1
00:00:02,520 --> 00:00:05,480
Speaker 1: Well, what's up this way up with Angela Yee and

2
00:00:05,600 --> 00:00:08,840
Speaker 1: leg My friend is in the building, Miss Alina Whitfield

3
00:00:08,920 --> 00:00:10,120
Speaker 1: is here about.

4
00:00:09,800 --> 00:00:13,080
Speaker 2: Goodbye, Jela. Thank you for having me back. I mean,

5
00:00:13,119 --> 00:00:14,440
Speaker 2: we're making this like a habit.

6
00:00:14,840 --> 00:00:18,279
Speaker 1: Listen, I love this for me, Okay, But I do

7
00:00:18,400 --> 00:00:19,960
Speaker 1: want to say, by the way, I love the fact

8
00:00:19,960 --> 00:00:21,840
Speaker 1: that you've been posting on social media.

9
00:00:21,960 --> 00:00:23,960
Speaker 3: I don't know who's doing it, if it's you or not, but.

10
00:00:24,160 --> 00:00:27,639
Speaker 2: I'm being more involved, yes, because with with the shy

11
00:00:27,840 --> 00:00:29,840
Speaker 2: and everything, it's so much going on in the world.

12
00:00:30,880 --> 00:00:32,160
Speaker 2: I have things I need to say.

13
00:00:32,640 --> 00:00:35,000
Speaker 1: Yeah, last time we spoke, you were like, I have

14
00:00:35,080 --> 00:00:37,879
Speaker 1: to be more on They keep telling me to post stuff. Yeah,

15
00:00:37,880 --> 00:00:39,760
Speaker 1: I love it, like yeah on there and I'm like,

16
00:00:39,800 --> 00:00:40,880
Speaker 1: look at Live with Field posted.

17
00:00:41,040 --> 00:00:42,840
Speaker 2: It's getting better, it's getting better.

18
00:00:43,240 --> 00:00:46,040
Speaker 3: More to do but Albany Road.

19
00:00:46,120 --> 00:00:49,680
Speaker 1: This movie is coming out today because this airs today Friday.

20
00:00:49,840 --> 00:00:52,320
Speaker 3: Yes, and it's in AMC theaters right.

21
00:00:52,360 --> 00:00:56,200
Speaker 2: Yeah, select ANC theaters in many cities. I think we're

22
00:00:56,240 --> 00:00:59,000
Speaker 2: on one hundred and thirty screens across the country, so

23
00:00:59,120 --> 00:01:01,960
Speaker 2: people just need to check can see which one we're in.

24
00:01:02,200 --> 00:01:05,520
Speaker 2: They can prop their feet up, have a little cocktail

25
00:01:05,800 --> 00:01:09,160
Speaker 2: or soda and you know visit with us.

26
00:01:09,600 --> 00:01:10,759
Speaker 3: You know, I do enjoy.

27
00:01:10,800 --> 00:01:12,560
Speaker 1: I'm glad you said that, because I do enjoy the

28
00:01:12,640 --> 00:01:15,240
Speaker 1: movie experience now where you can like order drinks and

29
00:01:15,280 --> 00:01:19,160
Speaker 1: food from your seat. Yeah, there's a time, yes that,

30
00:01:20,480 --> 00:01:22,400
Speaker 1: and this is definitely that type of movie.

31
00:01:22,440 --> 00:01:22,560
Speaker 2: Now.

32
00:01:22,600 --> 00:01:25,640
Speaker 1: It did win Best Feature Film at the Martha's Vineyard

33
00:01:25,680 --> 00:01:29,960
Speaker 1: African American Film Festival, which is a huge deal, and

34
00:01:30,040 --> 00:01:32,000
Speaker 1: I can see why you can't.

35
00:01:32,319 --> 00:01:33,840
Speaker 2: And we want other ones too.

36
00:01:34,360 --> 00:01:37,160
Speaker 1: We want about four the Detroit Black Film Festival. You

37
00:01:37,280 --> 00:01:40,360
Speaker 1: guys were were there at the Cambria Love That Hotel, Yes,

38
00:01:40,840 --> 00:01:43,440
Speaker 1: the Oak Park Black Film Festival, and the Golden Thumb

39
00:01:43,480 --> 00:01:45,039
Speaker 1: Award at Ebertfest.

40
00:01:45,360 --> 00:01:47,520
Speaker 3: Yes, yes, that's just some of them.

41
00:01:48,000 --> 00:01:52,480
Speaker 2: Yes, we want about four for Best Feature and on

42
00:01:52,600 --> 00:01:55,040
Speaker 2: the festival circuit so far, and so I want.

43
00:01:54,920 --> 00:01:55,600
Speaker 3: To talk about this.

44
00:01:56,240 --> 00:01:58,800
Speaker 1: I saw the comparisons like as a blend of Thelma

45
00:01:58,840 --> 00:02:01,240
Speaker 1: and Louise terms of damn It a dash that far ago.

46
00:02:01,600 --> 00:02:03,640
Speaker 1: It also kind of reminded me of plane trains and

47
00:02:03,640 --> 00:02:06,600
Speaker 1: automobiles a little bit. Yeah, if we know that movie

48
00:02:06,640 --> 00:02:09,000
Speaker 1: where it's like you have to get somewhere, but now

49
00:02:09,080 --> 00:02:11,560
Speaker 1: you're stuck driving with somebody in the car who maybe

50
00:02:11,600 --> 00:02:13,200
Speaker 1: you didn't want to be stuck driving with.

51
00:02:13,639 --> 00:02:18,240
Speaker 2: So we are so Renee Alice Goldsbury. People know her

52
00:02:18,320 --> 00:02:23,359
Speaker 2: from from Hamilton and you know Grammy Winner, Tony Winner.

53
00:02:24,120 --> 00:02:29,040
Speaker 2: We are stuck in the car together. She's an executive,

54
00:02:29,160 --> 00:02:31,920
Speaker 2: very ambitious, going to make the presentation of her life.

55
00:02:32,120 --> 00:02:34,280
Speaker 3: I respect it, she was, I know you.

56
00:02:36,560 --> 00:02:39,799
Speaker 2: Because you're my girl. You have a vision and you

57
00:02:39,880 --> 00:02:46,639
Speaker 2: could that's how we have way up with no right exactly.

58
00:02:46,800 --> 00:02:50,480
Speaker 2: So it's that kind of vision that she has for herself.

59
00:02:51,040 --> 00:02:54,560
Speaker 2: But she ends up having to rent a car with

60
00:02:54,760 --> 00:02:57,880
Speaker 2: a woman who is the mother of her ex fiance,

61
00:02:58,040 --> 00:03:01,640
Speaker 2: and the mother had something to do, right, So they're

62
00:03:01,720 --> 00:03:04,560
Speaker 2: stuck in a car together, and it's like funny it is,

63
00:03:04,680 --> 00:03:08,240
Speaker 2: it's like the odd couple. It's two women who really

64
00:03:08,480 --> 00:03:11,320
Speaker 2: don't want to speak to each other, don't have much

65
00:03:11,400 --> 00:03:14,799
Speaker 2: to say, don't really like each other, but need each other.

66
00:03:15,320 --> 00:03:17,680
Speaker 2: And what happens and how that the journey of them

67
00:03:18,080 --> 00:03:23,880
Speaker 2: gaining respect for each other and coming into a family

68
00:03:24,040 --> 00:03:30,560
Speaker 2: situation and you know, girl table scenes and families getting

69
00:03:30,639 --> 00:03:33,800
Speaker 2: get together for a family dinner. It can go up

70
00:03:34,440 --> 00:03:37,839
Speaker 2: or down, right or left, but you know, if people

71
00:03:37,880 --> 00:03:39,960
Speaker 2: are feeling some kind of way things come up and

72
00:03:40,080 --> 00:03:42,960
Speaker 2: come out. So it's all of that stuff all at

73
00:03:42,960 --> 00:03:43,600
Speaker 2: the same time.

74
00:03:43,960 --> 00:03:46,760
Speaker 1: You in the beginning of this movie and when people

75
00:03:46,920 --> 00:03:49,400
Speaker 1: go to see it in the theaters and select AMC theaters,

76
00:03:50,280 --> 00:03:52,880
Speaker 1: you were so rude when we ran into you at

77
00:03:52,880 --> 00:03:55,560
Speaker 1: the airport in the in the movie, Oh seeing how

78
00:03:55,720 --> 00:03:57,840
Speaker 1: rude you wear it to the people working at the airport.

79
00:03:57,880 --> 00:03:59,280
Speaker 3: But that's how people be at the airport.

80
00:03:59,640 --> 00:04:02,160
Speaker 2: I know, we get so cranky when you're trying to

81
00:04:02,240 --> 00:04:06,720
Speaker 2: get somewhere. And that was a snowstorm and she hadn't

82
00:04:06,760 --> 00:04:09,080
Speaker 2: gotten the best news, so she's coming to the airport.

83
00:04:09,680 --> 00:04:14,200
Speaker 2: And sometimes we just don't think about what we're saying

84
00:04:14,240 --> 00:04:17,080
Speaker 2: to other people or care that we're hurting their feelings.

85
00:04:17,320 --> 00:04:22,440
Speaker 2: We just need what we need. And so that person, well,

86
00:04:22,839 --> 00:04:27,920
Speaker 2: at first, Angela, you know, I like my lashes. I

87
00:04:28,120 --> 00:04:34,360
Speaker 2: like a little calmtour not to mention concealer, but this

88
00:04:34,680 --> 00:04:37,160
Speaker 2: is so have you ever seen me this?

89
00:04:39,279 --> 00:04:41,040
Speaker 3: I have not, ba you still look good to me.

90
00:04:42,040 --> 00:04:44,720
Speaker 2: Well, you see, angel just knows how to make me

91
00:04:44,839 --> 00:04:47,279
Speaker 2: feel like it's all okay.

92
00:04:47,440 --> 00:04:49,520
Speaker 3: Until you said that right now, I didn't even really

93
00:04:49,640 --> 00:04:51,640
Speaker 3: notice you did it. That's part of it. You still

94
00:04:51,760 --> 00:04:54,720
Speaker 3: look like the glamorous mom in that situation.

95
00:04:54,920 --> 00:04:58,840
Speaker 2: Oh my goodness. So it was fun for me to play,

96
00:04:59,240 --> 00:05:01,000
Speaker 2: but I had to f in the freedom in it,

97
00:05:01,720 --> 00:05:06,680
Speaker 2: and Christine Swanson, who's such a wonderful director, would help

98
00:05:06,760 --> 00:05:08,960
Speaker 2: me get there. And if I started to get too

99
00:05:09,400 --> 00:05:12,360
Speaker 2: haughty Toddy, like, you know, too much like Lady may

100
00:05:12,520 --> 00:05:15,919
Speaker 2: or Brandy Webbing and you know, pulled too pulled up,

101
00:05:16,560 --> 00:05:20,320
Speaker 2: she'd say, okay, folks, see folks, see I'm like okay,

102
00:05:20,800 --> 00:05:24,160
Speaker 2: and I'd go back to for you like this is

103
00:05:24,279 --> 00:05:25,960
Speaker 2: just the spirit of who I am. I know what

104
00:05:26,080 --> 00:05:29,800
Speaker 2: I've got, but the adjustment, because you know, the thing

105
00:05:29,839 --> 00:05:32,600
Speaker 2: about acting is you can find the spirit of who

106
00:05:32,680 --> 00:05:37,600
Speaker 2: you are through all kinds of characters, you know. So

107
00:05:37,800 --> 00:05:41,720
Speaker 2: finding Paula was another journey for me to find a

108
00:05:41,800 --> 00:05:45,960
Speaker 2: woman who was a little bit more simple and grounded

109
00:05:46,320 --> 00:05:47,960
Speaker 2: right than many that I've played.

110
00:05:48,279 --> 00:05:51,680
Speaker 1: Yeah, indeed, and you also are a mom in real

111
00:05:51,760 --> 00:05:55,400
Speaker 1: life too, so you can understand the being over protective

112
00:05:55,600 --> 00:05:55,839
Speaker 1: and not.

113
00:05:56,160 --> 00:05:59,080
Speaker 2: Of course, don't let nobody mess on my baby Grace

114
00:05:59,600 --> 00:06:02,280
Speaker 2: be the choice. Oh no, no, no, no, no no no,

115
00:06:02,960 --> 00:06:05,640
Speaker 2: I would I however, you know how you would be

116
00:06:05,680 --> 00:06:11,320
Speaker 2: different than your character. I however, would try to encourage

117
00:06:11,360 --> 00:06:14,560
Speaker 2: her to walk away from something that wasn't good for her.

118
00:06:14,640 --> 00:06:16,880
Speaker 2: I don't think I would be the kind of mother

119
00:06:17,120 --> 00:06:21,000
Speaker 2: that would get involved involved ands on.

120
00:06:21,680 --> 00:06:24,680
Speaker 3: Yeah, and she makes great decisions.

121
00:06:24,720 --> 00:06:26,960
Speaker 1: But let's talk about this as part of the theme

122
00:06:27,160 --> 00:06:30,480
Speaker 1: of this movie too, because your character as a mom, yes, right,

123
00:06:30,600 --> 00:06:33,880
Speaker 1: your son, you didn't want him to move to get

124
00:06:33,920 --> 00:06:38,320
Speaker 1: this exciting, wonderful job opportunity, so you did interfere.

125
00:06:38,360 --> 00:06:43,280
Speaker 2: I did so. Paula interfered because she wanted to be

126
00:06:43,440 --> 00:06:49,200
Speaker 2: sure that he had the things that were best for him,

127
00:06:49,800 --> 00:06:56,040
Speaker 2: and she was of the mindset that she knew better

128
00:06:56,160 --> 00:06:58,640
Speaker 2: than he did what was best for him.

129
00:06:58,960 --> 00:07:02,440
Speaker 3: And oftentimes are like that, meddling parents.

130
00:07:02,320 --> 00:07:08,960
Speaker 2: Meddling parents, meddling, wives and husbands meddling. Sometimes people just

131
00:07:10,320 --> 00:07:13,680
Speaker 2: aren't comfortable to give other people the space to make

132
00:07:13,720 --> 00:07:18,760
Speaker 2: their own decisions. They want to be they feel like

133
00:07:18,800 --> 00:07:20,640
Speaker 2: they know what's best and it just doesn't have to

134
00:07:20,720 --> 00:07:21,320
Speaker 2: be parental.

135
00:07:21,680 --> 00:07:23,920
Speaker 3: And sometimes it's selfish too. She didn't want her son to.

136
00:07:24,080 --> 00:07:29,080
Speaker 2: Move, yes, yes, that's true, and to be on her own,

137
00:07:29,160 --> 00:07:30,880
Speaker 2: that's true. So selfish.

138
00:07:31,040 --> 00:07:33,320
Speaker 1: And then I think maybe she knew things that nobody

139
00:07:33,400 --> 00:07:40,080
Speaker 1: else knew as well, but without giving away too much. Yeah, no, no, no,

140
00:07:40,320 --> 00:07:43,720
Speaker 1: no spoilers here, spoilers here. I mean, we're only talking

141
00:07:43,760 --> 00:07:45,840
Speaker 1: about the premise of the movies, just for people who

142
00:07:45,880 --> 00:07:46,360
Speaker 1: are listening.

143
00:07:47,280 --> 00:07:48,800
Speaker 3: And now, what drew you to this role?

144
00:07:50,800 --> 00:07:55,440
Speaker 2: Well, what her journey was? Number One? I laughed when

145
00:07:55,480 --> 00:08:00,960
Speaker 2: I read it. So I wanted to explore more of

146
00:08:01,040 --> 00:08:06,320
Speaker 2: the comedic part of my instrument, as they say, you know,

147
00:08:06,880 --> 00:08:10,120
Speaker 2: so I wanted to explore more of that, and it

148
00:08:10,280 --> 00:08:16,440
Speaker 2: is funny on the page. I had experienced some things

149
00:08:16,640 --> 00:08:20,680
Speaker 2: in my life, in my family's life, you know, with

150
00:08:20,880 --> 00:08:23,520
Speaker 2: my family, that I thought it would be good to

151
00:08:24,440 --> 00:08:28,160
Speaker 2: face and deal with some of those same things through

152
00:08:28,240 --> 00:08:32,199
Speaker 2: a character and see where it landed. You know. I

153
00:08:32,480 --> 00:08:38,120
Speaker 2: also loved that she didn't gravitate to this character, didn't

154
00:08:38,160 --> 00:08:45,720
Speaker 2: gravitate toward the toward glamour, toward you know, the superficial things.

155
00:08:46,320 --> 00:08:48,480
Speaker 2: That she was a different kind of grounded woman. So

156
00:08:48,559 --> 00:08:50,240
Speaker 2: I thought it would be a nice challenge for me.

157
00:08:50,800 --> 00:08:55,440
Speaker 2: And then when I talked to Christine Swanson, the director,

158
00:08:55,600 --> 00:09:01,360
Speaker 2: on the phone, I realized that she was smart, had

159
00:09:01,400 --> 00:09:06,240
Speaker 2: a real point of view, was collaborative because that's important

160
00:09:06,840 --> 00:09:10,400
Speaker 2: when you you know, create an environment for other people

161
00:09:10,480 --> 00:09:15,920
Speaker 2: to feel free to create, and she was secure enough

162
00:09:16,040 --> 00:09:20,559
Speaker 2: in herself as a director to allow that. So that

163
00:09:20,720 --> 00:09:22,920
Speaker 2: meant it left me some room to be creative in

164
00:09:23,000 --> 00:09:23,319
Speaker 2: it all.

165
00:09:23,520 --> 00:09:26,559
Speaker 3: You know what type of creative input did you have

166
00:09:26,720 --> 00:09:27,599
Speaker 3: that was important to this?

167
00:09:28,200 --> 00:09:32,600
Speaker 2: Well, I went shopping. I would go shopping on the weekends.

168
00:09:33,400 --> 00:09:38,559
Speaker 2: I costumed most of myself in this movie because she

169
00:09:38,679 --> 00:09:42,000
Speaker 2: couldn't look like she was aware of what she looks like.

170
00:09:42,760 --> 00:09:45,079
Speaker 2: And it had to just be really comfortable.

171
00:09:45,240 --> 00:09:53,720
Speaker 3: Okay, so the code mm hmm cab okay.

172
00:09:54,280 --> 00:09:58,319
Speaker 2: All of that, what she was crocheting, it had to

173
00:09:58,440 --> 00:10:01,839
Speaker 2: be something that she was really comfortable with. That this

174
00:10:02,000 --> 00:10:03,839
Speaker 2: was a woman who was comfortable in her skin and

175
00:10:03,880 --> 00:10:06,839
Speaker 2: all that. So that that was part of it. And

176
00:10:06,960 --> 00:10:10,480
Speaker 2: there's some things I can't uh it would be a spoiler,

177
00:10:11,120 --> 00:10:15,760
Speaker 2: but there are quiet moments that she had that were

178
00:10:15,800 --> 00:10:21,160
Speaker 2: improvisations and other moments that were that she allowed us

179
00:10:21,240 --> 00:10:26,360
Speaker 2: to improvise. And add you know, when people are secure

180
00:10:27,240 --> 00:10:31,160
Speaker 2: and you work together in a group environment, it makes

181
00:10:31,280 --> 00:10:34,160
Speaker 2: all the difference, I bet, because nobody you know.

182
00:10:34,480 --> 00:10:36,720
Speaker 3: Yeah, for her to say that's a great idea, let's

183
00:10:36,760 --> 00:10:37,199
Speaker 3: remember that.

184
00:10:38,120 --> 00:10:40,679
Speaker 1: Yeah, and you're playing this character, you've been reading it,

185
00:10:40,760 --> 00:10:42,800
Speaker 1: living with it, so you kind of get a sense

186
00:10:42,880 --> 00:10:43,719
Speaker 1: for what she would do.

187
00:10:44,160 --> 00:10:46,199
Speaker 2: Oh yeah, I would wear But it's the same with

188
00:10:46,360 --> 00:10:51,839
Speaker 2: all creatives, you know, in your work anywhere, when people

189
00:10:51,960 --> 00:10:55,480
Speaker 2: are secure in their vision, it's all right for other

190
00:10:55,559 --> 00:10:57,880
Speaker 2: people to have vision, right, And we tried it. It

191
00:10:57,920 --> 00:11:00,560
Speaker 2: doesn't work, It doesn't work, but if it works, yeah,

192
00:11:00,640 --> 00:11:01,560
Speaker 2: let's keep what's good.

193
00:11:02,880 --> 00:11:04,679
Speaker 1: And now you said that you were able to like

194
00:11:04,760 --> 00:11:06,319
Speaker 1: tap in and it kind of reminded you of some

195
00:11:06,440 --> 00:11:07,800
Speaker 1: of your family dynamics.

196
00:11:07,960 --> 00:11:09,040
Speaker 3: Yes, what did you mean by that?

197
00:11:10,360 --> 00:11:12,480
Speaker 2: Well, you'll have to see the movie and then when

198
00:11:12,600 --> 00:11:15,079
Speaker 2: we when we talk about my next project, then.

199
00:11:15,160 --> 00:11:17,320
Speaker 3: You can ask back, bring it back, and then you can.

200
00:11:17,280 --> 00:11:18,080
Speaker 2: Bring it back around.

201
00:11:18,520 --> 00:11:21,600
Speaker 1: You can bring it back around going places talking about

202
00:11:21,880 --> 00:11:24,400
Speaker 1: well because it'll be a spoiler. Okay, we can't do that.

203
00:11:24,640 --> 00:11:26,640
Speaker 2: Yeah, so we can't do that. That's the only thing.

204
00:11:27,160 --> 00:11:32,679
Speaker 2: But I will just say that part of and I

205
00:11:32,720 --> 00:11:35,319
Speaker 2: think I've told you this before, part of what I do,

206
00:11:35,880 --> 00:11:40,040
Speaker 2: part of what acting is for me is a service position,

207
00:11:40,760 --> 00:11:44,800
Speaker 2: because it's my job to bring the truth of the

208
00:11:44,920 --> 00:11:48,920
Speaker 2: human being to the surface. So whether or not it's

209
00:11:50,120 --> 00:11:54,880
Speaker 2: inspiring you to want to be like this person or

210
00:11:54,960 --> 00:11:59,200
Speaker 2: discouraging you like, this is a mistake, This is a meddling, mom,

211
00:11:59,440 --> 00:12:02,199
Speaker 2: you don't want that. Look, the consequence for that was

212
00:12:02,280 --> 00:12:05,040
Speaker 2: that you it created distance between you and your son.

213
00:12:05,480 --> 00:12:11,200
Speaker 2: That's not a giveaway. So in some of what Paula

214
00:12:11,360 --> 00:12:15,199
Speaker 2: goes through in this film, it's I have to be

215
00:12:15,320 --> 00:12:22,120
Speaker 2: of service to actually bring it unfiltered and straight up

216
00:12:23,080 --> 00:12:27,600
Speaker 2: and really explore what she might be going through for real.

217
00:12:28,280 --> 00:12:30,839
Speaker 2: And that's great. And that's where it flips from, you know,

218
00:12:31,360 --> 00:12:35,800
Speaker 2: from comedy to dramedy to and back again. Yeah.

219
00:12:36,280 --> 00:12:38,400
Speaker 3: No, it's nice to be able to feel those emotions

220
00:12:38,440 --> 00:12:39,480
Speaker 3: but also be able to laugh.

221
00:12:40,000 --> 00:12:45,760
Speaker 2: Oh my god, can you think of a time in

222
00:12:46,000 --> 00:12:49,680
Speaker 2: history that we perhaps need to have a good laugh anymore?

223
00:12:50,240 --> 00:12:53,439
Speaker 3: Let me tell you, I can't believe. I just oh

224
00:12:53,600 --> 00:12:56,360
Speaker 3: you better, child, listen.

225
00:12:56,760 --> 00:12:59,640
Speaker 1: I was like, I just need a moment because it

226
00:12:59,760 --> 00:13:03,040
Speaker 1: does make you want to like certain things are that

227
00:13:03,160 --> 00:13:05,120
Speaker 1: I'm watching like that are And I saw you post

228
00:13:05,160 --> 00:13:07,880
Speaker 1: a lot of things about voting, and that's how I

229
00:13:08,000 --> 00:13:11,760
Speaker 1: was like, yes, miss lin Wickfield, but encouraging people to

230
00:13:11,840 --> 00:13:14,280
Speaker 1: make sure they are involved in this process, and it's

231
00:13:14,320 --> 00:13:16,600
Speaker 1: like some things are so ridiculous that it's like, damn

232
00:13:16,600 --> 00:13:20,160
Speaker 1: I want to laugh at this, but it's also scary, yes,

233
00:13:20,400 --> 00:13:22,120
Speaker 1: and it's like what is about to I really do

234
00:13:22,200 --> 00:13:23,480
Speaker 1: feel like what is about to happen?

235
00:13:23,840 --> 00:13:24,880
Speaker 3: But then it also makes me.

236
00:13:24,960 --> 00:13:29,199
Speaker 1: Feel really energized and knowing that we have a lot

237
00:13:29,240 --> 00:13:30,599
Speaker 1: that we need to do to make sure that we

238
00:13:30,679 --> 00:13:31,959
Speaker 1: are good and secure.

239
00:13:32,520 --> 00:13:35,520
Speaker 2: Yes, and you know, to make sure that we're good

240
00:13:35,600 --> 00:13:41,079
Speaker 2: and secure. And you know where you are in the world,

241
00:13:41,320 --> 00:13:45,720
Speaker 2: you know the people who listen to you, who talk

242
00:13:45,960 --> 00:13:51,880
Speaker 2: to you. I feel like we all need to listen

243
00:13:52,000 --> 00:13:57,040
Speaker 2: to each other more. We need to say you good,

244
00:13:58,440 --> 00:14:00,640
Speaker 2: how are you feeling? What do you need you know?

245
00:14:01,320 --> 00:14:08,360
Speaker 2: Because maybe some things were missed in terms of hearing.

246
00:14:10,120 --> 00:14:13,760
Speaker 2: But yes, right, that's why right now, I think it

247
00:14:13,960 --> 00:14:16,880
Speaker 2: is just so great when we can come up with

248
00:14:17,040 --> 00:14:21,280
Speaker 2: spaces of time where we're not thinking about this. Yeah,

249
00:14:21,360 --> 00:14:26,440
Speaker 2: we need it because we can't fixate in a way,

250
00:14:26,520 --> 00:14:28,800
Speaker 2: because there's some things we don't have control over until

251
00:14:28,800 --> 00:14:33,720
Speaker 2: it's time to vote again, we can't fixate on things.

252
00:14:33,800 --> 00:14:37,760
Speaker 2: We just need to you know, live our lives.

253
00:14:38,080 --> 00:14:40,880
Speaker 1: And I think even sewing the power that we have,

254
00:14:41,320 --> 00:14:43,520
Speaker 1: like going to see this movie Albany Row, going to

255
00:14:43,640 --> 00:14:46,520
Speaker 1: the theaters and make making sure that you show people

256
00:14:46,760 --> 00:14:50,080
Speaker 1: how much our dollars matter, how much our stories matter,

257
00:14:50,160 --> 00:14:52,040
Speaker 1: so that more of these stories can be told.

258
00:14:52,440 --> 00:14:54,080
Speaker 3: That's important and that's impacting.

259
00:14:54,520 --> 00:14:59,720
Speaker 2: But you know, and what is impressive about this movie

260
00:15:00,440 --> 00:15:04,280
Speaker 2: is that Michael Swanson and Christine Swanson paid for this

261
00:15:04,440 --> 00:15:07,560
Speaker 2: movie themselves. Well with their money.

262
00:15:07,680 --> 00:15:08,960
Speaker 3: We have to make sure we support this.

263
00:15:09,240 --> 00:15:13,640
Speaker 2: They financed the movie. They're distributing this movie in partnership

264
00:15:13,680 --> 00:15:17,360
Speaker 2: with AMC Theaters. And they believe in their stories. And

265
00:15:17,600 --> 00:15:22,600
Speaker 2: Christine Swanson is a woman. She took time off, raised

266
00:15:22,600 --> 00:15:25,760
Speaker 2: her four kids, took fifteen years off, and then came

267
00:15:25,800 --> 00:15:28,880
Speaker 2: back directing television, you know, and episodics and all of that.

268
00:15:29,520 --> 00:15:33,560
Speaker 2: But I need to tell my stories. I need and

269
00:15:33,640 --> 00:15:38,320
Speaker 2: she's a writer and director. So and the great thing

270
00:15:38,480 --> 00:15:43,120
Speaker 2: is this is not about This movie is just about interesting,

271
00:15:43,760 --> 00:15:51,880
Speaker 2: colorful people who are black people. They who have a need,

272
00:15:53,440 --> 00:15:57,080
Speaker 2: they want something, they have obstacles to something, and they

273
00:15:57,160 --> 00:16:00,640
Speaker 2: find ways to get it with themes of like, you know,

274
00:16:00,760 --> 00:16:06,080
Speaker 2: we can't live in fear, you know, And it's just

275
00:16:06,240 --> 00:16:12,720
Speaker 2: like interesting people. I mean, Joe, oh, you know this

276
00:16:12,960 --> 00:16:18,600
Speaker 2: back back, backwoodsman who's like growing organics and stuff. We

277
00:16:18,640 --> 00:16:23,160
Speaker 2: won't say that, like it's like, okay, I mean you know,

278
00:16:23,600 --> 00:16:25,600
Speaker 2: oh yeah, we can't. I didn't want to give it away.

279
00:16:25,680 --> 00:16:29,840
Speaker 2: But I mean, you know, like this backwoodsman dude, black

280
00:16:29,960 --> 00:16:34,600
Speaker 2: man who just you know, just growing weed and living

281
00:16:34,640 --> 00:16:37,640
Speaker 2: his life. A man a few words, but funny as hell.

282
00:16:38,200 --> 00:16:43,680
Speaker 2: He's so funny, you know. Uh. The his wife played

283
00:16:43,800 --> 00:16:47,760
Speaker 2: by Lisa Arundel, who saw it. We were in Media's

284
00:16:47,760 --> 00:16:51,680
Speaker 2: Family Union together. I mean it's great, you know, all

285
00:16:51,760 --> 00:16:56,240
Speaker 2: the organic food and all the yogun and all the

286
00:16:57,880 --> 00:17:00,480
Speaker 2: I mean we have friends. Like that's like, don't spoil

287
00:17:00,520 --> 00:17:04,359
Speaker 2: a party for me, right, I know I want a

288
00:17:04,440 --> 00:17:06,560
Speaker 2: chicken wing. Would you just leave me alone and don't

289
00:17:06,840 --> 00:17:09,320
Speaker 2: try to imp I won't impose if you don't impose.

290
00:17:09,520 --> 00:17:12,480
Speaker 3: Listen, you know sometimes you just need a chicken wing

291
00:17:13,200 --> 00:17:14,159
Speaker 3: and it is what it is.

292
00:17:14,320 --> 00:17:17,960
Speaker 1: Don't be a judgmental Thank you very much, But you

293
00:17:18,040 --> 00:17:20,399
Speaker 1: know you're right, like having our stories told from our

294
00:17:20,480 --> 00:17:24,960
Speaker 1: point of view, that's important. And I think as people

295
00:17:25,080 --> 00:17:28,720
Speaker 1: now are trying to erase our existence, how we got here,

296
00:17:29,320 --> 00:17:34,600
Speaker 1: what our past has been, opportunities even saying okay, if

297
00:17:34,720 --> 00:17:37,760
Speaker 1: you are given opportunities, because the truth is like, due

298
00:17:37,800 --> 00:17:39,800
Speaker 1: to the history of things that have happened in this country.

299
00:17:39,920 --> 00:17:43,080
Speaker 1: We do have less opportunities and more obstacles, but we

300
00:17:43,200 --> 00:17:45,800
Speaker 1: can also work towards fix it. It doesn't have to

301
00:17:45,840 --> 00:17:49,320
Speaker 1: be something that we're ashamed of its facts. It's what happened.

302
00:17:49,359 --> 00:17:54,159
Speaker 2: But I remember we sat in New York. I know,

303
00:17:54,320 --> 00:17:57,199
Speaker 2: we were all in Los Angeles, Yes, and you had

304
00:17:57,359 --> 00:18:00,880
Speaker 2: several of your friends there from different walks of life,

305
00:18:01,280 --> 00:18:05,520
Speaker 2: and we were sitting there and people I knew it

306
00:18:05,640 --> 00:18:09,440
Speaker 2: came up from all different walks of life. I don't

307
00:18:09,480 --> 00:18:12,240
Speaker 2: know what some of the professions were, but we all

308
00:18:12,640 --> 00:18:15,879
Speaker 2: but we all had a good time. We did and

309
00:18:16,040 --> 00:18:20,639
Speaker 2: we had a laugh and we shared and it wasn't

310
00:18:20,760 --> 00:18:26,439
Speaker 2: about any oppressive external forces. We didn't talk about anything

311
00:18:26,920 --> 00:18:29,760
Speaker 2: that was. It was just all about it as we were.

312
00:18:30,000 --> 00:18:32,480
Speaker 3: We happened to be in the hotel lobby just yea.

313
00:18:32,880 --> 00:18:34,400
Speaker 2: Happened to be our wit.

314
00:18:35,640 --> 00:18:36,439
Speaker 3: It was just us.

315
00:18:37,000 --> 00:18:40,440
Speaker 2: So that's the kind of movie this is' and I

316
00:18:40,560 --> 00:18:46,200
Speaker 2: think we need to just see ourselves not reacting to

317
00:18:46,359 --> 00:18:49,040
Speaker 2: any exterior forces.

318
00:18:48,840 --> 00:18:50,280
Speaker 3: Just existing, just existing.

319
00:18:51,119 --> 00:18:54,320
Speaker 2: We need more of that, and it's it's a shame

320
00:18:54,440 --> 00:18:56,320
Speaker 2: that that could be escapism.

321
00:18:56,560 --> 00:18:58,280
Speaker 1: I'm not gonna lie, but sitting next to you texting

322
00:18:58,280 --> 00:18:59,359
Speaker 1: people like y'all won't believe this.

323
00:19:01,240 --> 00:19:04,840
Speaker 3: I'm here, miss lit Whitfield. We'll talk about it tomorrow.

324
00:19:06,000 --> 00:19:07,240
Speaker 2: But you know, at the end of the day, I

325
00:19:07,320 --> 00:19:10,040
Speaker 2: mean that was the beginning of a friendship, right, yes,

326
00:19:10,119 --> 00:19:12,639
Speaker 2: And so we sat and it was just so so

327
00:19:12,960 --> 00:19:16,440
Speaker 2: nice and easy and we talked like that to this day.

328
00:19:17,240 --> 00:19:22,800
Speaker 2: That's I think we need more of that storytelling in

329
00:19:22,920 --> 00:19:26,560
Speaker 2: the art that we experience, you know, right now.

330
00:19:27,119 --> 00:19:29,920
Speaker 1: And for you doing this, I was also thinking maybe

331
00:19:30,000 --> 00:19:32,359
Speaker 1: you were like there was that meme that would go

332
00:19:32,440 --> 00:19:34,520
Speaker 1: around where it was like, I've never seen Limit Field not.

333
00:19:34,600 --> 00:19:38,000
Speaker 2: Be like a yeah, she may play a lot of things,

334
00:19:38,040 --> 00:19:40,240
Speaker 2: but live with Field never played broke never.

335
00:19:40,640 --> 00:19:42,520
Speaker 1: And I was like, okay, not that you were broke

336
00:19:42,640 --> 00:19:45,320
Speaker 1: in this at all by any means, but I was like, maybe,

337
00:19:45,640 --> 00:19:48,440
Speaker 1: you know, looking at that means it's not a self awareness.

338
00:19:48,440 --> 00:19:53,359
Speaker 2: It's not an awareness of how you're presenting in space

339
00:19:54,240 --> 00:19:59,359
Speaker 2: like Lady May was or Brandy Webb was, or even

340
00:20:01,080 --> 00:20:07,080
Speaker 2: Baptiste and eaves by you. I mean we justin Batist.

341
00:20:07,160 --> 00:20:09,960
Speaker 1: Yeah. We saw Debbie Morgan up here and she was like,

342
00:20:10,040 --> 00:20:13,480
Speaker 1: I gotta go say hi because as you which is

343
00:20:13,560 --> 00:20:14,159
Speaker 1: exciting to.

344
00:20:14,200 --> 00:20:18,000
Speaker 2: Have both yeah, oh, very exciting. Yeah, we didn't know

345
00:20:18,119 --> 00:20:21,600
Speaker 2: when we did that we were making a classic, you know.

346
00:20:21,840 --> 00:20:24,000
Speaker 1: And think about it, like the two of you happened

347
00:20:24,040 --> 00:20:26,040
Speaker 1: to be up here at the same time with projects,

348
00:20:26,240 --> 00:20:28,840
Speaker 1: you know, ongoing, Like you know how amazing that is

349
00:20:29,400 --> 00:20:32,879
Speaker 1: to see this decades later, Like here we are running

350
00:20:32,880 --> 00:20:34,080
Speaker 1: into each other doing press.

351
00:20:34,119 --> 00:20:35,560
Speaker 3: That's incredible.

352
00:20:35,880 --> 00:20:40,680
Speaker 2: Also, I love that. Yeah, I love that. Angel If

353
00:20:40,840 --> 00:20:45,720
Speaker 2: God says the same, I can't imagine that I'll ever

354
00:20:47,240 --> 00:20:51,159
Speaker 2: want to not be telling stories. I just can't imagine it.

355
00:20:51,720 --> 00:20:56,760
Speaker 2: I I it's so much fun to jump into other

356
00:20:56,880 --> 00:21:03,240
Speaker 2: people's scan, other people's sensibility, other people's action. I can, like,

357
00:21:03,520 --> 00:21:06,720
Speaker 2: you know, I can whip somebody's ass in a movie

358
00:21:07,160 --> 00:21:09,160
Speaker 2: and not have any consequence.

359
00:21:08,840 --> 00:21:10,480
Speaker 3: Right, and then go to Magic City and.

360
00:21:13,440 --> 00:21:16,000
Speaker 2: Then and you have nothing, and then you know, reap

361
00:21:16,080 --> 00:21:22,200
Speaker 2: the benefit of you know, my fandom, you know, and

362
00:21:22,359 --> 00:21:25,480
Speaker 2: be forgiven for it all. I mean, it's so much fun. Yes,

363
00:21:25,560 --> 00:21:29,440
Speaker 2: it's so much It's such a blessing to have a

364
00:21:29,560 --> 00:21:30,560
Speaker 2: passion for something.

365
00:21:31,080 --> 00:21:33,200
Speaker 1: And you know, I think and I appreciate you so

366
00:21:33,359 --> 00:21:35,600
Speaker 1: much for how you showed up when we did Lift service,

367
00:21:36,080 --> 00:21:39,159
Speaker 1: because I think the Lynn Whitfield story is it too,

368
00:21:39,880 --> 00:21:44,639
Speaker 1: like that alone is a movie, a few different movies,

369
00:21:45,040 --> 00:21:46,920
Speaker 1: but you know, for you to be open about like

370
00:21:47,040 --> 00:21:50,000
Speaker 1: things in your life and talk about that and share

371
00:21:50,040 --> 00:21:52,560
Speaker 1: that with the world. You know, people know who you are,

372
00:21:52,720 --> 00:21:55,520
Speaker 1: they know your roles, But then who is Menn Whitfield

373
00:21:55,760 --> 00:21:56,600
Speaker 1: outside of all that?

374
00:21:56,760 --> 00:21:58,600
Speaker 3: And I think that's the fascinating.

375
00:21:58,200 --> 00:22:02,000
Speaker 2: I think that. I think it's you know, from the

376
00:22:02,119 --> 00:22:06,920
Speaker 2: generation that I come from and in acting, you know,

377
00:22:07,480 --> 00:22:10,440
Speaker 2: we it wasn't so much about producing our own work

378
00:22:10,520 --> 00:22:15,320
Speaker 2: as much, and it wasn't as much about you know,

379
00:22:15,560 --> 00:22:18,359
Speaker 2: revelation or maybe it was just me and my southern

380
00:22:18,920 --> 00:22:24,920
Speaker 2: family pride or whatever. But you don't just you don't

381
00:22:25,000 --> 00:22:29,960
Speaker 2: start talking about self. But in that environment, I felt,

382
00:22:30,119 --> 00:22:33,840
Speaker 2: I don't know how, probably because of you and we

383
00:22:33,960 --> 00:22:38,040
Speaker 2: had Why I had my saki, I asked forsaki, y'all

384
00:22:38,119 --> 00:22:40,600
Speaker 2: had my saki as I did that, and I felt

385
00:22:40,640 --> 00:22:43,760
Speaker 2: comfortable that I did not stop zipping the whole time.

386
00:22:43,960 --> 00:22:46,800
Speaker 1: That was wrong, But you know, we need that and

387
00:22:46,920 --> 00:22:50,200
Speaker 1: I love and I think even in the spirit of sisterhood,

388
00:22:50,640 --> 00:22:52,640
Speaker 1: to be able to sit down and talk to each

389
00:22:52,640 --> 00:22:55,280
Speaker 1: other and love each other and tell stories and have

390
00:22:55,400 --> 00:22:56,000
Speaker 1: a good time and.

391
00:22:56,119 --> 00:22:58,800
Speaker 2: Share things and you know what I else. It's I

392
00:22:58,920 --> 00:23:02,200
Speaker 2: think I think if I went through it, like the

393
00:23:02,320 --> 00:23:06,359
Speaker 2: Indians say, you know, if you sacrifice an animal, okay,

394
00:23:06,840 --> 00:23:10,960
Speaker 2: but in the sacrifice, don't let anything be wasted. So

395
00:23:11,200 --> 00:23:18,000
Speaker 2: sometimes I think if I can have the it's not courage,

396
00:23:18,040 --> 00:23:21,959
Speaker 2: is something else or lack of pride, lack of something

397
00:23:22,040 --> 00:23:24,400
Speaker 2: to actually say this is what I went through.

398
00:23:24,560 --> 00:23:26,960
Speaker 3: It may help somebody, right, it's raw honesty.

399
00:23:27,400 --> 00:23:29,399
Speaker 2: Yeah that if I can say this is how it

400
00:23:29,440 --> 00:23:31,879
Speaker 2: would You're not the only one. You look at me

401
00:23:31,960 --> 00:23:36,399
Speaker 2: and admire me. But I went through some things and

402
00:23:36,520 --> 00:23:41,119
Speaker 2: it helps someone to make maybe a better choice than

403
00:23:41,119 --> 00:23:42,320
Speaker 2: I did. I think that's a good thing.

404
00:23:42,640 --> 00:23:44,240
Speaker 1: Although you know, we all need to bump our own

405
00:23:44,280 --> 00:23:47,439
Speaker 1: heads too. Oh yeah, and we're gonna keep.

406
00:23:47,320 --> 00:23:48,280
Speaker 3: On doing it. And it's not.

407
00:23:49,880 --> 00:23:54,080
Speaker 2: Until it's gonna be hard headed, you know, until we

408
00:23:54,200 --> 00:23:56,919
Speaker 2: stop repeating that which isn't good for us.

409
00:23:57,000 --> 00:24:00,240
Speaker 3: I guess now we all know this Albany Road role.

410
00:24:00,280 --> 00:24:02,920
Speaker 1: It's a different type of role for you, right, So

411
00:24:03,160 --> 00:24:05,320
Speaker 1: does this mean that now you're going to be kind

412
00:24:05,359 --> 00:24:08,800
Speaker 1: of trying to maybe do more with no concealer?

413
00:24:09,000 --> 00:24:14,800
Speaker 2: And girl, know this, I mean this one done. I'm

414
00:24:14,840 --> 00:24:16,719
Speaker 2: not saying it's one and done. It's made me more

415
00:24:16,840 --> 00:24:21,399
Speaker 2: fearless to see myself that way. But I I don't know.

416
00:24:21,480 --> 00:24:24,040
Speaker 2: It depends on what the role I'm not. I'm not

417
00:24:24,400 --> 00:24:28,160
Speaker 2: looking for roles, right, let me get raw, and I'm

418
00:24:28,240 --> 00:24:30,639
Speaker 2: not looking for rolls where I when I.

419
00:24:30,880 --> 00:24:33,240
Speaker 3: I didn't, I honestly did not see that, like I

420
00:24:33,400 --> 00:24:33,800
Speaker 3: wasn't like.

421
00:24:33,960 --> 00:24:36,200
Speaker 2: No, well, you know what I think if I keep

422
00:24:36,280 --> 00:24:40,520
Speaker 2: doing my my my light therapy masks and all of

423
00:24:40,680 --> 00:24:44,919
Speaker 2: that tell us the secrets, I love it, but infrared

424
00:24:45,200 --> 00:24:48,200
Speaker 2: and the whitest tightening in the blue.

425
00:24:48,040 --> 00:24:49,440
Speaker 3: Okay, it's working like that.

426
00:24:49,720 --> 00:24:53,560
Speaker 2: So so so if I think the thing is it's

427
00:24:53,600 --> 00:24:55,280
Speaker 2: just try to get as healthy as you can that

428
00:24:55,400 --> 00:24:57,840
Speaker 2: you don't need so much concealer and all of that

429
00:24:58,480 --> 00:25:04,000
Speaker 2: that that your natural self is okay. But no, I

430
00:25:04,080 --> 00:25:08,160
Speaker 2: think I'll just be always want striving to be because

431
00:25:08,160 --> 00:25:10,000
Speaker 2: I've never seen it. I just don't want it to

432
00:25:10,080 --> 00:25:13,240
Speaker 2: be a hard work, right, And I think that's about

433
00:25:13,280 --> 00:25:13,840
Speaker 2: being healthy.

434
00:25:14,160 --> 00:25:16,320
Speaker 3: Where it's like, if you see me without this, I

435
00:25:16,400 --> 00:25:18,639
Speaker 3: look crazy. You don't want that you want to still look.

436
00:25:18,920 --> 00:25:22,000
Speaker 2: Well, yeah, I think we shouldn't have to depend on things.

437
00:25:21,840 --> 00:25:23,960
Speaker 1: That you know you got to you know what, I tried,

438
00:25:23,960 --> 00:25:25,159
Speaker 1: and I want to do this again. I did it

439
00:25:25,200 --> 00:25:27,960
Speaker 1: one time the Morpheus. It's like a micro needling.

440
00:25:28,280 --> 00:25:31,520
Speaker 2: Yes, have you heard of that. Your micro needling is good? Yeah,

441
00:25:31,600 --> 00:25:34,040
Speaker 2: and they even have the little machines that you can

442
00:25:34,119 --> 00:25:34,840
Speaker 2: do at home.

443
00:25:35,000 --> 00:25:36,000
Speaker 3: Oh really, but it is.

444
00:25:36,280 --> 00:25:38,840
Speaker 2: It does encourage a collagen.

445
00:25:38,840 --> 00:25:41,399
Speaker 1: Exactly, and it also makes you poor is smaller, and

446
00:25:41,520 --> 00:25:43,639
Speaker 1: I think that's helpful. So yeah, I'm gonna do that

447
00:25:43,800 --> 00:25:45,480
Speaker 1: again because that's great.

448
00:25:45,960 --> 00:25:48,360
Speaker 2: And you can do it at home again as well.

449
00:25:48,440 --> 00:25:51,320
Speaker 2: They have small instruments that are good for home.

450
00:25:51,640 --> 00:25:52,920
Speaker 1: We need to get to your house and see. I

451
00:25:52,960 --> 00:25:54,840
Speaker 1: want to see what's what's going on in your house?

452
00:25:56,880 --> 00:26:00,280
Speaker 1: Miss Linn whip Fields. I appreciate you so much as always.

453
00:26:00,320 --> 00:26:03,720
Speaker 1: Congratulations on Aubany Road. Honestly, like y'all make sure you

454
00:26:03,800 --> 00:26:06,440
Speaker 1: go check it out to day and limited AMC theaters.

455
00:26:07,000 --> 00:26:08,680
Speaker 1: We got to support this for all of the reasons

456
00:26:08,720 --> 00:26:09,560
Speaker 1: that we just discussed.

457
00:26:09,600 --> 00:26:12,520
Speaker 2: But if anything, because you'll have a good time and

458
00:26:12,600 --> 00:26:13,240
Speaker 2: be entertained.

459
00:26:13,320 --> 00:26:16,040
Speaker 3: You'll have a good time. You're gonna laugh, you're gonna cry,

460
00:26:16,160 --> 00:26:19,159
Speaker 3: you're gonna love everybody who's in your life just a

461
00:26:19,200 --> 00:26:19,800
Speaker 3: little bit more.

462
00:26:20,040 --> 00:26:25,280
Speaker 2: I know. Like the tagline says, take the journey you

463
00:26:25,359 --> 00:26:26,200
Speaker 2: didn't know you need it.

464
00:26:26,359 --> 00:26:27,800
Speaker 3: Woo Woo's night.

465
00:26:28,080 --> 00:26:30,760
Speaker 2: So yeah, I think I think it's a journey that

466
00:26:30,840 --> 00:26:34,040
Speaker 2: everybody needs to take, and you'll have fun.

467
00:26:34,240 --> 00:26:35,960
Speaker 3: And you know what else I learned. If you have

468
00:26:36,040 --> 00:26:37,919
Speaker 3: a huge presentation, go the night before.

469
00:26:38,200 --> 00:26:40,440
Speaker 1: Okay, don't wait till the morning for your flight to

470
00:26:40,480 --> 00:26:42,160
Speaker 1: get canceled because of bad weather.

471
00:26:42,720 --> 00:26:45,200
Speaker 3: Try to get there, especially when it's important. I'm gonna

472
00:26:45,200 --> 00:26:47,120
Speaker 3: tell you that. Yeah, but then maybe this movie would

473
00:26:47,160 --> 00:26:47,760
Speaker 3: have never happened.

474
00:26:47,880 --> 00:26:50,280
Speaker 2: Well that's it, but that is but that is a

475
00:26:50,320 --> 00:26:53,440
Speaker 2: good lesson to take. Get there a few days earlier, get.

476
00:26:53,840 --> 00:26:56,040
Speaker 3: If it's that important. Don't wait to the last minute.

477
00:26:56,200 --> 00:26:57,399
Speaker 2: Wait till the last minute.

478
00:26:57,480 --> 00:27:00,199
Speaker 1: No, all right, guys, Well thank you so much. Lin

479
00:27:00,280 --> 00:27:02,800
Speaker 1: Whiphil who is a regular up here right now. She's

480
00:27:02,800 --> 00:27:05,000
Speaker 1: a friend of mine, guys, Yeah, it's way up.

481
00:27:05,080 --> 00:27:11,200
Speaker 2: Yeah, I mean, Angelie's a friend of mine. Well,