WEBVTT - The Ice Storm from Hell

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<v Speaker 1>What's up you guys. It is Freddie Brinds Jr. And

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<v Speaker 1>we're back with another episode of Wrestling with Freddie. Last

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<v Speaker 1>week we got pretty deep into the promo classes and

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<v Speaker 1>some of the cool exercises and the successes and failures

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<v Speaker 1>of them. So if you haven't heard that, please go

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<v Speaker 1>back because this is a continuation episode. But this episode

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<v Speaker 1>we'll touch a little bit more on what I thought

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<v Speaker 1>is like the most heartwarming moment I ever had in

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<v Speaker 1>w W. Either weren't many, um, but this time we're

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<v Speaker 1>going into the ice storm. I have built this story up,

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<v Speaker 1>so without further ado, the Ice Storm on Wrestling with Freddie.

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<v Speaker 1>Now stuffing up to the mic. The host of Wrestling

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<v Speaker 1>with Freddie, Freddie Prince Junya. All right, you guys, I'm

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<v Speaker 1>on the highway with a makeup artist from uh Friday

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<v Speaker 1>Night SmackDown back then, even though we shot it on Tuesdays,

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<v Speaker 1>and we're driving I think from Memphis to Atlanta, and

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<v Speaker 1>if that's about a four hour drive then I'm right.

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<v Speaker 1>If not, it was another town. So we're on the

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<v Speaker 1>freeway and we're cruising down and it's late at night,

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<v Speaker 1>probably probably about ten thirty eleven o'clock. At night. We're

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<v Speaker 1>on the highway. It's winter and there's snow on both

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<v Speaker 1>sides of the road, and there are no cars anywhere

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<v Speaker 1>because we left much later than everyone else. Usually you

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<v Speaker 1>would like pass other wrestlers, or wrestlers would pass you.

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<v Speaker 1>This was before I was on the jet. So so

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<v Speaker 1>we're cruising down. That's getting late. We haven't seen anybody,

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<v Speaker 1>and she's getting sleepy. Right, So I'm cruising, but we

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<v Speaker 1>have a map that remember there's no map quest, there

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<v Speaker 1>was no app on a phone that told you I

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<v Speaker 1>have We would print out maps at the end of

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<v Speaker 1>the show, and that's how the rookies like me would

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<v Speaker 1>get from town to town before I was, thank god,

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<v Speaker 1>on the black and Red jet. So we're cruising, I

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<v Speaker 1>have my map. She's getting sleepy and uh. As we're

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<v Speaker 1>driving down the road, it's been about twenty minutes, maybe

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<v Speaker 1>thirty minutes. Like I said, there's snow everywhere. I see

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<v Speaker 1>some smoke down the highway. I'm like, what the hell

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<v Speaker 1>is that? Man? So I'm driving cruising down this curve

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<v Speaker 1>and now I see this like fire and smoke and

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<v Speaker 1>in the middle of the snow, and so I slow

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<v Speaker 1>the car down and I'm almost pulled over at this point,

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<v Speaker 1>and the loss of speed wakes up the makeup artist

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<v Speaker 1>and I go, what the hell is that? And it's

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<v Speaker 1>this gigantic tree that's fallen over. The roots are uprooted,

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<v Speaker 1>and it's on fire, straight, just burning in the middle

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<v Speaker 1>of nowhere. There's nobody around it. There's no cars, there's

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<v Speaker 1>no tire tracks anywhere. It's just a tree that's it

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<v Speaker 1>looks like it's been struck by lightning. There's no lightning,

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<v Speaker 1>at least not to my knowledge, during a snowstorm in

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<v Speaker 1>the South. Maybe maybe I'm wrong. Um hit me up

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<v Speaker 1>on social So I'm slowing down and now I pulled

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<v Speaker 1>the car all the way over and I go, what

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<v Speaker 1>the hell is that? And she goes, I don't know.

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<v Speaker 1>And I go, I'm gonna go check it out. She goes,

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<v Speaker 1>the hell you are? She because it's freezing outside. We're

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<v Speaker 1>going to Atlanta. I go, no, I just want to

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<v Speaker 1>see what it is. She No, you're not going over there.

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<v Speaker 1>Get back in the car. I've opened the door. Get

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<v Speaker 1>back in the car. We're gone. I go, okay, okay, okay,

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<v Speaker 1>I go with that's some crazy ship. She goes, yeah,

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<v Speaker 1>it's crazy ship. Let's go. It's freaky, okay, So I

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<v Speaker 1>closed the door. We're driving, she passes out. Nothing else

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<v Speaker 1>spooky or no Poulter Guy's nothing like that. But the

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<v Speaker 1>road starts getting kind of sketchy, and uh, I have

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<v Speaker 1>the radio on and I'm scanning the A M channels

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<v Speaker 1>because I mean when I mean sketchy, like there's ice

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<v Speaker 1>now on the roads and we're getting we're in Georgia,

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<v Speaker 1>we're getting just outside Atlanta. And on the radio, I

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<v Speaker 1>hear the mayor of Atlanta, and you could check this out,

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<v Speaker 1>you can figure out what year it is, has just

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<v Speaker 1>declared a state of emergency and he's basically closed the

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<v Speaker 1>city because of an ice storm. The roads are unsafe

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<v Speaker 1>to drive on, and everybody is like, not quarantine, but

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<v Speaker 1>it's a curfew, like stay home. You go on the roads,

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<v Speaker 1>you're gonna die. So we're close to the airport. Our

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<v Speaker 1>hotel is at the airport, and uh, I cruise up

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<v Speaker 1>there and I mean we're sliding everywhere like I'm on

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<v Speaker 1>ice skates. Okay, We're not in a four world drive automobile.

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<v Speaker 1>I mean like a like a little four door rental sedan.

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<v Speaker 1>It wasn't built for the snow. So we're at the

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<v Speaker 1>airport because we know the hotel's close to there, and

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<v Speaker 1>I see one of those like rental car transport vans

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<v Speaker 1>and it's running and there's this black dude inside, and

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<v Speaker 1>so I go up to him and I go, hey, man,

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<v Speaker 1>I'm trying to get to my hotel. Can you help

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<v Speaker 1>me out? And he says, well, what's the name of it?

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<v Speaker 1>And I don't remember what it was. It was it's

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<v Speaker 1>the Ice Storm Hotel. Will color you know, the Ice

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<v Speaker 1>Storm Hotel. And he goes, oh, it's down that way.

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<v Speaker 1>You're just gonna make a right and just keep going

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<v Speaker 1>straight and you'll see it. You'll see the big sign.

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<v Speaker 1>It's down a big driveway. I go, okay, So I

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<v Speaker 1>drive down there and we get to the driveway and yeah,

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<v Speaker 1>the driveway goes down, but it's deep and it goes

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<v Speaker 1>straight into the hotel lobby. If I take this car

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<v Speaker 1>down this hill, I'm not stopping. It's gonna go through

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<v Speaker 1>the front of the building. So I drive back to

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<v Speaker 1>the airport guy and I say, hey, man, is there

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<v Speaker 1>is there another hotel around here? Because we couldn't find

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<v Speaker 1>any other ones um or can I stay in the

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<v Speaker 1>can I stay in the airport. I can't get down there.

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<v Speaker 1>And he's just Jamaican dude, and he's like, you stay,

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<v Speaker 1>oh dear, you're gonna die. Mind, you better find a

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<v Speaker 1>way to that hotel. It's like, all right, the airport's closed.

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<v Speaker 1>They're not gonna let me in. So I drive back

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<v Speaker 1>and now we're parked at the top of this hotel's

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<v Speaker 1>driveway and the and the makeup artist is looking at me,

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<v Speaker 1>and I'm looking at her, and she goes, how the

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<v Speaker 1>hell are we gonna get down there? She goes, I

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<v Speaker 1>can't walk down it. It's all it's all ice. I go, yeah,

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<v Speaker 1>I don't. I don't know, but I'm not gonna have

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<v Speaker 1>like a headline in the paper tomorrow by Freddie Prinz Jr.

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<v Speaker 1>Found with a makeup artist frozen dead in a car.

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<v Speaker 1>I was like, the stories they would ride would share

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<v Speaker 1>my family for the next generation. I said, we're getting

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<v Speaker 1>down this damn hill. So I'm looking around. I don't

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<v Speaker 1>see any way down outside of you know, horrible accident,

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<v Speaker 1>I get sued or dead or or someone else dies. Right,

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<v Speaker 1>So finally, because I'm an idiot, all right, And I'll

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<v Speaker 1>preface this by saying I've done a lot of dumb

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<v Speaker 1>stuff as a kid, and slid down a lot of

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<v Speaker 1>hills I shouldn't have slid down. So I go to

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<v Speaker 1>the trunk. I'll freezing to death, y'all. I'm a California kid.

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<v Speaker 1>My blood is thin. I surf if the waters, you know,

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<v Speaker 1>below seventy I'm wearing a wetsuit. It's how cold as hell.

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<v Speaker 1>I'm not dressed properly. I grabbed my suitcase. I said

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<v Speaker 1>it at the top of the thing. And now I'm

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<v Speaker 1>just staring down the hill at this hotel, at the

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<v Speaker 1>Ice Storm Hotel, and she comes up to me. She

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<v Speaker 1>gets out of the car. She goes, what are you doing?

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<v Speaker 1>And I don't even look at her. I say, I'm

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<v Speaker 1>gonna slide down this hill on my suitcase. She goes, what.

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<v Speaker 1>I go almost slide down my hill and I'm gonna

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<v Speaker 1>slide down the cell on my suitcase, and so are you.

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<v Speaker 1>She goes, I'm not doing that. I said, you're gonna

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<v Speaker 1>get your ass on your suitcase and you're sliding down

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<v Speaker 1>this hill with me. I'm not gonna leave you in

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<v Speaker 1>a car to die. This is the only way down.

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<v Speaker 1>I'm sure it wasn't, but I'm not a genius, so

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<v Speaker 1>this was the best way I could think of. I said, so,

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<v Speaker 1>I'm going down with you, and you're not gonna get hurt.

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<v Speaker 1>Don't worry. I'm certain of it in my head. I'm

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<v Speaker 1>certain of it. Sara, Are you ready? She goes now,

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<v Speaker 1>I go, well, we're going. I said, I'm not going first,

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<v Speaker 1>We're going together. She's she doesn't want to. She gets

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<v Speaker 1>her suitcase. What are the I mean you, we have

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<v Speaker 1>an option. Get down this hill. That's the option. So

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<v Speaker 1>she gets her suitcase. Every word that I'm telling you

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<v Speaker 1>in this story is actual. Well I'm about to go

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<v Speaker 1>t l C. It's actual and factual. Every sorry, every

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<v Speaker 1>word I'm telling you it's a true and every word

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<v Speaker 1>i'm telling you you will not believe. And I'm okay

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<v Speaker 1>with that. So I get on my suitcase. I lay

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<v Speaker 1>it down and I'm sitting on it the way you

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<v Speaker 1>would have sled, and my feet are on the snow

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<v Speaker 1>so that I can have my heels to dig in

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<v Speaker 1>to slow me down. I tell her to do the

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<v Speaker 1>same thing. She sits on the suitcase. I think I

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<v Speaker 1>have like a to me, right, it's like black traveled

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<v Speaker 1>to me. That was big enough to get all your crap,

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<v Speaker 1>but small enough to get in an overhead bind. One

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<v Speaker 1>of those. And she has like a hard case one

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<v Speaker 1>because she's got like makeup and crap. Right, So she

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<v Speaker 1>sits on her suitcase. I sit on mine. I said,

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<v Speaker 1>are you ready? She goes, oh, god, I guess so.

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<v Speaker 1>So we kind of do the scooch like our feet

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<v Speaker 1>are in the snow like a one and it's too

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<v Speaker 1>and three and my feet are in the snow instantly.

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<v Speaker 1>The moment that it gets steep, there's no more snow

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<v Speaker 1>for my feet to dig into. It is hard ice.

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<v Speaker 1>It is a good inch thick, and they're probably not

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<v Speaker 1>an inch thick, but you get the point. Like it is,

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<v Speaker 1>there's no attraction. So I hit terminal velocity within about

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<v Speaker 1>two and a half seconds, and I'm I mean, I'm flying.

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<v Speaker 1>I looked to my right because it's it's too fast

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<v Speaker 1>for me. I looked to my right, and she's bailing out.

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<v Speaker 1>It's too fast, okay, So she bails out to her

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<v Speaker 1>left towards me right. But now she has nothing. Now

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<v Speaker 1>it's just her body. So she's just gonna keep on sliding.

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<v Speaker 1>But it's not with any sort of control. So she's

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<v Speaker 1>going upside down, she's going horizontal, she's going to the left.

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<v Speaker 1>She's on her left hip, she's on her belly, she's

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<v Speaker 1>sliding everywhere. It looks like breaking two electric boogaloo, like

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<v Speaker 1>a deleted scene, right. She breakdancing all the way down

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<v Speaker 1>the sizes and I'm flying, okay, So I get down first.

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<v Speaker 1>She kind of curved off to the side into the

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<v Speaker 1>snow drift by the curb, but she's okay. She gets up,

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<v Speaker 1>she's solid, makeup, good to go, case not destroyed. I

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<v Speaker 1>slide all the way down to basically where the valet

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<v Speaker 1>is and onto the brick entry way of this hotel,

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<v Speaker 1>about four ft away from the double sliding doors. The

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<v Speaker 1>entire staff of the hotel that was in that area

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<v Speaker 1>had been watching us since we were on top of

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<v Speaker 1>the hill, wondering how we were gonna get down. And

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<v Speaker 1>they're literally cheering for me because I literally just did

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<v Speaker 1>my evil kinevil shit. I just went like a hundred

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<v Speaker 1>twenty seven miles per hour done this driveway, and they're cheering,

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<v Speaker 1>and I get up and I'm laughing, and she's laughing.

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<v Speaker 1>Everybody's still in a good mood. And the guy literally

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<v Speaker 1>tells me. He goes, dude, we didn't know how you

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<v Speaker 1>ever going to get down, that was so sick. So

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<v Speaker 1>we go to check in. They don't have her room.

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<v Speaker 1>So she gets my bed and I crashed out on

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<v Speaker 1>the couch and then we wake up and the ice

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<v Speaker 1>they've now salted and done all this stuff. And the

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<v Speaker 1>next day we got on the plane and uh we

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<v Speaker 1>flew back to wife flew to New York City, and

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<v Speaker 1>she flew to wherever, to wherever she lived. But that

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<v Speaker 1>is the ice storm, and that's the fastest that I've

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<v Speaker 1>ever gone and something that wasn't a vehicle or a jet. Oh,

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<v Speaker 1>by the way, I flew in the jet. This isn't

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<v Speaker 1>wrestling related, but the like the dead commander at Nellis

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<v Speaker 1>Air Force Base in Las Vegas was Borto Rican dude,

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<v Speaker 1>and he loved my dad and my buddy who lives

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<v Speaker 1>out there. Ran a construction company and gave him some

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<v Speaker 1>equipment to help him do his house and uh, his

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<v Speaker 1>off his off base house and uh there in Las Vegas,

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<v Speaker 1>I think it was Henderson, Nevada. And so he was

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<v Speaker 1>like he saw a picture of me and Brian, my

0:11:34.920 --> 0:11:37.080
<v Speaker 1>buddy Brian, and he goes oh, you know Freddie Prince Jr.

0:11:37.040 --> 0:11:38.960
<v Speaker 1>Man I loved his dad. And he goes, oh, yeah,

0:11:39.000 --> 0:11:40.920
<v Speaker 1>he's a good friend of mine. And he goes tell

0:11:41.000 --> 0:11:43.200
<v Speaker 1>him if he ever wants to fly in the jet. Uh,

0:11:43.240 --> 0:11:45.600
<v Speaker 1>it's on me. He goes, no cameras, nothing. I was like,

0:11:45.640 --> 0:11:47.640
<v Speaker 1>and so my buddy Brian calls me, and I was like,

0:11:47.679 --> 0:11:49.600
<v Speaker 1>what do you mean like a jet jet? He goes, yeah,

0:11:49.640 --> 0:11:52.160
<v Speaker 1>I go to Oh, dude, I'm in. I drove from

0:11:52.280 --> 0:11:55.480
<v Speaker 1>l A to Las Vegas at night at like eleven

0:11:55.480 --> 0:11:58.960
<v Speaker 1>thirty at night, drove as fast as I could, and uh,

0:11:59.080 --> 0:12:00.760
<v Speaker 1>we have the date. I get there and I think

0:12:00.800 --> 0:12:03.320
<v Speaker 1>I'm just gonna fly on the jet. No, it's like

0:12:03.360 --> 0:12:06.679
<v Speaker 1>an eight hour class on how to breathe because you're

0:12:06.679 --> 0:12:09.240
<v Speaker 1>gonna be pulling so many cheese. And I'm in my twenties.

0:12:09.240 --> 0:12:12.040
<v Speaker 1>I'm cocky. I'm like, whatever, man, I'm half listening, right.

0:12:12.480 --> 0:12:14.600
<v Speaker 1>So they put me in the two seater and forgive me,

0:12:15.000 --> 0:12:17.080
<v Speaker 1>this is over twenty years ago. I don't remember. I

0:12:17.120 --> 0:12:20.640
<v Speaker 1>think it wasn't F sixteen. I don't know what the

0:12:20.679 --> 0:12:23.000
<v Speaker 1>two seater was. It might have even been like a

0:12:23.120 --> 0:12:26.880
<v Speaker 1>F one oh something. I don't know. But we get

0:12:26.920 --> 0:12:29.400
<v Speaker 1>in I've done my like my test, and they make

0:12:29.440 --> 0:12:31.240
<v Speaker 1>you do this like it's like I don't want to

0:12:31.240 --> 0:12:32.960
<v Speaker 1>breathe in the mic because it'll sound weird, but it's

0:12:32.960 --> 0:12:36.280
<v Speaker 1>like labor breathing. Okay, So I get in the jet,

0:12:37.360 --> 0:12:41.880
<v Speaker 1>we take off, just the take off my borderline tap out. Okay,

0:12:42.440 --> 0:12:45.720
<v Speaker 1>this dude, I tap out twice. And this isn't even

0:12:45.760 --> 0:12:49.560
<v Speaker 1>from tricks. Just turns were literally like, he goes, if

0:12:49.600 --> 0:12:54.000
<v Speaker 1>it feels good, you're not breathing. I said, what do

0:12:54.040 --> 0:12:55.600
<v Speaker 1>you mean? He goes if it starts to feel good,

0:12:55.679 --> 0:12:58.920
<v Speaker 1>if you feel high, you're not breathing, right, I said, okay,

0:12:58.920 --> 0:13:01.000
<v Speaker 1>And that basically is in jiu jitsu, like they say

0:13:01.040 --> 0:13:02.800
<v Speaker 1>tap when you when it feels good, that means you're

0:13:02.800 --> 0:13:04.920
<v Speaker 1>about to go to sleep. Twice I had to tap

0:13:04.960 --> 0:13:07.080
<v Speaker 1>because I forgot to breathe, and the breathing is the

0:13:07.120 --> 0:13:09.680
<v Speaker 1>hardest part. At one point in the air, I said,

0:13:09.679 --> 0:13:11.280
<v Speaker 1>how long would it take us to get to l A.

0:13:11.320 --> 0:13:15.160
<v Speaker 1>He said about fifteen minutes, and I literally was just like,

0:13:15.200 --> 0:13:18.360
<v Speaker 1>oh my god. So anyway, I like going fast, we

0:13:18.400 --> 0:13:22.839
<v Speaker 1>fly back, I go back and uh, and now I'm

0:13:22.880 --> 0:13:25.760
<v Speaker 1>back ready to go to work. Talking events about the promo,

0:13:25.840 --> 0:13:28.839
<v Speaker 1>class who I like, who I don't. And the storyline

0:13:28.880 --> 0:13:32.160
<v Speaker 1>going on at the time was the Nexus, and this

0:13:32.280 --> 0:13:37.200
<v Speaker 1>was Wade Barrett and uh and Michael's something I can't remember,

0:13:37.440 --> 0:13:39.320
<v Speaker 1>but it was a big group that came up to

0:13:39.400 --> 0:13:43.200
<v Speaker 1>like take on kind of like how the Shield took on,

0:13:43.320 --> 0:13:45.880
<v Speaker 1>like the Current Stars. This was they were taking on

0:13:46.040 --> 0:13:48.600
<v Speaker 1>that here's current Stars. So they were going after Randy,

0:13:48.640 --> 0:13:51.480
<v Speaker 1>who was a heel, and John who was a baby face,

0:13:51.760 --> 0:13:54.760
<v Speaker 1>and John sold big for like horror movie cells, right,

0:13:54.800 --> 0:13:57.439
<v Speaker 1>because they were really trying to get this group over.

0:13:57.480 --> 0:13:59.720
<v Speaker 1>They thought they had a couple of solid bangers in there. Right.

0:14:00.800 --> 0:14:03.520
<v Speaker 1>So I'm doing my promo class and I have a

0:14:03.520 --> 0:14:06.000
<v Speaker 1>lot of these guys and and uh and girls in

0:14:06.040 --> 0:14:08.720
<v Speaker 1>there now, and we're getting to use like really big rooms,

0:14:08.760 --> 0:14:11.720
<v Speaker 1>like sometimes even the cafeteria because we have so many

0:14:11.720 --> 0:14:14.360
<v Speaker 1>people in there. And I got these Nexus cats, right,

0:14:14.920 --> 0:14:18.640
<v Speaker 1>And there was this one dude named Fred and y'all

0:14:18.679 --> 0:14:21.640
<v Speaker 1>if you watch then then he wrestled under the name

0:14:21.720 --> 0:14:25.479
<v Speaker 1>Darren Young. His real name is Fred Rosser and uh

0:14:25.600 --> 0:14:28.840
<v Speaker 1>he's now out of out of the closet, and and

0:14:29.120 --> 0:14:31.600
<v Speaker 1>everyone knows that that Fred is a gay wrestler. And

0:14:31.640 --> 0:14:34.800
<v Speaker 1>I think was the first one to come out while

0:14:34.880 --> 0:14:37.600
<v Speaker 1>under the employee of w w E, but certainly not

0:14:37.680 --> 0:14:40.200
<v Speaker 1>the first gay wrestler in the w w E. If

0:14:40.200 --> 0:14:42.480
<v Speaker 1>you know about Pat Patterson, everyone in the company knew

0:14:42.480 --> 0:14:44.960
<v Speaker 1>Pat was. He was very open about it um and

0:14:45.000 --> 0:14:48.080
<v Speaker 1>everyone embraced him. So at this point in time, though

0:14:48.080 --> 0:14:50.560
<v Speaker 1>Fred was not out, he was a young wrestler. He

0:14:50.640 --> 0:14:54.240
<v Speaker 1>was coming up and uh so now I think he's

0:14:54.240 --> 0:14:56.160
<v Speaker 1>a new japan wrestling now. So if you're a big

0:14:56.160 --> 0:15:00.840
<v Speaker 1>wrestling fan, he's built from stone, looks gray eight solid us, right,

0:15:00.880 --> 0:15:03.000
<v Speaker 1>and we just call him black John Cena because he

0:15:03.040 --> 0:15:05.400
<v Speaker 1>looked just like John Cena. But if John was black,

0:15:05.640 --> 0:15:07.760
<v Speaker 1>even his face, it was crazy. You put him side

0:15:07.800 --> 0:15:10.120
<v Speaker 1>by side and it looked like the exact same dude.

0:15:10.120 --> 0:15:12.720
<v Speaker 1>I think John even cut a promo on it, uh,

0:15:12.760 --> 0:15:14.800
<v Speaker 1>in like an actual storyline where he's like, maybe we

0:15:14.840 --> 0:15:16.840
<v Speaker 1>did have the same father, but I hate you anyway.

0:15:16.880 --> 0:15:20.280
<v Speaker 1>I'm fighting for justice, so uh start doing the promo

0:15:20.400 --> 0:15:26.040
<v Speaker 1>classes and it's a lot of you, you going against

0:15:26.080 --> 0:15:29.000
<v Speaker 1>me because Vince likes that, right, So it's we're going

0:15:29.040 --> 0:15:31.160
<v Speaker 1>to have a fight, and you're gonna give me a

0:15:31.200 --> 0:15:33.760
<v Speaker 1>reason to watch like that. If you remember the dog story.

0:15:33.840 --> 0:15:36.440
<v Speaker 1>You're a dog, and you're a dog. Now make me

0:15:36.520 --> 0:15:40.840
<v Speaker 1>want to watch you fight. So a more productive way

0:15:40.880 --> 0:15:44.320
<v Speaker 1>to accomplish that is to give them a reason to fight,

0:15:44.400 --> 0:15:48.080
<v Speaker 1>like I did with Kia Stevens and with Beth Phoenix. Um.

0:15:48.120 --> 0:15:53.160
<v Speaker 1>If you remember from last week's episode, so William Regal

0:15:53.960 --> 0:16:00.520
<v Speaker 1>also known as Stephen Regal, is and was one of

0:16:00.560 --> 0:16:05.360
<v Speaker 1>the single most helpful human beings while I worked at

0:16:05.400 --> 0:16:10.720
<v Speaker 1>that company. He would warn me about people. He would

0:16:10.760 --> 0:16:15.120
<v Speaker 1>help show me what wrestlers strengths were and to write

0:16:15.120 --> 0:16:19.400
<v Speaker 1>my promos to fit the type of wrestler they were,

0:16:19.920 --> 0:16:23.480
<v Speaker 1>because I was not doing that. Um, you don't want

0:16:23.520 --> 0:16:25.560
<v Speaker 1>to write a luchad or like a big man. You

0:16:25.560 --> 0:16:27.640
<v Speaker 1>don't want to write a big man like a high flyer.

0:16:28.000 --> 0:16:31.120
<v Speaker 1>There's a different attitude. When you're seven ft tall. You

0:16:31.160 --> 0:16:34.040
<v Speaker 1>don't have to say as much. Your seven ft tall

0:16:34.480 --> 0:16:36.920
<v Speaker 1>I kind of equated to Darth Vader. You don't have

0:16:37.000 --> 0:16:39.720
<v Speaker 1>to give Darth Vader a lot of a lot of dialogue.

0:16:39.920 --> 0:16:43.080
<v Speaker 1>And you notice he only moves when he has to.

0:16:43.520 --> 0:16:46.600
<v Speaker 1>There's no wasted movement with Darth Vader, which was the

0:16:46.680 --> 0:16:49.520
<v Speaker 1>same crap I would hear in the production, not crap

0:16:49.600 --> 0:16:52.400
<v Speaker 1>this is good crap um. The same stuff I would

0:16:52.400 --> 0:16:54.360
<v Speaker 1>hear in the production meetings when they would talk about,

0:16:54.480 --> 0:16:57.080
<v Speaker 1>you know, tell these guys, the big guys, to slow down.

0:16:57.320 --> 0:16:59.560
<v Speaker 1>Less is more And there's something I know a lot

0:16:59.600 --> 0:17:02.080
<v Speaker 1>of people disagree with that, but I tend to agree

0:17:02.080 --> 0:17:05.720
<v Speaker 1>with it. It's more. It's what made Frankenstein so scary,

0:17:06.000 --> 0:17:10.199
<v Speaker 1>right is It's why Pepper lepu we were amazed with him, like,

0:17:10.240 --> 0:17:13.840
<v Speaker 1>how could someone as slow always catch always catch him? Right?

0:17:14.240 --> 0:17:17.760
<v Speaker 1>So it may be dated, but with the big guys,

0:17:17.800 --> 0:17:20.480
<v Speaker 1>they don't want them, you know, flying around everywhere. Vince

0:17:20.520 --> 0:17:23.720
<v Speaker 1>doesn't want his guys and his girls getting hurt, which

0:17:23.760 --> 0:17:26.480
<v Speaker 1>is why that w W E style is less exciting

0:17:26.600 --> 0:17:30.760
<v Speaker 1>because he feels it prevents injuries. So Stephen has been

0:17:30.760 --> 0:17:34.120
<v Speaker 1>getting me hip to it. And he asks me if

0:17:34.160 --> 0:17:37.359
<v Speaker 1>he can come in and uh and cut a promo

0:17:38.000 --> 0:17:40.200
<v Speaker 1>and I'm like, yeah, man, you want me to pick something?

0:17:40.280 --> 0:17:42.840
<v Speaker 1>He goes, oh no, no, no, I have something. I said,

0:17:42.840 --> 0:17:46.560
<v Speaker 1>all right, dude. So he comes in and I it

0:17:46.680 --> 0:17:50.400
<v Speaker 1>was either the Saint Crispin's Day from Henry the Five,

0:17:51.200 --> 0:17:54.479
<v Speaker 1>which is no joke, or it was from Hamlet, and

0:17:54.520 --> 0:17:57.280
<v Speaker 1>I feel like it was from Hamlet. Otherwise. I don't

0:17:57.280 --> 0:18:00.080
<v Speaker 1>know why I remember this line, but I feel like

0:18:00.119 --> 0:18:03.720
<v Speaker 1>I remember Stephen saying the world is nothing more to

0:18:03.840 --> 0:18:07.879
<v Speaker 1>me but a foul and pestilent congregation of vapors, and

0:18:07.960 --> 0:18:10.080
<v Speaker 1>that I know for sure is from Hamlet, so I

0:18:10.119 --> 0:18:13.120
<v Speaker 1>think it was Hamlet. So he cuts this, and then

0:18:13.119 --> 0:18:15.920
<v Speaker 1>he's trying to explain why he chose this to all

0:18:15.920 --> 0:18:19.200
<v Speaker 1>these young wrestlers, and he said he was talking about

0:18:19.200 --> 0:18:22.280
<v Speaker 1>the iambic pentameter, which is sort of the rhythm and

0:18:22.400 --> 0:18:28.240
<v Speaker 1>cadence required by by Shakespeare. He's trying to explain that

0:18:28.520 --> 0:18:32.879
<v Speaker 1>you can tell a story whether you speak English or not.

0:18:33.280 --> 0:18:35.480
<v Speaker 1>There are a couple of Japanese wrestlers in the room

0:18:35.520 --> 0:18:38.720
<v Speaker 1>at the time. You can communist cad to story whether

0:18:38.760 --> 0:18:42.560
<v Speaker 1>you speak Spanish better than English, the same way he communed,

0:18:42.600 --> 0:18:46.520
<v Speaker 1>those communicated those feelings from that monologue to everyone in there,

0:18:46.600 --> 0:18:49.040
<v Speaker 1>and everyone knew exactly what he was saying. When you

0:18:49.160 --> 0:18:51.280
<v Speaker 1>say someone, this world has nothing more to me but

0:18:51.359 --> 0:18:54.919
<v Speaker 1>a foul and pestilent congregation of vapors, I'm communicating a

0:18:54.960 --> 0:18:56.919
<v Speaker 1>message to you with a whole bunch of words that

0:18:57.119 --> 0:18:59.320
<v Speaker 1>neither one of us will ever use again in our

0:18:59.480 --> 0:19:01.960
<v Speaker 1>entire life. But you know exactly what I'm talking about.

0:19:01.960 --> 0:19:04.600
<v Speaker 1>You go, whoa, Freddie's a little depressed, ok you do?

0:19:05.280 --> 0:19:09.000
<v Speaker 1>And that message has been communicated beautifully, right, So I

0:19:09.000 --> 0:19:12.240
<v Speaker 1>think Funaki was in there. And by the way, I

0:19:12.280 --> 0:19:15.879
<v Speaker 1>got a great Funaki story. Kung should we do a

0:19:15.960 --> 0:19:18.959
<v Speaker 1>Japanese side quest? Should we do a side quest? All right,

0:19:18.960 --> 0:19:22.080
<v Speaker 1>we're doing a side quest? Okay. So it's a SmackDown.

0:19:22.160 --> 0:19:25.560
<v Speaker 1>It's over and Shane Hurricane Helms and some of the

0:19:25.600 --> 0:19:28.879
<v Speaker 1>writers and my buddy Angelo the writer, We're all having

0:19:28.920 --> 0:19:32.160
<v Speaker 1>like a beer at the hotel, and you know, after

0:19:32.200 --> 0:19:34.440
<v Speaker 1>a couple in, Shane goes, man, I wish we could

0:19:34.440 --> 0:19:37.880
<v Speaker 1>get I wish we'd get Funaki over again, and Angela

0:19:37.960 --> 0:19:39.880
<v Speaker 1>was like, yeah, well, let's let's think of something. He goes, oh,

0:19:39.880 --> 0:19:42.119
<v Speaker 1>then they wouldn't buy anything we do. And he goes

0:19:42.160 --> 0:19:44.080
<v Speaker 1>to we could think of something. And this is all

0:19:44.200 --> 0:19:46.520
<v Speaker 1>credit to Shane. Okay, I think he even wrote the

0:19:46.560 --> 0:19:49.199
<v Speaker 1>song that our truth saying to him later on, but

0:19:50.200 --> 0:19:53.680
<v Speaker 1>he goes, what about what if it was kung fu

0:19:53.800 --> 0:19:57.000
<v Speaker 1>KNOCKI and all the writers are drunk and they're like,

0:19:57.040 --> 0:20:00.040
<v Speaker 1>wait what He goes, yeah, like kung fu? He we

0:20:00.080 --> 0:20:04.480
<v Speaker 1>could sing the song Everybody loves Kong Fu Knack that

0:20:04.720 --> 0:20:08.040
<v Speaker 1>dude can't drink some sacking and he had like this

0:20:08.119 --> 0:20:11.119
<v Speaker 1>whole freestyle jam that they all fell in love with.

0:20:11.600 --> 0:20:13.159
<v Speaker 1>And I was in the writer's room one day and

0:20:13.200 --> 0:20:16.680
<v Speaker 1>they're pitching this and I'm like, yo, wait what And

0:20:16.720 --> 0:20:19.840
<v Speaker 1>Shane comes in and they go, Shane, what about Kung Funaki?

0:20:20.520 --> 0:20:22.320
<v Speaker 1>And Shane just looks at the board and he sees

0:20:22.359 --> 0:20:25.320
<v Speaker 1>how we booked and he goes, that's pretty fucking funny,

0:20:25.480 --> 0:20:27.520
<v Speaker 1>and he just walked out of the room. And that's

0:20:27.520 --> 0:20:30.679
<v Speaker 1>when we gave Funaki the Daniel Son Crane kick, and

0:20:30.840 --> 0:20:33.280
<v Speaker 1>m VP sold it better than Johnny Lawrence did in

0:20:33.320 --> 0:20:36.320
<v Speaker 1>that movie Are You Kinda May Come Home Baby? Sound

0:20:36.480 --> 0:20:39.000
<v Speaker 1>for the Wind? So anyway, that's the Japanese side quest.

0:20:39.040 --> 0:20:43.200
<v Speaker 1>So um, we're back in promo class and Sir William

0:20:43.240 --> 0:20:45.719
<v Speaker 1>Regal is in there. Gotta call him sir, even if

0:20:45.720 --> 0:20:48.120
<v Speaker 1>he's not a real knight, he should be Darren. Young

0:20:48.200 --> 0:20:51.520
<v Speaker 1>Fred gets up and he wants to He wants to

0:20:51.520 --> 0:20:55.120
<v Speaker 1>do a promo scenario then cutting on each other, and

0:20:55.200 --> 0:20:58.840
<v Speaker 1>so Regal says, I'll stop my friend, and he says,

0:20:59.040 --> 0:21:04.159
<v Speaker 1>this is I'll never get this man. He says, you

0:21:04.240 --> 0:21:09.520
<v Speaker 1>don't belong here and you're going to quit, And Rosser

0:21:09.640 --> 0:21:12.399
<v Speaker 1>comes back and he goes, don't and he does repetition.

0:21:12.560 --> 0:21:15.320
<v Speaker 1>He goes, I don't belong here. Do you think I'm

0:21:15.359 --> 0:21:18.480
<v Speaker 1>gonna quit? And Rigo just looks back at him and

0:21:18.520 --> 0:21:21.639
<v Speaker 1>he goes, I've seen it a million times before, my friend,

0:21:22.000 --> 0:21:24.840
<v Speaker 1>you're going to quit and you know you don't belong

0:21:25.920 --> 0:21:30.560
<v Speaker 1>And Fred gets this like emotion and cuts like the

0:21:30.600 --> 0:21:33.320
<v Speaker 1>promo of It's a shame I didn't film any of these.

0:21:34.400 --> 0:21:37.120
<v Speaker 1>He cuts like the promo of the Universe. And he's

0:21:37.160 --> 0:21:40.160
<v Speaker 1>straight up his fist ball up and you can hear

0:21:40.200 --> 0:21:45.640
<v Speaker 1>his knuckles crack. And we've already established there's no there's

0:21:45.640 --> 0:21:48.720
<v Speaker 1>no punching, right, and Fred didn't come off the type

0:21:48.760 --> 0:21:52.160
<v Speaker 1>to do it. And there's his eyes start to well

0:21:52.320 --> 0:21:56.880
<v Speaker 1>up and I'm sitting there watching and regals so cool man.

0:21:56.920 --> 0:21:59.240
<v Speaker 1>He's like a gun slinger in the wild West. He's

0:21:59.240 --> 0:22:02.720
<v Speaker 1>gonna let you draw first and still be fastinough like

0:22:02.800 --> 0:22:05.240
<v Speaker 1>he didn't even blink. But this is the guy that

0:22:05.359 --> 0:22:08.440
<v Speaker 1>smashed on Goldberg to let people know like what time

0:22:08.480 --> 0:22:10.440
<v Speaker 1>it was back in the day, right, Like he does

0:22:10.520 --> 0:22:13.960
<v Speaker 1>not care but he was a good giving man at

0:22:13.960 --> 0:22:16.680
<v Speaker 1>this point in his career. He probably was his whole career,

0:22:16.720 --> 0:22:22.000
<v Speaker 1>but in this moment especially, and Darren Young just screams

0:22:22.119 --> 0:22:24.320
<v Speaker 1>and tears come down his face. At the same time,

0:22:24.600 --> 0:22:27.320
<v Speaker 1>it's like the like Denzel Washington does the perfect tear

0:22:27.720 --> 0:22:29.439
<v Speaker 1>right like He'll hold it for a whole scene and

0:22:29.440 --> 0:22:32.640
<v Speaker 1>then drop it out right at the end, and everyone's like, oh,

0:22:32.800 --> 0:22:35.640
<v Speaker 1>like that's the next level technique. This was just wrong.

0:22:35.800 --> 0:22:40.080
<v Speaker 1>Came out and he screams, I do, my lord, and

0:22:40.119 --> 0:22:43.960
<v Speaker 1>then there's like a ninety second promo of the sacrifice,

0:22:44.280 --> 0:22:47.760
<v Speaker 1>the fear that this that that, And while he's saying this,

0:22:48.000 --> 0:23:01.880
<v Speaker 1>I shit you not. I literally was like, Yo, Fred's gay.

0:23:02.359 --> 0:23:06.000
<v Speaker 1>You could just I mean, I'd work in Hollywood, man.

0:23:06.080 --> 0:23:07.720
<v Speaker 1>I know a lot of people to this day that

0:23:07.760 --> 0:23:10.760
<v Speaker 1>aren't comfortable with who they are based on the reaction

0:23:10.800 --> 0:23:15.320
<v Speaker 1>that that society is gonna have. Right. So, and I'm

0:23:15.359 --> 0:23:17.040
<v Speaker 1>not trying to say this to like, oh, look, how

0:23:17.080 --> 0:23:19.840
<v Speaker 1>smart I knew, Like I was like, oh my gosh,

0:23:19.880 --> 0:23:23.360
<v Speaker 1>Fred Fred's gay. And I didn't say anything. I never did,

0:23:23.680 --> 0:23:25.800
<v Speaker 1>and he's out now, so it's not a secret. And

0:23:25.840 --> 0:23:29.560
<v Speaker 1>I don't think anyone else knew except maybe William who

0:23:29.640 --> 0:23:32.879
<v Speaker 1>kind of had this like glint in his eye, and

0:23:32.960 --> 0:23:37.359
<v Speaker 1>as as Darren Young. Although this was all Fred Rosser

0:23:37.960 --> 0:23:42.120
<v Speaker 1>finished his promo. You know how like British people, like

0:23:42.560 --> 0:23:44.840
<v Speaker 1>when you do something sick in America, we'd give you

0:23:44.840 --> 0:23:47.359
<v Speaker 1>that head nod right, like people do memes of it,

0:23:47.440 --> 0:23:50.679
<v Speaker 1>like Robert Redford as Grizzly Adams or whatever. They're like

0:23:50.720 --> 0:23:53.440
<v Speaker 1>nod in his head. Well, British people do this smile

0:23:53.800 --> 0:23:56.080
<v Speaker 1>and it's like a half only half their face works,

0:23:56.160 --> 0:23:59.560
<v Speaker 1>and it's this rye sort of half smile. And Rigo

0:23:59.640 --> 0:24:02.080
<v Speaker 1>just gives in this that smile already hits him with

0:24:02.119 --> 0:24:05.359
<v Speaker 1>it and he goes and uh. And Roster finishes his

0:24:05.440 --> 0:24:09.560
<v Speaker 1>promo with I'll Never Quit, and Rico just looks at him.

0:24:09.560 --> 0:24:14.080
<v Speaker 1>He says, my mistake, lab, maybe you do belong And

0:24:14.200 --> 0:24:18.040
<v Speaker 1>everybody was, I mean balling man balling and Fred was

0:24:18.080 --> 0:24:20.840
<v Speaker 1>to and Regal gives him this big hug man and

0:24:20.880 --> 0:24:23.600
<v Speaker 1>you can see like Rosster squeeze him hard like that

0:24:23.800 --> 0:24:28.080
<v Speaker 1>there was hurt and pain in there. And right after

0:24:28.160 --> 0:24:30.560
<v Speaker 1>that we wrote this promo for him. And you'll forgive

0:24:30.560 --> 0:24:32.239
<v Speaker 1>me if I don't remember what show it was for

0:24:32.320 --> 0:24:33.960
<v Speaker 1>it I believe it was an x T, like he

0:24:34.000 --> 0:24:36.439
<v Speaker 1>got moved down to an x T when it was

0:24:36.480 --> 0:24:39.600
<v Speaker 1>like rookies and someone maybe or maybe it was right

0:24:39.600 --> 0:24:44.280
<v Speaker 1>before that, and uh, and he gave him this promo

0:24:44.280 --> 0:24:46.520
<v Speaker 1>where he didn't feel like he should even be there.

0:24:47.080 --> 0:24:49.000
<v Speaker 1>And I said, do you remember when you screamed I

0:24:49.080 --> 0:24:50.879
<v Speaker 1>do belong? He said yeah. I said, I wanted it

0:24:50.920 --> 0:24:53.119
<v Speaker 1>wasn't my promo, someone else's, but he was struggling with it.

0:24:53.359 --> 0:24:55.280
<v Speaker 1>I said, I want you to feel that when you

0:24:55.320 --> 0:25:00.560
<v Speaker 1>say I wrestled John Cena and he goes, yeah, okay, okay.

0:25:00.800 --> 0:25:02.600
<v Speaker 1>And so he did it, and he hit it about

0:25:02.720 --> 0:25:05.879
<v Speaker 1>like eight percent of where I'd hoped it got, but

0:25:06.000 --> 0:25:08.520
<v Speaker 1>he still got the point across. And he's like, but

0:25:08.560 --> 0:25:10.359
<v Speaker 1>it was more of an arrogant take because it needed

0:25:10.400 --> 0:25:12.800
<v Speaker 1>to be. He's like, all, I wrestle John Seen and

0:25:12.840 --> 0:25:14.520
<v Speaker 1>he got kind of a little choked up on it,

0:25:14.920 --> 0:25:17.879
<v Speaker 1>and uh, he was able to kind of bring which

0:25:17.960 --> 0:25:21.680
<v Speaker 1>was a real honest moment to TV. Now. I could

0:25:21.720 --> 0:25:27.119
<v Speaker 1>relate to this because early in my acting class, my

0:25:27.240 --> 0:25:29.560
<v Speaker 1>acting coach gave me this scene. He used to let

0:25:29.560 --> 0:25:32.200
<v Speaker 1>me pick right, but I would always pick really easy stuff,

0:25:32.720 --> 0:25:35.119
<v Speaker 1>and he really challenged me, and I don't remember the

0:25:35.200 --> 0:25:37.560
<v Speaker 1>name of this play, and I don't want to remember

0:25:37.600 --> 0:25:39.640
<v Speaker 1>the name of the play. So even if I say

0:25:39.680 --> 0:25:42.199
<v Speaker 1>words from it that you remember, do not hit me

0:25:42.320 --> 0:25:44.879
<v Speaker 1>up at at real F p j R. On Twitter,

0:25:45.160 --> 0:25:47.480
<v Speaker 1>and do not hit me up on Instagram because I

0:25:47.520 --> 0:25:50.320
<v Speaker 1>have deleted this ship from my mind because it broke

0:25:50.400 --> 0:25:55.200
<v Speaker 1>me in pieces. So my butt hole act I love,

0:25:55.320 --> 0:25:58.359
<v Speaker 1>I love my acting coach, but this was just Oh

0:25:58.400 --> 0:26:00.640
<v Speaker 1>he was right. I was wrong, but man, I hated

0:26:00.680 --> 0:26:04.199
<v Speaker 1>him for this. So he gives me this scene and

0:26:04.320 --> 0:26:06.919
<v Speaker 1>my characters crying right away, And that was my biggest

0:26:06.920 --> 0:26:08.320
<v Speaker 1>fear was I don't I don't know if I can

0:26:08.359 --> 0:26:09.520
<v Speaker 1>do that. I don't know if I can cry. I

0:26:09.520 --> 0:26:12.080
<v Speaker 1>don't know if I can open up like that. Earlier

0:26:12.119 --> 0:26:16.000
<v Speaker 1>in my career, I manufactured every performance I did until

0:26:16.040 --> 0:26:19.000
<v Speaker 1>I was probably almost thirty years old, and it took

0:26:19.040 --> 0:26:21.399
<v Speaker 1>me that long to figure out acting. I'd never I

0:26:21.400 --> 0:26:23.359
<v Speaker 1>didn't start until I was eighteen, so I was learning

0:26:23.359 --> 0:26:26.119
<v Speaker 1>on the job and everything came real, real fast. I

0:26:26.200 --> 0:26:28.679
<v Speaker 1>was not ready and not prepared, so I withdrew and

0:26:28.760 --> 0:26:32.440
<v Speaker 1>pulled back, which is what I always do. And uh,

0:26:32.520 --> 0:26:34.920
<v Speaker 1>when I was thirty, I finally like this actor Gil

0:26:35.000 --> 0:26:38.359
<v Speaker 1>Bellows just I was gonna do this movie. This is

0:26:38.400 --> 0:26:41.159
<v Speaker 1>another side quest, sorry Alexis, but I was doing a

0:26:41.160 --> 0:26:42.920
<v Speaker 1>play in London and he came to watch it because

0:26:42.920 --> 0:26:46.040
<v Speaker 1>I was gonna do a movie that he wrote. And uh,

0:26:46.160 --> 0:26:48.800
<v Speaker 1>we went and had dinner afterwards. My cousin was with me,

0:26:49.240 --> 0:26:52.479
<v Speaker 1>and this dude like broke down my whole performance and

0:26:52.600 --> 0:26:55.680
<v Speaker 1>nailed me on every bad habit I had. And I'm

0:26:55.720 --> 0:26:58.520
<v Speaker 1>sitting there like everything is. Dude is saying it's like

0:26:58.920 --> 0:27:02.960
<v Speaker 1>dead on my cousin. I can feel it's like getting mad,

0:27:02.960 --> 0:27:05.000
<v Speaker 1>like he's not. He's getting pissed at the guy. But

0:27:05.080 --> 0:27:07.879
<v Speaker 1>I'm kind of like feeding off the energy. And we

0:27:07.960 --> 0:27:10.560
<v Speaker 1>finally said our good nights, and my cousin Joe was like, now,

0:27:10.560 --> 0:27:12.920
<v Speaker 1>I thought you're gonna knock him out. I was like, no, man,

0:27:13.040 --> 0:27:15.320
<v Speaker 1>Like I feel like this guy just kind of unlocks him.

0:27:15.680 --> 0:27:18.440
<v Speaker 1>The next night was the greatest performance that I ever

0:27:18.520 --> 0:27:21.679
<v Speaker 1>had in anything I ever did in my entire career.

0:27:21.720 --> 0:27:23.960
<v Speaker 1>It was a Kenneth Lonergan play called This Is Our Youth,

0:27:24.480 --> 0:27:26.639
<v Speaker 1>and uh, it was the first time I ever like

0:27:26.720 --> 0:27:31.040
<v Speaker 1>broke down organically in her performance. So I knew exactly.

0:27:31.080 --> 0:27:34.040
<v Speaker 1>I share that story because I knew exactly what Fred

0:27:34.119 --> 0:27:36.960
<v Speaker 1>was going through. The scene was about my dad with

0:27:37.040 --> 0:27:39.720
<v Speaker 1>the character's dad, but I made it about my dad

0:27:40.119 --> 0:27:43.040
<v Speaker 1>and the moment I allowed myself to do that and

0:27:43.080 --> 0:27:46.160
<v Speaker 1>allow a real feeling that I hated at the time.

0:27:46.200 --> 0:27:49.399
<v Speaker 1>I'm forty five. Now I have kids, UM, so it

0:27:49.440 --> 0:27:52.680
<v Speaker 1>doesn't carry that weight that it used to. Now it's

0:27:52.720 --> 0:27:56.320
<v Speaker 1>just respect and love, um, like on his birthday and stuff,

0:27:56.359 --> 0:28:00.440
<v Speaker 1>I'll miss him. But outside of that, like, I've adjusted

0:28:00.480 --> 0:28:03.680
<v Speaker 1>well to it. But then I applied so much real

0:28:03.800 --> 0:28:07.400
<v Speaker 1>hurt and pain. And my character is supposed to accidentally

0:28:07.480 --> 0:28:10.920
<v Speaker 1>knock over this dish full of cocaine and UH and

0:28:11.080 --> 0:28:15.119
<v Speaker 1>manitol and he freaks out. And my choice was I

0:28:15.160 --> 0:28:17.879
<v Speaker 1>got so mad at myself because I was so stupid

0:28:18.400 --> 0:28:20.639
<v Speaker 1>that I smashed the plate on the table and the

0:28:20.720 --> 0:28:24.320
<v Speaker 1>plate cracked open and it split my left hand open

0:28:24.880 --> 0:28:27.160
<v Speaker 1>and I was bleeding everywhere and I didn't even notice

0:28:27.280 --> 0:28:29.439
<v Speaker 1>I was bleeding until the end of the show. Like

0:28:29.560 --> 0:28:31.800
<v Speaker 1>that's how into the moment I was. And I have

0:28:31.880 --> 0:28:34.840
<v Speaker 1>Gil Bellows to think for that, And so to see

0:28:34.880 --> 0:28:38.440
<v Speaker 1>someone else let something reel out like that, it just

0:28:39.360 --> 0:28:44.000
<v Speaker 1>slap the holy hell out of me. Now that's kind

0:28:44.000 --> 0:28:46.800
<v Speaker 1>of deep and heavy. So we're gonna end on a

0:28:46.880 --> 0:28:50.240
<v Speaker 1>high note, and I'm going to talk about one of

0:28:50.240 --> 0:28:53.720
<v Speaker 1>the funniest promo classes that that we ever had, or

0:28:53.720 --> 0:28:56.720
<v Speaker 1>not maybe scariest, and has to do with Nattie night

0:28:56.760 --> 0:28:59.760
<v Speaker 1>Heart and Harry Smith, Um, who was the son of

0:28:59.760 --> 0:29:01.880
<v Speaker 1>a legend. So I loved him very much because you

0:29:01.880 --> 0:29:04.000
<v Speaker 1>have very big shoes to fill. I was the son

0:29:04.040 --> 0:29:06.480
<v Speaker 1>of a legend, so I have very big shoes to fill,

0:29:06.720 --> 0:29:08.440
<v Speaker 1>and so I connected with Harry a lot, and I

0:29:08.480 --> 0:29:11.120
<v Speaker 1>really wanted to get him in TJ over UM and

0:29:11.160 --> 0:29:12.680
<v Speaker 1>I worked. I worked hard to do it. But we

0:29:12.760 --> 0:29:14.719
<v Speaker 1>just you know, I have plenty of failures. We can

0:29:14.760 --> 0:29:17.400
<v Speaker 1>talk about those two is just the success. Success ones

0:29:17.400 --> 0:29:20.959
<v Speaker 1>are usually cooler and funnier stories. But um, I failed

0:29:20.960 --> 0:29:26.520
<v Speaker 1>those boys. I never I never got over that I failed.

0:29:26.520 --> 0:29:29.200
<v Speaker 1>The USOS to tag team wrestling is tough, man. I

0:29:29.240 --> 0:29:32.920
<v Speaker 1>remember Vince, I was working so hard on building up

0:29:32.920 --> 0:29:36.280
<v Speaker 1>a tag team division and Ben said, Freddie, I gotta

0:29:36.320 --> 0:29:40.480
<v Speaker 1>pay four guys for one fucking match, and I kind

0:29:40.480 --> 0:29:44.640
<v Speaker 1>of went, oh, I had never looked at it like that,

0:29:44.840 --> 0:29:48.040
<v Speaker 1>And again, it's show business, and I was in charge

0:29:48.080 --> 0:29:51.120
<v Speaker 1>of of the Cologne Brothers, I named Primo for crying

0:29:51.160 --> 0:29:57.480
<v Speaker 1>out loud. Um, that was my name. Um, and uh,

0:29:57.680 --> 0:30:00.200
<v Speaker 1>it's kind of like changed my perspective on thing ings

0:30:00.800 --> 0:30:03.200
<v Speaker 1>and change the way I approach storylines. I couldn't pitch

0:30:03.280 --> 0:30:06.760
<v Speaker 1>for for as much anymore. But anyway, or in promo

0:30:06.800 --> 0:30:11.080
<v Speaker 1>class or another side quest completed, you just leveled up. Um.

0:30:11.120 --> 0:30:12.680
<v Speaker 1>And if you make it through the whole podcast, you

0:30:12.680 --> 0:30:17.200
<v Speaker 1>get all kinds of experience. It's great. Um. So we uh,

0:30:17.280 --> 0:30:20.000
<v Speaker 1>we're in promo class and you guys all remember the rules.

0:30:20.120 --> 0:30:23.640
<v Speaker 1>There's no makeout sessions allowed and there's no beating each

0:30:23.680 --> 0:30:27.400
<v Speaker 1>other up. That seems they seem like reasonable requests as

0:30:27.400 --> 0:30:30.000
<v Speaker 1>far as like an acting coach and and the talent

0:30:30.080 --> 0:30:32.280
<v Speaker 1>in that room go. And I feel like everyone should

0:30:32.280 --> 0:30:35.120
<v Speaker 1>be able to follow those rules. Um, but apparently not.

0:30:35.680 --> 0:30:39.480
<v Speaker 1>And it was little Nattie Nidheart who decided to break it.

0:30:39.800 --> 0:30:44.120
<v Speaker 1>And so her and Harry are in there, and I've

0:30:44.160 --> 0:30:46.480
<v Speaker 1>already told you, like what the state of women's wrestling

0:30:46.560 --> 0:30:50.080
<v Speaker 1>was back then, and we're gonna get into the transition, um,

0:30:50.120 --> 0:30:54.640
<v Speaker 1>which was the Bella's And I have no responsibility and

0:30:54.680 --> 0:30:58.440
<v Speaker 1>take no credit for the women's division. But uh I

0:30:58.480 --> 0:31:00.840
<v Speaker 1>did help bring those girls up, and it was those

0:31:00.880 --> 0:31:04.960
<v Speaker 1>girls who really opened Vince's eyes with their show Total Divas,

0:31:04.960 --> 0:31:07.960
<v Speaker 1>which we'll get into in another episode. Um, and how

0:31:08.000 --> 0:31:11.080
<v Speaker 1>they kind of revolutionized and changed matches from five minutes

0:31:11.120 --> 0:31:14.280
<v Speaker 1>to all of a sudden having multiple commercial breaks, which

0:31:14.320 --> 0:31:17.600
<v Speaker 1>is just so sick. But anyway, we're still in the

0:31:17.640 --> 0:31:19.440
<v Speaker 1>time where the ladies got five minutes, and if they

0:31:19.480 --> 0:31:21.280
<v Speaker 1>had a pay per view match, it usually got clipped

0:31:21.320 --> 0:31:24.560
<v Speaker 1>to about seven to give to give the boys more time.

0:31:25.760 --> 0:31:31.000
<v Speaker 1>So uh as Freebird would say, So they're in there

0:31:31.160 --> 0:31:35.280
<v Speaker 1>and it's a repetition and they're going back and forth

0:31:35.320 --> 0:31:37.959
<v Speaker 1>about you know, I don't even remember. It was like

0:31:38.560 --> 0:31:42.320
<v Speaker 1>you ain't ship, No, you ain't ship. Whatever it was, right,

0:31:42.360 --> 0:31:45.160
<v Speaker 1>they're going back and forth. Michael Tarver was the other

0:31:45.200 --> 0:31:47.200
<v Speaker 1>NEXTUS guy. I was trying to think of that early on.

0:31:47.400 --> 0:31:49.240
<v Speaker 1>He had a sick promo where he just wrapped and

0:31:49.240 --> 0:31:52.480
<v Speaker 1>it was amazing. By the way, there's another side quest. Um.

0:31:52.600 --> 0:31:56.160
<v Speaker 1>So they're in there and they're going back and forth,

0:31:56.640 --> 0:31:59.760
<v Speaker 1>but they're getting closer and closer, and everyone knows that

0:31:59.800 --> 0:32:03.400
<v Speaker 1>they're no chance of any like smooch. He smooched with

0:32:03.440 --> 0:32:07.840
<v Speaker 1>those two because t J's her man like forever um.

0:32:07.880 --> 0:32:10.040
<v Speaker 1>So they're getting closer and closer, and I'm like, this

0:32:10.120 --> 0:32:12.680
<v Speaker 1>is this is weird. I don't know where this is going.

0:32:12.920 --> 0:32:14.719
<v Speaker 1>And at this point we were doing points, so if

0:32:14.760 --> 0:32:17.680
<v Speaker 1>you changed up the sentence, the other person got a point.

0:32:17.680 --> 0:32:19.960
<v Speaker 1>But it wasn't over until someone got three points, right,

0:32:20.440 --> 0:32:23.480
<v Speaker 1>so they change it up and uh. He says something

0:32:23.520 --> 0:32:27.320
<v Speaker 1>to Natty about like that's why you are where you

0:32:27.360 --> 0:32:32.080
<v Speaker 1>are and I am where I am and Natty just

0:32:32.520 --> 0:32:35.520
<v Speaker 1>I mean it looked Richard Bryor had a joke where

0:32:35.520 --> 0:32:38.320
<v Speaker 1>he talks about he wanted to be a boxer and

0:32:38.320 --> 0:32:40.400
<v Speaker 1>he got hit with a hook and he said I

0:32:40.440 --> 0:32:45.280
<v Speaker 1>saw his hands start down in Mississippi. It gains speed

0:32:45.400 --> 0:32:49.400
<v Speaker 1>through Texas. Now I'm watching Natty throw this right hand

0:32:50.080 --> 0:32:52.280
<v Speaker 1>and it's like a John Wi movie. Man, it's full

0:32:52.320 --> 0:32:54.960
<v Speaker 1>slow motion. I'm pretty sure a bunch of doves like

0:32:55.040 --> 0:32:57.880
<v Speaker 1>took flight behind it as it traveled through the air.

0:32:58.200 --> 0:33:01.200
<v Speaker 1>And Harry's hands are down at his hide and he's

0:33:01.200 --> 0:33:05.440
<v Speaker 1>sticking his chin out like what And Naddy's hook comes

0:33:05.520 --> 0:33:08.719
<v Speaker 1>all the way through open hand hook right like like

0:33:08.800 --> 0:33:12.640
<v Speaker 1>the way, Uh, if you saw The Godfather talked about

0:33:12.680 --> 0:33:15.480
<v Speaker 1>how he used to open hand slap people off the stools.

0:33:15.520 --> 0:33:21.080
<v Speaker 1>It's like a Godfather slap what bow And it sounds

0:33:21.160 --> 0:33:25.880
<v Speaker 1>like two four two by four smashing together to simulate

0:33:25.920 --> 0:33:28.920
<v Speaker 1>a gun shot. And everyone in the class, including me,

0:33:28.960 --> 0:33:32.320
<v Speaker 1>at the same time, goes. And then I jump out

0:33:32.360 --> 0:33:34.800
<v Speaker 1>of my seat before I even let the breath out,

0:33:35.000 --> 0:33:38.800
<v Speaker 1>and instead of breathing out, I just go what dof?

0:33:38.840 --> 0:33:41.120
<v Speaker 1>And I curse. Right, I'm trying to control myself, but

0:33:41.160 --> 0:33:44.120
<v Speaker 1>it was a big f bomb. And I'm not mad.

0:33:44.520 --> 0:33:47.160
<v Speaker 1>I'm scared because I mean, it's the loudest shot I've

0:33:47.160 --> 0:33:49.560
<v Speaker 1>ever heard of my life. And Harry looks at me,

0:33:49.760 --> 0:33:53.920
<v Speaker 1>was put a freaking smile on his face. He goes, bro,

0:33:54.280 --> 0:33:58.360
<v Speaker 1>it's so good, like nothing happened. And you know, look,

0:33:58.400 --> 0:34:01.480
<v Speaker 1>I'm an actor. Actors are soft as hell, man. Like

0:34:01.560 --> 0:34:04.200
<v Speaker 1>I've seen dudes not be able to work for two

0:34:04.200 --> 0:34:07.680
<v Speaker 1>weeks just because their feelings got hurt. So this is

0:34:07.720 --> 0:34:10.360
<v Speaker 1>all new to me, man, But this dude took the

0:34:10.640 --> 0:34:15.759
<v Speaker 1>shot of I'm telling you, to this day, I've never

0:34:15.800 --> 0:34:18.520
<v Speaker 1>heard anyone get hit that hard in my life. I'm

0:34:18.560 --> 0:34:22.600
<v Speaker 1>including UFC kicks where you here like an Edison Barboza

0:34:22.680 --> 0:34:25.399
<v Speaker 1>foot slap on that one tall skinny dude's face. Back

0:34:25.400 --> 0:34:28.000
<v Speaker 1>in the day, I was like, Wow, that ain't ship

0:34:28.400 --> 0:34:33.240
<v Speaker 1>compared to this Canadian right hand that literally game speed

0:34:33.280 --> 0:34:37.560
<v Speaker 1>through Alberta and then just made contact in whatever city

0:34:37.600 --> 0:34:41.279
<v Speaker 1>we were in. It was we gotta have Natty on

0:34:41.280 --> 0:34:43.200
<v Speaker 1>the show one day as a guest. I just gotta

0:34:43.280 --> 0:34:46.240
<v Speaker 1>know what she was thinking when he did that, because

0:34:46.520 --> 0:34:49.120
<v Speaker 1>in her eyes, he deserved it. And I ain't gonna

0:34:49.200 --> 0:34:52.799
<v Speaker 1>argue with the girl. So that said, guys made it

0:34:52.800 --> 0:34:55.680
<v Speaker 1>through like five Cyde quests today. So you guys are

0:34:55.719 --> 0:34:58.760
<v Speaker 1>the real winners. And I'll speak with you guys all

0:34:58.840 --> 0:35:03.440
<v Speaker 1>on the next w u F Wrestling with Freddie. This

0:35:03.520 --> 0:35:05.839
<v Speaker 1>has been a production of I Heart Radio's Michael Tura

0:35:05.960 --> 0:35:09.160
<v Speaker 1>podcast Network. For more podcasts for my heart Radio, visit

0:35:09.239 --> 0:35:12.200
<v Speaker 1>the i heart Radio app, Apple Podcasts, or wherever you

0:35:12.239 --> 0:35:17.239
<v Speaker 1>listen to your favorite show. M h m hmm.