WEBVTT - I Think it’s Best Picked Off (S2 E10, "The Bracebridge Dinner")

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<v Speaker 1>I Am all In. I Am all In with Scott

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<v Speaker 1>Patterson and I Heart Radio podcast. Hey everybody's Scott Patterson

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<v Speaker 1>and this is the I Am all In podcast our

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<v Speaker 1>Heart Radio one to Live In productions. What an episode

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<v Speaker 1>the Bracebridge Dinner. I gotta tell you, my impress, my

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<v Speaker 1>initial impression of this, after after the roller coaster ride

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<v Speaker 1>of hilarity and emotion, my god, this to me reminded

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<v Speaker 1>me of, you know, the swagger that the creators have now,

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<v Speaker 1>like we're the biggest, baddest sons of bees in the

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<v Speaker 1>gosh darn entertainment industry, and this is what we can

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<v Speaker 1>do top this? You know, it was just it was

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<v Speaker 1>just so I mean, they were landing. Every joke landed beautifully,

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<v Speaker 1>Every storyline and narrative landed beautifully, wove and inter wove beautifully.

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<v Speaker 1>It was just amazing. I was beautiful. It looked. Everything

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<v Speaker 1>look good. Just the snow man looked fake. I'm sorry

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<v Speaker 1>it did. The snowmen did not look real. You can

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<v Speaker 1>see the dimples from the styrofoam. I'm sorry. I know.

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<v Speaker 1>They tried. The head when it fell off looked real.

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<v Speaker 1>Every the snow that they were packing on looked real

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<v Speaker 1>when it fall off, but the I don't know, it

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<v Speaker 1>was just a little too dimpled for me. I'm kind

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<v Speaker 1>of a snowman expert. I grew up making snowmen in

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<v Speaker 1>southern New Jersey. I never saw saw snow men that

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<v Speaker 1>were doing snow Man. Did you think was the award

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<v Speaker 1>winning deserving number one? Well, okay, as good as the ringers,

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<v Speaker 1>uh snow Man was, he did not provide the humor

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<v Speaker 1>that those two young ladies did, so I'm gonna have

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<v Speaker 1>to give it to our girls. Can you remember filming

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<v Speaker 1>that episode at all? I mean, just the way the

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<v Speaker 1>town looks stood out. I just don't. I don't you

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<v Speaker 1>know what I I do remember this leigh ride somewhat.

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<v Speaker 1>I do remember that it's not wild. It was not that.

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<v Speaker 1>I mean, twenty years ago is like, you know, a

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<v Speaker 1>lifetime for some people, but it's like just a little

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<v Speaker 1>chunk of my life, so it shouldn't be the biggest stretch.

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<v Speaker 1>I don't know that it's because it was twenty years ago.

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<v Speaker 1>I think it's because you shot so many episodes, so

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<v Speaker 1>it's like you can't differentiate each thing. They all kind

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<v Speaker 1>of run into each other. I just know I didn't

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<v Speaker 1>remember any of that, and I loved the bootsy stuff,

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<v Speaker 1>and I loved all that stuff. But I mean, right

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<v Speaker 1>off the bat, it was just firing on all cylinders,

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<v Speaker 1>and um it just continued to I mean, I got

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<v Speaker 1>I got my Michelle fixed. Very early in the episode,

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<v Speaker 1>he was a sterical. I was very happy physical just

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<v Speaker 1>when he's doing this. Oh yeah, So all right, so

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<v Speaker 1>let's get into this, and I guess Riley is a

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<v Speaker 1>little down down for the count. Yeah. Last week she

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<v Speaker 1>had our sexy voice, but now she's just out. Yeah,

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<v Speaker 1>now she's gonna have to sit one out. Um, so

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<v Speaker 1>you got me and Danielle Romo, thank you for filling

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<v Speaker 1>in for the My god, the the the growing popularity

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<v Speaker 1>of Riley is I mean, I'm starting to feel a

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<v Speaker 1>little threatened, to be honest. Yeah. The anticipation for Danielle's

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<v Speaker 1>performance with pop culture is, yeah, we might have to

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<v Speaker 1>invite her to a secret dinner and then like push

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<v Speaker 1>her over a cliff or sometimes ready to armchair quarterback.

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<v Speaker 1>This let's go alright, go ahead, Danielle. Okay. So this

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<v Speaker 1>is episode ten, The Bracebridge Dinner air date December eleven,

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<v Speaker 1>two thoe and the synopsis is, while Rory struggles to

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<v Speaker 1>keep the budding rivalry between Dean and just under control.

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<v Speaker 1>Lorelai invites most of the citizens of stars Hollow to

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<v Speaker 1>an elaborate feast, complete with costumes and horse drawn sleigh rides,

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<v Speaker 1>during which Richard announces to Emily he has retired. Boom

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<v Speaker 1>boom boom. There's so much to unpack here, Amy, you

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<v Speaker 1>gotta guide me through this. I'm just gonna go off.

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<v Speaker 1>I mean, this is this was just some incredible episode.

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<v Speaker 1>It really was the best one were talking about. Yeah,

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<v Speaker 1>there's a lot to talk about, so go ahead, all right,

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<v Speaker 1>So let's start with what stood out to me was

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<v Speaker 1>the sleigh ride. I thought, and we're going out of

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<v Speaker 1>order as we do, but the sleigh ride to me,

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<v Speaker 1>for each of the three couples, and I say couples intentionally,

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<v Speaker 1>it was very significant. So I'd love to talk about

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<v Speaker 1>Rory and Jess, you and lower Lie, Richard and Emily.

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<v Speaker 1>So let's start with Rory and Jeff and just their

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<v Speaker 1>whole tension grew out in a good way throughout this, right.

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<v Speaker 1>So they're sleigh ride there, accidental sleigh rides there, on

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<v Speaker 1>intentional sleigh ride. I mean, we've got to protect Rory.

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<v Speaker 1>She wasn't her idea. You know, Jess jumped in there,

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<v Speaker 1>um you know that was it made it clear to

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<v Speaker 1>me and I think the audience that he's kind of

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<v Speaker 1>more of her a parley there with the literature and yes,

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<v Speaker 1>and especially when he said, what do you two talk about?

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<v Speaker 1>And he wasn't being a jerk about it, but he

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<v Speaker 1>was indicating we have a connection and what we talk about?

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<v Speaker 1>And when I think, I think what makes him bearable?

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<v Speaker 1>After seeing the fight and his attitude and the whole

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<v Speaker 1>thing is we feel so sorry for him because his

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<v Speaker 1>own mother didn't want him for the holidays, and we've

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<v Speaker 1>learned that through Luke and Lorelei sleigh right, and as

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<v Speaker 1>right as Lorelei said, he knows, which we find out

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<v Speaker 1>as he's in the sleigh with Rory, he does know.

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<v Speaker 1>He does know, because Luke boasted that he doesn't know,

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<v Speaker 1>and I made up a white lie and what's appropriate? Delight,

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<v Speaker 1>But it made you love Luke that much more and

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<v Speaker 1>it made you feel for for Jess. I mean it really,

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<v Speaker 1>So now he gets away with all this sort of

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<v Speaker 1>I don't know, outlier behavior, um right, And he's a

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<v Speaker 1>serious rival, I mean it. And and and she got

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<v Speaker 1>caught looking at him. I mean Dean, Dean nailed her

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<v Speaker 1>from across the room. And the look the way I

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<v Speaker 1>when I'm watching it, I obviously I'm just completely sucked in.

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<v Speaker 1>But now talking to you about it is like the

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<v Speaker 1>acting of that, like how do you direct somebody? Now

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<v Speaker 1>you're gonna glance, but you can't glance too much. You

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<v Speaker 1>need to glance. How do they How does that go?

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<v Speaker 1>Now we're referring to that end scene. That's just easy.

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<v Speaker 1>That's just a little luck. It's not that big a deal.

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<v Speaker 1>Oh that is not easy. It's not that. It's not that.

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<v Speaker 1>It's just a little angle you and you give a

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<v Speaker 1>little look. Yeah, even the way you're saying it now,

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<v Speaker 1>it's like just the subtlety. It's like, to me, it

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<v Speaker 1>was everything her looked to him, his look to her.

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<v Speaker 1>They look away, they look back. It's like a dance

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<v Speaker 1>and it says everything to the audience. All of that

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<v Speaker 1>stuff technique wise falls under the heading less is more. Yeah,

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<v Speaker 1>at a big revelation this episode. I have been team

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<v Speaker 1>Dean from the get go, and literally this episode I

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<v Speaker 1>was like, oh no, it's just like but do you

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<v Speaker 1>know for me, it's like Dean is bouncing off the

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<v Speaker 1>walls every time she's you know, it's like it just

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<v Speaker 1>shows that why you have to be super cool in

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<v Speaker 1>the face of a rival. You know, either either blow

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<v Speaker 1>them up right away and let the girl sort of

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<v Speaker 1>get over that shock, or just be cool and laugh

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<v Speaker 1>at it because you know, tightening up and being you know,

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<v Speaker 1>possessive and sort of in a snit all the time

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<v Speaker 1>because Jess is around, you know, it makes him look bad.

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<v Speaker 1>It really weakens that Kirk because we've seen him that

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<v Speaker 1>way so many consecutive episodes. Now it's like you're almost

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<v Speaker 1>sick of it. It almost becomes like a Paris thing

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<v Speaker 1>where it's like, here we go again with the nasty

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<v Speaker 1>evil stuff. And even though Jesse's fight was really with

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<v Speaker 1>the guy that Rory thought was a jerk, it's that

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<v Speaker 1>Ben Dean jumped in and then they're fighting. It always

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<v Speaker 1>comes back to their rivalry. And I thought Jess was

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<v Speaker 1>interesting and probably correct when he said he doesn't seem

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<v Speaker 1>like you're a kind of guy. He's like kind of

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<v Speaker 1>guy he's kind of and it's like he's not he's

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<v Speaker 1>not he is. I just think he's reaching too far

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<v Speaker 1>up the ladder and he knows it and he's nervous

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<v Speaker 1>about it. And he's a good guy, you know, don't.

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<v Speaker 1>You can't take anything away from him. I mean, he's

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<v Speaker 1>a good guy, he's smart. He just isn't. I don't know,

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<v Speaker 1>it's just he isn't. He doesn't damage. He isn't damaged

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<v Speaker 1>the way she's damaged. And I think that she can

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<v Speaker 1>relate to because Rory has some damage. I mean, she's

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<v Speaker 1>she covers it well. She you know, she's self analytical,

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<v Speaker 1>she's very bright. She understands what her issues are, and

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<v Speaker 1>she probably resolved them a lot of them on her

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<v Speaker 1>own or just with conversations with Laurel. I right, because

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<v Speaker 1>they're they're they're highly psychological couple. I mean they're highly aware.

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<v Speaker 1>Um uh. And I think I think she has that

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<v Speaker 1>in common with Jess. I think that the hurt and

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<v Speaker 1>the pain that he feels is the same hurt and

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<v Speaker 1>from the rejection his mother rejecting him is the same

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<v Speaker 1>thing that Rory probably felt with Christopher when when you

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<v Speaker 1>know they he decided to go off to California or

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<v Speaker 1>wherever he went, you know what I mean. I mean,

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<v Speaker 1>she didn't have a father that lives That leaves a

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<v Speaker 1>huge hole in your life. Um, and I think, you know,

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<v Speaker 1>that's what hit me so deeply in this episode. There's

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<v Speaker 1>a couple of things that was The first thing is like,

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<v Speaker 1>is knowing the pain of being rejected by a parent

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<v Speaker 1>is is searing and it's deep. And I think it's

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<v Speaker 1>how they're connecting. I think, whether they know it or not,

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<v Speaker 1>that's it. That's the glue and that's why it's gonna work. Yeah. Interesting.

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<v Speaker 1>I mean we even get a little glimpse of that

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<v Speaker 1>with the discussion about Christopher in this episode from the

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<v Speaker 1>very beginning when he calls lor Lae and then you know,

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<v Speaker 1>Loraa gets upset and even Rory isn't willing to say, yeah,

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<v Speaker 1>I want to go. She's like, I don't know if

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<v Speaker 1>I want to go, but it was nice to be invited. Yeah.

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<v Speaker 1>So the damage is there, you're right, Yeah, I mean,

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<v Speaker 1>as as flawless as we want to consider Rory to be,

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<v Speaker 1>you know, and as emotionally mature as she is in

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<v Speaker 1>most aspects of life, um, there's damage there. And that's

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<v Speaker 1>what's so compelling to watch about Laurela too. She's she's

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<v Speaker 1>really damaged and it makes people fascinating. And even how

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<v Speaker 1>she had that outburst saying I don't want you to go.

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<v Speaker 1>I don't want you ago, I don't want you to

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<v Speaker 1>be with someone else and not me. And it's perfect, Yeah,

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<v Speaker 1>it's right. It's perfectly understandable because what right does he have.

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<v Speaker 1>You know, he just abandoned his kid. You know, he

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<v Speaker 1>made a choice, right, right he did. I mean it

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<v Speaker 1>was on him, I guess probably, but right. But still,

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<v Speaker 1>I mean, you know, you gotta stand by your kid,

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<v Speaker 1>for God's sake. You can't just abandon your kid. And

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<v Speaker 1>he did. And then he shows up, you know, and

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<v Speaker 1>it's like, but he you know, he approached lure alife

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<v Speaker 1>very carefully. He's very respectful. I understand if you say

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<v Speaker 1>no the whole thing, you know, so we don't hate

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<v Speaker 1>the character. But it's like Pal on the holiday. You're right,

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<v Speaker 1>you're really right about that because you do like Christopher,

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<v Speaker 1>you do. But it was a little kind of I mean,

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<v Speaker 1>I can't judge him for that. That's his kid. He

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<v Speaker 1>wants to see her on the holiday. But it's like, dude,

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<v Speaker 1>don't take her away from her mom on the holidays.

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<v Speaker 1>You absconded. Really, it's like, you know, maybe come to

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<v Speaker 1>Stars Hollow, get a room at the end with your

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<v Speaker 1>girlfriend and be available for some lunches and dinners. Okay,

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<v Speaker 1>there's a way to handle that. If you want to

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<v Speaker 1>be with your daughter, don't put people out that you

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<v Speaker 1>ran away from. Just go make it work. Yeah, I'll

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<v Speaker 1>tell you. You know, me as a life coach for Christopher,

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<v Speaker 1>I think I could help him. No, I think so,

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<v Speaker 1>because it's like he is well intentioned now for sure,

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<v Speaker 1>you know so, I think coming back around analyzing Dean,

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<v Speaker 1>Dean is sweet. He is a safe choice for her.

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<v Speaker 1>He's just not going to what's the word like, like

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<v Speaker 1>you can already see Jess and the conversations and Jess

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<v Speaker 1>nailed it, like he's not your kind of guy because

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<v Speaker 1>I'm going to ask you about literature, and I'm gonna

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<v Speaker 1>know about the York and I'm gonna know about this,

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<v Speaker 1>and I'm gonna push your buttons in a very similar

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<v Speaker 1>way to Luke and Laura line. They don't just give

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<v Speaker 1>in to each other. Well, you know, I think Dean

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<v Speaker 1>knows that. How you know, forever he's going to be

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<v Speaker 1>a notch below Rory uh in i Q and in

0:13:26.080 --> 0:13:30.080
<v Speaker 1>you know his reading list. He's not able. He's not

0:13:30.200 --> 0:13:35.000
<v Speaker 1>on that level. She's special. She's really special. You know,

0:13:35.080 --> 0:13:37.160
<v Speaker 1>she's on her way to Harvard, for God's sake. I

0:13:37.160 --> 0:13:41.480
<v Speaker 1>mean that's just, you know, that's a very you know,

0:13:41.520 --> 0:13:43.880
<v Speaker 1>that's a very rare thing. What you know, I think

0:13:44.040 --> 0:13:48.079
<v Speaker 1>how many couple thousand get accepted every year. I mean

0:13:48.160 --> 0:13:51.680
<v Speaker 1>it's all the applicants. I mean they get applicants and

0:13:51.760 --> 0:13:55.959
<v Speaker 1>they're all qualified or like overqualified, every single one of them.

0:13:56.000 --> 0:13:59.760
<v Speaker 1>So it's you know, it's just a different level. And

0:13:59.800 --> 0:14:02.240
<v Speaker 1>he knows he can't compete on that level. He's that

0:14:02.280 --> 0:14:05.680
<v Speaker 1>guy that that loves, loves, loves when he's with them,

0:14:05.800 --> 0:14:08.360
<v Speaker 1>but when they're not with him, he's very, very irritable.

0:14:08.360 --> 0:14:11.760
<v Speaker 1>He's very nervous, he's insecure. You know, he gets angry.

0:14:11.760 --> 0:14:13.959
<v Speaker 1>He wants you know, he really wants to defend his turf,

0:14:14.000 --> 0:14:16.320
<v Speaker 1>and it's just like you cannot handle the air up

0:14:16.360 --> 0:14:19.840
<v Speaker 1>there is sweetest high. I mean even when Chris says,

0:14:19.960 --> 0:14:22.160
<v Speaker 1>can I go play with the horses? Yes, put your

0:14:22.200 --> 0:14:25.120
<v Speaker 1>coat on? Like he is so nurturing and sweet and

0:14:25.160 --> 0:14:27.920
<v Speaker 1>loving and like always with the goodbye kiss, and he

0:14:28.080 --> 0:14:32.640
<v Speaker 1>is like the great choice. It's just you know what,

0:14:32.720 --> 0:14:35.160
<v Speaker 1>there's another there's another aspect of Rory that I found

0:14:35.200 --> 0:14:38.640
<v Speaker 1>interesting and it was really glaring today in the episode.

0:14:39.240 --> 0:14:43.800
<v Speaker 1>She's really aloof She has this aloofness about her that

0:14:44.400 --> 0:14:48.560
<v Speaker 1>naturally makes people who are just slightly insecure even that

0:14:48.640 --> 0:14:53.440
<v Speaker 1>much more insecure and makes people like je attractive. Yes,

0:14:54.640 --> 0:14:58.400
<v Speaker 1>very nailed it, I mean, and Dean is like, I

0:14:58.480 --> 0:15:03.840
<v Speaker 1>can't handle this. This girl definitely doesn't love me the

0:15:03.880 --> 0:15:08.160
<v Speaker 1>way her because he's nuts about her and she's like

0:15:08.800 --> 0:15:10.640
<v Speaker 1>just she's just kind of playing along. I think she

0:15:10.760 --> 0:15:14.240
<v Speaker 1>feels something for I'm sure, definitely, but it ain't it

0:15:14.280 --> 0:15:17.120
<v Speaker 1>ain't the big you know, it ain't the big love, right,

0:15:17.240 --> 0:15:21.200
<v Speaker 1>you can just tell. And she is too, I don't know,

0:15:21.600 --> 0:15:25.920
<v Speaker 1>it's sort of unaffected by him and their relationship. So

0:15:26.200 --> 0:15:28.840
<v Speaker 1>I think she's just doing it because it's a small

0:15:28.880 --> 0:15:32.520
<v Speaker 1>town and and she likes him and he's nice to

0:15:32.560 --> 0:15:34.840
<v Speaker 1>her and this kind of thing. But I don't know.

0:15:35.000 --> 0:15:42.840
<v Speaker 1>Jessice looking awfully good these days. Yeah, Danielle, what did

0:15:42.840 --> 0:15:44.800
<v Speaker 1>you think of all three sleigh rides? We still have

0:15:44.840 --> 0:15:46.560
<v Speaker 1>to get to Richard and Emily because I think there's

0:15:46.560 --> 0:15:48.840
<v Speaker 1>a lot to talk about there and and just the

0:15:48.960 --> 0:15:52.120
<v Speaker 1>cuteness of them and throughout the episode, But daniel what

0:15:52.160 --> 0:15:55.400
<v Speaker 1>did you think of the sleigh rocks. I love Lorelei

0:15:55.800 --> 0:15:57.880
<v Speaker 1>and Luke's sleigh right. I think that was one of

0:15:57.920 --> 0:16:00.560
<v Speaker 1>my favorites that you guys were all cuddle under that

0:16:00.640 --> 0:16:03.800
<v Speaker 1>furry little blanket, and it just made me realize, like,

0:16:04.120 --> 0:16:06.720
<v Speaker 1>I love them together too. And that's how I felt

0:16:06.720 --> 0:16:10.240
<v Speaker 1>about Rory and Jessic's too. You know, when they were together,

0:16:10.320 --> 0:16:13.120
<v Speaker 1>I'm like, oh my god, they're so perfect like that

0:16:13.160 --> 0:16:15.920
<v Speaker 1>there at each other's league, you know what I mean,

0:16:16.040 --> 0:16:19.360
<v Speaker 1>Like they're very much compatible and like the same things

0:16:19.400 --> 0:16:21.600
<v Speaker 1>and all that kind of stuff. So with those two

0:16:21.640 --> 0:16:24.200
<v Speaker 1>slay right, I was like, uh, duh, there you go.

0:16:24.720 --> 0:16:29.120
<v Speaker 1>That's it. Was that your first time really seeing Jess

0:16:29.120 --> 0:16:34.480
<v Speaker 1>and Rory have that connection that you liked. Yeah, before

0:16:34.520 --> 0:16:36.160
<v Speaker 1>it was kind of like, oh Jess is kind of

0:16:36.200 --> 0:16:38.560
<v Speaker 1>like the bad boy, Rory is the good girl, and

0:16:38.960 --> 0:16:42.840
<v Speaker 1>they kind of flir, but liked this episode, I was like, oh,

0:16:43.000 --> 0:16:46.280
<v Speaker 1>they really have a connection. Well. I think for me

0:16:46.360 --> 0:16:49.360
<v Speaker 1>it was when U when he was walking away that

0:16:49.520 --> 0:16:53.160
<v Speaker 1>night when they think they just met, you know, that

0:16:53.240 --> 0:16:55.400
<v Speaker 1>day or something, or they were introducing, but it was

0:16:55.440 --> 0:16:58.000
<v Speaker 1>their first encounter at night. But he was walking towards

0:16:58.000 --> 0:16:59.720
<v Speaker 1>the zebo and he stopped and he turned around and

0:16:59.720 --> 0:17:03.880
<v Speaker 1>he the Melville reference. Um, and that was it. That

0:17:03.960 --> 0:17:06.119
<v Speaker 1>was it, Ferrory, That's all she needed to hear. I

0:17:06.160 --> 0:17:11.600
<v Speaker 1>think you're right. There's something about you know, just that

0:17:12.080 --> 0:17:15.960
<v Speaker 1>knowing that somebody is on. You know that somebody's a

0:17:16.000 --> 0:17:20.359
<v Speaker 1>reader and they you know, it's just their quality of

0:17:20.400 --> 0:17:23.679
<v Speaker 1>life is different, Their expectations are different. What you know,

0:17:23.720 --> 0:17:26.760
<v Speaker 1>their their art is different, their culture is different. It's

0:17:26.880 --> 0:17:31.800
<v Speaker 1>it's and and once that locks in, boy, that's just

0:17:31.920 --> 0:17:34.480
<v Speaker 1>as the king of totally redeeming himself because just when

0:17:34.480 --> 0:17:36.760
<v Speaker 1>you're like, oh he's a jerk, he fixes the toaster,

0:17:37.240 --> 0:17:40.680
<v Speaker 1>or you're like not liking him, he jumps in the

0:17:40.680 --> 0:17:43.800
<v Speaker 1>sleigh and it's just like so cute and charming and

0:17:44.720 --> 0:17:49.439
<v Speaker 1>obviously he destroyed the snowman. And it's like she wasn't

0:17:49.600 --> 0:17:53.840
<v Speaker 1>mad about it. Time she's turned right. She would have

0:17:53.920 --> 0:17:57.879
<v Speaker 1>been offended by that behavior before, and now she knows,

0:17:58.320 --> 0:18:00.960
<v Speaker 1>oh he did it for me. This guy is gonna

0:18:02.000 --> 0:18:07.280
<v Speaker 1>do whatever it takes for me. Yes, Yes, it's that violence,

0:18:07.640 --> 0:18:13.320
<v Speaker 1>that that streak that turns her on. Yeah, Dean would

0:18:13.320 --> 0:18:16.080
<v Speaker 1>never do that, right, He's not gonna do something that

0:18:16.320 --> 0:18:20.000
<v Speaker 1>Dean would never do. That she you know, it's it's

0:18:20.080 --> 0:18:26.040
<v Speaker 1>it's clear that Rory is beginning to well, let's just

0:18:26.119 --> 0:18:27.960
<v Speaker 1>project this into the future a couple of years from

0:18:27.960 --> 0:18:30.560
<v Speaker 1>now and Dean and Royer are still together. I think

0:18:30.600 --> 0:18:33.560
<v Speaker 1>she's bored out of her mind. I don't think Dean

0:18:33.640 --> 0:18:36.159
<v Speaker 1>can keep her interested with all of his devotion and

0:18:36.200 --> 0:18:38.879
<v Speaker 1>love and sweetness and kindness and all that stuff, and

0:18:38.920 --> 0:18:41.440
<v Speaker 1>then be uptight when a guy looks at her right

0:18:41.480 --> 0:18:45.760
<v Speaker 1>that that gets old very quickly, and um, that's the

0:18:45.880 --> 0:18:49.720
<v Speaker 1>perfect first boyfriend. But that's it. There's no question, there's

0:18:49.720 --> 0:18:54.400
<v Speaker 1>no question. But let's talk about Richard and Emily, because

0:18:55.240 --> 0:18:58.000
<v Speaker 1>immediately Richard was in a great mood. And obviously we

0:18:58.080 --> 0:19:00.919
<v Speaker 1>find out that it's because you retired. But I thought

0:19:01.080 --> 0:19:06.320
<v Speaker 1>their relationship this is one of the first times you realize, Wow,

0:19:06.440 --> 0:19:11.560
<v Speaker 1>these two really are meant to be together. Because she

0:19:11.880 --> 0:19:16.000
<v Speaker 1>doesn't just take his bleep, do you know what I mean?

0:19:16.080 --> 0:19:18.120
<v Speaker 1>She was upset and she speaks her mind to him

0:19:18.119 --> 0:19:20.360
<v Speaker 1>that he should have told her, and then he very

0:19:20.400 --> 0:19:23.600
<v Speaker 1>communicates why he didn't, and you understand. But it was

0:19:23.640 --> 0:19:25.679
<v Speaker 1>the sweetness, like let's go on the roller coaster and

0:19:25.720 --> 0:19:29.879
<v Speaker 1>I'll hold your hand, like they are just Grandma and

0:19:29.920 --> 0:19:33.200
<v Speaker 1>grandpa cutest ever. You know. Yeah, we get to be

0:19:34.720 --> 0:19:37.640
<v Speaker 1>a man and a woman again. I get to love

0:19:37.720 --> 0:19:41.080
<v Speaker 1>you again. Let's we can date again, we can feel

0:19:41.160 --> 0:19:45.520
<v Speaker 1>young again, and we can get away from all this bs.

0:19:45.560 --> 0:19:49.880
<v Speaker 1>You know, I mean leading a life on that level, Um,

0:19:49.920 --> 0:19:52.040
<v Speaker 1>it's a lot of fundraiser, it's a lot of friends,

0:19:52.040 --> 0:19:53.520
<v Speaker 1>it's a lot of effort, it's a lot of work,

0:19:53.680 --> 0:19:55.719
<v Speaker 1>it's a lot of gossip, it's a lot of you know,

0:19:55.760 --> 0:19:58.879
<v Speaker 1>it's a it's a lot you know leading. Leading that

0:19:58.960 --> 0:20:02.120
<v Speaker 1>kind of life is very very hard work and it's

0:20:02.200 --> 0:20:06.480
<v Speaker 1>daily um, and it's all about you know, power, politics

0:20:06.480 --> 0:20:09.480
<v Speaker 1>and socializing and all of that stuff. And they did

0:20:09.480 --> 0:20:12.000
<v Speaker 1>it very well for a long time. But man, they're tired.

0:20:12.640 --> 0:20:19.159
<v Speaker 1>You know. Yeah, it's solidified, like because they've they've been together,

0:20:19.240 --> 0:20:23.840
<v Speaker 1>what at least thirty five years, probably pushing forty years together. Man,

0:20:23.920 --> 0:20:26.720
<v Speaker 1>to those two like each other. They love each other

0:20:26.800 --> 0:20:30.120
<v Speaker 1>and they're committed, but they like each other, you know.

0:20:30.280 --> 0:20:32.080
<v Speaker 1>And it was like so sweet how he's going through

0:20:32.080 --> 0:20:34.200
<v Speaker 1>the finances and it's like obviously they have plenty of

0:20:34.200 --> 0:20:36.480
<v Speaker 1>money and she's like, don't worry about it, we're good

0:20:36.760 --> 0:20:41.720
<v Speaker 1>right well, and they hold hand very romantic, yes, And

0:20:41.800 --> 0:20:44.640
<v Speaker 1>but the thing, the thing that was interesting, and it's

0:20:44.680 --> 0:20:48.480
<v Speaker 1>been it's been obvious before, but it really became, you know,

0:20:48.920 --> 0:20:52.199
<v Speaker 1>neon later letters in this episode is what type of

0:20:52.200 --> 0:20:54.840
<v Speaker 1>person Emily was versus what type of person Richard is.

0:20:55.640 --> 0:20:59.040
<v Speaker 1>And you know he even said it to Emily. You

0:20:59.040 --> 0:21:01.800
<v Speaker 1>you know you like structure, do you like order? You

0:21:01.880 --> 0:21:04.760
<v Speaker 1>need to know, you don't like surprises, and you don't

0:21:04.800 --> 0:21:06.680
<v Speaker 1>like changes the plans, And that's how you get through

0:21:06.720 --> 0:21:10.119
<v Speaker 1>your day. And that bespeaks in my opinion, of somebody

0:21:10.119 --> 0:21:14.040
<v Speaker 1>who has experienced trauma, and they hang on to their

0:21:14.080 --> 0:21:16.919
<v Speaker 1>structure and they hang onto the list to get them

0:21:16.960 --> 0:21:20.040
<v Speaker 1>successful and through the day. First really it's really just

0:21:20.119 --> 0:21:22.960
<v Speaker 1>about getting through the day because they want to get

0:21:22.960 --> 0:21:25.600
<v Speaker 1>away from the chaos they experienced when they were children

0:21:25.680 --> 0:21:27.720
<v Speaker 1>or however they grew up, or in their first marriage

0:21:27.800 --> 0:21:29.920
<v Speaker 1>or their second marriage or the third marriage. They don't

0:21:30.000 --> 0:21:34.560
<v Speaker 1>want chaos anymore. They don't want to like, they want

0:21:34.600 --> 0:21:40.760
<v Speaker 1>to predictable, quantifiable pieces of time to do that, and

0:21:40.800 --> 0:21:43.040
<v Speaker 1>then they'll do that at that time, and then they'll

0:21:43.080 --> 0:21:48.320
<v Speaker 1>do that, and that's how Emily keeps control. Yeah, that's

0:21:48.320 --> 0:21:51.359
<v Speaker 1>really interesting talking about that god that's making me spin

0:21:51.400 --> 0:21:54.399
<v Speaker 1>a lot of things, because obviously Emily had something that

0:21:54.520 --> 0:21:56.760
<v Speaker 1>made her how she was, which caused the conflict with

0:21:56.840 --> 0:22:00.359
<v Speaker 1>lore Lie. But then the chaos of the pres mincy

0:22:00.480 --> 0:22:02.720
<v Speaker 1>and their daughter leaving at such a young age and

0:22:02.760 --> 0:22:05.800
<v Speaker 1>all that, And so you're right, she is trying to

0:22:05.800 --> 0:22:08.399
<v Speaker 1>control control, But it's not out of it's not because

0:22:08.400 --> 0:22:10.400
<v Speaker 1>she's a bad person. It's she's not out of evil,

0:22:10.440 --> 0:22:13.840
<v Speaker 1>it's not out of ego, it's out of her very survival.

0:22:14.359 --> 0:22:16.720
<v Speaker 1>It's how she approaches her day, it's how she plans things.

0:22:16.760 --> 0:22:21.560
<v Speaker 1>She can't handle her daughter being pregnant at sixteen when

0:22:21.560 --> 0:22:24.600
<v Speaker 1>she's going she's on her way to Harvard Princeton r Yale, right,

0:22:24.920 --> 0:22:27.040
<v Speaker 1>because she has not thought of it like this at

0:22:27.160 --> 0:22:29.160
<v Speaker 1>the very moment. And I think you make a great point.

0:22:29.240 --> 0:22:31.720
<v Speaker 1>And it's just it's just, you know, the machine broke

0:22:31.760 --> 0:22:34.240
<v Speaker 1>down and the the order the then then it was chaos.

0:22:34.400 --> 0:22:40.280
<v Speaker 1>Emily doesn't do chaos. It's not in the cards. It's

0:22:40.880 --> 0:22:45.480
<v Speaker 1>you cannot live, you cannot thrive in a chaotic environment.

0:22:45.520 --> 0:22:48.639
<v Speaker 1>And that's what Laurel I brought into their lives. She

0:22:48.840 --> 0:22:52.720
<v Speaker 1>exploded their lives. She exploded the order and the structure

0:22:53.240 --> 0:22:57.639
<v Speaker 1>that Emily, but I think you bring up something so

0:22:57.720 --> 0:23:03.240
<v Speaker 1>interesting that it's it's h kurt before the horse tail,

0:23:03.240 --> 0:23:06.040
<v Speaker 1>blagging the dog, whatever the saying is. It's like, because

0:23:06.080 --> 0:23:09.800
<v Speaker 1>Emily was so structured and so like even when Richard's like,

0:23:09.880 --> 0:23:13.679
<v Speaker 1>this is wonderful night and Emily says, your dress isn't pressed,

0:23:14.040 --> 0:23:17.119
<v Speaker 1>it's like, it's like Emily did that to Lora La,

0:23:17.480 --> 0:23:20.080
<v Speaker 1>even with good intentions, probably all her life, which made

0:23:20.119 --> 0:23:23.560
<v Speaker 1>the chaos happen when they had the pregnancy. So it's

0:23:23.600 --> 0:23:28.439
<v Speaker 1>almost like, yes, something did happen to Emily before in

0:23:28.480 --> 0:23:31.720
<v Speaker 1>her own childhood that made her be sort of like

0:23:31.800 --> 0:23:36.640
<v Speaker 1>that structured stick. Well, it's just the pressures of maintaining

0:23:36.760 --> 0:23:41.040
<v Speaker 1>a lofty perch in a power dynamic in Hartford at

0:23:41.040 --> 0:23:44.840
<v Speaker 1>the high end of the one the one per centers

0:23:44.960 --> 0:23:47.600
<v Speaker 1>right and the country club and the whole deal. And

0:23:47.640 --> 0:23:50.080
<v Speaker 1>if your clothes aren't pressed, people are going to talk

0:23:50.080 --> 0:23:51.440
<v Speaker 1>behind your back. You know, you know what I mean.

0:23:51.440 --> 0:23:54.800
<v Speaker 1>It's that kind of It's like you need to be perfect,

0:23:55.720 --> 0:24:02.159
<v Speaker 1>you know, you cannot. You cannot, uh, you cannot not

0:24:02.359 --> 0:24:06.919
<v Speaker 1>be perfect. You can't be imperfect. You must be perfect.

0:24:07.080 --> 0:24:15.200
<v Speaker 1>Appearances everything order is everything. Structure is everything. Manners are everything. Everything,

0:24:16.160 --> 0:24:18.920
<v Speaker 1>and the brilliance of these characters. When I'm coming back

0:24:18.960 --> 0:24:22.640
<v Speaker 1>to your interview with Chad Michael Murray, how he explained

0:24:23.680 --> 0:24:28.640
<v Speaker 1>he had to make Tristan likable and never get too close,

0:24:29.040 --> 0:24:32.240
<v Speaker 1>but make him still likable because a villain you just

0:24:32.320 --> 0:24:35.800
<v Speaker 1>hate so like the same thing with Emily. She has

0:24:35.840 --> 0:24:38.400
<v Speaker 1>all these things, but you don't hate her at all.

0:24:38.480 --> 0:24:41.040
<v Speaker 1>You love her. So even when she's so mean and

0:24:41.119 --> 0:24:43.600
<v Speaker 1>rude to say to her daughter, prust your dress at

0:24:43.640 --> 0:24:47.440
<v Speaker 1>this beautiful affair, you don't hate her. You just kind

0:24:47.440 --> 0:24:52.840
<v Speaker 1>of go. That's her. Interesting approach that the creators and

0:24:52.840 --> 0:24:56.680
<v Speaker 1>the writers took is to allow the audience. Now I'm

0:24:56.760 --> 0:25:00.920
<v Speaker 1>using Paris as an extreme example, because now she comes

0:25:00.960 --> 0:25:03.920
<v Speaker 1>in and she's a little softer, and she's accepted, invited

0:25:03.960 --> 0:25:06.240
<v Speaker 1>to the dinner, and now we get a little background

0:25:06.280 --> 0:25:08.439
<v Speaker 1>daughter or the parents, and now the nanny and we

0:25:09.160 --> 0:25:11.159
<v Speaker 1>I'm gonna read the Odyssey for the third time. And

0:25:11.160 --> 0:25:13.560
<v Speaker 1>I'm not a freak, you know, you know, I'm not

0:25:13.640 --> 0:25:16.240
<v Speaker 1>boring or whatever the words choose. That's you know, it

0:25:16.280 --> 0:25:19.840
<v Speaker 1>doesn't make me, you know, creepy or whatever. Um. But

0:25:20.720 --> 0:25:23.040
<v Speaker 1>it's like, now you're supposed to feel this, you know,

0:25:23.359 --> 0:25:26.520
<v Speaker 1>the soft spot for and you do and it worked,

0:25:26.800 --> 0:25:29.280
<v Speaker 1>and I do. I get it now. All that's all

0:25:29.320 --> 0:25:32.520
<v Speaker 1>I need is just give me something. And I didn't

0:25:32.520 --> 0:25:33.879
<v Speaker 1>have it before. I had a little you know, I

0:25:33.880 --> 0:25:35.840
<v Speaker 1>had an image of a mother buy a locker, and

0:25:35.840 --> 0:25:37.879
<v Speaker 1>then maybe a little bit of a sub story here

0:25:37.880 --> 0:25:40.200
<v Speaker 1>and there, but nothing really that you can piece together

0:25:40.240 --> 0:25:43.720
<v Speaker 1>and latch onto um. But now they gave me a

0:25:43.720 --> 0:25:46.600
<v Speaker 1>little something. So maybe this is you know, obviously this

0:25:46.680 --> 0:25:49.720
<v Speaker 1>is intentional. Maybe from the running room is like, get

0:25:49.760 --> 0:25:53.639
<v Speaker 1>these get the audience too, Maybe not hate these people,

0:25:53.720 --> 0:25:56.800
<v Speaker 1>but have them so abrasive, then then we can give

0:25:56.880 --> 0:26:00.000
<v Speaker 1>them a little humanity. And it's like I love them

0:26:00.160 --> 0:26:03.440
<v Speaker 1>all the more. I was so happy Paris was invited

0:26:03.440 --> 0:26:06.600
<v Speaker 1>to the dinner and stayed because it's like I want

0:26:06.600 --> 0:26:08.640
<v Speaker 1>her to have friends. I wanted to have something to do.

0:26:08.760 --> 0:26:11.000
<v Speaker 1>And then even when Morala goes over and says like,

0:26:11.000 --> 0:26:12.480
<v Speaker 1>we're so glad you're here in Paris, and she's like,

0:26:12.520 --> 0:26:15.120
<v Speaker 1>your your timeline was all off and the polyester sure,

0:26:16.840 --> 0:26:19.040
<v Speaker 1>and you're just like, oh, you can't help yourself, right,

0:26:20.720 --> 0:26:23.879
<v Speaker 1>you're here, right, this is why she's so I saw

0:26:23.960 --> 0:26:26.320
<v Speaker 1>what she really was in this episode. Of Paris I'm

0:26:26.359 --> 0:26:30.239
<v Speaker 1>speaking about is the loneliest girl in the world. She

0:26:30.359 --> 0:26:34.720
<v Speaker 1>has no friends, she doesn't even have parents. Yeah, she's

0:26:35.880 --> 0:26:38.520
<v Speaker 1>she speaks Spanish with her nanny. She has her books

0:26:40.480 --> 0:26:43.240
<v Speaker 1>that made me sad, sad, that made me like a

0:26:43.320 --> 0:26:45.760
<v Speaker 1>little bit like she's like she but and you know,

0:26:45.920 --> 0:26:49.399
<v Speaker 1>she resorts. She she retires the library and she breaks

0:26:49.440 --> 0:26:53.320
<v Speaker 1>out her Aristotle and her Homer and Daniel's dying to

0:26:53.359 --> 0:26:55.320
<v Speaker 1>say something. I can see her, like, I was just

0:26:55.359 --> 0:26:57.960
<v Speaker 1>gonna say, who calls her nanny? Nanny? She's like nanny

0:26:58.320 --> 0:27:00.919
<v Speaker 1>and then like spoke to her Portugue ease, all right,

0:27:01.000 --> 0:27:04.880
<v Speaker 1>I think she was Portuguese. It's like mommy. Yeah, it's

0:27:04.920 --> 0:27:07.199
<v Speaker 1>just I thought that was interesting. I was like nanny,

0:27:07.240 --> 0:27:11.600
<v Speaker 1>and I just and they did that intentionally obviously. Yeah.

0:27:11.600 --> 0:27:14.440
<v Speaker 1>I broke my heart a little bit, it really did. Yeah,

0:27:14.640 --> 0:27:17.680
<v Speaker 1>I'm really glad. I want you to come around on Paris.

0:27:17.720 --> 0:27:19.120
<v Speaker 1>I'm sure we're going to go back to you hating

0:27:19.119 --> 0:27:21.840
<v Speaker 1>her at some point, but like there's things that you

0:27:21.840 --> 0:27:24.000
<v Speaker 1>would like about her. Well, it's not hate, it's just

0:27:24.040 --> 0:27:27.760
<v Speaker 1>I feel very protective of Rory. Yeah, and but now

0:27:27.760 --> 0:27:30.560
<v Speaker 1>I know Rory can handle it. Now, let's let's let's

0:27:30.600 --> 0:27:32.520
<v Speaker 1>work on Paris a little bit, give her a little love,

0:27:32.760 --> 0:27:37.119
<v Speaker 1>you know. I's say, Rory figured this out a while

0:27:37.119 --> 0:27:40.320
<v Speaker 1>ago about and that's why she's so like, let me

0:27:40.400 --> 0:27:43.240
<v Speaker 1>just help you out here. That's why, you know, let

0:27:43.240 --> 0:27:45.639
<v Speaker 1>me get into the sorority because all you care, I know,

0:27:45.720 --> 0:27:47.600
<v Speaker 1>you have nothing to do. Why don't you stay here

0:27:47.600 --> 0:27:50.200
<v Speaker 1>at this dinner with all these lunatics. It's totally fine.

0:27:50.280 --> 0:27:52.480
<v Speaker 1>And she looked like just such a little lost sheep

0:27:52.520 --> 0:27:55.320
<v Speaker 1>at that dinner table, and she just she didn't know

0:27:55.359 --> 0:27:57.160
<v Speaker 1>what to do. She didn't want to what to say

0:27:57.240 --> 0:27:59.760
<v Speaker 1>to anybody, but she was happy to be there. It

0:27:59.840 --> 0:28:02.800
<v Speaker 1>was strange territory for her. There's like people sitting around.

0:28:02.800 --> 0:28:05.240
<v Speaker 1>There's like other people and they're talking and enjoying each other,

0:28:05.320 --> 0:28:08.000
<v Speaker 1>Like what is this? You know, it's completely it was

0:28:08.040 --> 0:28:10.400
<v Speaker 1>like she was on another planet and she was just loved.

0:28:10.480 --> 0:28:12.320
<v Speaker 1>Also the scene, and I can't I can't remember if

0:28:12.359 --> 0:28:13.879
<v Speaker 1>Paris was in or not. I had a spard feelings

0:28:13.880 --> 0:28:16.800
<v Speaker 1>she was. But when Richard and is telling that story,

0:28:16.960 --> 0:28:19.880
<v Speaker 1>you know, and the whole table's really kind of enamored

0:28:19.920 --> 0:28:21.879
<v Speaker 1>with him telling the story of how he was coming,

0:28:22.440 --> 0:28:25.760
<v Speaker 1>you know, instead of the share song blah blah blah,

0:28:26.160 --> 0:28:28.280
<v Speaker 1>the bony woman and that what did he what did

0:28:28.280 --> 0:28:37.359
<v Speaker 1>he call? Sonny? What did he call? Yeah, they should

0:28:37.400 --> 0:28:39.600
<v Speaker 1>like sunny and share references on the show. But anyway,

0:28:40.320 --> 0:28:44.080
<v Speaker 1>you also realized, like, wow, Richard's cool dude, and like

0:28:44.120 --> 0:28:48.040
<v Speaker 1>everyone kind of likes him and like they're fancy and

0:28:48.040 --> 0:28:53.200
<v Speaker 1>they're cool. You know. Yeah, I I love that scene

0:28:53.240 --> 0:28:59.160
<v Speaker 1>the most because Roon came out with the trumpeters and

0:28:59.200 --> 0:29:01.920
<v Speaker 1>then pushed the one trumpet away that was closest to

0:29:01.960 --> 0:29:03.920
<v Speaker 1>him when when they it was like, get that thing

0:29:03.920 --> 0:29:11.200
<v Speaker 1>away from here, and and everybody was so charmed and

0:29:11.440 --> 0:29:14.760
<v Speaker 1>entranced by these trumpeters and what was going on before

0:29:14.800 --> 0:29:16.600
<v Speaker 1>the Emily and Richard. They cut to other people and

0:29:16.600 --> 0:29:18.560
<v Speaker 1>everybody's like, oh, this is wonderful, and then they cut

0:29:18.600 --> 0:29:21.320
<v Speaker 1>to Michelle and he's like he's like this. It was

0:29:21.360 --> 0:29:25.560
<v Speaker 1>like this is this is freaking embarrassing. Really, It's like,

0:29:25.560 --> 0:29:28.480
<v Speaker 1>how tacky in these Americans? Kirk was great and serving

0:29:28.520 --> 0:29:31.560
<v Speaker 1>the suit. I mean, now everybody was really on their game.

0:29:32.920 --> 0:29:38.720
<v Speaker 1>Bad liked run changing in the kitchen. I just tears.

0:29:38.960 --> 0:29:42.840
<v Speaker 1>I thought it was so funny. Um, you know, you're right,

0:29:43.400 --> 0:29:46.360
<v Speaker 1>It's say everybody was on their game. Yeah, I mean

0:29:46.400 --> 0:29:51.440
<v Speaker 1>this was really a dynamic performance from everybody. Mrs Kim,

0:29:52.000 --> 0:29:55.000
<v Speaker 1>we didn't say grace and like the silent grace and

0:29:55.040 --> 0:29:57.040
<v Speaker 1>then like, did you say silent grace to be and

0:29:57.120 --> 0:30:00.400
<v Speaker 1>she's just like, what the no, she says, that's a

0:30:00.480 --> 0:30:04.120
<v Speaker 1>good one. That she realized she was serious, she said,

0:30:04.440 --> 0:30:13.120
<v Speaker 1>but her head. Oh but it's nice. Look, it's it's

0:30:13.280 --> 0:30:16.880
<v Speaker 1>hard not and those scenes, Look, those kinds of episodes

0:30:16.920 --> 0:30:20.320
<v Speaker 1>are really difficult to shoot. Around the dinner table because

0:30:20.320 --> 0:30:23.720
<v Speaker 1>you have to get so much coverage. It takes forever.

0:30:24.360 --> 0:30:27.760
<v Speaker 1>You know, that must have taken days because every single

0:30:27.800 --> 0:30:29.840
<v Speaker 1>thing is happening, and then you and Jess looking at

0:30:29.880 --> 0:30:32.640
<v Speaker 1>the soup and the obviously those like Creme Fresh and

0:30:32.760 --> 0:30:36.360
<v Speaker 1>they're particularly care for Crime Fresh, but and then the

0:30:36.560 --> 0:30:38.800
<v Speaker 1>parsley or whatever it was. But I mean it's really

0:30:39.560 --> 0:30:43.720
<v Speaker 1>you know, look, it's it's Christmas time, it's snow, it's slays,

0:30:44.040 --> 0:30:48.040
<v Speaker 1>it's horse drawn carriages, it's it's dinner with friends, and

0:30:48.120 --> 0:30:50.120
<v Speaker 1>this is how we'll celebrate. And it just makes you

0:30:50.240 --> 0:30:52.600
<v Speaker 1>love these people and love this place, and that I

0:30:52.760 --> 0:30:56.160
<v Speaker 1>think you know this, I think the real star of

0:30:56.320 --> 0:31:01.080
<v Speaker 1>this episode was stars Hollow. It was the people of

0:31:01.160 --> 0:31:04.720
<v Speaker 1>Stars Hollow as a unit, as a community, and we

0:31:04.840 --> 0:31:07.040
<v Speaker 1>could all see the friends, and we could all see

0:31:07.080 --> 0:31:12.120
<v Speaker 1>them there with all their their divergent personalities melding together

0:31:12.360 --> 0:31:14.760
<v Speaker 1>and and just making us love them more and more

0:31:14.800 --> 0:31:18.360
<v Speaker 1>and more. It was a very warm love. I would

0:31:18.440 --> 0:31:22.600
<v Speaker 1>love to say that we are geniuses and planned this

0:31:22.880 --> 0:31:26.880
<v Speaker 1>episode two fall into this date in the calendar, but

0:31:27.280 --> 0:31:31.640
<v Speaker 1>we got lucky the fact that it was Christmas time

0:31:32.080 --> 0:31:37.160
<v Speaker 1>right now and this episode was like Christmas time winter break.

0:31:37.200 --> 0:31:40.000
<v Speaker 1>I couldn't believe it. I was like, are we awesome? Right? What?

0:31:40.520 --> 0:31:43.480
<v Speaker 1>You can only dream of being invited to a dinner

0:31:43.600 --> 0:31:45.880
<v Speaker 1>like that or being part of a community that does

0:31:46.040 --> 0:31:52.720
<v Speaker 1>that right well with that much humor? Oh god? Well,

0:31:52.760 --> 0:31:55.719
<v Speaker 1>and you can tell things got wild after dark because

0:31:56.200 --> 0:31:58.720
<v Speaker 1>the you know, the next morning we hear about the

0:31:58.760 --> 0:32:01.680
<v Speaker 1>spoons begging on the head head and Jackson pulling his

0:32:01.760 --> 0:32:05.240
<v Speaker 1>shirt up, and so you're you're to understand that, like,

0:32:05.800 --> 0:32:09.400
<v Speaker 1>these guys party too and they are having a blast.

0:32:09.920 --> 0:32:13.640
<v Speaker 1>Do you know what's interesting about these characters is in life, right,

0:32:13.880 --> 0:32:18.040
<v Speaker 1>we go to these things and we we really do

0:32:18.200 --> 0:32:21.640
<v Speaker 1>attempt to connect with strangers or other people are people

0:32:21.720 --> 0:32:23.960
<v Speaker 1>that we know, but we don't know that well, and

0:32:24.120 --> 0:32:29.160
<v Speaker 1>we we we'll kind of put our true selves aside.

0:32:29.360 --> 0:32:31.840
<v Speaker 1>And I don't mean to be so revealing, but I

0:32:31.960 --> 0:32:35.760
<v Speaker 1>think everybody does. But it's like, you know, you kind

0:32:35.800 --> 0:32:38.920
<v Speaker 1>of lose who you are the greater good to get

0:32:38.960 --> 0:32:41.760
<v Speaker 1>along this kind of thing. The thing about these characters

0:32:42.320 --> 0:32:46.840
<v Speaker 1>in the show is there themselves all of the time.

0:32:48.080 --> 0:32:50.680
<v Speaker 1>They don't do that, even at that dinner. It's like,

0:32:51.080 --> 0:32:53.840
<v Speaker 1>you know, and I think it was illustrated best well

0:32:53.920 --> 0:32:56.640
<v Speaker 1>a lot of times. But the thing that really stuck

0:32:56.680 --> 0:32:58.920
<v Speaker 1>out to me is when Bootsy made a comment to

0:32:58.960 --> 0:33:03.360
<v Speaker 1>me and I just like said, shut up. It's like

0:33:03.520 --> 0:33:06.400
<v Speaker 1>these two guys are just being themselves, a little childhood

0:33:06.520 --> 0:33:10.720
<v Speaker 1>rival reading you so hilarious and again we just at

0:33:10.920 --> 0:33:13.320
<v Speaker 1>we don't know everything, but we get it from the

0:33:13.440 --> 0:33:16.440
<v Speaker 1>town meeting and from a few other incidents, and you're

0:33:16.440 --> 0:33:20.080
<v Speaker 1>just like, oh yeah, these two. Yeah, nobody's changing for anybody.

0:33:20.120 --> 0:33:24.960
<v Speaker 1>Everybody's there, glorious selves whoever they are, and they don't

0:33:25.040 --> 0:33:27.520
<v Speaker 1>go to the inns. So cool. Don't you want to

0:33:27.520 --> 0:33:32.760
<v Speaker 1>put that in? Yeah? I do. I mean that's all wallpaper.

0:33:32.880 --> 0:33:35.200
<v Speaker 1>I was like, I'm here for it. Yea, No, it's

0:33:35.280 --> 0:33:40.200
<v Speaker 1>it's it's it what Lorala and Emily putting on their lotion.

0:33:41.120 --> 0:33:45.680
<v Speaker 1>I wasn't going to say that. I mean Danielle sorry,

0:33:46.520 --> 0:33:49.760
<v Speaker 1>exactly the same putting on their lotion. And when I

0:33:49.800 --> 0:33:52.200
<v Speaker 1>watched that scene, I was like, how many tasted that take?

0:33:52.360 --> 0:33:55.200
<v Speaker 1>Because they did it in such unison without even looking

0:33:55.240 --> 0:33:57.520
<v Speaker 1>at each other, you know what I mean? What they

0:33:57.640 --> 0:33:59.760
<v Speaker 1>do that? Would they get a countdown? Like what would

0:33:59.840 --> 0:34:03.320
<v Speaker 1>how would you do that where they are exactly the same. Well,

0:34:03.400 --> 0:34:06.680
<v Speaker 1>I think that Laura Lee, I think Lauren could see

0:34:06.680 --> 0:34:12.160
<v Speaker 1>Emily inner peripheral fishion because that was genius. Yeah, yeah,

0:34:12.760 --> 0:34:15.120
<v Speaker 1>that's not that hard. Okay, So we're gonna come back

0:34:15.160 --> 0:34:16.640
<v Speaker 1>and break this down more. But we do have a

0:34:16.680 --> 0:34:20.560
<v Speaker 1>break and we have a surprise for you, yes, a

0:34:20.680 --> 0:34:23.759
<v Speaker 1>fun surprise, and should obviously come back and talk more

0:34:24.200 --> 0:34:26.960
<v Speaker 1>and do pop culture and all that. But so Gilmore

0:34:27.480 --> 0:34:30.680
<v Speaker 1>TikTok's are some of my favorite, like just the things

0:34:30.760 --> 0:34:33.880
<v Speaker 1>people do on TikTok all about Gilmer girls, and there

0:34:33.960 --> 0:34:36.880
<v Speaker 1>is a ton of Gilmore TikTok's. I don't see Scott

0:34:36.920 --> 0:34:41.680
<v Speaker 1>being totally on the for you page, but I was

0:34:41.800 --> 0:34:46.240
<v Speaker 1>on TikTok and saw the fun I laughed out loud

0:34:46.400 --> 0:34:48.480
<v Speaker 1>when I saw this guy on TikTok, so we tracked

0:34:48.520 --> 0:34:50.520
<v Speaker 1>him down and we want him to tell you his story.

0:34:50.680 --> 0:34:53.200
<v Speaker 1>So that's what will say. Should I get my TikTok

0:34:53.280 --> 0:34:58.440
<v Speaker 1>game going? Oh? Do? First of all, TikTok is so addicting.

0:34:58.600 --> 0:35:01.640
<v Speaker 1>Should I know? But I should I start doing videos

0:35:01.800 --> 0:35:06.319
<v Speaker 1>on TikTok or am I just yes? Years too old

0:35:06.600 --> 0:35:09.760
<v Speaker 1>to do that? Yes, that's ryan. They're plenty of grandma's.

0:35:10.080 --> 0:35:11.680
<v Speaker 1>Because I tell you, I just got a notice from

0:35:11.960 --> 0:35:17.200
<v Speaker 1>Instagram they're going to suspend my account. Why because they

0:35:17.280 --> 0:35:22.360
<v Speaker 1>say I had a copyright infringement, infringed on somebody's copyright

0:35:22.440 --> 0:35:25.440
<v Speaker 1>in one of my posts. And I can't even imagine

0:35:25.480 --> 0:35:28.160
<v Speaker 1>what they're talking about. And there's no recourse, and there's Yeah,

0:35:28.719 --> 0:35:30.400
<v Speaker 1>I just got the I just got the email, and

0:35:30.480 --> 0:35:32.080
<v Speaker 1>I was like, you know, you might be able to

0:35:32.120 --> 0:35:33.759
<v Speaker 1>help with that. Send that to us, you might be

0:35:33.800 --> 0:35:36.000
<v Speaker 1>able to help with us. But yeah, you should definitely

0:35:36.040 --> 0:35:39.960
<v Speaker 1>do TikTok. I mean, if I lose that platform, you know,

0:35:40.480 --> 0:35:42.880
<v Speaker 1>I'll go to TikTok like that. Send us that Instagram

0:35:42.880 --> 0:35:44.719
<v Speaker 1>We're gonna try and help with that. That's weird, But

0:35:45.440 --> 0:35:48.680
<v Speaker 1>TikTok is addicting. Suddenly you're like, I've been sitting on

0:35:48.719 --> 0:35:50.400
<v Speaker 1>the couch staring at my phone for an hour and

0:35:50.400 --> 0:35:52.799
<v Speaker 1>a half. I've got to get up, Like it's so bad.

0:35:53.080 --> 0:35:57.719
<v Speaker 1>But anyway, so Danielle, you bring him in and then

0:35:57.960 --> 0:36:00.319
<v Speaker 1>just introduce him to Scott and have him tell his story,

0:36:00.360 --> 0:36:02.160
<v Speaker 1>and then the TikTok went viral, which is why I

0:36:02.200 --> 0:36:04.279
<v Speaker 1>thought it was. So should we take a break. We'll

0:36:04.280 --> 0:36:10.399
<v Speaker 1>take a little break, all right, everybody. Uh, man, I'm sweating. Huh,

0:36:10.840 --> 0:36:14.279
<v Speaker 1>let's towel off. Let's let's take some libation, and uh.

0:36:15.040 --> 0:36:22.239
<v Speaker 1>We'll be back after these words. All right, everybody, we

0:36:22.400 --> 0:36:25.719
<v Speaker 1>are back, and I think we're waiting for some kind

0:36:25.760 --> 0:36:29.120
<v Speaker 1>of surprise. Oh it's the surprise. Has a name, now, Gabe?

0:36:29.160 --> 0:36:37.360
<v Speaker 1>Who's Gilmore? TikTok went viral? And hello? There he is, Gabe.

0:36:37.440 --> 0:36:39.399
<v Speaker 1>How are you? You look like you're in a very

0:36:39.600 --> 0:36:43.840
<v Speaker 1>well appointed den in the northeastern part of the United

0:36:43.840 --> 0:36:48.160
<v Speaker 1>States or in the suburbs of Illinois and Chicago. You

0:36:48.239 --> 0:36:50.279
<v Speaker 1>were right in the in the first guess I'm in

0:36:50.360 --> 0:36:53.920
<v Speaker 1>the suburbs of Philadelphia, right, thank you very much. I'm

0:36:53.960 --> 0:36:57.560
<v Speaker 1>a philip boy myself. Here are you on the main line. Yeah,

0:36:57.640 --> 0:37:00.279
<v Speaker 1>I am in the main line. I live in Ova.

0:37:00.440 --> 0:37:03.520
<v Speaker 1>So I just came home from the first semester today.

0:37:03.719 --> 0:37:05.239
<v Speaker 1>Look at that. Look at that. Look at that people

0:37:05.320 --> 0:37:07.560
<v Speaker 1>can't see. But we'll show this on Instagram because Gabe

0:37:07.640 --> 0:37:09.879
<v Speaker 1>is definitely at his mom's house or his parents house,

0:37:10.000 --> 0:37:12.719
<v Speaker 1>because I'm I'm sitting in the spot that my dad

0:37:12.800 --> 0:37:15.800
<v Speaker 1>does all of his work zoom meetings. Because it is

0:37:16.000 --> 0:37:22.680
<v Speaker 1>very fancy. It's very very very well appointed, very mom

0:37:22.840 --> 0:37:27.320
<v Speaker 1>decorated fancy not college kids house. Yeah, this is not.

0:37:27.760 --> 0:37:31.960
<v Speaker 1>This is not my college dorm. The suburbs of Philadelphia

0:37:32.080 --> 0:37:39.120
<v Speaker 1>are gorgeous. They are absolutely beautiful. I grew up here, Yes, indeed, Yes,

0:37:39.200 --> 0:37:42.080
<v Speaker 1>And Gabe, nice to meet you. Yeah, nice to meet

0:37:42.120 --> 0:37:45.400
<v Speaker 1>you too. This is so Gabe. We didn't tell Scott

0:37:45.480 --> 0:37:48.600
<v Speaker 1>what happened, but I stumbled upon your TikTok that went

0:37:48.719 --> 0:37:51.600
<v Speaker 1>viral because I'm addicted to the for you page. So

0:37:51.680 --> 0:37:54.200
<v Speaker 1>will you tell the story and then tell them about

0:37:54.280 --> 0:37:58.640
<v Speaker 1>the TikTok? Yes? So, um So, I had a lot

0:37:58.719 --> 0:38:03.320
<v Speaker 1>of finals in these past two weeks, as is normal

0:38:03.560 --> 0:38:07.360
<v Speaker 1>for college. Um, but I like to procrastinate about as

0:38:07.440 --> 0:38:11.640
<v Speaker 1>much as I can. Um. So, it must have been Monday, Yeah,

0:38:11.719 --> 0:38:14.600
<v Speaker 1>Like Monday, I woke up and I had like three

0:38:14.800 --> 0:38:19.000
<v Speaker 1>essays to write um by Tuesday night Wednesday night, and

0:38:19.640 --> 0:38:21.799
<v Speaker 1>instead of doing that, I woke up really early because

0:38:21.800 --> 0:38:24.000
<v Speaker 1>like I was stressed about not doing my work, and

0:38:24.040 --> 0:38:27.040
<v Speaker 1>I was scrolling through Netflix because I've sort of exhausted

0:38:27.680 --> 0:38:29.680
<v Speaker 1>like all of the things that I thought of to

0:38:29.800 --> 0:38:33.800
<v Speaker 1>watch to pass the time. And I saw Gilmore Girls

0:38:34.080 --> 0:38:38.040
<v Speaker 1>and Netflix and I've always like seen it and never

0:38:38.200 --> 0:38:40.960
<v Speaker 1>like taking the time to watch it, and I was like, hmmm,

0:38:42.120 --> 0:38:45.320
<v Speaker 1>this is the time. So it was like early morning,

0:38:45.840 --> 0:38:47.759
<v Speaker 1>I think it was like eight, Like it was like

0:38:47.880 --> 0:38:50.880
<v Speaker 1>eight am, and I started watching the first episode of

0:38:51.000 --> 0:38:57.440
<v Speaker 1>the first season and I watched fifteen hours m past

0:38:57.480 --> 0:39:00.360
<v Speaker 1>the whole day. Didn't even open my lap top to

0:39:00.840 --> 0:39:07.520
<v Speaker 1>do anywhere your essays. Oh that goes on eventually. That's

0:39:08.040 --> 0:39:13.759
<v Speaker 1>that's what like two in the morning is for straight hours. Yeah,

0:39:14.080 --> 0:39:18.400
<v Speaker 1>it's a sit down and invest myself kind of situation

0:39:18.560 --> 0:39:21.640
<v Speaker 1>to pass the time and pretend like I'm being productive,

0:39:21.760 --> 0:39:24.680
<v Speaker 1>and hey, I'm very invested in the show now, so

0:39:24.840 --> 0:39:27.719
<v Speaker 1>I call that being productive. I got all my work done,

0:39:27.800 --> 0:39:31.520
<v Speaker 1>so good for you all, is well, welcome to the

0:39:31.920 --> 0:39:37.160
<v Speaker 1>Welcome to our family. Yeah, welcome, You're you've been Gilmourd. Yeah,

0:39:37.320 --> 0:39:40.440
<v Speaker 1>I really got sucked in like it. It caught me

0:39:40.800 --> 0:39:44.640
<v Speaker 1>immediately and then fifteen hours later I was what did

0:39:44.680 --> 0:39:46.919
<v Speaker 1>you think, like and what do you think of Luke?

0:39:47.840 --> 0:39:49.759
<v Speaker 1>What do you think of the character of Luke. I've

0:39:49.800 --> 0:39:53.600
<v Speaker 1>been thinking about it so much, um, like, like what

0:39:54.840 --> 0:39:56.840
<v Speaker 1>was my favorite part about the show, and like what

0:39:57.040 --> 0:40:00.280
<v Speaker 1>sort of drew me in? And I think it's because

0:40:00.360 --> 0:40:04.279
<v Speaker 1>like all the characters and all the situations um are

0:40:04.440 --> 0:40:07.839
<v Speaker 1>so real. Like there's like a lot of the time

0:40:07.880 --> 0:40:09.680
<v Speaker 1>I watch a show, like I'll watch a druma like

0:40:09.760 --> 0:40:13.120
<v Speaker 1>a sitcom, and I'm sitting there watching and I'm like, oh,

0:40:13.320 --> 0:40:16.240
<v Speaker 1>like this is entertaining, but like this would never happen.

0:40:17.280 --> 0:40:21.160
<v Speaker 1>Like everything, like literally everything in Gilmore Girls has either

0:40:21.320 --> 0:40:23.880
<v Speaker 1>happened to me or like I can imagine it happening,

0:40:23.960 --> 0:40:26.080
<v Speaker 1>Like especially the stuff that like Rory goes through at

0:40:26.080 --> 0:40:29.279
<v Speaker 1>school and like sort of all the little like relationship

0:40:29.400 --> 0:40:31.839
<v Speaker 1>things are just they feel so real, Like I feel

0:40:31.840 --> 0:40:34.919
<v Speaker 1>like I'm just watching like into an actual small town

0:40:35.760 --> 0:40:40.560
<v Speaker 1>UM and Luke Luke specifically, Oh my god, the character

0:40:40.960 --> 0:40:46.640
<v Speaker 1>is so like interesting to watch because when season one ends,

0:40:46.800 --> 0:40:49.520
<v Speaker 1>like it's sort of a bit of a cliffhanger. They're like,

0:40:49.600 --> 0:40:53.960
<v Speaker 1>what's gonna happen? Um. And one of like one of

0:40:54.040 --> 0:40:56.320
<v Speaker 1>the things, one of my favorite parts about him is

0:40:56.400 --> 0:40:59.399
<v Speaker 1>that in like one of the early episodes, Lorala gave

0:40:59.520 --> 0:41:02.279
<v Speaker 1>him a hat. She gave him like the blue hat,

0:41:02.640 --> 0:41:04.319
<v Speaker 1>and I was like, hmm, I wonder if that's going

0:41:04.360 --> 0:41:06.479
<v Speaker 1>to be his hat now, And it's been a blue

0:41:06.680 --> 0:41:08.920
<v Speaker 1>it's been the blue baseball hat ever since. So it's

0:41:08.960 --> 0:41:11.680
<v Speaker 1>just like sort of the little details because he clearly

0:41:11.800 --> 0:41:14.480
<v Speaker 1>cares about little things like you can see that, and

0:41:14.560 --> 0:41:18.719
<v Speaker 1>how much he cares about all the little um details

0:41:18.760 --> 0:41:21.200
<v Speaker 1>that maybe people wouldn't notice, about the diner and like

0:41:21.360 --> 0:41:23.520
<v Speaker 1>keeping all the stuff on the walls and he was

0:41:23.600 --> 0:41:27.040
<v Speaker 1>so hesitant to paint the place and like all that

0:41:27.160 --> 0:41:29.680
<v Speaker 1>little stuff. It's sort of his attention to detail and

0:41:29.719 --> 0:41:32.239
<v Speaker 1>like his thoughtfulness that makes him that like makes you

0:41:32.320 --> 0:41:36.520
<v Speaker 1>root for him. Um in the whole Lower Lie Max

0:41:37.120 --> 0:41:41.440
<v Speaker 1>Luke triangle there, Yeah, I think you know it's it's

0:41:41.520 --> 0:41:44.279
<v Speaker 1>one of the few shows that allows its characters, at

0:41:44.360 --> 0:41:47.839
<v Speaker 1>least its main characters, to be completely snotty, stuck up,

0:41:49.040 --> 0:41:53.080
<v Speaker 1>looking down their nose types. Ye's still likable and lovable

0:41:53.320 --> 0:41:57.319
<v Speaker 1>even because they're just so fully themselves, you know. I mean,

0:41:57.480 --> 0:42:00.560
<v Speaker 1>I mean take for example, you know all of the

0:42:01.040 --> 0:42:04.200
<v Speaker 1>great cultural references in the beginning of this especially we're

0:42:04.239 --> 0:42:06.200
<v Speaker 1>talking about this Bracebridge episode. I don't know if you've

0:42:06.200 --> 0:42:08.360
<v Speaker 1>gotten here yet, have you? Have you delved into the

0:42:08.800 --> 0:42:12.279
<v Speaker 1>dug into the second season yet? Okay, so this this,

0:42:12.600 --> 0:42:16.839
<v Speaker 1>this was like three days ago. So so so tell us,

0:42:17.040 --> 0:42:20.280
<v Speaker 1>so tell us about this video. Yes, so I Postum,

0:42:20.400 --> 0:42:23.400
<v Speaker 1>I post TikTok's every day. I checked today because I

0:42:23.600 --> 0:42:25.799
<v Speaker 1>I don't really look at like my total amount that much,

0:42:25.880 --> 0:42:28.600
<v Speaker 1>but I meant three thousand seventy videos over the past

0:42:28.640 --> 0:42:31.439
<v Speaker 1>two and a half years. Um, So I post pretty

0:42:31.520 --> 0:42:35.120
<v Speaker 1>much every day, and usually I have something to post

0:42:35.120 --> 0:42:37.239
<v Speaker 1>about throughout the day. But in that day, I've just

0:42:37.480 --> 0:42:41.239
<v Speaker 1>been sitting around not moving for about fifteen hours. So

0:42:41.320 --> 0:42:44.440
<v Speaker 1>I was like, it was like ten pm. I was thinking,

0:42:44.760 --> 0:42:47.799
<v Speaker 1>what is something? Like, what is content for right now?

0:42:48.480 --> 0:42:51.239
<v Speaker 1>I was like, you know what, I've watched Gilmore Girls

0:42:51.280 --> 0:42:53.880
<v Speaker 1>for the past fifteen hours. May as well see if

0:42:53.920 --> 0:42:57.040
<v Speaker 1>anybody else has done that, just sort of share my experience.

0:42:57.120 --> 0:42:59.880
<v Speaker 1>So it's just a video of me saying I was

0:43:00.000 --> 0:43:03.000
<v Speaker 1>supposed to write three essays today, but instead I watched

0:43:03.320 --> 0:43:06.359
<v Speaker 1>fifteen hours of Gilmore Girls and it was worth every

0:43:06.400 --> 0:43:09.560
<v Speaker 1>second and it really was. And hey, like a million

0:43:09.640 --> 0:43:12.160
<v Speaker 1>people have agreed with me. So I did a million

0:43:12.280 --> 0:43:16.800
<v Speaker 1>million likes. It has I can check right now because

0:43:16.840 --> 0:43:20.160
<v Speaker 1>I have my phone with me every second of the day.

0:43:20.800 --> 0:43:27.000
<v Speaker 1>Um it has Okay, I exaggerated. It has six hundred

0:43:27.239 --> 0:43:34.000
<v Speaker 1>and has six hundred five thousand views and people there

0:43:34.200 --> 0:43:38.719
<v Speaker 1>four four thousand shares, so at least four thousand people

0:43:38.840 --> 0:43:42.160
<v Speaker 1>sent this to another person and they were like, this

0:43:42.400 --> 0:43:45.360
<v Speaker 1>is accurate. This is and you did that without dancing

0:43:45.960 --> 0:43:50.120
<v Speaker 1>with other people in unison or lip thinking rap songs

0:43:50.239 --> 0:43:52.200
<v Speaker 1>or anything. You just you just made a comment. My

0:43:52.400 --> 0:43:55.160
<v Speaker 1>videos are mostly just me, like talking to the camera.

0:43:55.360 --> 0:43:57.800
<v Speaker 1>It was like, it's like a nine second video of

0:43:57.920 --> 0:43:59.879
<v Speaker 1>me just in front of my TV with gil Mark

0:44:00.000 --> 0:44:04.919
<v Speaker 1>Earls paused from the background. I have to see this, Yeah,

0:44:04.960 --> 0:44:07.879
<v Speaker 1>we'll send it. We saw it, and I sent three

0:44:07.920 --> 0:44:10.560
<v Speaker 1>of those shares because I sent and I was like,

0:44:10.640 --> 0:44:13.400
<v Speaker 1>you guys, I'm gonna have to jump on this TikTok

0:44:13.480 --> 0:44:18.120
<v Speaker 1>horse and get a riding man. Yeah, I mean people

0:44:18.160 --> 0:44:19.920
<v Speaker 1>would love to have you on there, you think, so

0:44:21.000 --> 0:44:23.719
<v Speaker 1>I only just like compared to everybody on there. I

0:44:23.760 --> 0:44:26.000
<v Speaker 1>mean they get like kids, little kids on there. Clearly

0:44:26.400 --> 0:44:29.799
<v Speaker 1>people are still huge fans of gil Markets and will

0:44:29.880 --> 0:44:33.680
<v Speaker 1>always be. Because I was like doing the math today, um,

0:44:34.080 --> 0:44:37.200
<v Speaker 1>because I didn't know, like when the show came out.

0:44:37.680 --> 0:44:41.040
<v Speaker 1>The first season that I watched came out two years

0:44:41.320 --> 0:44:44.759
<v Speaker 1>before I was born, so like when it ended, I

0:44:44.920 --> 0:44:48.200
<v Speaker 1>was eight, and now I'm a sophomore in college. So

0:44:48.360 --> 0:44:52.359
<v Speaker 1>like my like my age group still loves the show,

0:44:52.560 --> 0:44:57.840
<v Speaker 1>like way after it ended, Like we're all reruns streaming

0:44:58.000 --> 0:45:00.359
<v Speaker 1>Netflix kids when it comes to this show and we're

0:45:00.400 --> 0:45:03.000
<v Speaker 1>all still very invested because it's like it is sort

0:45:03.040 --> 0:45:06.040
<v Speaker 1>of it is kind of timeless, Like what I said,

0:45:06.120 --> 0:45:09.799
<v Speaker 1>It feels like just real, like all real situations that, um,

0:45:10.400 --> 0:45:13.759
<v Speaker 1>like I could still see happening now, just like all

0:45:13.840 --> 0:45:17.920
<v Speaker 1>these little interactions between people. Will you be my TikTok

0:45:17.960 --> 0:45:21.680
<v Speaker 1>mentor oh definitely definitely. I think you could help great

0:45:21.840 --> 0:45:26.680
<v Speaker 1>what I'm here for. Let's join forces, Yes, reach your span,

0:45:27.000 --> 0:45:30.240
<v Speaker 1>let's reach across the generations and clasp our hands together,

0:45:30.400 --> 0:45:34.640
<v Speaker 1>and you can help me become TikTok relevant because I

0:45:34.760 --> 0:45:38.399
<v Speaker 1>know that if I'm on my own, it will it may.

0:45:42.040 --> 0:45:45.360
<v Speaker 1>I mean there's clearly there's clearly an audience for it.

0:45:45.680 --> 0:45:50.040
<v Speaker 1>People are clearly excited to see Gilmore girls mentioned on

0:45:50.080 --> 0:45:52.560
<v Speaker 1>there for you page. So, but Gabe, you got to

0:45:52.719 --> 0:45:58.480
<v Speaker 1>keep me within certain parameters that you know people will

0:45:58.520 --> 0:46:01.160
<v Speaker 1>respond to, because I mean, I have some wacky ideas

0:46:01.239 --> 0:46:02.840
<v Speaker 1>that I'm going to blow this whole thing up and

0:46:02.960 --> 0:46:08.000
<v Speaker 1>rowing it. So, so you gotta keep your wacky ideas

0:46:08.120 --> 0:46:10.400
<v Speaker 1>are exactly what the world needs right now when it

0:46:10.480 --> 0:46:13.160
<v Speaker 1>comes to go more girls content. Wait, Gates, are you

0:46:13.239 --> 0:46:15.520
<v Speaker 1>gonna keep watching? Are you gonna are you gonna keep

0:46:15.560 --> 0:46:19.399
<v Speaker 1>watching over the holiday break? Oh, that's all I'm gonna

0:46:19.400 --> 0:46:23.560
<v Speaker 1>be doing. He's gonna pass us on a second. I'm

0:46:24.840 --> 0:46:27.520
<v Speaker 1>I'm gonna watch the whole thing, watch it again. That's

0:46:27.800 --> 0:46:31.239
<v Speaker 1>like I watched things over and over again because I'm

0:46:31.320 --> 0:46:34.759
<v Speaker 1>always like I'm always watching stuff, Like I love television,

0:46:34.800 --> 0:46:37.800
<v Speaker 1>I love film. It's like I'm an actor in school,

0:46:37.960 --> 0:46:40.040
<v Speaker 1>Like it's just sort of my studying kind of like

0:46:40.120 --> 0:46:43.600
<v Speaker 1>I just that's how I rationalize it. But um, I'm

0:46:43.640 --> 0:46:45.560
<v Speaker 1>watching stuff all the time, and I end up just

0:46:45.680 --> 0:46:48.840
<v Speaker 1>like rewatching shows like a million times. So when I

0:46:48.960 --> 0:46:51.680
<v Speaker 1>find something new that I love and like, I enjoy it.

0:46:51.680 --> 0:46:54.200
<v Speaker 1>And I'm really interested in It's such a cool experience

0:46:54.200 --> 0:46:56.640
<v Speaker 1>because I'm so used to like knowing exactly what happens,

0:46:57.080 --> 0:46:59.200
<v Speaker 1>but now I don't know what's going to happen. And

0:46:59.280 --> 0:47:01.719
<v Speaker 1>I finished the season and I can't wait to start

0:47:01.760 --> 0:47:03.959
<v Speaker 1>the second one. I'm home now, so it's finally time.

0:47:04.440 --> 0:47:07.560
<v Speaker 1>Gabe should have been on Gilmore Girls. He's he. You

0:47:07.680 --> 0:47:10.359
<v Speaker 1>are one of the most appealing young people I think

0:47:10.400 --> 0:47:13.840
<v Speaker 1>I've ever ever met. Look at you. You have to

0:47:13.880 --> 0:47:17.400
<v Speaker 1>stay in touch with us, so so email us after

0:47:17.760 --> 0:47:19.680
<v Speaker 1>you you have to give it up. Yeah, you're you

0:47:19.760 --> 0:47:21.680
<v Speaker 1>are in my tech you are. Now you have an

0:47:21.719 --> 0:47:24.560
<v Speaker 1>official title. You can put it on the resume, Scott

0:47:24.680 --> 0:47:28.600
<v Speaker 1>Patterson's TikTok mentor Oh, it's such an honor. You're gonna

0:47:28.640 --> 0:47:33.000
<v Speaker 1>shepherd me through the choppy seas of TikTok. That's what

0:47:33.120 --> 0:47:37.080
<v Speaker 1>I'm here for. Two and a half years of TikTok

0:47:37.160 --> 0:47:41.000
<v Speaker 1>experience have been leading up to this moment. Should we

0:47:41.080 --> 0:47:46.440
<v Speaker 1>put Oh, yeah, do rapid fire with Gabe Scott rapid

0:47:46.480 --> 0:47:49.000
<v Speaker 1>Fire let me. I probably do it for memory um

0:47:50.160 --> 0:47:53.040
<v Speaker 1>in the chat for you to put it in the chat,

0:47:54.160 --> 0:47:56.520
<v Speaker 1>because I know I know the first couple. But I'll

0:47:56.520 --> 0:47:59.799
<v Speaker 1>screw it up? Rapid Fire? Are you ready? Gabe? Here

0:47:59.840 --> 0:48:03.480
<v Speaker 1>were Rapid Fire with Gave Escobar. How do you take

0:48:03.520 --> 0:48:09.520
<v Speaker 1>your coffee? Can you still smell snow? Yes? Are you

0:48:09.600 --> 0:48:13.799
<v Speaker 1>team Logan, Team Jesus t Jess or team Dean? He's

0:48:13.920 --> 0:48:16.120
<v Speaker 1>barely going to know. He doesn't know yet. You don't know.

0:48:16.960 --> 0:48:19.640
<v Speaker 1>I don't know the I know Dean. They just got

0:48:19.680 --> 0:48:25.719
<v Speaker 1>back together. Okay, alright, alright, who's the between between the

0:48:25.880 --> 0:48:30.480
<v Speaker 1>two loving or between the two men? So far Dean

0:48:30.680 --> 0:48:36.839
<v Speaker 1>over Tristan. I'll say that you're gonna you're gonna love

0:48:36.920 --> 0:48:40.000
<v Speaker 1>these ensuing episodes. So you can't answer who's the daddy?

0:48:40.000 --> 0:48:42.640
<v Speaker 1>You don't even know what we're talking about. No, you

0:48:42.640 --> 0:48:45.600
<v Speaker 1>don't what we're talking Okay, alright, okay, show you are

0:48:45.680 --> 0:48:48.560
<v Speaker 1>binge watching right now. I think you've answered that question.

0:48:49.600 --> 0:48:55.279
<v Speaker 1>One word to describe Gilmore girls, um relatable? Are you

0:48:55.440 --> 0:49:01.440
<v Speaker 1>familiar with the creepy clown pillow? Good? One, creepy clown pillow.

0:49:01.960 --> 0:49:06.080
<v Speaker 1>You will discover this, young Gabe. You will. You will

0:49:06.239 --> 0:49:09.000
<v Speaker 1>pick up your legs know whether to be afraid or excited.

0:49:11.120 --> 0:49:16.279
<v Speaker 1>He's gonna have to rewatch one game because the clown. Yeah,

0:49:16.360 --> 0:49:18.680
<v Speaker 1>oh my god, we'll put that in your brain. We'll

0:49:18.680 --> 0:49:23.719
<v Speaker 1>put that in your pain. I love your house. Thank you. Oh,

0:49:23.800 --> 0:49:27.239
<v Speaker 1>I know, compliments your mom. Look at that place. It's

0:49:27.440 --> 0:49:29.840
<v Speaker 1>just a little trinkets and yeah, but it's just like

0:49:29.960 --> 0:49:32.520
<v Speaker 1>it's such a home. It's so grank you, it's so

0:49:32.680 --> 0:49:37.040
<v Speaker 1>thank you. I've I've been here since seventh grade. Um,

0:49:37.360 --> 0:49:42.919
<v Speaker 1>so it's most of my late teen early adult life

0:49:42.960 --> 0:49:47.400
<v Speaker 1>has been in this house. Beautiful. Yeah, really, gay Christmas

0:49:47.480 --> 0:49:50.919
<v Speaker 1>to you. Gotta tell us after you get past brace

0:49:51.040 --> 0:49:57.080
<v Speaker 1>Bridge brace Bridge Dinner textas brace Bridge Dinner, Okay, when

0:49:57.120 --> 0:50:00.279
<v Speaker 1>you know, I do not know when that is, but

0:50:00.440 --> 0:50:07.760
<v Speaker 1>it will probably be soon tomorrow. Yeah, are you probably

0:50:07.800 --> 0:50:11.160
<v Speaker 1>like one more marathon and all? Are you officially on

0:50:11.280 --> 0:50:13.680
<v Speaker 1>break right now? Are you on vacation right now? Yeah? So,

0:50:13.840 --> 0:50:18.120
<v Speaker 1>my my last final was wednesday. I'm done for the semester,

0:50:18.560 --> 0:50:22.960
<v Speaker 1>halfway through sophomore year. And you're going to You're you're

0:50:23.120 --> 0:50:27.560
<v Speaker 1>studying at Villanova. No, so we live like I'm looking

0:50:27.560 --> 0:50:30.040
<v Speaker 1>at Villanova's campus right now, like we live and we

0:50:30.200 --> 0:50:33.200
<v Speaker 1>live in the Villanova zip code. But I go I

0:50:33.280 --> 0:50:39.440
<v Speaker 1>go to Temple University alright, Yeah, studying musical theater and acting. Nice.

0:50:40.360 --> 0:50:43.439
<v Speaker 1>So I'm right down the road. Okay, cool, all right? Yeah, yeah,

0:50:43.440 --> 0:50:44.960
<v Speaker 1>I was born I was born in Philly. I'm a

0:50:45.000 --> 0:50:49.719
<v Speaker 1>Philly boy. Oh really, yeah, I grew up in South Jersey. Hey,

0:50:50.880 --> 0:50:52.719
<v Speaker 1>that's that's great to hear. Now I know why we

0:50:52.800 --> 0:50:55.239
<v Speaker 1>get along. So let's go down to South Street and

0:50:55.280 --> 0:50:59.680
<v Speaker 1>get a haggy. Oh yeah, definitely, that's that's the best

0:50:59.719 --> 0:51:03.400
<v Speaker 1>path time. That's my Philly accent. Let's get street and

0:51:03.400 --> 0:51:07.600
<v Speaker 1>get a hagy. Hey, that that sounds pretty spot on

0:51:07.680 --> 0:51:11.680
<v Speaker 1>the thing. Oh my god, Gave, you're the best. We'll

0:51:11.680 --> 0:51:15.280
<v Speaker 1>talk to you soon and keep those TikTok's coming. Oh definitely,

0:51:17.200 --> 0:51:20.600
<v Speaker 1>it is all I do. All right, Gay, thanks for

0:51:20.719 --> 0:51:25.680
<v Speaker 1>coming on Merry Christmas. And you know, I hope you

0:51:26.239 --> 0:51:35.160
<v Speaker 1>consider my offer of excited TikTok mentor here I come world,

0:51:35.560 --> 0:51:41.160
<v Speaker 1>Gave and I are going to be hitting the TikTok scene. Alright, Gay,

0:51:41.280 --> 0:51:45.120
<v Speaker 1>thank you so much. It was alright, buddy, have a

0:51:45.160 --> 0:51:49.280
<v Speaker 1>great holiday, by all right, buddy. See he gives Ushawn

0:51:49.320 --> 0:51:52.360
<v Speaker 1>Mendez vibes. Yeah, he was adorable. That kid's adorable. He

0:51:52.680 --> 0:51:57.320
<v Speaker 1>is looks just like him, so appealing, right, adorable, what

0:51:57.480 --> 0:52:00.239
<v Speaker 1>a great I love the fact that he wasn't even

0:52:00.400 --> 0:52:04.239
<v Speaker 1>born when Gilmot Girls started, and he loves it as

0:52:04.360 --> 0:52:08.480
<v Speaker 1>much as everybody that watched it, you know when it

0:52:08.640 --> 0:52:13.000
<v Speaker 1>was on WBC. W gosh, darnett. Let's make him a star?

0:52:14.000 --> 0:52:15.600
<v Speaker 1>Can we make do we have that? We don't have

0:52:15.680 --> 0:52:17.440
<v Speaker 1>that power doing. You need to make us a star

0:52:17.520 --> 0:52:21.200
<v Speaker 1>with six hundred thou views? You know what, we'd love

0:52:21.280 --> 0:52:26.719
<v Speaker 1>six hundred thousand views. Let's make him a star? So good?

0:52:27.000 --> 0:52:30.640
<v Speaker 1>What a great That was fun. That was a great surprise.

0:52:30.719 --> 0:52:33.319
<v Speaker 1>Thank you. That's you. You're gonna really have to outdo

0:52:33.400 --> 0:52:37.880
<v Speaker 1>yourself to top that. That was good? How did we

0:52:38.040 --> 0:52:41.640
<v Speaker 1>ever talk? How will we ever top my liment? Amelia

0:52:41.719 --> 0:52:45.120
<v Speaker 1>and Michael Murray. I'm so sorry, but but they're but

0:52:45.239 --> 0:52:49.040
<v Speaker 1>they're you know, they're international superstars, for God's sake. I'm

0:52:49.040 --> 0:52:52.160
<v Speaker 1>what this guy's he's in college and he's you know,

0:52:52.360 --> 0:52:56.160
<v Speaker 1>he's he's not a famous guy yet, you know what

0:52:56.239 --> 0:52:59.399
<v Speaker 1>I mean. I'm talking about that kind of surprise. Yes

0:53:00.000 --> 0:53:02.560
<v Speaker 1>about you. Once you're on TikTok, you'll be addicted like me.

0:53:03.520 --> 0:53:05.160
<v Speaker 1>All right, I'm not. I think I'm gonna have to

0:53:05.239 --> 0:53:08.200
<v Speaker 1>do it. It'll be the oldest TikToker, fifty year old

0:53:08.520 --> 0:53:12.720
<v Speaker 1>n TikTok. Like you know, I'm I'm north of fifty.

0:53:12.840 --> 0:53:15.080
<v Speaker 1>I don't know, I'm not quite fifty. Just so everybody

0:53:15.160 --> 0:53:22.880
<v Speaker 1>knows pop culture, Danielle take a break, but then Danielle

0:53:22.960 --> 0:53:25.400
<v Speaker 1>is going to have a few more things to discuss.

0:53:25.920 --> 0:53:28.080
<v Speaker 1>We do we certainly do the upisode. All right, Well,

0:53:29.200 --> 0:53:31.479
<v Speaker 1>that was very that was delightful. Thank you for that. Gang.

0:53:31.640 --> 0:53:33.480
<v Speaker 1>That was really that was really good. All right, Let's

0:53:33.480 --> 0:53:40.560
<v Speaker 1>take a little break and we'll be back. Yeah, hi, everybody,

0:53:40.600 --> 0:53:43.120
<v Speaker 1>we're back and we're going to discuss I think, what

0:53:43.200 --> 0:53:45.200
<v Speaker 1>are we gonna do? Pop culture? You wantcorn? Can we

0:53:45.239 --> 0:53:47.560
<v Speaker 1>do some fashion first? Let's do fashion, you know, I'm

0:53:47.560 --> 0:53:50.200
<v Speaker 1>just gonna say, let's do some fashion first, and then

0:53:50.239 --> 0:53:52.680
<v Speaker 1>we'll do the pop culture, because who the heck would

0:53:52.680 --> 0:53:54.960
<v Speaker 1>want to do the pop culture? Now, you'd have to

0:53:55.000 --> 0:53:59.360
<v Speaker 1>be insane to me to stand out for those fur blankets,

0:53:59.520 --> 0:54:05.080
<v Speaker 1>like the fur blankets in the Slaves were number one

0:54:05.160 --> 0:54:07.359
<v Speaker 1>twenty years ahead of their time because those things are

0:54:08.040 --> 0:54:11.040
<v Speaker 1>very expensive at pottery barn right now, and number two

0:54:11.120 --> 0:54:17.440
<v Speaker 1>they were so they just looked so good. I have

0:54:17.600 --> 0:54:21.640
<v Speaker 1>I have for on my couches me. I like all

0:54:21.680 --> 0:54:26.440
<v Speaker 1>the winter gear in general. I really really enjoyed Luke's green,

0:54:27.280 --> 0:54:30.440
<v Speaker 1>big heavy coat. Oh, yes, you know what, I'm very

0:54:30.520 --> 0:54:35.520
<v Speaker 1>perfectly fitting. Yeah, you wore in the in the okay,

0:54:35.600 --> 0:54:39.160
<v Speaker 1>So that's my that's my faux paw. If you'll notice,

0:54:39.200 --> 0:54:42.040
<v Speaker 1>if you'll go back, and you will notice that when

0:54:42.120 --> 0:54:45.640
<v Speaker 1>Luke comes in, he takes off his jacket right, and

0:54:45.719 --> 0:54:49.560
<v Speaker 1>then they cut away and then I guess Laurela is

0:54:49.600 --> 0:54:52.320
<v Speaker 1>talking to somebody. Lauren, Laurel and Roy are talking to somebody,

0:54:52.320 --> 0:54:54.960
<v Speaker 1>and then they cut back and the jacket on and

0:54:55.040 --> 0:54:56.719
<v Speaker 1>the jacket on, and he started taking it off again.

0:54:56.760 --> 0:54:59.480
<v Speaker 1>He took that jacket off. Yes, Daniel, we have we

0:54:59.560 --> 0:55:06.719
<v Speaker 1>have to. Oh yeah, that's a good one. That's that's

0:55:06.800 --> 0:55:10.240
<v Speaker 1>the double double right over my head, double military jacket

0:55:10.320 --> 0:55:16.200
<v Speaker 1>takeoff incident in the Bracebridge dinner. Oh I did, speaking

0:55:16.280 --> 0:55:19.200
<v Speaker 1>of Also, like Jesse's jacket. It was the one that

0:55:19.280 --> 0:55:23.960
<v Speaker 1>he's wearing it corduroy, kind of a yellowy brownie tan.

0:55:24.520 --> 0:55:28.560
<v Speaker 1>And then he was putting on the gloves slash mittens

0:55:28.600 --> 0:55:30.800
<v Speaker 1>like they weren't mittens. They were gloves, but they weren't.

0:55:31.000 --> 0:55:34.319
<v Speaker 1>They were like Kashmir or something, and just everything about

0:55:34.400 --> 0:55:36.640
<v Speaker 1>that look I wanted to I wanted to button the

0:55:36.719 --> 0:55:38.319
<v Speaker 1>top button or zip it up a little. It looked

0:55:38.320 --> 0:55:40.600
<v Speaker 1>like he was going to catch it. I didn't find it,

0:55:41.200 --> 0:55:44.120
<v Speaker 1>like wrap a scarf around him. You know. I really

0:55:44.200 --> 0:55:47.279
<v Speaker 1>noticed Jesse's handsomeness in this episode. I was like, that

0:55:47.560 --> 0:55:50.800
<v Speaker 1>kid's bad. Yeah, after the fight when he was like

0:55:50.920 --> 0:55:52.839
<v Speaker 1>looking up at Dean and he was all pumped up

0:55:52.880 --> 0:55:55.080
<v Speaker 1>and like his hair is a messy, and he's like, Jesus,

0:55:55.160 --> 0:55:58.640
<v Speaker 1>that's a good looking kid, Like, look at him. Was

0:55:58.760 --> 0:56:03.439
<v Speaker 1>super hot until jes showed up and then you're like, yeah,

0:56:03.800 --> 0:56:07.600
<v Speaker 1>and he took a and he looks like Milo looks

0:56:07.640 --> 0:56:12.800
<v Speaker 1>like a little scrapper. Yeah, he looks tall. You know,

0:56:12.920 --> 0:56:17.120
<v Speaker 1>he's tall enough. He's like, right, well, nobody is. I

0:56:17.200 --> 0:56:20.120
<v Speaker 1>mean the kids six four, you know, without his shoes on,

0:56:20.280 --> 0:56:22.160
<v Speaker 1>for God's sake. I mean he's like you look up

0:56:22.200 --> 0:56:24.759
<v Speaker 1>at Jared, like, hey, how you doelling buddy? How's the

0:56:24.800 --> 0:56:29.560
<v Speaker 1>weather up there? But I also loved Laurelize St. Bernard's

0:56:29.600 --> 0:56:33.400
<v Speaker 1>Bulldogs long sleeve maybe they were quarter length blue shirt.

0:56:33.760 --> 0:56:36.680
<v Speaker 1>I just remember twenty years ago, we're in a lot

0:56:36.760 --> 0:56:39.000
<v Speaker 1>of that kind of shirt, and I just really remember

0:56:39.520 --> 0:56:44.200
<v Speaker 1>buying clothes like lore Lie, Like I remember watching it

0:56:44.719 --> 0:56:49.080
<v Speaker 1>and wanting and trying to find those looks right. Good

0:56:49.160 --> 0:56:52.279
<v Speaker 1>fashion in this episode, a lot of fashion coming at

0:56:52.360 --> 0:56:58.080
<v Speaker 1>you and crazy costumes, fashion and style. All right, so

0:56:58.400 --> 0:57:00.839
<v Speaker 1>let's get back to the episode. There's there's still more

0:57:00.880 --> 0:57:03.160
<v Speaker 1>to unpack. What do you think are we just a

0:57:03.239 --> 0:57:05.440
<v Speaker 1>few more things? I think we talked about Paris. I

0:57:05.600 --> 0:57:10.440
<v Speaker 1>think I'm happy Emily and Richard resolve their issue and

0:57:10.560 --> 0:57:14.759
<v Speaker 1>look happier than ever. Yeah, yeah, then we've ever seen them? Yeah,

0:57:15.600 --> 0:57:20.120
<v Speaker 1>you know, Suki and Jackson are cruising. They obviously are happy.

0:57:20.520 --> 0:57:24.280
<v Speaker 1>Melissa was hitting home runs. Her timing and her delivery

0:57:24.400 --> 0:57:26.640
<v Speaker 1>is just second to them. It was a joy. It's

0:57:26.680 --> 0:57:29.640
<v Speaker 1>a joy to watch Melissa, isn't it. It really is

0:57:29.680 --> 0:57:32.440
<v Speaker 1>a privilege to watch her work because it just doesn't

0:57:32.520 --> 0:57:35.560
<v Speaker 1>seem like work. It's just this very enthusiastic, very funny

0:57:36.400 --> 0:57:40.080
<v Speaker 1>person who you just love. It's just it's it's it's

0:57:40.120 --> 0:57:43.200
<v Speaker 1>wonderful to watch her. Yeah. I mean, I'm interested because

0:57:43.240 --> 0:57:47.680
<v Speaker 1>obviously there's some Christopher things coming. We haven't met Sherry yet.

0:57:48.040 --> 0:57:51.680
<v Speaker 1>They reference are being pretty or beautiful, but we don't

0:57:52.160 --> 0:57:54.640
<v Speaker 1>I know who plays her, so I'm excited about that,

0:57:55.280 --> 0:57:58.640
<v Speaker 1>but we haven't met her. Yet so obviously that's coming

0:57:58.760 --> 0:58:01.240
<v Speaker 1>to you know, one thing, I otist in the scene

0:58:01.320 --> 0:58:05.080
<v Speaker 1>where Laurel I admits that you know that she lied

0:58:05.160 --> 0:58:06.800
<v Speaker 1>to Rory and I didn't tell you when he did

0:58:06.880 --> 0:58:09.640
<v Speaker 1>call on this kind of thing, and Rory took on

0:58:09.920 --> 0:58:13.760
<v Speaker 1>again the uh, she assumed the position of the parent,

0:58:15.120 --> 0:58:18.560
<v Speaker 1>and she was not scolding her mother like a parent

0:58:18.640 --> 0:58:21.520
<v Speaker 1>with Golden Child. She was saying she was just sort

0:58:21.560 --> 0:58:24.360
<v Speaker 1>of making sure that Laurel I was on the same page,

0:58:25.240 --> 0:58:29.480
<v Speaker 1>like we're rooting for dad, right, mom, right, that's right, right,

0:58:29.680 --> 0:58:32.040
<v Speaker 1>So we have to you know that we can't that

0:58:32.160 --> 0:58:34.560
<v Speaker 1>kind of thing. So it's just going down that checklist

0:58:34.600 --> 0:58:38.000
<v Speaker 1>with her. And that's really the nature. That's why she's

0:58:38.040 --> 0:58:42.040
<v Speaker 1>so emotionally mature, because she has had to manage um

0:58:44.080 --> 0:58:45.720
<v Speaker 1>what I you know, I don't want to use the

0:58:46.200 --> 0:58:48.919
<v Speaker 1>mania now. I don't want to use that. That's that's

0:58:49.040 --> 0:58:52.000
<v Speaker 1>that's not that's not. I don't think that described Laura.

0:58:54.720 --> 0:58:56.840
<v Speaker 1>I just think I just think Laurel is in an

0:58:56.920 --> 0:59:00.440
<v Speaker 1>extremely difficult position given where she came from, this wations

0:59:00.480 --> 0:59:05.280
<v Speaker 1>she's in, and with Christopher as an ex because he,

0:59:05.920 --> 0:59:09.720
<v Speaker 1>you know, he's developing so slowly in his life, right,

0:59:10.000 --> 0:59:12.520
<v Speaker 1>and well, right, if your mom had you at sixteen,

0:59:12.720 --> 0:59:16.680
<v Speaker 1>you're dealing with a totally different mom than somebody who

0:59:16.760 --> 0:59:18.880
<v Speaker 1>has a kid at thirty. Right. And then her own

0:59:19.000 --> 0:59:23.480
<v Speaker 1>feelings of you know, abandonment by Christopher and what could

0:59:23.480 --> 0:59:26.560
<v Speaker 1>have been, and you know, he really didn't make an effort.

0:59:26.640 --> 0:59:29.200
<v Speaker 1>So I'm I'm very conflicted about how I feel about him.

0:59:29.200 --> 0:59:30.400
<v Speaker 1>I think I love him and I hate him a

0:59:30.440 --> 0:59:32.920
<v Speaker 1>little bit, you know. And it's like all these things

0:59:33.000 --> 0:59:34.760
<v Speaker 1>come up at once and it gets overwhelming and she

0:59:34.840 --> 0:59:36.640
<v Speaker 1>needs Rory there to hold her hand a little bit

0:59:36.680 --> 0:59:39.840
<v Speaker 1>and get her back to normal, like, hey, Mom, it's

0:59:39.880 --> 0:59:41.840
<v Speaker 1>just you and me, and it's okay, and it's okay

0:59:41.880 --> 0:59:44.600
<v Speaker 1>to feel that way. But you know, we are rooting

0:59:44.640 --> 0:59:46.959
<v Speaker 1>for dad because and it's just like it's just boit.

0:59:47.200 --> 0:59:50.880
<v Speaker 1>He just he's the weak link, you know. I mean

0:59:51.200 --> 0:59:55.360
<v Speaker 1>she does play the parent role or the calm person,

0:59:56.200 --> 0:59:59.360
<v Speaker 1>the thoughtful sort of no, we're not going to fly

0:59:59.480 --> 1:00:03.600
<v Speaker 1>off the hand the process properly, and you know, Laurel

1:00:03.680 --> 1:00:07.480
<v Speaker 1>I checks her too. I mean when it's it's a

1:00:07.520 --> 1:00:10.640
<v Speaker 1>symbiotic relationship, let's just put it that way. It's an unusual,

1:00:11.080 --> 1:00:13.800
<v Speaker 1>it's an unusual it's but I think, you know what,

1:00:13.880 --> 1:00:16.640
<v Speaker 1>I actually think it's far more common. And I think that,

1:00:17.120 --> 1:00:19.560
<v Speaker 1>you know, one of the reasons that shows so popular

1:00:19.680 --> 1:00:22.160
<v Speaker 1>just so many single mothers out there raising their daughters,

1:00:22.920 --> 1:00:25.760
<v Speaker 1>and it's so difficult. It's it's difficult to raise a

1:00:25.840 --> 1:00:27.760
<v Speaker 1>son or a daughter as a single mom. I mean,

1:00:27.800 --> 1:00:31.600
<v Speaker 1>it's just not easy. It's these women are zapped. Their

1:00:31.640 --> 1:00:34.000
<v Speaker 1>strength is zapped on a daily basis. They collapse at

1:00:34.040 --> 1:00:37.000
<v Speaker 1>the end of the day. Um, so I think it,

1:00:38.000 --> 1:00:41.640
<v Speaker 1>you know anyway, So I think it's a huge audience.

1:00:41.960 --> 1:00:43.400
<v Speaker 1>I think, yeah, No, I mean I think that this

1:00:43.600 --> 1:00:48.200
<v Speaker 1>was an important episode, filled with so many things, as

1:00:48.280 --> 1:00:50.120
<v Speaker 1>they all are. I mean, I feel like I'm so

1:00:50.920 --> 1:00:53.200
<v Speaker 1>propetitive that each week, I'm like, is that a lot

1:00:53.280 --> 1:00:55.760
<v Speaker 1>in it? Like, but they do. They pack a lot

1:00:55.840 --> 1:00:58.480
<v Speaker 1>in there. And that's because there's eighty pages of stuff

1:00:59.040 --> 1:01:04.240
<v Speaker 1>in forty minute of air time. So it's probably you know,

1:01:04.400 --> 1:01:15.200
<v Speaker 1>a third more than you know, a third to more content, dialogue, narrative, storylines,

1:01:15.440 --> 1:01:23.640
<v Speaker 1>characters than any other our show. We got them all.

1:01:23.800 --> 1:01:26.000
<v Speaker 1>I mean we didn't even talk about Roun you know,

1:01:26.200 --> 1:01:29.360
<v Speaker 1>and it was hysterical. I mean, the comedy that that

1:01:29.560 --> 1:01:36.080
<v Speaker 1>guy delivered. It's just like it's you know, it's like

1:01:36.280 --> 1:01:41.520
<v Speaker 1>a really good play. Yeah, it's what if it's just

1:01:41.720 --> 1:01:45.280
<v Speaker 1>you can't you can't do that stuff on television. Who

1:01:45.600 --> 1:01:48.640
<v Speaker 1>even attempts to do these kinds of like Laurel I

1:01:48.760 --> 1:01:51.040
<v Speaker 1>walking in? You know, you know, first of all, you know,

1:01:51.080 --> 1:01:54.000
<v Speaker 1>Melissa sets it up because she's she doesn't know what's

1:01:54.040 --> 1:01:57.440
<v Speaker 1>wrong with the sauce and it's missing something. And then

1:01:57.520 --> 1:02:00.920
<v Speaker 1>Laurel I walks in, and she goes and and Suki

1:02:01.000 --> 1:02:03.280
<v Speaker 1>goes what and they look at naked room, naked room.

1:02:03.320 --> 1:02:06.040
<v Speaker 1>Then we cut there. It's like it's insanity. You do

1:02:06.280 --> 1:02:09.920
<v Speaker 1>that in place. You don't do that on television. You

1:02:09.960 --> 1:02:12.280
<v Speaker 1>don't try to do that on television because you don't

1:02:12.360 --> 1:02:15.280
<v Speaker 1>have the skill level on set to do it or

1:02:15.360 --> 1:02:18.040
<v Speaker 1>the writing talent to do it. But they do it.

1:02:18.960 --> 1:02:24.320
<v Speaker 1>There's so much happening this. They are writing place, they're

1:02:24.320 --> 1:02:27.320
<v Speaker 1>writing one act place, well not one act, many acts. Um,

1:02:28.640 --> 1:02:30.800
<v Speaker 1>but I you know, I think what they're attempting there

1:02:30.880 --> 1:02:33.880
<v Speaker 1>to do, um. You know, it's it's really more like

1:02:34.000 --> 1:02:42.480
<v Speaker 1>live theater than anything I've ever seen. Interesting. Yeah, Danielle,

1:02:43.440 --> 1:02:46.440
<v Speaker 1>it's my moment, it's your moment, all right, This is

1:02:46.520 --> 1:02:49.000
<v Speaker 1>Danielle I'm filling in for Riley and this is your

1:02:49.000 --> 1:02:52.920
<v Speaker 1>pop culture. So the first pop culture reference is when

1:02:53.000 --> 1:02:55.320
<v Speaker 1>Laura Lee and Suki were talking about how crazy they

1:02:55.360 --> 1:02:58.520
<v Speaker 1>were for continuing with the dinner and Laura legoes, we're

1:02:58.520 --> 1:03:01.680
<v Speaker 1>beyond crazy. We're Anne Hey speaking her secret language to

1:03:01.720 --> 1:03:05.560
<v Speaker 1>God and looking for the spaceship in Fresno crazy. And

1:03:05.640 --> 1:03:08.280
<v Speaker 1>then they spoke the language like like Suki had a

1:03:08.320 --> 1:03:11.520
<v Speaker 1>line and then laurelized line in that that alien language.

1:03:12.680 --> 1:03:17.280
<v Speaker 1>I fell off the couch. I was laughing so hard.

1:03:17.360 --> 1:03:19.360
<v Speaker 1>My wife came in and said, are you okay? I mean,

1:03:19.480 --> 1:03:22.600
<v Speaker 1>that was like the best line of the whole show

1:03:23.200 --> 1:03:25.160
<v Speaker 1>right there. So for those that don't know. And Haiti

1:03:25.360 --> 1:03:29.600
<v Speaker 1>is an American actress, director, and screenwriter. And this this

1:03:30.000 --> 1:03:33.880
<v Speaker 1>reference is in reference to something she actually said. Um

1:03:34.680 --> 1:03:37.080
<v Speaker 1>She said on her radio show that she was under

1:03:37.080 --> 1:03:39.080
<v Speaker 1>the influence of magic mushrooms the night she met her

1:03:39.120 --> 1:03:42.120
<v Speaker 1>ex girlfriend Ellen Dejenners, and also during an interview with

1:03:42.200 --> 1:03:45.479
<v Speaker 1>Barbara Walters, he stated that she had an alter ego

1:03:45.600 --> 1:03:52.520
<v Speaker 1>named Celestiaea and she's from the planet Clat two. No

1:03:52.720 --> 1:03:55.040
<v Speaker 1>spoke a language called Clat two and then she would

1:03:55.040 --> 1:03:59.920
<v Speaker 1>speak that cling clinkling she spoke the language that was

1:04:00.200 --> 1:04:01.880
<v Speaker 1>that was in the headline, that was the entertainment that

1:04:01.960 --> 1:04:05.640
<v Speaker 1>was in the headlines for for for weeks and flips

1:04:05.680 --> 1:04:09.960
<v Speaker 1>out and then she's speaking in tongues, right and then suky,

1:04:12.840 --> 1:04:16.400
<v Speaker 1>you gotta love it. That was the best. That was

1:04:16.440 --> 1:04:18.480
<v Speaker 1>the highlight of the show. So far from me right

1:04:18.520 --> 1:04:22.960
<v Speaker 1>there those two. Oh god, God, sorry, okay, next one, Um,

1:04:23.160 --> 1:04:25.360
<v Speaker 1>this is when the guest arrived for dinner. At the end,

1:04:26.040 --> 1:04:29.000
<v Speaker 1>Rory goes, nice looking lady, and Laura Le goes, hmm,

1:04:29.040 --> 1:04:32.600
<v Speaker 1>like a young Tammy Faye Baker. So. Tamma fay Mesner

1:04:32.760 --> 1:04:35.760
<v Speaker 1>was an American evangelist, singer, author, talk show host, and

1:04:35.840 --> 1:04:41.040
<v Speaker 1>television personality. She was known for her over the top makeup. Um.

1:04:41.200 --> 1:04:43.960
<v Speaker 1>When asked what she wanted to be remembered for shortly

1:04:44.040 --> 1:04:48.240
<v Speaker 1>before she died, Tammy replied, my eyelash and in an

1:04:48.320 --> 1:04:51.160
<v Speaker 1>interesting twist that makes this reference super topical right now,

1:04:51.320 --> 1:04:54.640
<v Speaker 1>Jessica Chastain and Andrew Garfield recently released a movie, The

1:04:54.800 --> 1:04:59.120
<v Speaker 1>Eyes of Tammy Faye. H Okay, we'll be watching out

1:04:59.200 --> 1:05:05.080
<v Speaker 1>for that one. It's already released. Check it out. Um. Okay,

1:05:05.200 --> 1:05:08.120
<v Speaker 1>Rory suggests giving one of the rooms to Richard and

1:05:08.280 --> 1:05:10.600
<v Speaker 1>Rory goes, I thought maybe a certain depressed man and

1:05:10.680 --> 1:05:12.960
<v Speaker 1>his wife would stay there, and Loria le Goes Woody

1:05:13.040 --> 1:05:18.240
<v Speaker 1>and Sunny. Sunny is the adopted daughter of actress Mia

1:05:18.320 --> 1:05:21.800
<v Speaker 1>Farrow and musician Andre Preben and the wife of filmmaker

1:05:21.880 --> 1:05:26.040
<v Speaker 1>Woody Allen. Woody had a relationship with Mia Farroh, who

1:05:26.040 --> 1:05:31.080
<v Speaker 1>adopted Sunny yikes, and Mia Farrow became Alan's mother in

1:05:31.160 --> 1:05:35.800
<v Speaker 1>law when he married Sunny. And again this is topical

1:05:35.960 --> 1:05:39.240
<v Speaker 1>because just last year, Mia Faro's documentary was also released,

1:05:39.800 --> 1:05:42.200
<v Speaker 1>um Okay, Next Up. Lori Lae and Rory talked about

1:05:42.280 --> 1:05:44.560
<v Speaker 1>what will cheer Richard up and Loria le goes, I'll

1:05:44.560 --> 1:05:47.640
<v Speaker 1>send him a Deaf Jam comedy tape. So Deaf Comedy

1:05:47.760 --> 1:05:50.800
<v Speaker 1>Jam is an HBO television series produced by Russell Simmons.

1:05:51.440 --> 1:05:54.840
<v Speaker 1>Deaf Comedy Jam meaning excellent in rapp Lingo. Simmons is

1:05:54.840 --> 1:05:57.200
<v Speaker 1>the third wealthiest personality in hip hop, with a net

1:05:57.240 --> 1:06:01.040
<v Speaker 1>worth a three fifty million dollars uh. He practices yoga,

1:06:01.120 --> 1:06:06.520
<v Speaker 1>which encourages vegetarianism and social and environmental activism. Only people

1:06:06.520 --> 1:06:08.080
<v Speaker 1>with a lot of money can tell me how to live.

1:06:12.480 --> 1:06:15.000
<v Speaker 1>Mari and Babette show up to the inn for dinner,

1:06:15.280 --> 1:06:18.640
<v Speaker 1>and more goes Charlie. Charlie Parker was late to everything.

1:06:19.120 --> 1:06:22.080
<v Speaker 1>And Charlie Parker, named Bird or Yardbird, was an American

1:06:22.160 --> 1:06:25.640
<v Speaker 1>jazz saxophonist, band leader, and composer. His nickname is a

1:06:25.760 --> 1:06:28.600
<v Speaker 1>nod to the fact that he really really loved chicken.

1:06:28.760 --> 1:06:31.160
<v Speaker 1>I love it more, never took those shades off. Wait minute,

1:06:31.200 --> 1:06:33.840
<v Speaker 1>Wait a minute. The greatest line, I think number two,

1:06:34.240 --> 1:06:36.240
<v Speaker 1>or it might be typher Number one is when Babette

1:06:36.240 --> 1:06:40.920
<v Speaker 1>said them, Darling more, don't you understand Charlie Parker had

1:06:40.960 --> 1:06:46.120
<v Speaker 1>more drugs in him than a rite aid. Next one,

1:06:46.200 --> 1:06:49.040
<v Speaker 1>Suki cooks up a storm for the dinner. U Suki

1:06:49.120 --> 1:06:51.920
<v Speaker 1>goes no, it tastes two twenties century guys, It's got

1:06:52.000 --> 1:06:54.240
<v Speaker 1>a shout Washington Irving not Irving my a koind and

1:06:54.360 --> 1:06:57.240
<v Speaker 1>needs something? Help me? What is it? And then the

1:06:57.320 --> 1:07:00.800
<v Speaker 1>infamous salt line, um well she Shehington Irving was an

1:07:00.800 --> 1:07:05.800
<v Speaker 1>American short story writer, essayist, biographer, historian, and diplomat of

1:07:05.840 --> 1:07:09.320
<v Speaker 1>the nineteenth century. One of the great linguistic legacies of

1:07:09.440 --> 1:07:12.680
<v Speaker 1>his work was that it gave us the name Knickerbocker.

1:07:13.280 --> 1:07:16.120
<v Speaker 1>Irving also gave us Gotham. It was he who first.

1:07:16.880 --> 1:07:18.760
<v Speaker 1>It was he who was the first person to refer

1:07:18.840 --> 1:07:22.480
<v Speaker 1>to New York City as Gotham City. I thought that

1:07:22.560 --> 1:07:27.840
<v Speaker 1>was fascinating. Just me, okay. Next up, Loria Leon Luke

1:07:27.920 --> 1:07:31.240
<v Speaker 1>are in the sleigh and Loria le goes giddy up. Ah,

1:07:31.440 --> 1:07:35.160
<v Speaker 1>the horses heard me. I speak horse language. I'm doctor Doolittle. Um.

1:07:35.320 --> 1:07:38.520
<v Speaker 1>Eddie Murphy portrayed Doctor Doolittle in the movie, based on

1:07:38.600 --> 1:07:42.280
<v Speaker 1>the series of children's book. Eddie is terrified of live

1:07:42.320 --> 1:07:46.120
<v Speaker 1>animals and insisted that as many as possible be superimposed

1:07:46.160 --> 1:07:49.040
<v Speaker 1>digitally in the scenes when he couldn't avoid acting in

1:07:49.120 --> 1:07:51.840
<v Speaker 1>the same room as an animal. The shots frequently ended

1:07:51.920 --> 1:07:55.480
<v Speaker 1>with Murphy screaming, right, I love that, But he did

1:07:55.600 --> 1:08:01.760
<v Speaker 1>Doctor Doolittle ms, he doesn't, He's afraid of me. Next one,

1:08:01.840 --> 1:08:04.600
<v Speaker 1>Emily comes to stay the night in Rory and Loria

1:08:04.640 --> 1:08:07.920
<v Speaker 1>lies room and loriaa goes like sands through the hour glass.

1:08:07.960 --> 1:08:10.640
<v Speaker 1>So are the Gilmore's of Our Lives. So obviously this

1:08:10.800 --> 1:08:13.560
<v Speaker 1>is in reference to Days of Our Lives and Days

1:08:13.600 --> 1:08:16.560
<v Speaker 1>of Our Lives has been on since nine. In a

1:08:16.640 --> 1:08:21.719
<v Speaker 1>fascinating twist, John Anniston, Jennifer Andison's dad who played Victor

1:08:21.800 --> 1:08:24.880
<v Speaker 1>on Days of Our Lives since five is coming soon

1:08:25.040 --> 1:08:27.640
<v Speaker 1>to go more girls in season three, so everybody be

1:08:27.880 --> 1:08:34.160
<v Speaker 1>on the lookout. Yeah, we'll circle there. Lorli and Rory

1:08:34.240 --> 1:08:37.040
<v Speaker 1>talked about the movies they're going to watch over Christmas

1:08:37.120 --> 1:08:39.799
<v Speaker 1>break and Rory goes, oh, we have to run Godfather

1:08:39.920 --> 1:08:44.479
<v Speaker 1>three on DVD. The god Oh. Scott's excited for this one.

1:08:44.680 --> 1:08:47.799
<v Speaker 1>Go ahead, you go. I have a lot of personal

1:08:47.920 --> 1:08:55.280
<v Speaker 1>stories connected to the Godfather Part three. I had. I

1:08:55.320 --> 1:08:56.920
<v Speaker 1>had a theater company in New York and there was

1:08:56.960 --> 1:08:59.559
<v Speaker 1>a guy one of my buddies, my best buddies at

1:08:59.600 --> 1:09:03.920
<v Speaker 1>the time, uh, and he's of Italian heritage and he uh,

1:09:04.720 --> 1:09:07.720
<v Speaker 1>I knew the casting director for The Godfather Part three,

1:09:07.920 --> 1:09:11.080
<v Speaker 1>and he came to the he came to a rehearsal

1:09:11.200 --> 1:09:13.400
<v Speaker 1>for the theater commery system leaving for Italy. I just

1:09:13.800 --> 1:09:16.280
<v Speaker 1>scored a major part in Godfather Part three and we

1:09:16.400 --> 1:09:19.320
<v Speaker 1>were like, oh my god, congratulations. That were all jealous

1:09:19.360 --> 1:09:21.799
<v Speaker 1>as hell. So he goes off and shoots the movie

1:09:22.680 --> 1:09:25.080
<v Speaker 1>for months and months and months. Long story short, comes back,

1:09:25.160 --> 1:09:28.800
<v Speaker 1>he goes to premiere tuxedo with his girlfriend, the whole thing,

1:09:29.120 --> 1:09:32.640
<v Speaker 1>and then he calls me the next day and he says, uh,

1:09:33.040 --> 1:09:35.160
<v Speaker 1>they cut me out of the whole thing. I was

1:09:35.200 --> 1:09:37.320
<v Speaker 1>only in one scene in some cafe and all you

1:09:37.360 --> 1:09:43.120
<v Speaker 1>could see was my nose. He said, I spent all

1:09:43.160 --> 1:09:45.080
<v Speaker 1>that time over there, you know, and all you could

1:09:45.080 --> 1:09:49.320
<v Speaker 1>say was my nose. Um. Anyway, yes, that that was

1:09:49.400 --> 1:09:54.719
<v Speaker 1>a big controversy when Coppola cast his own daughter. Apparently

1:09:54.800 --> 1:09:57.600
<v Speaker 1>the stories were the Piccino and Diane Keaton went to

1:09:57.720 --> 1:10:01.040
<v Speaker 1>Francis and said, you can't do this, but he said,

1:10:01.280 --> 1:10:03.880
<v Speaker 1>it's my film. I'm gonna do it. I got a

1:10:03.960 --> 1:10:08.439
<v Speaker 1>good al Pacino um reference or not reference, but trivia

1:10:08.640 --> 1:10:11.519
<v Speaker 1>for you. So al Pacino has offered five million dollars too,

1:10:11.520 --> 1:10:15.559
<v Speaker 1>replies reprises role as Michael, but Pacino wanted seven million

1:10:15.760 --> 1:10:19.200
<v Speaker 1>plus a percentage of the gross, and Coppola refused. He

1:10:19.640 --> 1:10:22.760
<v Speaker 1>threatened to rewrite. He threatened to rewrite the script by

1:10:22.840 --> 1:10:26.439
<v Speaker 1>starting the story with Michael's funeral sequence instead of the

1:10:26.520 --> 1:10:31.240
<v Speaker 1>film's introduction. So eventually Pacino agreed to the five million

1:10:31.320 --> 1:10:34.599
<v Speaker 1>dollar offers. What would the movie have been without him?

1:10:35.720 --> 1:10:38.519
<v Speaker 1>Godfather Part three? He's a Godfather? How do you think

1:10:39.520 --> 1:10:43.160
<v Speaker 1>sure I've seen any Godfather's Oh stop it think I'm

1:10:43.240 --> 1:10:47.639
<v Speaker 1>oh for three. You've never seen the Godfather movies? Think

1:10:47.640 --> 1:10:49.840
<v Speaker 1>those are the two greatest American film maybe the two

1:10:49.880 --> 1:10:54.120
<v Speaker 1>greatest films ever made? Have you, Daniel? Um? You know

1:10:55.600 --> 1:11:01.280
<v Speaker 1>I might have seen parts of three. I don't think so,

1:11:01.640 --> 1:11:03.479
<v Speaker 1>But I have no idea what y'all are like really

1:11:03.560 --> 1:11:06.599
<v Speaker 1>talking about with the story. Okay, you gotta watch him over.

1:11:06.720 --> 1:11:10.400
<v Speaker 1>This is Godfather where they said once you get in,

1:11:10.680 --> 1:11:14.200
<v Speaker 1>you can never get out. And now it's the say

1:11:14.320 --> 1:11:19.840
<v Speaker 1>hello to my little friend that he says that in three, No,

1:11:20.040 --> 1:11:23.439
<v Speaker 1>three to three, Yeah, you know, says that. In three

1:11:23.479 --> 1:11:27.320
<v Speaker 1>he says, I was almost don't they pull you back in? Yeah?

1:11:28.040 --> 1:11:33.640
<v Speaker 1>I was right. Three was panned, like you cannot It

1:11:33.760 --> 1:11:38.360
<v Speaker 1>was no good. It was panned. The critics hated it too.

1:11:39.280 --> 1:11:42.080
<v Speaker 1>Two was a lot of critics said too was better

1:11:42.160 --> 1:11:47.439
<v Speaker 1>than one wo. So then number three. One was one

1:11:47.560 --> 1:11:50.760
<v Speaker 1>was a perfect movie. The first one was a perfect film.

1:11:50.800 --> 1:11:53.880
<v Speaker 1>The second one wasn't even more perfect. Film. Three was

1:11:54.000 --> 1:12:02.000
<v Speaker 1>just a giant turd. You know, I'm sorry, but you

1:12:02.080 --> 1:12:08.559
<v Speaker 1>know what. Still still very watchable, Yeah, still very watchable.

1:12:08.640 --> 1:12:10.439
<v Speaker 1>I mean there's some good stuff in there. I mean

1:12:10.600 --> 1:12:13.760
<v Speaker 1>Andy Garcia is in there, and Joe Montane is in there.

1:12:14.000 --> 1:12:15.600
<v Speaker 1>I would say I'll give it a try, but I'm like,

1:12:15.720 --> 1:12:18.519
<v Speaker 1>so backlogged, and just watch the first two and then

1:12:18.600 --> 1:12:20.880
<v Speaker 1>watch that one and so you get the contrasting. So

1:12:21.080 --> 1:12:23.040
<v Speaker 1>many things ahead of it on my list. Just let

1:12:23.120 --> 1:12:26.479
<v Speaker 1>you know, just being honest, it's not you can't go

1:12:26.680 --> 1:12:30.120
<v Speaker 1>through life as a cultured person that you are. We

1:12:30.280 --> 1:12:32.840
<v Speaker 1>know you are. You've read all the best books, you

1:12:32.920 --> 1:12:38.400
<v Speaker 1>read the Harvard Classics, You've read them. All you've got

1:12:38.680 --> 1:12:40.720
<v Speaker 1>And I'm sorry, I have a list of shows I've

1:12:40.720 --> 1:12:43.080
<v Speaker 1>got to have to No, no, that these aren't shows.

1:12:43.200 --> 1:12:46.919
<v Speaker 1>These are gotta do. This is artwork, this is living artwork.

1:12:47.040 --> 1:12:50.400
<v Speaker 1>This is part of our culture. I gotta do Succession.

1:12:50.560 --> 1:12:54.599
<v Speaker 1>I gotta do yellow Stone. For God's sake. You gotta

1:12:54.640 --> 1:12:58.200
<v Speaker 1>see Godfather. I want to do Superman and Lois that

1:12:58.400 --> 1:13:04.640
<v Speaker 1>looks super good. Does it's on the w all Americans?

1:13:04.720 --> 1:13:08.679
<v Speaker 1>I like, I like to w Okay. So you will

1:13:08.760 --> 1:13:13.280
<v Speaker 1>never see cinematography. I never said never at the level

1:13:13.800 --> 1:13:15.920
<v Speaker 1>that you will see it in Godfather one too. You

1:13:16.000 --> 1:13:24.760
<v Speaker 1>will never see such beautifully framed lit shots. Paintings of

1:13:24.880 --> 1:13:28.479
<v Speaker 1>those first two Godfather films look like paintings. That's right

1:13:28.520 --> 1:13:32.280
<v Speaker 1>by my house in Tahoe. Godfather to Yeah, gorgeous. Every

1:13:32.600 --> 1:13:39.280
<v Speaker 1>frame was all this YouTube those scenes, Danielle. I was

1:13:39.320 --> 1:13:41.920
<v Speaker 1>just gonna say, you know that we have another movie

1:13:42.000 --> 1:13:44.439
<v Speaker 1>reference The Shining. Have we all seen it? I have it?

1:13:45.360 --> 1:13:47.400
<v Speaker 1>I have not seen it in no, we haven't. I

1:13:47.439 --> 1:13:49.600
<v Speaker 1>haven't seen it in its entirely. I've seen just that

1:13:51.479 --> 1:13:53.240
<v Speaker 1>or the two girls holding hands in the hall. Yea,

1:13:53.400 --> 1:13:57.240
<v Speaker 1>as far as I got. Um So, Laura, that's all

1:13:57.280 --> 1:13:59.040
<v Speaker 1>my Let's just say I've got to see the Porky

1:13:59.080 --> 1:14:02.200
<v Speaker 1>probably Brigade, for I've got many things on my list

1:14:02.200 --> 1:14:06.559
<v Speaker 1>before I must say that I think I've seen one

1:14:06.600 --> 1:14:09.840
<v Speaker 1>flew over the cuckoo's nesting full either you're kidding me now,

1:14:09.960 --> 1:14:13.000
<v Speaker 1>I got a long list. Oh my goodness, but I've

1:14:13.040 --> 1:14:16.559
<v Speaker 1>seen sixteen candles, four d and twelve times. You're blowing

1:14:16.640 --> 1:14:19.920
<v Speaker 1>my mind right now. You're literally you have not dancing.

1:14:20.000 --> 1:14:23.200
<v Speaker 1>I've seen one flew over the cuckoo's nest. Okay? Do

1:14:23.280 --> 1:14:26.720
<v Speaker 1>these are these considered like guy films to you? And

1:14:27.080 --> 1:14:30.720
<v Speaker 1>they don't make you feel comfortable and warm? And I

1:14:30.960 --> 1:14:34.599
<v Speaker 1>don't know, I just did like I'd rather watch dirty

1:14:34.680 --> 1:14:40.840
<v Speaker 1>Dancing again. Like, literally, I've seen there's you know sixt Greece.

1:14:40.880 --> 1:14:43.959
<v Speaker 1>I was youtubing these last night. I just wanted to rewatch.

1:14:44.240 --> 1:14:46.800
<v Speaker 1>You're the one that I want interesting. So you're not

1:14:47.000 --> 1:14:50.599
<v Speaker 1>really the Godfather demo. No, I think we're just very

1:14:50.680 --> 1:14:55.519
<v Speaker 1>much like we like happy, uplifting, how to lose a

1:14:55.560 --> 1:14:58.960
<v Speaker 1>guy in ten days? Yeah, I was like the wedding planner.

1:14:59.360 --> 1:15:03.360
<v Speaker 1>Oh are you Nancy Pong? I give you sugar, but

1:15:03.439 --> 1:15:10.000
<v Speaker 1>I don't have any saved my shoe trap door here

1:15:10.040 --> 1:15:17.000
<v Speaker 1>in my room. We love Scott going okay, okay, well

1:15:17.160 --> 1:15:19.760
<v Speaker 1>I'll just do quick too quick mentions. The shining was

1:15:19.840 --> 1:15:22.160
<v Speaker 1>referenced the same with Ben her Um. I feel like

1:15:22.200 --> 1:15:25.960
<v Speaker 1>both of those are pretty about since the fact that

1:15:26.280 --> 1:15:28.639
<v Speaker 1>we have been recording for an hour and a half,

1:15:29.479 --> 1:15:32.240
<v Speaker 1>I'm gonna go to the last and final one. Jessin

1:15:32.360 --> 1:15:34.920
<v Speaker 1>Rory are in the sleigh and jessicaes. It definitely has

1:15:34.960 --> 1:15:37.240
<v Speaker 1>the most personality, kind of looks like New York and

1:15:38.040 --> 1:15:40.080
<v Speaker 1>unless you lived under a rock, you remember when she

1:15:40.320 --> 1:15:43.880
<v Speaker 1>walked to the red carpet in a Swan dress the

1:15:43.960 --> 1:15:49.640
<v Speaker 1>seventy third Academy Awards on March one. Um, So definitely personality.

1:15:50.320 --> 1:15:54.360
<v Speaker 1>That's why that was referenced you did. Thank you. I

1:15:54.479 --> 1:15:56.680
<v Speaker 1>like the commentary unless you lived under a rock, So

1:15:56.800 --> 1:15:58.479
<v Speaker 1>that was like, well, well done, we missed Riley. We

1:15:58.520 --> 1:16:00.120
<v Speaker 1>can't wait for it to be back. Yeah, let's she

1:16:00.439 --> 1:16:04.200
<v Speaker 1>feels better soon. Alright, so good, feel better. She already

1:16:04.280 --> 1:16:07.559
<v Speaker 1>texted she's already doing better. Alright, alright, give him my best.

1:16:08.320 --> 1:16:10.680
<v Speaker 1>We will give him my best. I have a line

1:16:10.720 --> 1:16:15.320
<v Speaker 1>I'm very excited about. Okay, So this is when um

1:16:15.600 --> 1:16:19.360
<v Speaker 1>Dean and his sister arrived to the dinner and Rory goes,

1:16:19.479 --> 1:16:22.360
<v Speaker 1>is that a Stella McCartney and Dean's sister goes, it's

1:16:22.360 --> 1:16:28.439
<v Speaker 1>a Walmart. I believe missed that, and that's epic. I

1:16:28.600 --> 1:16:32.680
<v Speaker 1>just liked when Rory said to Lorl you're wigging and

1:16:32.800 --> 1:16:37.439
<v Speaker 1>she's totally losing her mind over Christopher. Mike couldn't even

1:16:37.479 --> 1:16:44.479
<v Speaker 1>recreate it, but she's like between the My favorite line

1:16:44.600 --> 1:16:50.679
<v Speaker 1>was Laura La speaking in the Clatu language back to Suki.

1:16:50.880 --> 1:16:53.519
<v Speaker 1>I can't even attempt to repeat what she said, but

1:16:53.680 --> 1:16:57.400
<v Speaker 1>it was literally, for me, the highest comic comedic moment

1:16:57.479 --> 1:17:00.040
<v Speaker 1>of the entire series so far. Oh my god, I

1:17:00.160 --> 1:17:03.280
<v Speaker 1>love that. Brilliant. Well, what a way to end it?

1:17:03.880 --> 1:17:07.479
<v Speaker 1>Just so everyone knows. We're giving Scott Christmas off. I

1:17:07.520 --> 1:17:10.200
<v Speaker 1>don't know why, but we are. Are you not giving?

1:17:10.360 --> 1:17:13.599
<v Speaker 1>Are you not giving others Christmas off? In the stable,

1:17:14.160 --> 1:17:16.400
<v Speaker 1>it's about half and half. Some people do have to

1:17:16.439 --> 1:17:19.519
<v Speaker 1>work because it's a long story, but some people do

1:17:19.640 --> 1:17:24.160
<v Speaker 1>have to win. Podcast continue Scott, But I mean, do

1:17:24.200 --> 1:17:27.320
<v Speaker 1>you want me to take the stuff too. I'm gonna

1:17:27.360 --> 1:17:29.840
<v Speaker 1>give you. I'm gonna We're gonna give you. Everybody can

1:17:29.880 --> 1:17:31.599
<v Speaker 1>handle it. That's listening. We're giving him one week off,

1:17:31.640 --> 1:17:34.160
<v Speaker 1>will be back January four. I get a week off,

1:17:34.560 --> 1:17:36.920
<v Speaker 1>You get a week off. One week. That's it January.

1:17:37.280 --> 1:17:38.960
<v Speaker 1>So the good news is you have about like twenty

1:17:39.000 --> 1:17:41.680
<v Speaker 1>episodes in the month of December to refresh on. We've

1:17:41.760 --> 1:17:45.599
<v Speaker 1>done a lot. Give you at anybody missed anything, You've

1:17:45.600 --> 1:17:48.680
<v Speaker 1>got plenty to re listen to it all right, everybody listen. Uh,

1:17:49.439 --> 1:17:53.320
<v Speaker 1>that's gonna wrap up, Bradshbridge dinner and uh look, have

1:17:53.400 --> 1:17:57.720
<v Speaker 1>a safe uh and happy holiday. Merry Christmas, everybody, Happy holidays,

1:17:58.240 --> 1:18:01.720
<v Speaker 1>all the best from us and thank three downloads. Uh

1:18:01.800 --> 1:18:33.960
<v Speaker 1>and we'll see in the new year. Stay safety, hey everybody,

1:18:34.000 --> 1:18:37.280
<v Speaker 1>and don't forget follow us on Instagram at I am

1:18:37.360 --> 1:18:41.320
<v Speaker 1>all in podcast and email us at Gilmore at I

1:18:41.560 --> 1:18:44.880
<v Speaker 1>Heart radio dot com. Oh you Gilmore fans. If you're

1:18:44.920 --> 1:18:46.719
<v Speaker 1>looking for the best cup of coffee in the world,

1:18:46.800 --> 1:18:50.680
<v Speaker 1>go to my website for my company scott ep dot com,

1:18:50.840 --> 1:18:53.200
<v Speaker 1>s CEO, T t y P dot com, scotty p

1:18:53.400 --> 1:18:56.439
<v Speaker 1>dot com Grade one Specialty Coffee