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Speaker 1: I Am all In. I Am all In with Scott

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Speaker 1: Patterson and I Heart Radio podcast. Hey everybody's Scott Patterson

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Speaker 1: and this is the I Am all In podcast our

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Speaker 1: Heart Radio one to Live In productions. What an episode

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Speaker 1: the Bracebridge Dinner. I gotta tell you, my impress, my

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Speaker 1: initial impression of this, after after the roller coaster ride

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Speaker 1: of hilarity and emotion, my god, this to me reminded

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Speaker 1: me of, you know, the swagger that the creators have now,

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Speaker 1: like we're the biggest, baddest sons of bees in the

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Speaker 1: gosh darn entertainment industry, and this is what we can

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Speaker 1: do top this? You know, it was just it was

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Speaker 1: just so I mean, they were landing. Every joke landed beautifully,

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Speaker 1: Every storyline and narrative landed beautifully, wove and inter wove beautifully.

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Speaker 1: It was just amazing. I was beautiful. It looked. Everything

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Speaker 1: look good. Just the snow man looked fake. I'm sorry

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Speaker 1: it did. The snowmen did not look real. You can

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Speaker 1: see the dimples from the styrofoam. I'm sorry. I know.

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Speaker 1: They tried. The head when it fell off looked real.

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Speaker 1: Every the snow that they were packing on looked real

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Speaker 1: when it fall off, but the I don't know, it

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Speaker 1: was just a little too dimpled for me. I'm kind

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Speaker 1: of a snowman expert. I grew up making snowmen in

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Speaker 1: southern New Jersey. I never saw saw snow men that

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Speaker 1: were doing snow Man. Did you think was the award

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Speaker 1: winning deserving number one? Well, okay, as good as the ringers,

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Speaker 1: uh snow Man was, he did not provide the humor

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Speaker 1: that those two young ladies did, so I'm gonna have

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Speaker 1: to give it to our girls. Can you remember filming

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Speaker 1: that episode at all? I mean, just the way the

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Speaker 1: town looks stood out. I just don't. I don't you

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Speaker 1: know what I I do remember this leigh ride somewhat.

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Speaker 1: I do remember that it's not wild. It was not that.

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Speaker 1: I mean, twenty years ago is like, you know, a

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Speaker 1: lifetime for some people, but it's like just a little

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Speaker 1: chunk of my life, so it shouldn't be the biggest stretch.

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Speaker 1: I don't know that it's because it was twenty years ago.

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Speaker 1: I think it's because you shot so many episodes, so

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Speaker 1: it's like you can't differentiate each thing. They all kind

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Speaker 1: of run into each other. I just know I didn't

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Speaker 1: remember any of that, and I loved the bootsy stuff,

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Speaker 1: and I loved all that stuff. But I mean, right

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Speaker 1: off the bat, it was just firing on all cylinders,

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Speaker 1: and um it just continued to I mean, I got

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Speaker 1: I got my Michelle fixed. Very early in the episode,

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Speaker 1: he was a sterical. I was very happy physical just

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Speaker 1: when he's doing this. Oh yeah, So all right, so

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Speaker 1: let's get into this, and I guess Riley is a

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Speaker 1: little down down for the count. Yeah. Last week she

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Speaker 1: had our sexy voice, but now she's just out. Yeah,

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Speaker 1: now she's gonna have to sit one out. Um, so

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Speaker 1: you got me and Danielle Romo, thank you for filling

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Speaker 1: in for the My god, the the the growing popularity

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Speaker 1: of Riley is I mean, I'm starting to feel a

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Speaker 1: little threatened, to be honest. Yeah. The anticipation for Danielle's

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Speaker 1: performance with pop culture is, yeah, we might have to

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Speaker 1: invite her to a secret dinner and then like push

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Speaker 1: her over a cliff or sometimes ready to armchair quarterback.

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Speaker 1: This let's go alright, go ahead, Danielle. Okay. So this

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Speaker 1: is episode ten, The Bracebridge Dinner air date December eleven,

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Speaker 1: two thoe and the synopsis is, while Rory struggles to

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Speaker 1: keep the budding rivalry between Dean and just under control.

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Speaker 1: Lorelai invites most of the citizens of stars Hollow to

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Speaker 1: an elaborate feast, complete with costumes and horse drawn sleigh rides,

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Speaker 1: during which Richard announces to Emily he has retired. Boom

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Speaker 1: boom boom. There's so much to unpack here, Amy, you

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Speaker 1: gotta guide me through this. I'm just gonna go off.

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Speaker 1: I mean, this is this was just some incredible episode.

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Speaker 1: It really was the best one were talking about. Yeah,

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Speaker 1: there's a lot to talk about, so go ahead, all right,

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Speaker 1: So let's start with what stood out to me was

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Speaker 1: the sleigh ride. I thought, and we're going out of

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Speaker 1: order as we do, but the sleigh ride to me,

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Speaker 1: for each of the three couples, and I say couples intentionally,

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Speaker 1: it was very significant. So I'd love to talk about

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Speaker 1: Rory and Jess, you and lower Lie, Richard and Emily.

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Speaker 1: So let's start with Rory and Jeff and just their

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Speaker 1: whole tension grew out in a good way throughout this, right.

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Speaker 1: So they're sleigh ride there, accidental sleigh rides there, on

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Speaker 1: intentional sleigh ride. I mean, we've got to protect Rory.

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Speaker 1: She wasn't her idea. You know, Jess jumped in there,

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Speaker 1: um you know that was it made it clear to

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Speaker 1: me and I think the audience that he's kind of

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Speaker 1: more of her a parley there with the literature and yes,

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Speaker 1: and especially when he said, what do you two talk about?

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Speaker 1: And he wasn't being a jerk about it, but he

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Speaker 1: was indicating we have a connection and what we talk about?

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Speaker 1: And when I think, I think what makes him bearable?

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Speaker 1: After seeing the fight and his attitude and the whole

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Speaker 1: thing is we feel so sorry for him because his

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Speaker 1: own mother didn't want him for the holidays, and we've

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Speaker 1: learned that through Luke and Lorelei sleigh right, and as

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Speaker 1: right as Lorelei said, he knows, which we find out

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Speaker 1: as he's in the sleigh with Rory, he does know.

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Speaker 1: He does know, because Luke boasted that he doesn't know,

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Speaker 1: and I made up a white lie and what's appropriate? Delight,

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Speaker 1: But it made you love Luke that much more and

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Speaker 1: it made you feel for for Jess. I mean it really,

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Speaker 1: So now he gets away with all this sort of

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Speaker 1: I don't know, outlier behavior, um right, And he's a

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Speaker 1: serious rival, I mean it. And and and she got

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Speaker 1: caught looking at him. I mean Dean, Dean nailed her

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Speaker 1: from across the room. And the look the way I

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Speaker 1: when I'm watching it, I obviously I'm just completely sucked in.

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Speaker 1: But now talking to you about it is like the

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Speaker 1: acting of that, like how do you direct somebody? Now

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Speaker 1: you're gonna glance, but you can't glance too much. You

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Speaker 1: need to glance. How do they How does that go?

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Speaker 1: Now we're referring to that end scene. That's just easy.

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Speaker 1: That's just a little luck. It's not that big a deal.

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Speaker 1: Oh that is not easy. It's not that. It's not that.

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Speaker 1: It's just a little angle you and you give a

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Speaker 1: little look. Yeah, even the way you're saying it now,

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Speaker 1: it's like just the subtlety. It's like, to me, it

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Speaker 1: was everything her looked to him, his look to her.

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Speaker 1: They look away, they look back. It's like a dance

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Speaker 1: and it says everything to the audience. All of that

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Speaker 1: stuff technique wise falls under the heading less is more. Yeah,

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Speaker 1: at a big revelation this episode. I have been team

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Speaker 1: Dean from the get go, and literally this episode I

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Speaker 1: was like, oh no, it's just like but do you

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Speaker 1: know for me, it's like Dean is bouncing off the

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Speaker 1: walls every time she's you know, it's like it just

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Speaker 1: shows that why you have to be super cool in

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Speaker 1: the face of a rival. You know, either either blow

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Speaker 1: them up right away and let the girl sort of

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Speaker 1: get over that shock, or just be cool and laugh

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Speaker 1: at it because you know, tightening up and being you know,

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Speaker 1: possessive and sort of in a snit all the time

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Speaker 1: because Jess is around, you know, it makes him look bad.

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Speaker 1: It really weakens that Kirk because we've seen him that

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Speaker 1: way so many consecutive episodes. Now it's like you're almost

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Speaker 1: sick of it. It almost becomes like a Paris thing

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Speaker 1: where it's like, here we go again with the nasty

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Speaker 1: evil stuff. And even though Jesse's fight was really with

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Speaker 1: the guy that Rory thought was a jerk, it's that

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Speaker 1: Ben Dean jumped in and then they're fighting. It always

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Speaker 1: comes back to their rivalry. And I thought Jess was

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Speaker 1: interesting and probably correct when he said he doesn't seem

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Speaker 1: like you're a kind of guy. He's like kind of

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Speaker 1: guy he's kind of and it's like he's not he's

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Speaker 1: not he is. I just think he's reaching too far

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Speaker 1: up the ladder and he knows it and he's nervous

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Speaker 1: about it. And he's a good guy, you know, don't.

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Speaker 1: You can't take anything away from him. I mean, he's

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Speaker 1: a good guy, he's smart. He just isn't. I don't know,

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Speaker 1: it's just he isn't. He doesn't damage. He isn't damaged

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Speaker 1: the way she's damaged. And I think that she can

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Speaker 1: relate to because Rory has some damage. I mean, she's

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Speaker 1: she covers it well. She you know, she's self analytical,

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Speaker 1: she's very bright. She understands what her issues are, and

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Speaker 1: she probably resolved them a lot of them on her

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Speaker 1: own or just with conversations with Laurel. I right, because

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Speaker 1: they're they're they're highly psychological couple. I mean they're highly aware.

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Speaker 1: Um uh. And I think I think she has that

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Speaker 1: in common with Jess. I think that the hurt and

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Speaker 1: the pain that he feels is the same hurt and

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Speaker 1: from the rejection his mother rejecting him is the same

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Speaker 1: thing that Rory probably felt with Christopher when when you

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Speaker 1: know they he decided to go off to California or

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Speaker 1: wherever he went, you know what I mean. I mean,

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Speaker 1: she didn't have a father that lives That leaves a

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Speaker 1: huge hole in your life. Um, and I think, you know,

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Speaker 1: that's what hit me so deeply in this episode. There's

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Speaker 1: a couple of things that was The first thing is like,

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Speaker 1: is knowing the pain of being rejected by a parent

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Speaker 1: is is searing and it's deep. And I think it's

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Speaker 1: how they're connecting. I think, whether they know it or not,

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Speaker 1: that's it. That's the glue and that's why it's gonna work. Yeah. Interesting.

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Speaker 1: I mean we even get a little glimpse of that

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Speaker 1: with the discussion about Christopher in this episode from the

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Speaker 1: very beginning when he calls lor Lae and then you know,

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Speaker 1: Loraa gets upset and even Rory isn't willing to say, yeah,

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Speaker 1: I want to go. She's like, I don't know if

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Speaker 1: I want to go, but it was nice to be invited. Yeah.

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Speaker 1: So the damage is there, you're right, Yeah, I mean,

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Speaker 1: as as flawless as we want to consider Rory to be,

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Speaker 1: you know, and as emotionally mature as she is in

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Speaker 1: most aspects of life, um, there's damage there. And that's

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Speaker 1: what's so compelling to watch about Laurela too. She's she's

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Speaker 1: really damaged and it makes people fascinating. And even how

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Speaker 1: she had that outburst saying I don't want you to go.

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Speaker 1: I don't want you ago, I don't want you to

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Speaker 1: be with someone else and not me. And it's perfect, Yeah,

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Speaker 1: it's right. It's perfectly understandable because what right does he have.

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Speaker 1: You know, he just abandoned his kid. You know, he

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Speaker 1: made a choice, right, right he did. I mean it

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Speaker 1: was on him, I guess probably, but right. But still,

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Speaker 1: I mean, you know, you gotta stand by your kid,

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Speaker 1: for God's sake. You can't just abandon your kid. And

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Speaker 1: he did. And then he shows up, you know, and

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Speaker 1: it's like, but he you know, he approached lure alife

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Speaker 1: very carefully. He's very respectful. I understand if you say

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Speaker 1: no the whole thing, you know, so we don't hate

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Speaker 1: the character. But it's like Pal on the holiday. You're right,

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Speaker 1: you're really right about that because you do like Christopher,

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Speaker 1: you do. But it was a little kind of I mean,

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Speaker 1: I can't judge him for that. That's his kid. He

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Speaker 1: wants to see her on the holiday. But it's like, dude,

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Speaker 1: don't take her away from her mom on the holidays.

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Speaker 1: You absconded. Really, it's like, you know, maybe come to

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Speaker 1: Stars Hollow, get a room at the end with your

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Speaker 1: girlfriend and be available for some lunches and dinners. Okay,

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Speaker 1: there's a way to handle that. If you want to

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Speaker 1: be with your daughter, don't put people out that you

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Speaker 1: ran away from. Just go make it work. Yeah, I'll

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Speaker 1: tell you. You know, me as a life coach for Christopher,

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Speaker 1: I think I could help him. No, I think so,

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Speaker 1: because it's like he is well intentioned now for sure,

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Speaker 1: you know so, I think coming back around analyzing Dean,

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Speaker 1: Dean is sweet. He is a safe choice for her.

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Speaker 1: He's just not going to what's the word like, like

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Speaker 1: you can already see Jess and the conversations and Jess

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Speaker 1: nailed it, like he's not your kind of guy because

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Speaker 1: I'm going to ask you about literature, and I'm gonna

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Speaker 1: know about the York and I'm gonna know about this,

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Speaker 1: and I'm gonna push your buttons in a very similar

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Speaker 1: way to Luke and Laura line. They don't just give

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Speaker 1: in to each other. Well, you know, I think Dean

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Speaker 1: knows that. How you know, forever he's going to be

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Speaker 1: a notch below Rory uh in i Q and in

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Speaker 1: you know his reading list. He's not able. He's not

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Speaker 1: on that level. She's special. She's really special. You know,

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Speaker 1: she's on her way to Harvard, for God's sake. I

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Speaker 1: mean that's just, you know, that's a very you know,

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Speaker 1: that's a very rare thing. What you know, I think

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Speaker 1: how many couple thousand get accepted every year. I mean

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Speaker 1: it's all the applicants. I mean they get applicants and

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Speaker 1: they're all qualified or like overqualified, every single one of them.

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Speaker 1: So it's you know, it's just a different level. And

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Speaker 1: he knows he can't compete on that level. He's that

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Speaker 1: guy that that loves, loves, loves when he's with them,

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Speaker 1: but when they're not with him, he's very, very irritable.

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Speaker 1: He's very nervous, he's insecure. You know, he gets angry.

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Speaker 1: He wants you know, he really wants to defend his turf,

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Speaker 1: and it's just like you cannot handle the air up

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Speaker 1: there is sweetest high. I mean even when Chris says,

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Speaker 1: can I go play with the horses? Yes, put your

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Speaker 1: coat on? Like he is so nurturing and sweet and

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Speaker 1: loving and like always with the goodbye kiss, and he

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Speaker 1: is like the great choice. It's just you know what,

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Speaker 1: there's another there's another aspect of Rory that I found

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Speaker 1: interesting and it was really glaring today in the episode.

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Speaker 1: She's really aloof She has this aloofness about her that

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Speaker 1: naturally makes people who are just slightly insecure even that

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Speaker 1: much more insecure and makes people like je attractive. Yes,

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Speaker 1: very nailed it, I mean, and Dean is like, I

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Speaker 1: can't handle this. This girl definitely doesn't love me the

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Speaker 1: way her because he's nuts about her and she's like

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Speaker 1: just she's just kind of playing along. I think she

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Speaker 1: feels something for I'm sure, definitely, but it ain't it

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Speaker 1: ain't the big you know, it ain't the big love, right,

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Speaker 1: you can just tell. And she is too, I don't know,

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Speaker 1: it's sort of unaffected by him and their relationship. So

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Speaker 1: I think she's just doing it because it's a small

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Speaker 1: town and and she likes him and he's nice to

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Speaker 1: her and this kind of thing. But I don't know.

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Speaker 1: Jessice looking awfully good these days. Yeah, Danielle, what did

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Speaker 1: you think of all three sleigh rides? We still have

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Speaker 1: to get to Richard and Emily because I think there's

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Speaker 1: a lot to talk about there and and just the

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Speaker 1: cuteness of them and throughout the episode, But daniel what

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Speaker 1: did you think of the sleigh rocks. I love Lorelei

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Speaker 1: and Luke's sleigh right. I think that was one of

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Speaker 1: my favorites that you guys were all cuddle under that

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Speaker 1: furry little blanket, and it just made me realize, like,

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Speaker 1: I love them together too. And that's how I felt

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Speaker 1: about Rory and Jessic's too. You know, when they were together,

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Speaker 1: I'm like, oh my god, they're so perfect like that

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Speaker 1: there at each other's league, you know what I mean,

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Speaker 1: Like they're very much compatible and like the same things

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Speaker 1: and all that kind of stuff. So with those two

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Speaker 1: slay right, I was like, uh, duh, there you go.

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Speaker 1: That's it. Was that your first time really seeing Jess

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Speaker 1: and Rory have that connection that you liked. Yeah, before

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Speaker 1: it was kind of like, oh Jess is kind of

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Speaker 1: like the bad boy, Rory is the good girl, and

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Speaker 1: they kind of flir, but liked this episode, I was like, oh,

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Speaker 1: they really have a connection. Well. I think for me

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Speaker 1: it was when U when he was walking away that

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Speaker 1: night when they think they just met, you know, that

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Speaker 1: day or something, or they were introducing, but it was

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Speaker 1: their first encounter at night. But he was walking towards

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Speaker 1: the zebo and he stopped and he turned around and

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Speaker 1: he the Melville reference. Um, and that was it. That

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Speaker 1: was it, Ferrory, That's all she needed to hear. I

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Speaker 1: think you're right. There's something about you know, just that

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Speaker 1: knowing that somebody is on. You know that somebody's a

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Speaker 1: reader and they you know, it's just their quality of

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Speaker 1: life is different, Their expectations are different. What you know,

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Speaker 1: their their art is different, their culture is different. It's

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Speaker 1: it's and and once that locks in, boy, that's just

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Speaker 1: as the king of totally redeeming himself because just when

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Speaker 1: you're like, oh he's a jerk, he fixes the toaster,

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Speaker 1: or you're like not liking him, he jumps in the

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Speaker 1: sleigh and it's just like so cute and charming and

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Speaker 1: obviously he destroyed the snowman. And it's like she wasn't

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Speaker 1: mad about it. Time she's turned right. She would have

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Speaker 1: been offended by that behavior before, and now she knows,

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Speaker 1: oh he did it for me. This guy is gonna

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Speaker 1: do whatever it takes for me. Yes, Yes, it's that violence,

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Speaker 1: that that streak that turns her on. Yeah, Dean would

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Speaker 1: never do that, right, He's not gonna do something that

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Speaker 1: Dean would never do. That she you know, it's it's

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Speaker 1: it's clear that Rory is beginning to well, let's just

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Speaker 1: project this into the future a couple of years from

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Speaker 1: now and Dean and Royer are still together. I think

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Speaker 1: she's bored out of her mind. I don't think Dean

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Speaker 1: can keep her interested with all of his devotion and

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Speaker 1: love and sweetness and kindness and all that stuff, and

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Speaker 1: then be uptight when a guy looks at her right

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Speaker 1: that that gets old very quickly, and um, that's the

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Speaker 1: perfect first boyfriend. But that's it. There's no question, there's

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Speaker 1: no question. But let's talk about Richard and Emily, because

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Speaker 1: immediately Richard was in a great mood. And obviously we

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Speaker 1: find out that it's because you retired. But I thought

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Speaker 1: their relationship this is one of the first times you realize, Wow,

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Speaker 1: these two really are meant to be together. Because she

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Speaker 1: doesn't just take his bleep, do you know what I mean?

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Speaker 1: She was upset and she speaks her mind to him

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Speaker 1: that he should have told her, and then he very

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Speaker 1: communicates why he didn't, and you understand. But it was

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Speaker 1: the sweetness, like let's go on the roller coaster and

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Speaker 1: I'll hold your hand, like they are just Grandma and

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Speaker 1: grandpa cutest ever. You know. Yeah, we get to be

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Speaker 1: a man and a woman again. I get to love

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Speaker 1: you again. Let's we can date again, we can feel

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Speaker 1: young again, and we can get away from all this bs.

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Speaker 1: You know, I mean leading a life on that level, Um,

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Speaker 1: it's a lot of fundraiser, it's a lot of friends,

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Speaker 1: it's a lot of effort, it's a lot of work,

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Speaker 1: it's a lot of gossip, it's a lot of you know,

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Speaker 1: it's a it's a lot you know leading. Leading that

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Speaker 1: kind of life is very very hard work and it's

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Speaker 1: daily um, and it's all about you know, power, politics

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Speaker 1: and socializing and all of that stuff. And they did

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Speaker 1: it very well for a long time. But man, they're tired.

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Speaker 1: You know. Yeah, it's solidified, like because they've they've been together,

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Speaker 1: what at least thirty five years, probably pushing forty years together. Man,

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Speaker 1: to those two like each other. They love each other

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Speaker 1: and they're committed, but they like each other, you know.

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Speaker 1: And it was like so sweet how he's going through

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Speaker 1: the finances and it's like obviously they have plenty of

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Speaker 1: money and she's like, don't worry about it, we're good

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Speaker 1: right well, and they hold hand very romantic, yes, And

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Speaker 1: but the thing, the thing that was interesting, and it's

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Speaker 1: been it's been obvious before, but it really became, you know,

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Speaker 1: neon later letters in this episode is what type of

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Speaker 1: person Emily was versus what type of person Richard is.

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Speaker 1: And you know he even said it to Emily. You

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Speaker 1: you know you like structure, do you like order? You

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Speaker 1: need to know, you don't like surprises, and you don't

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Speaker 1: like changes the plans, And that's how you get through

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Speaker 1: your day. And that bespeaks in my opinion, of somebody

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Speaker 1: who has experienced trauma, and they hang on to their

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Speaker 1: structure and they hang onto the list to get them

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Speaker 1: successful and through the day. First really it's really just

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Speaker 1: about getting through the day because they want to get

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Speaker 1: away from the chaos they experienced when they were children

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Speaker 1: or however they grew up, or in their first marriage

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Speaker 1: or their second marriage or the third marriage. They don't

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Speaker 1: want chaos anymore. They don't want to like, they want

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Speaker 1: to predictable, quantifiable pieces of time to do that, and

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Speaker 1: then they'll do that at that time, and then they'll

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Speaker 1: do that, and that's how Emily keeps control. Yeah, that's

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Speaker 1: really interesting talking about that god that's making me spin

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Speaker 1: a lot of things, because obviously Emily had something that

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Speaker 1: made her how she was, which caused the conflict with

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Speaker 1: lore Lie. But then the chaos of the pres mincy

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Speaker 1: and their daughter leaving at such a young age and

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Speaker 1: all that, And so you're right, she is trying to

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Speaker 1: control control, But it's not out of it's not because

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Speaker 1: she's a bad person. It's she's not out of evil,

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Speaker 1: it's not out of ego, it's out of her very survival.

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Speaker 1: It's how she approaches her day, it's how she plans things.

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Speaker 1: She can't handle her daughter being pregnant at sixteen when

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Speaker 1: she's going she's on her way to Harvard Princeton r Yale, right,

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Speaker 1: because she has not thought of it like this at

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Speaker 1: the very moment. And I think you make a great point.

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Speaker 1: And it's just it's just, you know, the machine broke

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Speaker 1: down and the the order the then then it was chaos.

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Speaker 1: Emily doesn't do chaos. It's not in the cards. It's

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Speaker 1: you cannot live, you cannot thrive in a chaotic environment.

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Speaker 1: And that's what Laurel I brought into their lives. She

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Speaker 1: exploded their lives. She exploded the order and the structure

385
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Speaker 1: that Emily, but I think you bring up something so

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00:22:57,720 --> 00:23:03,240
Speaker 1: interesting that it's it's h kurt before the horse tail,

387
00:23:03,240 --> 00:23:06,040
Speaker 1: blagging the dog, whatever the saying is. It's like, because

388
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Speaker 1: Emily was so structured and so like even when Richard's like,

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Speaker 1: this is wonderful night and Emily says, your dress isn't pressed,

390
00:23:14,040 --> 00:23:17,119
Speaker 1: it's like, it's like Emily did that to Lora La,

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Speaker 1: even with good intentions, probably all her life, which made

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Speaker 1: the chaos happen when they had the pregnancy. So it's

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Speaker 1: almost like, yes, something did happen to Emily before in

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Speaker 1: her own childhood that made her be sort of like

395
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Speaker 1: that structured stick. Well, it's just the pressures of maintaining

396
00:23:36,760 --> 00:23:41,040
Speaker 1: a lofty perch in a power dynamic in Hartford at

397
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Speaker 1: the high end of the one the one per centers

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Speaker 1: right and the country club and the whole deal. And

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Speaker 1: if your clothes aren't pressed, people are going to talk

400
00:23:50,080 --> 00:23:51,440
Speaker 1: behind your back. You know, you know what I mean.

401
00:23:51,440 --> 00:23:54,800
Speaker 1: It's that kind of It's like you need to be perfect,

402
00:23:55,720 --> 00:24:02,159
Speaker 1: you know, you cannot. You cannot, uh, you cannot not

403
00:24:02,359 --> 00:24:06,919
Speaker 1: be perfect. You can't be imperfect. You must be perfect.

404
00:24:07,080 --> 00:24:15,200
Speaker 1: Appearances everything order is everything. Structure is everything. Manners are everything. Everything,

405
00:24:16,160 --> 00:24:18,920
Speaker 1: and the brilliance of these characters. When I'm coming back

406
00:24:18,960 --> 00:24:22,640
Speaker 1: to your interview with Chad Michael Murray, how he explained

407
00:24:23,680 --> 00:24:28,640
Speaker 1: he had to make Tristan likable and never get too close,

408
00:24:29,040 --> 00:24:32,240
Speaker 1: but make him still likable because a villain you just

409
00:24:32,320 --> 00:24:35,800
Speaker 1: hate so like the same thing with Emily. She has

410
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Speaker 1: all these things, but you don't hate her at all.

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Speaker 1: You love her. So even when she's so mean and

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Speaker 1: rude to say to her daughter, prust your dress at

413
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Speaker 1: this beautiful affair, you don't hate her. You just kind

414
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Speaker 1: of go. That's her. Interesting approach that the creators and

415
00:24:52,840 --> 00:24:56,680
Speaker 1: the writers took is to allow the audience. Now I'm

416
00:24:56,760 --> 00:25:00,920
Speaker 1: using Paris as an extreme example, because now she comes

417
00:25:00,960 --> 00:25:03,920
Speaker 1: in and she's a little softer, and she's accepted, invited

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Speaker 1: to the dinner, and now we get a little background

419
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Speaker 1: daughter or the parents, and now the nanny and we

420
00:25:09,160 --> 00:25:11,159
Speaker 1: I'm gonna read the Odyssey for the third time. And

421
00:25:11,160 --> 00:25:13,560
Speaker 1: I'm not a freak, you know, you know, I'm not

422
00:25:13,640 --> 00:25:16,240
Speaker 1: boring or whatever the words choose. That's you know, it

423
00:25:16,280 --> 00:25:19,840
Speaker 1: doesn't make me, you know, creepy or whatever. Um. But

424
00:25:20,720 --> 00:25:23,040
Speaker 1: it's like, now you're supposed to feel this, you know,

425
00:25:23,359 --> 00:25:26,520
Speaker 1: the soft spot for and you do and it worked,

426
00:25:26,800 --> 00:25:29,280
Speaker 1: and I do. I get it now. All that's all

427
00:25:29,320 --> 00:25:32,520
Speaker 1: I need is just give me something. And I didn't

428
00:25:32,520 --> 00:25:33,879
Speaker 1: have it before. I had a little you know, I

429
00:25:33,880 --> 00:25:35,840
Speaker 1: had an image of a mother buy a locker, and

430
00:25:35,840 --> 00:25:37,879
Speaker 1: then maybe a little bit of a sub story here

431
00:25:37,880 --> 00:25:40,200
Speaker 1: and there, but nothing really that you can piece together

432
00:25:40,240 --> 00:25:43,720
Speaker 1: and latch onto um. But now they gave me a

433
00:25:43,720 --> 00:25:46,600
Speaker 1: little something. So maybe this is you know, obviously this

434
00:25:46,680 --> 00:25:49,720
Speaker 1: is intentional. Maybe from the running room is like, get

435
00:25:49,760 --> 00:25:53,639
Speaker 1: these get the audience too, Maybe not hate these people,

436
00:25:53,720 --> 00:25:56,800
Speaker 1: but have them so abrasive, then then we can give

437
00:25:56,880 --> 00:26:00,000
Speaker 1: them a little humanity. And it's like I love them

438
00:26:00,160 --> 00:26:03,440
Speaker 1: all the more. I was so happy Paris was invited

439
00:26:03,440 --> 00:26:06,600
Speaker 1: to the dinner and stayed because it's like I want

440
00:26:06,600 --> 00:26:08,640
Speaker 1: her to have friends. I wanted to have something to do.

441
00:26:08,760 --> 00:26:11,000
Speaker 1: And then even when Morala goes over and says like,

442
00:26:11,000 --> 00:26:12,480
Speaker 1: we're so glad you're here in Paris, and she's like,

443
00:26:12,520 --> 00:26:15,120
Speaker 1: your your timeline was all off and the polyester sure,

444
00:26:16,840 --> 00:26:19,040
Speaker 1: and you're just like, oh, you can't help yourself, right,

445
00:26:20,720 --> 00:26:23,879
Speaker 1: you're here, right, this is why she's so I saw

446
00:26:23,960 --> 00:26:26,320
Speaker 1: what she really was in this episode. Of Paris I'm

447
00:26:26,359 --> 00:26:30,239
Speaker 1: speaking about is the loneliest girl in the world. She

448
00:26:30,359 --> 00:26:34,720
Speaker 1: has no friends, she doesn't even have parents. Yeah, she's

449
00:26:35,880 --> 00:26:38,520
Speaker 1: she speaks Spanish with her nanny. She has her books

450
00:26:40,480 --> 00:26:43,240
Speaker 1: that made me sad, sad, that made me like a

451
00:26:43,320 --> 00:26:45,760
Speaker 1: little bit like she's like she but and you know,

452
00:26:45,920 --> 00:26:49,399
Speaker 1: she resorts. She she retires the library and she breaks

453
00:26:49,440 --> 00:26:53,320
Speaker 1: out her Aristotle and her Homer and Daniel's dying to

454
00:26:53,359 --> 00:26:55,320
Speaker 1: say something. I can see her, like, I was just

455
00:26:55,359 --> 00:26:57,960
Speaker 1: gonna say, who calls her nanny? Nanny? She's like nanny

456
00:26:58,320 --> 00:27:00,919
Speaker 1: and then like spoke to her Portugue ease, all right,

457
00:27:01,000 --> 00:27:04,880
Speaker 1: I think she was Portuguese. It's like mommy. Yeah, it's

458
00:27:04,920 --> 00:27:07,199
Speaker 1: just I thought that was interesting. I was like nanny,

459
00:27:07,240 --> 00:27:11,600
Speaker 1: and I just and they did that intentionally obviously. Yeah.

460
00:27:11,600 --> 00:27:14,440
Speaker 1: I broke my heart a little bit, it really did. Yeah,

461
00:27:14,640 --> 00:27:17,680
Speaker 1: I'm really glad. I want you to come around on Paris.

462
00:27:17,720 --> 00:27:19,120
Speaker 1: I'm sure we're going to go back to you hating

463
00:27:19,119 --> 00:27:21,840
Speaker 1: her at some point, but like there's things that you

464
00:27:21,840 --> 00:27:24,000
Speaker 1: would like about her. Well, it's not hate, it's just

465
00:27:24,040 --> 00:27:27,760
Speaker 1: I feel very protective of Rory. Yeah, and but now

466
00:27:27,760 --> 00:27:30,560
Speaker 1: I know Rory can handle it. Now, let's let's let's

467
00:27:30,600 --> 00:27:32,520
Speaker 1: work on Paris a little bit, give her a little love,

468
00:27:32,760 --> 00:27:37,119
Speaker 1: you know. I's say, Rory figured this out a while

469
00:27:37,119 --> 00:27:40,320
Speaker 1: ago about and that's why she's so like, let me

470
00:27:40,400 --> 00:27:43,240
Speaker 1: just help you out here. That's why, you know, let

471
00:27:43,240 --> 00:27:45,639
Speaker 1: me get into the sorority because all you care, I know,

472
00:27:45,720 --> 00:27:47,600
Speaker 1: you have nothing to do. Why don't you stay here

473
00:27:47,600 --> 00:27:50,200
Speaker 1: at this dinner with all these lunatics. It's totally fine.

474
00:27:50,280 --> 00:27:52,480
Speaker 1: And she looked like just such a little lost sheep

475
00:27:52,520 --> 00:27:55,320
Speaker 1: at that dinner table, and she just she didn't know

476
00:27:55,359 --> 00:27:57,160
Speaker 1: what to do. She didn't want to what to say

477
00:27:57,240 --> 00:27:59,760
Speaker 1: to anybody, but she was happy to be there. It

478
00:27:59,840 --> 00:28:02,800
Speaker 1: was strange territory for her. There's like people sitting around.

479
00:28:02,800 --> 00:28:05,240
Speaker 1: There's like other people and they're talking and enjoying each other,

480
00:28:05,320 --> 00:28:08,000
Speaker 1: Like what is this? You know, it's completely it was

481
00:28:08,040 --> 00:28:10,400
Speaker 1: like she was on another planet and she was just loved.

482
00:28:10,480 --> 00:28:12,320
Speaker 1: Also the scene, and I can't I can't remember if

483
00:28:12,359 --> 00:28:13,879
Speaker 1: Paris was in or not. I had a spard feelings

484
00:28:13,880 --> 00:28:16,800
Speaker 1: she was. But when Richard and is telling that story,

485
00:28:16,960 --> 00:28:19,880
Speaker 1: you know, and the whole table's really kind of enamored

486
00:28:19,920 --> 00:28:21,879
Speaker 1: with him telling the story of how he was coming,

487
00:28:22,440 --> 00:28:25,760
Speaker 1: you know, instead of the share song blah blah blah,

488
00:28:26,160 --> 00:28:28,280
Speaker 1: the bony woman and that what did he what did

489
00:28:28,280 --> 00:28:37,359
Speaker 1: he call? Sonny? What did he call? Yeah, they should

490
00:28:37,400 --> 00:28:39,600
Speaker 1: like sunny and share references on the show. But anyway,

491
00:28:40,320 --> 00:28:44,080
Speaker 1: you also realized, like, wow, Richard's cool dude, and like

492
00:28:44,120 --> 00:28:48,040
Speaker 1: everyone kind of likes him and like they're fancy and

493
00:28:48,040 --> 00:28:53,200
Speaker 1: they're cool. You know. Yeah, I I love that scene

494
00:28:53,240 --> 00:28:59,160
Speaker 1: the most because Roon came out with the trumpeters and

495
00:28:59,200 --> 00:29:01,920
Speaker 1: then pushed the one trumpet away that was closest to

496
00:29:01,960 --> 00:29:03,920
Speaker 1: him when when they it was like, get that thing

497
00:29:03,920 --> 00:29:11,200
Speaker 1: away from here, and and everybody was so charmed and

498
00:29:11,440 --> 00:29:14,760
Speaker 1: entranced by these trumpeters and what was going on before

499
00:29:14,800 --> 00:29:16,600
Speaker 1: the Emily and Richard. They cut to other people and

500
00:29:16,600 --> 00:29:18,560
Speaker 1: everybody's like, oh, this is wonderful, and then they cut

501
00:29:18,600 --> 00:29:21,320
Speaker 1: to Michelle and he's like he's like this. It was

502
00:29:21,360 --> 00:29:25,560
Speaker 1: like this is this is freaking embarrassing. Really, It's like,

503
00:29:25,560 --> 00:29:28,480
Speaker 1: how tacky in these Americans? Kirk was great and serving

504
00:29:28,520 --> 00:29:31,560
Speaker 1: the suit. I mean, now everybody was really on their game.

505
00:29:32,920 --> 00:29:38,720
Speaker 1: Bad liked run changing in the kitchen. I just tears.

506
00:29:38,960 --> 00:29:42,840
Speaker 1: I thought it was so funny. Um, you know, you're right,

507
00:29:43,400 --> 00:29:46,360
Speaker 1: It's say everybody was on their game. Yeah, I mean

508
00:29:46,400 --> 00:29:51,440
Speaker 1: this was really a dynamic performance from everybody. Mrs Kim,

509
00:29:52,000 --> 00:29:55,000
Speaker 1: we didn't say grace and like the silent grace and

510
00:29:55,040 --> 00:29:57,040
Speaker 1: then like, did you say silent grace to be and

511
00:29:57,120 --> 00:30:00,400
Speaker 1: she's just like, what the no, she says, that's a

512
00:30:00,480 --> 00:30:04,120
Speaker 1: good one. That she realized she was serious, she said,

513
00:30:04,440 --> 00:30:13,120
Speaker 1: but her head. Oh but it's nice. Look, it's it's

514
00:30:13,280 --> 00:30:16,880
Speaker 1: hard not and those scenes, Look, those kinds of episodes

515
00:30:16,920 --> 00:30:20,320
Speaker 1: are really difficult to shoot. Around the dinner table because

516
00:30:20,320 --> 00:30:23,720
Speaker 1: you have to get so much coverage. It takes forever.

517
00:30:24,360 --> 00:30:27,760
Speaker 1: You know, that must have taken days because every single

518
00:30:27,800 --> 00:30:29,840
Speaker 1: thing is happening, and then you and Jess looking at

519
00:30:29,880 --> 00:30:32,640
Speaker 1: the soup and the obviously those like Creme Fresh and

520
00:30:32,760 --> 00:30:36,360
Speaker 1: they're particularly care for Crime Fresh, but and then the

521
00:30:36,560 --> 00:30:38,800
Speaker 1: parsley or whatever it was. But I mean it's really

522
00:30:39,560 --> 00:30:43,720
Speaker 1: you know, look, it's it's Christmas time, it's snow, it's slays,

523
00:30:44,040 --> 00:30:48,040
Speaker 1: it's horse drawn carriages, it's it's dinner with friends, and

524
00:30:48,120 --> 00:30:50,120
Speaker 1: this is how we'll celebrate. And it just makes you

525
00:30:50,240 --> 00:30:52,600
Speaker 1: love these people and love this place, and that I

526
00:30:52,760 --> 00:30:56,160
Speaker 1: think you know this, I think the real star of

527
00:30:56,320 --> 00:31:01,080
Speaker 1: this episode was stars Hollow. It was the people of

528
00:31:01,160 --> 00:31:04,720
Speaker 1: Stars Hollow as a unit, as a community, and we

529
00:31:04,840 --> 00:31:07,040
Speaker 1: could all see the friends, and we could all see

530
00:31:07,080 --> 00:31:12,120
Speaker 1: them there with all their their divergent personalities melding together

531
00:31:12,360 --> 00:31:14,760
Speaker 1: and and just making us love them more and more

532
00:31:14,800 --> 00:31:18,360
Speaker 1: and more. It was a very warm love. I would

533
00:31:18,440 --> 00:31:22,600
Speaker 1: love to say that we are geniuses and planned this

534
00:31:22,880 --> 00:31:26,880
Speaker 1: episode two fall into this date in the calendar, but

535
00:31:27,280 --> 00:31:31,640
Speaker 1: we got lucky the fact that it was Christmas time

536
00:31:32,080 --> 00:31:37,160
Speaker 1: right now and this episode was like Christmas time winter break.

537
00:31:37,200 --> 00:31:40,000
Speaker 1: I couldn't believe it. I was like, are we awesome? Right? What?

538
00:31:40,520 --> 00:31:43,480
Speaker 1: You can only dream of being invited to a dinner

539
00:31:43,600 --> 00:31:45,880
Speaker 1: like that or being part of a community that does

540
00:31:46,040 --> 00:31:52,720
Speaker 1: that right well with that much humor? Oh god? Well,

541
00:31:52,760 --> 00:31:55,719
Speaker 1: and you can tell things got wild after dark because

542
00:31:56,200 --> 00:31:58,720
Speaker 1: the you know, the next morning we hear about the

543
00:31:58,760 --> 00:32:01,680
Speaker 1: spoons begging on the head head and Jackson pulling his

544
00:32:01,760 --> 00:32:05,240
Speaker 1: shirt up, and so you're you're to understand that, like,

545
00:32:05,800 --> 00:32:09,400
Speaker 1: these guys party too and they are having a blast.

546
00:32:09,920 --> 00:32:13,640
Speaker 1: Do you know what's interesting about these characters is in life, right,

547
00:32:13,880 --> 00:32:18,040
Speaker 1: we go to these things and we we really do

548
00:32:18,200 --> 00:32:21,640
Speaker 1: attempt to connect with strangers or other people are people

549
00:32:21,720 --> 00:32:23,960
Speaker 1: that we know, but we don't know that well, and

550
00:32:24,120 --> 00:32:29,160
Speaker 1: we we we'll kind of put our true selves aside.

551
00:32:29,360 --> 00:32:31,840
Speaker 1: And I don't mean to be so revealing, but I

552
00:32:31,960 --> 00:32:35,760
Speaker 1: think everybody does. But it's like, you know, you kind

553
00:32:35,800 --> 00:32:38,920
Speaker 1: of lose who you are the greater good to get

554
00:32:38,960 --> 00:32:41,760
Speaker 1: along this kind of thing. The thing about these characters

555
00:32:42,320 --> 00:32:46,840
Speaker 1: in the show is there themselves all of the time.

556
00:32:48,080 --> 00:32:50,680
Speaker 1: They don't do that, even at that dinner. It's like,

557
00:32:51,080 --> 00:32:53,840
Speaker 1: you know, and I think it was illustrated best well

558
00:32:53,920 --> 00:32:56,640
Speaker 1: a lot of times. But the thing that really stuck

559
00:32:56,680 --> 00:32:58,920
Speaker 1: out to me is when Bootsy made a comment to

560
00:32:58,960 --> 00:33:03,360
Speaker 1: me and I just like said, shut up. It's like

561
00:33:03,520 --> 00:33:06,400
Speaker 1: these two guys are just being themselves, a little childhood

562
00:33:06,520 --> 00:33:10,720
Speaker 1: rival reading you so hilarious and again we just at

563
00:33:10,920 --> 00:33:13,320
Speaker 1: we don't know everything, but we get it from the

564
00:33:13,440 --> 00:33:16,440
Speaker 1: town meeting and from a few other incidents, and you're

565
00:33:16,440 --> 00:33:20,080
Speaker 1: just like, oh yeah, these two. Yeah, nobody's changing for anybody.

566
00:33:20,120 --> 00:33:24,960
Speaker 1: Everybody's there, glorious selves whoever they are, and they don't

567
00:33:25,040 --> 00:33:27,520
Speaker 1: go to the inns. So cool. Don't you want to

568
00:33:27,520 --> 00:33:32,760
Speaker 1: put that in? Yeah? I do. I mean that's all wallpaper.

569
00:33:32,880 --> 00:33:35,200
Speaker 1: I was like, I'm here for it. Yea, No, it's

570
00:33:35,280 --> 00:33:40,200
Speaker 1: it's it's it what Lorala and Emily putting on their lotion.

571
00:33:41,120 --> 00:33:45,680
Speaker 1: I wasn't going to say that. I mean Danielle sorry,

572
00:33:46,520 --> 00:33:49,760
Speaker 1: exactly the same putting on their lotion. And when I

573
00:33:49,800 --> 00:33:52,200
Speaker 1: watched that scene, I was like, how many tasted that take?

574
00:33:52,360 --> 00:33:55,200
Speaker 1: Because they did it in such unison without even looking

575
00:33:55,240 --> 00:33:57,520
Speaker 1: at each other, you know what I mean? What they

576
00:33:57,640 --> 00:33:59,760
Speaker 1: do that? Would they get a countdown? Like what would

577
00:33:59,840 --> 00:34:03,320
Speaker 1: how would you do that where they are exactly the same. Well,

578
00:34:03,400 --> 00:34:06,680
Speaker 1: I think that Laura Lee, I think Lauren could see

579
00:34:06,680 --> 00:34:12,160
Speaker 1: Emily inner peripheral fishion because that was genius. Yeah, yeah,

580
00:34:12,760 --> 00:34:15,120
Speaker 1: that's not that hard. Okay, So we're gonna come back

581
00:34:15,160 --> 00:34:16,640
Speaker 1: and break this down more. But we do have a

582
00:34:16,680 --> 00:34:20,560
Speaker 1: break and we have a surprise for you, yes, a

583
00:34:20,680 --> 00:34:23,759
Speaker 1: fun surprise, and should obviously come back and talk more

584
00:34:24,200 --> 00:34:26,960
Speaker 1: and do pop culture and all that. But so Gilmore

585
00:34:27,480 --> 00:34:30,680
Speaker 1: TikTok's are some of my favorite, like just the things

586
00:34:30,760 --> 00:34:33,880
Speaker 1: people do on TikTok all about Gilmer girls, and there

587
00:34:33,960 --> 00:34:36,880
Speaker 1: is a ton of Gilmore TikTok's. I don't see Scott

588
00:34:36,920 --> 00:34:41,680
Speaker 1: being totally on the for you page, but I was

589
00:34:41,800 --> 00:34:46,240
Speaker 1: on TikTok and saw the fun I laughed out loud

590
00:34:46,400 --> 00:34:48,480
Speaker 1: when I saw this guy on TikTok, so we tracked

591
00:34:48,520 --> 00:34:50,520
Speaker 1: him down and we want him to tell you his story.

592
00:34:50,680 --> 00:34:53,200
Speaker 1: So that's what will say. Should I get my TikTok

593
00:34:53,280 --> 00:34:58,440
Speaker 1: game going? Oh? Do? First of all, TikTok is so addicting.

594
00:34:58,600 --> 00:35:01,640
Speaker 1: Should I know? But I should I start doing videos

595
00:35:01,800 --> 00:35:06,319
Speaker 1: on TikTok or am I just yes? Years too old

596
00:35:06,600 --> 00:35:09,760
Speaker 1: to do that? Yes, that's ryan. They're plenty of grandma's.

597
00:35:10,080 --> 00:35:11,680
Speaker 1: Because I tell you, I just got a notice from

598
00:35:11,960 --> 00:35:17,200
Speaker 1: Instagram they're going to suspend my account. Why because they

599
00:35:17,280 --> 00:35:22,360
Speaker 1: say I had a copyright infringement, infringed on somebody's copyright

600
00:35:22,440 --> 00:35:25,440
Speaker 1: in one of my posts. And I can't even imagine

601
00:35:25,480 --> 00:35:28,160
Speaker 1: what they're talking about. And there's no recourse, and there's Yeah,

602
00:35:28,719 --> 00:35:30,400
Speaker 1: I just got the I just got the email, and

603
00:35:30,480 --> 00:35:32,080
Speaker 1: I was like, you know, you might be able to

604
00:35:32,120 --> 00:35:33,759
Speaker 1: help with that. Send that to us, you might be

605
00:35:33,800 --> 00:35:36,000
Speaker 1: able to help with us. But yeah, you should definitely

606
00:35:36,040 --> 00:35:39,960
Speaker 1: do TikTok. I mean, if I lose that platform, you know,

607
00:35:40,480 --> 00:35:42,880
Speaker 1: I'll go to TikTok like that. Send us that Instagram

608
00:35:42,880 --> 00:35:44,719
Speaker 1: We're gonna try and help with that. That's weird, But

609
00:35:45,440 --> 00:35:48,680
Speaker 1: TikTok is addicting. Suddenly you're like, I've been sitting on

610
00:35:48,719 --> 00:35:50,400
Speaker 1: the couch staring at my phone for an hour and

611
00:35:50,400 --> 00:35:52,799
Speaker 1: a half. I've got to get up, Like it's so bad.

612
00:35:53,080 --> 00:35:57,719
Speaker 1: But anyway, so Danielle, you bring him in and then

613
00:35:57,960 --> 00:36:00,319
Speaker 1: just introduce him to Scott and have him tell his story,

614
00:36:00,360 --> 00:36:02,160
Speaker 1: and then the TikTok went viral, which is why I

615
00:36:02,200 --> 00:36:04,279
Speaker 1: thought it was. So should we take a break. We'll

616
00:36:04,280 --> 00:36:10,399
Speaker 1: take a little break, all right, everybody. Uh, man, I'm sweating. Huh,

617
00:36:10,840 --> 00:36:14,279
Speaker 1: let's towel off. Let's let's take some libation, and uh.

618
00:36:15,040 --> 00:36:22,239
Speaker 1: We'll be back after these words. All right, everybody, we

619
00:36:22,400 --> 00:36:25,719
Speaker 1: are back, and I think we're waiting for some kind

620
00:36:25,760 --> 00:36:29,120
Speaker 1: of surprise. Oh it's the surprise. Has a name, now, Gabe?

621
00:36:29,160 --> 00:36:37,360
Speaker 1: Who's Gilmore? TikTok went viral? And hello? There he is, Gabe.

622
00:36:37,440 --> 00:36:39,399
Speaker 1: How are you? You look like you're in a very

623
00:36:39,600 --> 00:36:43,840
Speaker 1: well appointed den in the northeastern part of the United

624
00:36:43,840 --> 00:36:48,160
Speaker 1: States or in the suburbs of Illinois and Chicago. You

625
00:36:48,239 --> 00:36:50,279
Speaker 1: were right in the in the first guess I'm in

626
00:36:50,360 --> 00:36:53,920
Speaker 1: the suburbs of Philadelphia, right, thank you very much. I'm

627
00:36:53,960 --> 00:36:57,560
Speaker 1: a philip boy myself. Here are you on the main line. Yeah,

628
00:36:57,640 --> 00:37:00,279
Speaker 1: I am in the main line. I live in Ova.

629
00:37:00,440 --> 00:37:03,520
Speaker 1: So I just came home from the first semester today.

630
00:37:03,719 --> 00:37:05,239
Speaker 1: Look at that. Look at that. Look at that people

631
00:37:05,320 --> 00:37:07,560
Speaker 1: can't see. But we'll show this on Instagram because Gabe

632
00:37:07,640 --> 00:37:09,879
Speaker 1: is definitely at his mom's house or his parents house,

633
00:37:10,000 --> 00:37:12,719
Speaker 1: because I'm I'm sitting in the spot that my dad

634
00:37:12,800 --> 00:37:15,800
Speaker 1: does all of his work zoom meetings. Because it is

635
00:37:16,000 --> 00:37:22,680
Speaker 1: very fancy. It's very very very well appointed, very mom

636
00:37:22,840 --> 00:37:27,320
Speaker 1: decorated fancy not college kids house. Yeah, this is not.

637
00:37:27,760 --> 00:37:31,960
Speaker 1: This is not my college dorm. The suburbs of Philadelphia

638
00:37:32,080 --> 00:37:39,120
Speaker 1: are gorgeous. They are absolutely beautiful. I grew up here, Yes, indeed, Yes,

639
00:37:39,200 --> 00:37:42,080
Speaker 1: And Gabe, nice to meet you. Yeah, nice to meet

640
00:37:42,120 --> 00:37:45,400
Speaker 1: you too. This is so Gabe. We didn't tell Scott

641
00:37:45,480 --> 00:37:48,600
Speaker 1: what happened, but I stumbled upon your TikTok that went

642
00:37:48,719 --> 00:37:51,600
Speaker 1: viral because I'm addicted to the for you page. So

643
00:37:51,680 --> 00:37:54,200
Speaker 1: will you tell the story and then tell them about

644
00:37:54,280 --> 00:37:58,640
Speaker 1: the TikTok? Yes? So, um So, I had a lot

645
00:37:58,719 --> 00:38:03,320
Speaker 1: of finals in these past two weeks, as is normal

646
00:38:03,560 --> 00:38:07,360
Speaker 1: for college. Um, but I like to procrastinate about as

647
00:38:07,440 --> 00:38:11,640
Speaker 1: much as I can. Um. So, it must have been Monday, Yeah,

648
00:38:11,719 --> 00:38:14,600
Speaker 1: Like Monday, I woke up and I had like three

649
00:38:14,800 --> 00:38:19,000
Speaker 1: essays to write um by Tuesday night Wednesday night, and

650
00:38:19,640 --> 00:38:21,799
Speaker 1: instead of doing that, I woke up really early because

651
00:38:21,800 --> 00:38:24,000
Speaker 1: like I was stressed about not doing my work, and

652
00:38:24,040 --> 00:38:27,040
Speaker 1: I was scrolling through Netflix because I've sort of exhausted

653
00:38:27,680 --> 00:38:29,680
Speaker 1: like all of the things that I thought of to

654
00:38:29,800 --> 00:38:33,800
Speaker 1: watch to pass the time. And I saw Gilmore Girls

655
00:38:34,080 --> 00:38:38,040
Speaker 1: and Netflix and I've always like seen it and never

656
00:38:38,200 --> 00:38:40,960
Speaker 1: like taking the time to watch it, and I was like, hmmm,

657
00:38:42,120 --> 00:38:45,320
Speaker 1: this is the time. So it was like early morning,

658
00:38:45,840 --> 00:38:47,759
Speaker 1: I think it was like eight, Like it was like

659
00:38:47,880 --> 00:38:50,880
Speaker 1: eight am, and I started watching the first episode of

660
00:38:51,000 --> 00:38:57,440
Speaker 1: the first season and I watched fifteen hours m past

661
00:38:57,480 --> 00:39:00,360
Speaker 1: the whole day. Didn't even open my lap top to

662
00:39:00,840 --> 00:39:07,520
Speaker 1: do anywhere your essays. Oh that goes on eventually. That's

663
00:39:08,040 --> 00:39:13,759
Speaker 1: that's what like two in the morning is for straight hours. Yeah,

664
00:39:14,080 --> 00:39:18,400
Speaker 1: it's a sit down and invest myself kind of situation

665
00:39:18,560 --> 00:39:21,640
Speaker 1: to pass the time and pretend like I'm being productive,

666
00:39:21,760 --> 00:39:24,680
Speaker 1: and hey, I'm very invested in the show now, so

667
00:39:24,840 --> 00:39:27,719
Speaker 1: I call that being productive. I got all my work done,

668
00:39:27,800 --> 00:39:31,520
Speaker 1: so good for you all, is well, welcome to the

669
00:39:31,920 --> 00:39:37,160
Speaker 1: Welcome to our family. Yeah, welcome, You're you've been Gilmourd. Yeah,

670
00:39:37,320 --> 00:39:40,440
Speaker 1: I really got sucked in like it. It caught me

671
00:39:40,800 --> 00:39:44,640
Speaker 1: immediately and then fifteen hours later I was what did

672
00:39:44,680 --> 00:39:46,919
Speaker 1: you think, like and what do you think of Luke?

673
00:39:47,840 --> 00:39:49,759
Speaker 1: What do you think of the character of Luke. I've

674
00:39:49,800 --> 00:39:53,600
Speaker 1: been thinking about it so much, um, like, like what

675
00:39:54,840 --> 00:39:56,840
Speaker 1: was my favorite part about the show, and like what

676
00:39:57,040 --> 00:40:00,280
Speaker 1: sort of drew me in? And I think it's because

677
00:40:00,360 --> 00:40:04,279
Speaker 1: like all the characters and all the situations um are

678
00:40:04,440 --> 00:40:07,839
Speaker 1: so real. Like there's like a lot of the time

679
00:40:07,880 --> 00:40:09,680
Speaker 1: I watch a show, like I'll watch a druma like

680
00:40:09,760 --> 00:40:13,120
Speaker 1: a sitcom, and I'm sitting there watching and I'm like, oh,

681
00:40:13,320 --> 00:40:16,240
Speaker 1: like this is entertaining, but like this would never happen.

682
00:40:17,280 --> 00:40:21,160
Speaker 1: Like everything, like literally everything in Gilmore Girls has either

683
00:40:21,320 --> 00:40:23,880
Speaker 1: happened to me or like I can imagine it happening,

684
00:40:23,960 --> 00:40:26,080
Speaker 1: Like especially the stuff that like Rory goes through at

685
00:40:26,080 --> 00:40:29,279
Speaker 1: school and like sort of all the little like relationship

686
00:40:29,400 --> 00:40:31,839
Speaker 1: things are just they feel so real, Like I feel

687
00:40:31,840 --> 00:40:34,919
Speaker 1: like I'm just watching like into an actual small town

688
00:40:35,760 --> 00:40:40,560
Speaker 1: UM and Luke Luke specifically, Oh my god, the character

689
00:40:40,960 --> 00:40:46,640
Speaker 1: is so like interesting to watch because when season one ends,

690
00:40:46,800 --> 00:40:49,520
Speaker 1: like it's sort of a bit of a cliffhanger. They're like,

691
00:40:49,600 --> 00:40:53,960
Speaker 1: what's gonna happen? Um. And one of like one of

692
00:40:54,040 --> 00:40:56,320
Speaker 1: the things, one of my favorite parts about him is

693
00:40:56,400 --> 00:40:59,399
Speaker 1: that in like one of the early episodes, Lorala gave

694
00:40:59,520 --> 00:41:02,279
Speaker 1: him a hat. She gave him like the blue hat,

695
00:41:02,640 --> 00:41:04,319
Speaker 1: and I was like, hmm, I wonder if that's going

696
00:41:04,360 --> 00:41:06,479
Speaker 1: to be his hat now, And it's been a blue

697
00:41:06,680 --> 00:41:08,920
Speaker 1: it's been the blue baseball hat ever since. So it's

698
00:41:08,960 --> 00:41:11,680
Speaker 1: just like sort of the little details because he clearly

699
00:41:11,800 --> 00:41:14,480
Speaker 1: cares about little things like you can see that, and

700
00:41:14,560 --> 00:41:18,719
Speaker 1: how much he cares about all the little um details

701
00:41:18,760 --> 00:41:21,200
Speaker 1: that maybe people wouldn't notice, about the diner and like

702
00:41:21,360 --> 00:41:23,520
Speaker 1: keeping all the stuff on the walls and he was

703
00:41:23,600 --> 00:41:27,040
Speaker 1: so hesitant to paint the place and like all that

704
00:41:27,160 --> 00:41:29,680
Speaker 1: little stuff. It's sort of his attention to detail and

705
00:41:29,719 --> 00:41:32,239
Speaker 1: like his thoughtfulness that makes him that like makes you

706
00:41:32,320 --> 00:41:36,520
Speaker 1: root for him. Um in the whole Lower Lie Max

707
00:41:37,120 --> 00:41:41,440
Speaker 1: Luke triangle there, Yeah, I think you know it's it's

708
00:41:41,520 --> 00:41:44,279
Speaker 1: one of the few shows that allows its characters, at

709
00:41:44,360 --> 00:41:47,839
Speaker 1: least its main characters, to be completely snotty, stuck up,

710
00:41:49,040 --> 00:41:53,080
Speaker 1: looking down their nose types. Ye's still likable and lovable

711
00:41:53,320 --> 00:41:57,319
Speaker 1: even because they're just so fully themselves, you know. I mean,

712
00:41:57,480 --> 00:42:00,560
Speaker 1: I mean take for example, you know all of the

713
00:42:01,040 --> 00:42:04,200
Speaker 1: great cultural references in the beginning of this especially we're

714
00:42:04,239 --> 00:42:06,200
Speaker 1: talking about this Bracebridge episode. I don't know if you've

715
00:42:06,200 --> 00:42:08,360
Speaker 1: gotten here yet, have you? Have you delved into the

716
00:42:08,800 --> 00:42:12,279
Speaker 1: dug into the second season yet? Okay, so this this,

717
00:42:12,600 --> 00:42:16,839
Speaker 1: this was like three days ago. So so so tell us,

718
00:42:17,040 --> 00:42:20,280
Speaker 1: so tell us about this video. Yes, so I Postum,

719
00:42:20,400 --> 00:42:23,400
Speaker 1: I post TikTok's every day. I checked today because I

720
00:42:23,600 --> 00:42:25,799
Speaker 1: I don't really look at like my total amount that much,

721
00:42:25,880 --> 00:42:28,600
Speaker 1: but I meant three thousand seventy videos over the past

722
00:42:28,640 --> 00:42:31,439
Speaker 1: two and a half years. Um, So I post pretty

723
00:42:31,520 --> 00:42:35,120
Speaker 1: much every day, and usually I have something to post

724
00:42:35,120 --> 00:42:37,239
Speaker 1: about throughout the day. But in that day, I've just

725
00:42:37,480 --> 00:42:41,239
Speaker 1: been sitting around not moving for about fifteen hours. So

726
00:42:41,320 --> 00:42:44,440
Speaker 1: I was like, it was like ten pm. I was thinking,

727
00:42:44,760 --> 00:42:47,799
Speaker 1: what is something? Like, what is content for right now?

728
00:42:48,480 --> 00:42:51,239
Speaker 1: I was like, you know what, I've watched Gilmore Girls

729
00:42:51,280 --> 00:42:53,880
Speaker 1: for the past fifteen hours. May as well see if

730
00:42:53,920 --> 00:42:57,040
Speaker 1: anybody else has done that, just sort of share my experience.

731
00:42:57,120 --> 00:42:59,880
Speaker 1: So it's just a video of me saying I was

732
00:43:00,000 --> 00:43:03,000
Speaker 1: supposed to write three essays today, but instead I watched

733
00:43:03,320 --> 00:43:06,359
Speaker 1: fifteen hours of Gilmore Girls and it was worth every

734
00:43:06,400 --> 00:43:09,560
Speaker 1: second and it really was. And hey, like a million

735
00:43:09,640 --> 00:43:12,160
Speaker 1: people have agreed with me. So I did a million

736
00:43:12,280 --> 00:43:16,800
Speaker 1: million likes. It has I can check right now because

737
00:43:16,840 --> 00:43:20,160
Speaker 1: I have my phone with me every second of the day.

738
00:43:20,800 --> 00:43:27,000
Speaker 1: Um it has Okay, I exaggerated. It has six hundred

739
00:43:27,239 --> 00:43:34,000
Speaker 1: and has six hundred five thousand views and people there

740
00:43:34,200 --> 00:43:38,719
Speaker 1: four four thousand shares, so at least four thousand people

741
00:43:38,840 --> 00:43:42,160
Speaker 1: sent this to another person and they were like, this

742
00:43:42,400 --> 00:43:45,360
Speaker 1: is accurate. This is and you did that without dancing

743
00:43:45,960 --> 00:43:50,120
Speaker 1: with other people in unison or lip thinking rap songs

744
00:43:50,239 --> 00:43:52,200
Speaker 1: or anything. You just you just made a comment. My

745
00:43:52,400 --> 00:43:55,160
Speaker 1: videos are mostly just me, like talking to the camera.

746
00:43:55,360 --> 00:43:57,800
Speaker 1: It was like, it's like a nine second video of

747
00:43:57,920 --> 00:43:59,879
Speaker 1: me just in front of my TV with gil Mark

748
00:44:00,000 --> 00:44:04,919
Speaker 1: Earls paused from the background. I have to see this, Yeah,

749
00:44:04,960 --> 00:44:07,879
Speaker 1: we'll send it. We saw it, and I sent three

750
00:44:07,920 --> 00:44:10,560
Speaker 1: of those shares because I sent and I was like,

751
00:44:10,640 --> 00:44:13,400
Speaker 1: you guys, I'm gonna have to jump on this TikTok

752
00:44:13,480 --> 00:44:18,120
Speaker 1: horse and get a riding man. Yeah, I mean people

753
00:44:18,160 --> 00:44:19,920
Speaker 1: would love to have you on there, you think, so

754
00:44:21,000 --> 00:44:23,719
Speaker 1: I only just like compared to everybody on there. I

755
00:44:23,760 --> 00:44:26,000
Speaker 1: mean they get like kids, little kids on there. Clearly

756
00:44:26,400 --> 00:44:29,799
Speaker 1: people are still huge fans of gil Markets and will

757
00:44:29,880 --> 00:44:33,680
Speaker 1: always be. Because I was like doing the math today, um,

758
00:44:34,080 --> 00:44:37,200
Speaker 1: because I didn't know, like when the show came out.

759
00:44:37,680 --> 00:44:41,040
Speaker 1: The first season that I watched came out two years

760
00:44:41,320 --> 00:44:44,759
Speaker 1: before I was born, so like when it ended, I

761
00:44:44,920 --> 00:44:48,200
Speaker 1: was eight, and now I'm a sophomore in college. So

762
00:44:48,360 --> 00:44:52,359
Speaker 1: like my like my age group still loves the show,

763
00:44:52,560 --> 00:44:57,840
Speaker 1: like way after it ended, Like we're all reruns streaming

764
00:44:58,000 --> 00:45:00,359
Speaker 1: Netflix kids when it comes to this show and we're

765
00:45:00,400 --> 00:45:03,000
Speaker 1: all still very invested because it's like it is sort

766
00:45:03,040 --> 00:45:06,040
Speaker 1: of it is kind of timeless, Like what I said,

767
00:45:06,120 --> 00:45:09,799
Speaker 1: It feels like just real, like all real situations that, um,

768
00:45:10,400 --> 00:45:13,759
Speaker 1: like I could still see happening now, just like all

769
00:45:13,840 --> 00:45:17,920
Speaker 1: these little interactions between people. Will you be my TikTok

770
00:45:17,960 --> 00:45:21,680
Speaker 1: mentor oh definitely definitely. I think you could help great

771
00:45:21,840 --> 00:45:26,680
Speaker 1: what I'm here for. Let's join forces, Yes, reach your span,

772
00:45:27,000 --> 00:45:30,240
Speaker 1: let's reach across the generations and clasp our hands together,

773
00:45:30,400 --> 00:45:34,640
Speaker 1: and you can help me become TikTok relevant because I

774
00:45:34,760 --> 00:45:38,399
Speaker 1: know that if I'm on my own, it will it may.

775
00:45:42,040 --> 00:45:45,360
Speaker 1: I mean there's clearly there's clearly an audience for it.

776
00:45:45,680 --> 00:45:50,040
Speaker 1: People are clearly excited to see Gilmore girls mentioned on

777
00:45:50,080 --> 00:45:52,560
Speaker 1: there for you page. So, but Gabe, you got to

778
00:45:52,719 --> 00:45:58,480
Speaker 1: keep me within certain parameters that you know people will

779
00:45:58,520 --> 00:46:01,160
Speaker 1: respond to, because I mean, I have some wacky ideas

780
00:46:01,239 --> 00:46:02,840
Speaker 1: that I'm going to blow this whole thing up and

781
00:46:02,960 --> 00:46:08,000
Speaker 1: rowing it. So, so you gotta keep your wacky ideas

782
00:46:08,120 --> 00:46:10,400
Speaker 1: are exactly what the world needs right now when it

783
00:46:10,480 --> 00:46:13,160
Speaker 1: comes to go more girls content. Wait, Gates, are you

784
00:46:13,239 --> 00:46:15,520
Speaker 1: gonna keep watching? Are you gonna are you gonna keep

785
00:46:15,560 --> 00:46:19,399
Speaker 1: watching over the holiday break? Oh, that's all I'm gonna

786
00:46:19,400 --> 00:46:23,560
Speaker 1: be doing. He's gonna pass us on a second. I'm

787
00:46:24,840 --> 00:46:27,520
Speaker 1: I'm gonna watch the whole thing, watch it again. That's

788
00:46:27,800 --> 00:46:31,239
Speaker 1: like I watched things over and over again because I'm

789
00:46:31,320 --> 00:46:34,759
Speaker 1: always like I'm always watching stuff, Like I love television,

790
00:46:34,800 --> 00:46:37,800
Speaker 1: I love film. It's like I'm an actor in school,

791
00:46:37,960 --> 00:46:40,040
Speaker 1: Like it's just sort of my studying kind of like

792
00:46:40,120 --> 00:46:43,600
Speaker 1: I just that's how I rationalize it. But um, I'm

793
00:46:43,640 --> 00:46:45,560
Speaker 1: watching stuff all the time, and I end up just

794
00:46:45,680 --> 00:46:48,840
Speaker 1: like rewatching shows like a million times. So when I

795
00:46:48,960 --> 00:46:51,680
Speaker 1: find something new that I love and like, I enjoy it.

796
00:46:51,680 --> 00:46:54,200
Speaker 1: And I'm really interested in It's such a cool experience

797
00:46:54,200 --> 00:46:56,640
Speaker 1: because I'm so used to like knowing exactly what happens,

798
00:46:57,080 --> 00:46:59,200
Speaker 1: but now I don't know what's going to happen. And

799
00:46:59,280 --> 00:47:01,719
Speaker 1: I finished the season and I can't wait to start

800
00:47:01,760 --> 00:47:03,959
Speaker 1: the second one. I'm home now, so it's finally time.

801
00:47:04,440 --> 00:47:07,560
Speaker 1: Gabe should have been on Gilmore Girls. He's he. You

802
00:47:07,680 --> 00:47:10,359
Speaker 1: are one of the most appealing young people I think

803
00:47:10,400 --> 00:47:13,840
Speaker 1: I've ever ever met. Look at you. You have to

804
00:47:13,880 --> 00:47:17,400
Speaker 1: stay in touch with us, so so email us after

805
00:47:17,760 --> 00:47:19,680
Speaker 1: you you have to give it up. Yeah, you're you

806
00:47:19,760 --> 00:47:21,680
Speaker 1: are in my tech you are. Now you have an

807
00:47:21,719 --> 00:47:24,560
Speaker 1: official title. You can put it on the resume, Scott

808
00:47:24,680 --> 00:47:28,600
Speaker 1: Patterson's TikTok mentor Oh, it's such an honor. You're gonna

809
00:47:28,640 --> 00:47:33,000
Speaker 1: shepherd me through the choppy seas of TikTok. That's what

810
00:47:33,120 --> 00:47:37,080
Speaker 1: I'm here for. Two and a half years of TikTok

811
00:47:37,160 --> 00:47:41,000
Speaker 1: experience have been leading up to this moment. Should we

812
00:47:41,080 --> 00:47:46,440
Speaker 1: put Oh, yeah, do rapid fire with Gabe Scott rapid

813
00:47:46,480 --> 00:47:49,000
Speaker 1: Fire let me. I probably do it for memory um

814
00:47:50,160 --> 00:47:53,040
Speaker 1: in the chat for you to put it in the chat,

815
00:47:54,160 --> 00:47:56,520
Speaker 1: because I know I know the first couple. But I'll

816
00:47:56,520 --> 00:47:59,799
Speaker 1: screw it up? Rapid Fire? Are you ready? Gabe? Here

817
00:47:59,840 --> 00:48:03,480
Speaker 1: were Rapid Fire with Gave Escobar. How do you take

818
00:48:03,520 --> 00:48:09,520
Speaker 1: your coffee? Can you still smell snow? Yes? Are you

819
00:48:09,600 --> 00:48:13,799
Speaker 1: team Logan, Team Jesus t Jess or team Dean? He's

820
00:48:13,920 --> 00:48:16,120
Speaker 1: barely going to know. He doesn't know yet. You don't know.

821
00:48:16,960 --> 00:48:19,640
Speaker 1: I don't know the I know Dean. They just got

822
00:48:19,680 --> 00:48:25,719
Speaker 1: back together. Okay, alright, alright, who's the between between the

823
00:48:25,880 --> 00:48:30,480
Speaker 1: two loving or between the two men? So far Dean

824
00:48:30,680 --> 00:48:36,839
Speaker 1: over Tristan. I'll say that you're gonna you're gonna love

825
00:48:36,920 --> 00:48:40,000
Speaker 1: these ensuing episodes. So you can't answer who's the daddy?

826
00:48:40,000 --> 00:48:42,640
Speaker 1: You don't even know what we're talking about. No, you

827
00:48:42,640 --> 00:48:45,600
Speaker 1: don't what we're talking Okay, alright, okay, show you are

828
00:48:45,680 --> 00:48:48,560
Speaker 1: binge watching right now. I think you've answered that question.

829
00:48:49,600 --> 00:48:55,279
Speaker 1: One word to describe Gilmore girls, um relatable? Are you

830
00:48:55,440 --> 00:49:01,440
Speaker 1: familiar with the creepy clown pillow? Good? One, creepy clown pillow.

831
00:49:01,960 --> 00:49:06,080
Speaker 1: You will discover this, young Gabe. You will. You will

832
00:49:06,239 --> 00:49:09,000
Speaker 1: pick up your legs know whether to be afraid or excited.

833
00:49:11,120 --> 00:49:16,279
Speaker 1: He's gonna have to rewatch one game because the clown. Yeah,

834
00:49:16,360 --> 00:49:18,680
Speaker 1: oh my god, we'll put that in your brain. We'll

835
00:49:18,680 --> 00:49:23,719
Speaker 1: put that in your pain. I love your house. Thank you. Oh,

836
00:49:23,800 --> 00:49:27,239
Speaker 1: I know, compliments your mom. Look at that place. It's

837
00:49:27,440 --> 00:49:29,840
Speaker 1: just a little trinkets and yeah, but it's just like

838
00:49:29,960 --> 00:49:32,520
Speaker 1: it's such a home. It's so grank you, it's so

839
00:49:32,680 --> 00:49:37,040
Speaker 1: thank you. I've I've been here since seventh grade. Um,

840
00:49:37,360 --> 00:49:42,919
Speaker 1: so it's most of my late teen early adult life

841
00:49:42,960 --> 00:49:47,400
Speaker 1: has been in this house. Beautiful. Yeah, really, gay Christmas

842
00:49:47,480 --> 00:49:50,919
Speaker 1: to you. Gotta tell us after you get past brace

843
00:49:51,040 --> 00:49:57,080
Speaker 1: Bridge brace Bridge Dinner textas brace Bridge Dinner, Okay, when

844
00:49:57,120 --> 00:50:00,279
Speaker 1: you know, I do not know when that is, but

845
00:50:00,440 --> 00:50:07,760
Speaker 1: it will probably be soon tomorrow. Yeah, are you probably

846
00:50:07,800 --> 00:50:11,160
Speaker 1: like one more marathon and all? Are you officially on

847
00:50:11,280 --> 00:50:13,680
Speaker 1: break right now? Are you on vacation right now? Yeah? So,

848
00:50:13,840 --> 00:50:18,120
Speaker 1: my my last final was wednesday. I'm done for the semester,

849
00:50:18,560 --> 00:50:22,960
Speaker 1: halfway through sophomore year. And you're going to You're you're

850
00:50:23,120 --> 00:50:27,560
Speaker 1: studying at Villanova. No, so we live like I'm looking

851
00:50:27,560 --> 00:50:30,040
Speaker 1: at Villanova's campus right now, like we live and we

852
00:50:30,200 --> 00:50:33,200
Speaker 1: live in the Villanova zip code. But I go I

853
00:50:33,280 --> 00:50:39,440
Speaker 1: go to Temple University alright, Yeah, studying musical theater and acting. Nice.

854
00:50:40,360 --> 00:50:43,439
Speaker 1: So I'm right down the road. Okay, cool, all right? Yeah, yeah,

855
00:50:43,440 --> 00:50:44,960
Speaker 1: I was born I was born in Philly. I'm a

856
00:50:45,000 --> 00:50:49,719
Speaker 1: Philly boy. Oh really, yeah, I grew up in South Jersey. Hey,

857
00:50:50,880 --> 00:50:52,719
Speaker 1: that's that's great to hear. Now I know why we

858
00:50:52,800 --> 00:50:55,239
Speaker 1: get along. So let's go down to South Street and

859
00:50:55,280 --> 00:50:59,680
Speaker 1: get a haggy. Oh yeah, definitely, that's that's the best

860
00:50:59,719 --> 00:51:03,400
Speaker 1: path time. That's my Philly accent. Let's get street and

861
00:51:03,400 --> 00:51:07,600
Speaker 1: get a hagy. Hey, that that sounds pretty spot on

862
00:51:07,680 --> 00:51:11,680
Speaker 1: the thing. Oh my god, Gave, you're the best. We'll

863
00:51:11,680 --> 00:51:15,280
Speaker 1: talk to you soon and keep those TikTok's coming. Oh definitely,

864
00:51:17,200 --> 00:51:20,600
Speaker 1: it is all I do. All right, Gay, thanks for

865
00:51:20,719 --> 00:51:25,680
Speaker 1: coming on Merry Christmas. And you know, I hope you

866
00:51:26,239 --> 00:51:35,160
Speaker 1: consider my offer of excited TikTok mentor here I come world,

867
00:51:35,560 --> 00:51:41,160
Speaker 1: Gave and I are going to be hitting the TikTok scene. Alright, Gay,

868
00:51:41,280 --> 00:51:45,120
Speaker 1: thank you so much. It was alright, buddy, have a

869
00:51:45,160 --> 00:51:49,280
Speaker 1: great holiday, by all right, buddy. See he gives Ushawn

870
00:51:49,320 --> 00:51:52,360
Speaker 1: Mendez vibes. Yeah, he was adorable. That kid's adorable. He

871
00:51:52,680 --> 00:51:57,320
Speaker 1: is looks just like him, so appealing, right, adorable, what

872
00:51:57,480 --> 00:52:00,239
Speaker 1: a great I love the fact that he wasn't even

873
00:52:00,400 --> 00:52:04,239
Speaker 1: born when Gilmot Girls started, and he loves it as

874
00:52:04,360 --> 00:52:08,480
Speaker 1: much as everybody that watched it, you know when it

875
00:52:08,640 --> 00:52:13,000
Speaker 1: was on WBC. W gosh, darnett. Let's make him a star?

876
00:52:14,000 --> 00:52:15,600
Speaker 1: Can we make do we have that? We don't have

877
00:52:15,680 --> 00:52:17,440
Speaker 1: that power doing. You need to make us a star

878
00:52:17,520 --> 00:52:21,200
Speaker 1: with six hundred thou views? You know what, we'd love

879
00:52:21,280 --> 00:52:26,719
Speaker 1: six hundred thousand views. Let's make him a star? So good?

880
00:52:27,000 --> 00:52:30,640
Speaker 1: What a great That was fun. That was a great surprise.

881
00:52:30,719 --> 00:52:33,319
Speaker 1: Thank you. That's you. You're gonna really have to outdo

882
00:52:33,400 --> 00:52:37,880
Speaker 1: yourself to top that. That was good? How did we

883
00:52:38,040 --> 00:52:41,640
Speaker 1: ever talk? How will we ever top my liment? Amelia

884
00:52:41,719 --> 00:52:45,120
Speaker 1: and Michael Murray. I'm so sorry, but but they're but

885
00:52:45,239 --> 00:52:49,040
Speaker 1: they're you know, they're international superstars, for God's sake. I'm

886
00:52:49,040 --> 00:52:52,160
Speaker 1: what this guy's he's in college and he's you know,

887
00:52:52,360 --> 00:52:56,160
Speaker 1: he's he's not a famous guy yet, you know what

888
00:52:56,239 --> 00:52:59,399
Speaker 1: I mean. I'm talking about that kind of surprise. Yes

889
00:53:00,000 --> 00:53:02,560
Speaker 1: about you. Once you're on TikTok, you'll be addicted like me.

890
00:53:03,520 --> 00:53:05,160
Speaker 1: All right, I'm not. I think I'm gonna have to

891
00:53:05,239 --> 00:53:08,200
Speaker 1: do it. It'll be the oldest TikToker, fifty year old

892
00:53:08,520 --> 00:53:12,720
Speaker 1: n TikTok. Like you know, I'm I'm north of fifty.

893
00:53:12,840 --> 00:53:15,080
Speaker 1: I don't know, I'm not quite fifty. Just so everybody

894
00:53:15,160 --> 00:53:22,880
Speaker 1: knows pop culture, Danielle take a break, but then Danielle

895
00:53:22,960 --> 00:53:25,400
Speaker 1: is going to have a few more things to discuss.

896
00:53:25,920 --> 00:53:28,080
Speaker 1: We do we certainly do the upisode. All right, Well,

897
00:53:29,200 --> 00:53:31,479
Speaker 1: that was very that was delightful. Thank you for that. Gang.

898
00:53:31,640 --> 00:53:33,480
Speaker 1: That was really that was really good. All right, Let's

899
00:53:33,480 --> 00:53:40,560
Speaker 1: take a little break and we'll be back. Yeah, hi, everybody,

900
00:53:40,600 --> 00:53:43,120
Speaker 1: we're back and we're going to discuss I think, what

901
00:53:43,200 --> 00:53:45,200
Speaker 1: are we gonna do? Pop culture? You wantcorn? Can we

902
00:53:45,239 --> 00:53:47,560
Speaker 1: do some fashion first? Let's do fashion, you know, I'm

903
00:53:47,560 --> 00:53:50,200
Speaker 1: just gonna say, let's do some fashion first, and then

904
00:53:50,239 --> 00:53:52,680
Speaker 1: we'll do the pop culture, because who the heck would

905
00:53:52,680 --> 00:53:54,960
Speaker 1: want to do the pop culture? Now, you'd have to

906
00:53:55,000 --> 00:53:59,360
Speaker 1: be insane to me to stand out for those fur blankets,

907
00:53:59,520 --> 00:54:05,080
Speaker 1: like the fur blankets in the Slaves were number one

908
00:54:05,160 --> 00:54:07,359
Speaker 1: twenty years ahead of their time because those things are

909
00:54:08,040 --> 00:54:11,040
Speaker 1: very expensive at pottery barn right now, and number two

910
00:54:11,120 --> 00:54:17,440
Speaker 1: they were so they just looked so good. I have

911
00:54:17,600 --> 00:54:21,640
Speaker 1: I have for on my couches me. I like all

912
00:54:21,680 --> 00:54:26,440
Speaker 1: the winter gear in general. I really really enjoyed Luke's green,

913
00:54:27,280 --> 00:54:30,440
Speaker 1: big heavy coat. Oh, yes, you know what, I'm very

914
00:54:30,520 --> 00:54:35,520
Speaker 1: perfectly fitting. Yeah, you wore in the in the okay,

915
00:54:35,600 --> 00:54:39,160
Speaker 1: So that's my that's my faux paw. If you'll notice,

916
00:54:39,200 --> 00:54:42,040
Speaker 1: if you'll go back, and you will notice that when

917
00:54:42,120 --> 00:54:45,640
Speaker 1: Luke comes in, he takes off his jacket right, and

918
00:54:45,719 --> 00:54:49,560
Speaker 1: then they cut away and then I guess Laurela is

919
00:54:49,600 --> 00:54:52,320
Speaker 1: talking to somebody. Lauren, Laurel and Roy are talking to somebody,

920
00:54:52,320 --> 00:54:54,960
Speaker 1: and then they cut back and the jacket on and

921
00:54:55,040 --> 00:54:56,719
Speaker 1: the jacket on, and he started taking it off again.

922
00:54:56,760 --> 00:54:59,480
Speaker 1: He took that jacket off. Yes, Daniel, we have we

923
00:54:59,560 --> 00:55:06,719
Speaker 1: have to. Oh yeah, that's a good one. That's that's

924
00:55:06,800 --> 00:55:10,240
Speaker 1: the double double right over my head, double military jacket

925
00:55:10,320 --> 00:55:16,200
Speaker 1: takeoff incident in the Bracebridge dinner. Oh I did, speaking

926
00:55:16,280 --> 00:55:19,200
Speaker 1: of Also, like Jesse's jacket. It was the one that

927
00:55:19,280 --> 00:55:23,960
Speaker 1: he's wearing it corduroy, kind of a yellowy brownie tan.

928
00:55:24,520 --> 00:55:28,560
Speaker 1: And then he was putting on the gloves slash mittens

929
00:55:28,600 --> 00:55:30,800
Speaker 1: like they weren't mittens. They were gloves, but they weren't.

930
00:55:31,000 --> 00:55:34,319
Speaker 1: They were like Kashmir or something, and just everything about

931
00:55:34,400 --> 00:55:36,640
Speaker 1: that look I wanted to I wanted to button the

932
00:55:36,719 --> 00:55:38,319
Speaker 1: top button or zip it up a little. It looked

933
00:55:38,320 --> 00:55:40,600
Speaker 1: like he was going to catch it. I didn't find it,

934
00:55:41,200 --> 00:55:44,120
Speaker 1: like wrap a scarf around him. You know. I really

935
00:55:44,200 --> 00:55:47,279
Speaker 1: noticed Jesse's handsomeness in this episode. I was like, that

936
00:55:47,560 --> 00:55:50,800
Speaker 1: kid's bad. Yeah, after the fight when he was like

937
00:55:50,920 --> 00:55:52,839
Speaker 1: looking up at Dean and he was all pumped up

938
00:55:52,880 --> 00:55:55,080
Speaker 1: and like his hair is a messy, and he's like, Jesus,

939
00:55:55,160 --> 00:55:58,640
Speaker 1: that's a good looking kid, Like, look at him. Was

940
00:55:58,760 --> 00:56:03,439
Speaker 1: super hot until jes showed up and then you're like, yeah,

941
00:56:03,800 --> 00:56:07,600
Speaker 1: and he took a and he looks like Milo looks

942
00:56:07,640 --> 00:56:12,800
Speaker 1: like a little scrapper. Yeah, he looks tall. You know,

943
00:56:12,920 --> 00:56:17,120
Speaker 1: he's tall enough. He's like, right, well, nobody is. I

944
00:56:17,200 --> 00:56:20,120
Speaker 1: mean the kids six four, you know, without his shoes on,

945
00:56:20,280 --> 00:56:22,160
Speaker 1: for God's sake. I mean he's like you look up

946
00:56:22,200 --> 00:56:24,759
Speaker 1: at Jared, like, hey, how you doelling buddy? How's the

947
00:56:24,800 --> 00:56:29,560
Speaker 1: weather up there? But I also loved Laurelize St. Bernard's

948
00:56:29,600 --> 00:56:33,400
Speaker 1: Bulldogs long sleeve maybe they were quarter length blue shirt.

949
00:56:33,760 --> 00:56:36,680
Speaker 1: I just remember twenty years ago, we're in a lot

950
00:56:36,760 --> 00:56:39,000
Speaker 1: of that kind of shirt, and I just really remember

951
00:56:39,520 --> 00:56:44,200
Speaker 1: buying clothes like lore Lie, Like I remember watching it

952
00:56:44,719 --> 00:56:49,080
Speaker 1: and wanting and trying to find those looks right. Good

953
00:56:49,160 --> 00:56:52,279
Speaker 1: fashion in this episode, a lot of fashion coming at

954
00:56:52,360 --> 00:56:58,080
Speaker 1: you and crazy costumes, fashion and style. All right, so

955
00:56:58,400 --> 00:57:00,839
Speaker 1: let's get back to the episode. There's there's still more

956
00:57:00,880 --> 00:57:03,160
Speaker 1: to unpack. What do you think are we just a

957
00:57:03,239 --> 00:57:05,440
Speaker 1: few more things? I think we talked about Paris. I

958
00:57:05,600 --> 00:57:10,440
Speaker 1: think I'm happy Emily and Richard resolve their issue and

959
00:57:10,560 --> 00:57:14,759
Speaker 1: look happier than ever. Yeah, yeah, then we've ever seen them? Yeah,

960
00:57:15,600 --> 00:57:20,120
Speaker 1: you know, Suki and Jackson are cruising. They obviously are happy.

961
00:57:20,520 --> 00:57:24,280
Speaker 1: Melissa was hitting home runs. Her timing and her delivery

962
00:57:24,400 --> 00:57:26,640
Speaker 1: is just second to them. It was a joy. It's

963
00:57:26,680 --> 00:57:29,640
Speaker 1: a joy to watch Melissa, isn't it. It really is

964
00:57:29,680 --> 00:57:32,440
Speaker 1: a privilege to watch her work because it just doesn't

965
00:57:32,520 --> 00:57:35,560
Speaker 1: seem like work. It's just this very enthusiastic, very funny

966
00:57:36,400 --> 00:57:40,080
Speaker 1: person who you just love. It's just it's it's it's

967
00:57:40,120 --> 00:57:43,200
Speaker 1: wonderful to watch her. Yeah. I mean, I'm interested because

968
00:57:43,240 --> 00:57:47,680
Speaker 1: obviously there's some Christopher things coming. We haven't met Sherry yet.

969
00:57:48,040 --> 00:57:51,680
Speaker 1: They reference are being pretty or beautiful, but we don't

970
00:57:52,160 --> 00:57:54,640
Speaker 1: I know who plays her, so I'm excited about that,

971
00:57:55,280 --> 00:57:58,640
Speaker 1: but we haven't met her. Yet so obviously that's coming

972
00:57:58,760 --> 00:58:01,240
Speaker 1: to you know, one thing, I otist in the scene

973
00:58:01,320 --> 00:58:05,080
Speaker 1: where Laurel I admits that you know that she lied

974
00:58:05,160 --> 00:58:06,800
Speaker 1: to Rory and I didn't tell you when he did

975
00:58:06,880 --> 00:58:09,640
Speaker 1: call on this kind of thing, and Rory took on

976
00:58:09,920 --> 00:58:13,760
Speaker 1: again the uh, she assumed the position of the parent,

977
00:58:15,120 --> 00:58:18,560
Speaker 1: and she was not scolding her mother like a parent

978
00:58:18,640 --> 00:58:21,520
Speaker 1: with Golden Child. She was saying she was just sort

979
00:58:21,560 --> 00:58:24,360
Speaker 1: of making sure that Laurel I was on the same page,

980
00:58:25,240 --> 00:58:29,480
Speaker 1: like we're rooting for dad, right, mom, right, that's right, right,

981
00:58:29,680 --> 00:58:32,040
Speaker 1: So we have to you know that we can't that

982
00:58:32,160 --> 00:58:34,560
Speaker 1: kind of thing. So it's just going down that checklist

983
00:58:34,600 --> 00:58:38,000
Speaker 1: with her. And that's really the nature. That's why she's

984
00:58:38,040 --> 00:58:42,040
Speaker 1: so emotionally mature, because she has had to manage um

985
00:58:44,080 --> 00:58:45,720
Speaker 1: what I you know, I don't want to use the

986
00:58:46,200 --> 00:58:48,919
Speaker 1: mania now. I don't want to use that. That's that's

987
00:58:49,040 --> 00:58:52,000
Speaker 1: that's not that's not. I don't think that described Laura.

988
00:58:54,720 --> 00:58:56,840
Speaker 1: I just think I just think Laurel is in an

989
00:58:56,920 --> 00:59:00,440
Speaker 1: extremely difficult position given where she came from, this wations

990
00:59:00,480 --> 00:59:05,280
Speaker 1: she's in, and with Christopher as an ex because he,

991
00:59:05,920 --> 00:59:09,720
Speaker 1: you know, he's developing so slowly in his life, right,

992
00:59:10,000 --> 00:59:12,520
Speaker 1: and well, right, if your mom had you at sixteen,

993
00:59:12,720 --> 00:59:16,680
Speaker 1: you're dealing with a totally different mom than somebody who

994
00:59:16,760 --> 00:59:18,880
Speaker 1: has a kid at thirty. Right. And then her own

995
00:59:19,000 --> 00:59:23,480
Speaker 1: feelings of you know, abandonment by Christopher and what could

996
00:59:23,480 --> 00:59:26,560
Speaker 1: have been, and you know, he really didn't make an effort.

997
00:59:26,640 --> 00:59:29,200
Speaker 1: So I'm I'm very conflicted about how I feel about him.

998
00:59:29,200 --> 00:59:30,400
Speaker 1: I think I love him and I hate him a

999
00:59:30,440 --> 00:59:32,920
Speaker 1: little bit, you know. And it's like all these things

1000
00:59:33,000 --> 00:59:34,760
Speaker 1: come up at once and it gets overwhelming and she

1001
00:59:34,840 --> 00:59:36,640
Speaker 1: needs Rory there to hold her hand a little bit

1002
00:59:36,680 --> 00:59:39,840
Speaker 1: and get her back to normal, like, hey, Mom, it's

1003
00:59:39,880 --> 00:59:41,840
Speaker 1: just you and me, and it's okay, and it's okay

1004
00:59:41,880 --> 00:59:44,600
Speaker 1: to feel that way. But you know, we are rooting

1005
00:59:44,640 --> 00:59:46,959
Speaker 1: for dad because and it's just like it's just boit.

1006
00:59:47,200 --> 00:59:50,880
Speaker 1: He just he's the weak link, you know. I mean

1007
00:59:51,200 --> 00:59:55,360
Speaker 1: she does play the parent role or the calm person,

1008
00:59:56,200 --> 00:59:59,360
Speaker 1: the thoughtful sort of no, we're not going to fly

1009
00:59:59,480 --> 01:00:03,600
Speaker 1: off the hand the process properly, and you know, Laurel

1010
01:00:03,680 --> 01:00:07,480
Speaker 1: I checks her too. I mean when it's it's a

1011
01:00:07,520 --> 01:00:10,640
Speaker 1: symbiotic relationship, let's just put it that way. It's an unusual,

1012
01:00:11,080 --> 01:00:13,800
Speaker 1: it's an unusual it's but I think, you know what,

1013
01:00:13,880 --> 01:00:16,640
Speaker 1: I actually think it's far more common. And I think that,

1014
01:00:17,120 --> 01:00:19,560
Speaker 1: you know, one of the reasons that shows so popular

1015
01:00:19,680 --> 01:00:22,160
Speaker 1: just so many single mothers out there raising their daughters,

1016
01:00:22,920 --> 01:00:25,760
Speaker 1: and it's so difficult. It's it's difficult to raise a

1017
01:00:25,840 --> 01:00:27,760
Speaker 1: son or a daughter as a single mom. I mean,

1018
01:00:27,800 --> 01:00:31,600
Speaker 1: it's just not easy. It's these women are zapped. Their

1019
01:00:31,640 --> 01:00:34,000
Speaker 1: strength is zapped on a daily basis. They collapse at

1020
01:00:34,040 --> 01:00:37,000
Speaker 1: the end of the day. Um, so I think it,

1021
01:00:38,000 --> 01:00:41,640
Speaker 1: you know anyway, So I think it's a huge audience.

1022
01:00:41,960 --> 01:00:43,400
Speaker 1: I think, yeah, No, I mean I think that this

1023
01:00:43,600 --> 01:00:48,200
Speaker 1: was an important episode, filled with so many things, as

1024
01:00:48,280 --> 01:00:50,120
Speaker 1: they all are. I mean, I feel like I'm so

1025
01:00:50,920 --> 01:00:53,200
Speaker 1: propetitive that each week, I'm like, is that a lot

1026
01:00:53,280 --> 01:00:55,760
Speaker 1: in it? Like, but they do. They pack a lot

1027
01:00:55,840 --> 01:00:58,480
Speaker 1: in there. And that's because there's eighty pages of stuff

1028
01:00:59,040 --> 01:01:04,240
Speaker 1: in forty minute of air time. So it's probably you know,

1029
01:01:04,400 --> 01:01:15,200
Speaker 1: a third more than you know, a third to more content, dialogue, narrative, storylines,

1030
01:01:15,440 --> 01:01:23,640
Speaker 1: characters than any other our show. We got them all.

1031
01:01:23,800 --> 01:01:26,000
Speaker 1: I mean we didn't even talk about Roun you know,

1032
01:01:26,200 --> 01:01:29,360
Speaker 1: and it was hysterical. I mean, the comedy that that

1033
01:01:29,560 --> 01:01:36,080
Speaker 1: guy delivered. It's just like it's you know, it's like

1034
01:01:36,280 --> 01:01:41,520
Speaker 1: a really good play. Yeah, it's what if it's just

1035
01:01:41,720 --> 01:01:45,280
Speaker 1: you can't you can't do that stuff on television. Who

1036
01:01:45,600 --> 01:01:48,640
Speaker 1: even attempts to do these kinds of like Laurel I

1037
01:01:48,760 --> 01:01:51,040
Speaker 1: walking in? You know, you know, first of all, you know,

1038
01:01:51,080 --> 01:01:54,000
Speaker 1: Melissa sets it up because she's she doesn't know what's

1039
01:01:54,040 --> 01:01:57,440
Speaker 1: wrong with the sauce and it's missing something. And then

1040
01:01:57,520 --> 01:02:00,920
Speaker 1: Laurel I walks in, and she goes and and Suki

1041
01:02:01,000 --> 01:02:03,280
Speaker 1: goes what and they look at naked room, naked room.

1042
01:02:03,320 --> 01:02:06,040
Speaker 1: Then we cut there. It's like it's insanity. You do

1043
01:02:06,280 --> 01:02:09,920
Speaker 1: that in place. You don't do that on television. You

1044
01:02:09,960 --> 01:02:12,280
Speaker 1: don't try to do that on television because you don't

1045
01:02:12,360 --> 01:02:15,280
Speaker 1: have the skill level on set to do it or

1046
01:02:15,360 --> 01:02:18,040
Speaker 1: the writing talent to do it. But they do it.

1047
01:02:18,960 --> 01:02:24,320
Speaker 1: There's so much happening this. They are writing place, they're

1048
01:02:24,320 --> 01:02:27,320
Speaker 1: writing one act place, well not one act, many acts. Um,

1049
01:02:28,640 --> 01:02:30,800
Speaker 1: but I you know, I think what they're attempting there

1050
01:02:30,880 --> 01:02:33,880
Speaker 1: to do, um. You know, it's it's really more like

1051
01:02:34,000 --> 01:02:42,480
Speaker 1: live theater than anything I've ever seen. Interesting. Yeah, Danielle,

1052
01:02:43,440 --> 01:02:46,440
Speaker 1: it's my moment, it's your moment, all right, This is

1053
01:02:46,520 --> 01:02:49,000
Speaker 1: Danielle I'm filling in for Riley and this is your

1054
01:02:49,000 --> 01:02:52,920
Speaker 1: pop culture. So the first pop culture reference is when

1055
01:02:53,000 --> 01:02:55,320
Speaker 1: Laura Lee and Suki were talking about how crazy they

1056
01:02:55,360 --> 01:02:58,520
Speaker 1: were for continuing with the dinner and Laura legoes, we're

1057
01:02:58,520 --> 01:03:01,680
Speaker 1: beyond crazy. We're Anne Hey speaking her secret language to

1058
01:03:01,720 --> 01:03:05,560
Speaker 1: God and looking for the spaceship in Fresno crazy. And

1059
01:03:05,640 --> 01:03:08,280
Speaker 1: then they spoke the language like like Suki had a

1060
01:03:08,320 --> 01:03:11,520
Speaker 1: line and then laurelized line in that that alien language.

1061
01:03:12,680 --> 01:03:17,280
Speaker 1: I fell off the couch. I was laughing so hard.

1062
01:03:17,360 --> 01:03:19,360
Speaker 1: My wife came in and said, are you okay? I mean,

1063
01:03:19,480 --> 01:03:22,600
Speaker 1: that was like the best line of the whole show

1064
01:03:23,200 --> 01:03:25,160
Speaker 1: right there. So for those that don't know. And Haiti

1065
01:03:25,360 --> 01:03:29,600
Speaker 1: is an American actress, director, and screenwriter. And this this

1066
01:03:30,000 --> 01:03:33,880
Speaker 1: reference is in reference to something she actually said. Um

1067
01:03:34,680 --> 01:03:37,080
Speaker 1: She said on her radio show that she was under

1068
01:03:37,080 --> 01:03:39,080
Speaker 1: the influence of magic mushrooms the night she met her

1069
01:03:39,120 --> 01:03:42,120
Speaker 1: ex girlfriend Ellen Dejenners, and also during an interview with

1070
01:03:42,200 --> 01:03:45,479
Speaker 1: Barbara Walters, he stated that she had an alter ego

1071
01:03:45,600 --> 01:03:52,520
Speaker 1: named Celestiaea and she's from the planet Clat two. No

1072
01:03:52,720 --> 01:03:55,040
Speaker 1: spoke a language called Clat two and then she would

1073
01:03:55,040 --> 01:03:59,920
Speaker 1: speak that cling clinkling she spoke the language that was

1074
01:04:00,200 --> 01:04:01,880
Speaker 1: that was in the headline, that was the entertainment that

1075
01:04:01,960 --> 01:04:05,640
Speaker 1: was in the headlines for for for weeks and flips

1076
01:04:05,680 --> 01:04:09,960
Speaker 1: out and then she's speaking in tongues, right and then suky,

1077
01:04:12,840 --> 01:04:16,400
Speaker 1: you gotta love it. That was the best. That was

1078
01:04:16,440 --> 01:04:18,480
Speaker 1: the highlight of the show. So far from me right

1079
01:04:18,520 --> 01:04:22,960
Speaker 1: there those two. Oh god, God, sorry, okay, next one, Um,

1080
01:04:23,160 --> 01:04:25,360
Speaker 1: this is when the guest arrived for dinner. At the end,

1081
01:04:26,040 --> 01:04:29,000
Speaker 1: Rory goes, nice looking lady, and Laura Le goes, hmm,

1082
01:04:29,040 --> 01:04:32,600
Speaker 1: like a young Tammy Faye Baker. So. Tamma fay Mesner

1083
01:04:32,760 --> 01:04:35,760
Speaker 1: was an American evangelist, singer, author, talk show host, and

1084
01:04:35,840 --> 01:04:41,040
Speaker 1: television personality. She was known for her over the top makeup. Um.

1085
01:04:41,200 --> 01:04:43,960
Speaker 1: When asked what she wanted to be remembered for shortly

1086
01:04:44,040 --> 01:04:48,240
Speaker 1: before she died, Tammy replied, my eyelash and in an

1087
01:04:48,320 --> 01:04:51,160
Speaker 1: interesting twist that makes this reference super topical right now,

1088
01:04:51,320 --> 01:04:54,640
Speaker 1: Jessica Chastain and Andrew Garfield recently released a movie, The

1089
01:04:54,800 --> 01:04:59,120
Speaker 1: Eyes of Tammy Faye. H Okay, we'll be watching out

1090
01:04:59,200 --> 01:05:05,080
Speaker 1: for that one. It's already released. Check it out. Um. Okay,

1091
01:05:05,200 --> 01:05:08,120
Speaker 1: Rory suggests giving one of the rooms to Richard and

1092
01:05:08,280 --> 01:05:10,600
Speaker 1: Rory goes, I thought maybe a certain depressed man and

1093
01:05:10,680 --> 01:05:12,960
Speaker 1: his wife would stay there, and Loria le Goes Woody

1094
01:05:13,040 --> 01:05:18,240
Speaker 1: and Sunny. Sunny is the adopted daughter of actress Mia

1095
01:05:18,320 --> 01:05:21,800
Speaker 1: Farrow and musician Andre Preben and the wife of filmmaker

1096
01:05:21,880 --> 01:05:26,040
Speaker 1: Woody Allen. Woody had a relationship with Mia Farroh, who

1097
01:05:26,040 --> 01:05:31,080
Speaker 1: adopted Sunny yikes, and Mia Farrow became Alan's mother in

1098
01:05:31,160 --> 01:05:35,800
Speaker 1: law when he married Sunny. And again this is topical

1099
01:05:35,960 --> 01:05:39,240
Speaker 1: because just last year, Mia Faro's documentary was also released,

1100
01:05:39,800 --> 01:05:42,200
Speaker 1: um Okay, Next Up. Lori Lae and Rory talked about

1101
01:05:42,280 --> 01:05:44,560
Speaker 1: what will cheer Richard up and Loria le goes, I'll

1102
01:05:44,560 --> 01:05:47,640
Speaker 1: send him a Deaf Jam comedy tape. So Deaf Comedy

1103
01:05:47,760 --> 01:05:50,800
Speaker 1: Jam is an HBO television series produced by Russell Simmons.

1104
01:05:51,440 --> 01:05:54,840
Speaker 1: Deaf Comedy Jam meaning excellent in rapp Lingo. Simmons is

1105
01:05:54,840 --> 01:05:57,200
Speaker 1: the third wealthiest personality in hip hop, with a net

1106
01:05:57,240 --> 01:06:01,040
Speaker 1: worth a three fifty million dollars uh. He practices yoga,

1107
01:06:01,120 --> 01:06:06,520
Speaker 1: which encourages vegetarianism and social and environmental activism. Only people

1108
01:06:06,520 --> 01:06:08,080
Speaker 1: with a lot of money can tell me how to live.

1109
01:06:12,480 --> 01:06:15,000
Speaker 1: Mari and Babette show up to the inn for dinner,

1110
01:06:15,280 --> 01:06:18,640
Speaker 1: and more goes Charlie. Charlie Parker was late to everything.

1111
01:06:19,120 --> 01:06:22,080
Speaker 1: And Charlie Parker, named Bird or Yardbird, was an American

1112
01:06:22,160 --> 01:06:25,640
Speaker 1: jazz saxophonist, band leader, and composer. His nickname is a

1113
01:06:25,760 --> 01:06:28,600
Speaker 1: nod to the fact that he really really loved chicken.

1114
01:06:28,760 --> 01:06:31,160
Speaker 1: I love it more, never took those shades off. Wait minute,

1115
01:06:31,200 --> 01:06:33,840
Speaker 1: Wait a minute. The greatest line, I think number two,

1116
01:06:34,240 --> 01:06:36,240
Speaker 1: or it might be typher Number one is when Babette

1117
01:06:36,240 --> 01:06:40,920
Speaker 1: said them, Darling more, don't you understand Charlie Parker had

1118
01:06:40,960 --> 01:06:46,120
Speaker 1: more drugs in him than a rite aid. Next one,

1119
01:06:46,200 --> 01:06:49,040
Speaker 1: Suki cooks up a storm for the dinner. U Suki

1120
01:06:49,120 --> 01:06:51,920
Speaker 1: goes no, it tastes two twenties century guys, It's got

1121
01:06:52,000 --> 01:06:54,240
Speaker 1: a shout Washington Irving not Irving my a koind and

1122
01:06:54,360 --> 01:06:57,240
Speaker 1: needs something? Help me? What is it? And then the

1123
01:06:57,320 --> 01:07:00,800
Speaker 1: infamous salt line, um well she Shehington Irving was an

1124
01:07:00,800 --> 01:07:05,800
Speaker 1: American short story writer, essayist, biographer, historian, and diplomat of

1125
01:07:05,840 --> 01:07:09,320
Speaker 1: the nineteenth century. One of the great linguistic legacies of

1126
01:07:09,440 --> 01:07:12,680
Speaker 1: his work was that it gave us the name Knickerbocker.

1127
01:07:13,280 --> 01:07:16,120
Speaker 1: Irving also gave us Gotham. It was he who first.

1128
01:07:16,880 --> 01:07:18,760
Speaker 1: It was he who was the first person to refer

1129
01:07:18,840 --> 01:07:22,480
Speaker 1: to New York City as Gotham City. I thought that

1130
01:07:22,560 --> 01:07:27,840
Speaker 1: was fascinating. Just me, okay. Next up, Loria Leon Luke

1131
01:07:27,920 --> 01:07:31,240
Speaker 1: are in the sleigh and Loria le goes giddy up. Ah,

1132
01:07:31,440 --> 01:07:35,160
Speaker 1: the horses heard me. I speak horse language. I'm doctor Doolittle. Um.

1133
01:07:35,320 --> 01:07:38,520
Speaker 1: Eddie Murphy portrayed Doctor Doolittle in the movie, based on

1134
01:07:38,600 --> 01:07:42,280
Speaker 1: the series of children's book. Eddie is terrified of live

1135
01:07:42,320 --> 01:07:46,120
Speaker 1: animals and insisted that as many as possible be superimposed

1136
01:07:46,160 --> 01:07:49,040
Speaker 1: digitally in the scenes when he couldn't avoid acting in

1137
01:07:49,120 --> 01:07:51,840
Speaker 1: the same room as an animal. The shots frequently ended

1138
01:07:51,920 --> 01:07:55,480
Speaker 1: with Murphy screaming, right, I love that, But he did

1139
01:07:55,600 --> 01:08:01,760
Speaker 1: Doctor Doolittle ms, he doesn't, He's afraid of me. Next one,

1140
01:08:01,840 --> 01:08:04,600
Speaker 1: Emily comes to stay the night in Rory and Loria

1141
01:08:04,640 --> 01:08:07,920
Speaker 1: lies room and loriaa goes like sands through the hour glass.

1142
01:08:07,960 --> 01:08:10,640
Speaker 1: So are the Gilmore's of Our Lives. So obviously this

1143
01:08:10,800 --> 01:08:13,560
Speaker 1: is in reference to Days of Our Lives and Days

1144
01:08:13,600 --> 01:08:16,560
Speaker 1: of Our Lives has been on since nine. In a

1145
01:08:16,640 --> 01:08:21,719
Speaker 1: fascinating twist, John Anniston, Jennifer Andison's dad who played Victor

1146
01:08:21,800 --> 01:08:24,880
Speaker 1: on Days of Our Lives since five is coming soon

1147
01:08:25,040 --> 01:08:27,640
Speaker 1: to go more girls in season three, so everybody be

1148
01:08:27,880 --> 01:08:34,160
Speaker 1: on the lookout. Yeah, we'll circle there. Lorli and Rory

1149
01:08:34,240 --> 01:08:37,040
Speaker 1: talked about the movies they're going to watch over Christmas

1150
01:08:37,120 --> 01:08:39,799
Speaker 1: break and Rory goes, oh, we have to run Godfather

1151
01:08:39,920 --> 01:08:44,479
Speaker 1: three on DVD. The god Oh. Scott's excited for this one.

1152
01:08:44,680 --> 01:08:47,799
Speaker 1: Go ahead, you go. I have a lot of personal

1153
01:08:47,920 --> 01:08:55,280
Speaker 1: stories connected to the Godfather Part three. I had. I

1154
01:08:55,320 --> 01:08:56,920
Speaker 1: had a theater company in New York and there was

1155
01:08:56,960 --> 01:08:59,559
Speaker 1: a guy one of my buddies, my best buddies at

1156
01:08:59,600 --> 01:09:03,920
Speaker 1: the time, uh, and he's of Italian heritage and he uh,

1157
01:09:04,720 --> 01:09:07,720
Speaker 1: I knew the casting director for The Godfather Part three,

1158
01:09:07,920 --> 01:09:11,080
Speaker 1: and he came to the he came to a rehearsal

1159
01:09:11,200 --> 01:09:13,400
Speaker 1: for the theater commery system leaving for Italy. I just

1160
01:09:13,800 --> 01:09:16,280
Speaker 1: scored a major part in Godfather Part three and we

1161
01:09:16,400 --> 01:09:19,320
Speaker 1: were like, oh my god, congratulations. That were all jealous

1162
01:09:19,360 --> 01:09:21,799
Speaker 1: as hell. So he goes off and shoots the movie

1163
01:09:22,680 --> 01:09:25,080
Speaker 1: for months and months and months. Long story short, comes back,

1164
01:09:25,160 --> 01:09:28,800
Speaker 1: he goes to premiere tuxedo with his girlfriend, the whole thing,

1165
01:09:29,120 --> 01:09:32,640
Speaker 1: and then he calls me the next day and he says, uh,

1166
01:09:33,040 --> 01:09:35,160
Speaker 1: they cut me out of the whole thing. I was

1167
01:09:35,200 --> 01:09:37,320
Speaker 1: only in one scene in some cafe and all you

1168
01:09:37,360 --> 01:09:43,120
Speaker 1: could see was my nose. He said, I spent all

1169
01:09:43,160 --> 01:09:45,080
Speaker 1: that time over there, you know, and all you could

1170
01:09:45,080 --> 01:09:49,320
Speaker 1: say was my nose. Um. Anyway, yes, that that was

1171
01:09:49,400 --> 01:09:54,719
Speaker 1: a big controversy when Coppola cast his own daughter. Apparently

1172
01:09:54,800 --> 01:09:57,600
Speaker 1: the stories were the Piccino and Diane Keaton went to

1173
01:09:57,720 --> 01:10:01,040
Speaker 1: Francis and said, you can't do this, but he said,

1174
01:10:01,280 --> 01:10:03,880
Speaker 1: it's my film. I'm gonna do it. I got a

1175
01:10:03,960 --> 01:10:08,439
Speaker 1: good al Pacino um reference or not reference, but trivia

1176
01:10:08,640 --> 01:10:11,519
Speaker 1: for you. So al Pacino has offered five million dollars too,

1177
01:10:11,520 --> 01:10:15,559
Speaker 1: replies reprises role as Michael, but Pacino wanted seven million

1178
01:10:15,760 --> 01:10:19,200
Speaker 1: plus a percentage of the gross, and Coppola refused. He

1179
01:10:19,640 --> 01:10:22,760
Speaker 1: threatened to rewrite. He threatened to rewrite the script by

1180
01:10:22,840 --> 01:10:26,439
Speaker 1: starting the story with Michael's funeral sequence instead of the

1181
01:10:26,520 --> 01:10:31,240
Speaker 1: film's introduction. So eventually Pacino agreed to the five million

1182
01:10:31,320 --> 01:10:34,599
Speaker 1: dollar offers. What would the movie have been without him?

1183
01:10:35,720 --> 01:10:38,519
Speaker 1: Godfather Part three? He's a Godfather? How do you think

1184
01:10:39,520 --> 01:10:43,160
Speaker 1: sure I've seen any Godfather's Oh stop it think I'm

1185
01:10:43,240 --> 01:10:47,639
Speaker 1: oh for three. You've never seen the Godfather movies? Think

1186
01:10:47,640 --> 01:10:49,840
Speaker 1: those are the two greatest American film maybe the two

1187
01:10:49,880 --> 01:10:54,120
Speaker 1: greatest films ever made? Have you, Daniel? Um? You know

1188
01:10:55,600 --> 01:11:01,280
Speaker 1: I might have seen parts of three. I don't think so,

1189
01:11:01,640 --> 01:11:03,479
Speaker 1: But I have no idea what y'all are like really

1190
01:11:03,560 --> 01:11:06,599
Speaker 1: talking about with the story. Okay, you gotta watch him over.

1191
01:11:06,720 --> 01:11:10,400
Speaker 1: This is Godfather where they said once you get in,

1192
01:11:10,680 --> 01:11:14,200
Speaker 1: you can never get out. And now it's the say

1193
01:11:14,320 --> 01:11:19,840
Speaker 1: hello to my little friend that he says that in three, No,

1194
01:11:20,040 --> 01:11:23,439
Speaker 1: three to three, Yeah, you know, says that. In three

1195
01:11:23,479 --> 01:11:27,320
Speaker 1: he says, I was almost don't they pull you back in? Yeah?

1196
01:11:28,040 --> 01:11:33,640
Speaker 1: I was right. Three was panned, like you cannot It

1197
01:11:33,760 --> 01:11:38,360
Speaker 1: was no good. It was panned. The critics hated it too.

1198
01:11:39,280 --> 01:11:42,080
Speaker 1: Two was a lot of critics said too was better

1199
01:11:42,160 --> 01:11:47,439
Speaker 1: than one wo. So then number three. One was one

1200
01:11:47,560 --> 01:11:50,760
Speaker 1: was a perfect movie. The first one was a perfect film.

1201
01:11:50,800 --> 01:11:53,880
Speaker 1: The second one wasn't even more perfect. Film. Three was

1202
01:11:54,000 --> 01:12:02,000
Speaker 1: just a giant turd. You know, I'm sorry, but you

1203
01:12:02,080 --> 01:12:08,559
Speaker 1: know what. Still still very watchable, Yeah, still very watchable.

1204
01:12:08,640 --> 01:12:10,439
Speaker 1: I mean there's some good stuff in there. I mean

1205
01:12:10,600 --> 01:12:13,760
Speaker 1: Andy Garcia is in there, and Joe Montane is in there.

1206
01:12:14,000 --> 01:12:15,600
Speaker 1: I would say I'll give it a try, but I'm like,

1207
01:12:15,720 --> 01:12:18,519
Speaker 1: so backlogged, and just watch the first two and then

1208
01:12:18,600 --> 01:12:20,880
Speaker 1: watch that one and so you get the contrasting. So

1209
01:12:21,080 --> 01:12:23,040
Speaker 1: many things ahead of it on my list. Just let

1210
01:12:23,120 --> 01:12:26,479
Speaker 1: you know, just being honest, it's not you can't go

1211
01:12:26,680 --> 01:12:30,120
Speaker 1: through life as a cultured person that you are. We

1212
01:12:30,280 --> 01:12:32,840
Speaker 1: know you are. You've read all the best books, you

1213
01:12:32,920 --> 01:12:38,400
Speaker 1: read the Harvard Classics, You've read them. All you've got

1214
01:12:38,680 --> 01:12:40,720
Speaker 1: And I'm sorry, I have a list of shows I've

1215
01:12:40,720 --> 01:12:43,080
Speaker 1: got to have to No, no, that these aren't shows.

1216
01:12:43,200 --> 01:12:46,919
Speaker 1: These are gotta do. This is artwork, this is living artwork.

1217
01:12:47,040 --> 01:12:50,400
Speaker 1: This is part of our culture. I gotta do Succession.

1218
01:12:50,560 --> 01:12:54,599
Speaker 1: I gotta do yellow Stone. For God's sake. You gotta

1219
01:12:54,640 --> 01:12:58,200
Speaker 1: see Godfather. I want to do Superman and Lois that

1220
01:12:58,400 --> 01:13:04,640
Speaker 1: looks super good. Does it's on the w all Americans?

1221
01:13:04,720 --> 01:13:08,679
Speaker 1: I like, I like to w Okay. So you will

1222
01:13:08,760 --> 01:13:13,280
Speaker 1: never see cinematography. I never said never at the level

1223
01:13:13,800 --> 01:13:15,920
Speaker 1: that you will see it in Godfather one too. You

1224
01:13:16,000 --> 01:13:24,760
Speaker 1: will never see such beautifully framed lit shots. Paintings of

1225
01:13:24,880 --> 01:13:28,479
Speaker 1: those first two Godfather films look like paintings. That's right

1226
01:13:28,520 --> 01:13:32,280
Speaker 1: by my house in Tahoe. Godfather to Yeah, gorgeous. Every

1227
01:13:32,600 --> 01:13:39,280
Speaker 1: frame was all this YouTube those scenes, Danielle. I was

1228
01:13:39,320 --> 01:13:41,920
Speaker 1: just gonna say, you know that we have another movie

1229
01:13:42,000 --> 01:13:44,439
Speaker 1: reference The Shining. Have we all seen it? I have it?

1230
01:13:45,360 --> 01:13:47,400
Speaker 1: I have not seen it in no, we haven't. I

1231
01:13:47,439 --> 01:13:49,600
Speaker 1: haven't seen it in its entirely. I've seen just that

1232
01:13:51,479 --> 01:13:53,240
Speaker 1: or the two girls holding hands in the hall. Yea,

1233
01:13:53,400 --> 01:13:57,240
Speaker 1: as far as I got. Um So, Laura, that's all

1234
01:13:57,280 --> 01:13:59,040
Speaker 1: my Let's just say I've got to see the Porky

1235
01:13:59,080 --> 01:14:02,200
Speaker 1: probably Brigade, for I've got many things on my list

1236
01:14:02,200 --> 01:14:06,559
Speaker 1: before I must say that I think I've seen one

1237
01:14:06,600 --> 01:14:09,840
Speaker 1: flew over the cuckoo's nesting full either you're kidding me now,

1238
01:14:09,960 --> 01:14:13,000
Speaker 1: I got a long list. Oh my goodness, but I've

1239
01:14:13,040 --> 01:14:16,559
Speaker 1: seen sixteen candles, four d and twelve times. You're blowing

1240
01:14:16,640 --> 01:14:19,920
Speaker 1: my mind right now. You're literally you have not dancing.

1241
01:14:20,000 --> 01:14:23,200
Speaker 1: I've seen one flew over the cuckoo's nest. Okay? Do

1242
01:14:23,280 --> 01:14:26,720
Speaker 1: these are these considered like guy films to you? And

1243
01:14:27,080 --> 01:14:30,720
Speaker 1: they don't make you feel comfortable and warm? And I

1244
01:14:30,960 --> 01:14:34,599
Speaker 1: don't know, I just did like I'd rather watch dirty

1245
01:14:34,680 --> 01:14:40,840
Speaker 1: Dancing again. Like, literally, I've seen there's you know sixt Greece.

1246
01:14:40,880 --> 01:14:43,959
Speaker 1: I was youtubing these last night. I just wanted to rewatch.

1247
01:14:44,240 --> 01:14:46,800
Speaker 1: You're the one that I want interesting. So you're not

1248
01:14:47,000 --> 01:14:50,599
Speaker 1: really the Godfather demo. No, I think we're just very

1249
01:14:50,680 --> 01:14:55,519
Speaker 1: much like we like happy, uplifting, how to lose a

1250
01:14:55,560 --> 01:14:58,960
Speaker 1: guy in ten days? Yeah, I was like the wedding planner.

1251
01:14:59,360 --> 01:15:03,360
Speaker 1: Oh are you Nancy Pong? I give you sugar, but

1252
01:15:03,439 --> 01:15:10,000
Speaker 1: I don't have any saved my shoe trap door here

1253
01:15:10,040 --> 01:15:17,000
Speaker 1: in my room. We love Scott going okay, okay, well

1254
01:15:17,160 --> 01:15:19,760
Speaker 1: I'll just do quick too quick mentions. The shining was

1255
01:15:19,840 --> 01:15:22,160
Speaker 1: referenced the same with Ben her Um. I feel like

1256
01:15:22,200 --> 01:15:25,960
Speaker 1: both of those are pretty about since the fact that

1257
01:15:26,280 --> 01:15:28,639
Speaker 1: we have been recording for an hour and a half,

1258
01:15:29,479 --> 01:15:32,240
Speaker 1: I'm gonna go to the last and final one. Jessin

1259
01:15:32,360 --> 01:15:34,920
Speaker 1: Rory are in the sleigh and jessicaes. It definitely has

1260
01:15:34,960 --> 01:15:37,240
Speaker 1: the most personality, kind of looks like New York and

1261
01:15:38,040 --> 01:15:40,080
Speaker 1: unless you lived under a rock, you remember when she

1262
01:15:40,320 --> 01:15:43,880
Speaker 1: walked to the red carpet in a Swan dress the

1263
01:15:43,960 --> 01:15:49,640
Speaker 1: seventy third Academy Awards on March one. Um, So definitely personality.

1264
01:15:50,320 --> 01:15:54,360
Speaker 1: That's why that was referenced you did. Thank you. I

1265
01:15:54,479 --> 01:15:56,680
Speaker 1: like the commentary unless you lived under a rock, So

1266
01:15:56,800 --> 01:15:58,479
Speaker 1: that was like, well, well done, we missed Riley. We

1267
01:15:58,520 --> 01:16:00,120
Speaker 1: can't wait for it to be back. Yeah, let's she

1268
01:16:00,439 --> 01:16:04,200
Speaker 1: feels better soon. Alright, so good, feel better. She already

1269
01:16:04,280 --> 01:16:07,559
Speaker 1: texted she's already doing better. Alright, alright, give him my best.

1270
01:16:08,320 --> 01:16:10,680
Speaker 1: We will give him my best. I have a line

1271
01:16:10,720 --> 01:16:15,320
Speaker 1: I'm very excited about. Okay, So this is when um

1272
01:16:15,600 --> 01:16:19,360
Speaker 1: Dean and his sister arrived to the dinner and Rory goes,

1273
01:16:19,479 --> 01:16:22,360
Speaker 1: is that a Stella McCartney and Dean's sister goes, it's

1274
01:16:22,360 --> 01:16:28,439
Speaker 1: a Walmart. I believe missed that, and that's epic. I

1275
01:16:28,600 --> 01:16:32,680
Speaker 1: just liked when Rory said to Lorl you're wigging and

1276
01:16:32,800 --> 01:16:37,439
Speaker 1: she's totally losing her mind over Christopher. Mike couldn't even

1277
01:16:37,479 --> 01:16:44,479
Speaker 1: recreate it, but she's like between the My favorite line

1278
01:16:44,600 --> 01:16:50,679
Speaker 1: was Laura La speaking in the Clatu language back to Suki.

1279
01:16:50,880 --> 01:16:53,519
Speaker 1: I can't even attempt to repeat what she said, but

1280
01:16:53,680 --> 01:16:57,400
Speaker 1: it was literally, for me, the highest comic comedic moment

1281
01:16:57,479 --> 01:17:00,040
Speaker 1: of the entire series so far. Oh my god, I

1282
01:17:00,160 --> 01:17:03,280
Speaker 1: love that. Brilliant. Well, what a way to end it?

1283
01:17:03,880 --> 01:17:07,479
Speaker 1: Just so everyone knows. We're giving Scott Christmas off. I

1284
01:17:07,520 --> 01:17:10,200
Speaker 1: don't know why, but we are. Are you not giving?

1285
01:17:10,360 --> 01:17:13,599
Speaker 1: Are you not giving others Christmas off? In the stable,

1286
01:17:14,160 --> 01:17:16,400
Speaker 1: it's about half and half. Some people do have to

1287
01:17:16,439 --> 01:17:19,519
Speaker 1: work because it's a long story, but some people do

1288
01:17:19,640 --> 01:17:24,160
Speaker 1: have to win. Podcast continue Scott, But I mean, do

1289
01:17:24,200 --> 01:17:27,320
Speaker 1: you want me to take the stuff too. I'm gonna

1290
01:17:27,360 --> 01:17:29,840
Speaker 1: give you. I'm gonna We're gonna give you. Everybody can

1291
01:17:29,880 --> 01:17:31,599
Speaker 1: handle it. That's listening. We're giving him one week off,

1292
01:17:31,640 --> 01:17:34,160
Speaker 1: will be back January four. I get a week off,

1293
01:17:34,560 --> 01:17:36,920
Speaker 1: You get a week off. One week. That's it January.

1294
01:17:37,280 --> 01:17:38,960
Speaker 1: So the good news is you have about like twenty

1295
01:17:39,000 --> 01:17:41,680
Speaker 1: episodes in the month of December to refresh on. We've

1296
01:17:41,760 --> 01:17:45,599
Speaker 1: done a lot. Give you at anybody missed anything, You've

1297
01:17:45,600 --> 01:17:48,680
Speaker 1: got plenty to re listen to it all right, everybody listen. Uh,

1298
01:17:49,439 --> 01:17:53,320
Speaker 1: that's gonna wrap up, Bradshbridge dinner and uh look, have

1299
01:17:53,400 --> 01:17:57,720
Speaker 1: a safe uh and happy holiday. Merry Christmas, everybody, Happy holidays,

1300
01:17:58,240 --> 01:18:01,720
Speaker 1: all the best from us and thank three downloads. Uh

1301
01:18:01,800 --> 01:18:33,960
Speaker 1: and we'll see in the new year. Stay safety, hey everybody,

1302
01:18:34,000 --> 01:18:37,280
Speaker 1: and don't forget follow us on Instagram at I am

1303
01:18:37,360 --> 01:18:41,320
Speaker 1: all in podcast and email us at Gilmore at I

1304
01:18:41,560 --> 01:18:44,880
Speaker 1: Heart radio dot com. Oh you Gilmore fans. If you're

1305
01:18:44,920 --> 01:18:46,719
Speaker 1: looking for the best cup of coffee in the world,

1306
01:18:46,800 --> 01:18:50,680
Speaker 1: go to my website for my company scott ep dot com,

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Speaker 1: dot com Grade one Specialty Coffee