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Speaker 1: Welcome to This is important to production of I Heart Radio,

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Speaker 1: the show where we only talk about what's obviously the

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Speaker 1: most critically important issues on the planet today. This is important.

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Speaker 1: Pick up people's trash and take it to the dump forum,

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Speaker 1: and you can just do whatever the hell you want

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Speaker 1: over there. Yeah. Yeah, listen to him, big big bit.

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Speaker 1: You're backing up now when I'm jogging around the lake.

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Speaker 1: I'm not trying to get a fucking hard on bro

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Speaker 1: buckle up. Whoa, we're back. Oh my gosh, what episode

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Speaker 1: number is this back? Episode number three? Ladies and Gentlemen,

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Speaker 1: is our third one. Let's let's not say that because

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Speaker 1: we can mix it up and put in post. We

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Speaker 1: don't know the order, That's true. I was just answering onders,

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Speaker 1: and I appreciate that. Yeah, I hear your brother. Guys,

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Speaker 1: we promised not to fight today on our maybe third episode,

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Speaker 1: but it could also be the fifth. We're not sure.

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Speaker 1: We're not sure the order. We don't know yet. We

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Speaker 1: don't even know what the workflow of a podcast is.

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Speaker 1: I just want to say I would like to take

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Speaker 1: this time early on to uh give a take back

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Speaker 1: in an apology to Nick, our engineer, and say Hey, buddy,

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Speaker 1: I'm sorry about last time. I felt like I was

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Speaker 1: a little curt that we were having troubles with with

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Speaker 1: some of the audio, and I just wanted to give

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Speaker 1: my tapeback an apology on air. Put it on wax.

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Speaker 1: There we go. Let's see how today goes though. Obviously

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Speaker 1: at first, when I have a hard time with technology,

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Speaker 1: and you know it frustrates me, I do get frustrat

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Speaker 1: Why don't we just kick it off with that, Adam,

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Speaker 1: what's going on with you in technology? The as long

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Speaker 1: as I've known you, you have had what I referred

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Speaker 1: to as the tech ghost, the technology goes that haunts you. Yeah,

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Speaker 1: I do. I honestly truly believe I have a tech

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Speaker 1: goes that lives within me that haunts me, uh and

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Speaker 1: makes it so certain technologies have a hard time working

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Speaker 1: around me. My WiFi goes constantly no matter where I'm at,

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Speaker 1: printers don't work. It's amazing that we have this set

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Speaker 1: up here that I'm able to talk into a microphone

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Speaker 1: from my home. Welcome to the future. Sorry, tech ghost,

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Speaker 1: I mean this goes back to like your BlackBerry Touch.

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Speaker 1: Remember that dude I was flossing on him. I remember

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Speaker 1: I got that BlackBerry touch. I booked a Honda commercial

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Speaker 1: yeah where I I like Mr Opportunity. I was camping

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Speaker 1: and Mr Opportunity comes by and I'm like, uh hey,

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Speaker 1: Mr Opportunity, you want some coffee. Mr Opportunity was like

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Speaker 1: the helpful Honda guy, like the cartoon, and I go, hey,

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Speaker 1: Mr Opportunity wants some coffee, and he goes, I can,

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Speaker 1: It'll go right through me because he was a cartoon,

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Speaker 1: because he's a cartoon. And then I go and yeah, yes,

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Speaker 1: and they cut that part. But I still got paid

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Speaker 1: for that commercial. And then guess what I bought come

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Speaker 1: a fucking BlackBerry. Um uh huh. I also had some

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Speaker 1: sick jokes. I would tell that the comedy store open

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Speaker 1: mic about my black friends named Barry's Right. Remember that

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Speaker 1: that was a slam dune. You've been haunted by this

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Speaker 1: ghost for quite some time and the ghost of that joke,

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Speaker 1: and it often results in rage from you, which I

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Speaker 1: can totally attest to, because we did live together for

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Speaker 1: quite some time, and there was more than one occasion

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Speaker 1: that I drove home from work and I would find

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Speaker 1: an object from the house, be it a dresser or

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Speaker 1: a mirror, or perhaps an old mini fridge thrown in

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Speaker 1: the driveway, and I think something horrible has happened. But

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Speaker 1: I come in and you're just having trouble printing out

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Speaker 1: some script or something, some hot sides. I'm trying to

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Speaker 1: get that new Nabisco Act. And so you were so

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Speaker 1: you would toss furniture outside and anger. Yes, yeah, well

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Speaker 1: that's that's the original demand. That was the original homeworkout

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Speaker 1: where you just take furniture you don't want or need,

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Speaker 1: or some that you actually wish you still had, and

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Speaker 1: you pick it up and you take it out of

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Speaker 1: your driveway and you flip it until it smashes in

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Speaker 1: a bunch of little pieces. I really can't think of

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Speaker 1: a cooler way to get buff than through destruction. Yeah, oh,

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Speaker 1: I follow this dude is I'm gonna look him up.

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Speaker 1: He's like he's like tactical aggression or something, and he's

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Speaker 1: just this guy who's just built like a fucking house

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Speaker 1: and all he does for workouts is he jumps over

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Speaker 1: cars and flips tires and then people will throw him

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Speaker 1: hammers and then he'll just beat the shirt out of

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Speaker 1: this tire. And I'm like, that is the best way

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Speaker 1: to work out, man, I'm sick of like just doing

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Speaker 1: burpies and ship. I'm trying to break some ship. That's

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Speaker 1: way more fun. If they just had a gym that

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Speaker 1: was all just breakable ship, that you could just go

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Speaker 1: in there and aggressively smash it. I feel like that

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Speaker 1: do It's called a dump run, just like go pick

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Speaker 1: up people's trash and take it to the dump for him,

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Speaker 1: and you can just do whatever the hell you want

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Speaker 1: over there. Wow, and you save the planet. But you

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Speaker 1: gotta have a truck for that. This is I'm talking about,

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Speaker 1: like an actual place that you can go you can

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Speaker 1: destroy things. Then you also get to throw these items

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Speaker 1: into the truck. That's destruction number one, into a metal truck. True.

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Speaker 1: Why don't we all have trucks? Trucks freaking rock dude,

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Speaker 1: totally station. Let's get some flatbeds. I want to be

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Speaker 1: flatbed boys. Yeah, he does. I've been on it a

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Speaker 1: few times. My gosh, I have a pickup. Yep, I

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Speaker 1: do have a pickup. You don't have a pickup, do you?

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Speaker 1: I thought you had the alchemy. That's a pickup truck, player.

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Speaker 1: That's a pickup. That is a car with a flatbed.

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Speaker 1: That is not a pickup truck. You can't call that

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Speaker 1: a truck. That's a pickup. You don't say a pickup truck,

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Speaker 1: but it's a pickup. And I just said he has

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Speaker 1: a flatbed and that's what he's talking about. Yeah, okay,

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Speaker 1: all right, okay, Hey, hey, I'm circling that to uh

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Speaker 1: to take that back a little later. Yeah, circle that.

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Speaker 1: I got a flat bed in my wagon. I look

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Speaker 1: forward to that apology. Yeah, thank you. I think you

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Speaker 1: guys need some flat beds. Uh. Can we talk about

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Speaker 1: a blake just looking absolutely fucking insane for this podcast? Okay,

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Speaker 1: let's get a description with the mask with the one

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Speaker 1: glove but like a dentist's glove currently touching his nostrils. Uh,

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Speaker 1: wrap around glasses, a mask, and then a bucket hat

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Speaker 1: with a band that I'm pretty positive he's never listened

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Speaker 1: to what you're trying to challenge? My grateful dead love?

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Speaker 1: Come on, brother? Oh yeah, what's your favorite grateful dead song?

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Speaker 1: Don't question him? He knows this ship. Oh please tell

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Speaker 1: me your favorite trucking trucking baby, come on, let's go,

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Speaker 1: thank you? What is it? Trucking? No? No, no, no, no,

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Speaker 1: no no. Yeah. Speaking of trucks. I'm live a truck lifestyle, y'all. Alright,

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Speaker 1: So their most famous one, well it's up there. You

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Speaker 1: don't know a deep cut at all. What's the one

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Speaker 1: with the video where it's just skeleton's playing, Yeah, that's all.

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Speaker 1: That's the fucking jams. They've got jams. They've got jams.

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Speaker 1: That song kicks. But I saw a Grateful Dead with

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Speaker 1: John Mayer. Do you know Grateful Dead? Bro? No, I

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Speaker 1: don't know. Yeah, so you just like projected on him,

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Speaker 1: and Blake knows Grateful Dead. He was like, he knows them.

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Speaker 1: I don't believe that Blake is a big grateful dead deadhead.

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Speaker 1: I'm a deadhead, brother. I do not believe that he's

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Speaker 1: a deadhead. I think that you need to know something

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Speaker 1: because the other day, like we were just talking and

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Speaker 1: I was working in the backyard and he's like, hey man,

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Speaker 1: flipped me Grateful Dead playlist just to get in the mood. Yeah.

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Speaker 1: He was setting himself up for this because he knew

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Speaker 1: we were going to call him out about the hat.

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Speaker 1: He's doing the legwork. I'm the chess master. What you wearing?

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Speaker 1: That hat is? Like Chloe, my fiancee, rocked a Slayer

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Speaker 1: T shirt for a while until I had to be like,

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Speaker 1: you can't wear the shirt. Man, you don't listen to Slayer.

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Speaker 1: You don't know Slayer. Has she dabbled? I feel like

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Speaker 1: Chloe would like Slayer. Yeah, I mean she might like it.

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Speaker 1: She but I know she didn't listen to them when

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Speaker 1: she was wearing the shirt. That's you know what. I

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Speaker 1: I don't mind people wearing band shirts of bands they

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Speaker 1: don't listen to, because maybe that's their gateway. And if

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Speaker 1: that leads to Chloe not being a fucking Slayer addict,

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Speaker 1: I'm pumped, rain and blood. Let's go. Sure, that's like

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Speaker 1: last night? I was unders you'll like this. I was

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Speaker 1: in my pool. I've been in my pool a lot

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Speaker 1: lately doing some laps. I already love it. Nice dude,

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Speaker 1: fucking rich guy working on my flip turns. But I

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Speaker 1: just had Slipknot blasting while I was doing sprints, the

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Speaker 1: most relaxing music of all time, slip Not. I'll just

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Speaker 1: sprint and trying to work on my flip turns. Bro. Wait,

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Speaker 1: I'm sorry, where are the speakers of the speakers underwater

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Speaker 1: or above water? In your ears or what? No, they're

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Speaker 1: above water like I said, I just have it blasting,

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Speaker 1: so every time I come up for a breath, I'm like, right,

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Speaker 1: So the only way you can escape that garbage music

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Speaker 1: kids to be underwater. It helps, it helps you with

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Speaker 1: your your workout, working on breath control. Yeah, I thought

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Speaker 1: I thought it was that it's not garbage, all right.

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Speaker 1: I mean, to be fair, I think they literally hit

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Speaker 1: garbage cans as their drums, right, Yeah, I think that's

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Speaker 1: part of their whole stick, is that they take a

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Speaker 1: bunch of garbage on areas. It actually is garbage music

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Speaker 1: because they're playing trash cans. Yeah, they're beating trash cans.

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Speaker 1: Are these the guys with like the they wear masks?

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Speaker 1: They're the band that's from Iowa? Right is that right? Yeah?

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Speaker 1: And Corn isn't from Corn is from like Bakersfield, No

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Speaker 1: ship Corn. That dude's got the best mic stand in

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Speaker 1: the game. What's up with his mic stand? He has

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Speaker 1: like an HR Guiders sculpture for his mic stand. It's

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Speaker 1: sucking sick. WHOA that's hr Geiger for those at home.

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Speaker 1: Artists from I don't know, forty years ago designed the

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Speaker 1: what we know today is the alien from Aliens, an

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Speaker 1: alien the movies. What else did he design A bunch

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Speaker 1: of species? Species? He designed species. He designed species, he

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Speaker 1: did my designed species. His art is super fucked up.

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Speaker 1: Go ahead and go I feel like he did some

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Speaker 1: of that in Yodorovsky's Dune that never got made. Correct,

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Speaker 1: So he was he was quote, you know, discovered by Yodorovski.

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Speaker 1: However we're saying this, Yeah, I think that's how you

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Speaker 1: say it. And then when Doone did not get made,

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Speaker 1: all the studios jacked that look book for all these

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Speaker 1: various artists and stole him for Alien. That is a

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Speaker 1: fantastic documentary that who on. Yeah, I call him Yodorovski,

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Speaker 1: what I called him Jordan's Dusky. That movie, dude looked epic,

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Speaker 1: and yeah, he found a lot of great artists for

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Speaker 1: that film. And then but you know exactly why that

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Speaker 1: movie never ended up getting made because they were like,

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Speaker 1: we can't do this, You're crazy, and he goes, well,

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Speaker 1: fair enough, well, to be fair, he like puts dicks

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Speaker 1: on everything. Yeah, yeah, if you've seen Holy Mountain, that's

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Speaker 1: that's our kind of movie right there. We kind of

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Speaker 1: put dicks on everything to very phallic. He raised his

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Speaker 1: son to be the star of that film. Really Yeah,

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Speaker 1: which it's it's amazing. It's amazing. And they're doing Dune

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Speaker 1: now right there with Timidly, the Charlemagne Doom, the Duoe

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Speaker 1: Dune Dune. That's going to be like the only movie

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Speaker 1: that comes out this year. Yeah, why are they coming out?

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Speaker 1: Just just send it to my phone, just hold them, No,

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Speaker 1: just send it to my phone. Yeah, there's no more

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Speaker 1: movie theaters. Yeah, I mean that New Mutants X Men

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Speaker 1: is claiming it's coming out in theaters. It's like Auguste,

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Speaker 1: you go see that in the movie theaters. Come home,

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Speaker 1: you're gonna come home in the Mutant? Are you gonna

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Speaker 1: catch some I don't come home by worth it. I'll

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Speaker 1: catch the Covilito for a little X Men, New Mutants.

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Speaker 1: I love Marvel movies. Can't get enough? You get enough?

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Speaker 1: Make more X Men? Marvel. Yes, damn they have everything,

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Speaker 1: don't they? They got a doll They have quite the library.

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Speaker 1: And you know what, when they're done with some dude

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Speaker 1: playing one guy, they're like, bring on the next dude. Yeah,

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Speaker 1: can we talk about I recently saw an interview with

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Speaker 1: Kamal and he worked out so much that it changed

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Speaker 1: his phone structure in his face Okay, have you seen that?

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Speaker 1: It's incredible. Look up camao. Right now, I'm not looking

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Speaker 1: at his face anymore. I'll say that much. I'm the

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Speaker 1: nipples down as Oh you guys are nipples boys. I'm

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Speaker 1: trying to work out that much where it changes the

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Speaker 1: structure of my face. It actually changed the bone structure.

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Speaker 1: It didn't just like reveal his bone structure. Yeah, for sure,

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Speaker 1: it was underneath some some baby at And then he

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Speaker 1: worked out enough that that the skin just suction to

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Speaker 1: his cheek and he quit drinking and all sorts of stuff.

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Speaker 1: That sounds like a fucking nightmare. Quick drinking. What a joke. Uh, yeah,

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Speaker 1: that would suck, Yeah, I would. Well, the only way

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Speaker 1: to to do to get in that great of shape

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Speaker 1: would have to be like, hey, hi, we're Marvel. Hi,

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Speaker 1: we're Marvel. Uh. You're gonna have to lose a bunch

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Speaker 1: of weight and get in great shape and we'll pay

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Speaker 1: you millions of dollars. That's the only way, because any

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Speaker 1: other reason is a bullshit reason. Just to look look good,

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Speaker 1: just to be you know what, just to be ready,

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Speaker 1: just to be ready. No, no, no, I have that.

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Speaker 1: Someone has to tap me on the shoulder and say

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Speaker 1: your net. I'm not talking about for a movie. I'm

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Speaker 1: talking about for what's happening. That's what I thought, Honors,

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Speaker 1: and I'm like, yeah, that's the most legit reason is

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Speaker 1: you need to be you gotta be prepared for what's

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Speaker 1: gonna happen. Yes, are you guys talking to silver civil

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Speaker 1: war that's gonna go for Hey, No, that's what people

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Speaker 1: are talking about now. I said civil. I said civil,

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Speaker 1: but we're talking about silver. Have you noticed? Hey, hey,

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Speaker 1: rewind the podcast. Rewind the podcast and check listen to

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Speaker 1: see if I said silver or civil. I think it's

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Speaker 1: about to be a goddamn civil war in this podcast

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Speaker 1: booth right now. I want to say, you said silver

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Speaker 1: war in Workaholics. I think Adam Demant said that once. Yeah, No,

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Speaker 1: that's it. What's great about playing this dumbass character of

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Speaker 1: Adam Demanause I gott mess up and say a lot

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Speaker 1: of stupid ship that just ended up in the show.

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Speaker 1: We're keeping it. Yeah. I think if you are in

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Speaker 1: a Marvel movie, part of your contracts should be you

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Speaker 1: have to sign up for our military as well. That's

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Speaker 1: a cool idea. Yeah, sure that that what? Yeah, your

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Speaker 1: front line I'm down to talk about it. I'm down

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Speaker 1: to take the walk with you, you know what I mean.

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Speaker 1: Chris Hemsworth is like, mate, I'm not even American. I

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Speaker 1: shouldn't be in your in your military? Was that a good? Hey?

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Speaker 1: You want to be thor your front line? We're when? Who?

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Speaker 1: But who would be the best soldier out of all

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Speaker 1: the Marvel actors, like in real life Mark Ruffalo, thank you?

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Speaker 1: Because he's he's a sensitive soldier. He's gonna ask why

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Speaker 1: before pulling the trigger? What about the dude who shoots

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Speaker 1: the arrows? Jeremy Renner? For days, Renner is the ultimate soldier.

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Speaker 1: Renner seems like he might be a little ready for

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Speaker 1: action too ready. Yeah, Renner would be like selling arms

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Speaker 1: on the side or some ship. I don't know. He's

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Speaker 1: got those eyes that aren't trustworthy. I'll say that you

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Speaker 1: think he's sophistifunk? I think Brolin would be good. But

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Speaker 1: does he count because he didn't really have to get jacked.

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Speaker 1: He's fucking jacked the ship? What are you talking? What

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Speaker 1: do you mean he got jacked? Not Deadpool? Well, hug

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Speaker 1: As Cable, He's two characters in Marvel, so he has

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Speaker 1: to enlist twice Army and Navy, land Cy and Air.

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Speaker 1: I feel like we're we're not right. I feel like

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Speaker 1: there's somebody in the Marvel universe who's way, way better

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Speaker 1: for Chris Evans Well, it would be like Dave bad Tista.

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Speaker 1: Oh yeah, Batista, bro, Yeah, get at me. It's a

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Speaker 1: super soldier. Yeah yeah, just like a brick house. You

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Speaker 1: think Batista? Is he the strongest in the Marvel universe.

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Speaker 1: He's gotta be. He's gotta be. What do you mean

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Speaker 1: he's gotta be? I mean he's like Chris Hemsworth. This

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Speaker 1: fucking when Chris Hemsworth was like rotund, when that dude

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Speaker 1: was like full, he's kind of thinned out. But when

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Speaker 1: he was like really jacked, he was huge. And he's

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Speaker 1: like six five tall. Is Batista is like seven foot

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Speaker 1: There's literally no wheah, there's no pictures, there's no any comparisons.

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Speaker 1: He's definitely huge. He was a w W E wrestler, Terry.

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Speaker 1: Dave Baptista is two hundred and ninety pounds. That's like me,

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Speaker 1: that's almost Kyle size. And he's six ft six six

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Speaker 1: six to That is a goddamn truck. He's a big

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Speaker 1: boy whoa Bautista and yeah, I guess Hem's worth is

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Speaker 1: probably like that's my guess when when he's fully rotund, right,

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Speaker 1: Other than that, alle Berry also O g X men,

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Speaker 1: this we know is a lie. The internet is a lie.

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Speaker 1: It's saying that he is six three taller not the case, right,

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Speaker 1: that's how tall you are, right, Jersey h And I

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Speaker 1: saw him at MTV Awards or something when we were

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Speaker 1: like all in the green room. This dude was just

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Speaker 1: like a head taller than everybody scouting. It was comic con. Remember,

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Speaker 1: we saw him and we didn't know who he was,

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Speaker 1: and we were all drunk and we're like, look at

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Speaker 1: this big motherfucker. We were right so wasted screaming at him.

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Speaker 1: And then someone's like, he's gonna be thorn. We're like

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Speaker 1: that makes yeah, he is eight feet you guys. A story.

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Speaker 1: I was at a house party like a year or

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Speaker 1: like nine months before he was announced the store, at

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Speaker 1: a house party, kicking in with some dude I was

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Speaker 1: working with, and he came in the room and the

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Speaker 1: room chain and everyone's like nobody. I'm like, hey who,

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Speaker 1: And I asked my bod, I'm like, who the fund

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Speaker 1: is that? And they're like, oh, he just moved to

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Speaker 1: you from Australia. He's like a soap actor. He's gonna

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Speaker 1: try and you know, do acting nice dude. And I'm like,

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Speaker 1: he's a god. And then seven and nine months later

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Speaker 1: I was reading the trades and they were like Marvel

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Speaker 1: has found its store and I was like, of course

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Speaker 1: this dude to store. He's a god. Yeah he is.

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Speaker 1: He's a god. He was a god at that party

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Speaker 1: of twenty five people. And the weird thing is he's

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Speaker 1: not the coolest brother, that's right, Tim Liam Luke, Tim Luke,

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Speaker 1: we got a Luke over Liam. Liam's way cool dude.

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Speaker 1: I'm a Liam God. Sorry, Liam, I'm going with the

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Speaker 1: brother I haven't met yet. He's worked with Liam several times. Right, Yeah,

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Speaker 1: I thought you were boys with Liam. That's weird that

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Speaker 1: you checked out. No, I am, I am, but for sure,

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Speaker 1: for sure, the one I don't know is the coolest,

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Speaker 1: makes sense. I thought maybe some dirty ship happened on

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Speaker 1: set with and Liam. Did you have beef? Was it

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Speaker 1: like you can't be on set together? It was definitely

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Speaker 1: a battle of who's the hottest on set? Every time

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Speaker 1: we walked on set. Every time we walked on set.

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Speaker 1: It was like a real right absolutely give and take,

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Speaker 1: push and pull of who is the sexiest person on site?

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Speaker 1: Should we take a moment just to talk about how

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Speaker 1: when he was on Morgoholics he was like, hey, can

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Speaker 1: I like do a ridiculous hairstyle and like funny goatee?

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Speaker 1: And we're like, yeah, for sure, do whatever you want.

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Speaker 1: We're just glad you're here. And he comes out and

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Speaker 1: he's like, don't I look ridiculous? And he looked so

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Speaker 1: good it was insane. Yeah, his hair is all slicked back,

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Speaker 1: and it was like, oh, don't I look insane? And

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Speaker 1: we're like, yeah, like an insane, fucking hotass superman. You

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Speaker 1: just look like the cover of People magazine Hottest Man

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Speaker 1: of the Year. The bro needs to be an interview

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Speaker 1: with the vampire. Gosh, what is that? What do you

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Speaker 1: think that's like? If you just can't escape being hot

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Speaker 1: as fun, it is a it is a nightmare. I

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Speaker 1: don't know. For some like, what I keep getting cast

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Speaker 1: in recently is like I'm the regular slash ugly looking

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Speaker 1: friend and then these super hot guys are right next

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Speaker 1: to me with Liam and Ephron, and it's it has

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Speaker 1: to be so fucking hard to be those guys because

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Speaker 1: people will not stop staring at them. Men. Women, everybody

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Speaker 1: has just looks at them NonStop. I know it was

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Speaker 1: driving them crazy. It has to. Dude. You remember we

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Speaker 1: were like we went to some like NASCAR event and

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Speaker 1: Channing Tatum was there and the way that like women

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Speaker 1: were treating him was flagrant, Like they would follow him

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Speaker 1: and like grab his ass and be like like pieces

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Speaker 1: of It's so cool, though, Gosh, I wish I was him.

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Speaker 1: It is crazy. I mean, your guy's asses probably get

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Speaker 1: grabbed quite a bit. Blake, You've got a really really

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Speaker 1: nice you tu um publicly does it get grabbed? My

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Speaker 1: ask gets grabbed one. I'm on the road doing stand

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Speaker 1: up and I do those uh like meet and greets afterwards,

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Speaker 1: which I guess I'm probably never gonna do again because COVID.

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Speaker 1: But when I would do those and you're meeting people

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Speaker 1: after the show, probably within a line of I would

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Speaker 1: cap it at a hundred people, I might ask would

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Speaker 1: get grabbed times. But you do have a Duke bro Ton, Yeah,

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Speaker 1: it's totally you got a dookie, bro I got some

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Speaker 1: meat back there. That's your body gets like to the party.

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Speaker 1: Ten minutes after you it's still coming. What's fair? Didn't

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Speaker 1: you get cut out of a Domino's commercial? Yeah? Yeah,

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Speaker 1: Oh that was an insane that was insane. I forgot

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Speaker 1: all about that. I booked this Domino's commercial way back

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Speaker 1: in the day. I know, I said, commercials, we were

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Speaker 1: gonna let it go, we were gonna let yeah. I know,

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Speaker 1: I know you were over war, but I had to

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Speaker 1: come back and I aim it. This commercial. It was

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Speaker 1: like a big do you know Dominoes, This could err

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00:22:12,840 --> 00:22:15,840
Speaker 1: as nationwide commercial. This could like pay for my whole year,

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Speaker 1: this before workaholics, before anything, when I was just doing

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Speaker 1: commercials and booked it so excited about it. And the

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Speaker 1: whole commercial was I get out of a car. They

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Speaker 1: have this crane shot that follows me, my ass, follows

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Speaker 1: my ass all the way up to the door. I

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Speaker 1: ring the doorbell and uh. Then this talking dog answers

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Speaker 1: the door. Uh. And I do it and the first

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Speaker 1: shot and they're like, oh, cut okay, and through with

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Speaker 1: my peripherals. I see, like the Dominoes people like losing

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Speaker 1: their mind periffs, peripherals, peripher rolls. How then do you

399
00:22:49,600 --> 00:22:53,320
Speaker 1: say that perfer p perifs for the people at home

400
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Speaker 1: say the whole Yeah, you can say periffs. I'm acceptable, yeah,

401
00:22:56,720 --> 00:22:59,480
Speaker 1: my periss using the periss. I look over I see

402
00:22:59,520 --> 00:23:02,960
Speaker 1: the Domino people freaking out, and then they're like the

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Speaker 1: director comes over to me. It's like, hey, uh, can

404
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Speaker 1: we just on tuck the back of your shirt? And

405
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Speaker 1: I'm like, okay, weird asking that check the back of

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Speaker 1: my shirt to cover my ass. I kind of see

407
00:23:12,560 --> 00:23:15,080
Speaker 1: what they're doing now, and then they're like, cut the

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Speaker 1: whole shirt. They just take the whole shirt, and then

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Speaker 1: now they're mad at me. It's my It's like, I

410
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Speaker 1: guess it kind of is my fault, just because I mean,

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Speaker 1: come on, I think it's Dennis's fault. Your dad's got

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Speaker 1: the donkey. That's where the cheeseburgers go. And and then

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Speaker 1: they were like, okay, we're gonna get him in bigger pants.

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Speaker 1: So then they take half of an afternoon to get

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Speaker 1: me in bigger pants. And then they're like, uh, it

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Speaker 1: was supposed to be a two day shoot. The next

417
00:23:41,920 --> 00:23:45,200
Speaker 1: day they go, hey, don't even bother coming back. Don't

418
00:23:45,240 --> 00:23:47,880
Speaker 1: even bother coming back, and they had the guy they're

419
00:23:47,880 --> 00:23:50,760
Speaker 1: gonna do two versions, like an English speaking version and

420
00:23:50,800 --> 00:23:53,680
Speaker 1: the Spanish speaking version, and then they just had the

421
00:23:53,720 --> 00:23:58,280
Speaker 1: Spanish guy who could also speak English. Just do he

422
00:23:58,400 --> 00:24:01,760
Speaker 1: obviously had a nice talk taught buddy. Did you see it?

423
00:24:01,920 --> 00:24:04,880
Speaker 1: That's insane to me, Like, that's just that's a testament

424
00:24:04,920 --> 00:24:08,520
Speaker 1: to why Hollywood is just the roughest biz. Yeah, that's

425
00:24:08,560 --> 00:24:13,200
Speaker 1: it's the hardest. Well, if anything that ass is relatable,

426
00:24:13,359 --> 00:24:16,679
Speaker 1: my donker, Well that's what's that's what's messed up about it?

427
00:24:16,720 --> 00:24:18,280
Speaker 1: Is it like I would see a guy with a

428
00:24:18,359 --> 00:24:22,200
Speaker 1: donk on TV and I'd be like, I want Dominoes, baby,

429
00:24:22,960 --> 00:24:26,280
Speaker 1: Like that feels real that I don't want this Chiseled

430
00:24:26,320 --> 00:24:30,000
Speaker 1: asked Chris Hemsworth ordering pizza. I want Adam Divine with

431
00:24:30,160 --> 00:24:33,800
Speaker 1: a donk ordering pizza. No, he's delivering it. He's delivered

432
00:24:34,280 --> 00:24:36,280
Speaker 1: or you were delivering it. Well, I wasn't ordering. I

433
00:24:36,359 --> 00:24:38,760
Speaker 1: was a pizza delivery guy. I was. That's okay because

434
00:24:38,800 --> 00:24:40,680
Speaker 1: I was once a delivery guy. And I know how

435
00:24:40,720 --> 00:24:43,360
Speaker 1: you sneak slices in the car, bro I mean it's

436
00:24:43,359 --> 00:24:46,840
Speaker 1: all good. You would eat the pizza from the couple

437
00:24:46,840 --> 00:24:50,400
Speaker 1: of toppings. Yeah, here and there you are you serious?

438
00:24:50,440 --> 00:24:52,639
Speaker 1: I was also a pizza delivery guy, and you have

439
00:24:52,800 --> 00:24:56,440
Speaker 1: broken code. You are going to hell. That is breaking code. Well,

440
00:24:56,480 --> 00:24:58,919
Speaker 1: I mean I didn't come on, guys, everybody takes a

441
00:24:58,920 --> 00:25:02,160
Speaker 1: little topping here there. Come on, how dare you listen

442
00:25:02,200 --> 00:25:07,320
Speaker 1: to him? Bee be? Come on? That is breaking code.

443
00:25:07,359 --> 00:25:09,399
Speaker 1: They trust you with the pizza. Well I don't do

444
00:25:09,440 --> 00:25:12,080
Speaker 1: it anymore. I don't deliver anymore. So this is like, God,

445
00:25:12,520 --> 00:25:14,560
Speaker 1: we just getting off your chest. You're getting off your chest.

446
00:25:14,560 --> 00:25:17,360
Speaker 1: I got you. Do you remember how excited we were

447
00:25:17,480 --> 00:25:20,960
Speaker 1: for Blake to get his first big national commercial. That's

448
00:25:21,000 --> 00:25:23,679
Speaker 1: fire Bucks commercial. And then we're all like around the

449
00:25:23,680 --> 00:25:26,480
Speaker 1: TV when it first came on, and Blake's like, oh ship,

450
00:25:26,600 --> 00:25:28,879
Speaker 1: this is black commercial. This is black commercial. And I

451
00:25:29,000 --> 00:25:31,800
Speaker 1: get my phone out to record it, and then it

452
00:25:31,840 --> 00:25:36,280
Speaker 1: doesn't show him the entire commercial except for his hands

453
00:25:36,320 --> 00:25:39,880
Speaker 1: reaching in to grab like a cup of coffee. I

454
00:25:40,000 --> 00:25:44,520
Speaker 1: have had really bad commercial. Look like. Then after that,

455
00:25:44,560 --> 00:25:46,920
Speaker 1: I got a McDonald's commercial. I got cut out of that.

456
00:25:47,480 --> 00:25:50,119
Speaker 1: I remember that we made a song that was gorgeous

457
00:25:50,200 --> 00:25:52,680
Speaker 1: cut out of a McDonald's commercial. You were moving back

458
00:25:52,680 --> 00:25:55,520
Speaker 1: to conquered. Oh yeah, go mags a concerting from that,

459
00:25:55,640 --> 00:25:59,320
Speaker 1: So like that's the gift. Look what you did there, Hey, Kyle,

460
00:25:59,400 --> 00:26:01,560
Speaker 1: do you have that song somewhere on one of the

461
00:26:01,560 --> 00:26:05,080
Speaker 1: hard drives sitting around here? Yeah, let's tag the episode

462
00:26:05,200 --> 00:26:10,720
Speaker 1: if we can find it here. It is sounds good.

463
00:26:27,480 --> 00:26:32,800
Speaker 1: Heard the news today. Got cut out of the commercial.

464
00:26:34,920 --> 00:26:39,800
Speaker 1: My first big time it's commercial. It's in the dorp.

465
00:26:42,240 --> 00:26:49,880
Speaker 1: Worked so high, got my hope so high, but it

466
00:26:50,000 --> 00:26:57,679
Speaker 1: wasn't worth it. Dreams got to die, moving back to

467
00:26:57,800 --> 00:27:04,480
Speaker 1: Cocker leaving l A in the dust. I can't do

468
00:27:04,520 --> 00:27:11,480
Speaker 1: it anymore. You know that I must move back to Concord.

469
00:27:13,080 --> 00:27:19,320
Speaker 1: I gotta move back to Conquered. I can't stay Hollywood.

470
00:27:20,720 --> 00:27:28,160
Speaker 1: It's eating me. A lie. I give up. I tell

471
00:27:28,240 --> 00:27:35,800
Speaker 1: you that I'm win. I'm giving up my dreams. I'm

472
00:27:35,880 --> 00:27:41,160
Speaker 1: sick of this way living. I want to start a family.

473
00:27:43,000 --> 00:27:47,360
Speaker 1: I want to get a real time. I gotta move

474
00:27:47,440 --> 00:27:54,920
Speaker 1: back to Concord. I've been here to love. I'm throne

475
00:27:55,000 --> 00:28:02,240
Speaker 1: to the two. I got a colored well its I'm

476
00:28:04,960 --> 00:28:10,199
Speaker 1: maybe I'll do some music. And though I was Broadway

477
00:28:10,240 --> 00:28:17,280
Speaker 1: a buss, but I guess it's just busted. I can't

478
00:28:17,320 --> 00:28:22,639
Speaker 1: do this. I got to take out any dance commercials

479
00:28:22,800 --> 00:28:38,240
Speaker 1: and that was me. I soon, I guess I'll see

480
00:28:38,280 --> 00:28:45,280
Speaker 1: you in Coco. I guess you see. Sometimes I'm leaving.

481
00:28:47,600 --> 00:29:00,360
Speaker 1: I can't do it anymore. I thought it was Broadway US.

482
00:29:02,200 --> 00:29:11,640
Speaker 1: I thought it was meant to be. And we're back,

483
00:29:12,360 --> 00:29:14,480
Speaker 1: and we're back. I hope you had a good listen,

484
00:29:14,640 --> 00:29:18,120
Speaker 1: we all did. Oh it's so good. That was that right?

485
00:29:18,120 --> 00:29:20,280
Speaker 1: There is a testament to just keep going, no matter

486
00:29:20,280 --> 00:29:22,320
Speaker 1: how much you're hurt by this business. If you have

487
00:29:22,400 --> 00:29:25,960
Speaker 1: a dream, keep going. Just keep going, guys. Or take

488
00:29:26,000 --> 00:29:28,040
Speaker 1: a hint. I don't know. If you get cut out

489
00:29:28,040 --> 00:29:30,680
Speaker 1: of two commercials that you know it might be time

490
00:29:30,720 --> 00:29:33,480
Speaker 1: to fold. The universe is telling you something. Yeah, that's true.

491
00:29:33,640 --> 00:29:36,360
Speaker 1: It would have been interesting if you would have just left. Yeah,

492
00:29:36,400 --> 00:29:38,120
Speaker 1: if you're just like, you know what, I'm cut out

493
00:29:38,120 --> 00:29:40,760
Speaker 1: of two commercials. This isn't from I'm out of here, guys, dude,

494
00:29:40,800 --> 00:29:44,040
Speaker 1: I actually like McDonald's. That was like my first major

495
00:29:44,200 --> 00:29:46,840
Speaker 1: film set I was on, and you know, Caltrons are

496
00:29:46,920 --> 00:29:50,680
Speaker 1: so early that I decided that that would be the

497
00:29:50,720 --> 00:29:56,440
Speaker 1: first day I ever drank coffee. And I remember, that's

498
00:29:56,480 --> 00:29:59,760
Speaker 1: probably why you're just like sweating. You're all stinky. You're

499
00:30:00,480 --> 00:30:03,200
Speaker 1: that was the thing, is like it takes so long

500
00:30:03,240 --> 00:30:05,400
Speaker 1: to get called the set I had no set experience,

501
00:30:05,440 --> 00:30:08,080
Speaker 1: so like, I'm just waiting, just drinking coffee for the

502
00:30:08,120 --> 00:30:11,920
Speaker 1: first time, and hours and hours later, they finally called

503
00:30:11,920 --> 00:30:15,240
Speaker 1: me to set, and that's when the bottom just drops

504
00:30:15,280 --> 00:30:18,120
Speaker 1: out of my stomach. As soon as I get in place,

505
00:30:18,160 --> 00:30:23,440
Speaker 1: I'm like, I gotta ship. As soon as I hit set,

506
00:30:23,480 --> 00:30:26,080
Speaker 1: I'm like, can I use the bathroom? And they're like no.

507
00:30:27,240 --> 00:30:31,080
Speaker 1: I was like, oh man, this sucks. I'm moving back

508
00:30:31,080 --> 00:30:34,040
Speaker 1: to Conquered I can ship freely. And then we did

509
00:30:34,040 --> 00:30:37,000
Speaker 1: that one take song and it was just gorgeous. You

510
00:30:37,120 --> 00:30:39,000
Speaker 1: just let it out. It was rough. Yeah, we just

511
00:30:39,040 --> 00:30:42,520
Speaker 1: heard it. Yeah we did. We just heard it. That's

512
00:30:42,560 --> 00:30:45,120
Speaker 1: the worst one. You have to ship and you absolutely

513
00:30:45,160 --> 00:30:52,320
Speaker 1: can't I uh yeah, you know, authorities the worst. I

514
00:30:52,400 --> 00:30:55,600
Speaker 1: actually have a story. Uh do you remember that? It

515
00:30:55,680 --> 00:30:58,120
Speaker 1: was called Dirty Nelly's. I think Durs came and saw

516
00:30:58,160 --> 00:31:00,360
Speaker 1: me there once way back in the day and coast

517
00:31:00,360 --> 00:31:03,560
Speaker 1: to Mason with you and your boy John, and it's

518
00:31:03,600 --> 00:31:06,920
Speaker 1: like this shitty little dive bar. It's a cool dive bar.

519
00:31:07,080 --> 00:31:10,120
Speaker 1: But I was being called on stage and it was

520
00:31:10,160 --> 00:31:12,840
Speaker 1: the first time they were I was gonna headline and

521
00:31:12,960 --> 00:31:15,040
Speaker 1: headline was at this bar. Was like thirty minutes to

522
00:31:15,040 --> 00:31:20,120
Speaker 1: do stand up, and I'm pretty nervous, and uh, I'm

523
00:31:20,160 --> 00:31:22,720
Speaker 1: I don't know why I had to ship, but I

524
00:31:22,760 --> 00:31:27,400
Speaker 1: caught the human behavior. Yeah you had digested. Yeah, I

525
00:31:27,440 --> 00:31:30,440
Speaker 1: think I was nerves and and got the nervous poops

526
00:31:30,520 --> 00:31:34,520
Speaker 1: and I sneezed in a perfect log shot out of

527
00:31:34,560 --> 00:31:39,959
Speaker 1: my ass, a perfect log pinched completely into my pants,

528
00:31:40,000 --> 00:31:42,239
Speaker 1: and I grabbed a bar. They're literally bringing me up

529
00:31:42,280 --> 00:31:46,080
Speaker 1: like this guy, he's lives in Hollywood, He's comes down

530
00:31:46,080 --> 00:31:48,200
Speaker 1: here to do stand up. We like him. Give it up,

531
00:31:48,640 --> 00:31:51,000
Speaker 1: and I'm fishing this turred out of my pants. I

532
00:31:51,120 --> 00:31:54,240
Speaker 1: take it out with a bar and napkin and stick

533
00:31:54,280 --> 00:31:56,480
Speaker 1: it in a potted plant, which I'm right next to.

534
00:31:56,800 --> 00:31:59,200
Speaker 1: I go on stage, I do the thirty minutes. The

535
00:31:59,320 --> 00:32:03,040
Speaker 1: show went rate. It was like the best show I've

536
00:32:03,080 --> 00:32:05,880
Speaker 1: had up to this point. And then I go, uh, guys,

537
00:32:05,920 --> 00:32:07,960
Speaker 1: to be perfectly honest, I didn't think the show was

538
00:32:08,000 --> 00:32:11,719
Speaker 1: gonna go great because right before the show I shipped

539
00:32:11,720 --> 00:32:15,080
Speaker 1: in that potted plant and people were like what, And

540
00:32:15,120 --> 00:32:17,880
Speaker 1: I go, hey, go look at that potted plant. Tell

541
00:32:17,880 --> 00:32:21,280
Speaker 1: me there's not a ship wrapped up in a bar napkin.

542
00:32:21,720 --> 00:32:24,560
Speaker 1: And they're like there's a ship in here, and then

543
00:32:24,600 --> 00:32:27,760
Speaker 1: I dropped the microphone as if that's my ending joke

544
00:32:28,000 --> 00:32:31,720
Speaker 1: in the place exploded. It was like the best ending bit.

545
00:32:31,840 --> 00:32:35,240
Speaker 1: People are like his ship in the bart. You gotta

546
00:32:35,280 --> 00:32:37,840
Speaker 1: bring that back. That story started very loose butth hole

547
00:32:38,240 --> 00:32:41,720
Speaker 1: uh and then tighten tight butth hole? Oh good, good,

548
00:32:41,760 --> 00:32:44,840
Speaker 1: good good. Did you do your joke where you like

549
00:32:44,960 --> 00:32:47,240
Speaker 1: lift your leg like you're waving like a person with

550
00:32:47,280 --> 00:32:51,920
Speaker 1: no arms and like just fan your dukie hole and

551
00:32:51,960 --> 00:32:55,680
Speaker 1: it just shoots out. No, I've luckily never shat on stage.

552
00:32:55,720 --> 00:32:58,520
Speaker 1: That would be a true nightmare. You would have to.

553
00:32:59,200 --> 00:33:01,320
Speaker 1: You could do it, though, you just spin it into something. Man,

554
00:33:01,520 --> 00:33:04,040
Speaker 1: I believe in you, Thank you. You would have to

555
00:33:04,120 --> 00:33:06,160
Speaker 1: keep going once you're up there, You're not You're not

556
00:33:06,200 --> 00:33:07,760
Speaker 1: going to get off that stage for an hour. You

557
00:33:07,920 --> 00:33:11,040
Speaker 1: have to. The show must go on. And what's up

558
00:33:11,080 --> 00:33:14,000
Speaker 1: with the integration into the show like that takes That's

559
00:33:14,040 --> 00:33:16,680
Speaker 1: some serious stuff that I don't know. I mean, first

560
00:33:16,760 --> 00:33:19,280
Speaker 1: of all, hiding this ship before going on, I think

561
00:33:19,440 --> 00:33:22,120
Speaker 1: is something that birthed out of necessity, Like you can't

562
00:33:22,120 --> 00:33:24,440
Speaker 1: just leave the ship in your pants before you go up,

563
00:33:24,480 --> 00:33:28,080
Speaker 1: and absolutely you can't. But the the call back to

564
00:33:28,200 --> 00:33:31,400
Speaker 1: it and and letting the whole room know that there's

565
00:33:31,680 --> 00:33:35,360
Speaker 1: your poop in that potted plant is something of I

566
00:33:35,400 --> 00:33:38,280
Speaker 1: don't what is that? Well, it was the confidence that

567
00:33:38,360 --> 00:33:41,240
Speaker 1: was built through that half hour to where I gotta

568
00:33:41,320 --> 00:33:44,480
Speaker 1: rapport with this audience and it was it was going great.

569
00:33:44,520 --> 00:33:46,840
Speaker 1: It was a great show, and they were fully on

570
00:33:46,880 --> 00:33:49,240
Speaker 1: board with everything I was doing. So you just were like,

571
00:33:49,280 --> 00:33:52,320
Speaker 1: I'm unstoppable, guys. I gotta be honest. It was a

572
00:33:52,400 --> 00:33:57,480
Speaker 1: great night, and you know, just the honesty that I

573
00:33:57,520 --> 00:33:59,840
Speaker 1: was trying to have with this crowd and just admitting like, hey,

574
00:34:00,080 --> 00:34:02,320
Speaker 1: I didn't think it was going to go well because

575
00:34:02,360 --> 00:34:05,000
Speaker 1: I shipped in that potted plant right before getting on stage,

576
00:34:05,040 --> 00:34:07,840
Speaker 1: and people were like, what why throw a weird lie

577
00:34:08,360 --> 00:34:11,799
Speaker 1: after he's built this rapport with us right now? And

578
00:34:11,840 --> 00:34:14,400
Speaker 1: then I was like, yo, go check that potted plant.

579
00:34:14,840 --> 00:34:16,920
Speaker 1: Someone did, and he's like there's a ship in here.

580
00:34:17,520 --> 00:34:21,360
Speaker 1: But like are you Like were you just like uh oh,

581
00:34:21,440 --> 00:34:23,439
Speaker 1: I shouldn't have said that, And then you doubled down

582
00:34:23,520 --> 00:34:25,520
Speaker 1: like were you just so excited about how the thing

583
00:34:25,600 --> 00:34:27,920
Speaker 1: was going and you're like, I shipped the plant before this,

584
00:34:28,080 --> 00:34:32,600
Speaker 1: and you're like seriously, like you know, it happened so quick.

585
00:34:32,640 --> 00:34:34,400
Speaker 1: There was no I think I was still right in

586
00:34:34,440 --> 00:34:36,680
Speaker 1: the high of the show. It just kind of popped out,

587
00:34:36,719 --> 00:34:38,759
Speaker 1: like the poop at the beginning. Yeah, it just sort

588
00:34:38,800 --> 00:34:41,720
Speaker 1: of shot out. I'm still wrapped up on a perfect log,

589
00:34:42,840 --> 00:34:44,600
Speaker 1: like even when you pull it out of your underwear,

590
00:34:44,640 --> 00:34:48,880
Speaker 1: it was still intact. Yeah. Well at that you know,

591
00:34:49,000 --> 00:34:51,800
Speaker 1: this was like, this was like two thousand and four,

592
00:34:52,320 --> 00:34:58,560
Speaker 1: all right, that's when logs were like really happening. This

593
00:34:58,600 --> 00:35:01,719
Speaker 1: is Chipotle and this is this is Pintol black bean mix.

594
00:35:01,880 --> 00:35:04,600
Speaker 1: This is when I was shipping perfect logs, not the

595
00:35:04,640 --> 00:35:07,560
Speaker 1: spray that I have now, not the mid thirties year

596
00:35:07,600 --> 00:35:10,399
Speaker 1: old blasters. Well you know, you get old. Things start

597
00:35:10,440 --> 00:35:12,160
Speaker 1: to happen when you get old. No, no, no, no.

598
00:35:12,200 --> 00:35:16,520
Speaker 1: I think I also wore looser fitting jeans at that,

599
00:35:16,680 --> 00:35:19,280
Speaker 1: so there was there was room to pull it out

600
00:35:20,160 --> 00:35:24,040
Speaker 1: and its entirety. Now I feel like there might be

601
00:35:24,120 --> 00:35:28,520
Speaker 1: some some streaky's coming up my my my back and

602
00:35:28,680 --> 00:35:31,839
Speaker 1: butchers streaks now, like my two year old. It just

603
00:35:31,880 --> 00:35:36,520
Speaker 1: goes out the back of blow out. Blow out. Yeah. Wow,

604
00:35:36,719 --> 00:35:40,920
Speaker 1: that's incredible, dude. Yeah, that is a fucking story of conquest.

605
00:35:41,000 --> 00:35:43,400
Speaker 1: I love it. What's fun about this podcast is we're

606
00:35:43,400 --> 00:35:46,520
Speaker 1: gonna tell each other stories that we might not have

607
00:35:46,560 --> 00:35:48,920
Speaker 1: told each other, or might have told each other so

608
00:35:48,960 --> 00:35:51,680
Speaker 1: long ago though we forgot. It's just fun to revisit.

609
00:35:51,800 --> 00:35:54,840
Speaker 1: That's when I love revisiting. I love re's visiting with

610
00:35:54,880 --> 00:35:58,439
Speaker 1: these guys. You love what stories you guys. This dude

611
00:35:58,520 --> 00:36:01,400
Speaker 1: is drawn. I love revisit in these stories with you guys.

612
00:36:01,480 --> 00:36:03,200
Speaker 1: I said it, and I said it perfectly, and I

613
00:36:03,200 --> 00:36:06,799
Speaker 1: said it clearly the first time. Rehibiting. That's a spoonerism.

614
00:36:06,920 --> 00:36:09,560
Speaker 1: Spoonerisms are did I say reshibiting you were about to

615
00:36:09,560 --> 00:36:13,360
Speaker 1: say reziviting, which is the classic spoonerism, and it's class

616
00:36:13,440 --> 00:36:17,200
Speaker 1: funniest thing classic spoonerism. What's a spoonerism. Spoonerism is like

617
00:36:17,200 --> 00:36:19,880
Speaker 1: when you say I'm gonna go cut the lawn. You

618
00:36:19,920 --> 00:36:22,520
Speaker 1: instead you say I'm gonna go let the con You

619
00:36:22,640 --> 00:36:27,520
Speaker 1: just switched the the starting constants or the starting Uh

620
00:36:27,719 --> 00:36:30,920
Speaker 1: sounds uh. That doesn't seem real or what I did

621
00:36:30,960 --> 00:36:35,080
Speaker 1: so like visiting would be zivoting, you know, like visiting zivoting.

622
00:36:35,160 --> 00:36:36,800
Speaker 1: I don't think I did that. I think I spoke

623
00:36:36,840 --> 00:36:40,359
Speaker 1: clearly and precisely because I am well when you ask

624
00:36:40,400 --> 00:36:42,640
Speaker 1: the question, so I answered it. I mean, it's all good,

625
00:36:42,680 --> 00:36:44,880
Speaker 1: it's okay. I can see, like, you know how we

626
00:36:44,960 --> 00:36:47,000
Speaker 1: all acted in school and why we got to where

627
00:36:47,080 --> 00:36:52,120
Speaker 1: we are. What was it called again, spooner? I know

628
00:36:52,200 --> 00:36:54,560
Speaker 1: about that ship they what's his name? Quest Level was

629
00:36:54,560 --> 00:36:57,240
Speaker 1: talking about that on this day last old DJ session.

630
00:36:57,239 --> 00:36:59,360
Speaker 1: He was doing the other day because Bismarcki did a

631
00:36:59,360 --> 00:37:02,759
Speaker 1: spoonerism on a daylat track tight and he was like,

632
00:37:02,800 --> 00:37:04,600
Speaker 1: what is that called? And I was like, Spoonerism and

633
00:37:04,640 --> 00:37:05,799
Speaker 1: he was like, what is that? I think it's called

634
00:37:05,840 --> 00:37:08,000
Speaker 1: Like I'm not talking to him like live, but I'm

635
00:37:08,000 --> 00:37:10,440
Speaker 1: just like, oh, it's spooners. And then he finally figured

636
00:37:10,480 --> 00:37:12,560
Speaker 1: it out. Guys at home, I'm glad I shared that

637
00:37:12,600 --> 00:37:14,560
Speaker 1: with you. I like that. Yeah, hell yeah, dude. I

638
00:37:14,640 --> 00:37:17,040
Speaker 1: was British, but I like, hell yeah, Spoonerism is rock.

639
00:37:17,120 --> 00:37:20,400
Speaker 1: They're very funny, fucking nuts, nucking foots. There's a bumper,

640
00:37:20,400 --> 00:37:27,080
Speaker 1: stick out, sucking go nuts. Tuck my sits. Yeah, that

641
00:37:27,400 --> 00:37:30,799
Speaker 1: that that to wait, what did you say tuck my sits?

642
00:37:32,200 --> 00:37:36,840
Speaker 1: You said what tuck my sits? Yeah, you get it.

643
00:37:38,880 --> 00:37:43,160
Speaker 1: That's suck them suck my fits. So tuck my sits,

644
00:37:43,600 --> 00:37:52,399
Speaker 1: tucking suck my suck. Okay, is that not spoonerism? Yes,

645
00:37:52,480 --> 00:37:55,759
Speaker 1: it is tuck my sits. Yes, Okay, Yeah, I guess

646
00:37:55,800 --> 00:37:59,279
Speaker 1: that's right, tuck my SIPs. Adam You writing it down

647
00:37:59,400 --> 00:38:02,120
Speaker 1: is the fun bet. I mean, I wasn't. I wasn't

648
00:38:02,200 --> 00:38:05,040
Speaker 1: thinking about I just pulled it out. I mean, that's

649
00:38:05,040 --> 00:38:09,000
Speaker 1: just what came to mind. Bro Well how I mean,

650
00:38:09,040 --> 00:38:10,879
Speaker 1: I guess that's never a thing that I've ever said

651
00:38:10,880 --> 00:38:15,400
Speaker 1: in my life has sucked my tits, so it's importantly

652
00:38:15,640 --> 00:38:18,480
Speaker 1: it rolled off your tongue. So that's another song that

653
00:38:18,560 --> 00:38:20,520
Speaker 1: Blake and I made, like probably the same night we

654
00:38:20,560 --> 00:38:22,560
Speaker 1: did the other one. I'm kind of a nasty dude.

655
00:38:22,600 --> 00:38:24,920
Speaker 1: I like when a girl sucks on my Because you're like,

656
00:38:24,960 --> 00:38:26,879
Speaker 1: if I can't make it in a commercial, maybe I'm

657
00:38:26,920 --> 00:38:29,120
Speaker 1: not cut out for being a commercial type guy. Maybe

658
00:38:29,120 --> 00:38:30,560
Speaker 1: I'll go the other way. Maybe I'll just go straight

659
00:38:30,560 --> 00:38:35,680
Speaker 1: into porno. Says yeah, and we're gonna play that track

660
00:38:35,760 --> 00:38:50,680
Speaker 1: for you right now. I'm kind of a nasty dude.

661
00:38:51,120 --> 00:38:53,399
Speaker 1: I like when a girl sucks on my duds. I'm

662
00:38:53,480 --> 00:38:56,279
Speaker 1: kind of a nasty dude. I like when a girl

663
00:38:56,320 --> 00:38:59,000
Speaker 1: sucks on my tips. I'm kind of a nasty dude.

664
00:38:59,560 --> 00:39:01,759
Speaker 1: I like when a girl sucks all my tits. I'm

665
00:39:01,840 --> 00:39:04,640
Speaker 1: kind of a nasty dude. I like when a girl

666
00:39:04,680 --> 00:39:08,000
Speaker 1: sucks all my I'm kind of a nasty dude. I

667
00:39:08,040 --> 00:39:10,399
Speaker 1: like it when a girl sucks so much. I'm kind

668
00:39:10,440 --> 00:39:13,000
Speaker 1: of a nasty dude. I like it when a girl

669
00:39:13,000 --> 00:39:22,640
Speaker 1: sucks on my tits, my tish, my tit. Look. I'm

670
00:39:22,760 --> 00:39:26,040
Speaker 1: kind of a nasty dude. I like wanta girl sucks

671
00:39:26,080 --> 00:39:28,840
Speaker 1: all my tids. I'm kind of a nasty dude. I

672
00:39:29,000 --> 00:39:34,480
Speaker 1: like when a girl sucks all my tits, all all titties,

673
00:39:35,320 --> 00:39:40,880
Speaker 1: all titties, cities, It's I'm kind of a nasty dude.

674
00:39:41,320 --> 00:39:43,160
Speaker 1: I like it. Want a girl sucks so much it

675
00:39:43,400 --> 00:39:46,160
Speaker 1: I'm kind of a nasty dude. I like you want

676
00:39:46,160 --> 00:39:49,200
Speaker 1: to girl sucks so much. I'm kind of a nasty dude.

677
00:39:49,640 --> 00:39:52,160
Speaker 1: I like it wanta girl sucks so much. I'm kind

678
00:39:52,200 --> 00:39:56,000
Speaker 1: of a nasty dude. I like a girl to my

679
00:39:56,120 --> 00:40:05,840
Speaker 1: tas finds. Here's the deal. I'm kind of a nasty dude.

680
00:40:06,320 --> 00:40:08,480
Speaker 1: I like it when a girl sucks on my tits.

681
00:40:09,760 --> 00:40:12,799
Speaker 1: And we're back and that did you like it? Did

682
00:40:12,800 --> 00:40:24,879
Speaker 1: you enjoy it. Should there be a sequel? Oh my gosh, Hey,

683
00:40:24,920 --> 00:40:26,719
Speaker 1: you know what I asked today, guys. I was on

684
00:40:26,760 --> 00:40:29,879
Speaker 1: Twitter and I said, what is a movie soundtrack that's

685
00:40:29,960 --> 00:40:33,719
Speaker 1: better than the movie that? It was the soundtrack. I've

686
00:40:33,760 --> 00:40:36,160
Speaker 1: got one. I got one, I've got one. And this

687
00:40:36,280 --> 00:40:39,800
Speaker 1: is hard for me to say. Okay, your luck. I

688
00:40:39,880 --> 00:40:44,160
Speaker 1: don't know what that is. I don't know that soundtrack period.

689
00:40:44,320 --> 00:40:47,520
Speaker 1: So it's Danny Elfman. That's the score. That's the score.

690
00:40:48,680 --> 00:40:53,319
Speaker 1: About soundtrack like Judgment Night had a better soundtrack than

691
00:40:53,400 --> 00:40:57,879
Speaker 1: the movie. Oh that's there's tons, bones, Snoop Dogg. Come

692
00:40:57,920 --> 00:41:00,680
Speaker 1: on the movie bones bones Yeah, ok where he's like

693
00:41:00,719 --> 00:41:09,120
Speaker 1: the vampire dog. Oh gotta see bones. Yeah. I actually

694
00:41:09,160 --> 00:41:12,560
Speaker 1: the movie might be better because that movie rocks. Yeah.

695
00:41:12,600 --> 00:41:15,600
Speaker 1: I went straight to score. I was like, what's that one?

696
00:41:15,640 --> 00:41:18,520
Speaker 1: Swiss army man? I was that music is fantastic, but

697
00:41:18,600 --> 00:41:21,840
Speaker 1: the movie is just I can't talk about motion picture

698
00:41:21,920 --> 00:41:26,239
Speaker 1: sound training. But The Crow is a good movie like that.

699
00:41:27,360 --> 00:41:32,600
Speaker 1: Those are to me. I'm gonna say pitch perfect too, Okay, alright,

700
00:41:32,640 --> 00:41:36,160
Speaker 1: the soundtrack is a banger. Baby. It's weird that we're

701
00:41:36,200 --> 00:41:38,359
Speaker 1: talking about this because me and Chloe went and got

702
00:41:38,360 --> 00:41:41,600
Speaker 1: breakfast before this, at this little breakfast pot down the

703
00:41:41,600 --> 00:41:44,319
Speaker 1: street from her house, and they had to have put

704
00:41:44,320 --> 00:41:47,400
Speaker 1: it on because they saw me in there. They played

705
00:41:48,000 --> 00:41:51,880
Speaker 1: the song worth when Rebel is like rowing across the

706
00:41:51,960 --> 00:41:54,520
Speaker 1: lake and she's singing to me, and then I sing

707
00:41:54,640 --> 00:41:57,879
Speaker 1: back to her the pitch perfect song, like as we're

708
00:41:57,880 --> 00:42:00,719
Speaker 1: in there, and then they're the waitresses are like, oh god,

709
00:42:00,880 --> 00:42:03,200
Speaker 1: oh my god, should he sing it? Is there a

710
00:42:03,239 --> 00:42:05,919
Speaker 1: pitch perfect song? What is the pitch perfect song singing

711
00:42:05,960 --> 00:42:11,560
Speaker 1: to it? I mean, if I know it's like no, no, no, no, no, no, no,

712
00:42:11,560 --> 00:42:14,719
Speaker 1: no no no. Wait, is this a song that like

713
00:42:14,840 --> 00:42:18,040
Speaker 1: previously existed or this is the pitch perfect song? No, no, no,

714
00:42:18,200 --> 00:42:22,279
Speaker 1: it's from the soundtrack. Uh. And you know, well that

715
00:42:22,360 --> 00:42:24,560
Speaker 1: movie is a musical, so any of those, like a

716
00:42:24,560 --> 00:42:26,759
Speaker 1: lot of it is part of the soundtrack. I don't know.

717
00:42:27,160 --> 00:42:31,799
Speaker 1: Life Aquatic Dope soundtrack, that's OK. Yeah, it's not as

718
00:42:31,800 --> 00:42:33,600
Speaker 1: good as a soundtrack, though the soundtrack is a little

719
00:42:33,600 --> 00:42:35,960
Speaker 1: bit more memorable than the movie. That movie is sick.

720
00:42:36,120 --> 00:42:38,880
Speaker 1: That's a movie that I think is that movie needed?

721
00:42:39,200 --> 00:42:42,720
Speaker 1: Uh it was kind of weirdly ahead of its time. Yeah,

722
00:42:43,000 --> 00:42:44,880
Speaker 1: I need to rewatch that ship. Yeah, I think I

723
00:42:45,239 --> 00:42:46,880
Speaker 1: need to as well. I remember it took me a

724
00:42:46,880 --> 00:42:49,560
Speaker 1: while to get through it because I couldn't just wasn't

725
00:42:49,560 --> 00:42:52,360
Speaker 1: grasping onto the characters or the plot. Really it was

726
00:42:52,400 --> 00:42:55,239
Speaker 1: cool though. It was cool just the fact they have Claymation'

727
00:42:56,239 --> 00:43:01,319
Speaker 1: Willem Dafoe in life, Aquatic Game Changers, Got It Kills.

728
00:43:01,400 --> 00:43:04,239
Speaker 1: What were some of the better examples. I haven't looked

729
00:43:04,280 --> 00:43:06,920
Speaker 1: at anybody's answers, but I was just like Judgment Light

730
00:43:07,000 --> 00:43:10,160
Speaker 1: was one. I'm thinking of other big soundtracks, Um like

731
00:43:10,600 --> 00:43:16,520
Speaker 1: Bulworth had a decent soundtrack. That's h I would argue

732
00:43:16,520 --> 00:43:19,920
Speaker 1: that Brown Sugar had a better soundtrack than the movie.

733
00:43:21,000 --> 00:43:25,279
Speaker 1: I like the movie. I love the soundtrack. This one's controversial.

734
00:43:25,760 --> 00:43:28,560
Speaker 1: It's a double there were two discs because the soundtrack

735
00:43:28,640 --> 00:43:32,120
Speaker 1: was so good. Is the soundtrack to Days and Confused

736
00:43:32,600 --> 00:43:38,000
Speaker 1: better than the movie? That's interesting. That's a great question. Well,

737
00:43:38,040 --> 00:43:42,880
Speaker 1: it's it's kind of uh impossible to separate because especially

738
00:43:42,960 --> 00:43:47,080
Speaker 1: on that movie, because that movie, the sound track pushes

739
00:43:47,200 --> 00:43:49,799
Speaker 1: the movie along so well and also gets you in

740
00:43:49,800 --> 00:43:52,640
Speaker 1: the mood for those hot seventies James. So is the

741
00:43:52,640 --> 00:43:57,919
Speaker 1: accompaniment of the visual better or not? That's what I'm saying,

742
00:43:58,000 --> 00:44:00,239
Speaker 1: that's the whole I think that the soundtrack is better

743
00:44:00,239 --> 00:44:02,560
Speaker 1: than the movie. You think that movie is so like,

744
00:44:02,680 --> 00:44:05,720
Speaker 1: it is so relatable what's going on in the flick

745
00:44:05,840 --> 00:44:08,239
Speaker 1: and what was happening, especially if you watched it when

746
00:44:08,239 --> 00:44:11,160
Speaker 1: you were like in high school. It's like, yeah, that

747
00:44:11,280 --> 00:44:14,879
Speaker 1: movie so hard. In high school, it's too real, just

748
00:44:14,920 --> 00:44:18,280
Speaker 1: to just to smoke weed with your friends and be like, ah, man,

749
00:44:18,800 --> 00:44:22,160
Speaker 1: if only this were the seventies. Yeah, right, we're in

750
00:44:22,200 --> 00:44:25,000
Speaker 1: the wrong time. Do you remember, Because of the soundtrack,

751
00:44:25,040 --> 00:44:27,399
Speaker 1: I thought it was older than it was. I was like, Wow,

752
00:44:27,480 --> 00:44:29,680
Speaker 1: when was this made? Oh my god, it's just from

753
00:44:29,680 --> 00:44:34,960
Speaker 1: the thirties. It is funny to be like, no matter

754
00:44:35,000 --> 00:44:37,880
Speaker 1: what age you're growing up, you think that time sucks.

755
00:44:38,640 --> 00:44:41,080
Speaker 1: You know, like, no matter what age, Like we grew

756
00:44:41,160 --> 00:44:43,959
Speaker 1: up in the mid late nineties is when we were

757
00:44:44,000 --> 00:44:47,399
Speaker 1: coming of age as a as kids two men, that's

758
00:44:47,440 --> 00:44:49,760
Speaker 1: a sick man. At the time, I was like, this

759
00:44:50,040 --> 00:44:52,680
Speaker 1: is the worst era in human history at the nineties,

760
00:44:52,800 --> 00:44:55,400
Speaker 1: But then now I look back at it and I'm like, god, damn,

761
00:44:55,560 --> 00:44:57,880
Speaker 1: if only I could get myself a snap bracelet and

762
00:44:57,880 --> 00:45:00,799
Speaker 1: a healthy bicycle, everything would be okay again. Yeah, I

763
00:45:00,840 --> 00:45:03,680
Speaker 1: just want to crank limp biscuit and do freaking laps

764
00:45:03,719 --> 00:45:08,520
Speaker 1: in the pool. Oh man, see, I would have been

765
00:45:08,520 --> 00:45:12,080
Speaker 1: on board with a little limp. Yeah, slipknots as I don't.

766
00:45:12,120 --> 00:45:14,919
Speaker 1: I don't know that. Being said Slipknot, I think good

767
00:45:14,960 --> 00:45:17,200
Speaker 1: workout music. You're getting a lot of aggression on. I

768
00:45:17,280 --> 00:45:20,239
Speaker 1: just don't have a lot of Slipknot knowledge. I was like,

769
00:45:20,320 --> 00:45:22,560
Speaker 1: let me flip on the best of Slipknot and let

770
00:45:22,600 --> 00:45:24,680
Speaker 1: me see what this is about. The best of well,

771
00:45:24,760 --> 00:45:26,719
Speaker 1: like you know the top tracks on Spotify or whatever.

772
00:45:26,880 --> 00:45:29,439
Speaker 1: You are you wearing a swim cap. No, no swim cap.

773
00:45:29,520 --> 00:45:31,360
Speaker 1: I'm not even tying my hair back, bro, I'm just

774
00:45:31,360 --> 00:45:33,520
Speaker 1: putting the goggles on and going for it, hoofing it

775
00:45:33,680 --> 00:45:36,040
Speaker 1: like it just looks like a little wet rat tail

776
00:45:36,080 --> 00:45:38,600
Speaker 1: on your back. Yeah. Yeah, it's It's weird having hair

777
00:45:38,680 --> 00:45:41,120
Speaker 1: this long, because I often think there's something in the

778
00:45:41,160 --> 00:45:44,879
Speaker 1: middle of my back, like what is on me? Oh

779
00:45:44,920 --> 00:45:47,799
Speaker 1: it's my hair? Oh my god, I've never had it

780
00:45:47,840 --> 00:45:49,839
Speaker 1: this long before. Will you shave your head? Or what

781
00:45:50,000 --> 00:45:52,279
Speaker 1: shave my head? I was looking at what was I looking?

782
00:45:52,360 --> 00:45:54,640
Speaker 1: I was watching a YouTube video and somebody had buzzed

783
00:45:54,640 --> 00:45:56,640
Speaker 1: like the side of their head but left the hair

784
00:45:56,680 --> 00:46:00,440
Speaker 1: along and I'm like, well, that's the next step. Relics

785
00:46:00,680 --> 00:46:04,200
Speaker 1: c Yeah, but you know how back in the day

786
00:46:04,200 --> 00:46:05,600
Speaker 1: they used to do it where you could pull it

787
00:46:05,600 --> 00:46:07,439
Speaker 1: in the top knot and then it was buzzed all

788
00:46:07,440 --> 00:46:10,200
Speaker 1: the way around and then it just kind of laid down.

789
00:46:10,400 --> 00:46:12,399
Speaker 1: That's the ship. The bulk. Yeah, it's like a very

790
00:46:12,440 --> 00:46:15,480
Speaker 1: long bulk, but a ponytail, but a ponytail up to

791
00:46:15,800 --> 00:46:17,400
Speaker 1: it so it high when you let it down, it

792
00:46:17,520 --> 00:46:19,759
Speaker 1: hides the fact that it's shape. I've always wanted to

793
00:46:19,800 --> 00:46:22,359
Speaker 1: do that. Yes, yes, that I think would be the

794
00:46:22,400 --> 00:46:26,080
Speaker 1: next step. That's that is Scrillics, right, but Scrillics only

795
00:46:26,120 --> 00:46:29,799
Speaker 1: does one side. Oh that's his thing. Blake. Is Scrilics

796
00:46:30,280 --> 00:46:33,160
Speaker 1: still a DJ? And is he's still a popular DJ?

797
00:46:33,719 --> 00:46:38,000
Speaker 1: Please explain? Uh? Yeah, I think so. Yeah, Squirrel looks

798
00:46:38,040 --> 00:46:40,319
Speaker 1: is still out there doing this thing? Does he have

799
00:46:40,360 --> 00:46:44,279
Speaker 1: a residency somewhere? Isn't that the endgame? If you can

800
00:46:44,320 --> 00:46:47,480
Speaker 1: get that Vegas money? For sure? I don't see him

801
00:46:47,520 --> 00:46:50,719
Speaker 1: on any billboards really, no, Like what happened, he was

802
00:46:50,800 --> 00:46:53,319
Speaker 1: like the hottest ship. I feel for a handop, But

803
00:46:53,360 --> 00:46:56,160
Speaker 1: that's that's just DJ life. Right, Yeah, where it's like

804
00:46:56,200 --> 00:46:58,120
Speaker 1: you're you're the hottest thing in the world. And then

805
00:46:58,400 --> 00:47:00,360
Speaker 1: and then all of a sudden, some guy comes around

806
00:47:00,360 --> 00:47:05,479
Speaker 1: with a cooler helmet. Hot dog head. Yeah, hot dog

807
00:47:05,520 --> 00:47:08,959
Speaker 1: Man is playing the palladium. So sorry this this person

808
00:47:09,120 --> 00:47:13,359
Speaker 1: has a regular human we no longer can support him.

809
00:47:13,440 --> 00:47:17,239
Speaker 1: I was saying that eventually I believe that djane at

810
00:47:17,280 --> 00:47:20,640
Speaker 1: that caliber, in that level, will evolve into you also

811
00:47:20,719 --> 00:47:26,239
Speaker 1: are doing magic and illusions. Just magician DJ, you're making

812
00:47:26,239 --> 00:47:28,759
Speaker 1: people's money disappearal to that. That's gonna be my new

813
00:47:28,840 --> 00:47:32,560
Speaker 1: uh my next Disney Plus movies makes sense. Magician DJ,

814
00:47:33,800 --> 00:47:36,920
Speaker 1: magic DJ, Yeah, magic DJ camp that makes so much sense.

815
00:47:36,960 --> 00:47:39,080
Speaker 1: The drop of a DJ is just like the review

816
00:47:39,120 --> 00:47:42,080
Speaker 1: of a magician. Yeah, doves fly out, come on. Yeah,

817
00:47:42,320 --> 00:47:45,640
Speaker 1: that's awesome. Yeah, are you gonna do that? Blake, please

818
00:47:45,960 --> 00:47:53,319
Speaker 1: please do this? Hot dog head, hot dog head, Oh

819
00:47:53,360 --> 00:47:59,480
Speaker 1: my god, welcome to the barbecue pit. Who must be

820
00:47:59,480 --> 00:48:01,480
Speaker 1: so fun to be a DJ? Actually it also is

821
00:48:01,520 --> 00:48:04,399
Speaker 1: a prison for sure, not if you're the marshmallow head

822
00:48:04,400 --> 00:48:07,040
Speaker 1: guy though, right, because like you can just beat anybody,

823
00:48:07,280 --> 00:48:09,960
Speaker 1: just collect your check, yeah, or like dead Mouse, where

824
00:48:10,000 --> 00:48:12,200
Speaker 1: you're just like I just go to the fucking Whole

825
00:48:12,200 --> 00:48:16,440
Speaker 1: Foods on Tuesday, and I'm chilling. I I presented with marshmallow.

826
00:48:16,680 --> 00:48:20,239
Speaker 1: Nice guy. He I was like getting changed into like

827
00:48:20,280 --> 00:48:22,319
Speaker 1: what I was supposed to wear. And then he like

828
00:48:22,400 --> 00:48:24,400
Speaker 1: took his marshmallow head off and he was like he

829
00:48:24,480 --> 00:48:26,400
Speaker 1: was like, oh ship, sorry, I didn't see there. Uh,

830
00:48:26,560 --> 00:48:29,160
Speaker 1: don't tell anybody. It's just hard to breathe sometimes. Don't look,

831
00:48:29,160 --> 00:48:32,080
Speaker 1: don't look, don't look. It's me, Juliel White. I'm like, fun,

832
00:48:32,239 --> 00:48:34,120
Speaker 1: that must suck. It's like all hot in there. And

833
00:48:34,160 --> 00:48:36,000
Speaker 1: he's like, yes, sorry, I just had to take it

834
00:48:36,000 --> 00:48:37,680
Speaker 1: off every once in a while. Don't tell anyone. And

835
00:48:37,719 --> 00:48:40,879
Speaker 1: I'm like, huh, it's okay, don't tell anyone what that

836
00:48:40,920 --> 00:48:44,960
Speaker 1: you're not an actual marshmallow. I think right, I think

837
00:48:45,000 --> 00:48:46,919
Speaker 1: we could all be on board. You know how back

838
00:48:46,960 --> 00:48:49,239
Speaker 1: in the day, like Gallagher, like there was that hole,

839
00:48:49,280 --> 00:48:51,600
Speaker 1: like he had somebody steal his identity and all that

840
00:48:52,320 --> 00:48:55,480
Speaker 1: his brother he sold the act was brother his twin brother. Yeah,

841
00:48:55,640 --> 00:48:59,880
Speaker 1: is there anybody checking the fact that Marshmallow is actually

842
00:49:00,320 --> 00:49:02,600
Speaker 1: Marshmallow when he shows up to a gig or could

843
00:49:02,640 --> 00:49:04,400
Speaker 1: you like say, I'm working in New York and I

844
00:49:04,440 --> 00:49:06,719
Speaker 1: also got a gig in California, and I also got

845
00:49:06,719 --> 00:49:09,200
Speaker 1: a gig over in Spain, and I'm just like creating

846
00:49:09,200 --> 00:49:12,480
Speaker 1: this franchise, this DJ franchise. I feel like at some

847
00:49:12,520 --> 00:49:14,960
Speaker 1: point you can blue man group it and just just

848
00:49:15,040 --> 00:49:18,600
Speaker 1: send them everywhere. But I mean, the Internet is a

849
00:49:18,640 --> 00:49:20,840
Speaker 1: is a small place. They'll be able to figure that

850
00:49:20,880 --> 00:49:22,880
Speaker 1: out pretty quickly where they're like, you can't be in

851
00:49:22,920 --> 00:49:27,080
Speaker 1: Atlantic City and Reno. It's like Kaufman and Tony Clifton

852
00:49:27,320 --> 00:49:30,279
Speaker 1: kind of. But you could flip the dates and just

853
00:49:30,360 --> 00:49:33,360
Speaker 1: have three guys and have to only go to a

854
00:49:33,520 --> 00:49:36,439
Speaker 1: third of the places you're supposed to go totally. I mean,

855
00:49:36,480 --> 00:49:39,120
Speaker 1: that would be the best until you have to talk

856
00:49:39,120 --> 00:49:41,600
Speaker 1: to one of your Marshmallows and be like, hey, man,

857
00:49:41,680 --> 00:49:46,320
Speaker 1: you're you're putting on the weight, Like, hey, Marshmallow is

858
00:49:46,360 --> 00:49:48,719
Speaker 1: a hundred and seventy five pounds. You know he's not

859
00:49:48,760 --> 00:49:51,920
Speaker 1: two hundred pounds, So you gotta hit the treadmill, Marshmallow.

860
00:49:51,960 --> 00:49:53,959
Speaker 1: I feel like these are the kind of conspiracies I'd

861
00:49:53,960 --> 00:49:56,319
Speaker 1: like to be spending my time on, Like, is there

862
00:49:56,400 --> 00:49:59,480
Speaker 1: multiple Marshmallows. You've got to get off the conspiracies you're

863
00:49:59,480 --> 00:50:02,360
Speaker 1: currently on on and get on this Where where is

864
00:50:02,400 --> 00:50:05,359
Speaker 1: marshmallow conspiracy? All right? I was just making a joke.

865
00:50:05,440 --> 00:50:08,560
Speaker 1: I don't need to be be put on a freaking

866
00:50:08,760 --> 00:50:12,799
Speaker 1: crucifix right now. Okay, I'm not you're the one who

867
00:50:12,800 --> 00:50:14,920
Speaker 1: got sutti, but I just said this would be a

868
00:50:14,960 --> 00:50:18,160
Speaker 1: good You pointed the finger at me and I you know, well,

869
00:50:18,360 --> 00:50:22,000
Speaker 1: sometimes when someone reacts like this, it's because some sort

870
00:50:22,040 --> 00:50:24,839
Speaker 1: of truth is coming out. What's going on? Yes? Oh,

871
00:50:24,920 --> 00:50:29,040
Speaker 1: it's also comedy. Come on now, ha ha ha the

872
00:50:29,040 --> 00:50:33,760
Speaker 1: world stage, Kyle? You can we can we please change

873
00:50:33,800 --> 00:50:37,839
Speaker 1: the subject? You can we change the subject? I want

874
00:50:37,880 --> 00:50:40,440
Speaker 1: to say that so much on this podcast. That's a

875
00:50:40,480 --> 00:50:42,920
Speaker 1: great call. I forgot about that. That's awesome. That's going

876
00:50:43,000 --> 00:50:45,320
Speaker 1: to be the the other name of the podcast instead

877
00:50:45,360 --> 00:50:47,480
Speaker 1: of this is Important, which it is, which everything we

878
00:50:47,520 --> 00:50:49,920
Speaker 1: talked about all important, It's going to be can we

879
00:50:50,040 --> 00:50:53,160
Speaker 1: change the subject? Can we change? Please change the subject?

880
00:50:53,200 --> 00:50:57,359
Speaker 1: Can we please change the subject? It's a real conversation

881
00:50:57,480 --> 00:51:00,200
Speaker 1: killer for a podcast. Can we please change subject? Yeah?

882
00:51:00,200 --> 00:51:05,319
Speaker 1: Because it's like, okay, kind of going on a good run.

883
00:51:05,400 --> 00:51:10,160
Speaker 1: They're you guys, ever feel like you're a little salty

884
00:51:10,239 --> 00:51:13,879
Speaker 1: about how we sort of just kind of had these

885
00:51:13,960 --> 00:51:17,040
Speaker 1: dreams as as kids and then fulfilled our dreams, and

886
00:51:17,040 --> 00:51:21,280
Speaker 1: all of our dreams basically came true to a point. Piste. Uh.

887
00:51:21,320 --> 00:51:24,200
Speaker 1: And then you see like a sixteen year old kid

888
00:51:24,239 --> 00:51:27,280
Speaker 1: making thirty five million dollars a year making like reaction

889
00:51:27,400 --> 00:51:30,839
Speaker 1: videos on YouTube, and you're like, what, I didn't even

890
00:51:30,840 --> 00:51:33,200
Speaker 1: know that was possible? Point video games or whatever. It's

891
00:51:33,320 --> 00:51:35,879
Speaker 1: out of my control. Do you want to be doing

892
00:51:35,880 --> 00:51:39,640
Speaker 1: reaction videos for dollars? I would like to be doing both, honestly,

893
00:51:39,800 --> 00:51:41,560
Speaker 1: but I don't think people would give a shit about

894
00:51:41,560 --> 00:51:45,399
Speaker 1: my reactions. You can do reaction videos today, you can

895
00:51:45,400 --> 00:51:50,719
Speaker 1: go and like, you know, now that's the thing? Is YouTube? Really? No? No,

896
00:51:50,880 --> 00:51:54,839
Speaker 1: there's no like famous stars that go to YouTube that

897
00:51:54,880 --> 00:51:59,600
Speaker 1: are then famous YouTubers. It's all like homegrown YouTubers are

898
00:51:59,640 --> 00:52:03,200
Speaker 1: then the YouTube stars. Interesting. I feel I don't feel salty.

899
00:52:03,280 --> 00:52:05,840
Speaker 1: I feel sad that they're missing out on a craft.

900
00:52:06,160 --> 00:52:09,520
Speaker 1: You know, yeah, what what are you? What are you

901
00:52:09,560 --> 00:52:14,120
Speaker 1: talking about? They don't give a fun Yeah, dude, they're

902
00:52:14,120 --> 00:52:16,319
Speaker 1: not listening on a craft. They're about to buy an

903
00:52:16,320 --> 00:52:20,520
Speaker 1: aircraft fucking carrier. They're fucking killing it, dude. They don't care.

904
00:52:20,600 --> 00:52:23,400
Speaker 1: They really don't care. It's the whole goal is money

905
00:52:23,440 --> 00:52:27,000
Speaker 1: and all that they don't want to be like maybe, sure,

906
00:52:27,160 --> 00:52:29,320
Speaker 1: maybe the goals money, but maybe they have their craft.

907
00:52:29,400 --> 00:52:32,080
Speaker 1: It's just not their job. Maybe after they get off

908
00:52:32,080 --> 00:52:35,040
Speaker 1: from going did you hear that song they go when

909
00:52:35,040 --> 00:52:39,480
Speaker 1: they fucking play video games because they love that go fishing. Yeah,

910
00:52:39,520 --> 00:52:43,280
Speaker 1: they just go fishing boat. If I had to guess,

911
00:52:43,320 --> 00:52:46,319
Speaker 1: all these kids are just going fishing, right, Okay, now

912
00:52:46,360 --> 00:52:49,759
Speaker 1: I understand completely. All right, good for them, go chill out,

913
00:52:50,680 --> 00:52:53,279
Speaker 1: fish for sure, good for them. I know I would

914
00:52:53,320 --> 00:52:56,359
Speaker 1: not feel good about myself if I'm like in my

915
00:52:56,400 --> 00:52:59,480
Speaker 1: forties and I've done the reaction videos for twenty years

916
00:52:59,520 --> 00:53:03,319
Speaker 1: or whatever, and then people will stop caring about your

917
00:53:03,400 --> 00:53:06,920
Speaker 1: YouTube videos at a certain age once you're not there.

918
00:53:06,960 --> 00:53:10,000
Speaker 1: These kids age because you do age out of YouTube.

919
00:53:10,280 --> 00:53:15,560
Speaker 1: Everyone ages out of everything always. Like people used to

920
00:53:15,600 --> 00:53:19,440
Speaker 1: be in love with fucking Molly Crue, not so much anymore.

921
00:53:19,480 --> 00:53:22,480
Speaker 1: Like every dog has his day, that is true. But

922
00:53:22,719 --> 00:53:25,239
Speaker 1: I feel like as an actor or a director or

923
00:53:25,280 --> 00:53:29,160
Speaker 1: a writer, there's much more longevity where like John Goodman,

924
00:53:29,239 --> 00:53:32,920
Speaker 1: for instance, He's been in the public eye for fucking

925
00:53:32,960 --> 00:53:35,960
Speaker 1: forty years totally, But that's John good But I mean

926
00:53:36,680 --> 00:53:39,600
Speaker 1: Eastwood too, like Clean Eastwood still making movies and he's

927
00:53:39,600 --> 00:53:42,160
Speaker 1: going to be able to make movies until he's he's gone,

928
00:53:42,400 --> 00:53:47,400
Speaker 1: you know, Like that's that's cool. I would just say like,

929
00:53:47,440 --> 00:53:50,719
Speaker 1: if you're looking for longevity, like be a teacher. And

930
00:53:53,120 --> 00:53:55,839
Speaker 1: had this conversation when we were like early YouTube where

931
00:53:55,840 --> 00:53:58,399
Speaker 1: it's like do we ride the holidays? Do we get

932
00:53:58,440 --> 00:54:00,880
Speaker 1: the clicks by riding the hol days? Do we ride

933
00:54:00,880 --> 00:54:03,279
Speaker 1: the buzz? Do we ride the news? And it was

934
00:54:03,320 --> 00:54:06,359
Speaker 1: always like kind of like no, we don't want to

935
00:54:06,400 --> 00:54:08,799
Speaker 1: do that. We want to of course, we want the

936
00:54:08,800 --> 00:54:11,120
Speaker 1: clicks and we want, like you know, to get noticed,

937
00:54:11,160 --> 00:54:14,520
Speaker 1: but we also need to express ourselves. And that's what

938
00:54:14,640 --> 00:54:16,680
Speaker 1: I think we had in common. Now here's what I

939
00:54:16,719 --> 00:54:19,160
Speaker 1: would ask our comedy. Here's what I would argue is

940
00:54:19,200 --> 00:54:22,319
Speaker 1: that you marry the both. You do the best thing

941
00:54:22,560 --> 00:54:27,160
Speaker 1: about what's current, right, man. I don't. YouTube is a

942
00:54:27,200 --> 00:54:31,200
Speaker 1: different animal though, Like the type of content. The other

943
00:54:31,280 --> 00:54:33,840
Speaker 1: day I was like diving in on some YouTube videos

944
00:54:33,840 --> 00:54:36,279
Speaker 1: and I was just going berserk. It was like this

945
00:54:36,840 --> 00:54:39,520
Speaker 1: super fake gass couple. I think it was like the

946
00:54:39,560 --> 00:54:43,960
Speaker 1: Scott family. I think that's the account them on and

947
00:54:44,000 --> 00:54:47,280
Speaker 1: they're like every video is like fuck your Scott Family.

948
00:54:47,400 --> 00:54:50,040
Speaker 1: Oh god, I wanted to jump through the damn laptop

949
00:54:50,440 --> 00:54:53,360
Speaker 1: because it was like I pranked my husband. I pretended

950
00:54:53,400 --> 00:54:56,919
Speaker 1: to pass out and hurt myself prank. But it's obviously

951
00:54:57,080 --> 00:55:02,280
Speaker 1: both of them are very aware. It's all scripted, terrible acting.

952
00:55:03,000 --> 00:55:05,640
Speaker 1: Oh man, it's just those ones where it's like the

953
00:55:05,719 --> 00:55:09,160
Speaker 1: guy like degrading his hot wife who's like half dressed

954
00:55:09,160 --> 00:55:12,120
Speaker 1: around the house. He's like, I'm gonna go pants my wife.

955
00:55:12,200 --> 00:55:15,680
Speaker 1: That's what it's just. She's just like Bobby so weird,

956
00:55:15,920 --> 00:55:18,160
Speaker 1: like I really don't know, sticks out his tongue at

957
00:55:18,160 --> 00:55:20,879
Speaker 1: the camera like Dune in next week, and you're like,

958
00:55:21,320 --> 00:55:23,520
Speaker 1: what is this relationship? Dude, I don't know. That's where

959
00:55:23,520 --> 00:55:26,359
Speaker 1: I'm like, something is amiss in society. That's just like

960
00:55:26,440 --> 00:55:30,839
Speaker 1: shared narcissism, not to get like like without unchecked narcissism too,

961
00:55:30,880 --> 00:55:32,600
Speaker 1: because they can do it all themselves. Like when you

962
00:55:32,680 --> 00:55:35,239
Speaker 1: come up through Hollywood, you have this whole group of

963
00:55:35,280 --> 00:55:37,719
Speaker 1: people that are constantly saying you're not good enough, you're

964
00:55:37,719 --> 00:55:40,280
Speaker 1: not good enough, you're not good enough. Checking and balancing

965
00:55:40,320 --> 00:55:43,640
Speaker 1: the narcissist. Hollywood is a good at like beating your

966
00:55:43,680 --> 00:55:48,080
Speaker 1: ego down to a point that it's palpable for society

967
00:55:48,480 --> 00:55:51,719
Speaker 1: because everybody in order to become a big comic or

968
00:55:51,760 --> 00:55:53,920
Speaker 1: a big actor, you have to have some sort of

969
00:55:53,960 --> 00:55:57,160
Speaker 1: ego or else you wouldn't go like, oh, I'm important

970
00:55:57,239 --> 00:55:58,960
Speaker 1: enough that they should point the camera at me, or

971
00:55:59,000 --> 00:56:00,920
Speaker 1: I'm important enough that I should have the microphone and

972
00:56:00,960 --> 00:56:02,799
Speaker 1: stand on the stage of people should listen to what

973
00:56:02,920 --> 00:56:05,319
Speaker 1: I have to say. So you need that ego in

974
00:56:05,400 --> 00:56:09,439
Speaker 1: order to do it. But then Hollywood, coming up through

975
00:56:09,480 --> 00:56:12,200
Speaker 1: Hollywood is like just a fucking bully that is that

976
00:56:12,239 --> 00:56:14,000
Speaker 1: beats you down to a point that you have to

977
00:56:14,320 --> 00:56:18,360
Speaker 1: you get some sort of uh you realize that you know,

978
00:56:18,440 --> 00:56:20,160
Speaker 1: you need to beat your ego back a little bit. Yeah,

979
00:56:20,200 --> 00:56:22,120
Speaker 1: you kind of get grounded a little bit. And then

980
00:56:22,400 --> 00:56:24,520
Speaker 1: you know, these people that have the keys to the

981
00:56:24,560 --> 00:56:27,440
Speaker 1: YouTube and keys to the millions of viewers and whatnot,

982
00:56:27,480 --> 00:56:30,560
Speaker 1: they don't have that check and balance at all. They're

983
00:56:30,600 --> 00:56:35,040
Speaker 1: just like, I'm the most popular person in my town wherever,

984
00:56:35,239 --> 00:56:37,759
Speaker 1: and nobody can really speak to me because I got

985
00:56:37,800 --> 00:56:40,080
Speaker 1: millions of views. And here's the other thing, I know,

986
00:56:40,160 --> 00:56:41,880
Speaker 1: I'm just I'm just like saying I sounded like an

987
00:56:41,920 --> 00:56:47,320
Speaker 1: old man, for sure, but uh that but the amount

988
00:56:47,360 --> 00:56:49,439
Speaker 1: I follow, Like I'm a huge basketball fan. I follow

989
00:56:49,520 --> 00:56:52,880
Speaker 1: like all these like rookies and like second year NBA

990
00:56:52,960 --> 00:56:56,279
Speaker 1: players that are all like twenty one years old. The

991
00:56:56,320 --> 00:56:59,920
Speaker 1: amount of grown men that are dancing and filming the

992
00:57:00,000 --> 00:57:04,360
Speaker 1: themselves doing dances, wearing their fashionable clothes where they're like

993
00:57:04,440 --> 00:57:08,360
Speaker 1: nice outfits, but then like doing like little dances by themselves.

994
00:57:08,520 --> 00:57:12,920
Speaker 1: Are we talking TikTok? Yes, it's that they're not all TikTok.

995
00:57:13,080 --> 00:57:15,040
Speaker 1: I mean, they're just they're dancing everywhere. They're not all

996
00:57:15,040 --> 00:57:19,320
Speaker 1: TikTok dances, but yes, essentially, and they're might of like

997
00:57:19,400 --> 00:57:23,200
Speaker 1: I understand, like being a fourteen year old kid and like, hey,

998
00:57:23,240 --> 00:57:25,280
Speaker 1: girls like that and they're into that, so I'm going

999
00:57:25,320 --> 00:57:28,480
Speaker 1: to be into that. But then growing up and that

1000
00:57:28,840 --> 00:57:31,800
Speaker 1: that's just the societal shift that like now adult men

1001
00:57:31,840 --> 00:57:34,000
Speaker 1: are like yeah, which I guess more power to them.

1002
00:57:34,000 --> 00:57:36,280
Speaker 1: I'm just saying that would have never a flown. Think

1003
00:57:36,280 --> 00:57:38,880
Speaker 1: about this though. Think about what you're talking about Hollywood

1004
00:57:38,880 --> 00:57:41,520
Speaker 1: and like how you get beat down or whatever. That's

1005
00:57:41,560 --> 00:57:44,320
Speaker 1: because those were like the gatekeepers, right, those are like

1006
00:57:44,360 --> 00:57:48,840
Speaker 1: the taste makers. But these people are saying like yeah,

1007
00:57:49,160 --> 00:57:51,400
Speaker 1: there's I'm gonna let society be the taste maker. They

1008
00:57:51,440 --> 00:57:53,600
Speaker 1: can make, they can choose what the taste is, and

1009
00:57:53,720 --> 00:57:56,800
Speaker 1: maybe the taste is sorry to us. But like the

1010
00:57:56,960 --> 00:57:59,640
Speaker 1: gate keepers of Hollywood before also might have not been

1011
00:57:59,680 --> 00:58:03,720
Speaker 1: the the right people for that job. Now, I I

1012
00:58:03,880 --> 00:58:08,280
Speaker 1: follow anything Herbie Weinstein does. He's my gate keeper. And

1013
00:58:08,280 --> 00:58:11,120
Speaker 1: you're constantly saying that, and that's cool, and I won't

1014
00:58:11,120 --> 00:58:13,480
Speaker 1: shut up about I see that. I totally get that.

1015
00:58:13,520 --> 00:58:15,760
Speaker 1: It is cool in a way that like it's like

1016
00:58:15,960 --> 00:58:19,960
Speaker 1: media is becoming more like just for and by the people.

1017
00:58:20,080 --> 00:58:22,720
Speaker 1: Like that is awesome, it is, But a lot of

1018
00:58:22,720 --> 00:58:26,400
Speaker 1: people uh fucking sucked it. Well, they're not going the

1019
00:58:26,880 --> 00:58:30,720
Speaker 1: channels to become That's why I'm like, they're missing out

1020
00:58:30,760 --> 00:58:33,240
Speaker 1: on this craft. There's been shitty movies though back in

1021
00:58:33,280 --> 00:58:37,040
Speaker 1: the day too, and like those were movies. This is

1022
00:58:37,080 --> 00:58:39,080
Speaker 1: at least people being shitty on the internet on their

1023
00:58:39,080 --> 00:58:43,040
Speaker 1: own time. True, true, very true. It's like, what's what's

1024
00:58:43,080 --> 00:58:46,439
Speaker 1: the harm in it? Absolutely? What's the harm? It's it's

1025
00:58:46,600 --> 00:58:50,160
Speaker 1: rotting our children's minds. Well, that's where it becomes a

1026
00:58:50,520 --> 00:58:53,760
Speaker 1: question of parenting and how much unchecked YouTube time do

1027
00:58:53,760 --> 00:58:56,560
Speaker 1: you let you can't have? I mean, I've been watching

1028
00:58:56,600 --> 00:58:59,960
Speaker 1: a lot of MTV Classic recently, and like the throw

1029
00:59:00,040 --> 00:59:02,000
Speaker 1: back videos from and I was like eight or nine,

1030
00:59:02,440 --> 00:59:05,120
Speaker 1: and I cannot believe the ship I was watching. Oh man,

1031
00:59:05,440 --> 00:59:09,200
Speaker 1: really it's crazy, like made you really horny, like rump Shaker. Yeah,

1032
00:59:09,280 --> 00:59:12,720
Speaker 1: I was watching rump Shaker very young. Well, I mean,

1033
00:59:12,760 --> 00:59:18,240
Speaker 1: but rump Shaker is fucking tame compared to Whap Wet

1034
00:59:18,280 --> 00:59:21,680
Speaker 1: ass Pussy totally is there a video for I thought

1035
00:59:21,720 --> 00:59:25,200
Speaker 1: it couldn't get more vulgar like music after like my neck,

1036
00:59:25,760 --> 00:59:28,919
Speaker 1: my back, lick, my pussy and my crack. But then

1037
00:59:28,920 --> 00:59:32,600
Speaker 1: wap is just what about last year they got so's

1038
00:59:32,920 --> 00:59:38,560
Speaker 1: you fucking ho? I love it? Like that's pretty not really,

1039
00:59:38,680 --> 00:59:41,440
Speaker 1: I've got a wet ass pussy that's more gnarly and

1040
00:59:41,560 --> 00:59:43,880
Speaker 1: vulgar than You're such a fucking ho. I love it.

1041
00:59:43,880 --> 00:59:47,080
Speaker 1: It's just what happens to the human body. Yeah, that's true.

1042
00:59:47,320 --> 00:59:50,760
Speaker 1: It's a reaction. Yeah, I guess that was medical. One

1043
00:59:50,760 --> 00:59:53,160
Speaker 1: of them is actually worse. If dudes have been rapping

1044
00:59:53,240 --> 00:59:56,200
Speaker 1: for however long about how their stroke is and filing

1045
00:59:57,200 --> 01:00:00,400
Speaker 1: like like go ahead and wrap about it like it

1046
01:00:00,480 --> 01:00:03,720
Speaker 1: doesn't I don't care if girls want to rap about

1047
01:00:03,760 --> 01:00:07,000
Speaker 1: how good they fucked. Yeah, I'm down with that, sure,

1048
01:00:07,560 --> 01:00:14,840
Speaker 1: but it is uh making me hornyh Yeah, sure, but

1049
01:00:15,320 --> 01:00:17,480
Speaker 1: I don't want to walk around with a boat or

1050
01:00:17,840 --> 01:00:21,080
Speaker 1: in my regular everyday life. Yeah, when I'm jogging around

1051
01:00:21,080 --> 01:00:23,640
Speaker 1: the lake, I'm not trying to get a fucking hard on.

1052
01:00:24,240 --> 01:00:26,120
Speaker 1: But that's like back in the day, my mom would

1053
01:00:26,160 --> 01:00:29,760
Speaker 1: not let me listen to MTV or watch MTV because

1054
01:00:29,800 --> 01:00:32,160
Speaker 1: of that content. So then I had a battle with

1055
01:00:32,240 --> 01:00:35,880
Speaker 1: fucking censorship my entire life and was like, you know

1056
01:00:35,880 --> 01:00:38,240
Speaker 1: what I mean, so what do you do? What do

1057
01:00:38,280 --> 01:00:40,400
Speaker 1: you I don't know. I think you just let him on.

1058
01:00:40,720 --> 01:00:46,800
Speaker 1: I mean my parents didn't really ship. Uh No, I

1059
01:00:46,960 --> 01:00:49,960
Speaker 1: could watch anything. I could watch any R rated movie

1060
01:00:50,000 --> 01:00:53,920
Speaker 1: and listen to anything. The only real thing that they

1061
01:00:53,960 --> 01:00:57,880
Speaker 1: would stop me was like porno. Like I couldn't like

1062
01:00:57,920 --> 01:01:00,920
Speaker 1: if there was like nudity, hey got to stop. They

1063
01:01:00,960 --> 01:01:03,760
Speaker 1: are very we're putting out the roadblock here on a

1064
01:01:03,800 --> 01:01:08,840
Speaker 1: hardcore porn adam turning off. No, But like I like,

1065
01:01:08,880 --> 01:01:10,840
Speaker 1: if we're watching a movie and there's like a sex

1066
01:01:10,840 --> 01:01:13,400
Speaker 1: scene and there's nudity, they'd be like cover your eyes.

1067
01:01:13,600 --> 01:01:17,200
Speaker 1: When I was a kid, But then meanwhile, in RoboCop,

1068
01:01:17,360 --> 01:01:20,160
Speaker 1: you know they could just blast people's heads off and

1069
01:01:20,440 --> 01:01:22,160
Speaker 1: it could be the most violent thing of all time.

1070
01:01:22,200 --> 01:01:24,520
Speaker 1: And my parents are like, my dad's like cool, right,

1071
01:01:24,640 --> 01:01:27,840
Speaker 1: pretty awesome, shot a dick off. See that's where the

1072
01:01:27,960 --> 01:01:30,680
Speaker 1: argument for wet ass pussy comes in, because it's like

1073
01:01:30,760 --> 01:01:34,120
Speaker 1: we should be having a conversation about how pussies get wet,

1074
01:01:34,200 --> 01:01:37,080
Speaker 1: and that's what goes down. We should not be saying, like,

1075
01:01:37,200 --> 01:01:40,360
Speaker 1: isn't it cool that you can blow people away? So wait,

1076
01:01:40,400 --> 01:01:43,440
Speaker 1: you'd rather I mean, sure, I guess, but you'd rather

1077
01:01:43,480 --> 01:01:49,120
Speaker 1: have a conversation with your parents about how pussies get wet,

1078
01:01:49,720 --> 01:01:56,200
Speaker 1: wet ass pussies, then then watching Terminator with your father.

1079
01:01:56,400 --> 01:01:59,560
Speaker 1: I'm just saying the cultural shift, That's what I mean.

1080
01:01:59,640 --> 01:02:02,959
Speaker 1: If you approach it the right way, that conversation isn't

1081
01:02:03,040 --> 01:02:07,120
Speaker 1: a hard one to have. But wet ass pussies, Yes, Yeah,

1082
01:02:10,160 --> 01:02:12,760
Speaker 1: isn't that crazy that It's like that's how like caught

1083
01:02:12,840 --> 01:02:15,400
Speaker 1: up a puritanical we are about like we can't just

1084
01:02:15,440 --> 01:02:17,720
Speaker 1: be like talking about it, but as far as like

1085
01:02:17,760 --> 01:02:20,720
Speaker 1: someone getting their head blown off and murdered, we're like

1086
01:02:21,040 --> 01:02:23,840
Speaker 1: that ship's tight exactly. That's what I'm saying. I know,

1087
01:02:24,040 --> 01:02:31,480
Speaker 1: like it's wet because it's cleaning itself. Right, if you're

1088
01:02:31,560 --> 01:02:34,560
Speaker 1: joining us, If you're joining us now, this is important.

1089
01:02:34,680 --> 01:02:37,480
Speaker 1: I didn't realize this is a medical podcast. Exact you

1090
01:02:37,520 --> 01:02:40,000
Speaker 1: would know the answer to that if you had this conversation,

1091
01:02:40,040 --> 01:02:42,120
Speaker 1: if you were growing up right now with your forward

1092
01:02:42,120 --> 01:02:47,160
Speaker 1: thinking parents. I just assume it's about the vagina's self clean, cleansing, flushing,

1093
01:02:48,800 --> 01:02:57,160
Speaker 1: it's flush itself. Oh boy, I guess you're right. I'd

1094
01:02:57,240 --> 01:03:01,640
Speaker 1: rather just talk about er. See, you'd rather just watch

1095
01:03:01,720 --> 01:03:08,120
Speaker 1: a head getting exploded. Daddy, why did he kill that man? Thought?

1096
01:03:10,160 --> 01:03:14,640
Speaker 1: That is fruit for thought? What a fruit for thought?

1097
01:03:14,120 --> 01:03:17,600
Speaker 1: Th h O c am? I right, Blake. I would

1098
01:03:17,600 --> 01:03:21,120
Speaker 1: like to uh extend an apology and actually a TakeBack

1099
01:03:21,200 --> 01:03:24,040
Speaker 1: for kind of shifting on your grateful dead hat a

1100
01:03:24,080 --> 01:03:27,520
Speaker 1: little earlier. I didn't realize you're such a deadhead now.

1101
01:03:28,120 --> 01:03:30,160
Speaker 1: I didn't know you're walking that path. I thought you

1102
01:03:30,200 --> 01:03:33,440
Speaker 1: were just sporting the hat as a fashion choice instead

1103
01:03:33,440 --> 01:03:35,640
Speaker 1: of a musical journey that you're going on. And I

1104
01:03:35,640 --> 01:03:38,200
Speaker 1: would like to apologize, and I do appreciate that. I

1105
01:03:38,240 --> 01:03:40,560
Speaker 1: accept it. You know, I have been walking down the path.

1106
01:03:40,640 --> 01:03:43,520
Speaker 1: It's been my Corona deep dive. I've been been a

1107
01:03:43,520 --> 01:03:46,240
Speaker 1: deadhead lately. So thank you, You're welcome. Thank you for

1108
01:03:46,280 --> 01:03:51,720
Speaker 1: acknowledging that any other take backs, complimentary apologies. Um, I

1109
01:03:51,760 --> 01:03:53,520
Speaker 1: think we kind of got on your head for saying

1110
01:03:53,560 --> 01:03:56,680
Speaker 1: commercial at one point. And you know, we were really

1111
01:03:56,760 --> 01:03:59,919
Speaker 1: on Adam today about some of his vocal slip ups.

1112
01:04:00,120 --> 01:04:04,440
Speaker 1: And it happens. You know, it happens, it happens. Maybe

1113
01:04:04,440 --> 01:04:07,600
Speaker 1: that should be the podcast name it happens. You know.

1114
01:04:07,640 --> 01:04:10,160
Speaker 1: I'll pile right on that and say, um, Adam, I'd

1115
01:04:10,200 --> 01:04:12,600
Speaker 1: like to actually compliment you for something that you did

1116
01:04:12,600 --> 01:04:14,800
Speaker 1: ten years ago, and that was that story that you

1117
01:04:15,000 --> 01:04:17,720
Speaker 1: said but you you called out in front of a

1118
01:04:17,800 --> 01:04:20,680
Speaker 1: room of people that you had pooped in the plant. Yeah,

1119
01:04:20,720 --> 01:04:23,440
Speaker 1: and I don't know another person that would have done that,

1120
01:04:23,720 --> 01:04:25,920
Speaker 1: and I think that that's what makes you special. And

1121
01:04:25,920 --> 01:04:30,440
Speaker 1: I'm proud to be your boy. Thank you, Guyle. Wow, Okay,

1122
01:04:30,680 --> 01:04:32,800
Speaker 1: that one was that one was real. I like that one.

1123
01:04:33,040 --> 01:04:35,960
Speaker 1: Adam starting that movement of hashtag get ahead of it,

1124
01:04:36,560 --> 01:04:38,920
Speaker 1: call it out. That's what I'm saying. Hey, I'm leaving

1125
01:04:38,920 --> 01:04:41,280
Speaker 1: by that. You gotta get ahead of it. Someone was

1126
01:04:41,320 --> 01:04:43,680
Speaker 1: going to find that poop. I was standing right by

1127
01:04:43,680 --> 01:04:45,320
Speaker 1: that pot of plant. They could have brought that on me.

1128
01:04:45,560 --> 01:04:47,320
Speaker 1: I got ahead of it. I'd like to get ahead

1129
01:04:47,360 --> 01:04:50,240
Speaker 1: of something here and apologize to the listeners at home,

1130
01:04:50,240 --> 01:04:53,080
Speaker 1: in your cars, wherever you might be, for referencing the

1131
01:04:53,160 --> 01:04:57,880
Speaker 1: Bulworth soundtrack. Uh, it was just it was a big

1132
01:04:57,920 --> 01:05:00,840
Speaker 1: deal when I was in high school, had a superstar.

1133
01:05:00,960 --> 01:05:03,880
Speaker 1: That is what you are with, Maya. I don't think

1134
01:05:03,880 --> 01:05:07,280
Speaker 1: I've ever seen the movie, um, and I just want

1135
01:05:07,280 --> 01:05:10,640
Speaker 1: to get ahead of anybody who says the movie's soundtrack.

1136
01:05:10,920 --> 01:05:13,800
Speaker 1: I barely listened to either, and I've never seen the movie. Yeah,

1137
01:05:14,040 --> 01:05:15,640
Speaker 1: that's good on you, dude. Yeah, I was going to

1138
01:05:15,720 --> 01:05:18,600
Speaker 1: say something that was smart, very smart. Big of you

1139
01:05:18,720 --> 01:05:21,200
Speaker 1: for admitting that you never have seen that movie after

1140
01:05:21,240 --> 01:05:23,400
Speaker 1: you dissed it. Very big. And uh, I just want

1141
01:05:23,400 --> 01:05:26,600
Speaker 1: to thank all the listeners for for tuning in to

1142
01:05:28,120 --> 01:05:33,960
Speaker 1: this important important I thought we were all doing that

1143
01:05:33,960 --> 01:05:36,560
Speaker 1: at the same time. All right, there we go, goodbye,

1144
01:05:36,520 --> 01:05:37,400
Speaker 1: to see you next week.