31:03.880 --> 0:31:06.800
<v Speaker 1>carry words around me, you know, with me like a

0:31:06.840 --> 0:31:10.040
<v Speaker 1>talisman all the time. So to think that somebody might

0:31:10.120 --> 0:31:12.160
<v Speaker 1>carry mine, what a gift.

0:31:12.480 --> 0:31:16.160
<v Speaker 2>Yeah, it really is amazing. I love that there's a

0:31:16.280 --> 0:31:18.440
<v Speaker 2>social media post you did. You shared that somebody has

0:31:18.480 --> 0:31:20.600
<v Speaker 2>your words tattooed on their arm, and I feel like

0:31:20.840 --> 0:31:23.160
<v Speaker 2>I feel like there's like a rite of passage for

0:31:23.280 --> 0:31:25.239
<v Speaker 2>rat authors there. Like the first time you see your

0:31:25.280 --> 0:31:27.880
<v Speaker 2>work tattooed on somebody else's body, it's like, what just

0:31:27.960 --> 0:31:28.680
<v Speaker 2>happened here?

0:31:29.400 --> 0:31:31.840
<v Speaker 1>Yeah, book tour has been wild. I've seen like three

0:31:32.200 --> 0:31:35.800
<v Speaker 1>so far in the past ten days, and that is

0:31:35.960 --> 0:31:40.200
<v Speaker 1>wild for me. I mean just absolutely wild to have

0:31:40.280 --> 0:31:45.240
<v Speaker 1>someone come up into your signing line with your book

0:31:45.400 --> 0:31:50.160
<v Speaker 1>title on their arm, as someone whose arms are covered

0:31:50.160 --> 0:31:52.840
<v Speaker 1>in tattoos, but not the words of other people. I

0:31:53.680 --> 0:31:57.640
<v Speaker 1>know the amount of thinking that goes into and weighing.

0:31:58.360 --> 0:32:00.160
<v Speaker 1>You know, a post it note on the wind there

0:32:00.280 --> 0:32:03.160
<v Speaker 1>was one thing, but uh ink on the skin is

0:32:03.200 --> 0:32:08.520
<v Speaker 1>something else. Yeah, yeah, yeah.

0:32:08.600 --> 0:32:11.040
<v Speaker 2>I love that real Quo quote too, and I'm not

0:32:11.040 --> 0:32:12.800
<v Speaker 2>even gonna dissect it because there's so many different ways

0:32:12.800 --> 0:32:16.040
<v Speaker 2>we could go with that, but it makes me think of,

0:32:16.520 --> 0:32:19.200
<v Speaker 2>you know, no feeling as final. It also points to

0:32:19.720 --> 0:32:23.560
<v Speaker 2>there is a foundational bedrock of self that is experiencing

0:32:23.600 --> 0:32:30.959
<v Speaker 2>all the things that is unchanging. And something that I

0:32:31.040 --> 0:32:36.480
<v Speaker 2>love in this book is like finding yourself is the

0:32:36.520 --> 0:32:41.200
<v Speaker 2>through line, not finding yourself, not the act of finding yourself,

0:32:41.240 --> 0:32:46.160
<v Speaker 2>but that you, yourself are the through line through all

0:32:46.240 --> 0:32:48.080
<v Speaker 2>parts of your life.

0:32:48.320 --> 0:32:52.040
<v Speaker 1>Yes, that's honestly, as someone who was not a therapist,

0:32:52.160 --> 0:32:56.080
<v Speaker 1>I find writing like this. I'm often asked questions, particularly

0:32:56.120 --> 0:32:59.160
<v Speaker 1>by journalists, like what advice do you have for people

0:32:59.240 --> 0:33:02.360
<v Speaker 1>going through hard times? And I'm always like, I don't

0:33:02.360 --> 0:33:05.040
<v Speaker 1>feel qualified. I am not a social worker, i am

0:33:05.040 --> 0:33:09.080
<v Speaker 1>not a therapist. I'm a poet. I'm not sure you

0:33:09.200 --> 0:33:13.480
<v Speaker 1>want the advice of a poet on these large life matters.

0:33:13.840 --> 0:33:17.120
<v Speaker 1>But for me, the thing I tell my friends or

0:33:17.120 --> 0:33:18.960
<v Speaker 1>people who reach out to me or slide into my

0:33:19.080 --> 0:33:23.360
<v Speaker 1>DMS and they're saying they're going through it, you know,

0:33:23.440 --> 0:33:27.120
<v Speaker 1>whatever it is. It might be divorce or pregnancy, loss

0:33:27.200 --> 0:33:29.560
<v Speaker 1>or lost job or you know, whatever the thing is.

0:33:31.320 --> 0:33:35.800
<v Speaker 1>My biggest impulse is always to think, like you you

0:33:35.880 --> 0:33:41.959
<v Speaker 1>predated whatever this trouble is. And you are talking to

0:33:42.000 --> 0:33:46.880
<v Speaker 1>me from maybe inside it or maybe just on the

0:33:46.920 --> 0:33:50.640
<v Speaker 1>other side of it, but like, you predated this thing.

0:33:51.120 --> 0:33:55.120
<v Speaker 1>Like imagine the history book timeline. There's a dot for

0:33:55.240 --> 0:33:58.400
<v Speaker 1>you that is the beginning of the timeline in your life,

0:33:58.920 --> 0:34:03.480
<v Speaker 1>and you're you're going to outlast whatever this is, you know,

0:34:03.720 --> 0:34:05.720
<v Speaker 1>and it is that continuity of self.

0:34:05.800 --> 0:34:08.879
<v Speaker 2>It's continuity and it's not stop feeling so many things

0:34:08.920 --> 0:34:11.839
<v Speaker 2>about what's happening right now, because you survived this and

0:34:12.000 --> 0:34:13.680
<v Speaker 2>do you know what I mean? Like it's not no,

0:34:13.800 --> 0:34:17.399
<v Speaker 2>you don't feel never the feelings. Yeah, you never use that.

0:34:17.520 --> 0:34:19.160
<v Speaker 2>You never use any of your work, but you never

0:34:19.320 --> 0:34:23.120
<v Speaker 2>use that you predated this experience. You never use that

0:34:23.280 --> 0:34:29.040
<v Speaker 2>as a like bypassing gloss over. I remember, I remember,

0:34:29.239 --> 0:34:33.479
<v Speaker 2>oh my gosh, poor people. One of Matt's uncles took

0:34:33.480 --> 0:34:36.880
<v Speaker 2>me out to breakfast about maybe two months after he died,

0:34:37.360 --> 0:34:39.520
<v Speaker 2>and we're sitting there at breakfast like I'm still a

0:34:39.560 --> 0:34:43.880
<v Speaker 2>complete wreck. And his partner at the time they're both therapists, right,

0:34:43.880 --> 0:34:46.480
<v Speaker 2>And his partner at the time looks at me and says,

0:34:46.960 --> 0:34:48.960
<v Speaker 2>what did you want to be when you were a kid?

0:34:49.120 --> 0:34:50.880
<v Speaker 2>What did you want to grow up to be? With

0:34:50.920 --> 0:34:52.960
<v Speaker 2>that like therapist head tilt? And I was like, excuse me,

0:34:53.320 --> 0:34:53.960
<v Speaker 2>and she was like.

0:34:54.880 --> 0:34:56.080
<v Speaker 3>Maybe tad tilt.

0:34:57.640 --> 0:35:00.440
<v Speaker 2>Maybe you get to be something now, wow that you

0:35:00.480 --> 0:35:02.880
<v Speaker 2>didn't get to be before. So who were you before

0:35:02.920 --> 0:35:06.080
<v Speaker 2>you met Matt? Because I bet that person would like

0:35:06.120 --> 0:35:09.000
<v Speaker 2>a chance to live. And I'm like, what the fuck?

0:35:09.440 --> 0:35:13.439
<v Speaker 2>So when I hear people other than you, people other

0:35:13.520 --> 0:35:18.440
<v Speaker 2>than you, talk about things like yourself predated this experience,

0:35:18.640 --> 0:35:23.520
<v Speaker 2>like you are not talking about the noneness of what

0:35:23.600 --> 0:35:25.880
<v Speaker 2>you're experiencing right now, Like you don't say that as

0:35:25.880 --> 0:35:28.040
<v Speaker 2>a way to get over this, but no, Like it's

0:35:28.080 --> 0:35:31.880
<v Speaker 2>not a bypass, it's not a bypass. I read that

0:35:31.960 --> 0:35:35.279
<v Speaker 2>I hear you as an excavation, Like I'm talking a

0:35:35.280 --> 0:35:37.160
<v Speaker 2>lot about myself here, which tells you how much your

0:35:37.160 --> 0:35:40.759
<v Speaker 2>work affects me and intersects with me. But like when

0:35:40.920 --> 0:35:46.759
<v Speaker 2>my partner died. I was completely obliterated, completely obliterated, and

0:35:46.840 --> 0:35:50.440
<v Speaker 2>it took a couple of years for the core parts

0:35:50.440 --> 0:35:54.600
<v Speaker 2>of me to resurface. And I just remember being so

0:35:54.840 --> 0:35:58.240
<v Speaker 2>thankful that that core self survived. I have no idea

0:35:58.400 --> 0:36:03.000
<v Speaker 2>how it did, but it did, and being so thankful

0:36:03.000 --> 0:36:06.240
<v Speaker 2>for that and so thankful for that through line of self.

0:36:07.280 --> 0:36:09.839
<v Speaker 1>I don't know if we talk enough about the sort

0:36:09.840 --> 0:36:16.400
<v Speaker 1>of identity hit or at least sort of identity shift

0:36:17.400 --> 0:36:22.880
<v Speaker 1>that loss inevitably, whatever kind of loss it is, you know,

0:36:23.000 --> 0:36:26.120
<v Speaker 1>whether it's pregnancy loss or in my case, the loss

0:36:26.160 --> 0:36:29.920
<v Speaker 1>of my marriage, but certainly any kind of loss, like

0:36:30.480 --> 0:36:32.680
<v Speaker 1>because one of the questions is like, well, who am

0:36:32.680 --> 0:36:38.040
<v Speaker 1>I now without this? Who am I now without this person?

0:36:38.080 --> 0:36:39.000
<v Speaker 1>Who am I now?

0:36:39.880 --> 0:36:40.600
<v Speaker 3>What now?

0:36:41.239 --> 0:36:43.920
<v Speaker 1>Right? Because what you also lose is not the person.

0:36:44.080 --> 0:36:46.920
<v Speaker 1>What you lose is the future that you had imagined

0:36:47.840 --> 0:36:49.960
<v Speaker 1>having poof.

0:36:50.640 --> 0:36:50.920
<v Speaker 2>Yeah.

0:36:51.600 --> 0:36:58.120
<v Speaker 1>One of the gifts of writing through the worst, I think,

0:36:58.360 --> 0:37:05.680
<v Speaker 1>is the sort of gift to being able to contextualize.

0:37:03.360 --> 0:37:03.920
<v Speaker 3>In a way.

0:37:04.360 --> 0:37:07.719
<v Speaker 1>You go to a country in Europe and then you

0:37:07.800 --> 0:37:09.839
<v Speaker 1>come back and you look at a map and you think, oh,

0:37:09.880 --> 0:37:14.360
<v Speaker 1>I was that close to all these other places. I

0:37:14.400 --> 0:37:18.240
<v Speaker 1>had no idea where I was in relation to anywhere else,

0:37:19.440 --> 0:37:21.840
<v Speaker 1>And the act of sort of writing over years of

0:37:21.880 --> 0:37:24.279
<v Speaker 1>your life and thinking about things in this sort of

0:37:24.280 --> 0:37:27.880
<v Speaker 1>big picture way, in some way, I think, is an

0:37:27.960 --> 0:37:32.680
<v Speaker 1>invitation to think about how the different pieces of us

0:37:33.520 --> 0:37:34.640
<v Speaker 1>are interconnected.

0:37:35.160 --> 0:37:36.239
<v Speaker 3>I was really.

0:37:36.480 --> 0:37:40.400
<v Speaker 1>Thinking about the mother piece of me, and the partner

0:37:40.440 --> 0:37:42.759
<v Speaker 1>piece of me, and the writer piece of me, but

0:37:42.840 --> 0:37:46.239
<v Speaker 1>also others like who was I as a daughter? Who

0:37:46.280 --> 0:37:48.600
<v Speaker 1>am I as a daughter? Who what kind of friend

0:37:49.520 --> 0:37:54.040
<v Speaker 1>am I? And also how are all of these things interconnected?

0:37:54.080 --> 0:37:59.640
<v Speaker 1>I'm only one person? How do I integrate better? Maybe

0:37:59.680 --> 0:38:03.080
<v Speaker 1>going forward and sort of compartmentalize less.

0:38:03.680 --> 0:38:11.320
<v Speaker 2>M Yeah, like this continual process of excavation and assessment

0:38:11.360 --> 0:38:13.880
<v Speaker 2>is the wrong word because it sounds really cerebral, but

0:38:15.000 --> 0:38:16.160
<v Speaker 2>I don't know what to work the.

0:38:16.160 --> 0:38:17.040
<v Speaker 3>Right word, you know.

0:38:17.080 --> 0:38:19.240
<v Speaker 1>I was talking to someone the other day and she said,

0:38:19.320 --> 0:38:24.040
<v Speaker 1>I think memoir in particular has two essential components, and

0:38:24.080 --> 0:38:25.640
<v Speaker 1>I was like, oh, no, there's a recipe I was

0:38:25.719 --> 0:38:27.280
<v Speaker 1>not aware of before writing mine.

0:38:27.440 --> 0:38:27.680
<v Speaker 2>Damn.

0:38:27.880 --> 0:38:28.840
<v Speaker 3>Here I am thinking.

0:38:28.880 --> 0:38:30.600
<v Speaker 1>It's like when it's like when you make cookies and

0:38:30.600 --> 0:38:32.879
<v Speaker 1>they're like every cookie has two essential ingredients, and you're

0:38:32.880 --> 0:38:35.960
<v Speaker 1>sitting there thinking, I hope these cookies have those two ingredients.

0:38:37.280 --> 0:38:38.400
<v Speaker 3>And she said.

0:38:38.480 --> 0:38:42.400
<v Speaker 1>Self assessment and societal interrogation.

0:38:43.080 --> 0:38:46.280
<v Speaker 3>Ooh, And I said, oh good, I have both.

0:38:46.640 --> 0:38:47.440
<v Speaker 2>You do.

0:38:48.840 --> 0:38:50.200
<v Speaker 3>On accident again.

0:38:50.600 --> 0:38:52.759
<v Speaker 1>All the best things happen when you don't know you're

0:38:52.760 --> 0:38:54.280
<v Speaker 1>doing it well.

0:38:54.160 --> 0:38:56.880
<v Speaker 2>With those two requirements, I'm writing memoir all the time,

0:38:57.520 --> 0:38:59.760
<v Speaker 2>So that's good without actually writing one.

0:39:00.160 --> 0:39:00.640
<v Speaker 3>That's right.

0:39:00.840 --> 0:39:03.640
<v Speaker 1>I love this for me because we can't assess ourselves

0:39:03.680 --> 0:39:10.680
<v Speaker 1>outside of our conditioning, outside of what we're culturally rewarded for. Yeah,

0:39:11.120 --> 0:39:14.080
<v Speaker 1>those two things actually do travel together, and I think

0:39:14.080 --> 0:39:17.680
<v Speaker 1>to get honest about our lives, we have to look

0:39:17.680 --> 0:39:21.680
<v Speaker 1>at both. Nobody exists in isolation.

0:39:22.360 --> 0:39:25.960
<v Speaker 2>And writing this way, speaking this way, talking about this stuff,

0:39:26.000 --> 0:39:31.719
<v Speaker 2>like refusing that transformation tell all narrative thing in a

0:39:31.800 --> 0:39:36.319
<v Speaker 2>meta sort of way, like that is a social confrontation,

0:39:36.480 --> 0:39:41.920
<v Speaker 2>a social whatever that is because we're allowing we're allowing

0:39:42.000 --> 0:39:45.239
<v Speaker 2>other people to access their own questions about what are

0:39:45.239 --> 0:39:47.080
<v Speaker 2>the constructs that I grew up with? Do I have

0:39:47.160 --> 0:39:49.799
<v Speaker 2>to transform from this loss? Am I allowed to be

0:39:50.560 --> 0:39:51.480
<v Speaker 2>both things?

0:39:52.040 --> 0:39:52.120
<v Speaker 1>Right?

0:39:52.160 --> 0:39:54.719
<v Speaker 2>Yeah? And am I allowed to ask these questions? And

0:39:54.920 --> 0:39:58.680
<v Speaker 2>I feel like the are you always listening to you?

0:39:58.800 --> 0:40:03.160
<v Speaker 2>On a Kate Bowler's show, and I love her. Isn't

0:40:03.200 --> 0:40:03.880
<v Speaker 2>she the best?

0:40:04.160 --> 0:40:05.160
<v Speaker 3>It's the best?

0:40:05.400 --> 0:40:09.560
<v Speaker 2>Fricking love her three seasons into this podcast and her

0:40:09.680 --> 0:40:12.560
<v Speaker 2>episode is still our most listened to. I just adore her.

0:40:12.760 --> 0:40:15.200
<v Speaker 2>But anyway, she I can't remember which one of you

0:40:15.239 --> 0:40:17.319
<v Speaker 2>said it, but something like there are years that ask

0:40:17.400 --> 0:40:21.560
<v Speaker 2>questions and years that answer oh yes, Hirston right, And

0:40:21.600 --> 0:40:23.680
<v Speaker 2>you were like, and then there are years that keep

0:40:23.760 --> 0:40:26.400
<v Speaker 2>questioning and won't stop questioning or whatever you said, and

0:40:26.440 --> 0:40:30.960
<v Speaker 2>I was just like that, this isn't this work that

0:40:31.040 --> 0:40:37.480
<v Speaker 2>we do of taking intimate personal experiences and showing our

0:40:37.520 --> 0:40:40.839
<v Speaker 2>hand in our way, right, like putting your hand into

0:40:40.880 --> 0:40:45.239
<v Speaker 2>your pocket, coming out with something and showing it to

0:40:45.360 --> 0:40:48.879
<v Speaker 2>me in its best form. It encourages people to ask

0:40:48.960 --> 0:40:50.200
<v Speaker 2>questions about their own lives.

0:40:51.320 --> 0:40:56.279
<v Speaker 3>Yes, yes, it should be permission giving. Yeah, yeah, I

0:40:56.320 --> 0:40:58.560
<v Speaker 3>mean I think I think.

0:40:58.400 --> 0:41:04.600
<v Speaker 1>For me, the the best writing, the best art for

0:41:04.719 --> 0:41:09.239
<v Speaker 1>me is permission giving, whether in content or inform. Right,

0:41:09.400 --> 0:41:14.040
<v Speaker 1>something about the way that someone has disclosed something to

0:41:14.080 --> 0:41:17.560
<v Speaker 1>me or described something to me, or built something for

0:41:17.640 --> 0:41:21.480
<v Speaker 1>me to move around inside of gives me permission either

0:41:21.560 --> 0:41:26.319
<v Speaker 1>to make my own thing however I see fit like, oh,

0:41:26.400 --> 0:41:28.359
<v Speaker 1>they took some risks now, I guess I can take

0:41:28.400 --> 0:41:33.080
<v Speaker 1>some risks too, or to just say the thing I

0:41:33.120 --> 0:41:36.600
<v Speaker 1>didn't think could be said. I read so many books

0:41:36.800 --> 0:41:42.280
<v Speaker 1>preparing to write this one, in which usually a woman

0:41:43.200 --> 0:41:47.920
<v Speaker 1>said something about her life and herself that I thought, well,

0:41:47.960 --> 0:41:51.839
<v Speaker 1>if she could say that, I can certainly say what

0:41:51.920 --> 0:41:54.399
<v Speaker 1>I want to say, you know, and just talk back

0:41:54.400 --> 0:41:55.239
<v Speaker 1>to the fear.

0:41:55.280 --> 0:41:57.920
<v Speaker 2>You might know this one who said this one? That's

0:41:57.960 --> 0:42:00.239
<v Speaker 2>something like what would happen of one woman to the

0:42:00.239 --> 0:42:02.440
<v Speaker 2>whole truth about her life? The world would break open.

0:42:02.640 --> 0:42:03.440
<v Speaker 2>I just butchered it.

0:42:03.480 --> 0:42:05.759
<v Speaker 3>But do you know that, No, I've heard it. I

0:42:06.239 --> 0:42:07.200
<v Speaker 3>don't know who said it.

0:42:07.840 --> 0:42:09.080
<v Speaker 2>I'll look it up and make sure it's in the

0:42:09.080 --> 0:42:09.560
<v Speaker 2>show notes.

0:42:09.560 --> 0:42:11.920
<v Speaker 1>But it's such a when you look it up, when

0:42:11.960 --> 0:42:14.120
<v Speaker 1>you say, and then Maggie remembered and put that in

0:42:14.160 --> 0:42:14.800
<v Speaker 1>the show notes.

0:42:15.000 --> 0:42:18.399
<v Speaker 2>Yes, just lie totally. I'll totally. I'll totally lie about it.

0:42:19.000 --> 0:42:20.800
<v Speaker 2>Or I remembered I quoted it correctly.

0:42:21.160 --> 0:42:24.920
<v Speaker 1>I cited both of those quote correctly quoted and attributed.

0:42:25.080 --> 0:42:28.800
<v Speaker 2>We really did. We did proper citation and props and respect.

0:42:28.840 --> 0:42:31.440
<v Speaker 2>We totally did. But it is that it is this

0:42:31.640 --> 0:42:36.840
<v Speaker 2>like I remember reading or receiving that line. You know,

0:42:37.360 --> 0:42:40.879
<v Speaker 2>thirty years ago when I was a young undergrad, right,

0:42:40.960 --> 0:42:44.520
<v Speaker 2>and like, what would happen if you told the whole

0:42:44.560 --> 0:42:47.640
<v Speaker 2>truth about your life? Or in what you just one

0:42:47.800 --> 0:42:50.840
<v Speaker 2>exactly I was just going to say, like one sentence

0:42:51.000 --> 0:42:54.680
<v Speaker 2>of the truth, what would happen? And that is so

0:42:54.800 --> 0:42:57.040
<v Speaker 2>much in your work, that permission giving on so many

0:42:57.040 --> 0:43:01.279
<v Speaker 2>different levels, and we could seriously talk forever, but I

0:43:01.320 --> 0:43:04.440
<v Speaker 2>want to get into our very last question for today,

0:43:05.400 --> 0:43:09.760
<v Speaker 2>for our time together. Knowing what you know and living

0:43:09.800 --> 0:43:13.120
<v Speaker 2>what you've lived, and knowing that there is a whole

0:43:13.120 --> 0:43:15.000
<v Speaker 2>life that we don't get to live because of the

0:43:15.040 --> 0:43:20.319
<v Speaker 2>lives that we have. Throwing that in there, what does

0:43:20.360 --> 0:43:21.920
<v Speaker 2>hope look like for you today?

0:43:22.800 --> 0:43:27.680
<v Speaker 1>Taking responsibility for my own life, that's what hope looks

0:43:27.719 --> 0:43:32.000
<v Speaker 1>like to me. I'm making better decisions for myself. I'm

0:43:32.080 --> 0:43:38.960
<v Speaker 1>asking better, harder questions of myself. And one of the

0:43:38.960 --> 0:43:42.080
<v Speaker 1>biggest things for me, I think for years, I know

0:43:42.320 --> 0:43:44.920
<v Speaker 1>for years I made a lot of decisions based on

0:43:45.000 --> 0:43:49.840
<v Speaker 1>fear and even what I would call like lowercase f fear,

0:43:49.960 --> 0:43:52.640
<v Speaker 1>you know, like what if they don't like me, what

0:43:52.680 --> 0:43:57.719
<v Speaker 1>if they judge me? Just silliness. Really, what I see

0:43:57.719 --> 0:44:01.560
<v Speaker 1>now in my mid forties is silliness. Really trying now

0:44:01.560 --> 0:44:07.520
<v Speaker 1>to make decisions from that core of what do I want?

0:44:08.080 --> 0:44:11.480
<v Speaker 1>What do I visualize for my life? What do I

0:44:11.520 --> 0:44:15.200
<v Speaker 1>want for my kids? How can I help get us there?

0:44:16.480 --> 0:44:20.319
<v Speaker 1>And if the fear voice starts to speak up, as

0:44:20.320 --> 0:44:23.080
<v Speaker 1>it often does, it gets so loud, Like, I don't

0:44:23.080 --> 0:44:25.120
<v Speaker 1>know why, of all the little voices inside me, the

0:44:25.200 --> 0:44:29.960
<v Speaker 1>fear voice is the loudest. Such a yammorer. I'm just

0:44:30.600 --> 0:44:36.759
<v Speaker 1>really doing my best to talk back in action, you know,

0:44:36.880 --> 0:44:37.960
<v Speaker 1>to talk back in action.

0:44:38.719 --> 0:44:41.879
<v Speaker 2>I love that your working definition of hope right now

0:44:41.960 --> 0:44:45.279
<v Speaker 2>is fully within your power. Right. It has nothing to

0:44:45.320 --> 0:44:50.120
<v Speaker 2>do with whether the world is beautiful in this moment

0:44:50.239 --> 0:44:50.440
<v Speaker 2>or not.

0:44:51.360 --> 0:44:53.600
<v Speaker 1>Yeah, there's a lot I don't have control over. So

0:44:53.640 --> 0:44:56.120
<v Speaker 1>I don't want to leave. I don't want to sort

0:44:56.120 --> 0:44:58.600
<v Speaker 1>of conflate hope with any sense of luck.

0:45:00.000 --> 0:45:00.880
<v Speaker 3>That makes me nervous.

0:45:01.239 --> 0:45:03.440
<v Speaker 1>So I'd like to think about what can I do

0:45:03.560 --> 0:45:08.720
<v Speaker 1>that is in my own power. Joy Harjoe has written

0:45:08.760 --> 0:45:13.120
<v Speaker 1>about writing as a form of sovereignty, and.

0:45:13.160 --> 0:45:14.200
<v Speaker 3>I just sit with that.

0:45:14.440 --> 0:45:16.200
<v Speaker 1>I guess need to look on your face, just sitting

0:45:16.239 --> 0:45:20.040
<v Speaker 1>with that, like, I want to think more about sovereignty

0:45:20.600 --> 0:45:25.600
<v Speaker 1>and less about chance. What decisions can I make for myself,

0:45:25.920 --> 0:45:29.879
<v Speaker 1>taking responsibility for myself and my own happiness.

0:45:30.480 --> 0:45:34.920
<v Speaker 2>Sovereignty and agency, man, I that is what hope is

0:45:35.120 --> 0:45:40.279
<v Speaker 2>for me these days, is like what yeah, yeah, sovereignty

0:45:40.440 --> 0:45:43.680
<v Speaker 2>is where it is at all? Right, I am going

0:45:43.760 --> 0:45:46.320
<v Speaker 2>to carry around what you just said in my own pocket,

0:45:46.640 --> 0:45:49.440
<v Speaker 2>probably not printed because I don't know where my printer is,

0:45:49.480 --> 0:45:52.640
<v Speaker 2>but written out and stuck in my pocket. So I'm

0:45:52.680 --> 0:45:54.880
<v Speaker 2>going to be I'm going to be carrying your words

0:45:55.400 --> 0:45:58.880
<v Speaker 2>around with me in my pocket, and they're also in

0:45:58.920 --> 0:46:00.560
<v Speaker 2>my bag and on the night stand.

0:46:01.840 --> 0:46:04.960
<v Speaker 3>Well, I'm going to be carrying this conversation around with me.

0:46:05.760 --> 0:46:05.920
<v Speaker 1>You.

0:46:06.200 --> 0:46:09.240
<v Speaker 2>I am so glad. Okay, we are going to link

0:46:09.520 --> 0:46:13.840
<v Speaker 2>to all of your books in the show notes, but

0:46:13.920 --> 0:46:15.759
<v Speaker 2>could you let people know where to find you and

0:46:15.840 --> 0:46:17.840
<v Speaker 2>anything else you would like them to know.

0:46:18.560 --> 0:46:25.640
<v Speaker 1>I am findable as Maggie Smith poet on the Internet,

0:46:26.280 --> 0:46:28.840
<v Speaker 1>which I lovingly call al Gore's Internet.

0:46:29.719 --> 0:46:31.960
<v Speaker 2>There's a subtweet for those of you who know what

0:46:32.000 --> 0:46:32.920
<v Speaker 2>she's talking.

0:46:32.600 --> 0:46:38.759
<v Speaker 1>About, So yes, to not get confused with the Dame. Right,

0:46:39.000 --> 0:46:42.240
<v Speaker 1>I get a fair amount of Downton Abby and Harry

0:46:42.239 --> 0:46:44.719
<v Speaker 1>Potter fan mail that I do not deserve. So I'm

0:46:44.760 --> 0:46:49.200
<v Speaker 1>Maggie Smith Poet on Twitter and Instagram. I'm Maggie Smithpoet

0:46:49.200 --> 0:46:53.560
<v Speaker 1>dot com on the Internet. I'm on substack at for

0:46:53.800 --> 0:46:57.840
<v Speaker 1>dear life. That is, that is my substack. It is

0:46:57.880 --> 0:47:01.240
<v Speaker 1>how I hold on in this world for dear life,

0:47:01.840 --> 0:47:04.000
<v Speaker 1>and also how I like to think of myself as

0:47:04.040 --> 0:47:08.319
<v Speaker 1>living for this dear life. And yeah, that's pretty much

0:47:08.360 --> 0:47:09.600
<v Speaker 1>how I can be located.

0:47:10.000 --> 0:47:12.759
<v Speaker 2>Excellent, all right, we will link to all of that

0:47:12.880 --> 0:47:17.080
<v Speaker 2>stuff in the show notes. Maggie, I'm so glad to

0:47:17.200 --> 0:47:20.959
<v Speaker 2>have you here in this world and in my life.

0:47:21.320 --> 0:47:21.880
<v Speaker 1>So glad.

0:47:22.920 --> 0:47:25.400
<v Speaker 2>Okay, friends, stay tuned for your questions to carry with you.

0:47:25.560 --> 0:47:27.799
<v Speaker 2>We will be right back after this break in which

0:47:28.239 --> 0:47:31.080
<v Speaker 2>I go weep a little bit with happiness at this conversation.

0:47:31.280 --> 0:47:42.680
<v Speaker 2>Be right back each week. I leave you with some

0:47:42.760 --> 0:47:46.040
<v Speaker 2>questions to carry with you until we meet again. You

0:47:46.080 --> 0:47:48.640
<v Speaker 2>know what, My favorite part of this conversation was the

0:47:48.640 --> 0:47:50.799
<v Speaker 2>part where Maggie and I talked about what it's like

0:47:50.920 --> 0:47:53.520
<v Speaker 2>to know that people are carrying your words around with

0:47:53.560 --> 0:47:57.160
<v Speaker 2>them like a talisman, something grounding and nourishing in the

0:47:57.160 --> 0:48:02.400
<v Speaker 2>face of whatever impossible thing you're living. Maggie and I

0:48:02.440 --> 0:48:07.279
<v Speaker 2>have this sort of random, obscure thing in common. We've

0:48:07.320 --> 0:48:11.279
<v Speaker 2>both received photos of people who had our words tattooed

0:48:11.400 --> 0:48:17.160
<v Speaker 2>on their bodies. Like Maggie was telling me how she's

0:48:17.239 --> 0:48:20.760
<v Speaker 2>received a lot of tattoos where people have like had

0:48:21.520 --> 0:48:24.880
<v Speaker 2>you could make this place beautiful tattooed on their flesh.

0:48:25.600 --> 0:48:29.759
<v Speaker 2>It's just it's really powerful to connect with someone whose

0:48:29.760 --> 0:48:31.640
<v Speaker 2>words have been used in that way. It just felt

0:48:31.680 --> 0:48:36.200
<v Speaker 2>really special to me. All of this conversation felt special

0:48:36.239 --> 0:48:39.160
<v Speaker 2>to me. I was telling Maggie that reading her work

0:48:39.280 --> 0:48:41.319
<v Speaker 2>lit up a desire in me to write more and

0:48:41.360 --> 0:48:43.760
<v Speaker 2>to say more, which is a creative spark that's felt

0:48:44.080 --> 0:48:47.560
<v Speaker 2>kind of dormant in me for a long time. That

0:48:47.600 --> 0:48:52.640
<v Speaker 2>felt really hopeful. How about you, friends, what stuck with

0:48:52.760 --> 0:48:56.160
<v Speaker 2>you from this conversation. Everybody's gonna take something different from

0:48:56.160 --> 0:48:58.520
<v Speaker 2>the show, but I do hope you found something to

0:48:58.600 --> 0:49:01.080
<v Speaker 2>hold on to. If you want to tell me how

0:49:01.080 --> 0:49:02.960
<v Speaker 2>today's show felt for you, or you have thoughts on

0:49:03.000 --> 0:49:05.680
<v Speaker 2>what we covered, let me know. Tag at Refuge and

0:49:05.680 --> 0:49:07.680
<v Speaker 2>Grief on all the social platforms so I can hear

0:49:07.719 --> 0:49:10.920
<v Speaker 2>how this conversation affected you. And please remember to leave

0:49:10.960 --> 0:49:16.440
<v Speaker 2>a review. The season's guests are truly next level, and

0:49:16.560 --> 0:49:18.359
<v Speaker 2>reviews are a good way to let me know how

0:49:18.800 --> 0:49:22.879
<v Speaker 2>these guests are affecting you. Follow the show at It's

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<v Speaker 2>It's Okay pod on all the platforms, so not only

0:49:31.840 --> 0:49:36.120
<v Speaker 2>I can finde you, but others can too. None of

0:49:36.160 --> 0:49:38.640
<v Speaker 2>us are entirely okay, and it's time we started talking

0:49:38.680 --> 0:49:42.880
<v Speaker 2>about that together, right, It's okay that you're not okay.

0:49:43.520 --> 0:49:47.880
<v Speaker 2>You're in good company. That's it for this week. Everybody,

0:49:47.880 --> 0:49:49.680
<v Speaker 2>remember to subscribe to the show, share it with the

0:49:49.680 --> 0:49:56.120
<v Speaker 2>people you know. Coming up next week, Rachel cargol I

0:49:56.280 --> 0:50:01.040
<v Speaker 2>tell you this season's guests are stellar. Follow the show

0:50:01.080 --> 0:50:04.480
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0:50:06.640 --> 0:50:10.000
<v Speaker 2>Want more on these topics, Look, grief is everywhere. As

0:50:10.000 --> 0:50:12.640
<v Speaker 2>my dad says, daily life is full of everyday grief

0:50:12.680 --> 0:50:15.439
<v Speaker 2>that we don't call grief. Learning how to talk about

0:50:15.440 --> 0:50:20.120
<v Speaker 2>all that without accidentally grief, gasolating somebody or gaslighting yourself.

0:50:20.600 --> 0:50:23.480
<v Speaker 2>That's an important skill for everybody. Get help to have

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<v Speaker 2>those conversations with trainings, professional resources, and my best selling book,

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<v Speaker 2>It's Okay that You're Not Okay. Plus the Guided Journal

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<v Speaker 2>for Grief at Megandivine dot Co. It's Okay that You're

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<v Speaker 2>Not Okay. The podcast is written and produced by me

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<v Speaker 2>Post production and editing by the ever patient Houston Tilly.

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<v Speaker 2>And next week we have a new intern to announce,

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<v Speaker 2>all the way to the closing credits yay, you're the

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