WEBVTT - TechStuff Classic: Sets its VCR

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<v Speaker 1>Get in touch with technology with tech Stuff from how

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<v Speaker 1>stuff works dot com. Hey there, and welcome to tech Stuff.

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<v Speaker 1>I am your host, Jonathan Strickland. I'm an executive producer

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<v Speaker 1>with How Stuff Works, and I heart radio and I

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<v Speaker 1>love all things tech. And it is time, my friends,

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<v Speaker 1>for a classic episode. And we look back into the

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<v Speaker 1>archives of tech Stuff and the more than one thousand

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<v Speaker 1>episodes that we have recorded, and we pick out the gems,

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<v Speaker 1>polished them up, and serve them up to you, because

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<v Speaker 1>I bet most of you weren't listening way back in

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<v Speaker 1>two thousand twelve. That's when this episode originally aired March twelve,

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<v Speaker 1>two thousand twelve, is called tech Stuff sets its VCR.

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<v Speaker 1>It's time to talk about video cassette recorders. So Chris

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<v Speaker 1>Pilette and I sit down chat about it. I hope

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<v Speaker 1>you enjoy today. We're going to talk about the video

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<v Speaker 1>cassette recorder. Why, Chris, why would we ever talk about

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<v Speaker 1>the video cassette recorder, a technology that is almost forgotten

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<v Speaker 1>about today. Yeah, that's the problem. Uh yeah. A while back,

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<v Speaker 1>uh my father uh VCR he he had it uh

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<v Speaker 1>plugged in and during a summer thunderstorm or as we

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<v Speaker 1>call it, in the South a week day. Yes, um,

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<v Speaker 1>a power surge atomized the transformer inside the VCR. Sadly,

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<v Speaker 1>this did not give the VCR superpowers, where it then

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<v Speaker 1>went on to fight villains and you know, various locations

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<v Speaker 1>around the world. That's what happens in the comics, right,

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<v Speaker 1>lightning atomization superpowers. Really real life lightning atomization computers and

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<v Speaker 1>or people don't work very well anymore. Yeah. So, so basically,

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<v Speaker 1>the the power, the thing that makes the power work,

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<v Speaker 1>and the VCR is now gone. And I said, you

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<v Speaker 1>know what, it would be cheaper to get a new VCRY.

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<v Speaker 1>It would be to fix this one, which is very

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<v Speaker 1>likely true, which is which is often true with electronics.

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<v Speaker 1>So I recycled it. And my my father has a

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<v Speaker 1>lot of old videotapes that he wants to be able

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<v Speaker 1>to watch. I thought, oh, I'm gonna go get him

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<v Speaker 1>a VCR. I'll just go down to the department store

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<v Speaker 1>and pick one up. As it turns out, no, I won't,

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<v Speaker 1>because you can't find them anymore on most store shelves, um,

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<v Speaker 1>even even electronics stores. Yeah, they they If you find one,

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<v Speaker 1>you're you're not going to have your choice your Yeah,

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<v Speaker 1>I mean, well, one or two maybe, but it's not

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<v Speaker 1>like it was where like say you go look for

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<v Speaker 1>a smartphone, you have a display of smartphones to choose from,

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<v Speaker 1>you have different carriers to choose from. Even even looking

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<v Speaker 1>for something like a Blu ray player or even a

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<v Speaker 1>DVD player, there's they're a handful of them to choose from.

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<v Speaker 1>If not, uh, you know, a pretty good sized display.

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<v Speaker 1>But where that used to be the case with VCRs, uh,

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<v Speaker 1>it is not so much the case. And I was thinking,

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<v Speaker 1>he you know, I'm there, so they're so disposable. I'm

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<v Speaker 1>sure there's gonna be a tiny little VCR that I

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<v Speaker 1>can I can get. It doesn't have to be Hi fi,

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<v Speaker 1>you know. No, now they're gone. And I was started thinking,

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<v Speaker 1>who when did they stop making these things? Because I

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<v Speaker 1>just figured that everybody there are enough videotapes out there

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<v Speaker 1>that somebody would still make one. I mean, hey, they

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<v Speaker 1>do it with turntables, and people don't. People are starting

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<v Speaker 1>to collect vinyl again, but you know, it almost disappeared

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<v Speaker 1>for a long time there after the CD became popular.

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<v Speaker 1>So I started thinking, and we should look at the

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<v Speaker 1>VCR and see if we can uncover what happened to it.

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<v Speaker 1>Um but I think first we sort of need to

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<v Speaker 1>get it back into the technology. And uh, it's something

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<v Speaker 1>that again, uh is something that I thought if it

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<v Speaker 1>went back to a certain point maybe in the early eighties, uh,

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<v Speaker 1>mid seventies, but it really goes back, uh decades before

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<v Speaker 1>into the nineteen fifties. Really. Yeah, Now to really set

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<v Speaker 1>the scene back at this time, the way that that

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<v Speaker 1>you would capture images was using film. Oh yeah, and

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<v Speaker 1>we've talked about film quite a bit in this podcast

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<v Speaker 1>even recently, where we talked about, yeah, to use using

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<v Speaker 1>a chemical reaction where exposing a a a film that's

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<v Speaker 1>coded in chemicals to light activates those chemicals. You then

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<v Speaker 1>process that film with other chemicals to make a negative image,

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<v Speaker 1>not one that is you know, bad or ugly, but

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<v Speaker 1>as negative in this anyway you've heard those podcasts so

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<v Speaker 1>so negative. Right. So even capturing film, motion picture film

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<v Speaker 1>was done through this way. And the way you would

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<v Speaker 1>capture sound, as you would use through various means a

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<v Speaker 1>magnetic tape, and in the way motion picture film was

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<v Speaker 1>working was that you would have a strip of magnetic

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<v Speaker 1>tape that ran down the side of the film that

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<v Speaker 1>was arranged in such a way so that the sound

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<v Speaker 1>you were hearing and the images you were seeing were synchronized.

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<v Speaker 1>So someone came up came up with the idea and said, hey,

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<v Speaker 1>wait a minute, we were putting sound on magnetic tape. Yes,

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<v Speaker 1>what if we put pictures on magnetic tape too? And

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<v Speaker 1>that became the quest to create the the what would

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<v Speaker 1>become the VCR. But really at first it was just

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<v Speaker 1>getting video onto magnetic tape. And there were a lot

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<v Speaker 1>of challenges associated with that. Yeah, one of the big

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<v Speaker 1>ones being that that video information, the the image information,

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<v Speaker 1>took up a lot more space than audio information did.

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<v Speaker 1>So you had to find a new way to encode

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<v Speaker 1>that information and put it onto tape so it wasn't

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<v Speaker 1>going to take up too much space. Otherwise what you

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<v Speaker 1>would have is a mile long tape that would be

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<v Speaker 1>maybe oh a couple of minutes worth of video because

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<v Speaker 1>it had it required so much space to record all

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<v Speaker 1>that information. Well, people shouldn't be too terribly unfamiliar with this,

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<v Speaker 1>this problem. I mean, uh, we deal with that every

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<v Speaker 1>day in the internet. Uh, you know, broadband connections can

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<v Speaker 1>give you full motion video. You can uh play games

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<v Speaker 1>with very low latency where you can count on being

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<v Speaker 1>able to round a corner and get a shot off

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<v Speaker 1>at your opponent before uh, you know, you you freeze

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<v Speaker 1>and then find out that you died because there wasn't

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<v Speaker 1>anything you could do. Um, we have the same we

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<v Speaker 1>have the same problem with uh, well, with DSL connections.

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<v Speaker 1>You know that the voice uses a certain amount of

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<v Speaker 1>of the uh telephone line's capacity and that's how they

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<v Speaker 1>use uh, the telephone mine to carry the Internet is

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<v Speaker 1>is there's this unused capacity and that's how um, that's

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<v Speaker 1>how DSL works, and you know, and kind of simplified. Sure, um,

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<v Speaker 1>you know, but anybody who's looked at an audio cassette

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<v Speaker 1>and a video cassette knows can see exactly what you're

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<v Speaker 1>talking about, Jonathan, because uh, an audio cassette is uses

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<v Speaker 1>a much narrower piece of tape um than a video

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<v Speaker 1>cassette can. But there are other challenges to I mean, uh,

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<v Speaker 1>it sort of depends on how much video you want

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<v Speaker 1>to capture. A video cassette can be recorded in a

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<v Speaker 1>number of different quality levels and to fit when once

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<v Speaker 1>you've standardized on a cassette size, uh, and then you

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<v Speaker 1>start adding time to it. Oh, well, this one can

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<v Speaker 1>do eight hours instead of six hours. If you recorded

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<v Speaker 1>at the correct quality, then you start having to talk

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<v Speaker 1>about the tape's thickness, because the tape won't fit in

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<v Speaker 1>the cassette, won't fit in the machine if you leave

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<v Speaker 1>the tape at the same size, and it won't work

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<v Speaker 1>the same way inside the cassette. So something has to give.

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<v Speaker 1>But we could talk about the mechanics of that in

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<v Speaker 1>a moment. We were going to talk about the history

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<v Speaker 1>and so back in the nineteen yes, yes, and before

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<v Speaker 1>that of course, uh as as pretty much everyone knows

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<v Speaker 1>we have live TV. Um you know, you burps and

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<v Speaker 1>gaffs and things that fall over and all. You might

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<v Speaker 1>have a a famous Hollywood actor think that what he's

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<v Speaker 1>doing is a walk through rehearsal instead of the actual,

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<v Speaker 1>uh the actual program which did have been with I

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<v Speaker 1>think it was a Lawn Cheney Jr. Really yeah, he

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<v Speaker 1>was supposed to apparently, Um Mr Cheney was somewhat the

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<v Speaker 1>worse for wear because he had had a little had

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<v Speaker 1>a little little drinking pooh and thought that he was

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<v Speaker 1>going in for a rehearsal for something that he was doing,

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<v Speaker 1>and there was a fight scene and in the fight

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<v Speaker 1>scene he's supposed to pick up a chair and it's

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<v Speaker 1>breakaway chair slamming across the back of someone and knocked

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<v Speaker 1>them unconscious. He, thinking it was rehearsal, not realizing it

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<v Speaker 1>was going out live, picked up the chair, went through

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<v Speaker 1>the motion as if he was going to swing the chair,

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<v Speaker 1>then very gingerly set the chair back down where it

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<v Speaker 1>was supposed to be. And I actually have this on

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<v Speaker 1>DVD somewhere, so I'll have to see if I can

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<v Speaker 1>dig that up. But anyway, yeah, it was live TV.

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<v Speaker 1>It wasn't It wasn't something that people could mess with

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<v Speaker 1>and edit things out, and uh, you know, it went

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<v Speaker 1>out warts and all. Well. A couple of guys working

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<v Speaker 1>for AMPEX, which is again a familiar name for people

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<v Speaker 1>who've worked with National Recording Equipment UM, named Charles Ginsberg

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<v Speaker 1>and Ray Dolby UH worked on the first commercial real

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<v Speaker 1>to real video tape recorder, and that would be UH.

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<v Speaker 1>It looks very similar to a real to real audio recorder.

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<v Speaker 1>This was around nine six, and UH completely revolutionized the

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<v Speaker 1>TV industry because at this point you could record a

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<v Speaker 1>TV broadcast to be played at a later time. So

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<v Speaker 1>if you had something like um Mr Mr Cheney's gaff,

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<v Speaker 1>uh happened and you know, you could go back and

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<v Speaker 1>do it again if you needed to. UM. But before

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<v Speaker 1>that everything was live and this this really changed things

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<v Speaker 1>for the industry. Of course, these machines were were not inexpensive. Uh,

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<v Speaker 1>they were not tiny as they later became. UM. And

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<v Speaker 1>so it was really sort of the exclusive world of uh,

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<v Speaker 1>you know, professional TV people who are using the kind

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<v Speaker 1>of equipment and that would that would remain the case

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<v Speaker 1>for decades. Yeah, I mean in uh, it was ninety

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<v Speaker 1>nine when Sony came up with the first inexpensive VCR.

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<v Speaker 1>Expensive again meaning industry not consumer. Yeah. In nineteen seventy one,

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<v Speaker 1>Sony had the umatic system right right, U M A

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<v Speaker 1>T I C. And that was almost exclusively restricted to

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<v Speaker 1>commercial use. Yeah. They used the wider tape and had

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<v Speaker 1>had the advantage of being very high quality. UM. But

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<v Speaker 1>it was it was much larger than what we use today. Uh,

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<v Speaker 1>you know those of us who still have working videotape players. UM.

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<v Speaker 1>But it was it was really the mid seventies when

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<v Speaker 1>the equipment became inexpensive enough. Yeah. Yeah, I actually have

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<v Speaker 1>something kind of fun fun to say before we get

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<v Speaker 1>the mid Yeah, in ninete, this is the first time

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<v Speaker 1>we have a consumer video cassette recorder of this is

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<v Speaker 1>not VHS or BETA right, it's it's using the same

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<v Speaker 1>basic technology but different format. So the very first consumer

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<v Speaker 1>VCR from my research was a Phillips Model fifteen hundred,

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<v Speaker 1>which came out in the United Kingdom, of all places,

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<v Speaker 1>in nineteen seventy two. Well, Phillips is a British company.

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<v Speaker 1>Our pals in the United Kingdom. Do you get that? Pal? Ah? Nice?

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<v Speaker 1>Thank you. There's nothing you can do with NTSC. No, no,

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<v Speaker 1>we'll talk about that in a minute. But yeah, they

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<v Speaker 1>managed to get their hands on one in nineteen seventy two,

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<v Speaker 1>and it cost the princely some of six hundred forty

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<v Speaker 1>nine pounds in nineteen seventy two. And I know what

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<v Speaker 1>you're thinking, Chris. You're thinking, gush, Jonathan, how much would

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<v Speaker 1>that be in today's dollars? So you would have to

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<v Speaker 1>convert pounds into dollars and then used an inflation calculator.

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<v Speaker 1>Who has time to do that, will, sir? I tell

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<v Speaker 1>you I had time to do that this morning. Anyone

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<v Speaker 1>with Wolf from Alpha, which will do it for you automatically.

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<v Speaker 1>I didn't use Wolf from PA. So the answer Wolf

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<v Speaker 1>from Alpha gives may be different from the one I have,

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<v Speaker 1>but based upon the historical currency conversion website, sixty nine

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<v Speaker 1>pounds in nineteen two would be equivalent to nine thousand,

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<v Speaker 1>eighty seven dollars today. So just shy of ten grand

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<v Speaker 1>the very first consumer video cassette recorder. Meanwhile, Chris is

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<v Speaker 1>is looking at Wolf from Alpha as we record this

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<v Speaker 1>to see how how far apart the two conversions are.

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<v Speaker 1>Do you have an answer from Wolf from Alpha? Why

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<v Speaker 1>did I get? Okay, sixty nine? That's good radio right here? Oh?

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<v Speaker 1>I know it is. Well, that's the thing, is it?

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<v Speaker 1>It shows you how expensive this device was at the time.

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<v Speaker 1>I mean, it's not something that everybody had in there,

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<v Speaker 1>no tin grand to drop on a VCR. Yeah. Um,

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<v Speaker 1>do you have an answer? No, because I did it wrong.

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<v Speaker 1>So all right, we'll just have to ignore it. I'm

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<v Speaker 1>or some listener will be very helpfully let us know anyhow.

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<v Speaker 1>So um, so, yeah, it wasn't until the mid seventies

0:13:07.960 --> 0:13:12.040
<v Speaker 1>when VHS made its debut. Yeah. Actually, uh, in well,

0:13:12.080 --> 0:13:14.400
<v Speaker 1>in Japan it came out in seventy six, but in

0:13:14.440 --> 0:13:16.520
<v Speaker 1>the United States we had to wait till seventy seven

0:13:16.520 --> 0:13:19.040
<v Speaker 1>before it came over here. And before that Sony had

0:13:19.080 --> 0:13:22.840
<v Speaker 1>come out with a competing standard, the Beta standard. Yes,

0:13:23.320 --> 0:13:26.160
<v Speaker 1>so Beta had been on the market for a year

0:13:26.200 --> 0:13:29.600
<v Speaker 1>before VHS managed to come to store shelves. UH. And

0:13:29.679 --> 0:13:32.079
<v Speaker 1>so there were there was the videotape wars, which I

0:13:32.120 --> 0:13:34.240
<v Speaker 1>think we've actually talked about in a previous episode we have,

0:13:34.400 --> 0:13:36.800
<v Speaker 1>and and of course Beta short, as someone else will

0:13:36.840 --> 0:13:40.679
<v Speaker 1>point out, as short for Beta max UM and UH,

0:13:40.840 --> 0:13:44.160
<v Speaker 1>but you really didn't compete for for quite a while. UM.

0:13:44.200 --> 0:13:47.880
<v Speaker 1>Of course UH. Beta max is still used or or

0:13:48.040 --> 0:13:51.679
<v Speaker 1>was used for a long time in um TV work,

0:13:52.000 --> 0:13:54.960
<v Speaker 1>even after it failed as a standard that you would

0:13:54.960 --> 0:13:59.120
<v Speaker 1>see on the h store shelves at your local video

0:13:59.520 --> 0:14:03.800
<v Speaker 1>rental place. Right. The biggest differentiator between the two, at

0:14:03.840 --> 0:14:08.800
<v Speaker 1>least early on that size, was that well it Beta

0:14:09.040 --> 0:14:13.360
<v Speaker 1>had a slightly better resolution than VHS, but only slightly.

0:14:13.640 --> 0:14:17.600
<v Speaker 1>I mean, the difference wasn't as dramatic as say VHS

0:14:17.679 --> 0:14:20.320
<v Speaker 1>to DVD, but it was there. It did have a

0:14:20.360 --> 0:14:24.240
<v Speaker 1>higher quality image and also they could only record up

0:14:24.280 --> 0:14:27.160
<v Speaker 1>to two hours, and VHS the big thing about that

0:14:27.200 --> 0:14:29.840
<v Speaker 1>was they could record up to four hours, so that

0:14:29.840 --> 0:14:34.320
<v Speaker 1>that really helped push VHS over Beta, even though since

0:14:34.600 --> 0:14:37.240
<v Speaker 1>Beta had been on the market for a year they

0:14:37.240 --> 0:14:39.800
<v Speaker 1>had managed to bring their prices down, so when VHS

0:14:39.880 --> 0:14:45.120
<v Speaker 1>first launched, it was actually more expensive, right right, Well, um,

0:14:45.200 --> 0:14:48.080
<v Speaker 1>here again, the the average consumer is is going to

0:14:48.240 --> 0:14:50.160
<v Speaker 1>look at it and go, well, I can I can

0:14:50.200 --> 0:14:54.640
<v Speaker 1>buy blank video cassettes for a VHS machine and record

0:14:55.000 --> 0:14:59.120
<v Speaker 1>more video on it, uh to allow me to record

0:14:59.200 --> 0:15:02.200
<v Speaker 1>more myself, and therefore this is a better value for me,

0:15:02.280 --> 0:15:05.320
<v Speaker 1>even though the marginal difference in quality might make me

0:15:05.360 --> 0:15:08.120
<v Speaker 1>think about a Beta max machine. And the VHS standard

0:15:08.200 --> 0:15:11.640
<v Speaker 1>was introduced by j v C. Yes, and that's also

0:15:11.680 --> 0:15:13.480
<v Speaker 1>going to be important in a little bit. But j

0:15:13.640 --> 0:15:16.040
<v Speaker 1>v C the first model they introduced in the United

0:15:16.040 --> 0:15:19.960
<v Speaker 1>States was the hr Dash thirty three hundred, which cost

0:15:20.240 --> 0:15:25.160
<v Speaker 1>one thousand dollars in nineteen seventy, which in today's money

0:15:25.840 --> 0:15:29.640
<v Speaker 1>three thousand, five fifty five dollars. Yeah, that's a that's

0:15:29.680 --> 0:15:32.480
<v Speaker 1>a healthy chunk of change to drop on the v

0:15:32.600 --> 0:15:35.240
<v Speaker 1>C R. Yeah. And it's it's amazing too because a

0:15:35.240 --> 0:15:38.960
<v Speaker 1>lot of these machines were top loaders. I remember that. Yeah,

0:15:39.000 --> 0:15:42.280
<v Speaker 1>you'd topped the door open, slide the cassette in, and

0:15:42.280 --> 0:15:46.000
<v Speaker 1>then pushed the top of the door down back into

0:15:46.240 --> 0:15:48.760
<v Speaker 1>the video play. I had one of those. Yeah, and

0:15:48.800 --> 0:15:52.000
<v Speaker 1>this was you know, it's interesting to think of that

0:15:52.040 --> 0:15:54.200
<v Speaker 1>because I think the last time I actually went shopping

0:15:54.240 --> 0:15:56.200
<v Speaker 1>for a v c R, I was just looking for

0:15:56.200 --> 0:15:59.200
<v Speaker 1>for one to because I've got tapes I wanted to

0:15:59.240 --> 0:16:01.240
<v Speaker 1>be able to play them. This was years ago, but

0:16:01.320 --> 0:16:03.680
<v Speaker 1>I remember running across models that were like thirty or

0:16:03.680 --> 0:16:06.520
<v Speaker 1>forty dollars. So to think of it as being almost

0:16:06.560 --> 0:16:11.160
<v Speaker 1>well thirty bucks in today's money back then, Uh, that's

0:16:11.240 --> 0:16:15.240
<v Speaker 1>kind of kind of mind blowing right there. And of course, uh,

0:16:15.320 --> 0:16:18.200
<v Speaker 1>you might say, okay, so what happened between nineteen fifty

0:16:18.320 --> 0:16:23.440
<v Speaker 1>six and nineteen seventy six, Uh, well, one of the

0:16:23.440 --> 0:16:25.080
<v Speaker 1>there were there were several things that happened. Of course

0:16:25.120 --> 0:16:28.960
<v Speaker 1>that like all technology, it seems like people find out

0:16:29.400 --> 0:16:32.480
<v Speaker 1>better ways to achieve the same effects. So you know,

0:16:32.680 --> 0:16:35.720
<v Speaker 1>gradually these machines are getting smaller, they're getting lighter, Uh,

0:16:36.200 --> 0:16:38.760
<v Speaker 1>the qualities going up, They're getting more affordable as as

0:16:38.800 --> 0:16:41.320
<v Speaker 1>people can mass produce them in greater quantities. There was

0:16:41.360 --> 0:16:44.760
<v Speaker 1>also something else that that is common with this kind

0:16:44.800 --> 0:16:47.280
<v Speaker 1>of technology, and there were people that just didn't want

0:16:47.800 --> 0:16:53.120
<v Speaker 1>VCRs on on people's home entertainment shelves. Are you talking

0:16:53.160 --> 0:16:57.960
<v Speaker 1>about organizations like the Motion Picture Association of America. Yes, yeah,

0:16:58.400 --> 0:17:02.680
<v Speaker 1>so you've got these organizations that were legitimately concerned that

0:17:03.360 --> 0:17:07.760
<v Speaker 1>home access to this kind of technology would mean a hit.

0:17:07.880 --> 0:17:10.439
<v Speaker 1>It would take the organization, organization would take a hit,

0:17:10.480 --> 0:17:12.960
<v Speaker 1>the whole movie industry would take a hit, as people

0:17:13.520 --> 0:17:17.080
<v Speaker 1>would refrain from going out to the movies and instead

0:17:17.119 --> 0:17:20.199
<v Speaker 1>watch things from their homes. Same sort of concern was

0:17:20.320 --> 0:17:24.000
<v Speaker 1>from the television industry. If you didn't require people to

0:17:24.040 --> 0:17:26.920
<v Speaker 1>be at a certain place at a certain time, then

0:17:27.040 --> 0:17:30.960
<v Speaker 1>how can you guarantee that your advertisers are spending the

0:17:31.040 --> 0:17:36.600
<v Speaker 1>right amount of money for advertisements during that slot on TV? Oh? Oh,

0:17:36.640 --> 0:17:39.680
<v Speaker 1>but what but what? But what happens I ask you

0:17:39.880 --> 0:17:42.640
<v Speaker 1>when when your favorite one of your favorite movies comes

0:17:42.680 --> 0:17:45.440
<v Speaker 1>on on the local station, you could record it yourself

0:17:45.520 --> 0:17:48.960
<v Speaker 1>and then never have to go see it again. You

0:17:49.480 --> 0:17:51.480
<v Speaker 1>could watch it again any time you want it. Yeah

0:17:51.640 --> 0:17:55.080
<v Speaker 1>that's not cool. Yeah, So these were real arguments that

0:17:55.119 --> 0:17:56.800
<v Speaker 1>were brought up against it. That was one of the

0:17:56.880 --> 0:17:59.000
<v Speaker 1>reasons why it took a while for this stuff to

0:17:59.000 --> 0:18:01.360
<v Speaker 1>get to market, which because there was a big resistance

0:18:01.400 --> 0:18:05.639
<v Speaker 1>on the part of the content providers. So it seems

0:18:05.680 --> 0:18:08.679
<v Speaker 1>like that happens every time there's something that's one of

0:18:08.720 --> 0:18:11.680
<v Speaker 1>these revolutions in technology. If this episode we're all about

0:18:11.720 --> 0:18:14.600
<v Speaker 1>digital video recorders, it would be the same story. Yeah,

0:18:15.000 --> 0:18:19.600
<v Speaker 1>or audio cassettessettes. Really any any time you get to

0:18:19.640 --> 0:18:24.960
<v Speaker 1>any kind of medium where you're permanently putting something down. Yeah. Yeah,

0:18:25.000 --> 0:18:27.639
<v Speaker 1>there there are people who are saying, wait a minute,

0:18:27.640 --> 0:18:29.680
<v Speaker 1>how are we going to make money now? Well? Yeah,

0:18:29.720 --> 0:18:33.840
<v Speaker 1>I mean that it gave rise to uh to these industries.

0:18:33.880 --> 0:18:35.600
<v Speaker 1>They were able to record it the first time, and

0:18:35.600 --> 0:18:37.760
<v Speaker 1>then they could show it to you or play it

0:18:37.800 --> 0:18:40.919
<v Speaker 1>for you any other time for a fee. Yeah, they

0:18:40.920 --> 0:18:44.000
<v Speaker 1>were had. They were losing their money. Two major industries

0:18:44.160 --> 0:18:46.800
<v Speaker 1>popped up because of this. You had the rental industry. Yes,

0:18:47.080 --> 0:18:50.680
<v Speaker 1>so companies like Blockbuster and all the other rental agencies

0:18:50.680 --> 0:18:53.080
<v Speaker 1>out there that could rent out videotapes. They would not

0:18:53.160 --> 0:18:56.399
<v Speaker 1>exist without this. And then secondly, you had just the

0:18:56.520 --> 0:19:00.760
<v Speaker 1>home theater market industry. People who were purchased seeing tapes

0:19:01.760 --> 0:19:04.560
<v Speaker 1>so that they could own these movies that they loved

0:19:04.960 --> 0:19:07.960
<v Speaker 1>in a more permanent fashion instead of being like, oh,

0:19:08.040 --> 0:19:10.560
<v Speaker 1>I saw this great movie in the theater five years ago.

0:19:10.600 --> 0:19:13.280
<v Speaker 1>It's called Star Wars. I really wish that I could

0:19:13.280 --> 0:19:15.480
<v Speaker 1>watch it again, but no theater is showing it, and

0:19:15.520 --> 0:19:18.600
<v Speaker 1>there's no I mean, why would a theater release it again. Well,

0:19:18.600 --> 0:19:21.440
<v Speaker 1>suddenly this created a whole new market for these old films.

0:19:21.480 --> 0:19:25.000
<v Speaker 1>So once the industries realized this, they started they reverse

0:19:25.080 --> 0:19:28.639
<v Speaker 1>their decisions. Oh now I get it, and they made

0:19:28.960 --> 0:19:33.720
<v Speaker 1>stupid amounts of money on this. I remember buying UH

0:19:34.040 --> 0:19:37.920
<v Speaker 1>movies movies when they first came out on video cassette.

0:19:37.920 --> 0:19:41.679
<v Speaker 1>They were exorbitant eighty dollars for a film. Well, and

0:19:41.920 --> 0:19:44.000
<v Speaker 1>in a lot of cases that was because those movies

0:19:44.040 --> 0:19:47.199
<v Speaker 1>were priced for rental agencies, so that you would have

0:19:47.280 --> 0:19:49.880
<v Speaker 1>a company like Blockbuster. I always use that one because

0:19:49.920 --> 0:19:52.240
<v Speaker 1>that's the one that most people are familiar with. But

0:19:52.280 --> 0:19:55.560
<v Speaker 1>Blockbuster would say, all right, we'll pay a hundred dollars

0:19:55.760 --> 0:19:59.960
<v Speaker 1>per uh copy of this film, and then we'll make

0:20:00.000 --> 0:20:02.919
<v Speaker 1>get up by renting it out to X number of customers.

0:20:03.000 --> 0:20:06.080
<v Speaker 1>And so it will take us, you know, a certain

0:20:06.160 --> 0:20:09.240
<v Speaker 1>number of times before we make our money back. But

0:20:09.280 --> 0:20:11.919
<v Speaker 1>after that, it's all profit as long as that tape

0:20:12.200 --> 0:20:14.000
<v Speaker 1>is undamaged, you know, as long of that tape is

0:20:14.240 --> 0:20:18.600
<v Speaker 1>is is lendable. Yeah, so uh yeah, there were a

0:20:18.640 --> 0:20:21.359
<v Speaker 1>lot of videotapes that never went on sale for a

0:20:21.400 --> 0:20:25.919
<v Speaker 1>price that the average consumer would consider reasonable because it

0:20:25.960 --> 0:20:28.480
<v Speaker 1>was never meant for the mass market. It was meant

0:20:28.520 --> 0:20:30.840
<v Speaker 1>for the rental agency market. One of the movies, there's

0:20:30.840 --> 0:20:33.600
<v Speaker 1>a movie that I talk about among my friends all

0:20:33.600 --> 0:20:37.359
<v Speaker 1>the time called Blood Salvage. The tagline is if Jake

0:20:37.440 --> 0:20:40.600
<v Speaker 1>can't fix it, it's been dead too long. It was

0:20:40.640 --> 0:20:45.879
<v Speaker 1>a gothic Southern horror movie about a a guy who

0:20:45.960 --> 0:20:50.719
<v Speaker 1>runs a wrecking facility. He Um. He has drives an

0:20:50.720 --> 0:20:54.880
<v Speaker 1>old tow truck and he um salvages parts from from

0:20:55.000 --> 0:21:00.520
<v Speaker 1>vehicles and people. Anyway, I was an extra in this film.

0:21:00.760 --> 0:21:02.480
<v Speaker 1>Don't even bother trying to find it if you want

0:21:02.480 --> 0:21:04.439
<v Speaker 1>to look for me, because you first you don't know

0:21:04.480 --> 0:21:06.560
<v Speaker 1>what I looked like when I was twelve and two.

0:21:07.040 --> 0:21:09.360
<v Speaker 1>You would have to have eagle eyes and your hand

0:21:09.400 --> 0:21:12.720
<v Speaker 1>on the pause because it's gone in a flash. But anyway,

0:21:13.560 --> 0:21:16.040
<v Speaker 1>I wanted to copy this movie because I actually enjoyed it.

0:21:16.040 --> 0:21:20.120
<v Speaker 1>It's a goofy horror movie, can't be tongue in cheek

0:21:20.960 --> 0:21:23.399
<v Speaker 1>kind of gross, you know, right up my alley, right,

0:21:24.359 --> 0:21:28.280
<v Speaker 1>So I went looking for it's the only place. Finally

0:21:28.320 --> 0:21:30.640
<v Speaker 1>I got it on eBay when someone got it from

0:21:30.640 --> 0:21:34.360
<v Speaker 1>like a fire sale from some rental company. But yeah,

0:21:34.400 --> 0:21:38.800
<v Speaker 1>that's why those those tapes were that expensive. So all right,

0:21:38.840 --> 0:21:40.760
<v Speaker 1>So the VHS has been on the market for just

0:21:40.880 --> 0:21:46.439
<v Speaker 1>four years or so. In VHS made up seventy of

0:21:46.560 --> 0:21:50.680
<v Speaker 1>all video cassette sales by then Beta had dropped down

0:21:50.720 --> 0:21:55.560
<v Speaker 1>to and it was all VHS from there on out

0:21:55.720 --> 0:21:59.919
<v Speaker 1>until really the late ninety nineties, and it didn't really

0:22:00.320 --> 0:22:02.480
<v Speaker 1>start dropping off until the two thousand's. But we'll get

0:22:02.480 --> 0:22:05.840
<v Speaker 1>into that after we talk about how this stuff works. Yeah,

0:22:05.960 --> 0:22:08.480
<v Speaker 1>I mean, that's that's one of the important things too,

0:22:08.560 --> 0:22:11.640
<v Speaker 1>is UM in general, these machines all kind of work

0:22:11.720 --> 0:22:15.480
<v Speaker 1>the same. We're talking about Beta max and uh uh

0:22:15.520 --> 0:22:19.280
<v Speaker 1>you know three quarter for the television industry, UM three

0:22:19.320 --> 0:22:24.119
<v Speaker 1>quarter inch UM for VHS. They're basically they're all a

0:22:24.400 --> 0:22:27.040
<v Speaker 1>reel of magnetic tape inside a cassette. And that's one

0:22:27.040 --> 0:22:30.840
<v Speaker 1>of the cool things about video cassette recorders is that

0:22:31.760 --> 0:22:34.280
<v Speaker 1>these devices, I mean, and I talk about the cassettes,

0:22:34.320 --> 0:22:38.120
<v Speaker 1>the cassettes themselves are designed to protect the tape, which

0:22:38.160 --> 0:22:42.919
<v Speaker 1>is necessary because uh, certain young people I know would

0:22:43.080 --> 0:22:46.040
<v Speaker 1>gladly reach in and grab the tape and pull it

0:22:46.119 --> 0:22:47.720
<v Speaker 1>right out of the cassette, if it was possible to

0:22:47.760 --> 0:22:49.960
<v Speaker 1>do so easily. Um, it is if you know what

0:22:50.000 --> 0:22:52.760
<v Speaker 1>you're doing. But it's got protections on it to keep

0:22:52.760 --> 0:22:56.280
<v Speaker 1>it from getting stuff spilled on it or getting cooled

0:22:56.560 --> 0:23:00.000
<v Speaker 1>on something by accident. Um. So it was very wide

0:23:00.240 --> 0:23:03.479
<v Speaker 1>of the people who made these cassettes to build in

0:23:03.560 --> 0:23:05.440
<v Speaker 1>some protections. It's got a little door and if you

0:23:05.560 --> 0:23:09.560
<v Speaker 1>hit a cassette, if you hit the little button springloaded button,

0:23:10.000 --> 0:23:12.439
<v Speaker 1>you can pull the door open and actually look at

0:23:12.440 --> 0:23:15.960
<v Speaker 1>the tape. Um. But it's got you know, two reels

0:23:15.960 --> 0:23:18.240
<v Speaker 1>that the tape starts on one side, moves to the

0:23:18.240 --> 0:23:21.240
<v Speaker 1>other side, but it's the cassette also has some features

0:23:21.240 --> 0:23:24.560
<v Speaker 1>to to prevent that from being done casually. Yeah, there's

0:23:24.600 --> 0:23:28.400
<v Speaker 1>some springloaded uh brakes on there that have to be

0:23:28.440 --> 0:23:31.439
<v Speaker 1>engaged in order for them to release the tape. And

0:23:31.680 --> 0:23:34.600
<v Speaker 1>the VCR actually has a little pin or a pair

0:23:34.640 --> 0:23:37.840
<v Speaker 1>of pins really that that insert into the bottom of

0:23:37.880 --> 0:23:42.800
<v Speaker 1>the tape that releases that spring loaded brake. Otherwise it's

0:23:43.000 --> 0:23:45.920
<v Speaker 1>much more difficult. If you've ever tried to manually wind

0:23:46.720 --> 0:23:51.200
<v Speaker 1>a VHS tape, you realize this isn't moving very easily

0:23:51.240 --> 0:23:53.280
<v Speaker 1>at all, it doesn't work like an audio cassette where

0:23:53.280 --> 0:23:56.160
<v Speaker 1>you can take a pencil and yeah and rewindedly winded back,

0:23:56.240 --> 0:23:58.440
<v Speaker 1>like especially if if the tape had come out a

0:23:58.520 --> 0:24:01.120
<v Speaker 1>little bit and yeah, boy, I've had fun with those.

0:24:01.720 --> 0:24:06.720
<v Speaker 1>Um So, Also, the the information that's stored on this

0:24:06.800 --> 0:24:12.159
<v Speaker 1>magnetic tape is not recorded linearly left to right or

0:24:12.280 --> 0:24:14.800
<v Speaker 1>right to left. It's if you did that, the tape

0:24:14.840 --> 0:24:19.080
<v Speaker 1>would have to be enormous because, like we said that

0:24:19.080 --> 0:24:22.960
<v Speaker 1>that visual information takes a lot of space. So this

0:24:23.040 --> 0:24:25.560
<v Speaker 1>was one of the clever ideas that the video cassette

0:24:25.560 --> 0:24:28.760
<v Speaker 1>industry came up with early on, was instead of recording

0:24:28.760 --> 0:24:31.080
<v Speaker 1>it like a straight line, like imagine you have a

0:24:31.160 --> 0:24:35.520
<v Speaker 1>really wide sheet of paper, all right, so it's it's

0:24:35.520 --> 0:24:37.760
<v Speaker 1>a roll of paper, maybe, Yeah, like a roll of paper,

0:24:37.760 --> 0:24:39.800
<v Speaker 1>and you've you've rolled it out from left to right

0:24:39.840 --> 0:24:43.040
<v Speaker 1>and you're going to write a message. Well you cut

0:24:43.040 --> 0:24:45.919
<v Speaker 1>off cut off at ten feet, all right, So at

0:24:45.960 --> 0:24:48.800
<v Speaker 1>ten feet you're writing in and you can only write

0:24:48.840 --> 0:24:51.639
<v Speaker 1>one line from left to right. You can't you can't

0:24:51.680 --> 0:24:54.000
<v Speaker 1>go back down underneath after you get to the end.

0:24:54.680 --> 0:24:56.840
<v Speaker 1>There's a limited amount of information you can write on there.

0:24:57.720 --> 0:25:00.359
<v Speaker 1>But let's say that instead of writing it to directly

0:25:00.440 --> 0:25:04.920
<v Speaker 1>left to right, you tilt the paper. Okay, so you're

0:25:04.960 --> 0:25:08.560
<v Speaker 1>writing at a diagonal from the let's say the the

0:25:08.600 --> 0:25:11.399
<v Speaker 1>the top the bottom edge to the top edge, you know,

0:25:11.640 --> 0:25:15.360
<v Speaker 1>and at a slant right, all right, And then you

0:25:15.520 --> 0:25:17.800
<v Speaker 1>write one little bit of information, and then you go

0:25:18.840 --> 0:25:20.960
<v Speaker 1>take a little space and you write again in a

0:25:21.040 --> 0:25:24.720
<v Speaker 1>diagonal from the from the bottom edge to the top edge. Uh.

0:25:24.760 --> 0:25:26.359
<v Speaker 1>And then you go a little bit further down you

0:25:26.359 --> 0:25:28.000
<v Speaker 1>write from the bottom edge to the top edge. And

0:25:28.040 --> 0:25:29.800
<v Speaker 1>again you're doing this at a at an angle, so

0:25:29.840 --> 0:25:32.760
<v Speaker 1>it's maybe like a forty five degree angle across the paper.

0:25:33.119 --> 0:25:35.600
<v Speaker 1>You can fit more information on that same sheet of

0:25:35.600 --> 0:25:39.400
<v Speaker 1>paper by recording it at that slant. That's true. That's

0:25:39.440 --> 0:25:42.680
<v Speaker 1>what is going on with VHS tapes. The the information

0:25:42.760 --> 0:25:45.639
<v Speaker 1>is recorded at a bias on the tape. It's not

0:25:46.480 --> 0:25:51.160
<v Speaker 1>a direct horizontal line of information. It's several diagonal lines

0:25:51.200 --> 0:25:56.040
<v Speaker 1>of information arranged in a horizontal row. And the way

0:25:56.119 --> 0:26:00.439
<v Speaker 1>the the VCR copes with this is that the device

0:26:00.520 --> 0:26:04.240
<v Speaker 1>that reads and writes to the uh, to the tape

0:26:04.240 --> 0:26:09.199
<v Speaker 1>itself is tilted. It's it's it's not uh, it's not

0:26:09.320 --> 0:26:13.439
<v Speaker 1>perfectly vertical. That the drumhead that does this. It's actually

0:26:13.480 --> 0:26:16.359
<v Speaker 1>at a tilted an angle so that it can read

0:26:16.480 --> 0:26:21.080
<v Speaker 1>and write this information at this angle. Well, sorry, guys,

0:26:21.119 --> 0:26:23.199
<v Speaker 1>this is John from two thousand nineteen. Looks like I

0:26:23.240 --> 0:26:26.560
<v Speaker 1>accidentally hit pause on the VCR right there. Well, while

0:26:26.600 --> 0:26:28.920
<v Speaker 1>I try and figure out how this remote works, let's

0:26:28.920 --> 0:26:38.879
<v Speaker 1>take a quick break and thank our sponsor. So I

0:26:38.920 --> 0:26:41.200
<v Speaker 1>guess we need to kind of dive into what a

0:26:41.320 --> 0:26:44.640
<v Speaker 1>VCR looks like if you were to open one up. Okay,

0:26:44.800 --> 0:26:47.960
<v Speaker 1>all right, um, well of course, Uh, we were just

0:26:48.000 --> 0:26:50.879
<v Speaker 1>talking about the the information recorded on the tape and

0:26:50.920 --> 0:26:55.200
<v Speaker 1>the drum. Uh. When you pop a video cassette inside

0:26:55.560 --> 0:26:58.960
<v Speaker 1>a VCR, um, what it's going to do is it's

0:26:58.960 --> 0:27:02.040
<v Speaker 1>going to engage all the pins and things to get

0:27:02.040 --> 0:27:05.040
<v Speaker 1>the tape ready to play, and it actually pulls the

0:27:05.040 --> 0:27:08.679
<v Speaker 1>tape outside the case of the cassette. Yes, the little

0:27:08.800 --> 0:27:13.760
<v Speaker 1>protective door lifts up, the brakes are released, and a

0:27:13.800 --> 0:27:20.159
<v Speaker 1>couple of of guides which are inserted behind the tape

0:27:20.240 --> 0:27:22.959
<v Speaker 1>inside the cassette itself when you push it down. It's

0:27:23.000 --> 0:27:26.639
<v Speaker 1>part of the VCR. These two guides pop up inside

0:27:26.680 --> 0:27:30.600
<v Speaker 1>the tape the cassette itself behind the tape the door

0:27:30.640 --> 0:27:34.439
<v Speaker 1>releases up and the guides pull the tape like a

0:27:34.520 --> 0:27:39.040
<v Speaker 1>ribbon up to the innerds of the VCR itself. So

0:27:39.080 --> 0:27:40.960
<v Speaker 1>if you've ever popped a tape in and you hear

0:27:41.000 --> 0:27:44.840
<v Speaker 1>that that mechanical were as it as a tape gets

0:27:44.840 --> 0:27:47.520
<v Speaker 1>ready to play, that's what it is. It's the the uh,

0:27:48.359 --> 0:27:52.040
<v Speaker 1>the mechanics inside engaging that tape. And then there's that

0:27:52.040 --> 0:27:55.120
<v Speaker 1>that big drum that you said was at an angle, Yeah,

0:27:55.200 --> 0:27:58.560
<v Speaker 1>the rotating head drum. This is this is the all

0:27:58.600 --> 0:28:02.960
<v Speaker 1>the visual information stuff is all based off of this drum.

0:28:03.000 --> 0:28:05.200
<v Speaker 1>The ones I've seen are silver in color and it's

0:28:05.240 --> 0:28:10.120
<v Speaker 1>it's large. You can it's probably the easily most identifiable

0:28:10.160 --> 0:28:12.800
<v Speaker 1>part of the inside of the VCR. I would say

0:28:13.240 --> 0:28:17.000
<v Speaker 1>this is the piece that that rotates and will drive

0:28:17.200 --> 0:28:21.120
<v Speaker 1>the helps drive the the progression of the tape from

0:28:21.240 --> 0:28:24.240
<v Speaker 1>one reel to the other reel. There are other rollers

0:28:24.320 --> 0:28:27.080
<v Speaker 1>that are in there too that will also help move

0:28:27.119 --> 0:28:29.600
<v Speaker 1>the tape along. It's not just the rotating head drum

0:28:29.640 --> 0:28:32.880
<v Speaker 1>that that propels the tape through uh. There's a pinch

0:28:33.000 --> 0:28:36.399
<v Speaker 1>roller that also does this through uh through um uh.

0:28:36.760 --> 0:28:40.520
<v Speaker 1>There's a a stationary roller called a cap stand yes,

0:28:41.160 --> 0:28:43.200
<v Speaker 1>and a pintroller that's on the opposite side of the

0:28:43.200 --> 0:28:46.800
<v Speaker 1>cap stand. The tape moves between the two and the

0:28:47.000 --> 0:28:50.960
<v Speaker 1>pressure that the to create against each other that's what

0:28:51.040 --> 0:28:54.560
<v Speaker 1>allows it to pinch and pull that tape through. So

0:28:54.600 --> 0:28:56.800
<v Speaker 1>you've got the rotating head drum and the pintroller that

0:28:56.840 --> 0:28:59.880
<v Speaker 1>are helped propelling this tape through the system. You also

0:29:00.000 --> 0:29:03.840
<v Speaker 1>have a couple of different UM well they're called heads

0:29:03.880 --> 0:29:08.400
<v Speaker 1>inside the device that that have specific purposes. Yeah. Now,

0:29:08.440 --> 0:29:10.880
<v Speaker 1>the rotating head drum is there to to read the

0:29:11.040 --> 0:29:14.320
<v Speaker 1>video information, but there is an audio head as well,

0:29:14.840 --> 0:29:17.240
<v Speaker 1>UM which is located over off to the side. It's

0:29:17.240 --> 0:29:20.720
<v Speaker 1>not right next to it, UM generally, but what it

0:29:20.800 --> 0:29:23.880
<v Speaker 1>does is it reads the audio track on there. And uh,

0:29:23.920 --> 0:29:28.960
<v Speaker 1>you know, a VCR is designed to record UM video tapes.

0:29:29.000 --> 0:29:32.200
<v Speaker 1>And if you've ever had a video tape, let's say

0:29:32.200 --> 0:29:34.840
<v Speaker 1>you you recorded UM a show that you wanted to watch.

0:29:34.840 --> 0:29:36.720
<v Speaker 1>For a while, before I had a d v R,

0:29:36.760 --> 0:29:39.000
<v Speaker 1>I used to record shows that I wasn't going to

0:29:39.040 --> 0:29:41.560
<v Speaker 1>be available to watch, and I would, uh you know,

0:29:41.600 --> 0:29:43.280
<v Speaker 1>I had a couple of tapes that I used over

0:29:43.320 --> 0:29:45.800
<v Speaker 1>and over again. Well, there's an e race head inside

0:29:45.800 --> 0:29:48.280
<v Speaker 1>of v c R that will erase the information on

0:29:48.320 --> 0:29:50.600
<v Speaker 1>the tape so that you can rerecord it with additional

0:29:50.640 --> 0:29:53.880
<v Speaker 1>tape without there being interference or otherwise you would just

0:29:53.920 --> 0:29:56.680
<v Speaker 1>have stuff overlaid on top of each other, over and

0:29:56.720 --> 0:30:00.000
<v Speaker 1>over and over again, and it would be unviewable. I'm

0:30:00.040 --> 0:30:03.480
<v Speaker 1>us you were you know, David Lynch or something. Now

0:30:03.600 --> 0:30:06.520
<v Speaker 1>they're just like with an audio cassette. There is a tab,

0:30:06.880 --> 0:30:09.880
<v Speaker 1>a little plastic tab on a v vc R cassette

0:30:10.240 --> 0:30:13.360
<v Speaker 1>that tells the VCR whether it's allowed to engage the

0:30:13.480 --> 0:30:15.920
<v Speaker 1>race head or not. Um. If you went out to

0:30:15.920 --> 0:30:18.800
<v Speaker 1>buy a copy of your a movie that you liked

0:30:18.920 --> 0:30:23.080
<v Speaker 1>from the shelves, that tape, that tab would be gone. Um.

0:30:23.680 --> 0:30:25.840
<v Speaker 1>And you know if you tried to hit record, you

0:30:25.880 --> 0:30:29.200
<v Speaker 1>could not accidentally record over it. Now as most of

0:30:29.280 --> 0:30:31.600
<v Speaker 1>us with a long history of these things, now, uh,

0:30:31.680 --> 0:30:33.480
<v Speaker 1>you could put a piece of tape over it and

0:30:33.520 --> 0:30:35.240
<v Speaker 1>it would allow you to do this, but you would

0:30:35.240 --> 0:30:38.600
<v Speaker 1>have to actually do something yourself to allow the tape

0:30:38.640 --> 0:30:40.920
<v Speaker 1>to be replaced, so that way you would it. Let's

0:30:40.920 --> 0:30:43.280
<v Speaker 1>say let's say that you got that that Sweating to

0:30:43.360 --> 0:30:45.480
<v Speaker 1>the Oldies eight and you're like, this is not nearly

0:30:45.480 --> 0:30:47.640
<v Speaker 1>as good as my Sweating to the oldies seven. You

0:30:47.680 --> 0:30:49.040
<v Speaker 1>know what, I'm not going to have this debate with

0:30:49.080 --> 0:30:51.600
<v Speaker 1>you again. All right. Well, anyway, you might think I

0:30:51.640 --> 0:30:54.520
<v Speaker 1>want to be able to record over this, and then

0:30:54.520 --> 0:30:55.880
<v Speaker 1>you would use a piece of tape to do that

0:30:55.920 --> 0:30:58.080
<v Speaker 1>because otherwise, like you were saying, it would prevent you

0:30:58.120 --> 0:31:01.440
<v Speaker 1>from doing that accidentally. Because nothing like the panic you

0:31:01.560 --> 0:31:03.680
<v Speaker 1>experience when you put a tape in and then you

0:31:03.680 --> 0:31:06.360
<v Speaker 1>realize that you accidentally just hit play and record and

0:31:06.440 --> 0:31:09.240
<v Speaker 1>not just play and you want to and it's a

0:31:09.240 --> 0:31:12.280
<v Speaker 1>tape that you did not want to erase. There's a

0:31:12.600 --> 0:31:15.960
<v Speaker 1>there's a special level of panic. Yes, I'm not sure

0:31:15.960 --> 0:31:17.440
<v Speaker 1>that I have a word for it, but I have

0:31:17.520 --> 0:31:21.880
<v Speaker 1>definitely felt that more than once. Yes, yes, um it

0:31:21.960 --> 0:31:26.160
<v Speaker 1>also has a VCR also has the ability to read

0:31:26.240 --> 0:31:30.920
<v Speaker 1>additional information about the tape. Uh, if you will, it's

0:31:30.960 --> 0:31:34.800
<v Speaker 1>metadata just on the tape itself. UM that tells the

0:31:34.880 --> 0:31:39.560
<v Speaker 1>VCR some important things like UMU. When we were talking

0:31:39.560 --> 0:31:41.760
<v Speaker 1>about it just a few minutes ago. There there three

0:31:41.800 --> 0:31:45.440
<v Speaker 1>typically three modes that a VHS tape can be played

0:31:45.440 --> 0:31:51.720
<v Speaker 1>in SP, LP and EP UM. Basically, uh, there, we

0:31:51.760 --> 0:31:53.680
<v Speaker 1>won't get into I won't get into that just yet.

0:31:53.960 --> 0:31:57.560
<v Speaker 1>Let's let's but um, you can. It tells this information

0:31:57.640 --> 0:32:01.960
<v Speaker 1>is along the tape. Um that hell's the VCR what

0:32:02.200 --> 0:32:05.240
<v Speaker 1>speed to play the video back at? Yeah, this is

0:32:05.280 --> 0:32:09.440
<v Speaker 1>along the control track and it also, um, you know,

0:32:09.760 --> 0:32:12.400
<v Speaker 1>it also has a sensor the VCR does UM that

0:32:12.560 --> 0:32:15.920
<v Speaker 1>tells it has some clear leader tape UM that they

0:32:15.920 --> 0:32:19.480
<v Speaker 1>put before and after the the brown colored magnetic tape

0:32:19.480 --> 0:32:22.640
<v Speaker 1>that tells it basically, hey, there, you're either at the

0:32:22.680 --> 0:32:25.200
<v Speaker 1>beginning or at the end of the tape. Go ahead

0:32:25.240 --> 0:32:27.880
<v Speaker 1>and prepare to shut down. Yeah, this is actually start

0:32:27.920 --> 0:32:31.040
<v Speaker 1>the movie. A very simple sensory because all it is

0:32:31.040 --> 0:32:33.840
<v Speaker 1>is trying to detect light. So if the regular tape

0:32:33.840 --> 0:32:36.360
<v Speaker 1>is passing through, it's dark enough so that the light

0:32:36.400 --> 0:32:38.760
<v Speaker 1>does not hit the sensor, and the sensor says, yep,

0:32:38.840 --> 0:32:40.800
<v Speaker 1>it's still good. But then once it gets to the

0:32:40.800 --> 0:32:42.520
<v Speaker 1>clear tape at the end, it says, whoa that to

0:32:42.560 --> 0:32:45.400
<v Speaker 1>the end of the tape, it actually does not say anything.

0:32:45.480 --> 0:32:47.280
<v Speaker 1>By the way, is there light? No? Is there light? No?

0:32:47.480 --> 0:32:48.760
<v Speaker 1>Is it a light? No? Is it a light? Now?

0:32:48.800 --> 0:32:51.600
<v Speaker 1>I keep hearing voices coming out of my VCO And

0:32:51.720 --> 0:32:55.280
<v Speaker 1>that's a totally different problem and not covered under our podcasts.

0:32:56.360 --> 0:32:59.479
<v Speaker 1>But yeah, for the for the most part opening up

0:32:59.480 --> 0:33:04.000
<v Speaker 1>a VCO are. Uh, there's not a lot of a

0:33:04.120 --> 0:33:08.000
<v Speaker 1>glamour to it. There are rollers and some pins and

0:33:08.040 --> 0:33:10.480
<v Speaker 1>then basically being there to hold the cassette in place

0:33:10.520 --> 0:33:13.520
<v Speaker 1>and guide the tape so that it doesn't just you know,

0:33:13.560 --> 0:33:16.520
<v Speaker 1>start snarling on things and then then you've got a

0:33:16.560 --> 0:33:19.480
<v Speaker 1>mess on your hands. The rotating head drum is probably

0:33:19.520 --> 0:33:21.920
<v Speaker 1>the most interesting feature. I mean, first of all, it's

0:33:21.960 --> 0:33:24.680
<v Speaker 1>it's one of the largest parts of the and if

0:33:24.720 --> 0:33:26.920
<v Speaker 1>you if you were to look at one and not yeah,

0:33:26.920 --> 0:33:28.080
<v Speaker 1>and if you were to look at what and not

0:33:28.200 --> 0:33:31.440
<v Speaker 1>know what it was, you might think, my VCR is broken.

0:33:31.480 --> 0:33:34.720
<v Speaker 1>This thing is sideways, it's tilted. It's supposed to be

0:33:34.760 --> 0:33:36.920
<v Speaker 1>like that, Yeah, because like I said, it's it's because

0:33:36.920 --> 0:33:42.720
<v Speaker 1>of the direction of the information being stored on that tape. Uh,

0:33:42.880 --> 0:33:50.480
<v Speaker 1>the whole rotating head thing. Uh, it's called helical scanning helical, Yeah,

0:33:50.560 --> 0:33:53.480
<v Speaker 1>because of the way that the information is encoded along

0:33:53.520 --> 0:33:58.400
<v Speaker 1>the the tape. It's almost like a helix. Now. Um,

0:33:58.480 --> 0:34:01.600
<v Speaker 1>we were talking a moment ago about the speeds. Uh.

0:34:02.080 --> 0:34:05.320
<v Speaker 1>The n SP mode that's the highest quality mode that

0:34:05.360 --> 0:34:08.720
<v Speaker 1>of VHS tape can can use, and it uses uh

0:34:08.840 --> 0:34:11.280
<v Speaker 1>it goes by at about one point three one linear

0:34:11.320 --> 0:34:15.319
<v Speaker 1>inches or thirty three point three five millimeters per second UM.

0:34:15.520 --> 0:34:18.280
<v Speaker 1>LP is the medium it allows you know that that's

0:34:18.160 --> 0:34:22.799
<v Speaker 1>a definitely about two hours. LP runs about four hours UM,

0:34:22.880 --> 0:34:24.879
<v Speaker 1>and in order to do that, it runs the tape

0:34:24.880 --> 0:34:30.680
<v Speaker 1>about UH point sixty six um inches per second and

0:34:30.880 --> 0:34:33.760
<v Speaker 1>UH are linear inches per second and uh that's sixteen

0:34:33.760 --> 0:34:37.240
<v Speaker 1>point seven millimeters per second, and EP gives you about

0:34:37.400 --> 0:34:40.960
<v Speaker 1>six hours on an average cassette UM when it's running

0:34:41.160 --> 0:34:44.560
<v Speaker 1>up at about point four four linear inches per second

0:34:44.640 --> 0:34:49.720
<v Speaker 1>or eleven point one two millimeters per second. The thing is, uh,

0:34:49.840 --> 0:34:53.640
<v Speaker 1>you know, as you increase or actually as you decrease

0:34:53.719 --> 0:34:57.880
<v Speaker 1>the speed, you're getting poorer quality, which might sound strange

0:34:57.920 --> 0:35:02.120
<v Speaker 1>too to uh to people who are just listening to

0:35:02.160 --> 0:35:03.759
<v Speaker 1>this and like, wait, what do you mean? How how

0:35:03.840 --> 0:35:06.120
<v Speaker 1>is it that going slower means poorer quality? And it's

0:35:06.120 --> 0:35:11.400
<v Speaker 1>because you're using you're using a less space to store

0:35:11.440 --> 0:35:14.799
<v Speaker 1>all that information. Yes, that's the thing, is that deal.

0:35:14.840 --> 0:35:16.680
<v Speaker 1>If you're if you're going faster, then you're using up

0:35:16.680 --> 0:35:20.440
<v Speaker 1>all that tape to store you know, a smaller amount

0:35:20.440 --> 0:35:22.200
<v Speaker 1>of information then you would be if you're going slower.

0:35:22.239 --> 0:35:25.080
<v Speaker 1>It's it's almost counterintuitive when you first think about it.

0:35:25.080 --> 0:35:27.560
<v Speaker 1>But then when you actually sit there and say, oh wait,

0:35:27.600 --> 0:35:29.919
<v Speaker 1>if if I have a piece of paper that's going

0:35:30.160 --> 0:35:33.560
<v Speaker 1>past me at a certain speed and I'm I'm I'm

0:35:33.600 --> 0:35:37.759
<v Speaker 1>able to write really really fast. Uh, you know, it's

0:35:38.000 --> 0:35:40.239
<v Speaker 1>I'm not gonna get as much um, I'm not gonna

0:35:40.239 --> 0:35:44.680
<v Speaker 1>get as much quality crammed in there. It's just weird. Man.

0:35:44.880 --> 0:35:46.360
<v Speaker 1>I sit there and try and think about it, and

0:35:46.400 --> 0:35:50.680
<v Speaker 1>then my brain breaks. But no, Yeah, the slower it goes,

0:35:50.760 --> 0:35:53.759
<v Speaker 1>the less the lower the quality. It's not able to

0:35:54.040 --> 0:35:57.319
<v Speaker 1>store as much information and um uh as you would

0:35:57.320 --> 0:35:59.840
<v Speaker 1>if you were running it faster. True, and some of

0:35:59.840 --> 0:36:02.080
<v Speaker 1>the drs to have a flying race head, which is

0:36:02.360 --> 0:36:04.799
<v Speaker 1>not what happens when you get really fed up because

0:36:04.800 --> 0:36:12.360
<v Speaker 1>your VCR is broken and you fling it across the room. Nice. Um.

0:36:12.480 --> 0:36:14.919
<v Speaker 1>The race head that we were talking about before, UH

0:36:15.239 --> 0:36:19.080
<v Speaker 1>found in uh the less expensive VCRs is basically just

0:36:19.120 --> 0:36:22.359
<v Speaker 1>gonna erase the entire tape. Um. But a flying race

0:36:22.440 --> 0:36:25.240
<v Speaker 1>head is is you can find it on the rotating

0:36:25.280 --> 0:36:29.520
<v Speaker 1>drum itself, and it actually can take individual bands and

0:36:29.600 --> 0:36:33.160
<v Speaker 1>erase them and uh that allows you to be more

0:36:33.200 --> 0:36:39.280
<v Speaker 1>precise when you erase material. From the VCR tape. UM. Also,

0:36:39.600 --> 0:36:43.160
<v Speaker 1>if you're going to use the two faster speeds, uh,

0:36:43.200 --> 0:36:47.960
<v Speaker 1>you're going to need a forehead VCR. UM. Again, this

0:36:48.040 --> 0:36:50.840
<v Speaker 1>is not some sort of mutant Uh. The sp tape

0:36:51.120 --> 0:36:54.480
<v Speaker 1>only needs two heads, but a forehead VCR can run

0:36:54.520 --> 0:36:58.000
<v Speaker 1>the other speeds. Basically, the other heads uh play heads

0:36:58.040 --> 0:37:00.279
<v Speaker 1>need to be there so that they can on the

0:37:00.320 --> 0:37:04.400
<v Speaker 1>other speeds. UM. So it's just one of those technological

0:37:04.440 --> 0:37:07.480
<v Speaker 1>things that needs to take place in order to uh

0:37:07.760 --> 0:37:10.279
<v Speaker 1>do that. But if you've ever wondered what that meant

0:37:10.280 --> 0:37:12.600
<v Speaker 1>when you saw it on on the cards, because because

0:37:12.640 --> 0:37:14.520
<v Speaker 1>you aren't going to see it now at your local

0:37:14.520 --> 0:37:17.720
<v Speaker 1>department store, I can tell you, um, you know that

0:37:17.719 --> 0:37:19.360
<v Speaker 1>that was that was one of the marks of a

0:37:19.440 --> 0:37:23.880
<v Speaker 1>more sophisticated VCR because you you had more flexibility to

0:37:23.920 --> 0:37:27.200
<v Speaker 1>record other other speeds with that. Yeah. And there are

0:37:27.280 --> 0:37:33.919
<v Speaker 1>multiple standards for encoding information onto cassettes. And anyone who

0:37:33.960 --> 0:37:38.640
<v Speaker 1>has tried to bring back a tape from another country

0:37:38.880 --> 0:37:41.439
<v Speaker 1>into their home country and then realize that doesn't play

0:37:41.440 --> 0:37:45.600
<v Speaker 1>on their machine has experienced this joy. Because the VHS

0:37:45.680 --> 0:37:49.400
<v Speaker 1>tapes from from various countries tend to be the same size.

0:37:49.440 --> 0:37:52.160
<v Speaker 1>I mean physically, there doesn't appear to be anything different

0:37:52.160 --> 0:37:55.040
<v Speaker 1>about them. It's convenient, right, they don't have to make

0:37:55.360 --> 0:37:58.600
<v Speaker 1>a new size cassette, right, But the the saves money.

0:37:58.640 --> 0:38:04.360
<v Speaker 1>The encoding process is different, and the playback process is different,

0:38:04.480 --> 0:38:07.799
<v Speaker 1>the speeds are different and uh, and they're not compatible,

0:38:08.360 --> 0:38:10.759
<v Speaker 1>so you could lead to a flying race head. So

0:38:10.800 --> 0:38:14.160
<v Speaker 1>our folks overhead, our friends in in in the UK

0:38:14.560 --> 0:38:19.439
<v Speaker 1>they used the the Powell standard PL which was also

0:38:19.600 --> 0:38:22.759
<v Speaker 1>very popular throughout Europe and other countries as well, and

0:38:22.760 --> 0:38:24.800
<v Speaker 1>then the United States and then a few other countries

0:38:24.800 --> 0:38:29.280
<v Speaker 1>including Japan. In TSC was the standard. And these again

0:38:29.320 --> 0:38:32.480
<v Speaker 1>we're not compatible. So if you went over, like if

0:38:32.520 --> 0:38:35.759
<v Speaker 1>I hopped on the plane and flew over to Old

0:38:35.800 --> 0:38:38.439
<v Speaker 1>Blighty and decided that I wanted to pick up the

0:38:38.520 --> 0:38:42.759
<v Speaker 1>full series of Doctor Who from the classic era and

0:38:42.760 --> 0:38:44.680
<v Speaker 1>then come back and watch them, I would be very

0:38:44.760 --> 0:38:48.520
<v Speaker 1>much disappointed when I tried to play those in my

0:38:48.520 --> 0:38:52.560
<v Speaker 1>my United States VCR, because I would not play back.

0:38:52.640 --> 0:38:54.920
<v Speaker 1>You would really need to buy a VCR there and

0:38:54.960 --> 0:38:59.080
<v Speaker 1>bring it back with you, and then possibly adapters as well. Yes,

0:38:59.160 --> 0:39:01.759
<v Speaker 1>and and and and then eventually someone would show up

0:39:01.760 --> 0:39:03.319
<v Speaker 1>at my door and asked me if I had my

0:39:03.360 --> 0:39:07.239
<v Speaker 1>television license, and I'd say, what are you talking about? Yeah,

0:39:07.520 --> 0:39:09.480
<v Speaker 1>I'm sure customs would love that. You know, they're to

0:39:09.600 --> 0:39:13.359
<v Speaker 1>bring back a trunk full of electronics and plastic. Yeah. Well,

0:39:13.440 --> 0:39:15.600
<v Speaker 1>you know, they didn't say a thing when I brought

0:39:15.640 --> 0:39:19.279
<v Speaker 1>back the police call box. So, um, I thought the

0:39:19.280 --> 0:39:22.960
<v Speaker 1>police call box brought you back. Let's rune a bypass customs.

0:39:24.280 --> 0:39:27.799
<v Speaker 1>I just got on another list. That was a joke.

0:39:28.400 --> 0:39:31.560
<v Speaker 1>All of those things were jokes. So yeah, the different standards,

0:39:31.600 --> 0:39:34.759
<v Speaker 1>but that's that's why they're not compatible. Um. Yeah, and

0:39:34.800 --> 0:39:38.040
<v Speaker 1>that control track also holds the information necessary. Like usually

0:39:38.040 --> 0:39:41.479
<v Speaker 1>the tracking is is fairly automatic. You know that that

0:39:41.880 --> 0:39:47.000
<v Speaker 1>tape over time warps. Yes, you can stretch. Um. You

0:39:47.080 --> 0:39:48.839
<v Speaker 1>know the more you know, you're putting when we think

0:39:48.840 --> 0:39:51.719
<v Speaker 1>about it, you're putting stress on it. You. Um let's

0:39:51.719 --> 0:39:54.480
<v Speaker 1>say you uh fast forward and rewind the tape over

0:39:54.480 --> 0:39:58.200
<v Speaker 1>and over again, and then there's that sudden stop. I remember, Um,

0:39:58.239 --> 0:40:01.960
<v Speaker 1>I got a VC or I have now which is

0:40:02.280 --> 0:40:05.640
<v Speaker 1>thankfully still working. UM has a mechanism in it to

0:40:05.800 --> 0:40:08.399
<v Speaker 1>determine when it's getting close to the end of the tape,

0:40:08.400 --> 0:40:11.440
<v Speaker 1>and it starts to slow down when you're rewinding or

0:40:11.440 --> 0:40:15.640
<v Speaker 1>fast forwarding the entire tape, um to prevent it from

0:40:15.680 --> 0:40:19.800
<v Speaker 1>getting that sudden stop, which could potently the tape snap. Yes,

0:40:20.040 --> 0:40:22.040
<v Speaker 1>and uh, you know the tape is the tape is

0:40:22.120 --> 0:40:26.960
<v Speaker 1>very thin. It's made of essentially it's plastic, which is

0:40:27.040 --> 0:40:29.960
<v Speaker 1>known to stretch over time. Uh and uh, yeah, I

0:40:30.000 --> 0:40:32.799
<v Speaker 1>mean you've spent the money on a movie or or

0:40:33.080 --> 0:40:35.920
<v Speaker 1>something a show that let's say you've recorded your wedding

0:40:36.800 --> 0:40:39.160
<v Speaker 1>or you noted it and you don't own it. Yes,

0:40:39.560 --> 0:40:44.560
<v Speaker 1>be kind please rewind. Um. So, yeah, I mean you

0:40:44.600 --> 0:40:47.080
<v Speaker 1>want to take care of the tape because otherwise, uh,

0:40:47.080 --> 0:40:49.200
<v Speaker 1>it could get out of whack. That's um, if you

0:40:49.280 --> 0:40:51.560
<v Speaker 1>have to mess with the tracking control. You know about

0:40:51.600 --> 0:40:55.080
<v Speaker 1>this because the tracking basically controls how the tape is

0:40:55.120 --> 0:40:58.560
<v Speaker 1>reading it. When you start to see uh static little

0:40:58.600 --> 0:41:01.200
<v Speaker 1>lines in the in the video playback, you realize that

0:41:01.280 --> 0:41:03.520
<v Speaker 1>the tape has started to warp or stretch. Yeah, it's

0:41:03.520 --> 0:41:07.200
<v Speaker 1>not quite aligned properly, so the the drumheads having trouble

0:41:07.880 --> 0:41:11.440
<v Speaker 1>reading the information. So with the tracking. Some of some

0:41:11.520 --> 0:41:14.759
<v Speaker 1>of the VCRs, especially later ones, have automatic tracking, where

0:41:14.719 --> 0:41:16.960
<v Speaker 1>it just a text that that's the things are not

0:41:17.080 --> 0:41:19.279
<v Speaker 1>quite right, and it will start making adjustments. Others have

0:41:19.360 --> 0:41:23.600
<v Speaker 1>manual tracking. Others have manual tracking where you have to

0:41:23.680 --> 0:41:25.960
<v Speaker 1>change a little dial or whatever and try and get

0:41:26.000 --> 0:41:28.440
<v Speaker 1>it as closely aligned as possible so that you have

0:41:28.480 --> 0:41:31.120
<v Speaker 1>the best possible picture. I remember doing that a lot

0:41:31.200 --> 0:41:34.480
<v Speaker 1>with stuff that we had taped off television back when

0:41:34.480 --> 0:41:36.520
<v Speaker 1>I was a kid. Yeah. Yeah, Well, especially if you

0:41:36.600 --> 0:41:39.399
<v Speaker 1>use it over and over again, the more the more

0:41:39.440 --> 0:41:42.279
<v Speaker 1>likely you uh, the more you use it, the more

0:41:42.400 --> 0:41:44.879
<v Speaker 1>likely it is to start to stretch and and uh

0:41:44.880 --> 0:41:48.320
<v Speaker 1>and warp. I hope you guys are enjoying this rewind

0:41:48.400 --> 0:41:52.279
<v Speaker 1>episode of text stuff on VCRs. I'm running out of

0:41:52.360 --> 0:41:56.160
<v Speaker 1>VCR puns, but let's take a quick break to thank

0:41:56.160 --> 0:42:06.480
<v Speaker 1>our sponsor. Well, let's talk a little bit about what

0:42:06.560 --> 0:42:11.480
<v Speaker 1>has happened to the VCR and VHS DVDs. Yeah, that

0:42:11.520 --> 0:42:15.640
<v Speaker 1>was a big one. Okay, So DVDs when they premiered,

0:42:16.080 --> 0:42:20.960
<v Speaker 1>well first, it wasn't a huge blow to VHS at all. Well,

0:42:21.000 --> 0:42:22.719
<v Speaker 1>for the same reasons we were talking about earlier in

0:42:22.760 --> 0:42:26.640
<v Speaker 1>the podcast. They were the machines were expensive, DVDs were expensive,

0:42:26.680 --> 0:42:28.880
<v Speaker 1>and there weren't nearly as many I mean, you know,

0:42:29.000 --> 0:42:32.560
<v Speaker 1>you could find the odds of finding a popular movie

0:42:33.160 --> 0:42:36.240
<v Speaker 1>in those days on VHS were pretty high, but finding

0:42:36.280 --> 0:42:40.200
<v Speaker 1>that same film on DVD could be really a challenge

0:42:40.239 --> 0:42:43.319
<v Speaker 1>because there just wasn't as much content available and that

0:42:43.400 --> 0:42:47.480
<v Speaker 1>form factor at that point. So stop DVD players from

0:42:47.520 --> 0:42:51.880
<v Speaker 1>selling very quickly. Now they had a pretty relatively fast

0:42:52.040 --> 0:42:54.520
<v Speaker 1>ramp up. I mean it. I do remember that it

0:42:54.560 --> 0:42:56.360
<v Speaker 1>was a couple of years before I got a DVD

0:42:56.440 --> 0:43:01.000
<v Speaker 1>player because they were they were, you know, luxury items. Yeah,

0:43:01.000 --> 0:43:03.880
<v Speaker 1>for a long time. But you did start to notice

0:43:03.880 --> 0:43:06.040
<v Speaker 1>things like if you went to one of those rental

0:43:06.080 --> 0:43:09.800
<v Speaker 1>stores like Blockbuster, you started noticing that the VHS section

0:43:09.960 --> 0:43:13.160
<v Speaker 1>was getting smaller and the DVD section was getting larger.

0:43:13.960 --> 0:43:15.520
<v Speaker 1>Same thing in retail stores. You would go to a

0:43:15.560 --> 0:43:17.560
<v Speaker 1>retail store that would sell movies, and you know that

0:43:17.600 --> 0:43:21.280
<v Speaker 1>the VHS would get smaller and smaller. But DVDs started

0:43:21.280 --> 0:43:24.360
<v Speaker 1>to really take over. Uh Well, I mean DVDs have

0:43:24.560 --> 0:43:27.160
<v Speaker 1>some advantages. You know, there is no warping or stretching. Well,

0:43:27.160 --> 0:43:31.680
<v Speaker 1>I mean, there's there's the possibility that you could scratch them. Um,

0:43:31.719 --> 0:43:34.120
<v Speaker 1>but even even depending on how they scratch, they may

0:43:34.160 --> 0:43:39.200
<v Speaker 1>not uh they may not be damaged enough to affect

0:43:39.320 --> 0:43:42.520
<v Speaker 1>the playback significantly. Plus you have a lot more control

0:43:42.600 --> 0:43:47.319
<v Speaker 1>of over where you can start and end. The resolution

0:43:47.480 --> 0:43:50.719
<v Speaker 1>was far better than vhs. If you can, you can

0:43:50.719 --> 0:43:55.880
<v Speaker 1>watch them in computers and even include extras that allow

0:43:55.920 --> 0:43:58.840
<v Speaker 1>you to interact with them. Uh, you know, games and

0:43:58.920 --> 0:44:02.480
<v Speaker 1>other things the tracks, Yeah, and and things like that

0:44:02.480 --> 0:44:05.520
<v Speaker 1>that you couldn't do with a with a videotape. Yeah.

0:44:05.560 --> 0:44:08.920
<v Speaker 1>If I ever wanted to, uh to watch a movie

0:44:09.320 --> 0:44:12.279
<v Speaker 1>like let's say Indiana Jones and Raised the Lost Ark,

0:44:12.360 --> 0:44:15.040
<v Speaker 1>I never wanted to watch Rails Lost Ark and and

0:44:15.160 --> 0:44:19.040
<v Speaker 1>have a commentary track while I was watching it on VHS.

0:44:19.200 --> 0:44:24.120
<v Speaker 1>I had to kidnap Steven Spielberg and and tie him

0:44:24.200 --> 0:44:26.759
<v Speaker 1>up and have him sit next to me as I

0:44:26.800 --> 0:44:30.000
<v Speaker 1>watched it. And that only works once, folks. Thanks to

0:44:30.080 --> 0:44:32.040
<v Speaker 1>the restraining order, he won't be doing that again. Yeah,

0:44:32.040 --> 0:44:35.479
<v Speaker 1>they recognize you even if you dramatically change your look.

0:44:35.480 --> 0:44:38.120
<v Speaker 1>It's amazing Steven Spielberg has this ability. And if he

0:44:38.200 --> 0:44:44.160
<v Speaker 1>does not forget a face. Yeah. So, Uh. DVDs really

0:44:44.560 --> 0:44:48.440
<v Speaker 1>became popular quickly enough that it started to put a

0:44:49.440 --> 0:44:52.200
<v Speaker 1>It started to clue the movie studios in and of

0:44:52.239 --> 0:44:54.640
<v Speaker 1>course at this point they were a little less likely

0:44:54.719 --> 0:44:57.759
<v Speaker 1>to be upset about the DVDs, which were Uh. You know,

0:44:58.000 --> 0:45:01.320
<v Speaker 1>when you buy a DVD from the store, you can't

0:45:01.560 --> 0:45:05.000
<v Speaker 1>record over it like you could with VHS tape. Uh,

0:45:05.160 --> 0:45:06.759
<v Speaker 1>you know, all it takes a little piece of tape,

0:45:06.800 --> 0:45:10.040
<v Speaker 1>ladies and gentlemen. For for a long time, Uh, the

0:45:10.040 --> 0:45:13.440
<v Speaker 1>the ability to record to DVD at all was even

0:45:13.680 --> 0:45:16.880
<v Speaker 1>greater luxury than a DVD player. Yeah, so they, you know,

0:45:16.920 --> 0:45:19.759
<v Speaker 1>the movie studios, I don't remember them making as big

0:45:19.800 --> 0:45:21.640
<v Speaker 1>a fuss about DVD as they did for some of

0:45:21.640 --> 0:45:25.560
<v Speaker 1>the other stuff, And so they people adopted it fairly quickly.

0:45:25.600 --> 0:45:30.360
<v Speaker 1>It still took a while though, before VHS started really

0:45:31.200 --> 0:45:34.040
<v Speaker 1>tapering off in popularity. In two thousand three, that was

0:45:34.160 --> 0:45:38.440
<v Speaker 1>when DVD rentals began to finally outpace VHS rentals and

0:45:38.520 --> 0:45:42.759
<v Speaker 1>rental agencies. And in two thousand five, DVD sales hit

0:45:42.800 --> 0:45:46.640
<v Speaker 1>twenty two billion with a B dollars and VHS was

0:45:46.719 --> 0:45:49.240
<v Speaker 1>down to one point five billion with a B dollars.

0:45:49.239 --> 0:45:50.920
<v Speaker 1>So the writing was on the wall at that point.

0:45:51.280 --> 0:45:54.560
<v Speaker 1>But the real blow came in two thousand eight. Yes,

0:45:54.920 --> 0:45:57.279
<v Speaker 1>that's when j v C, which if you recall, was

0:45:57.320 --> 0:46:04.439
<v Speaker 1>the company that introduced the VHS format, stopped producing standalone VCRs. Yeah,

0:46:04.640 --> 0:46:07.120
<v Speaker 1>and that was that prompted a lot of people to

0:46:07.239 --> 0:46:10.160
<v Speaker 1>say that two thousand and eight marked the death of

0:46:10.400 --> 0:46:13.960
<v Speaker 1>the VCR. Yeah, although I think it's as dead as

0:46:14.040 --> 0:46:20.239
<v Speaker 1>any of these other technologies are, like uh, the final turntable, UM,

0:46:20.640 --> 0:46:24.359
<v Speaker 1>the laser disc and some of these other the other

0:46:24.400 --> 0:46:26.520
<v Speaker 1>formats there. And the thing is, I mean you you

0:46:26.840 --> 0:46:28.880
<v Speaker 1>told me too before the podcast that you have some

0:46:28.920 --> 0:46:32.759
<v Speaker 1>movies that you have on on VHS cassettes that you

0:46:32.880 --> 0:46:36.080
<v Speaker 1>can't find on dv Blood Salvage, fix It. It's been

0:46:36.120 --> 0:46:39.680
<v Speaker 1>dead too long, so it's not available on DVD. So

0:46:40.000 --> 0:46:42.560
<v Speaker 1>there you go. Um, there are reasons that that you

0:46:43.360 --> 0:46:45.840
<v Speaker 1>that people are still going to want to make them available.

0:46:45.880 --> 0:46:50.200
<v Speaker 1>Of course, libraries and other people who have uh large

0:46:50.320 --> 0:46:53.239
<v Speaker 1>who spent money on these have to find a way

0:46:53.239 --> 0:46:56.719
<v Speaker 1>to either convert them or maintain the equipment long enough

0:46:57.160 --> 0:47:00.160
<v Speaker 1>to keep it out there. So uh, I think it's Um,

0:47:00.400 --> 0:47:02.799
<v Speaker 1>it sort of turned into a zombie technology at this point.

0:47:02.800 --> 0:47:04.759
<v Speaker 1>But I just hadn't realized how far I had gone

0:47:04.840 --> 0:47:06.960
<v Speaker 1>until a few days ago when I went and then

0:47:07.000 --> 0:47:09.280
<v Speaker 1>tried to find one. Yeah, I was thinking I'll probably

0:47:09.520 --> 0:47:11.480
<v Speaker 1>be able to get one for twenty dollars or so.

0:47:11.800 --> 0:47:15.319
<v Speaker 1>He seen that recorded that the last major supplier of

0:47:15.440 --> 0:47:19.000
<v Speaker 1>VHS tapes in the United States shifted its final truckload

0:47:19.080 --> 0:47:23.160
<v Speaker 1>in December eight Well, see that shows you how long

0:47:23.200 --> 0:47:25.600
<v Speaker 1>it's been since I've tried to find a movie on VHS. Yeah,

0:47:25.600 --> 0:47:27.719
<v Speaker 1>and when, And a couple of films have come out

0:47:27.760 --> 0:47:30.920
<v Speaker 1>on VHS, but it's been more like a gimmick, like

0:47:31.000 --> 0:47:36.440
<v Speaker 1>especially films that are uh, kind of an homage to

0:47:36.440 --> 0:47:39.440
<v Speaker 1>to certain genres that were really that came to prominence

0:47:39.480 --> 0:47:41.879
<v Speaker 1>in the nineteen eighties. Yeah, which you know, that's short

0:47:41.880 --> 0:47:44.640
<v Speaker 1>of the same thing we saw with bands and vinyl

0:47:44.680 --> 0:47:46.600
<v Speaker 1>for a while, because the Vinyl was kind of a

0:47:46.640 --> 0:47:49.400
<v Speaker 1>gimmick like saying, hey, look, we're this cool independent group

0:47:49.440 --> 0:47:54.600
<v Speaker 1>and we're supporting this what some would call obsolete form factor.

0:47:55.360 --> 0:48:00.400
<v Speaker 1>But you know, although Vinyl managed to to have a

0:48:00.400 --> 0:48:03.960
<v Speaker 1>a second gasp, I'm not sure that VHS well, and

0:48:04.120 --> 0:48:08.360
<v Speaker 1>the big reason behind that. DVDs definitely were a blow

0:48:08.680 --> 0:48:12.040
<v Speaker 1>to VCRs. Yes, digital video recorders was like that was

0:48:12.080 --> 0:48:15.560
<v Speaker 1>the death blow. The DVR was a death blow to

0:48:15.640 --> 0:48:20.439
<v Speaker 1>the VCR because now you had DVDs where you could

0:48:20.440 --> 0:48:25.560
<v Speaker 1>get a better quality picture and experience from the content providers,

0:48:25.680 --> 0:48:28.080
<v Speaker 1>and you had DVRs, which that's what took care of

0:48:28.080 --> 0:48:31.840
<v Speaker 1>the time shifting element of vc rs. Yes, definitely, because

0:48:32.040 --> 0:48:36.400
<v Speaker 1>I actually had um VHS or VCR plus, which was

0:48:36.440 --> 0:48:40.200
<v Speaker 1>this technology that people came out with that would allow

0:48:40.239 --> 0:48:42.720
<v Speaker 1>you too. If you knew a code and your VCR

0:48:42.840 --> 0:48:44.799
<v Speaker 1>was equipped with it, you could enter that code in

0:48:44.800 --> 0:48:46.960
<v Speaker 1>your VCR and it would pick the right channel in

0:48:47.000 --> 0:48:50.319
<v Speaker 1>the right date. Of course, some my VCR didn't have

0:48:50.320 --> 0:48:53.720
<v Speaker 1>the ability to change channels like my DVR does, because

0:48:53.719 --> 0:48:56.000
<v Speaker 1>it's built in so it can change that. It knows

0:48:56.040 --> 0:48:57.839
<v Speaker 1>what channel to change it too, it knows when, and

0:48:57.880 --> 0:49:01.239
<v Speaker 1>I can subscribe to an entire earies. So I can

0:49:01.280 --> 0:49:04.839
<v Speaker 1>say I want you to record this show which comes

0:49:04.880 --> 0:49:08.560
<v Speaker 1>on two days at eight, and the network makes a decision, no,

0:49:08.719 --> 0:49:11.560
<v Speaker 1>we're going to move that to Thursdays at nine thirty. Well,

0:49:11.760 --> 0:49:15.200
<v Speaker 1>the DVR can handle that because and again there's meta

0:49:15.280 --> 0:49:18.399
<v Speaker 1>data there that the DVR can follows. I can say

0:49:18.400 --> 0:49:20.960
<v Speaker 1>I want to record new episodes only don't record reruns,

0:49:20.960 --> 0:49:23.719
<v Speaker 1>and it goes, okay, this one's a rerun. That's kipping it. Yeah,

0:49:23.719 --> 0:49:25.840
<v Speaker 1>whereas your VCR would just be like, nope, I'm going

0:49:25.880 --> 0:49:27.680
<v Speaker 1>to record at this channel at this time. Because that's

0:49:27.680 --> 0:49:29.560
<v Speaker 1>what he told me to. Yeah, and it's it's so

0:49:29.680 --> 0:49:33.000
<v Speaker 1>much more. The DVR is so much more flexible, much

0:49:33.040 --> 0:49:37.359
<v Speaker 1>more versatile that then a VHS recorder is, and it's

0:49:37.400 --> 0:49:40.279
<v Speaker 1>just one between the two of those. Once the move

0:49:40.360 --> 0:49:44.319
<v Speaker 1>to digital happened, VHS really had no hope. And then

0:49:44.520 --> 0:49:47.320
<v Speaker 1>on top of that, if that weren't enough, even the DVR,

0:49:47.360 --> 0:49:49.880
<v Speaker 1>at this point I think is starting to have a

0:49:49.920 --> 0:49:53.080
<v Speaker 1>bit of a slowdown. You know, people aren't buying DVRs

0:49:53.120 --> 0:49:55.319
<v Speaker 1>as as frequently as they were before. And then part

0:49:55.320 --> 0:49:57.399
<v Speaker 1>of that is because the time shifting has gone even

0:49:57.400 --> 0:50:01.640
<v Speaker 1>more dramatic with Serve. This is like Netflix Incident, or

0:50:01.719 --> 0:50:05.400
<v Speaker 1>Hulu Plus or Hulu Hulu in general, or the Amazon

0:50:05.520 --> 0:50:09.640
<v Speaker 1>Video where people now have access huge libraries of content

0:50:10.320 --> 0:50:14.359
<v Speaker 1>that don't require a DVR necessarily. A lot of them

0:50:14.400 --> 0:50:17.440
<v Speaker 1>have access to it through stuff they already own, video

0:50:17.440 --> 0:50:21.560
<v Speaker 1>game consoles or just on on a computer. So we've

0:50:21.600 --> 0:50:25.240
<v Speaker 1>even seen the DVR have a meteoric rise, and then

0:50:25.520 --> 0:50:27.640
<v Speaker 1>I think I wouldn't say that it's gone or anything,

0:50:27.680 --> 0:50:30.400
<v Speaker 1>but still I think it's in decline. I think companies

0:50:30.440 --> 0:50:33.359
<v Speaker 1>like TiVo are finding it harder to make products that

0:50:33.480 --> 0:50:36.319
<v Speaker 1>consumers are finding really compelling. That they feel they have

0:50:36.400 --> 0:50:41.640
<v Speaker 1>to go out and get because the the internet delivery

0:50:41.640 --> 0:50:46.600
<v Speaker 1>method has taken off pretty dramatically over the last two years. Yeah,

0:50:46.600 --> 0:50:49.239
<v Speaker 1>I don't think they'll they'll die out like some of

0:50:49.280 --> 0:50:53.319
<v Speaker 1>the other technologies simply because of well, actually live TV, um,

0:50:53.719 --> 0:50:56.520
<v Speaker 1>things like awards shows and sports and things like that

0:50:56.520 --> 0:50:59.960
<v Speaker 1>that uh um, you you won't be able to get

0:51:00.040 --> 0:51:02.560
<v Speaker 1>it later on from one of the streaming shows you

0:51:02.840 --> 0:51:06.680
<v Speaker 1>want to watch. Uh Um, let's say the the Oscars.

0:51:07.520 --> 0:51:10.560
<v Speaker 1>She wouldn't be able to You're not gonna say, watch

0:51:10.640 --> 0:51:13.600
<v Speaker 1>the Oscars from last week on Netflix. Yeah, those of

0:51:13.680 --> 0:51:15.680
<v Speaker 1>us on the East Coast are sick of the Oscars

0:51:15.719 --> 0:51:18.120
<v Speaker 1>coming on so late at night for us, Yeah, or

0:51:18.239 --> 0:51:20.839
<v Speaker 1>it's the afternoon for everyone in California. But for us,

0:51:20.840 --> 0:51:23.560
<v Speaker 1>we're like, can you move it along? I have work tomorrow.

0:51:24.280 --> 0:51:27.560
<v Speaker 1>But but you're right, like the standalone stuff, it's it's

0:51:27.600 --> 0:51:30.160
<v Speaker 1>it's not a thing anymore. It's something you sort of

0:51:30.200 --> 0:51:34.680
<v Speaker 1>expect um. But yeah, it's it's kind of amazing that

0:51:35.200 --> 0:51:38.200
<v Speaker 1>VCRs really have moved off the map. I guess I'm

0:51:38.200 --> 0:51:40.480
<v Speaker 1>just not tune with what's on the store shelf. Such

0:51:40.520 --> 0:51:43.920
<v Speaker 1>a it had such a huge impact on consumer behavior

0:51:44.160 --> 0:51:46.400
<v Speaker 1>on the industry itself. I mean, it was one of

0:51:46.400 --> 0:51:49.560
<v Speaker 1>those pieces of technology that really was a game changer.

0:51:50.040 --> 0:51:53.200
<v Speaker 1>That's multiple I don't really care. Yeah, exactly, yes, And

0:51:53.280 --> 0:51:55.960
<v Speaker 1>so you know, to see it kind of disappear now,

0:51:56.040 --> 0:51:59.800
<v Speaker 1>it's again a reminder that just because something is popular

0:52:00.239 --> 0:52:02.640
<v Speaker 1>doesn't mean it always will be that way. That's right.

0:52:02.760 --> 0:52:05.840
<v Speaker 1>It's it's a lesson that we've had to learn multiple times,

0:52:05.840 --> 0:52:09.439
<v Speaker 1>and yet people still forget about it, and they'll still say,

0:52:09.480 --> 0:52:12.200
<v Speaker 1>oh no, I can't see it. I cannot imagine a

0:52:12.280 --> 0:52:16.359
<v Speaker 1>time when this will not be important. Well, there may

0:52:16.440 --> 0:52:19.600
<v Speaker 1>come a time, is all I'm saying. And with that

0:52:19.640 --> 0:52:22.439
<v Speaker 1>in mind, the only thing I think you can count

0:52:22.440 --> 0:52:24.400
<v Speaker 1>on is that tech stuff will always be amazing and

0:52:24.440 --> 0:52:27.680
<v Speaker 1>popular and you should always listen to it, depending on

0:52:27.760 --> 0:52:31.759
<v Speaker 1>what format it's and uh, no matter we transcend, we

0:52:31.800 --> 0:52:38.560
<v Speaker 1>transcend formats, we transcend platforms, we are freaking amazing, all right.

0:52:38.880 --> 0:52:41.759
<v Speaker 1>So just you can in fact that, I think that's

0:52:41.800 --> 0:52:44.760
<v Speaker 1>gonna be our new slogan, tech stuff. We are freaking amazing.

0:52:45.440 --> 0:52:48.680
<v Speaker 1>You know. I am pretty sure that the VCR is

0:52:48.840 --> 0:52:51.640
<v Speaker 1>largely thought of as an obsolete piece of technology now.

0:52:51.680 --> 0:52:55.560
<v Speaker 1>They haven't been produced in a few years. But without it,

0:52:55.920 --> 0:52:58.840
<v Speaker 1>we wouldn't have the wonderful series Half in the Bag

0:52:58.960 --> 0:53:03.640
<v Speaker 1>from Red Letter Media, where they are consistently and perpetually

0:53:04.640 --> 0:53:08.960
<v Speaker 1>not repairing an old man's VCR. That's a great series.

0:53:09.080 --> 0:53:11.800
<v Speaker 1>I hope you guys enjoyed this classic episode of tech Stuff.

0:53:11.840 --> 0:53:14.960
<v Speaker 1>If you guys have any episode ideas, or comments or

0:53:15.040 --> 0:53:17.520
<v Speaker 1>questions or anything like that, send them to me. The

0:53:17.600 --> 0:53:21.760
<v Speaker 1>email addresses tech Stuff at how stuff works dot com.

0:53:21.800 --> 0:53:23.839
<v Speaker 1>You can pop on over to our website that's tech

0:53:23.920 --> 0:53:27.600
<v Speaker 1>stuff podcast dot com and check out the older episodes.

0:53:27.800 --> 0:53:29.879
<v Speaker 1>Don't forget the head over to our merchandise store that's

0:53:29.880 --> 0:53:32.759
<v Speaker 1>t public dot com slash tech stuff, and I'll talk

0:53:32.800 --> 0:53:40.920
<v Speaker 1>to you again really soon for more on this and

0:53:41.000 --> 0:53:43.560
<v Speaker 1>thousands of other topics. Because it how stuff works dot

0:53:43.560 --> 0:53:53.520
<v Speaker 1>com