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Speaker 1: I'm just saying, why would somebody buy you a motorcycle.

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Speaker 2: It's not like you're to ride.

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Speaker 1: Stop saying that. Yeah, but I just but you're not.

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Speaker 1: You're not. You don't even do.

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Speaker 2: You're gonna be there when I when they arrived, when you.

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Speaker 1: Sit on it, y No, welcome to twenty three new

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Speaker 1: Rory and mal show. I'm all that's Rory.

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Speaker 2: You don't know that.

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Speaker 1: Who are you today?

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Speaker 2: Sharon Stone? Have you?

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Speaker 3: Were you dreaming about her like that?

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Speaker 2: I don't know where that came from. Away, it moved.

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Speaker 1: She was such a hotty and then fucking nineties? Why'd

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Speaker 1: you say?

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Speaker 2: The nineties like that?

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Speaker 1: She was Sharon Stone was like the go to like

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Speaker 1: go to your ran through some lotions on Sharon No,

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Speaker 1: go to white woman crush.

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Speaker 2: Go to white women crush.

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Speaker 1: Right now in the nineties, oh, Sharon Stone. Sharon Stone?

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Speaker 1: Uh was Pamela Anderson anything else?

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Speaker 2: Yeah?

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Speaker 1: Absolutely? Carmen Election elect?

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Speaker 2: Oh yeah, she was, she was the one.

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Speaker 1: Yeah, Karen Election was definitely Jenny McCarthy in the nineties, right, I.

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Speaker 2: Mean I listened, I was self hating even in the nineties,

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Speaker 2: so like I like chili today?

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Speaker 1: Who didn't like chili? Today, Margot wrote, Roby, Robbie.

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Speaker 3: Robbie is my that's my goal to white woman.

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Speaker 1: Oh my god, she's married. Let me have Kevin Gate's moment.

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Speaker 1: No disrespect.

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Speaker 3: I didn't know she was married.

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Speaker 2: I like, yeah, I mean I like the pop stars

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Speaker 2: like I liked Britney Spears. I thought she was for sure,

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Speaker 2: Christina Aguilar I thought was attractive.

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Speaker 1: Y'a know who Florence Poe is? No Florence Poe, Florence

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Speaker 1: Poe City in Italy? Yeah, networks too. Yeah, I don't

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Speaker 1: know who that is?

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Speaker 2: Are you gonna tell us who that is?

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Speaker 4: Like New York she was in the handsmaid Tales Black Widow,

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Speaker 4: and uh wait, she's the lead.

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Speaker 3: In Black Widow.

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Speaker 5: She was fine, fine and Black Widow.

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Speaker 2: I know some whoever the lead is. She's a town

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Speaker 2: to the actress Scarlett Johansson. Yeah, Scarlette Johansson isn't the

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Speaker 2: leading Handsmaids you're talking about Black Widow?

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Speaker 1: No?

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Speaker 2: No, what's Shorty's name in handmaid Still that has now

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Speaker 2: become reality. No, I think she's attractive. I just think

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Speaker 2: she's a good actress. And then I've tried to watch

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Speaker 2: Handmaids Tale and she just makes the same facial reaction,

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Speaker 2: the entire.

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Speaker 3: Face right now, does.

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Speaker 2: She does she get a script for that show or

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Speaker 2: they were just like just look like this all the time.

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Speaker 2: She's and other ship and she's good. So I'm like,

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Speaker 2: why are they not utilizing But I.

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Speaker 3: Think she's good at Handmaid's Tale. She just does have

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Speaker 3: that spirit.

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Speaker 2: She's good at this.

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Speaker 3: She has a very stupid face.

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Speaker 2: I hate what she does in the show. She doesn't

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Speaker 2: say a word I hate. So speaking of self hatred,

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Speaker 2: politics and uh Handmaid's Tale, somebody on Twitter said, because

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Speaker 2: you saw that Jack Harlow was like biking up black

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Speaker 2: woman and that was like the headline. And someone said

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Speaker 2: he was bigging up black women. It's just like they'll

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Speaker 2: always have a supporter in him.

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Speaker 1: Oh, he trying to push some more sales.

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Speaker 2: Somebody said they're marketing him like a Democratic candidate.

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Speaker 1: Like Joe Biden.

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Speaker 2: That's all he did, Joe Harlow, Wayne got Kamala.

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Speaker 1: Jack he was like, the black woman vote then we

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Speaker 1: ain't got Kamala's is running mate. He knew the black

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Speaker 1: woman vote was security and said you're not black if

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Speaker 1: you don't vote for him.

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Speaker 2: Listen, People like, well, I gotta be black. I gotta

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Speaker 2: go vote for him. I don't know Joe defined your blackness? Yeah,

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Speaker 2: like just well, well, shit, should we quickly get into

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Speaker 2: that Jack Carlos bullshit? No, not Jack Carlos bullshit. If

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Speaker 2: Jack Carlo loves black women, that's amazing, and I'm.

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Speaker 1: Sure yeah, I'm sure it's hard not to love black women.

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Speaker 2: You don't think Jack Carlo likes black women, that's not

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Speaker 2: what he also has a KFC.

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Speaker 5: Maal, why do you have a media run to tell

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Speaker 5: everybody that you like black women?

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Speaker 1: I don't know if you've seen the media, Because black women,

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Speaker 1: black women support hip hop music more than any other

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Speaker 1: exactly gender.

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Speaker 3: You're not trying that out of genuine.

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Speaker 1: Any other genre of people, any other How do you

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Speaker 1: know it's not just demographic of people?

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Speaker 2: Why can't why can't they marketing? And the truth is

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Speaker 2: a lot of his you don't know, Jack demographic is

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Speaker 2: black women that like Jack. They put him on. Of course,

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Speaker 2: you can't love the.

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Speaker 1: People that put them on. Here going google guy over

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Speaker 1: him in his fucking Vogue magas GQ the colonel look

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Speaker 1: at the arms, my shoulders uncomfortable, to make me uncomfortable.

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Speaker 1: I was, I was uncomfortable with the pictures.

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Speaker 3: I like Jack Harlowe, I do.

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Speaker 2: I'm not he likes you too, that is true.

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Speaker 1: He's willing to serve your two piece with a biscuit

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Speaker 1: as well. You don't see the Jack Harlow Miller, KFC,

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Speaker 1: you didn't see that.

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Speaker 2: Well, he's from Kentucky, So I guess I guess it's okay.

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Speaker 1: It's not.

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Speaker 2: The colonel's white. It's never okay.

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Speaker 1: He's not the colonel.

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Speaker 2: He's a colonel Jackie c.

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Speaker 1: He's not the fucking colonel. He probably can't even make

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Speaker 1: fried chicken. I'm one of the bet Jack Hollow can't

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Speaker 1: cook fried chicken.

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Speaker 2: That's why he was saying that he loved black.

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Speaker 1: Women exactly having black woman come cooking so fried chicken, please,

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Speaker 1: Kim Kardashian.

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Speaker 5: So, how long do y'all think it'll be before he

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Speaker 5: has y'all don't remember that lash it. How long do

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Speaker 5: you think it'll be before he has his staged celebrity

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Speaker 5: relationship with a black woman?

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Speaker 1: Do you give the year not that long?

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Speaker 2: Who do you think is gonna? I say November of

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Speaker 2: this year?

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Speaker 1: I see if you think that Jack Haller won't have

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Speaker 1: a black girlfriend by Thanks Thanksgiving this.

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Speaker 2: Year, what's gonna be the high profile one? It was

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Speaker 2: Lori Harry I could.

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Speaker 1: I'm telling y'all right now, if Lori Harvey dates Jack Harlow,

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Speaker 1: I am no longer recording the podcast. Y'all not gonna

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Speaker 1: let me get my ship off. Y'are not gonna let

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Speaker 1: me get my ship off. And no, no, no, no, no,

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Speaker 1: no no.

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Speaker 2: What's up with that button?

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Speaker 1: We can't go back. I'm letting you know right now

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Speaker 1: we're gonna upload independently after that R now going And

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Speaker 1: I'm let y'all know right now we're losing a deal.

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Speaker 1: We're losing every fucking thing that no more ads, We're

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Speaker 1: losing everything if Lorie Harvey gets with Jack Harlow, we

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Speaker 1: are losing everything.

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Speaker 2: Well, Laurie, for my bills and my life.

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Speaker 1: Don't do it, please, I mean, just come on, man,

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Speaker 1: just like no, not Laurie, not Laurie if la First

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Speaker 1: of all, I was, you know, I said, Lorie Harvey

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Speaker 1: is the realist nigg in the game. I said that

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Speaker 1: that is true. I remember years ago I said that.

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Speaker 1: I saw it. I said, this little young Harlet right here,

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Speaker 1: she's gonna run through the industry. The future future, She's

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Speaker 1: going she's gonna run through the industry like a fucking tornado.

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Speaker 1: She's gonna leave a fucking trail of just broken hearts

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Speaker 1: and men everywhere, sad lyrics, you know, and she just

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Speaker 1: going years later, she's gonna get married and look back

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Speaker 1: and be like, yeah, it was in my twenties. I

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Speaker 1: was having fun. But if it was Jack, No, she

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Speaker 1: can't give shit. Jack Harlow. And I'm not no hater,

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Speaker 1: but she's Jack Harlow. Lory Harvey better not give Jack.

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Speaker 2: He's very popular.

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Speaker 1: I would hope not.

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Speaker 2: I'm sure, sir, Jack fucking one of my business. I'm

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Speaker 2: like Jack, certain that he's one.

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Speaker 1: Of my fists. Jack a lot, I really do.

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Speaker 2: Where's a Jack support?

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Speaker 1: I fuck with Jack Hollow. I just think that I was.

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Speaker 1: I was kind of disappointed in this album, even though

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Speaker 1: he had a good album, a lot a better album

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Speaker 1: than a lot of other rapers. I ain't gonna say

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Speaker 1: no names, but he well.

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Speaker 2: You're not a black woman. He he just for you.

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Speaker 1: I just felt like it was too much. It was

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Speaker 1: it was too drakey. It was too drakey. I love

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Speaker 1: the record with him, justin Timerlake. I loved the record

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Speaker 1: with him and Wayne, But I feel like that was

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Speaker 1: a Drake record. It's a Drake's used that same sample before,

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Speaker 1: and fucking what was Lauren Hill draft day? Yeah, you

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Speaker 1: know what I mean.

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Speaker 2: But I mean Drake has been around a record with

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Speaker 2: Drake for so long. Yeah, on a very Drake beat,

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Speaker 2: a very Drake album. Yeah, but Drake has been around

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Speaker 2: for so long that it's no longer like his peers

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Speaker 2: trying to sound like him. It's it's his kids. And

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Speaker 2: I mean that respectfully.

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Speaker 1: Yeah, Drake babies come out.

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Speaker 2: That's seeing a lot of them. But I feel like

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Speaker 2: it's it's different than like when Drake was coming out

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Speaker 2: and then we heard artists at the same time they

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Speaker 2: were in music as Drake trying to sound like them,

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Speaker 2: and it was like, come on, that's weird. Yeah, with

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Speaker 2: the kids, kids are gonna happen. Yeah, there's whole kids.

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Speaker 2: There's nas kids, there's there's kids, and we like them.

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Speaker 2: So I can't do that to the Drake kids.

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Speaker 1: No, no, No, I like the I know that Drake

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Speaker 1: has an influence on a lot of these artists that

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Speaker 1: up and come in. A lot of these artists that

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Speaker 1: we're going to start hearing of course, Drake is He's

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Speaker 1: argued he's probably the biggest artist of his generation. Is

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Speaker 1: naturally he's gonna have an influence on the next wave

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Speaker 1: for sure.

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Speaker 2: Is he the Benjamin Button of hip hop?

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Speaker 1: Drake? All right?

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Speaker 2: Hear me out?

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Speaker 1: I'm here.

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Speaker 2: On Comeback Season, he looked about forty five years old.

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Speaker 2: Now he looks twenty six.

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Speaker 1: Well, that's what happens when you're working out, you're eating better.

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Speaker 2: The oldest he looks on all his album covers is

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Speaker 2: his first one Comeback Season. He looked like a soccer

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Speaker 2: dad in autumn?

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Speaker 1: Was it? Was it because of the no facial hair?

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Speaker 2: You think maybe he just he was very old, weird.

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Speaker 1: That face makes him look younger because usually face your

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Speaker 1: head makes you look older.

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Speaker 2: And he put the braids. Braids make you look younger. Yeah,

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Speaker 2: because Alanson still looks twenty fis.

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Speaker 1: Yeah, yeah, I mean I think money in and you know, lotion,

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Speaker 1: a different, luxurious lifestyle makes you look youthful.

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Speaker 5: Did you guys see that video that went viral of

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Speaker 5: him and the girl that he uh saw out at

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Speaker 5: the Detroit bar.

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Speaker 3: There was a young lady.

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Speaker 1: Oh yes, I saw some of that, Yes, and they

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Speaker 1: ordered us.

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Speaker 2: I loved her energy because well, Drake saw.

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Speaker 1: A girl at the at the airport, at you know,

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Speaker 1: one of the bars, and I guess he just saw

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Speaker 1: maybe a group of women sitting at the bar and just.

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Speaker 2: Waked Drake was a plane. But why is why is he?

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Speaker 3: I don't think it was an airport.

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Speaker 2: Mall the airport.

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Speaker 1: Believe it was the airport. Really yeah, why.

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Speaker 2: Is he at Hudson News when you own a plane?

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Speaker 1: No, he wasn't at Hudson News. This was a full bar.

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Speaker 2: He was at Wolfgang Puck something like.

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Speaker 1: That, probably in the airport and it.

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Speaker 5: Was like dead middle of the day, like early, you know,

234
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Speaker 5: like there was almost nobody in there. And the girl

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Speaker 5: was like, Drake and take shots with us. And he

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Speaker 5: was like she like what you drinks tequila? He said yeah,

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Speaker 5: she was like some egos He said, no forty two.

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Speaker 5: She was like excuse me, and like they just have

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Speaker 5: like a regular Just it was nice. I brought that

240
00:10:10,440 --> 00:10:12,640
Speaker 5: up to say it was nicely in a celebrity not

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Speaker 5: be fonned over and just like you know he's said

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Speaker 5: he had a regular drink.

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Speaker 1: Well it's it also you know when you by now

244
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Speaker 1: Drake knows the group of women that he can approach

245
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Speaker 1: and be just like that with. There's certain ones that

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Speaker 1: have an energy where you're like, they're not going to

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Speaker 1: go crazy if I go over there and start talking

248
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Speaker 1: to them and just kicking with them, have a drink.

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Speaker 1: Then you know the group that it's like, if I

250
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Speaker 1: go over there, they're gonna go crazy. They you know,

251
00:10:35,200 --> 00:10:38,439
Speaker 1: that's usually the younger, younger girls.

252
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Speaker 2: Like the marriage Detroit women versus Miami women.

253
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Speaker 1: Yeah, yeah, absolutely, I feel like themsicas or.

254
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Speaker 2: Women that moved to Miami. I'm not gonna put it

255
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Speaker 2: on Miami girls. Yeah, what did you say?

256
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Speaker 1: I think you would freak out if you said Drake.

257
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Speaker 3: Are you serious?

258
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Speaker 2: Yes? I don't think so.

259
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Speaker 1: I don't know me that.

260
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Speaker 5: No, not at all, baby, definitely out of it exactly

261
00:10:56,640 --> 00:10:59,640
Speaker 5: what she did actually said anything.

262
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Speaker 2: To do you think she'd go full Logan Paul the

263
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Speaker 2: way you did her. I hope so. And then.

264
00:11:06,000 --> 00:11:10,719
Speaker 4: Trizzy loving Paul's name like.

265
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Speaker 2: That is that the boy?

266
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Speaker 3: Let me tell you how.

267
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Speaker 5: I'm trying to tell me that the boy stands for

268
00:11:16,960 --> 00:11:20,280
Speaker 5: baller a year, It does, it doesn't more.

269
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Speaker 1: Sex, whatever stands for something? Young man. You think he's

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00:11:24,400 --> 00:11:26,800
Speaker 1: saying he's you think he thinks he's a boy, he's

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Speaker 1: the man.

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Speaker 2: Well he came up with the term, I believe when

273
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Speaker 2: he was still a boy. So it just like Lil

274
00:11:33,559 --> 00:11:35,880
Speaker 2: Wayne is not little anymore, but he's still Wayne.

275
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Speaker 1: People. People will still call him little Wayne.

276
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Speaker 2: But like on Apple Music, well, I'm sorry, on serious

277
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Speaker 2: satellite radio, it'll say little Wayne.

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Speaker 1: On stitch it on, it'll say a little Wayne. Yeah,

279
00:11:54,000 --> 00:11:55,280
Speaker 1: please get it right, Roy, Okay?

280
00:11:55,720 --> 00:11:58,840
Speaker 2: Uh say the first time we did, we did like

281
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Speaker 2: a half half kind of palooza in Toronto, like in

282
00:12:03,559 --> 00:12:09,400
Speaker 2: twenty twelve or some shit, and there was like somewhat

283
00:12:09,400 --> 00:12:12,040
Speaker 2: of a line and you know, people were trying it

284
00:12:12,120 --> 00:12:13,440
Speaker 2: was still in by only at that time, and people

285
00:12:13,520 --> 00:12:16,760
Speaker 2: trying to get him, and this guy and this girl

286
00:12:16,800 --> 00:12:20,079
Speaker 2: came up and the guy got like kind of close

287
00:12:20,280 --> 00:12:23,600
Speaker 2: closer to us and was like, yo, we not on

288
00:12:23,600 --> 00:12:29,439
Speaker 2: the listen nothing, but this is the boy's ex. I

289
00:12:29,559 --> 00:12:31,800
Speaker 2: was like, come again, because I don't even think I

290
00:12:31,800 --> 00:12:33,520
Speaker 2: had heard the term the boy yet. I don't think

291
00:12:33,600 --> 00:12:35,400
Speaker 2: Drake was saying like that, like this this is the

292
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Speaker 2: boy's ex. I'm like, all right, m cool.

293
00:12:41,960 --> 00:12:43,760
Speaker 1: Did he say that because he didn't want her over there?

294
00:12:43,920 --> 00:12:46,040
Speaker 2: No, that was his way to get into the party.

295
00:12:47,640 --> 00:12:51,080
Speaker 1: Oh okay, times have changed.

296
00:12:51,320 --> 00:12:53,360
Speaker 2: Just I don't know, Toms if maybe I'm the only

297
00:12:53,400 --> 00:12:55,400
Speaker 2: one that found that one of the weirdest things I'd

298
00:12:55,400 --> 00:12:57,120
Speaker 2: ever heard. For someone to try to get into a party.

299
00:12:57,160 --> 00:13:00,280
Speaker 2: And he was a girl, she's she once had sex

300
00:13:00,320 --> 00:13:07,280
Speaker 2: with Drake. We're good, right straight to the front. I'm sorry,

301
00:13:07,320 --> 00:13:08,920
Speaker 2: what straight to the front.

302
00:13:09,280 --> 00:13:11,560
Speaker 1: But see it's all yes, men shouldn't try to get

303
00:13:11,559 --> 00:13:13,160
Speaker 1: into party, but women do that all the time.

304
00:13:13,880 --> 00:13:15,480
Speaker 2: Yeah, but a man said it, and he was with

305
00:13:15,520 --> 00:13:18,319
Speaker 2: the girl who looked like he was probably.

306
00:13:19,280 --> 00:13:20,920
Speaker 1: Wait he was with the girl.

307
00:13:21,040 --> 00:13:23,800
Speaker 2: Yes, it was the two of them.

308
00:13:23,880 --> 00:13:27,720
Speaker 1: Oh yeah, that's that's weird, very weird. Yeah, that's that's weird. Yeah.

309
00:13:27,800 --> 00:13:28,400
Speaker 1: I don't like that.

310
00:13:28,760 --> 00:13:30,200
Speaker 2: The boy is a chokehold and that's it.

311
00:13:31,200 --> 00:13:35,760
Speaker 5: This is the boys ex. People don't get embarrassed when

312
00:13:35,800 --> 00:13:38,520
Speaker 5: they do stuff like that, especially like even name dropping

313
00:13:38,880 --> 00:13:41,920
Speaker 5: like gives me like the chills. The EBG's like, why

314
00:13:41,960 --> 00:13:42,800
Speaker 5: do people do that?

315
00:13:43,120 --> 00:13:45,480
Speaker 1: Well, because people The one thing that people want these

316
00:13:45,559 --> 00:13:49,240
Speaker 1: days more than anything's access, and people feel like if

317
00:13:49,280 --> 00:13:52,640
Speaker 1: you're attached to someone that has access, that that's your

318
00:13:52,720 --> 00:13:56,079
Speaker 1: like card to your access card. Is you know, I'm

319
00:13:56,120 --> 00:13:57,800
Speaker 1: with this person, I know this person, I had sex

320
00:13:57,840 --> 00:14:01,560
Speaker 1: with this person, whatever. So it's just it's just it's weird.

321
00:14:01,600 --> 00:14:04,720
Speaker 1: It's awkward. It's not because it's just not a natural

322
00:14:05,000 --> 00:14:06,439
Speaker 1: you know, when you're doing something.

323
00:14:06,200 --> 00:14:07,520
Speaker 3: That's just like unnatural.

324
00:14:07,920 --> 00:14:09,440
Speaker 1: Yeah, you can feel it. It's kind of like the

325
00:14:09,440 --> 00:14:11,800
Speaker 1: awkward you feel the awkward shit. So it's like it's

326
00:14:11,840 --> 00:14:16,000
Speaker 1: just not using somebody's name to gain access into something.

327
00:14:16,040 --> 00:14:17,640
Speaker 1: To me, it's just something that's just always been weird.

328
00:14:17,760 --> 00:14:20,280
Speaker 2: No one talks about the plight of the zealous celebrity

329
00:14:20,320 --> 00:14:22,440
Speaker 2: that doesn't like to go to the club but sometimes

330
00:14:22,520 --> 00:14:24,840
Speaker 2: has to go to the club. Talk about myself, of

331
00:14:24,880 --> 00:14:30,800
Speaker 2: course I know, because I know not of course everyone

332
00:14:30,840 --> 00:14:33,280
Speaker 2: knows who I am, but there's some people that do.

333
00:14:34,200 --> 00:14:36,160
Speaker 2: I'm not going to a club to wait in line,

334
00:14:37,120 --> 00:14:39,840
Speaker 2: so I'm going to go to the front, and I'm

335
00:14:39,880 --> 00:14:41,840
Speaker 2: gonna hope for the first That's the only time I

336
00:14:41,840 --> 00:14:43,840
Speaker 2: hope when someone knows me is when I can get

337
00:14:43,880 --> 00:14:46,120
Speaker 2: access to something like TSA.

338
00:14:47,120 --> 00:14:47,360
Speaker 1: Yeah.

339
00:14:48,800 --> 00:14:51,120
Speaker 2: Every time I walk up, I'm always like, all right,

340
00:14:51,200 --> 00:14:53,960
Speaker 2: I hope to god this fucking bouncer knows. I try

341
00:14:54,000 --> 00:14:56,720
Speaker 2: to give the familiar face, maybe talk a little bit,

342
00:14:56,720 --> 00:14:57,960
Speaker 2: maybe recognize my voice.

343
00:15:00,240 --> 00:15:02,160
Speaker 1: Because here's your eyes, and here's the thing. You know

344
00:15:02,200 --> 00:15:02,640
Speaker 1: who I am.

345
00:15:02,720 --> 00:15:03,480
Speaker 2: If he said.

346
00:15:04,800 --> 00:15:06,880
Speaker 1: To close your eyes and put your air pods in,

347
00:15:06,920 --> 00:15:11,680
Speaker 1: close your eyes, listen to me, you know now no.

348
00:15:11,800 --> 00:15:13,840
Speaker 2: And that's also why I make sure I ask anyone

349
00:15:13,880 --> 00:15:15,160
Speaker 2: that invites me to the club, you know, we're good

350
00:15:15,200 --> 00:15:17,240
Speaker 2: to just walk right in right. Oh yeah, Because if

351
00:15:17,280 --> 00:15:18,800
Speaker 2: I walk to the front and they don't know who

352
00:15:18,840 --> 00:15:21,240
Speaker 2: I am, I'm fine with that. I don't think I'm entitled.

353
00:15:21,280 --> 00:15:22,000
Speaker 1: I don't, but you.

354
00:15:21,960 --> 00:15:23,840
Speaker 2: Should know me. I'm not going into the back of line.

355
00:15:23,840 --> 00:15:24,360
Speaker 2: I'm gonna go home.

356
00:15:24,400 --> 00:15:27,080
Speaker 1: Here's somebody that's at the party, running the party, running

357
00:15:27,120 --> 00:15:29,320
Speaker 1: the door. I know somebody here. Yeah, like that, But

358
00:15:29,360 --> 00:15:33,240
Speaker 1: that's been year. Like I was paying bouncers to skip

359
00:15:33,240 --> 00:15:35,440
Speaker 1: the line years ago, for sure. I was like twenty

360
00:15:35,480 --> 00:15:37,560
Speaker 1: one years old. I was doing that, like shake the

361
00:15:37,600 --> 00:15:40,120
Speaker 1: bouncer's hand, put a fifty one hundred in fam. I'm

362
00:15:40,120 --> 00:15:41,960
Speaker 1: not doing this line, and I'm just trying to get in.

363
00:15:42,160 --> 00:15:44,520
Speaker 1: My people's already in there, you know what I mean. Like,

364
00:15:44,720 --> 00:15:46,640
Speaker 1: I'm not waiting on this line though. That's something that

365
00:15:46,680 --> 00:15:49,320
Speaker 1: you know I don't because the line thing you when

366
00:15:49,360 --> 00:15:51,640
Speaker 1: you know, like you know, they have people on those

367
00:15:51,640 --> 00:15:54,400
Speaker 1: lines to make the club look like of course pop

368
00:15:54,400 --> 00:15:56,080
Speaker 1: and yeah, and it's like, I'm not doing I know

369
00:15:56,120 --> 00:15:57,720
Speaker 1: that game. I'm not. I'm not a part of that.

370
00:15:57,760 --> 00:16:00,720
Speaker 2: People that pay cover charge don't know, they're just their advertise. Absolutely,

371
00:16:01,600 --> 00:16:03,160
Speaker 2: But that that is a fear of mine if I

372
00:16:03,360 --> 00:16:06,480
Speaker 2: ever do become like an endless celebrity, that I won't

373
00:16:07,040 --> 00:16:08,800
Speaker 2: get into the club and then I'll end up on

374
00:16:08,840 --> 00:16:11,520
Speaker 2: too cool to blog from a cell phone camera, like

375
00:16:11,520 --> 00:16:13,560
Speaker 2: look at bumb ass Rory can't get into the highlight

376
00:16:13,640 --> 00:16:16,480
Speaker 2: room standing out here by himself like a fucking loser.

377
00:16:16,600 --> 00:16:18,320
Speaker 2: But you know why that doesn't matter to me, because

378
00:16:18,720 --> 00:16:19,600
Speaker 2: where do you need to go?

379
00:16:20,560 --> 00:16:23,000
Speaker 1: Where you need to get in that you're not already

380
00:16:23,040 --> 00:16:24,640
Speaker 1: knowing that you're going to get in as you get there.

381
00:16:24,640 --> 00:16:26,880
Speaker 2: I don't go anywhere anymore unless but there was a

382
00:16:26,920 --> 00:16:30,200
Speaker 2: lot there was a large time when I was going

383
00:16:30,280 --> 00:16:34,360
Speaker 2: out more actively, where like plans would change like yo,

384
00:16:34,440 --> 00:16:38,200
Speaker 2: we're going here, and I'd be with people like fuck,

385
00:16:40,080 --> 00:16:43,280
Speaker 2: who can I text? I don't know anyone there, hope

386
00:16:43,280 --> 00:16:44,360
Speaker 2: to god, this fucking bouncer.

387
00:16:45,160 --> 00:16:47,200
Speaker 3: Any promoters, No, God.

388
00:16:48,600 --> 00:16:52,200
Speaker 1: I don't know any promoters in New York maybe maybe two.

389
00:16:52,520 --> 00:16:54,320
Speaker 1: But other than that, I don't know. I don't even

390
00:16:54,360 --> 00:16:56,800
Speaker 1: know what clubs. Yeah, you guys are you guys can

391
00:16:56,800 --> 00:16:57,640
Speaker 1: get into the stumbling.

392
00:16:57,680 --> 00:17:00,000
Speaker 2: That is true, you think about it.

393
00:17:00,000 --> 00:17:01,240
Speaker 1: Hopefully we can get into the stomach.

394
00:17:01,360 --> 00:17:04,119
Speaker 2: All the promoters I know got old and I like

395
00:17:04,240 --> 00:17:06,680
Speaker 2: kids and ship. Yeah, she's done.

396
00:17:06,960 --> 00:17:07,160
Speaker 5: Yeah.

397
00:17:07,200 --> 00:17:08,840
Speaker 3: My favorite bottle girls are all moms.

398
00:17:08,840 --> 00:17:11,040
Speaker 2: Now, well they were moms and they were bottle girls.

399
00:17:11,119 --> 00:17:14,359
Speaker 1: Yeah. They they just decided to be in their lives

400
00:17:14,400 --> 00:17:14,800
Speaker 1: more than now.

401
00:17:16,680 --> 00:17:17,040
Speaker 2: Tips for.

402
00:17:19,840 --> 00:17:20,480
Speaker 1: Oh man.

403
00:17:25,840 --> 00:17:29,640
Speaker 2: I have a question for you guys, how would specifically

404
00:17:29,680 --> 00:17:32,400
Speaker 2: more yes, how would you feel if a grown man

405
00:17:32,440 --> 00:17:33,399
Speaker 2: bought you a motorcycle?

406
00:17:34,960 --> 00:17:38,720
Speaker 1: What he wants you to ride him? Why would he?

407
00:17:38,760 --> 00:17:40,879
Speaker 1: Why would a grown man buy me a motorcycle so

408
00:17:40,880 --> 00:17:43,840
Speaker 1: we can ride together? Unless it's fucking Unless it's a

409
00:17:43,880 --> 00:17:45,119
Speaker 1: Harley Davidson himself.

410
00:17:45,119 --> 00:17:49,160
Speaker 2: It's a Dukati about twenty twenty two?

411
00:17:49,320 --> 00:17:51,800
Speaker 1: Is it Ducatti himself buying it for me? No, it's

412
00:17:51,840 --> 00:17:53,640
Speaker 1: just a random guy with money.

413
00:17:53,680 --> 00:17:56,239
Speaker 2: It's a front that has money. Yes, Oh, he likes you,

414
00:17:56,280 --> 00:17:58,120
Speaker 2: I think wants to buy you a Ducatti. Who watch

415
00:17:58,920 --> 00:18:00,600
Speaker 2: I'm not gonna say I'll tell you off, Mike. I

416
00:18:00,600 --> 00:18:02,440
Speaker 2: just want to know how I should feel about someone

417
00:18:02,480 --> 00:18:05,720
Speaker 2: got your a bike. Yeah, I don't know about a

418
00:18:05,800 --> 00:18:08,760
Speaker 2: do How close is that? You don't even ride motorcycles?

419
00:18:09,040 --> 00:18:11,440
Speaker 2: I mean I know how, but you don't ride. You're

420
00:18:11,440 --> 00:18:14,040
Speaker 2: not a rider, like you don't fucking you don't not

421
00:18:14,080 --> 00:18:14,720
Speaker 2: a rough rider.

422
00:18:15,280 --> 00:18:18,199
Speaker 1: No, you're not. So I'm just saying, why would somebody

423
00:18:18,200 --> 00:18:19,280
Speaker 1: buy you a motorcycle.

424
00:18:19,320 --> 00:18:21,040
Speaker 2: It's not like you're to ride.

425
00:18:22,119 --> 00:18:25,119
Speaker 1: Stop saying that. Yeah, but I just but you're not.

426
00:18:25,400 --> 00:18:26,800
Speaker 1: You're not you. You don't even do.

427
00:18:26,840 --> 00:18:30,040
Speaker 2: You're gonna be there when I when they arrived, when

428
00:18:30,080 --> 00:18:33,359
Speaker 2: you sit on it. They just had to make this

429
00:18:33,400 --> 00:18:35,119
Speaker 2: immature when I was asking a serious question.

430
00:18:35,240 --> 00:18:38,320
Speaker 5: Hey, now I know who bought it.

431
00:18:38,320 --> 00:18:43,560
Speaker 2: It's like both ours. Oh hey wait but yeah, yeah,

432
00:18:43,640 --> 00:18:44,879
Speaker 2: Well I'm gon share it with you because you're my

433
00:18:44,920 --> 00:18:46,359
Speaker 2: man's I'm cool.

434
00:18:46,560 --> 00:18:47,000
Speaker 1: I'll walk.

435
00:18:47,080 --> 00:18:48,600
Speaker 2: You don't want to sit on the back walk.

436
00:18:48,640 --> 00:18:51,439
Speaker 1: I don't fuck motorcycles? Can the staff ride it?

437
00:18:52,520 --> 00:18:54,680
Speaker 2: Yo? What you asking this man on camera? What is

438
00:18:54,720 --> 00:18:55,879
Speaker 2: wrong with you?

439
00:18:55,880 --> 00:18:57,919
Speaker 1: Can the staff ride it? You're right?

440
00:18:58,240 --> 00:19:02,080
Speaker 2: Hr problem? Just adding on the motorcycle will be kind

441
00:19:02,080 --> 00:19:03,960
Speaker 2: of funny. I feel like, what do you try to say? No,

442
00:19:04,040 --> 00:19:05,160
Speaker 2: I don't be funny.

443
00:19:05,200 --> 00:19:05,400
Speaker 4: I don't.

444
00:19:05,440 --> 00:19:05,720
Speaker 2: I don't.

445
00:19:05,720 --> 00:19:06,800
Speaker 1: I don't cycles.

446
00:19:08,160 --> 00:19:08,840
Speaker 2: I feel you.

447
00:19:08,960 --> 00:19:12,000
Speaker 1: Yeah, motorcycles just.

448
00:19:11,600 --> 00:19:12,520
Speaker 3: A very nice gift.

449
00:19:12,560 --> 00:19:14,760
Speaker 5: I think that that is nice of him, Rory, and

450
00:19:14,880 --> 00:19:16,520
Speaker 5: please don't kill yourself in another.

451
00:19:16,480 --> 00:19:20,000
Speaker 2: So here's the thing. My pops is a big motorcycle person.

452
00:19:21,560 --> 00:19:25,560
Speaker 2: Driven his you call it driven rode his pause. Dirt

453
00:19:25,600 --> 00:19:26,320
Speaker 2: bikes have done all that.

454
00:19:26,320 --> 00:19:26,600
Speaker 1: Ship.

455
00:19:26,680 --> 00:19:29,600
Speaker 2: I looked up that Ducati that was purchased. I am

456
00:19:29,680 --> 00:19:30,720
Speaker 2: terrified of that fucking thing.

457
00:19:30,800 --> 00:19:31,960
Speaker 1: Yeah it looks I don't.

458
00:19:32,560 --> 00:19:34,480
Speaker 2: That shit looks like a fucking spaceship, like if you

459
00:19:34,560 --> 00:19:37,400
Speaker 2: just hit the throttle once you're going eighty miles an hour.

460
00:19:37,600 --> 00:19:40,119
Speaker 1: Yeah no, I don't fuck motorcycles like that.

461
00:19:40,119 --> 00:19:43,240
Speaker 2: Shit doesn't turn you gotta like lean Lean never did.

462
00:19:43,400 --> 00:19:46,879
Speaker 1: Never fuck with bikes. Maybe a dirt bike maybe, but

463
00:19:47,880 --> 00:19:51,760
Speaker 1: motorcycle I like. I like four wheelers, saver, I like

464
00:19:51,840 --> 00:19:53,800
Speaker 1: the I like the mopads, like the vest.

465
00:19:53,880 --> 00:19:55,719
Speaker 2: The vest was I'll do that.

466
00:19:55,760 --> 00:19:57,159
Speaker 1: I thought about getting one of those, just to move

467
00:19:57,200 --> 00:19:58,480
Speaker 1: around the city a little bit like.

468
00:19:58,800 --> 00:20:02,159
Speaker 2: Lock if I saw you the best, But why no,

469
00:20:03,119 --> 00:20:03,640
Speaker 2: I would die.

470
00:20:04,160 --> 00:20:06,240
Speaker 1: I think I'm gonna get one, honestly, but like only

471
00:20:06,280 --> 00:20:08,439
Speaker 1: to move like, you know, right around, like when I'm uptown,

472
00:20:08,520 --> 00:20:08,840
Speaker 1: like go.

473
00:20:08,800 --> 00:20:10,200
Speaker 2: To like it's probably fish.

474
00:20:12,480 --> 00:20:14,639
Speaker 1: But no, just like instead of like always being in

475
00:20:14,640 --> 00:20:16,639
Speaker 1: the cars, like just block the block, go see the

476
00:20:16,680 --> 00:20:17,240
Speaker 1: cousins the home.

477
00:20:17,280 --> 00:20:19,280
Speaker 2: He's like, yo, pull on your razor?

478
00:20:20,000 --> 00:20:21,399
Speaker 1: Yeah, why not?

479
00:20:22,040 --> 00:20:23,680
Speaker 2: Were you too old for razor? Scooters are too cool?

480
00:20:24,440 --> 00:20:27,679
Speaker 1: I never liked the razors. I never liked the razors.

481
00:20:28,119 --> 00:20:29,399
Speaker 1: We used to do the ones. We used to do

482
00:20:29,720 --> 00:20:31,600
Speaker 1: the scooters with the little gas tank on to remember those,

483
00:20:31,680 --> 00:20:33,160
Speaker 1: of course I have what we did. We did those

484
00:20:33,680 --> 00:20:35,920
Speaker 1: cut longs to get one. Yeah, that was my ship,

485
00:20:36,160 --> 00:20:38,879
Speaker 1: took the governor out. I never liked it once I

486
00:20:38,920 --> 00:20:41,560
Speaker 1: got like older. Maybe like the scooters. We did those

487
00:20:41,600 --> 00:20:44,840
Speaker 1: when I was like before high school. But after high school,

488
00:20:44,840 --> 00:20:48,160
Speaker 1: that's when you starting with more like like women dirt bikes. Yeah,

489
00:20:48,600 --> 00:20:50,920
Speaker 1: like that ship that needed fuel, Like, that's when you

490
00:20:51,160 --> 00:20:52,080
Speaker 1: upgraded to that type of.

491
00:20:52,080 --> 00:20:54,480
Speaker 2: Ship that needed fuel. Like listen, with these gas prices,

492
00:20:54,520 --> 00:20:55,359
Speaker 2: I'm going back to the razor.

493
00:20:56,280 --> 00:20:57,800
Speaker 1: You might have to in a minute.

494
00:20:58,200 --> 00:21:00,000
Speaker 3: Mongos. You guys weren't cool if you didn't have a mind.

495
00:21:00,680 --> 00:21:04,960
Speaker 2: I don't of course, front front and on the back.

496
00:21:05,200 --> 00:21:07,679
Speaker 1: Yeah see you. But you had to survive the nineties

497
00:21:07,720 --> 00:21:10,200
Speaker 1: uptown with that type of ship, because that's when niggas

498
00:21:10,240 --> 00:21:13,560
Speaker 1: was getting robbed left and right. For the bikes you had,

499
00:21:13,560 --> 00:21:15,720
Speaker 1: the Mongols in the nineties and the Bronxe.

500
00:21:15,440 --> 00:21:17,199
Speaker 2: You definitely felt for Hey, can I ride that for

501
00:21:17,240 --> 00:21:17,840
Speaker 2: a seconds?

502
00:21:18,240 --> 00:21:21,040
Speaker 1: Never that was the goal to you, and you're never

503
00:21:21,080 --> 00:21:23,879
Speaker 1: seeing that bike, very young man. That bike is fucking

504
00:21:23,920 --> 00:21:25,280
Speaker 1: out of here. Your bike is in Brooklyn.

505
00:21:25,359 --> 00:21:30,120
Speaker 2: You're gonna have to try to borrow it back. Can

506
00:21:30,119 --> 00:21:31,000
Speaker 2: I ride my former bike?

507
00:21:31,400 --> 00:21:31,560
Speaker 4: You know?

508
00:21:31,600 --> 00:21:33,680
Speaker 1: I saw that happen to people, and I'm just like, damn,

509
00:21:33,680 --> 00:21:35,399
Speaker 1: he don't even know. He's gonna sit here wait for

510
00:21:35,520 --> 00:21:38,440
Speaker 1: me to come back. It's over. That fucking bike is going.

511
00:21:38,600 --> 00:21:41,359
Speaker 2: It takes one time. Just like what side show were you?

512
00:21:41,600 --> 00:21:43,080
Speaker 2: It only takes you one time to learn not to

513
00:21:43,080 --> 00:21:43,760
Speaker 2: answer that question.

514
00:21:45,480 --> 00:21:46,640
Speaker 1: Somebody asked that before.

515
00:21:47,080 --> 00:21:48,879
Speaker 2: Yeah, I knew they were never trying to steal my

516
00:21:48,920 --> 00:21:49,639
Speaker 2: fucking sneakers.

517
00:21:50,200 --> 00:21:52,880
Speaker 1: That's crazy. I never expected shoes.

518
00:21:52,920 --> 00:21:53,240
Speaker 2: Did you have?

519
00:21:56,680 --> 00:21:59,440
Speaker 1: You know what you see? I don't know what's that.

520
00:21:59,600 --> 00:22:00,480
Speaker 1: Let me see they worked?

521
00:22:00,640 --> 00:22:02,080
Speaker 2: Yeah, I showed them the product.

522
00:22:03,680 --> 00:22:05,000
Speaker 1: Let me try them out for you. I'll come back

523
00:22:05,000 --> 00:22:05,560
Speaker 1: and let you know.

524
00:22:06,640 --> 00:22:09,560
Speaker 2: All right, So I shouldn't feel a way that another

525
00:22:09,640 --> 00:22:12,639
Speaker 2: grown man bought me a motorcycle.

526
00:22:12,760 --> 00:22:15,919
Speaker 1: Especially, No, just be careful, man, because I don't you're

527
00:22:15,920 --> 00:22:16,560
Speaker 1: gonna be right there.

528
00:22:16,600 --> 00:22:18,399
Speaker 2: I don't feel like doing a you gotta take me

529
00:22:18,400 --> 00:22:18,840
Speaker 2: to the hospital.

530
00:22:19,320 --> 00:22:22,600
Speaker 1: I don't feel like doing a podcast by myself. Yeah,

531
00:22:22,880 --> 00:22:25,200
Speaker 1: I feel and Doucatti's are not. You can't play with those.

532
00:22:25,320 --> 00:22:27,480
Speaker 1: You should. You should know exactly what you're doing before

533
00:22:27,480 --> 00:22:28,760
Speaker 1: you get on the motorcycle.

534
00:22:28,760 --> 00:22:30,280
Speaker 2: I'm gonna see if they could put training wheels on

535
00:22:30,320 --> 00:22:32,320
Speaker 2: it first, Yeah, because yeah, I.

536
00:22:32,720 --> 00:22:34,360
Speaker 1: See if they could put something on the engine where

537
00:22:34,359 --> 00:22:36,200
Speaker 1: it keeps it below like thirty five.

538
00:22:36,760 --> 00:22:39,560
Speaker 2: Sport, like a crazy sports and where we're gonna where

539
00:22:39,600 --> 00:22:46,160
Speaker 2: we're staying isn't like a straightaway like it's like it was. Yeah,

540
00:22:47,680 --> 00:22:49,800
Speaker 2: I do that with a dirt bike with my eyes closed.

541
00:22:49,880 --> 00:22:53,240
Speaker 1: But a dirt bike, yes, that's a different and that's

542
00:22:53,280 --> 00:22:54,720
Speaker 1: a different machine.

543
00:22:55,040 --> 00:22:57,560
Speaker 2: But we did talk about going to like the actual

544
00:22:57,640 --> 00:23:00,200
Speaker 2: racetrack that they have set up for them in California,

545
00:23:00,440 --> 00:23:03,720
Speaker 2: which I would do because that's way fucking safer. Super

546
00:23:03,760 --> 00:23:06,879
Speaker 2: wide turns a lot of space, like I'd feel comfortable

547
00:23:07,240 --> 00:23:09,159
Speaker 2: on the Doukattie with that. But where we're gonna be,

548
00:23:09,200 --> 00:23:11,880
Speaker 2: where they're getting delivered, not ship that ship back to Cali.

549
00:23:11,920 --> 00:23:15,880
Speaker 3: Bro Also, also, the whole team is going to have them.

550
00:23:16,480 --> 00:23:18,600
Speaker 2: Yeah, well, Ma's gonna thride on the back of mine, but.

551
00:23:20,080 --> 00:23:25,520
Speaker 1: Like Eve, Mal will be walking or running, not getting

552
00:23:25,520 --> 00:23:26,480
Speaker 1: on a motorcycle.

553
00:23:26,520 --> 00:23:28,119
Speaker 2: I'm glad the Marris found that as funny as I did,

554
00:23:28,560 --> 00:23:29,520
Speaker 2: and Mall just ignored it.

555
00:23:29,560 --> 00:23:30,800
Speaker 1: But what did she say?

556
00:23:30,920 --> 00:23:37,480
Speaker 2: I called you Eve anyway, Joe Biden, Jimmy Kimmel, No, Joe.

557
00:23:38,560 --> 00:23:40,639
Speaker 1: I was looking at something online and I'm saying that

558
00:23:42,280 --> 00:23:50,760
Speaker 1: young Miami, better known as Karrisha has a show. Uh,

559
00:23:51,800 --> 00:23:54,880
Speaker 1: I believe it's going to be on Revolt. Please it's

560
00:23:54,880 --> 00:23:55,919
Speaker 1: called Karrisha. Please?

561
00:23:58,680 --> 00:24:01,159
Speaker 2: Do you want to play a clip from it? Is

562
00:24:01,160 --> 00:24:01,600
Speaker 2: that what you're doing?

563
00:24:02,080 --> 00:24:04,240
Speaker 1: Okay, we can play the clip from this clip? Okay,

564
00:24:04,359 --> 00:24:05,520
Speaker 1: we'll play the Clipperson didn't know.

565
00:24:05,680 --> 00:24:06,840
Speaker 3: So I just want to acknowledge.

566
00:24:06,880 --> 00:24:09,639
Speaker 5: Remember when we were talking about best Group and I

567
00:24:09,720 --> 00:24:12,920
Speaker 5: said the City Girls should be second runner up and

568
00:24:12,960 --> 00:24:15,520
Speaker 5: Maul laughed at me and Rory and I said, because

569
00:24:15,520 --> 00:24:20,280
Speaker 5: their social media exploits are fucking legendary in their generation.

570
00:24:20,400 --> 00:24:22,240
Speaker 1: Well don't say I laughed, because you have you said

571
00:24:22,240 --> 00:24:24,520
Speaker 1: second up, So give the list and I guarantee you.

572
00:24:24,520 --> 00:24:27,280
Speaker 1: I could pick two groups that were above the city

573
00:24:27,440 --> 00:24:27,760
Speaker 1: and I like.

574
00:24:27,760 --> 00:24:28,560
Speaker 2: To see of course.

575
00:24:28,600 --> 00:24:31,040
Speaker 3: But when referring to that, like I said that they

576
00:24:31,040 --> 00:24:32,200
Speaker 3: needed their own show, I.

577
00:24:32,560 --> 00:24:34,560
Speaker 1: Oh, no, that I agree with one thousand percent. They

578
00:24:34,600 --> 00:24:36,480
Speaker 1: should definitely have their own TV show. But we'll get

579
00:24:36,480 --> 00:24:36,960
Speaker 1: into the clip.

580
00:24:37,640 --> 00:24:39,840
Speaker 3: So were you welcome and we were stream ding what

581
00:24:39,960 --> 00:24:40,440
Speaker 3: it was about?

582
00:24:40,640 --> 00:24:45,520
Speaker 2: I mean it just so we use what you talk about.

583
00:24:45,320 --> 00:24:47,720
Speaker 3: Me the city girl.

584
00:24:48,920 --> 00:24:52,359
Speaker 2: I understand this is like a trailer to get watching,

585
00:24:52,400 --> 00:24:55,199
Speaker 2: to get watch. I don't puff actually answer those questions.

586
00:24:55,680 --> 00:24:56,520
Speaker 1: Are you a cheetah?

587
00:24:56,560 --> 00:24:57,400
Speaker 3: You can't think? God?

588
00:24:57,400 --> 00:25:00,720
Speaker 1: It just said wow, what?

589
00:25:01,520 --> 00:25:03,560
Speaker 2: Like, I hope this isn't just good editing. I hope

590
00:25:03,560 --> 00:25:07,560
Speaker 2: that I'm not laughing. I hope that that puffed in

591
00:25:07,600 --> 00:25:12,359
Speaker 2: the media train those questions. Yeah, imagine you're asking you

592
00:25:12,400 --> 00:25:14,600
Speaker 2: what what are we to say just on the trailer

593
00:25:14,960 --> 00:25:17,440
Speaker 2: on National TV but the TV station you own.

594
00:25:17,520 --> 00:25:19,280
Speaker 1: Yes, that's what I was going to say. It's it's

595
00:25:19,320 --> 00:25:22,840
Speaker 1: an interesting dynamic. These two are obviously dating, correct, Is

596
00:25:22,880 --> 00:25:25,520
Speaker 1: it obvious? I mean you can see that, you can

597
00:25:25,520 --> 00:25:29,880
Speaker 1: see the during the line of I think I.

598
00:25:29,840 --> 00:25:31,760
Speaker 2: Think they have butterflies for each other.

599
00:25:31,800 --> 00:25:33,879
Speaker 1: Yeah, I think I think it's it's safe to uh,

600
00:25:34,600 --> 00:25:37,280
Speaker 1: safe to say that they've spent some personal time together.

601
00:25:37,359 --> 00:25:38,399
Speaker 1: That was their first time.

602
00:25:38,680 --> 00:25:41,280
Speaker 5: I think when she I think that question, when she

603
00:25:41,359 --> 00:25:44,679
Speaker 5: asks them what we is, he's gonna say human friends.

604
00:25:44,680 --> 00:25:47,520
Speaker 5: What you mean we're friends? Like, I feel like they're

605
00:25:47,560 --> 00:25:48,440
Speaker 5: like doing all of this.

606
00:25:48,480 --> 00:25:49,080
Speaker 3: For the show.

607
00:25:50,080 --> 00:25:51,800
Speaker 2: That's what That's what it's for. That's what it's for.

608
00:25:51,880 --> 00:25:53,600
Speaker 1: You. You want to you want to market, you want

609
00:25:53,600 --> 00:25:56,000
Speaker 1: to cut up and edit, you know, a good piece

610
00:25:56,000 --> 00:25:57,720
Speaker 1: of video to get people to be like, oh, shoul

611
00:25:57,720 --> 00:25:58,680
Speaker 1: I got no what I'm talking about.

612
00:25:58,680 --> 00:26:00,720
Speaker 5: Even before that, I think the ex of the stuff

613
00:26:00,720 --> 00:26:03,959
Speaker 5: that they're doing, I think people started speculating that they

614
00:26:03,960 --> 00:26:04,359
Speaker 5: were dating.

615
00:26:04,480 --> 00:26:06,160
Speaker 3: I think they took that and ring with it.

616
00:26:06,600 --> 00:26:11,399
Speaker 2: I mean, Puff lives in Miami and she she's young Miami,

617
00:26:11,400 --> 00:26:15,040
Speaker 2: and even it would makes sense like he's old Miami,

618
00:26:15,119 --> 00:26:15,840
Speaker 2: she's young Miami.

619
00:26:17,800 --> 00:26:19,960
Speaker 1: Listen, either way it goes. I'm going to watch that.

620
00:26:20,040 --> 00:26:22,280
Speaker 1: I just need to see how Puff held it down

621
00:26:22,359 --> 00:26:23,320
Speaker 1: during that line of question.

622
00:26:23,400 --> 00:26:25,520
Speaker 2: And this is how I react to stories. I do

623
00:26:25,600 --> 00:26:26,359
Speaker 2: not give a fuck about.

624
00:26:27,000 --> 00:26:29,320
Speaker 1: Yeah, I just tried to that. I thought that that

625
00:26:29,400 --> 00:26:32,439
Speaker 1: was because I thought that it was a known thing

626
00:26:32,440 --> 00:26:33,520
Speaker 1: that they're dating.

627
00:26:33,640 --> 00:26:35,040
Speaker 2: We're not all on the inside like you.

628
00:26:35,600 --> 00:26:37,240
Speaker 1: Oh No, I didn't get that from I just got.

629
00:26:37,160 --> 00:26:40,399
Speaker 5: It from an insiders source. Are you the source that

630
00:26:40,680 --> 00:26:42,120
Speaker 5: be talking to the Shave magazine?

631
00:26:42,240 --> 00:26:44,320
Speaker 2: No, I don't speak to You've definitely been a source,

632
00:26:44,920 --> 00:26:46,280
Speaker 2: a source close to the person.

633
00:26:46,440 --> 00:26:48,720
Speaker 1: Yeah. Never. Nobody has ever asked me anything.

634
00:26:48,760 --> 00:26:51,040
Speaker 2: A friend of Chloe said that she's distraught.

635
00:26:51,080 --> 00:26:54,880
Speaker 1: No, definitely, literally nobody, literally nobody's ever asked me any

636
00:26:54,880 --> 00:26:57,760
Speaker 1: thing about Chloe, like, nobody has ever. But I thought

637
00:26:57,760 --> 00:26:59,680
Speaker 1: that was interesting. I do want to see how puff

638
00:26:59,760 --> 00:27:01,600
Speaker 1: an is that. I do like, I want to see

639
00:27:02,400 --> 00:27:05,920
Speaker 1: what the show is. I don't know if this is

640
00:27:05,920 --> 00:27:06,440
Speaker 1: a one off.

641
00:27:06,760 --> 00:27:09,960
Speaker 3: No, it's a podcast. She had a multimillion dollar podcast deal.

642
00:27:10,240 --> 00:27:11,400
Speaker 1: Oh, twins, So.

643
00:27:11,359 --> 00:27:12,919
Speaker 3: It's gonna be a podcast and it's gonna be.

644
00:27:12,920 --> 00:27:15,920
Speaker 1: On a revote. The revote has the TV has the

645
00:27:16,000 --> 00:27:23,160
Speaker 1: visual rights to it. Okay, interesting, twins, We're not twins, Yeah,

646
00:27:23,160 --> 00:27:23,479
Speaker 1: we're not.

647
00:27:23,840 --> 00:27:26,480
Speaker 2: One of you is Miami Young Miami, and I'm JT

648
00:27:26,640 --> 00:27:27,800
Speaker 2: and he's never mind.

649
00:27:27,800 --> 00:27:28,040
Speaker 1: All right.

650
00:27:28,800 --> 00:27:30,880
Speaker 2: Anyways, So you don't want to talk about Joe Biden

651
00:27:30,920 --> 00:27:31,560
Speaker 2: and Jimmy Kimmel.

652
00:27:32,240 --> 00:27:33,640
Speaker 1: What happened with Joe Biden Jimmy Kimmel.

653
00:27:33,680 --> 00:27:34,040
Speaker 3: Yeah, I don't.

654
00:27:35,359 --> 00:27:38,040
Speaker 2: Last night or two nights ago, Joe Biden did what

655
00:27:38,080 --> 00:27:41,879
Speaker 2: I think was his first interview ever as president and

656
00:27:41,880 --> 00:27:43,040
Speaker 2: decided to go to Jimmy Kimmel.

657
00:27:43,520 --> 00:27:43,920
Speaker 1: Mm hmm.

658
00:27:44,440 --> 00:27:48,480
Speaker 2: Safe the fuck is going on in our country right now?

659
00:27:49,119 --> 00:27:50,480
Speaker 2: Y'all voted for him.

660
00:27:51,880 --> 00:27:54,439
Speaker 1: This is your president. Enjoy it. What did he do

661
00:27:54,480 --> 00:27:54,919
Speaker 1: with Jimmy?

662
00:27:56,480 --> 00:28:01,159
Speaker 2: I mean, of course, everyone specifically on your network of

663
00:28:01,280 --> 00:28:07,240
Speaker 2: Fox killed him, and Jimmy of like, and this is

664
00:28:07,280 --> 00:28:09,959
Speaker 2: the first time I somewhat agreed with Fox News of like.

665
00:28:10,240 --> 00:28:11,840
Speaker 2: It's a lot going on right now. Dog, I don't

666
00:28:11,840 --> 00:28:14,120
Speaker 2: know if I want to hear from Jimmy Kimmel when

667
00:28:14,160 --> 00:28:16,880
Speaker 2: it comes to answers from a president that barely fucking

668
00:28:16,920 --> 00:28:20,760
Speaker 2: speaks and hasn't done an interview yet. Jimmy tried to

669
00:28:22,320 --> 00:28:25,160
Speaker 2: he tried to ask some serious questions, and he did

670
00:28:25,160 --> 00:28:30,280
Speaker 2: ask some serious questions, but it was very much question

671
00:28:30,440 --> 00:28:35,680
Speaker 2: and answer prepped before and like did the fake pushback?

672
00:28:36,920 --> 00:28:38,640
Speaker 2: It just I don't know, man, I just don't need

673
00:28:39,840 --> 00:28:42,200
Speaker 2: to hear from Jimmy Kimmel. And you're gonna love this

674
00:28:42,240 --> 00:28:44,479
Speaker 2: because he's on Fox, Like, go sit down with Chris Wallace.

675
00:28:45,760 --> 00:28:47,760
Speaker 2: Go sit down with an objective fucking journalist.

676
00:28:48,840 --> 00:28:49,520
Speaker 3: Why would he do that?

677
00:28:50,320 --> 00:28:52,959
Speaker 2: Because I have some questions that need some answers.

678
00:28:53,160 --> 00:28:54,880
Speaker 3: You don't want to answer them, So that's why would

679
00:28:54,920 --> 00:28:55,320
Speaker 3: he do that.

680
00:28:55,320 --> 00:28:58,120
Speaker 2: He's not answering, it's just again and he's not the

681
00:28:58,160 --> 00:29:01,360
Speaker 2: first president to do that. Know, but I feel like,

682
00:29:01,440 --> 00:29:06,200
Speaker 2: even like when presidents have gone on talk shows and

683
00:29:06,200 --> 00:29:09,240
Speaker 2: done the late night comedy slash serious shit, they also

684
00:29:09,320 --> 00:29:12,480
Speaker 2: go and do real interviews from fucking Obama to Bush

685
00:29:12,520 --> 00:29:17,160
Speaker 2: that I'm not even making it party related. Dam he

686
00:29:17,200 --> 00:29:23,400
Speaker 2: hasn't said a fucking really real word to anyone. Yeah, Jimmy,

687
00:29:23,880 --> 00:29:25,040
Speaker 2: that's what we land on.

688
00:29:25,160 --> 00:29:26,960
Speaker 1: Well, because you know that, first of all, they can

689
00:29:27,080 --> 00:29:30,320
Speaker 1: cost me eighty bucks to fill up today. Yeah, that's

690
00:29:30,480 --> 00:29:30,920
Speaker 1: the magic.

691
00:29:32,200 --> 00:29:34,200
Speaker 2: Well, you know it's children were just murdered.

692
00:29:34,840 --> 00:29:39,400
Speaker 1: Yeah, and that's but again, this politics is a very

693
00:29:39,600 --> 00:29:46,200
Speaker 1: you know, weird piece of bullshit. It's something that a

694
00:29:46,240 --> 00:29:49,200
Speaker 1: lot of these presidents, you know, they say things before

695
00:29:49,200 --> 00:29:51,160
Speaker 1: they voted in, and once they're voted in, it's kind

696
00:29:51,160 --> 00:29:54,080
Speaker 1: of like a little victory parade. During their entire term,

697
00:29:54,120 --> 00:29:56,640
Speaker 1: they may do some things here and there, but nothing

698
00:29:56,680 --> 00:30:01,840
Speaker 1: really changes, nothing really happens. So I'm not going I'm

699
00:30:01,840 --> 00:30:03,840
Speaker 1: not going to kick Biden in the ass because he

700
00:30:03,880 --> 00:30:05,960
Speaker 1: went on Jimmy Kimmel during the time, like now, because

701
00:30:06,000 --> 00:30:08,320
Speaker 1: this is what this is what happens during presidency. There's

702
00:30:08,320 --> 00:30:10,920
Speaker 1: so many real issues going on in the world, and

703
00:30:11,320 --> 00:30:16,600
Speaker 1: America is fascinated with entertainment and money, capitalism things like that,

704
00:30:16,680 --> 00:30:19,280
Speaker 1: so it's not even about you know, the issues at hand.

705
00:30:19,280 --> 00:30:23,120
Speaker 1: We just sent forty billion dollars to Ukraine, and you know,

706
00:30:24,520 --> 00:30:24,840
Speaker 1: for what.

707
00:30:25,640 --> 00:30:26,520
Speaker 2: Asked Jimmy Kimmel.

708
00:30:27,960 --> 00:30:31,040
Speaker 1: Apparently Jimmy Kimmel.

709
00:30:31,240 --> 00:30:35,360
Speaker 2: But like even granted your man, Trump went on Fox

710
00:30:35,400 --> 00:30:37,520
Speaker 2: and Friends and Hannity and it was just one big

711
00:30:37,560 --> 00:30:39,120
Speaker 2: circle jerk every fucking time.

712
00:30:39,240 --> 00:30:42,320
Speaker 1: But it was he He went on the news every

713
00:30:42,400 --> 00:30:44,760
Speaker 1: day during the pandemic. He had a press conference because

714
00:30:45,120 --> 00:30:47,000
Speaker 1: he felt like if he did go on other.

715
00:30:46,880 --> 00:30:51,120
Speaker 2: Networks, then was King kicking people out that asked real questions.

716
00:30:51,440 --> 00:30:54,240
Speaker 2: But he did go on Chris Wallace once towards the

717
00:30:55,200 --> 00:30:57,840
Speaker 2: I want to say, when the election was first starting

718
00:30:58,160 --> 00:30:59,920
Speaker 2: or right before the election.

719
00:31:00,280 --> 00:31:00,680
Speaker 1: M hmm.

720
00:31:01,400 --> 00:31:03,960
Speaker 2: And I appreciate that interview because they fucking argued and

721
00:31:04,040 --> 00:31:06,280
Speaker 2: Chris Waller's gotten his ass and pissed Trump off. But

722
00:31:06,280 --> 00:31:08,400
Speaker 2: I was like, I mean, I can appreciate that Trump

723
00:31:08,400 --> 00:31:13,360
Speaker 2: actually went on there and allowed somebody to ask questions

724
00:31:13,360 --> 00:31:17,040
Speaker 2: that we want to know, not just Sean Handley and

725
00:31:17,080 --> 00:31:19,800
Speaker 2: Fox Friends that just really I really think are sexually

726
00:31:19,800 --> 00:31:24,760
Speaker 2: attracted to them. You know, Handy was trying to fuck.

727
00:31:25,520 --> 00:31:27,320
Speaker 2: I know that's your man, but Handy was trying to be.

728
00:31:27,640 --> 00:31:28,240
Speaker 1: That's my man.

729
00:31:28,280 --> 00:31:30,080
Speaker 2: Handity, it has to be Why does it have to

730
00:31:30,120 --> 00:31:31,880
Speaker 2: be more man? How you're more of a Tucker guy?

731
00:31:33,680 --> 00:31:34,080
Speaker 3: Mm hmm.

732
00:31:34,480 --> 00:31:35,320
Speaker 2: You like Tucker's hair?

733
00:31:39,320 --> 00:31:40,440
Speaker 1: You want me to do good here?

734
00:31:41,480 --> 00:31:44,160
Speaker 2: Tucker Carlson is one of the funniest shows without being funny,

735
00:31:44,280 --> 00:31:48,120
Speaker 2: absolutely on Like just the way he speaks and sets

736
00:31:48,200 --> 00:31:54,120
Speaker 2: things up is like the master manipulator if you're dumb,

737
00:31:54,360 --> 00:31:56,240
Speaker 2: poor and white and in Middle America.

738
00:31:57,360 --> 00:32:00,520
Speaker 1: But my thing is this, if you in danger.

739
00:32:00,560 --> 00:32:02,280
Speaker 2: Of course you're in danger, and you know you're in

740
00:32:02,360 --> 00:32:05,760
Speaker 2: danger because you're a great American, and as a great American,

741
00:32:05,800 --> 00:32:07,840
Speaker 2: you know you're in danger now. And I'm sitting there

742
00:32:07,960 --> 00:32:10,800
Speaker 2: took like, damn, Tucker, am I am? I in danger?

743
00:32:13,040 --> 00:32:18,160
Speaker 1: But it's Trump? Okay. So my thing is this, if

744
00:32:18,200 --> 00:32:21,920
Speaker 1: Trump is to become president of twenty twenty four, which

745
00:32:21,960 --> 00:32:23,680
Speaker 1: I think probably is going to happen.

746
00:32:23,680 --> 00:32:24,760
Speaker 2: It to a high shot that he will.

747
00:32:24,840 --> 00:32:30,600
Speaker 1: Yes. Do you think it's because people are just not

748
00:32:31,040 --> 00:32:33,920
Speaker 1: happy with Biden and they just don't want to give

749
00:32:33,960 --> 00:32:34,920
Speaker 1: him another term?

750
00:32:35,040 --> 00:32:38,640
Speaker 2: Well, I think that's why Bid got elected. It's funny

751
00:32:38,640 --> 00:32:41,880
Speaker 2: how that role could reverse because for the most part,

752
00:32:41,920 --> 00:32:45,080
Speaker 2: Biden got in there for two reasons. Everyone hated Trump.

753
00:32:45,360 --> 00:32:46,680
Speaker 2: It was just whoever the fuck was gonna be in

754
00:32:46,680 --> 00:32:50,200
Speaker 2: the Democratic Party, and he's friends with Obama. Those are

755
00:32:50,240 --> 00:32:52,520
Speaker 2: the two reasons why he was elected. That's not good.

756
00:32:52,560 --> 00:32:54,600
Speaker 1: See what we need above all, we just need a

757
00:32:54,640 --> 00:32:57,200
Speaker 1: new way of governing this country. Like a lot of

758
00:32:57,200 --> 00:33:00,360
Speaker 1: these the ways of governing, and a lot of these

759
00:33:00,880 --> 00:33:03,800
Speaker 1: laws and a lot of these you know, these were

760
00:33:03,800 --> 00:33:07,080
Speaker 1: put into place when this country was These are how many,

761
00:33:07,080 --> 00:33:10,239
Speaker 1: however many years ago things life was totally different. We

762
00:33:10,320 --> 00:33:12,440
Speaker 1: need to adjust to the way of life today, like

763
00:33:12,480 --> 00:33:15,760
Speaker 1: we're still trying to. It's like trying to use a

764
00:33:15,800 --> 00:33:17,640
Speaker 1: new iPhone on an old.

765
00:33:18,360 --> 00:33:21,959
Speaker 2: Are you suggesting our founding fathers may have made a mistake?

766
00:33:22,520 --> 00:33:23,200
Speaker 2: How fucking not?

767
00:33:23,320 --> 00:33:25,800
Speaker 1: Dare you? No? I'm suggesting that I founded fathers.

768
00:33:25,840 --> 00:33:26,560
Speaker 2: It's treason.

769
00:33:26,640 --> 00:33:30,600
Speaker 1: They put they put in a set of rules and laws. Yeah,

770
00:33:30,680 --> 00:33:33,560
Speaker 1: during their time, that was that was that was you know,

771
00:33:33,640 --> 00:33:35,479
Speaker 1: it suited what they were doing and how they were

772
00:33:35,480 --> 00:33:37,760
Speaker 1: living and how the world was then, I think to

773
00:33:38,080 --> 00:33:40,800
Speaker 1: be trying to still run on that same system, however,

774
00:33:40,840 --> 00:33:43,680
Speaker 1: many hundreds of years later, it's stupid. It's like, bro,

775
00:33:43,760 --> 00:33:46,600
Speaker 1: you have to update these things. You have to upgrade

776
00:33:46,680 --> 00:33:49,040
Speaker 1: our way of living the society. So many things have

777
00:33:49,160 --> 00:33:51,600
Speaker 1: changed in the world, Like, how are we still trying

778
00:33:51,600 --> 00:33:54,920
Speaker 1: to run a country on these old laws and these

779
00:33:55,000 --> 00:33:57,800
Speaker 1: rules that were put in place however many hundreds of

780
00:33:57,880 --> 00:33:59,880
Speaker 1: years It just does not make any sense. And I

781
00:34:00,080 --> 00:34:01,280
Speaker 1: know the law of the land is the law of

782
00:34:01,280 --> 00:34:03,160
Speaker 1: the land, but the land has changed.

783
00:34:03,640 --> 00:34:05,760
Speaker 2: That well, the land was stolen, the land.

784
00:34:05,600 --> 00:34:07,800
Speaker 1: Is stolen, the land has changed, the world has changed,

785
00:34:07,800 --> 00:34:10,920
Speaker 1: and we're still trying to run on these old ideologies

786
00:34:11,000 --> 00:34:13,440
Speaker 1: and that these old white men made up however many

787
00:34:13,520 --> 00:34:15,560
Speaker 1: hundreds of years ago. And it's just like, no, wonder

788
00:34:15,600 --> 00:34:18,760
Speaker 1: we can't be on the same page. Like it's fucking crazy.

789
00:34:19,320 --> 00:34:22,600
Speaker 2: Hand I'm I don't want to say excited, but very

790
00:34:22,600 --> 00:34:25,520
Speaker 2: curious for the primaries to start. Those are always my

791
00:34:25,600 --> 00:34:29,440
Speaker 2: favorite when it's just the Republican debates and just the

792
00:34:29,480 --> 00:34:34,480
Speaker 2: Democratic debates because they shit on each other for weeks

793
00:34:34,840 --> 00:34:37,279
Speaker 2: and then we finally get to who the candidate for

794
00:34:37,320 --> 00:34:39,160
Speaker 2: the Republicans is going to be and who for the

795
00:34:39,280 --> 00:34:41,719
Speaker 2: Democrats is going to be. And after shitting on each

796
00:34:41,719 --> 00:34:44,920
Speaker 2: other for weeks of how shitty of a president they

797
00:34:44,960 --> 00:34:46,960
Speaker 2: would become and you shouldn't vote for them, they all

798
00:34:47,000 --> 00:34:50,040
Speaker 2: get on the news and be like, I endorse Biden.

799
00:34:51,280 --> 00:34:53,520
Speaker 2: It's like, fam, how dumb do you think I am?

800
00:34:53,600 --> 00:34:56,040
Speaker 2: For six weeks you've been saying he'll never be a

801
00:34:56,040 --> 00:35:00,520
Speaker 2: good president, and now you're like, he's the one with Trump.

802
00:35:00,760 --> 00:35:02,080
Speaker 1: It is crazy. It's crazy.

803
00:35:02,600 --> 00:35:07,240
Speaker 3: So I have a question yard about J Prince beefle wack.

804
00:35:07,080 --> 00:35:12,839
Speaker 2: Waned h is this a metaphor to politics or are

805
00:35:12,840 --> 00:35:14,960
Speaker 2: you segueing completely?

806
00:35:15,960 --> 00:35:16,840
Speaker 1: He thought she was gonna make it.

807
00:35:16,880 --> 00:35:19,360
Speaker 2: Connect thought he was getting it.

808
00:35:19,719 --> 00:35:20,799
Speaker 3: I was talking about war, so.

809
00:35:22,600 --> 00:35:26,680
Speaker 1: Well, I did hear? J Prince finally finally responded to

810
00:35:27,480 --> 00:35:30,160
Speaker 1: a lot of the things that was being said about.

811
00:35:29,960 --> 00:35:33,640
Speaker 2: Him, and it was on, h million I was worth

812
00:35:33,640 --> 00:35:33,799
Speaker 2: the game?

813
00:35:33,880 --> 00:35:34,000
Speaker 4: Right?

814
00:35:34,040 --> 00:35:38,560
Speaker 1: Million doll was worth a game? Yeah? And listen, man,

815
00:35:38,600 --> 00:35:41,719
Speaker 1: you know, as a man, you know you could sit

816
00:35:41,800 --> 00:35:44,719
Speaker 1: back and people say things about you and bring a

817
00:35:44,719 --> 00:35:48,840
Speaker 1: certain energy to you. I think that J. Prince walks

818
00:35:48,840 --> 00:35:51,879
Speaker 1: with a lot of respect. He's a for the most

819
00:35:51,880 --> 00:35:55,360
Speaker 1: part of soft spoken gentleman. You never see J Prince

820
00:35:55,480 --> 00:35:59,080
Speaker 1: screaming and acting being you know, irate and you know,

821
00:35:59,480 --> 00:36:01,600
Speaker 1: using a lot a foul language. You don't really see

822
00:36:01,600 --> 00:36:04,000
Speaker 1: that from jagentleman. Yeah, he's a old he's a He's

823
00:36:04,000 --> 00:36:05,719
Speaker 1: a og in every sense of the word. It's like, bro,

824
00:36:05,840 --> 00:36:08,440
Speaker 1: I'm not I have grandchildren, you know what I mean, Like,

825
00:36:08,440 --> 00:36:10,880
Speaker 1: I'm not gonna be out here on social media screaming

826
00:36:10,880 --> 00:36:12,600
Speaker 1: and things like that. But I mean, you know the

827
00:36:12,640 --> 00:36:17,600
Speaker 1: things that and you guys look like, yeah, they've been

828
00:36:17,640 --> 00:36:20,440
Speaker 1: telling me that for at least three years now. The

829
00:36:20,520 --> 00:36:22,839
Speaker 1: things that I was, you know and listening to Whack.

830
00:36:23,840 --> 00:36:25,480
Speaker 1: He was responding to a lot of things.

831
00:36:26,280 --> 00:36:26,400
Speaker 2: Uh.

832
00:36:26,520 --> 00:36:28,479
Speaker 1: He was on Clubhouse, you know, you know Whack because

833
00:36:28,480 --> 00:36:32,480
Speaker 1: he stays on Clubhouse, and he was saying some things

834
00:36:32,480 --> 00:36:34,840
Speaker 1: and I even I even hit one of my homeboys

835
00:36:34,840 --> 00:36:39,040
Speaker 1: in LA and I was like, yo, you know, Wax

836
00:36:39,120 --> 00:36:42,320
Speaker 1: says some things that I agree with sometimes and I

837
00:36:42,400 --> 00:36:44,279
Speaker 1: understand where it's coming from, and you know, I.

838
00:36:44,280 --> 00:36:47,800
Speaker 2: Get it, agree and disagree with yeah, alike with him. Yeah,

839
00:36:47,840 --> 00:36:49,040
Speaker 2: but I asked him.

840
00:36:49,080 --> 00:36:52,440
Speaker 1: I said, Yo, but you know he's talking to you know,

841
00:36:52,480 --> 00:36:55,680
Speaker 1: he's going at some some some guys that are you know,

842
00:36:55,920 --> 00:37:01,160
Speaker 1: pretty stand up, that have a certain respect act and

843
00:37:01,280 --> 00:37:03,359
Speaker 1: uh they give the respect, which is why they get

844
00:37:03,360 --> 00:37:05,919
Speaker 1: the respect J Prince in particular, you know what I mean.

845
00:37:06,280 --> 00:37:09,279
Speaker 1: So it just was like, you know, what is what's

846
00:37:09,280 --> 00:37:11,200
Speaker 1: whack's angle with this? Like why is he why is

847
00:37:11,200 --> 00:37:14,480
Speaker 1: he talking about J Prince like this? Why is he

848
00:37:14,520 --> 00:37:16,560
Speaker 1: going at J Prince like this? That I just didn't understand.

849
00:37:17,239 --> 00:37:19,440
Speaker 1: I'm like, is it just for you know, clicks and

850
00:37:19,520 --> 00:37:21,560
Speaker 1: views or it's like he really is trying to take

851
00:37:21,600 --> 00:37:23,880
Speaker 1: it because you never want to see things get to

852
00:37:23,920 --> 00:37:26,359
Speaker 1: a certain level. I mean, you know, it's all clubhouses,

853
00:37:26,920 --> 00:37:30,640
Speaker 1: social media. It's supposed to be entertainment. It's an app, Yes,

854
00:37:30,640 --> 00:37:32,879
Speaker 1: it's an app, and you know, but it's like when

855
00:37:33,000 --> 00:37:35,920
Speaker 1: things you start talking about certain individuals with a certain

856
00:37:36,000 --> 00:37:39,080
Speaker 1: energy and a certain type of aggression as men, you

857
00:37:39,080 --> 00:37:42,759
Speaker 1: can only expect that it's gonna get to a point

858
00:37:42,760 --> 00:37:45,720
Speaker 1: where it's like, all right, we didn't this wasn't supposed

859
00:37:45,760 --> 00:37:47,839
Speaker 1: to go this far. Like we didn't. We didn't want

860
00:37:47,840 --> 00:37:51,880
Speaker 1: it to go like this. And I think that you

861
00:37:51,920 --> 00:37:54,360
Speaker 1: know a lot of things that Whack was saying about

862
00:37:54,560 --> 00:37:56,600
Speaker 1: a lot of individuals, but in particular in this situation

863
00:37:56,640 --> 00:37:59,560
Speaker 1: with JA Prince, it was like, yo, though, like you know.

864
00:37:59,560 --> 00:38:01,799
Speaker 2: J Prince don't really he don't really get into it.

865
00:38:01,840 --> 00:38:05,080
Speaker 1: Nobody like this, and nobody has really ever spoken about

866
00:38:05,160 --> 00:38:07,640
Speaker 1: j Prince like this or has disrespected him like this.

867
00:38:07,800 --> 00:38:10,160
Speaker 1: Like I'm like, you know, is this like real or

868
00:38:10,200 --> 00:38:12,000
Speaker 1: is this like something that you know what I'm saying

869
00:38:12,000 --> 00:38:15,719
Speaker 1: like some some just some internet social media shit like

870
00:38:15,760 --> 00:38:17,279
Speaker 1: I just didn't know what was going on, and he

871
00:38:17,360 --> 00:38:18,279
Speaker 1: was like, bro, I don't know.

872
00:38:18,960 --> 00:38:24,759
Speaker 2: Well it sparked from the woman that interviewed Larry Hoover

873
00:38:24,880 --> 00:38:30,040
Speaker 2: in jail years ago, took the footage and now that

874
00:38:30,080 --> 00:38:33,600
Speaker 2: they're doing this documentary is a help bring awareness and

875
00:38:33,880 --> 00:38:37,520
Speaker 2: possibly free Larry Hoover. They want the footage from the

876
00:38:37,520 --> 00:38:41,080
Speaker 2: interview and she's saying, well, I own the footage, and

877
00:38:41,120 --> 00:38:44,239
Speaker 2: they're saying, no, you don't. So Whack one hundred represents

878
00:38:44,239 --> 00:38:47,719
Speaker 2: that woman that's his client now, so that's yes.

879
00:38:47,840 --> 00:38:49,520
Speaker 1: Has he always represented or did he just.

880
00:38:49,480 --> 00:38:53,960
Speaker 2: Decide I'm not gonna I don't know. Okay, he may have,

881
00:38:54,040 --> 00:38:55,719
Speaker 2: but the only reason we would know that he did

882
00:38:55,880 --> 00:38:57,719
Speaker 2: is now because it's a story. I don't I'm not

883
00:38:57,760 --> 00:39:00,520
Speaker 2: sure what else that woman has worked on. Actually, I

884
00:39:00,560 --> 00:39:04,160
Speaker 2: just don't know. He may have, Yeah, he may have

885
00:39:04,200 --> 00:39:07,280
Speaker 2: cherry picked and been like, all right, let me represent

886
00:39:07,320 --> 00:39:08,280
Speaker 2: her in this case because.

887
00:39:08,040 --> 00:39:09,560
Speaker 1: It's which is fine, totally fine.

888
00:39:09,719 --> 00:39:13,480
Speaker 2: He's a fucking manager. That's a managerial thing to do. Absolutely,

889
00:39:14,239 --> 00:39:18,480
Speaker 2: But I believe that's where it sparked from. And I

890
00:39:18,600 --> 00:39:22,719
Speaker 2: guess she's not budging, and Whack is now being her

891
00:39:22,719 --> 00:39:25,560
Speaker 2: mouthpiece more or less again as a manager does. So

892
00:39:25,760 --> 00:39:29,359
Speaker 2: I get it, okay, but I just don't those two

893
00:39:29,360 --> 00:39:35,680
Speaker 2: don't need to publicly, uh get personal insults over footage.

894
00:39:36,080 --> 00:39:38,920
Speaker 1: Listen, As you know, as men know, there's certain things

895
00:39:38,920 --> 00:39:43,000
Speaker 1: that you just can't you can't say. And once you

896
00:39:43,120 --> 00:39:47,600
Speaker 1: once you want, you open a certain frequency of energy,

897
00:39:47,640 --> 00:39:51,759
Speaker 1: and you know, things disrespect. It's like you're asking a

898
00:39:51,800 --> 00:39:54,440
Speaker 1: lot for somebody that's big on respect to act like

899
00:39:54,520 --> 00:39:58,000
Speaker 1: they weren't disrespected, yeah, and to act like they they

900
00:39:58,000 --> 00:40:00,160
Speaker 1: didn't hear the things that somebody's saying about them. So

901
00:40:00,400 --> 00:40:02,000
Speaker 1: I knew it was only a matter of time before,

902
00:40:02,640 --> 00:40:06,640
Speaker 1: you know. J Prince responded, and and even in his response,

903
00:40:06,680 --> 00:40:11,960
Speaker 1: he was still you know, soft spoken, very direct though, those.

904
00:40:11,840 --> 00:40:13,200
Speaker 2: Are the people that terrify me the most.

905
00:40:13,920 --> 00:40:15,960
Speaker 1: Yeah, because it's just you know, it's it's just a

906
00:40:15,960 --> 00:40:18,040
Speaker 1: certain energy that you know with their words where they're

907
00:40:18,080 --> 00:40:21,319
Speaker 1: not you know, it's like okay that that this is

908
00:40:21,400 --> 00:40:24,160
Speaker 1: they're serious. This isn't a joke, and you know some

909
00:40:24,200 --> 00:40:26,879
Speaker 1: people would respect it's just a it's a very real thing,

910
00:40:27,000 --> 00:40:29,120
Speaker 1: like and we're in you know, it's weird now because

911
00:40:29,120 --> 00:40:33,880
Speaker 1: it's like everybody is so openly disrespectful now, and I

912
00:40:33,960 --> 00:40:35,959
Speaker 1: remember it was never it wasn't you know, you always

913
00:40:36,000 --> 00:40:38,520
Speaker 1: have people that were disrespectful. But now it's like I

914
00:40:38,600 --> 00:40:41,319
Speaker 1: think people are getting First of all, people make money

915
00:40:41,320 --> 00:40:45,160
Speaker 1: off of disrespecting people. Now it's monetized. Disrespect is being monetized.

916
00:40:45,760 --> 00:40:50,239
Speaker 1: Death is being monetized. Violence is being monetized. So it's

917
00:40:50,320 --> 00:40:52,160
Speaker 1: kind of like everything is all over the place. It's

918
00:40:52,200 --> 00:40:54,920
Speaker 1: like you never know what to expect out of people's

919
00:40:54,920 --> 00:40:56,640
Speaker 1: mouth and what people will do for a check and

920
00:40:56,640 --> 00:40:57,759
Speaker 1: what they won't do for a check.

921
00:40:59,080 --> 00:41:01,920
Speaker 2: I mean, the audious answer is the Internet, because you

922
00:41:01,920 --> 00:41:07,440
Speaker 2: can disrespect somebody without immediate consequences or no consequences at all,

923
00:41:07,520 --> 00:41:10,200
Speaker 2: because you're saying it through a screen, and you may

924
00:41:10,239 --> 00:41:12,560
Speaker 2: not run into that person, whereas before, if you want

925
00:41:12,560 --> 00:41:15,279
Speaker 2: to disrespect someone, you would, I guess, would have to

926
00:41:15,280 --> 00:41:17,120
Speaker 2: talk behind their back, which is kind of weird, but

927
00:41:17,320 --> 00:41:19,360
Speaker 2: you'd have to say it while they were there, and

928
00:41:19,400 --> 00:41:23,239
Speaker 2: there's consequences. So people wouldn't disrespect the same way, or

929
00:41:23,239 --> 00:41:25,200
Speaker 2: they would think twice about what they were going to

930
00:41:25,239 --> 00:41:27,640
Speaker 2: say because they're right in front of you.

931
00:41:27,960 --> 00:41:30,200
Speaker 1: Yeah, and even now, you know, we've we've had some

932
00:41:30,239 --> 00:41:33,000
Speaker 1: things said about us on social media and on other

933
00:41:33,040 --> 00:41:35,600
Speaker 1: platforms that were disrespectful. But the one thing that I

934
00:41:35,640 --> 00:41:37,279
Speaker 1: noticed is, you know, when you when you run into

935
00:41:37,440 --> 00:41:40,720
Speaker 1: some of these guys that you know, have said crazy

936
00:41:40,719 --> 00:41:44,640
Speaker 1: shit towards you and a certain level of disrespect, it's like,

937
00:41:44,680 --> 00:41:46,799
Speaker 1: when you see them, it's not that. It's never that.

938
00:41:46,920 --> 00:41:49,040
Speaker 1: So it's like, you know that, So when I see.

939
00:41:48,840 --> 00:41:49,799
Speaker 2: That, it's never that.

940
00:41:49,920 --> 00:41:53,400
Speaker 1: Yeah, So when I see that, it's like, Okay, you're

941
00:41:53,440 --> 00:41:56,680
Speaker 1: playing you're you're playing this new game, and I'm not.

942
00:41:56,719 --> 00:41:59,799
Speaker 1: I didn't I didn't download that into my my system yet,

943
00:41:59,840 --> 00:42:01,560
Speaker 1: So I'm not you know, I can't run on that,

944
00:42:02,200 --> 00:42:04,959
Speaker 1: on that, on that, on that type of frequency because

945
00:42:04,960 --> 00:42:07,120
Speaker 1: I'm not I'm not playing that game. I'm not openly

946
00:42:07,160 --> 00:42:10,680
Speaker 1: disrespecting nobody just for some clicks or some views and

947
00:42:10,840 --> 00:42:13,880
Speaker 1: to make some money. Like I'm not doing that because again,

948
00:42:14,000 --> 00:42:16,840
Speaker 1: I know where disrespect can go. I've seen it become

949
00:42:17,080 --> 00:42:19,719
Speaker 1: really serious really quick. And then when you ask like damn,

950
00:42:19,760 --> 00:42:23,280
Speaker 1: but would happened, it's really wasn't It was never that serious,

951
00:42:23,320 --> 00:42:25,640
Speaker 1: And it's like, wait, so y'all let that shit get here.

952
00:42:26,160 --> 00:42:29,279
Speaker 1: And in this situation, I feel like, you know, I

953
00:42:29,400 --> 00:42:32,520
Speaker 1: recognize that, and I'm just like, you know, fortunately, I

954
00:42:32,560 --> 00:42:37,080
Speaker 1: think that the disrespect got to a serious place here. Yeah,

955
00:42:37,120 --> 00:42:38,640
Speaker 1: it's like, you know what I mean, it's unfortunate because

956
00:42:38,640 --> 00:42:40,880
Speaker 1: these are and all you know, it is what it is.

957
00:42:40,920 --> 00:42:42,640
Speaker 1: These are supposed to be the guys that we're looking

958
00:42:42,719 --> 00:42:45,440
Speaker 1: up to. Whack is Whack is older. You know what

959
00:42:45,440 --> 00:42:47,840
Speaker 1: I'm saying, He's a he's an OG and in his

960
00:42:48,040 --> 00:42:50,799
Speaker 1: right j Prince is a OG. And these are the

961
00:42:50,800 --> 00:42:54,360
Speaker 1: guys that we're supposed to be looking at for guidance,

962
00:42:54,400 --> 00:42:56,200
Speaker 1: for examples, for you know what I'm saying. And this

963
00:42:56,320 --> 00:43:00,799
Speaker 1: is like, you know, it's unfortunate when the OG's fall

964
00:43:00,840 --> 00:43:04,160
Speaker 1: into that uh circus or whatever, you know, I mean

965
00:43:04,200 --> 00:43:08,040
Speaker 1: in disrespect and the social media thing, and it's just

966
00:43:08,080 --> 00:43:10,399
Speaker 1: like you know, it was, and I understand the world

967
00:43:10,480 --> 00:43:12,840
Speaker 1: is different, so you know, people we fall victim to

968
00:43:12,880 --> 00:43:15,440
Speaker 1: a lot of these things. And I've fallen victim. I've

969
00:43:15,440 --> 00:43:17,359
Speaker 1: said things on social media that I was never saying.

970
00:43:17,800 --> 00:43:20,160
Speaker 2: I reacted to didn't need to react to it.

971
00:43:20,760 --> 00:43:23,360
Speaker 1: You know, it's human when you turn these cameras in

972
00:43:23,400 --> 00:43:26,760
Speaker 1: these mics on, you know, it's it's you know, it's

973
00:43:27,000 --> 00:43:30,040
Speaker 1: it's like it does something to you sometimes, like damn,

974
00:43:30,080 --> 00:43:32,640
Speaker 1: I forget that the cameras and the mics on, and

975
00:43:32,680 --> 00:43:34,040
Speaker 1: I say, it's in not a world can hear it,

976
00:43:34,040 --> 00:43:34,279
Speaker 1: and they.

977
00:43:34,239 --> 00:43:37,040
Speaker 2: Can't unhear it. But I think that you know, and

978
00:43:37,080 --> 00:43:40,160
Speaker 2: you're speaking to people that understand what you're saying, like

979
00:43:40,280 --> 00:43:44,440
Speaker 2: your tone and sarcasm or like just how you actually feel,

980
00:43:44,960 --> 00:43:46,959
Speaker 2: even if you say something like I know where as

981
00:43:46,960 --> 00:43:48,839
Speaker 2: hard as at with that, he's not really saying that.

982
00:43:49,120 --> 00:43:51,359
Speaker 2: But to everyone else that doesn't know you, so they

983
00:43:51,440 --> 00:43:55,640
Speaker 2: take it as they should literally, yeah, as the surface level, but.

984
00:43:55,800 --> 00:43:59,399
Speaker 1: It's it's and it's really it's really unfortunate because it's

985
00:43:59,440 --> 00:44:02,320
Speaker 1: like you can get on the phone with anybody, you

986
00:44:02,360 --> 00:44:04,200
Speaker 1: know what I mean, Like even if you had a disagreement,

987
00:44:05,000 --> 00:44:07,120
Speaker 1: which I'm sure that they tried to do with the

988
00:44:07,160 --> 00:44:09,680
Speaker 1: whole getting a release of the footage and the interview

989
00:44:09,719 --> 00:44:12,680
Speaker 1: and stuff like that. I'm sure that behind closed doors

990
00:44:12,719 --> 00:44:16,279
Speaker 1: things with communication was there. A lot of communication was open,

991
00:44:16,360 --> 00:44:19,759
Speaker 1: especially if you're talking managerial duties and yeah, we have

992
00:44:19,920 --> 00:44:22,200
Speaker 1: this footage you're trying to do something. Yeah, like so

993
00:44:22,200 --> 00:44:24,719
Speaker 1: I'm pretty sure those lines were open. So when things

994
00:44:24,719 --> 00:44:27,880
Speaker 1: get disrespectful on the social media platform, you know, it's

995
00:44:27,960 --> 00:44:30,120
Speaker 1: unfortunate because it's like, yo, you y'all could really talk

996
00:44:30,160 --> 00:44:33,040
Speaker 1: about this away from like we should not know anything

997
00:44:33,080 --> 00:44:36,520
Speaker 1: about this. We should not know the inside dealings of

998
00:44:36,880 --> 00:44:40,080
Speaker 1: what's going on, what's happening. Some things the public just

999
00:44:40,120 --> 00:44:42,359
Speaker 1: don't doesn't need to know. We don't need that much

1000
00:44:42,440 --> 00:44:46,160
Speaker 1: information on you know, business like that. We don't need that. Yeah.

1001
00:44:46,160 --> 00:44:49,880
Speaker 2: But when and I'm not even saying whack specifically, but

1002
00:44:50,000 --> 00:44:52,000
Speaker 2: just just since we're talking about the Internet in general,

1003
00:44:53,160 --> 00:44:58,160
Speaker 2: when kind of your whole stick on the Internet is

1004
00:44:58,560 --> 00:45:01,480
Speaker 2: conflicts with people in back and force with people, and

1005
00:45:01,520 --> 00:45:03,800
Speaker 2: that becomes what you're known for and what people on

1006
00:45:03,840 --> 00:45:06,480
Speaker 2: the internet want from you. It becomes a cycle you

1007
00:45:06,520 --> 00:45:09,040
Speaker 2: can't stop so at some point you're starting to look

1008
00:45:09,080 --> 00:45:12,400
Speaker 2: for people to have these Internet arguments with because it's

1009
00:45:13,080 --> 00:45:16,520
Speaker 2: what works for your platform and what people only care

1010
00:45:16,520 --> 00:45:20,400
Speaker 2: about when it's in regards to you. So even like

1011
00:45:20,719 --> 00:45:23,200
Speaker 2: we can use the Wack case for example, maybe it

1012
00:45:23,239 --> 00:45:26,120
Speaker 2: could have been just solved in court, but it can

1013
00:45:26,160 --> 00:45:28,960
Speaker 2: also be an opportunity to have another back and forth,

1014
00:45:29,520 --> 00:45:31,600
Speaker 2: to have another thing on the Internet, to keep this

1015
00:45:31,680 --> 00:45:34,239
Speaker 2: cycle going, because I mean, I know Wac is known

1016
00:45:34,239 --> 00:45:36,960
Speaker 2: for a lot of other stuff and is an actual businessman,

1017
00:45:37,200 --> 00:45:40,560
Speaker 2: and the internet clubhouse shit is not his He's not

1018
00:45:40,600 --> 00:45:41,120
Speaker 2: a YouTuber.

1019
00:45:41,280 --> 00:45:43,000
Speaker 1: Yeah, that's not his only source of income.

1020
00:45:43,080 --> 00:45:45,560
Speaker 2: But as far as Wax's name, and I'm not saying

1021
00:45:45,560 --> 00:45:47,879
Speaker 2: he's doing this intentionally, but as far as Wax's name

1022
00:45:48,040 --> 00:45:52,480
Speaker 2: being so popular the last year, it's based off things

1023
00:45:52,520 --> 00:45:54,239
Speaker 2: he said about people and back and forth that he's

1024
00:45:54,440 --> 00:45:59,680
Speaker 2: had with people. And I see it with countless other

1025
00:45:59,680 --> 00:46:03,880
Speaker 2: platforms that once you realize you don't particularly have a

1026
00:46:04,480 --> 00:46:09,680
Speaker 2: talent and what is clicking is you talking and fake

1027
00:46:09,760 --> 00:46:12,640
Speaker 2: beefing with other people, you just have to keep finding

1028
00:46:12,680 --> 00:46:16,400
Speaker 2: fucking fake enemies or like some type of back and

1029
00:46:16,440 --> 00:46:18,799
Speaker 2: forth and pray that they respond so you can keep

1030
00:46:18,840 --> 00:46:22,440
Speaker 2: this platform going. And that's that's just where where we're

1031
00:46:22,480 --> 00:46:23,080
Speaker 2: at with ship.

1032
00:46:23,440 --> 00:46:26,200
Speaker 1: Yeah, but that's a that's a I don't see the

1033
00:46:27,800 --> 00:46:31,120
Speaker 1: I don't see the you know, the long the long

1034
00:46:31,200 --> 00:46:34,000
Speaker 1: game in that though, because like I said, you you

1035
00:46:34,040 --> 00:46:36,520
Speaker 1: disrespect certain people and things go a certain way, then

1036
00:46:36,520 --> 00:46:38,359
Speaker 1: it's like you know.

1037
00:46:38,600 --> 00:46:40,919
Speaker 2: What I mean, it's it's it's the six nine FORMU though,

1038
00:46:41,719 --> 00:46:42,920
Speaker 2: I mean six not. I want to say he's the

1039
00:46:42,920 --> 00:46:46,040
Speaker 2: first one to do it, but he's he's he's we've

1040
00:46:46,120 --> 00:46:49,840
Speaker 2: seen that people have adopted his strategy and staying popular.

1041
00:46:50,000 --> 00:46:53,000
Speaker 1: Yeah. But but even that, it wasn't that wasn't a long.

1042
00:46:52,760 --> 00:46:54,879
Speaker 2: Game thoughing that that was a I'm not saying it's

1043
00:46:54,880 --> 00:46:55,160
Speaker 2: a lot.

1044
00:46:55,400 --> 00:46:56,759
Speaker 1: Yeah, So if you're gonna, if you're gonna, if you're

1045
00:46:56,800 --> 00:46:58,399
Speaker 1: gonna look at that and say, oh hey I can

1046
00:46:58,440 --> 00:47:00,759
Speaker 1: do this and make them. Yeah, but where's the long

1047
00:47:01,000 --> 00:47:03,040
Speaker 1: Like how long was that? How long did that last? Though?

1048
00:47:03,480 --> 00:47:06,800
Speaker 2: Well, I mean he obviously had a criminal activity attached

1049
00:47:06,840 --> 00:47:09,760
Speaker 2: to it. But some with these YouTubers in their basement,

1050
00:47:10,880 --> 00:47:12,640
Speaker 2: there might be a long game if they can continue

1051
00:47:12,680 --> 00:47:15,360
Speaker 2: to find other people to just go back and forth with.

1052
00:47:16,320 --> 00:47:17,840
Speaker 1: Yeah, I mean back and forth is one thing we

1053
00:47:17,880 --> 00:47:19,399
Speaker 1: can go back and football day, we can have our

1054
00:47:19,440 --> 00:47:21,759
Speaker 1: debates and we cannot. But when you now, when it's

1055
00:47:21,800 --> 00:47:26,040
Speaker 1: at a disrespectful frequency and it's like okay, you're saying

1056
00:47:26,160 --> 00:47:28,560
Speaker 1: things and you know it's it's it's like, all right now,

1057
00:47:28,600 --> 00:47:31,120
Speaker 1: the disrespect is at an all time high. And you know,

1058
00:47:31,160 --> 00:47:34,920
Speaker 1: in our culture, unfortunately, we know where disrespect leads. You know,

1059
00:47:34,920 --> 00:47:38,840
Speaker 1: it leads to more personal things, more real things, real life.

1060
00:47:39,080 --> 00:47:41,080
Speaker 2: Well, a lot of people think because they've they've had

1061
00:47:41,120 --> 00:47:44,879
Speaker 2: longevity in that and nothing has happened, that it is

1062
00:47:44,960 --> 00:47:48,640
Speaker 2: just for play play, But eventually that's not going to

1063
00:47:48,719 --> 00:47:51,640
Speaker 2: be the case. If you continue with that type of energy,

1064
00:47:52,239 --> 00:47:55,960
Speaker 2: especially with specific people and with playing the long game,

1065
00:47:56,000 --> 00:47:58,040
Speaker 2: you have to get more disrespectful. That's why you're saying,

1066
00:47:58,040 --> 00:48:00,600
Speaker 2: Like on the internet now people can say whatever, and

1067
00:48:00,600 --> 00:48:03,279
Speaker 2: it's getting insane because they have to keep one uping

1068
00:48:03,320 --> 00:48:06,120
Speaker 2: their last back and forth, like it has to be

1069
00:48:06,120 --> 00:48:08,040
Speaker 2: more aggressive. Now, it has to be sucked my dick.

1070
00:48:08,080 --> 00:48:09,880
Speaker 2: It has to be I fucking kill you, even though

1071
00:48:09,880 --> 00:48:12,600
Speaker 2: I don't leave my house, like it has to go

1072
00:48:12,680 --> 00:48:14,359
Speaker 2: because you have to one up your last one. That's

1073
00:48:14,360 --> 00:48:16,960
Speaker 2: their longevity. Have to get more and more disrespectful.

1074
00:48:17,080 --> 00:48:21,279
Speaker 1: I've been I've been disrespected by old friends, I've been

1075
00:48:21,280 --> 00:48:28,640
Speaker 1: disrespected by family. Eden, Eden has disrespected me. You keep

1076
00:48:28,640 --> 00:48:31,759
Speaker 1: showing up every week. Nine weeks ago, you show up.

1077
00:48:31,719 --> 00:48:35,440
Speaker 2: Every week Stanley in the office, which everyone got fired

1078
00:48:35,480 --> 00:48:36,520
Speaker 2: and kept good work.

1079
00:48:36,719 --> 00:48:40,120
Speaker 1: But you know, for me, I just you know, because

1080
00:48:40,200 --> 00:48:43,920
Speaker 1: I'm I just And like you said, the soft spoken

1081
00:48:43,960 --> 00:48:47,399
Speaker 1: ones man is the ones because I am the way

1082
00:48:47,440 --> 00:48:50,760
Speaker 1: I am because there's a small part of my brain

1083
00:48:51,719 --> 00:48:56,560
Speaker 1: where I'm very stupid, and I'm very i will throw

1084
00:48:56,640 --> 00:48:59,719
Speaker 1: everything away in twenty seconds.

1085
00:49:00,640 --> 00:49:04,000
Speaker 2: So you have a small port. I have a larger

1086
00:49:04,080 --> 00:49:06,120
Speaker 2: portion of that. I'm stupid.

1087
00:49:06,200 --> 00:49:09,279
Speaker 1: It shrinks as you get older, shrinks. When I was young,

1088
00:49:09,280 --> 00:49:11,960
Speaker 1: it's definitely it was a lot larger. Now it's like,

1089
00:49:12,840 --> 00:49:14,920
Speaker 1: you know, and I'm grateful and I hate it, but

1090
00:49:14,920 --> 00:49:18,719
Speaker 1: I'm grateful to have friends that are incarcerated to tell me,

1091
00:49:18,760 --> 00:49:20,760
Speaker 1: you know, don't let nobody trick you out your spot.

1092
00:49:21,840 --> 00:49:24,800
Speaker 1: Stay doing what you're doing. You know, people disrespect you,

1093
00:49:25,080 --> 00:49:27,000
Speaker 1: laugh at it, keep it moving as long as nobody

1094
00:49:27,000 --> 00:49:28,480
Speaker 1: don't put no hand, let them say what they want

1095
00:49:28,520 --> 00:49:28,799
Speaker 1: to say.

1096
00:49:29,160 --> 00:49:31,360
Speaker 2: Yeah, And also that because I was talking to another

1097
00:49:31,760 --> 00:49:35,160
Speaker 2: podcaster because she was having an issue with some of

1098
00:49:35,200 --> 00:49:37,600
Speaker 2: like the blatant disrespectful things that were being said about

1099
00:49:37,640 --> 00:49:40,640
Speaker 2: her from other media platforms. And she's like, this is

1100
00:49:40,680 --> 00:49:43,239
Speaker 2: like this is no more this podcast back and forth.

1101
00:49:43,280 --> 00:49:45,600
Speaker 2: This is like really disrespectful type of shit that this

1102
00:49:45,600 --> 00:49:48,640
Speaker 2: person is saying. And then of course, like all their

1103
00:49:48,680 --> 00:49:50,719
Speaker 2: minions go in the mentions and all that. And I

1104
00:49:50,760 --> 00:49:54,080
Speaker 2: said to her, I said, when you go outside, as

1105
00:49:54,200 --> 00:49:57,560
Speaker 2: one one out of these ten thousand things ever been

1106
00:49:57,600 --> 00:50:00,200
Speaker 2: said to your face? She said no, I said, what

1107
00:50:00,239 --> 00:50:03,480
Speaker 2: happens when you go outside? Nothing but love yo, love

1108
00:50:03,520 --> 00:50:09,120
Speaker 2: the podcast, Love you of inspirational. Calm down, you'll be fine. Listen,

1109
00:50:09,440 --> 00:50:12,360
Speaker 2: refresh my mentions. It's it's terrible things said about me,

1110
00:50:12,440 --> 00:50:15,080
Speaker 2: awful things that there's been. People lied lied on me

1111
00:50:15,160 --> 00:50:17,959
Speaker 2: on the internet, fucking said ship way over the line,

1112
00:50:18,040 --> 00:50:22,920
Speaker 2: got fucking family. Anytime I've ever gone outside, not one

1113
00:50:23,320 --> 00:50:26,600
Speaker 2: single person has ever said any of the negative ship

1114
00:50:27,080 --> 00:50:28,640
Speaker 2: that I read on the internet about myself.

1115
00:50:28,640 --> 00:50:31,960
Speaker 1: And it's a very it's a very small window and

1116
00:50:32,040 --> 00:50:35,360
Speaker 1: percentage of that online of disrespect. It's not but you know,

1117
00:50:35,400 --> 00:50:37,680
Speaker 1: it's certain things that certain people sat jokes off, like

1118
00:50:38,480 --> 00:50:42,240
Speaker 1: I welcome, I'm not I'm not I'm not. My ego

1119
00:50:42,360 --> 00:50:44,680
Speaker 1: is not like that. You can you can say whatever

1120
00:50:44,719 --> 00:50:46,279
Speaker 1: you want online. I don't, you know, I don't. I

1121
00:50:46,320 --> 00:50:48,719
Speaker 1: don't give a fuck about that, but you know when

1122
00:50:48,719 --> 00:50:53,120
Speaker 1: it comes from certain people, and you know, it's like

1123
00:50:53,719 --> 00:50:55,319
Speaker 1: you know, you know me a little better than that,

1124
00:50:56,120 --> 00:50:59,320
Speaker 1: and it's like, you know, you can't play a certain

1125
00:50:59,360 --> 00:51:02,080
Speaker 1: game with me, but because if and when I do

1126
00:51:02,200 --> 00:51:06,600
Speaker 1: decide to play that same game, you know, you might

1127
00:51:06,640 --> 00:51:08,520
Speaker 1: find out that you're not equiped to play that game.

1128
00:51:09,040 --> 00:51:13,480
Speaker 2: Well that and I think people do take advantage, which

1129
00:51:13,520 --> 00:51:16,440
Speaker 2: I think we've discussed. I think people specifically on the

1130
00:51:16,440 --> 00:51:21,200
Speaker 2: Internet on platforms take advantage of knowing that person's not

1131
00:51:21,239 --> 00:51:24,239
Speaker 2: going to reply, so what they they can say any

1132
00:51:24,280 --> 00:51:27,359
Speaker 2: lie they want because they know that person's not going

1133
00:51:27,400 --> 00:51:30,680
Speaker 2: to reply to you, because they just view you as

1134
00:51:30,680 --> 00:51:33,759
Speaker 2: a fucking minion. So they can get all their shit

1135
00:51:33,840 --> 00:51:38,160
Speaker 2: off and take advantage. And you know, a lie not

1136
00:51:38,280 --> 00:51:41,239
Speaker 2: challenge sometimes becomes the truth. So they can literally say

1137
00:51:41,280 --> 00:51:44,880
Speaker 2: anything and it's like you're not gonna reply, so it

1138
00:51:44,880 --> 00:51:46,399
Speaker 2: can look like, oh, it must be true because they're

1139
00:51:46,400 --> 00:51:48,960
Speaker 2: not saying nothing. It's like I just don't reply to

1140
00:51:49,080 --> 00:51:49,600
Speaker 2: that person.

1141
00:51:50,520 --> 00:51:55,799
Speaker 1: Yeah, and it takes it takes a lot of maturity

1142
00:51:55,960 --> 00:51:59,279
Speaker 1: to you know, see the disrespect here, the disrespect and

1143
00:51:59,320 --> 00:52:02,080
Speaker 1: not respond to it, because like you said, is this

1144
00:52:02,200 --> 00:52:06,160
Speaker 1: gonna matter in ten minutes? No? You know what I'm saying,

1145
00:52:06,200 --> 00:52:08,560
Speaker 1: like it's any of this going. Is the disrespect coming

1146
00:52:08,560 --> 00:52:10,160
Speaker 1: from this person gonna matter in ten minutes? Is it

1147
00:52:10,239 --> 00:52:12,920
Speaker 1: gonna matter in five minutes? No? So it's like you

1148
00:52:12,960 --> 00:52:17,080
Speaker 1: can't react to everything. But I do understand in you

1149
00:52:17,120 --> 00:52:20,719
Speaker 1: know J Prince's case where you know he's he's at

1150
00:52:20,760 --> 00:52:22,759
Speaker 1: a point where you know, he's just like listen, you know,

1151
00:52:22,840 --> 00:52:25,680
Speaker 1: I I walk with respect. I demand respect because I

1152
00:52:25,680 --> 00:52:29,400
Speaker 1: respect others, and you know when you're you're disrespecting me,

1153
00:52:31,160 --> 00:52:32,920
Speaker 1: you know, now it's in. It's in. It's up to

1154
00:52:32,960 --> 00:52:34,799
Speaker 1: me on how I want to respond and how I

1155
00:52:34,840 --> 00:52:37,160
Speaker 1: want to handle that disrespect and how I want to

1156
00:52:37,200 --> 00:52:40,200
Speaker 1: meet that disrespect. So you know, I just again, I

1157
00:52:40,600 --> 00:52:42,799
Speaker 1: just I just hope and wish that you know, these

1158
00:52:42,920 --> 00:52:47,200
Speaker 1: this thing doesn't turn into something else between uh him

1159
00:52:47,200 --> 00:52:51,480
Speaker 1: and whack, because again, these are these are our older,

1160
00:52:51,640 --> 00:52:54,640
Speaker 1: older you know, people to look up to. Man, we

1161
00:52:54,680 --> 00:52:56,480
Speaker 1: needed we need these, We needed them to be the

1162
00:52:56,520 --> 00:53:00,160
Speaker 1: example of how we handle conflict and how we handle know,

1163
00:53:00,840 --> 00:53:03,920
Speaker 1: business and disrespect and everything doesn't have to turn violent,

1164
00:53:03,960 --> 00:53:07,440
Speaker 1: everything doesn't have to turn into something that is unfortunate,

1165
00:53:07,480 --> 00:53:09,360
Speaker 1: you know what I mean. Like it's like, Okay, we

1166
00:53:09,520 --> 00:53:13,200
Speaker 1: understand that disrespect has been put on the table, but like,

1167
00:53:13,520 --> 00:53:15,920
Speaker 1: let's get an example of how we handle that without

1168
00:53:15,920 --> 00:53:19,120
Speaker 1: it turning into something else. Yeah, and again that's just

1169
00:53:19,120 --> 00:53:22,600
Speaker 1: me talking because again you've seen you know again, you know,

1170
00:53:22,640 --> 00:53:25,920
Speaker 1: we're losing so many people to know, whether it's violence,

1171
00:53:25,960 --> 00:53:29,240
Speaker 1: whether it's just jail time, whether it's you know, whatever

1172
00:53:29,280 --> 00:53:31,360
Speaker 1: it is. It's just like, you know, I want to

1173
00:53:31,400 --> 00:53:34,640
Speaker 1: see something different. I want to see a different side

1174
00:53:34,680 --> 00:53:37,120
Speaker 1: of how the culture can be like, oh yeah, we

1175
00:53:37,400 --> 00:53:40,040
Speaker 1: disrespectful and we've seen it. We've seen artists disrespect each

1176
00:53:40,040 --> 00:53:43,080
Speaker 1: other who are now great friends, have done business together.

1177
00:53:43,160 --> 00:53:46,040
Speaker 1: Like we've seen examples of it where things have been

1178
00:53:46,160 --> 00:53:50,000
Speaker 1: very disrespectful, and you know, fortunately it didn't turn into

1179
00:53:50,040 --> 00:53:52,120
Speaker 1: something that was crazy. It was like, Okay, it was

1180
00:53:52,120 --> 00:53:54,960
Speaker 1: a conversation. These these gentlemen, you know, they recognize what

1181
00:53:55,000 --> 00:53:57,120
Speaker 1: they both were wrong at things that they said that

1182
00:53:57,200 --> 00:53:59,520
Speaker 1: was wrong, and they're mature enough and they're in the

1183
00:53:59,560 --> 00:54:01,879
Speaker 1: space now they can sit and talk about it and

1184
00:54:02,320 --> 00:54:04,680
Speaker 1: be like, Yo, you know what, that was stupid? You

1185
00:54:04,680 --> 00:54:07,120
Speaker 1: know what I mean? That was whatever? Like that's past us,

1186
00:54:07,120 --> 00:54:09,279
Speaker 1: that's behind us. Let's move forward. And I just hope

1187
00:54:09,280 --> 00:54:11,040
Speaker 1: that this situation is one of those situations.

1188
00:54:11,280 --> 00:54:19,040
Speaker 2: I'm with you. Listen, man, they're about to go fucking

1189
00:54:19,400 --> 00:54:26,440
Speaker 2: crazy with bitcoin, and Marci Marcio style is gonna go

1190
00:54:26,520 --> 00:54:27,560
Speaker 2: fucking nuts with.

1191
00:54:27,520 --> 00:54:33,319
Speaker 1: The bit while you say that, uh.

1192
00:54:33,000 --> 00:54:36,399
Speaker 2: Jack and Jack and Jay or I think maybe it's

1193
00:54:36,400 --> 00:54:40,720
Speaker 2: just Jack from Twitter. I think started like a bitcoin

1194
00:54:40,800 --> 00:54:44,799
Speaker 2: school in Marci. Oh really, which I think is really dope.

1195
00:54:45,120 --> 00:54:49,160
Speaker 2: But that doesn't mean we can't joke about how much

1196
00:54:49,200 --> 00:54:51,600
Speaker 2: hand to hand bitcoin is gonna happen in the projects.

1197
00:54:52,320 --> 00:54:54,160
Speaker 1: Oh, it's definitely the scammers, is they you know, they

1198
00:54:54,200 --> 00:54:56,200
Speaker 1: study and as we speak, they're gonna find a way.

1199
00:54:57,000 --> 00:54:57,600
Speaker 1: You think they not?

1200
00:54:58,560 --> 00:55:00,000
Speaker 2: And I think it's very important. But you know, like

1201
00:55:00,080 --> 00:55:05,360
Speaker 2: when criminals go to jail become like better criminals. I

1202
00:55:05,400 --> 00:55:08,640
Speaker 2: feel like putting bitcoin in the projects might just take

1203
00:55:08,680 --> 00:55:10,760
Speaker 2: the scammers to like Bowser level.

1204
00:55:11,960 --> 00:55:14,000
Speaker 1: Yeah, because now now you scam that will be.

1205
00:55:13,960 --> 00:55:16,520
Speaker 2: The final boss of scammers investing.

1206
00:55:16,840 --> 00:55:19,600
Speaker 1: I'm sorry. Anything that has to do with computers. The hackers,

1207
00:55:19,640 --> 00:55:21,759
Speaker 1: you know, they rule the world, so they're gonna find

1208
00:55:21,760 --> 00:55:25,600
Speaker 1: a way to hack something. The scammers are the number

1209
00:55:25,600 --> 00:55:29,040
Speaker 1: one direct to consumers that we have. In direct to consumers,

1210
00:55:29,280 --> 00:55:30,880
Speaker 1: the scammer is the most directed consumer.

1211
00:55:31,000 --> 00:55:32,799
Speaker 2: They take from the consumer and then leave us with

1212
00:55:32,840 --> 00:55:33,120
Speaker 2: the bill.

1213
00:55:33,440 --> 00:55:36,120
Speaker 1: Well, they take from some consumers, but they also sell

1214
00:55:36,160 --> 00:55:36,840
Speaker 1: back to the consumer.

1215
00:55:37,120 --> 00:55:38,680
Speaker 2: No, there's some robinhood in uh.

1216
00:55:38,640 --> 00:55:41,040
Speaker 1: Yeah, in the monor amongst thieves.

1217
00:55:41,040 --> 00:55:41,960
Speaker 2: You know that for sure.

1218
00:55:42,680 --> 00:55:43,640
Speaker 1: You guys have any crypto?

1219
00:55:44,320 --> 00:55:44,840
Speaker 2: No, I don't know.

1220
00:55:44,960 --> 00:55:47,680
Speaker 1: We were supposed to have some, but well that's a

1221
00:55:47,680 --> 00:55:48,960
Speaker 1: whole another story.

1222
00:55:50,320 --> 00:55:55,839
Speaker 2: Yeah, it was very it was very cryptic and uh

1223
00:55:55,960 --> 00:55:59,960
Speaker 2: but yeah, so I'll read just so people know exact what'salkingo.

1224
00:56:00,160 --> 00:56:03,920
Speaker 2: Jay Z launches Bitcoin Academy initiative for Marsie Projects residents

1225
00:56:03,920 --> 00:56:07,920
Speaker 2: with Jack Dorsey. Many people believe that cryptocurrency holds a

1226
00:56:07,960 --> 00:56:10,800
Speaker 2: best amount of power in the future financial freedom. Celebrities

1227
00:56:10,840 --> 00:56:13,839
Speaker 2: have teamed up with bitcoin. Let's get to the real shit,

1228
00:56:14,920 --> 00:56:16,560
Speaker 2: because this is just talking about crypto.

1229
00:56:17,719 --> 00:56:17,799
Speaker 4: Uh.

1230
00:56:17,960 --> 00:56:19,840
Speaker 2: The business partners are teaming up to help fund the

1231
00:56:19,880 --> 00:56:23,080
Speaker 2: Bitcoin Academy and initiative offered to the residents of Brooklyn

1232
00:56:23,600 --> 00:56:26,319
Speaker 2: Marcy Houses where I grew up. Seaun Carter foundation has

1233
00:56:26,360 --> 00:56:29,600
Speaker 2: always been about providing educational access and opening doors of

1234
00:56:29,600 --> 00:56:36,399
Speaker 2: opportunity to undeserved undeserved communities. Underserved, they wrote undeserved vibe,

1235
00:56:36,440 --> 00:56:39,480
Speaker 2: y'all should check this car because now over saying, Oh,

1236
00:56:39,760 --> 00:56:46,640
Speaker 2: Marcy don't deserve shit opening doors underserved s e r V. Well,

1237
00:56:46,680 --> 00:56:48,719
Speaker 2: I'm stupid. I need to be in this academy.

1238
00:56:49,400 --> 00:56:52,680
Speaker 1: We'll sign you up normally. Where is reading I know

1239
00:56:52,800 --> 00:56:56,600
Speaker 1: about underdeserved? About to say, uh, no underserved?

1240
00:56:57,200 --> 00:56:57,319
Speaker 4: Uh?

1241
00:56:57,360 --> 00:56:59,719
Speaker 2: State of Gloria Carter, Yeah, Gloria would never say that

1242
00:57:00,680 --> 00:57:02,439
Speaker 2: no one should be left out or behind. We truly

1243
00:57:02,440 --> 00:57:05,680
Speaker 2: appreciate the partnership with Block and Jack Dorsey to bring

1244
00:57:05,719 --> 00:57:09,360
Speaker 2: financial specifically bitcoin education to the Marcie residents, where I

1245
00:57:09,400 --> 00:57:13,240
Speaker 2: spent many years raising my family. Everyone should be empowered

1246
00:57:13,239 --> 00:57:16,240
Speaker 2: to make informed financial decisions in order to take care

1247
00:57:16,280 --> 00:57:17,320
Speaker 2: of themselves and their families.

1248
00:57:17,320 --> 00:57:17,640
Speaker 1: I agree.

1249
00:57:17,640 --> 00:57:18,480
Speaker 2: I think that's amazing.

1250
00:57:20,960 --> 00:57:21,919
Speaker 1: Salute to j Man.

1251
00:57:22,600 --> 00:57:29,200
Speaker 2: I just I'm curious to see how some people take

1252
00:57:29,240 --> 00:57:29,880
Speaker 2: that academy.

1253
00:57:31,040 --> 00:57:34,000
Speaker 1: Yeah, we need to see how what it's about, what work,

1254
00:57:35,400 --> 00:57:37,840
Speaker 1: and then the benefits of it. But either way, it's

1255
00:57:38,320 --> 00:57:40,760
Speaker 1: obviously going to be a place where people can go

1256
00:57:40,800 --> 00:57:44,880
Speaker 1: and get information about the new way of currency in

1257
00:57:44,880 --> 00:57:48,240
Speaker 1: the world. So it's not a bad thing. I think

1258
00:57:48,280 --> 00:57:51,000
Speaker 1: that it's information that will be put directly in the

1259
00:57:51,000 --> 00:57:54,600
Speaker 1: middle of the community where people need it. So in

1260
00:57:54,640 --> 00:57:58,200
Speaker 1: that case alone, if we don't know yet what's going

1261
00:57:58,240 --> 00:58:00,360
Speaker 1: to come out of it and how it will help people,

1262
00:58:00,360 --> 00:58:03,160
Speaker 1: we do know that it's a positive thing for the community.

1263
00:58:03,280 --> 00:58:04,680
Speaker 2: I mean, I just I would like to see Bleak

1264
00:58:04,840 --> 00:58:07,760
Speaker 2: just like bring Jack through through the Jacks where he

1265
00:58:07,840 --> 00:58:10,080
Speaker 2: used to get the haze from.

1266
00:58:10,680 --> 00:58:13,320
Speaker 1: Just see Jack show Jack how to roll up, Like

1267
00:58:13,440 --> 00:58:15,000
Speaker 1: that's what That's what I want to see Jack.

1268
00:58:15,160 --> 00:58:18,000
Speaker 2: Judging by Jack's beard and haircut, I think I think

1269
00:58:18,000 --> 00:58:19,240
Speaker 2: he probably can roll better than Bleak.

1270
00:58:20,480 --> 00:58:22,680
Speaker 1: He knows how to roll a joint a blunt maybe

1271
00:58:22,800 --> 00:58:24,320
Speaker 1: know if Jack, I don't know if he knows how

1272
00:58:24,320 --> 00:58:25,320
Speaker 1: to roll a blunt.

1273
00:58:25,760 --> 00:58:28,280
Speaker 2: Yeah, but he probably a joint. Yes, I could see

1274
00:58:28,360 --> 00:58:30,840
Speaker 2: Jack having some organic backwoods Jack.

1275
00:58:31,320 --> 00:58:31,920
Speaker 1: He looks like that.

1276
00:58:31,960 --> 00:58:34,560
Speaker 2: He actually gets in the backwoods like a bonga.

1277
00:58:34,640 --> 00:58:35,040
Speaker 1: He's a boon.

1278
00:58:35,160 --> 00:58:36,240
Speaker 2: Oh, he's definitely a bunk.

1279
00:58:36,320 --> 00:58:36,760
Speaker 1: He's a bomb.

1280
00:58:36,880 --> 00:58:39,640
Speaker 3: Blunts are easier to roll than joints, though, Is that

1281
00:58:39,760 --> 00:58:40,000
Speaker 3: just me?

1282
00:58:40,640 --> 00:58:44,000
Speaker 1: That's just you who's blunts? Have you from the inner cities.

1283
00:58:44,280 --> 00:58:46,320
Speaker 1: You grew up. You can roll a blunt fried chicken

1284
00:58:46,360 --> 00:58:50,000
Speaker 1: and babysit at the same time, and Jack a talented,

1285
00:58:50,320 --> 00:58:54,680
Speaker 1: talented black queen. Okay, you sell dope, braid head and

1286
00:58:55,160 --> 00:58:55,960
Speaker 1: on the same porch.

1287
00:58:57,320 --> 00:58:59,959
Speaker 2: Look at the result of Jack Harlow empowering black women.

1288
00:59:00,080 --> 00:59:03,920
Speaker 2: Now mall is behind black women, because.

1289
00:59:03,600 --> 00:59:05,280
Speaker 1: Well, I've been behind black women a lot.

1290
00:59:05,560 --> 00:59:09,520
Speaker 2: He saw Jack. The Jacks with crypto Jackson been going crazy.

1291
00:59:09,720 --> 00:59:10,800
Speaker 1: The Jacks are going crazy.

1292
00:59:10,880 --> 00:59:13,560
Speaker 3: The jack Jacks are all trades, the trades of Jack.

1293
00:59:15,640 --> 00:59:17,120
Speaker 3: Don't let me set it up, baby.

1294
00:59:17,400 --> 00:59:20,360
Speaker 1: I'm so glad you never pursued your musical career. You

1295
00:59:20,440 --> 00:59:21,520
Speaker 1: still have a mic in front of you.

1296
00:59:21,640 --> 00:59:24,200
Speaker 3: When I called you and Rory out to do y'all battle,

1297
00:59:24,320 --> 00:59:26,360
Speaker 3: you puss it up. So don't. At least I put

1298
00:59:26,360 --> 00:59:27,600
Speaker 3: my ship out into the world and I.

1299
00:59:27,520 --> 00:59:29,040
Speaker 2: Can put it on the calendar so I know when

1300
00:59:29,040 --> 00:59:29,640
Speaker 2: to start writing.

1301
00:59:29,920 --> 00:59:34,240
Speaker 1: I'm not a rapper, so you're way more advanced at

1302
00:59:34,240 --> 00:59:37,400
Speaker 1: writing rhymes than I am will ever be. I tried

1303
00:59:37,440 --> 00:59:40,160
Speaker 1: one time I read that ship back to myself, I said, manuck.

1304
00:59:40,040 --> 00:59:40,880
Speaker 2: Put it on the calendar.

1305
00:59:41,120 --> 00:59:43,240
Speaker 5: I think you were probably being too hard on yourself

1306
00:59:43,280 --> 00:59:44,240
Speaker 5: because of who.

1307
00:59:45,000 --> 00:59:48,880
Speaker 1: No, it was trash. It was trash. It was trash.

1308
00:59:49,080 --> 00:59:51,000
Speaker 1: Like I read it and I was like, in my

1309
00:59:51,080 --> 00:59:53,200
Speaker 1: head it sounded so much better, but seeing it on paper,

1310
00:59:53,200 --> 00:59:53,720
Speaker 1: it was just like.

1311
00:59:54,320 --> 00:59:59,160
Speaker 2: Could definitely see young Maul writing your Sauce Sauce money.

1312
00:59:59,160 --> 01:00:02,360
Speaker 1: When you think of this rhyme, I wish I wish

1313
01:00:02,400 --> 01:00:04,640
Speaker 1: I could call Sauce and ask him y'all listen, Huh.

1314
01:00:04,960 --> 01:00:06,760
Speaker 1: I might have been really nice. I might have been dope.

1315
01:00:07,160 --> 01:00:08,040
Speaker 2: He could have go through for you.

1316
01:00:08,080 --> 01:00:09,480
Speaker 1: I had the stories I had that I was in

1317
01:00:09,480 --> 01:00:11,200
Speaker 1: the environment, so I knew I had the inspiration to

1318
01:00:11,280 --> 01:00:14,560
Speaker 1: draw from. It just was like, oh, he was.

1319
01:00:14,560 --> 01:00:17,800
Speaker 2: What the rappers wrapped about, right, They was wrapping your lifestyle.

1320
01:00:17,880 --> 01:00:21,080
Speaker 1: No, not my lifestyle, but they were definitely wasn't my lifestyle.

1321
01:00:21,320 --> 01:00:23,160
Speaker 1: But no, it was just I don't know, I think

1322
01:00:23,160 --> 01:00:28,400
Speaker 1: that I was. It's weird because I understand like in

1323
01:00:28,560 --> 01:00:32,160
Speaker 1: seeing like how Jay records, he doesn't write, He just

1324
01:00:32,160 --> 01:00:34,120
Speaker 1: like mumbles it hisself and then goes over. I think

1325
01:00:34,120 --> 01:00:36,800
Speaker 1: I'm the same way. I think my I think I

1326
01:00:36,800 --> 01:00:39,960
Speaker 1: don't write fast enough for my thoughts. So it's like

1327
01:00:39,960 --> 01:00:41,600
Speaker 1: when I was writing, it's like, damn, what I was

1328
01:00:41,640 --> 01:00:44,960
Speaker 1: just thinking? About and I'll get lost and I'm like

1329
01:00:45,720 --> 01:00:47,520
Speaker 1: that ship ain't going and then I'll just lose it

1330
01:00:47,560 --> 01:00:49,120
Speaker 1: and I get discouraged and I want to write, and

1331
01:00:49,160 --> 01:00:51,440
Speaker 1: it's like fuck that round, Like but I know how

1332
01:00:51,440 --> 01:00:54,000
Speaker 1: to make words rhyme. It just was like, what is

1333
01:00:54,040 --> 01:00:55,840
Speaker 1: the pick? What am I paint? What am I really?

1334
01:00:56,280 --> 01:00:57,720
Speaker 1: It has to be it has to come together. It

1335
01:00:57,760 --> 01:01:01,600
Speaker 1: can't just be rhyming words fucking and had rhyms. Yeah right,

1336
01:01:01,640 --> 01:01:03,080
Speaker 1: you can't say that on a mic on a beat.

1337
01:01:03,080 --> 01:01:04,320
Speaker 1: That's what is he talking?

1338
01:01:04,360 --> 01:01:04,400
Speaker 5: Like?

1339
01:01:04,480 --> 01:01:08,680
Speaker 2: You wasn't painting Fordham Road? Not really wasn't Payton. I

1340
01:01:08,680 --> 01:01:10,520
Speaker 2: didn't feel like I was on Fordham when he was rapping.

1341
01:01:10,560 --> 01:01:12,800
Speaker 1: Yeah, like like that's that's what I was trying to do.

1342
01:01:12,840 --> 01:01:15,080
Speaker 1: I was trying to take people away from the city.

1343
01:01:15,120 --> 01:01:16,040
Speaker 2: What was your Fordham scheme?

1344
01:01:16,160 --> 01:01:16,960
Speaker 3: Rapping about Miami?

1345
01:01:16,960 --> 01:01:18,440
Speaker 2: He was one of those not even Miami.

1346
01:01:18,640 --> 01:01:22,520
Speaker 1: Just like just like like just this what if? What

1347
01:01:22,560 --> 01:01:25,680
Speaker 1: if this is like our paradise? Like if this is it?

1348
01:01:25,760 --> 01:01:28,240
Speaker 1: Like it doesn't get any better than this. Yeah, he wasn't.

1349
01:01:28,280 --> 01:01:30,560
Speaker 2: He wasn't on Fordham roding in the Ford.

1350
01:01:30,640 --> 01:01:35,160
Speaker 1: Damn I forget it. See like that if I would

1351
01:01:35,200 --> 01:01:35,920
Speaker 1: have roll some shit like.

1352
01:01:35,880 --> 01:01:38,840
Speaker 2: That you in Afford on Fordham Road and then saying

1353
01:01:38,920 --> 01:01:41,680
Speaker 2: damn would would be no, that's not straight.

1354
01:01:41,520 --> 01:01:42,680
Speaker 1: To the time. I see what I'm saying. That sh

1355
01:01:42,720 --> 01:01:44,840
Speaker 1: it just don't hit it, don't connect Meiggs the homies.

1356
01:01:44,880 --> 01:01:46,520
Speaker 1: It looked at me like, nah, so that ain't.

1357
01:01:46,560 --> 01:01:48,680
Speaker 2: What's what's the mascot for FORDA University?

1358
01:01:49,320 --> 01:01:49,760
Speaker 1: A ram?

1359
01:01:49,880 --> 01:01:54,760
Speaker 2: Yeah for the Ford. Oh my god, you gotta be

1360
01:01:54,760 --> 01:01:55,360
Speaker 2: a rapper again.

1361
01:01:56,800 --> 01:01:57,440
Speaker 1: But here's the thing.

1362
01:01:57,440 --> 01:01:59,800
Speaker 2: I didn't go to Florida the Ford ram in the

1363
01:02:00,240 --> 01:02:02,120
Speaker 2: damn on four dead, like, come on, man.

1364
01:02:04,480 --> 01:02:06,320
Speaker 1: Ford, it was not that interesting, I promise you. After

1365
01:02:06,320 --> 01:02:09,440
Speaker 1: that bars like I didne what I mean? See that's

1366
01:02:09,480 --> 01:02:12,440
Speaker 1: what because you can have one. But it's like, but

1367
01:02:12,440 --> 01:02:13,320
Speaker 1: where are you going after that?

1368
01:02:13,360 --> 01:02:14,960
Speaker 2: I mean, you could take us to Treemont where you

1369
01:02:14,960 --> 01:02:15,640
Speaker 2: bought the trees from.

1370
01:02:15,960 --> 01:02:18,040
Speaker 1: Not just not We're not gonna just run around the bras.

1371
01:02:19,280 --> 01:02:21,960
Speaker 1: Look now you're just going to random streets and then.

1372
01:02:21,920 --> 01:02:23,640
Speaker 2: From mine you go to mont Haven, Like come on,

1373
01:02:24,360 --> 01:02:24,720
Speaker 2: we're not.

1374
01:02:24,680 --> 01:02:26,680
Speaker 1: Doing that, niggas. Niggas would listened one time and be like,

1375
01:02:26,720 --> 01:02:27,640
Speaker 1: your son is trash.

1376
01:02:27,800 --> 01:02:30,160
Speaker 2: You never bought trees from my tree monts Oh no, for.

1377
01:02:30,120 --> 01:02:31,920
Speaker 3: Sure, I think your brother would have called you trash

1378
01:02:31,920 --> 01:02:32,800
Speaker 3: for Dad helped you.

1379
01:02:32,880 --> 01:02:35,280
Speaker 1: My brothers, the homies right outside my door would have

1380
01:02:35,280 --> 01:02:35,600
Speaker 1: called me.

1381
01:02:35,760 --> 01:02:37,360
Speaker 2: Peo, would have made it to your brother like some

1382
01:02:37,400 --> 01:02:38,000
Speaker 2: of my brothers.

1383
01:02:38,040 --> 01:02:40,240
Speaker 1: They would have never heard them robs, They like what

1384
01:02:40,280 --> 01:02:40,640
Speaker 1: are you talking?

1385
01:02:40,640 --> 01:02:42,280
Speaker 2: A would have made it to the Rockefeller door where

1386
01:02:42,400 --> 01:02:43,040
Speaker 2: Kanye was not.

1387
01:02:43,720 --> 01:02:45,000
Speaker 1: And that's important.

1388
01:02:44,400 --> 01:02:46,680
Speaker 3: To the Rockefeller door, they won't let him.

1389
01:02:46,600 --> 01:02:48,800
Speaker 2: In, like yo, use your key card, mall.

1390
01:02:50,080 --> 01:02:51,880
Speaker 1: But see that's it's good that, it's good that that

1391
01:02:52,000 --> 01:02:53,760
Speaker 1: I noticed that though that I was trash. See a

1392
01:02:53,760 --> 01:02:55,400
Speaker 1: lot of these rappers don't know that they trash.

1393
01:02:55,800 --> 01:02:57,360
Speaker 2: Of course not ninety nine point.

1394
01:02:57,920 --> 01:02:58,520
Speaker 1: That's the problem.

1395
01:02:58,560 --> 01:03:00,280
Speaker 2: See, I knew I took myself out of that pool.

1396
01:03:00,320 --> 01:03:02,240
Speaker 3: I wasn't going to guess what they believed in themselves.

1397
01:03:02,280 --> 01:03:02,919
Speaker 3: And they're rich.

1398
01:03:03,280 --> 01:03:05,560
Speaker 1: A lot of these thigs ain't rich. Okay, you think

1399
01:03:05,600 --> 01:03:06,560
Speaker 1: these rappers are rich.

1400
01:03:06,440 --> 01:03:07,920
Speaker 3: But a lot of trash rappers are rich.

1401
01:03:07,960 --> 01:03:09,640
Speaker 2: There are some trash rappers that are very rich.

1402
01:03:10,280 --> 01:03:12,800
Speaker 1: Well now yeah today absolutely.

1403
01:03:12,320 --> 01:03:14,400
Speaker 2: But they figured out how to make good music. Well,

1404
01:03:14,440 --> 01:03:16,760
Speaker 2: someone thinks it's good music. A good majority has to.

1405
01:03:17,040 --> 01:03:18,760
Speaker 3: So I'm sure there would have been somebody who thought

1406
01:03:18,760 --> 01:03:19,480
Speaker 3: your shit was though.

1407
01:03:19,720 --> 01:03:21,560
Speaker 1: I think that. Okay, So I will be honest. I

1408
01:03:21,600 --> 01:03:24,920
Speaker 1: think that if you're starting as a rapper or a

1409
01:03:24,960 --> 01:03:27,960
Speaker 1: singer or whatever, a writer now, I think that you're

1410
01:03:28,120 --> 01:03:31,760
Speaker 1: more inclined to keep going because you can get your

1411
01:03:31,800 --> 01:03:33,160
Speaker 1: shit out there more freely now.

1412
01:03:33,920 --> 01:03:36,080
Speaker 2: And you see a lot of people that are trash. Yeah,

1413
01:03:36,360 --> 01:03:39,600
Speaker 2: even I've seen a list rappers. I'm like, man, I

1414
01:03:39,640 --> 01:03:40,200
Speaker 2: could do that shit.

1415
01:03:40,920 --> 01:03:44,840
Speaker 1: But in the early late like late nineties, early two thousands, hell,

1416
01:03:45,160 --> 01:03:46,680
Speaker 1: because then you had to write to rhyme, then you

1417
01:03:46,680 --> 01:03:48,920
Speaker 1: had the book, studio time to record it, and then

1418
01:03:48,960 --> 01:03:50,680
Speaker 1: you had to go stand downtown in front of the

1419
01:03:50,720 --> 01:03:53,920
Speaker 1: fucking Universal Building hoping to see somebody going in that

1420
01:03:53,960 --> 01:03:56,400
Speaker 1: would take your fucking song from you listen to but you.

1421
01:03:56,280 --> 01:03:58,760
Speaker 2: Could see him in the kitchen. That's what we're saying exactly.

1422
01:03:58,800 --> 01:04:01,600
Speaker 1: Noah, I was trash, and it was harder for me,

1423
01:04:02,000 --> 01:04:03,600
Speaker 1: Like if I was gonna try to present something, are

1424
01:04:03,600 --> 01:04:04,160
Speaker 1: you kidding me?

1425
01:04:04,640 --> 01:04:06,120
Speaker 2: Like I would have to be at least.

1426
01:04:06,120 --> 01:04:08,600
Speaker 5: That's why I think that you were probably too hard.

1427
01:04:08,600 --> 01:04:10,920
Speaker 5: That's where I say you were probably too hard on yourself.

1428
01:04:11,360 --> 01:04:13,320
Speaker 5: Definitely give yourself room to grow, because you had to

1429
01:04:13,320 --> 01:04:15,160
Speaker 5: feel you felt like you had to be perfect on

1430
01:04:15,200 --> 01:04:18,120
Speaker 5: the first try because of you coming from rap royalty.

1431
01:04:18,280 --> 01:04:19,560
Speaker 1: Well, I'm still a perfectionist.

1432
01:04:20,520 --> 01:04:22,680
Speaker 2: Did any of your because you have more than just bigs?

1433
01:04:22,720 --> 01:04:24,760
Speaker 2: And how did any your other brothers try to rap?

1434
01:04:25,440 --> 01:04:25,600
Speaker 1: No?

1435
01:04:27,520 --> 01:04:31,000
Speaker 2: Uh uh, it's not any of your sisters.

1436
01:04:31,440 --> 01:04:34,439
Speaker 1: No God, no, no, no it was it wasn't.

1437
01:04:34,480 --> 01:04:38,400
Speaker 2: Really they wasn't mad when they signed a mill I

1438
01:04:38,400 --> 01:04:38,920
Speaker 2: should have been.

1439
01:04:38,920 --> 01:04:47,280
Speaker 1: Nobody was. That's funny. I've been in the kitchen all

1440
01:04:47,360 --> 01:04:50,160
Speaker 1: week just rhymed to myself.

1441
01:04:50,040 --> 01:04:54,840
Speaker 2: And all of a sudden, my brother is Jamil. Why

1442
01:04:55,240 --> 01:04:56,240
Speaker 2: is it being signed?

1443
01:04:56,920 --> 01:04:57,120
Speaker 3: Yo?

1444
01:04:59,440 --> 01:05:01,560
Speaker 1: Her name is just That would make for a funny

1445
01:05:01,600 --> 01:05:03,600
Speaker 1: like skitting a sitcom though, Like just think about that

1446
01:05:03,640 --> 01:05:06,080
Speaker 1: in the sitcom, Like a family with a brothers like

1447
01:05:06,120 --> 01:05:07,880
Speaker 1: own a record label and the sisters in the kitchen

1448
01:05:07,920 --> 01:05:09,760
Speaker 1: just rapping all day and then y'all go sign like

1449
01:05:10,120 --> 01:05:13,840
Speaker 1: a whole random chick to a record. I feel like, man,

1450
01:05:13,840 --> 01:05:16,000
Speaker 1: we've been in here spitting balls all week, like this

1451
01:05:16,040 --> 01:05:20,280
Speaker 1: is that's funny? But yes, no, I'm I'm I'm never

1452
01:05:20,280 --> 01:05:22,760
Speaker 1: writing around again. No, so look I still have a

1453
01:05:22,800 --> 01:05:23,400
Speaker 1: mic in front of me.

1454
01:05:23,480 --> 01:05:28,400
Speaker 2: I still you know, cameras in a freestyle. No, I'm

1455
01:05:28,400 --> 01:05:31,080
Speaker 2: writing I'm not freestyle, but that's what I'm coming.

1456
01:05:31,120 --> 01:05:31,720
Speaker 1: I'm coming with rot.

1457
01:05:32,240 --> 01:05:36,200
Speaker 5: They've changed freestyle from off the top to meaning just

1458
01:05:36,320 --> 01:05:37,920
Speaker 5: going without a chorus on a beat.

1459
01:05:37,720 --> 01:05:40,600
Speaker 1: Which, by the way, that's not just now, that's been

1460
01:05:40,680 --> 01:05:42,280
Speaker 1: away at least twenty years.

1461
01:05:42,360 --> 01:05:45,400
Speaker 2: Yeah, all flex freestyle is dealing with freestyle.

1462
01:05:45,520 --> 01:05:48,680
Speaker 1: Yeah, we actually heard those bars on records that later came.

1463
01:05:48,560 --> 01:05:50,800
Speaker 2: Out, which, by the way, I'm very happy that that

1464
01:05:51,120 --> 01:05:53,320
Speaker 2: the king of thing. Like I know, it's an art

1465
01:05:53,360 --> 01:05:55,040
Speaker 2: form to come off the top and that's crazy and.

1466
01:05:55,080 --> 01:05:56,480
Speaker 1: Very few, very few can do that.

1467
01:05:56,720 --> 01:05:58,600
Speaker 2: I just just not something that I think we need

1468
01:05:58,600 --> 01:06:00,480
Speaker 2: to push for. You should write it.

1469
01:06:00,480 --> 01:06:02,640
Speaker 1: Down, write it down, and then but you know again,

1470
01:06:02,680 --> 01:06:05,760
Speaker 1: it's it's it's a different error because like we said before,

1471
01:06:07,000 --> 01:06:10,080
Speaker 1: back back in you know, the early two thousands, whatever,

1472
01:06:10,160 --> 01:06:14,880
Speaker 1: you can take the same four rhymes and travel the

1473
01:06:14,880 --> 01:06:18,160
Speaker 1: country radio stations and spit those bars and then put

1474
01:06:18,160 --> 01:06:19,960
Speaker 1: them on the album. Yeah, then put them on the album.

1475
01:06:19,960 --> 01:06:22,720
Speaker 1: Nobody would really you know care. Now it's like you

1476
01:06:22,760 --> 01:06:25,160
Speaker 1: get flex are one hundred bars. You can't go to

1477
01:06:25,400 --> 01:06:28,480
Speaker 1: Charlie Sloth or l A Leakers with those same hundred balls.

1478
01:06:29,000 --> 01:06:31,280
Speaker 2: I was watching. This was years and years ago when

1479
01:06:31,520 --> 01:06:35,200
Speaker 2: Vince Staples and Tyler were on I want to say

1480
01:06:35,200 --> 01:06:39,400
Speaker 2: e bro Eve in the Morning, and Rosenberg was like, Vince, like,

1481
01:06:39,440 --> 01:06:41,480
Speaker 2: you want a freestyle? This is like I just put

1482
01:06:41,480 --> 01:06:44,800
Speaker 2: out an eighteen song album. No, no, I don't don't

1483
01:06:44,800 --> 01:06:47,000
Speaker 2: want to freestyle. I no more rhymes for now.

1484
01:06:47,120 --> 01:06:49,800
Speaker 1: Yeah, but I like I like those type of rappers though.

1485
01:06:49,840 --> 01:06:52,400
Speaker 1: That don't just overly because a lot of rappers paint

1486
01:06:52,440 --> 01:06:55,160
Speaker 1: themselves in that box too, where they just become the

1487
01:06:55,160 --> 01:06:56,320
Speaker 1: freestyle guy. Yeah.

1488
01:06:56,480 --> 01:06:56,960
Speaker 2: Absolutely.

1489
01:06:57,000 --> 01:06:59,120
Speaker 1: People can't tell you what their projects sound like, they

1490
01:06:59,160 --> 01:07:01,960
Speaker 1: can't tell you what this singles sound like, but they

1491
01:07:02,120 --> 01:07:03,840
Speaker 1: just like, yo, is he going freestyle?

1492
01:07:04,760 --> 01:07:07,760
Speaker 2: Speaking of which size album? Well, I'm sorry.

1493
01:07:07,800 --> 01:07:08,800
Speaker 1: The story of Egot.

1494
01:07:08,760 --> 01:07:11,680
Speaker 2: Yes, uh three for four three four?

1495
01:07:11,720 --> 01:07:13,439
Speaker 1: You said, you know he wasn't really liking the first track.

1496
01:07:13,520 --> 01:07:15,479
Speaker 2: I was very nervous when extra I think It's extra

1497
01:07:15,480 --> 01:07:17,280
Speaker 2: hard came on. But I don't want to start with

1498
01:07:17,400 --> 01:07:21,280
Speaker 2: hate because I really did enjoy the last three. He

1499
01:07:21,800 --> 01:07:29,000
Speaker 2: was he was metaphoring us to death on songs with substance.

1500
01:07:29,840 --> 01:07:32,600
Speaker 2: It was it was interesting. It was it was like

1501
01:07:33,560 --> 01:07:38,520
Speaker 2: it was like Royce's bar Exam series meets a fucking

1502
01:07:38,600 --> 01:07:41,520
Speaker 2: J Cole album. It was. It was interesting and I

1503
01:07:41,600 --> 01:07:42,120
Speaker 2: enjoyed it though.

1504
01:07:42,440 --> 01:07:44,600
Speaker 1: I thought it was really good. I think I'm with

1505
01:07:44,640 --> 01:07:48,000
Speaker 1: you on that. I don't dislike Extra, but I think

1506
01:07:48,040 --> 01:07:50,480
Speaker 1: Once helped me. God came on after that, and then

1507
01:07:50,560 --> 01:07:54,920
Speaker 1: Slide and then obviously the last track Tears with Jack Quiz.

1508
01:07:55,280 --> 01:07:55,640
Speaker 2: It is hard.

1509
01:07:55,680 --> 01:07:56,760
Speaker 1: Ye, it's super hard.

1510
01:07:57,520 --> 01:08:00,480
Speaker 2: I hope this means that that an actual album just

1511
01:08:00,480 --> 01:08:01,960
Speaker 2: coming and this is what he had, you know.

1512
01:08:01,960 --> 01:08:04,080
Speaker 1: I hope so man Kasa is one of my uh

1513
01:08:04,160 --> 01:08:06,760
Speaker 1: He's one of my favorite favorite favorite artists to listen to.

1514
01:08:07,680 --> 01:08:09,800
Speaker 1: I think he's one of the elite rappers that we have.

1515
01:08:10,000 --> 01:08:12,960
Speaker 2: Don't you know Sahi or don't y'all speak or have spoken?

1516
01:08:14,200 --> 01:08:14,880
Speaker 1: Very briefly.

1517
01:08:15,560 --> 01:08:16,920
Speaker 2: I would like for him to come on the podcast.

1518
01:08:17,520 --> 01:08:19,800
Speaker 1: I would love to shoot something so high. I would

1519
01:08:19,800 --> 01:08:21,640
Speaker 1: love to shoot something so hi. I think he's a

1520
01:08:21,760 --> 01:08:25,760
Speaker 1: very interesting, interesting mind. He has an interesting way of

1521
01:08:25,800 --> 01:08:28,719
Speaker 1: thinking about things, and you know, I like his perspective

1522
01:08:28,760 --> 01:08:32,800
Speaker 1: on things. I like the way he doesn't over he

1523
01:08:32,840 --> 01:08:36,600
Speaker 1: doesn't like over advertise his art and his craft and

1524
01:08:36,600 --> 01:08:38,479
Speaker 1: his skill. Like you hear from him when he wants

1525
01:08:38,479 --> 01:08:40,160
Speaker 1: you to hear from him. You see him when you

1526
01:08:40,200 --> 01:08:42,800
Speaker 1: want when he wants you to see him like even

1527
01:08:42,840 --> 01:08:45,599
Speaker 1: this project four tracks, Yeah you know what I mean,

1528
01:08:45,640 --> 01:08:47,720
Speaker 1: that shows you what type of dude he is. Like

1529
01:08:48,520 --> 01:08:51,479
Speaker 1: he ain't given you eighteen nineteen twenty joints. He's like, lit,

1530
01:08:51,560 --> 01:08:54,280
Speaker 1: take this full pack. I'll get back with you in

1531
01:08:54,280 --> 01:08:55,880
Speaker 1: a minute. You know, I'm cooking up. I'm doing what

1532
01:08:55,920 --> 01:08:58,840
Speaker 1: I do. And I think history from just writing for

1533
01:08:58,880 --> 01:09:02,360
Speaker 1: a lot of different artists, uh, you know, being from

1534
01:09:02,360 --> 01:09:05,080
Speaker 1: the South, I just think he's an interesting person. I

1535
01:09:05,080 --> 01:09:06,559
Speaker 1: would love to sit down and really really kick it

1536
01:09:06,600 --> 01:09:09,439
Speaker 1: with him about you know, Saha, and just get him

1537
01:09:09,479 --> 01:09:11,840
Speaker 1: know more about Sahai because I do think he needs

1538
01:09:11,880 --> 01:09:13,559
Speaker 1: to be talked about more. When you start talking about

1539
01:09:13,600 --> 01:09:16,240
Speaker 1: the the elite rappers, I think he's one of them.

1540
01:09:16,520 --> 01:09:18,280
Speaker 2: I agree, And I think he wants to say it.

1541
01:09:18,840 --> 01:09:21,080
Speaker 2: Oh yeah, I mean, well he says its.

1542
01:09:21,880 --> 01:09:24,840
Speaker 1: Yeah, no, he says it. He definitely says it. So yeah,

1543
01:09:24,920 --> 01:09:28,920
Speaker 1: he got uh the EP available now if you haven't

1544
01:09:28,920 --> 01:09:32,920
Speaker 1: heard it downloaded stream it. You know, Saha is one

1545
01:09:32,960 --> 01:09:35,400
Speaker 1: of those rappers that if you appreciate the art of

1546
01:09:35,520 --> 01:09:37,800
Speaker 1: rapping hip hop, he's definitely somebody you want to listen to.

1547
01:09:37,840 --> 01:09:38,879
Speaker 1: So shout out to Saha.

1548
01:09:39,400 --> 01:09:43,640
Speaker 2: Five year anniversary Control Sizza. I think it's it. I

1549
01:09:43,640 --> 01:09:46,840
Speaker 2: thought it was safe three years ago to say Control

1550
01:09:46,920 --> 01:09:48,559
Speaker 2: is a classic album? Is that okay to say?

1551
01:09:49,200 --> 01:09:49,640
Speaker 1: I think so.

1552
01:09:50,479 --> 01:09:52,200
Speaker 2: I think it's a fully a classic album.

1553
01:09:52,240 --> 01:09:54,000
Speaker 1: I think so. I think that's safe to say.

1554
01:09:54,080 --> 01:09:56,960
Speaker 2: What She put out with five records six records, five

1555
01:09:57,000 --> 01:10:00,680
Speaker 2: on the the deluxe for the five year anniversary, the

1556
01:10:00,680 --> 01:10:05,519
Speaker 2: first one being the love Glore alternative version. M hm,

1557
01:10:06,120 --> 01:10:09,120
Speaker 2: where I get why the other one made it, but

1558
01:10:09,280 --> 01:10:12,200
Speaker 2: she's barring us. Yeah, I'm glad. I'm glad you put it.

1559
01:10:12,439 --> 01:10:14,200
Speaker 2: She counted the seconds it took me to nut and

1560
01:10:14,280 --> 01:10:18,639
Speaker 2: then threw it in my face. Women do say eighty seconds,

1561
01:10:18,680 --> 01:10:21,040
Speaker 2: that's three minutes. I was like, damn, he was counting.

1562
01:10:21,280 --> 01:10:24,280
Speaker 1: Women, and women have a way of letting you know

1563
01:10:24,280 --> 01:10:25,320
Speaker 1: how much they hate you.

1564
01:10:25,400 --> 01:10:28,760
Speaker 2: Yeah, well they cut, they cut deeper when they dislike you.

1565
01:10:28,960 --> 01:10:29,480
Speaker 1: Yeah.

1566
01:10:29,680 --> 01:10:37,720
Speaker 2: But uh, it definitely put where Sism was her headspace,

1567
01:10:39,439 --> 01:10:41,880
Speaker 2: like times ten five years ago, because a lot of

1568
01:10:41,880 --> 01:10:45,639
Speaker 2: the records that that didn't make it are worthier, I think.

1569
01:10:47,400 --> 01:10:50,519
Speaker 2: And as much as Control showed you exactly where Sciss

1570
01:10:50,600 --> 01:10:55,160
Speaker 2: was and how confused, and I guess confused to be

1571
01:10:55,240 --> 01:10:57,800
Speaker 2: the word about where she was in life and and

1572
01:10:58,160 --> 01:11:01,120
Speaker 2: just her mind stated put it to a different perspective.

1573
01:11:01,160 --> 01:11:03,960
Speaker 2: I see why these didn't make it, but it kind

1574
01:11:03,960 --> 01:11:07,439
Speaker 2: of gave you even extra look at where Siss was

1575
01:11:07,479 --> 01:11:11,919
Speaker 2: five years ago and very much relatable. But but she

1576
01:11:11,920 --> 01:11:13,519
Speaker 2: she's talking some shit on here. I also did not

1577
01:11:13,600 --> 01:11:17,439
Speaker 2: know she had uh come and see me tonight before.

1578
01:11:17,640 --> 01:11:19,920
Speaker 2: I mean, I know Party and Drake wrote it, but

1579
01:11:19,960 --> 01:11:23,280
Speaker 2: they gave it to Sissa and that's two am now

1580
01:11:23,400 --> 01:11:26,439
Speaker 2: on this uh deluxe here, So I guess she just

1581
01:11:26,439 --> 01:11:28,360
Speaker 2: didn't keep it, and then Party decided, all right, I'll

1582
01:11:28,360 --> 01:11:31,639
Speaker 2: just keep this for myself. But which is what happens

1583
01:11:31,640 --> 01:11:34,200
Speaker 2: a lot, oh for sure, especially with Party. Yeah, but

1584
01:11:34,280 --> 01:11:35,760
Speaker 2: it was cool to hear her sing that hook and

1585
01:11:36,000 --> 01:11:37,960
Speaker 2: that record and put her listen.

1586
01:11:38,040 --> 01:11:40,240
Speaker 1: Sister is easily one of our favorite artists. We've been

1587
01:11:40,320 --> 01:11:42,240
Speaker 1: talking about her giving her love for years.

1588
01:11:45,479 --> 01:11:48,920
Speaker 2: You should listen to it. Yeah, de Maris listened to it.

1589
01:11:49,200 --> 01:11:50,240
Speaker 3: I have not listened to it yet.

1590
01:11:50,400 --> 01:11:52,920
Speaker 2: We need the perspective on Scissa. Yeah.

1591
01:11:52,920 --> 01:11:55,040
Speaker 3: I sent it to me like an hour before I

1592
01:11:55,040 --> 01:11:55,400
Speaker 3: got here.

1593
01:11:55,600 --> 01:11:59,479
Speaker 2: I didn't I thought you sent it to me. All right,

1594
01:12:01,040 --> 01:12:02,719
Speaker 2: listen to it. Yeah, they are terrible.

1595
01:12:03,320 --> 01:12:03,720
Speaker 1: Listen to it.

1596
01:12:03,760 --> 01:12:14,280
Speaker 2: Either i'll, i'll, I understand because did this on the

1597
01:12:14,280 --> 01:12:19,280
Speaker 2: first album where she pretended she was going to put

1598
01:12:19,280 --> 01:12:22,000
Speaker 2: an album out for a while Teasus with Music.

1599
01:12:22,280 --> 01:12:22,639
Speaker 1: M hmm.

1600
01:12:23,360 --> 01:12:23,840
Speaker 2: I relate.

1601
01:12:24,840 --> 01:12:26,000
Speaker 1: You definitely relate to that.

1602
01:12:27,000 --> 01:12:29,920
Speaker 2: And I really thought with Good Days in the Tie

1603
01:12:29,920 --> 01:12:33,680
Speaker 2: record that it was coming. But I think even though

1604
01:12:33,720 --> 01:12:35,519
Speaker 2: she's just celebrating a five year anniversary, I don't know

1605
01:12:35,520 --> 01:12:37,559
Speaker 2: if we're getting this this album soon. Even though she's

1606
01:12:37,640 --> 01:12:40,720
Speaker 2: on headlining day in Vegas, which usually that means all right.

1607
01:12:40,720 --> 01:12:42,599
Speaker 2: If you're going to headline a big showcase like that

1608
01:12:43,080 --> 01:12:44,840
Speaker 2: and you haven't put an album out in five years,

1609
01:12:45,320 --> 01:12:48,599
Speaker 2: something is gearing up for something. But I mean, Kendrick

1610
01:12:48,640 --> 01:12:50,920
Speaker 2: did that to us with I think it was Dave

1611
01:12:51,000 --> 01:12:55,880
Speaker 2: Vegas or another festival Vegas. Did he do Good Kids,

1612
01:12:56,320 --> 01:12:58,200
Speaker 2: Mad City in Full? Maybe that's what he did instead.

1613
01:12:58,280 --> 01:13:00,880
Speaker 2: I forgot, but I know came out on Baby Kam

1614
01:13:00,920 --> 01:13:03,880
Speaker 2: Ship for whatever festival was. But I feel like Kendrick

1615
01:13:03,920 --> 01:13:05,960
Speaker 2: has done that to us a lot of TV artists

1616
01:13:06,000 --> 01:13:09,400
Speaker 2: I have done the festival trick. I feel like, was it.

1617
01:13:12,040 --> 01:13:14,280
Speaker 1: I can't remember what festival was.

1618
01:13:14,320 --> 01:13:17,160
Speaker 5: I was thinking, I'm like, did that Maybe it was

1619
01:13:18,520 --> 01:13:22,040
Speaker 5: that day in festival day in Vegas festival lineup is sick.

1620
01:13:21,960 --> 01:13:25,200
Speaker 2: Because emotional org is one. Yeah, I mean that's really

1621
01:13:25,240 --> 01:13:25,840
Speaker 2: what didn't for me.

1622
01:13:25,960 --> 01:13:28,160
Speaker 1: Yeah, I saw and I saw that. I said, I'm there.

1623
01:13:28,560 --> 01:13:29,559
Speaker 1: You gotta be kidding me.

1624
01:13:29,560 --> 01:13:33,840
Speaker 2: Gotta be kidding turn of Travis Scott no here for

1625
01:13:34,240 --> 01:13:37,519
Speaker 2: no thank you. I might go out to that.

1626
01:13:38,280 --> 01:13:41,040
Speaker 1: So uh da Vegas.

1627
01:13:41,120 --> 01:13:44,560
Speaker 2: Yeah, even though I just we told everyone on the

1628
01:13:44,600 --> 01:13:46,080
Speaker 2: last episode how much I don't think I can do

1629
01:13:46,120 --> 01:13:46,880
Speaker 2: festivals anymore.

1630
01:13:47,160 --> 01:13:49,240
Speaker 1: Dan Vegas is in uh yeah, Las Vegas. I'm trying

1631
01:13:49,280 --> 01:13:50,680
Speaker 1: to find the fly we had.

1632
01:13:50,760 --> 01:13:53,439
Speaker 2: Dan Vegas is in Vegas. Yeah, ed, wow, go figure.

1633
01:13:53,479 --> 01:13:57,760
Speaker 2: I had no idea Las Vegas Festival got here. It's

1634
01:13:57,760 --> 01:14:00,800
Speaker 2: from September second to the fourth. Oh, the same time

1635
01:14:00,840 --> 01:14:02,599
Speaker 2: as Made right. Uh?

1636
01:14:02,760 --> 01:14:04,639
Speaker 1: Is it the same weekend that's usually.

1637
01:14:04,439 --> 01:14:08,960
Speaker 2: When Maida is likely May's I like, uh made America's

1638
01:14:09,000 --> 01:14:09,879
Speaker 2: lineup so far.

1639
01:14:10,520 --> 01:14:13,120
Speaker 1: Made in America. Uh, made in America.

1640
01:14:13,360 --> 01:14:15,520
Speaker 2: They only do a few names in the beginning September.

1641
01:14:15,160 --> 01:14:18,320
Speaker 1: Third to the fourth at Benjamin Franklin Park of Philadelphia.

1642
01:14:18,960 --> 01:14:22,200
Speaker 1: Bad Bunny Taler to create a little Uzerchasm, Sullivan, Burna

1643
01:14:22,240 --> 01:14:26,719
Speaker 1: Boys Snall, Legra, Kodak, Pusha t Low TJ. Tate, McCrae,

1644
01:14:26,800 --> 01:14:31,640
Speaker 1: fuz Regita, Torom Oh Wow, Toro's Wow. Yeah, that's a

1645
01:14:31,640 --> 01:14:33,600
Speaker 1: good name to see. I haven't seen Toro especially for

1646
01:14:33,680 --> 01:14:37,280
Speaker 1: form in a long time. Toroy More, Baby Face, Ray,

1647
01:14:37,439 --> 01:14:41,759
Speaker 1: Keith Glock Shout the Key, Clock rails By, Victoria Money,

1648
01:14:41,840 --> 01:14:44,559
Speaker 1: the talented Victoria Money. She doesn't you don't talk about

1649
01:14:44,640 --> 01:14:49,040
Speaker 1: Victoria Money more baby Love. Victoria Money is super, super talented.

1650
01:14:49,040 --> 01:14:52,280
Speaker 1: One of my favorite artists and writers. Uh Chimbala and

1651
01:14:52,360 --> 01:14:55,599
Speaker 1: Ryan Castro. That's September third to the fourth, Made America.

1652
01:14:57,160 --> 01:14:59,960
Speaker 1: Bad Bunny gonna have that ship, Nake.

1653
01:15:00,120 --> 01:15:02,719
Speaker 3: Sure you bought your tickets already.

1654
01:15:02,880 --> 01:15:06,240
Speaker 4: No, I'm gonna actually see both. Well, Kendrick's not there.

1655
01:15:06,240 --> 01:15:08,160
Speaker 4: I'm gonna see Kendrick and Bad Buddy in August.

1656
01:15:08,200 --> 01:15:10,640
Speaker 1: So I'm looking for a day in Vegas.

1657
01:15:11,120 --> 01:15:13,479
Speaker 2: I mean it's everybody. Yeah, Hey, you're just gonna name

1658
01:15:13,600 --> 01:15:14,080
Speaker 2: the music in it.

1659
01:15:14,240 --> 01:15:15,080
Speaker 1: Just for headliners.

1660
01:15:15,160 --> 01:15:19,280
Speaker 4: It's siss A Friday, J Cole Saturday, Travis Scott on Sunday,

1661
01:15:19,800 --> 01:15:21,120
Speaker 4: but first on Friday.

1662
01:15:21,360 --> 01:15:22,360
Speaker 1: Sis a Playable party.

1663
01:15:22,840 --> 01:15:26,639
Speaker 4: Uh, Summer Walker, Triple Ray Reed, Georgia Smith, City Girl,

1664
01:15:26,720 --> 01:15:30,040
Speaker 4: Little TJ. I mean, Jay Rock, Simo, You and i

1665
01:15:31,360 --> 01:15:36,640
Speaker 4: Ja Cole twenty one, Savage her Joji, Don Tolliver and Staples, Serena, Claudio, T.

1666
01:15:36,840 --> 01:15:40,080
Speaker 1: Paine, j I, d Or d Misago, Go.

1667
01:15:40,120 --> 01:15:44,360
Speaker 4: Back, Sabrina Sunday, Travis Scott, Baby Keem, Jeneico, push A,

1668
01:15:44,400 --> 01:15:45,400
Speaker 4: t Blast.

1669
01:15:45,520 --> 01:15:49,880
Speaker 1: We ain't got a name very everybody fucking there. I'm

1670
01:15:49,920 --> 01:15:54,000
Speaker 1: just mad that it is overlapping. Uh yeah in America. Yeah,

1671
01:15:54,520 --> 01:15:55,960
Speaker 1: I mean, I guess, I guess you gotta do one

1672
01:15:55,960 --> 01:15:57,720
Speaker 1: of those things. If you had to choose, you got

1673
01:15:57,720 --> 01:15:59,240
Speaker 1: to pick a day that you had to choose.

1674
01:15:59,240 --> 01:16:00,040
Speaker 3: Get the fuck, you know.

1675
01:16:00,560 --> 01:16:02,479
Speaker 1: But both of the both of the days, the Sunday,

1676
01:16:02,880 --> 01:16:04,760
Speaker 1: the fourth, both days are really good.

1677
01:16:04,720 --> 01:16:06,679
Speaker 2: Though, if you if you have Philly is closer.

1678
01:16:07,760 --> 01:16:12,400
Speaker 1: Philly is closer. But I would like to see uh Tyler.

1679
01:16:12,200 --> 01:16:13,040
Speaker 3: Hm m h.

1680
01:16:14,800 --> 01:16:16,440
Speaker 2: I think I would.

1681
01:16:16,479 --> 01:16:18,040
Speaker 1: But again, I would like to see Scissor.

1682
01:16:18,760 --> 01:16:20,160
Speaker 2: I bet you wouldn't, you know what I mean? Even

1683
01:16:20,200 --> 01:16:23,920
Speaker 2: though you don't listen to her Deluxe on the way here.

1684
01:16:21,880 --> 01:16:28,479
Speaker 1: Yeah, I would love to. I would love to see Sissy. Damn.

1685
01:16:28,520 --> 01:16:30,400
Speaker 1: We would talking about something and I wanted to get

1686
01:16:30,439 --> 01:16:31,640
Speaker 1: into something with the festivals.

1687
01:16:32,200 --> 01:16:35,200
Speaker 2: I don't know we were talking about right into festivals.

1688
01:16:35,880 --> 01:16:36,679
Speaker 1: Well, ship.

1689
01:16:36,760 --> 01:16:38,240
Speaker 2: Migos is not going to government's ball.

1690
01:16:38,439 --> 01:16:41,760
Speaker 1: Oh yes, so so it is, so we can have

1691
01:16:41,880 --> 01:16:43,840
Speaker 1: the conversation. Migos is over.

1692
01:16:45,040 --> 01:16:48,519
Speaker 2: No, I'm still rolling with. This is part of a

1693
01:16:48,680 --> 01:16:50,559
Speaker 2: rollout to the next project.

1694
01:16:52,120 --> 01:16:53,519
Speaker 1: I don't know, man, The Migos is rich.

1695
01:16:53,600 --> 01:16:56,439
Speaker 2: Man. They could miss a headliner at a festival. They

1696
01:16:56,479 --> 01:16:57,520
Speaker 2: don't need the money.

1697
01:16:57,320 --> 01:16:58,400
Speaker 1: But they can do.

1698
01:16:58,520 --> 01:16:59,599
Speaker 3: But that's a big thing.

1699
01:17:01,800 --> 01:17:04,439
Speaker 2: They don't have new music. It's not like, of course,

1700
01:17:04,439 --> 01:17:06,360
Speaker 2: it's anticipated because it's the Migos and they have hits.

1701
01:17:06,360 --> 01:17:11,679
Speaker 2: But it's not like the way the way how Travis

1702
01:17:11,760 --> 01:17:14,040
Speaker 2: would be anticipated or someone that just put an album out.

1703
01:17:14,080 --> 01:17:17,200
Speaker 2: You want to go see them Tyler right now, I

1704
01:17:17,240 --> 01:17:18,519
Speaker 2: want to go see me in America because he just

1705
01:17:18,560 --> 01:17:19,160
Speaker 2: put an album out.

1706
01:17:19,200 --> 01:17:23,799
Speaker 1: I didn't about and Takeoff having a record Hotel lobby.

1707
01:17:24,080 --> 01:17:26,640
Speaker 1: What about the name of it, right, hotel lobby, what

1708
01:17:26,720 --> 01:17:30,160
Speaker 1: about it? I mean, there's somebody missing off the record.

1709
01:17:30,760 --> 01:17:33,720
Speaker 2: I get it. I know. I think it's this is

1710
01:17:33,760 --> 01:17:36,479
Speaker 2: all part of to build the anticipation for the return

1711
01:17:36,520 --> 01:17:36,840
Speaker 2: of the.

1712
01:17:36,720 --> 01:17:39,920
Speaker 1: Maakeoff wasn't Takeoff, didn't have a verse on Bat and Bougie,

1713
01:17:41,000 --> 01:17:44,200
Speaker 1: but he was in. He was in the video. He

1714
01:17:44,320 --> 01:17:46,320
Speaker 1: let us know he was in the video, so it's

1715
01:17:46,400 --> 01:17:50,120
Speaker 1: like we're not seeing him. He's not talking about this

1716
01:17:50,160 --> 01:17:51,240
Speaker 1: hotel lobby record.

1717
01:17:51,680 --> 01:17:54,680
Speaker 2: What a brilliant answer. We don't talk about that in

1718
01:17:54,720 --> 01:17:56,639
Speaker 2: that situation. I don't care to talk about those gentlemen.

1719
01:17:56,680 --> 01:18:00,040
Speaker 2: But what a brilliant answer to that question. Does it

1720
01:18:00,080 --> 01:18:01,040
Speaker 2: look like I was left off?

1721
01:18:02,600 --> 01:18:02,880
Speaker 4: It was?

1722
01:18:04,280 --> 01:18:05,080
Speaker 2: Does it look like it?

1723
01:18:05,360 --> 01:18:06,679
Speaker 1: I'm here, right, I'm here.

1724
01:18:06,720 --> 01:18:09,320
Speaker 2: I was in the video in the same fucking floral

1725
01:18:09,360 --> 01:18:11,559
Speaker 2: shirt as them, with the same amount of jwelry. Does

1726
01:18:11,560 --> 01:18:12,160
Speaker 2: it look like I was.

1727
01:18:12,200 --> 01:18:14,360
Speaker 1: Left I look bad and I'm bougie, you know what

1728
01:18:14,360 --> 01:18:14,639
Speaker 1: I mean.

1729
01:18:14,760 --> 01:18:17,280
Speaker 2: I was so boozy I didn't get on the record exactly.

1730
01:18:17,360 --> 01:18:17,720
Speaker 2: There you go.

1731
01:18:17,800 --> 01:18:24,320
Speaker 1: But this is a little different. There's no collaboration, right, yeah, exactly.

1732
01:18:25,439 --> 01:18:27,960
Speaker 2: This is their their only built for Cuban links. This

1733
01:18:28,000 --> 01:18:29,000
Speaker 2: is their ghost and ray.

1734
01:18:29,640 --> 01:18:32,120
Speaker 1: Uh you want to call it that, if you want

1735
01:18:32,120 --> 01:18:37,440
Speaker 1: to call it that. But but you think of sentiment, Yeah,

1736
01:18:37,920 --> 01:18:39,839
Speaker 1: I think, I think. I think I think.

1737
01:18:39,720 --> 01:18:41,960
Speaker 2: All Set is making his liquid swords, maybe.

1738
01:18:43,720 --> 01:18:45,719
Speaker 1: His his rendition of liquid swords.

1739
01:18:45,800 --> 01:18:48,920
Speaker 2: Yes, but yeah, it's just the optic of it is.

1740
01:18:49,840 --> 01:18:53,280
Speaker 1: You know, we we know when things aren't you know,

1741
01:18:53,600 --> 01:18:55,040
Speaker 1: you can you can feel that energy.

1742
01:18:55,520 --> 01:18:57,920
Speaker 2: I think, even if it is real, I do their family,

1743
01:18:58,000 --> 01:18:59,320
Speaker 2: so I think they're going to get back together. I

1744
01:18:59,360 --> 01:19:01,639
Speaker 2: think this will work out for them career wise better

1745
01:19:02,680 --> 01:19:04,240
Speaker 2: than if they.

1746
01:19:03,640 --> 01:19:06,200
Speaker 1: Yeah, but I'm saying right now them turning down this

1747
01:19:06,320 --> 01:19:08,559
Speaker 1: governor's balls because they're not on the same page.

1748
01:19:09,560 --> 01:19:12,840
Speaker 2: That's or just to confirm all the rumors so we

1749
01:19:12,880 --> 01:19:14,600
Speaker 2: can really get into this rollout of the Return of

1750
01:19:14,600 --> 01:19:17,639
Speaker 2: the Migos, because that album is gonna be anticipated more

1751
01:19:17,680 --> 01:19:19,800
Speaker 2: than it would be had they not broken up.

1752
01:19:19,880 --> 01:19:21,360
Speaker 1: Yeah, but now if you if you, if you go

1753
01:19:21,400 --> 01:19:22,880
Speaker 1: on that route, you gotta go all the way there.

1754
01:19:22,960 --> 01:19:24,320
Speaker 2: Thes what I'm saying they're doing.

1755
01:19:24,360 --> 01:19:25,559
Speaker 1: It has to be public feuding.

1756
01:19:25,720 --> 01:19:26,360
Speaker 2: They canceled it.

1757
01:19:26,720 --> 01:19:30,160
Speaker 1: No, no, no, not this little covert subliminal ship that.

1758
01:19:30,360 --> 01:19:33,280
Speaker 1: It has to be direct words. If you're gonna go

1759
01:19:33,320 --> 01:19:35,400
Speaker 1: that route of the rebrand and the return of the

1760
01:19:35,439 --> 01:19:37,760
Speaker 1: Migos and all of that, it has to completely be

1761
01:19:37,880 --> 01:19:38,439
Speaker 1: torn down.

1762
01:19:39,479 --> 01:19:41,920
Speaker 2: I think that's it has to be following each other.

1763
01:19:43,760 --> 01:19:45,120
Speaker 1: Yeah, yeah, I get it, but we got to go

1764
01:19:45,160 --> 01:19:48,439
Speaker 1: deep in that. We gotta get a video like Quavo.

1765
01:19:49,000 --> 01:19:51,320
Speaker 1: Somebody gotta be spitting at the camera. It gotta be

1766
01:19:51,479 --> 01:19:54,680
Speaker 1: like they got, they gotta be beef. It gotta be like, oh,

1767
01:19:54,720 --> 01:19:57,200
Speaker 1: these niggas about to fight. Like, if you're gonna go

1768
01:19:57,280 --> 01:20:00,479
Speaker 1: to Return of the Migos, rollout route has to go

1769
01:20:00,640 --> 01:20:01,479
Speaker 1: all the way there.

1770
01:20:01,880 --> 01:20:04,479
Speaker 2: Look at this hypocrite with j Prince, and I don't

1771
01:20:04,479 --> 01:20:11,840
Speaker 2: want to any violence because no, no, no, no.

1772
01:20:07,320 --> 01:20:11,799
Speaker 1: No, no no. This is different. This is different because

1773
01:20:12,040 --> 01:20:14,120
Speaker 1: we're saying that this is a rollout, like this is

1774
01:20:14,120 --> 01:20:15,719
Speaker 1: on purpose Jay Prince.

1775
01:20:15,720 --> 01:20:17,160
Speaker 2: In the other situation, that's real ship.

1776
01:20:17,200 --> 01:20:18,920
Speaker 1: It ain't no rollout could be a rollout for Larry

1777
01:20:18,960 --> 01:20:20,400
Speaker 1: who to get a Jay.

1778
01:20:20,320 --> 01:20:24,040
Speaker 2: Prince ain't playing a rollout game. Rollout to Larry Prince,

1779
01:20:24,040 --> 01:20:26,160
Speaker 2: don't play the rollout definitely, he's not playing a role

1780
01:20:26,240 --> 01:20:27,759
Speaker 2: someone's gonna get rolled out exactly.

1781
01:20:28,000 --> 01:20:30,640
Speaker 1: It's another rollout game. He ain't playing that road up

1782
01:20:30,880 --> 01:20:33,680
Speaker 1: exactly into a carpet. This situation, if the Migos is

1783
01:20:33,680 --> 01:20:36,000
Speaker 1: going this route where they're gonna act like they're having

1784
01:20:36,040 --> 01:20:38,400
Speaker 1: a feud and they're not together, it has to be

1785
01:20:38,400 --> 01:20:40,439
Speaker 1: more than unfollowing on Instagram.

1786
01:20:40,200 --> 01:20:42,040
Speaker 2: They cancel the show us that's a big deal.

1787
01:20:42,160 --> 01:20:44,000
Speaker 1: That's what this so this to me, this is the

1788
01:20:44,000 --> 01:20:47,040
Speaker 1: the unking and unk and few was like that was

1789
01:20:47,040 --> 01:20:49,880
Speaker 1: the eyebrow raizer, Like, Okay, this is a little not

1790
01:20:49,920 --> 01:20:51,960
Speaker 1: saying they can't do that and still be cool. They

1791
01:20:52,000 --> 01:20:55,080
Speaker 1: can still have a side project, but we didn't really

1792
01:20:55,080 --> 01:20:57,680
Speaker 1: act for the unkin Fu project. Everybody wasn't screaming for

1793
01:20:57,720 --> 01:20:59,840
Speaker 1: the Unk and Fu project. So they're not feeding the

1794
01:20:59,840 --> 01:21:00,559
Speaker 1: fan base with.

1795
01:21:00,520 --> 01:21:02,280
Speaker 2: That right some degree, they are.

1796
01:21:02,360 --> 01:21:04,080
Speaker 1: The fan base wants a Migos.

1797
01:21:03,760 --> 01:21:04,280
Speaker 2: Music of course.

1798
01:21:04,800 --> 01:21:07,639
Speaker 4: Okay, so then what are they wagering in going all

1799
01:21:07,680 --> 01:21:09,120
Speaker 4: out for that rollout?

1800
01:21:09,439 --> 01:21:14,639
Speaker 1: Well, they look stupid. They're wagering people caring and returning

1801
01:21:14,640 --> 01:21:16,400
Speaker 1: for a Migos album if they decide to get back

1802
01:21:16,400 --> 01:21:16,560
Speaker 1: to it.

1803
01:21:16,640 --> 01:21:18,120
Speaker 2: But I'm saying it would have to.

1804
01:21:18,280 --> 01:21:21,040
Speaker 1: When you go that route of playing like we're beefing,

1805
01:21:21,120 --> 01:21:23,360
Speaker 1: we're broken up, we're not a group anymore, you have

1806
01:21:23,439 --> 01:21:25,600
Speaker 1: to go all the way there. You have to completely

1807
01:21:26,080 --> 01:21:27,880
Speaker 1: tear it down because no one's gonna give a fuck

1808
01:21:27,920 --> 01:21:29,680
Speaker 1: if it they just get quiet. And yeah, and if

1809
01:21:29,680 --> 01:21:31,960
Speaker 1: you get quiet on following Instagram, people don't And now

1810
01:21:31,960 --> 01:21:34,479
Speaker 1: it's like, okay, you can't let it come out that

1811
01:21:34,479 --> 01:21:37,640
Speaker 1: that was just a rollout. Yeah, but yeah, playing that

1812
01:21:37,680 --> 01:21:39,559
Speaker 1: game like y'a don't First of all, but that's the one.

1813
01:21:39,479 --> 01:21:40,920
Speaker 2: Story for the role out. Like even if they do

1814
01:21:40,960 --> 01:21:44,200
Speaker 2: the interviews or even all the press around the new album,

1815
01:21:44,400 --> 01:21:46,560
Speaker 2: that would be the main question, like, Yo, what the

1816
01:21:46,560 --> 01:21:47,080
Speaker 2: fuck happened?

1817
01:21:47,560 --> 01:21:49,280
Speaker 1: But what happened? What happened to this route world?

1818
01:21:49,360 --> 01:21:51,360
Speaker 2: What happened is just putting out a bomb ass record.

1819
01:21:52,280 --> 01:21:53,280
Speaker 2: It's twenty twenty two.

1820
01:21:53,520 --> 01:21:55,320
Speaker 1: But that's what I'm saying. And it's not like they're

1821
01:21:55,360 --> 01:21:57,719
Speaker 1: not capable. It's not like the Migos is not capable.

1822
01:21:58,760 --> 01:22:00,720
Speaker 1: Speaking in the theory of this be a rollout for

1823
01:22:00,720 --> 01:22:02,600
Speaker 1: a return of the Migos project, I'm just speaking to

1824
01:22:02,640 --> 01:22:05,320
Speaker 1: that the Migos is more than capable of putting out

1825
01:22:05,320 --> 01:22:06,320
Speaker 1: a fucking bomb.

1826
01:22:07,360 --> 01:22:13,720
Speaker 2: Musicians and artists have to be entertainers more than they

1827
01:22:13,760 --> 01:22:18,800
Speaker 2: ever have been before. They have to entertain us with which.

1828
01:22:20,000 --> 01:22:22,000
Speaker 1: Has to be tied to different platforms.

1829
01:22:22,000 --> 01:22:24,160
Speaker 2: And yes it can of course, we love a great

1830
01:22:24,200 --> 01:22:27,640
Speaker 2: record and that's entertaining, but it's an artists. They have

1831
01:22:27,720 --> 01:22:29,920
Speaker 2: to be entertainers. They have to entertain us in the

1832
01:22:29,960 --> 01:22:32,439
Speaker 2: way we were just talking about. That help call back

1833
01:22:32,479 --> 01:22:35,439
Speaker 2: to that internet shit that we were discussing of what

1834
01:22:35,640 --> 01:22:37,839
Speaker 2: gets clicks and what people are doing on the internet

1835
01:22:37,880 --> 01:22:43,000
Speaker 2: to maintain a fan base. It requires more. But and

1836
01:22:43,560 --> 01:22:46,320
Speaker 2: it's not just a record anymore. No matter if you're

1837
01:22:46,320 --> 01:22:50,479
Speaker 2: the migos or fucking unsigned artists, you have to entertain

1838
01:22:50,560 --> 01:22:52,640
Speaker 2: us because we're all on our phone, So entertain me.

1839
01:22:53,120 --> 01:22:54,599
Speaker 2: Once the song is over, what are you doing?

1840
01:22:54,720 --> 01:22:56,760
Speaker 1: I get that, But here's my thing, because this was

1841
01:22:56,800 --> 01:22:59,880
Speaker 1: part of taking it back to the whole Pocking Big feud, right,

1842
01:23:00,560 --> 01:23:03,720
Speaker 1: and they saying when Big and Pac approached each other

1843
01:23:03,840 --> 01:23:06,880
Speaker 1: backstage and they had words, Pok's thing was, I'm just

1844
01:23:06,920 --> 01:23:09,760
Speaker 1: trying to sell records. So it's like you're doing all

1845
01:23:09,800 --> 01:23:13,720
Speaker 1: of this to sell records. That was frowned upon back then.

1846
01:23:13,920 --> 01:23:16,840
Speaker 1: It was all about putting out a great fucking record,

1847
01:23:16,920 --> 01:23:20,679
Speaker 1: putting out a great album, then touring, entertaining. These guys

1848
01:23:20,680 --> 01:23:21,400
Speaker 1: are entertainers.

1849
01:23:21,600 --> 01:23:24,759
Speaker 2: We'll ask you this just in regards to the records

1850
01:23:24,800 --> 01:23:28,360
Speaker 2: being sold. Did it work for Pac just in regard

1851
01:23:28,439 --> 01:23:30,759
Speaker 2: I'm just talking about in regards selling records and for Big.

1852
01:23:31,080 --> 01:23:33,759
Speaker 1: Oh yeah, but but it worked. But yeah, but Big

1853
01:23:33,840 --> 01:23:35,840
Speaker 1: see Big wasn't playing that game because he really felt

1854
01:23:35,880 --> 01:23:37,479
Speaker 1: like that was a French well pack was playing, not

1855
01:23:37,520 --> 01:23:39,280
Speaker 1: like I'm not gonna play this game just to sell records.

1856
01:23:39,360 --> 01:23:41,760
Speaker 1: I thought you was my dog, like you understand I'm

1857
01:23:41,760 --> 01:23:44,639
Speaker 1: saying sorry, But if the Migos a family don't play

1858
01:23:44,680 --> 01:23:48,160
Speaker 1: the game of beefing and unfollowing each other just for

1859
01:23:48,200 --> 01:23:49,880
Speaker 1: the sake of a return of the Migos projects and

1860
01:23:49,920 --> 01:23:52,240
Speaker 1: sell some records like this is the Migos, they don't

1861
01:23:52,280 --> 01:23:55,400
Speaker 1: need to play these fucking charades to sell records.

1862
01:23:55,479 --> 01:24:00,760
Speaker 2: But it's a different era. Like again, repeating myself of

1863
01:24:00,760 --> 01:24:02,479
Speaker 2: that Drake line I love so much. I wonder how

1864
01:24:02,520 --> 01:24:04,680
Speaker 2: they survive in this era, like the older artists and

1865
01:24:04,720 --> 01:24:07,320
Speaker 2: the ogs, because they don't have to deal with this

1866
01:24:07,360 --> 01:24:10,040
Speaker 2: internet shit. And we don't even know. We don't even

1867
01:24:10,080 --> 01:24:11,439
Speaker 2: know the rappers we look up to as like they

1868
01:24:11,439 --> 01:24:14,040
Speaker 2: would never play a game just because they were never

1869
01:24:14,080 --> 01:24:15,800
Speaker 2: around when Twitter was, so we never really got to

1870
01:24:15,800 --> 01:24:17,800
Speaker 2: know their real thoughts. They could have been a super

1871
01:24:17,840 --> 01:24:21,120
Speaker 2: cornball and would have been these games worse than these kids, absolutely,

1872
01:24:21,240 --> 01:24:25,240
Speaker 2: absolutely so, because they were kids years old and Pak

1873
01:24:25,360 --> 01:24:28,240
Speaker 2: was playing a game that was attached to a It's

1874
01:24:28,240 --> 01:24:31,640
Speaker 2: not like Poc made up in his head. They was

1875
01:24:31,840 --> 01:24:35,559
Speaker 2: derived from an actual situation that almost at that time

1876
01:24:35,600 --> 01:24:38,640
Speaker 2: cost him his life. So yes, he added big in

1877
01:24:38,800 --> 01:24:41,280
Speaker 2: for the entertainment purposes, but it was attached to something

1878
01:24:41,320 --> 01:24:43,439
Speaker 2: that was very much real, so I can't say it's

1879
01:24:43,479 --> 01:24:46,880
Speaker 2: the same thing. But yeah, man, of course they're gonna

1880
01:24:47,040 --> 01:24:49,240
Speaker 2: play these fucking reindeer games in this era. I don't

1881
01:24:49,280 --> 01:24:52,160
Speaker 2: like it's gonna be not when it's real family, I

1882
01:24:52,160 --> 01:24:54,559
Speaker 2: don't like it. I think that's probably the best way

1883
01:24:54,600 --> 01:24:57,080
Speaker 2: to play the games, because we know we're family.

1884
01:24:56,880 --> 01:24:57,200
Speaker 5: And.

1885
01:24:59,200 --> 01:25:01,280
Speaker 2: It's okay. We can all get together as a family

1886
01:25:01,320 --> 01:25:04,439
Speaker 2: and create a story and then come back together.

1887
01:25:04,600 --> 01:25:06,519
Speaker 4: Do you think they give a fuck about, let's say

1888
01:25:06,600 --> 01:25:08,519
Speaker 4: the minimum of where this all started. Do you think

1889
01:25:08,560 --> 01:25:10,400
Speaker 4: they give a fuck about unfollowing each other.

1890
01:25:11,240 --> 01:25:13,519
Speaker 1: I think that they know that that says something to

1891
01:25:13,560 --> 01:25:15,720
Speaker 1: the public. I think they know that that we look

1892
01:25:15,720 --> 01:25:18,599
Speaker 1: at that like, oh shit, there's something wrong in the camp.

1893
01:25:18,640 --> 01:25:21,920
Speaker 1: There's some tension in the camp because you know, unfollowing

1894
01:25:21,960 --> 01:25:24,599
Speaker 1: somebody is a big deal. So I think that they

1895
01:25:24,600 --> 01:25:27,559
Speaker 1: know that they're very where. Their team knows that. But again,

1896
01:25:27,600 --> 01:25:29,639
Speaker 1: I'm just hoping that this is not for a rollout.

1897
01:25:29,960 --> 01:25:33,720
Speaker 1: I'm hoping that it's really tension and not like they're

1898
01:25:33,760 --> 01:25:36,280
Speaker 1: not gonna be there. It's not gonna become like a

1899
01:25:36,320 --> 01:25:39,280
Speaker 1: beef thing. This is real family we're talking about. But

1900
01:25:39,520 --> 01:25:43,599
Speaker 1: I do understand if it's real tension, whether it be business,

1901
01:25:44,080 --> 01:25:48,160
Speaker 1: whether it be personal relationships or things like that, whatever

1902
01:25:48,200 --> 01:25:50,840
Speaker 1: it may be, I just let it be. And I'm

1903
01:25:50,880 --> 01:25:52,599
Speaker 1: always on the side of just let it be authentic,

1904
01:25:52,680 --> 01:25:55,080
Speaker 1: let it be real. Don't do something just for the

1905
01:25:55,200 --> 01:25:57,599
Speaker 1: optic of it and be behind closed doors laughing like yo,

1906
01:25:57,640 --> 01:25:58,599
Speaker 1: they think we really beefing.

1907
01:25:59,080 --> 01:25:59,960
Speaker 2: So then I'm gonn look at y'all.

1908
01:26:00,000 --> 01:26:03,200
Speaker 1: I've never coming to a live show again. Nigga, I'm gonna.

1909
01:26:02,800 --> 01:26:05,400
Speaker 2: It's list, but I'm gonna look at them like entertainers

1910
01:26:05,400 --> 01:26:06,280
Speaker 2: in twenty twenty two.

1911
01:26:06,560 --> 01:26:08,880
Speaker 1: But you gotta have some integrities that entertained the two though,

1912
01:26:10,000 --> 01:26:13,559
Speaker 1: like that, Absolutely, you don't have to. Then should then

1913
01:26:13,640 --> 01:26:15,360
Speaker 1: go go perform on a fucking cruise ship for the

1914
01:26:15,360 --> 01:26:17,040
Speaker 1: rest of your career and get that ship. They are

1915
01:26:17,080 --> 01:26:19,320
Speaker 1: too with the people outside of the culture that don't

1916
01:26:19,320 --> 01:26:20,600
Speaker 1: really know who you are, and just like, oh, I

1917
01:26:20,600 --> 01:26:22,599
Speaker 1: remember this record. I heard this at Bloomingdale's one day

1918
01:26:22,600 --> 01:26:24,040
Speaker 1: when I was shopping at the New Yorks.

1919
01:26:24,280 --> 01:26:26,519
Speaker 2: But I'm saying, if you do culture are real, like

1920
01:26:26,560 --> 01:26:28,400
Speaker 2: the niggas that really fuck with you, like we don't

1921
01:26:28,439 --> 01:26:29,960
Speaker 2: want to see y'all go through some fake beef to

1922
01:26:30,000 --> 01:26:32,960
Speaker 2: sell no records. For one, could say, if you don't

1923
01:26:32,960 --> 01:26:35,840
Speaker 2: compromise at least some of your integrity, you will be

1924
01:26:35,920 --> 01:26:38,640
Speaker 2: the artist that performs on a fucking cruise ship if

1925
01:26:38,680 --> 01:26:41,000
Speaker 2: you keep all that integrity and go on fucking carnival cruise.

1926
01:26:41,200 --> 01:26:41,439
Speaker 1: Nah.

1927
01:26:41,520 --> 01:26:43,960
Speaker 2: I think it's because people we're in the era where

1928
01:26:44,000 --> 01:26:48,639
Speaker 2: that is not looked upon as credible, Like we don't

1929
01:26:48,680 --> 01:26:52,040
Speaker 2: care what's true and what's not as long as it's entertaining.

1930
01:26:53,200 --> 01:26:55,719
Speaker 1: It's a I think you're speaking for a very small

1931
01:26:55,720 --> 01:26:58,120
Speaker 1: percentage of the consumers.

1932
01:26:58,200 --> 01:27:01,599
Speaker 2: I think it's a lot. Yeah, I think your speaking first, Yeah.

1933
01:27:01,160 --> 01:27:02,320
Speaker 3: I think you miss something.

1934
01:27:02,400 --> 01:27:05,559
Speaker 1: You if y'all think that the young. If y'all think

1935
01:27:05,560 --> 01:27:08,960
Speaker 1: got young kids, that's let's say in college that are

1936
01:27:09,080 --> 01:27:12,559
Speaker 1: fans of Amigos, y'all think that if they find out

1937
01:27:12,600 --> 01:27:14,800
Speaker 1: the Migos did all this to sell records, they're gonna

1938
01:27:14,840 --> 01:27:15,559
Speaker 1: be like, oh okay.

1939
01:27:15,880 --> 01:27:17,400
Speaker 2: I think those college kids will be like, what a

1940
01:27:17,400 --> 01:27:18,640
Speaker 2: smart marketing plan? Not?

1941
01:27:19,040 --> 01:27:20,880
Speaker 1: I don't think so. I don't think so. But this

1942
01:27:20,920 --> 01:27:24,000
Speaker 1: is the thing, because consumers are not stupid. No matter

1943
01:27:24,000 --> 01:27:25,400
Speaker 1: how young you are, you're not stupid.

1944
01:27:25,439 --> 01:27:26,759
Speaker 3: They actually are very stupid.

1945
01:27:26,760 --> 01:27:28,240
Speaker 2: Well, they're the smartest I think they've ever been, just

1946
01:27:28,280 --> 01:27:31,160
Speaker 2: because of access and information to information. Absolutely, that's what

1947
01:27:31,200 --> 01:27:32,240
Speaker 2: I'm saying. The consumers are not.

1948
01:27:32,320 --> 01:27:34,880
Speaker 1: You can you may be able to pull certain things

1949
01:27:34,920 --> 01:27:38,320
Speaker 1: off and trick the consumers. Right, but when you start

1950
01:27:38,360 --> 01:27:41,760
Speaker 1: talking my old oh, y'all wasn't really beefing because now

1951
01:27:41,760 --> 01:27:43,840
Speaker 1: people are invested in like your personal life.

1952
01:27:43,680 --> 01:27:46,240
Speaker 3: Admit to that. This is the thing. It's only man,

1953
01:27:46,439 --> 01:27:48,719
Speaker 3: they get caught if they don't get you don't.

1954
01:27:48,520 --> 01:27:50,800
Speaker 1: Have to get caught. People tell everything now to themselves.

1955
01:27:51,000 --> 01:27:53,080
Speaker 1: You don't have to investigate. Police don't have to do

1956
01:27:53,280 --> 01:27:53,800
Speaker 1: no work.

1957
01:27:53,840 --> 01:27:56,719
Speaker 2: Now being a cop is being a detective is the easy.

1958
01:27:56,560 --> 01:27:57,080
Speaker 1: Shit in the world.

1959
01:27:57,200 --> 01:27:59,920
Speaker 2: That's what I do. They just scroll, you gotta like.

1960
01:28:00,240 --> 01:28:02,599
Speaker 1: They'll know, like yeah, you think that they're not going

1961
01:28:02,600 --> 01:28:04,280
Speaker 1: to people in Atlanta and not gonna see them out

1962
01:28:04,280 --> 01:28:06,280
Speaker 1: together like somewhere and be like, yo, they right here chilling,

1963
01:28:06,320 --> 01:28:07,360
Speaker 1: Like these niggas ain't beefing.

1964
01:28:07,600 --> 01:28:09,479
Speaker 2: That'll be on the internet in five minutes. I suppose

1965
01:28:09,520 --> 01:28:09,960
Speaker 2: that would be.

1966
01:28:10,160 --> 01:28:12,680
Speaker 1: It's too easy to figure it out. Like that's why

1967
01:28:12,680 --> 01:28:15,519
Speaker 1: I said, let it be real. It's not like I said,

1968
01:28:15,520 --> 01:28:16,880
Speaker 1: I don't think the Migos are ever going to get

1969
01:28:16,880 --> 01:28:18,400
Speaker 1: into a real beef and it's going to be like

1970
01:28:18,840 --> 01:28:21,000
Speaker 1: blood drawn and shit. I don't that's not gonna happen.

1971
01:28:21,400 --> 01:28:24,160
Speaker 1: But let it be a real like yo, we really

1972
01:28:24,439 --> 01:28:27,000
Speaker 1: business wise things were you know, we didn't have business straight.

1973
01:28:27,479 --> 01:28:30,879
Speaker 1: Personal relationships got in a way. Let it be authentic

1974
01:28:30,920 --> 01:28:32,960
Speaker 1: because then people could be like, oh damn, like all right, well,

1975
01:28:32,960 --> 01:28:34,519
Speaker 1: look good to see that y'all were able to get

1976
01:28:34,560 --> 01:28:38,080
Speaker 1: past that, come back together and give another great project,

1977
01:28:38,320 --> 01:28:40,479
Speaker 1: which I think they're capable. This is the Migos, bro.

1978
01:28:40,520 --> 01:28:43,120
Speaker 1: This is one of the biggest groups of their generation, like,

1979
01:28:43,320 --> 01:28:44,439
Speaker 1: if not the biggest group.

1980
01:28:44,520 --> 01:28:46,559
Speaker 2: Like I know, if it's fake, just for QC's sake,

1981
01:28:46,600 --> 01:28:48,479
Speaker 2: because they're going through some shit right now.

1982
01:28:48,479 --> 01:28:49,679
Speaker 3: They got a lot going on right now.

1983
01:28:50,000 --> 01:28:50,519
Speaker 1: Yeah, and.

1984
01:28:52,240 --> 01:28:54,960
Speaker 2: I respect those two gentlemen very much, and I hope

1985
01:28:55,439 --> 01:28:58,160
Speaker 2: they're dealing with all the shit in a good way

1986
01:28:58,280 --> 01:29:00,519
Speaker 2: because obviously with the Gunner shit and everything else. But

1987
01:29:01,800 --> 01:29:03,800
Speaker 2: I also particularly don't care if it's real or fake.

1988
01:29:03,880 --> 01:29:06,960
Speaker 2: I don't care if the music's good. I care if

1989
01:29:07,000 --> 01:29:09,200
Speaker 2: the music is bad, I'll just move on. That's that's

1990
01:29:09,200 --> 01:29:12,120
Speaker 2: really all the shit is but I think like any

1991
01:29:13,240 --> 01:29:18,439
Speaker 2: a list, group or act, even if you don't need it,

1992
01:29:19,160 --> 01:29:22,080
Speaker 2: your momentum does slow down. It's just inevitable, no matter

1993
01:29:22,160 --> 01:29:25,200
Speaker 2: what artists you are, no matter what. And I am

1994
01:29:25,240 --> 01:29:28,320
Speaker 2: not saying this in a bad way, just a realistic one.

1995
01:29:28,520 --> 01:29:32,960
Speaker 2: The Migos, they have slowed up a bit as far

1996
01:29:33,000 --> 01:29:35,000
Speaker 2: as the just because they've been around and the younger artists,

1997
01:29:35,000 --> 01:29:37,479
Speaker 2: and that's just how the cycle goes. It's not anything

1998
01:29:37,560 --> 01:29:39,640
Speaker 2: to well, you know what they're their talent level, the

1999
01:29:39,720 --> 01:29:41,840
Speaker 2: music they're making, or their fan base. But yeah, in

2000
01:29:41,880 --> 01:29:45,000
Speaker 2: this era you have to do sometimes to keep shit moving.

2001
01:29:45,040 --> 01:29:47,240
Speaker 2: You have to do little shit like this, even if

2002
01:29:47,280 --> 01:29:48,000
Speaker 2: you are an a lister.

2003
01:29:48,120 --> 01:29:49,640
Speaker 1: No, no, no, what you have to do is you have

2004
01:29:49,680 --> 01:29:52,960
Speaker 1: to rebrand yourself. You can't be the young lit niggas

2005
01:29:52,960 --> 01:29:56,479
Speaker 1: in the club. So again, you can't be the niggas

2006
01:29:56,479 --> 01:30:00,160
Speaker 1: that's jewelry, jewelry, jewelry again. And now you can't the

2007
01:30:00,240 --> 01:30:04,080
Speaker 1: niggas that's Gucci, Gucci, Chanelle, Chanel again. You can't be that.

2008
01:30:04,200 --> 01:30:06,639
Speaker 1: Rebrand yourself. Get into some real shit. Y'all got family,

2009
01:30:06,680 --> 01:30:09,080
Speaker 1: that shit y'all got, yeah, get into some shit where

2010
01:30:09,120 --> 01:30:11,320
Speaker 1: it's like, okay, your fan bases are now what four

2011
01:30:11,400 --> 01:30:12,439
Speaker 1: or five six years older?

2012
01:30:12,880 --> 01:30:15,080
Speaker 2: M hm, let's get into some of that shit and

2013
01:30:15,120 --> 01:30:16,800
Speaker 2: what happens when you get older You fall out with family.

2014
01:30:17,400 --> 01:30:20,679
Speaker 2: Here comes the rollout. That's good, I mean, but cool.

2015
01:30:20,800 --> 01:30:22,559
Speaker 1: Let it be real though, Let it be real.

2016
01:30:22,840 --> 01:30:25,400
Speaker 3: Yeah, Versachi popp In twenty thirteen, ten years older.

2017
01:30:25,439 --> 01:30:26,160
Speaker 2: You see what I'm saying.

2018
01:30:26,160 --> 01:30:28,960
Speaker 1: So it's like we can't keep We know y'all getting money,

2019
01:30:29,000 --> 01:30:31,080
Speaker 1: we know y'all get fresh. We know we know that.

2020
01:30:31,080 --> 01:30:32,720
Speaker 2: That's we got that. That's what we loved.

2021
01:30:32,800 --> 01:30:34,640
Speaker 1: All these young niggas is you know what I mean?

2022
01:30:34,680 --> 01:30:36,200
Speaker 1: They bad and bougie. You know what I mean? These

2023
01:30:36,240 --> 01:30:39,240
Speaker 1: niggas is looking like young Liberachi's. They owe diamonds everywhere,

2024
01:30:39,240 --> 01:30:42,840
Speaker 1: Like we get it. Now what you know what I'm saying.

2025
01:30:42,840 --> 01:30:45,719
Speaker 1: You got me to the store, I'm in him walking around.

2026
01:30:45,720 --> 01:30:47,240
Speaker 1: The brother was like okay, cool, but it's like, now,

2027
01:30:47,240 --> 01:30:48,880
Speaker 1: how you're gonna get me to keep coming back?

2028
01:30:50,360 --> 01:30:53,599
Speaker 2: Be for each other's so stupid?

2029
01:30:53,960 --> 01:30:54,679
Speaker 1: That is stupid.

2030
01:30:55,160 --> 01:30:58,640
Speaker 2: That's hip hop. But what it is hip hop? Unfortunately,

2031
01:30:59,200 --> 01:31:01,000
Speaker 2: I feel like there's some other stuff on your list,

2032
01:31:01,360 --> 01:31:03,679
Speaker 2: marriage that we should that we should hit.

2033
01:31:04,520 --> 01:31:05,280
Speaker 3: Relations to.

2034
01:31:09,160 --> 01:31:14,640
Speaker 1: Nick another one because they was asking Nick Cannon he

2035
01:31:14,680 --> 01:31:18,800
Speaker 1: was on an episode of lip service, uh and shout

2036
01:31:18,840 --> 01:31:21,639
Speaker 1: out the lip service the ladies over at lip service UH.

2037
01:31:22,040 --> 01:31:23,840
Speaker 1: And he was saying, you know, because I guess they

2038
01:31:23,840 --> 01:31:26,240
Speaker 1: brought up to you know, having kids multiple women like

2039
01:31:26,600 --> 01:31:29,840
Speaker 1: some naturally, you know, protection and condoms and things like

2040
01:31:29,880 --> 01:31:32,320
Speaker 1: that would come into play in the conversation. And I

2041
01:31:32,360 --> 01:31:37,000
Speaker 1: believe Nick Cannon said, uh, I don't have sex with

2042
01:31:37,080 --> 01:31:41,000
Speaker 1: anyone I need protection from something like that. In other words,

2043
01:31:41,200 --> 01:31:42,800
Speaker 1: I don't wear a condom with a woman that I'm

2044
01:31:42,840 --> 01:31:48,200
Speaker 1: having sex with because no Cannon. Yeah, is that what

2045
01:31:48,240 --> 01:31:51,320
Speaker 1: you call that girl? Man? Yeah, no condom Cannon? Are

2046
01:31:51,320 --> 01:31:53,080
Speaker 1: they calling him out? Did you just call him that?

2047
01:31:53,439 --> 01:31:56,680
Speaker 2: NCC is what they Yeah? There you go. Yeah, you

2048
01:31:56,720 --> 01:32:08,680
Speaker 2: know me, he's down with NCC. Everybody literally listen, I understand.

2049
01:32:08,120 --> 01:32:10,880
Speaker 1: I understand what he was saying.

2050
01:32:11,160 --> 01:32:13,200
Speaker 2: Dick says it. You understand what I tell you?

2051
01:32:13,200 --> 01:32:17,080
Speaker 1: That no, no, no, because because I always ask the question,

2052
01:32:18,120 --> 01:32:19,920
Speaker 1: and I think I asked you, do you wear condom

2053
01:32:20,000 --> 01:32:24,519
Speaker 1: for protection from STDs or pregnancy? Because it is called

2054
01:32:24,600 --> 01:32:29,320
Speaker 1: birth it was originally birth control, right, I remember, So

2055
01:32:30,760 --> 01:32:36,080
Speaker 1: I think Nick Canon is still operating on that that io. Yeah,

2056
01:32:36,080 --> 01:32:37,880
Speaker 1: he's operating on the birth control.

2057
01:32:37,960 --> 01:32:40,360
Speaker 2: She's on the patch. Yeah, he don't need listen, we

2058
01:32:40,400 --> 01:32:41,479
Speaker 2: don't have to control birth.

2059
01:32:42,280 --> 01:32:44,120
Speaker 1: Let it happen. Yes, right, that's Nick.

2060
01:32:44,320 --> 01:32:49,320
Speaker 2: Nick stands big, big pro life for that guy, nixt the.

2061
01:32:49,280 --> 01:32:50,479
Speaker 1: Biggest pro life of there is.

2062
01:32:51,320 --> 01:32:53,240
Speaker 2: But my thing is to get elected in Texas.

2063
01:32:54,200 --> 01:32:57,160
Speaker 1: I just don't know if Nick Cannon is going to

2064
01:32:57,280 --> 01:32:59,479
Speaker 1: like wake up one day and realize that he has

2065
01:32:59,520 --> 01:33:02,439
Speaker 1: to have a relationship with so many women for the

2066
01:33:02,479 --> 01:33:04,760
Speaker 1: rest of his life in some capacity. For sure, have

2067
01:33:04,840 --> 01:33:07,160
Speaker 1: to have an intimate relationship with them, but it's like,

2068
01:33:07,200 --> 01:33:08,640
Speaker 1: you have to deal with these women because they have

2069
01:33:08,720 --> 01:33:13,720
Speaker 1: your children. And I just don't know if he is

2070
01:33:14,720 --> 01:33:17,719
Speaker 1: factoring that aspect then, Yet he has to be after

2071
01:33:17,760 --> 01:33:20,880
Speaker 1: like number five. I think it's deeper. I think, you know,

2072
01:33:21,200 --> 01:33:24,680
Speaker 1: because against prayers and condolences, he lost a child. So

2073
01:33:24,920 --> 01:33:28,400
Speaker 1: I think that in some way Nick is because he

2074
01:33:28,479 --> 01:33:29,920
Speaker 1: had a multiple kids before that.

2075
01:33:29,880 --> 01:33:31,200
Speaker 3: Though he had like six before.

2076
01:33:31,760 --> 01:33:33,960
Speaker 1: Yes, but now I feel like he may be somewhere

2077
01:33:33,960 --> 01:33:37,720
Speaker 1: else as a result of that now and this may

2078
01:33:39,000 --> 01:33:41,839
Speaker 1: we may start to see these numbers like triple maybe.

2079
01:33:42,800 --> 01:33:44,800
Speaker 1: And that's the part where I'm just like, yo, Nick,

2080
01:33:44,840 --> 01:33:47,719
Speaker 1: you might need somebody in your ear in your corner

2081
01:33:47,760 --> 01:33:50,439
Speaker 1: to be like, yo, bro, we get it, but you're

2082
01:33:50,479 --> 01:33:51,559
Speaker 1: talking about nine kids.

2083
01:33:51,960 --> 01:33:54,280
Speaker 4: You think you're just gonna be another one after this one?

2084
01:33:54,479 --> 01:33:57,599
Speaker 2: I mean, he's got it. I think you got to attack.

2085
01:33:58,000 --> 01:33:59,960
Speaker 1: Did you did you get any sign of him slowing

2086
01:34:00,080 --> 01:34:02,360
Speaker 1: down from like any of the clips you saw? Did

2087
01:34:02,400 --> 01:34:04,960
Speaker 1: you see the lip service episode? Like he has no

2088
01:34:05,000 --> 01:34:08,360
Speaker 1: signs of slowing down, like he's he doesn't even have

2089
01:34:08,880 --> 01:34:11,320
Speaker 1: a goal, like a finish line. I want ten and

2090
01:34:11,360 --> 01:34:13,200
Speaker 1: I'm done. Like if he says that, then it' say, okay,

2091
01:34:13,200 --> 01:34:14,120
Speaker 1: he's going for ten and he out.

2092
01:34:14,360 --> 01:34:15,920
Speaker 2: At this point he has to do. You can't stop

2093
01:34:15,960 --> 01:34:16,479
Speaker 2: it now, you can't.

2094
01:34:16,680 --> 01:34:19,880
Speaker 1: You can't nobody ever do this. You can't do nine

2095
01:34:19,880 --> 01:34:20,920
Speaker 1: of anything and not do ten.

2096
01:34:21,000 --> 01:34:21,400
Speaker 2: That's true.

2097
01:34:21,479 --> 01:34:24,519
Speaker 1: Nothing How long until ten? Though? I might? I mean,

2098
01:34:25,000 --> 01:34:30,040
Speaker 1: is he going out this weekends? A rule? So now

2099
01:34:30,040 --> 01:34:33,240
Speaker 1: we're after the children are being rumored? Now for Nick,

2100
01:34:33,640 --> 01:34:35,040
Speaker 1: this is the way he's at now. I mean, but

2101
01:34:35,040 --> 01:34:36,160
Speaker 1: that's they're starting.

2102
01:34:35,880 --> 01:34:37,519
Speaker 2: To throw women like if you kids a rumor and

2103
01:34:37,520 --> 01:34:40,040
Speaker 2: I'm sure that it's at twenty for Nick, and that's.

2104
01:34:39,920 --> 01:34:41,960
Speaker 1: What it's just, you know, I think some of you

2105
01:34:42,040 --> 01:34:43,680
Speaker 1: guys said that also, that's the ones that he doesn't know.

2106
01:34:44,120 --> 01:34:45,280
Speaker 3: The money doesn't matter.

2107
01:34:45,560 --> 01:34:48,040
Speaker 5: And it's you have all of these kids that are

2108
01:34:48,120 --> 01:34:51,519
Speaker 5: a lot of them are within five with like within

2109
01:34:51,840 --> 01:34:53,879
Speaker 5: like five of them are within like a two years.

2110
01:34:54,200 --> 01:34:56,599
Speaker 3: You see what I'm saying. So these kids start getting

2111
01:34:56,640 --> 01:34:59,080
Speaker 3: older and getting older and they have soccer games in

2112
01:34:59,160 --> 01:35:01,240
Speaker 3: basketball games.

2113
01:35:00,560 --> 01:35:02,439
Speaker 2: All over the country. They're not like all.

2114
01:35:02,400 --> 01:35:03,839
Speaker 3: Yeah, and they're all over the country.

2115
01:35:04,040 --> 01:35:07,320
Speaker 5: You're gonna start dropping the ball here, like you're not

2116
01:35:07,360 --> 01:35:09,799
Speaker 5: going to be If I have ten jobs, I can't

2117
01:35:10,080 --> 01:35:12,360
Speaker 5: be the greatest I could be as if I had

2118
01:35:12,400 --> 01:35:13,479
Speaker 5: one job, I now have ten.

2119
01:35:13,560 --> 01:35:14,280
Speaker 3: I have to split up.

2120
01:35:14,320 --> 01:35:15,759
Speaker 1: My kids are jobs.

2121
01:35:15,920 --> 01:35:18,120
Speaker 3: And I'm talking that he has a job. He stayed

2122
01:35:18,160 --> 01:35:19,320
Speaker 3: booked and busy somewhere.

2123
01:35:19,640 --> 01:35:21,519
Speaker 1: So that's what I'm saying. It's going to get to

2124
01:35:21,520 --> 01:35:23,680
Speaker 1: a point where, again we're looking at this and you know,

2125
01:35:23,680 --> 01:35:27,720
Speaker 1: people co labor, you nick wilding out, you're wilding out

2126
01:35:28,240 --> 01:35:30,360
Speaker 1: kids everywhere he has, but it's.

2127
01:35:30,200 --> 01:35:32,320
Speaker 2: Gonna create a whole show with his children.

2128
01:35:32,400 --> 01:35:34,040
Speaker 1: Yeah, but it's like we're getting to a point out

2129
01:35:34,080 --> 01:35:38,519
Speaker 1: like you said, the kids, the children's mother, somebody is

2130
01:35:38,560 --> 01:35:41,760
Speaker 1: going to suffer and lack something somewhere.

2131
01:35:41,400 --> 01:35:44,760
Speaker 2: Because It's not like sadly, he's not the the dick

2132
01:35:44,840 --> 01:35:48,040
Speaker 2: swinger of the neighborhood that just you know, don't see

2133
01:35:48,680 --> 01:35:51,920
Speaker 2: just in that area. They could all kind of like

2134
01:35:51,960 --> 01:35:52,920
Speaker 2: be around right and.

2135
01:35:52,800 --> 01:35:55,800
Speaker 1: Be clear and certain cultes, it's that's normal as long

2136
01:35:55,840 --> 01:35:59,200
Speaker 1: as you can provide for each I'll tell you that

2137
01:35:59,280 --> 01:36:01,439
Speaker 1: you take care of your children, like you know. So

2138
01:36:01,479 --> 01:36:03,479
Speaker 1: it's like it's so, it's not like it's this isn't

2139
01:36:03,520 --> 01:36:07,360
Speaker 1: a an abnormal thing that Nick is doing.

2140
01:36:07,439 --> 01:36:10,320
Speaker 2: It's just that we know a lot of entertainers, athletes

2141
01:36:10,640 --> 01:36:13,360
Speaker 2: that have more than nine kids, and we don't ever

2142
01:36:13,400 --> 01:36:14,439
Speaker 2: bring it, like why is it Nick?

2143
01:36:14,880 --> 01:36:18,200
Speaker 1: Just because Nick, you know, it's always about the latest

2144
01:36:18,200 --> 01:36:18,639
Speaker 1: and greatest.

2145
01:36:18,680 --> 01:36:21,120
Speaker 5: It's also because niggas having them back to back to

2146
01:36:21,200 --> 01:36:23,599
Speaker 5: back to back to back, like to back.

2147
01:36:24,840 --> 01:36:27,120
Speaker 2: Listen, he's an ambitious person. I mean, if you just

2148
01:36:27,120 --> 01:36:27,559
Speaker 2: look at his.

2149
01:36:27,520 --> 01:36:30,479
Speaker 5: Careers slowing down before Nick dies, I see him having

2150
01:36:30,560 --> 01:36:31,400
Speaker 5: twenty kids.

2151
01:36:31,760 --> 01:36:35,400
Speaker 2: So what do we like It's.

2152
01:36:35,240 --> 01:36:37,640
Speaker 1: Just like I said, it's I know, it's still you know,

2153
01:36:37,680 --> 01:36:42,160
Speaker 1: he's still grieving obviously the loss of his child. So

2154
01:36:42,160 --> 01:36:46,120
Speaker 1: it's it's it's trauma, it's mental health, you know what

2155
01:36:46,120 --> 01:36:48,720
Speaker 1: I mean, Because like you said you can't. You have

2156
01:36:48,760 --> 01:36:51,679
Speaker 1: all these babies and these children spread out across the country,

2157
01:36:51,720 --> 01:36:56,040
Speaker 1: and it's it's hard to somebody's gonna lack time. You're

2158
01:36:56,040 --> 01:37:00,320
Speaker 1: gonna miss things. You're gonna miss, you know, winning shots

2159
01:37:00,320 --> 01:37:04,880
Speaker 1: at basketball games, or miss your child's first touchdown and

2160
01:37:05,240 --> 01:37:08,879
Speaker 1: miss you know, there's so many things that because somebody

2161
01:37:08,960 --> 01:37:11,320
Speaker 1: somewhere need you here at all times. You know, this

2162
01:37:11,400 --> 01:37:13,640
Speaker 1: kid may need you. This kid may be sick, you know,

2163
01:37:13,760 --> 01:37:17,240
Speaker 1: God forbid, this kid may be graduating today while your

2164
01:37:17,240 --> 01:37:20,160
Speaker 1: other kid is having their first recital, you know what

2165
01:37:20,160 --> 01:37:22,840
Speaker 1: I mean. So it's just it's it's just, you know,

2166
01:37:23,160 --> 01:37:27,120
Speaker 1: it's it's it's not a it's not a I don't

2167
01:37:27,120 --> 01:37:30,040
Speaker 1: think it's a smart thing. And I'm not saying I'm

2168
01:37:30,040 --> 01:37:33,920
Speaker 1: smarter than Nick Cannon, please, but I'm just saying that, yeah,

2169
01:37:34,000 --> 01:37:36,760
Speaker 1: everybody smarter than me. But it's just, you know, I

2170
01:37:36,840 --> 01:37:40,400
Speaker 1: just feel like the kids are gonna lack somewhere. And

2171
01:37:40,560 --> 01:37:43,040
Speaker 1: even if you only had one kid and your Nick Cannon,

2172
01:37:43,080 --> 01:37:45,600
Speaker 1: you have a busy schedule your kid is, You're not

2173
01:37:45,600 --> 01:37:47,040
Speaker 1: gonna be there for everything for your kid. But now

2174
01:37:47,040 --> 01:37:51,000
Speaker 1: when we're talking about nine, those chances are way greater

2175
01:37:51,080 --> 01:37:52,759
Speaker 1: to miss a lot of important things.

2176
01:37:52,560 --> 01:37:55,680
Speaker 2: In these children have in trouble with Daisley exactly. You

2177
01:37:55,760 --> 01:38:02,000
Speaker 2: know what I mean, single father, h all right, it's.

2178
01:38:01,880 --> 01:38:04,680
Speaker 1: A nobody's calling you. So why do you say you

2179
01:38:04,720 --> 01:38:05,400
Speaker 1: hate when you hear it.

2180
01:38:05,760 --> 01:38:08,160
Speaker 2: You're the only person that says it's the funny Drake Barby.

2181
01:38:08,200 --> 01:38:09,800
Speaker 2: I don't know why. I laugh every time. I like

2182
01:38:09,880 --> 01:38:12,519
Speaker 2: that song too. Hey, Draymond Green, check this out. You're

2183
01:38:12,520 --> 01:38:16,160
Speaker 2: just not gonna use that opportunity to segue as a

2184
01:38:16,240 --> 01:38:21,559
Speaker 2: former R. Kelly collaborator, as Nick Cannon into sentencing.

2185
01:38:21,680 --> 01:38:24,080
Speaker 1: They're gonna smoke all Kelly boots. They're gonna sit that

2186
01:38:24,200 --> 01:38:26,680
Speaker 1: nigg up the river for forty years as we are

2187
01:38:26,800 --> 01:38:28,920
Speaker 1: never going. You better believe you could fly over them

2188
01:38:29,000 --> 01:38:31,080
Speaker 1: jail walls, nigga, because it's fucking over.

2189
01:38:31,360 --> 01:38:33,600
Speaker 2: Yeah, it's fucking.

2190
01:38:33,320 --> 01:38:36,120
Speaker 1: They gonna ruth R Kelly. Trust me. When they let

2191
01:38:36,160 --> 01:38:38,439
Speaker 1: him get away. He got away the first time.

2192
01:38:38,520 --> 01:38:40,519
Speaker 2: They was like, yo, fam, listen you tripping with these

2193
01:38:40,560 --> 01:38:41,120
Speaker 2: young girls.

2194
01:38:41,360 --> 01:38:45,280
Speaker 1: Relax. He layload for about three four years and went

2195
01:38:45,360 --> 01:38:49,360
Speaker 1: right back to recording ship, had more women come in there,

2196
01:38:49,360 --> 01:38:52,200
Speaker 1: and it's like, now look at you. They asked for

2197
01:38:52,240 --> 01:38:53,519
Speaker 1: a minimum of twenty five years.

2198
01:38:53,560 --> 01:38:55,200
Speaker 2: I think that's just on the federal one.

2199
01:38:55,479 --> 01:38:57,360
Speaker 1: Yeah, and I think he gotta go. I think the

2200
01:38:57,439 --> 01:38:59,000
Speaker 1: year state charged in Chicago, I believe.

2201
01:38:59,120 --> 01:39:03,160
Speaker 2: Yes, Listen, man, they're gonna good. They're gonna give him

2202
01:39:03,160 --> 01:39:05,200
Speaker 2: forty years man. And you know it's fucked up.

2203
01:39:05,920 --> 01:39:09,599
Speaker 1: R Kelly was you know, one of the greatest songwriters, uh,

2204
01:39:09,960 --> 01:39:11,840
Speaker 1: one of the greatest R and B voices, one of

2205
01:39:11,840 --> 01:39:17,479
Speaker 1: the greatest R and B artists, iconic legendary songs. Anytime

2206
01:39:17,520 --> 01:39:20,320
Speaker 1: you write a song that they played every graduation across

2207
01:39:20,320 --> 01:39:21,120
Speaker 1: the country, you know.

2208
01:39:21,040 --> 01:39:23,320
Speaker 3: That every cookout've done something great.

2209
01:39:23,439 --> 01:39:27,160
Speaker 1: Yeah, so it's unfortunate, but you know he's a he's

2210
01:39:27,160 --> 01:39:28,920
Speaker 1: a piece of ship man. He was doing piece of

2211
01:39:28,920 --> 01:39:34,040
Speaker 1: ship ship you know. So he he deserves. He deserves

2212
01:39:34,080 --> 01:39:36,519
Speaker 1: to be sitting in jail. It's no doubt about it.

2213
01:39:37,120 --> 01:39:39,519
Speaker 2: Yeah, I'm curious to see but they give him on that.

2214
01:39:39,720 --> 01:39:42,519
Speaker 1: No, they're gonna smoke him. They're gonna smoke him good,

2215
01:39:42,920 --> 01:39:46,120
Speaker 1: like a like a like a forty ounce porterhouse.

2216
01:39:46,120 --> 01:39:48,200
Speaker 2: They go, he's go to PC up or he's gonna

2217
01:39:48,400 --> 01:39:52,559
Speaker 2: get his boots smoked in there too, for real.

2218
01:39:52,600 --> 01:39:54,480
Speaker 1: In there, Rory.

2219
01:39:55,960 --> 01:39:58,280
Speaker 3: Sexual assault. We don't make sexual assault jokes.

2220
01:39:58,439 --> 01:39:59,960
Speaker 1: We don't, but we will make Joe.

2221
01:40:00,240 --> 01:40:03,720
Speaker 2: Okay, but when someone sexually assaults people that much and

2222
01:40:03,840 --> 01:40:08,360
Speaker 2: goes to prison, we're now playing by prison rules. Oh

2223
01:40:08,439 --> 01:40:10,559
Speaker 2: he's not there, But I can't stand they're.

2224
01:40:10,680 --> 01:40:13,800
Speaker 1: Really going to be improtective cussody. Of course, without a doubt.

2225
01:40:13,800 --> 01:40:17,200
Speaker 1: We don't even have to think about that. Somebody else

2226
01:40:17,240 --> 01:40:18,240
Speaker 1: that's in protective of custody.

2227
01:40:18,320 --> 01:40:23,160
Speaker 2: Draymond Green, Oh god, and you know the Celtics an apology.

2228
01:40:23,640 --> 01:40:26,760
Speaker 1: I had the Warriors in five. Obviously it's we're past that.

2229
01:40:27,360 --> 01:40:31,759
Speaker 1: Or it might be the Celtics and five. Who knows, Yeah, right, Draymond.

2230
01:40:31,880 --> 01:40:33,760
Speaker 1: I like Draymond Green. We talked about him, you know,

2231
01:40:33,880 --> 01:40:36,040
Speaker 1: well spoken. He's gonna be a great analyst after he's

2232
01:40:36,040 --> 01:40:38,360
Speaker 1: done playing a good podcast.

2233
01:40:38,880 --> 01:40:44,479
Speaker 2: Eskimo brother me, I don't know me. Dram is perceived

2234
01:40:44,479 --> 01:40:48,760
Speaker 2: different on this podcast. Draymond Greed is a he's averaging

2235
01:40:48,920 --> 01:40:55,040
Speaker 2: I think ship yeah right now average averaging some tweets.

2236
01:40:55,920 --> 01:40:58,560
Speaker 1: Yeah, and it's you know, and I know Draymond is

2237
01:40:58,600 --> 01:41:00,680
Speaker 1: not supposed to be a big score or he's not.

2238
01:41:00,800 --> 01:41:03,479
Speaker 1: That's not his game. His game is the the little

2239
01:41:03,560 --> 01:41:06,800
Speaker 1: nuances of the game is when he's mastered, you know, defensively,

2240
01:41:07,240 --> 01:41:10,519
Speaker 1: But right now he can't stand in front of Jaylen Brown,

2241
01:41:10,720 --> 01:41:13,519
Speaker 1: he can't stand in front of Jason Tatum, he can't

2242
01:41:13,520 --> 01:41:16,040
Speaker 1: stand in front of nobody. Pretty much. Anybody he guards

2243
01:41:16,040 --> 01:41:20,240
Speaker 1: one on one is scoring. And it's I didn't see

2244
01:41:20,240 --> 01:41:22,439
Speaker 1: that happening in this series. You know, I always I

2245
01:41:22,479 --> 01:41:25,439
Speaker 1: thought Draymond is the defensive anchor. As long as he's healthy,

2246
01:41:25,960 --> 01:41:29,280
Speaker 1: he's gonna do his job. But it's time for the

2247
01:41:29,320 --> 01:41:32,160
Speaker 1: Warriors to adjust. They got to make an adjustment. They're

2248
01:41:32,200 --> 01:41:37,280
Speaker 1: getting killed on offensive rebounds. Uh, you know that they're

2249
01:41:37,320 --> 01:41:40,360
Speaker 1: not as athletic. I think they're relying too much. And

2250
01:41:40,439 --> 01:41:42,120
Speaker 1: it's crazy to say the Warriors are relying on their

2251
01:41:42,120 --> 01:41:44,680
Speaker 1: three point shot, because that's what they do. But they

2252
01:41:44,760 --> 01:41:47,080
Speaker 1: might be relying a little too much on their three

2253
01:41:47,120 --> 01:41:50,800
Speaker 1: point shot, and then you're not getting much help outside

2254
01:41:50,800 --> 01:41:55,120
Speaker 1: of the obvious Steph Clay. You know, Andrew Wiggins has

2255
01:41:55,160 --> 01:42:02,160
Speaker 1: played okay, Jordan Poole has struggled a little bit. So yeah, man,

2256
01:42:02,200 --> 01:42:05,519
Speaker 1: this is the Warriors are gonna have to The Celtics

2257
01:42:05,560 --> 01:42:07,760
Speaker 1: are obviously not gonna lay down, and this is gonna

2258
01:42:07,800 --> 01:42:08,320
Speaker 1: be a series.

2259
01:42:08,400 --> 01:42:08,519
Speaker 4: Uh.

2260
01:42:09,960 --> 01:42:12,400
Speaker 1: You know, now, I think I think I think it's

2261
01:42:12,400 --> 01:42:15,600
Speaker 1: going seven at this point, this back and forth, I

2262
01:42:15,640 --> 01:42:17,760
Speaker 1: think it's going seven. I think. You know, obviously people

2263
01:42:17,800 --> 01:42:19,200
Speaker 1: would like to say, you know, the refs, the league,

2264
01:42:19,200 --> 01:42:21,120
Speaker 1: of course they wanted to go seven, ratings, and we

2265
01:42:21,160 --> 01:42:22,760
Speaker 1: could talk about all of that. We understand that part

2266
01:42:22,800 --> 01:42:26,240
Speaker 1: of it. But I think more importantly the matchups. Golden

2267
01:42:26,240 --> 01:42:31,800
Speaker 1: State is being outplayed. Yeah, and I don't I don't know, man,

2268
01:42:31,840 --> 01:42:33,519
Speaker 1: I had the Warriors in five.

2269
01:42:34,320 --> 01:42:37,120
Speaker 2: People say they look like shit, but they don't.

2270
01:42:37,160 --> 01:42:39,040
Speaker 1: It's not that they don't they look like shit because

2271
01:42:39,040 --> 01:42:44,519
Speaker 1: even in last night's game, right, they uh, they came

2272
01:42:44,560 --> 01:42:46,879
Speaker 1: back in the third quarter, they took a lead briefly,

2273
01:42:46,880 --> 01:42:48,479
Speaker 1: they were up by like three or four points. I

2274
01:42:48,520 --> 01:42:51,559
Speaker 1: think they were down by sixteen or seventeen at one point,

2275
01:42:51,560 --> 01:42:53,760
Speaker 1: whoever it was. So they came back, they fought, they

2276
01:42:53,760 --> 01:42:57,120
Speaker 1: played hard, they you know what I mean. But one

2277
01:42:57,160 --> 01:43:01,679
Speaker 1: thing that's consistent is they are They're not tall enough.

2278
01:43:01,720 --> 01:43:03,639
Speaker 1: They don't have they don't have the height, the length

2279
01:43:04,080 --> 01:43:09,880
Speaker 1: that Boston has. They don't have the athleticism. And Draymond,

2280
01:43:09,920 --> 01:43:11,880
Speaker 1: the guy that we just all I thought was just

2281
01:43:12,120 --> 01:43:16,559
Speaker 1: obviously no brain on the defensive end, has not looked

2282
01:43:16,640 --> 01:43:17,360
Speaker 1: very defensive.

2283
01:43:17,640 --> 01:43:19,559
Speaker 2: I can hear them yelling mismatch when he's.

2284
01:43:20,200 --> 01:43:21,760
Speaker 1: Or you know, we got one or you know, the

2285
01:43:21,800 --> 01:43:23,479
Speaker 1: all the distrustful things in the park when he can't

2286
01:43:23,479 --> 01:43:25,559
Speaker 1: play no defense, and it'd be a nigga that's sitting

2287
01:43:25,560 --> 01:43:28,759
Speaker 1: down with a heinneken. That's easy, fam, you ain't played

2288
01:43:28,920 --> 01:43:30,720
Speaker 1: like you still looking back, like yo, my man, check

2289
01:43:30,760 --> 01:43:33,120
Speaker 1: this out, like but that's what it is right now.

2290
01:43:33,160 --> 01:43:34,759
Speaker 2: It's like eddyfielders are in the infield.

2291
01:43:34,840 --> 01:43:35,040
Speaker 3: Yeah.

2292
01:43:35,080 --> 01:43:39,720
Speaker 1: Anytime Jaylen Brown sees Draymond on him, I mean it's no,

2293
01:43:40,040 --> 01:43:42,880
Speaker 1: he doesn't even care what played the coach called. Yeah,

2294
01:43:43,040 --> 01:43:44,880
Speaker 1: once he sees Draymond in front of him, he like

2295
01:43:44,960 --> 01:43:48,720
Speaker 1: coach ice action. I got fucking action, and I'm going

2296
01:43:48,840 --> 01:43:51,640
Speaker 1: right at him and I never you know, this is

2297
01:43:51,680 --> 01:43:54,760
Speaker 1: something that we've never We've never seen Draymond look this

2298
01:43:54,880 --> 01:43:56,200
Speaker 1: bad defensively, never.

2299
01:43:56,880 --> 01:43:58,880
Speaker 2: And I think he'll figure it out.

2300
01:43:59,080 --> 01:44:02,040
Speaker 1: I know he's very active on social media, so he's

2301
01:44:02,040 --> 01:44:04,400
Speaker 1: reading all the tweets. He's seeing everything people are saying.

2302
01:44:04,400 --> 01:44:07,400
Speaker 2: Which I'm not mad at be active on social media.

2303
01:44:07,400 --> 01:44:09,240
Speaker 1: I don't give that, but you gotta but you gotta

2304
01:44:09,280 --> 01:44:10,840
Speaker 1: play well when it's time for the school and you

2305
01:44:10,880 --> 01:44:12,120
Speaker 1: gotta you gotta gotta shut him up.

2306
01:44:12,120 --> 01:44:15,120
Speaker 2: You gotta play well. And and again if they like,

2307
01:44:15,160 --> 01:44:17,599
Speaker 2: if no one cared that ronn Our Test was drinking

2308
01:44:17,640 --> 01:44:20,280
Speaker 2: hendes See at halftime because they knew he was boring exactly.

2309
01:44:20,360 --> 01:44:23,519
Speaker 1: They knew he was locking up whoever he had the guard. Uh.

2310
01:44:23,560 --> 01:44:24,960
Speaker 1: And I think Draymond to figure it out.

2311
01:44:25,000 --> 01:44:25,120
Speaker 2: Man.

2312
01:44:25,160 --> 01:44:28,599
Speaker 1: I hope, I hope he does. Uh. But yeah, man,

2313
01:44:28,640 --> 01:44:30,519
Speaker 1: Boston is they're not laying down, they're fighting.

2314
01:44:30,640 --> 01:44:31,320
Speaker 2: They're playing well.

2315
01:44:31,400 --> 01:44:35,480
Speaker 1: J Jalen Brown is playing great, Jason Tatum is playing great.

2316
01:44:36,000 --> 01:44:37,680
Speaker 1: And they're getting a lot of help from you know,

2317
01:44:37,960 --> 01:44:40,719
Speaker 1: the other There is the supporting supporting cast. Marcus Smart

2318
01:44:40,760 --> 01:44:44,880
Speaker 1: and al Horford White, all these other guys are coming

2319
01:44:44,920 --> 01:44:47,160
Speaker 1: in and they're you know, they're they're playing great team

2320
01:44:47,160 --> 01:44:51,040
Speaker 1: basketball in there. They're great coaching staff. Boston has coached really,

2321
01:44:51,080 --> 01:44:53,080
Speaker 1: really well. And I think that's what it's gonna come

2322
01:44:53,080 --> 01:44:54,880
Speaker 1: down to. This is gonna it's a chess game from

2323
01:44:54,920 --> 01:44:57,599
Speaker 1: here on now. I think it's gonna be all about adjustments, uh,

2324
01:44:57,720 --> 01:45:02,280
Speaker 1: substitution patterns. You know, can can't play and stay out

2325
01:45:02,280 --> 01:45:02,960
Speaker 1: of foul trouble.

2326
01:45:03,960 --> 01:45:06,639
Speaker 2: And it helps when you have Paul Pierce in green

2327
01:45:06,680 --> 01:45:10,160
Speaker 2: eight ball jacket courtside the entire time. Yeah, it's intimidating.

2328
01:45:10,240 --> 01:45:13,160
Speaker 1: You got Paul Pierce, you got Milli's is at every

2329
01:45:13,160 --> 01:45:16,360
Speaker 1: game word I saw Kiss was with him. So yeah,

2330
01:45:16,360 --> 01:45:18,320
Speaker 1: this is gonna be a fun series, man, you know.

2331
01:45:18,320 --> 01:45:21,559
Speaker 1: And I gotta apologize to Celtics Finn in Boston. I

2332
01:45:21,640 --> 01:45:24,479
Speaker 1: had the Warriors winning this easily in five and this

2333
01:45:24,640 --> 01:45:27,040
Speaker 1: looks like it's gonna go seven, seven games. I still

2334
01:45:27,080 --> 01:45:29,519
Speaker 1: have the Warriors winning it, but I think this it's

2335
01:45:29,560 --> 01:45:32,040
Speaker 1: Warriors and seven.

2336
01:45:32,120 --> 01:45:37,720
Speaker 2: Anything we have to hit, No, ma'am.

2337
01:45:36,320 --> 01:45:37,160
Speaker 3: I'm sorry, sir.

2338
01:45:38,920 --> 01:45:42,839
Speaker 2: I really didn't mean that it was just master. Everyone

2339
01:45:42,960 --> 01:45:43,479
Speaker 2: just blacks.

2340
01:45:44,800 --> 01:45:46,200
Speaker 1: He hasn't matchined socks today, by the.

2341
01:45:46,120 --> 01:45:49,280
Speaker 2: Way, Yeah, the good socks. But yeah, we have a

2342
01:45:49,320 --> 01:45:51,559
Speaker 2: lot of stuff I have to go home to pack

2343
01:45:51,640 --> 01:45:55,000
Speaker 2: from month we will have. It should be an interesting

2344
01:45:55,040 --> 01:45:57,400
Speaker 2: pod month with the traveling that Paul and I are

2345
01:45:57,400 --> 01:45:59,160
Speaker 2: doing and the experiences.

2346
01:45:58,520 --> 01:46:03,679
Speaker 1: And different looks, differ, diferent energy, different uh, aesthetics.

2347
01:46:03,280 --> 01:46:04,240
Speaker 3: A lot of different background.

2348
01:46:04,479 --> 01:46:06,240
Speaker 1: Yeah, different aesthetics, you know what I mean.

2349
01:46:06,280 --> 01:46:08,519
Speaker 2: But I think that this is I think it'll be

2350
01:46:08,520 --> 01:46:09,160
Speaker 2: great for potting.

2351
01:46:09,840 --> 01:46:11,679
Speaker 1: Not only great for pottering. I think this is gonna

2352
01:46:12,360 --> 01:46:17,080
Speaker 1: segue us and swing us into another dimension that I mean,

2353
01:46:17,120 --> 01:46:19,160
Speaker 1: obviously we want to get into. But I think this

2354
01:46:19,280 --> 01:46:21,920
Speaker 1: is gonna We're gonna look back at this these three

2355
01:46:21,960 --> 01:46:25,400
Speaker 1: weeks and be like that was the moment that changed

2356
01:46:25,439 --> 01:46:25,680
Speaker 1: a lot.

2357
01:46:25,760 --> 01:46:27,439
Speaker 2: So if I don't run over them all with my

2358
01:46:27,920 --> 01:46:30,760
Speaker 2: uh zukati, you guys can get some great content or

2359
01:46:31,280 --> 01:46:31,800
Speaker 2: catch that.

2360
01:46:32,400 --> 01:46:34,200
Speaker 1: To get great content at that, I mean, we'll just

2361
01:46:34,240 --> 01:46:35,800
Speaker 1: show all the strawberries all over your army.

2362
01:46:35,880 --> 01:46:40,040
Speaker 2: Have the strawberries, you know, skin your flesh.

2363
01:46:39,760 --> 01:46:44,559
Speaker 1: All over the fucking dirt road. But yeah, because Jesus dark,

2364
01:46:45,000 --> 01:46:47,280
Speaker 1: I mean, I mean you that's what happens when you

2365
01:46:47,320 --> 01:46:49,519
Speaker 1: play with motorcycles. True, you fall off that ship and

2366
01:46:49,560 --> 01:46:52,040
Speaker 1: your flesh is down across the whole major you want

2367
01:46:52,040 --> 01:46:54,360
Speaker 1: me to do, it is what it is. But yeah,

2368
01:46:54,360 --> 01:46:55,840
Speaker 1: we're gonna have a lot of fun. We will be

2369
01:46:55,880 --> 01:46:57,519
Speaker 1: out of town, but we will be talking to you,

2370
01:46:57,520 --> 01:46:58,960
Speaker 1: will be in from us, You will be seeing us.

2371
01:47:00,040 --> 01:47:01,200
Speaker 3: We have some fun interviews coming.

2372
01:47:01,400 --> 01:47:03,240
Speaker 1: We have some fun interviews coming up. We have some

2373
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Speaker 1: really dope you know, just just different shit coming for

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Speaker 1: you guys. So looking forward to it. So, yes, we

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Speaker 1: do have to pack. We do have to get ready

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Speaker 1: for this uh this journey. Yes and but yeah, either way,

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Speaker 1: we'll be back. Enjoy y'all weekend. We'll see y'all in

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Speaker 1: a couple of days. We'll talk to you in a

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Speaker 1: couple of days. I'm that nigga. He's just Ginger. Be safe,

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Speaker 1: be blessed peace. No Willian now