WEBVTT - Steve Carell & Billie Eilish + Mailbag Episode!

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<v Speaker 1>Billie Eilish is calling in right now. If you want

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<v Speaker 1>to say hello, she really is. Yeah, yeah, well hello everybody.

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<v Speaker 1>Welcome to a special and extra special episode of The

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<v Speaker 1>Office Deep Dive. I am your host, Brian Baumgartner. Now

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<v Speaker 1>today I'm gonna need you to hold onto your pants, folks.

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<v Speaker 1>Is that a phrase? Because I have got a very

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<v Speaker 1>special surprise for you. Actually, not one. I have two surprises,

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<v Speaker 1>So let's start with the one that involves my good

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<v Speaker 1>friend Steve Correll, whom I don't know. Some of you

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<v Speaker 1>may know as Michael Scott on The Office. Just kidding,

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<v Speaker 1>I know you know who Steve is. Um, Well, yesterday

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<v Speaker 1>is his birthday. Happy birthday to you, Steve, and we

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<v Speaker 1>all know he is the man who deserves all of

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<v Speaker 1>the presence in the world. Well, I gave him my

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<v Speaker 1>gift last year, which was to surprise him with one

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<v Speaker 1>of the biggest musicians on the planet, who also happens

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<v Speaker 1>to be one of the biggest Office fans on the planet.

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<v Speaker 1>He got to meet Billy freaking Eilish for the first

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<v Speaker 1>time over FaceTime, and let me tell you it was magical. Okay,

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<v Speaker 1>that week she had just taken home five Grammy awards,

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<v Speaker 1>one of which I still believe rightly belongs to us,

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<v Speaker 1>and I'll take that any time, Billy, thank you very much.

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<v Speaker 1>But in honor of Steve's birthday, I'm going to share

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<v Speaker 1>with you all of you listeners my gift to him

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<v Speaker 1>this uh a phone call with Billie Eilish. After that,

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<v Speaker 1>I'm going to be answering some of the questions that

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<v Speaker 1>you have been asking me on social media, filling in

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<v Speaker 1>the gaps and getting to know all of you just

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<v Speaker 1>a little bit better along the way. But before we

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<v Speaker 1>get to that, before we get to you, please give

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<v Speaker 1>a very warm welcome to well the King of the Office,

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<v Speaker 1>Steve Correll and the voice of a generation, Billie Eilish,

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<v Speaker 1>Bubble and Squeak. I love it, Bubble and Squeak on

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<v Speaker 1>Bubble and Squeaker cook at every month left over from

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<v Speaker 1>the nut before. Oh my good Nay. First of all, congratulations,

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<v Speaker 1>I go insane, this is crazy. How are you guys?

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<v Speaker 1>How are you? I'm great? I am amazing. Congratulations Steve

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<v Speaker 1>and I were just talking actually, and you won five Grammys. Um,

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<v Speaker 1>we feel like our contribution on the album was the

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<v Speaker 1>most significant, So you can, if you can send one

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<v Speaker 1>over we'll split it. It'll be fine. I don't need

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<v Speaker 1>all of them. You can have one. I just got

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<v Speaker 1>us a Grammy. It's so nice to like actually say hi.

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<v Speaker 1>I feel like we've sort of sort of cross pats,

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<v Speaker 1>but not really. I know. It's so nice. Oh my god,

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<v Speaker 1>it's so crazy to hear your actual voice and look

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<v Speaker 1>at your face. I don't know, this is crazy, it's crazy. Wow.

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<v Speaker 1>This is my mom. By the way, come here, mom, Hi? Hi?

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<v Speaker 1>How are you? You're friends with Amy Ryan? Yeah? We

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<v Speaker 1>love Amy. She's the best. She might be my favorite

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<v Speaker 1>character on the Office. That's pretty awesome that Billy watches

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<v Speaker 1>your show, you know all the time. The phone has

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<v Speaker 1>the Office on next to everything she's doing day and night.

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<v Speaker 1>Why did you decide, Like, is it your strange addiction?

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<v Speaker 1>Is that is the Office your strange addiction? Definitely addiction.

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<v Speaker 1>That's why I had to use that song. That's why

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<v Speaker 1>I had to use it. Come on, I had to

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<v Speaker 1>use your voices because you know, I was telling the truth,

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<v Speaker 1>was a fact. She knows it shows so well that

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<v Speaker 1>she can just listen to it, you know, because she

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<v Speaker 1>knows everything that's coming up. That's true. Sorry, I don't

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<v Speaker 1>need to embarrass you really are you embarrassing? Um? Yep,

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<v Speaker 1>a little bit, Billy. Who who is your favorite character

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<v Speaker 1>on the Office? That's a trap, Um, listen, just say

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<v Speaker 1>Dwight and get it over. Why is everyone's favorite? Honestly,

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<v Speaker 1>I think it's Michael. That's fair. Well, that's fair. The

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<v Speaker 1>only terrible tastes. He only did seven seasons. But that's fine,

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<v Speaker 1>that's fine. This is crazy. I don't know if you

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<v Speaker 1>guys understand how dope this is to me. Thank you

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<v Speaker 1>guys for talking to me. This is like, well, that's

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<v Speaker 1>pretty big. It's a very very very big deal that

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<v Speaker 1>you get to do this. I just I'm saying it's

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<v Speaker 1>a pleasure. Yeah, I have to tell you, Billy, I

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<v Speaker 1>have a four year old? Might have I have a

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<v Speaker 1>four year old? Yes? I started late. It's a long story.

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<v Speaker 1>We'll talk about it later. But she dances around and

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<v Speaker 1>demands to hear Billie Eilish. I don't know how she

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<v Speaker 1>ever even heard your songs, um, but she uh is

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<v Speaker 1>such a fan, which makes me a humongous fan of yours.

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<v Speaker 1>So thank you, thank you. That's so cool. Yeah, when

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<v Speaker 1>did you what is it? I have to ask you

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<v Speaker 1>A couple of questions when did you start watching The Office?

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<v Speaker 1>So I started watching at twelve, and I've seen it

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<v Speaker 1>fourteen times now all the way through, which is really crazy,

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<v Speaker 1>and honestly, every single like because I've been getting older

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<v Speaker 1>obviously watching it. Every time I watch it, I understand

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<v Speaker 1>something new because I started at twelve, and I honestly,

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<v Speaker 1>if you ask my parents, most of the things that

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<v Speaker 1>it makes me sound so stupid, But the most of

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<v Speaker 1>the things that I know are because of The Office. No, no, no,

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<v Speaker 1>it's funked up, it's wuked up. What can I say?

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<v Speaker 1>What can I say? Creative? Damn it. But like, like

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<v Speaker 1>my parents will reference things that I only understand because

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<v Speaker 1>of the Office. They'll sing songs that I'll sing along

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<v Speaker 1>to because of The Office that I don't even know.

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<v Speaker 1>It's really um. There are some words that there are

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<v Speaker 1>literally words Steve that you said in the show that

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<v Speaker 1>I thought were real words, but they were faith that

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<v Speaker 1>they were you not saying them correctly because of the

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<v Speaker 1>character that and it was funny that they did that,

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<v Speaker 1>but I didn't actually know the real word. So I know,

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<v Speaker 1>I know when you're thinking dank and flicker, Yeah, definitely

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<v Speaker 1>that one. Know. I thought she meant like, what what

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<v Speaker 1>is indubitably? Yes, Yes, that's exactly right. Oh that's amazing.

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<v Speaker 1>So you so you start you watch it fourteen times through? Yeah?

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<v Speaker 1>Have you started the fifteen time yet? I have not.

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<v Speaker 1>I had to. I had to take a break so

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<v Speaker 1>that it's like it's all fresh, you know what I mean? No,

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<v Speaker 1>because if I don't watch it for a period of

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<v Speaker 1>time that I do watch it, then I'm like, oh,

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<v Speaker 1>you know, it's like a yeah, I gotta like miss

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<v Speaker 1>it and then go back to you might want to

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<v Speaker 1>take like ten or twelve years, so it's really fresh.

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<v Speaker 1>I will tell you. I saw you um the video

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<v Speaker 1>that was going around that you did with rain Um

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<v Speaker 1>and he was he was he was quizzing her on

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<v Speaker 1>on quotes and rain I'm not joking. He says like

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<v Speaker 1>two words and you go Kevin, And I was like what,

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<v Speaker 1>I don't even know what? How did she even know

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<v Speaker 1>what that was? It was unbelievable. I have not actually

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<v Speaker 1>seen all the episodes of the Office, so you you

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<v Speaker 1>have to be beat like my fourteen he's the thing

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<v Speaker 1>he did. He once he left, he was like, screw

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<v Speaker 1>those guys, I'm out of here. And did I understand

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<v Speaker 1>yeah he didn't. Hey, wait a second, you know, I

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<v Speaker 1>know I was making fun of you and then somehow

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<v Speaker 1>I ended up the butt of the jokes. Just typical. Actually, Um,

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<v Speaker 1>do your friends watch you? Yeah? My best friends always

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<v Speaker 1>like the same level of obsessed with it as I am.

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<v Speaker 1>What What is it that you love about it? I

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<v Speaker 1>don't know. I feel like it's, um, it's like not stressful.

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<v Speaker 1>I feel like so many shows you really have to

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<v Speaker 1>pay attention very closely to understand. And I don't know

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<v Speaker 1>if it's because I've seen it so many times that

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<v Speaker 1>I already like what my mom was saying about it

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<v Speaker 1>just playing. Oh, I'll set my phone. I'll like literally

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<v Speaker 1>set my phone down. And I was crazy. I watched

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<v Speaker 1>it only on my phone, like my tiny little phone.

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<v Speaker 1>I don't ever want it on a TV or anything.

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<v Speaker 1>My little phone. And I put it on like a

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<v Speaker 1>table and then I like clean my room, or I

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<v Speaker 1>like leave the room, or I'm like in the shower

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<v Speaker 1>or something. You're listening to it. I think the best

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<v Speaker 1>way to do it is put it on and then

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<v Speaker 1>leave the room. But no, it's not. I'm listening though,

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<v Speaker 1>But it's because I've seen it so many times that

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<v Speaker 1>I can come like fully envision exactly what the scene

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<v Speaker 1>is because I know because I've seen it so many times,

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<v Speaker 1>and my brain is like, oh yeah, I know what's

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<v Speaker 1>going on. Like even if I'm on a plane and

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<v Speaker 1>I see like three rows ahead of me somebody watching

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<v Speaker 1>the office, I can tell what scene it is and

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<v Speaker 1>what episode is from from like what they're wearing, and

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<v Speaker 1>like the body language is it, Like does it give

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<v Speaker 1>you comfort? Like is it comfortable to you? It totally is.

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<v Speaker 1>It makes me feel like, I don't know, it's like

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<v Speaker 1>a safe space. I think it takes me away from

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<v Speaker 1>the reality of my life, which is must be pretty

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<v Speaker 1>crazy right now, pretty crazy, I'm sure you guys know. Yeah. Um,

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<v Speaker 1>thank you so much for talking to us. Thank you

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<v Speaker 1>for talking to me. We really appreciate it. Steve, do

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<v Speaker 1>you want to say anything, No, it's just so nice

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<v Speaker 1>to actually talk to you. And uh, congratulations, Thank you guys. Hi,

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<v Speaker 1>thanks Hi, Billy, bye bye bye wow, just wow, thank

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<v Speaker 1>you both for coming on and Steve, happy birthday, my friend.

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<v Speaker 1>I'm I'm still a little concerned that Billy learned most

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<v Speaker 1>of what she knows from the office, but what can

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<v Speaker 1>you do? Uh, thank you and happy birthday. All right,

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<v Speaker 1>the time has come to answer some questions from you

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<v Speaker 1>mail bag. That's right now. I'm gonna get to as

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<v Speaker 1>many questions as I possibly can't. But if I don't

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<v Speaker 1>get to yours, never fear, We're gonna be doing more

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<v Speaker 1>episodes like this. So subscribe and comment on Apple Podcasts

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<v Speaker 1>or write me on Instagram and Twitter, because well we

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<v Speaker 1>will be watching. All right. Let's dive in. And if

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<v Speaker 1>I say somebody's name wrong today, I'm sorry. I love

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<v Speaker 1>you just the same. Plus you know who you are,

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<v Speaker 1>am I right? All right? So on that note, are

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<v Speaker 1>very first question, well, maybe less of a question than

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<v Speaker 1>an ego boost. A listener wrote in to say, super

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<v Speaker 1>excited about the podcast. Kevin was my favorite character on

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<v Speaker 1>the Office. By the way, here's the ultimate compliment a

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<v Speaker 1>comedian can receive. You made me laugh so hard that

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<v Speaker 1>I actually developed a nosebleed. The ice machine scene in

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<v Speaker 1>the wedding episode was hilarious. Thank you, well, thank you.

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<v Speaker 1>I appreciate. I have been told by many people over

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<v Speaker 1>the years that they cannot use public ice at a

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<v Speaker 1>hotel slash motel because well, they're afraid my feet was

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<v Speaker 1>in it. Loop A pause rights can you one of

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<v Speaker 1>these days on the podcast, talk about the opening scene

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<v Speaker 1>of Stress Relase. This is the episode where Dwight starts

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<v Speaker 1>the fire drill. It is one of the funniest episodes

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<v Speaker 1>slash openings, and I think we'd all love to hear

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<v Speaker 1>how you guys felt filming that. So uh. Stress Relief

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<v Speaker 1>was the episode that aired after the Super Bowl. If

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<v Speaker 1>you have found the show on Netflix, you wouldn't know that. Um,

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<v Speaker 1>I would say it is not only one of my

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<v Speaker 1>favorite openings of a show, it's one of my personal

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<v Speaker 1>favorite episodes. I think part of that has to do

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<v Speaker 1>with the fact that it did air right after the

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<v Speaker 1>Super Bowl, and well, I'm a big football fan. Um.

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<v Speaker 1>There were two openings of the show that we had

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<v Speaker 1>the most rehearsal. It was the most almost like doing theater.

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<v Speaker 1>There was the lip dub open, which was all one take,

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<v Speaker 1>so it had to be done one take, the camera

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<v Speaker 1>moving around the office. And also the opening of Stress Relief.

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<v Speaker 1>I mean there were so many elements that happened in

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<v Speaker 1>shooting that we had cat wranglers, We had two different

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<v Speaker 1>sets of broken glass even at the vending machine and

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<v Speaker 1>Michael with the exterior window. We had copiers smashing into

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<v Speaker 1>doors and things breaking or having the potential to break.

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<v Speaker 1>It was so much fun filming that scene culminating with

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<v Speaker 1>Stanley of course Um having a heart attack. So thank

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<v Speaker 1>you for your question. But yes, for me personally, I

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<v Speaker 1>would say my favorite cold open on the show Roth

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<v Speaker 1>san Islam rights, Sir. I'm a really big fan from Bangladesh.

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<v Speaker 1>Really love your podcast. Well, I am so happy that

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<v Speaker 1>we have listeners in bengalad Dash thank you, and I'm

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<v Speaker 1>I'm hearing we have lots of UM listeners in India

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<v Speaker 1>and across Europe. Thank you all wherever you're listening. Thank

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<v Speaker 1>you so much for listening. Walter Byrne writes, Kevin Malone

0:15:16.640 --> 0:15:19.280
<v Speaker 1>had a little black and gold helmet on his desk

0:15:19.400 --> 0:15:22.240
<v Speaker 1>with an M on the side of it. What football

0:15:22.280 --> 0:15:28.120
<v Speaker 1>team does that belong to? I have no idea, I

0:15:28.320 --> 0:15:32.520
<v Speaker 1>really don't. I never found out it was there the

0:15:32.520 --> 0:15:36.560
<v Speaker 1>whole time, and in fact it might have been borrowed

0:15:37.840 --> 0:15:43.160
<v Speaker 1>from NBC by yours truly when the office ended. And

0:15:43.200 --> 0:15:46.560
<v Speaker 1>I guess that makes me really a terrible actor, like

0:15:46.680 --> 0:15:50.640
<v Speaker 1>not doing character study. I don't. I don't know what

0:15:50.680 --> 0:15:54.080
<v Speaker 1>team it was from, I really don't, but I'm guessing

0:15:55.040 --> 0:15:59.680
<v Speaker 1>a small college. It was not. Um, I don't know.

0:16:00.600 --> 0:16:23.360
<v Speaker 1>I'm sorry, Walter Burne. So in our last mail Bag episode,

0:16:23.920 --> 0:16:27.280
<v Speaker 1>Dr J Skill asked who would be the best at

0:16:27.320 --> 0:16:31.720
<v Speaker 1>playing hide and Seek on the office. I said Angela,

0:16:32.120 --> 0:16:37.440
<v Speaker 1>of course, because well, because she's so tiny. Four Fry

0:16:37.520 --> 0:16:43.280
<v Speaker 1>responded by saying false, Creed would win at hide and seek. Well,

0:16:43.480 --> 0:16:48.080
<v Speaker 1>he has the most experience as a character hiding from

0:16:48.160 --> 0:16:51.840
<v Speaker 1>people without being found. I think he hid in the

0:16:51.920 --> 0:16:55.360
<v Speaker 1>office for I don't know, close to twenty years. So

0:16:55.520 --> 0:16:59.280
<v Speaker 1>four Fry, maybe you're right. Maybe it is Creed Bratton

0:17:00.320 --> 0:17:05.120
<v Speaker 1>move fass a nine four rights. Thanks for the thoughtful

0:17:05.160 --> 0:17:08.080
<v Speaker 1>interviews and never ending nostalgia. Hearing you talk about the

0:17:08.080 --> 0:17:12.080
<v Speaker 1>web series reminded me of a DVD extra Kevin's Cooking

0:17:12.119 --> 0:17:15.680
<v Speaker 1>Show comedic gold. I did a Kevin's Cooking Show Part

0:17:15.720 --> 0:17:19.760
<v Speaker 1>two inspired by yours for my freshman speech class and

0:17:19.920 --> 0:17:25.159
<v Speaker 1>accidentally spit on stage. Who spit slash sprayed the most

0:17:25.400 --> 0:17:31.960
<v Speaker 1>during takes any memorable saliva stories? That is a great,

0:17:32.480 --> 0:17:37.359
<v Speaker 1>yet disturbing question, I believe. By the way, the DVD

0:17:37.480 --> 0:17:42.480
<v Speaker 1>extra was called Kevin Cook's Stuff in the Office, which

0:17:42.560 --> 0:17:47.719
<v Speaker 1>is just slightly weirder than Kevin's Cooking Show. We've discussed before,

0:17:49.280 --> 0:17:54.280
<v Speaker 1>Mindy Kaling was the one who broke the most on set.

0:17:54.720 --> 0:17:58.720
<v Speaker 1>I think there's no disputing that. In terms of spit

0:17:59.040 --> 0:18:04.800
<v Speaker 1>slash sp raying, jeez, I don't know. I will say

0:18:04.840 --> 0:18:08.439
<v Speaker 1>as an actor and as particularly in film and television,

0:18:08.720 --> 0:18:11.240
<v Speaker 1>you know, when you're on stage in theater, I think

0:18:11.240 --> 0:18:16.000
<v Speaker 1>it's it's more expected. You're you're working your mouth for

0:18:16.119 --> 0:18:19.240
<v Speaker 1>your heart and and stuff comes out of it. It

0:18:19.480 --> 0:18:23.360
<v Speaker 1>is always incredibly awkward because in film and television you're

0:18:23.520 --> 0:18:26.800
<v Speaker 1>usually speaking face to face and sometimes very very close

0:18:26.880 --> 0:18:30.439
<v Speaker 1>depending on where the cameras, and if something happens and

0:18:30.560 --> 0:18:34.119
<v Speaker 1>something leaves your mouth that should not leave your mouth

0:18:34.240 --> 0:18:39.480
<v Speaker 1>onto another person, and the other person can't respond to

0:18:39.560 --> 0:18:41.960
<v Speaker 1>you because they're in the middle of a scene and

0:18:42.000 --> 0:18:45.160
<v Speaker 1>they don't want to ruin it. So everyone just acts

0:18:45.240 --> 0:18:50.560
<v Speaker 1>as though that doesn't happen. Well, it's it's never fun

0:18:50.840 --> 0:18:54.280
<v Speaker 1>for either for either party. But maybe it's because of

0:18:54.320 --> 0:18:59.520
<v Speaker 1>his experience in theater and his excellent elocution and a

0:18:59.640 --> 0:19:02.880
<v Speaker 1>nuncey the ation. I would say, Rain Wilson, and I'm

0:19:02.920 --> 0:19:05.919
<v Speaker 1>just gonna leave it at that, and if I'm wrong, sorry,

0:19:06.000 --> 0:19:13.119
<v Speaker 1>Rain JP's dad rights on Apple Podcasts question for future episode.

0:19:13.359 --> 0:19:16.679
<v Speaker 1>You guys all worked really long hours, cast and crew alike.

0:19:16.960 --> 0:19:20.119
<v Speaker 1>When someone kept breaking forcing a bunch of reshoots, did

0:19:20.160 --> 0:19:23.399
<v Speaker 1>anyone ever get angry or upset about all of the

0:19:23.480 --> 0:19:27.800
<v Speaker 1>extra time or money that was being wasted? You know,

0:19:30.080 --> 0:19:32.800
<v Speaker 1>it's part of it, I think in a comedy, I mean,

0:19:32.840 --> 0:19:36.040
<v Speaker 1>you're trying to keep it right on the edge, and

0:19:36.080 --> 0:19:38.600
<v Speaker 1>I think that there's an energy that happens during scenes

0:19:39.359 --> 0:19:42.800
<v Speaker 1>um where you're attempting in a way I always said

0:19:42.880 --> 0:19:45.399
<v Speaker 1>I thought Steve was trying to make everyone laugh. I

0:19:45.400 --> 0:19:48.440
<v Speaker 1>think that's part of the energy that he brought, where

0:19:48.480 --> 0:19:51.359
<v Speaker 1>he would improvise something or say something in a different way,

0:19:51.480 --> 0:19:54.600
<v Speaker 1>or give someone a different kind of look because he

0:19:54.680 --> 0:19:57.120
<v Speaker 1>was trying to keep them right on the edge of laughing.

0:19:57.560 --> 0:19:59.960
<v Speaker 1>So I think that a lot of it is expect

0:20:00.080 --> 0:20:04.320
<v Speaker 1>did there were times where, like the first a d

0:20:04.960 --> 0:20:08.520
<v Speaker 1>would be like, you guys, get it together, Like it

0:20:08.640 --> 0:20:15.320
<v Speaker 1>becomes a teacher slash student interaction at some times. Yeah,

0:20:15.359 --> 0:20:18.159
<v Speaker 1>I mean there's a certain point where it's it's just

0:20:18.480 --> 0:20:20.680
<v Speaker 1>it's not fun for anybody, and it's certainly not fun

0:20:20.720 --> 0:20:23.919
<v Speaker 1>for the person laughing either, and you feel really, really bad.

0:20:24.520 --> 0:20:29.160
<v Speaker 1>I don't remember anyone specifically getting angry except the first

0:20:29.200 --> 0:20:32.600
<v Speaker 1>a d yeah or maybe a line producer who knew

0:20:32.640 --> 0:20:35.840
<v Speaker 1>we were about to go into overtime and they were

0:20:35.880 --> 0:20:41.240
<v Speaker 1>not happy about that. Unfortunately, there are times where there's

0:20:41.320 --> 0:20:48.640
<v Speaker 1>just nothing that you can do. So sorry, Canci Bornac

0:20:48.680 --> 0:20:54.720
<v Speaker 1>and Randy Cordray. Sorry for the money that well some

0:20:54.840 --> 0:21:01.240
<v Speaker 1>of us cost you. Diane Blue asks, Hi, Brian, that's

0:21:01.240 --> 0:21:04.760
<v Speaker 1>not a question. Love your podcast. Thank you. I am

0:21:04.800 --> 0:21:07.879
<v Speaker 1>such a huge fan. I thought your character was so lovable.

0:21:08.119 --> 0:21:10.520
<v Speaker 1>You were one of my favorites, you and Phyllis. Speaking

0:21:10.520 --> 0:21:14.960
<v Speaker 1>of Phyllis, why did she, oscar, Angela and Creed keep

0:21:15.040 --> 0:21:17.760
<v Speaker 1>their real names on the show? I always wanted to know.

0:21:18.240 --> 0:21:21.800
<v Speaker 1>Thanks well, Diane. That's been talked about a little bit.

0:21:22.040 --> 0:21:25.080
<v Speaker 1>In this Greg Daniels describes it as something to the

0:21:25.080 --> 0:21:27.960
<v Speaker 1>effect of, you know that he ran out of creative

0:21:28.080 --> 0:21:32.520
<v Speaker 1>energy on the character during casting. What happened was there

0:21:32.520 --> 0:21:36.200
<v Speaker 1>were a number of characters who came. They were based

0:21:36.240 --> 0:21:40.240
<v Speaker 1>on characters from the English version of the Office. So

0:21:40.359 --> 0:21:44.280
<v Speaker 1>Jim and Pam and Dwight and Michael and Kevin and Stanley,

0:21:44.560 --> 0:21:46.920
<v Speaker 1>those are the ones that jumped to mind and so

0:21:47.320 --> 0:21:50.840
<v Speaker 1>our names were adapted. Keith in the British became Kevin.

0:21:51.359 --> 0:21:54.000
<v Speaker 1>But they always knew, they meaning Greg Daniels and the

0:21:54.000 --> 0:21:56.360
<v Speaker 1>producers and director on the office, that they wanted our

0:21:56.520 --> 0:22:00.200
<v Speaker 1>ensemble to be larger, and so they brought in their

0:22:00.200 --> 0:22:04.760
<v Speaker 1>actors to fill out the ensemble that offered different personalities

0:22:04.800 --> 0:22:09.440
<v Speaker 1>and voices. And at that point Greg thought, well, let's

0:22:09.480 --> 0:22:13.600
<v Speaker 1>just call them who they are. However, Creed Bratton is

0:22:13.760 --> 0:22:18.080
<v Speaker 1>the only person whose first and last name is the same,

0:22:18.760 --> 0:22:22.040
<v Speaker 1>and um, well, let's just say there there might be

0:22:22.080 --> 0:22:27.479
<v Speaker 1>a reason for that. Ricky Chew asks via Twitter, that

0:22:27.600 --> 0:22:31.240
<v Speaker 1>was wonderful, Brian, meaning the Phillis episode. To me, Phillis

0:22:31.240 --> 0:22:34.520
<v Speaker 1>exemplifies one of the big themes of the show, beauty

0:22:34.600 --> 0:22:37.960
<v Speaker 1>in ordinary things. You were all underdogs for getting on

0:22:37.960 --> 0:22:39.800
<v Speaker 1>the show and keeping it on the air, but she

0:22:40.000 --> 0:22:47.080
<v Speaker 1>was unlikeliest of unlikely underdogs. Her story just warms my heart. Ricky,

0:22:47.119 --> 0:22:49.680
<v Speaker 1>I could not agree with you more. I don't. I've

0:22:49.680 --> 0:22:53.520
<v Speaker 1>never heard another story like it that a casting associate

0:22:54.240 --> 0:22:58.119
<v Speaker 1>gets cast onto a show and ends up being a

0:22:58.160 --> 0:23:01.880
<v Speaker 1>series regular for ten years, nine seasons. I don't think

0:23:01.960 --> 0:23:04.040
<v Speaker 1>that's ever happened before. There are a lot of instances

0:23:04.080 --> 0:23:07.879
<v Speaker 1>of writers who get a role here and there, but

0:23:08.160 --> 0:23:13.560
<v Speaker 1>Ken kappas Greg Daniels deciding that Phillis Smith the casting

0:23:13.560 --> 0:23:16.240
<v Speaker 1>associate needed to be on this show is that it's

0:23:16.240 --> 0:23:19.280
<v Speaker 1>a truly unique story and and part of the story.

0:23:19.359 --> 0:23:23.000
<v Speaker 1>She tells us about going home when we started shooting

0:23:23.320 --> 0:23:25.919
<v Speaker 1>and reading books on improv because she didn't want to

0:23:26.640 --> 0:23:30.119
<v Speaker 1>feel behind as a testament to one her work and

0:23:30.200 --> 0:23:34.399
<v Speaker 1>dedication and well, the show certainly would not be the

0:23:34.480 --> 0:23:40.560
<v Speaker 1>same without her. Another question about the Phillis episode, Jeffrey

0:23:40.640 --> 0:23:43.920
<v Speaker 1>Johnson asks, when are you going to blow everyone's minds

0:23:43.960 --> 0:23:48.919
<v Speaker 1>and tell them who sings the podcasts intro song. I

0:23:48.920 --> 0:23:53.560
<v Speaker 1>mean I feel like I have maybe, Jeffrey, you don't

0:23:53.640 --> 0:23:56.720
<v Speaker 1>listen to the credits at the end of the part,

0:23:56.760 --> 0:23:59.720
<v Speaker 1>I think you just revealed to me you don't. Creed

0:23:59.720 --> 0:24:03.400
<v Speaker 1>bra the one and only Creed Breton wrote the song

0:24:03.560 --> 0:24:08.680
<v Speaker 1>Bubble and Squeak, and he graciously allowed us to use

0:24:08.720 --> 0:24:13.920
<v Speaker 1>it as our podcast theme song. So once again, thank

0:24:13.960 --> 0:24:17.600
<v Speaker 1>you Creed, and to you j J. Listen to the

0:24:17.600 --> 0:24:19.960
<v Speaker 1>credits because there are a lot of people who put

0:24:20.000 --> 0:24:24.200
<v Speaker 1>in so much work on this show, and I want

0:24:24.240 --> 0:24:27.679
<v Speaker 1>them all to be recognized, not not the least of

0:24:27.680 --> 0:24:33.800
<v Speaker 1>which Creed Bratton. Michelle Cochrane writes, who if you told

0:24:33.800 --> 0:24:36.000
<v Speaker 1>me the Creed episode would be the one to make

0:24:36.080 --> 0:24:42.600
<v Speaker 1>me cry? Also, Neil Graham writes, I was sledge hammering

0:24:42.640 --> 0:24:47.399
<v Speaker 1>my crappy old driveway, tears pouring down my face about

0:24:47.600 --> 0:24:53.520
<v Speaker 1>Creed Bratton. Let me tell you, Michelle and Neil, You're

0:24:53.560 --> 0:24:58.119
<v Speaker 1>not the only ones I can't. There is just I

0:24:58.160 --> 0:25:00.640
<v Speaker 1>know I said it. There's just something of out that guy.

0:25:01.320 --> 0:25:05.919
<v Speaker 1>And his story is incredible as well, that he sought

0:25:05.960 --> 0:25:09.560
<v Speaker 1>out Ken Koppas who he had worked with before, and

0:25:09.600 --> 0:25:12.240
<v Speaker 1>put together tapes of himself to try to get on

0:25:12.280 --> 0:25:16.760
<v Speaker 1>our show. And you know, is one of the most

0:25:17.040 --> 0:25:20.640
<v Speaker 1>beloved characters on our show now. And I had seen

0:25:20.720 --> 0:25:23.960
<v Speaker 1>him the night before that that's the crazy when he

0:25:23.960 --> 0:25:26.400
<v Speaker 1>came into the studio for for me to talk to him.

0:25:26.520 --> 0:25:31.280
<v Speaker 1>I had seen him at his benefit concert the night before,

0:25:31.840 --> 0:25:35.920
<v Speaker 1>and I had seen him play uh the song from

0:25:35.920 --> 0:25:39.080
<v Speaker 1>the finale. When he came into the studio and started

0:25:39.200 --> 0:25:45.280
<v Speaker 1>on his guitar, just me and him in that room, Yeah, yeah,

0:25:45.320 --> 0:25:51.960
<v Speaker 1>there were tears. There were tears for sure. Karen Pollen asks,

0:25:52.000 --> 0:25:56.040
<v Speaker 1>I adore your show. You're so relaxed and thorough. Well,

0:25:56.080 --> 0:25:58.560
<v Speaker 1>I'm glad it feels that way. Did you ever do

0:25:58.720 --> 0:26:04.200
<v Speaker 1>radio in college or your earlier days. No, not really,

0:26:04.600 --> 0:26:08.560
<v Speaker 1>I didn't. I've talked about radio before. I'll tell you

0:26:08.600 --> 0:26:12.679
<v Speaker 1>one of my first though audio jobs. And this is

0:26:12.760 --> 0:26:16.960
<v Speaker 1>only going to resonate for people who are um, well,

0:26:17.080 --> 0:26:21.400
<v Speaker 1>I guess older. Before the internets were a big thing.

0:26:22.160 --> 0:26:25.000
<v Speaker 1>When you were trying to find out a movie and

0:26:25.040 --> 0:26:27.280
<v Speaker 1>you didn't have a paper and you wanted to find

0:26:27.320 --> 0:26:30.000
<v Speaker 1>out what movies were playing, you would call a line

0:26:30.040 --> 0:26:33.040
<v Speaker 1>that that was the movie line was called the movie line,

0:26:33.400 --> 0:26:37.720
<v Speaker 1>I think, and it would be like, hello, here are

0:26:37.760 --> 0:26:41.800
<v Speaker 1>the movies listed for a mc galeria theater and then

0:26:41.840 --> 0:26:46.640
<v Speaker 1>it would literally be like the quiet place to four pm,

0:26:46.680 --> 0:26:51.680
<v Speaker 1>seven pm, twenty pm, and nine. Someone had to read

0:26:51.720 --> 0:26:53.800
<v Speaker 1>those like once a week for all of the stories.

0:26:54.200 --> 0:26:56.280
<v Speaker 1>I did do that for a little while. I was

0:26:56.359 --> 0:27:00.840
<v Speaker 1>I was the movie line guy for my local area.

0:27:01.240 --> 0:27:03.800
<v Speaker 1>But that was it. Um But I will tell you

0:27:03.840 --> 0:27:06.080
<v Speaker 1>I love it. I love talking to people. I love

0:27:06.160 --> 0:27:09.199
<v Speaker 1>just having conversations with people. And the fact that that

0:27:09.320 --> 0:27:11.359
<v Speaker 1>on this show I'm able to do it with some

0:27:11.440 --> 0:27:16.720
<v Speaker 1>old friends, well it makes it even more special. Odd

0:27:16.840 --> 0:27:21.160
<v Speaker 1>Carrick asks, as a practicing therapist, I am forever grateful

0:27:21.200 --> 0:27:24.800
<v Speaker 1>to the office for being there for me as a

0:27:24.840 --> 0:27:27.720
<v Speaker 1>way to decompress and to deal with my own issues.

0:27:28.240 --> 0:27:31.240
<v Speaker 1>It has been a beacon in times of my darkness.

0:27:31.240 --> 0:27:35.480
<v Speaker 1>Thank you, but one, God bless you and uh and

0:27:35.560 --> 0:27:38.600
<v Speaker 1>I hope you're okay. But to you know, I've heard

0:27:38.640 --> 0:27:42.400
<v Speaker 1>this so much that people use the show well. As

0:27:42.440 --> 0:27:47.000
<v Speaker 1>Billy Eilish talked about as a comfort in a what

0:27:47.119 --> 0:27:50.840
<v Speaker 1>can be a crazy world for for all people, it

0:27:50.880 --> 0:27:53.640
<v Speaker 1>has served as a comfort for her. So thank you

0:27:53.800 --> 0:27:57.200
<v Speaker 1>for saying so. Thank you for watching the show, and

0:27:57.280 --> 0:28:00.880
<v Speaker 1>know that I and others on the show apreciate comments

0:28:00.920 --> 0:28:06.760
<v Speaker 1>like that more than you know. All right, Jonathan Jaynes asks,

0:28:07.200 --> 0:28:09.800
<v Speaker 1>we need you to do a full version of you

0:28:09.840 --> 0:28:13.440
<v Speaker 1>Were Meant for Me by Jewel like you did at

0:28:13.480 --> 0:28:18.680
<v Speaker 1>Phyllis's wedding. No, no, you were not going to hear

0:28:19.240 --> 0:28:21.879
<v Speaker 1>a fully released version of You Were Meant for Me

0:28:22.560 --> 0:28:27.480
<v Speaker 1>by Jewel, Sorry, Jonathan J. J uh from the Paul

0:28:27.520 --> 0:28:34.440
<v Speaker 1>Lieberstein episode. Jaffathan writes on Apple Podcasts, Toby, I love

0:28:34.480 --> 0:28:37.879
<v Speaker 1>this podcast so much. I'm really enjoying the in depth

0:28:37.920 --> 0:28:40.320
<v Speaker 1>and thoughtful interviews. I do need to ask is it

0:28:40.360 --> 0:28:44.080
<v Speaker 1>the case that everybody hates the character Toby. I've always

0:28:44.160 --> 0:28:48.840
<v Speaker 1>felt great sympathy for him. I mean, I guess you'd

0:28:48.840 --> 0:28:53.360
<v Speaker 1>have to ask other fans. I mean, I I think

0:28:53.480 --> 0:28:57.680
<v Speaker 1>most of the characters on the Office hated Toby, or

0:28:57.720 --> 0:29:00.440
<v Speaker 1>at least hr I think it's an h our thing.

0:29:00.520 --> 0:29:03.720
<v Speaker 1>I'm sorry to all you hr reps out there, but

0:29:03.880 --> 0:29:06.720
<v Speaker 1>I would say, in terms of fans, or at least

0:29:06.720 --> 0:29:10.400
<v Speaker 1>for me, I just love that Michael hates him so much.

0:29:11.280 --> 0:29:15.800
<v Speaker 1>So there's a love for him because Michael hates him.

0:29:16.280 --> 0:29:19.040
<v Speaker 1>I don't know if that makes sense, but I I love.

0:29:19.320 --> 0:29:21.680
<v Speaker 1>I love that I love and that Steve just came

0:29:21.760 --> 0:29:26.520
<v Speaker 1>up with it. I love it. Jessica Worcestershire asks who

0:29:26.640 --> 0:29:31.040
<v Speaker 1>is least like their character in real life besides Angela Kenzie.

0:29:31.160 --> 0:29:37.560
<v Speaker 1>My guest is maybe Oscar Oscar No. I mean, I

0:29:37.600 --> 0:29:41.600
<v Speaker 1>think it's me. To be clear, I guess I don't.

0:29:42.280 --> 0:29:45.080
<v Speaker 1>I guess that's for other people to say. But if

0:29:45.240 --> 0:29:48.240
<v Speaker 1>I were saying, I would say me, I am less

0:29:48.320 --> 0:29:53.440
<v Speaker 1>like my my real life character, except well, maybe I

0:29:53.480 --> 0:29:56.920
<v Speaker 1>like to gamble a little one and I I can't

0:29:56.960 --> 0:30:20.400
<v Speaker 1>shoot the rock. Yeah, and patent all back rights. I

0:30:20.440 --> 0:30:22.800
<v Speaker 1>would love to hear people from the office talk about

0:30:22.840 --> 0:30:27.160
<v Speaker 1>their memories of Mark York who played Billy Merchant, the

0:30:27.280 --> 0:30:31.640
<v Speaker 1>disabled building manager who died this past weekend. He portrayed

0:30:31.720 --> 0:30:37.720
<v Speaker 1>a memorable character. Thank you and Patton all back. Mark

0:30:37.880 --> 0:30:43.840
<v Speaker 1>was great. Mark was great, and Steve slash Michael's interaction

0:30:44.440 --> 0:30:49.640
<v Speaker 1>with Billy Merchant were very memorable. It was a tragedy

0:30:50.160 --> 0:30:53.040
<v Speaker 1>that he died, and and I don't know if if you,

0:30:53.280 --> 0:30:55.840
<v Speaker 1>I can't specifically reference where, but a lot of people

0:30:55.920 --> 0:31:00.560
<v Speaker 1>came out and did express their condolences for him for

0:31:00.680 --> 0:31:03.960
<v Speaker 1>his family. Thank you for bringing it up, because Mark

0:31:04.120 --> 0:31:08.200
<v Speaker 1>York should be recognized for the tremendous work that he

0:31:08.240 --> 0:31:13.880
<v Speaker 1>did and it is a great loss, all right. In

0:31:13.920 --> 0:31:18.000
<v Speaker 1>the episode with Jenna Fisher, it's possible that she and

0:31:18.040 --> 0:31:22.080
<v Speaker 1>I may have briefly mentioned an idea that Steve had

0:31:22.200 --> 0:31:27.160
<v Speaker 1>for an office reunion. So Daniel Kelly says, how do

0:31:27.200 --> 0:31:30.400
<v Speaker 1>you let her drop that info about Steve's idea and

0:31:30.480 --> 0:31:33.440
<v Speaker 1>bury it like, oh, yeah, I've heard Steve's idea, like

0:31:33.520 --> 0:31:36.760
<v Speaker 1>the world knows what you speak and brushed aside like

0:31:36.840 --> 0:31:43.360
<v Speaker 1>the crumbs of a cookie. Um. Look, look, first of all,

0:31:43.440 --> 0:31:46.320
<v Speaker 1>it's Steve's idea. If Steve wants to talk about his

0:31:46.400 --> 0:31:49.200
<v Speaker 1>idea that isn't a reality at this moment, then Steve

0:31:49.280 --> 0:31:56.000
<v Speaker 1>can let's just say that the idea does happen. What

0:31:56.080 --> 0:31:58.840
<v Speaker 1>would you want to know? Wouldn't you want to be surprised?

0:31:58.880 --> 0:32:01.440
<v Speaker 1>And if you don't want to be surprised, I can

0:32:01.520 --> 0:32:06.120
<v Speaker 1>tell you this. NBC wants you to be surprised. So

0:32:06.760 --> 0:32:11.280
<v Speaker 1>neither Jenna nor myself is going to reveal Steve's idea.

0:32:11.360 --> 0:32:14.479
<v Speaker 1>I'm very sorry, but the point was there is an

0:32:14.520 --> 0:32:20.600
<v Speaker 1>idea and it's really good. Sean h M talks about

0:32:20.680 --> 0:32:26.040
<v Speaker 1>wanting well very specific new episode. Dude, we're loving the podcast,

0:32:26.080 --> 0:32:28.840
<v Speaker 1>but you know what, we also want an episode where

0:32:28.880 --> 0:32:33.080
<v Speaker 1>we talked to Brian and get to know everything about Kevin.

0:32:33.280 --> 0:32:36.800
<v Speaker 1>We can't wait to hear you tell us everything about

0:32:36.840 --> 0:32:40.880
<v Speaker 1>your character. You know, that is an idea, Sean. It

0:32:40.920 --> 0:32:43.640
<v Speaker 1>has been talked about a little, but not for a while,

0:32:43.720 --> 0:32:47.200
<v Speaker 1>so who knows. But who would talk to me? Or

0:32:47.240 --> 0:32:51.080
<v Speaker 1>would I have to talk to myself and would that

0:32:51.200 --> 0:32:55.000
<v Speaker 1>be a disaster? I don't know. Thank you for the input.

0:32:55.600 --> 0:32:59.080
<v Speaker 1>It is just it has been discussed, so we'll see.

0:32:59.160 --> 0:33:02.160
<v Speaker 1>You can take total credit if we end up doing that,

0:33:02.880 --> 0:33:08.120
<v Speaker 1>Drew Papuches, I'm sure that's wrong. Rights. This podcast brings

0:33:08.160 --> 0:33:11.240
<v Speaker 1>so much joy to my work. Commute. You're the man

0:33:12.280 --> 0:33:15.360
<v Speaker 1>at B B. Bomb Gardner. You're damn right, I am,

0:33:15.760 --> 0:33:20.040
<v Speaker 1>Drew pap And because you said that, I'm really sorry

0:33:20.080 --> 0:33:25.280
<v Speaker 1>that I butchered your name, which I definitely did. Um. So,

0:33:25.800 --> 0:33:30.360
<v Speaker 1>Steve and I talked about the director sandwich, which is

0:33:30.440 --> 0:33:34.160
<v Speaker 1>when a director compliments an actor, then tells them what

0:33:34.200 --> 0:33:37.280
<v Speaker 1>they're doing terribly wrong, and then gives them another compliment

0:33:37.560 --> 0:33:42.200
<v Speaker 1>to soften the blow. So Michael George writes, I had

0:33:42.240 --> 0:33:45.200
<v Speaker 1>to laugh when you were talking about the director sandwich

0:33:45.760 --> 0:33:49.640
<v Speaker 1>because I'm a teacher and we do it too. Usually

0:33:49.760 --> 0:33:55.640
<v Speaker 1>in emails to kids parents, we call it a shit sandwich. Well,

0:33:56.160 --> 0:33:59.280
<v Speaker 1>I'm glad to know they do it other places. Nothing

0:33:59.360 --> 0:34:04.360
<v Speaker 1>made me laugh harder maybe throughout this entire podcast recording experience,

0:34:04.400 --> 0:34:07.120
<v Speaker 1>than Steve talking about the director sandwich, because it's so true.

0:34:07.680 --> 0:34:10.440
<v Speaker 1>And now I'm gonna need to go and look back

0:34:10.480 --> 0:34:13.680
<v Speaker 1>at emails from teachers about my kids and see if

0:34:13.719 --> 0:34:16.920
<v Speaker 1>I can find a ship sandwich there. And if there is,

0:34:17.920 --> 0:34:23.719
<v Speaker 1>well it probably means my kid did something wrong. Reverend

0:34:23.760 --> 0:34:26.640
<v Speaker 1>b B, which is not me to be very clear,

0:34:26.920 --> 0:34:30.360
<v Speaker 1>here's my question, because I'm curious. Was it always the

0:34:30.400 --> 0:34:34.600
<v Speaker 1>intent to do both podcasts or was it just, Hey,

0:34:34.719 --> 0:34:38.359
<v Speaker 1>we have all of this useful stuff left, let's do it.

0:34:38.960 --> 0:34:44.960
<v Speaker 1>Great question, Reverend b b. Uh, it was always my intention. Yes,

0:34:45.160 --> 0:34:48.600
<v Speaker 1>from the very beginning. The first person we interviewed was

0:34:49.120 --> 0:34:51.919
<v Speaker 1>Rain Wilson, and I had even brought it up before then,

0:34:52.000 --> 0:34:54.000
<v Speaker 1>like I think we're gonna want I think we're gonna

0:34:54.040 --> 0:34:57.160
<v Speaker 1>get more material than we want because an oral history

0:34:57.160 --> 0:35:00.919
<v Speaker 1>of the office was, um, my man is bad, but

0:35:01.080 --> 0:35:04.480
<v Speaker 1>let's say eight to ten hours, uh, something like that.

0:35:05.360 --> 0:35:07.879
<v Speaker 1>And I sat down our very first interview with Rain

0:35:07.920 --> 0:35:11.479
<v Speaker 1>Wilson and we sat down for over two hours, and

0:35:12.520 --> 0:35:16.879
<v Speaker 1>immediately was like, well, we can't use all of that,

0:35:17.120 --> 0:35:21.200
<v Speaker 1>and he said so many amazing things. So yes, it

0:35:21.280 --> 0:35:26.000
<v Speaker 1>was always our intention to to release more of the

0:35:26.080 --> 0:35:30.560
<v Speaker 1>full conversations because we knew we had way more or

0:35:30.600 --> 0:35:33.120
<v Speaker 1>we were going to get way more than what we

0:35:33.160 --> 0:35:35.439
<v Speaker 1>needed for an oral history of the office. But thank

0:35:35.480 --> 0:35:41.080
<v Speaker 1>you for the question, Joe Bangles writes to me on Twitter.

0:35:41.600 --> 0:35:46.520
<v Speaker 1>Random question, but do you have a favorite cheese chatter

0:35:47.880 --> 0:35:53.160
<v Speaker 1>from Wisconsin? Going to eleven writes to me regarding the

0:35:53.200 --> 0:35:57.160
<v Speaker 1>Steve Correll episode. I love this episode. My wife has

0:35:57.200 --> 0:35:59.560
<v Speaker 1>a theory on why young people love the office. It

0:35:59.600 --> 0:36:05.040
<v Speaker 1>helps feel less intimidated about being working adults. Just because

0:36:05.080 --> 0:36:07.920
<v Speaker 1>you are a professional doesn't mean you have it all

0:36:07.960 --> 0:36:12.360
<v Speaker 1>figured out. They recognize personalities from school in the show.

0:36:12.840 --> 0:36:15.760
<v Speaker 1>I think, I think, I think you're onto something, going

0:36:15.800 --> 0:36:18.759
<v Speaker 1>to eleven. I think you're going to eleven, or you're

0:36:18.760 --> 0:36:22.160
<v Speaker 1>going to a hundred or whatever the biggest number would be.

0:36:23.160 --> 0:36:27.400
<v Speaker 1>That's very interesting. Yeah, I had not specifically thought about

0:36:27.440 --> 0:36:31.640
<v Speaker 1>being less intimidated seeing people you know who work in

0:36:31.640 --> 0:36:34.160
<v Speaker 1>an office later on, not not kind of having it

0:36:34.200 --> 0:36:37.359
<v Speaker 1>all together and figured out. But that's I think that's

0:36:37.360 --> 0:36:41.759
<v Speaker 1>a very very interesting theory. And yes, I do think

0:36:42.040 --> 0:36:46.560
<v Speaker 1>recognizing personalities from their other classmates and the structure of

0:36:46.600 --> 0:36:50.520
<v Speaker 1>a class versus the office was so similar. Like an

0:36:50.600 --> 0:36:55.480
<v Speaker 1>unreasonable teacher who makes you do unreasonable things, very similar

0:36:55.680 --> 0:37:01.560
<v Speaker 1>from Michael Scott making his office workers do unreasonable things.

0:37:02.760 --> 0:37:08.160
<v Speaker 1>Laura be harsh Field Serbic rights. I will say my

0:37:08.239 --> 0:37:12.160
<v Speaker 1>eleven year old son knows every episode and what season, finds,

0:37:12.200 --> 0:37:15.040
<v Speaker 1>all the mistakes and little extras I have missed. I

0:37:15.080 --> 0:37:17.239
<v Speaker 1>asked him why he likes it, and it's because the

0:37:17.320 --> 0:37:20.799
<v Speaker 1>characters talk about real life and he thinks it's real.

0:37:21.320 --> 0:37:23.719
<v Speaker 1>He knows it's not really a documentary, but it's what

0:37:23.760 --> 0:37:27.400
<v Speaker 1>he thinks being adult and working is like, which shows

0:37:27.520 --> 0:37:31.680
<v Speaker 1>how great the show was done. Well, Laura, all I

0:37:31.719 --> 0:37:34.919
<v Speaker 1>can tell you is it is indeed what we were

0:37:34.960 --> 0:37:39.920
<v Speaker 1>going for, the reality, uh, this sort of ultra reality

0:37:39.960 --> 0:37:43.440
<v Speaker 1>of not just making a documentary or how a documentary

0:37:43.480 --> 0:37:47.520
<v Speaker 1>was shot, but in terms of the behaviors and interactions

0:37:47.560 --> 0:37:51.880
<v Speaker 1>of the characters. So thank him for watching and for

0:37:52.120 --> 0:37:57.239
<v Speaker 1>being so interested, and thank you for clearly raising a

0:37:57.280 --> 0:38:02.200
<v Speaker 1>great son and fan of the show. Kristen Sheehy writes,

0:38:02.280 --> 0:38:05.960
<v Speaker 1>I'm loving the podcast currently going through chemo and the office,

0:38:06.000 --> 0:38:09.160
<v Speaker 1>and your podcast has provided me with so much joy

0:38:09.320 --> 0:38:13.919
<v Speaker 1>during this difficult process. God bless you, Kristen. I hope

0:38:13.960 --> 0:38:17.880
<v Speaker 1>you all get better soon, and thank you for listening

0:38:18.000 --> 0:38:20.880
<v Speaker 1>and for watching. And again, I'm I'm so glad that

0:38:21.120 --> 0:38:28.839
<v Speaker 1>us crazy band of nutheads have given some relief to

0:38:28.920 --> 0:38:33.720
<v Speaker 1>what you are going through. Pam Jill from the Randall

0:38:33.760 --> 0:38:38.160
<v Speaker 1>Iron Horn episode writes, what does a key grip slash

0:38:38.360 --> 0:38:43.760
<v Speaker 1>grip do? Well? They grip it and a key grip,

0:38:45.280 --> 0:38:51.440
<v Speaker 1>I mean clearly grips the key, I think BC Jim

0:38:51.520 --> 0:38:55.719
<v Speaker 1>Dad writes, Brian, did you just hear Aaron Rodgers in

0:38:56.000 --> 0:38:59.360
<v Speaker 1>the match? Tell Charles Barkley if you just beat Brian

0:38:59.400 --> 0:39:03.799
<v Speaker 1>Baumgartner in Tahoe, he'll be happy. Yes, I did hear that,

0:39:04.480 --> 0:39:08.440
<v Speaker 1>and I attempted after being sent the clip of it

0:39:08.680 --> 0:39:13.040
<v Speaker 1>from Tahoe, where I was getting ready to play, where

0:39:13.080 --> 0:39:17.239
<v Speaker 1>he wasn't. I did attempt to communicate because I felt

0:39:17.280 --> 0:39:19.719
<v Speaker 1>like I was brought up on air I should have

0:39:19.760 --> 0:39:22.680
<v Speaker 1>a chance to respond. So I attempted to contact Charles

0:39:22.719 --> 0:39:26.880
<v Speaker 1>Barkley and Aaron Rodgers and well not really T and

0:39:26.920 --> 0:39:28.600
<v Speaker 1>T because I didn't know how to get ahold of

0:39:28.600 --> 0:39:32.160
<v Speaker 1>anybody there. But I tried to be able to respond.

0:39:33.040 --> 0:39:39.560
<v Speaker 1>They ignored my phone calls. So nothing unusual about any

0:39:39.600 --> 0:39:43.799
<v Speaker 1>of that. Robert McCarthy forty two writes, I'd love to

0:39:43.840 --> 0:39:47.640
<v Speaker 1>know some storylines that just missed making it into the office.

0:39:47.920 --> 0:39:50.640
<v Speaker 1>There must have been a bunch of great ones. PS

0:39:50.760 --> 0:39:54.279
<v Speaker 1>love the podcast. Thank you, Robert um the one that

0:39:54.320 --> 0:39:57.080
<v Speaker 1>springs to mind. I know we have talked about or

0:39:57.080 --> 0:40:00.040
<v Speaker 1>we're about to talk about on an episode pet a

0:40:01.320 --> 0:40:06.360
<v Speaker 1>Pet Day was actually, to my knowledge, the only written

0:40:06.840 --> 0:40:11.680
<v Speaker 1>script that we never did. It was a fully written script,

0:40:11.680 --> 0:40:13.920
<v Speaker 1>and I think it just kind of kept kept getting

0:40:14.000 --> 0:40:19.800
<v Speaker 1>pushed and wasn't done. There may have been some animal

0:40:20.120 --> 0:40:24.160
<v Speaker 1>activists that would not have been happy about that episode.

0:40:24.239 --> 0:40:29.839
<v Speaker 1>I don't specifically remember the content, but pet Day was

0:40:29.880 --> 0:40:32.160
<v Speaker 1>the title, and there is a written episode of the

0:40:32.200 --> 0:40:36.120
<v Speaker 1>office that I read at some point very early on

0:40:36.280 --> 0:40:43.120
<v Speaker 1>that has never ever been produced. Veggie the memur writes,

0:40:43.320 --> 0:40:46.279
<v Speaker 1>just a question, what is your favorite scene you've ever

0:40:46.320 --> 0:40:49.920
<v Speaker 1>played as Kevin Malone. By the way, you're my favorite

0:40:49.920 --> 0:40:54.640
<v Speaker 1>actor person in the series. Well, Veggie, you're amazingly smart.

0:40:55.080 --> 0:41:02.399
<v Speaker 1>Number one. Uh to my favorite scene ever? I mean,

0:41:02.400 --> 0:41:04.960
<v Speaker 1>I guess I'm supposed to say the chili scene. I

0:41:04.960 --> 0:41:07.640
<v Speaker 1>guess that's supposed to be my answer. So I can

0:41:07.680 --> 0:41:13.120
<v Speaker 1>say that, or I can answers differently. The scene with

0:41:13.760 --> 0:41:18.440
<v Speaker 1>Amy Ryan at the vending machine where she is counting

0:41:18.440 --> 0:41:23.440
<v Speaker 1>money into my hands. Um, that's the one that I

0:41:23.520 --> 0:41:27.520
<v Speaker 1>remember being for me the most difficult to not laugh

0:41:27.880 --> 0:41:32.840
<v Speaker 1>because of her sincerity and sweetness and how it was written,

0:41:33.040 --> 0:41:38.000
<v Speaker 1>her performance, all of it. Um. I remember that scene

0:41:38.840 --> 0:41:41.000
<v Speaker 1>and then now that I'm thinking even more, maybe the

0:41:41.000 --> 0:41:43.440
<v Speaker 1>basketball one. I mean, I made thirteen in a row

0:41:43.480 --> 0:41:48.439
<v Speaker 1>on Prime Time and who's done that. Not not many

0:41:48.520 --> 0:41:53.719
<v Speaker 1>people ever have done Network prime Time made thirteen in

0:41:53.760 --> 0:41:57.600
<v Speaker 1>a row from free throw line extended, So that's a

0:41:57.640 --> 0:42:06.400
<v Speaker 1>possibility as well. Nick Hamby on Apple Podcasts Rights great podcast,

0:42:06.480 --> 0:42:10.840
<v Speaker 1>Love the Podcast. I've watched The Office forty four times

0:42:10.920 --> 0:42:14.120
<v Speaker 1>through during my wife's pregnancy. We watched it so much

0:42:14.160 --> 0:42:16.640
<v Speaker 1>that the first song that my son reacted to was

0:42:16.719 --> 0:42:21.000
<v Speaker 1>the intro to The Office. Love the show and pod

0:42:21.280 --> 0:42:26.040
<v Speaker 1>great work. Well, Nick, you might win. I don't know.

0:42:26.239 --> 0:42:30.200
<v Speaker 1>Forty four times is a lot of times. I don't

0:42:30.200 --> 0:42:32.680
<v Speaker 1>know that I could count that high. I will tell

0:42:32.719 --> 0:42:35.960
<v Speaker 1>you a funny story. Billie Eilish, who we talked to,

0:42:36.360 --> 0:42:39.160
<v Speaker 1>who told us at the time that we talked she

0:42:39.239 --> 0:42:43.200
<v Speaker 1>had watched at fourteen times through. There is some discussion

0:42:43.280 --> 0:42:45.120
<v Speaker 1>she has watched it at least one more time since,

0:42:45.680 --> 0:42:50.080
<v Speaker 1>but fourteen times through. And I remember writing about that

0:42:50.760 --> 0:42:54.240
<v Speaker 1>on social media and I can't tell you the number

0:42:54.280 --> 0:43:00.279
<v Speaker 1>of comments that I got that was like fourteen am her,

0:43:00.600 --> 0:43:04.040
<v Speaker 1>She's not a real fan. And I'm like, fourteen times

0:43:04.080 --> 0:43:06.720
<v Speaker 1>is a lot of times, Like you got, you can't

0:43:06.760 --> 0:43:11.440
<v Speaker 1>dismiss fourteen times as a as a number of times.

0:43:11.520 --> 0:43:18.239
<v Speaker 1>So but forty four, Nick, congratulations, you are officially, as

0:43:18.280 --> 0:43:23.319
<v Speaker 1>of this moment in time, you're the pious watcher that

0:43:23.440 --> 0:43:27.239
<v Speaker 1>I have heard of. So congratulations, and I say go

0:43:27.360 --> 0:43:31.279
<v Speaker 1>for forty five. It's a way, way better number. And

0:43:31.320 --> 0:43:35.960
<v Speaker 1>there you have it, folks, another mail bag in the

0:43:36.840 --> 0:43:40.400
<v Speaker 1>well in the bag. Huge thanks to all of you

0:43:40.600 --> 0:43:44.120
<v Speaker 1>for real guys, for coming back week after week and

0:43:44.120 --> 0:43:47.960
<v Speaker 1>and for giving us, well giving us the fuel to

0:43:48.040 --> 0:43:50.799
<v Speaker 1>make this episode. I could not ask for a better

0:43:50.840 --> 0:43:54.080
<v Speaker 1>group of listeners. Keep the comments coming, and we're gonna

0:43:54.120 --> 0:43:57.799
<v Speaker 1>see if we can fit in another episode very soon.

0:43:57.960 --> 0:44:01.319
<v Speaker 1>But until then, we're gonna be back to day with well,

0:44:01.480 --> 0:44:05.360
<v Speaker 1>perhaps the most well dressed man in the business, the

0:44:05.520 --> 0:44:10.799
<v Speaker 1>incredible director Paul Feig. And you never know, we might

0:44:10.880 --> 0:44:15.440
<v Speaker 1>have a little surprise coming to you before then. What

0:44:15.560 --> 0:44:19.040
<v Speaker 1>does that mean, Well, it means we may have an

0:44:19.040 --> 0:44:23.480
<v Speaker 1>episode on Thursday. Have an amazing week everyone, Happy birthday, Steve,

0:44:24.000 --> 0:44:35.800
<v Speaker 1>and I will see you so the Office. Deep Dive

0:44:36.040 --> 0:44:40.319
<v Speaker 1>is hosted and executive produced by me Brian Baumgartner, alongside

0:44:40.320 --> 0:44:44.760
<v Speaker 1>our executive producer Langley. Our senior producer is Tessa Kramer.

0:44:45.080 --> 0:44:48.600
<v Speaker 1>Our producers for this episode are Liz Hayes, Emily Carr

0:44:48.640 --> 0:44:52.560
<v Speaker 1>and Diego Tapia and our intern is Hannah Harris. My

0:44:52.600 --> 0:44:56.000
<v Speaker 1>main man in the booth is Colin Tadeshi. Our theme

0:44:56.080 --> 0:45:00.000
<v Speaker 1>song Bubble and Squeak performed by my great friend Creed Bratton,

0:45:00.360 --> 0:45:15.200
<v Speaker 1>and the episode was mixed by seth Olandscape