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Speaker 1: So I'm there with Steve Smith and uh and and

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Speaker 1: and Jenny and and and and Judy Gold Uh Steve

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Speaker 1: no no, uh, And we're going through the obstacle course

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Speaker 1: because it's uh doubled air and it's gross, and we're

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Speaker 1: crawling through like a fucking calzone or something, ship full

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Speaker 1: of snot boogers, and we're looking for this flag. And

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Speaker 1: I realize that I'm the only one looking, and that

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Speaker 1: Steve and Judy have sort of buried themselves in the

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Speaker 1: snot and are yeah, and They're like, we're really looking,

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Speaker 1: and I go, uh, it seems like going to be

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Speaker 1: in there. Yeah. It seems like the only thing you're

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Speaker 1: looking for is uh a little release and so uh

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Speaker 1: and and in fact, I'm just about to scream at

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Speaker 1: them and storm off the set.

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Speaker 2: Never did that was what you were going to scream?

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Speaker 2: Seems like the only thing you guys are looking for

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Speaker 2: is a little release? You were going to scream that?

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Speaker 1: That to me seemed like a pretty pithy, tight way

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Speaker 1: to get my point across without being filthy, is of

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Speaker 1: course for Nickelodeon. And so I'm gearing up to scream it,

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Speaker 1: and I'm taking a deep breath in but to your

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Speaker 1: point of the flag's not going to be in there?

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Speaker 3: Yeah where Steve Smith is looking?

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Speaker 1: Yeah?

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Speaker 3: Flags out there?

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Speaker 1: Yeah, well I got, you know, sour news for the

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Speaker 1: both of us.

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Speaker 3: What the flag was in there? Hey, welcome to Hollywood.

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Speaker 1: Have a I just got the kicking.

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Speaker 3: By drafting names of the red carpet land back always

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Speaker 3: of this.

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Speaker 1: Industry called showbiz. What up? What up? And here we

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Speaker 1: are and we got a guess and uh oh, you're

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Speaker 1: in for an episode.

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Speaker 2: Some of the guests that we have people say I

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Speaker 2: love it, I want to do another one.

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Speaker 1: Uh huh, And they say, I wish always this was

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Speaker 1: a guest, and I wish this guest was a host.

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Speaker 1: This should be the host. Wasn't the host, This should

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Speaker 1: be the third host. This should be the host. And

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Speaker 1: then the host should just either be a guest or

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Speaker 1: not be around at all. And we hear that a lot,

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Speaker 1: and sometimes one of the people we hear it about

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Speaker 1: is one of the guests we have today, Julie, Julie.

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Speaker 4: Guys, Hi pals, Hello fellows.

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Speaker 1: Julie, are you here to have fun or what? Try

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Speaker 1: my bed? Yeah? Nobody stop her, Engineer Cody, don't try

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Speaker 1: to stop her and what do you.

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Speaker 2: Let's just start with the Jewelie Report, Jalie, let's dive in.

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Speaker 1: Tuesday. Yeah, Julie is in the news breaking. Let's go

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Speaker 1: to Julie.

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Speaker 3: Julie.

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Speaker 4: Hi, I'm Julie. I'm here in the field, and thank

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Speaker 4: you for going to me.

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Speaker 1: Back to you, Julie, Back to you, Julie, you shot,

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Speaker 1: back to you, Julie, back to shot. And that's the

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Speaker 1: Julie Report, And here's round report.

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Speaker 4: Hi guys, thanks again for coming to me live. I

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Speaker 4: am coming back to you.

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Speaker 1: Bye and bye. And that's all the time we have.

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Speaker 1: And so now the Julie Report's over and we're gonna

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Speaker 1: just check in with Julie. Julie, how was your week? Oh?

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Speaker 1: I have not been invited ever to do that.

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Speaker 4: Oh well I.

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Speaker 5: Did invite you when I was still doing it.

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Speaker 3: Is that really something that happened?

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Speaker 1: No, no, no.

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Speaker 2: Because in my head I was like, oh, I would

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Speaker 2: have clause jumped at the opportunity.

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Speaker 1: Would you really of course at the time, at the time.

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Speaker 4: Of all of our careers, I think.

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Speaker 1: Yes, oh yeah, But really, what's going on with you, Julie?

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Speaker 1: Is there any news?

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Speaker 4: Well, the Tonys are coming up, and I'm preparing for those.

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Speaker 1: Yeah, that's yes.

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Speaker 2: Broadway's beloved Betty of course is going to be involved.

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Speaker 2: Well I was referring to you, just like Betty is

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Speaker 2: just like.

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Speaker 5: A Dane, oh like a back like a backstage Johnny.

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Speaker 2: Yes, so of course Broadway's beloved Betty is going to

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Speaker 2: be involved in the Tony in some way.

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Speaker 3: Certainly it's going to be yes.

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Speaker 5: Excited, Yeah, yeah, yes, yeah, Broadway's best Apple Brown Betty

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Speaker 5: big by me, Oh, thank you?

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Speaker 1: Move over?

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Speaker 4: Uh like le is that how her last name is pronounced,

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Speaker 4: as far as I know, would be in more things.

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Speaker 1: M hmmm yeah, well go ahead put her in them.

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Speaker 4: I'm trying.

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Speaker 1: I mean, that's kind of That's what we're talking about.

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Speaker 1: It really is like this point, Is that true?

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Speaker 2: You are now saying when you're saying that, where you're

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Speaker 2: saying she should be in more things, you're really saying

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Speaker 2: I should do this. I'm in charge and not to sell. Yes,

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Speaker 2: I'm honestly in charge now.

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Speaker 1: And we don't always know when we make a transition

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Speaker 1: like this, But you've got somebody who goes like why

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Speaker 1: are they? And more things? Do somebody go like, hey,

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Speaker 1: go be in the thing.

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Speaker 4: When you say transition, like it's a grade.

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Speaker 1: Between kindergarten and first grade for kids who were either

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Speaker 1: born very late in the year or who were not

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Speaker 1: but are not doing great. Yes, okay, messing up, doing

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Speaker 1: screw up and cleaning, hygiene something. Sometimes it's hygiene is

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Speaker 1: part of it. And it's the just reading writing stuff.

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Speaker 1: They're faking it till they make it a little dinky.

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Speaker 1: Curious about girl, Yes, and I go to that great.

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Speaker 4: So, oh is anything happening with you? You've asked me

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Speaker 4: that a few different ways.

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Speaker 1: I don't feel this.

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Speaker 5: I wish there was more going on with me in general,

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Speaker 5: besides preparing for the Tony's.

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Speaker 1: Crazy You're in La. How are you finding election? Oh God,

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Speaker 1: please don't get me started on this election and how

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Speaker 1: crazy it was a.

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Speaker 4: Couple of things.

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Speaker 5: Can I just get this out of the way, because

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Speaker 5: I feel like it'd be like, let's get it out.

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Speaker 4: It's like these shows, you know, like political shows. It's like,

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Speaker 4: how are you going to improve on the craziness that's

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Speaker 4: already happening?

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Speaker 1: Oh? Yeah, Some people say it's good for comedy. I

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Speaker 1: actually feel the opposite.

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Speaker 5: I do too, and like like something like vib like

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Speaker 5: if I could ask the creators a vib one question

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Speaker 5: and be like, how are you dealing with this election?

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Speaker 4: Because it's so crazy.

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Speaker 1: Makes it harder to do, makes it harder.

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Speaker 4: Like we're if I if I were interviewing, you know,

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Speaker 4: Dave Man.

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Speaker 1: Dave Man, he doesn't do interviews, but go ahead.

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Speaker 4: I'd be like, how do you deal with the fake

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Speaker 4: politics when the real politics seems fake?

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Speaker 1: Yes, you could say you can't want up that show

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Speaker 1: without you know, breaking the reality because it is a show.

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Speaker 4: I wish the politics show.

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Speaker 2: Yes, I wish somebody would say this, it's homeland, but the.

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Speaker 3: Washington is now homeland.

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Speaker 1: Oh yeah, No, I wish someone would say that too.

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Speaker 1: I mean I actually wish you would say it.

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Speaker 2: Yeah, it's not that is not really my place. I'm

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Speaker 2: looking for someone else to come for me.

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Speaker 4: Is it not your place or is it not your brand?

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Speaker 1: It is well, interesting a transition interesting.

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Speaker 4: This one didn't. It was like, oh, I don't want

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Speaker 4: to anything political. Yeah, like I don't want I'm just

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Speaker 4: like people like what do you think? Is like, it's like,

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Speaker 4: I'm neutral.

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Speaker 1: Well, we asked you for about an hour and a

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Speaker 1: half before we started recording, like please don't bring up

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Speaker 1: anything political. We don't want to touch on it at all. Right,

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Speaker 1: And what's amazing to me is how many other things

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Speaker 1: have been like the election. Like I thought the election

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Speaker 1: was bad, but then like I'm watching the super Bowl, right, okay,

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Speaker 1: and it was exactly like the election. Yeah, don't you

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Speaker 1: think so? The boy the boy one, the boy one.

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Speaker 4: And also there was a Bernie grow.

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Speaker 1: Yes, one of them was Bernie Bernie.

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Speaker 4: And then there was a Bernie guy.

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Speaker 1: Yeah, trouble.

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Speaker 2: One of the guys was in green, like the Green Party.

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Speaker 2: Like one of the teams was green.

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Speaker 1: Yeah, might have been mm hmmm, yeah, Casic was on

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Speaker 1: one of the teams. He was I think it was

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Speaker 1: like a linebacker coach or something. So speaking of things

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Speaker 1: that are like the election.

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Speaker 2: Uh, the Tonys is like it.

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Speaker 4: Is an election? Is an election? You know what it

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Speaker 4: else is like kind of a popularity contest.

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Speaker 1: Okay, Okay, high school she went there? Who school? Yes,

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Speaker 1: and the stone queen prom queen, football man, principal, the

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Speaker 1: vice principal, you know.

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Speaker 2: Actually popular. And I actually think that the guys that

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Speaker 2: they should really want to be giving the Tony Awards too,

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Speaker 2: are the kids that are like kind of quiet, you

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Speaker 2: know that are just like holding back a little bit

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Speaker 2: so interesting. Those are ones that grow up to the

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Speaker 2: most interesting. There's actually something going on.

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Speaker 4: There're all we're all freaks.

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Speaker 1: Yes, yeah, And so one.

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Speaker 5: Of the great things about the Tony Awards, and I think,

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Speaker 5: like you know, some of the monologues and the songs

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Speaker 5: like very subtly alluded to the idea that like, you know,

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Speaker 5: we were like we were kids too, and we were

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Speaker 5: like freakyeky.

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Speaker 1: You'd love to see somebody admit that. I'd love to

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Speaker 1: see somebody to admit it.

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Speaker 5: And like if you read between the lines, you can

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Speaker 5: see like in like I don't know, like James Gordon

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Speaker 5: likelyland Manuel wrote the thing for Neil Patrick Harris, and

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Speaker 5: it was like, oh yeah, those very subtle clues to

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Speaker 5: like I was a little kid once and guess what,

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Speaker 5: I was a dork and you are, well Gordon wasn't.

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Speaker 4: He wasn't.

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Speaker 1: Are you saying that he might have been?

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Speaker 4: No, I'm saying that.

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Speaker 5: I feel like if you read between the lines, he

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Speaker 5: was almost like saying like, hey, guys.

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Speaker 4: Watching you're fucking losers. But guess what, so much you

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Speaker 4: could be me, You could be this one day, you.

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Speaker 1: Could be me. Yeah, you're older than me. You could

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Speaker 1: be the breaking hand in the Emoji movie. You could

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Speaker 1: be the hand in the Emoji movie. Who is the

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Speaker 1: hand by James James Corden?

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Speaker 4: Is that true? What is the hand doing? Is it

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Speaker 4: doing this?

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Speaker 1: It's kind of band aid?

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Speaker 4: What happened to his finger?

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Speaker 1: I don't know. I don't know. I can't find that emoji.

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Speaker 4: Is it like a so solamity slicer?

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Speaker 1: I keep looking for updates because I think that maybe

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Speaker 1: there's a solamity slicer emoji that I haven't been able

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Speaker 1: to get a hold of.

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Speaker 4: I could use that so often to respond to people.

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Speaker 1: Yeah, that would come up for me a lot, or

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Speaker 1: somebody's like you up. And then I said, beck a

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Speaker 1: solamitie slice there?

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Speaker 3: What are some of the big ones?

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Speaker 1: What then? Because we're to do yeah, what do you mean?

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Speaker 1: We're planning to try to do one sneak one in

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Speaker 1: last minute?

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Speaker 4: Oh, I see to sneak in something that could be

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Speaker 4: nominated in award.

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Speaker 2: You know something tis because they'll have seen these ones before,

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Speaker 2: they'll see ours last because we're going to do it

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Speaker 2: right recency, yes and so, and it'll be the only

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Speaker 2: one they'll remember.

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Speaker 1: Remember last year when the Founder came out for like

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Speaker 1: three days sixteen.

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Speaker 4: Hamilton was the founder of the Treasury, I believe. Oh,

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Speaker 4: is that what you're referring to.

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Speaker 1: No, I'm taking this and doing a movie's analogy.

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Speaker 4: Oh oh oh oh, mister Hamburgers.

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Speaker 1: Yes, mister Hamburger's movie originally called mister Hamburgers, of course

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Speaker 1: better title. And it came out for a few days

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Speaker 1: and then disappeared for like six months because they went like,

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Speaker 1: we got to get this out in time for award season, right,

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Speaker 1: and and then I believe it won a bunch. Yeah,

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Speaker 1: but very dramatic. Us, mister Hamburgers, you can't this is my.

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Speaker 4: Mister s Mister Hamburgers, these are my Hamburgers.

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Speaker 6: Mister Hamburgers, the mustards.

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Speaker 4: Mister Hamburgers. This is simply not how we do things.

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Speaker 1: Mister Hambergers. You're acting too crazy. You're gonna break all

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Speaker 1: the grill.

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Speaker 4: Mister Hamburgers, come home and fuck me.

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Speaker 1: Oh yeah, hamberg He was like, you never asked me

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Speaker 1: to put a pickle on it, you know what I mean?

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Speaker 1: Like that's how he wants to say, he told the fuck.

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Speaker 3: And so.

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Speaker 1: That is real. Uh, but for us we want what's

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Speaker 1: our mister Hamburger's for the Tonys.

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Speaker 3: So this is the big ones.

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Speaker 4: The big ones this year are dear Evan Hansen from

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Speaker 4: the Guys that brought you Forgetting Sarah Marshall's.

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Speaker 1: Bob uh, Dear Evan Hanson Bob yes, okay. And then

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Speaker 1: he's the lead singer of the Lemonheads.

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Speaker 5: The lemon Yeah, the lemonade Heads okay, great ye. And

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Speaker 5: then there's one that's all that's the big one, that's

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Speaker 5: the big one.

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Speaker 1: Okay. What do we say, dear to like who do

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Speaker 1: we write a letter to a fre tone?

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Speaker 2: And do we want to do dear mister Hamburgers to

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Speaker 2: try Richard Richard Nick Richard Branson. I was gonna say, oh, okay,

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Speaker 2: but it also depends what is going on with Hanson.

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Speaker 2: Oh his arm is broken. I remember a cast from

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Speaker 2: the Signs and the show.

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Speaker 4: It was unclear. I did see I did see it,

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Speaker 4: just so you guys.

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Speaker 1: Know, and they don't really explain what happened.

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Speaker 4: They do, but it was confusing to me. Yeah, I'm

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Speaker 4: a woman and distracted sometimes by like sexy guys, or

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Speaker 4: like clothes on sale right, or the smell of my

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Speaker 4: own hair.

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Speaker 1: There's some beef studs in the audience out there showing

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Speaker 1: what they got.

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Speaker 4: The audience and in the pit.

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Speaker 5: Yeah you guys ever like looked down and didn't you

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Speaker 5: get where the orchestra plays and you're just like.

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Speaker 3: That trombone's going, wow, I'm making you think of stuff.

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Speaker 4: Yeah, and I'm just like, what this is a pit

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Speaker 4: of meatballs?

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Speaker 1: Yeah?

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Speaker 2: You want to boil in boiling meatball pitch get horny

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Speaker 2: and then you're ye.

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Speaker 4: Like and then I'm like, how is his like, how

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Speaker 4: is his leg broken? And there like it's his arm?

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Speaker 1: Oh wow, So then you're in a fight.

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Speaker 3: Then you go didn you see a show? And John

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Speaker 3: Kerry was there once?

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Speaker 4: Yeah, I was at Hamilton?

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Speaker 2: And how did you survive being that level?

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Speaker 1: Drowning?

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Speaker 4: Drowning in my own filth?

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Speaker 1: And he's married to Missus hamburg.

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Speaker 4: Well, Missus Hamburger's.

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Speaker 1: Think about that.

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Speaker 4: Well, she's like, she's like Queen Hamburger.

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Speaker 1: Yeah, like Dame Hamburger. M okay, so that's interesting. Do

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Speaker 1: you Evan Hamburger And he's married to Missus Hamburgers. Meanwhile,

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Speaker 1: you can't dig your eyes off his bones. And that's

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Speaker 1: really what happened at that show.

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Speaker 4: It's true.

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Speaker 5: It's true, and that's why you know there's not You

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Speaker 5: know what the problem is here with the Tony says

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Speaker 5: there's no Hamilton.

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Speaker 4: You're like, what's the Hamilton?

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Speaker 1: Where's our Hamilton?

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Speaker 4: Where's are Hamilton? Take my Hamilton? Is what I ask

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Speaker 4: myself every morning when I try to make something.

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Speaker 1: You know, what's my Hamilton for me? I guess I'm

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Speaker 1: asking myself this in the morning.

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Speaker 2: M do we spam something? Sorry? Because I know that's

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Speaker 2: because Hamilton.

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Speaker 4: You know there is a Spamilton.

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Speaker 2: That's well, that's great because that's is that sort of

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Speaker 2: this year's Hamilton is spamil Spamilton.

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Speaker 3: And now is it our turn.

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Speaker 1: To spam spam Spamilton. So we could sam sam spam

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Speaker 1: Oh okay, yeah, dear Evan, spam that's fun.

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Speaker 4: That's fun.

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Speaker 1: Okay, So, dear Evan, we'll get the python. Yes. Oh yeah.

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Speaker 4: Those guys are so hot.

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Speaker 1: Yeah, well that's some great who's the beefiest?

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Speaker 4: Definitely Terry Jones all beef.

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Speaker 1: Yeah, he looks like he'd really know what he's doing

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Speaker 1: down there.

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Speaker 4: Yeah, uh yeah.

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Speaker 1: I gotta say. Eric Idol is essentially a teen idol, and.

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Speaker 5: He does not have idle hands around one's clip uh

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Speaker 5: huh No, extremely very busy.

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Speaker 4: They're very busy. It's like I.

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Speaker 1: Wouldn't mind getting a John squeeze from old John Cleece.

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Speaker 2: I'll tell you there's a certain chap that man that

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Speaker 2: I would h is making my I let them like

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Speaker 2: a telegram downstairs, a bit chapped.

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Speaker 1: Yeah, you'd like he's turning my Graham Cracker into some s'mores.

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Speaker 1: Uh huh uh huh uh huh. And that's the truth.

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Speaker 4: Who's left Michael Palin Yeah, and then Terry Gilliam, Yeah,

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Speaker 4: I find grotesque, I really do.

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Speaker 1: Oh just how steaming hi he is. Yeah, that it's

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Speaker 1: almost as as actually vulgar.

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Speaker 5: It's like the subtlety of his funny cartoons. They're like

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Speaker 5: so funny, like they all have a point of view

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Speaker 5: and you know, like even without the sound effects, they'd

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Speaker 5: be funny.

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Speaker 2: Right, Yeah, but that's honestly, that is what the queen,

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Speaker 2: Like the Queen.

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Speaker 4: Does do that Queen Hamburgers.

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Speaker 1: The Queen will.

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Speaker 2: Walk like jump into the screen, her bloomers fall down.

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Speaker 2: She goes, it's true bloomers, and she goes, she does

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Speaker 2: and it does happen, And then her life. Yeah, and

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Speaker 2: she flies off the force of the fart. She's like

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Speaker 2: flying off screen.

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Speaker 1: Blasted dragon flying and her public domain like would cut

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Speaker 1: tits come out?

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Speaker 4: Yes, we do those voices again.

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Speaker 2: That's the guy that's the guard outside. And then she lands.

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Speaker 2: She lands on his hat and it's like all going

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Speaker 2: up inside her.

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Speaker 4: And she's like, this happens in English, this happened.

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Speaker 2: This is really like people are afraid to say this. Yes,

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Speaker 2: every day they do this like little ceremony where they

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Speaker 2: do that.

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Speaker 4: You know, I wish I was smarter because people like

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Speaker 4: you are like I watch BBC, it's a burden.

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Speaker 3: Yeah, wait what do you watch?

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Speaker 4: SISO?

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Speaker 2: And now for something completely different, But really it's honestly

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Speaker 2: not fun.

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Speaker 1: It's like knowing all this stuff. It is like it's education.

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Speaker 1: It's paralyzed.

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Speaker 2: It's a responsibility more that's super scared. Got into it

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Speaker 2: at first being smart. I did it at first for

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Speaker 2: it to be fun and it actually sucks.

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Speaker 1: Yeah. I tried it and it just wasn't for me.

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Speaker 1: What BBC being smart and I was doing it. It

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Speaker 1: was obviously after transition, but it was before now and

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Speaker 1: I remember.

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00:19:28,720 --> 00:19:32,639
Speaker 4: Thinking kindergarten flushing crayons, touching girls?

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Speaker 2: What was the things? But do you want to say

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Speaker 2: what the thing specifically was for you? And in your

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Speaker 2: case in terms of transition, I had to go.

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Speaker 3: Yeah.

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Speaker 1: I definitely tasted my own duty. I was seeing what

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Speaker 1: it was like. I was not born scientif aware of

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Speaker 1: letters and shapes.

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Speaker 4: Uh?

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Speaker 3: I was not?

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00:19:57,600 --> 00:20:00,840
Speaker 1: Yes, I do that's right, born science? Yes, thank you?

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Speaker 1: Are we sure this isn't a good idea?

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Speaker 2: And this was like gal You know they executed Galileo.

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Speaker 2: That's all you know?

394
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Speaker 4: This sounds like room? Like you born in room? Oh,

395
00:20:11,800 --> 00:20:20,119
Speaker 4: like you tremblay, tremblay in your boots. You're born in room, Sean, sean,

396
00:20:20,280 --> 00:20:20,720
Speaker 4: look at me?

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00:20:21,240 --> 00:20:24,520
Speaker 1: Were you born in room? Well, it's someone who was

398
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Speaker 1: born in room would have no idea how to answer

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Speaker 1: that question.

400
00:20:28,040 --> 00:20:32,360
Speaker 2: My god, did you know that we've done a bunch

401
00:20:32,440 --> 00:20:34,960
Speaker 2: of We did a whole room thing.

402
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Speaker 4: Oh oh, I'm sorry, I'm sorry. What was the last

403
00:20:40,520 --> 00:20:44,480
Speaker 4: thing we did was the vampire novel? There was concern about.

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Speaker 1: A double on that.

405
00:20:45,240 --> 00:20:49,560
Speaker 4: Well, on that front, there was no r with parentheses

406
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Speaker 4: in the TV guide indicating a rear run.

407
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Speaker 3: We should do a catfish thing.

408
00:20:54,440 --> 00:20:56,240
Speaker 1: Now, yeah, let's do catfish.

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Speaker 4: I listened to your show. Every I call me, you

410
00:21:00,880 --> 00:21:01,440
Speaker 4: call ne Eve.

411
00:21:01,960 --> 00:21:05,439
Speaker 1: I gotta be thieves, I gotta benive?

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00:21:07,480 --> 00:21:09,040
Speaker 4: Are you even Hayes Max?

413
00:21:09,960 --> 00:21:10,360
Speaker 1: Oh?

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00:21:10,400 --> 00:21:14,280
Speaker 4: Wow, dear Evan handsome, dear.

415
00:21:14,160 --> 00:21:17,200
Speaker 1: Neive Spamson, even Spamson.

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Speaker 4: I don't think. I don't think a catfish musical is

417
00:21:19,600 --> 00:21:20,320
Speaker 4: a bad idea.

418
00:21:21,520 --> 00:21:24,480
Speaker 1: Oh no, I don't even I don't think it's a

419
00:21:24,480 --> 00:21:26,199
Speaker 1: good idea. I don't think it's a bad idea.

420
00:21:26,280 --> 00:21:28,960
Speaker 2: I just think when I get the job done, maybe, yeah,

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00:21:29,720 --> 00:21:31,520
Speaker 2: the job of getting the tone.

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00:21:32,840 --> 00:21:36,240
Speaker 1: It's like a McDonald's hamburger gets the job the job.

423
00:21:36,440 --> 00:21:39,560
Speaker 1: Nobody's saying it's a brigging good, five star meal.

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00:21:39,400 --> 00:21:42,080
Speaker 4: It's not disgusting, but let's no one's saying that it's

425
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Speaker 4: not disgusting.

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00:21:43,440 --> 00:21:45,640
Speaker 1: Nobody's saying you should eat it. But I'm just saying

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00:21:45,640 --> 00:21:46,640
Speaker 1: it gets the job done.

428
00:21:47,640 --> 00:21:48,240
Speaker 4: I think it's so.

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00:21:48,240 --> 00:21:50,320
Speaker 5: Cool that the alt right is using Mac the Knife

430
00:21:50,359 --> 00:21:52,240
Speaker 5: as an icon, that moon man.

431
00:21:52,320 --> 00:21:56,200
Speaker 1: Don't you Mac the Knife? The moon man from.

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00:21:56,119 --> 00:21:57,439
Speaker 4: The McDonald's commercials.

433
00:21:57,600 --> 00:22:00,400
Speaker 1: Oh, yes, coolic.

434
00:22:03,040 --> 00:22:07,240
Speaker 3: Remember whites?

435
00:22:08,720 --> 00:22:12,800
Speaker 1: Oh McKeith, no, make the knife.

436
00:22:14,600 --> 00:22:17,240
Speaker 4: Do you guys know Kevin Space He's hosting the tonys.

437
00:22:17,080 --> 00:22:22,000
Speaker 1: Ah the Spaceman normally he's relegated to the v M AS.

438
00:22:26,560 --> 00:22:27,879
Speaker 1: I can't believe they got the space.

439
00:22:28,000 --> 00:22:30,200
Speaker 3: That's huge. It's like the Verizon Sprint thing.

440
00:22:30,560 --> 00:22:36,280
Speaker 1: What's that that he switched m the freaking space that's

441
00:22:36,359 --> 00:22:37,560
Speaker 1: wild because of that?

442
00:22:37,640 --> 00:22:40,240
Speaker 4: What this trophy is the spaceman from the v M

443
00:22:40,320 --> 00:22:44,240
Speaker 4: A is it him? In what character?

444
00:22:45,720 --> 00:22:50,960
Speaker 1: Which space? Who? David Gail?

445
00:22:51,880 --> 00:22:55,240
Speaker 4: Yeah, hmm the Gails?

446
00:22:56,600 --> 00:22:57,919
Speaker 3: Mm hmmm they did it.

447
00:22:57,960 --> 00:23:00,600
Speaker 1: At the end of that who did him?

448
00:23:00,640 --> 00:23:04,680
Speaker 2: And Lena she's kind of scared. She's slamming them through

449
00:23:04,720 --> 00:23:06,240
Speaker 2: the bar. He has cancer.

450
00:23:06,720 --> 00:23:09,479
Speaker 1: You don't get cancer from fucking That's what the movie

451
00:23:09,560 --> 00:23:10,040
Speaker 1: is about.

452
00:23:10,400 --> 00:23:12,480
Speaker 4: It is she gets cancer from fucking.

453
00:23:12,600 --> 00:23:16,880
Speaker 1: No, she doesn't, because she's the first cancer doesn't because

454
00:23:16,880 --> 00:23:19,880
Speaker 1: they're between what they're doing it through the jail bars.

455
00:23:20,400 --> 00:23:22,879
Speaker 4: They are, so what does she does?

456
00:23:22,920 --> 00:23:27,480
Speaker 1: She puts it in between. She's on a sideways like

457
00:23:27,640 --> 00:23:31,480
Speaker 1: rolling table. Yeah, she's on like a gurney essentially.

458
00:23:31,080 --> 00:23:32,919
Speaker 2: And she's built for it. She was kind of cast

459
00:23:33,080 --> 00:23:34,919
Speaker 2: for this, like certain physical effort.

460
00:23:35,040 --> 00:23:40,040
Speaker 1: She's on a journey and she's sliding up against the

461
00:23:40,080 --> 00:23:45,440
Speaker 1: bars and then he's letting her have it.

462
00:23:45,640 --> 00:23:50,879
Speaker 7: There's also plays okay, okay, well, little Foxes, Laurel LENNI

463
00:23:50,960 --> 00:23:54,159
Speaker 7: made me think of it, Laurel Lenny And what's the

464
00:23:54,200 --> 00:23:56,639
Speaker 7: little fuck Cynthia Nixon switching.

465
00:23:56,359 --> 00:24:01,480
Speaker 1: Rolls true West mm what's the little Foxes?

466
00:24:02,080 --> 00:24:05,280
Speaker 4: I don't know? Okay The Dollhouse Part two?

467
00:24:06,000 --> 00:24:11,560
Speaker 1: Okay, okay, mm hmm yep, Douchecu's back and this time

468
00:24:11,640 --> 00:24:16,120
Speaker 1: she knows who she is. Well, that could because.

469
00:24:15,840 --> 00:24:19,440
Speaker 4: All the plays I know right now, Oslo, there's something.

470
00:24:19,280 --> 00:24:29,240
Speaker 1: Called ah, yes, Lily Hammer, little Stevie. Do we okay?

471
00:24:29,280 --> 00:24:31,680
Speaker 1: So what we we? We have Catfish the music, take

472
00:24:31,840 --> 00:24:34,520
Speaker 1: one of the maybe the fourth lead from the sopranos

473
00:24:34,520 --> 00:24:35,320
Speaker 1: and make them a lead.

474
00:24:36,840 --> 00:24:39,280
Speaker 4: Wait the which one?

475
00:24:38,520 --> 00:24:41,280
Speaker 1: I mean, take your pick. But we saw what happened

476
00:24:41,280 --> 00:24:44,120
Speaker 1: with Hammer. Yeah, Michael maybe.

477
00:24:45,440 --> 00:24:46,120
Speaker 4: Ate a Cruro.

478
00:24:47,840 --> 00:24:50,000
Speaker 1: Now that could be interesting because with Michael pariently, I'm

479
00:24:50,119 --> 00:24:52,480
Speaker 1: a little unpredictable, a little too much range. With Steve,

480
00:24:52,560 --> 00:24:55,560
Speaker 1: I know what I'm getting. It's this face and people

481
00:24:55,600 --> 00:24:57,280
Speaker 1: can't at home, can't see this. But I'll make the

482
00:24:57,320 --> 00:25:05,840
Speaker 1: noise go ahead and make him the main guy. Can

483
00:25:05,880 --> 00:25:07,639
Speaker 1: we do that? Can we get Polly Walnuts to be

484
00:25:07,680 --> 00:25:08,200
Speaker 1: the main guy?

485
00:25:08,480 --> 00:25:11,119
Speaker 2: H Here's what we have. We have a lot of

486
00:25:11,119 --> 00:25:15,680
Speaker 2: deer Evan Hanson stuff. We have Cody who is sort

487
00:25:15,680 --> 00:25:19,520
Speaker 2: of something of a human broken arm. We and we're

488
00:25:19,720 --> 00:25:21,679
Speaker 2: ready to jump in. I can hear and sort of

489
00:25:21,680 --> 00:25:23,679
Speaker 2: feel him being like, that's.

490
00:25:23,560 --> 00:25:26,959
Speaker 5: Also a show about suicide, just so you guys knoween

491
00:25:27,160 --> 00:25:30,280
Speaker 5: suicide and things that affect teens, and there's a there's

492
00:25:30,320 --> 00:25:31,760
Speaker 5: an element of social media about that.

493
00:25:31,760 --> 00:25:32,840
Speaker 4: Those are all very rich areas.

494
00:25:32,920 --> 00:25:34,800
Speaker 1: Fourteen reasons why, Yeah.

495
00:25:35,119 --> 00:25:37,920
Speaker 5: Thirteen reasons why this is gonna win the Tony They're

496
00:25:37,960 --> 00:25:38,719
Speaker 5: all suicide.

497
00:25:39,200 --> 00:25:42,600
Speaker 1: Mmmm. He's ryding his bike so fast, and the thirteen

498
00:25:42,640 --> 00:25:46,640
Speaker 1: reasons why is how we kill himself? Well, no, no, no, no,

499
00:25:46,720 --> 00:25:49,320
Speaker 1: she killed herself and she gave him a bunch of

500
00:25:49,320 --> 00:25:52,320
Speaker 1: cassette tapes. Okay, and she went like, I want it

501
00:25:52,359 --> 00:25:54,840
Speaker 1: to be hard for you to listen to these. It's

502
00:25:54,920 --> 00:25:58,399
Speaker 1: like it's retro, Okay, it's cool. Yeah. So then he

503
00:25:58,600 --> 00:26:02,840
Speaker 1: like uses a boom box, but then maybe breaks it,

504
00:26:03,040 --> 00:26:05,640
Speaker 1: and then he's riding his bike so fast because it's

505
00:26:05,640 --> 00:26:08,520
Speaker 1: apparently like a ticking clock on him, like getting his

506
00:26:08,560 --> 00:26:13,320
Speaker 1: friends boom box and he has to steal it. I

507
00:26:13,359 --> 00:26:18,920
Speaker 1: don't know, I don't know. It sounds good, it's funny.

508
00:26:20,000 --> 00:26:21,320
Speaker 1: What are you doing to do Cody.

509
00:26:21,400 --> 00:26:23,800
Speaker 3: We could do something about Cody in high school.

510
00:26:24,240 --> 00:26:27,879
Speaker 2: Okay, girl Boss, Yeah, we could do girl Boss.

511
00:26:28,080 --> 00:26:30,680
Speaker 1: Dollar dollar Bills, y'all.

512
00:26:31,240 --> 00:26:33,119
Speaker 4: That's a good opening number. That's fun.

513
00:26:33,400 --> 00:26:37,480
Speaker 1: What if dollar dollar bills, y'all was the opening number

514
00:26:38,040 --> 00:26:42,240
Speaker 1: of Okay, of this music, girl Musicalston Musical.

515
00:26:42,320 --> 00:26:44,800
Speaker 2: Okay, we could do girl bos the musical. That could

516
00:26:44,800 --> 00:26:46,440
Speaker 2: be good with teen Suicide.

517
00:26:46,640 --> 00:26:49,760
Speaker 1: So it's teen Suicide. It's Richard Branson. I know you

518
00:26:49,800 --> 00:26:52,879
Speaker 1: wanted to have involved. That was important to me samming it.

519
00:26:52,960 --> 00:26:56,320
Speaker 4: Even if it isn't just a rhyme. You like his life.

520
00:26:56,560 --> 00:27:00,119
Speaker 2: That is sort of a foundational idea for me being

521
00:27:00,280 --> 00:27:02,280
Speaker 2: involved in this project.

522
00:27:02,440 --> 00:27:05,240
Speaker 4: You like him because it's a conditional Yes.

523
00:27:05,280 --> 00:27:08,720
Speaker 1: I'm hoping that I can as well. As Richard brand.

524
00:27:08,520 --> 00:27:11,560
Speaker 4: Said that the best case scenario could be a blonde boy.

525
00:27:11,640 --> 00:27:13,840
Speaker 4: A blonde boy becomes m m mmmm.

526
00:27:14,760 --> 00:27:17,160
Speaker 2: That's what he's always kind of saying when I see

527
00:27:17,160 --> 00:27:20,679
Speaker 2: you have this picture of him, you know, like his

528
00:27:20,760 --> 00:27:22,320
Speaker 2: smile sort of says to me like a.

529
00:27:23,000 --> 00:27:24,919
Speaker 4: Yes, could that be one of the voices in the

530
00:27:24,920 --> 00:27:26,280
Speaker 4: funny Monty Python.

531
00:27:25,960 --> 00:27:29,080
Speaker 2: Cartoon, Yes, we do need One of the screen falls

532
00:27:29,080 --> 00:27:30,880
Speaker 2: down in the middle of the musical and we do

533
00:27:31,880 --> 00:27:33,800
Speaker 2: instead of an intermission of very long.

534
00:27:33,960 --> 00:27:37,159
Speaker 1: So we've got the flow money python h oh, we

535
00:27:37,280 --> 00:27:41,520
Speaker 1: got we're spamming it. We got Branson, we got engineer Cody.

536
00:27:41,600 --> 00:27:45,880
Speaker 1: It's girl boss, dollar dollar bills, y'all. Suicide Suicide's in there.

537
00:27:46,000 --> 00:27:48,320
Speaker 1: We have to we have social media.

538
00:27:48,960 --> 00:27:49,400
Speaker 8: Mm hmm.

539
00:27:49,960 --> 00:27:51,520
Speaker 4: I feel like we have to. I don't feel like

540
00:27:51,560 --> 00:27:53,200
Speaker 4: it's a choice. And then I also feel like we

541
00:27:53,200 --> 00:27:55,000
Speaker 4: should deal with this election well.

542
00:27:55,320 --> 00:27:58,320
Speaker 1: And I wouldn't mind accidentally becoming an activist like somebody

543
00:27:58,359 --> 00:28:03,679
Speaker 1: I know who's that is. He he messed around, just

544
00:28:03,760 --> 00:28:07,480
Speaker 1: really was trying to do something else and accidentally became

545
00:28:07,520 --> 00:28:11,600
Speaker 1: an activist just through telling his story. So perhaps we

546
00:28:11,640 --> 00:28:15,280
Speaker 1: want to do that just st I wouldn't mind falling

547
00:28:15,400 --> 00:28:17,600
Speaker 1: into that. Oh okay, Kevin.

548
00:28:18,480 --> 00:28:19,960
Speaker 2: Kevin sort of feels his heating up in me and

549
00:28:20,000 --> 00:28:22,520
Speaker 2: it is like now I can like attach myself to

550
00:28:22,560 --> 00:28:23,160
Speaker 2: this as well.

551
00:28:23,480 --> 00:28:25,240
Speaker 3: Yeah, So have a seat.

552
00:28:25,359 --> 00:28:27,439
Speaker 1: Okay, Kevin, So what do you want to be in

553
00:28:27,480 --> 00:28:30,560
Speaker 1: the musical? You want a Tony right? What are you

554
00:28:30,560 --> 00:28:33,760
Speaker 1: going to be? He kind of looks like a teenage

555
00:28:33,800 --> 00:28:36,000
Speaker 1: suicide case. Are you leaving?

556
00:28:36,359 --> 00:28:37,960
Speaker 5: No, I'm just putting my jacket out of case you

557
00:28:38,000 --> 00:28:39,840
Speaker 5: take my picture, so I have to look at my arms.

558
00:28:39,600 --> 00:28:46,200
Speaker 1: On the okay, uh have you a lion tamer well?

559
00:28:46,280 --> 00:28:50,240
Speaker 1: And and I think this guy just stuck the landing

560
00:28:50,320 --> 00:28:52,680
Speaker 1: because that is an element that was missing. Is why

561
00:28:52,680 --> 00:28:55,080
Speaker 1: doesn't it feel like going to the circus anymore? When

562
00:28:55,080 --> 00:28:59,720
Speaker 1: you go to these they pay all this money ladies

563
00:28:59,760 --> 00:29:01,800
Speaker 1: and like a narrator like.

564
00:29:01,720 --> 00:29:04,440
Speaker 4: That, and it's nice to see, you know, even if

565
00:29:04,480 --> 00:29:07,160
Speaker 4: it's just like a reenactment of people abusing animals, because

566
00:29:07,160 --> 00:29:08,760
Speaker 4: they don't do that as much anymore.

567
00:29:08,880 --> 00:29:12,600
Speaker 1: Yeah, he could be from Lyon King, which is actually musical.

568
00:29:12,760 --> 00:29:16,640
Speaker 1: The girl boss is a freakin' ring master. Oh wow,

569
00:29:16,760 --> 00:29:22,120
Speaker 1: she's a naturally jewelry and she's like, she's like, can

570
00:29:22,160 --> 00:29:24,080
Speaker 1: I have that ring for like six dollars?

571
00:29:24,080 --> 00:29:26,560
Speaker 4: And the guy's like okay, because she buys it and

572
00:29:26,560 --> 00:29:29,120
Speaker 4: she's like, fuck you, it's worth six million.

573
00:29:29,600 --> 00:29:34,440
Speaker 1: Yeah. And the guy's like, look, I'm just a guy

574
00:29:34,520 --> 00:29:37,040
Speaker 1: who runs a vented shop and a big city. I

575
00:29:37,080 --> 00:29:38,680
Speaker 1: don't know what. I'm just a.

576
00:29:38,560 --> 00:29:40,920
Speaker 4: Girl standing in front and she does that quote from

577
00:29:40,960 --> 00:29:45,320
Speaker 4: Nodding Hill, you know, and then it's like smash cut

578
00:29:46,600 --> 00:29:50,120
Speaker 4: into the musical version of what credits are which is

579
00:29:50,120 --> 00:29:50,840
Speaker 4: an overture.

580
00:29:52,080 --> 00:29:56,280
Speaker 1: I can't believe how stupid all these vented shop owners are. No no, no,

581
00:29:56,160 --> 00:29:58,360
Speaker 1: no jack shit about what anything's worth.

582
00:29:58,400 --> 00:30:01,400
Speaker 4: Important to humiliate them, I think, think because you could

583
00:30:01,440 --> 00:30:04,200
Speaker 4: just get a good gun and your friends later and

584
00:30:04,280 --> 00:30:06,120
Speaker 4: just be like, oh my god. When you get compliments

585
00:30:06,160 --> 00:30:06,920
Speaker 4: with women love.

586
00:30:06,800 --> 00:30:08,680
Speaker 1: Doing this, you got to rub their nose in it.

587
00:30:08,760 --> 00:30:10,200
Speaker 4: You gotta be like, oh my god, where'd you get

588
00:30:10,240 --> 00:30:13,120
Speaker 4: that jacket? And so it's a designer, you know, it's Versace,

589
00:30:14,240 --> 00:30:16,240
Speaker 4: and you're like, oh my god, get this. I got

590
00:30:16,240 --> 00:30:18,800
Speaker 4: a good deal on it. And every girl loves that story.

591
00:30:20,080 --> 00:30:20,920
Speaker 4: But that's no fun.

592
00:30:20,960 --> 00:30:22,560
Speaker 5: You have to tell it to the person that so

593
00:30:22,640 --> 00:30:24,960
Speaker 5: they feel like, you know whatever.

594
00:30:25,440 --> 00:30:26,720
Speaker 4: I don't want to say impotent, but you know what

595
00:30:26,800 --> 00:30:27,200
Speaker 4: I mean.

596
00:30:27,080 --> 00:30:31,120
Speaker 1: Like, yeah, like they can't shoot, Yeah, I can't blast off,

597
00:30:31,480 --> 00:30:32,720
Speaker 1: So okay.

598
00:30:32,760 --> 00:30:35,760
Speaker 3: Girl Boss is a ring master. Kevin is a lion tamer.

599
00:30:35,920 --> 00:30:36,760
Speaker 1: Kevin's a lion tamer.

600
00:30:36,800 --> 00:30:40,880
Speaker 2: Girl Boss ring artist who is so bad at doing

601
00:30:40,920 --> 00:30:43,240
Speaker 2: the trappez that people wants to thought he was trying

602
00:30:43,280 --> 00:30:47,280
Speaker 2: to commit Oh that's interesting, just trying to do a

603
00:30:47,320 --> 00:30:49,800
Speaker 2: good job at the trapez But everyone assumed that he

604
00:30:49,880 --> 00:30:50,440
Speaker 2: was trying to hang.

605
00:30:50,480 --> 00:30:53,920
Speaker 4: He was trying to hang himself with the he couldn't

606
00:30:53,920 --> 00:30:54,240
Speaker 4: make a.

607
00:30:54,200 --> 00:30:58,400
Speaker 2: News Richard Branson, I'm Richard Brandton, the owner of the circus.

608
00:30:58,480 --> 00:31:03,160
Speaker 1: I'm Michael Palin And uh, Julie you want to be

609
00:31:03,360 --> 00:31:04,080
Speaker 1: Julie Taymoor.

610
00:31:05,120 --> 00:31:08,360
Speaker 4: Yes, absolutely than anything the original girl Boss.

611
00:31:08,680 --> 00:31:10,880
Speaker 1: Yeah, well, now we got too many girl bosses.

612
00:31:10,920 --> 00:31:13,400
Speaker 4: Maybe in the show, yeah ruins the broth ruins the

613
00:31:13,400 --> 00:31:14,080
Speaker 4: girl broth.

614
00:31:14,280 --> 00:31:17,840
Speaker 1: Yeah, too many girl boss spoils the well. Okay, so

615
00:31:17,880 --> 00:31:19,560
Speaker 1: we do need an introduction, like a.

616
00:31:20,040 --> 00:31:22,080
Speaker 4: You mean an opening song, opening song?

617
00:31:22,280 --> 00:31:25,200
Speaker 2: I think the narrator should come out, who's like an

618
00:31:25,240 --> 00:31:25,880
Speaker 2: old man?

619
00:31:26,680 --> 00:31:29,200
Speaker 4: Yeah, old man transitioning.

620
00:31:28,760 --> 00:31:32,760
Speaker 2: Makes like an old clown. The guy who's like or like,

621
00:31:32,800 --> 00:31:34,400
Speaker 2: who's the step right up guy? I guess that is

622
00:31:34,480 --> 00:31:34,840
Speaker 2: kind of the.

623
00:31:34,800 --> 00:31:36,040
Speaker 4: Ring step right up guy?

624
00:31:36,320 --> 00:31:36,640
Speaker 1: Yeah?

625
00:31:37,160 --> 00:31:41,320
Speaker 2: Si depends, Yeah, it could be size so size in there.

626
00:31:41,400 --> 00:31:45,600
Speaker 2: He's going stepper up and then what does he say?

627
00:31:45,680 --> 00:31:49,000
Speaker 2: I think it's like, Oh, you look like someone who

628
00:31:49,200 --> 00:31:50,320
Speaker 2: enjoys a good show.

629
00:31:50,800 --> 00:31:53,040
Speaker 3: Why not take a suck?

630
00:31:53,440 --> 00:31:53,640
Speaker 1: Oh?

631
00:31:53,800 --> 00:31:56,320
Speaker 3: Oh, why not take a peek behind this curtain?

632
00:31:56,360 --> 00:31:59,400
Speaker 1: Should everyone be out in the audience though?

633
00:32:00,160 --> 00:32:01,600
Speaker 4: Oh I thought that was understood.

634
00:32:01,720 --> 00:32:06,080
Speaker 1: Fucking with the audience yeah, like, hey, that's my seat.

635
00:32:05,920 --> 00:32:08,680
Speaker 4: Like pressing your like hard dick against like a woman's

636
00:32:08,840 --> 00:32:09,720
Speaker 4: the back of her head.

637
00:32:09,880 --> 00:32:12,600
Speaker 1: Kevin can do this, and so Kevin's going, hey, that's

638
00:32:12,640 --> 00:32:14,920
Speaker 1: my seat, and then he sort of just starts humping

639
00:32:14,960 --> 00:32:15,680
Speaker 1: their heads, right.

640
00:32:15,600 --> 00:32:18,000
Speaker 4: And this woman's just like I just got tickets for

641
00:32:18,040 --> 00:32:20,560
Speaker 4: this thing. I just I just like I needed something

642
00:32:20,600 --> 00:32:22,760
Speaker 4: to do to get out of my house. And all

643
00:32:22,760 --> 00:32:25,280
Speaker 4: of a sudden there's this like you know.

644
00:32:26,520 --> 00:32:30,440
Speaker 1: Yeah yeah, and he's going to tame this lion, right.

645
00:32:30,320 --> 00:32:34,000
Speaker 4: And she's feeling uncomfortable but feeling something.

646
00:32:34,080 --> 00:32:36,560
Speaker 1: Yeah, he goes yeah, he goes, well, yeah, She's like,

647
00:32:36,600 --> 00:32:39,320
Speaker 1: you're the lion Tamer's like it saves my day off.

648
00:32:39,400 --> 00:32:41,040
Speaker 1: He goes, check it out, I got a lion in

649
00:32:41,080 --> 00:32:48,560
Speaker 1: my pocket. I'm lying, which Eminem used to say, do

650
00:32:48,600 --> 00:32:50,560
Speaker 1: you want to know what else? Oh?

651
00:32:50,640 --> 00:32:54,320
Speaker 4: You know, it would be a good character speaking of Eminem.

652
00:32:53,320 --> 00:32:57,480
Speaker 1: Dan, oh, I'll be sticking you be stand that's good.

653
00:32:57,560 --> 00:33:00,680
Speaker 4: Wouldn't that be fun? Because it was Stan into suicide.

654
00:33:00,680 --> 00:33:02,040
Speaker 4: I forget which stands.

655
00:33:01,760 --> 00:33:05,600
Speaker 1: Dealer I could play stand was the yeah, the.

656
00:33:07,440 --> 00:33:09,200
Speaker 4: Fan or something like he was.

657
00:33:09,160 --> 00:33:11,880
Speaker 1: Like a fan or whatever. Yeah, he waited and the

658
00:33:11,920 --> 00:33:14,840
Speaker 1: blistering called for you four hours and you just said no.

659
00:33:14,960 --> 00:33:17,920
Speaker 4: Dan was like a couple of scrolls and stands noggin,

660
00:33:18,000 --> 00:33:18,320
Speaker 4: you know.

661
00:33:18,760 --> 00:33:21,800
Speaker 5: Yeah, if I recall, well, yeah, I liked it with

662
00:33:21,840 --> 00:33:26,800
Speaker 5: Elton John and he you know, crossed their differences, you know,

663
00:33:26,880 --> 00:33:29,200
Speaker 5: Elton John John.

664
00:33:29,080 --> 00:33:32,040
Speaker 1: Basically just saying like, yeah, this is okay. What you're like?

665
00:33:32,280 --> 00:33:32,560
Speaker 1: Why what?

666
00:33:33,000 --> 00:33:38,520
Speaker 5: This guy says yeah, yeah, why me too? And Stan

667
00:33:38,640 --> 00:33:41,040
Speaker 5: going me three, and then Dido saying me four?

668
00:33:43,040 --> 00:33:43,840
Speaker 4: Can I be Dido?

669
00:33:44,480 --> 00:33:48,960
Speaker 1: All right, you'll be Didoh Kevin. You'll be the line

670
00:33:48,960 --> 00:33:52,120
Speaker 1: tamer who's rubbing Johnson and gets a magazine's head saying

671
00:33:52,120 --> 00:33:53,560
Speaker 1: I got a line in my pocket on lying I

672
00:33:53,600 --> 00:33:55,400
Speaker 1: got a nine in my pocket, baby, I have just

673
00:33:55,520 --> 00:33:59,680
Speaker 1: die and cock it. And then I'll be girl bossing.

674
00:33:59,720 --> 00:34:04,560
Speaker 1: You'll be girl boss hashtag girl boss o. The trapeze guy, Cody.

675
00:34:04,280 --> 00:34:07,040
Speaker 4: You're the suicidal trapeezer.

676
00:34:07,160 --> 00:34:09,400
Speaker 1: But I also like, can can I shop at the

677
00:34:09,920 --> 00:34:15,480
Speaker 1: store and buy the the get thet humiliate the vintage shop?

678
00:34:16,120 --> 00:34:20,560
Speaker 1: But I gotta Can I do it to a girl boss?

679
00:34:21,640 --> 00:34:26,279
Speaker 1: Think that you can try? You can try. That's actually interesting.

680
00:34:26,480 --> 00:34:29,040
Speaker 1: I would love to see the trapeze guy try to

681
00:34:29,120 --> 00:34:33,400
Speaker 1: one up the girl boss, and then he freaking loses money.

682
00:34:33,520 --> 00:34:37,360
Speaker 4: He loses money because she makes so much. She runs

683
00:34:37,360 --> 00:34:41,399
Speaker 4: a vintage store. She no, no, why are you laugh

684
00:34:41,440 --> 00:34:42,080
Speaker 4: at me like so?

685
00:34:43,120 --> 00:34:47,040
Speaker 1: Because because think about it, sweet.

686
00:34:46,760 --> 00:34:49,920
Speaker 4: The way he laughed at me, like almost affectionate daddy.

687
00:34:50,120 --> 00:34:51,600
Speaker 3: He can actually be very sweet?

688
00:34:51,640 --> 00:34:55,160
Speaker 4: Can sweet? Now he's going, yeah.

689
00:34:54,960 --> 00:34:57,160
Speaker 1: He's trying to be sweet, but he actually could be.

690
00:34:57,640 --> 00:35:04,479
Speaker 3: Yeah, should we do some songs?

691
00:35:05,200 --> 00:35:16,279
Speaker 1: So thank you, Cody Kevin, say you're lying, step right up.

692
00:35:16,320 --> 00:35:17,440
Speaker 3: It's the lion Tamer.

693
00:35:19,800 --> 00:35:25,080
Speaker 5: Please don't call my ma, Ma, Ma, I'm not gonna

694
00:35:25,239 --> 00:35:30,480
Speaker 5: be home. I left my phone on the toilet.

695
00:35:31,120 --> 00:35:34,080
Speaker 4: And if your name stand your screw.

696
00:35:34,400 --> 00:35:39,239
Speaker 2: It's just a wonderful day in Circus down.

697
00:35:39,600 --> 00:35:50,560
Speaker 6: Circus town, mister Hambergers, at your service, if you please, please.

698
00:35:50,280 --> 00:35:55,840
Speaker 5: Don't call the somethings on. And I like to keep

699
00:35:55,920 --> 00:36:02,319
Speaker 5: it on. Sometimes I waste alect tea, but I like.

700
00:36:02,440 --> 00:36:03,799
Speaker 4: To keep it on.

701
00:36:05,960 --> 00:36:09,239
Speaker 3: That's a good mystery. What the thing is that she's

702
00:36:09,320 --> 00:36:09,919
Speaker 3: keeping on?

703
00:36:10,080 --> 00:36:14,879
Speaker 5: Yeah, it's a hot late Okay, she likes to keep

704
00:36:14,880 --> 00:36:15,080
Speaker 5: it on.

705
00:36:15,480 --> 00:36:21,480
Speaker 1: And Stan will probably drop a verse in there somewhere. So,

706
00:36:22,560 --> 00:36:25,760
Speaker 1: mister Spamburgers, we've introduced.

707
00:36:26,680 --> 00:36:26,919
Speaker 3: Sam.

708
00:36:27,080 --> 00:36:30,000
Speaker 1: Mister hamburgersund a little.

709
00:36:29,840 --> 00:36:32,880
Speaker 4: Reactionary, but I almost feel like that's a little disrespectful.

710
00:36:32,880 --> 00:36:34,080
Speaker 3: To mister Hamburger.

711
00:36:34,560 --> 00:36:36,759
Speaker 4: Yeah, like when you think of what he what he

712
00:36:36,800 --> 00:36:37,680
Speaker 4: did for our country.

713
00:36:37,800 --> 00:36:39,800
Speaker 2: But is that sort of what the spam movement is

714
00:36:39,840 --> 00:36:42,400
Speaker 2: all about, is showing that there are no sacred cows.

715
00:36:42,480 --> 00:36:44,000
Speaker 5: But I feel like there is one sacred cow, and

716
00:36:44,040 --> 00:36:47,520
Speaker 5: it's a Hamburger cow, and he made Hamburgers out of it.

717
00:36:47,880 --> 00:36:50,640
Speaker 5: Right about McDonald, is it's America at the end. That

718
00:36:50,800 --> 00:36:52,359
Speaker 5: was what I got from that movie.

719
00:36:52,440 --> 00:36:53,920
Speaker 1: That it is at the end of the day, it

720
00:36:53,960 --> 00:36:59,080
Speaker 1: is America. Yeah, and that was Terry Williams cartoon cow.

721
00:36:59,239 --> 00:36:59,960
Speaker 1: Yeah again.

722
00:37:01,440 --> 00:37:06,640
Speaker 2: Yeah, And he's headbutting the queen And honestly, that does happen.

723
00:37:06,680 --> 00:37:07,640
Speaker 1: That's happened before.

724
00:37:09,280 --> 00:37:11,719
Speaker 2: Like she bends up, like when her bloomers fall down,

725
00:37:11,760 --> 00:37:13,359
Speaker 2: she bends over to pick him up, and it looks

726
00:37:13,400 --> 00:37:16,840
Speaker 2: like she's got these big red bloomers and the cast.

727
00:37:16,600 --> 00:37:22,680
Speaker 3: Season and is like and goes she flies off and

728
00:37:22,719 --> 00:37:25,280
Speaker 3: when it hits her, but it goes away.

729
00:37:25,320 --> 00:37:28,040
Speaker 5: She gets doing ourselves a disservice by not casting those

730
00:37:28,120 --> 00:37:31,120
Speaker 5: Terry gilliam cartoon characters. Are we just taking them for

731
00:37:31,160 --> 00:37:33,239
Speaker 5: granted that they're just gonna be there, or should we

732
00:37:33,280 --> 00:37:35,560
Speaker 5: really put thought into casting with like.

733
00:37:35,560 --> 00:37:40,120
Speaker 2: Real like a mustache guy. You like mustache guy, a lumberjack?

734
00:37:42,320 --> 00:37:45,200
Speaker 2: Who else are some of the like a can can

735
00:37:45,440 --> 00:37:49,719
Speaker 2: some can can girls. The queen falls down, they kick

736
00:37:49,960 --> 00:37:55,000
Speaker 2: her like like away into the sky. That could be hime, Yes,

737
00:37:55,120 --> 00:37:58,440
Speaker 2: ive could do. The can would be really good at that, Sean,

738
00:38:00,640 --> 00:38:04,640
Speaker 2: that's my impression. Yeah, time would be great for that.

739
00:38:05,400 --> 00:38:07,160
Speaker 2: The one which the.

740
00:38:08,680 --> 00:38:11,480
Speaker 4: Faces, Oh yeah, she's cute, she's your favorite.

741
00:38:11,560 --> 00:38:13,719
Speaker 1: She made all the face crazy bass face.

742
00:38:13,840 --> 00:38:16,600
Speaker 4: You like bass face though she's.

743
00:38:16,360 --> 00:38:19,240
Speaker 1: Making a face slapping the base like I'm really slapping

744
00:38:19,320 --> 00:38:19,800
Speaker 1: the bass.

745
00:38:19,840 --> 00:38:20,760
Speaker 4: She was a grownling.

746
00:38:21,719 --> 00:38:24,200
Speaker 5: Yeah, oh yeah, you can tell because she commits to

747
00:38:24,280 --> 00:38:25,040
Speaker 5: her face.

748
00:38:24,800 --> 00:38:30,279
Speaker 2: Makes Yeah, she used to run around.

749
00:38:30,800 --> 00:38:33,319
Speaker 1: Oh yeah, before you started owning that vintage shop got

750
00:38:33,320 --> 00:38:34,480
Speaker 1: owned by the girl boss.

751
00:38:35,320 --> 00:38:38,560
Speaker 5: Yeah, he was funny when he stuck his fucking leg

752
00:38:38,600 --> 00:38:42,400
Speaker 5: out like Angelina Jolie fucking made that kind look like

753
00:38:42,440 --> 00:38:43,000
Speaker 5: an idiot.

754
00:38:47,719 --> 00:38:50,720
Speaker 2: And I know what you're talking about, but what what

755
00:38:50,840 --> 00:38:51,319
Speaker 2: doesn't matter?

756
00:38:51,600 --> 00:38:55,280
Speaker 1: Okay? Yeah? Hashtag oscars so white?

757
00:38:55,560 --> 00:38:57,880
Speaker 4: Is girl boss? Hashtag girl boss or is it just

758
00:38:57,920 --> 00:38:58,440
Speaker 4: girl boss?

759
00:38:58,560 --> 00:39:02,359
Speaker 1: It is becoming hashtag coming ash, I get yeah, it's

760
00:39:02,360 --> 00:39:06,480
Speaker 1: starting to get there. I think we need a song

761
00:39:06,520 --> 00:39:08,319
Speaker 1: that maybe brings it down a little bit.

762
00:39:09,120 --> 00:39:09,839
Speaker 3: Uh.

763
00:39:09,840 --> 00:39:12,319
Speaker 1: It's all well and good to have fun, that's why

764
00:39:12,320 --> 00:39:13,919
Speaker 1: we go to the theater. But when we are dealing

765
00:39:13,960 --> 00:39:17,359
Speaker 1: with teenage suicide and a failed trapeze artist, and yeah,

766
00:39:17,480 --> 00:39:18,560
Speaker 1: go ahead, the better.

767
00:39:18,320 --> 00:39:25,640
Speaker 4: Call theme song wow, And that is that I found out.

768
00:39:25,800 --> 00:39:37,240
Speaker 8: Good job, Cody, it's me David Gale.

769
00:39:39,840 --> 00:39:45,000
Speaker 1: Hop on that gurnie and get somebody to roll you.

770
00:39:45,239 --> 00:39:49,880
Speaker 1: Now begins bars.

771
00:39:50,320 --> 00:39:55,200
Speaker 5: Please don't call a number on my business card today.

772
00:39:56,560 --> 00:40:00,640
Speaker 4: I got a hot plate and it's on make him

773
00:40:00,760 --> 00:40:01,719
Speaker 4: some souper.

774
00:40:03,320 --> 00:40:12,200
Speaker 1: Hamburg is just sale. I'll take one over here. Gonna

775
00:40:12,239 --> 00:40:16,040
Speaker 1: need my strength to have sex through this jail cell

776
00:40:16,400 --> 00:40:25,760
Speaker 1: bar with this woman on the gunny namely extra Hamburger sauce.

777
00:40:30,080 --> 00:40:32,800
Speaker 1: Guys that christ I know who brought it down to

778
00:40:33,160 --> 00:40:34,400
Speaker 1: It might be too it might be.

779
00:40:34,440 --> 00:40:36,760
Speaker 4: Too extremely like it's too soon an act one.

780
00:40:37,120 --> 00:40:39,640
Speaker 1: And the trapeze artist hasn't showed up now, and the

781
00:40:39,760 --> 00:40:43,799
Speaker 1: girl boss wasn't there, and the lion teamer literally left

782
00:40:43,840 --> 00:40:48,239
Speaker 1: the room, so we were a little bit stuck in

783
00:40:48,360 --> 00:40:48,799
Speaker 1: that way.

784
00:40:49,520 --> 00:40:52,120
Speaker 3: The queen wasn't much of a part of it.

785
00:40:54,320 --> 00:40:56,319
Speaker 1: From if all I had to go off was that song,

786
00:40:56,360 --> 00:40:59,000
Speaker 1: I wouldn't know if the queen has bloomers, what color

787
00:40:59,080 --> 00:41:02,359
Speaker 1: they are right where she is bloom standing up?

788
00:41:02,480 --> 00:41:04,879
Speaker 4: Where if they do come down right?

789
00:41:05,360 --> 00:41:09,600
Speaker 1: Mm hmm. So I'd say that song was an epic fail.

790
00:41:10,640 --> 00:41:12,400
Speaker 3: That would have been something good to rhyme with David

791
00:41:12,440 --> 00:41:13,680
Speaker 3: Gill to lighten it.

792
00:41:15,040 --> 00:41:16,720
Speaker 5: And that would have brought us back into the social

793
00:41:16,800 --> 00:41:19,319
Speaker 5: media space. I mentioned it is mandatory.

794
00:41:19,520 --> 00:41:21,799
Speaker 1: Rhyming is over though, right, I mean we can all

795
00:41:21,840 --> 00:41:25,440
Speaker 1: agree that's such a cool idea. I mean Hamilton did

796
00:41:25,480 --> 00:41:28,440
Speaker 1: every rhyme there was under the sun we're out and

797
00:41:28,560 --> 00:41:35,239
Speaker 1: the moon, oh yeah at night. Well, I guess if

798
00:41:35,280 --> 00:41:37,800
Speaker 1: we're not going to rhyme, is there something like rhyming

799
00:41:37,880 --> 00:41:41,279
Speaker 1: we could be doing? Maybe alliteration? Uh, to be the

800
00:41:41,440 --> 00:41:45,680
Speaker 1: new sort of standard for writing songs. M hmmm.

801
00:41:45,800 --> 00:41:47,000
Speaker 4: We're just words that are.

802
00:41:47,120 --> 00:41:49,279
Speaker 2: We've been doing the ends of the words or the same.

803
00:41:49,360 --> 00:41:51,720
Speaker 2: But what if the beginnings were of the same. Oh, okay,

804
00:41:51,920 --> 00:41:52,919
Speaker 2: that could be pretty sick.

805
00:41:53,040 --> 00:41:57,000
Speaker 3: Yeah, that could be really smart, Like maybe Monday.

806
00:41:57,680 --> 00:41:59,080
Speaker 4: There could be a song on maybe Monday.

807
00:41:59,200 --> 00:42:02,960
Speaker 2: Maybe Monday's a great start. Thanks, Okay, Well, let's let's

808
00:42:03,000 --> 00:42:05,200
Speaker 2: do maybe Monday, Cody, Let's do maybe Monday.

809
00:42:05,239 --> 00:42:08,320
Speaker 4: Wait before you started, Cody, what is this song about?

810
00:42:10,040 --> 00:42:11,799
Speaker 3: We are going to have to figure that out as

811
00:42:11,840 --> 00:42:12,040
Speaker 3: it is.

812
00:42:12,239 --> 00:42:14,359
Speaker 1: We're gonna have to do it in the song, which

813
00:42:14,440 --> 00:42:15,160
Speaker 1: people love that.

814
00:42:15,400 --> 00:42:20,040
Speaker 5: And I was a citizen of Spontanean nation. My passport

815
00:42:20,120 --> 00:42:20,920
Speaker 5: had been revolved.

816
00:42:27,480 --> 00:42:34,280
Speaker 9: Maybe Monday, Mond, Mommy will make me marshmallows, master Monkey

817
00:42:35,760 --> 00:42:42,000
Speaker 9: makes meat, mister membergerls.

818
00:42:44,200 --> 00:42:44,759
Speaker 1: Mers.

819
00:42:45,120 --> 00:42:47,360
Speaker 4: I guys, I'm gonna let you know right now. I

820
00:42:47,480 --> 00:42:50,600
Speaker 4: missed the rhyming. I missed the rhymes. I'm sorry.

821
00:42:51,040 --> 00:42:51,720
Speaker 1: Are you sure?

822
00:42:52,360 --> 00:42:55,000
Speaker 4: I'm pretty sure. It's just not yeah, I am, because

823
00:42:55,040 --> 00:42:56,600
Speaker 4: it's just not as fun to listen to to my

824
00:42:56,800 --> 00:42:58,480
Speaker 4: ear just doesn't tackle my ear.

825
00:43:00,320 --> 00:43:03,040
Speaker 1: Okay, it was a song. I think this This in

826
00:43:03,160 --> 00:43:05,440
Speaker 1: some ways was more limiting, but in some ways was

827
00:43:05,480 --> 00:43:09,399
Speaker 1: a huge got a story out.

828
00:43:09,840 --> 00:43:12,120
Speaker 4: There's no question that it was that. There was more

829
00:43:12,160 --> 00:43:13,160
Speaker 4: story when you did that.

830
00:43:14,520 --> 00:43:19,840
Speaker 5: Just maybe mother makes That's huge, Like that's like, wow,

831
00:43:19,920 --> 00:43:21,560
Speaker 5: there's so much story there, and.

832
00:43:21,680 --> 00:43:22,799
Speaker 3: Mister Monkey makes meat.

833
00:43:22,840 --> 00:43:25,960
Speaker 2: It's sort of is setting up mister Monkey as kind

834
00:43:26,000 --> 00:43:27,600
Speaker 2: of a mister Hamburger's type.

835
00:43:27,680 --> 00:43:30,759
Speaker 4: I mean, and then mister Mager listen. I know you

836
00:43:30,840 --> 00:43:34,520
Speaker 4: guys did a lot with story. You guys are more structure.

837
00:43:34,560 --> 00:43:37,319
Speaker 1: Guys just showed up what.

838
00:43:39,120 --> 00:43:42,959
Speaker 4: I'm not quite sure what that is. Oh I see

839
00:43:43,800 --> 00:43:44,319
Speaker 4: mash tag.

840
00:43:44,760 --> 00:43:50,759
Speaker 1: Yeahs mmmm. Well, if you don't want to do the

841
00:43:50,840 --> 00:43:53,160
Speaker 1: song that way, we won't do it that way. But

842
00:43:53,320 --> 00:43:55,680
Speaker 1: your pitch was there Monday. You're the one who came

843
00:43:55,760 --> 00:43:58,040
Speaker 1: up with it. So if you've got something to do.

844
00:44:00,040 --> 00:44:02,839
Speaker 5: Shoot down things, in other words, like offer up other

845
00:44:02,920 --> 00:44:05,920
Speaker 5: ideas instead of being like, no, that sucks, right.

846
00:44:06,280 --> 00:44:09,920
Speaker 1: Yeah, because that and it doesn't. Oh yeah, no, I

847
00:44:09,960 --> 00:44:10,719
Speaker 1: don't think it sucks.

848
00:44:10,800 --> 00:44:14,439
Speaker 3: So not only yes, don't do that, but also it does. Yeah,

849
00:44:14,480 --> 00:44:16,840
Speaker 3: it was fun, right, it.

850
00:44:16,920 --> 00:44:17,919
Speaker 1: Was fun for you guys.

851
00:44:18,080 --> 00:44:19,960
Speaker 4: You seem to be having a great time doing it.

852
00:44:20,600 --> 00:44:22,880
Speaker 4: Mister monkey makes meat makes no sense as far as

853
00:44:22,920 --> 00:44:26,440
Speaker 4: what we've been talking about so far though. There was

854
00:44:26,520 --> 00:44:29,880
Speaker 4: no monkeys that we talked about, right, okay, And some.

855
00:44:29,960 --> 00:44:32,680
Speaker 1: Of those Terry and some of those Terry Gillian things.

856
00:44:32,719 --> 00:44:35,560
Speaker 1: He's coming to a are you sure? Yes? And okay?

857
00:44:36,719 --> 00:44:37,480
Speaker 1: And he's like.

858
00:44:40,120 --> 00:44:42,440
Speaker 3: The Queen's yellow Bloomers that they're a banana.

859
00:44:42,600 --> 00:44:46,680
Speaker 1: It's the circus and the oh there is a circus.

860
00:44:47,080 --> 00:44:48,320
Speaker 4: You're right, I stand.

861
00:44:48,160 --> 00:44:50,960
Speaker 1: Corrected, And mister Hamburger's has been an organ grinder the

862
00:44:51,120 --> 00:44:51,560
Speaker 1: entire time.

863
00:44:52,080 --> 00:44:54,399
Speaker 4: There's a meat grinder, Hamburger Meat.

864
00:44:54,920 --> 00:44:58,759
Speaker 1: There was Monkeys and Wicked too, well that's true.

865
00:44:59,239 --> 00:45:04,839
Speaker 5: Yeah, fine, fine, mister Monkeys makes Cody Cody and Wicked again.

866
00:45:05,000 --> 00:45:06,600
Speaker 1: Honestly, Cody, it's.

867
00:45:07,840 --> 00:45:10,479
Speaker 2: Been able to keep this off of the show really

868
00:45:10,640 --> 00:45:13,120
Speaker 2: in the three years that we've done. You have some heavy,

869
00:45:13,560 --> 00:45:16,839
Speaker 2: heavy editing. But there's a couple of photos.

870
00:45:16,520 --> 00:45:18,719
Speaker 4: Where he's all green though, and you know that he

871
00:45:18,840 --> 00:45:20,880
Speaker 4: came in alpha. But makeup?

872
00:45:23,840 --> 00:45:26,120
Speaker 1: Do we just want to do? Like? Do we want

873
00:45:26,160 --> 00:45:31,520
Speaker 1: to jam in a song from another musical? Do we? No?

874
00:45:31,600 --> 00:45:33,440
Speaker 3: I don't think they, Cody, I knocked a machine off

875
00:45:33,520 --> 00:45:35,120
Speaker 3: the desk of the show. Still happening.

876
00:45:36,239 --> 00:45:39,440
Speaker 1: You may have broke it, but are you doing a joker?

877
00:45:39,480 --> 00:45:45,399
Speaker 1: Are we still doing the show? Okay, yeah, that's not important. Okay, Yeah,

878
00:45:45,520 --> 00:45:48,239
Speaker 1: let's jam all right, Yeah, let's grab a here's one

879
00:45:48,280 --> 00:45:49,120
Speaker 1: song from Totally.

880
00:45:50,440 --> 00:45:55,240
Speaker 3: This is from Cats. This is from Cat Oh yeah, okay,

881
00:45:55,320 --> 00:45:57,359
Speaker 3: so what so stop and we'll use that song.

882
00:45:57,440 --> 00:46:07,280
Speaker 1: But what should the song be? I said, stuff? Oh no, non, Cody,

883
00:46:08,560 --> 00:46:11,120
Speaker 1: And maybe some of the Pokemon should be in this song.

884
00:46:11,200 --> 00:46:12,480
Speaker 4: Oh, that's a great idea.

885
00:46:13,040 --> 00:46:16,319
Speaker 1: Snorre relax snor relax might want to be What if

886
00:46:16,360 --> 00:46:16,719
Speaker 1: it's like.

887
00:46:16,920 --> 00:46:21,120
Speaker 4: Relax Snorlax says relax.

888
00:46:21,400 --> 00:46:26,239
Speaker 5: Mm hmm, and Pikachu says pekapoo.

889
00:46:26,440 --> 00:46:32,280
Speaker 1: Yeah, snor relax, Pikachu mm hmmm. Cody, what is this? Servent?

890
00:46:32,360 --> 00:46:35,000
Speaker 4: And Hillary can be like Pokemon go to the polls.

891
00:46:35,239 --> 00:46:36,120
Speaker 3: Yes, that's right.

892
00:46:36,239 --> 00:46:39,520
Speaker 1: That could be really good. Yeah, uh huh. And maybe

893
00:46:39,560 --> 00:46:43,040
Speaker 1: some of those Ninjago legos that are starting to get big.

894
00:46:43,360 --> 00:46:44,480
Speaker 4: I'm not familiar with those.

895
00:46:44,680 --> 00:46:50,160
Speaker 1: Oh yeah, are the emojis? No, no, no, I wish no,

896
00:46:50,400 --> 00:46:51,720
Speaker 1: they're legos.

897
00:46:51,640 --> 00:46:54,280
Speaker 4: Lupita and Jango legos.

898
00:46:56,000 --> 00:46:57,640
Speaker 2: What I thought?

899
00:46:57,680 --> 00:46:58,440
Speaker 4: That's what you said.

900
00:46:59,560 --> 00:47:00,239
Speaker 1: I what.

901
00:47:02,080 --> 00:47:08,279
Speaker 4: What finish? That's not what you know.

902
00:47:08,400 --> 00:47:09,319
Speaker 1: That's not what I said.

903
00:47:10,800 --> 00:47:11,600
Speaker 4: Well that's what I heard.

904
00:47:12,320 --> 00:47:14,440
Speaker 1: Okay, you better help people buy that.

905
00:47:14,560 --> 00:47:17,160
Speaker 2: What is it?

906
00:47:17,440 --> 00:47:18,040
Speaker 1: What did I do?

907
00:47:21,160 --> 00:47:23,360
Speaker 3: We were doing a nice Pokemon musical.

908
00:47:23,480 --> 00:47:25,440
Speaker 2: Come on, we were trying to do a nice Pokemon

909
00:47:25,560 --> 00:47:27,920
Speaker 2: musical with some saying to both of you, I'm not

910
00:47:28,040 --> 00:47:29,600
Speaker 2: saying I just don't want all this fighting.

911
00:47:29,640 --> 00:47:31,799
Speaker 3: We're trying to do a nice Pokemon Okay, well, let's

912
00:47:31,800 --> 00:47:32,200
Speaker 3: not fighting.

913
00:47:32,280 --> 00:47:35,279
Speaker 1: I'm not interested in. I don't want to fight either.

914
00:47:35,320 --> 00:47:37,920
Speaker 1: I want to have fun with my friends. I'm here

915
00:47:37,960 --> 00:47:40,279
Speaker 1: to have fun with my friends. That's really my main thing.

916
00:47:40,360 --> 00:47:42,439
Speaker 1: That's why I still do the show after all these years.

917
00:47:42,640 --> 00:47:44,000
Speaker 4: It's not because of the money it makes you.

918
00:47:44,200 --> 00:47:46,880
Speaker 1: Oh wow, Well that's a tough choice. Do I have

919
00:47:47,000 --> 00:47:48,640
Speaker 1: to give up the money if I say it is

920
00:47:48,719 --> 00:47:53,719
Speaker 1: because of my friends? What about a girl like a

921
00:47:53,920 --> 00:47:56,520
Speaker 1: girl Pokemon yeah? Oh wow?

922
00:47:56,719 --> 00:48:02,840
Speaker 4: Wait, a girl Pokemon trainer, yes, ah, a girl gym boss,

923
00:48:03,800 --> 00:48:09,960
Speaker 4: like a personal trainer. Yeah, she's helping snoreions fattest Pokemon.

924
00:48:10,680 --> 00:48:14,160
Speaker 4: She's like, she's like, give me five more. She's like,

925
00:48:14,440 --> 00:48:16,440
Speaker 4: you got this right?

926
00:48:16,680 --> 00:48:22,120
Speaker 1: Yeah? Yeah. And the snorl Axe is not saying anything back. Why,

927
00:48:23,200 --> 00:48:28,120
Speaker 1: well he sleeps. Yeah, what does he do? He says, yeah,

928
00:48:28,120 --> 00:48:34,239
Speaker 1: he says his name. So this could be a good song. Girl.

929
00:48:36,640 --> 00:48:40,560
Speaker 1: And just when I had given up all hope, we

930
00:48:40,719 --> 00:48:43,680
Speaker 1: were in a huge fight and you guys couldn't see me,

931
00:48:43,800 --> 00:48:44,880
Speaker 1: but we were steaming.

932
00:48:45,200 --> 00:48:46,879
Speaker 4: We wouldn't look at each other.

933
00:48:47,640 --> 00:48:49,840
Speaker 1: Now all we can do is look and now we

934
00:48:50,040 --> 00:48:55,960
Speaker 1: are right back back in the saddle, and it feels great.

935
00:48:56,040 --> 00:48:58,120
Speaker 1: Feels great to be back with my friends, making all

936
00:48:58,200 --> 00:49:00,800
Speaker 1: this money with the podcast, and this is why I

937
00:49:00,840 --> 00:49:01,880
Speaker 1: still do the show after all that.

938
00:49:02,080 --> 00:49:05,239
Speaker 4: Yeah, I'm not sure why I still do the show.

939
00:49:05,880 --> 00:49:07,680
Speaker 1: Oh really, No, I'm just kidding.

940
00:49:07,960 --> 00:49:09,839
Speaker 4: Do it because I love it, Do it because it's

941
00:49:09,880 --> 00:49:10,160
Speaker 4: what I do.

942
00:49:13,840 --> 00:49:14,759
Speaker 1: That's just what we do.

943
00:49:15,120 --> 00:49:15,400
Speaker 4: Thanks.

944
00:49:16,040 --> 00:49:22,840
Speaker 1: You know, that's just fish swim and birds fly and we.

945
00:49:24,400 --> 00:49:26,759
Speaker 4: You know, thank you for bringing it back to storytelling.

946
00:49:27,480 --> 00:49:30,000
Speaker 1: It's an ancient it's like all people.

947
00:49:30,200 --> 00:49:32,840
Speaker 4: It's what we do, stellers. That's what I write on

948
00:49:32,880 --> 00:49:35,240
Speaker 4: my text return, I said, I say, I tell stories.

949
00:49:35,320 --> 00:49:37,640
Speaker 1: Yeah. I hate when people try to limit me and

950
00:49:37,760 --> 00:49:43,560
Speaker 1: say that I'm some huge producer. Yeah. Well a lot

951
00:49:43,640 --> 00:49:46,360
Speaker 1: of the studios out here really yeah. I want to

952
00:49:46,440 --> 00:49:51,680
Speaker 1: be able to put a different label on like their yeah,

953
00:49:52,160 --> 00:49:53,800
Speaker 1: and they want to be like, oh, you're like this

954
00:49:54,000 --> 00:49:57,040
Speaker 1: huge producer, actor, star, you know, writer or whatever.

955
00:49:58,200 --> 00:50:03,280
Speaker 2: It's men painting on the wall and I told stories

956
00:50:03,320 --> 00:50:07,320
Speaker 2: of the hunt on the wall. We write musicals about Pokemon.

957
00:50:07,520 --> 00:50:10,520
Speaker 1: Yeah, which you're hunting, which is a hunt? Yeah, well

958
00:50:10,640 --> 00:50:17,160
Speaker 1: you're hunting for them. I I'm thinking of this one

959
00:50:17,239 --> 00:50:20,520
Speaker 1: story that's so good, and I'm not the woman with.

960
00:50:20,600 --> 00:50:22,759
Speaker 4: The ribbon as a necklace and she takes it off

961
00:50:22,800 --> 00:50:25,440
Speaker 4: one day and what happens. I can't say it's a

962
00:50:25,480 --> 00:50:26,440
Speaker 4: spoiler alone.

963
00:50:26,800 --> 00:50:28,400
Speaker 1: But if you were on that plane, if you had

964
00:50:28,440 --> 00:50:29,839
Speaker 1: been on that plane, you're going to die.

965
00:50:30,640 --> 00:50:32,200
Speaker 3: Yeah, this happened to one of you.

966
00:50:32,480 --> 00:50:36,040
Speaker 1: Yeah, it happened to a lot of And she was

967
00:50:36,200 --> 00:50:40,640
Speaker 1: helping me with my bag. Stewardess Stewart stewardess. Yeah, at

968
00:50:40,680 --> 00:50:41,960
Speaker 1: the time she was a stewardess.

969
00:50:42,120 --> 00:50:43,840
Speaker 4: Yeah that's now she's nothing.

970
00:50:43,920 --> 00:50:47,000
Speaker 3: You know, she said, that's Michael McDonald's character from TV.

971
00:50:47,400 --> 00:50:48,160
Speaker 4: Yes, stewardess.

972
00:50:48,920 --> 00:50:50,319
Speaker 1: Yeah, yeah, yeah, we'll be there.

973
00:50:50,680 --> 00:50:51,920
Speaker 4: He had a lot of blood, he wore a lot

974
00:50:51,960 --> 00:50:54,600
Speaker 4: of rouge, so you know he was young.

975
00:50:57,120 --> 00:51:02,160
Speaker 1: Speaking of rouge. Move on, Should we do one more

976
00:51:03,280 --> 00:51:06,600
Speaker 1: because we can't game? Can Should we do one more song? Yeah?

977
00:51:07,800 --> 00:51:08,760
Speaker 4: Is it the finale?

978
00:51:09,200 --> 00:51:13,319
Speaker 1: I think we're gonna have to beat out.

979
00:51:13,360 --> 00:51:14,920
Speaker 4: I know that we usually like to fly by the

980
00:51:14,920 --> 00:51:17,120
Speaker 4: seat of our hands. Okay, so you want to actually

981
00:51:17,840 --> 00:51:22,480
Speaker 4: before break the story that we're telling. Maybe, So let's

982
00:51:22,560 --> 00:51:24,040
Speaker 4: let's see. We have a lot of balls in the air.

983
00:51:25,200 --> 00:51:28,960
Speaker 4: You know, there's a dead dead hooker jokes are so funny,

984
00:51:29,000 --> 00:51:30,319
Speaker 4: but I don't think we should put one in here.

985
00:51:30,360 --> 00:51:32,919
Speaker 5: It'll just be too much you know, so I love

986
00:51:33,080 --> 00:51:35,680
Speaker 5: jokes about you know, sex workers like being killed. They're

987
00:51:35,719 --> 00:51:39,200
Speaker 5: so funny, just like, how many dead hookers does it

988
00:51:39,280 --> 00:51:42,240
Speaker 5: take to like something something and you're just like seven

989
00:51:42,719 --> 00:51:45,720
Speaker 5: and you laugh because they're not humans or they were.

990
00:51:46,440 --> 00:51:49,920
Speaker 1: Right right right, you know, it's just funny. It's Hayes

991
00:51:50,000 --> 00:51:52,200
Speaker 1: has one of those. Hayes has a good one of those.

992
00:51:52,480 --> 00:51:57,239
Speaker 3: Yes, what how many dead hookers can you fit in

993
00:51:57,320 --> 00:51:58,120
Speaker 3: a light bulb?

994
00:51:58,360 --> 00:51:58,719
Speaker 4: How many?

995
00:52:00,239 --> 00:52:01,600
Speaker 1: I am thinking about it?

996
00:52:01,880 --> 00:52:02,640
Speaker 4: Oh, that's good?

997
00:52:02,800 --> 00:52:06,760
Speaker 1: Yeah, yeah, but I was going to say, your Cody's

998
00:52:06,800 --> 00:52:07,799
Speaker 1: got a pretty good one too.

999
00:52:08,719 --> 00:52:09,360
Speaker 4: How did that one go?

1000
00:52:09,560 --> 00:52:13,640
Speaker 1: Yeah? How did the dead hooker across the street? How

1001
00:52:20,920 --> 00:52:21,560
Speaker 1: I hated that?

1002
00:52:22,560 --> 00:52:26,560
Speaker 3: I had a bad time and I like animals?

1003
00:52:27,520 --> 00:52:31,640
Speaker 1: Yeah. And Kevin, Kevin actually told me one earlier today,

1004
00:52:31,640 --> 00:52:35,120
Speaker 1: which was what's the difference between a pile of dead

1005
00:52:35,160 --> 00:52:36,560
Speaker 1: hookers and a pile of sand?

1006
00:52:37,640 --> 00:52:37,719
Speaker 2: Uh?

1007
00:52:38,280 --> 00:52:39,279
Speaker 3: And this is what he said.

1008
00:52:39,360 --> 00:52:45,319
Speaker 1: He said, I don't eat sand. That's what Kevin said.

1009
00:52:45,680 --> 00:52:49,080
Speaker 1: Kevin did say that I didn't get it. That was

1010
00:52:49,160 --> 00:52:52,200
Speaker 1: one of the ones he liked. So we were wrapping

1011
00:52:52,280 --> 00:52:54,920
Speaker 1: it up. Kevin had also asked me what the difference

1012
00:52:54,960 --> 00:53:00,319
Speaker 1: between dead hooker and a Cadillac was, what's that there's

1013
00:53:00,360 --> 00:53:05,000
Speaker 1: no Cadillac in his garage? Uh huh, that is so funny.

1014
00:53:05,239 --> 00:53:08,320
Speaker 10: Yeah, Kevin was telling me that the ecstasy of the

1015
00:53:09,360 --> 00:53:16,360
Speaker 10: I'm like, oh, I'm like, yeah, like tastes carrying blue

1016
00:53:16,440 --> 00:53:18,520
Speaker 10: apron like chocolate moves or something like.

1017
00:53:19,120 --> 00:53:21,759
Speaker 1: When you first brought it up, I thought, I've never

1018
00:53:21,880 --> 00:53:23,799
Speaker 1: heard any of these jokes, you know, I am. They're rare.

1019
00:53:23,960 --> 00:53:26,399
Speaker 4: They're very obscure. They're very obscure. It's like a very

1020
00:53:26,560 --> 00:53:28,480
Speaker 4: like it's a it's a like it's rare air.

1021
00:53:28,560 --> 00:53:30,960
Speaker 1: As far as I realized, I had heard four of

1022
00:53:31,000 --> 00:53:32,759
Speaker 1: them today from Kevin.

1023
00:53:32,960 --> 00:53:35,120
Speaker 5: One of them is funny, which one of them is

1024
00:53:35,160 --> 00:53:36,799
Speaker 5: more disrespectful of woman's life.

1025
00:53:37,040 --> 00:53:40,560
Speaker 1: I remember when Kevin told me to actually, how did

1026
00:53:40,600 --> 00:53:41,920
Speaker 1: the dead hooker across the street?

1027
00:53:42,239 --> 00:53:45,560
Speaker 4: Don't if this is the same, I don't want to hear.

1028
00:53:45,800 --> 00:53:47,879
Speaker 1: This is the sound. I don't know that was mine.

1029
00:53:47,920 --> 00:53:51,080
Speaker 1: This one's Kevin's. How did the dead hooker across the street?

1030
00:53:51,200 --> 00:53:56,759
Speaker 1: How dump truck? Well? And that's terrible. Oh, it's so

1031
00:53:57,080 --> 00:54:01,800
Speaker 1: funny because Bosh's uh mother was actually a prostitute. She

1032
00:54:01,960 --> 00:54:04,680
Speaker 1: was a sex worst and that's part of what drives

1033
00:54:04,760 --> 00:54:06,239
Speaker 1: Bosh is.

1034
00:54:06,960 --> 00:54:11,000
Speaker 4: Women who are strippers, prostitutes. Those are the good stories

1035
00:54:11,040 --> 00:54:13,479
Speaker 4: to tell, I think, well for funny ones.

1036
00:54:15,000 --> 00:54:17,319
Speaker 1: You know, she was so disposable to the department they

1037
00:54:17,400 --> 00:54:19,560
Speaker 1: never bothered to solve the murder. Now he's a homicide

1038
00:54:19,600 --> 00:54:22,360
Speaker 1: detective and he's trying to hunt down and put the

1039
00:54:22,360 --> 00:54:24,080
Speaker 1: pieces together twenty years later.

1040
00:54:24,480 --> 00:54:24,680
Speaker 2: Cool.

1041
00:54:24,760 --> 00:54:27,960
Speaker 1: In addition to saving the city by solving all these

1042
00:54:28,000 --> 00:54:30,160
Speaker 1: other murders, which are usually part of a pretty big conspiracy,

1043
00:54:30,560 --> 00:54:33,040
Speaker 1: people are trying to kill everyone in the city. Yeah,

1044
00:54:33,040 --> 00:54:36,640
Speaker 1: every murder tells the story of a city. Gotham, Well

1045
00:54:36,840 --> 00:54:40,360
Speaker 1: in this case, no, but it would be true in Gotham.

1046
00:54:40,360 --> 00:54:42,560
Speaker 1: It would be true in just about any suit play bosh,

1047
00:54:43,920 --> 00:54:45,560
Speaker 1: who Chris Titus.

1048
00:54:47,880 --> 00:54:51,640
Speaker 4: The only Titan broadcasting?

1049
00:54:52,120 --> 00:54:57,719
Speaker 1: Remember, so we got to do this last song? So

1050
00:54:57,840 --> 00:54:58,960
Speaker 1: what did you want it to be about?

1051
00:54:58,960 --> 00:55:01,719
Speaker 4: It is Richard Brandon shoots up a theater. That's it.

1052
00:55:02,120 --> 00:55:05,239
Speaker 4: Oh wow, It's just like a big you know, like

1053
00:55:06,000 --> 00:55:07,479
Speaker 4: lock the doors of the real theater.

1054
00:55:07,560 --> 00:55:08,719
Speaker 1: So people freak out.

1055
00:55:09,040 --> 00:55:14,160
Speaker 3: Okay, that's right, Okay, okay.

1056
00:55:14,440 --> 00:55:16,520
Speaker 4: Could it not be that though, Yeah, yeah, of course,

1057
00:55:16,560 --> 00:55:16,839
Speaker 4: of course.

1058
00:55:17,200 --> 00:55:20,839
Speaker 1: Yeah, I think it should be Stan uh huh yep,

1059
00:55:21,160 --> 00:55:28,640
Speaker 1: good Richard Stanson. Uh huh, Stan realizes he's Richard Brand'son's son. Yes,

1060
00:55:29,560 --> 00:55:34,800
Speaker 1: at the same time that the lion Tamer Yeah, I

1061
00:55:34,880 --> 00:55:39,160
Speaker 1: guess stops humping, which could be part of the song,

1062
00:55:39,640 --> 00:55:42,680
Speaker 1: at the same time that the Girl Boss maybe starts

1063
00:55:42,760 --> 00:55:43,719
Speaker 1: humping somebody's head.

1064
00:55:44,320 --> 00:55:50,840
Speaker 4: Well, yes, and m hm, girl Boss return a dead parrot.

1065
00:55:51,360 --> 00:55:53,319
Speaker 4: Oh to the vintage man.

1066
00:55:53,520 --> 00:55:56,160
Speaker 1: Oh, that's good, she's put.

1067
00:55:57,840 --> 00:55:58,640
Speaker 4: This parrot.

1068
00:55:59,239 --> 00:56:04,719
Speaker 5: Yeah, is deceased, Yes, he says, mmm, and she goes, no,

1069
00:56:04,880 --> 00:56:06,239
Speaker 5: he isn't asshole.

1070
00:56:07,080 --> 00:56:10,120
Speaker 1: She bent away. She could embarrass him. So the girl

1071
00:56:10,160 --> 00:56:12,520
Speaker 1: Boss embarrassed the pet shop owner. She's branching out a

1072
00:56:12,560 --> 00:56:14,400
Speaker 1: little bit, and we're seeing what maybe the next chapter

1073
00:56:14,480 --> 00:56:18,880
Speaker 1: of her Boston will lead to. And uh, Hayes, do

1074
00:56:18,960 --> 00:56:20,440
Speaker 1: you have anything else you wanted to see in this

1075
00:56:20,560 --> 00:56:21,000
Speaker 1: last song?

1076
00:56:21,080 --> 00:56:23,200
Speaker 2: To kind of pay off all this stuff, I we

1077
00:56:23,600 --> 00:56:27,800
Speaker 2: have not introduced the Trapez guy, but I think that

1078
00:56:28,000 --> 00:56:30,680
Speaker 2: is okay. Like, given recent events, I think maybe we

1079
00:56:30,719 --> 00:56:32,520
Speaker 2: can just assume he was kicked out of the circus.

1080
00:56:32,680 --> 00:56:36,239
Speaker 1: Just reading his name in the to do the Circus Anymore?

1081
00:56:36,440 --> 00:56:37,400
Speaker 5: Got it? Got it?

1082
00:56:37,520 --> 00:56:38,680
Speaker 4: And the Neve of it all?

1083
00:56:39,600 --> 00:56:42,279
Speaker 2: Yes, where's Neve? Well, isn't it sort of a kind

1084
00:56:42,360 --> 00:56:47,840
Speaker 2: of catfishing. Discovering that you're if Neve is like introducing

1085
00:56:47,920 --> 00:56:50,480
Speaker 2: a son to his father again. It's like a different

1086
00:56:50,600 --> 00:56:53,000
Speaker 2: kind of catfishing, but instead of like I want to

1087
00:56:53,040 --> 00:56:56,200
Speaker 2: be your girlfriend or whatever, it's like, I'm I want

1088
00:56:56,239 --> 00:56:56,959
Speaker 2: to be your dad.

1089
00:56:57,160 --> 00:56:59,680
Speaker 5: Yes, And isn't that the ultimate catfishing is looking for

1090
00:56:59,760 --> 00:57:00,839
Speaker 5: your biological father.

1091
00:57:01,200 --> 00:57:03,320
Speaker 3: Yes, I'm your dad, And so Neiva is like bringing

1092
00:57:03,360 --> 00:57:04,200
Speaker 3: the son here to like.

1093
00:57:04,440 --> 00:57:05,359
Speaker 1: Is it really my dad?

1094
00:57:05,520 --> 00:57:09,160
Speaker 3: It's like imagine like Richard Branson, Oh my god.

1095
00:57:09,560 --> 00:57:11,000
Speaker 4: What's your name? Who's your daddy?

1096
00:57:11,560 --> 00:57:13,560
Speaker 1: Yes? Exactly, got it?

1097
00:57:13,719 --> 00:57:14,040
Speaker 4: Got it?

1098
00:57:14,200 --> 00:57:17,280
Speaker 1: Okay, Okay, so we need music, Cody.

1099
00:57:19,040 --> 00:57:22,960
Speaker 5: I'm Richard brand love you to shoot this motherfucking theater.

1100
00:57:24,200 --> 00:57:26,240
Speaker 4: Prarel prairel pral.

1101
00:57:26,840 --> 00:57:28,000
Speaker 1: Okay, thank you, Cody.

1102
00:57:28,880 --> 00:57:31,040
Speaker 5: I think it's a good show, and I think we're

1103
00:57:31,080 --> 00:57:33,920
Speaker 5: gonna win a Tony's and I feel really good.

1104
00:57:34,000 --> 00:57:38,480
Speaker 4: I think we might even win a Cony Joseph twelve.

1105
00:57:40,400 --> 00:57:42,360
Speaker 1: It's been an honor doing the podcast.

1106
00:57:43,840 --> 00:57:45,760
Speaker 3: Thank you for listening.

1107
00:57:45,920 --> 00:57:49,640
Speaker 1: It is our pleasure to do the show for you,

1108
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Speaker 1: the audience. You are y.

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Speaker 5: We to tell stories, not to have an abrupt end

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00:57:56,240 --> 00:58:00,280
Speaker 5: for once, just say, you know, go inventory of what

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00:58:00,360 --> 00:58:02,000
Speaker 5: we've said to appreciate.

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Speaker 3: We appreciate you.

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Speaker 1: We appreciate everything that you guys, tell us what you

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Speaker 1: want to hear, you know, because it's you make this.

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Speaker 4: Show for you, this for you, and you know this

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Speaker 4: is just what we do.

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Speaker 2: Thank you, Julie, thank you, Cody, thank you, thank you,

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Speaker 2: thank Julie, thank you, thank you, thank you, thank.

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Speaker 1: You give us the space to do thank you, Jeff,

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Speaker 1: thank you, thank you, Adam, thank you.

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Speaker 4: And all the wedding dates.

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Speaker 1: So uh bye. This has been an ear Wolf production

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Speaker 1: executive produced by Scott Ackerman, Chris Bannon, and Colin Anderson.

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Speaker 1: For more information and content, visit earwolf dot com