WEBVTT - #229 - Neek Bucks

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<v Speaker 1>Bootleg cap Podcast. Special guests came all the way from

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<v Speaker 1>New York City. Man out here shooting music videos, doing

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<v Speaker 1>big shit. Nick Bucks, Yeah, with's sub cat. Welcome man,

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<v Speaker 1>Thank you Rob representing Harlem, Sir. For people who don't

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<v Speaker 1>know who you are, Man, kind of give me like

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<v Speaker 1>a little background and like, obviously you're from Harlem, but

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<v Speaker 1>just kind of how long you've been rapping and kind

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<v Speaker 1>of you know, you've obviously been killing it. I told

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<v Speaker 1>you you had one of my favorite albums. It was

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<v Speaker 1>like early twenty twenty one year album drop right, Yeah,

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<v Speaker 1>I like right after was it. I don't know if

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<v Speaker 1>it was Quarantina right after, might be right after, Yeah,

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<v Speaker 1>But nah, Man, give everybody kind of run down man,

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<v Speaker 1>just kind of your history books. East Harlem, you know

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<v Speaker 1>what I mean, Young Spider, you know, one of the

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<v Speaker 1>hardest from my size. You know, just real story, real authentic,

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<v Speaker 1>authentic music, you know what I mean. I fuck with

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<v Speaker 1>the people. Yeah, I've been to East Harlem once, No twice.

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<v Speaker 1>I got off on the train at the wrong stop.

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<v Speaker 1>Oh yeah, I was in Harlem and then I got

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<v Speaker 1>off early. I got off with the wrong stop to

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<v Speaker 1>go see a girl like I don't know ten years ago,

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<v Speaker 1>so shout out to Harlem and then I was out

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<v Speaker 1>there shout out to both Degga bands. I got yep,

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<v Speaker 1>Barrio for sure. He's definitely an East hallm representative. Yeah, yeah, yeah,

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<v Speaker 1>I go Hall for that. I'm affod to cut you over,

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<v Speaker 1>but I go Hall for the East Side because you know,

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<v Speaker 1>when people think about Hall of Them, they think about,

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<v Speaker 1>you know, one area, you know, like of course Dip said,

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<v Speaker 1>you know, forty eighth Linux, but it's bigger than that.

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<v Speaker 1>The East Halem is like our own little lane, you

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<v Speaker 1>know what, I'm right, And it's like heavily like Latin

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<v Speaker 1>community as well too, right, No, it's diverse. It's diverse, ok,

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<v Speaker 1>Like East Hall them is very You got Jamaicans, you

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<v Speaker 1>got African American, you got Puerto Rican, you got the Dominican, Mexican,

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<v Speaker 1>you got were real diverse, but were small, but you know,

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<v Speaker 1>were real diverse, did you feel like, because you know,

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<v Speaker 1>with the Brant prices in Manhattan are so crazy, it's

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<v Speaker 1>like insane. Sometimes I just get bored and go on

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<v Speaker 1>Zillo and just look at apartments in New York just

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<v Speaker 1>to see and I'm like, fuck, has there been like

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<v Speaker 1>a lot of gentrification in Harlem because it feels like

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<v Speaker 1>Harlem is still kind of like an extension of Manhattan,

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<v Speaker 1>but it's probably a lot more affordab with a lot

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<v Speaker 1>of people been moving in in that area and shit,

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<v Speaker 1>now it is it is. You know, we got it's

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<v Speaker 1>malls being built, you know, all kinds of things. So

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<v Speaker 1>you know, when things like that come into the community,

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<v Speaker 1>they gentrified, you know what I mean, It makes things

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<v Speaker 1>more expensive one hundred percent. So like is it becoming

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<v Speaker 1>like a lot like least affordable to stay in your

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<v Speaker 1>own hood? Now? Yeah, they got they got these new buildings.

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<v Speaker 1>They got a lot of new buildings being made, you know,

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<v Speaker 1>like with a lot of amenities and stuff like that.

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<v Speaker 1>So you know it was a very expensive. Yeah, I

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<v Speaker 1>see it changing. How long have you been rapping? I

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<v Speaker 1>want to say I took raps serious, like when I

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<v Speaker 1>was sixteen. I've been rapping way before that. I fell

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<v Speaker 1>in love with it like when I was nine, of course,

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<v Speaker 1>or what made you fall in love with it? G Unit?

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<v Speaker 1>You know, the Unit was like a big influence to me.

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<v Speaker 1>My dad used to sell like old school music, so

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<v Speaker 1>when I was a kid four three five years old,

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<v Speaker 1>he would push me around while he sold this music.

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<v Speaker 1>So he would tell like love like burn CDs type

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<v Speaker 1>shit he would sell. At the time, it was tapes.

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<v Speaker 1>Then CDs came a little That's what I used to do.

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<v Speaker 1>That's how I got my name. I used to be

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<v Speaker 1>at the Swat meet, was fucking CDs, mixtapes, all the

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<v Speaker 1>junet radio shit. I used to be fucking getting it in.

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<v Speaker 1>So definitely pirrating a lot of people's music back in

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<v Speaker 1>the day before I was anybody. Well year it was done?

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<v Speaker 1>You said two thousand, uh four oh five oh six? Okay, CD?

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<v Speaker 1>That's like when did CDs come in? I don't even remember.

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<v Speaker 1>I just remember the transition the nineties nineties, right, Yeah,

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<v Speaker 1>it was the nineties. It was like, nah, it might

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<v Speaker 1>not have been in the nineties. It was early nineties. Yeah.

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<v Speaker 1>When I was a kid, I had Dogs You Stay

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<v Speaker 1>on CD. No, I had it on tape, but then

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<v Speaker 1>I got it on CD and like, yeah, CDs was

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<v Speaker 1>like mid nineties because I had I bought uh, like,

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<v Speaker 1>what what would you say, man, I bought a quimini

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<v Speaker 1>from Walmart. So it was probably like ninety seven where

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<v Speaker 1>it was like kind of like the norm ninety It

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<v Speaker 1>was like ninety six, ninety seven, ninety eight was kind

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<v Speaker 1>of like because I remember buying CDs. I don't remember

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<v Speaker 1>many tapes, but Boys the Men in Bone. Yeah, well

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<v Speaker 1>look when CDs came out, people still kind of use

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<v Speaker 1>cassette tapes. Yeah, same thing with now people Like there's

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<v Speaker 1>still people who have CD books. I don't know who

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<v Speaker 1>they are. They don't even make college Like you know

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<v Speaker 1>what they say. Country music still sell CDs. So if

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<v Speaker 1>you go to Walmart ever, they still got CDs there,

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<v Speaker 1>but it's all country. Yeah tough. I don't know. I

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<v Speaker 1>think some of them rednecks ain't smart enough to figure

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<v Speaker 1>out the streaming respective. I mean, it's probably still money

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<v Speaker 1>in there. Yeah. My car does not have a CD player,

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<v Speaker 1>so it's like, what am I supposed to do with

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<v Speaker 1>this CDs in the eighties, it was mid nineties. It

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<v Speaker 1>was mid nineties for sure. Yeah, because I had like

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<v Speaker 1>a nice little CD book in like ninety eight, like tiny,

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<v Speaker 1>little single page one, you know what I'm saying. CD

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<v Speaker 1>book was crazy, but had all that the worst part

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<v Speaker 1>was when someone broke into your car and jacked your

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<v Speaker 1>fucking CDs. That was it's like you lost your life.

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<v Speaker 1>You ever had your CD stolen. Nah, that's before that shit, man,

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<v Speaker 1>when you had this like collection of music that you

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<v Speaker 1>spend all this thousands of dollars on and someone got

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<v Speaker 1>up in your whip and got up under that seat

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<v Speaker 1>and took your CD book, I shuld fucking make you

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<v Speaker 1>want to kill somebody. Bro. Now we just got the

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<v Speaker 1>whole CD books in your phone one hundred percent. Man, Hey,

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<v Speaker 1>we got to stop the interview real quick to tell

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<v Speaker 1>you about our newest partner to the podcast. Shout out

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<v Speaker 1>to our family at Hardan, Las Vegas. Man, listen, the

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<v Speaker 1>number one dispensary in the world. I don't give a fuck. Man,

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<v Speaker 1>craziest dispensary with the most selection. They got so much

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<v Speaker 1>weed in this fucking place. You go to Las Vegas.

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<v Speaker 1>You're fucking feeling good with your homies. It's recreational. You're like, damn,

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<v Speaker 1>I could just go into a store and buy weed. Yeah,

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<v Speaker 1>but you just can't go into any store in Las

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<v Speaker 1>Vegas to buy a week because you don't walk out

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<v Speaker 1>with some fucking bullshit. No, you go to Hardan, tell

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<v Speaker 1>them I sent you, all right, make sure you follow

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<v Speaker 1>them online. Hard Dean Underscore Las Vegas. You see it

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<v Speaker 1>down there you see them on fucking sweater we represent

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<v Speaker 1>and by the way, can we shout out to them

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<v Speaker 1>for sending me this this Bootleg cav podcast thingy. What

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<v Speaker 1>is this called? No, no, no, it's a for cigars

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<v Speaker 1>humid door. Yeah, the humid door. Now, this is what's

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<v Speaker 1>great about it. We might start doing this for our

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<v Speaker 1>smoking guests. You know, we might have to bust open

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<v Speaker 1>the Hardyan humidor and just get into some of these treats.

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<v Speaker 1>You know what I'm saying a little bit of the treaties,

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<v Speaker 1>you know, straight from Hardean Las Vegas. Even I mean,

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<v Speaker 1>these are totally props, because you know they're props. But

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<v Speaker 1>with that being said, when you go to Vegas, telling

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<v Speaker 1>Bootleg keV sent you Hardan Las Vegas, I'm telling you

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<v Speaker 1>it is like going to It's like the Bentley of dispensaries.

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<v Speaker 1>It's so nice. The weed is the best, the selection

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<v Speaker 1>is the best, the bud tenders are the best. And yo,

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<v Speaker 1>make sure you shoot them a follow Hardyan Underscore Las Vegas.

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<v Speaker 1>Go to Hardinlasvegas dot com and when you're in Vegas,

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<v Speaker 1>go to hard Dean. Baby. All right, you already know,

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<v Speaker 1>let's get back to the interview you. I was telling

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<v Speaker 1>you that the album that I really got hip to

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<v Speaker 1>you on was the album you drove last year, Neighborhood Hole. Uh,

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<v Speaker 1>crazy body of work. For sure. You got a new

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<v Speaker 1>single Autum two Chains. Obviously you just shot a new

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<v Speaker 1>video with Whiz, so I know you're prepping the new album.

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<v Speaker 1>But talk about Neighborhood Hole. Why did you like? Why

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<v Speaker 1>that title? So you know when I said a neighborhood whole,

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<v Speaker 1>you know that's the impact I got on my neighborhood.

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<v Speaker 1>You know the same how big you know Hope is

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<v Speaker 1>and what he mean of course to the game. Also,

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<v Speaker 1>you know, I feel like my story related is you

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<v Speaker 1>know how it was hard for him to kind of

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<v Speaker 1>get a deal. You know, it wasn't really respecting what

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<v Speaker 1>he had going on and how he built this team

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<v Speaker 1>and group of people and just went crazy with it.

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<v Speaker 1>I mean I see a lot of that and myself.

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<v Speaker 1>So that's why I went with that. What was for you? Like?

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<v Speaker 1>Are you are you still independent? Like? What is your

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<v Speaker 1>label situation? So I'm with my knock now. You know

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<v Speaker 1>I got a product took over that monarch. Shout out

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<v Speaker 1>the monarch, you know what I mean? They you know,

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<v Speaker 1>taking care of me. Did you find that it was

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<v Speaker 1>like hard for you to get a deal or get

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<v Speaker 1>a deal that you like, were comfortable with signing, because

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<v Speaker 1>I think like it you if you have any sort

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<v Speaker 1>of buzz, you could probably get some sort of situation,

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<v Speaker 1>but the terms are probably terrible, right, Yeah, that's yeah,

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<v Speaker 1>you say you said it the right way, like find

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<v Speaker 1>a deal that fit me, because you know, I did

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<v Speaker 1>so much alone already, so I just wanted to make

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<v Speaker 1>sure that whatever situation come, you know what I mean,

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<v Speaker 1>they just add on to what I had going on,

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<v Speaker 1>and it makes sense as far as the business. So

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<v Speaker 1>you were pretty much strictly independent up until when I

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<v Speaker 1>want to say, yeah, this year, like recently ship what

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<v Speaker 1>is a I mean thighborhood. All that was done through

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<v Speaker 1>distribution just distro, Yeah, just distro. Wow, everything been you

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<v Speaker 1>know alone? What was the hard Like? You know, I

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<v Speaker 1>feel like there's gifts and curses to being fully independent. Yeah,

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<v Speaker 1>you want to keep more of your money, but you

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<v Speaker 1>gotta also work a lot harder, to work a lot harder,

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<v Speaker 1>and you know you just gotta you gotta Yeah, without

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<v Speaker 1>that machine, you gotta you gotta do a whole lot

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<v Speaker 1>more and I mean, I'm used to it now, you know,

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<v Speaker 1>I've been doing it so long, So that's a beautiful thing. Man,

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<v Speaker 1>who would you say were your biggest influences growing up?

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<v Speaker 1>You said G Unit obviously for sure, Dipset of course,

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<v Speaker 1>you know I'm from Harlem. Yeah, just just THEMB really

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<v Speaker 1>dipsett in Unit Unit. That's why I watched you know

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<v Speaker 1>on TV. So if you had to go with one,

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<v Speaker 1>if you had to, let's say you're on an island,

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<v Speaker 1>you could only take all of the dip set discography

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<v Speaker 1>or all the G Unit discography mixtapes included, Which which

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<v Speaker 1>c D book are you taking? I'm not gonna be

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<v Speaker 1>politically correct and say hall them. I gotta go with

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<v Speaker 1>the Units made me do it. You gotta go get

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<v Speaker 1>rid of that trying man. Beg for Mercy. Beg for

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<v Speaker 1>Mercy was crazy, all the junior radios, and you can

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<v Speaker 1>include the documentary from the Game Into Day because that

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<v Speaker 1>was a G Unit album. Yep, Hunger for More, Hunger

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<v Speaker 1>for More was crazy, and even the Young buckshit, Yeah,

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<v Speaker 1>Buck was hard. Now that I go back and I

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<v Speaker 1>listen to even the massacre, I feel like it's slept on.

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<v Speaker 1>Of course, there's so much good fucking records on there.

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<v Speaker 1>I feel like the massacre was like somehow doesn't get

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<v Speaker 1>enough respect because it wasn't as big as get rid

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<v Speaker 1>of that try. But I'm like, yo, there was some

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<v Speaker 1>real crazy rap shit on there. Ski Mask Way Baltimore

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<v Speaker 1>love Thing, shout out to motherfucking Physician of Power. Even

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<v Speaker 1>the what was the disc record he had Piggy Bank

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<v Speaker 1>was hard? Damn that ship was hard. Yeah, fifty was

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<v Speaker 1>flavoring back in the day. Have you been able to

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<v Speaker 1>meet him at all? Yeah? I mean every time I

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<v Speaker 1>see you, filf I take a pic with him, like

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<v Speaker 1>it's the first time. You know what I'm saying. I

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<v Speaker 1>just racked my fifty send picks up. Well, have you

0:10:41.040 --> 0:10:44.160
<v Speaker 1>tried for the future, No, not yet. I ain't even

0:10:44.200 --> 0:10:45.640
<v Speaker 1>I didn't even get a chance to really you know,

0:10:45.760 --> 0:10:47.760
<v Speaker 1>kick it with him like how I wanted to. But

0:10:47.920 --> 0:10:49.640
<v Speaker 1>every time I see him, I left No, Like, yo,

0:10:49.679 --> 0:10:51.840
<v Speaker 1>you're motivated me to do this ship right real. I

0:10:51.920 --> 0:10:54.000
<v Speaker 1>let him know that every time. Hey, what y'all bootleg

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<v Speaker 1>cap here, we got to interrupt the interview and tell

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<v Speaker 1>Try it out. It's literally free. All right, let's get

0:12:32.760 --> 0:12:36.200
<v Speaker 1>back to the interview. Why do you think you're slept on?

0:12:37.520 --> 0:12:39.280
<v Speaker 1>I think because you know there's no gimmicks. You know

0:12:39.280 --> 0:12:41.720
<v Speaker 1>what I mean. I'm what you see is what you get,

0:12:41.800 --> 0:12:43.000
<v Speaker 1>you know what I mean. I'm not trying to be

0:12:43.080 --> 0:12:46.560
<v Speaker 1>in people's circles. I'm not you know, on anybody line

0:12:46.600 --> 0:12:49.080
<v Speaker 1>about features. It's like, if you respect what I do

0:12:49.120 --> 0:12:50.960
<v Speaker 1>and you fuck with me, then you know you're tapping

0:12:51.000 --> 0:12:53.800
<v Speaker 1>with me. And you know want to help me further

0:12:53.840 --> 0:12:55.719
<v Speaker 1>what I got going on. So I'll just be mowing that.

0:12:55.800 --> 0:12:58.640
<v Speaker 1>I'll be on my own vibe. Help me under because

0:12:59.000 --> 0:13:02.120
<v Speaker 1>I think in New York obviously it's been a good

0:13:02.160 --> 0:13:05.600
<v Speaker 1>year for New York hip hop. Joey Badass put out

0:13:05.600 --> 0:13:10.560
<v Speaker 1>a great project, Obviously, the Griselda guys have been going crazy.

0:13:10.600 --> 0:13:13.160
<v Speaker 1>Benny Conway obviously that's not New York City, it's Buffalo.

0:13:14.520 --> 0:13:17.360
<v Speaker 1>But the drill scene is so big. Do you feel

0:13:17.360 --> 0:13:20.480
<v Speaker 1>like not being a drill artist right now and being

0:13:20.520 --> 0:13:24.040
<v Speaker 1>from New York has it's like nationally, do you feel

0:13:24.040 --> 0:13:27.200
<v Speaker 1>like it hurts you? I don't think so. I think that,

0:13:27.559 --> 0:13:30.080
<v Speaker 1>you know what I do, I built a kind of

0:13:30.080 --> 0:13:32.719
<v Speaker 1>a fan base all over you know what I mean.

0:13:33.000 --> 0:13:35.480
<v Speaker 1>I think if this was probably like five years ago

0:13:35.559 --> 0:13:37.880
<v Speaker 1>and this was going on, then maybe like if I'm

0:13:37.920 --> 0:13:40.120
<v Speaker 1>coming out and it's like, oh, you're doing this. But

0:13:40.200 --> 0:13:42.280
<v Speaker 1>I think I built enough of a fan base, you know,

0:13:42.440 --> 0:13:45.400
<v Speaker 1>in different places that people still support what I got

0:13:45.400 --> 0:13:49.480
<v Speaker 1>to say. You know, what does your take on the

0:13:49.520 --> 0:13:51.760
<v Speaker 1>drill scene? Because it's pretty crazy, man, that's crazy. A

0:13:51.800 --> 0:13:53.880
<v Speaker 1>lot of dope music but also a lot of crazy shit.

0:13:54.000 --> 0:13:58.440
<v Speaker 1>Like it's like some serious like man, I'm like, fuck man,

0:13:58.480 --> 0:14:00.680
<v Speaker 1>these kids are like really that they all hang out

0:14:00.679 --> 0:14:02.160
<v Speaker 1>on the record. You know what I'm saying. I mean,

0:14:02.200 --> 0:14:04.400
<v Speaker 1>I embrace it. I listened to it. I love because

0:14:04.440 --> 0:14:05.920
<v Speaker 1>I'm a fan of music. I'm a fan of what

0:14:05.960 --> 0:14:07.840
<v Speaker 1>they got going on. I mean, I feel like I

0:14:07.920 --> 0:14:10.280
<v Speaker 1>kind of play the role of, you know, the middle

0:14:10.360 --> 0:14:12.480
<v Speaker 1>when it comes to all that stuff, like I don't

0:14:12.520 --> 0:14:15.120
<v Speaker 1>yeah because you're younger. Yeah I'm young, but I got

0:14:15.120 --> 0:14:18.240
<v Speaker 1>it like a real mature Oh the soul. Yeah, you're

0:14:18.280 --> 0:14:20.120
<v Speaker 1>like somebody who the young kids could fuck with. But

0:14:20.200 --> 0:14:22.720
<v Speaker 1>also like if you're me and you're an old head,

0:14:22.840 --> 0:14:26.080
<v Speaker 1>yeah I can appreciate it, nah, for sure. But I

0:14:26.320 --> 0:14:27.800
<v Speaker 1>played it. I played the kind of the role of,

0:14:27.840 --> 0:14:29.960
<v Speaker 1>you know, embracing all of them. You know, they a

0:14:29.960 --> 0:14:32.160
<v Speaker 1>lot of them call me for advice and yeah, you

0:14:32.160 --> 0:14:33.800
<v Speaker 1>know what I mean, they come to the studio, you

0:14:33.840 --> 0:14:35.320
<v Speaker 1>know what I mean. I play that role with them.

0:14:35.320 --> 0:14:37.360
<v Speaker 1>So I embrace it. I love it. I don't like

0:14:37.400 --> 0:14:39.280
<v Speaker 1>the violence, of course I don't. I don't like when

0:14:39.600 --> 0:14:42.640
<v Speaker 1>it go further than music because it's music. But you know,

0:14:42.800 --> 0:14:44.960
<v Speaker 1>other than that, yeah, shout out to all the Jill rappers.

0:14:45.040 --> 0:14:47.280
<v Speaker 1>Yeah that's important. Who all do you have on this

0:14:47.320 --> 0:14:49.840
<v Speaker 1>new album? I mean two chains and whiz Yeah. We

0:14:49.880 --> 0:14:53.600
<v Speaker 1>went heavy on this one. We got two chains, whiz,

0:14:53.760 --> 0:14:58.640
<v Speaker 1>Selo selo green see green. Yeah, we got shild yeap tink.

0:14:59.040 --> 0:15:01.120
<v Speaker 1>Shout out to man I every Scott one of the

0:15:01.120 --> 0:15:04.360
<v Speaker 1>most talented you know people in the game. Am I

0:15:04.400 --> 0:15:09.120
<v Speaker 1>missing anyone? Oh? Yeah, Benny, Bennie and Rayner Chef I

0:15:09.160 --> 0:15:13.760
<v Speaker 1>cannot record. Yeah, shout out Darren. You on the beat too,

0:15:15.000 --> 0:15:16.800
<v Speaker 1>for sure. Shout out to Bennie. Man I got, you know,

0:15:16.840 --> 0:15:18.880
<v Speaker 1>every time I get on platforms, I gotta shout my

0:15:18.880 --> 0:15:20.520
<v Speaker 1>guy out and took me on tour with him. You

0:15:20.520 --> 0:15:22.080
<v Speaker 1>know what I mean. Give me a chance to you know,

0:15:22.120 --> 0:15:24.840
<v Speaker 1>get off the block and ship my talent with the world.

0:15:24.920 --> 0:15:27.000
<v Speaker 1>Benny and his team are great. Shout out to Jake.

0:15:27.040 --> 0:15:28.920
<v Speaker 1>Shout out to Tony the Narrow. Shout to my guy,

0:15:29.480 --> 0:15:31.560
<v Speaker 1>My guys, So you were on the road. Was Tony

0:15:31.560 --> 0:15:34.120
<v Speaker 1>the Narrow on the road with you? Tony? That's my brother. Yes,

0:15:34.640 --> 0:15:37.400
<v Speaker 1>that's my Tony is just so yeah, that's my guys.

0:15:37.400 --> 0:15:38.640
<v Speaker 1>And I could go on and on them. He's the

0:15:38.720 --> 0:15:40.800
<v Speaker 1>kind of guy I like, Yeah, we party together, that's

0:15:40.800 --> 0:15:43.480
<v Speaker 1>my We always have fun. Together and here and holding

0:15:43.480 --> 0:15:46.720
<v Speaker 1>nothing back any opportunity. Yo, I got this opportunity for you.

0:15:47.160 --> 0:15:50.520
<v Speaker 1>Very unselfish. Yes, the whole cut super fire. Shout to Bennie.

0:15:50.520 --> 0:15:54.800
<v Speaker 1>Shout out to them, and uh yeah, so ray Kwan Benny,

0:15:55.080 --> 0:15:59.560
<v Speaker 1>you Darren your beat tough me. Wow. Yeah, I gotta

0:15:59.600 --> 0:16:02.440
<v Speaker 1>hear that. Yep, Yeah, we're gonna put it off. Yes, crazy.

0:16:02.560 --> 0:16:06.360
<v Speaker 1>How did you end up working with Wiz? So? Shout

0:16:06.400 --> 0:16:08.560
<v Speaker 1>out the hit Maker. You know, him and hit got

0:16:08.560 --> 0:16:12.080
<v Speaker 1>a relationship. I had this song and I told him,

0:16:12.120 --> 0:16:13.840
<v Speaker 1>I'm like, Yo, where is this sounds crazy? On this?

0:16:14.000 --> 0:16:16.400
<v Speaker 1>So he called him Whizz got it done, no problem.

0:16:16.600 --> 0:16:18.280
<v Speaker 1>And when I finally got a chance to meet with

0:16:18.480 --> 0:16:20.640
<v Speaker 1>you know what I mean, it was love. We clicked instantly.

0:16:20.960 --> 0:16:22.960
<v Speaker 1>He fucked with my vibe, I fuck with his and

0:16:23.080 --> 0:16:26.080
<v Speaker 1>that's my guy. Track to hit Maker. He produced a

0:16:26.120 --> 0:16:33.600
<v Speaker 1>song yep, yep, yeah, the executive produce producing. Wow, that's big, heavy,

0:16:33.880 --> 0:16:36.160
<v Speaker 1>that's super big. How did that end up happening? He's

0:16:36.200 --> 0:16:38.600
<v Speaker 1>a great guy too, Shout yeah. I mean, man, hit

0:16:38.680 --> 0:16:40.640
<v Speaker 1>Maker is one of the most you know, hardest working

0:16:40.680 --> 0:16:43.000
<v Speaker 1>producers I've ever seen in my life. You know, he

0:16:43.080 --> 0:16:44.880
<v Speaker 1>pushed me to work all this sure. You know what

0:16:44.880 --> 0:16:47.240
<v Speaker 1>I mean, he don't. I thank him every chance I get.

0:16:47.240 --> 0:16:49.080
<v Speaker 1>He allowed me to say thank you, man, get ahead

0:16:49.080 --> 0:16:51.480
<v Speaker 1>with that ship. But I'm thankful. Shout out to him. Maker.

0:16:51.920 --> 0:16:53.680
<v Speaker 1>Hey what up? Y'all got to stop the interview to

0:16:53.680 --> 0:16:56.320
<v Speaker 1>tell you about our family at odd socks. That's right.

0:16:56.400 --> 0:16:58.760
<v Speaker 1>Go to odd socksoficial dot com right now. Use the

0:16:58.800 --> 0:17:02.400
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0:17:02.480 --> 0:17:05.280
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0:17:05.320 --> 0:17:07.800
<v Speaker 1>they have amazing socks. These are sour patch kid socks.

0:17:08.440 --> 0:17:12.879
<v Speaker 1>These are hot Cheeto socks, half baked, you know what

0:17:12.920 --> 0:17:15.199
<v Speaker 1>I'm saying. And uh, you know for those that like

0:17:15.280 --> 0:17:17.840
<v Speaker 1>Snapple so much so that you would wear socks with

0:17:17.880 --> 0:17:21.360
<v Speaker 1>Snapple's logo on them, and all my Naruto fans, they

0:17:21.400 --> 0:17:23.960
<v Speaker 1>have the Naruto. But let's bust these boys out. You

0:17:24.040 --> 0:17:27.040
<v Speaker 1>know they got the underwear and the underwear are crazy

0:17:27.560 --> 0:17:31.440
<v Speaker 1>love the draws. What do we have here? Oh? Oh

0:17:31.480 --> 0:17:38.160
<v Speaker 1>we have we have Hey Arnold underwear. These are fucking amazing. Jesus,

0:17:38.320 --> 0:17:41.040
<v Speaker 1>I'm gonna wear these. You know why I'm gonna wear those? Oh?

0:17:41.280 --> 0:17:45.000
<v Speaker 1>Because I have Hey Arnold socks on You see what

0:17:45.040 --> 0:17:48.760
<v Speaker 1>I did there. Yeah, that's right. We out here represent

0:17:48.800 --> 0:17:51.199
<v Speaker 1>odd socks, the most comfortable socks in the world. I

0:17:51.240 --> 0:17:53.760
<v Speaker 1>promise you if you get the odd Socks basics like these,

0:17:53.800 --> 0:17:56.919
<v Speaker 1>these are the basics, right, those are uh, I mean,

0:17:56.960 --> 0:17:58.920
<v Speaker 1>you're not gonna get any better than that, you know

0:17:58.960 --> 0:18:02.199
<v Speaker 1>what I mean? The odds Talk basics are incredible. All right, So,

0:18:02.480 --> 0:18:04.879
<v Speaker 1>uh that's my favorite. I'm always wearing a black or

0:18:04.880 --> 0:18:08.080
<v Speaker 1>white pair of odd Talks basics. But uh, don't like

0:18:08.200 --> 0:18:10.480
<v Speaker 1>listen to me, try them out for yourself. Go to

0:18:10.480 --> 0:18:14.680
<v Speaker 1>odd socksofficial dot com. Use the promo code Bootleg save

0:18:14.760 --> 0:18:19.000
<v Speaker 1>twenty percent off at checkout. And what was the initial

0:18:19.640 --> 0:18:23.560
<v Speaker 1>introduction with y'all? Like, how did that? So? So Billy

0:18:23.720 --> 0:18:27.880
<v Speaker 1>Billy manages me, you also manages hit? Oh that's perfect. Yeah,

0:18:27.920 --> 0:18:29.600
<v Speaker 1>so it was just like I said, like the same

0:18:29.600 --> 0:18:33.080
<v Speaker 1>thing with wiz Me and Hick click automatically and worked

0:18:33.320 --> 0:18:34.800
<v Speaker 1>from the first day I met him. Yeah, and he

0:18:34.920 --> 0:18:37.479
<v Speaker 1>just got some big records on him at all times

0:18:37.560 --> 0:18:44.159
<v Speaker 1>and for sure awards. Yeah, that's real. That's I'm surprised

0:18:44.200 --> 0:18:45.800
<v Speaker 1>to he tried to get you over to make a

0:18:45.880 --> 0:18:50.199
<v Speaker 1>sound imprint. I mean, yeah, that's family. I'm in make

0:18:50.240 --> 0:18:53.840
<v Speaker 1>it sound. I'm in yeah on the album shout a

0:18:53.840 --> 0:18:57.040
<v Speaker 1>Crazy album together. Ye would you say that like having

0:18:57.119 --> 0:18:58.879
<v Speaker 1>him involved kind of like put you in a position

0:18:58.880 --> 0:19:01.359
<v Speaker 1>to maybe have more commercial rec on this project. Yeah,

0:19:01.359 --> 0:19:03.520
<v Speaker 1>So that's a that's the conversation I have, Like, you know,

0:19:03.600 --> 0:19:06.040
<v Speaker 1>even with my brothers on the block or with my manager,

0:19:06.320 --> 0:19:08.800
<v Speaker 1>I feel like this project right here was those songs,

0:19:08.920 --> 0:19:11.840
<v Speaker 1>was the big songs. You know you heard my music.

0:19:11.880 --> 0:19:13.720
<v Speaker 1>I'm allver. I do it for the streets. You know

0:19:13.760 --> 0:19:16.240
<v Speaker 1>what I'm saying. I love real rat, but you gotta

0:19:16.280 --> 0:19:17.720
<v Speaker 1>have them records. You know what I'm saying. If you

0:19:17.760 --> 0:19:19.640
<v Speaker 1>don't have them records, you're gonna be doing one thing.

0:19:19.880 --> 0:19:21.919
<v Speaker 1>I mean, Jay had those records on his album and

0:19:21.960 --> 0:19:24.800
<v Speaker 1>everybody you know, that's what big project is. This project

0:19:24.840 --> 0:19:26.800
<v Speaker 1>is the records. It's letting the world know I can

0:19:26.880 --> 0:19:29.720
<v Speaker 1>make music. You know what I mean. I mean, give ride,

0:19:29.920 --> 0:19:32.119
<v Speaker 1>try and head in the club and twenty one questions

0:19:33.160 --> 0:19:35.560
<v Speaker 1>just that. Just that. So you feel like this is

0:19:35.640 --> 0:19:38.600
<v Speaker 1>kind of like your level up, my level up one

0:19:38.640 --> 0:19:41.480
<v Speaker 1>hundred percent. Bigger beats, you know what I mean, great

0:19:41.520 --> 0:19:46.000
<v Speaker 1>features musically, it sound good, my cadence, everything sounds well.

0:19:46.160 --> 0:19:47.560
<v Speaker 1>I feel good about it. Do you have the name

0:19:47.560 --> 0:19:51.280
<v Speaker 1>of the album yet? Yeah, Blessed to the Max. You're

0:19:51.320 --> 0:19:52.840
<v Speaker 1>the first one I know that, though I ain't say

0:19:52.840 --> 0:19:54.680
<v Speaker 1>this yet. So the name of my album called Blessed

0:19:54.680 --> 0:19:57.520
<v Speaker 1>to the Max. That's dope. I like that. Why that title, man,

0:19:57.640 --> 0:20:00.800
<v Speaker 1>because I'm blessed. You know, you got bullet in my head.

0:20:00.840 --> 0:20:04.560
<v Speaker 1>You know, I maybe to survive. I'm still here lo

0:20:05.000 --> 0:20:07.399
<v Speaker 1>l after l losses after losses. The people, you know

0:20:07.440 --> 0:20:09.240
<v Speaker 1>what I mean, have been through a lot this year.

0:20:09.280 --> 0:20:11.120
<v Speaker 1>So we blessed it. I didn't know you got When

0:20:11.119 --> 0:20:15.080
<v Speaker 1>did you get shot? Twenty eleven? Shit? How old were you?

0:20:16.200 --> 0:20:18.960
<v Speaker 1>Like a kid? I want to say, like seventeen, fu

0:20:19.119 --> 0:20:24.440
<v Speaker 1>seventeen yep. So what what happened? Man? I want to say,

0:20:24.440 --> 0:20:26.399
<v Speaker 1>it was like the wrong place for wrong time, you know.

0:20:27.080 --> 0:20:30.080
<v Speaker 1>Sometimes it's all you know, yeah, like different energies collided,

0:20:30.160 --> 0:20:31.640
<v Speaker 1>you know, it was. It was just the wrong place

0:20:31.680 --> 0:20:33.639
<v Speaker 1>at the wrong time. So you got shot in the

0:20:33.680 --> 0:20:36.160
<v Speaker 1>head and the head or didn't go to the hospital.

0:20:36.200 --> 0:20:38.359
<v Speaker 1>For every time I tell the story, people think I'm crazy.

0:20:38.520 --> 0:20:39.720
<v Speaker 1>So you got shot in the head, didn't go to

0:20:39.760 --> 0:20:41.240
<v Speaker 1>the hospital then, because I ain't know, I didn't know.

0:20:41.280 --> 0:20:43.159
<v Speaker 1>I was shot. I thought I got grazed. So a

0:20:43.160 --> 0:20:46.520
<v Speaker 1>couple of years after I figured out I had a

0:20:46.520 --> 0:20:48.879
<v Speaker 1>bullet in my head. So I lived like three years

0:20:48.920 --> 0:20:52.159
<v Speaker 1>with the bullet in my head before I found out.

0:20:52.320 --> 0:20:54.480
<v Speaker 1>So that's to the Max, bro for sure. How did

0:20:54.480 --> 0:20:56.760
<v Speaker 1>you find out that the bullet was in there? So,

0:20:56.840 --> 0:21:00.800
<v Speaker 1>Like I was still in school, I was having these

0:21:00.840 --> 0:21:04.080
<v Speaker 1>like sinus problems and ship in my head was killing me. Yeah,

0:21:04.119 --> 0:21:06.000
<v Speaker 1>so I want to go get the sinus checked out.

0:21:06.000 --> 0:21:07.879
<v Speaker 1>You know, they give you the MRA right, and they

0:21:07.920 --> 0:21:09.600
<v Speaker 1>told me like, yeah, you got like a piece of

0:21:09.640 --> 0:21:12.520
<v Speaker 1>metal in your head. Maybe that's where it's coming from.

0:21:12.600 --> 0:21:15.480
<v Speaker 1>But yeah, the fix it. No, no, no, no, no no no,

0:21:15.520 --> 0:21:18.320
<v Speaker 1>because it was the siginus issue. This wasn't bothering me.

0:21:18.359 --> 0:21:20.399
<v Speaker 1>My bullet wasn't bothering me. It was the sinus issue.

0:21:20.600 --> 0:21:22.240
<v Speaker 1>So when I got the MADS for the signings, the

0:21:22.280 --> 0:21:24.600
<v Speaker 1>pain went away, but I still got the bullet in

0:21:24.600 --> 0:21:26.359
<v Speaker 1>my head. That's how I discovered it. Yeah it's still here.

0:21:26.440 --> 0:21:28.960
<v Speaker 1>Oh man, it can't go nowhere. It makes sense to

0:21:29.040 --> 0:21:31.359
<v Speaker 1>take it out, right, yeah, because it'll start fucking things

0:21:31.440 --> 0:21:34.560
<v Speaker 1>up the fuck. Yeah, bro, blessed the Max. How did

0:21:34.560 --> 0:21:37.239
<v Speaker 1>your parents feel when they found out that there was

0:21:37.840 --> 0:21:39.679
<v Speaker 1>like I'm sure they knew about the incident, but like

0:21:39.920 --> 0:21:41.600
<v Speaker 1>I mean, they thought it was great. So I went

0:21:41.680 --> 0:21:43.600
<v Speaker 1>I went home to my step mom. I put some

0:21:43.720 --> 0:21:47.080
<v Speaker 1>like bastuation, you know what I mean, little ointment on it,

0:21:47.119 --> 0:21:51.600
<v Speaker 1>and I going on about life like we nobody knew

0:21:51.720 --> 0:21:53.760
<v Speaker 1>when we found out, it was like, oh that's crazy.

0:21:54.320 --> 0:21:57.439
<v Speaker 1>Yeah well yeah yeah. I feel like if you were

0:21:58.440 --> 0:22:00.159
<v Speaker 1>I feel like a lot of rappers would just be

0:22:00.200 --> 0:22:02.280
<v Speaker 1>talking about that all the time. Yeah yeah, yeah. I

0:22:02.320 --> 0:22:04.719
<v Speaker 1>mean for me, it is not nothing to glorify. It is.

0:22:04.760 --> 0:22:07.160
<v Speaker 1>It is. I'm blessed. I think, of course every day,

0:22:07.160 --> 0:22:10.560
<v Speaker 1>but being shot in I ain't trying to use that

0:22:10.800 --> 0:22:12.160
<v Speaker 1>as you know what I mean. I just think back

0:22:12.200 --> 0:22:14.680
<v Speaker 1>to fifty and we all knew he got shot nine times?

0:22:14.720 --> 0:22:17.040
<v Speaker 1>We did we? Did you? I mean, I know Pop

0:22:17.080 --> 0:22:18.960
<v Speaker 1>Smoke did a many Man remix, but have you thought

0:22:19.000 --> 0:22:21.399
<v Speaker 1>about like kinda I mean, you kind of have a

0:22:21.440 --> 0:22:25.040
<v Speaker 1>pretty crazy I think. Look, Little TJ just did mini

0:22:25.040 --> 0:22:28.280
<v Speaker 1>mental Oh he did a freestyle yeah yea, yeah, going

0:22:28.280 --> 0:22:31.280
<v Speaker 1>to don Ce or whoever, I don't know, I think yeah, yeah,

0:22:31.280 --> 0:22:33.399
<v Speaker 1>I think they was dissing each other on that. Yeah,

0:22:33.440 --> 0:22:35.800
<v Speaker 1>and both of I mean don ces can really wrap

0:22:35.840 --> 0:22:39.760
<v Speaker 1>the TJ's hard to yeh. Shout after them, guys man. Yeah, hey,

0:22:39.760 --> 0:22:41.399
<v Speaker 1>we got to stop the interview real quick. Tell you

0:22:41.480 --> 0:22:44.240
<v Speaker 1>about our partners at my bookie. That's right. Salute to

0:22:44.280 --> 0:22:46.760
<v Speaker 1>the family at my Bookie. All right. It is so

0:22:46.920 --> 0:22:49.560
<v Speaker 1>much action to get in on right now in sports.

0:22:49.680 --> 0:22:53.320
<v Speaker 1>We got the playoffs in baseball, we got NFL action

0:22:53.560 --> 0:22:59.160
<v Speaker 1>every Sunday, and NBA season is upon us. Yes, if

0:22:59.200 --> 0:23:00.680
<v Speaker 1>you want to get in on the action and make

0:23:00.720 --> 0:23:02.359
<v Speaker 1>some of this money with me, I'm be gambling all

0:23:02.440 --> 0:23:05.480
<v Speaker 1>damn day. Might have a problem with that being said.

0:23:05.600 --> 0:23:07.879
<v Speaker 1>Go to my bookie right now. When you sign up,

0:23:07.960 --> 0:23:10.960
<v Speaker 1>use the promo code Bootleg, and they will match your deposit.

0:23:11.480 --> 0:23:13.960
<v Speaker 1>All right. That's right, your first deposit when you sign

0:23:14.040 --> 0:23:15.520
<v Speaker 1>up with a new account, when you use that promo

0:23:15.560 --> 0:23:18.320
<v Speaker 1>code Bootleg, they're gonna match it, all right. That means

0:23:18.359 --> 0:23:20.200
<v Speaker 1>if you put in five hundred bucks, you get another

0:23:20.240 --> 0:23:23.320
<v Speaker 1>five hundred for free to gamble with. Yeah, all right.

0:23:23.400 --> 0:23:27.440
<v Speaker 1>I'm loving some of the futures too. I love the

0:23:27.520 --> 0:23:30.280
<v Speaker 1>over on wins for the Sacramento Kings in the NBA

0:23:30.359 --> 0:23:32.520
<v Speaker 1>season coming up. I think they're gonna have a good year.

0:23:32.960 --> 0:23:35.480
<v Speaker 1>I'll also bet the over on the Phoenix Suns. They're

0:23:35.480 --> 0:23:37.040
<v Speaker 1>gonna have more than fifty two and a half wins.

0:23:37.080 --> 0:23:39.920
<v Speaker 1>What are we talking about? Plus NFL action every Sunday.

0:23:40.119 --> 0:23:42.840
<v Speaker 1>Let's get this money. Go to my bookie right now.

0:23:43.080 --> 0:23:45.959
<v Speaker 1>Sign up with that promo code Bootleg. All right. When

0:23:46.000 --> 0:23:48.399
<v Speaker 1>you do that, they're matching your first deposit off the

0:23:48.480 --> 0:23:50.919
<v Speaker 1>rip no matter how big or small. Let's run that

0:23:50.960 --> 0:23:52.520
<v Speaker 1>shit up. Go to my bookie right now, use that

0:23:52.560 --> 0:23:55.960
<v Speaker 1>promo code Bootleg and get your first deposit matched, free

0:23:56.040 --> 0:23:58.439
<v Speaker 1>money to gamble with when my bookie. Let's get back

0:23:58.440 --> 0:24:00.240
<v Speaker 1>to the interview, Like do you feel like sometime times

0:24:01.119 --> 0:24:02.960
<v Speaker 1>have you ever had like found yourself in the middle

0:24:02.960 --> 0:24:05.800
<v Speaker 1>of of like being friends with two people who have

0:24:05.880 --> 0:24:08.280
<v Speaker 1>problems with each other? Yeah, I stay away from all that. Men,

0:24:08.320 --> 0:24:11.040
<v Speaker 1>I got we got. I got my own problems. Man,

0:24:11.040 --> 0:24:13.320
<v Speaker 1>I don't be trying to get into nobody's situations. Then

0:24:13.840 --> 0:24:15.640
<v Speaker 1>thank got nothing to do with me over some rap ship.

0:24:15.800 --> 0:24:18.280
<v Speaker 1>That is the right approach for sure. I don't know rap.

0:24:18.480 --> 0:24:21.639
<v Speaker 1>This is music. Yeah. The problem is is like usually

0:24:21.640 --> 0:24:25.000
<v Speaker 1>that happens and you should be in the middle and

0:24:25.040 --> 0:24:27.040
<v Speaker 1>be like, hey, look y'all, this is on some rap

0:24:27.119 --> 0:24:28.720
<v Speaker 1>like you said it's not some street ship. Yeah, but

0:24:28.760 --> 0:24:31.000
<v Speaker 1>certain things you just certain things you just stay out of.

0:24:31.160 --> 0:24:32.840
<v Speaker 1>You you know, you don't want nothing to do it.

0:24:32.880 --> 0:24:35.199
<v Speaker 1>And I'm not gouy certain things, I just don't want

0:24:35.240 --> 0:24:37.600
<v Speaker 1>none to do it. Would you say, obviously you have

0:24:37.640 --> 0:24:40.280
<v Speaker 1>the Ray Kwan Benny record. Is there enough on this

0:24:40.400 --> 0:24:42.879
<v Speaker 1>album for the fans who really fuck with you, for

0:24:42.920 --> 0:24:45.000
<v Speaker 1>the street ship, for the for the rapping ship to

0:24:45.040 --> 0:24:47.680
<v Speaker 1>really kind of appease them? I mean I got a few,

0:24:47.920 --> 0:24:51.360
<v Speaker 1>I think I think I think so. Yeah, I think

0:24:51.400 --> 0:24:53.719
<v Speaker 1>so because something I was going back and forth with

0:24:53.760 --> 0:24:55.919
<v Speaker 1>about my project. But I feel good about it. I

0:24:55.920 --> 0:24:59.080
<v Speaker 1>think so? Is it? Uh? Do we have a date yet?

0:24:59.440 --> 0:25:03.119
<v Speaker 1>Not yet? Now? Yeah? Do we gotta date? November eighteen?

0:25:03.480 --> 0:25:05.680
<v Speaker 1>It was almost two years of a wait, right yep,

0:25:05.840 --> 0:25:08.000
<v Speaker 1>for sure? For sure ship. So you've been working, man,

0:25:08.080 --> 0:25:10.199
<v Speaker 1>Are you gonna make everybody wait that longer for the

0:25:10.359 --> 0:25:12.639
<v Speaker 1>for the the next time? I gotta keep guessing that

0:25:13.240 --> 0:25:15.320
<v Speaker 1>I gotta show, I got to show on what's going on?

0:25:16.040 --> 0:25:20.280
<v Speaker 1>What is something for you man? Like? Obviously, Uh, you've

0:25:20.640 --> 0:25:22.640
<v Speaker 1>kind of had to do the independent thing. What would

0:25:22.640 --> 0:25:24.720
<v Speaker 1>be some advice you would give artists who are were

0:25:24.760 --> 0:25:27.119
<v Speaker 1>in a similar situation that you're being independent, having to

0:25:27.119 --> 0:25:29.800
<v Speaker 1>do everything yourself. That you mean, I feel like, never stop,

0:25:29.880 --> 0:25:32.000
<v Speaker 1>you know what I mean? You gotta stay consistent. You

0:25:32.040 --> 0:25:35.680
<v Speaker 1>can't stop. You gotta keep going. I mean just discouraging,

0:25:36.119 --> 0:25:39.000
<v Speaker 1>you know it come. Being discouraged happens, but you gotta

0:25:39.080 --> 0:25:41.520
<v Speaker 1>keep going. Do you think do you think there was

0:25:41.560 --> 0:25:43.159
<v Speaker 1>ever a point in time where you had hit like

0:25:43.160 --> 0:25:45.040
<v Speaker 1>a low in your career it made you kind of

0:25:45.040 --> 0:25:46.679
<v Speaker 1>reconsider whether or not you wanted to really do this

0:25:46.760 --> 0:25:50.000
<v Speaker 1>rap shit? Yeah, I mean it's gonna be plenty of

0:25:50.040 --> 0:25:52.160
<v Speaker 1>them nights. You have plenty of those. I'm pretty sure

0:25:52.280 --> 0:25:55.040
<v Speaker 1>with whatever you do. But yeah, I had plenty of

0:25:55.040 --> 0:25:57.720
<v Speaker 1>those nights. But you know, I kept pushing and I'm here.

0:25:57.960 --> 0:26:01.360
<v Speaker 1>That's Gope man. Anybody else from Harlem that you want

0:26:01.400 --> 0:26:03.239
<v Speaker 1>to shout out and the East Harlem rappers that you

0:26:03.280 --> 0:26:06.240
<v Speaker 1>feel like? Yeah, h four Records man, shout out the popularity? Man?

0:26:07.359 --> 0:26:09.399
<v Speaker 1>Is your label? Yeah? So you got a label? You

0:26:09.440 --> 0:26:13.199
<v Speaker 1>signed the artists, yep, yep, for sure to launch it soon. Okay,

0:26:13.359 --> 0:26:15.479
<v Speaker 1>you got one artist already. Nah, but that's who I'm

0:26:15.520 --> 0:26:18.440
<v Speaker 1>working with closely, dope? Yeah, yeah, yeah, what's up with

0:26:18.440 --> 0:26:21.800
<v Speaker 1>Bodega bams Man shout at the Bodega bands. Man, I've

0:26:21.800 --> 0:26:25.240
<v Speaker 1>seen his team. I seen Old Live, Old Lives. Brother,

0:26:25.320 --> 0:26:28.920
<v Speaker 1>my man, Luca and are the same person, the same

0:26:28.920 --> 0:26:30.920
<v Speaker 1>person I want to work with Bams. He's one of

0:26:30.960 --> 0:26:32.959
<v Speaker 1>the guys who you know, motivated me to do this.

0:26:33.280 --> 0:26:35.439
<v Speaker 1>I told you he from the East side of Harlem.

0:26:35.440 --> 0:26:38.960
<v Speaker 1>So seeing somebody strictly for my Poppies album was so fuckingall. Man,

0:26:39.119 --> 0:26:40.840
<v Speaker 1>I gotta I got a chance to, you know, move

0:26:40.880 --> 0:26:42.640
<v Speaker 1>around with them when they was in New York City

0:26:42.680 --> 0:26:45.159
<v Speaker 1>a lot of times. Yeah, and I love you know

0:26:45.240 --> 0:26:48.160
<v Speaker 1>what they did and doing still as an asap crew

0:26:48.200 --> 0:26:50.160
<v Speaker 1>tapped in with you at all Rocky my brother, that's

0:26:50.200 --> 0:26:53.280
<v Speaker 1>my guy. Yeah, Yeah, that's my brother. The album's coming

0:26:53.320 --> 0:26:57.040
<v Speaker 1>November eighteenth. November eighteen, Blessed to the Max. Blessed to

0:26:57.040 --> 0:26:59.600
<v Speaker 1>the Max. New single with Wizz is coming. It's coming

0:26:59.600 --> 0:27:01.800
<v Speaker 1>soon to Change Records. Mask Up is out now and

0:27:01.840 --> 0:27:04.439
<v Speaker 1>make sure you go get it on streaming platforms. The

0:27:04.560 --> 0:27:07.320
<v Speaker 1>videos out as well. Boom Yo, go follow my guy

0:27:07.440 --> 0:27:10.880
<v Speaker 1>Nick Bucks your album already know of course. Man,