WEBVTT - Saint Swithin's Revenge

0:00:03.000 --> 0:00:06.760
<v Speaker 1>Welcome to Stuff to Blow Your Mind, production of iHeartRadio.

0:00:12.840 --> 0:00:15.319
<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind. My name

0:00:15.360 --> 0:00:16.440
<v Speaker 2>is Robert Lamb.

0:00:16.320 --> 0:00:19.120
<v Speaker 3>And I am Joe McCormick. And today on the show,

0:00:19.239 --> 0:00:21.360
<v Speaker 3>we are going to be doing a holiday episode, but

0:00:21.440 --> 0:00:24.479
<v Speaker 3>not on the holiday itself. Today we are talking about

0:00:24.760 --> 0:00:28.479
<v Speaker 3>Saint Swithin's Day and its namesake, Saint Swithin.

0:00:29.160 --> 0:00:31.720
<v Speaker 2>That's right. We were originally going to put this episode

0:00:31.720 --> 0:00:35.440
<v Speaker 2>out on July fifteenth to correspond with Saint Swithin's Day,

0:00:35.840 --> 0:00:38.360
<v Speaker 2>but some stuff came up. I had to take a

0:00:38.360 --> 0:00:41.120
<v Speaker 2>week off, so we were had. We realized, well, we

0:00:41.120 --> 0:00:44.519
<v Speaker 2>could sit on this episode and just finish it and

0:00:44.600 --> 0:00:48.000
<v Speaker 2>record it later on the next time Saint Swiftin' Day

0:00:48.000 --> 0:00:50.720
<v Speaker 2>happens to fall on the Tuesday or Thursday, or we

0:00:50.760 --> 0:00:53.280
<v Speaker 2>could just simply push on and do it. Assuming that

0:00:53.479 --> 0:00:56.040
<v Speaker 2>most of you are going to forgive us for being

0:00:56.320 --> 0:01:00.920
<v Speaker 2>several weeks late to the punch on this perhaps obscure

0:01:00.960 --> 0:01:01.560
<v Speaker 2>Saints Day.

0:01:01.840 --> 0:01:04.560
<v Speaker 3>Yeah, this is a holiday. I would bet most of

0:01:04.600 --> 0:01:08.280
<v Speaker 3>our American and international listeners will not be familiar with

0:01:08.600 --> 0:01:12.720
<v Speaker 3>UK listeners. I'm maybe more likely. I'm not exactly sure

0:01:12.760 --> 0:01:16.000
<v Speaker 3>how what consciousness of Saint Swithin is like today. But

0:01:16.200 --> 0:01:17.880
<v Speaker 3>I guess if anybody out there is going to be

0:01:17.920 --> 0:01:21.080
<v Speaker 3>wired in on Swithin it is It's probably like Catholics

0:01:21.120 --> 0:01:24.039
<v Speaker 3>in England. But I don't know. So why are we

0:01:24.120 --> 0:01:28.200
<v Speaker 3>talking about this? Why is this somewhat obscure medieval saint

0:01:28.280 --> 0:01:32.600
<v Speaker 3>and his holiday even on our radar. The main reason,

0:01:33.040 --> 0:01:37.520
<v Speaker 3>perhaps the only reason that I personally had any previous

0:01:37.560 --> 0:01:41.920
<v Speaker 3>consciousness of Saint Swithin and his feast day was from

0:01:42.040 --> 0:01:45.160
<v Speaker 3>a quite unlikely source, and that is the lyrics of

0:01:45.200 --> 0:01:49.560
<v Speaker 3>a song by the late great psychedelic rock pioneer Rocky Ericsson,

0:01:50.200 --> 0:01:53.280
<v Speaker 3>one of my personal favorite musical artists of all time.

0:01:54.000 --> 0:01:56.480
<v Speaker 3>The song in which this lyric appears is called the

0:01:56.600 --> 0:01:59.960
<v Speaker 3>Night of the Vampire, and it actually appears on multiple albums,

0:02:00.080 --> 0:02:02.800
<v Speaker 3>including The Evil One from nineteen eighty that's one of

0:02:02.800 --> 0:02:05.520
<v Speaker 3>my favorite rocky albums. Actually just got that on vinyl,

0:02:06.200 --> 0:02:08.400
<v Speaker 3>and my daughter has become obsessed with it, like she

0:02:08.480 --> 0:02:10.560
<v Speaker 3>asks for it by name one here, two Headed Dog.

0:02:10.800 --> 0:02:13.240
<v Speaker 3>She begs us to put it on. Oh man, wonderful.

0:02:13.360 --> 0:02:15.920
<v Speaker 2>I would play that in the car sometimes and my

0:02:16.040 --> 0:02:19.040
<v Speaker 2>kiddo would sometimes ask me to skip Bloody Hammer. They're

0:02:19.080 --> 0:02:20.240
<v Speaker 2>like I don't know about this song.

0:02:20.960 --> 0:02:23.760
<v Speaker 3>Well, it might be different once she recognizes what all

0:02:23.800 --> 0:02:25.760
<v Speaker 3>the lyrics are. I don't know, but right now she

0:02:25.919 --> 0:02:29.040
<v Speaker 3>just thinks he's a funny Halloween guy. He just a

0:02:29.040 --> 0:02:29.760
<v Speaker 3>Halloween guy.

0:02:29.960 --> 0:02:30.960
<v Speaker 2>That is also true.

0:02:31.160 --> 0:02:34.120
<v Speaker 3>Yeah, but so she asks for Rocky but anyway, so

0:02:34.160 --> 0:02:37.240
<v Speaker 3>it's on the evil one though. My favorite version of

0:02:37.240 --> 0:02:41.240
<v Speaker 3>this song is actually the first track on Rocky's nineteen

0:02:41.320 --> 0:02:45.960
<v Speaker 3>eighty six compilation album Grimlins Have Pictures. The title of

0:02:45.960 --> 0:02:48.760
<v Speaker 3>that album, by the way, is taken from the lyrics

0:02:48.760 --> 0:02:51.240
<v Speaker 3>of his song Anthem, and the full line there is

0:02:51.320 --> 0:02:54.440
<v Speaker 3>Grimlins Have Pictures of the Anniversary of Christ.

0:02:55.160 --> 0:02:57.400
<v Speaker 2>Yeah, that one's a real head scratcher. There are a

0:02:57.400 --> 0:03:00.000
<v Speaker 2>lot of there's a lot of the lyrics to Rocky

0:03:00.160 --> 0:03:03.639
<v Speaker 2>erics and songs will drift into head scratch your territory.

0:03:03.480 --> 0:03:05.520
<v Speaker 3>But they're wonderful. I mean, they will make you scratch

0:03:05.520 --> 0:03:07.520
<v Speaker 3>your head, but they'll also stay in your head, or

0:03:07.520 --> 0:03:10.800
<v Speaker 3>at least in my head. I you know, after I

0:03:10.840 --> 0:03:13.160
<v Speaker 3>listen to Rocky, even if I'm sort of in a

0:03:13.240 --> 0:03:15.560
<v Speaker 3>Rocky way, and I guess you know, there are periods

0:03:15.560 --> 0:03:18.520
<v Speaker 3>where I'm listening to him constantly and somewhere I listen less,

0:03:18.560 --> 0:03:21.320
<v Speaker 3>but and the ones when I listen less sometimes something

0:03:21.400 --> 0:03:23.840
<v Speaker 3>just comes like a bolt of lightning out of nowhere,

0:03:24.200 --> 0:03:27.280
<v Speaker 3>and my brain is thinking, you know, if it's raining

0:03:27.360 --> 0:03:29.920
<v Speaker 3>and you're running, don't slip in mud because if you do,

0:03:30.040 --> 0:03:33.160
<v Speaker 3>you'll slip in blood. That is also from Night of

0:03:33.200 --> 0:03:33.760
<v Speaker 3>the Vampire.

0:03:34.160 --> 0:03:36.960
<v Speaker 2>Yeah, his lyrics have a real stream of consciousness vibe

0:03:37.000 --> 0:03:40.320
<v Speaker 2>to them and amid them. Horror movie references will also

0:03:40.360 --> 0:03:44.000
<v Speaker 2>invoke words, ideas and connections that were, you know, unique

0:03:44.040 --> 0:03:47.720
<v Speaker 2>to his own mind and worldview. Might be difficult for

0:03:47.760 --> 0:03:49.880
<v Speaker 2>the rest of us to understand, but that's the tantalizing

0:03:49.920 --> 0:03:51.960
<v Speaker 2>part of that. It's like a puzzle and you're trying

0:03:52.000 --> 0:03:55.360
<v Speaker 2>to interpret it the interpreter. Where is he now?

0:03:55.640 --> 0:03:58.520
<v Speaker 3>Oh? Another one? Another good one. But anyway, So in

0:03:58.560 --> 0:04:01.160
<v Speaker 3>the middle of the song to the Vampire, which is,

0:04:01.200 --> 0:04:04.440
<v Speaker 3>as my kid would say, a Halloween guy song, it's

0:04:04.480 --> 0:04:07.200
<v Speaker 3>a song about vampires. It's a song about raining and running,

0:04:07.280 --> 0:04:11.640
<v Speaker 3>slipping in mud, slipping in blood. There is a bridge

0:04:11.880 --> 0:04:16.640
<v Speaker 3>to the song where Rocky sings me Castle Brand, Transylvania

0:04:17.279 --> 0:04:21.040
<v Speaker 3>on Saint Swithin's day. He was born, eyes stare through

0:04:21.080 --> 0:04:26.560
<v Speaker 3>the darkness with no form, maidens his bite harms. That's

0:04:26.560 --> 0:04:29.160
<v Speaker 3>a good slant rhyme, by the way, with you know

0:04:29.360 --> 0:04:33.559
<v Speaker 3>born form harm but on Saint Swithin's day he was born.

0:04:34.440 --> 0:04:36.280
<v Speaker 3>That's a strange connection to make. I want to come

0:04:36.320 --> 0:04:38.640
<v Speaker 3>back in a minute to figure out what's going on

0:04:38.720 --> 0:04:42.240
<v Speaker 3>with that now, if you're wondering, was it normal for

0:04:42.320 --> 0:04:45.920
<v Speaker 3>this guy to sing rock songs about vampires? Yes, as

0:04:45.960 --> 0:04:49.840
<v Speaker 3>we've established, he's a Halloween guy. Rocky's career had two

0:04:50.000 --> 0:04:54.680
<v Speaker 3>main stages. In the nineteen sixties, he sang and performed

0:04:54.720 --> 0:04:58.719
<v Speaker 3>with a Texas based garage psych band called the Thirteenth

0:04:58.760 --> 0:05:01.480
<v Speaker 3>Floor Elevators. I think one of the best psychedelic rock

0:05:01.520 --> 0:05:05.000
<v Speaker 3>bands of the sixties, really awesome. So he had a

0:05:05.040 --> 0:05:08.159
<v Speaker 3>period with them where they released a couple of great albums.

0:05:08.160 --> 0:05:11.080
<v Speaker 3>So one is The Psychedelic Sounds of the Thirteenth Floor Elevators.

0:05:11.360 --> 0:05:14.400
<v Speaker 3>Their second album is my favorite. It's called Easter Everywhere.

0:05:15.040 --> 0:05:17.159
<v Speaker 3>After that, he had a more difficult period where he

0:05:17.240 --> 0:05:21.440
<v Speaker 3>had some legal issues and where he was he had

0:05:21.440 --> 0:05:25.279
<v Speaker 3>a period of involuntary commitment at some statemental hospitals in Texas.

0:05:25.800 --> 0:05:29.479
<v Speaker 3>After his eventual release, instead of going back to psychedelic

0:05:29.560 --> 0:05:32.200
<v Speaker 3>sounds like he did with the thirteenth floor elevators. He

0:05:32.279 --> 0:05:36.240
<v Speaker 3>instead focused on other genres. He did folk, blues, and

0:05:36.839 --> 0:05:41.680
<v Speaker 3>particularly a kind of hard rock idea that he called

0:05:41.960 --> 0:05:46.120
<v Speaker 3>horror rock, which was fueled by his longtime obsession with

0:05:46.440 --> 0:05:49.960
<v Speaker 3>monster movies, especially old monster movies, like many of the

0:05:49.960 --> 0:05:52.360
<v Speaker 3>things we cover on Weird House Cinema. In fact, we've

0:05:52.400 --> 0:05:55.680
<v Speaker 3>done some very rocky centric movies on Weird House, like

0:05:55.720 --> 0:05:58.400
<v Speaker 3>Creature with the Adam Brain has its own rocky ericson song,

0:05:58.440 --> 0:05:59.360
<v Speaker 3>which is fabulous.

0:06:00.040 --> 0:06:02.920
<v Speaker 2>Yeah, he wasn't necessarily picking really well known films or

0:06:03.000 --> 0:06:04.280
<v Speaker 2>the films that connected with him.

0:06:04.800 --> 0:06:05.080
<v Speaker 3>Yeah.

0:06:05.160 --> 0:06:07.640
<v Speaker 2>Yeah, So it's one of the charms because sometimes you

0:06:07.720 --> 0:06:09.840
<v Speaker 2>might not even realize he's referring to a movie until

0:06:09.839 --> 0:06:10.719
<v Speaker 2>you dig a little deeper.

0:06:11.040 --> 0:06:14.320
<v Speaker 3>Yeah. Rocky described this genre at one point by saying,

0:06:14.360 --> 0:06:18.560
<v Speaker 3>I'm trying to horrify them, demonize them, and possessionize them,

0:06:19.760 --> 0:06:22.360
<v Speaker 3>and he's doing it. So Night of the Vampire is

0:06:22.440 --> 0:06:25.800
<v Speaker 3>a core horror rock song. So I've been listening to

0:06:25.839 --> 0:06:27.760
<v Speaker 3>this song for years. I first got into this, I

0:06:27.760 --> 0:06:31.400
<v Speaker 3>think one summer when I was in college. So Saint

0:06:31.440 --> 0:06:34.440
<v Speaker 3>Swithin's has been also banging around in my head as

0:06:34.480 --> 0:06:37.440
<v Speaker 3>a phrase for that long. But I had never much

0:06:37.600 --> 0:06:41.279
<v Speaker 3>looked into it until Rob this summer you flagged it

0:06:41.960 --> 0:06:45.400
<v Speaker 3>on our show calendar saying, Hey, Saint Swithin's Day is

0:06:45.400 --> 0:06:48.479
<v Speaker 3>a real day. Let's figure out what's going on here?

0:06:48.760 --> 0:06:52.680
<v Speaker 3>And oh boy, that that was really music to my ears.

0:06:53.040 --> 0:06:55.799
<v Speaker 3>So we very much got into the spirit of Saint

0:06:55.800 --> 0:06:59.520
<v Speaker 3>Swithin and especially the question what does Saint Swithin have

0:06:59.600 --> 0:07:03.599
<v Speaker 3>to do with vampires? Well, I did some fairly extensive

0:07:03.600 --> 0:07:06.040
<v Speaker 3>digging on this question, and I've come to the conclusion

0:07:06.120 --> 0:07:10.120
<v Speaker 3>that there is no connection at all outside this song.

0:07:10.800 --> 0:07:14.240
<v Speaker 3>I can't find any records of a famous vampire from

0:07:14.280 --> 0:07:17.120
<v Speaker 3>movies or literature who was born on Saint Swithin's day,

0:07:17.840 --> 0:07:22.240
<v Speaker 3>nor any pre existing connection between the historical character of

0:07:22.280 --> 0:07:25.600
<v Speaker 3>Saint Swithin and any vampire lore. Though maybe we can

0:07:25.600 --> 0:07:29.600
<v Speaker 3>get halfway there by connecting Saint Swithin to some ambiguous

0:07:29.720 --> 0:07:32.840
<v Speaker 3>witches or hags or valkyrie. Is some other kind of

0:07:32.880 --> 0:07:34.160
<v Speaker 3>scary female creature.

0:07:34.720 --> 0:07:35.880
<v Speaker 2>Yeah yeah.

0:07:36.120 --> 0:07:39.840
<v Speaker 3>However, the one real connection I could find is that

0:07:39.920 --> 0:07:42.960
<v Speaker 3>one person who was born on Saint Swithin's day was

0:07:43.080 --> 0:07:48.239
<v Speaker 3>Rocky Erickson himself born July fifteenth, nineteen forty seven. Rocky's

0:07:48.320 --> 0:07:52.080
<v Speaker 3>lyrics about movie monsters sometimes do shift back and forth

0:07:52.160 --> 0:07:55.640
<v Speaker 3>between third person and first person. I think there is

0:07:55.680 --> 0:07:58.320
<v Speaker 3>a good degree of when I'm talking about the monster,

0:07:58.440 --> 0:08:01.560
<v Speaker 3>I am talking about myself. You know, I'm a demon

0:08:01.600 --> 0:08:03.400
<v Speaker 3>and I love rock and roll. That's another one of

0:08:03.440 --> 0:08:07.480
<v Speaker 3>his songs, So I think that probably is the main connection.

0:08:07.680 --> 0:08:11.440
<v Speaker 3>That Saint Swithin's day is Rocky's birthday, and so the

0:08:11.520 --> 0:08:14.240
<v Speaker 3>Night of the Vampire is his night. It's you know,

0:08:14.480 --> 0:08:19.720
<v Speaker 3>the vampire is me to paraphrase Flaubert. However, to bring

0:08:19.760 --> 0:08:23.120
<v Speaker 3>things back to Saint Swithin. While again I can't find

0:08:23.160 --> 0:08:27.080
<v Speaker 3>any evidence of a vampire character born on Saint Swithin's

0:08:27.240 --> 0:08:30.880
<v Speaker 3>celebration day, I do think there's an interesting connection in

0:08:30.920 --> 0:08:34.120
<v Speaker 3>the lyrics of the song, and I already quoted this part.

0:08:34.360 --> 0:08:37.440
<v Speaker 3>In the first verse of Night of the Vampire, Rocky

0:08:37.520 --> 0:08:40.839
<v Speaker 3>offers the advice if it's raining and you're running, don't

0:08:40.880 --> 0:08:43.840
<v Speaker 3>slip in mud, because if you do, you'll slip in blood.

0:08:44.000 --> 0:08:47.720
<v Speaker 3>Tonight is the Night of the Vampire. So Rocky's head

0:08:47.840 --> 0:08:50.760
<v Speaker 3>was stuck on the idea of trying to escape a

0:08:50.840 --> 0:08:55.280
<v Speaker 3>vampire in a heavy rainstorm. And it turns out one

0:08:55.320 --> 0:08:59.160
<v Speaker 3>of the most famous things about Swithin is that his

0:08:59.320 --> 0:09:04.640
<v Speaker 3>Dayly fifteenth, is associated with a seasonal proverb for predicting

0:09:04.760 --> 0:09:10.199
<v Speaker 3>the weather, specifically for predicting rain patterns in Great Britain.

0:09:10.840 --> 0:09:13.520
<v Speaker 3>There are many versions of this saying, but here's one

0:09:13.559 --> 0:09:17.199
<v Speaker 3>I came across. Goes like this, Saint Swithin's day, If

0:09:17.240 --> 0:09:21.520
<v Speaker 3>thou dost rain for forty days, it will remain Saint

0:09:21.520 --> 0:09:25.360
<v Speaker 3>Swithin's day. If thou be fair for forty days, twill rain,

0:09:25.520 --> 0:09:29.320
<v Speaker 3>nay mayre. So that's sink in you. Basically, whatever you

0:09:29.360 --> 0:09:31.520
<v Speaker 3>get on Saint Swithin's day, you're going to get that

0:09:31.760 --> 0:09:33.000
<v Speaker 3>again for forty days.

0:09:33.480 --> 0:09:35.320
<v Speaker 2>When I've been reading this over in the notes, though,

0:09:35.440 --> 0:09:37.760
<v Speaker 2>I've gone ahead and read this in my head in

0:09:37.880 --> 0:09:39.400
<v Speaker 2>Rocky Erickson's voice as well.

0:09:39.640 --> 0:09:43.839
<v Speaker 3>Yeah, twill rain, namaire, Yeah, I can hear it. He

0:09:43.920 --> 0:09:46.880
<v Speaker 3>had a wonderful like a Texan accent to yowl.

0:09:47.200 --> 0:09:48.560
<v Speaker 2>Yeah.

0:09:48.600 --> 0:09:51.440
<v Speaker 3>But again, according to this proverb, if it rains on

0:09:51.520 --> 0:09:53.319
<v Speaker 3>July fifteenth, it is going to keep raining for the

0:09:53.360 --> 0:09:55.920
<v Speaker 3>next forty days. If it's dry, it will be dry

0:09:55.960 --> 0:10:00.240
<v Speaker 3>the next forty days. So if that proverb actually holds true, true,

0:10:00.679 --> 0:10:04.280
<v Speaker 3>Saint Swithin's day is a good tool for planning your

0:10:04.400 --> 0:10:08.400
<v Speaker 3>upcoming vampire survival strategies. If it's raining on the fifteenth,

0:10:08.480 --> 0:10:11.000
<v Speaker 3>you should invest in some boots with grippy souls to

0:10:11.040 --> 0:10:15.080
<v Speaker 3>avoid slipping in mud and therefore slipping in blood. But

0:10:15.400 --> 0:10:18.160
<v Speaker 3>is there anything to this kind of weather predicting dogg

0:10:18.240 --> 0:10:21.920
<v Speaker 3>roll other than superstition and the fact that it rhymes?

0:10:21.960 --> 0:10:25.559
<v Speaker 3>It does rhyme. You gotta admit that, Rob, Yeah, And

0:10:26.520 --> 0:10:28.880
<v Speaker 3>what was the deal with this Saint Swithin guy? What

0:10:29.080 --> 0:10:31.439
<v Speaker 3>does he have to do with whether whether it rains

0:10:31.520 --> 0:10:34.880
<v Speaker 3>or not? These questions are what we'll be exploring for

0:10:34.920 --> 0:10:36.120
<v Speaker 3>the rest of today's episode.

0:10:36.480 --> 0:10:39.520
<v Speaker 2>Yeah, We'll leave it to you to ultimately decide how

0:10:39.520 --> 0:10:43.880
<v Speaker 2>closely aligned the lyrics of Rocky ericson are with this

0:10:44.480 --> 0:10:46.800
<v Speaker 2>historic individual and legendary English saint.

0:10:47.080 --> 0:10:48.480
<v Speaker 3>I guess we got to say this near the top

0:10:48.480 --> 0:10:52.200
<v Speaker 3>because we keep calling him Saint Swithin. Rob, did you

0:10:52.200 --> 0:10:54.920
<v Speaker 3>come across the fact that even though he is widely

0:10:55.000 --> 0:10:58.920
<v Speaker 3>known as Saint Swithin, he was never officially canonized by

0:10:58.960 --> 0:11:02.320
<v Speaker 3>the Catholic Church, So he's not actually a saint on paper,

0:11:02.440 --> 0:11:04.600
<v Speaker 3>only a street saint, a saint by reputation.

0:11:05.600 --> 0:11:08.880
<v Speaker 2>That's right, He's he was never canonized as a saint

0:11:08.920 --> 0:11:11.280
<v Speaker 2>by the Catholic Church, So yeah, he's a He's not

0:11:11.360 --> 0:11:13.880
<v Speaker 2>a saint saint, just a street saint.

0:11:13.880 --> 0:11:16.720
<v Speaker 3>As you say, Now, I think what we could start

0:11:16.760 --> 0:11:21.920
<v Speaker 3>off by doing is dividing the historical Saint Swithin from

0:11:22.080 --> 0:11:25.320
<v Speaker 3>the legendary Saint Swin. And I think that will be

0:11:25.440 --> 0:11:30.280
<v Speaker 3>a reasonably easy, uh division to make because from what

0:11:30.320 --> 0:11:32.240
<v Speaker 3>I can tell, Rob, I think you did more of

0:11:32.240 --> 0:11:36.040
<v Speaker 3>the historical research. But is it correct that very little

0:11:36.200 --> 0:11:39.600
<v Speaker 3>is known about the real historical Saint Swin and that

0:11:39.720 --> 0:11:43.520
<v Speaker 3>much of his biography, maybe almost all of his biography

0:11:43.640 --> 0:11:47.480
<v Speaker 3>is understood by historians to be legend, probably fabricated long

0:11:47.520 --> 0:11:48.400
<v Speaker 3>after his death.

0:11:48.800 --> 0:11:53.960
<v Speaker 2>Correct, Yeah, most of we know very little about the

0:11:54.080 --> 0:11:57.520
<v Speaker 2>historic individual that then ends up being built out into

0:11:57.520 --> 0:12:01.480
<v Speaker 2>this saint of legend. Well, historians do agree that there

0:12:01.679 --> 0:12:06.520
<v Speaker 2>was definitely an historic Swithen. You know, sometimes you peel

0:12:06.559 --> 0:12:10.400
<v Speaker 2>away the layers of legend and you discover there's perhaps

0:12:10.480 --> 0:12:12.240
<v Speaker 2>nobody at the bottom, or there's just sort of a

0:12:12.320 --> 0:12:15.319
<v Speaker 2>hypothetical real person at the bottom of things. But there

0:12:15.480 --> 0:12:18.360
<v Speaker 2>was an individual by the name of Swithin. He would

0:12:18.360 --> 0:12:21.880
<v Speaker 2>have been born around eight hundred CE. He was consecrated

0:12:21.880 --> 0:12:26.840
<v Speaker 2>by Selnoth, Archbishop of Canterbury, on October thirtieth, eight fifty two,

0:12:27.320 --> 0:12:31.360
<v Speaker 2>and he died on July Tewod eight sixty two. He

0:12:31.480 --> 0:12:34.560
<v Speaker 2>served as the Bishop of Winchester, England, and also served

0:12:34.600 --> 0:12:38.880
<v Speaker 2>as counselor to Kings Egbert and Athel Wolf of Wessex.

0:12:39.640 --> 0:12:42.200
<v Speaker 2>This is the Kingdom of the West Saxons in the

0:12:42.240 --> 0:12:46.520
<v Speaker 2>south of Great Britain. All that definitely true. No layers

0:12:46.520 --> 0:12:48.800
<v Speaker 2>of legend, you know, these are just some of the basics.

0:12:48.840 --> 0:12:51.400
<v Speaker 2>This is some of the basic information that we have

0:12:51.480 --> 0:12:54.319
<v Speaker 2>about him, and when it comes down to it, it's

0:12:54.360 --> 0:12:57.600
<v Speaker 2>like just the basics that we really have after his death,

0:12:57.679 --> 0:13:00.640
<v Speaker 2>or perhaps more accurately, after the popularity of an account

0:13:00.679 --> 0:13:04.200
<v Speaker 2>following his death. He was popularly venerated as a saint,

0:13:04.280 --> 0:13:06.840
<v Speaker 2>but again was never officially canonized as a saint by

0:13:06.840 --> 0:13:09.880
<v Speaker 2>the Catholic Church. And this will make you know, and

0:13:09.880 --> 0:13:12.520
<v Speaker 2>it all makes sense as we get into how he

0:13:12.640 --> 0:13:15.360
<v Speaker 2>becomes a saint and so forth. But as far as

0:13:15.400 --> 0:13:19.000
<v Speaker 2>other details about the real life of the historic Swiin, yeah,

0:13:19.040 --> 0:13:20.760
<v Speaker 2>we actually have very little to go on. There are

0:13:20.760 --> 0:13:23.360
<v Speaker 2>a few mentions of him from contemporary sources, and the

0:13:23.400 --> 0:13:26.720
<v Speaker 2>problem with saints in general, is that their lives are

0:13:26.760 --> 0:13:30.680
<v Speaker 2>often constructed long after their deaths by much later writers.

0:13:31.440 --> 0:13:34.360
<v Speaker 2>So I was turned to a couple of main sources here.

0:13:34.600 --> 0:13:36.880
<v Speaker 2>There's a two thousand and three book, The Cult of

0:13:36.920 --> 0:13:41.400
<v Speaker 2>Saint Swithin by Michael Lappage, and that's certainly a great

0:13:41.400 --> 0:13:43.760
<v Speaker 2>book to look to if you want to deeper dive

0:13:43.920 --> 0:13:48.559
<v Speaker 2>into the questions and mysteries and legends surrounding this individual.

0:13:48.880 --> 0:13:52.720
<v Speaker 2>I also referred to Winchester Cathedral historian Tom Watson's shorter

0:13:52.840 --> 0:13:55.040
<v Speaker 2>work an article by the same name, The Cult of

0:13:55.040 --> 0:13:57.559
<v Speaker 2>Saint Swiftin from two thousand and eight, and that one

0:13:57.600 --> 0:14:02.080
<v Speaker 2>also cites Lappage's work, going it out as as a

0:14:02.120 --> 0:14:05.400
<v Speaker 2>major work of modern scholarship about swiven All.

0:14:05.360 --> 0:14:08.600
<v Speaker 3>Right, so we know that the real Swithen died around

0:14:08.640 --> 0:14:10.839
<v Speaker 3>the middle of the ninth century. You said the year

0:14:10.880 --> 0:14:15.120
<v Speaker 3>eight sixty two CE. So when do the writings about

0:14:15.160 --> 0:14:18.120
<v Speaker 3>him first start to appear? When does his reputation begin

0:14:18.200 --> 0:14:18.640
<v Speaker 3>to boom?

0:14:19.680 --> 0:14:22.760
<v Speaker 2>The cult of Swiften doesn't really begin in earnest until

0:14:22.800 --> 0:14:26.440
<v Speaker 2>around nine thirty seven, So yeah, many decades after his death.

0:14:26.840 --> 0:14:29.720
<v Speaker 2>The first known writings of his miracles came out three

0:14:29.800 --> 0:14:33.000
<v Speaker 2>years after that, another history emerges twenty years after that

0:14:33.120 --> 0:14:36.200
<v Speaker 2>with new attributed miracles, and another comes out two hundred

0:14:36.200 --> 0:14:37.560
<v Speaker 2>and thirty years after his death.

0:14:37.800 --> 0:14:41.520
<v Speaker 3>So one of these cases where more detail is added

0:14:41.600 --> 0:14:44.720
<v Speaker 3>the longer time goes on. That's always the suspicious pattern.

0:14:45.000 --> 0:14:47.080
<v Speaker 2>Yeah. Yeah, but of course it makes sense when again

0:14:47.120 --> 0:14:50.360
<v Speaker 2>we're talking about legends and stories. We're not talking about

0:14:50.640 --> 0:14:55.360
<v Speaker 2>things that objectively actually happened. Yeah, we're talking about myth making.

0:14:55.480 --> 0:14:58.200
<v Speaker 2>And I mean that's part of of what's that's the

0:14:58.280 --> 0:15:01.680
<v Speaker 2>huge part of what's going on here. And as Watson explains,

0:15:01.720 --> 0:15:03.600
<v Speaker 2>and in this he was citing the work of Susan

0:15:03.680 --> 0:15:09.600
<v Speaker 2>Richard English Saint Coults, they didn't simply develop, they were developed.

0:15:09.960 --> 0:15:13.320
<v Speaker 2>It was a matter of branding and then eventually rebranding

0:15:13.800 --> 0:15:17.640
<v Speaker 2>and of advertising. Quote the most successful, that is, most

0:15:17.640 --> 0:15:22.080
<v Speaker 2>popular cults had shrines visited by many pilgrims. The popularity

0:15:22.080 --> 0:15:25.240
<v Speaker 2>of shrines also rose and fell. They were actively promoted

0:15:25.280 --> 0:15:29.600
<v Speaker 2>and across the entire medieval period, relaunched in response to competition.

0:15:30.200 --> 0:15:34.120
<v Speaker 3>Oh okay, So the accretion of stories around a popular

0:15:34.600 --> 0:15:40.480
<v Speaker 3>saint wouldn't necessarily be driven just by organic folklore and

0:15:40.520 --> 0:15:43.320
<v Speaker 3>word of mouth and people adding on, you know, things

0:15:43.320 --> 0:15:45.920
<v Speaker 3>happening out amongst the people, that there could be a

0:15:46.000 --> 0:15:50.680
<v Speaker 3>kind of top down effort by people whose livelihoods or

0:15:50.680 --> 0:15:55.640
<v Speaker 3>whose missions were associated with this saint to beef up

0:15:55.760 --> 0:15:58.240
<v Speaker 3>the what was known about them and to make them

0:15:58.360 --> 0:16:00.120
<v Speaker 3>appear and come off a certain way.

0:16:00.600 --> 0:16:04.880
<v Speaker 2>Yeah. I like this comparison to you know, any kind

0:16:04.880 --> 0:16:07.160
<v Speaker 2>of like branding and rebranding effort you have today. You

0:16:07.160 --> 0:16:12.240
<v Speaker 2>think of like any long lasting fast food chain, A

0:16:12.280 --> 0:16:13.840
<v Speaker 2>lot of things are going to be the same, maybe

0:16:13.880 --> 0:16:17.080
<v Speaker 2>like the central mascot and the logo, but things may shift,

0:16:17.160 --> 0:16:19.480
<v Speaker 2>and they're gonna shift in response to what the public

0:16:19.600 --> 0:16:23.480
<v Speaker 2>wants or things they want, or in response to what

0:16:24.080 --> 0:16:27.120
<v Speaker 2>more powerful entities decide that the people should want and

0:16:27.160 --> 0:16:27.680
<v Speaker 2>so forth.

0:16:27.960 --> 0:16:31.240
<v Speaker 3>Man, you ever get nostalgic for the architecture of taco

0:16:31.320 --> 0:16:34.000
<v Speaker 3>bells and pizza huts from the nineties and now they

0:16:34.040 --> 0:16:35.240
<v Speaker 3>just all look like banks.

0:16:37.160 --> 0:16:41.480
<v Speaker 2>Yeah, it's the little things like that, or ancient McDonald's

0:16:41.480 --> 0:16:45.120
<v Speaker 2>playgrounds times when they had the full pantheon before it

0:16:45.160 --> 0:16:49.160
<v Speaker 2>went monotheistic. Seeah, I think there are a lot of

0:16:49.160 --> 0:16:52.920
<v Speaker 2>comparisons to be made here between these cults and enterprises

0:16:53.040 --> 0:16:58.280
<v Speaker 2>like that. So as these various authors point out the

0:16:58.280 --> 0:17:01.920
<v Speaker 2>formation of the Cult of Saint Swith itself came about

0:17:02.000 --> 0:17:05.439
<v Speaker 2>in nine thirty seven, evidently due to the pressure of

0:17:05.520 --> 0:17:08.680
<v Speaker 2>reform movements active in the church at the time, and

0:17:08.800 --> 0:17:12.080
<v Speaker 2>perhaps even more to the point, due to the efforts

0:17:12.119 --> 0:17:15.520
<v Speaker 2>of a youthful new king, King Edgar, who is attempting

0:17:15.560 --> 0:17:18.480
<v Speaker 2>to assert his power over the nation and making use

0:17:18.480 --> 0:17:21.199
<v Speaker 2>of the church as part of his strategy. So the

0:17:21.240 --> 0:17:24.760
<v Speaker 2>reform movement here was aimed at making English churches more

0:17:25.040 --> 0:17:31.200
<v Speaker 2>religiously rigorous and also more monastic, and entailed on Edgar's

0:17:31.200 --> 0:17:35.280
<v Speaker 2>part the forced removal of secular clerics. Secular clerics would

0:17:35.280 --> 0:17:38.280
<v Speaker 2>be clerics that they were not monks, they could even marry,

0:17:38.680 --> 0:17:42.240
<v Speaker 2>and so he's having them forcibly removed and replacing them

0:17:42.800 --> 0:17:46.560
<v Speaker 2>with monks. And Swiften just happened to be the right

0:17:47.000 --> 0:17:50.520
<v Speaker 2>local name to take up in this campaign for power,

0:17:50.880 --> 0:17:53.879
<v Speaker 2>even though it's ironic that the actual Swiften was a

0:17:53.920 --> 0:17:56.320
<v Speaker 2>secular cleric and was not a monk.

0:17:56.640 --> 0:17:59.080
<v Speaker 3>Wait does that mean Swiffen was married or do we

0:17:59.119 --> 0:17:59.399
<v Speaker 3>not know?

0:17:59.640 --> 0:18:01.840
<v Speaker 2>I don't As far as I could tell, he wasn't married,

0:18:01.920 --> 0:18:03.720
<v Speaker 2>or if he was married, we don't know anything of it.

0:18:03.760 --> 0:18:07.399
<v Speaker 2>But Yeah, he was not himself a monk, and you know,

0:18:07.440 --> 0:18:09.280
<v Speaker 2>there were these stories that said he was. You know,

0:18:09.320 --> 0:18:11.880
<v Speaker 2>there's just because we have all these legends, it's very

0:18:11.880 --> 0:18:15.400
<v Speaker 2>possible that he was a very pious and humble man.

0:18:15.480 --> 0:18:18.280
<v Speaker 2>We just don't know. We just have all these layers

0:18:18.320 --> 0:18:20.080
<v Speaker 2>of legends built upon it, and very little is known

0:18:20.080 --> 0:18:23.840
<v Speaker 2>about the historic Swian. But we can put together that

0:18:23.880 --> 0:18:26.640
<v Speaker 2>he was close to the ruling Anglo Saxon royal family.

0:18:27.080 --> 0:18:30.760
<v Speaker 2>He tutored the future King ethel Wolf, and this very

0:18:30.840 --> 0:18:33.360
<v Speaker 2>king promoted him to the Bishop of Winchester in eight

0:18:33.440 --> 0:18:37.359
<v Speaker 2>fifty two. We also know from you know, scant mentions

0:18:37.400 --> 0:18:39.240
<v Speaker 2>that he seemed to have been involved in the repair

0:18:39.280 --> 0:18:43.000
<v Speaker 2>of several churches, and if we were to believe a

0:18:43.040 --> 0:18:46.280
<v Speaker 2>tenth century poem, he also had a bridge built. These

0:18:46.280 --> 0:18:49.280
<v Speaker 2>are pretty far from miracles, but these are the actual

0:18:49.400 --> 0:18:51.960
<v Speaker 2>things that he probably had a hand in.

0:18:52.119 --> 0:18:54.600
<v Speaker 3>You know, a lot of medieval sources we've been looking

0:18:54.640 --> 0:18:59.200
<v Speaker 3>at recently really emphasized the church building or church repair

0:18:59.400 --> 0:19:02.080
<v Speaker 3>career of people. What this just came up in our

0:19:02.119 --> 0:19:05.760
<v Speaker 3>Cats episode. Yeah, we were talking about the mystical Cats

0:19:05.800 --> 0:19:08.879
<v Speaker 3>of Great Britain, where what like the guy who was

0:19:08.920 --> 0:19:11.520
<v Speaker 3>doing unspeakable cat crimes in order to get a message

0:19:11.560 --> 0:19:14.119
<v Speaker 3>from the other world about you know what, what have

0:19:14.160 --> 0:19:15.920
<v Speaker 3>I got to do to make things right? And the

0:19:16.280 --> 0:19:17.879
<v Speaker 3>King of cats comes and tells him you got to

0:19:17.880 --> 0:19:18.840
<v Speaker 3>build seven churches.

0:19:19.119 --> 0:19:21.119
<v Speaker 2>Yeah, well, what a kind of public works are you

0:19:21.160 --> 0:19:23.680
<v Speaker 2>gonna build? I mean, basically, comes, you're gonna build a church,

0:19:23.760 --> 0:19:27.000
<v Speaker 2>You're gonna build a bridge, what else? You're not gonna

0:19:27.000 --> 0:19:30.000
<v Speaker 2>build a water treatment plant? So y might as well

0:19:30.040 --> 0:19:30.680
<v Speaker 2>build that church.

0:19:31.640 --> 0:19:35.879
<v Speaker 3>Okay, But so a known as a supporter of church

0:19:36.080 --> 0:19:39.200
<v Speaker 3>and and possibly also some secular infrastructure.

0:19:39.680 --> 0:19:42.160
<v Speaker 2>Yeah, but basically, you know, he this is a man

0:19:42.200 --> 0:19:46.119
<v Speaker 2>who had a career and we only know just a

0:19:46.160 --> 0:19:50.399
<v Speaker 2>few bullet points about his career, and as far as

0:19:50.440 --> 0:19:53.200
<v Speaker 2>we can tell, he was he was not considered saintly

0:19:53.280 --> 0:19:56.280
<v Speaker 2>during his own lifespan. You know, people I guess liked him,

0:19:56.320 --> 0:19:58.360
<v Speaker 2>and you know, being reasonable, there are probably some people

0:19:58.359 --> 0:20:01.080
<v Speaker 2>who didn't like him because he was a human being

0:20:01.320 --> 0:20:05.400
<v Speaker 2>in a position of some power. But and he also

0:20:05.480 --> 0:20:08.200
<v Speaker 2>wasn't considered saintly in the hundred years that fought or

0:20:08.240 --> 0:20:11.320
<v Speaker 2>so were roughly one hundred years that followed his death.

0:20:12.520 --> 0:20:14.880
<v Speaker 2>All of it was built up on after that.

0:20:14.880 --> 0:20:27.240
<v Speaker 3>Point Okay, so where's the first jumping off point. When

0:20:27.240 --> 0:20:28.760
<v Speaker 3>do we start getting stories?

0:20:29.720 --> 0:20:33.240
<v Speaker 2>Well, you know, they basically with the creation of the cult,

0:20:33.400 --> 0:20:36.280
<v Speaker 2>but certainly by the time we see the tenth century

0:20:36.359 --> 0:20:39.520
<v Speaker 2>work life of Saint Swithin. According to Lappage, this is

0:20:39.640 --> 0:20:42.720
<v Speaker 2>just like pure fiction, just he says, the creation of

0:20:42.760 --> 0:20:46.000
<v Speaker 2>a scholar who had few historical resources at his disposal.

0:20:46.600 --> 0:20:49.920
<v Speaker 2>He stresses that there's there's a lot of conjecture. There's

0:20:49.960 --> 0:20:51.399
<v Speaker 2>you know, there are things you can point to in

0:20:51.440 --> 0:20:54.640
<v Speaker 2>these legends and say, well, okay, something in that could

0:20:54.640 --> 0:20:58.879
<v Speaker 2>have been true maybe, But one of the things that

0:20:58.960 --> 0:21:01.440
<v Speaker 2>factors into like a key story that we're going to

0:21:01.480 --> 0:21:07.240
<v Speaker 2>be talking about concerning Swift and concerns his humble burial requests,

0:21:07.800 --> 0:21:11.880
<v Speaker 2>and according according to Lapage, like this is just complete

0:21:12.160 --> 0:21:17.320
<v Speaker 2>legend making here. So basically the idea and we'll tell

0:21:17.359 --> 0:21:20.119
<v Speaker 2>the story a little more detail here shortly, but the

0:21:20.160 --> 0:21:22.200
<v Speaker 2>idea is that when he died, he's like, don't bury

0:21:22.240 --> 0:21:25.679
<v Speaker 2>me in a fancy tomb, bury me like out here

0:21:26.119 --> 0:21:27.879
<v Speaker 2>in the dirt, out in front of the church. I

0:21:27.880 --> 0:21:29.720
<v Speaker 2>want to be where people can walk over my grave.

0:21:30.400 --> 0:21:32.760
<v Speaker 3>Some of them phrase it in a more aggressive way,

0:21:32.880 --> 0:21:35.639
<v Speaker 3>and he's like, bury me in a nasty place, bury

0:21:35.720 --> 0:21:37.720
<v Speaker 3>me in a violent, gross, gross place.

0:21:38.119 --> 0:21:41.680
<v Speaker 2>Yeah, But the Lappage says that now he would have

0:21:41.720 --> 0:21:45.000
<v Speaker 2>been buried in a sarcophagus within a prominent tomb outside

0:21:45.040 --> 0:21:48.240
<v Speaker 2>of the old Minster Church, and then later he's moved

0:21:48.240 --> 0:21:50.800
<v Speaker 2>inside the church. And this has everything to do with

0:21:51.600 --> 0:21:54.480
<v Speaker 2>the creation of the of the saint, the cults of

0:21:54.520 --> 0:21:57.760
<v Speaker 2>the Saint around him, and then the church was eventually

0:21:57.840 --> 0:22:00.919
<v Speaker 2>expanded to encompass the grounds he was ariginally buried on.

0:22:02.040 --> 0:22:03.800
<v Speaker 2>And I think there's something kind of poetic to that.

0:22:03.840 --> 0:22:08.200
<v Speaker 2>You know, here's an historic individual sort of consumed by

0:22:08.200 --> 0:22:10.240
<v Speaker 2>the church or the workings of the church in the

0:22:10.320 --> 0:22:16.639
<v Speaker 2>hands of kingly authority, and the original historic individual becomes

0:22:16.720 --> 0:22:18.959
<v Speaker 2>kind of redundant via the waves of all of this

0:22:19.080 --> 0:22:21.160
<v Speaker 2>legend making interesting.

0:22:21.960 --> 0:22:25.400
<v Speaker 3>All right. So that is what we know about swithin,

0:22:25.720 --> 0:22:30.639
<v Speaker 3>the historic ninth century cleric of the Catholic Church. But

0:22:31.800 --> 0:22:35.359
<v Speaker 3>what do we know about the character, the character that

0:22:35.520 --> 0:22:38.120
<v Speaker 3>blooms from the grave of this figure.

0:22:38.920 --> 0:22:40.480
<v Speaker 2>Well, a lot of it I think is summed up

0:22:40.520 --> 0:22:44.080
<v Speaker 2>in that in this legend, this story that he says,

0:22:44.160 --> 0:22:46.720
<v Speaker 2>you know, bury me, bury me in the dirt, don't

0:22:46.720 --> 0:22:49.720
<v Speaker 2>bury me in the tomb. Give me a common nasty grave,

0:22:49.840 --> 0:22:52.640
<v Speaker 2>if you will, so that the rain's going to fall

0:22:52.680 --> 0:22:55.600
<v Speaker 2>in my grave. Common people can visit my grave, walk

0:22:55.680 --> 0:22:59.679
<v Speaker 2>over it, and so forth. And the idea that the

0:22:59.720 --> 0:23:01.959
<v Speaker 2>idea here is that they initially honor it, but then

0:23:02.000 --> 0:23:05.440
<v Speaker 2>they reverse the decision a century later, and his remains

0:23:05.440 --> 0:23:07.879
<v Speaker 2>are moved into the new church building, and then forty

0:23:07.960 --> 0:23:09.920
<v Speaker 2>days of rain follow Ah.

0:23:09.960 --> 0:23:12.480
<v Speaker 3>Okay, so here's where we start getting the tie into

0:23:12.520 --> 0:23:15.720
<v Speaker 3>the rain. Now. I was trying to find more information

0:23:15.960 --> 0:23:19.840
<v Speaker 3>about the legends of Saint Swithin's life and his connection

0:23:20.080 --> 0:23:23.639
<v Speaker 3>to the weather proverb that I mentioned earlier, and I

0:23:23.720 --> 0:23:27.040
<v Speaker 3>came across an article from the journal Weather from the

0:23:27.119 --> 0:23:31.480
<v Speaker 3>year nineteen forty seven by an author Anthony Klein. It's

0:23:31.480 --> 0:23:35.600
<v Speaker 3>called Saint Swithin's forty Days. Again, that's in the journal Weather.

0:23:36.760 --> 0:23:41.040
<v Speaker 3>So Klein the author here talks about how weatherlower tends

0:23:41.080 --> 0:23:44.680
<v Speaker 3>to come and go over time, but he says that

0:23:44.760 --> 0:23:49.800
<v Speaker 3>the predictive proverb associated with Swithin's day has really stuck around.

0:23:49.800 --> 0:23:53.080
<v Speaker 3>It has a tenacity, and he said, at the time

0:23:53.160 --> 0:23:55.320
<v Speaker 3>of his writing many still believe it. This would have

0:23:55.359 --> 0:23:59.480
<v Speaker 3>been in the nineteen forties. He says of course, meteorologists

0:23:59.560 --> 0:24:02.480
<v Speaker 3>have suppered tools to work with now in predicting the weather,

0:24:02.920 --> 0:24:08.320
<v Speaker 3>and yet quote still many harbor some minute and shadowy faith. However,

0:24:08.560 --> 0:24:12.600
<v Speaker 3>despite the popularity and tenacity of the proverb, one thing

0:24:12.600 --> 0:24:16.280
<v Speaker 3>that seems quite clear is that orst this is one

0:24:16.280 --> 0:24:19.240
<v Speaker 3>of these things like you can't rule out conclusively, but

0:24:19.440 --> 0:24:23.080
<v Speaker 3>it really does not seem to go back to Saint

0:24:23.080 --> 0:24:27.280
<v Speaker 3>Swithin himself. In fact, at the time of Klein's writing,

0:24:27.720 --> 0:24:32.000
<v Speaker 3>the earliest evidence he knew of knew of for the

0:24:32.000 --> 0:24:35.359
<v Speaker 3>prediction that forty days of rain would follow if it

0:24:35.440 --> 0:24:38.960
<v Speaker 3>rained on Saint Swithin's day was dated to Ben Johnson

0:24:39.000 --> 0:24:42.600
<v Speaker 3>around the year sixteen hundred, more than seven hundred years

0:24:42.640 --> 0:24:47.640
<v Speaker 3>after Saint Swithin's death. He quotes a version, so I'll

0:24:47.640 --> 0:24:50.080
<v Speaker 3>read from Kline here quote. At the end of the century,

0:24:50.160 --> 0:24:53.960
<v Speaker 3>Poor Robin's Almanac included in its dog roll for July

0:24:54.160 --> 0:24:57.960
<v Speaker 3>these lines in this month is Saint Swithin's day, on

0:24:58.040 --> 0:25:01.800
<v Speaker 3>which if that it rained, they a full forty days

0:25:01.840 --> 0:25:05.520
<v Speaker 3>after it will or more or less some rain distill.

0:25:06.240 --> 0:25:10.200
<v Speaker 3>Which is interesting because that's it's a similar rhyme pattern,

0:25:10.400 --> 0:25:12.600
<v Speaker 3>and it's like four lines and it has the same

0:25:12.680 --> 0:25:14.840
<v Speaker 3>meaning as the rhyme I read earlier, but is totally

0:25:14.840 --> 0:25:15.600
<v Speaker 3>different words.

0:25:15.880 --> 0:25:19.800
<v Speaker 2>Yeah, yeah, a little more awkward. Yeah, it's construction, at

0:25:19.880 --> 0:25:20.840
<v Speaker 2>least by our standards.

0:25:21.080 --> 0:25:24.919
<v Speaker 3>I agree the earlier one scanned a little better. After this,

0:25:25.520 --> 0:25:28.159
<v Speaker 3>Klein talks about some other legends of Saint Swithin. So

0:25:28.200 --> 0:25:30.320
<v Speaker 3>I did want to go go abroad a little bit

0:25:30.400 --> 0:25:32.359
<v Speaker 3>and look at a few other legends about his life.

0:25:32.560 --> 0:25:35.480
<v Speaker 3>There's one good one where there's an old lady carrying

0:25:35.480 --> 0:25:39.240
<v Speaker 3>a basket of eggs and then a klutzy guy passes

0:25:39.280 --> 0:25:41.040
<v Speaker 3>by her. I think maybe this is happening on a

0:25:41.080 --> 0:25:43.879
<v Speaker 3>bridge or something. But a klutzy guy walks by the

0:25:43.920 --> 0:25:46.000
<v Speaker 3>lady with her eggs and he breaks all the eggs,

0:25:46.359 --> 0:25:49.159
<v Speaker 3>and the old lady is distraught. She cries out for

0:25:49.200 --> 0:25:52.320
<v Speaker 3>her eggs, and then Saint Swyin comes along. He sees

0:25:52.359 --> 0:25:55.680
<v Speaker 3>the situation, he gives a quick blessing and her eggs

0:25:55.840 --> 0:25:59.760
<v Speaker 3>are repaired. Wow. Okay, so that's a miracle. But then

0:25:59.800 --> 0:26:02.960
<v Speaker 3>I'm thinking, how are you actually supposed to picture that?

0:26:03.440 --> 0:26:06.880
<v Speaker 3>Picture it happening? The eggs break and the goop comes out?

0:26:07.280 --> 0:26:09.680
<v Speaker 3>Does the group go back inside the eggs? Are you

0:26:09.680 --> 0:26:12.920
<v Speaker 3>supposed to picture the goop slithering inside like one half

0:26:12.960 --> 0:26:15.440
<v Speaker 3>of the shell, and then the eggs like close back

0:26:15.520 --> 0:26:15.919
<v Speaker 3>over it.

0:26:16.280 --> 0:26:18.720
<v Speaker 2>Hmmm. Oh ye, yeah, you're I think you're picturing it

0:26:18.840 --> 0:26:22.600
<v Speaker 2>like he's reversing the footage. Yeah, and I guess I'm

0:26:22.600 --> 0:26:26.000
<v Speaker 2>trying to imagine it more like a sleight of hand trick,

0:26:26.119 --> 0:26:29.800
<v Speaker 2>like he passes his palm over the cracked eggs, and

0:26:29.840 --> 0:26:34.119
<v Speaker 2>then in his palm's wake he leaves behind uncracked.

0:26:33.600 --> 0:26:37.720
<v Speaker 3>Eggs, missing footage. Yeah, okay, reversing the footage versus just

0:26:37.760 --> 0:26:38.639
<v Speaker 3>a hard cut.

0:26:39.040 --> 0:26:44.720
<v Speaker 2>Yeah. By the way, according to Lappage, this one story, apparently,

0:26:45.640 --> 0:26:49.600
<v Speaker 2>this one swift and miracle may have been reported off

0:26:49.680 --> 0:26:52.560
<v Speaker 2>him during his lifetime, but it still wasn't written down

0:26:52.600 --> 0:26:54.520
<v Speaker 2>until one hundred and twenty years after his death. So

0:26:55.000 --> 0:26:58.240
<v Speaker 2>he contends that it's it's very dubious, but he at

0:26:58.320 --> 0:27:02.280
<v Speaker 2>least he does acknowledge that it's possible this story was

0:27:02.280 --> 0:27:03.720
<v Speaker 2>told about him during his lifetime.

0:27:04.359 --> 0:27:07.120
<v Speaker 3>It's one of the stories I see mentioned in multiple

0:27:07.160 --> 0:27:09.640
<v Speaker 3>sources about Swinton, so it seems to be a popular

0:27:09.640 --> 0:27:11.479
<v Speaker 3>one that he repaired broken eggs.

0:27:11.680 --> 0:27:15.439
<v Speaker 2>Yeah, and it's it also seems humble enough, you know,

0:27:15.520 --> 0:27:18.720
<v Speaker 2>for an individual who wasn't necessarily on the track for

0:27:18.800 --> 0:27:23.240
<v Speaker 2>local sainthood just because he may have helped an old

0:27:23.320 --> 0:27:25.560
<v Speaker 2>lady with some broken eggs, you know, and we can

0:27:25.600 --> 0:27:29.040
<v Speaker 2>easily imagine what the real world version of that could

0:27:29.040 --> 0:27:30.680
<v Speaker 2>have been like, maybe he saw somebody with a broken

0:27:30.680 --> 0:27:32.560
<v Speaker 2>egg and he's like, hey, I've got some extra eggs,

0:27:32.720 --> 0:27:35.199
<v Speaker 2>have some, you know, and this act kindness gets, you know,

0:27:35.480 --> 0:27:37.200
<v Speaker 2>magically translated into miracle.

0:27:37.440 --> 0:27:39.159
<v Speaker 3>I was wondering if it could have anything to do

0:27:39.200 --> 0:27:43.359
<v Speaker 3>with him as the repairer of broken churches, Yeah, because he,

0:27:43.560 --> 0:27:47.399
<v Speaker 3>you know, did the restorations and repairs there anyway. So

0:27:48.400 --> 0:27:52.040
<v Speaker 3>a one source that a lot of writers on this

0:27:52.160 --> 0:27:55.400
<v Speaker 3>topic end up going back to is a nineteenth century

0:27:55.480 --> 0:27:59.800
<v Speaker 3>Oxford professor of Anglo Saxon named John Earl, who wrote

0:28:00.040 --> 0:28:03.320
<v Speaker 3>an essay in the eighteen sixties called on the Life

0:28:03.359 --> 0:28:06.679
<v Speaker 3>and Times of Swithin which you can find collected in

0:28:06.720 --> 0:28:11.000
<v Speaker 3>a book called Gloucester Fragments. That's where I was reading it.

0:28:12.200 --> 0:28:16.080
<v Speaker 3>So Earl talks about how in the tenth and eleventh

0:28:16.119 --> 0:28:21.159
<v Speaker 3>century biographies of swithin quote, the historical part was very

0:28:21.359 --> 0:28:24.520
<v Speaker 3>very meager, being little more than a frame to support

0:28:24.640 --> 0:28:29.320
<v Speaker 3>the medallions of popular tradition and Earl claims that during

0:28:29.359 --> 0:28:31.879
<v Speaker 3>this period of history, a lot of the stories that

0:28:31.880 --> 0:28:36.760
<v Speaker 3>were told about Christian saints actually have analogues in stories

0:28:36.800 --> 0:28:41.600
<v Speaker 3>about pre Christian gods and heroes, So he argues that

0:28:41.680 --> 0:28:45.760
<v Speaker 3>it's possible in some cases the deeds attributed to saints

0:28:45.840 --> 0:28:50.080
<v Speaker 3>and Christian figures like Swithin are actually pieces of older

0:28:50.200 --> 0:28:55.920
<v Speaker 3>pagan folklore being transferred onto an acceptable Catholic host.

0:28:56.680 --> 0:29:01.800
<v Speaker 2>Hmmm, that's interesting. This reminds me. It's it's kind of

0:29:01.840 --> 0:29:05.160
<v Speaker 2>like the the darker version of perhaps the same thing,

0:29:05.200 --> 0:29:10.560
<v Speaker 2>but with with urban legends. Sometimes you encounter this where

0:29:10.720 --> 0:29:14.120
<v Speaker 2>you'll have like urban legends, like generally scandalous things that

0:29:14.160 --> 0:29:17.760
<v Speaker 2>are said about celebrities of old, and then they'll eventually

0:29:17.800 --> 0:29:20.360
<v Speaker 2>get passed on to new celebrities, often with the new

0:29:21.320 --> 0:29:25.000
<v Speaker 2>tale tellers maybe not even being not even realizing that

0:29:25.080 --> 0:29:27.880
<v Speaker 2>these same stories were told about previous rock stars or

0:29:27.880 --> 0:29:30.080
<v Speaker 2>actors or what have you. But you need a place

0:29:30.120 --> 0:29:32.400
<v Speaker 2>to hang them, thank you, to use this analogy of

0:29:32.400 --> 0:29:34.120
<v Speaker 2>the medallions hanging on the framework.

0:29:34.520 --> 0:29:36.560
<v Speaker 3>Have we been hearing about how Bruno Mars bit the

0:29:36.560 --> 0:29:37.400
<v Speaker 3>head off a bat?

0:29:38.120 --> 0:29:40.320
<v Speaker 2>Not yet, but that's exactly the sort of thing you

0:29:40.320 --> 0:29:42.040
<v Speaker 2>can you can imagine.

0:29:41.800 --> 0:29:43.680
<v Speaker 3>I guess, but that one really happened though.

0:29:43.920 --> 0:29:47.200
<v Speaker 2>Yeah, yeah, or some version of it, right yeah.

0:29:47.080 --> 0:29:50.800
<v Speaker 3>So yeah, not about Bruno Mars, I mean I actually did.

0:29:50.880 --> 0:29:55.320
<v Speaker 3>Sorry anyway, But from here, Earl goes on to tell

0:29:55.400 --> 0:29:59.360
<v Speaker 3>a pretty weird story from one of these Swithin legends

0:29:59.360 --> 0:30:02.960
<v Speaker 3>that I just want to to recount here, so he says,

0:30:03.760 --> 0:30:06.760
<v Speaker 3>quote among the stories narrated of Swyden is the following.

0:30:07.680 --> 0:30:10.400
<v Speaker 3>A certain nobleman was walking by the side of a

0:30:10.480 --> 0:30:14.000
<v Speaker 3>river at noontide, and he became suddenly aware of three

0:30:14.040 --> 0:30:18.400
<v Speaker 3>female figures of more than human stature, which rapidly and

0:30:18.560 --> 0:30:22.640
<v Speaker 3>furiously bore down upon him. He could not escape. They

0:30:22.720 --> 0:30:25.600
<v Speaker 3>seized him and maltreated him and left him as dead.

0:30:26.120 --> 0:30:29.720
<v Speaker 3>He was brought to Swyen and presently restored. In this

0:30:29.920 --> 0:30:35.120
<v Speaker 3>narrative we may confidently recognize the three fates of Scandinavian mythology,

0:30:35.200 --> 0:30:38.080
<v Speaker 3>the past, the present and the future. They make their

0:30:38.120 --> 0:30:40.920
<v Speaker 3>appearance again in the form of the three witches who

0:30:40.960 --> 0:30:45.160
<v Speaker 3>meet Macbeth and Banquo on the heath, the weird sisters

0:30:45.280 --> 0:30:49.600
<v Speaker 3>hand in hand posters of the sea and land. And

0:30:49.640 --> 0:30:51.880
<v Speaker 3>then he also goes on to say a well known

0:30:51.960 --> 0:30:56.480
<v Speaker 3>chromlic on the verge of Dartmoor near Drustenden has three

0:30:56.520 --> 0:30:59.480
<v Speaker 3>tall uprights. The name of the cromlic among the people

0:30:59.480 --> 0:31:03.280
<v Speaker 3>of the country is the Spinster's Rock. Still the same

0:31:03.400 --> 0:31:07.800
<v Speaker 3>three weird or fatal sisters. And here I looked up

0:31:07.840 --> 0:31:11.680
<v Speaker 3>this monument by the way, Spinster's Rock near Dartmoor, which

0:31:11.720 --> 0:31:16.239
<v Speaker 3>is in southwest England. It's a neolithic chambered tomb or

0:31:16.360 --> 0:31:19.880
<v Speaker 3>the modern remains of which what's left of it are

0:31:20.440 --> 0:31:24.320
<v Speaker 3>actually a reconstruction now of three upright stones balancing a

0:31:24.400 --> 0:31:27.520
<v Speaker 3>large capstone between them. What we're looking at in this

0:31:27.600 --> 0:31:30.800
<v Speaker 3>picture of is a modern reconstruction after this thing collapsed,

0:31:30.800 --> 0:31:34.840
<v Speaker 3>I believe during a storm in the eighteen sixties a storm. Yeah,

0:31:34.840 --> 0:31:38.200
<v Speaker 3>but I've got an illustration of the original monument from

0:31:38.240 --> 0:31:40.640
<v Speaker 3>eighteen forty eight for you to look at here, and

0:31:40.680 --> 0:31:42.760
<v Speaker 3>it does look a little bit haunting. So yeah, three

0:31:42.840 --> 0:31:47.160
<v Speaker 3>upright stones and a big multi ton capstone balance between them.

0:31:47.480 --> 0:31:50.520
<v Speaker 3>Obviously has some wonderful associations with this kind of legend

0:31:50.560 --> 0:31:55.080
<v Speaker 3>of like three you know, three dangerous witches or weird sisters,

0:31:55.160 --> 0:31:58.800
<v Speaker 3>or figures of you know, female monstrous figures of some kind.

0:31:59.360 --> 0:32:02.320
<v Speaker 3>I'm not sure what modern folklore scholars would make of

0:32:02.360 --> 0:32:05.360
<v Speaker 3>these connections that Earle is drawing. I think now there

0:32:05.440 --> 0:32:08.480
<v Speaker 3>is a tendency to look back on some of the

0:32:08.520 --> 0:32:11.520
<v Speaker 3>folklore scholarship of the nineteenth and early twentieth century with

0:32:11.600 --> 0:32:14.000
<v Speaker 3>a little more critical of a lens. Like a lot

0:32:14.040 --> 0:32:18.560
<v Speaker 3>of the soldier scholarship was probably a little too enthusiastic

0:32:18.680 --> 0:32:22.760
<v Speaker 3>in finding parallels between different stories and practices and then

0:32:22.880 --> 0:32:26.080
<v Speaker 3>asserting with too little evidence that it was actually that,

0:32:26.160 --> 0:32:28.720
<v Speaker 3>actually one of these is the direct ancestor of the other.

0:32:28.760 --> 0:32:30.520
<v Speaker 3>I mean, in some cases, of course it is, but

0:32:31.320 --> 0:32:34.560
<v Speaker 3>in other cases we don't know. Though in this case

0:32:34.920 --> 0:32:37.280
<v Speaker 3>it seems interesting and Rob, I think you even did

0:32:37.320 --> 0:32:39.560
<v Speaker 3>you come across another version of a story like this

0:32:39.680 --> 0:32:41.680
<v Speaker 3>about Swiften or the same story?

0:32:41.760 --> 0:32:44.800
<v Speaker 2>I think it is the same story. So Lappage includes

0:32:46.120 --> 0:32:48.040
<v Speaker 2>a section here where I think he's including the actual

0:32:48.080 --> 0:32:50.720
<v Speaker 2>text from it. So this would have been from Lanford

0:32:50.800 --> 0:32:54.120
<v Speaker 2>of Fleury, who wrote a tenth or eleventh century work,

0:32:54.160 --> 0:32:57.360
<v Speaker 2>The Life of Saint Swiften, which again is this is

0:32:57.480 --> 0:33:00.160
<v Speaker 2>very much in the tradition of legendary Saint Swiftin this

0:33:00.240 --> 0:33:03.800
<v Speaker 2>is not historic at all. But yeah, this this bit

0:33:04.080 --> 0:33:06.560
<v Speaker 2>where he tells the tale of a local man of

0:33:06.600 --> 0:33:09.920
<v Speaker 2>Winchester who happens to be traveling along, takes a nap,

0:33:10.320 --> 0:33:13.840
<v Speaker 2>and when he wakes up he sees two grotesque female creatures.

0:33:13.880 --> 0:33:18.440
<v Speaker 2>These are two of the witches, two of the weird sisters. Quote,

0:33:18.640 --> 0:33:21.160
<v Speaker 2>not decked out in any finery, nor covered up with

0:33:21.200 --> 0:33:24.000
<v Speaker 2>any clothing, but rather naked to their foul skin and

0:33:24.160 --> 0:33:28.560
<v Speaker 2>terrifying with their swarthy hair, blackened with faces like tosephany,

0:33:28.840 --> 0:33:32.880
<v Speaker 2>and armed with hellish wickedness and poison. And here in

0:33:33.000 --> 0:33:35.520
<v Speaker 2>name referring to one of the names of the furies,

0:33:35.920 --> 0:33:38.720
<v Speaker 2>and this is referred to once more in the text

0:33:38.720 --> 0:33:40.400
<v Speaker 2>as well, saying like these are like two of the

0:33:40.400 --> 0:33:44.440
<v Speaker 2>three furies. But Lappage notes that when we get into

0:33:44.480 --> 0:33:48.120
<v Speaker 2>some of the terms used, yeah, these may be hags

0:33:48.240 --> 0:33:54.880
<v Speaker 2>or witches. There's this word hag, hag sessen, and this

0:33:54.920 --> 0:33:59.080
<v Speaker 2>is sometimes Lappage notes associated with the word valkyrie. So

0:33:59.480 --> 0:34:01.440
<v Speaker 2>in a way you could think of these certainly as

0:34:01.480 --> 0:34:04.959
<v Speaker 2>hags or witches, but also you could probably think of

0:34:05.000 --> 0:34:07.520
<v Speaker 2>them as valkyries to a certain extent, or at least

0:34:07.560 --> 0:34:11.440
<v Speaker 2>the stories that these are based on, like the original

0:34:12.440 --> 0:34:14.759
<v Speaker 2>spirit of this medallion that's now hung on the frame

0:34:14.800 --> 0:34:17.440
<v Speaker 2>of Saint Swithin you know, may go back to stories

0:34:17.440 --> 0:34:21.200
<v Speaker 2>of the valkyries in Scandinavian traditions.

0:34:21.719 --> 0:34:24.040
<v Speaker 3>Okay, so in this case, the kind of connection that

0:34:24.120 --> 0:34:28.840
<v Speaker 3>Earl is making to earlier pre Christian stories Lappage seems

0:34:28.840 --> 0:34:31.520
<v Speaker 3>to be at least partially endorsing. More modern scholar is

0:34:31.560 --> 0:34:33.720
<v Speaker 3>also saying that there seems to be some real connective

0:34:33.719 --> 0:34:34.400
<v Speaker 3>tissue here.

0:34:34.960 --> 0:34:38.720
<v Speaker 2>Yeah. Yeah, And the full story boy goes on along ways.

0:34:38.760 --> 0:34:41.640
<v Speaker 2>But basically, these two witches try to speak to this

0:34:41.719 --> 0:34:45.399
<v Speaker 2>man of Winchester, and he is frightened and he runs

0:34:45.400 --> 0:34:47.239
<v Speaker 2>away from them, and they chase after him, and they

0:34:47.280 --> 0:34:49.480
<v Speaker 2>taunt him about how he's doomed and he's gonna die

0:34:49.880 --> 0:34:51.560
<v Speaker 2>when they catch him, and so he prays to God

0:34:51.600 --> 0:34:55.359
<v Speaker 2>for protection. Meanwhile, the third sister, who is dressed all

0:34:55.360 --> 0:34:57.120
<v Speaker 2>in white, she calls out to the other two and

0:34:57.160 --> 0:34:59.880
<v Speaker 2>she's like, stop chasing him. Loop around over here with me.

0:35:00.320 --> 0:35:01.880
<v Speaker 2>I'm going to ambush him. I'm going to get him

0:35:01.880 --> 0:35:05.240
<v Speaker 2>real good. And then thanks to God's interference, he attack

0:35:06.080 --> 0:35:09.279
<v Speaker 2>is like partially blocked and it only wounds like the

0:35:09.360 --> 0:35:12.280
<v Speaker 2>man on one side of his body, but he's pretty wounded,

0:35:12.280 --> 0:35:13.839
<v Speaker 2>so he has to be taken to the nearest church

0:35:14.080 --> 0:35:17.360
<v Speaker 2>where he is healed by none other than Bishop Swithen.

0:35:17.239 --> 0:35:19.279
<v Speaker 3>S with unto the rescue. He just treats him like

0:35:19.320 --> 0:35:21.320
<v Speaker 3>a big egg. Yeah.

0:35:21.920 --> 0:35:24.720
<v Speaker 2>By the way, on the subject of hags and witches

0:35:24.760 --> 0:35:28.719
<v Speaker 2>in Saint Swithin, Sir Walter Scott in his eighteen fourteen

0:35:29.200 --> 0:35:33.080
<v Speaker 2>novel Waverley, has this fragment of a ballad that is

0:35:33.120 --> 0:35:38.040
<v Speaker 2>included that Scott put together for use in the fiction

0:35:38.160 --> 0:35:42.560
<v Speaker 2>here called Saint Swithin's Chair. And you can look this up.

0:35:43.239 --> 0:35:46.120
<v Speaker 2>It's on your main poetry websites. But I just want

0:35:46.160 --> 0:35:48.280
<v Speaker 2>to read just a bit from it where he's taking

0:35:48.280 --> 0:35:51.680
<v Speaker 2>this connection between Swithin and hags and like taking it

0:35:51.719 --> 0:35:54.440
<v Speaker 2>in a darker direction. And he says he that dares

0:35:54.560 --> 0:35:58.240
<v Speaker 2>sit on Saint Swithum's chair when the night hag wings

0:35:58.280 --> 0:36:02.360
<v Speaker 2>the troubled air questions three. When he speaks the spell,

0:36:02.840 --> 0:36:06.719
<v Speaker 2>he may ask and she must tell. So in this,

0:36:07.040 --> 0:36:10.120
<v Speaker 2>you know, Scott would seem to be like taking these

0:36:10.160 --> 0:36:13.200
<v Speaker 2>ideas about about Swithen and like taking them to the

0:36:13.239 --> 0:36:15.719
<v Speaker 2>next darker step, not just one that not one that

0:36:15.719 --> 0:36:18.879
<v Speaker 2>controls or has influence over the weather, or even one

0:36:18.880 --> 0:36:23.600
<v Speaker 2>that can can can heal the damage rot by hags,

0:36:23.640 --> 0:36:26.600
<v Speaker 2>but perhaps one that can control the creatures of the

0:36:26.680 --> 0:36:27.279
<v Speaker 2>night as well.

0:36:28.000 --> 0:36:41.200
<v Speaker 3>Wow. You know, to continue with with Earl's theme of

0:36:41.800 --> 0:36:45.600
<v Speaker 3>decorating the lives of Christian saints with material from other sources,

0:36:45.600 --> 0:36:48.640
<v Speaker 3>hanging the medallions on the frame, so to speak. Uh,

0:36:48.719 --> 0:36:51.920
<v Speaker 3>he mentions stories based on wonders of nature, and I

0:36:52.000 --> 0:36:54.359
<v Speaker 3>just wanted to throw this out there quick, because this

0:36:54.440 --> 0:36:57.040
<v Speaker 3>relates to something we just discussed in our Cats of

0:36:57.080 --> 0:37:03.120
<v Speaker 3>Cyprus episode. So he says, quote, any phenomenon, whether constant

0:37:03.239 --> 0:37:07.800
<v Speaker 3>or casual, that had arrested popular attention was fit matter

0:37:07.920 --> 0:37:12.000
<v Speaker 3>for these amusing and edifying narratives. The ammonites of Whitby

0:37:12.120 --> 0:37:16.960
<v Speaker 3>became coiled serpents of that Saint Hilda had charmed. Another

0:37:17.040 --> 0:37:21.520
<v Speaker 3>geological curiosity became the beads of Saint Cuthbert, and to

0:37:21.640 --> 0:37:25.640
<v Speaker 3>Saint Patrick was attributed the absence of venomous serpents in Ireland.

0:37:26.280 --> 0:37:29.160
<v Speaker 3>But yeah, that first example, we were just talking about

0:37:29.200 --> 0:37:33.560
<v Speaker 3>the ammonites, the shells of these now extinct cephalopods, these

0:37:33.600 --> 0:37:37.359
<v Speaker 3>sea creatures that died out in the KPg extinction. You know,

0:37:37.400 --> 0:37:41.760
<v Speaker 3>we find these fossils everywhere, certainly in England. But yeah,

0:37:42.280 --> 0:37:45.000
<v Speaker 3>these are actually now the coiled serpents of Saint Hilda.

0:37:45.000 --> 0:37:47.200
<v Speaker 3>I think we were talking about them as coiled serpents

0:37:47.239 --> 0:37:48.240
<v Speaker 3>of something else.

0:37:48.520 --> 0:37:49.720
<v Speaker 2>No, no, no, it was Hilda.

0:37:49.840 --> 0:37:52.640
<v Speaker 3>Oh it was Hilda. Okay, okay, but you people were

0:37:52.680 --> 0:37:55.360
<v Speaker 3>like trying to help out the connection by carving snake

0:37:55.400 --> 0:37:57.920
<v Speaker 3>faces into them. They're a little too cute.

0:37:57.960 --> 0:38:00.400
<v Speaker 2>Yeah, you can look up images of these. Yeah.

0:38:00.680 --> 0:38:04.720
<v Speaker 3>Anyway, But coming back to Klein's discussion of the weather

0:38:04.920 --> 0:38:07.080
<v Speaker 3>related stories, so those are some other stories. You know,

0:38:07.160 --> 0:38:10.759
<v Speaker 3>he fixes broken eggs, he heals people who have been

0:38:10.760 --> 0:38:14.120
<v Speaker 3>attacked by witches or weird sisters or valkyries or whatever.

0:38:14.560 --> 0:38:17.759
<v Speaker 3>But another story from the legend of Saint Swithin which

0:38:17.760 --> 0:38:22.040
<v Speaker 3>actually connects thematically to the weather. So this is what

0:38:22.080 --> 0:38:23.240
<v Speaker 3>you were alluding to earlier.

0:38:23.320 --> 0:38:23.560
<v Speaker 2>Rob.

0:38:23.880 --> 0:38:26.319
<v Speaker 3>The story goes that Saint Swiin was so humble and

0:38:26.400 --> 0:38:29.759
<v Speaker 3>so pious that he asked that at the time of

0:38:29.800 --> 0:38:33.640
<v Speaker 3>his death his body be buried outside the church. And

0:38:33.880 --> 0:38:37.359
<v Speaker 3>I assume this is referring to Winchester Cathedral, or at

0:38:37.400 --> 0:38:40.480
<v Speaker 3>least the version of that cathedral that existed at the time.

0:38:40.840 --> 0:38:43.920
<v Speaker 3>The Winchester Cathedral that exists today was built centuries after

0:38:44.040 --> 0:38:47.560
<v Speaker 3>Swidin's death, but so it was the earlier version of

0:38:47.600 --> 0:38:50.200
<v Speaker 3>that church. He wanted to be outside so that as

0:38:50.200 --> 0:38:52.520
<v Speaker 3>we were talking about, rain would fall upon his grave,

0:38:52.880 --> 0:38:55.040
<v Speaker 3>and so that the feet of people passing by the

0:38:55.120 --> 0:38:58.360
<v Speaker 3>church would trample on top of it. And the clergy

0:38:58.520 --> 0:39:01.760
<v Speaker 3>initially honored his wishes. They put him where he asked.

0:39:01.800 --> 0:39:05.080
<v Speaker 3>But about one hundred years after his death, some churchmen

0:39:05.239 --> 0:39:09.160
<v Speaker 3>got squeamish and they were like, Saint Swiin was really holy,

0:39:09.800 --> 0:39:12.480
<v Speaker 3>isn't it wrong that people should be walking around on

0:39:12.560 --> 0:39:16.560
<v Speaker 3>top of his grave? So they made preparations to dig

0:39:16.680 --> 0:39:20.040
<v Speaker 3>up his remains and move them on the date of

0:39:20.239 --> 0:39:24.680
<v Speaker 3>July fifteenth, But when the day came, a mighty storm

0:39:24.760 --> 0:39:28.560
<v Speaker 3>broke out, forcing the church to delay their plans. Only

0:39:28.600 --> 0:39:31.200
<v Speaker 3>the storm did not stop. It kept reigning for forty

0:39:31.280 --> 0:39:34.799
<v Speaker 3>days and forty nights straight, and this was interpreted as

0:39:35.080 --> 0:39:38.279
<v Speaker 3>Saint Swithin's revenge from beyond the grave, or at least

0:39:38.360 --> 0:39:41.759
<v Speaker 3>him issuing a stern warning to them do not disobey

0:39:41.840 --> 0:39:46.360
<v Speaker 3>his wishes. So instead they just built a chapel over

0:39:46.480 --> 0:39:50.040
<v Speaker 3>his existing grave, and many miracles were performed there. It

0:39:50.080 --> 0:39:55.479
<v Speaker 3>seems like still a violation of what he was asking for. Yeah,

0:39:55.560 --> 0:39:59.520
<v Speaker 3>I don't know, but client says this story is not

0:39:59.760 --> 0:40:04.000
<v Speaker 3>the origin of the weather prophecy. And this version of

0:40:04.040 --> 0:40:06.759
<v Speaker 3>the story does not show up until the eighteenth century,

0:40:06.920 --> 0:40:10.799
<v Speaker 3>and it contradicts the claims of his earlier biographies, which

0:40:10.840 --> 0:40:13.920
<v Speaker 3>are again are probably also legendary, but were at least earlier.

0:40:15.719 --> 0:40:18.719
<v Speaker 3>These earlier biographies, you know, they they're the ones that

0:40:18.760 --> 0:40:20.640
<v Speaker 3>talk about the things I was bringing up earlier about

0:40:20.680 --> 0:40:22.600
<v Speaker 3>him being a real work beast when it came to

0:40:22.920 --> 0:40:28.399
<v Speaker 3>infrastructure projects, restoring old churches, building new ones. Apparently he

0:40:28.640 --> 0:40:32.239
<v Speaker 3>you know, he really impressed the King ethel Wolf by

0:40:32.280 --> 0:40:35.000
<v Speaker 3>doing all this work, and ethel Wolf eventually granted the

0:40:35.080 --> 0:40:37.760
<v Speaker 3>church ten percent of its royal lands as a gift.

0:40:37.840 --> 0:40:42.080
<v Speaker 3>According to these stories, and also at Winchesters, it is

0:40:42.120 --> 0:40:44.440
<v Speaker 3>said that he had a stone bridge built over the

0:40:44.520 --> 0:40:47.800
<v Speaker 3>river Itchin, and he was known for being deeply humble

0:40:47.880 --> 0:40:51.480
<v Speaker 3>and even ascetic, Like he traveled through his diocese on foot,

0:40:51.960 --> 0:40:54.680
<v Speaker 3>and he threw banquets where only the poor and the

0:40:54.719 --> 0:40:57.239
<v Speaker 3>outcast were invited, the rich were not allowed in.

0:40:57.840 --> 0:40:59.640
<v Speaker 2>And like that's one of the details where I think

0:40:59.640 --> 0:41:02.320
<v Speaker 2>you can the argument and that could be true, absolutely

0:41:02.320 --> 0:41:04.320
<v Speaker 2>could be true, it doesn't break anything else that we

0:41:04.600 --> 0:41:06.360
<v Speaker 2>understand about the man or the time.

0:41:06.880 --> 0:41:09.959
<v Speaker 3>According to these earlier stories, when he died, he left

0:41:10.000 --> 0:41:13.360
<v Speaker 3>instructions that he was to be buried outside the church

0:41:13.480 --> 0:41:15.440
<v Speaker 3>in Oh, here's the source of what I was saying earlier,

0:41:15.719 --> 0:41:19.760
<v Speaker 3>buried outside the church in quote, a vile and unworthy place.

0:41:20.640 --> 0:41:23.080
<v Speaker 3>And then this earlier biography also tells that in the

0:41:23.160 --> 0:41:26.080
<v Speaker 3>year nine seventy one, more than one hundred years after

0:41:26.160 --> 0:41:30.160
<v Speaker 3>his death on July fifteenth, in fact, his remains were

0:41:30.640 --> 0:41:34.440
<v Speaker 3>actually successfully moved from their original resting place, from the

0:41:34.520 --> 0:41:37.880
<v Speaker 3>vile and unworthy place and taken to a new church.

0:41:38.280 --> 0:41:41.120
<v Speaker 3>And so this contradicts the forty days of rain revenge

0:41:41.160 --> 0:41:45.040
<v Speaker 3>story and really has nothing to do with weather. Now

0:41:45.080 --> 0:41:47.480
<v Speaker 3>Here client actually brings it back to the figure of

0:41:47.560 --> 0:41:52.040
<v Speaker 3>John Earle, the Anglo Saxon professor I was talking about earlier, who,

0:41:52.080 --> 0:41:55.320
<v Speaker 3>he says, quote in the middle of last century, discovered

0:41:55.360 --> 0:42:01.239
<v Speaker 3>and translated a fragmentary chronicle concerning the transference. According to this,

0:42:01.440 --> 0:42:05.000
<v Speaker 3>Bishop Swien appeared in a dream to an aged smith

0:42:05.120 --> 0:42:08.800
<v Speaker 3>at Winchester, bidding him communicate to the monks the saints

0:42:08.880 --> 0:42:11.920
<v Speaker 3>wish that his bones should be brought within the church

0:42:12.520 --> 0:42:14.960
<v Speaker 3>asking for a sign to convince the monks of the

0:42:15.000 --> 0:42:17.880
<v Speaker 3>authenticity of the message. He was told to pull an

0:42:17.960 --> 0:42:21.799
<v Speaker 3>iron ring embedded in Swithin's stone coffin and it would

0:42:21.840 --> 0:42:25.680
<v Speaker 3>come away. So it did, but the smith still hesitated

0:42:25.760 --> 0:42:30.040
<v Speaker 3>until Swyin had appeared to him three times. Then he obeyed.

0:42:30.880 --> 0:42:34.279
<v Speaker 2>It's interesting that part of the confirmation here is dig

0:42:34.360 --> 0:42:38.240
<v Speaker 2>up my grave and then pull on parts of my coffin.

0:42:38.800 --> 0:42:40.759
<v Speaker 2>So at that point you've aready done, like what a

0:42:40.800 --> 0:42:43.160
<v Speaker 2>third of the work anyway, maybe half the work.

0:42:43.600 --> 0:42:46.880
<v Speaker 3>But he had to appear three times like this smith

0:42:46.920 --> 0:42:51.000
<v Speaker 3>took some convincing. But it's also the exact opposite of

0:42:51.040 --> 0:42:54.360
<v Speaker 3>the earlier story. So in this version of the story,

0:42:54.400 --> 0:42:57.360
<v Speaker 3>the transfer of the remains was not contrary to Swithin's wishes.

0:42:57.480 --> 0:43:01.360
<v Speaker 3>It was his direct request. And then you've got additional

0:43:01.440 --> 0:43:06.320
<v Speaker 3>legendary explanations for the transfer. Let's see, there were stories

0:43:06.840 --> 0:43:10.560
<v Speaker 3>of like I think one of them goes basically like

0:43:10.960 --> 0:43:13.680
<v Speaker 3>There were stories that went far and wide of miracles

0:43:13.680 --> 0:43:17.040
<v Speaker 3>worked at the grave of Swithin. The blind came to

0:43:17.080 --> 0:43:19.239
<v Speaker 3>it and recovered their sight. There's a story of a

0:43:19.320 --> 0:43:22.960
<v Speaker 3>humped man losing his hump. So the king at the time,

0:43:23.120 --> 0:43:26.080
<v Speaker 3>King Edgar, heard of these wonder works, and he thus

0:43:26.239 --> 0:43:29.439
<v Speaker 3>ordered that Swiin's remains be moved from his grave into

0:43:29.520 --> 0:43:33.160
<v Speaker 3>a gold shrine covered in jewels. Seems to befitting of

0:43:33.239 --> 0:43:36.960
<v Speaker 3>such a humble man as Swithin, And there was a

0:43:36.960 --> 0:43:39.719
<v Speaker 3>great ceremony in the feast. And in this version of

0:43:39.760 --> 0:43:43.960
<v Speaker 3>the story there's like nothing at all about weather. So

0:43:44.080 --> 0:43:46.880
<v Speaker 3>what's the origin of the connection to whether? As of

0:43:46.960 --> 0:43:50.320
<v Speaker 3>Klein's article, he says the answer is not really known,

0:43:51.360 --> 0:43:55.440
<v Speaker 3>But of course Earl speculates that it may have to

0:43:55.520 --> 0:43:59.799
<v Speaker 3>do with a pre existing tradition, possibly going back to

0:44:00.000 --> 0:44:06.120
<v Speaker 3>three Christian times. Throughout many different local European pagan mythologies

0:44:06.840 --> 0:44:11.239
<v Speaker 3>of weather predicting proverbs that were rooted in some kind

0:44:11.280 --> 0:44:15.880
<v Speaker 3>of local god or hero. There are other local saints

0:44:16.040 --> 0:44:20.360
<v Speaker 3>around the world associated with weather prediction heuristics. For example,

0:44:20.840 --> 0:44:24.719
<v Speaker 3>the legend of Saint Medard's Day June eighth, known in

0:44:24.840 --> 0:44:30.040
<v Speaker 3>France so Madard or Medardas was a Christian bishop who

0:44:30.080 --> 0:44:33.560
<v Speaker 3>lived in the fifth through the sixth century in modern

0:44:33.600 --> 0:44:36.520
<v Speaker 3>day France, and the legend about him goes that one

0:44:36.600 --> 0:44:39.840
<v Speaker 3>day when Madarda's child he was out walking in the

0:44:39.840 --> 0:44:42.560
<v Speaker 3>country with a bunch of other people. They were out

0:44:42.600 --> 0:44:45.359
<v Speaker 3>and it was nice weather. But then a terrible thunderstorm

0:44:45.400 --> 0:44:48.240
<v Speaker 3>broke out, and the people all around him were soaked

0:44:48.239 --> 0:44:52.200
<v Speaker 3>in the rain. But Madard himself was bone dry because

0:44:52.719 --> 0:44:56.680
<v Speaker 3>he was sheltered from above by a giant eagle that

0:44:56.840 --> 0:45:00.000
<v Speaker 3>hovered over his head with wings unfolded for the entire

0:45:00.400 --> 0:45:03.400
<v Speaker 3>of his journey home. So an eagle umbrella.

0:45:03.400 --> 0:45:06.560
<v Speaker 2>All right, all right, one that hovers, yes.

0:45:07.160 --> 0:45:10.240
<v Speaker 3>And so in France there was a weather prediction proverb

0:45:10.360 --> 0:45:14.000
<v Speaker 3>or weather prophecy about Saint Medard's day that is almost

0:45:14.080 --> 0:45:18.440
<v Speaker 3>identical to the Swien proverb. It's basically, if it rains

0:45:18.440 --> 0:45:20.719
<v Speaker 3>on Saint Madard's day, there will be forty more days

0:45:20.760 --> 0:45:23.279
<v Speaker 3>of rain. If it's dry, the next forty days will

0:45:23.320 --> 0:45:26.200
<v Speaker 3>be dry. And then Earl has a footnote where he

0:45:26.239 --> 0:45:28.720
<v Speaker 3>also mentions a couple of other figures like this. Apparently

0:45:28.760 --> 0:45:32.799
<v Speaker 3>there's a weather predicting proverb for a Saint Prote in

0:45:32.880 --> 0:45:38.600
<v Speaker 3>France prot Ais. And then he also says quote, the

0:45:38.640 --> 0:45:43.360
<v Speaker 3>reigning saint in Flanders is a Saint a Godoliev And

0:45:43.520 --> 0:45:47.000
<v Speaker 3>in Germany there are three reigning saints or Saints days.

0:45:47.400 --> 0:45:50.200
<v Speaker 3>One of the days is that of the Seven Sleepers.

0:45:51.480 --> 0:45:53.439
<v Speaker 3>I think we've talked about the Seven Sleepers on the show,

0:45:53.440 --> 0:45:53.880
<v Speaker 3>haven't we.

0:45:54.200 --> 0:45:56.440
<v Speaker 2>I believe so I'm a little foggy off the top

0:45:56.480 --> 0:45:58.720
<v Speaker 2>of my head who they were while they were sleeping,

0:45:58.800 --> 0:46:01.520
<v Speaker 2>But I do believe we've talked about them.

0:46:01.560 --> 0:46:04.680
<v Speaker 3>I think the story is they were early Christian saints

0:46:04.680 --> 0:46:06.960
<v Speaker 3>in the Roman Empire who went into a cave to

0:46:07.080 --> 0:46:10.160
<v Speaker 3>escape persecution by the Romans, and then they fell asleep,

0:46:10.360 --> 0:46:12.920
<v Speaker 3>and then they woke up. I don't know. It's a

0:46:13.000 --> 0:46:15.040
<v Speaker 3>kind of a rip van Winkle thing. They woke up

0:46:15.120 --> 0:46:16.160
<v Speaker 3>many many years later.

0:46:16.360 --> 0:46:19.040
<v Speaker 2>We talked about them in our episode on time travel

0:46:19.080 --> 0:46:23.400
<v Speaker 2>fiction and what are some of the arguments for early

0:46:23.719 --> 0:46:29.800
<v Speaker 2>precursors to science fiction time travel stories. It's, in my opinion,

0:46:29.920 --> 0:46:32.279
<v Speaker 2>a pretty cool episode, So I would recommend folks go

0:46:32.280 --> 0:46:34.440
<v Speaker 2>back and listen to it. Yeah, because it's like the

0:46:34.800 --> 0:46:37.359
<v Speaker 2>idea of time travel, like where not only where does

0:46:37.400 --> 0:46:39.880
<v Speaker 2>it come from, but how far back were we thinking

0:46:39.920 --> 0:46:42.799
<v Speaker 2>about things like it? How far back did we think

0:46:42.800 --> 0:46:47.399
<v Speaker 2>about time in the same way, Because nowadays, with via

0:46:47.480 --> 0:46:50.839
<v Speaker 2>time travel fiction, we think about this sort of thing

0:46:50.880 --> 0:46:53.040
<v Speaker 2>all the time. If I could go back and change this.

0:46:53.400 --> 0:46:55.120
<v Speaker 2>If I could go into the future and see what

0:46:55.160 --> 0:46:55.880
<v Speaker 2>this will look like.

0:46:57.640 --> 0:46:59.440
<v Speaker 3>I have fun memories of that episode.

0:46:59.640 --> 0:47:02.560
<v Speaker 2>Yeah, and now you can actually go back in time

0:47:02.600 --> 0:47:04.880
<v Speaker 2>and listen to it. That's the thing about vodcasts.

0:47:15.160 --> 0:47:19.480
<v Speaker 3>So there's another quick literary connection I wanted to discuss

0:47:19.520 --> 0:47:22.280
<v Speaker 3>that I thought was interesting. This one I came across

0:47:22.400 --> 0:47:28.680
<v Speaker 3>in a post by the Royal Meteorological Society of Great Britain.

0:47:29.160 --> 0:47:32.359
<v Speaker 3>The post is called behind the Folklore Saint Swithin's Day?

0:47:32.640 --> 0:47:35.680
<v Speaker 3>Does rain today really mean a ruined summer? This is

0:47:35.680 --> 0:47:39.920
<v Speaker 3>from July fifteenth, twenty nineteen. This post includes a quote

0:47:40.200 --> 0:47:45.480
<v Speaker 3>from a poem called Trivia or the Art of Walking

0:47:45.520 --> 0:47:48.560
<v Speaker 3>the Streets of London, by the British writer John Gay,

0:47:48.719 --> 0:47:53.319
<v Speaker 3>published in seventeen sixteen. I knew nothing of this work beforehand,

0:47:53.360 --> 0:47:55.560
<v Speaker 3>but I looked it up and it had some very

0:47:55.560 --> 0:47:59.759
<v Speaker 3>funny parts. It's a satirical poem giving advice about how

0:47:59.800 --> 0:48:03.879
<v Speaker 3>to walks around the city, including everything from what to where,

0:48:04.200 --> 0:48:08.680
<v Speaker 3>to strategies for avoiding common dangers and obstacles in the streets.

0:48:08.719 --> 0:48:10.759
<v Speaker 3>You know, how not to get a chamber pot port

0:48:10.800 --> 0:48:14.440
<v Speaker 3>on your head or whatever. And here's one couplet from

0:48:14.480 --> 0:48:18.960
<v Speaker 3>it when suffocating mists obscure the morn let thy worst

0:48:19.040 --> 0:48:21.960
<v Speaker 3>wig long used to storms be worn.

0:48:22.239 --> 0:48:23.200
<v Speaker 2>And it rhymes too.

0:48:23.520 --> 0:48:28.279
<v Speaker 3>Yeah, that's just good advice. Yeah, But there is a

0:48:28.320 --> 0:48:32.800
<v Speaker 3>passage that directly addresses the weather predicting proverb of Saint Swithin,

0:48:33.080 --> 0:48:36.800
<v Speaker 3>and also one that is about the Festival of Saint

0:48:36.840 --> 0:48:39.920
<v Speaker 3>Paul as well. So there are multiple weather predicting proverbs.

0:48:40.800 --> 0:48:45.200
<v Speaker 3>So John Gay's poem goes like this, all superstition from

0:48:45.239 --> 0:48:49.600
<v Speaker 3>thy breast, repel let, credulous boys and prattling nurses tell

0:48:50.000 --> 0:48:53.759
<v Speaker 3>how if the Festival of Paul be clear, plenty from

0:48:53.960 --> 0:48:57.840
<v Speaker 3>liberal horn shall strow the ear. When the dark skies

0:48:57.880 --> 0:49:01.200
<v Speaker 3>dissolve in snow or rain, the labor hind shall yoke

0:49:01.280 --> 0:49:04.759
<v Speaker 3>the steer in vain. But if the threatening winds in

0:49:04.880 --> 0:49:09.240
<v Speaker 3>tempest roar, then war shall bathe her wasteful sword and gore.

0:49:10.719 --> 0:49:13.080
<v Speaker 3>And then here's the relevant part with Swithen, This is

0:49:13.120 --> 0:49:16.520
<v Speaker 3>the other half here. How if on Swithin's feast, the

0:49:16.600 --> 0:49:19.480
<v Speaker 3>welkin lowers, I was like, what, I had to look

0:49:19.520 --> 0:49:22.560
<v Speaker 3>that up, so that meaning dark clouds gather. Basically, welkin

0:49:22.760 --> 0:49:26.160
<v Speaker 3>is the sky lowers, I think means like lowers like

0:49:26.200 --> 0:49:29.880
<v Speaker 3>it grows dark, if the sky grows dark, If on

0:49:30.120 --> 0:49:34.160
<v Speaker 3>Swithin's feast, the welkin lowers, and every penthouse streams with

0:49:34.239 --> 0:49:38.800
<v Speaker 3>hasty showers twice twenty days, shall clouds their fleeces drain

0:49:39.239 --> 0:49:43.000
<v Speaker 3>and wash the pavements with incessant rain? Let not such

0:49:43.120 --> 0:49:47.720
<v Speaker 3>vulgar tails debase thy mind nor Paul nor swithen rules

0:49:47.760 --> 0:49:51.480
<v Speaker 3>the clouds and wind, oh sad to end on that

0:49:51.960 --> 0:49:54.960
<v Speaker 3>kind of rhyme that doesn't really work anymore, Mind and

0:49:56.120 --> 0:49:59.840
<v Speaker 3>mind and wind? I wonder did did mind sound like wind?

0:50:00.400 --> 0:50:02.160
<v Speaker 3>Or did wind sound like mind?

0:50:02.760 --> 0:50:05.799
<v Speaker 2>I mean, that's that's always the question, right, are you

0:50:05.800 --> 0:50:08.000
<v Speaker 2>gonna Are you gonna actually try and make something like

0:50:08.040 --> 0:50:11.360
<v Speaker 2>this rhyme when you pronounce it and potentially sound foolish.

0:50:11.600 --> 0:50:14.960
<v Speaker 3>But so, even in seventeen sixteen, this guy's well aware

0:50:15.040 --> 0:50:18.439
<v Speaker 3>of this proverb as like a common saying, but he's saying,

0:50:18.480 --> 0:50:22.040
<v Speaker 3>pay no attention, it's hogwash. In fact, I couldn't find

0:50:22.120 --> 0:50:25.160
<v Speaker 3>any older sources where people are saying this is a good. Yeah,

0:50:25.200 --> 0:50:28.719
<v Speaker 3>this is good, it really works. Every source I was

0:50:28.719 --> 0:50:31.000
<v Speaker 3>finding on it was just people hundreds of years ago

0:50:31.080 --> 0:50:33.440
<v Speaker 3>saying this is stupid. It doesn't make any sense.

0:50:33.320 --> 0:50:35.880
<v Speaker 2>Yeah, because all you have to do is observe and

0:50:35.920 --> 0:50:37.479
<v Speaker 2>you don't need It's not one of these things where

0:50:37.480 --> 0:50:39.440
<v Speaker 2>you can just say, well, if you have the benefit

0:50:39.520 --> 0:50:42.399
<v Speaker 2>of long term record keeping, like no, it's like if

0:50:42.400 --> 0:50:45.839
<v Speaker 2>you've just tried it out more than once or even once,

0:50:45.880 --> 0:50:48.120
<v Speaker 2>you'd realize, you know, that didn't work, that actually wasn't

0:50:48.120 --> 0:50:48.880
<v Speaker 2>helpful advice.

0:50:49.080 --> 0:50:51.120
<v Speaker 3>That's right. So here we come to the question does

0:50:51.160 --> 0:50:53.960
<v Speaker 3>it actually predict the weather? The short answer is no.

0:50:54.239 --> 0:50:56.840
<v Speaker 3>It is not a reliable guide and you can easily

0:50:56.840 --> 0:50:58.920
<v Speaker 3>find lots of cases where it's wrong. In fact, if

0:50:58.920 --> 0:51:03.240
<v Speaker 3>you're strict about it, it is always wrong. The Royal

0:51:03.280 --> 0:51:07.640
<v Speaker 3>Meteorological Society post points out quote since records began, not

0:51:07.800 --> 0:51:11.440
<v Speaker 3>a single forty day drought has occurred anywhere in the

0:51:11.560 --> 0:51:14.359
<v Speaker 3>UK during the summer months, and there has not been

0:51:14.440 --> 0:51:18.440
<v Speaker 3>one instance at any time of the year of forty

0:51:18.480 --> 0:51:22.800
<v Speaker 3>consecutive days of rainfall sunshine on Saint Swithin's day in Miami,

0:51:22.960 --> 0:51:26.560
<v Speaker 3>Maywell auger forty days of unbroken sunshine, But in Blackpool

0:51:26.680 --> 0:51:30.279
<v Speaker 3>it most assuredly does not. So the if you're very

0:51:30.360 --> 0:51:33.600
<v Speaker 3>strict about interpreting it, this never ever has happened, and

0:51:33.760 --> 0:51:36.680
<v Speaker 3>never will happen. I mean maybe in a million years,

0:51:36.719 --> 0:51:37.960
<v Speaker 3>but never happens.

0:51:38.040 --> 0:51:40.760
<v Speaker 2>Yeah, once they build the dome or something.

0:51:40.800 --> 0:51:44.359
<v Speaker 3>You know. Now, if you're not as strict in interpreting it,

0:51:44.440 --> 0:51:47.680
<v Speaker 3>if you take it more as an indicator of general trends,

0:51:48.239 --> 0:51:50.800
<v Speaker 3>it often does hold true, though you can still find

0:51:50.880 --> 0:51:52.520
<v Speaker 3>lots of years where it does not.

0:51:53.040 --> 0:51:53.160
<v Speaker 1>So.

0:51:53.280 --> 0:51:56.000
<v Speaker 3>John Earl investigated this in the eighteen hundreds. In his

0:51:56.080 --> 0:51:59.360
<v Speaker 3>piece on it, he's like looking at almanacs, and he says,

0:51:59.440 --> 0:52:03.239
<v Speaker 3>quote in z Owns Everyday Book for July fifteenth, some

0:52:03.560 --> 0:52:07.200
<v Speaker 3>observations are quoted, tending to prove that though it will

0:52:07.200 --> 0:52:10.839
<v Speaker 3>not bear rigid examination, yet it is not totally unfounded.

0:52:11.200 --> 0:52:14.840
<v Speaker 3>Among other instances, these occur. In eighteen oh seven, it

0:52:14.920 --> 0:52:17.800
<v Speaker 3>proved wrong. A rainy July fifteenth was followed by a

0:52:17.880 --> 0:52:20.759
<v Speaker 3>dry time. In eighteen oh eight, it was wet, and

0:52:20.800 --> 0:52:24.680
<v Speaker 3>the rule came partially true. In eighteen eighteen and eighteen nineteen.

0:52:24.760 --> 0:52:28.120
<v Speaker 3>July fifteenth was dry and followed by dry weather. Of

0:52:28.160 --> 0:52:30.960
<v Speaker 3>the series eighteen oh seven to eighteen nineteen, it was

0:52:31.080 --> 0:52:35.040
<v Speaker 3>generally true enough, but in the wet summer of eighteen sixteen,

0:52:35.160 --> 0:52:38.760
<v Speaker 3>though the adage was literally verified. Yet the heaviest wet

0:52:38.880 --> 0:52:42.080
<v Speaker 3>fell before the fifteenth and Earl has a friend who

0:52:42.160 --> 0:52:45.719
<v Speaker 3>studies meteorology who tells him that, you know, really, the

0:52:45.719 --> 0:52:50.280
<v Speaker 3>only way people can believe this prognostication has predictive value

0:52:50.560 --> 0:52:54.800
<v Speaker 3>is by quote attention being given to the instances wherein

0:52:54.920 --> 0:52:57.959
<v Speaker 3>it fell true and neglect of the cases in which

0:52:58.000 --> 0:52:59.000
<v Speaker 3>the reverse occurred.

0:52:59.320 --> 0:53:01.480
<v Speaker 2>Ah, isn't that always the case?

0:53:01.640 --> 0:53:05.440
<v Speaker 3>Yeah, this would be once again our old friend confirmation bias,

0:53:05.520 --> 0:53:08.480
<v Speaker 3>where you count the hits and you ignore the misses.

0:53:09.200 --> 0:53:11.800
<v Speaker 3>And you know, I think a lot of even outside

0:53:11.840 --> 0:53:16.160
<v Speaker 3>of weather prediction, just a lot of common sayings and

0:53:16.320 --> 0:53:20.920
<v Speaker 3>proverbs are regarded as wisdom in part on the basis

0:53:20.960 --> 0:53:25.600
<v Speaker 3>of confirmation bias. They're not actually true in all cases,

0:53:25.760 --> 0:53:29.840
<v Speaker 3>or sometimes even in most cases, but because we're already

0:53:29.880 --> 0:53:33.480
<v Speaker 3>familiar with a proverb propounding a rule or a pattern,

0:53:34.160 --> 0:53:38.200
<v Speaker 3>we notice events that conform to the rule and associate

0:53:38.280 --> 0:53:41.720
<v Speaker 3>them with the rule, and we tend to ignore events

0:53:41.760 --> 0:53:44.240
<v Speaker 3>that contradict the rule, or at least we don't mentally

0:53:44.280 --> 0:53:47.239
<v Speaker 3>associate them with the saying. So I was just thinking

0:53:47.280 --> 0:53:49.560
<v Speaker 3>of common sayings. One that came to mind for me

0:53:49.680 --> 0:53:53.719
<v Speaker 3>is absence makes the heart grow fonder, seems very true, right,

0:53:54.160 --> 0:53:55.000
<v Speaker 3>seems very true?

0:53:55.080 --> 0:53:56.080
<v Speaker 2>Why people keep saying it?

0:53:56.200 --> 0:53:59.319
<v Speaker 3>Right, Yeah, being away from something or someone makes you

0:53:59.440 --> 0:54:02.320
<v Speaker 3>yearn for them thing or that person. But there's also

0:54:02.360 --> 0:54:06.319
<v Speaker 3>a counter saying, out of sight out of mind. This

0:54:06.440 --> 0:54:09.920
<v Speaker 3>also seems true, even though it basically means exactly the opposite.

0:54:10.600 --> 0:54:13.719
<v Speaker 3>And I think the reality is that sometimes absence makes

0:54:13.719 --> 0:54:16.319
<v Speaker 3>the heart grow fonder, and sometimes it doesn't. And in

0:54:16.400 --> 0:54:19.200
<v Speaker 3>the cases where it does, it seems like it proves

0:54:19.280 --> 0:54:22.160
<v Speaker 3>the saying true, and in cases where it doesn't, it

0:54:22.239 --> 0:54:24.920
<v Speaker 3>just doesn't occur to us to count it against the proverb.

0:54:25.800 --> 0:54:28.799
<v Speaker 3>So maybe instead it just counts as confirmation of an

0:54:28.800 --> 0:54:31.800
<v Speaker 3>opposing proverb. Oh, out of sight, out of mind confirmed?

0:54:31.920 --> 0:54:34.359
<v Speaker 3>So like both are true even though they contradict.

0:54:34.760 --> 0:54:38.800
<v Speaker 2>Yeah, Like, it's you're summoning a saying to make sense

0:54:38.840 --> 0:54:40.719
<v Speaker 2>of things that are happening in your life, or maybe

0:54:40.719 --> 0:54:43.000
<v Speaker 2>even serve as kind of a predictive model of what

0:54:43.160 --> 0:54:48.440
<v Speaker 2>might happen, you know, feeding the the the ever turning

0:54:48.480 --> 0:54:52.399
<v Speaker 2>gears of the mind with these things. So yeah, it's

0:54:52.400 --> 0:54:54.920
<v Speaker 2>only important to you to whatever extent it backs up

0:54:55.680 --> 0:54:57.399
<v Speaker 2>your existing machinations.

0:54:57.560 --> 0:55:00.600
<v Speaker 3>Yeah, so I think sayings like this are often they're

0:55:00.640 --> 0:55:06.399
<v Speaker 3>not really useful for predictive power, what they're actually used

0:55:06.480 --> 0:55:12.320
<v Speaker 3>for is a mental classification system for events in our lives.

0:55:12.880 --> 0:55:15.560
<v Speaker 3>They're more kind of like a filing system for our

0:55:15.600 --> 0:55:19.680
<v Speaker 3>own mental biography. You know, I can remember this event

0:55:19.760 --> 0:55:23.359
<v Speaker 3>that happened here under the kind of salience tag of

0:55:23.440 --> 0:55:26.600
<v Speaker 3>absence makes the heart grow fonder, and this other event

0:55:26.719 --> 0:55:29.640
<v Speaker 3>I can remember under the salience tag of out of sight,

0:55:29.719 --> 0:55:33.680
<v Speaker 3>out of mind. Yeah. But anyway, back to the weather. So,

0:55:33.719 --> 0:55:36.720
<v Speaker 3>while it's certainly not true all of the time, maybe

0:55:36.760 --> 0:55:40.480
<v Speaker 3>not even most of the time, when taken as a

0:55:40.560 --> 0:55:43.840
<v Speaker 3>predictor of trends on average, I think you could argue

0:55:43.840 --> 0:55:46.799
<v Speaker 3>the swin proverb has a little bit of truth to it.

0:55:47.440 --> 0:55:51.440
<v Speaker 3>And there is interestingly actually a mechanism, a scientific mechanism

0:55:51.520 --> 0:55:55.279
<v Speaker 3>we can point to that would explain why it sometimes

0:55:55.280 --> 0:55:57.799
<v Speaker 3>has a little truth to it, and that is the

0:55:57.880 --> 0:55:58.560
<v Speaker 3>jet stream.

0:55:58.880 --> 0:55:59.280
<v Speaker 2>Ah.

0:56:00.080 --> 0:56:02.600
<v Speaker 3>This is a point made by that post by the

0:56:02.680 --> 0:56:07.680
<v Speaker 3>Royal Meteorological Society. So the post concludes, quote the middle

0:56:07.719 --> 0:56:10.040
<v Speaker 3>of July tends to be around the time that the

0:56:10.120 --> 0:56:14.000
<v Speaker 3>jet stream settles into a relatively consistent pattern. If the

0:56:14.080 --> 0:56:17.000
<v Speaker 3>jet stream lies north of the UK throughout the summer,

0:56:17.400 --> 0:56:20.840
<v Speaker 3>continental high pressure is able to move in bringing warmth

0:56:20.880 --> 0:56:24.560
<v Speaker 3>and sunshine. If it sticks further south, Arctic air and

0:56:24.680 --> 0:56:29.960
<v Speaker 3>Atlantic weather systems are likely to predominate, bringing colder, wetter weather.

0:56:31.320 --> 0:56:33.920
<v Speaker 3>So to explain that a little bit more so, the

0:56:34.040 --> 0:56:37.239
<v Speaker 3>jet stream is this fast moving current of air in

0:56:37.280 --> 0:56:41.320
<v Speaker 3>the upper atmosphere above like nine thousand meters that typically

0:56:41.680 --> 0:56:45.000
<v Speaker 3>flows from west to east. There are four main jet

0:56:45.040 --> 0:56:48.000
<v Speaker 3>streams on Earth. You've got two at the boundary of

0:56:48.040 --> 0:56:50.879
<v Speaker 3>each polar region in the North Pole and the South Pole,

0:56:51.280 --> 0:56:55.080
<v Speaker 3>and then you've got two subtropical jet streams. The specific

0:56:55.160 --> 0:56:58.560
<v Speaker 3>current that has the most influence on European weather is

0:56:58.600 --> 0:57:03.520
<v Speaker 3>the northern polar jet stream. Jet Streams are formed because

0:57:03.719 --> 0:57:08.120
<v Speaker 3>of the temperature difference between two big masses of air,

0:57:08.160 --> 0:57:11.760
<v Speaker 3>in this case, the cold polar air and the warmer

0:57:11.800 --> 0:57:14.520
<v Speaker 3>air of the northern mid latitude. So you've got warmer

0:57:14.560 --> 0:57:18.360
<v Speaker 3>air at lower latitudes colder air at higher latitudes, and

0:57:18.440 --> 0:57:22.200
<v Speaker 3>there's a boundary point where they meet, and this boundary

0:57:22.240 --> 0:57:27.440
<v Speaker 3>point creates strong horizontal pressure gradients in the upper atmosphere.

0:57:27.880 --> 0:57:31.160
<v Speaker 3>In short, big differences in pressure between over here and

0:57:31.200 --> 0:57:34.400
<v Speaker 3>over there. And these big differences in pressure mean there's

0:57:34.440 --> 0:57:38.360
<v Speaker 3>a lot of moving air in the upper atmosphere. The

0:57:38.440 --> 0:57:41.840
<v Speaker 3>moving air at this boundary gets deflected to the right

0:57:42.040 --> 0:57:44.360
<v Speaker 3>in the northern hemisphere because of our old friend, the

0:57:44.400 --> 0:57:48.600
<v Speaker 3>Coriolis effect. Because the Earth is spinning west to east,

0:57:48.920 --> 0:57:53.720
<v Speaker 3>it deflects these movements to the right, which creates this powerful,

0:57:54.160 --> 0:57:58.200
<v Speaker 3>fast moving river of air flowing west to east in

0:57:58.240 --> 0:58:01.280
<v Speaker 3>the upper atmosphere and is going fast at speeds of

0:58:01.400 --> 0:58:05.640
<v Speaker 3>several hundred miles per hour. And this is the northern

0:58:05.640 --> 0:58:08.880
<v Speaker 3>Polar jet stream. It often tends to flow right over

0:58:09.080 --> 0:58:13.320
<v Speaker 3>or right around the British Isles. So the position of

0:58:13.360 --> 0:58:19.000
<v Speaker 3>this jet stream is largely determinative of Europe's weather. If

0:58:19.040 --> 0:58:22.080
<v Speaker 3>the jet stream is flowing in a relatively straight line

0:58:22.120 --> 0:58:27.480
<v Speaker 3>across roughly the same latitude, it can mean somewhat erratic weather, actually,

0:58:27.520 --> 0:58:30.440
<v Speaker 3>because what that means is it will be pulling regular

0:58:30.600 --> 0:58:34.360
<v Speaker 3>storms in from the Atlantic on a repeating basis, and

0:58:34.400 --> 0:58:39.120
<v Speaker 3>then they'll be punctuated by periods of calm in between. However,

0:58:39.240 --> 0:58:41.480
<v Speaker 3>if it's a more squiggly line, think of like a

0:58:41.520 --> 0:58:44.320
<v Speaker 3>meandering river, kind of looping up and down. If it's

0:58:44.320 --> 0:58:47.560
<v Speaker 3>shaped more like that, which it sometimes is, Britain's weather

0:58:48.120 --> 0:58:52.200
<v Speaker 3>will depend more on which side of the squiggly line

0:58:52.240 --> 0:58:56.280
<v Speaker 3>it ends up lassoed into. So if it is trapped

0:58:56.360 --> 0:58:59.520
<v Speaker 3>in part of a bend reaching up from the south,

0:59:00.080 --> 0:59:02.840
<v Speaker 3>this will tend to mean warm, dry weather, kind of

0:59:02.840 --> 0:59:06.280
<v Speaker 3>a more Mediterranean weather system. And if it is part

0:59:06.280 --> 0:59:09.520
<v Speaker 3>of a bend curling down from the north, this will

0:59:09.600 --> 0:59:13.720
<v Speaker 3>usually mean Britain gets cool, rainy weather driven by the

0:59:13.760 --> 0:59:16.919
<v Speaker 3>polar air mass coming in from the sea. And these

0:59:16.960 --> 0:59:21.800
<v Speaker 3>wavy patterns can sometimes park over an area like Britain

0:59:22.200 --> 0:59:26.040
<v Speaker 3>for several weeks at a time, leading to somewhat stable

0:59:26.160 --> 0:59:30.960
<v Speaker 3>patterns which, while not exactly conforming to Swien's forty days prediction,

0:59:31.120 --> 0:59:34.480
<v Speaker 3>they can approximate it. So there is a little bit

0:59:34.520 --> 0:59:37.320
<v Speaker 3>of something going on here based in real weather patterns.

0:59:37.880 --> 0:59:40.360
<v Speaker 2>Yeah, I mean, you can imagine somebody setting out in

0:59:40.400 --> 0:59:43.760
<v Speaker 2>the weeks following July fifteenth. It's raining, they're wearing their

0:59:43.800 --> 0:59:48.520
<v Speaker 2>old wig, and yeah, it's conforming to the legend enough

0:59:48.600 --> 0:59:50.640
<v Speaker 2>that they might summon the legend in their mind as

0:59:50.680 --> 0:59:52.040
<v Speaker 2>they look up at the rainy sky.

0:59:52.400 --> 0:59:55.040
<v Speaker 3>Right, And that could well be because at that time

0:59:55.880 --> 0:59:58.560
<v Speaker 3>Britain is trapped in one of these polar troughs where

0:59:58.560 --> 1:00:01.000
<v Speaker 3>the jet stream loops down under it, so they're getting

1:00:01.000 --> 1:00:03.520
<v Speaker 3>a lot of northern air coming in, bringing in the

1:00:03.600 --> 1:00:05.800
<v Speaker 3>you know, cool wet stuff off the sea.

1:00:07.080 --> 1:00:08.920
<v Speaker 2>And you know, it's one of those things where I

1:00:08.960 --> 1:00:11.160
<v Speaker 2>mean not to analyze it too deeply, because I think

1:00:12.040 --> 1:00:14.760
<v Speaker 2>in many cases we're probably dealing with a very casual

1:00:14.840 --> 1:00:19.040
<v Speaker 2>association with a legend like that. But still little things

1:00:19.120 --> 1:00:23.480
<v Speaker 2>like that can make it seem like there's something or

1:00:23.520 --> 1:00:26.680
<v Speaker 2>somebody in control, like there is some level of control

1:00:27.080 --> 1:00:30.160
<v Speaker 2>in a life and in a world that that seems

1:00:30.240 --> 1:00:33.240
<v Speaker 2>chaotic at times and can be quite scary in its

1:00:33.280 --> 1:00:36.640
<v Speaker 2>unpredictable nature. But if you can sort of even just

1:00:36.720 --> 1:00:39.720
<v Speaker 2>casually think, oh, it's just like that legend, then then

1:00:39.760 --> 1:00:43.920
<v Speaker 2>it feels like there's some there's some bumpers on the lane,

1:00:43.960 --> 1:00:44.160
<v Speaker 2>you know.

1:00:44.480 --> 1:00:48.680
<v Speaker 3>Yeah, yeah, totally. So this RMS post they end with

1:00:48.760 --> 1:00:52.040
<v Speaker 3>a revised version of the Swithin poem that's even clunkier.

1:00:52.200 --> 1:00:55.320
<v Speaker 3>Not even trying really to scan at this point, but

1:00:55.440 --> 1:00:58.080
<v Speaker 3>this is what they come up with. They say, Saint

1:00:58.080 --> 1:01:02.560
<v Speaker 3>Swithin's day, if thou dost rain for forty days relatively unsettled,

1:01:02.680 --> 1:01:05.720
<v Speaker 3>there's a fair chance it will remain. That sounds almost

1:01:05.760 --> 1:01:09.280
<v Speaker 3>kind of Yoda issue. And then Saint Swithin's Day, if

1:01:09.280 --> 1:01:12.919
<v Speaker 3>that'll be fair for forty days, a northerly jetstream might

1:01:13.000 --> 1:01:16.880
<v Speaker 3>result in some fairly decent spells, but then again it

1:01:16.960 --> 1:01:17.280
<v Speaker 3>might not.

1:01:17.920 --> 1:01:20.520
<v Speaker 2>You know who could have made this work Rocky ericson

1:01:20.760 --> 1:01:21.439
<v Speaker 2>Oh my God.

1:01:21.600 --> 1:01:25.560
<v Speaker 3>Yes, he could cram so many words into a line.

1:01:25.440 --> 1:01:27.920
<v Speaker 2>Yeah, like yeah, yeah, you think of the lyrics to

1:01:28.400 --> 1:01:31.920
<v Speaker 2>if you have ghosts that. Yeah, this could totally work

1:01:31.960 --> 1:01:32.880
<v Speaker 2>within the context of.

1:01:32.840 --> 1:01:35.320
<v Speaker 3>That objects move without wind blowing from the newspaper to

1:01:35.360 --> 1:01:35.680
<v Speaker 3>the door.

1:01:36.000 --> 1:01:37.240
<v Speaker 2>Yeah.

1:01:37.320 --> 1:01:39.920
<v Speaker 3>Okay, well that's all I've got on Swithin, Saint Swithin's

1:01:39.960 --> 1:01:40.760
<v Speaker 3>Day and the weather.

1:01:41.400 --> 1:01:43.480
<v Speaker 2>Yeah. And you know, to bring it back to Rocky Erickson,

1:01:43.560 --> 1:01:48.320
<v Speaker 2>if definitely check out his music if you were at

1:01:48.360 --> 1:01:50.600
<v Speaker 2>all interested in anything we've said about him. The thing

1:01:50.640 --> 1:01:52.640
<v Speaker 2>is you've probably heard his music before and you just

1:01:52.680 --> 1:01:57.520
<v Speaker 2>hadn't realized it. I was watching The Weindnsday Show about

1:01:57.520 --> 1:02:00.560
<v Speaker 2>Wednsday Adams on Netflix with the family recently, and in

1:02:00.560 --> 1:02:03.760
<v Speaker 2>season two there's an episode where they drop Rocky Erics

1:02:03.800 --> 1:02:07.200
<v Speaker 2>Since I walked with the Zombie's that's it's a pretty

1:02:07.200 --> 1:02:09.440
<v Speaker 2>well known track of his. Even if you're not aware

1:02:09.520 --> 1:02:12.440
<v Speaker 2>of Rocky ericson like that, one's been used in a

1:02:12.480 --> 1:02:14.560
<v Speaker 2>number of things, and like a number of his songs,

1:02:14.600 --> 1:02:16.640
<v Speaker 2>he's kind of a I think he's one of those

1:02:16.720 --> 1:02:19.120
<v Speaker 2>artists that is often kind of a musician's musician, you know.

1:02:19.240 --> 1:02:21.880
<v Speaker 2>So his his songs have been covered a lot by

1:02:21.920 --> 1:02:24.840
<v Speaker 2>folks that were inspired by his music.

1:02:25.160 --> 1:02:28.560
<v Speaker 3>I say his best known song is probably the one

1:02:28.600 --> 1:02:31.120
<v Speaker 3>he did with the thirteenth thirteenth Floor Elevators. So the

1:02:31.160 --> 1:02:33.320
<v Speaker 3>first track off their first album called You're going to

1:02:33.360 --> 1:02:35.120
<v Speaker 3>Miss Me. A lot of people have heard that one.

1:02:35.320 --> 1:02:37.880
<v Speaker 2>Yeah, that's that's a that's a really good one, and

1:02:38.440 --> 1:02:40.520
<v Speaker 2>I think it was that the Tit also the title

1:02:40.520 --> 1:02:41.640
<v Speaker 2>of the documentary about him.

1:02:41.720 --> 1:02:42.600
<v Speaker 3>Yes, yes it was.

1:02:43.160 --> 1:02:46.280
<v Speaker 2>Yeah, solid track, but not as I mean, not as

1:02:46.360 --> 1:02:48.800
<v Speaker 2>rockin and not and certainly not horror team like the

1:02:49.120 --> 1:02:50.919
<v Speaker 2>later many of the later songs were.

1:02:51.960 --> 1:02:54.680
<v Speaker 3>I'm tempted to talk about May ninth, nineteen seventy six,

1:02:54.760 --> 1:02:57.360
<v Speaker 3>when I looked up and nothing significant happened that day.

1:03:00.160 --> 1:03:01.680
<v Speaker 2>We're going to go and close it out here, but

1:03:01.720 --> 1:03:03.680
<v Speaker 2>we just like to remind everyone that's stuff to blow

1:03:03.720 --> 1:03:06.360
<v Speaker 2>your mind is primarily a science and culture podcast with

1:03:06.440 --> 1:03:09.240
<v Speaker 2>core episodes on Tuesdays and Thursdays. On Wednesdays, we do

1:03:09.280 --> 1:03:11.479
<v Speaker 2>a short form episode and on Fridays we set aside

1:03:11.520 --> 1:03:13.520
<v Speaker 2>most serious concerns to just talk about a weird film

1:03:13.560 --> 1:03:18.160
<v Speaker 2>on Weird House Cinema. Wherever you get the podcast, where

1:03:18.280 --> 1:03:21.560
<v Speaker 2>we just asked that you subscribe, rate, and review. We

1:03:21.600 --> 1:03:24.760
<v Speaker 2>don't always really hammer this home, but these are things

1:03:24.760 --> 1:03:27.320
<v Speaker 2>that really help us out. Make sure you've subscribed, rate,

1:03:27.360 --> 1:03:30.200
<v Speaker 2>and review the show. It helps ensure that we continue

1:03:30.560 --> 1:03:32.600
<v Speaker 2>to put these episodes out for your listening pleasure.

1:03:33.000 --> 1:03:36.960
<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

1:03:37.240 --> 1:03:38.760
<v Speaker 3>If you would like to get in touch with us

1:03:38.760 --> 1:03:41.360
<v Speaker 3>with feedback on this episode or any other, to suggest

1:03:41.400 --> 1:03:43.439
<v Speaker 3>a topic for the future, or just to say hello,

1:03:43.920 --> 1:03:46.520
<v Speaker 3>you can email us at contact at stuff to Blow

1:03:46.560 --> 1:03:55.160
<v Speaker 3>your Mind dot com.

1:03:55.680 --> 1:03:58.600
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

1:03:58.680 --> 1:04:01.479
<v Speaker 1>more podcasts from my Heart Radio, visit the iHeartRadio app,

1:04:01.640 --> 1:04:17.120
<v Speaker 1>Apple Podcasts, or wherever you're listening to your favorite shows.