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Speaker 1: Hey, today's show is brought to you by sock Fancy.

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Speaker 2: Uh.

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Speaker 3: These are awesomely random socks. They come every month. It's

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Speaker 3: free shipping everywhere in the world, hundreds of designs. You

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Speaker 3: never get the same pair twice. They look really nice.

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Speaker 3: Free exchanges. You can cancel any time.

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Speaker 2: I got it, can I say, Hayes, Yeah, because it

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Speaker 2: does this. Yeah, it hits a lot of great yeah points.

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Speaker 2: Obviously they're random. They're so random, it's insane, not that random.

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Speaker 3: I just don't want people to worry that they're like

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Speaker 3: they're like, look like your fe is a snake or something.

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Speaker 1: It's not. They're just like fun.

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Speaker 2: But they could do that.

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Speaker 1: No, it's within their rights.

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Speaker 2: Yeah, but they have. They could look like street art graffiti,

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Speaker 2: which is really starting to grow, like grow a real

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Speaker 2: fan base. But yeah, they could look like anything. But

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Speaker 2: what they don't talk about as much. I mean it

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Speaker 2: says they're made a seventy percent premium come cotton. But

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Speaker 2: these socks are so comfortable and so durable that for

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Speaker 2: guys like me and Hayes, who the bones of our

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Speaker 2: feets is on the outside of our feet, it is

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Speaker 2: so difficult to find a sock that first of all,

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Speaker 2: can stand up to the bones and gather them and

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Speaker 2: can hold them in place. And that also that aren't

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Speaker 2: hurting and crunching the bones up back up into the

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Speaker 2: leg so that I sort of yelped shoot up in

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Speaker 2: the air like a cat, like bonkers the cat.

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Speaker 3: Yeah, I'm not correcting you, just being specific.

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Speaker 2: Totally nuts.

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Speaker 1: Uh.

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Speaker 2: So these socks, sock fancy, get them for normal feet,

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Speaker 2: different normal feet. They work great. But what I'm saying

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Speaker 2: is even if your feets have bones on outsides of them,

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Speaker 2: like Hayes has, I actually have both. Yeah, he's got

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Speaker 2: two sets of bones, double bones feets and uh for me,

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Speaker 2: I just got the one set.

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Speaker 1: It's on that side.

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Speaker 2: It sits on top of the skin, and the skin

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Speaker 2: and the meat is in a sack inside the bones

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Speaker 2: and the bones create sort of a cage. And it's

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Speaker 2: so hard for me to find great quality socks with

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Speaker 2: hundreds of designs uh And I found it. I go

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Speaker 2: to sock fancy dot com slash handbook and if you

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Speaker 2: do that yourself, you get a free pair out of

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Speaker 2: your subscription when you enter that code handbook at checkout.

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Speaker 2: So go ahead to it, get the socks and the

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Speaker 2: feets in the bones.

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Speaker 1: So lying in the dirt with Mickey.

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Speaker 3: Blue eyes, and he's showing me you take the butter box,

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Speaker 3: cut the little.

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Speaker 1: The Native woman.

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Speaker 3: Yes, yeah, yeah, yeah, yes, like.

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Speaker 2: Torpedoes.

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Speaker 1: Yes.

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Speaker 3: So I look at that and I say, wow, I

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Speaker 3: wonder if I could do that with my knees. Yes,

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Speaker 3: that could be very exciting for me. Well, sure, because

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Speaker 3: that's free this. You don't have to buy the butter. Yes,

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Speaker 3: I don't have to eat all this butter.

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Speaker 2: Yeah.

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Speaker 3: Uh So Mickey's like, no, don't do that, but I've

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Speaker 3: already gotten really far.

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Speaker 2: Good luck stopping hey. Once he's got an idea, Mickey,

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Speaker 2: I already.

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Speaker 3: Cut my big demarn like this long T shirt, and

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Speaker 3: I already cut the window out, and I am sort

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Speaker 3: of sort of contorting myself into position.

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Speaker 1: But it ends up I went too far.

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Speaker 3: I put them too far back, wound up with your

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Speaker 3: head down and I'm sort of chewing on my butt.

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Speaker 2: Okay, and you're chomping away. Yeah, And what was that

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Speaker 2: sensation for you in terms of your.

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Speaker 3: My mouse is following butter at this point too, because

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Speaker 3: I had just been eating and it's hard to At

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Speaker 3: some point, it gets very hard to swallow.

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Speaker 2: Well, so some of the butter's coming out into your

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Speaker 2: butt as you are chomping away at it. And that's

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Speaker 2: a situation that I'm sure Mickey Blue Eyes had a

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Speaker 2: comment about.

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Speaker 3: No, I can't hear. I know he was, because you're

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Speaker 3: so far at that point, and my head is kind

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Speaker 3: of all under my my teacher is so long.

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Speaker 2: And so now a man, a nice boy like you,

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Speaker 2: who only wanted to see himself with some funnel torpedoes,

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Speaker 2: is in a situation where he has maybe acquired a fetish.

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Speaker 1: Mmm. So yes, I have.

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Speaker 3: So that explains what I was doing when you drove up. Well, no,

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Speaker 3: and I knew it was something like that. But what

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Speaker 3: I'm learning is it does have to be in the

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Speaker 3: dirt because the butter gets it creates kind of a

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Speaker 3: butter mud.

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Speaker 2: And that is so careful who you say that around?

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Speaker 1: Right?

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Speaker 2: Yeah, I don't know what I mean, but.

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Speaker 3: But that is a big part of it. It turns out.

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Speaker 3: So that's why I was so mad, because you're like,

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Speaker 3: why you know.

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Speaker 1: Well, you were so bad.

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Speaker 2: You were so mad, right, because you were trying to

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Speaker 2: do it on the carpet.

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Speaker 1: Hey, welcome to holl.

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Speaker 2: She was show biz what up. What Garcy Barcy but

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Speaker 2: Garcy the uh harden And that last name makes me

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Speaker 2: think of Cardigan's, which is a kind of sweater I

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Speaker 2: have on. And isn't that sort of fun to play

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Speaker 2: with works?

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Speaker 4: It's so fun to play with words?

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Speaker 1: Yes, what did you have to eat today? Yeah?

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Speaker 2: What have you eaten so far?

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Speaker 4: I've eaten one deviled egg?

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Speaker 5: Yes?

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Speaker 2: Yes, and it's just for the official time. It's one

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Speaker 2: thirty nine pm and she's had a devil day.

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Speaker 4: And I mean half actually, because one deviled egg would

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Speaker 4: probably be two.

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Speaker 2: No, that's one, I say, that's yeah, that's one double degg. No,

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Speaker 2: we've had this argument before. That's one doubled egg. It's

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Speaker 2: not one egg, right, half an egg? Deviled eggs have

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Speaker 2: an egg?

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Speaker 3: And Sam, you made some deviled eggs for who as

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Speaker 3: you do every time we do a show. And what's

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Speaker 3: how do you do them?

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Speaker 2: Why do you make the devil's eggs? Sam?

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Speaker 1: I feel like I should contribute to the show. People

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Speaker 1: is hungry?

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Speaker 2: Yeah, and you're sort of a sweet little angel, but

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Speaker 2: you make the devil's eggs, that's true?

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Speaker 1: Does that help you be an angel? Because you're sort

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Speaker 1: of getting all the devil out into you.

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Speaker 2: Put it in the Yang?

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Speaker 1: Yeah?

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Speaker 2: Uh huh, which one are you yin? That's what I

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Speaker 2: was picking up as well, speaking of speaking of.

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Speaker 3: Philosophy and Yang who wrote the second episode, Yep and

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Speaker 3: Been and Devil.

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Speaker 4: Right, oh my God and.

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Speaker 2: God you're in the God Place. It's a big show

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Speaker 2: on NBC and they're making the show. And it made

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Speaker 2: me really think as much as it made me laugh.

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Speaker 5: Is that?

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Speaker 1: Okay? That's good?

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Speaker 4: That's what we want. That's God.

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Speaker 1: Okay.

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Speaker 2: Because I watched it, I turned it on saying, oh

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Speaker 2: I'll laugh, and then here I am thinking I didn't

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Speaker 2: expect that and wondering, and since you're one of the

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Speaker 2: stars of the show, maybe you can answer some of

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Speaker 2: the questions.

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Speaker 3: Who would go to the Good Place? And how did

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Speaker 3: they do the show? And who made it?

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Speaker 2: Thank you?

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Speaker 4: Yes, okay, that's those are great questions. Huh So who

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Speaker 4: would go to the Good Place? How do they make

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Speaker 4: the show?

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Speaker 2: And and who made it?

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Speaker 5: Well?

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Speaker 4: I would say, it's funny, you know, I think when

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Speaker 4: we think of like heaven and Hell, we kind of

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Speaker 4: think like half the population would go one place and

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Speaker 4: half would go to the other place. Isn't that kind

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Speaker 4: of what we've all been raised to believe, right, well,

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Speaker 4: exactly half, it's not that at all. It's like the top, like,

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Speaker 4: I mean, one percent almost. It's like hardly anyone is going.

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Speaker 1: To the god place.

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Speaker 5: Yes.

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Speaker 4: Wow, so we're looking at like, you know, the cream

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Speaker 4: of the damn crops.

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Speaker 2: What now, what do you think happens when we die?

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Speaker 2: Are we just warm food? I think we're warm food?

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Speaker 2: So I'm not gonna be able to play with his?

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Speaker 3: Well it is, I mean, because that's actually a very

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Speaker 3: cynical way of looking at it. The way, because I

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Speaker 3: think about this a lot, and I've actually studied it,

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Speaker 3: and I read the book.

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Speaker 4: What book?

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Speaker 1: The book? Yes, it's a book.

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Speaker 2: It's watershipped down right.

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Speaker 1: Yeah, explained what happened when an animal dies? Uh?

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Speaker 3: And what actually happens if you do read about it

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Speaker 3: is you do get to play with all your friends

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Speaker 3: and even your friends who are still alive, who are

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Speaker 3: up there already and at the same time kind of

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Speaker 3: like time.

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Speaker 4: Is a flat circle type deal.

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Speaker 3: Yeah, I don't know if you are you're thinking, you

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Speaker 3: thinking about what you're thinking of A.

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Speaker 2: Yeah, that's right, yeah, because the flat those are flat circles, Okay,

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Speaker 2: and they say what time it is, but not if

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Speaker 2: you don't move them around. They have a little wiggly

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Speaker 2: on the side and I have to squish with it.

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Speaker 4: Is that kind of what you mean?

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Speaker 1: No, it's not playing with my friends.

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Speaker 4: Okay, So you're playing with friends that are alive, friends

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Speaker 4: that are dead? And are you like the age you

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Speaker 4: are now? Are you a kid? What are you?

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Speaker 2: I can be different ages you can. So am I

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Speaker 2: playing with you up there right now?

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Speaker 5: No?

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Speaker 1: Because I'm not up there yet and me either, I'm

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Speaker 1: right here.

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Speaker 2: But somebody is playing with me up there, That's what

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Speaker 2: I'm asking.

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Speaker 1: Well, right, who though? Like, who's your friend?

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Speaker 3: My friend that's in the God place? Yes, I guess Prince. Yeah,

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Speaker 3: so you get to play with Prince up there now?

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Speaker 2: Yes? Yeah, so Prince is playing with me and he's

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Speaker 2: playing with you. But is he playing is are we

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Speaker 2: playing with each other?

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Speaker 3: The thing with me and Princess, we are probably not

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Speaker 3: playing one on one. We did not really have that

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Speaker 3: kind of relationship group outing.

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Speaker 1: Yeah about it, right, that's right?

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Speaker 3: Yeah, And sometimes I would get there first, you know

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Speaker 3: what I mean?

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Speaker 4: And then what do you even do? Look at your phones?

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Speaker 1: Yeah? I mean just too you have to go to

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Speaker 1: the bathroom.

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Speaker 2: You know, it's like, but you wouldn't get up from

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Speaker 2: the table, right, you just sit there and talk about

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Speaker 2: how bad you have to go to the bathroom. Yeah,

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Speaker 2: it would be like We'll just.

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Speaker 1: Go something to talk about.

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Speaker 3: But then I'm worried out, Like once I go and

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Speaker 3: come back, I will have nothing, so I have to

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Speaker 3: take a really long time to go.

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Speaker 1: Yeah.

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Speaker 2: So that conversation would be Prince going like, so what

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Speaker 2: are you working on right now? And his would be like,

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Speaker 2: I just really have to go about from so bad.

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Speaker 2: It's really hurting me. And Prince would be like, we'll

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Speaker 2: go the doors right there, there's no one in there,

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Speaker 2: and he's like, got it kills I gotta go so bad,

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Speaker 2: which is like, you know, an interesting conversation with Technique

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Speaker 2: Yah speaking of here we.

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Speaker 3: Go Broad City, Broad City. Would they go to the

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Speaker 3: Are they going to the good place?

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Speaker 4: Well, it's hard to say because I feel like almost

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Speaker 4: nobody that we know would be going there.

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Speaker 1: Yeah, because you said damn before.

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Speaker 2: I am I allowed to smoke weed up there? No, man,

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Speaker 2: wait a minute, I can't smoke weed by George Washington

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Speaker 2: did That's true?

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Speaker 4: But he's actually in one of the episodes, it said

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Speaker 4: the only president that's up in the good place is

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Speaker 4: Abraham Links right, yeah, I saw, yeah, I know you did.

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Speaker 4: I know you're about to say that.

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Speaker 3: So yeah, so tell me, if I'm not mistakes, you

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Speaker 3: aren't in all the.

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Speaker 4: Parts, right, that's true, that's true.

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Speaker 1: Good point, And.

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Speaker 3: You were in that part though, I don't think, yeah you.

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Speaker 2: If I'm not mistaken, I think some of those Broad

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Speaker 2: City girls smoke weeds.

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Speaker 4: Yeah, that's true.

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Speaker 2: So are they going to be smoking weed up there?

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Speaker 2: And are they getting in trouble?

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Speaker 4: I think, well, I don't think you can smoke weed.

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Speaker 4: And well, I see the thing about the good Places.

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Speaker 4: It's like sectioned off into neighborhoods, and we are just

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Speaker 4: exploring one neighborhood. So you know what, maybe there is

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Speaker 4: a neighborhood where they're smoking then.

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Speaker 2: Where they're smart weed, because then if they're doing that,

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Speaker 2: if they smoke wed, then I would think the Broad

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Speaker 2: City girls can be there. But if not, I don't

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Speaker 2: think because if I'm not mistaken, I think they like that.

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Speaker 1: I think extreme coup.

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Speaker 3: I think they yeah, yeah, yeah, they smoke the dank

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Speaker 3: is coops. You seem to be dodging the question of

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Speaker 3: how they do.

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Speaker 4: The show, how they do the show? Yes, okay, so.

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Speaker 2: Like oh sorry, and then if you could answer when

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Speaker 2: they had the idea for the show, were they chief

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Speaker 2: in that kindkush?

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Speaker 4: Oh are we talking broad City now?

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Speaker 2: Or no? No, no, no no no. But it seems

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Speaker 2: like some of these ideas you'd have to be chief

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Speaker 2: in the kind couch come up with that, right?

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Speaker 4: Okay?

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Speaker 1: Well, I broad.

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Speaker 3: City to me is a normal idea. I understand where

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Speaker 3: they came up. It's just me and my It's like there's.

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Speaker 2: A camera in my apartment watching me skype with my friends.

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Speaker 4: Exactly a different camera than the skype camera even.

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Speaker 2: Oh yeah, that's starting now. I feel like I'm cheap

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Speaker 2: in the kindcoush. How'd they make the show?

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Speaker 4: Okay? So how they made the show? I would say

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Speaker 4: it was just like, you know, we got some we

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Speaker 4: got we got yourself, Mike, Sure, who's got you know

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Speaker 4: we're talking parks and rec we're talking.

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Speaker 2: That's who made the show. That's a different question. I

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Speaker 2: want to answer how they made it. So I think

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Speaker 2: it's like how did this get made?

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Speaker 4: Okay? I think it's pretty much like you know, they

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Speaker 4: they had writers and a bunch of actors and we'd

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Speaker 4: be like, let's go to the set, and.

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Speaker 2: Then you know you, so you're you're instigating that, like

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Speaker 2: everyone's kind of hanging out in a room and you're

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Speaker 2: going like, hey, guys, we should probably head to the

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Speaker 2: set if we want the show mane yeah, I.

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Speaker 4: Mean me or someone else. It depends on the day.

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Speaker 2: But I feel like a lot of the time it's

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Speaker 2: probably you going it's almost for we have to be

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Speaker 2: off the set by a right, can we please go

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Speaker 2: to this set and make something?

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Speaker 4: Honestly, I was raised to be a leader. My dad

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Speaker 4: really takes that serious.

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Speaker 2: I was raised to be a two leader, you know

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Speaker 2: what I mean. Yes, I did Big House right, yeah, because.

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Speaker 1: And you get like not fizzy faster yeah.

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Speaker 2: Yeah, yeah, we go flat faster yeah at my house.

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Speaker 2: So I was raised to be a two leader, but

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Speaker 2: your dad wanted you to be one.

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Speaker 1: Yeah.

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Speaker 4: So it's like, if somebody needs to like make something happen,

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Speaker 4: I feel like I have it in me to just

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Speaker 4: like say it's time to go to set or whatever. Ah,

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Speaker 4: Like I'm not going to sit back and not say yeah,

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Speaker 4: and you are no, you're saying that you go.

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Speaker 2: Now I'm in it, and then Yang would be like.

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Speaker 4: Well, I didn't even know you, yeah, and I'd be

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Speaker 4: like Yang, you.

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Speaker 2: Do oh okay, and then so so now that almost

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Speaker 2: leads us directly into who made it, and it sounds

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Speaker 2: like it's you right in a way.

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Speaker 4: I mean like in a way, yeah, in a way. Yeah. Sure,

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Speaker 4: it's like me and Yang.

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Speaker 2: Uh huh talk about Janet.

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Speaker 4: Okay. So Janet is the character that I play on

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Speaker 4: The God Place.

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Speaker 2: Yeah, and well I have a.

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Speaker 4: Hard time even talking about her because okay, we got

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Speaker 4: a big yawn over there.

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Speaker 1: See that will happen.

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Speaker 3: Yes, thank you for noticing that engineers, you need someone

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Speaker 3: to have eyes on the yawning situation.

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Speaker 2: I turned my back to him because I want to

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Speaker 2: feel good about what I'm doing when I'm making the show. Yeah,

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Speaker 2: and Sam is not creating an environment that's conducive.

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Speaker 1: Yes, And what this is it's a very force yawn.

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Speaker 1: It is not real.

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Speaker 3: He is actually very into it, and he's pretending. He's

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Speaker 3: just like opening his eyes so much sleep. I've seen him.

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Speaker 4: He's not real and I like obsessed with Janet and

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Speaker 4: he's like not like to talk about Janet.

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Speaker 3: Yeah, but he's a little mad that we're not talking

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Speaker 3: about the eggs anymore.

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Speaker 1: So he's being like, I remember when the show was

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Speaker 1: interesting we talked about my eggs.

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Speaker 4: Yeah, well I was getting ready to say God bless

351
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Speaker 4: you because I thought you were going to sneeze.

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Speaker 1: Wow.

353
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Speaker 2: Wow, she was poised. She's even now it's infected your brain.

354
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Speaker 2: You're thinking, how do I get into the god place?

355
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Speaker 2: I have to say bless you all the time?

356
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Speaker 4: Janet. So the thing with Janet is I think of

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Speaker 4: her as a robot, but I don't think she's a robot.

358
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Speaker 2: Oh so this is okay. What I want to ask about.

359
00:16:03,480 --> 00:16:07,840
Speaker 2: I want to know, is Janet escaped from the West World?

360
00:16:08,200 --> 00:16:11,080
Speaker 2: Is she the West Warld?

361
00:16:11,120 --> 00:16:12,080
Speaker 4: She's way West World?

362
00:16:12,280 --> 00:16:12,480
Speaker 6: Oh?

363
00:16:12,800 --> 00:16:16,000
Speaker 4: No, way she Oh there's something in my eye. I'm

364
00:16:16,000 --> 00:16:17,720
Speaker 4: going to blink weird for a minute, but.

365
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Speaker 2: Don't, okay, and I'll tell the people who are listening

366
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Speaker 2: if it's true.

367
00:16:22,200 --> 00:16:27,320
Speaker 1: Keep talking about weird. So it was like your eelid

368
00:16:27,480 --> 00:16:29,600
Speaker 1: was licking. Your eye was on the other side from me.

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Speaker 4: You couldn't see it.

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Speaker 2: So, yeah, Janet is totally West World. So is there

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Speaker 2: a few between Janet and Siri?

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Speaker 4: Yeah, well it's an old Yeah, it's like uh, Jennifer

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Speaker 4: Siri an Alexa, Oh yeah, no. But the cool thing

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Speaker 4: about Janet is she has a body. So it's almost

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Speaker 4: like one of those things where you're like, ooh, does

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Speaker 4: Pandora and Spotify have like a feud? And Pandora's kind

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00:16:54,360 --> 00:16:55,960
Speaker 4: of like, we don't even think about.

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Speaker 1: Spotify, right ah.

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00:16:57,760 --> 00:16:59,680
Speaker 4: Yeah, so you think it's like on the same level,

380
00:16:59,680 --> 00:17:01,880
Speaker 4: but then like it's not on the sailor you.

381
00:17:01,840 --> 00:17:05,439
Speaker 1: Can give Siri and like that body. Yeah, yeah, but

382
00:17:05,480 --> 00:17:09,600
Speaker 1: they don't. Some people don't. Yeah, put them in a

383
00:17:09,600 --> 00:17:10,919
Speaker 1: big doll.

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00:17:11,000 --> 00:17:14,320
Speaker 2: Or like a canister is a body as well, look

385
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Speaker 2: a coffee.

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00:17:14,840 --> 00:17:16,359
Speaker 1: Yeah, that's not what I'm talking about.

387
00:17:16,359 --> 00:17:18,880
Speaker 2: But well the way I put a big dog, bend

388
00:17:18,880 --> 00:17:21,399
Speaker 2: it up and put them a big doll and then

389
00:17:21,440 --> 00:17:26,440
Speaker 2: ask you questions. Yeah, you brought up Pandora Pandora's box.

390
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Speaker 2: Is that what I think it is?

391
00:17:34,200 --> 00:17:35,439
Speaker 4: What do you think it is?

392
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Speaker 1: The good place? Y'all?

393
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Speaker 5: Feel me?

394
00:17:43,440 --> 00:17:45,919
Speaker 2: No, I'm bad today.

395
00:17:46,160 --> 00:17:50,399
Speaker 3: It's been very a little bit just today, I'm a

396
00:17:50,440 --> 00:17:50,920
Speaker 3: little bit.

397
00:17:51,119 --> 00:17:53,560
Speaker 2: You know, Hey says it's when girls are here. I

398
00:17:53,600 --> 00:17:54,119
Speaker 2: don't think that.

399
00:17:54,720 --> 00:17:56,960
Speaker 1: Sometimes when girls are here you can get a little ness.

400
00:17:57,000 --> 00:17:58,760
Speaker 4: Yeah, I know, I get that. That's kind of we're

401
00:17:58,840 --> 00:17:59,480
Speaker 4: kind of used to that.

402
00:18:01,840 --> 00:18:02,280
Speaker 2: Yeah.

403
00:18:02,560 --> 00:18:03,679
Speaker 1: Who girls?

404
00:18:03,840 --> 00:18:04,040
Speaker 5: Yeah?

405
00:18:04,480 --> 00:18:08,960
Speaker 1: Yeah, perfect, perfect perfect? What about them? Is that Broad City?

406
00:18:09,119 --> 00:18:10,520
Speaker 4: What? What did you just say?

407
00:18:10,880 --> 00:18:11,120
Speaker 5: Them?

408
00:18:11,359 --> 00:18:12,000
Speaker 4: What about them?

409
00:18:12,119 --> 00:18:12,840
Speaker 1: Yeah? Girls?

410
00:18:13,040 --> 00:18:13,720
Speaker 4: What about them?

411
00:18:13,960 --> 00:18:16,840
Speaker 1: Is that Broad City?

412
00:18:16,920 --> 00:18:20,400
Speaker 4: It kind of is okay, wait, oh girls the HBO show?

413
00:18:20,720 --> 00:18:20,960
Speaker 1: Yeah?

414
00:18:21,280 --> 00:18:22,040
Speaker 4: Is that what you're saying?

415
00:18:22,119 --> 00:18:22,399
Speaker 1: Yeah?

416
00:18:22,400 --> 00:18:23,600
Speaker 4: So is Girls Broad City?

417
00:18:23,640 --> 00:18:25,280
Speaker 2: Would girls be allowed in Broad City?

418
00:18:25,320 --> 00:18:27,200
Speaker 4: Would the girls from Girls be allowed from Broad City?

419
00:18:27,280 --> 00:18:27,520
Speaker 5: Yes?

420
00:18:27,600 --> 00:18:28,240
Speaker 4: I don't think so.

421
00:18:28,760 --> 00:18:31,000
Speaker 2: What I don't think so? Would the girls be allowed

422
00:18:31,040 --> 00:18:32,000
Speaker 2: to go to the good place?

423
00:18:32,560 --> 00:18:32,960
Speaker 1: No?

424
00:18:33,520 --> 00:18:35,479
Speaker 4: Do you think so? None of them? They wouldn't think.

425
00:18:35,600 --> 00:18:36,600
Speaker 2: Do the girl smoke weed?

426
00:18:36,800 --> 00:18:37,920
Speaker 4: I think the girls smoke weed?

427
00:18:38,000 --> 00:18:39,560
Speaker 1: Or yeah? I think they like No.

428
00:18:39,800 --> 00:18:45,120
Speaker 2: Yeah, that gives you the craziest thoughts. Is that safe?

429
00:18:45,680 --> 00:18:48,800
Speaker 4: I don't. I mean I think it's it's not unsafe,

430
00:18:48,920 --> 00:18:50,240
Speaker 4: or I mean, I don't know. I don't know. I

431
00:18:50,280 --> 00:18:52,240
Speaker 4: think it's everything is in moderation.

432
00:18:53,000 --> 00:18:55,960
Speaker 1: Well, you know, I.

433
00:18:55,920 --> 00:18:58,719
Speaker 2: Mean, let's be frank. You're the number one chibahawk. Uh,

434
00:19:00,080 --> 00:19:04,800
Speaker 2: you're driving the bus right to Banktown and you love

435
00:19:04,840 --> 00:19:12,840
Speaker 2: to get zooted. So let's just be honest for once. Okay,

436
00:19:12,880 --> 00:19:14,200
Speaker 2: what's the appeal there.

437
00:19:14,520 --> 00:19:18,719
Speaker 4: Of getting suited? So I think like, I mean, I

438
00:19:18,760 --> 00:19:21,959
Speaker 4: actually to be honest, like, I don't get super suited.

439
00:19:22,280 --> 00:19:25,600
Speaker 3: Describe a dream because you're tolerance when you were zooted. Wait,

440
00:19:26,119 --> 00:19:27,399
Speaker 3: describe a dream you had.

441
00:19:27,440 --> 00:19:32,280
Speaker 4: A dream when I was super suited. I think, like

442
00:19:32,560 --> 00:19:34,600
Speaker 4: the worst thing that happens to me when I'm zuted

443
00:19:34,720 --> 00:19:39,000
Speaker 4: is like maybe just being too aware of myself in

444
00:19:39,040 --> 00:19:42,120
Speaker 4: your dream. Oh wow, See, I don't think I really

445
00:19:42,160 --> 00:19:45,320
Speaker 4: dreamed too much when I'm suited, you.

446
00:19:45,280 --> 00:19:47,760
Speaker 1: Know, lucid dreaming I do? Can you do that?

447
00:19:48,240 --> 00:19:49,920
Speaker 4: I think I can?

448
00:19:50,280 --> 00:19:50,480
Speaker 7: Oh?

449
00:19:50,720 --> 00:19:52,160
Speaker 2: Oh no, wait?

450
00:19:52,280 --> 00:19:53,760
Speaker 4: Or maybe I don't really know. Does that mean when

451
00:19:53,760 --> 00:19:55,680
Speaker 4: you're in the dream and you're like, you're in a dream,

452
00:19:55,840 --> 00:19:56,600
Speaker 4: do this thing?

453
00:19:56,680 --> 00:19:58,199
Speaker 3: And you say, I'm in a dream, I have control

454
00:19:58,240 --> 00:20:00,439
Speaker 3: over your dream, and I have technology that allows me

455
00:20:00,480 --> 00:20:02,679
Speaker 3: to do it. I have a little mask that I

456
00:20:02,760 --> 00:20:06,960
Speaker 3: made with that I place my phone on top of that.

457
00:20:07,040 --> 00:20:09,840
Speaker 1: The phone is timed to flash little lights in my eyes.

458
00:20:09,880 --> 00:20:10,960
Speaker 1: It's just the dream.

459
00:20:11,119 --> 00:20:13,360
Speaker 2: Well, you can't adjust the lights in a dream. That's

460
00:20:13,400 --> 00:20:14,560
Speaker 2: one way to know if you're dreaming.

461
00:20:14,600 --> 00:20:14,719
Speaker 3: OK.

462
00:20:15,119 --> 00:20:17,160
Speaker 2: Yeah, And then the other way is if you think,

463
00:20:17,240 --> 00:20:20,000
Speaker 2: like I'm pretty sure this is a dream, I'm gonna

464
00:20:20,040 --> 00:20:23,880
Speaker 2: take the cops gun and if he stops you, yeah, yeah,

465
00:20:24,480 --> 00:20:25,639
Speaker 2: it's probably not a dream.

466
00:20:25,840 --> 00:20:29,160
Speaker 1: No, that means it is a dream. Ah, that's right, right.

467
00:20:30,119 --> 00:20:33,160
Speaker 2: And if he can't stop you, you're free to basically

468
00:20:33,160 --> 00:20:35,440
Speaker 2: do whatever anything because it's because it's real life.

469
00:20:35,480 --> 00:20:35,560
Speaker 1: Right.

470
00:20:35,880 --> 00:20:37,560
Speaker 4: Yeah then yeah, I think I can do that.

471
00:20:38,040 --> 00:20:38,640
Speaker 1: Yeah, you can.

472
00:20:38,760 --> 00:20:41,720
Speaker 3: When you are lucid dreaming, you have it's like you

473
00:20:41,800 --> 00:20:44,280
Speaker 3: have power, superpower.

474
00:20:43,680 --> 00:20:46,760
Speaker 2: Speak on that. What are you doing with those powers?

475
00:20:47,080 --> 00:20:47,320
Speaker 5: Well?

476
00:20:47,359 --> 00:20:50,440
Speaker 4: Mine, it's usually like I have a lot of bad dreams.

477
00:20:50,880 --> 00:20:53,160
Speaker 4: So I think mine is like the type of thing

478
00:20:53,160 --> 00:20:54,959
Speaker 4: where I feel that it's a bad dream and then

479
00:20:55,000 --> 00:20:59,680
Speaker 4: I go, Darcy, you're having a bad dream, don't make

480
00:20:59,760 --> 00:21:02,400
Speaker 4: it bad anymore, right for example?

481
00:21:02,840 --> 00:21:04,120
Speaker 1: Yeah, so like you.

482
00:21:04,080 --> 00:21:06,679
Speaker 4: Know, it's like a bad guy if there's like a

483
00:21:06,720 --> 00:21:09,720
Speaker 4: bad guy, like a Sam type. Yeah, yeah, it's just

484
00:21:09,720 --> 00:21:12,639
Speaker 4: like yawn and yon you could be like this is

485
00:21:12,640 --> 00:21:13,040
Speaker 4: a dream.

486
00:21:13,040 --> 00:21:16,399
Speaker 2: There's no way anyone will find I'm doing exactly and

487
00:21:16,440 --> 00:21:20,200
Speaker 2: then I'm funny, I'm fine, I'm interesting sing. It's easy

488
00:21:20,359 --> 00:21:25,119
Speaker 2: for forty minutes to not yawn in my face like

489
00:21:25,400 --> 00:21:26,840
Speaker 2: that would be rude. Yeah, exactly.

490
00:21:26,880 --> 00:21:29,080
Speaker 4: It's like if someone asked me a question and I'm

491
00:21:29,119 --> 00:21:31,440
Speaker 4: about to answer it, there's no way somebody would ever

492
00:21:31,760 --> 00:21:35,080
Speaker 4: like yon crazy big and like not cover their mouth.

493
00:21:35,760 --> 00:21:37,639
Speaker 4: So it's like I'm in a dream.

494
00:21:38,080 --> 00:21:39,880
Speaker 2: Ah, the fist in front of the mouth. That would

495
00:21:39,960 --> 00:21:42,920
Speaker 2: be enough, right, Just that's just a really minimal way.

496
00:21:43,720 --> 00:21:44,680
Speaker 2: Oh wow, just to.

497
00:21:44,640 --> 00:21:46,520
Speaker 4: Kind of say like, I'm aware that I'm yawning.

498
00:21:46,560 --> 00:21:48,680
Speaker 2: I know this is rude, and I'm trying to shield

499
00:21:48,760 --> 00:21:52,639
Speaker 2: you slightly. Yeah, that would be enough. So then you

500
00:21:52,800 --> 00:21:55,359
Speaker 2: so that's how you know it's a bad dream. And

501
00:21:55,520 --> 00:21:58,199
Speaker 2: what do you do? Oh, just start like flying around.

502
00:21:58,680 --> 00:22:01,120
Speaker 4: No, I don't like flying around dreams. That freaks me out.

503
00:22:01,160 --> 00:22:04,520
Speaker 1: Okay, freeze all the people in your class, free free.

504
00:22:05,640 --> 00:22:09,800
Speaker 2: And then like and then funny position so when they

505
00:22:09,800 --> 00:22:13,359
Speaker 2: wake up and why on the quarterbacks? But you know,

506
00:22:14,000 --> 00:22:15,160
Speaker 2: and that's the bully thing.

507
00:22:15,240 --> 00:22:17,720
Speaker 4: Yeah, totally. I'm trying to think of what I've ever.

508
00:22:17,880 --> 00:22:20,040
Speaker 4: I think usually probably just like wanted to kiss people.

509
00:22:20,880 --> 00:22:23,840
Speaker 3: Yeah, you got to freeze them first. That's kind of

510
00:22:23,840 --> 00:22:26,760
Speaker 3: what I'm talking about. So they can't kiss kiss everyone

511
00:22:26,760 --> 00:22:27,359
Speaker 3: in your I want to.

512
00:22:27,359 --> 00:22:29,200
Speaker 4: Kiss almost everybody without them kissing me back.

513
00:22:29,480 --> 00:22:31,400
Speaker 2: I hate when they try to kiss, but it's discussed.

514
00:22:31,680 --> 00:22:33,399
Speaker 3: But then when they come out of it, they like

515
00:22:33,440 --> 00:22:35,119
Speaker 3: they're sort of like, oh, something that's happened to me

516
00:22:35,119 --> 00:22:36,240
Speaker 3: and it kind of feels good.

517
00:22:36,400 --> 00:22:38,520
Speaker 1: Yeah, but they don't know exactly what happened. But they

518
00:22:38,520 --> 00:22:39,280
Speaker 1: did like it.

519
00:22:39,440 --> 00:22:42,359
Speaker 2: Yeah, yeah, they did really enjoy it. Blessing and a curse.

520
00:22:42,720 --> 00:22:49,399
Speaker 4: That's true. So what's up?

521
00:22:49,440 --> 00:22:51,880
Speaker 6: But is.

522
00:22:54,000 --> 00:22:55,960
Speaker 2: Dilbert's dad gonna go to a good place.

523
00:22:57,600 --> 00:22:58,360
Speaker 4: Delbert's dad?

524
00:22:58,560 --> 00:23:01,480
Speaker 2: Yeah, well he'd be a lot on the good place Dilbert.

525
00:23:01,840 --> 00:23:04,919
Speaker 4: Yeah, his dad, his dad, like the comic strip Dilbert.

526
00:23:05,119 --> 00:23:06,679
Speaker 2: Yeah, he has a dad.

527
00:23:06,320 --> 00:23:06,520
Speaker 5: We have.

528
00:23:07,400 --> 00:23:09,639
Speaker 1: How many other Dilberts are you friends with?

529
00:23:09,880 --> 00:23:11,560
Speaker 2: Well, I'm only a couplet.

530
00:23:11,720 --> 00:23:13,320
Speaker 4: I'm only friends with the one. But I have never

531
00:23:13,400 --> 00:23:15,639
Speaker 4: even seen Gilbert's dad. I'm not kidding.

532
00:23:16,520 --> 00:23:16,960
Speaker 1: This is what.

533
00:23:19,680 --> 00:23:22,680
Speaker 2: Bad news haters. He's letting you know what his age

534
00:23:22,720 --> 00:23:23,159
Speaker 2: looks like.

535
00:23:23,320 --> 00:23:28,160
Speaker 3: His dad, Scott, he created Dilbert, and he's his dad,

536
00:23:28,320 --> 00:23:29,840
Speaker 3: and he has a great.

537
00:23:29,640 --> 00:23:33,440
Speaker 1: Body, incredible age, incredible. Yeah.

538
00:23:33,520 --> 00:23:36,640
Speaker 3: People said at his age that he couldn't be that strong. Yeah,

539
00:23:36,720 --> 00:23:38,320
Speaker 3: he's really teaching them.

540
00:23:38,359 --> 00:23:38,800
Speaker 1: What's what.

541
00:23:38,920 --> 00:23:40,440
Speaker 4: I don't know if Gilbert's dad will go to the

542
00:23:40,480 --> 00:23:42,200
Speaker 4: good place. And that's not against him.

543
00:23:42,600 --> 00:23:45,680
Speaker 3: It's hard, it's hard, like Dilbert's Yes, he made lots

544
00:23:45,680 --> 00:23:47,400
Speaker 3: of people happy using Dilbert.

545
00:23:47,560 --> 00:23:49,000
Speaker 2: Well why are.

546
00:23:48,880 --> 00:23:50,920
Speaker 4: We not asking if Dilbert would go to the good place.

547
00:23:51,240 --> 00:23:54,720
Speaker 1: Well, Gilbert is actually not real. He's cartoon.

548
00:23:54,880 --> 00:23:57,960
Speaker 2: He's a fake guy, and that's why his hair looks weird. Yeah,

549
00:23:59,200 --> 00:24:00,640
Speaker 2: and his boss is as well.

550
00:24:00,720 --> 00:24:04,360
Speaker 4: Right, Okay, so Dilbert's dead, I get, I think. Yeah,

551
00:24:04,480 --> 00:24:06,040
Speaker 4: I don't know, guys, I don't.

552
00:24:05,880 --> 00:24:08,440
Speaker 3: Delbert recently went business casual. He doesn't have the tie

553
00:24:08,480 --> 00:24:12,520
Speaker 3: flipping up anymore. And I think that Scott might have

554
00:24:12,560 --> 00:24:16,080
Speaker 3: been disappointed that that was not a bigger deal to

555
00:24:16,160 --> 00:24:20,160
Speaker 3: people that he was made. Yes, and I made sure

556
00:24:20,200 --> 00:24:20,800
Speaker 3: that he knows.

557
00:24:20,640 --> 00:24:21,119
Speaker 4: Big deal you.

558
00:24:21,440 --> 00:24:24,200
Speaker 2: Uh yeah, I'm still freaking out about it in a

559
00:24:24,240 --> 00:24:26,320
Speaker 2: lot of ways.

560
00:24:26,640 --> 00:24:27,600
Speaker 1: It's hard to say.

561
00:24:27,640 --> 00:24:29,240
Speaker 3: It's just the kind of thing that where you check

562
00:24:29,280 --> 00:24:31,960
Speaker 3: in after like a couple of years and now Delvert

563
00:24:32,040 --> 00:24:32,840
Speaker 3: is business casual.

564
00:24:32,920 --> 00:24:36,359
Speaker 1: It's it hits you like a mac truck when you

565
00:24:36,359 --> 00:24:36,719
Speaker 1: see it.

566
00:24:37,240 --> 00:24:41,120
Speaker 2: And for me trying to piece my life back together

567
00:24:41,680 --> 00:24:45,800
Speaker 2: as just a man in this world, knowing that Dilbert's

568
00:24:45,840 --> 00:24:48,320
Speaker 2: tie could disappear like that, it makes me question what

569
00:24:48,359 --> 00:24:49,200
Speaker 2: else is going to change?

570
00:24:49,240 --> 00:24:50,280
Speaker 4: Yeah, that's a really good point.

571
00:24:50,920 --> 00:24:58,000
Speaker 2: It's scary yeah, I've had trouble trusting, you know, I do.

572
00:24:58,200 --> 00:25:00,199
Speaker 3: And it is kind of like what happens and the

573
00:25:00,200 --> 00:25:04,040
Speaker 3: guy place where sometimes there's like big sky bees and such.

574
00:25:04,119 --> 00:25:06,159
Speaker 3: It is a little like is that it's almost a

575
00:25:06,160 --> 00:25:07,840
Speaker 3: metaphor for when Delbert went business casual?

576
00:25:08,440 --> 00:25:08,600
Speaker 5: Yeah.

577
00:25:08,680 --> 00:25:11,399
Speaker 4: It's funny because you guys said like, how did this

578
00:25:11,440 --> 00:25:15,800
Speaker 4: get made or whatever? And I like mat or whatever, okay,

579
00:25:16,720 --> 00:25:18,959
Speaker 4: And there's like a part of me that's like, that's

580
00:25:19,000 --> 00:25:21,960
Speaker 4: what you said, right, yeah, yeah, that is what you said.

581
00:25:21,840 --> 00:25:22,320
Speaker 1: Right yeah.

582
00:25:22,720 --> 00:25:27,760
Speaker 4: So so I guess it's like, in a way, did

583
00:25:27,840 --> 00:25:30,359
Speaker 4: Dilbert stat have something to do with making the good place?

584
00:25:30,880 --> 00:25:32,639
Speaker 4: Is that a sneeze? Bless you?

585
00:25:32,920 --> 00:25:36,720
Speaker 2: Okay? Then here yeah, so so you're saying bless you.

586
00:25:36,840 --> 00:25:39,159
Speaker 3: But we do have rooms. We do have the sneeze rooms.

587
00:25:39,440 --> 00:25:44,160
Speaker 3: You know those little rooms, Sam, You know those rooms, Sam, Sam, you.

588
00:25:44,119 --> 00:25:45,919
Speaker 2: Know the rules if you have a sneeze coming up,

589
00:25:46,880 --> 00:25:50,520
Speaker 2: get up, go in this private room I forgot and

590
00:25:50,600 --> 00:25:53,520
Speaker 2: clean up after mm hmm, and clean up and send

591
00:25:53,520 --> 00:25:55,320
Speaker 2: me a picture of the room and it's clean. So

592
00:25:55,400 --> 00:25:59,720
Speaker 2: I know that when I yes, yeah, because you could

593
00:25:59,760 --> 00:26:01,960
Speaker 2: be taking a picture room before you well, one of

594
00:26:01,960 --> 00:26:03,399
Speaker 2: the other sneeze rooms that I cleaned.

595
00:26:03,720 --> 00:26:06,520
Speaker 4: Yeah, or you could just have one picture saved in

596
00:26:06,560 --> 00:26:07,000
Speaker 4: your phone.

597
00:26:07,200 --> 00:26:08,560
Speaker 1: Yes, a clean sneeze.

598
00:26:08,760 --> 00:26:10,800
Speaker 2: Oh yeah, No, you got to have a newspaper with you.

599
00:26:10,920 --> 00:26:11,199
Speaker 1: You have to.

600
00:26:11,240 --> 00:26:11,960
Speaker 4: Okay, that's right.

601
00:26:12,200 --> 00:26:16,400
Speaker 2: So and hopefully newspaper's open to Dilbert page hopefully has

602
00:26:16,400 --> 00:26:16,840
Speaker 2: this tie.

603
00:26:17,440 --> 00:26:19,399
Speaker 4: It's so such a cute little chimney when you said that.

604
00:26:19,600 --> 00:26:22,120
Speaker 2: Yeah, thanks, I'm the big sweeties.

605
00:26:24,880 --> 00:26:29,720
Speaker 5: Hello, it's me Junior Scripts the third I'm old man.

606
00:26:29,920 --> 00:26:33,639
Speaker 5: Scripts is a spry, little whipper snapper of a grandson.

607
00:26:33,720 --> 00:26:38,360
Speaker 5: I'm seventy five years old. So today's show is sponsored

608
00:26:38,400 --> 00:26:41,000
Speaker 5: by Howell FM, and I'm here to tell you about it.

609
00:26:41,119 --> 00:26:43,720
Speaker 5: I hope you liked the podcast so far.

610
00:26:44,359 --> 00:26:46,320
Speaker 1: And I wanted.

611
00:26:46,119 --> 00:26:51,000
Speaker 5: To dispel some rumors about my grandfather's company and mine

612
00:26:51,160 --> 00:26:55,760
Speaker 5: and just say it's all piffle, hogwash, poppycock and the like.

613
00:26:56,200 --> 00:26:57,520
Speaker 1: The idea that we.

614
00:26:59,000 --> 00:27:02,800
Speaker 5: Put nail gun nails into our employees' butts to make

615
00:27:02,840 --> 00:27:09,320
Speaker 5: them sit and listen to podcasts longer not true. Someone

616
00:27:09,440 --> 00:27:12,800
Speaker 5: said we put industrial staples up into their eyebrows so

617
00:27:12,840 --> 00:27:16,320
Speaker 5: that they are always sort of have their eyebrows up, Like,

618
00:27:16,440 --> 00:27:19,960
Speaker 5: oh good idea. Hm, that's interesting, and that's not we

619
00:27:20,000 --> 00:27:23,760
Speaker 5: don't do that, you know, listen to a brand new

620
00:27:23,840 --> 00:27:27,920
Speaker 5: Howel original series which is made in a totally humane way.

621
00:27:28,960 --> 00:27:32,359
Speaker 5: It's a Night called Tomorrow with James or Banniak from

622
00:27:32,400 --> 00:27:36,760
Speaker 5: The Venture Brothers or something and Hulu's Difficult People, So okay,

623
00:27:37,240 --> 00:27:41,080
Speaker 5: And in this ten episode comedic noir, James or Baniac

624
00:27:41,119 --> 00:27:43,840
Speaker 5: and Azure Parsons, which I guess is supposed to be

625
00:27:43,880 --> 00:27:47,960
Speaker 5: a real name, star as two Angelinos who stumble upon

626
00:27:48,000 --> 00:27:51,920
Speaker 5: an intergalactic conspiracy in nineteen fifty eight Hollywood. Oh that

627
00:27:52,040 --> 00:27:55,439
Speaker 5: ties in well with the Hollywood Handbook podcast you're listening to.

628
00:27:55,640 --> 00:27:58,600
Speaker 5: Maybe you'll like this too. As far as some of

629
00:27:58,600 --> 00:28:02,080
Speaker 5: the rumors about me personal outside the company, that I

630
00:28:02,160 --> 00:28:06,440
Speaker 5: only eat dolphin meat, roasted dolphin meat, and that's just crazy.

631
00:28:06,880 --> 00:28:16,560
Speaker 5: You know. I eat normal food like beef patties and

632
00:28:17,000 --> 00:28:24,600
Speaker 5: grown earth product seed elements, So no dolphin meat for me.

633
00:28:24,680 --> 00:28:28,800
Speaker 5: And I don't have private jets strapped to my feet

634
00:28:28,880 --> 00:28:31,320
Speaker 5: so that I'm always technically on a private jet even

635
00:28:31,359 --> 00:28:36,200
Speaker 5: when I'm walking around. That's insane and it wais is

636
00:28:36,400 --> 00:28:37,040
Speaker 5: what else? Oh?

637
00:28:37,119 --> 00:28:37,359
Speaker 1: Yeah?

638
00:28:37,400 --> 00:28:40,240
Speaker 5: The show features an all star cast, including and Give

639
00:28:40,360 --> 00:28:43,320
Speaker 5: Me Strappion because I'm gonna lay some big names on you,

640
00:28:43,840 --> 00:28:49,600
Speaker 5: Andy Richter, Weird, Al Yankovic, Lauren lapkiz Baron Vaughn and Moore?

641
00:28:50,160 --> 00:28:52,840
Speaker 5: How did they get them to listen to A Night

642
00:28:52,920 --> 00:28:55,320
Speaker 5: Called Tomorrow? And over one hundred and fifty hours of

643
00:28:55,360 --> 00:28:59,520
Speaker 5: exclusive Howl mini series. Go to howl dot FM slash

644
00:28:59,520 --> 00:29:02,640
Speaker 5: Hollywood and start your free trial to take it from

645
00:29:02,640 --> 00:29:05,640
Speaker 5: me Junior Scripts, the third, the youngest of the scripts.

646
00:29:06,120 --> 00:29:08,720
Speaker 5: After your full month of free trial, it's only four

647
00:29:08,880 --> 00:29:11,960
Speaker 5: ninety nine per months to get all this exclusive content

648
00:29:12,040 --> 00:29:15,680
Speaker 5: on Android, iPhone and on the web. Just go h

649
00:29:15,800 --> 00:29:21,160
Speaker 5: owl dot FM slash h O L L y Wood

650
00:29:21,480 --> 00:29:22,520
Speaker 5: to get started.

651
00:29:23,920 --> 00:29:28,120
Speaker 8: Oh the dolphin takes there's been a breach. Quick, help

652
00:29:28,120 --> 00:29:30,800
Speaker 8: me fire up my private jets. Don't just sit there

653
00:29:30,880 --> 00:29:33,160
Speaker 8: nail to your chair. Don't just stare at me with

654
00:29:33,200 --> 00:29:36,200
Speaker 8: that raised eyebrown. Look, help me save the dolphins. It's

655
00:29:36,280 --> 00:29:39,800
Speaker 8: all I can eaty with hammer.

656
00:29:40,600 --> 00:29:43,880
Speaker 2: So you're being polite saying God bless you. Would somebody

657
00:29:43,880 --> 00:29:45,240
Speaker 2: who's rude go to the good place?

658
00:29:45,320 --> 00:29:47,720
Speaker 4: Or no, somebody who's rude would not go to the

659
00:29:47,720 --> 00:29:48,160
Speaker 4: good place?

660
00:29:48,200 --> 00:29:51,120
Speaker 2: Okay, And then isn't it kind of rude? To be

661
00:29:51,360 --> 00:29:54,160
Speaker 2: on maybe two or maybe three TV shows and in

662
00:29:54,240 --> 00:29:55,920
Speaker 2: movies when haz isn't even in.

663
00:29:55,960 --> 00:30:00,440
Speaker 3: One, meaning this is a good way to road just

664
00:30:00,520 --> 00:30:02,400
Speaker 3: because I don't know if it's through it, it feels

665
00:30:02,400 --> 00:30:03,320
Speaker 3: like it could be rude.

666
00:30:03,320 --> 00:30:05,840
Speaker 2: It feels rude because you're sitting across from Hayes.

667
00:30:06,320 --> 00:30:11,160
Speaker 3: Yes, who's beautiful, and we do think about taking turns

668
00:30:11,160 --> 00:30:13,840
Speaker 3: and now it is well known to be nice to

669
00:30:13,840 --> 00:30:15,000
Speaker 3: take turns and share.

670
00:30:15,400 --> 00:30:19,240
Speaker 4: Yes, sharing is good turns. Yes, But could you flip

671
00:30:19,280 --> 00:30:22,280
Speaker 4: it and say, like Hayes is written for just like

672
00:30:22,360 --> 00:30:25,080
Speaker 4: a cornicopia of TV shows and I've written for none.

673
00:30:26,120 --> 00:30:29,280
Speaker 2: Well, so who's thanks for having's coming up?

674
00:30:30,880 --> 00:30:31,200
Speaker 1: Yes?

675
00:30:31,480 --> 00:30:34,400
Speaker 3: And for you to call my TV shows that is

676
00:30:34,480 --> 00:30:35,360
Speaker 3: also very rude?

677
00:30:35,360 --> 00:30:37,760
Speaker 4: Wait did I use Does that word even make sense

678
00:30:37,880 --> 00:30:39,360
Speaker 4: in this like a corner?

679
00:30:39,800 --> 00:30:44,240
Speaker 2: I don't need to confident enough that it doesn't to

680
00:30:44,400 --> 00:30:47,280
Speaker 2: really come out strong against it. But when you said it,

681
00:30:47,320 --> 00:30:51,520
Speaker 2: I thought it's weird. I said, I'm thinking she's using

682
00:30:51,560 --> 00:30:54,120
Speaker 2: it wrong. I wouldn't say it out loud because I

683
00:30:54,120 --> 00:30:54,560
Speaker 2: don't know.

684
00:30:54,760 --> 00:30:56,680
Speaker 4: The weird thing is that I was going to say plethora,

685
00:30:56,760 --> 00:30:59,080
Speaker 4: but then I'm like everybody fucking says that word.

686
00:30:59,200 --> 00:30:59,840
Speaker 1: Oh, the people.

687
00:31:01,120 --> 00:31:04,840
Speaker 2: So it's so basic, Darcy, don't be basic.

688
00:31:04,920 --> 00:31:10,240
Speaker 1: I try not to, but I like pumpkin spice. It's like, right, get.

689
00:31:10,080 --> 00:31:14,160
Speaker 4: Over it, get over it. Yeah, we get it. So anyway,

690
00:31:14,760 --> 00:31:16,960
Speaker 4: I think we probably can'cel each other out. You know

691
00:31:17,040 --> 00:31:20,560
Speaker 4: what I'm saying, You're we're not neither of us are

692
00:31:20,600 --> 00:31:23,040
Speaker 4: taking turns in a way that's honestly fucked.

693
00:31:22,800 --> 00:31:26,479
Speaker 2: Up being rude. Yeah, I mean it's like, even if

694
00:31:26,480 --> 00:31:28,440
Speaker 2: you're both rude, you're both not going.

695
00:31:28,320 --> 00:31:28,560
Speaker 1: To the good.

696
00:31:28,760 --> 00:31:29,760
Speaker 4: Yeah, that's probably true.

697
00:31:30,160 --> 00:31:34,280
Speaker 2: Yeah, just being me up there with Sam, I don't

698
00:31:34,280 --> 00:31:37,800
Speaker 2: know if you'll go either, Are you crazy?

699
00:31:38,080 --> 00:31:41,200
Speaker 1: Who is going in this? In this room cynical world

700
00:31:41,240 --> 00:31:41,720
Speaker 1: of yours?

701
00:31:41,800 --> 00:31:44,040
Speaker 4: That's the sad thing about it is like it's such

702
00:31:44,040 --> 00:31:45,040
Speaker 4: a small amount.

703
00:31:44,720 --> 00:31:47,760
Speaker 1: Of people, but like who is Like who.

704
00:31:47,600 --> 00:31:48,560
Speaker 4: That I know is going?

705
00:31:48,760 --> 00:31:49,680
Speaker 1: Yeah, I don't know.

706
00:31:49,800 --> 00:31:51,680
Speaker 4: My mom's great okay?

707
00:31:52,040 --> 00:31:53,960
Speaker 1: And who is she playing with when she's up there?

708
00:31:54,720 --> 00:31:58,040
Speaker 4: Probably her mom, my grandma's rd Okay. That's all I

709
00:31:58,080 --> 00:31:58,520
Speaker 4: can think of.

710
00:32:00,640 --> 00:32:02,800
Speaker 2: That's you said it. Yeah, it's not rude for me

711
00:32:02,880 --> 00:32:05,200
Speaker 2: to say that about it because you said it warm food?

712
00:32:06,560 --> 00:32:06,800
Speaker 1: True?

713
00:32:07,040 --> 00:32:08,520
Speaker 2: What do you name someone you care about?

714
00:32:08,560 --> 00:32:10,040
Speaker 1: Worm food? Think about it?

715
00:32:10,080 --> 00:32:13,080
Speaker 2: That's what you said. Anyone you love?

716
00:32:13,160 --> 00:32:16,040
Speaker 1: What do you think I'm going to be wrapped in

717
00:32:16,280 --> 00:32:20,480
Speaker 1: lumum oil anyway? So so what? Worms don't eat me? Yeah?

718
00:32:21,320 --> 00:32:25,800
Speaker 4: They can't get it scared the shin hun getting coffins.

719
00:32:26,160 --> 00:32:28,000
Speaker 1: It's expensive and it's for the environment.

720
00:32:28,000 --> 00:32:29,880
Speaker 4: I agree. Why don't you just get burned up?

721
00:32:31,520 --> 00:32:35,400
Speaker 3: It's because the lumic oil is like it would not burn.

722
00:32:35,480 --> 00:32:39,200
Speaker 3: It doesn't burn, that's the idea behind. So I would

723
00:32:39,280 --> 00:32:41,120
Speaker 3: at worst be like steamed.

724
00:32:41,240 --> 00:32:45,160
Speaker 1: Really Oh yeah, yeah, m hmm. What do you think happens?

725
00:32:45,320 --> 00:32:51,959
Speaker 2: Well, I'm telling you what I know. Water grinds the

726
00:32:51,960 --> 00:32:56,120
Speaker 2: pebble to dust. The dust becomes the soil. The soil

727
00:32:56,280 --> 00:33:00,480
Speaker 2: grows the tree. The tree creates the oxygen. The oxygen

728
00:33:00,880 --> 00:33:08,640
Speaker 2: feeds the little organisms that bind together to become the man,

729
00:33:09,480 --> 00:33:14,840
Speaker 2: and the man the soil and the pebble and the

730
00:33:14,920 --> 00:33:19,880
Speaker 2: river and the tree. And so can I be worm food?

731
00:33:19,880 --> 00:33:23,600
Speaker 2: I'm already the worm in many ways. And we're made

732
00:33:23,600 --> 00:33:25,959
Speaker 2: of star stuff. Hayes Bring's a great point. So I

733
00:33:26,040 --> 00:33:29,360
Speaker 2: think that when you die, you fly around our space

734
00:33:29,840 --> 00:33:32,520
Speaker 2: and you're friends with aliens and.

735
00:33:32,560 --> 00:33:35,920
Speaker 4: Rocks, then in a way, are we all right?

736
00:33:36,840 --> 00:33:37,080
Speaker 5: Hmm?

737
00:33:37,600 --> 00:33:42,280
Speaker 2: Aren't we all right? I know Matthew McConaughey thinks, so

738
00:33:42,360 --> 00:33:43,200
Speaker 2: remember how he says it?

739
00:33:43,280 --> 00:33:47,480
Speaker 4: I do you just remembering it?

740
00:33:47,920 --> 00:33:48,120
Speaker 1: Yeah?

741
00:33:48,120 --> 00:33:50,880
Speaker 3: It comes back to him in these waves, like these

742
00:33:50,880 --> 00:33:53,400
Speaker 3: big waves. Yeah, and he just has to kind of

743
00:33:53,440 --> 00:33:54,920
Speaker 3: ride him out. Hay, god, I.

744
00:33:54,880 --> 00:34:00,720
Speaker 1: Do it really well? All right?

745
00:34:00,920 --> 00:34:02,280
Speaker 8: All right, all right?

746
00:34:02,760 --> 00:34:05,440
Speaker 1: Remember well sort of?

747
00:34:06,880 --> 00:34:09,560
Speaker 4: Do you feel like he maybe said that the l more?

748
00:34:10,400 --> 00:34:11,839
Speaker 8: All right? Are right?

749
00:34:12,120 --> 00:34:12,640
Speaker 5: Are right?

750
00:34:13,000 --> 00:34:14,520
Speaker 2: That's him from the movies?

751
00:34:14,600 --> 00:34:15,240
Speaker 4: Which movie?

752
00:34:15,880 --> 00:34:16,080
Speaker 6: Oh?

753
00:34:16,360 --> 00:34:19,279
Speaker 2: Uh, I guess Contact?

754
00:34:19,600 --> 00:34:20,919
Speaker 4: Yeah, that's a movie.

755
00:34:21,200 --> 00:34:22,839
Speaker 3: That is how he hears it too. It's a little

756
00:34:22,960 --> 00:34:24,680
Speaker 3: hears everything a little bit slower.

757
00:34:24,440 --> 00:34:26,879
Speaker 4: Right right, We're right? Yeah, okay, so maybe he will

758
00:34:26,880 --> 00:34:27,760
Speaker 4: get into the good place.

759
00:34:28,760 --> 00:34:29,759
Speaker 1: Oh that's part of it.

760
00:34:29,880 --> 00:34:32,839
Speaker 4: Yeah, like when I think, like when people feel bad

761
00:34:32,840 --> 00:34:34,560
Speaker 4: for someone, they get like more points.

762
00:34:35,040 --> 00:34:39,800
Speaker 2: M m okay, what are some of my other impressions?

763
00:34:43,239 --> 00:34:47,319
Speaker 4: Do you do any like, you know, like villains like

764
00:34:47,360 --> 00:34:48,320
Speaker 4: maybe the Jokers?

765
00:34:48,360 --> 00:34:50,840
Speaker 1: Well, I mean famously?

766
00:34:50,960 --> 00:34:51,160
Speaker 2: Yes?

767
00:34:54,880 --> 00:34:56,920
Speaker 1: Why are you being so serious?

768
00:34:59,280 --> 00:34:59,480
Speaker 5: Right?

769
00:34:59,719 --> 00:35:01,319
Speaker 1: Can you do casey affleck at all?

770
00:35:01,960 --> 00:35:02,080
Speaker 3: Oh?

771
00:35:02,160 --> 00:35:02,359
Speaker 8: Yeah?

772
00:35:02,440 --> 00:35:04,160
Speaker 2: Oh yeah?

773
00:35:04,200 --> 00:35:08,040
Speaker 1: From which uh gone, baby gone?

774
00:35:09,000 --> 00:35:19,200
Speaker 2: Yeah hang on, yeah, you have a threatened her like

775
00:35:19,200 --> 00:35:21,120
Speaker 2: that again, cheese, I'm gonna pull your fucking cop.

776
00:35:22,840 --> 00:35:26,719
Speaker 9: So that means that's a couple of points because when

777
00:35:26,800 --> 00:35:32,200
Speaker 9: Cheese is threatening his girlfriend, he's not liking Okay, so

778
00:35:32,560 --> 00:35:33,279
Speaker 9: ches might know.

779
00:35:33,239 --> 00:35:36,520
Speaker 3: Where the baby is a little context on what's happening contact.

780
00:35:36,840 --> 00:35:40,360
Speaker 1: This person is named Kevin. Was sorry.

781
00:35:40,600 --> 00:35:42,360
Speaker 3: It's not because of you that I didn't laugh at that.

782
00:35:43,080 --> 00:35:45,919
Speaker 3: It's just like the Kevin stuff sort of ways heavy

783
00:35:46,000 --> 00:35:46,239
Speaker 3: on me.

784
00:35:48,080 --> 00:35:48,160
Speaker 5: This.

785
00:35:48,719 --> 00:35:55,000
Speaker 3: Yes, the man before you is Kevin. Kevin has something

786
00:35:55,040 --> 00:36:00,640
Speaker 3: to say. I guess, Hi, darc Hey, kay uh.

787
00:36:00,920 --> 00:36:05,239
Speaker 7: First, I want to apologize for like looking at you

788
00:36:05,400 --> 00:36:09,640
Speaker 7: from the window as you entered. It came off probably

789
00:36:09,680 --> 00:36:14,160
Speaker 7: creepier than it was, which is I guess explains.

790
00:36:13,680 --> 00:36:14,560
Speaker 1: What I'm about to say.

791
00:36:14,640 --> 00:36:19,120
Speaker 7: Okay, I'm first sorry for entering the room. And Sean

792
00:36:19,200 --> 00:36:25,200
Speaker 7: and Hayes have also noted creepy accusations I would like

793
00:36:25,239 --> 00:36:27,360
Speaker 7: to call it, and a lot of it is me

794
00:36:27,480 --> 00:36:31,040
Speaker 7: taking photos of the guests without their permission, right, So.

795
00:36:31,120 --> 00:36:34,239
Speaker 1: The accusations are creepy, it's you you are.

796
00:36:34,320 --> 00:36:37,400
Speaker 2: It's accusations if you are creepy, but they're not creepy

797
00:36:37,800 --> 00:36:42,279
Speaker 2: you and your behavior. Accusations are plain as dead, really

798
00:36:42,320 --> 00:36:42,880
Speaker 2: straight up.

799
00:36:43,520 --> 00:36:45,920
Speaker 4: It's hard just because it's like you looked at me

800
00:36:45,960 --> 00:36:48,440
Speaker 4: outside the like when I was pulling in, you definitely

801
00:36:48,520 --> 00:36:51,360
Speaker 4: like looked at me from this fourth floor window or whatever,

802
00:36:51,480 --> 00:36:53,879
Speaker 4: so like you had a weird, little like eagle eye

803
00:36:53,960 --> 00:36:57,120
Speaker 4: on me in a way that definitely made me feeluncomfortable.

804
00:36:57,560 --> 00:37:00,279
Speaker 1: And you probably wondered if he was taking creepy shots

805
00:37:00,320 --> 00:37:00,719
Speaker 1: from up there.

806
00:37:00,760 --> 00:37:02,439
Speaker 4: Yeah, I was thinking maybe he was taking creep shot

807
00:37:02,480 --> 00:37:02,880
Speaker 4: and he was.

808
00:37:03,200 --> 00:37:03,800
Speaker 1: Is that true?

809
00:37:03,960 --> 00:37:07,359
Speaker 2: He likes watching people when they don't know he's watching them,

810
00:37:07,760 --> 00:37:08,680
Speaker 2: doesn't need darcy.

811
00:37:08,840 --> 00:37:12,399
Speaker 4: Yeah, I think that's exactly what's going on. And then

812
00:37:12,440 --> 00:37:16,600
Speaker 4: I would like to apologize because after you, after I

813
00:37:16,640 --> 00:37:19,200
Speaker 4: heard that you were looking at me out the window,

814
00:37:19,280 --> 00:37:21,399
Speaker 4: I did whisper I'm going to kill you in your

815
00:37:21,400 --> 00:37:23,080
Speaker 4: ear and that is true, right.

816
00:37:23,360 --> 00:37:25,000
Speaker 7: Yeah, And then this is not the first time you've

817
00:37:25,000 --> 00:37:28,040
Speaker 7: said that, but cool, So I'm that's all right. I'm

818
00:37:28,080 --> 00:37:30,160
Speaker 7: kind of used to it at this point with you. Well,

819
00:37:30,760 --> 00:37:33,520
Speaker 7: so I guess with that being said, can I take

820
00:37:33,600 --> 00:37:36,560
Speaker 7: your your photos or photos.

821
00:37:36,120 --> 00:37:37,920
Speaker 4: Of you look me in the eye when you say that?

822
00:37:38,000 --> 00:37:39,960
Speaker 7: Okay, I promise, look me.

823
00:37:39,960 --> 00:37:41,080
Speaker 4: In the eye when you say that.

824
00:37:41,280 --> 00:37:44,399
Speaker 7: Can I take look? Can I take photos of she's

825
00:37:45,160 --> 00:37:46,359
Speaker 7: her eyes messed up?

826
00:37:46,400 --> 00:37:54,520
Speaker 2: Because so it's hard to do this, you know, that's

827
00:37:54,640 --> 00:37:56,800
Speaker 2: just that's not on Kevin so much.

828
00:37:57,600 --> 00:37:59,640
Speaker 4: Kevin, take my photo.

829
00:38:00,239 --> 00:38:05,960
Speaker 2: Thanks, So Kevin will be taking some photos. I wouldn't mind,

830
00:38:06,080 --> 00:38:08,520
Speaker 2: Darcy if you took a photo of Kevin as well,

831
00:38:08,680 --> 00:38:10,080
Speaker 2: just because I.

832
00:38:10,719 --> 00:38:12,560
Speaker 1: For him to feel, to see what it feels like.

833
00:38:13,480 --> 00:38:18,279
Speaker 2: Yeah, against his will, he and he no, let's get

834
00:38:18,320 --> 00:38:21,040
Speaker 2: his camera away from him when he's done. He's wearing

835
00:38:21,040 --> 00:38:24,040
Speaker 2: a shirt today. That's a shirt that I own, but

836
00:38:24,560 --> 00:38:27,520
Speaker 2: I've never worn it around him, which makes me think

837
00:38:27,880 --> 00:38:30,839
Speaker 2: he's seen me wearing it. He has some pictures of

838
00:38:30,880 --> 00:38:32,920
Speaker 2: me in it that I don't know about. I did

839
00:38:32,960 --> 00:38:33,640
Speaker 2: an author and he.

840
00:38:33,840 --> 00:38:38,440
Speaker 3: Took them to a clothes maker because it is just

841
00:38:38,480 --> 00:38:39,440
Speaker 3: slightly different.

842
00:38:39,880 --> 00:38:43,719
Speaker 1: The color balance is a picture a picture. Took it

843
00:38:43,760 --> 00:38:45,880
Speaker 1: to the clothes maker's head. And now I want.

844
00:38:45,760 --> 00:38:48,600
Speaker 2: Now I become Sean, I become the Shawn. Yeah. And

845
00:38:48,680 --> 00:38:51,920
Speaker 2: imagine if he was able to what a chilling world

846
00:38:53,160 --> 00:38:54,759
Speaker 2: he would, you know, how he'd be able to know?

847
00:38:54,800 --> 00:38:56,640
Speaker 2: He wouldn't be able to do my impressions.

848
00:38:56,760 --> 00:38:59,600
Speaker 4: Oh that's true, Like you had another one you're about

849
00:38:59,600 --> 00:39:04,600
Speaker 4: to do mm hmm, yeah, Oh I remember it's Aeriel

850
00:39:04,760 --> 00:39:06,000
Speaker 4: from The Little Marmaid.

851
00:39:05,800 --> 00:39:25,640
Speaker 2: Oh yeah a mom. Yes, yeah, yes, that's so big oyster.

852
00:39:28,760 --> 00:39:29,200
Speaker 4: That's right.

853
00:39:29,680 --> 00:39:31,600
Speaker 1: Yeah, you got it, and now we do.

854
00:39:32,400 --> 00:39:35,040
Speaker 3: Are you just taking a long time so when you're

855
00:39:35,320 --> 00:39:37,239
Speaker 3: putting off when you have to have creep shots taking

856
00:39:37,239 --> 00:39:38,920
Speaker 3: of view because you're wondering if it's not going to

857
00:39:39,000 --> 00:39:39,560
Speaker 3: feel very good?

858
00:39:39,680 --> 00:39:42,239
Speaker 7: Yeah, Kevin, I'm hoping that we can go until three

859
00:39:42,280 --> 00:39:45,080
Speaker 7: o'clock when the next show is here, and I'll say, oh,

860
00:39:45,200 --> 00:39:46,239
Speaker 7: look at that time to go.

861
00:39:46,360 --> 00:39:49,560
Speaker 4: Okay, kew are you twenty four? That's what I thought.

862
00:39:50,880 --> 00:39:54,000
Speaker 2: Like the show because you're such a big fan of

863
00:39:54,000 --> 00:39:54,400
Speaker 2: that show.

864
00:39:54,440 --> 00:39:56,439
Speaker 1: Is that why that's your age? That's why I'm twenty four.

865
00:39:56,520 --> 00:39:58,120
Speaker 2: Yeah, you're gonna try to choke us with a.

866
00:39:58,080 --> 00:39:58,840
Speaker 1: Towel or whatever.

867
00:39:58,840 --> 00:40:02,680
Speaker 7: I've been twenty four for six years since you discovered

868
00:40:02,680 --> 00:40:02,960
Speaker 7: that show.

869
00:40:03,360 --> 00:40:06,680
Speaker 2: I'm actually with the show. I'm actually very young as well.

870
00:40:06,680 --> 00:40:07,680
Speaker 2: Give Darcy the camera.

871
00:40:08,080 --> 00:40:09,280
Speaker 4: Did you take a picture of me, Kevin?

872
00:40:11,560 --> 00:40:13,680
Speaker 3: And I think that used to be your Instagram name,

873
00:40:13,760 --> 00:40:15,319
Speaker 3: right or is it still you take a picture of me?

874
00:40:15,360 --> 00:40:15,640
Speaker 4: Kevin?

875
00:40:16,040 --> 00:40:18,200
Speaker 1: No, Darcy Carden famous photographer.

876
00:40:18,280 --> 00:40:20,080
Speaker 4: That used to be that used to be my but.

877
00:40:20,280 --> 00:40:22,040
Speaker 1: Now you're a little too famous.

878
00:40:23,560 --> 00:40:25,880
Speaker 2: Yeah, I can't really have famous in the title when

879
00:40:25,920 --> 00:40:26,799
Speaker 2: you're famous.

880
00:40:27,080 --> 00:40:28,839
Speaker 1: That is not why you ask that's why you made

881
00:40:28,880 --> 00:40:29,360
Speaker 1: the change.

882
00:40:29,520 --> 00:40:35,840
Speaker 4: No, I it was it's this this camera is like clickie.

883
00:40:36,280 --> 00:40:39,000
Speaker 2: NBC was like, we're gonna make you actually famous. You

884
00:40:39,040 --> 00:40:40,839
Speaker 2: can't make fun of being famous. It's a bad look.

885
00:40:40,920 --> 00:40:45,120
Speaker 4: Yeah, that's right. Well it was more like it was

886
00:40:45,239 --> 00:40:47,719
Speaker 4: more just I don't know how to explain it without sound.

887
00:40:47,760 --> 00:40:49,759
Speaker 4: I mean, no, it's not that doshy. It just was

888
00:40:49,760 --> 00:40:51,840
Speaker 4: like they wanted my Twitter and my Instagram to be

889
00:40:51,880 --> 00:40:53,640
Speaker 4: the same, like they made.

890
00:40:53,360 --> 00:40:53,920
Speaker 5: You do it.

891
00:40:54,000 --> 00:40:56,680
Speaker 4: They said, they asked me to do it. I said no,

892
00:40:56,960 --> 00:40:59,400
Speaker 4: that's not who I am. And then they were like,

893
00:40:59,520 --> 00:41:01,720
Speaker 4: please just do it. And I was like, yeah, okay, okay,

894
00:41:01,960 --> 00:41:04,680
Speaker 4: so fuck you both for making me. Wait, I think I.

895
00:41:04,640 --> 00:41:05,960
Speaker 1: Turned your camera very thrilling.

896
00:41:06,360 --> 00:41:09,640
Speaker 4: Yeah, no, okay, O good picture.

897
00:41:09,760 --> 00:41:12,160
Speaker 1: This camera has a fail safe. Yeah that's really good.

898
00:41:12,680 --> 00:41:18,520
Speaker 4: I look really good in that. Okay, Kevin, did you.

899
00:41:18,520 --> 00:41:19,800
Speaker 2: Take a good picture of me today?

900
00:41:20,120 --> 00:41:20,560
Speaker 1: Not yet.

901
00:41:20,640 --> 00:41:22,560
Speaker 2: I feel like you try to make hazelok good and

902
00:41:22,600 --> 00:41:23,840
Speaker 2: you don't really do that for me.

903
00:41:24,080 --> 00:41:29,279
Speaker 7: I work my way up to you.

904
00:41:30,200 --> 00:41:35,720
Speaker 1: X ray mode he has a very specific color ballance.

905
00:41:35,920 --> 00:41:41,680
Speaker 2: No, it's x ray mode. He wants to see our bones?

906
00:41:43,920 --> 00:41:44,439
Speaker 1: Is that right?

907
00:41:44,680 --> 00:41:51,600
Speaker 2: What a sick freak? More skeleton porn for Kevin? Oh sick.

908
00:41:53,360 --> 00:41:55,840
Speaker 4: I've truly never had such a hard time taking a picture.

909
00:41:56,120 --> 00:41:56,560
Speaker 1: I made it.

910
00:41:56,760 --> 00:42:01,759
Speaker 2: Kevin got kicked out of biology class for taking photos,

911
00:42:01,800 --> 00:42:02,520
Speaker 2: for being.

912
00:42:02,360 --> 00:42:05,000
Speaker 1: Too horny with the skeleton.

913
00:42:05,760 --> 00:42:08,040
Speaker 2: He's randier than in turn Andy.

914
00:42:08,640 --> 00:42:10,279
Speaker 4: Kevin, Are you horny?

915
00:42:11,239 --> 00:42:11,720
Speaker 1: Are you almost?

916
00:42:12,040 --> 00:42:18,839
Speaker 2: He's bursting, He's about to burst, Look at him. This

917
00:42:18,880 --> 00:42:19,880
Speaker 2: guy's dangerous.

918
00:42:21,520 --> 00:42:22,719
Speaker 4: I'm a good photographer.

919
00:42:22,719 --> 00:42:23,719
Speaker 1: This is you.

920
00:42:23,800 --> 00:42:28,239
Speaker 2: Must be pissed. Halloween's over? Huh so much fucking Skellington

921
00:42:28,280 --> 00:42:37,640
Speaker 2: porn for a freak like you, Jesus Kevin, no Wonderton. Yeah,

922
00:42:37,719 --> 00:42:39,880
Speaker 2: that's why I got the camera on X ray mode.

923
00:42:40,400 --> 00:42:45,799
Speaker 2: That's what gets this guy off bones bones. I think

924
00:42:45,840 --> 00:42:48,480
Speaker 2: what happened is he heard about boning as a sexual

925
00:42:48,600 --> 00:42:51,840
Speaker 2: term and it made him picture like bones jamming together,

926
00:42:52,840 --> 00:42:56,360
Speaker 2: and then that just like burned into his mind or something.

927
00:42:58,120 --> 00:43:02,640
Speaker 3: You're right, pretend to be on the show, you know,

928
00:43:02,680 --> 00:43:06,440
Speaker 3: take the headphones off. This is not some kind of

929
00:43:06,520 --> 00:43:08,080
Speaker 3: role play for you where you get This isn't a

930
00:43:08,320 --> 00:43:09,920
Speaker 3: tree where you get to be one of us.

931
00:43:10,000 --> 00:43:11,160
Speaker 1: You still have to be you.

932
00:43:11,480 --> 00:43:16,560
Speaker 7: I just want it for the photo to look professionals.

933
00:43:15,000 --> 00:43:19,239
Speaker 2: When you take my picture, I'm not being Kevin being

934
00:43:19,280 --> 00:43:21,680
Speaker 2: me for better or worse.

935
00:43:22,239 --> 00:43:23,759
Speaker 1: Darcy, what's coming up?

936
00:43:24,120 --> 00:43:24,960
Speaker 2: What's coming up?

937
00:43:25,520 --> 00:43:28,719
Speaker 4: Well? Thanksgiving?

938
00:43:29,200 --> 00:43:34,640
Speaker 2: Oh yeah yeah, Barry, Yeah okay? And then is that buried?

939
00:43:34,960 --> 00:43:37,000
Speaker 2: Is that like people getting buried in their worm food?

940
00:43:37,120 --> 00:43:41,840
Speaker 4: Well in a way, yeah, oh no, but it's spelled

941
00:43:41,840 --> 00:43:42,319
Speaker 4: like the name.

942
00:43:43,239 --> 00:43:44,520
Speaker 1: How did they make that show?

943
00:43:44,800 --> 00:43:50,319
Speaker 4: Okay, so they made it by you know, they Bill

944
00:43:50,360 --> 00:43:51,240
Speaker 4: Hayter and Alec.

945
00:43:51,040 --> 00:43:54,120
Speaker 2: Berg wrote it and then they were nearest set. You

946
00:43:54,239 --> 00:43:56,560
Speaker 2: show up, entered Darcy.

947
00:43:56,520 --> 00:43:58,200
Speaker 4: Yeah, talk and I was like, we got to get

948
00:43:58,239 --> 00:43:59,280
Speaker 4: to set or we should.

949
00:43:59,520 --> 00:44:03,279
Speaker 2: Yeah, And I like that You're not so bossy. No,

950
00:44:03,719 --> 00:44:05,520
Speaker 2: You're like it's a good idea.

951
00:44:05,200 --> 00:44:05,719
Speaker 1: For you this.

952
00:44:05,840 --> 00:44:09,120
Speaker 4: I'm still just a woman.

953
00:44:07,400 --> 00:44:07,600
Speaker 2: You know.

954
00:44:08,200 --> 00:44:11,320
Speaker 1: But then you say, no, I'm in the show now.

955
00:44:11,280 --> 00:44:14,480
Speaker 4: Right, Well they yeah, that's right, because they're like, oh no,

956
00:44:14,520 --> 00:44:15,920
Speaker 4: I have to deal with casting, and I'm like, let

957
00:44:15,920 --> 00:44:19,439
Speaker 4: me take some of the weight off your shoulders. Lighting

958
00:44:19,560 --> 00:44:24,520
Speaker 4: thead exactly, so you know they're there. We haven't. We've

959
00:44:24,520 --> 00:44:28,080
Speaker 4: only made the pilot. So let's talk after.

960
00:44:27,960 --> 00:44:28,440
Speaker 1: Who are you?

961
00:44:28,719 --> 00:44:34,000
Speaker 4: Okay, I'm playing Natalie and would you really want to

962
00:44:34,000 --> 00:44:34,520
Speaker 4: know about the show.

963
00:44:38,960 --> 00:44:39,320
Speaker 2: Bye.

964
00:44:40,600 --> 00:44:43,719
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965
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Speaker 10: up Baby with the Longest Shortest Time, Baby Onesie, and

971
00:45:03,760 --> 00:45:06,360
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972
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974
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976
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Speaker 10: for the podcast fan in your life this holiday season.

977
00:45:22,680 --> 00:45:32,200
Speaker 6: Drums Hollywood hand Book is brought to you by Wolf

978
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979
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Speaker 3: Our Baby