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Speaker 1: Welcome to Stuff to Blow Your Mind production of My

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Speaker 1: Heart Radio. Hey you welcome to Stuff to Blow Your Mind.

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Speaker 1: Listener mail. My name is Robert Lamb and I'm Joe McCormick,

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Speaker 1: and it's Monday, the day of the week that we

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Speaker 1: read back messages from the mail bag, messages you out

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Speaker 1: there and the audience have sent into our show account, which,

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Speaker 1: by the way, if you'd like to get in touch

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Speaker 1: is contact at Stuff to Blow your Mind dot com.

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Speaker 1: That's contact at Stuff to Blow your Mind dot com. Uh,

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Speaker 1: get in touch for any reason at all. If you

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Speaker 1: have feedback on an episode that has aired in the past,

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Speaker 1: if you have h corrections, things to add to a topic,

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Speaker 1: suggestions for future topics, or if you just want to

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Speaker 1: share something interesting, email anytime. That's right. And if you

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Speaker 1: want to join the Stuff to Blow your Mind discord,

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Speaker 1: well email us and I'll send to the link. All right,

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Speaker 1: We've got no other preliminary business as far as I know,

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Speaker 1: So rob do you mind if I jump right in

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Speaker 1: with this first message? In response to our episodes about

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Speaker 1: animals throwing things, yeah, good for it. Oh and humans

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Speaker 1: throwing things. By the way, we we focused entirely on

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Speaker 1: humans in the fourth episode. Yeah. By by the fourth

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Speaker 1: episode it had completely evolved. So this first message was

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Speaker 1: from Maya, subject line the Throwing Madonna. And this email

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Speaker 1: was interesting because we had just finished recording an episode

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Speaker 1: covering exactly the subject Maya raises here when the email

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Speaker 1: came in, so it was certainly a bull's eye of

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Speaker 1: a suggestion, but she had some additional detail and color

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Speaker 1: about this idea from from William Calvin, so I thought

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Speaker 1: I would read this here on listener mail anyway, So

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Speaker 1: Maya rites, Hello Robin Joe, congratulations on the new baby

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Speaker 1: girl Joe. I'm sure she will contribute with a ton

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Speaker 1: of new ideas for the show. Children are so weird

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Speaker 1: and interesting. I will skip over this opportunity to go

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Speaker 1: on a baby looked at Me tangent. Maya goes on

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Speaker 1: your recent series on animals. Throwing things brought to mind.

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Speaker 1: The Throwing Madonna, a nine three book by William Calvin

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Speaker 1: in which he explores many ideas about the evolution of

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Speaker 1: the brain. The essay that lends the book its title is,

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Speaker 1: in Calvin's words, quote a parody involving maternal heartbeat sounds

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Speaker 1: on the typically male theories of handedness. In this essay,

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Speaker 1: he speculates that mother's would favor carrying their infant children

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Speaker 1: with the left arm, so the kids would purportedly be

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Speaker 1: soothed by her heartbeats. This would leave the right arm

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Speaker 1: free for throwing stones in order to hunt small game

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Speaker 1: and procure her sustenance. And the rest is evolution. On

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Speaker 1: a more serious, although equally stimulating note, Calvin also discusses

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Speaker 1: in a chapter devoted to the relationship between the act

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Speaker 1: of throwing and our huge brains, that the left hemisphere

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Speaker 1: quote seems to have a specialization for muscle sequencing, not

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Speaker 1: only for hand movement, but for oral facial movements as well. Thus,

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Speaker 1: those hominins that perfected pitching stones. And then a little

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Speaker 1: parenthetical here quote action at a distance one of the

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Speaker 1: better inventions of biological evolution, since sex, says Calvin, close

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Speaker 1: parenthetical via their left hemispheres would also be inadvertently selecting

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Speaker 1: for the evolution of language. Uh. And then she concludes,

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Speaker 1: go for it, OCTOPI all the best, Mayo. For some reason,

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Speaker 1: we keep coming back to this like, Okay, what's it

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Speaker 1: gonna take. What's it gonna take for the octopus to

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Speaker 1: uh to get on the path to technological intelligence, and

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Speaker 1: I feel like the big barrier for me is always

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Speaker 1: their relatively antisocial nature when compared to primates. So you know,

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Speaker 1: I uh, language, I think is a big part of

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Speaker 1: that process. And I don't know what kind of biological

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Speaker 1: impetus there is for developing language when you just don't

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Speaker 1: really want to be around or deal with other octopuses. Yeah,

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Speaker 1: what can they say to another octopus that they cannot

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Speaker 1: already say by throwing dirt or rocks at them? Yeah,

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Speaker 1: but no reason not to be optimistic. Yeah, a little

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Speaker 1: octo optimism for the day. Thank you for the email. Maya. Alright,

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Speaker 1: this next one comes to us from Carrie Carry rides

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Speaker 1: in and says Rob and Joe, I was surprised that

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Speaker 1: in your animal throwing stuff part two episodes you didn't

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Speaker 1: mention elephants throwing sand, dirt, and mud onto their backs

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Speaker 1: with their trunks. This is a well documented behavior and

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Speaker 1: it's definitely the purposeful throwing of stuff that has been

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Speaker 1: explained as them trying to ward off insects and provide

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Speaker 1: a protection from the sun. The action is not unlike

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Speaker 1: an octopus throwing sand at other octopuses, at least as

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Speaker 1: far as the material being thrown is concerned. Keep up

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Speaker 1: a good work carry yes, thankscry Yeah, I think I

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Speaker 1: think I kind of glossed over this detail and discussing

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Speaker 1: the evolution of the la elephant tool use as a

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Speaker 1: parasite control and a way of uh thermoregulation. But yes,

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Speaker 1: this is of course one of the major ways that

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Speaker 1: they use tools in the in in this case often

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Speaker 1: just dirt and sand as a way of covering up

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Speaker 1: that thick elephant skin that again looks so tough to us,

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Speaker 1: but it's actually quite sensitive and need to be protected

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Speaker 1: from parasites and the sun. You know, this email makes

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Speaker 1: me wonder in what ways we're limited by thinking about

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Speaker 1: tools often as like solid, fixed form objects like a

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Speaker 1: tool is maybe a stick or a rock. But why

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Speaker 1: isn't a tool equally constituted by you know, an amorphous

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Speaker 1: mass of substance like a clump of dirt or a

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Speaker 1: you know, uh massive water. Yeah. So, or as we

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Speaker 1: discussed in one of these episodes of primate poop, tool

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Speaker 1: or not a tool? Um, yeah, And I think in

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Speaker 1: this case I was clearly I was distracted by the

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Speaker 1: prospect of elephants throwing arrows, or at least stones and

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Speaker 1: and and tree limbs, uh and and maybe a horse

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Speaker 1: thrown in there as well that I just kind of

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Speaker 1: glossed over dirt and sand. It's hard to get into

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Speaker 1: and excited about dirt as as a as a tool used,

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Speaker 1: but it really is. Now speaking of elephant tool use, throwing,

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Speaker 1: and poop, all of these come together in the next email.

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Speaker 1: This is from Mike. Mike says, Hi, Joe and Rob.

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Speaker 1: About twenty five years ago, my future wife and I

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Speaker 1: went to the Lincoln Park Zoo in Chicago. The elephants

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Speaker 1: there had an outdoor environment that was a half circle

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Speaker 1: with a five foot railing and a waterless moat between

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Speaker 1: them and us. There were three elephants in this area.

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Speaker 1: We noticed that about twenty five people were intently watching

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Speaker 1: and wondered why. Then we saw the dung everywhere at

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Speaker 1: our feet. It was spread across the sidewall area where

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Speaker 1: everyone was standing. One large elephant was standing in front,

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Speaker 1: near the edge of the enclosure. Suddenly he whipped his

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Speaker 1: trunk from between his legs and nailed one of the

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Speaker 1: three pea hens that were walking near us. This was amazing.

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Speaker 1: He threw the dung about thirty five to forty feet

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Speaker 1: and it literally knocked the bird to the ground. It

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Speaker 1: hit with a thud, perfect shot. Next, he counterclockwise curled

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Speaker 1: the end of his trunk, grabbed some more dung, and

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Speaker 1: hit the woman who is nearest him in the face.

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Speaker 1: She got her arms up and blocked it, but it

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Speaker 1: was accurate. A girl was yelling to her mother on

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Speaker 1: the right side of us to come see the elephant,

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Speaker 1: and he appeared to turn away from her and point

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Speaker 1: toward a couple of pea hens who had returned to

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Speaker 1: the area at that moment. He whipped his trunk to

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Speaker 1: the left and beamed the girl in the waste area.

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Speaker 1: She was startled and took off running. The elephant quickly

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Speaker 1: grabbed more dung and nailed her in the head as

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Speaker 1: she ran toward her mother again. Mike says, it was amazing.

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Speaker 1: I guess that is amazing, though I'm sure not what

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Speaker 1: people had in mind for the trip to the zoo

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Speaker 1: that day. Yeah, I hope everyone was okay anyway, Mike says,

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Speaker 1: given this, I suspect you're going to hear a lot

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Speaker 1: about such stories. When you were talking about elephants throwing spears,

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Speaker 1: I thought, with practice and help with technique, absolutely. You

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Speaker 1: didn't talk about what I believe would be the most

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Speaker 1: frightening situation, an elephant throwing something heavy. They are incredibly strong,

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Speaker 1: combined that with speed and accuracy. Wow. What impressed me

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Speaker 1: most was the accuracy. I got the sense he was

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Speaker 1: having fun, perhaps testing himself. He passed. Thanks, good show, Mike. Well, Mike,

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Speaker 1: as you're describing this story, I don't know that this

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Speaker 1: sounds to me like more consistent throwing accuracy than I

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Speaker 1: had been led to believe elephants were usually going to

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Speaker 1: be capable of as certainly without training. I don't know.

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Speaker 1: I mean, I don't think it's too surprising based on well,

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Speaker 1: I mean we did. We discussed accounts where where they

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Speaker 1: had been trained to throw arts at balloons, which clearly

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Speaker 1: they have been encouraged to do, but also that is

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Speaker 1: clearly taking advantage of of some sort of natural ability. Uh.

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Speaker 1: And then we do have those, uh, those clips from

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Speaker 1: the wild of an elephant throwing, for instance, a rock

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Speaker 1: at a rhino, elephant throwing a limb at a lady

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Speaker 1: in a truck on safari or something like that. So um, yeah,

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Speaker 1: I mean they seem to be good shots when they

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Speaker 1: are in the mood to do it. I guess a

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Speaker 1: lot of the examples I'd seen of elephants throwing stuff

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Speaker 1: in the wild, it looked more to me like a

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Speaker 1: not like a you know, super accurate pitch, but just

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Speaker 1: kind of a toss in the general direction of something. Yeah,

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Speaker 1: I guess that. You know, a lot of it comes

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Speaker 1: down to like what is being emoated by the throwing?

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Speaker 1: Is it kind of just a general throwing stuff around?

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Speaker 1: Are they, you know, peppering their back with dirt or

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Speaker 1: do they have an infra some pe hens uh that

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Speaker 1: sort of thing. Are they a little disturbed that there's

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Speaker 1: a vehicle in their vicinity or a rhino near the

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Speaker 1: water gung hole or something? Think of that effect as

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Speaker 1: for throwing larger objects, And I think we did mention

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Speaker 1: them potentially throwing human beings and war horses and tree limbs,

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Speaker 1: and that's plenty big. I would not want anything bigger

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Speaker 1: than that thrown at me by an elephant, And I

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Speaker 1: mean I would assume nothing smaller was thrown at me

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Speaker 1: by an elephant either. But anyway, very illuminating. Thank you

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Speaker 1: for the email, Mike. All right, here's another one that's

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Speaker 1: one comes to us from Jerome Jerome rites and says,

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Speaker 1: listening to the first part of the animals Throwing Things episode,

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Speaker 1: I'm sure it would seem reasonable that certainly highly intelligent

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Speaker 1: animals would throw objects. However, it makes me think of

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Speaker 1: my ball python when she eats her large rat frozen

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Speaker 1: and reheated. After constricting the rat, she will then poke

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Speaker 1: her face around the rat in her grasp to try

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Speaker 1: to find the head, since she must swallow the rat

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Speaker 1: snout first in order for it to go down. Sometimes

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Speaker 1: it appears she will get frustrated and throw the rat

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Speaker 1: to the other side of her feeding bin to try

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Speaker 1: to reorient the feeder and try again finding the snout.

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Speaker 1: This is obviously purposeful throwing, and only observed in this

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Speaker 1: particular instance. I hope you all might find this interesting. Yeah,

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Speaker 1: so it sounds like the snake is using throwing as

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Speaker 1: a kind of physical reset button on a behavior. Yeah,

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Speaker 1: the way I'm picturing it, it makes sense like it's

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Speaker 1: not a situation where merely dropping the animal is the

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Speaker 1: most energy efficient thing to do, because then the snake

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Speaker 1: potentially has to then reorient its entire body. But if

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Speaker 1: it can just sort of like throw the rodent to

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Speaker 1: the side, then it perhaps has to use less energy

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Speaker 1: than to get in position to feed. Again. Yeah, I

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Speaker 1: also I don't think I realized that bull python had

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Speaker 1: to swallow the rats. Now first, I mean, it makes

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Speaker 1: sense now that it's it's said to me. I believe this,

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Speaker 1: not that it's mentioned, because I'm just kind of imagining

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Speaker 1: how that depends us, that snake would need to eat

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Speaker 1: the road. Yeah. And it's more, Um, I want to

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Speaker 1: say aerodynamic, that's not the word. More dynamic. More throw too, dynamic,

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Speaker 1: digesto dynamic. There you go. Yeah, okay, next message also

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Speaker 1: about throwing animals. This comes from Jasper. This involves the

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Speaker 1: pronunciation of the names of Swedish places. I apologize for

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Speaker 1: how I'm probably gonna get that wrong, but um, Jessper says,

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Speaker 1: listening to your two part series about throwing, I was

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Speaker 1: reminded of a myth I heard as a kid related

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Speaker 1: to the topic. In my home country, Sweden, you will

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Speaker 1: find tons of lakes. The two largest ones are easily

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Speaker 1: visible on a map, situated in the mid south of

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Speaker 1: the country and named Vaughnern and Vatern respectively. If you

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Speaker 1: take a look at the southern Baltic Sea east of Sweden,

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Speaker 1: you will find the country's largest islands, oh and Gotland.

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Speaker 1: Fun fact. Ohlan literally means island land. Okay, it doesn't

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Speaker 1: take a lot of imagination to see that the two

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Speaker 1: lakes and islands have a striking resemblance in shape and size.

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Speaker 1: The version of the myth I heard was about two

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Speaker 1: giants having a throwing contest. One of them picked up

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Speaker 1: a huge part of the earth and threw it into

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Speaker 1: the Baltic Sea, creating Gotland, and when the whole eventually

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Speaker 1: filled up with water Vonnern the other giant didn't manage

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Speaker 1: to pick up as much material or throw it as far,

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Speaker 1: but it resulted in Vatern and oh Land. M H.

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Speaker 1: I couldn't find much information about the myth on Google,

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Speaker 1: but I did run into another myth about a Swedish

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Speaker 1: giant throwing things. The giant Vista had been visiting the

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Speaker 1: region between the two largest lakes to attend a party

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Speaker 1: and was on his way home. He picked up a

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Speaker 1: piece of the land and threw it in Vatern to

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Speaker 1: have a patch of land to step on before he

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Speaker 1: continued his journey. This created the Lake Lens Young or

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Speaker 1: the land Lake, and the island of Visingso, situated in

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Speaker 1: Sodern Thanks for making my day several days a week.

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Speaker 1: Keep it up. Still looking forward to those episodes about

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Speaker 1: the moons of the Solar Systems outer planets. Oh yeah,

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Speaker 1: we did say we would do this. I think I

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Speaker 1: always fear that maybe there's less to say about them,

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Speaker 1: but surely that's not true. M Yeah. Or and if

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Speaker 1: we have to cobble them together, cover more than one's

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Speaker 1: one plan. I mean, the way we do approach them

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Speaker 1: in the past two is we we discussed a lot

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Speaker 1: of the mythology, the Greek and Roman mythology that it

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Speaker 1: might be tied up in the naming. Uh So, yeah,

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Speaker 1: there's plenty to discuss. We just need to getting a

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Speaker 1: spacey mood, all right. This next one comes to us

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Speaker 1: from Joe the Listener. Uh. Joe the Listener says, hey, guys,

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Speaker 1: thanks for the funds. He is I'm throwing animals. When

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Speaker 1: you talked about the mere cats throwing centipedes, I was

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Speaker 1: instantly reminded of my family's backyard at chickens. Our chickens

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Speaker 1: surprized the tender morsel that is a common garden snail.

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Speaker 1: When they acquire one, a tremendous flurry of activity ensues

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Speaker 1: as they wrestle one another for the delicious treat. One

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Speaker 1: critical aspect of this excitement is extracting the snail from

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Speaker 1: its shell. Typically, the chickens will do this by grabbing

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Speaker 1: the unfortunate mollusk by its head and whacking it against

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Speaker 1: the ground until the shell breaks. They can and do

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Speaker 1: throw the snails. The jury is still out on whether

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Speaker 1: this is intentional or not, but the throws seem to

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Speaker 1: be preferentially targeted at tree trunks in large rocks, leading

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Speaker 1: credence to my hypothesis that they are being thoughtful about it.

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Speaker 1: I did a bit of research and this behavior is

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Speaker 1: not uncommonly observed in birds. Song thrushes in particular, are

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Speaker 1: known for smashing snails on rocks. The literary reference to

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Speaker 1: the thrush knocking at Smog's door is unmis stakable and

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Speaker 1: no doubt of special interest to you both. Yeah, oh, okay,

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Speaker 1: this is interesting. This is kind of like what I

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Speaker 1: used to observe my dog doing, throwing the puzzle, you know,

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Speaker 1: treat containing toy up against the wall, or just kind

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Speaker 1: of tossing it in general to see if you can

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Speaker 1: get the thing out from the middle. Ah, you should

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Speaker 1: have brought that up. We were talking about air bud.

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Speaker 1: I did we talked about it? You do we talked

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Speaker 1: about this? Yeah? No, no, I don't, okay blank that

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Speaker 1: we recorded this just the other day. I know, you

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Speaker 1: know sometimes that you know, I'm I'm I'm looking ahead

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Speaker 1: in the notes. I must have blanked on that. That's okay,

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Speaker 1: I know how that it feels. Yeah, I mean, it

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Speaker 1: wasn't a ball, it wasn't quite basketball, but that's still okay.

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Speaker 1: Um that now the and that you know, I also

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Speaker 1: am blanking on this particular part of the hobbit. I

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Speaker 1: don't remember the thrush knocking at smocks door. I don't either, Actually,

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Speaker 1: what what? Okay? So I'm just gonna google it. Okay,

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Speaker 1: I'd totally forgotten about this plot detail, but a quick

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Speaker 1: Google search suggests that the thrush is significant in the

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Speaker 1: Hobbit in helping the party, like Bilbo and the and

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Speaker 1: the dwarves, find the entrance or find out how to

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Speaker 1: open the entrance to the What's it? The Misty mountain

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Speaker 1: Ers are lonely mountain a small cavern because the thrush

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Speaker 1: is throwing a snail against the door of the cavern

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Speaker 1: to try to break it. I guess and get the

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Speaker 1: snail out. But this gives them some kind of indication

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Speaker 1: of how the door works. Okay, al right, that does

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Speaker 1: sound faintly familiar. Now, sorry to disappoint you, listener, Joe,

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Speaker 1: I'm sure you expected us to get that reference right away.

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Speaker 1: Let's see. Should we finish off with a couple of

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Speaker 1: messages about weird house cinema? Well, I'll do this one

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Speaker 1: from Pamela. Pamela says, Hi, Joe and Robert. Even though

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Speaker 1: it was over forty years ago, I absolutely remember the

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Speaker 1: advanced promos for Scanners because they told nothing about the movie.

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Speaker 1: It was a commercial that mostly showed an audience viewing

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Speaker 1: the movie with tiny clips and the ten seconds and

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Speaker 1: you feel the pain voice over. The audience reaction was

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Speaker 1: dramatic and profound, to say the least. And Pamela says,

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Speaker 1: A group of my teen friends and I had to

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Speaker 1: see this, uh the second it hit down, and we

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Speaker 1: did Holly, a bunch of let's see dollar signs, ampersand

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Speaker 1: even I think a euro sign in there. So this

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Speaker 1: is this is European swearing, Uh, money's worth and bragging

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Speaker 1: rights and spoiler rights. Hey, we were teenagers. The theater

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Speaker 1: shouldn't have even led us in. Technically, I have attached

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Speaker 1: a link to the TV spot that worked so well

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Speaker 1: on us. Maybe we can play a little bit of

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Speaker 1: the audio of this TV spot here. Yeah, let's play

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Speaker 1: a little bit at least from the beginning where you

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Speaker 1: where they established the audience. You are watching the live

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Speaker 1: filming of the theater audience reaction to scenes from the

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Speaker 1: motion picture scanners. Ten seconds the pain begins its gree

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Speaker 1: seconds you can't twenty seconds you explode, experience the terrifying

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Speaker 1: power of anyway, Pamela says, love everything you guys do

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Speaker 1: looking forward to Weird House number one d Pamela, this

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Speaker 1: is a great spot because it's kind of like William Castle,

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Speaker 1: except without tazing the audience. It's just letting the movie

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Speaker 1: actually do what William Castle was always suggesting it would do,

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Speaker 1: you know, have people like screaming in the aisles and

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Speaker 1: nearly vomiting in the in their seats. This trailer does

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Speaker 1: a great job of, first of all, implying that this

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Speaker 1: is a spectacle that you need to behold, and you

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Speaker 1: need to view it communally. You need to be a

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Speaker 1: part of the movie going uh public in order to

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Speaker 1: fully appreciate this, which is sound. That's as a sound

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Speaker 1: argument I think for going to the movies in general.

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Speaker 1: But then it's kind of implies that your head might

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Speaker 1: blow up on watching the film too, Like they don't

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Speaker 1: tell you that's not going to happen, and they kind

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Speaker 1: of imply that it will, and that we don't get

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Speaker 1: enough of today and trail looks like nobody's saying if

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Speaker 1: you set and watch all of Avatar too, your skin

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Speaker 1: will turn blue. Like the Voice of God isn't telling

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Speaker 1: us that, and they're not. They're not daring us to

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Speaker 1: enter the theater anymore. Yeah, it's really a shame. I

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Speaker 1: I do like the brand of movie marketing that explicitly

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Speaker 1: says this film will harm you. And certainly movies today

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Speaker 1: still have vast potential to harm. So there's a lot

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Speaker 1: to warn about. All right, here's one more that SI

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Speaker 1: comes to us from Eric via our discord. Eric says,

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Speaker 1: so I recently watched The Werewolf versus the Vampire Woman.

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Speaker 1: It was enjoyable enough, but the standout was the lead.

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Speaker 1: He was absolutely great. I looked him up and found

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Speaker 1: out it was Paul Nashi, who I had never heard

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Speaker 1: of anyway, It's fast forward to today and continuing my

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Speaker 1: catchup of the cast by the podcast by listening to

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Speaker 1: the Weird House Cinema episode of Horror Rises from the Tomb.

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Speaker 1: I was delighted to hear this man has a dozen

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Speaker 1: other werewolf movies under his belt. Definitely looking to add

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Speaker 1: more of his films to my watch list, not to

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Speaker 1: mention Horror Rizes and also Assignment Terror. Still need to

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Speaker 1: listen to this episode, Eric, I gotta say I was

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Speaker 1: surprised by this message because I did not expect we

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Speaker 1: would get pre existing Paul Nashy fans coming in on

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Speaker 1: our episodes. Yeah. I mean, we're trying to spread the

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Speaker 1: gospel of Paul Nashy. Uh, but I mean he does,

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Speaker 1: he does have, he already has a following. But it

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Speaker 1: was nice to hear from someone who had encountered him, uh,

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Speaker 1: you know, in the wild as it were. And I

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Speaker 1: also agree with Eric, it is inherently comforting to know

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Speaker 1: that the strategic reserves of Paul Nashy films is well stocked. Um,

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Speaker 1: you know, there's there's so much out there to explore.

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Speaker 1: It's nice on one level, you know, you want to

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Speaker 1: watch all the movies you want to watch, especially though

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Speaker 1: you know older films. Having a blog of films that

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Speaker 1: you won't have time to watch all of them. I

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Speaker 1: mean that can be that can get you down, I guess,

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Speaker 1: but also it's nice to know that you have all

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Speaker 1: that untapped potential. So um, as far as Weird House goes,

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Speaker 1: it's it's too soon to start thinking about the next

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Speaker 1: Paul Nashy movie, but I will say one. I'm very

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Speaker 1: interested in his nine Hunchback of the Morgue, in which

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Speaker 1: you guessed at Paul Nashi plays a hunchback who works

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Speaker 1: in a morgue. Is he also a werewolf? No? I

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Speaker 1: don't think he's a werewolf from this one. He's just

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Speaker 1: a hunchback who falls in love with a dying woman.

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Speaker 1: Look at my range. All right, We're gonna go ahead

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Speaker 1: and close the mail bag then for another day, but

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Speaker 1: we'll be back next week. We have messages we didn't

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Speaker 1: even get to in this one, and I'm sure more

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Speaker 1: will come in so so keep it coming. If you

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Speaker 1: have thoughts on past episodes, current episodes, potential future episodes

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Speaker 1: of stuff to blow your mind of Weird House Cinema

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Speaker 1: of other listener male episodes of Artifact or Monster Fact

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Speaker 1: episodes right in We would love to hear from you.

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Speaker 1: In the meantime, we'll just remind you, yeah, it was

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Speaker 1: your mail comes out every Monday. Core episodes of Stuff

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Speaker 1: to Blow Your Mind on Tuesday and Thursday, Monster Factor

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00:23:04,760 --> 00:23:07,280
Speaker 1: Artifact on Wednesday, and on Friday. We set aside most

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Speaker 1: serious concerns to just talk about a weird film on

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Speaker 1: Weird House Cinema. Huge thanks to our audio producer J J. Pauseway.

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Speaker 1: If you would like to get in touch with us

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Speaker 1: with feedback on this episode or any other, to suggest

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00:23:19,200 --> 00:23:22,199
Speaker 1: topic for the future, to share something interesting, or just

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00:23:22,320 --> 00:23:25,760
Speaker 1: to say hello, you can email us at contact at

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Speaker 1: stuff to blow your Mind dot com. Stuff to Blow

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Speaker 1: Your Mind is production of I Heart Radio. For more

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Speaker 1: podcasts my heart Radio, visit the i heart Radio app,

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Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.