1 00:00:12,640 --> 00:00:17,160 Speaker 1: So Brandy Glanville is suing Bravo and Andy Cohen because 2 00:00:17,239 --> 00:00:22,520 Speaker 1: of an inappropriate video sent to her for sexual harassment, 3 00:00:22,800 --> 00:00:27,880 Speaker 1: saying that Andy sent her a video with another Bravo celebrity. 4 00:00:28,080 --> 00:00:32,839 Speaker 1: I think her name is Kate Chastain, and it was 5 00:00:33,080 --> 00:00:36,640 Speaker 1: what he said in an ex post to be a joke, 6 00:00:37,040 --> 00:00:40,640 Speaker 1: that he was drunk and he sent an inappropriate video, 7 00:00:41,240 --> 00:00:43,879 Speaker 1: but it was a joke. Andy has different relationships with 8 00:00:43,960 --> 00:00:47,560 Speaker 1: every housewife. Some could be talking about business and money 9 00:00:47,720 --> 00:00:51,000 Speaker 1: like mine used to be with him. Another could be 10 00:00:51,120 --> 00:00:55,360 Speaker 1: his party friend. Somebody else could be his really deep 11 00:00:55,520 --> 00:01:00,200 Speaker 1: party friend. He has different relationships with different Bravo celebrities, 12 00:01:01,360 --> 00:01:03,800 Speaker 1: and like he used to hang out with Jeff and 13 00:01:03,880 --> 00:01:05,240 Speaker 1: Jenny a lot, I don't think he hangs out with 14 00:01:05,280 --> 00:01:07,360 Speaker 1: Jenny anymore. Sometimes he hangs out with Jeff like he 15 00:01:07,400 --> 00:01:09,360 Speaker 1: picks his favorites. He used to hang out with Nini 16 00:01:09,800 --> 00:01:11,600 Speaker 1: in a certain way. He likes to hang out with 17 00:01:11,640 --> 00:01:17,360 Speaker 1: housewives individually and Bravo lebrities individually, not really in clusters. 18 00:01:17,400 --> 00:01:20,680 Speaker 1: So there's an individual relationship with each. And the thing 19 00:01:20,959 --> 00:01:27,399 Speaker 1: is that the article where Brian and Mark Brandy's lawyers say, 20 00:01:28,040 --> 00:01:30,080 Speaker 1: you know that they haven't seen something like this since 21 00:01:30,120 --> 00:01:34,039 Speaker 1: Matt Lower and that he sits in this position while 22 00:01:34,080 --> 00:01:38,920 Speaker 1: he's inappropriately texting and sending videos to talent. And the 23 00:01:39,080 --> 00:01:42,640 Speaker 1: thing is, he works for a multi billion dollar public company. 24 00:01:43,040 --> 00:01:46,280 Speaker 1: He's an he used to be an executive. He's an 25 00:01:46,280 --> 00:01:51,000 Speaker 1: executive producer, and he also has a role on one 26 00:01:51,040 --> 00:01:53,200 Speaker 1: show as talent. But he produces these shows and he's 27 00:01:53,200 --> 00:01:55,600 Speaker 1: in a power position. It's undeniable. He's in a position 28 00:01:55,680 --> 00:02:00,600 Speaker 1: to cast, to fire, to negotiate salaries, to approve, to deny, 29 00:02:00,760 --> 00:02:02,720 Speaker 1: to put people in this seat that seat. 30 00:02:03,200 --> 00:02:05,120 Speaker 2: And he also is in control of all. 31 00:02:05,000 --> 00:02:07,680 Speaker 1: Of the reunions and he is the host of all 32 00:02:07,720 --> 00:02:10,960 Speaker 1: the reunions, so he's in an interesting hybrid position. Something 33 00:02:10,960 --> 00:02:13,639 Speaker 1: that Kathy Griffin brought up years ago that it's unprecedented 34 00:02:13,639 --> 00:02:17,040 Speaker 1: that an executive would also then be a talent. And 35 00:02:17,160 --> 00:02:19,320 Speaker 1: she's talked a lot about him, and so has Nini. 36 00:02:19,600 --> 00:02:22,600 Speaker 1: So there's so much stuff coming out about Andy, And 37 00:02:23,040 --> 00:02:26,320 Speaker 1: the question is, should someone in a power position, who 38 00:02:26,360 --> 00:02:30,320 Speaker 1: has the ability to hire, to fire, and to control 39 00:02:30,440 --> 00:02:37,359 Speaker 1: someone's income and livelihood, should they be interacting with talent 40 00:02:37,520 --> 00:02:41,200 Speaker 1: getting drunk with talent, being at Bravocon, getting wasted and 41 00:02:41,280 --> 00:02:45,840 Speaker 1: joking with talent because he's not Tom Sandoval, He's not 42 00:02:46,040 --> 00:02:50,079 Speaker 1: solely talent, and he's also talent on a show where 43 00:02:50,120 --> 00:02:53,160 Speaker 1: he is the producer. He owns part of the show, 44 00:02:53,639 --> 00:02:56,440 Speaker 1: and he controls all the questions that often make people 45 00:02:56,480 --> 00:02:59,440 Speaker 1: look bad. No matter how you slice it. Andy Cohen 46 00:02:59,480 --> 00:03:02,960 Speaker 1: is in a power position on Bravo as a host 47 00:03:03,639 --> 00:03:06,080 Speaker 1: of reunions, as a host of a show, as an 48 00:03:06,160 --> 00:03:09,120 Speaker 1: owner of a show, as a person who produces reunions 49 00:03:09,120 --> 00:03:12,400 Speaker 1: and executive produces shows, as a person who looks at 50 00:03:12,400 --> 00:03:14,680 Speaker 1: casting tapes and tries to decide who makes it and 51 00:03:14,680 --> 00:03:20,640 Speaker 1: who breaks it. So Brandy Glanville was in Morocco with Caroline, 52 00:03:21,000 --> 00:03:23,000 Speaker 1: who is also not suing Brandy. 53 00:03:23,120 --> 00:03:25,600 Speaker 2: She's suing Bravo because. 54 00:03:25,240 --> 00:03:30,760 Speaker 1: Her feeling is that the environment, this cesspool, perpetuates this 55 00:03:30,840 --> 00:03:33,640 Speaker 1: type of abuse, this sexual abuse, this abuse of alcohol, 56 00:03:33,960 --> 00:03:37,000 Speaker 1: this abuse of substances. They were smoking pot in Morocco. 57 00:03:37,080 --> 00:03:39,200 Speaker 1: It's fascinating that that show never made it to air. 58 00:03:39,280 --> 00:03:44,080 Speaker 1: It's obvious why, but every week there's something new coming out. 59 00:03:44,360 --> 00:03:47,760 Speaker 1: This doesn't happen in any other area of entertainment where 60 00:03:47,800 --> 00:03:52,000 Speaker 1: every day ending and why there's another claim against a network, 61 00:03:52,040 --> 00:03:55,600 Speaker 1: and I don't think they're ending anytime soon. Oh Rachel 62 00:03:56,000 --> 00:03:59,760 Speaker 1: who was emotionally abused in front of a live audience 63 00:04:00,160 --> 00:04:03,880 Speaker 1: to a mental health facility. So the man who was 64 00:04:03,920 --> 00:04:07,640 Speaker 1: hosting that, you know, remains unscathed. And so this is 65 00:04:07,680 --> 00:04:13,680 Speaker 1: an interesting time in twenty twenty four post strike, when 66 00:04:14,440 --> 00:04:17,680 Speaker 1: people do have a voice, and when what used to 67 00:04:17,760 --> 00:04:21,400 Speaker 1: be okay in the good Old Boys Club isn't okay now. 68 00:04:21,520 --> 00:04:23,680 Speaker 2: So where is the line? 69 00:04:24,240 --> 00:04:28,800 Speaker 1: And is talking about having sex with a person whose 70 00:04:28,920 --> 00:04:34,799 Speaker 1: job you determine whether they are hired or fired. Literally, 71 00:04:34,960 --> 00:04:37,200 Speaker 1: and I have a thousand examples. It was Andy Cohen 72 00:04:37,200 --> 00:04:39,800 Speaker 1: who came to my house to say will you come back? 73 00:04:40,200 --> 00:04:42,560 Speaker 1: And who asked me the salary I would want like. 74 00:04:43,000 --> 00:04:47,480 Speaker 1: It was Andy Cohen who I talked to about who 75 00:04:47,520 --> 00:04:48,239 Speaker 1: we would cast. 76 00:04:48,080 --> 00:04:51,520 Speaker 2: And who we would fire like you know. So it's 77 00:04:51,560 --> 00:04:52,640 Speaker 2: an interesting thing. 78 00:04:53,040 --> 00:04:56,320 Speaker 1: And this public company has this person as the face 79 00:04:57,720 --> 00:05:01,359 Speaker 1: of this brand, this entire Bravo brand, with all of 80 00:05:01,360 --> 00:05:05,000 Speaker 1: this power, and it's out of control. 81 00:05:05,120 --> 00:05:07,360 Speaker 2: So it's going to be interesting to see what happens. 82 00:05:07,400 --> 00:05:10,760 Speaker 1: As I've said before, no horse in this race, no lawsuit, 83 00:05:10,800 --> 00:05:14,640 Speaker 1: not suing anyone. It's just sitting on the sidelines watching this, 84 00:05:15,320 --> 00:05:16,040 Speaker 1: it's insane. 85 00:05:16,279 --> 00:05:19,320 Speaker 2: You can't even believe that it's real. So I want 86 00:05:19,320 --> 00:05:21,680 Speaker 2: to know what you think about this. 87 00:05:22,360 --> 00:05:26,960 Speaker 1: Can a person in the power position be on the 88 00:05:27,000 --> 00:05:33,240 Speaker 1: same level as the people they employ and the talent? 89 00:05:33,400 --> 00:05:37,279 Speaker 1: Like I said, if it were James Kennedy getting wasted, 90 00:05:37,600 --> 00:05:41,799 Speaker 1: that's one thing. If James Kennedy or Tom Sandoval or 91 00:05:42,400 --> 00:05:46,039 Speaker 1: Mario or Simon are saying something, or Joe Gorga is 92 00:05:46,080 --> 00:05:49,440 Speaker 1: saying something to someone else on the cast, that's a 93 00:05:49,520 --> 00:05:54,760 Speaker 1: different story than the person who's writing people's checks. And 94 00:05:55,720 --> 00:06:01,320 Speaker 1: oh the ninny allegations like it's endless between Carol Nini 95 00:06:02,040 --> 00:06:09,719 Speaker 1: below deck now, Brandy Glanville, Liah McSweeney, Like how many 96 00:06:10,000 --> 00:06:11,200 Speaker 1: claims do there have to be? 97 00:06:11,240 --> 00:06:12,400 Speaker 2: There's something wrong here? 98 00:06:12,760 --> 00:06:16,160 Speaker 1: And the thing is I say to people like Amy Schumer, 99 00:06:16,200 --> 00:06:19,840 Speaker 1: who I love and who I know, and to Jlaw 100 00:06:20,000 --> 00:06:22,960 Speaker 1: who's a huge fan of this franchise, and these people 101 00:06:22,960 --> 00:06:27,200 Speaker 1: that just watch it as entertainment, I say, is this 102 00:06:27,279 --> 00:06:30,480 Speaker 1: female empowerment? Like these are women that fight for equal pay, 103 00:06:31,120 --> 00:06:36,159 Speaker 1: and how do they condone and endorse the culture and 104 00:06:36,320 --> 00:06:41,880 Speaker 1: environment that occurs in this arena? How can you be 105 00:06:42,040 --> 00:06:45,920 Speaker 1: someone who's for female empowerment and support and celebrate this medium. 106 00:06:46,000 --> 00:06:49,400 Speaker 1: Julia roberts, how I just want someone to explain it 107 00:06:49,440 --> 00:06:53,200 Speaker 1: to me, because maybe you can explain it to me, 108 00:06:53,279 --> 00:06:56,080 Speaker 1: but you can't understand it for me because I don't 109 00:06:56,160 --> 00:07:10,280 Speaker 1: understand it. So there's so much gray area in this 110 00:07:10,400 --> 00:07:16,000 Speaker 1: Bravo sphere because you have the executive producer, the owner 111 00:07:16,680 --> 00:07:19,840 Speaker 1: and star of the Marquee show Watch what Happens Live, 112 00:07:19,960 --> 00:07:24,720 Speaker 1: which is the flagship store of the entire Bravo universe, 113 00:07:25,800 --> 00:07:33,160 Speaker 1: that host parties with the cast at Bravo Con. On 114 00:07:33,320 --> 00:07:37,440 Speaker 1: his show, there's drinking, there's talk of sexuality and the 115 00:07:37,520 --> 00:07:44,240 Speaker 1: Lady Pond, and then you have a situation where women 116 00:07:44,520 --> 00:07:47,680 Speaker 1: are drinking in excess, which is the goal and the 117 00:07:47,760 --> 00:07:50,160 Speaker 1: name of the game on reality television, and they're doing 118 00:07:50,200 --> 00:07:52,440 Speaker 1: that on trips and they're provoked to do that, and 119 00:07:52,480 --> 00:07:55,600 Speaker 1: they're asked to do that, and they're encouraged to drink 120 00:07:55,680 --> 00:07:58,280 Speaker 1: for sure, that's a fact, and to fall off the wagon, 121 00:07:58,520 --> 00:07:59,200 Speaker 1: that's a fact. 122 00:07:59,680 --> 00:08:00,800 Speaker 2: And then they get. 123 00:08:00,600 --> 00:08:07,000 Speaker 1: Into sexual altercations or discrepancies or disputes about things that happen. 124 00:08:07,440 --> 00:08:08,120 Speaker 2: But this is the. 125 00:08:08,200 --> 00:08:12,400 Speaker 1: Environment that's fostered, and you don't allow people to drink 126 00:08:12,440 --> 00:08:16,120 Speaker 1: ten drinks and not expect them to behave badly. People 127 00:08:16,160 --> 00:08:18,280 Speaker 1: always say nothing good happens after midnight, Well, what do 128 00:08:18,320 --> 00:08:22,480 Speaker 1: you think happens after forty two cocktails in another country 129 00:08:22,480 --> 00:08:26,800 Speaker 1: on jet lag? So now people are being held accountable 130 00:08:26,840 --> 00:08:33,040 Speaker 1: and responsible for actions, you know, like their normal occurrences 131 00:08:33,160 --> 00:08:36,720 Speaker 1: in extraordinary circumstances. And then you have a man who's 132 00:08:36,760 --> 00:08:39,600 Speaker 1: hosting a show where he's wasted every night on television, 133 00:08:39,679 --> 00:08:43,960 Speaker 1: also provocatively speaking about sex, et cetera. And you have 134 00:08:44,120 --> 00:08:48,280 Speaker 1: him in an employer position. So that's extremely confusing that 135 00:08:48,400 --> 00:08:52,000 Speaker 1: he's he is an employer. He does hire, he does fire. 136 00:08:52,400 --> 00:08:56,520 Speaker 1: He doesn't literally do that. He doesn't like Actually he's 137 00:08:56,559 --> 00:09:00,320 Speaker 1: not legal. He doesn't call from the legal department, but 138 00:09:00,400 --> 00:09:03,000 Speaker 1: he calls and asks about contracts and will you take this? 139 00:09:03,080 --> 00:09:04,959 Speaker 1: And won't you take that? And will you come back? 140 00:09:05,000 --> 00:09:08,360 Speaker 1: And won't you come back? He reviews casting tapes, he 141 00:09:08,760 --> 00:09:11,640 Speaker 1: literally suggests who to hire and who to fire or 142 00:09:11,679 --> 00:09:16,400 Speaker 1: like actually enforces that. It's completely confusing, It's completely gray. 143 00:09:16,760 --> 00:09:20,040 Speaker 1: How could anyone not understand how confusing that is? Like, 144 00:09:20,559 --> 00:09:23,280 Speaker 1: he's in a power position as an executive producer and 145 00:09:23,440 --> 00:09:26,920 Speaker 1: talent and owner of a show that is the flagship 146 00:09:26,960 --> 00:09:30,120 Speaker 1: show of that entire network, and then he's partying with 147 00:09:30,160 --> 00:09:34,120 Speaker 1: the people or sending sexually provocative videos with the people 148 00:09:34,200 --> 00:09:37,200 Speaker 1: on those shows. It just doesn't make any sense whatsoever 149 00:09:37,600 --> 00:09:40,360 Speaker 1: if he doesn't like someone or something someone does or says, 150 00:09:41,040 --> 00:09:44,240 Speaker 1: hence Carol calling him an asshole at the reunion. They're gone, 151 00:09:45,200 --> 00:09:49,760 Speaker 1: so like I've never you know, I've really been. I 152 00:09:49,760 --> 00:09:52,600 Speaker 1: don't understand. It's actually crazy. I can't believe I never 153 00:09:52,640 --> 00:09:56,560 Speaker 1: realized it so clear cut before. It's nuts if you 154 00:09:56,600 --> 00:10:01,679 Speaker 1: think about it. No, are there any other examples where 155 00:10:01,720 --> 00:10:08,480 Speaker 1: there's an executive and executive producer and boss that's also 156 00:10:08,720 --> 00:10:11,520 Speaker 1: like whooping it up and partying and getting wasted and 157 00:10:11,559 --> 00:10:14,960 Speaker 1: doing all kinds of partying. From what I hear with talent, 158 00:10:15,520 --> 00:10:18,960 Speaker 1: I don't know, like our boss is allowed to talk 159 00:10:19,000 --> 00:10:22,319 Speaker 1: about sex with their employees like it's twenty twenty four. 160 00:10:22,360 --> 00:10:35,960 Speaker 1: I just don't understand. Am I confused? One of the 161 00:10:36,040 --> 00:10:39,280 Speaker 1: misconceptions is that Andy made me. 162 00:10:40,280 --> 00:10:41,080 Speaker 2: Andy made me. 163 00:10:41,320 --> 00:10:44,360 Speaker 1: I am successful because of him, I am wealthy because 164 00:10:44,400 --> 00:10:47,920 Speaker 1: of him, etc. So we could split the difference and 165 00:10:48,080 --> 00:10:54,000 Speaker 1: say that the executives at Bravo made me. The Christian 166 00:10:54,080 --> 00:10:58,080 Speaker 1: Barcellos who's no longer there, or the Jen O'Connell who 167 00:10:58,160 --> 00:11:01,640 Speaker 1: used to be at Ricochet which turned into shed or 168 00:11:02,080 --> 00:11:06,679 Speaker 1: the producer Kiir who found me at Polo and the Hamptons, 169 00:11:06,840 --> 00:11:11,440 Speaker 1: or Bobby Zarren who pushed way more than Jill for 170 00:11:11,520 --> 00:11:14,440 Speaker 1: me to talk to Kier the producer at Polo and 171 00:11:14,480 --> 00:11:17,120 Speaker 1: the Hamptons when I didn't even understand what they were 172 00:11:17,120 --> 00:11:19,640 Speaker 1: talking about. But they needed a housewife to make the 173 00:11:19,679 --> 00:11:22,560 Speaker 1: show happen because they only had four, and Andy has 174 00:11:22,600 --> 00:11:24,960 Speaker 1: confirmed us in his book that they needed a fifth. 175 00:11:25,440 --> 00:11:29,240 Speaker 1: But to clarify, Andy said no to Bethany Frankel. Andy 176 00:11:29,280 --> 00:11:31,920 Speaker 1: did not want me. He was the one who didn't 177 00:11:31,960 --> 00:11:35,120 Speaker 1: want me. Jen O'Connell had to push the issue, force 178 00:11:35,200 --> 00:11:38,080 Speaker 1: the issue because her husband had worked at NBC when 179 00:11:38,160 --> 00:11:41,200 Speaker 1: I was on the Apprentice and he really liked me, 180 00:11:41,280 --> 00:11:43,199 Speaker 1: and he told her she has to jam it through. 181 00:11:43,440 --> 00:11:46,720 Speaker 1: So she was talking to the executives, presumably Christian Barcello's 182 00:11:46,960 --> 00:11:49,600 Speaker 1: and Lauren's Elasnik it had to be pushed through too. 183 00:11:49,720 --> 00:11:52,760 Speaker 1: Francis was there, but not in such an advisory position. 184 00:11:53,040 --> 00:11:57,120 Speaker 1: And Francis, who I like, she likes me too. I'm 185 00:11:57,160 --> 00:12:00,000 Speaker 1: sure she liked it also, But Andy was the one 186 00:12:00,360 --> 00:12:03,360 Speaker 1: who did not want me at all. He pushed to 187 00:12:03,480 --> 00:12:05,400 Speaker 1: have me not be on the show because I had 188 00:12:05,400 --> 00:12:10,120 Speaker 1: a pre existing public persona which was non existent to 189 00:12:10,120 --> 00:12:13,560 Speaker 1: be honest, but from the Apprentice, and he didn't want 190 00:12:13,600 --> 00:12:16,160 Speaker 1: someone who had already been on TV. This was long 191 00:12:16,240 --> 00:12:19,880 Speaker 1: before the days of casting actresses as reality stars. But 192 00:12:19,960 --> 00:12:23,000 Speaker 1: he did not want me on the show because I 193 00:12:23,040 --> 00:12:26,679 Speaker 1: had been on television before and they wanted just normal 194 00:12:26,760 --> 00:12:31,839 Speaker 1: people loll you know, normal superficial people. I guess to 195 00:12:32,679 --> 00:12:37,720 Speaker 1: be on the show as what were not housewives at 196 00:12:37,720 --> 00:12:42,040 Speaker 1: the time, what were Manhattan moms and it became housewives. 197 00:12:42,960 --> 00:12:46,240 Speaker 1: So I was the outlier, the question mark character that 198 00:12:46,280 --> 00:12:49,120 Speaker 1: they jammed through. But thank you to Jen O'Connell for that, 199 00:12:49,520 --> 00:12:53,520 Speaker 1: and ultimately the entity of Bravo and MBSC universal who 200 00:12:53,559 --> 00:12:56,520 Speaker 1: is responsible for airing content with me on it and 201 00:12:56,679 --> 00:12:59,360 Speaker 1: starting a trajectory. But no one else has done what 202 00:12:59,400 --> 00:13:01,320 Speaker 1: I did with Skins. I did that on my own. 203 00:13:01,320 --> 00:13:03,360 Speaker 1: I found the cocktail, I pushed it in. In fact, 204 00:13:03,679 --> 00:13:06,800 Speaker 1: Bravo made fun of me. They aired footage making fun 205 00:13:06,840 --> 00:13:11,360 Speaker 1: of me, you know, with that wonky logo and kind 206 00:13:11,360 --> 00:13:14,360 Speaker 1: of dissing on the product and the drink. I pushed 207 00:13:14,360 --> 00:13:16,880 Speaker 1: it through in my own way. I was the clown 208 00:13:17,559 --> 00:13:20,200 Speaker 1: that was made fun of in the clown car that 209 00:13:20,240 --> 00:13:23,160 Speaker 1: said skinny girl on it. But I was playing chess, 210 00:13:23,200 --> 00:13:26,040 Speaker 1: not checkers, and I made a full of myself, knowing 211 00:13:26,120 --> 00:13:29,680 Speaker 1: that that would help in hopefully moving product. And the 212 00:13:29,679 --> 00:13:31,880 Speaker 1: truth is I had nothing to lose. I was entirely broke. 213 00:13:32,280 --> 00:13:35,360 Speaker 1: So I put myself in that car. No one put 214 00:13:35,360 --> 00:13:37,400 Speaker 1: myself in that car, and no one found the drink, 215 00:13:37,480 --> 00:13:39,240 Speaker 1: and no one invented the drink, and no one found 216 00:13:39,280 --> 00:13:41,120 Speaker 1: the partner to do the drink, and no one made 217 00:13:41,120 --> 00:13:42,959 Speaker 1: it as a storyline, and no one got made fun 218 00:13:43,000 --> 00:13:45,480 Speaker 1: of at the charity event. I did that myself. Andy 219 00:13:45,520 --> 00:13:50,040 Speaker 1: did none of that, zero of that. And I also 220 00:13:50,360 --> 00:13:53,760 Speaker 1: left when it became toxic and disgusting, and Andy Cohen 221 00:13:53,800 --> 00:13:57,679 Speaker 1: came to my house and asked me, I don't want 222 00:13:57,679 --> 00:14:01,360 Speaker 1: to say pleaded with me, but you know, persistently tried 223 00:14:01,400 --> 00:14:04,760 Speaker 1: to convince me to come back because the show ratings 224 00:14:04,800 --> 00:14:07,400 Speaker 1: plummeted in the three years that I left. They went 225 00:14:07,440 --> 00:14:09,240 Speaker 1: from three million to I think it was one point 226 00:14:09,240 --> 00:14:12,000 Speaker 1: four or one point six million when I left. I 227 00:14:12,120 --> 00:14:13,920 Speaker 1: came back and they went back up to three point 228 00:14:14,000 --> 00:14:18,600 Speaker 1: one million, specifically when we went to Miami and I 229 00:14:18,720 --> 00:14:22,360 Speaker 1: was talking to Luan about Tom and then my Mexico trip, 230 00:14:22,400 --> 00:14:30,480 Speaker 1: that was my trip. So we can reconfigure and let 231 00:14:30,560 --> 00:14:32,240 Speaker 1: the truth get in the way of a good story 232 00:14:32,280 --> 00:14:34,840 Speaker 1: as much as we want in fairy tales and fantasies, 233 00:14:34,840 --> 00:14:38,520 Speaker 1: but in real life, Bethany Frankel made Bethany Frankel. Andy 234 00:14:38,560 --> 00:14:41,520 Speaker 1: Cohen didn't want me on the show, and Andy Cohen 235 00:14:41,520 --> 00:14:43,960 Speaker 1: had to ask me to come back, and Andy Cohen 236 00:14:44,080 --> 00:14:46,240 Speaker 1: really wanted me to come back the third time that 237 00:14:46,760 --> 00:14:51,360 Speaker 1: when I left, and he was the one who suggested 238 00:14:51,360 --> 00:14:53,080 Speaker 1: that I do a podcast because he'd be something great 239 00:14:53,120 --> 00:14:56,600 Speaker 1: to promote on the show, etc. Because he was trying 240 00:14:56,600 --> 00:14:58,760 Speaker 1: to find ways to get me to come back, which 241 00:14:58,840 --> 00:15:05,400 Speaker 1: I maybe not so politely declined. So let's let the 242 00:15:05,520 --> 00:15:07,680 Speaker 1: truth get in the way of the truth. If that's 243 00:15:07,720 --> 00:15:11,520 Speaker 1: okay with everybody else, Let's make the truth the good story, 244 00:15:11,600 --> 00:15:13,920 Speaker 1: cause it's the true story. It's the real story, and 245 00:15:14,000 --> 00:15:17,600 Speaker 1: it's my story. And I keep making Bethany Frankel, and 246 00:15:17,680 --> 00:15:20,640 Speaker 1: I am more successful now by if you're going by 247 00:15:20,760 --> 00:15:25,920 Speaker 1: monetary success, by three times three to four times the 248 00:15:25,920 --> 00:15:27,400 Speaker 1: amount of money I was making when I was on 249 00:15:27,440 --> 00:15:33,880 Speaker 1: the Housewives. Yeah, if you include my brand deals and 250 00:15:34,200 --> 00:15:40,200 Speaker 1: my partnerships MM four times. So thanks, good, no, thanks, 251 00:15:40,840 --> 00:15:47,080 Speaker 1: and sorry but not sorry. Have a good day.