1 00:00:11,600 --> 00:00:15,920 Speaker 1: And his drink chas motherfucking podcast makes He's a legendary 2 00:00:16,000 --> 00:00:18,439 Speaker 1: queen's rapper. He's screed is your boy in o R. 3 00:00:18,720 --> 00:00:22,480 Speaker 1: He's a Miami hippoper pioneer. Up his dj e FN. 4 00:00:22,560 --> 00:00:25,000 Speaker 1: Together they drink it up with some of the biggest 5 00:00:25,000 --> 00:00:30,120 Speaker 1: players in the most professional unprofessional podcast and your number 6 00:00:30,200 --> 00:00:34,080 Speaker 1: one sorts for drunk drinks. Motherfucking is New year' z. 7 00:00:34,360 --> 00:00:44,680 Speaker 1: Let's time for drink champ trick up? Mother mother? What 8 00:00:44,840 --> 00:00:47,680 Speaker 1: did good be over this series? Boy? What up? Is 9 00:00:47,760 --> 00:00:50,760 Speaker 1: d j e F And this is Miami New York's 10 00:00:50,760 --> 00:00:58,560 Speaker 1: finest motherfucker? Makes him nor from the fielding. Now we've 11 00:00:58,560 --> 00:01:01,280 Speaker 1: got the biggest boss that you think that you see 12 00:01:01,520 --> 00:01:08,160 Speaker 1: that's far goddamn ball, bigg bross. You are the biggest boss. 13 00:01:08,360 --> 00:01:10,280 Speaker 1: I have no idea what you have on right now? 14 00:01:10,319 --> 00:01:14,280 Speaker 1: You have on three different skins. You're just you're just 15 00:01:14,360 --> 00:01:17,360 Speaker 1: a rich nigga. What is what is what? What do 16 00:01:17,400 --> 00:01:20,800 Speaker 1: you have on? Let's take that's that's a good way 17 00:01:20,840 --> 00:01:30,000 Speaker 1: to play it. But you look at very good. What 18 00:01:30,120 --> 00:01:35,240 Speaker 1: is that you have one? What? What is it? What 19 00:01:35,360 --> 00:01:38,040 Speaker 1: is it? Is it? Three different animals? We got sacrificed. 20 00:01:39,280 --> 00:01:48,000 Speaker 1: I call this from the Longhorn, What the long and 21 00:01:48,160 --> 00:01:50,240 Speaker 1: what is that that is? I feel like this is 22 00:01:50,240 --> 00:01:57,800 Speaker 1: a cow slash sheets make up slash. Sometimes you just 23 00:01:57,840 --> 00:02:06,640 Speaker 1: gotta make it. Do it now, Ross, you are the 24 00:02:06,680 --> 00:02:11,320 Speaker 1: biggest boss. We love you. We we we've been in 25 00:02:12,480 --> 00:02:15,520 Speaker 1: he's a drink chancel im and we're out here in 26 00:02:15,560 --> 00:02:19,880 Speaker 1: North Carolina. Um. One of the biggest things that I ever. 27 00:02:20,160 --> 00:02:23,720 Speaker 1: I admire you. I should I should have tested you, 28 00:02:23,720 --> 00:02:25,240 Speaker 1: I should have called you, I should have told you 29 00:02:25,480 --> 00:02:29,000 Speaker 1: that imire you for this, But I'm gonna do it 30 00:02:29,080 --> 00:02:33,040 Speaker 1: in the front public. I love the way you represent 31 00:02:33,120 --> 00:02:36,000 Speaker 1: meek Mel. I love the way you you be there 32 00:02:36,080 --> 00:02:42,160 Speaker 1: for him when he come home. You're there. And why 33 00:02:42,320 --> 00:02:46,280 Speaker 1: why are you? Why are you the best CEO rap 34 00:02:47,520 --> 00:02:51,280 Speaker 1: rap ceo in the world because you've been through it. Yeah, 35 00:02:54,880 --> 00:02:58,200 Speaker 1: the best seal rap nigger in the world. It would 36 00:02:58,280 --> 00:03:00,720 Speaker 1: I wouldn't be a boss if I wouldn't some foremost 37 00:03:00,800 --> 00:03:02,799 Speaker 1: give it up to the ones that came before me, 38 00:03:03,040 --> 00:03:05,720 Speaker 1: and I was able to absorb some game from you 39 00:03:05,720 --> 00:03:08,480 Speaker 1: know what I'm saying. That was the Luke Scott Walkers, 40 00:03:08,560 --> 00:03:13,320 Speaker 1: you know what I mean, The jay Z's, the Pump Daddy's, 41 00:03:13,320 --> 00:03:14,919 Speaker 1: and the list go on. You know what I mean, 42 00:03:15,000 --> 00:03:18,000 Speaker 1: Ja princess. The list goes on and on, but you 43 00:03:18,000 --> 00:03:19,520 Speaker 1: know I took my time to get here, and I 44 00:03:19,600 --> 00:03:22,600 Speaker 1: just made sure I build a true bond with the team. 45 00:03:23,040 --> 00:03:25,560 Speaker 1: What I'm saying, so you see my DJ Sam sneak 46 00:03:25,600 --> 00:03:30,919 Speaker 1: over that slab in the world and years I'm trying 47 00:03:30,960 --> 00:03:39,080 Speaker 1: to All you gotta do is gonna get you. Right now, 48 00:03:39,600 --> 00:03:43,840 Speaker 1: him from thel say, come on, but they're nine eleven 49 00:03:43,840 --> 00:03:48,000 Speaker 1: to get him. No, but no, but you know we've 50 00:03:48,040 --> 00:03:49,440 Speaker 1: just been putting their work. You know what I mean, 51 00:03:49,560 --> 00:03:51,640 Speaker 1: We built it from the ground up. You know what 52 00:03:51,640 --> 00:03:55,080 Speaker 1: I mean. No, I'm so sorry because you're being humble. 53 00:03:55,600 --> 00:03:58,280 Speaker 1: And you know what that that. I don't want you 54 00:03:58,320 --> 00:04:00,720 Speaker 1: to be humble that ship. I don't want you get humble. No, 55 00:04:00,920 --> 00:04:02,760 Speaker 1: I don't want you because you know why, you're the 56 00:04:02,800 --> 00:04:07,680 Speaker 1: best fucking artist CEO that's ever invented, without a doubt, 57 00:04:07,840 --> 00:04:16,039 Speaker 1: without a doubt. Goddamn, let's make some fucking lords. And 58 00:04:16,080 --> 00:04:17,600 Speaker 1: I don't want I don't want you to be humble 59 00:04:17,640 --> 00:04:21,000 Speaker 1: at all. So this time I'm gonna represent for you. 60 00:04:21,120 --> 00:04:27,359 Speaker 1: So this time listen, wi motherfucking meek Mill. What's the 61 00:04:27,360 --> 00:04:41,080 Speaker 1: other nigga? What's the other nigga. Don't leave Ross, I'm 62 00:04:41,080 --> 00:04:44,640 Speaker 1: gonna be honest. You deserve older accolades in the world, 63 00:04:44,680 --> 00:04:47,760 Speaker 1: because you know what the crazy ship is. When Meek 64 00:04:47,839 --> 00:04:51,440 Speaker 1: mil came home, I've seeing you humble yourself and just 65 00:04:51,480 --> 00:04:54,520 Speaker 1: stand next to him and just was so happy that 66 00:04:54,600 --> 00:04:59,240 Speaker 1: shipped to me. It should be should be we all 67 00:04:59,640 --> 00:05:04,800 Speaker 1: are you motherfucker's here, We should all make sure we 68 00:05:04,960 --> 00:05:08,640 Speaker 1: represent this man right here, because he stood right there 69 00:05:09,520 --> 00:05:11,840 Speaker 1: and said, Yo, I'm gonna represent my homie. I'm gonna 70 00:05:11,839 --> 00:05:14,159 Speaker 1: hold down my homie. And guess what. We don't have 71 00:05:14,279 --> 00:05:16,719 Speaker 1: that in the black community. We don't have that in 72 00:05:16,760 --> 00:05:19,039 Speaker 1: the Latino community. We don't have that in the hip 73 00:05:19,040 --> 00:05:22,919 Speaker 1: hop community. So guess what, Ross, I want to show 74 00:05:22,960 --> 00:05:31,920 Speaker 1: you that love in your motherfucking in your motherfucking face. Look, 75 00:05:31,960 --> 00:05:34,080 Speaker 1: it's only right. We gotta do this the right way. 76 00:05:34,400 --> 00:05:36,679 Speaker 1: We couldn't free Meek Mal, we couldn't make the moves 77 00:05:36,760 --> 00:05:41,640 Speaker 1: we're making if it wasn't for us, We the team. 78 00:05:41,640 --> 00:05:44,920 Speaker 1: So that's what it's about. No but but, but but 79 00:05:44,920 --> 00:05:48,640 Speaker 1: but Ross, I'm gonna be honest, man, you are such 80 00:05:48,680 --> 00:05:54,320 Speaker 1: a great guy. You stood there when le and Meeker's beefen. 81 00:05:55,640 --> 00:05:59,160 Speaker 1: He never ever took the side. No, no, not at all, 82 00:05:59,480 --> 00:06:03,240 Speaker 1: but but why because it was unnecessary. It's just like 83 00:06:03,279 --> 00:06:05,479 Speaker 1: being a big brother. It's just like every day in 84 00:06:05,520 --> 00:06:09,680 Speaker 1: the studio with my homeies. It's always we you know that. 85 00:06:09,800 --> 00:06:11,839 Speaker 1: That's just the type of vibe we are. But that's 86 00:06:11,839 --> 00:06:15,280 Speaker 1: not personal. But most definitely speak your mind and if 87 00:06:15,279 --> 00:06:18,520 Speaker 1: you gotta get emotional to to speak or make your point, 88 00:06:18,600 --> 00:06:21,720 Speaker 1: you do that. You know, whatever it is, but this 89 00:06:21,920 --> 00:06:24,320 Speaker 1: the squad, this's the empire. It will never go no 90 00:06:24,400 --> 00:06:27,560 Speaker 1: further than that. You know, we're never shared, no blood 91 00:06:27,560 --> 00:06:42,279 Speaker 1: and even memory. Don't even think like that. Sam. See 92 00:06:42,839 --> 00:06:45,680 Speaker 1: it's one of my best niggers. I follow whatever the 93 00:06:45,760 --> 00:06:50,640 Speaker 1: fucking does Sam sneaking the bill just on the game. 94 00:06:51,960 --> 00:06:55,120 Speaker 1: In my opinion, when I followed Sam sneak, I'll be like, 95 00:06:55,800 --> 00:06:59,240 Speaker 1: but that what he does? I know, that's what's gonna happen. 96 00:07:00,360 --> 00:07:02,720 Speaker 1: Is that how you feel about because Sam's I'm telling 97 00:07:02,720 --> 00:07:04,680 Speaker 1: you that's that Nick, I'm being honest. That's the best 98 00:07:04,680 --> 00:07:06,920 Speaker 1: and on the game right right right. I don't even 99 00:07:06,960 --> 00:07:08,680 Speaker 1: think he knows it. You know what I used to do. 100 00:07:08,720 --> 00:07:11,200 Speaker 1: I apologize, Bross because I don't want to cut you up, 101 00:07:11,960 --> 00:07:14,360 Speaker 1: but I used to go to the clubs that he's 102 00:07:15,320 --> 00:07:18,440 Speaker 1: he all right, right, spend spend that and I would 103 00:07:18,520 --> 00:07:21,480 Speaker 1: need out there like this, and I was just listening 104 00:07:21,960 --> 00:07:23,840 Speaker 1: and then this nigger, he'd be a found niggers. Is 105 00:07:23,840 --> 00:07:26,280 Speaker 1: your found nigger? But no reason the building up. Now, 106 00:07:26,320 --> 00:07:31,120 Speaker 1: I gotta spend ten thousands. I want. I don't want 107 00:07:31,120 --> 00:07:33,560 Speaker 1: to tell me how you do again. I definitely want 108 00:07:33,600 --> 00:07:37,040 Speaker 1: to spend one like a hunted And they said, and 109 00:07:37,080 --> 00:07:40,560 Speaker 1: they said, you know what, I'm like, Damn nigga. Now 110 00:07:40,560 --> 00:07:43,640 Speaker 1: I gotta throw some money. But that's the best. So 111 00:07:43,720 --> 00:07:46,320 Speaker 1: when I've seen him down with the camp, I apologize. 112 00:07:46,520 --> 00:07:49,280 Speaker 1: I went to three different ways. But when I see 113 00:07:49,360 --> 00:07:51,720 Speaker 1: him down with the camp and I called spip TV 114 00:07:51,920 --> 00:07:54,640 Speaker 1: one day and I said, these niggers, I said, these 115 00:07:54,720 --> 00:08:02,000 Speaker 1: niggers right here, they understand music fun whatever else? Is 116 00:08:02,360 --> 00:08:05,680 Speaker 1: that something that you a credit to? Sam Seed? Oh? No, 117 00:08:06,120 --> 00:08:08,680 Speaker 1: I most definitely given to him. You know that's my 118 00:08:09,560 --> 00:08:16,440 Speaker 1: I'm telling for my winning on DJ Sam Sneak. You 119 00:08:16,480 --> 00:08:22,080 Speaker 1: know what I'm saying. You know, he became my DJ 120 00:08:22,160 --> 00:08:26,360 Speaker 1: when he was fourteen years old. I wasn't even getting shows. Yeah, 121 00:08:26,880 --> 00:08:29,400 Speaker 1: I just seen his vision and he you know, he 122 00:08:29,440 --> 00:08:32,160 Speaker 1: was following me underground before anybody else who was. So 123 00:08:32,200 --> 00:08:34,199 Speaker 1: he just showed me as his heir to the streets. 124 00:08:34,720 --> 00:08:36,920 Speaker 1: I pulled up on him. He didn't have nothing but 125 00:08:37,000 --> 00:08:39,680 Speaker 1: a bunch of sneakers. That's why I was like, yeah, 126 00:08:39,679 --> 00:08:43,080 Speaker 1: I'm Sam sneaker. Oh that's what it is. Okay. Then 127 00:08:43,160 --> 00:08:45,400 Speaker 1: I got you boomed and then you know, he just 128 00:08:45,440 --> 00:08:48,600 Speaker 1: stayed down. And you know, he just plug intowards laptop 129 00:08:48,760 --> 00:08:51,079 Speaker 1: twenty hours out of the day, listening to the the beats, 130 00:08:51,559 --> 00:08:54,719 Speaker 1: listening to this sense this, that, this that. So I 131 00:08:54,760 --> 00:08:57,000 Speaker 1: shout out to the homie hustler and he you know, 132 00:08:57,040 --> 00:08:58,960 Speaker 1: he's making his own music. So your artist in his 133 00:08:59,040 --> 00:09:02,400 Speaker 1: own right. So my name, come on, make a nord 134 00:09:06,559 --> 00:09:09,040 Speaker 1: all right now? I need everybody to but just painting 135 00:09:09,120 --> 00:09:13,959 Speaker 1: this everybody, black ball, my nigga, black Boat. I love 136 00:09:14,040 --> 00:09:18,280 Speaker 1: this nigga. Listen, listen. So I need three seconds of 137 00:09:18,480 --> 00:09:23,920 Speaker 1: everybody back there, please please please, you know, even the 138 00:09:23,960 --> 00:09:27,960 Speaker 1: security back there, please three seconds of everybody being quiet. 139 00:09:29,000 --> 00:09:32,920 Speaker 1: Rest in peace, black Boat one two three, Rest in peace, 140 00:09:33,040 --> 00:09:43,079 Speaker 1: black Boat. I like you, boy, God bless that nigga. Yo, 141 00:09:43,559 --> 00:09:45,920 Speaker 1: that's one of the best niggas I've ever met. The realist, 142 00:09:46,160 --> 00:09:49,160 Speaker 1: the realist, realist and hear what it's not. But most 143 00:09:49,240 --> 00:09:52,440 Speaker 1: definitely that's somebody that that would it hurts, you know, 144 00:09:52,520 --> 00:09:55,120 Speaker 1: see him go, God, bless your brows. I'm sorry. I'm 145 00:09:55,120 --> 00:09:57,480 Speaker 1: so sorry man, because you know why, I know you 146 00:09:57,640 --> 00:10:00,720 Speaker 1: love that nigga. And let me tell you something. Everywhere 147 00:10:00,760 --> 00:10:04,400 Speaker 1: I've seen you that he would be like this. Sorry, Yeah, 148 00:10:04,679 --> 00:10:07,079 Speaker 1: he would be like cool, come on, go save me 149 00:10:07,160 --> 00:10:10,679 Speaker 1: something wrong. So I'm let's looking like and that that's 150 00:10:10,679 --> 00:10:16,400 Speaker 1: a real nigga, man, apologize so much. It's as genuine 151 00:10:16,400 --> 00:10:18,800 Speaker 1: as they come in you know. I just we keep 152 00:10:18,840 --> 00:10:20,599 Speaker 1: his kids in his pres and we you know, we 153 00:10:20,720 --> 00:10:22,680 Speaker 1: keep them close to us because that's what help want. 154 00:10:22,880 --> 00:10:24,520 Speaker 1: But you know, other than that, he here, would you 155 00:10:24,520 --> 00:10:27,120 Speaker 1: know what I'm saying that we're writing Double MG, Double 156 00:10:27,240 --> 00:10:35,800 Speaker 1: MG drink Champs Army. On Tuesday, July two, twenty nineteen, 157 00:10:36,160 --> 00:10:40,040 Speaker 1: at nine pm, eight pm Central, BT has ten Twisted 158 00:10:40,040 --> 00:10:43,760 Speaker 1: Tales to Tell, created by Earth Goddy Lorenzo. Tales take 159 00:10:43,800 --> 00:10:46,440 Speaker 1: storytelling to a new level, driven by lyrics from your 160 00:10:46,440 --> 00:10:51,240 Speaker 1: favorite artists biggest hits including Exo, Tour Life, Slippery, My 161 00:10:51,320 --> 00:10:54,280 Speaker 1: Mind's Playing Tricks on Me and more. It's all going 162 00:10:54,320 --> 00:10:58,040 Speaker 1: down Tuesday, July two, at nine pm, eight pm Central. 163 00:10:58,240 --> 00:11:02,440 Speaker 1: It's the return of Tales on BT. Powerful lyrics, reimite 164 00:11:02,480 --> 00:11:05,320 Speaker 1: for the screen, not a remix, not a video, not 165 00:11:05,440 --> 00:11:09,320 Speaker 1: a game. We're talking cinematic stories starring actors you love, 166 00:11:09,360 --> 00:11:14,480 Speaker 1: including Elijah Kelly, Lisa Ray, Drea, Michelle Thomas, Q Jones, 167 00:11:14,800 --> 00:11:19,600 Speaker 1: Chastity Sanders, Rap a Legend, Scarface, and more. Brace yourself 168 00:11:19,600 --> 00:11:22,600 Speaker 1: for the return of Tales. Every Song has a Story. 169 00:11:23,080 --> 00:11:27,320 Speaker 1: New season premieres today July two at nine pm, eight 170 00:11:27,320 --> 00:11:31,439 Speaker 1: pm Central only on BT. For extras and exclusives behind 171 00:11:31,480 --> 00:11:36,520 Speaker 1: the scenes on the making of Tales, visit BT dot com. 172 00:11:36,760 --> 00:11:41,360 Speaker 1: So else, let me ask. So at one point Foxy 173 00:11:41,440 --> 00:11:46,880 Speaker 1: Brown was like, your lady, Yeah, we were kicking at 174 00:11:46,920 --> 00:11:51,440 Speaker 1: one point. So was that like like he was going 175 00:11:51,480 --> 00:11:54,760 Speaker 1: to move forward? Oh? No, We most definitely were kicking, 176 00:11:54,800 --> 00:11:57,080 Speaker 1: and you know, we had a good time. It was 177 00:11:57,120 --> 00:12:00,560 Speaker 1: always yeah, it's most definitely. It's always to come. Versations 178 00:12:00,679 --> 00:12:03,760 Speaker 1: was always good. The moments where are we cool? Should 179 00:12:03,800 --> 00:12:18,959 Speaker 1: we make some noise for that? Oh? No, right, man, 180 00:12:19,040 --> 00:12:22,719 Speaker 1: you got me out. You got the biggest house in America. 181 00:12:23,800 --> 00:12:26,040 Speaker 1: Did you say did you say in your ride? You 182 00:12:26,120 --> 00:12:30,040 Speaker 1: said tell Drake and Kanye, you got the biggest pool 183 00:12:30,160 --> 00:12:34,400 Speaker 1: in the USA. What the hell that line went? That's 184 00:12:34,400 --> 00:12:40,040 Speaker 1: exactly how I went. And basically, we shouldn't fight a 185 00:12:40,040 --> 00:12:43,160 Speaker 1: few bitches over you know, y'all get you up? Being 186 00:12:43,240 --> 00:12:55,160 Speaker 1: in was to clapp now on later, all right. So 187 00:12:57,640 --> 00:13:01,000 Speaker 1: we also see your birthday party. Your birthday party, I 188 00:13:01,000 --> 00:13:03,880 Speaker 1: don't know, I don't know what the you you had 189 00:13:03,920 --> 00:13:07,679 Speaker 1: meek Mail, you had wal everybody, and this is your house. 190 00:13:08,120 --> 00:13:10,280 Speaker 1: It's the house. It's not so whole house this, you know, 191 00:13:10,320 --> 00:13:14,840 Speaker 1: this is not its fifty five thousand square feet of 192 00:13:16,000 --> 00:13:35,599 Speaker 1: you know rose. Yeah, most definitely a two fifty five thousands. 193 00:13:35,840 --> 00:13:38,120 Speaker 1: But the beautiful thing is just so much more out 194 00:13:38,120 --> 00:13:41,080 Speaker 1: here for us all. Again, it's so much more for 195 00:13:41,160 --> 00:13:43,120 Speaker 1: us to get. We just want. But let let's look 196 00:13:43,120 --> 00:13:45,599 Speaker 1: get straight to the point. Let's do it. You did it. 197 00:13:46,120 --> 00:13:48,480 Speaker 1: You had the people here and then you was the 198 00:13:48,520 --> 00:13:52,120 Speaker 1: first post that I've seen that you said, uh uh 199 00:13:53,440 --> 00:13:58,040 Speaker 1: neat mill and um Drake right actually got together. But 200 00:13:58,120 --> 00:14:00,280 Speaker 1: she was also the first person to say that you 201 00:14:00,640 --> 00:14:03,800 Speaker 1: wanted them to put that together. Because I heard. Now, 202 00:14:03,960 --> 00:14:07,280 Speaker 1: I'm an industry guy. I apologize for being an instry guy, 203 00:14:07,400 --> 00:14:11,000 Speaker 1: but I heard that you was the guy that sat 204 00:14:11,040 --> 00:14:15,480 Speaker 1: down when I think it was not Ross, I would say, Ross, Bob, 205 00:14:16,360 --> 00:14:20,240 Speaker 1: what's the nigger name from? From from uh Detroit Droit? 206 00:14:22,840 --> 00:14:26,920 Speaker 1: J Prince? And they said that J. Prince had pulled 207 00:14:27,000 --> 00:14:29,240 Speaker 1: up to a meeting and they said you came, but 208 00:14:29,360 --> 00:14:32,680 Speaker 1: meet did come? Was? Was that? Was that true? We 209 00:14:32,840 --> 00:14:37,120 Speaker 1: most definitely, you know, work out fixing that situation, and 210 00:14:37,520 --> 00:14:40,800 Speaker 1: we I feel we did it. You know, the nucleus 211 00:14:40,840 --> 00:14:43,480 Speaker 1: of it you did it wouldn't know it wasn't know 212 00:14:43,600 --> 00:14:46,000 Speaker 1: nothing real you did. At the end of the day, 213 00:14:46,280 --> 00:14:49,440 Speaker 1: I felt like it was some pussy behind it, whatever 214 00:14:49,480 --> 00:14:53,120 Speaker 1: it was. But it's two genuine dudes who I watched 215 00:14:53,160 --> 00:14:56,240 Speaker 1: break brand together. I watched support each other and get 216 00:14:56,240 --> 00:14:58,440 Speaker 1: money together. And I feel like that's the way it's 217 00:14:58,440 --> 00:15:00,360 Speaker 1: gonna get back to. It's gonna take a lot time, 218 00:15:00,600 --> 00:15:02,240 Speaker 1: but you know a lot of times you just got 219 00:15:02,240 --> 00:15:04,760 Speaker 1: to block out the negativity and I just kept my 220 00:15:04,880 --> 00:15:09,160 Speaker 1: vision clear, you know, with both sides. You know. But 221 00:15:09,160 --> 00:15:10,680 Speaker 1: but let's make some looks for you. Let's make a 222 00:15:10,680 --> 00:15:17,000 Speaker 1: little most most people would would would pick a side, 223 00:15:17,040 --> 00:15:20,000 Speaker 1: or most people would do something. You did. You did nothing. 224 00:15:20,240 --> 00:15:23,760 Speaker 1: It stood by yourself and when it came down to it. 225 00:15:23,880 --> 00:15:28,320 Speaker 1: You always said, I'm with me and that ship. To me, 226 00:15:29,440 --> 00:15:33,800 Speaker 1: it's honorable. Bro. You gotta understand, man, you know that's 227 00:15:33,800 --> 00:15:35,880 Speaker 1: what we're gonna ride for. That's what we're gonna stand for. 228 00:15:35,960 --> 00:15:40,080 Speaker 1: And at the same time, um, the type of individual 229 00:15:40,160 --> 00:15:42,680 Speaker 1: I m. Everybody that get money around me, we all 230 00:15:42,720 --> 00:15:44,520 Speaker 1: know we got to do this the right way. That's 231 00:15:44,520 --> 00:15:46,080 Speaker 1: the only way we're gonna get it the long way. 232 00:15:46,120 --> 00:15:49,320 Speaker 1: And if it ain't long money, we're talking short term. 233 00:15:49,360 --> 00:15:52,200 Speaker 1: So we're just wasting that time. Go smoke over there, 234 00:15:52,520 --> 00:15:55,040 Speaker 1: just the big boys at the table, and that's what 235 00:15:55,080 --> 00:15:58,920 Speaker 1: it's about. So Meek always had a vision. He always 236 00:15:59,000 --> 00:16:01,960 Speaker 1: had something to tell me that more coming from streets, 237 00:16:02,000 --> 00:16:04,600 Speaker 1: of course, and that's what his purpose is. And it's 238 00:16:05,040 --> 00:16:07,560 Speaker 1: more exemplified than ever. And I'm proud of to Homie 239 00:16:07,840 --> 00:16:10,440 Speaker 1: most definitely. While later the same way, you know, coming 240 00:16:10,480 --> 00:16:17,200 Speaker 1: with his new ship as well, so so ross Port 241 00:16:17,200 --> 00:16:21,440 Speaker 1: of Miami too. Now, I'm gonna be honest with you, bro, 242 00:16:22,760 --> 00:16:25,800 Speaker 1: I've been I lived in Miami twelve years. Port of 243 00:16:25,880 --> 00:16:32,520 Speaker 1: Miami one so much of a I'm so scared for 244 00:16:32,560 --> 00:16:41,360 Speaker 1: you because I'm so scared. It's honest, ship, man, you 245 00:16:41,360 --> 00:16:44,360 Speaker 1: know what I was scared for you, bro, because you're 246 00:16:44,360 --> 00:16:50,960 Speaker 1: already a legend. You're already allegend. You don't all you're 247 00:16:50,960 --> 00:16:55,680 Speaker 1: gonna take. You don't take the show. I'll do it together. No, please, 248 00:16:55,800 --> 00:16:57,480 Speaker 1: but listen, Let let me tell you something. Let me 249 00:16:57,520 --> 00:17:00,520 Speaker 1: tell you something, Ross, and you're already a legend when 250 00:17:00,520 --> 00:17:08,800 Speaker 1: it comes to Miami, when it comes to Miami, when 251 00:17:08,840 --> 00:17:12,880 Speaker 1: it comes to Miami. God bless Trick. I love track. 252 00:17:15,160 --> 00:17:19,480 Speaker 1: I love Trick. When Miami's in the building, I look 253 00:17:19,560 --> 00:17:24,960 Speaker 1: at you and when you should and when you told me, well, 254 00:17:24,960 --> 00:17:31,600 Speaker 1: when you told the world that you're doing part of 255 00:17:31,640 --> 00:17:35,600 Speaker 1: Miami too, I got nervous. I'm gonna be honest. That's that. 256 00:17:35,720 --> 00:17:39,240 Speaker 1: That that and that's exciting to me, And hopefully that's 257 00:17:39,280 --> 00:17:43,440 Speaker 1: the feeling everybody would get because you should because I 258 00:17:43,480 --> 00:17:45,080 Speaker 1: don't want you to. I just I just feel like 259 00:17:45,160 --> 00:17:52,080 Speaker 1: take the expectation being so because it's part of Miami one. 260 00:17:52,440 --> 00:17:59,800 Speaker 1: I'm so scared for you to like move a little 261 00:18:10,400 --> 00:18:14,280 Speaker 1: one of my favorite artim And to me, that's dope, 262 00:18:14,560 --> 00:18:17,240 Speaker 1: and that's coming from that's coming from a legend. You know, 263 00:18:17,359 --> 00:18:20,720 Speaker 1: that's dope, And to me, that's the entire purpose of it, 264 00:18:21,320 --> 00:18:23,480 Speaker 1: because if you're not gonna be here to do some 265 00:18:23,640 --> 00:18:27,560 Speaker 1: great things here. You know what I'm saying, Niggers, If 266 00:18:27,560 --> 00:18:30,439 Speaker 1: you're gonna be somebody that's just kicking it and cool 267 00:18:30,920 --> 00:18:35,200 Speaker 1: with niggas and getting beats to do, ship, just chill. 268 00:18:35,560 --> 00:18:38,879 Speaker 1: Just sit back, far back, go hang out a checker 269 00:18:38,960 --> 00:18:47,560 Speaker 1: Burger's and self. Let's get out too, and I see 270 00:18:48,359 --> 00:18:54,600 Speaker 1: what what what Alchemists? Yeah, shout shout out to Justice League, 271 00:18:54,600 --> 00:18:56,240 Speaker 1: shout out the Alchemist, and we was on. You know, 272 00:18:56,320 --> 00:18:58,840 Speaker 1: we did the three ways trying to make j premier shot. 273 00:18:59,680 --> 00:19:06,600 Speaker 1: You are are trying to make a classic. What we're 274 00:19:06,600 --> 00:19:10,520 Speaker 1: doing is absorbing and appreciating all that that love that 275 00:19:10,600 --> 00:19:13,000 Speaker 1: came from that first album, because that's what I call it. 276 00:19:13,440 --> 00:19:15,760 Speaker 1: You may call it whatever, the fun. I call it 277 00:19:15,800 --> 00:19:17,960 Speaker 1: the love. And that's what I'm gonna make sure. We 278 00:19:18,200 --> 00:19:20,080 Speaker 1: made the class, you know what I mean. And that's 279 00:19:20,080 --> 00:19:22,200 Speaker 1: what we did it for. We did it for the streets. Okay, 280 00:19:22,240 --> 00:19:23,600 Speaker 1: but let me let me let me just tell you, 281 00:19:23,640 --> 00:19:27,720 Speaker 1: as a as as a fellow artist, you made a classic. Brother. 282 00:19:27,800 --> 00:19:30,119 Speaker 1: That's why we're scared. That's why I'm scared. You know 283 00:19:30,119 --> 00:19:32,720 Speaker 1: why we're scared. We're all flitting around like a port 284 00:19:32,760 --> 00:19:36,960 Speaker 1: of Miami. One was that damn. So we're sitting back 285 00:19:37,160 --> 00:19:40,000 Speaker 1: and you say you're gonna make another one. Then you're 286 00:19:40,000 --> 00:19:42,879 Speaker 1: saying and you you actually in the part of you 287 00:19:42,920 --> 00:19:45,000 Speaker 1: ain't tell you yet, I didn't tell you. You You didn't 288 00:19:45,000 --> 00:19:57,560 Speaker 1: tell you than the first first Kenny one, two three. 289 00:20:05,520 --> 00:20:11,720 Speaker 1: I'm gonna be honest for Ross. Listen. By the way, 290 00:20:11,840 --> 00:20:15,119 Speaker 1: y'all home team better believe it. When it comes to 291 00:20:15,720 --> 00:20:19,640 Speaker 1: drink champs Um Sampson Snake, I ain't gonna lot that's 292 00:20:19,680 --> 00:20:21,879 Speaker 1: my nigger. I ain't gonna be watching this nigga so 293 00:20:21,960 --> 00:20:24,639 Speaker 1: much because you know why, because I know that he 294 00:20:24,760 --> 00:20:27,560 Speaker 1: has the best air in the game. Like I swear 295 00:20:27,560 --> 00:20:29,159 Speaker 1: to God, I'll be watching this snigger. I'll be like 296 00:20:29,200 --> 00:20:31,719 Speaker 1: this and I'll be like, yeah, whoever he tells me 297 00:20:31,760 --> 00:20:34,120 Speaker 1: who's gonna be the next nigga and not watching him. 298 00:20:34,280 --> 00:20:36,400 Speaker 1: I'm so sorry. You don't even know that. Now it's 299 00:20:36,400 --> 00:20:43,480 Speaker 1: good to bet on club in the corner, little skinny nigga. 300 00:20:43,560 --> 00:20:45,800 Speaker 1: You couldn't even see. He don't even know that. I'll 301 00:20:45,800 --> 00:20:47,840 Speaker 1: be watching this nigga. I'll be watching the sam sniga. 302 00:20:47,880 --> 00:20:50,280 Speaker 1: You know that sounds like a motherfucker. The only thing 303 00:20:50,400 --> 00:20:53,000 Speaker 1: is when I got into the club Stamps, He's just 304 00:20:53,080 --> 00:20:55,320 Speaker 1: tell you know, no reason the house. He's gonna throw 305 00:20:55,359 --> 00:20:59,520 Speaker 1: some money. I'm like, sap, I didn't want to. I 306 00:20:59,560 --> 00:21:02,160 Speaker 1: didn't want to on the money. I see you put 307 00:21:02,160 --> 00:21:04,880 Speaker 1: all right now over your shoulder for me too. I'm 308 00:21:04,880 --> 00:21:09,960 Speaker 1: gonna be honest. You gotta go over there now. She winning, 309 00:21:10,040 --> 00:21:15,680 Speaker 1: she winn Are we going to get a shot? Let's 310 00:21:15,680 --> 00:21:17,760 Speaker 1: take the shots? This is this is P Diddy shots. 311 00:21:18,520 --> 00:21:22,000 Speaker 1: This is P Diddy shots. Shout out to my guard Solo. 312 00:21:22,560 --> 00:21:44,280 Speaker 1: I'm gonna take you that that. Let's change the subject 313 00:21:44,440 --> 00:21:47,359 Speaker 1: the album talking about this told the album? Can we 314 00:21:47,359 --> 00:21:51,199 Speaker 1: get more details on the album album? Yeah? Well, you know, 315 00:21:51,200 --> 00:21:53,840 Speaker 1: a part of Miami, Tom really and I'm really in 316 00:21:53,880 --> 00:21:59,240 Speaker 1: the Rose final completion of this album Rose too. Yeah. 317 00:21:59,320 --> 00:22:01,280 Speaker 1: This this this this port of Miami too. This is 318 00:22:01,320 --> 00:22:03,879 Speaker 1: most definitely I'm in the final stages of this lp 319 00:22:04,760 --> 00:22:08,000 Speaker 1: UM And like I said, man, you know, I felt 320 00:22:08,040 --> 00:22:10,360 Speaker 1: I felt no pressure. I felt it was just all 321 00:22:10,400 --> 00:22:13,720 Speaker 1: about us doing what we do. One thing. Talk to me, 322 00:22:13,840 --> 00:22:16,520 Speaker 1: I feel like part of Miami too. But you've been 323 00:22:16,560 --> 00:22:20,480 Speaker 1: in Atlanta. Is that something that you feel like it's 324 00:22:20,480 --> 00:22:26,200 Speaker 1: a disconnection. I'm asking no not at all, because um 325 00:22:26,240 --> 00:22:28,800 Speaker 1: I still own the same real estate I own in Miami, 326 00:22:28,880 --> 00:22:35,399 Speaker 1: maybe more. Should we make some noise for that along 327 00:22:35,480 --> 00:22:48,080 Speaker 1: with seven other states? You know, you know Miami, Miami 328 00:22:48,160 --> 00:22:49,720 Speaker 1: always been a crib, you know what I mean. But 329 00:22:49,800 --> 00:22:52,200 Speaker 1: I just always had a few spots of the places 330 00:22:52,400 --> 00:22:55,240 Speaker 1: like to record, like to get away when it's hurricane 331 00:22:55,280 --> 00:22:57,800 Speaker 1: season in Miami. That's when I go over when it's 332 00:22:57,840 --> 00:23:00,920 Speaker 1: freezing everywhere at the biggest house in Lanta? Is that? 333 00:23:01,119 --> 00:23:04,680 Speaker 1: Is that? What did you tell Drake? And um Kanye? 334 00:23:04,880 --> 00:23:06,800 Speaker 1: You said, you got the biggest pool in the US. 335 00:23:06,960 --> 00:23:10,080 Speaker 1: Y'all can come here have a pool party and anybody 336 00:23:10,119 --> 00:23:12,880 Speaker 1: y'all want, y'all, all the chicks in the world could 337 00:23:12,920 --> 00:23:14,600 Speaker 1: just fit right in the ki you know, you can 338 00:23:14,640 --> 00:23:20,800 Speaker 1: fit his pool party ship. Really, smoll body, and you're 339 00:23:20,800 --> 00:23:26,400 Speaker 1: coming to the smoo body. Let's go. Justick yourself crack. 340 00:23:26,640 --> 00:23:29,760 Speaker 1: You got me clicking crap, I'm not allow We're going 341 00:23:29,800 --> 00:23:33,120 Speaker 1: with my feet. What I heard you say that? I said, 342 00:23:33,200 --> 00:23:35,399 Speaker 1: what the fund? Did you? Is it? I got the 343 00:23:35,440 --> 00:23:39,880 Speaker 1: biggest in the whole US? Yeah, just putting it down. 344 00:23:39,960 --> 00:23:43,120 Speaker 1: It's a real took a MANU. What's the nigger name? 345 00:23:43,280 --> 00:23:49,119 Speaker 1: Um Man? Nigga, and they say, man, Manuel, now what 346 00:23:49,200 --> 00:23:51,800 Speaker 1: are you talking? No, I said, Manuel, it's one of 347 00:23:51,800 --> 00:24:02,280 Speaker 1: them Bostons, the boxing n Holy fair Banda, the same 348 00:24:02,359 --> 00:24:08,560 Speaker 1: man you. I followed that. You took that man the 349 00:24:08,640 --> 00:24:13,760 Speaker 1: Holy fields, the Holy field. Yeah, what happened? I had 350 00:24:14,080 --> 00:24:17,359 Speaker 1: your copy? Do you know what I mean? Put it? 351 00:24:17,640 --> 00:24:19,120 Speaker 1: Put a bag in it. You know what I'm saying. 352 00:24:23,920 --> 00:24:26,000 Speaker 1: We have you know, we have us some you know, 353 00:24:26,119 --> 00:24:30,639 Speaker 1: nice to getting together, some Shane gangs, some sure raise. 354 00:24:30,960 --> 00:24:35,280 Speaker 1: You know what I mean. Stick of that Smarrais. I 355 00:24:35,320 --> 00:24:37,960 Speaker 1: have no idea what that means. That's hard. Let's make 356 00:24:38,040 --> 00:24:43,399 Speaker 1: a little number of us. Let me just tell you something. 357 00:24:43,960 --> 00:24:48,640 Speaker 1: We appreciate you, We respect you, We honor you because 358 00:24:48,920 --> 00:24:54,440 Speaker 1: you know why, I lived in Miami for twelve years, right, 359 00:24:55,240 --> 00:24:59,760 Speaker 1: almost twelve years, So in my mind I'm on half 360 00:24:59,760 --> 00:25:04,680 Speaker 1: of my Miami nigga, and I respect you so much. 361 00:25:05,880 --> 00:25:09,960 Speaker 1: I honor you so much because you're a real nigga. 362 00:25:10,640 --> 00:25:12,960 Speaker 1: You're a real nigga. You've always been a real nigga 363 00:25:13,359 --> 00:25:16,359 Speaker 1: when it comes to Miami, when it comes to holding 364 00:25:16,400 --> 00:25:23,600 Speaker 1: it down, you're the guy. Uh, it's you, and then 365 00:25:23,600 --> 00:25:27,320 Speaker 1: it's it's it's trick. But you I want to give 366 00:25:27,440 --> 00:25:30,400 Speaker 1: you your flowers right here. Why you cann't smell them 367 00:25:30,600 --> 00:25:32,800 Speaker 1: while you can't help them, while you can do whatever 368 00:25:32,840 --> 00:25:38,479 Speaker 1: you do, and um, no one can take away from 369 00:25:38,520 --> 00:25:41,280 Speaker 1: which you did from Florida. You got it on you, 370 00:25:41,280 --> 00:25:43,680 Speaker 1: You got it on right here, You got it on everything, 371 00:25:43,760 --> 00:25:46,720 Speaker 1: and everyone loves you for it because you held it down. 372 00:25:46,840 --> 00:25:50,520 Speaker 1: And I want you to know that we all respect 373 00:25:50,520 --> 00:25:57,359 Speaker 1: you for it. We all respect you. Guess what, once 374 00:25:57,400 --> 00:26:01,680 Speaker 1: we released this for the Miami too, in the streets 375 00:26:01,680 --> 00:26:16,920 Speaker 1: getting this classic, We're going all that's one on myself. 376 00:26:16,960 --> 00:26:34,440 Speaker 1: That's good. That's another one. Come on you ready, everybody? What? Two? Three? 377 00:26:36,880 --> 00:26:46,639 Speaker 1: You gotta some being hind Let me so sorry. I 378 00:26:46,760 --> 00:27:02,719 Speaker 1: bought it, but Ross for Ross, I cannot believe. This 379 00:27:02,800 --> 00:27:06,040 Speaker 1: is a totally different question. I cannot believe how much 380 00:27:06,560 --> 00:27:11,960 Speaker 1: you put it together and then you and Jesus crossed 381 00:27:12,040 --> 00:27:16,080 Speaker 1: to be I'm couldn't believe it. Like that ship was 382 00:27:16,119 --> 00:27:20,399 Speaker 1: so dope when I seen it just now, and I'm like, damn, 383 00:27:21,840 --> 00:27:25,080 Speaker 1: can you explain that? Really? Really? I like this simply 384 00:27:25,119 --> 00:27:29,080 Speaker 1: called it brown man business. I'm under staying that's really 385 00:27:29,119 --> 00:27:32,960 Speaker 1: grown man business, because you gotta you gotta realize nine 386 00:27:33,520 --> 00:27:37,639 Speaker 1: nine out of ten times when all the hustlers come 387 00:27:37,680 --> 00:27:41,600 Speaker 1: across each other, they've never had a problem personally with 388 00:27:41,760 --> 00:27:44,680 Speaker 1: each other. So nine out of ten times, it's really 389 00:27:44,680 --> 00:27:48,320 Speaker 1: a technical situation. And if you get to the bottom 390 00:27:48,400 --> 00:27:51,040 Speaker 1: of it, you usually two brown man could fix it, 391 00:27:51,440 --> 00:27:53,440 Speaker 1: you know what I mean, right at the end of 392 00:27:53,480 --> 00:27:55,280 Speaker 1: the day. And that's what it was. It wasn't nothing 393 00:27:55,280 --> 00:27:58,800 Speaker 1: technical and we put it behind us. Well, the thing 394 00:27:58,840 --> 00:28:04,840 Speaker 1: about it was, um what we we we we didn't 395 00:28:04,960 --> 00:28:15,480 Speaker 1: understand so um when when when the thing's transpired, We 396 00:28:15,640 --> 00:28:19,439 Speaker 1: thought that it was other people in the in the 397 00:28:19,520 --> 00:28:25,840 Speaker 1: situation and there wasn't right, what's there like other people 398 00:28:25,880 --> 00:28:29,399 Speaker 1: in this situation, like other people were like just other people. 399 00:28:29,680 --> 00:28:41,200 Speaker 1: Listen when when like other people in the situation meaning 400 00:28:41,720 --> 00:28:45,720 Speaker 1: people someone yeah, someone instigating that that that didn't happen. Well, 401 00:28:45,720 --> 00:28:49,360 Speaker 1: you know, really really on the road in and out 402 00:28:49,400 --> 00:28:52,520 Speaker 1: of the the cities, in and around bitches, in and around 403 00:28:52,560 --> 00:28:54,680 Speaker 1: different mother, brother, You're gonna hear a lot of things, 404 00:28:55,120 --> 00:28:57,440 Speaker 1: but you gotta just know what's one thousand, you know 405 00:28:57,520 --> 00:28:59,440 Speaker 1: what's real. You know what it it came from you, you 406 00:28:59,440 --> 00:29:01,600 Speaker 1: know what I'm saying. So you know, I've heard so 407 00:29:01,680 --> 00:29:04,320 Speaker 1: many things Rose had you know that's cool too, you 408 00:29:04,320 --> 00:29:08,680 Speaker 1: know what I'm saying, question the motto. The next question 409 00:29:08,880 --> 00:29:15,680 Speaker 1: was what the what the GC thing? Gee? There is 410 00:29:15,880 --> 00:29:26,480 Speaker 1: U Jesus came back you because of you know, you 411 00:29:26,520 --> 00:29:31,440 Speaker 1: know what what we at? Well, you know I heard 412 00:29:31,440 --> 00:29:34,160 Speaker 1: a lot of different things. You see, and that's what 413 00:29:34,280 --> 00:29:37,080 Speaker 1: comes with the streets. That's what comes with music, That's 414 00:29:37,120 --> 00:29:39,680 Speaker 1: what comes with all this ship, That's what comes with entertainment. 415 00:29:39,960 --> 00:29:42,720 Speaker 1: And you gotta understand that you can't just let that 416 00:29:42,800 --> 00:29:45,320 Speaker 1: you see, And that's why we was able to still 417 00:29:45,360 --> 00:29:47,400 Speaker 1: get it to a point where we was able to 418 00:29:47,440 --> 00:29:52,480 Speaker 1: turn back. Necessarily. It's some lines you cross you may 419 00:29:52,480 --> 00:29:54,120 Speaker 1: not be able to walk. And me at Homie, we 420 00:29:54,200 --> 00:29:57,239 Speaker 1: never crossed that line because it was we never fucked up, 421 00:29:57,280 --> 00:29:59,800 Speaker 1: no money or nothing. It wasn't nothing real. You know, 422 00:29:59,800 --> 00:30:01,600 Speaker 1: I'm saying that if it's something once you see something 423 00:30:01,600 --> 00:30:04,200 Speaker 1: realm on the tables, we're talking about something different now 424 00:30:05,000 --> 00:30:22,800 Speaker 1: and I'm not the only yellow. Come on, yeah, let's 425 00:30:22,800 --> 00:30:25,920 Speaker 1: get let into others. They how to get live. I 426 00:30:25,960 --> 00:30:29,160 Speaker 1: want to get into other businesses because you did something 427 00:30:29,240 --> 00:30:31,720 Speaker 1: that a lot of artists haven't been able to do 428 00:30:32,120 --> 00:30:34,520 Speaker 1: and shouldn't be doing and are trying to do. So 429 00:30:34,600 --> 00:30:37,120 Speaker 1: you're basically mapping it out, like you can show all 430 00:30:37,120 --> 00:30:40,880 Speaker 1: these artists, up coming artists, how to diversify their business, 431 00:30:41,600 --> 00:30:44,720 Speaker 1: not just be stuck in one thing because it ain't 432 00:30:44,720 --> 00:30:47,520 Speaker 1: gonna last, right, right, right, most definitely one last level. 433 00:30:47,600 --> 00:30:49,480 Speaker 1: But I think the most important thing we could do is, 434 00:30:50,240 --> 00:30:55,640 Speaker 1: um learn to save save money. Yeah, yeah, first and foremost, 435 00:30:55,840 --> 00:30:59,000 Speaker 1: you gotta learn to save. Start your shoe box to day. 436 00:30:59,080 --> 00:31:02,239 Speaker 1: Don't care if you put five out all start, But 437 00:31:02,280 --> 00:31:05,760 Speaker 1: did someone teach you that? Coming up? Somebody had to 438 00:31:05,760 --> 00:31:09,480 Speaker 1: give me that. This is real discipline, right, because it's 439 00:31:09,520 --> 00:31:11,960 Speaker 1: real easy to get his paper and go treat yourself, 440 00:31:12,000 --> 00:31:14,840 Speaker 1: reward yourself. You know I had, I actually had a 441 00:31:14,960 --> 00:31:19,800 Speaker 1: rose delivered at the crib to day. But you gotta 442 00:31:20,240 --> 00:31:23,120 Speaker 1: treat yourself here and there. But you most definitely gotta 443 00:31:23,560 --> 00:31:27,000 Speaker 1: stick to the script you did and and saving this 444 00:31:27,480 --> 00:31:37,640 Speaker 1: most important thing you could do before investment, save running 445 00:31:37,680 --> 00:31:39,440 Speaker 1: down some of the business as you're doing right now 446 00:31:39,680 --> 00:31:42,680 Speaker 1: that you're dealing with because you've got something on who 447 00:31:42,760 --> 00:31:56,840 Speaker 1: all love let me pepper wing some wings, stop timvings 448 00:31:58,240 --> 00:32:02,360 Speaker 1: to increase for the all start. You know what I'm saying. 449 00:32:02,440 --> 00:32:04,840 Speaker 1: You shout out the checkers as well. Shout out the 450 00:32:04,920 --> 00:32:07,200 Speaker 1: checkers and rallies. What I mean, shout out to the 451 00:32:07,240 --> 00:32:19,480 Speaker 1: red selushes. In the theory, theory, the theory. You will 452 00:32:19,520 --> 00:32:23,200 Speaker 1: never say specifically what you just say the theory, and 453 00:32:23,280 --> 00:32:27,240 Speaker 1: we'll read between the lines and understand it survived. It's 454 00:32:27,280 --> 00:32:35,160 Speaker 1: the theory, mr. Theory, because he just assumed you might 455 00:32:35,240 --> 00:32:37,880 Speaker 1: have took a theory. But I was like, no, it's 456 00:32:37,920 --> 00:32:50,360 Speaker 1: the theory. Un you know about Okay, that's over, that's 457 00:32:52,360 --> 00:32:55,240 Speaker 1: you know what I'm saying, that's the theory. A question heard, 458 00:32:55,240 --> 00:32:59,760 Speaker 1: A question I got, I got. I checked this out 459 00:32:59,840 --> 00:33:01,920 Speaker 1: by a lot of people. Don't know how much influenced 460 00:33:02,080 --> 00:33:05,680 Speaker 1: MMG as at even on the Latin culture to you 461 00:33:06,040 --> 00:33:10,400 Speaker 1: for fifth being around here, he founded was at well 462 00:33:10,880 --> 00:33:13,520 Speaker 1: and now he's like the biggest superstar dude. That's that's 463 00:33:13,520 --> 00:33:16,240 Speaker 1: basically off your pipeline. If you're aware of what I'm 464 00:33:16,240 --> 00:33:19,400 Speaker 1: talking about. Quick kids, quick kid is uh, he's like, 465 00:33:19,440 --> 00:33:22,640 Speaker 1: you know, the kid is like the phenomenal. He's up, 466 00:33:22,960 --> 00:33:26,680 Speaker 1: he's he's firing, he's on fire. And then throw Spiff 467 00:33:26,760 --> 00:33:29,720 Speaker 1: being down with MMG and just the whole factag it's 468 00:33:29,760 --> 00:33:32,720 Speaker 1: just crazy. Most definitely, you know, and that's something that 469 00:33:32,800 --> 00:33:34,800 Speaker 1: I'm happy to see Spill do because he earned it. 470 00:33:34,880 --> 00:33:38,760 Speaker 1: He shot a lot of content for the caver. He 471 00:33:38,920 --> 00:33:40,840 Speaker 1: earned and carried all this way, you know what I mean. 472 00:33:40,920 --> 00:33:43,400 Speaker 1: He sat around sucking, He soaked up his game. He 473 00:33:43,520 --> 00:33:45,680 Speaker 1: sat in the studios, Sam Sneak, and you know he 474 00:33:45,760 --> 00:33:48,680 Speaker 1: brought annual around years ago before he called the kids. Yeah, 475 00:33:48,800 --> 00:33:50,640 Speaker 1: and you know he came back and night doing this thing. 476 00:33:50,760 --> 00:33:53,000 Speaker 1: So you know, we hold him down. He support what 477 00:33:53,160 --> 00:33:55,440 Speaker 1: you think is next for the crib? What do you 478 00:33:55,480 --> 00:33:58,280 Speaker 1: think that? You know what I think? Just Miami just 479 00:33:58,400 --> 00:34:01,040 Speaker 1: so diverse right now. Every time I go to the 480 00:34:01,160 --> 00:34:03,800 Speaker 1: Crib and I spent time in different places, when I 481 00:34:03,880 --> 00:34:06,120 Speaker 1: go to Winwood, when I see what's going on, and 482 00:34:06,240 --> 00:34:09,960 Speaker 1: I was just totally changing. It's totally changing, you know, 483 00:34:10,560 --> 00:34:15,440 Speaker 1: you know, you know, uh, most definitely, it's most definitely 484 00:34:15,680 --> 00:34:19,400 Speaker 1: it's most definitely getting diversus a lot of different resources 485 00:34:19,520 --> 00:34:22,200 Speaker 1: coming into the city because Carros City gonna always be 486 00:34:22,320 --> 00:34:25,640 Speaker 1: Carro City, you know, the city over town. Look, you know, 487 00:34:25,760 --> 00:34:29,239 Speaker 1: Miami gonna be Miami. But we're most definitely seeing the change. 488 00:34:29,280 --> 00:34:31,160 Speaker 1: And I just want to see what would come of it, 489 00:34:31,400 --> 00:34:34,279 Speaker 1: you know what I mean? You see anything like artists. Why, 490 00:34:35,680 --> 00:34:39,479 Speaker 1: most definitely, it's always most definitely as always young dudes. 491 00:34:39,480 --> 00:34:41,239 Speaker 1: You know what I'm saying. I like little Cash, it's 492 00:34:41,239 --> 00:34:45,239 Speaker 1: another little dude. I'm talking about. Shout out a little 493 00:34:45,280 --> 00:34:47,040 Speaker 1: young day sail here on the album as well. We 494 00:34:47,160 --> 00:34:50,319 Speaker 1: did something specs you for the album as well. Yeah, Um, 495 00:34:50,760 --> 00:34:52,600 Speaker 1: it's a you know, it's it's a bunch of youngsters. 496 00:34:52,680 --> 00:34:54,080 Speaker 1: That's the one their team, you know what I'm saying. 497 00:34:54,120 --> 00:34:55,839 Speaker 1: But I try to keep my head to the street 498 00:34:55,880 --> 00:34:57,239 Speaker 1: that support all the little home and you know what 499 00:34:57,280 --> 00:34:59,600 Speaker 1: I'm saying, to see who next and whoever the home risk, 500 00:34:59,680 --> 00:35:02,239 Speaker 1: that's who to give that that one shot too. What 501 00:35:02,520 --> 00:35:04,759 Speaker 1: are the productions you've got on the album? The sides 502 00:35:04,800 --> 00:35:08,160 Speaker 1: of the ones you mentioned well, you know, um and 503 00:35:10,440 --> 00:35:13,880 Speaker 1: because you got a good man. Most definitely it's always 504 00:35:14,040 --> 00:35:17,480 Speaker 1: faced for upcomers because a lot of times those are 505 00:35:17,480 --> 00:35:20,600 Speaker 1: the ones that just find, you know, pieces that's feeling 506 00:35:20,640 --> 00:35:23,440 Speaker 1: those slots. You may go sit down with your blaze 507 00:35:23,480 --> 00:35:26,800 Speaker 1: in the Justice League and have an eight piece span 508 00:35:27,000 --> 00:35:30,200 Speaker 1: or orchestra, but it's always the little young dudes pulling up, 509 00:35:30,320 --> 00:35:33,440 Speaker 1: jumping out the passenger seat, playing that heat. And that's 510 00:35:33,480 --> 00:35:35,080 Speaker 1: what I look for the most and we got a 511 00:35:35,160 --> 00:35:48,920 Speaker 1: lot of those two. What else, They're no acting up 512 00:35:48,920 --> 00:35:49,080 Speaker 1: in it.