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Speaker 1: This is Yo wak up Hallam Club to show you

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Speaker 1: love to hate from the East to the West. Coach

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Speaker 1: DJ and Angela Cholomagne the the rualist show on the planet.

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Speaker 1: This is why I respect this show because this is

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Speaker 1: a voice of society. Sames in the game. Guys are

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Speaker 1: the coveted morning show. But y'all earning impacting the coach.

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Speaker 1: They wake up in the morning and day want to

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Speaker 1: hear that breakfast the world's most dangerous morning show. Good

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Speaker 1: morning Usa yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo Angela. Ye's

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Speaker 1: that was Papa Sholomagne pasted the planet in It's Thursday. Yes,

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Speaker 1: it's Thursday, definitely Thursday. I'm tired today now I'm gonna

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Speaker 1: let y'all know. Okay, between all that dance and I

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Speaker 1: was doing it here yesterday, uh and a good um

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Speaker 1: arm workout yesterday, I'm tired this morning. Yo boy muscles

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Speaker 1: a little exhausted, but I'll be all right. We're gonna

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Speaker 1: make it goddamn it. Okay, Yes, well it is Thursday.

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Speaker 1: But besides working at What else did you do yesterday? Anything?

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Speaker 1: Anything entertaining, anything fun? Anything at all? Who was yesterday? Wednesday? Tursday?

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Speaker 1: Yesterday was Wednesday? Man, it's all a blur. Man, I

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Speaker 1: don't know. I'm not I don't remember doing anything entertaining.

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Speaker 1: You know what I did yesterday after we worked out,

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Speaker 1: I rolled my wife to pick up the kids from school.

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Speaker 1: That was That was fun. That was it. It was fun.

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Speaker 1: You know what I'm saying, Like, right when you finished

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Speaker 1: a good work out and this is you and the

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Speaker 1: wife together and you're talking and going and pick up

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Speaker 1: your kids. Yeah, that's life. Yeah. Do you want me

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Speaker 1: to say, yeah, the club tossing it up? No, I

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Speaker 1: didn't even say that anymore. I had to say that

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Speaker 1: at all. My kids picked up my kids yesterday from school,

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Speaker 1: and you know, it was subway day. They wanted for

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Speaker 1: some reason, they wanted subway. Damn man, why he said?

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Speaker 1: Cameraman said, gross, let's growing subway. I liked upwhere I

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Speaker 1: haven't had subway in a while. But you know, I'm

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Speaker 1: not going to help with this nothing that I grew

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Speaker 1: up on. Now, my kids on the subway yesterday, So

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Speaker 1: I took them the subway and they got the subway

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Speaker 1: sandwhich is just they were so excited to go to subway.

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Speaker 1: That's dope. Man, Daddy got a foot long in the morning,

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Speaker 1: kids get a foot long later. That's what I didn't

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Speaker 1: say nothing, Man, I don't even say nothing. Man, Scott's crazy.

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Speaker 1: Scot's crazy. I ain't even say nothing. Who we got

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Speaker 1: anybody on the show to Omar Epps and Charles Murray

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Speaker 1: will be joining us. Hey, Omar and Charles got a

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Speaker 1: movie coming out this weekend called The Devil, The Devil,

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Speaker 1: you know, the Devil. You know it's in theaters tomorrow actually,

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Speaker 1: so they'll be here to talk all about that. That's

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Speaker 1: that's black Hollywood royalty right there. Absolutely, you know what

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Speaker 1: I mean on my Epps and Charles Burth. If you

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Speaker 1: don't know who Charles Murray is, um, look up shows

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Speaker 1: like Sons of Anarchy, Look up shows like Luke K,

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Speaker 1: look up shows like you know, Marvel's Being Humans. It's

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Speaker 1: a bunch of stuff that that's that's that's the stuff

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Speaker 1: I you know, I watched. But he's had his hand

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Speaker 1: in a little bit of everything. Absolutely, you know, I'm

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Speaker 1: a sea goes back from watch to uh, you know,

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Speaker 1: the PowerBook now to the loving basketball. Yeah, he's been

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Speaker 1: in so many different things. Would but he said would twice.

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Speaker 1: That's the name is movie manage you the first time

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Speaker 1: I said it twice. This guy is crazy starting, This

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Speaker 1: guy be making up stuff for no reason. Man starting early,

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Speaker 1: come home. Man, when we got the front page news,

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Speaker 1: Disney releasing more gay characters, will tell you about grow up.

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Speaker 1: It's the breakfast Club. Good morning morning. Everybody is DJ

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Speaker 1: Envy Angela Yee, Charlomagne the guy. We are the breakfast Club.

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Speaker 1: Let's getting some front page news now after an eight

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Speaker 1: year wait. Some sports. At first, the US men's national

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Speaker 1: teams secure the spot Wednesday in the twenty twenty two

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Speaker 1: FEEFA World Cup. Soccer. Yeah, this is soccer. This is football.

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Speaker 1: Anybody beg in here in soccer? Is that big? No? No,

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Speaker 1: soccer big soccer is huge. No. No. The fact that

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Speaker 1: the US team finally made the World Cup. I don't

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Speaker 1: even know what the World Cup means. That I'm playing

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Speaker 1: super Bowl? Is soccer? Right? Is that the super Bowl?

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Speaker 1: I don't know. I don't watch something I don't I

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Speaker 1: don't It's like the super Bowl of soccer tournament. So

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Speaker 1: it's not what game and so it's like the playoffs.

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Speaker 1: I guess all I know is football, Okay, the biggest

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Speaker 1: sport in the world. Absolutely so. Now in the Fiefeels,

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Speaker 1: a big video game, yeah, based off soccer. It's big,

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Speaker 1: it's big. Yeah. Okay, all right, Now Bruce Arians resigns

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Speaker 1: as Buccaneers head coach. Todd Bows will be taking his place.

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Speaker 1: Draveling a clue bonn for Tod Bows. Okay, black man

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Speaker 1: get a promotion. Head coach of the Bucks, Tom Brady

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Speaker 1: coming back. All right, see if you can lead them

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Speaker 1: to the Super Bowl. Now, Disney turn I don't root

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Speaker 1: for it because I got my Dallas cowboy Fanny. That's

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Speaker 1: messed up. But you want to Bubba would do good.

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Speaker 1: Not against my cowboys. The cowboys ain't in the way. Sure,

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Speaker 1: the cowboys are trash, but Disney Disney exec said they

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Speaker 1: what more gay characters. I'm here as a mother of

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Speaker 1: two queer children actually um, one transgender child and one

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Speaker 1: hand sexual child. I feel responsibility to speak not just

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Speaker 1: for myself but for them. We have many, many, many

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Speaker 1: lgbt QIA characters in our stories, and and and yet

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Speaker 1: we don't have enough leads, um and narratives. In which

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Speaker 1: gay characters just just get to be characters, um and

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Speaker 1: and not have to be about gay stories. Isn't that

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Speaker 1: a contradiction though if you say you know you want

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Speaker 1: gay characters just to be characters, but then you say

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Speaker 1: you want more gay characters, because the truth in the

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Speaker 1: matter is, how would I know these characters are gay?

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Speaker 1: The only way you can show that gay is if

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Speaker 1: you know you're doing something sexual, right, unless you're doing

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Speaker 1: some stereotypical stuff, you know, I don't I didn't know

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Speaker 1: if Goofy was gay grown up right? Making mouse in

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Speaker 1: many mouth to anybody? So how many a couple? So

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Speaker 1: he can't say that. But well, you don't know that relationship, right,

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Speaker 1: you know what I'm saying. It might have an open relationship.

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Speaker 1: They might have been PolyGram Polynesian sauce. You don't know, right,

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Speaker 1: You don't know what making many ha go on. All

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Speaker 1: I'm simply saying is how are we supposed to know

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Speaker 1: characters to give? You don't tell I don't know it.

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Speaker 1: Like I said, it's not like it's different when it's

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Speaker 1: like you know, race or something that you can see

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Speaker 1: now you can see the representation. When it's gender, you

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Speaker 1: can see the representation. How do you know when somebody

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Speaker 1: is you know, I don't know LGBTQ Disney. Plus, I

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Speaker 1: didn't think anything about Burton Rry. That's not Disney, sir,

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Speaker 1: but they were definitely gay. Why do you say, okay?

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Speaker 1: That is when I can see why. I just can't

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Speaker 1: see that that that's right. There was an energy together

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Speaker 1: that rubber, Ducky one vowel and ducky. Mortgage rates are

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Speaker 1: rising faster than they ever did. So if you're look

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Speaker 1: at the purchase at home or thinking about it, rates

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Speaker 1: are rising. At one time Rachel as low as two

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Speaker 1: point now and two point nine now they are four

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Speaker 1: point eight. And lastly Camden, this was this was pretty horrible. Uh.

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Speaker 1: This morning they're saying we investigated a possible contamination of

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Speaker 1: milk at their early childhood development center. It was a

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Speaker 1: turner that a substance found in the cartons of milk

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Speaker 1: was a sanitizer. Now to sanitizer runs through the vendor

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Speaker 1: machines prior to the milk. Unfortunately, many cartons were filled

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Speaker 1: with the sanitizer and a bunch of students two dozen

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Speaker 1: students had to be a rushed to the hospital after

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Speaker 1: drinking this milk. I'm so confused. So wait a minute,

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Speaker 1: what happened The sanitizer was what I guess in these

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Speaker 1: machines when they run the machines, they clean the machines

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Speaker 1: out first, and they have I guess some type of

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Speaker 1: sanitizing solution that goes to the machines to clean the machines.

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Speaker 1: But I guess the sanitizing solution wasn't all the way through.

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Speaker 1: So when they started putting the milk back into the cartons,

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Speaker 1: some of the milk cartons also had the sanitizer in

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Speaker 1: it as well, and it made two dozen students sick.

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Speaker 1: I can't believe they still serving kids milk. Wok isn't

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Speaker 1: necessarily good for you, Okay. People say it's one of

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Speaker 1: the top sources of a saturated fact in the American diet,

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Speaker 1: contributes to heart disease and type two diabetes, and all timers,

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Speaker 1: it's like, why are we still drinking milk? I drink

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Speaker 1: all mi in milk, though I have no idea. Well,

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Speaker 1: that is your front page news, and I'm like tools intolerant,

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Speaker 1: by the way, so get it off your chests eight

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Speaker 1: five eight five one oh five one. If you need

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Speaker 1: to vent folns a wide open eight hundred five eight

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Speaker 1: five one h five one, Get it off your chest.

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Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Wake up,

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Speaker 1: wake up, wake y'alls. Your time to get it off

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Speaker 1: your chest? Your man, I'm blass. We want to hear

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Speaker 1: from you on the Breakfast Club. Hello. Who's this? What up?

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Speaker 1: What up? What up? Trash? What's up? Sean? Ye I

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Speaker 1: missed you. I know you're not there, but you know

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Speaker 1: I can missed you. But y'all can tell y'all something.

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Speaker 1: I was little step. I'm gonna upset yaw. So I

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Speaker 1: was talking to this guy right minere was hanging out

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Speaker 1: the other day and we've been talking for like a

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Speaker 1: good light almost a month, right, and yeah, I know

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Speaker 1: this man try to scam me yesterday. How you trying

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Speaker 1: to scam? What you do? Like here? So like when

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Speaker 1: he woke up, right it was like seven o'clock in

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Speaker 1: the morning, he said he was going to my other rooms.

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Speaker 1: They can play the PS five right, Oh you hit,

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Speaker 1: you hit trash. You can't listening game listening to real

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Speaker 1: quick song, so listen to my period literally was like

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Speaker 1: literally was like, yo, where's your wallet? So I got

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Speaker 1: up and I text my I text my plants pocket

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Speaker 1: and I said, you know what, maybe I left in

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Speaker 1: the other room. So I didn't want to go in

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Speaker 1: there right away. So when he went to the bathroom,

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Speaker 1: I went inside the room. I opened my wallet. I'm

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Speaker 1: a creature of Hannit. I know how I put my

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Speaker 1: card and I had so he had my unemployment card

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Speaker 1: and sitting on top of my my EBC card, sitting

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Speaker 1: on top of my retar baint card. And I never

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Speaker 1: put my cards like that. How you get some masks

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Speaker 1: and you want unemployment and EBT. You don't deserve nothing.

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Speaker 1: You need to get a job. That was like struggling. Okay, right,

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Speaker 1: you need a job. Traf All right, listen, I have

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Speaker 1: I have target. Well, salute to that man. I know

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Speaker 1: that struggled. D you gave him was good. That was struggled.

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Speaker 1: A puture of my card, which one he took a

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Speaker 1: puture of my bank card and my unemployment card, Am

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Speaker 1: I easy card? What's the problem? He want to make

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Speaker 1: sure he got to know who you are. You know

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Speaker 1: he was you know, he tryed, he was trying to

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Speaker 1: he was trying to scam and trying to keep my card. Well,

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Speaker 1: I mean your D was whacked if he did that.

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Speaker 1: I mean he had to get something out to deal. Okay,

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Speaker 1: you gave him that trash ass D. You gave him

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Speaker 1: that trash ass D and you ain't got no job.

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Speaker 1: I gotta get something out of this situation. Traffic, listen everything, yep,

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Speaker 1: I just dropped this single? Right? Can I send to

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Speaker 1: see you see you put in your make it's really

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Speaker 1: really dope. Send it to me. Leaves play trap single

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Speaker 1: man trap needed. I hope you got it on screaming

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Speaker 1: services traffic they start seeing services, but I have to

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Speaker 1: clean version. All right, we'll send it over, sending you

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Speaker 1: healing energy trap. I'm sending you healing energy man. Lord,

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Speaker 1: have mercy. Trashy he put an unemployment card on top

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Speaker 1: of his EBT card. God, damn struggle. Hello, who's this

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Speaker 1: dominic dude? What's up? Dum? Go morning solo man, Go

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Speaker 1: morning Evan. Can't you want to give a shout out

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Speaker 1: to my wife? I should get ready to go on

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Speaker 1: label man. I hope she'd on a road. Truck driver, man,

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Speaker 1: oh man, how far are you from on H five?

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Speaker 1: Five minutes? I ain't too far? All right, we'll get

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Speaker 1: your ass home. Man. This baby number one. Number number

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Speaker 1: four comes fast. We just have four. Last year, Me

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Speaker 1: and my wife had number four last year. Four. Don't

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Speaker 1: play with congratulations. Yeah once you're going label for number four.

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Speaker 1: It's on king Hurry, hurry your ass up, Yes, sir, Yes, sir.

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Speaker 1: Also Solomn. I want to get one of your books. Man,

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Speaker 1: I got you. I'm gonna send you, uh what I

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Speaker 1: gotta left off you. I gotta need a copac shallow water,

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Speaker 1: and I'm gonna sending that up here for you. I

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Speaker 1: think your wife will enjoy that after she has the

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Speaker 1: baby and she laying up in the hospital. Something to read,

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Speaker 1: you know, Yes, sir, most but y'all have a wonderful play.

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Speaker 1: Put them on hold and get it off your chest.

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Speaker 1: Eight hundred five ain't five one on five one. If

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Speaker 1: you need to vent, hit this up now. It's the

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Speaker 1: Breakfast Club. Good morning, the Breakfast Club. This is your

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Speaker 1: time to get it off your chests. Whether you're man

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Speaker 1: or blast three, better have the same. An We want

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Speaker 1: to hear from you on the Breakfast Club. Hello. Who's

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Speaker 1: this Hey? Yeah? This from Alia. Hey, what's up? Get

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Speaker 1: it off your chest? Hey man? Yeah, good morning to y'all.

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Speaker 1: Bust up real quick, first time calling along time I'm

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Speaker 1: listening above yourself, guys, thank you sir. Absolutely, But I'm

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Speaker 1: twe years old and I used to be a real

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Speaker 1: social person. I'm the youngest of seven big family, you

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Speaker 1: know what I mean. But it's this This generation is

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Speaker 1: real weird, man, and I'm having a hard time really

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Speaker 1: five and enjoying with anybody at all. I hope you

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Speaker 1: ain't calling up here for no advice because I'm the

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Speaker 1: most and I'm very anti social, especially after COVID. Yeah,

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Speaker 1: my anxiety kicking. I don't want to be around nobody. Absolutely,

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Speaker 1: That's why I mainly wanted to ask you, man, do

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Speaker 1: you ever you ever get a time where you might

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Speaker 1: feel like, you know what I mean, you need to

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Speaker 1: go out, You need to talk to people, whether that

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Speaker 1: be family friends. I mean, I know you are surrounded

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Speaker 1: by a lot of people you know at home, but

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Speaker 1: is there any time that you feel like you need

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Speaker 1: to go in and get something out like that? Well? No,

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Speaker 1: but you got a lot of friends. Thought. I got

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Speaker 1: a nice small circle of friends, and I got my therapists,

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Speaker 1: and I got my wife. I'm good. Yeah, I think

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Speaker 1: the same, like I gotta I got a circle of people.

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Speaker 1: That and that's it. I think my circle is about

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Speaker 1: less than I know it is less than ten. It

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Speaker 1: might be seven. But yeah, I just stayed with my circle. Yeah,

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Speaker 1: I do go out when I go out with my circle,

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Speaker 1: but when I'm out, I'm in and out as usually business.

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Speaker 1: But now I got a strong team around me. That

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Speaker 1: the way my anxiety set up. Guys me and all

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Speaker 1: that the way my anxiety set up. And after COVID

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Speaker 1: like being you know, us being in the house quarantine.

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Speaker 1: I just don't be around a bunch of random people

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Speaker 1: all the time. No more Hello, who's this? What's up?

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Speaker 1: Broke it off your chest? Man? I just don't understand

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Speaker 1: how kids get automatically guns and shooting make self Like

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Speaker 1: three year old sports and year old playing with guns

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Speaker 1: to shooting make self. It's ridiculous. I understand fourteen, but

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Speaker 1: three years wild. Yeah, I mean, I guess, I guess

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Speaker 1: A lot of time parents don't put the guns up

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Speaker 1: or hide the guns. But you know, a lot of times,

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Speaker 1: you know what what parents do sometimes if they put

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Speaker 1: the guns where they can grab it, if there's an

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Speaker 1: into the in the house. But a lot of times

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Speaker 1: they don't think about their child or the children grabbing

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Speaker 1: that gun, you know, very scared. What story are you

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Speaker 1: referencing in particular that ain't come out of nowhere? What

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Speaker 1: you're talking about? It's your old shooting. Really yeah, it

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Speaker 1: did not with a regular guy afifteen huh how yeah?

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Speaker 1: Where you don't where the story yet if you look

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Speaker 1: at the funks where you'll find the hole w MT.

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Speaker 1: I know that that that gonna got a safety, so

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Speaker 1: that that's even that's even scarier. I I mean, I

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Speaker 1: know most guns do have safeties as a security thing

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Speaker 1: where you know, and if you have a glock, you know,

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Speaker 1: usually you have to actually cock that block to be

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Speaker 1: able to use it, which is which is a guess

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Speaker 1: a form of safety. But I mean parents should know

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Speaker 1: that they should have some type of safety lock box

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Speaker 1: that you know, even if this one with the fingerprints,

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Speaker 1: now you can put your thumb print on it to

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Speaker 1: open it up fast or whatever it may be. But

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Speaker 1: you gotta be you gotta be very very careful with

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Speaker 1: those kids and guns, because you know, kids see guns,

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Speaker 1: they look on TV. They think it's funny, they think

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Speaker 1: it's cool, and you know, I'm looking at it right now.

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Speaker 1: How does a three year old even lift upper a

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Speaker 1: off fifteen Jesus Christ, my goodness, get it off your

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Speaker 1: chest eight hundred five A five one on five one

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Speaker 1: that when we come back, we got roomors on the way.

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Speaker 1: Two queens of this hip hop team were out and

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Speaker 1: about last night shooting videos. Will tell you about it,

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Speaker 1: So don't move. It's to breakfast club. Coming the breakfast club.

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Speaker 1: Oh reports club. Now. I just thought this was dope

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Speaker 1: because I'm I'm excited to hear some new music. Yesterday

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Speaker 1: in New York City, we had both the queens actually

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Speaker 1: recording videos. Nicki Minaj was recording her single with five

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Speaker 1: Year four and out in the city, and so was

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Speaker 1: Cardi B. She was recording her single with key k

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Speaker 1: Flock out in the city as well. I just thought

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Speaker 1: it was dope. I just thought it was two queens.

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Speaker 1: They're getting back to music, they're shooting videos. I didn't

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Speaker 1: think nothing of it. God bless body and Nicki Minaj.

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Speaker 1: They looked like they was in the trenches they were.

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Speaker 1: I'm sure they had the proper security around him as

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Speaker 1: they should have. I'm sure, and I still don't want

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Speaker 1: to see him in that type of element, though, strictly

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Speaker 1: for safety, reasons. But I was just shooting video, I know.

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Speaker 1: But and when I when I saw it, I was

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Speaker 1: like Jesus, Chris, you know, I hope they got the

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Speaker 1: right people around. I'm sure I know NICKI did. I

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Speaker 1: know Cardi did. But then I guess the trolls started

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Speaker 1: saying that Cardi B. What's crazy though? What's that? I

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Speaker 1: bet you both of them, Nikki and Cardy was safer

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Speaker 1: in the trenches then they would have been at the

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Speaker 1: Oscars this week, okay, because we had no incidences of

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Speaker 1: violence at easy one of those videos. We've been talking

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Speaker 1: about an incident of violence at the Oscars all week long.

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Speaker 1: So saluted them both from New York and then you

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Speaker 1: know they know how to touch the town. And Cardy

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Speaker 1: B as a zillion one b X dudes and Nikki

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Speaker 1: got a zillion one Queen's dude, so I'm sure they

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Speaker 1: were safe. But then they started trolling Cardy and said

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Speaker 1: the only reason that Cardy was out recording her video

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Speaker 1: was because Nicky was. I didn't see none of this.

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Speaker 1: The producer just told me, so. Cardy B actually responded,

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Speaker 1: I've been trying to be nice, are trying to keep peaceful,

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Speaker 1: but y'all not gonna keep playing me, And let me

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Speaker 1: say something. February twenty fifth, that's when Ka Flag managers

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Speaker 1: at me a cool. I'll see that, right, y'a'll be

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Speaker 1: acting like I'll be moving on people's time, and I'll

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Speaker 1: move on party B time. And I now, y'all see

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Speaker 1: the dates right here. Let me make it really nice

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Speaker 1: and clear for you. Now, y'all said that it's March fifth, right, Now,

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Speaker 1: here's Cardi vocals. That's a little rough, all right, that's

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Speaker 1: March fifteen. At the end of the day, Cardi B

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Speaker 1: was working, Cardi B was rehearsing for a movie. Cardi

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Speaker 1: B was doing Facebook. Cardi B even had to go

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Speaker 1: to Europe for deal. Like what, Barty, stop explaining yourself

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Speaker 1: to people. Okay, the Internet cannot have a hold on

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Speaker 1: your brain in that way. I wish I would explain

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Speaker 1: myself to a bunch of folks that don't know me.

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Speaker 1: All right, Bartie, they are committed to misunderstanding you, they

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Speaker 1: are committed to not liking you. Why are you explaining

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Speaker 1: yourself to them? Stop? But I'm just happy they're both

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Speaker 1: back recording and shooting videos in the same way. You know,

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Speaker 1: Cardi moves on our own time. Don't give them people

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Speaker 1: none of your time. You know the truth, you know

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Speaker 1: you know the truth. Like who cares what they think?

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Speaker 1: They're gonna talk anyway? Absolutely now Black China. She was

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Speaker 1: in the news yesterday. She posted on Twitter yesterday I

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Speaker 1: had to give up three of my cars, my reasons, morals, beliefs,

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Speaker 1: being a single mother, no support, I'm a mama that

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Speaker 1: She posted single, no support, child support, then she put

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Speaker 1: practicing gratitude or Tiger responded, I paid forty thousand a

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Speaker 1: year for my son's school and he lives with me

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Speaker 1: Monday through Saturday. Why would I pay child support? Laugh

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Speaker 1: out loud? Oh, City Boys up seven hundred points for

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00:18:15,800 --> 00:18:18,480
Speaker 1: that one. That was a nice one. Rob Kardashian posted,

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Speaker 1: I paid thirty seven thousand a year for my daughter's school.

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Speaker 1: I can't do every single medical expense. I paid for

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Speaker 1: all of her activities, and I have my daughter from

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Speaker 1: Tuesday to Saturday. Why would I pay child support? City

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Speaker 1: Boys up another seven hundred points. That's fourteen points in

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Speaker 1: the checkmate right there. Tiger responded, how you paid three

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Speaker 1: thousand less than me? Let me head get on the phone, Kings,

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Speaker 1: get on the phone with each other, and let's talk

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Speaker 1: about it. Let's discuss, Okay, the best route to pay

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00:18:45,640 --> 00:18:48,840
Speaker 1: less money when it comes to your children. Okay, but

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Speaker 1: at least stay there for these children. She did she reply?

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Speaker 1: And anyway she didn't respond. Hey man, Hey, now, I

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Speaker 1: don't see nothing wrong with that comment. I don't see nothing.

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Speaker 1: She spoke, you know, what was her truth and they

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Speaker 1: spoke that. Okay, made the best truth win. There you go. Now,

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Speaker 1: shout out to Mayno. You know Mayno has the Kitchen

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Speaker 1: Talk of podcast. It was just picked up on Fox Soul.

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Speaker 1: A smooth to Mayno. All right, so he has that

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Speaker 1: begins on April fourth. He has Angie Martinez, Fat Joe,

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Speaker 1: Remy mar dj MV, that guy. Oh yeah, that's gonna

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Speaker 1: be a great episode. And they're all gonna be on

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Speaker 1: the program this year. So congratulations and shout out to

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Speaker 1: Mayno on his Fox Soul deal. Hold on to today

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00:19:27,119 --> 00:19:30,080
Speaker 1: license the content that he already put out or this

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Speaker 1: is new shows. I didn't sign off in anything, but

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Speaker 1: I guess it's uh the content that he put out already.

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00:19:35,440 --> 00:19:37,760
Speaker 1: You you you're gonna sign off? Yeah, Mayno's the homie.

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Speaker 1: Yeah yeah, Mayno slaps Manoe slapped me, but I'm sure

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00:19:42,119 --> 00:19:44,040
Speaker 1: Chris Rocks had. I wouldn't slap you now because it's

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00:19:44,040 --> 00:19:45,760
Speaker 1: all that Beijing you got on your Shut up man,

408
00:19:46,000 --> 00:19:47,679
Speaker 1: I wouldn't want you know, at least a lot of evidence.

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00:19:47,880 --> 00:19:49,800
Speaker 1: Shut up, slap you on the face now, I gotta

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Speaker 1: do fingerprints, you know. Shut up? And lastly, now, Bruce Willis,

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Speaker 1: Bruce Willis is stepping away from acting for a little

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Speaker 1: bit after am I saying this? Right? Pronounced this? Say

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Speaker 1: it loud? Let me see. It's sound like a phasia,

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00:20:06,880 --> 00:20:08,560
Speaker 1: but I'm not sure. Let me give it a try.

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00:20:09,840 --> 00:20:12,560
Speaker 1: Where's it that top? Put your glasses off? No, it

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00:20:12,560 --> 00:20:16,560
Speaker 1: look like a Disney character. I can't pronounce that spellative

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00:20:16,600 --> 00:20:19,159
Speaker 1: to the people, right, A p h A s A

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00:20:19,359 --> 00:20:22,159
Speaker 1: y aha. Phasia. I think it's a phaia. I know

419
00:20:22,280 --> 00:20:24,959
Speaker 1: her too, you know, yeah, well, a phasia is when

420
00:20:25,000 --> 00:20:28,760
Speaker 1: you have the difficulty of speaking and comprehending. That's horrible, man, man,

421
00:20:28,840 --> 00:20:31,600
Speaker 1: Bruce Bruce Willis is sixty seven. That's a young sixty seven,

422
00:20:31,640 --> 00:20:33,640
Speaker 1: A young nowadays, you know what I'm saying. I don't

423
00:20:33,640 --> 00:20:35,600
Speaker 1: want to start losing my memory ever, but definitely not

424
00:20:35,720 --> 00:20:38,320
Speaker 1: at sixty seven. They said you start getting these when

425
00:20:38,400 --> 00:20:42,040
Speaker 1: you someone uses gipperish or can only speak in short spurts.

426
00:20:43,640 --> 00:20:45,679
Speaker 1: So he's stepping away for a little bit. And they

427
00:20:45,720 --> 00:20:48,800
Speaker 1: said this usually happens due to an injury of the brain.

428
00:20:49,480 --> 00:20:53,800
Speaker 1: Damn man, So what he had, like some brain trauma

429
00:20:53,800 --> 00:20:55,240
Speaker 1: at some point in his life. I don't know. And

430
00:20:55,280 --> 00:20:56,680
Speaker 1: when they say injury of the brain, was it a

431
00:20:56,800 --> 00:20:59,320
Speaker 1: recent injury or something that happened to him before, Like

432
00:20:59,320 --> 00:21:01,040
Speaker 1: I want to know more about it. They're not. I'm saying.

433
00:21:01,080 --> 00:21:03,600
Speaker 1: They said the diagnosis is confirmed with an MRI or

434
00:21:03,720 --> 00:21:06,439
Speaker 1: CT scans. Uh, And he's stepping away for a little bit.

435
00:21:06,800 --> 00:21:08,359
Speaker 1: I thought that was a form of dimension. I don't know.

436
00:21:08,359 --> 00:21:09,920
Speaker 1: I mean, I guess when I just saw what the

437
00:21:11,040 --> 00:21:13,920
Speaker 1: conditions were, it is a form of dimension. Okay, what

438
00:21:13,960 --> 00:21:16,879
Speaker 1: you said, the missions not called my brain. I'm just

439
00:21:16,920 --> 00:21:18,359
Speaker 1: telling you what they tell me. And I don't know.

440
00:21:18,440 --> 00:21:20,400
Speaker 1: I'm just asking. I really, I'm not a doctor. I'm

441
00:21:20,400 --> 00:21:23,080
Speaker 1: not a Kennedy. Like my mother in law had dementia

442
00:21:23,440 --> 00:21:26,000
Speaker 1: and she got hus from a car accident. Somebody ran

443
00:21:26,040 --> 00:21:28,280
Speaker 1: into the back of her car, and you know, when

444
00:21:28,320 --> 00:21:30,920
Speaker 1: she went to the hospital and whatever, they had to

445
00:21:31,280 --> 00:21:34,239
Speaker 1: fix her back. But that's how hustar that accident from

446
00:21:34,280 --> 00:21:37,400
Speaker 1: that car accident. Man, that's horrible. Man, definitely sending healing

447
00:21:37,480 --> 00:21:39,960
Speaker 1: energy to Bruce Willis. All right, well that is your

448
00:21:40,040 --> 00:21:41,679
Speaker 1: room of report. Now when we come back, we got

449
00:21:41,760 --> 00:21:44,720
Speaker 1: front page news. Joe Biden. He's gonna try to help

450
00:21:44,800 --> 00:21:47,400
Speaker 1: you guys with the gas. He's gonna release some barrels.

451
00:21:47,440 --> 00:21:49,600
Speaker 1: So we'll explain that and break that down when we

452
00:21:49,680 --> 00:21:53,520
Speaker 1: come back. Now. Also, oh man, today is I hate

453
00:21:53,520 --> 00:21:56,640
Speaker 1: to say anniversary is the anniversary of Nipsey's passing. Yeah,

454
00:21:56,720 --> 00:21:59,359
Speaker 1: one time for the late great Nipsey hustle man, sending

455
00:21:59,440 --> 00:22:01,440
Speaker 1: healing energy his team, in his whole family. It has

456
00:22:01,480 --> 00:22:04,119
Speaker 1: been three years since he's he's transitioned, that's right, and

457
00:22:04,200 --> 00:22:07,960
Speaker 1: we miss his energy physically, but we were forever Philage spiritually.

458
00:22:08,119 --> 00:22:09,959
Speaker 1: That's right. So let's get on the Nipsey. Come on, man,

459
00:22:10,000 --> 00:22:11,520
Speaker 1: what we're gonna play. What we're gonna play. Let's do

460
00:22:11,560 --> 00:22:14,520
Speaker 1: Victory Lap Classic Record. This is the first song off

461
00:22:15,320 --> 00:22:17,919
Speaker 1: off the Victory Lap Lap album Classic Record. Right here,

462
00:22:17,960 --> 00:22:19,879
Speaker 1: all right, it's a breakfast club. Come on here, so

463
00:22:20,080 --> 00:22:24,120
Speaker 1: breakfast club. Your mornings will never be the same. Hey,

464
00:22:24,200 --> 00:22:26,280
Speaker 1: it's Angela Ye have you taken a look at the

465
00:22:26,359 --> 00:22:29,120
Speaker 1: General insurance lately. Switch to the General and you could

466
00:22:29,119 --> 00:22:31,840
Speaker 1: say over five hundred dollars on your current insurance. Call

467
00:22:31,920 --> 00:22:34,200
Speaker 1: eight hundred General or visit the General dot com. The

468
00:22:34,280 --> 00:22:37,919
Speaker 1: General Auto Insurance Services, Inc. An insurance agency Nashville, Tennessee.

469
00:22:38,000 --> 00:22:44,359
Speaker 1: Some restrictions apply. Yeah, man, three years today since Nipsey transitioned.

470
00:22:45,119 --> 00:22:47,680
Speaker 1: We miss his energy physically, but we'll forever feel a

471
00:22:47,760 --> 00:22:51,080
Speaker 1: spiritually love that record right there. Find your purpose? Are

472
00:22:51,119 --> 00:22:56,160
Speaker 1: you wasting air? Morning? Everybody is DJ Envy angeluyis Charlomagne

473
00:22:56,200 --> 00:22:58,160
Speaker 1: the guy we are the breakfast Club's get into front

474
00:22:58,160 --> 00:23:02,680
Speaker 1: page news. Now. With gas prices hitting the record high,

475
00:23:03,040 --> 00:23:05,120
Speaker 1: a lot of states are taken off the gas tax

476
00:23:05,240 --> 00:23:07,200
Speaker 1: to lower the taxes being to lower the prices a

477
00:23:07,240 --> 00:23:10,240
Speaker 1: little bit. But now Biden is considering releasing a record

478
00:23:10,280 --> 00:23:12,800
Speaker 1: amount of oil from the US reserves. They have six

479
00:23:12,960 --> 00:23:17,000
Speaker 1: hundred million barrels of crude oil stored in the underground

480
00:23:17,080 --> 00:23:20,399
Speaker 1: caverns in Louisiana and Texas. They're gonna crack open the

481
00:23:20,440 --> 00:23:23,520
Speaker 1: emergency supply. You over here hiding things, Biden answer to that.

482
00:23:23,640 --> 00:23:26,440
Speaker 1: What they're saying is they're gonna hopefully start releasing around

483
00:23:26,440 --> 00:23:29,600
Speaker 1: a million barrels per days. What's cracking because we've been

484
00:23:29,640 --> 00:23:32,760
Speaker 1: out keeping out here, spending seven dollars a gallon on gas,

485
00:23:33,000 --> 00:23:35,919
Speaker 1: and you've been hiding the stash, six hundred million barrels.

486
00:23:35,920 --> 00:23:39,000
Speaker 1: You've been hiding the stash. You got a stash, and

487
00:23:39,080 --> 00:23:41,520
Speaker 1: you ain't tell us, ain't tell nobody. What's up? Man,

488
00:23:42,119 --> 00:23:45,399
Speaker 1: Come on, lower these gas prices. That's ridiculous. And then

489
00:23:45,440 --> 00:23:47,439
Speaker 1: what if you tell people? Ever didn't nothing? Do it? Now?

490
00:23:47,640 --> 00:23:49,880
Speaker 1: Now he's gonna start doing that. Gas prices are ridiculous

491
00:23:49,960 --> 00:23:52,720
Speaker 1: now they absolutely eight dollars and ninety seven cents a gallon.

492
00:23:53,480 --> 00:23:55,520
Speaker 1: Now I made that up, but it might as well

493
00:23:55,600 --> 00:23:58,760
Speaker 1: be now six dollars in some places now, Putin fields

494
00:23:58,760 --> 00:24:04,240
Speaker 1: the Russian military misled him, nat who says the first

495
00:24:04,240 --> 00:24:06,560
Speaker 1: they said they're gonna start pulling back, but the bombs

496
00:24:06,640 --> 00:24:09,240
Speaker 1: keep dropping in Ukraine. They also believe that Russian military

497
00:24:09,359 --> 00:24:12,440
Speaker 1: units are taking a beating and that Russian militaries is

498
00:24:12,480 --> 00:24:15,280
Speaker 1: not as strong as Putin believed they were. If if

499
00:24:15,359 --> 00:24:17,119
Speaker 1: mister Putin is being kept in the dark by his

500
00:24:17,200 --> 00:24:21,720
Speaker 1: Ministry of Defense, when he does learn the truth, when

501
00:24:21,760 --> 00:24:25,359
Speaker 1: he actually begins to realize how badly his military is

502
00:24:25,440 --> 00:24:27,959
Speaker 1: doing in Ukraine. You don't know what kind of reaction

503
00:24:28,040 --> 00:24:30,000
Speaker 1: that's going to of causing him. They say he's getting

504
00:24:30,000 --> 00:24:31,840
Speaker 1: his ass handed and doesn't know what to do. I know,

505
00:24:32,000 --> 00:24:33,879
Speaker 1: Ukraine's so mad at Will Smith. Do they even know

506
00:24:33,920 --> 00:24:35,639
Speaker 1: the oscars happened? Are they wondering why they got so

507
00:24:35,760 --> 00:24:38,720
Speaker 1: quietened him this week? Yeah? Because the no internet social

508
00:24:38,760 --> 00:24:40,800
Speaker 1: media over there. Yeah, they don't even know that. They're

509
00:24:40,800 --> 00:24:42,920
Speaker 1: wondering why nobody from the US responding this week? It's

510
00:24:43,080 --> 00:24:47,320
Speaker 1: more pressing issues. Okay, all right, Will Smith and Chris

511
00:24:47,480 --> 00:24:49,760
Speaker 1: Rock got into it at the oscars. That right, We

512
00:24:49,880 --> 00:24:52,960
Speaker 1: get back to you this weekend. They made they can't

513
00:24:53,000 --> 00:24:56,120
Speaker 1: hear us No. Now a governor of Arizona, it looks

514
00:24:56,119 --> 00:24:57,960
Speaker 1: like he signs a couple of new bills. One is

515
00:24:58,000 --> 00:25:03,600
Speaker 1: restriction or restricting abortions, fifteen week abortion, restricting trans athletes,

516
00:25:03,680 --> 00:25:08,800
Speaker 1: and also requiring voters to prove citizenship. So now two

517
00:25:08,880 --> 00:25:11,680
Speaker 1: hundred thousand people. It will affect those people because a

518
00:25:11,720 --> 00:25:14,040
Speaker 1: lot of them don't have the next the necessary proof

519
00:25:14,119 --> 00:25:16,680
Speaker 1: of citizenship, so a lot of those people will not

520
00:25:16,800 --> 00:25:19,560
Speaker 1: be able to vote in the next presidential election. That's

521
00:25:19,600 --> 00:25:22,119
Speaker 1: not the only state that did that there was nineteen

522
00:25:22,200 --> 00:25:24,879
Speaker 1: other states that did that already. Was the nineteen nineteen

523
00:25:24,920 --> 00:25:28,040
Speaker 1: other states did that already. It's been nineteen other states

524
00:25:28,080 --> 00:25:32,280
Speaker 1: that have implemented voter suppression lass. And meanwhile, John lewis

525
00:25:32,359 --> 00:25:35,080
Speaker 1: voting right. Jack is still sitting on the table. Meanwhile,

526
00:25:35,240 --> 00:25:36,879
Speaker 1: you know their course of action is going to be

527
00:25:36,960 --> 00:25:39,080
Speaker 1: to tell us to go out there and vote in

528
00:25:39,920 --> 00:25:42,720
Speaker 1: large numbers. We're gonna need the largest voter turnout in

529
00:25:42,800 --> 00:25:45,800
Speaker 1: American history in the mid terms. You know, to to

530
00:25:46,080 --> 00:25:48,440
Speaker 1: fight voter suppression. No, how about you know, fight voter

531
00:25:48,480 --> 00:25:51,200
Speaker 1: suppression through legislation. How about that? And they believe the

532
00:25:52,080 --> 00:25:56,320
Speaker 1: trans athlete bill was after swimmer Leah Thomas, who won

533
00:25:56,320 --> 00:25:59,159
Speaker 1: an individual title at NCAA Women's Division one Swimming and

534
00:25:59,240 --> 00:26:03,520
Speaker 1: Diving Championship last week. They believe she was first on

535
00:26:03,720 --> 00:26:05,600
Speaker 1: the men's team, and when she was on the men's team,

536
00:26:05,800 --> 00:26:09,159
Speaker 1: they believe he was four hundred and sixty two, and

537
00:26:10,400 --> 00:26:13,600
Speaker 1: when she swam on the women's team, she was number one. Now,

538
00:26:13,640 --> 00:26:16,920
Speaker 1: what's that, Billigain? It just bands translman from competing in

539
00:26:17,280 --> 00:26:20,719
Speaker 1: women's sports. Yeah, I'm attract the athletes, yep. Not mad

540
00:26:20,720 --> 00:26:23,080
Speaker 1: at that one. We can debate it. I'm not mad

541
00:26:23,119 --> 00:26:25,359
Speaker 1: at that one at all. All right, well that is

542
00:26:26,400 --> 00:26:29,800
Speaker 1: your front page news. Now when we come back. Who's

543
00:26:29,840 --> 00:26:33,040
Speaker 1: joining us Omar, Omar Epps in Charles Murray. Okay, they

544
00:26:33,080 --> 00:26:35,520
Speaker 1: got a new movie coming out this weekend called The Devil.

545
00:26:35,640 --> 00:26:38,119
Speaker 1: You know it's in theaters tomorrow actually right. You know

546
00:26:38,200 --> 00:26:40,440
Speaker 1: Omar Epps from a host of movies from the PowerBook

547
00:26:40,480 --> 00:26:44,760
Speaker 1: series to Juice to Loving Basketball and Charles Murray. He

548
00:26:44,840 --> 00:26:50,320
Speaker 1: directed Luke Cage, Son of Anarchy. He was a producer

549
00:26:50,400 --> 00:26:53,040
Speaker 1: on Luke Cage Sons of man Archy. Um, a lot

550
00:26:53,119 --> 00:26:54,679
Speaker 1: of stuff. Yeah, so we'll talk to him both when

551
00:26:54,680 --> 00:26:56,280
Speaker 1: we come back, So don't move. It's to Breakfast Club

552
00:26:56,320 --> 00:27:02,920
Speaker 1: The Morning, the Breakfast Club, Power one O five one

553
00:27:03,800 --> 00:27:08,080
Speaker 1: the Breakfast Club, Angela ye and Charlemagne the guy who

554
00:27:08,119 --> 00:27:12,199
Speaker 1: wanting everybody is DJ Envy and Angela yee, Charlemagne the guy.

555
00:27:12,280 --> 00:27:14,240
Speaker 1: We are to Breakfast Club. We got some special guests

556
00:27:14,320 --> 00:27:18,320
Speaker 1: joining us today. Got the good brother Omar Epps, Yes, indeed.

557
00:27:18,560 --> 00:27:22,240
Speaker 1: And now we have director and writer Charles Murray as well.

558
00:27:24,720 --> 00:27:27,400
Speaker 1: They are executive producing and starting in the upcoming movie

559
00:27:27,600 --> 00:27:30,240
Speaker 1: movie The Devil. You know, Yeah, what's that about? I

560
00:27:30,280 --> 00:27:34,080
Speaker 1: think It's a beautiful piece that Charles constructed, wrote and directed.

561
00:27:34,080 --> 00:27:40,000
Speaker 1: It's a film about family, brotherhood, morality, redemption, and it's

562
00:27:40,320 --> 00:27:43,840
Speaker 1: intentionally told through the lens of our blackness. Got a

563
00:27:43,880 --> 00:27:47,240
Speaker 1: different movie coming about twenty thirty years ago, just watching

564
00:27:47,359 --> 00:27:49,920
Speaker 1: my family and thinking that these people would be good

565
00:27:50,200 --> 00:27:52,640
Speaker 1: for like a movie or something like that, and then

566
00:27:52,840 --> 00:27:57,040
Speaker 1: the conversation about snitching came up. So if I was

567
00:27:57,119 --> 00:27:59,680
Speaker 1: to do a movie about snitching, it would normally go

568
00:28:00,320 --> 00:28:02,760
Speaker 1: somebody snitches and then your friend tries to stop you.

569
00:28:02,880 --> 00:28:05,000
Speaker 1: And I was like, well, what would that dynamic be

570
00:28:05,760 --> 00:28:09,280
Speaker 1: if it was the family that had to deal with it.

571
00:28:09,560 --> 00:28:13,000
Speaker 1: Oh you mean, like somebody in the family snitch? Yeah, yeah, yeah, yeah, yeah.

572
00:28:13,359 --> 00:28:15,639
Speaker 1: Did it happened to you? It was that the situation. No, no, no,

573
00:28:15,960 --> 00:28:18,160
Speaker 1: I mean you know, but I come from Gary, Indiana,

574
00:28:19,000 --> 00:28:21,040
Speaker 1: you know, which was the murder capital or the United

575
00:28:21,040 --> 00:28:23,280
Speaker 1: States for ten years, so you know, there was a

576
00:28:23,320 --> 00:28:25,720
Speaker 1: whole lot of you don't tell on anybody, you don't

577
00:28:25,760 --> 00:28:27,280
Speaker 1: do this, you don't do that. And I'm like, yeah,

578
00:28:27,320 --> 00:28:30,120
Speaker 1: but what if they did something heinous? And the fact

579
00:28:30,200 --> 00:28:34,320
Speaker 1: that that was always a big conversation was interesting to me,

580
00:28:34,800 --> 00:28:38,440
Speaker 1: and what would lead somebody to do it on snitching individually.

581
00:28:38,480 --> 00:28:41,440
Speaker 1: We start with you, Charles. You know, it's it's a

582
00:28:41,680 --> 00:28:44,400
Speaker 1: case by case, you know. I feel like anybody who

583
00:28:44,520 --> 00:28:46,800
Speaker 1: draws a hard line, you got to think about what

584
00:28:46,880 --> 00:28:49,520
Speaker 1: if that was your family that something had happened too.

585
00:28:50,200 --> 00:28:52,800
Speaker 1: But if it's my brother, I'm going to have a

586
00:28:52,840 --> 00:28:54,920
Speaker 1: lot of thoughts about it. You know, it runs deep

587
00:28:55,000 --> 00:28:58,080
Speaker 1: in our community because it really goes back to slavery

588
00:28:58,280 --> 00:29:00,360
Speaker 1: in us trying to look out for each other, and

589
00:29:00,440 --> 00:29:02,880
Speaker 1: we handle and police our own you know what I'm saying.

590
00:29:03,120 --> 00:29:05,400
Speaker 1: But where we are now, I know it's the whole

591
00:29:05,480 --> 00:29:08,600
Speaker 1: conversation in the culture about if it's a civilian or

592
00:29:08,680 --> 00:29:10,960
Speaker 1: this that any other. It's like, yeah, it's I think

593
00:29:11,080 --> 00:29:15,200
Speaker 1: everything is relative to the circumstance. Nobody knows. That's what's

594
00:29:15,200 --> 00:29:18,560
Speaker 1: exciting about this film is it's exploring this theme of

595
00:29:18,840 --> 00:29:21,880
Speaker 1: what do you do in that moment? Nobody knows what

596
00:29:21,960 --> 00:29:24,040
Speaker 1: they're gonna do until they face with it, you know

597
00:29:24,080 --> 00:29:25,960
Speaker 1: what I'm saying. So obviously it's like, yeah, if you're

598
00:29:25,960 --> 00:29:27,560
Speaker 1: in the street game and out of the lae, yeah,

599
00:29:27,560 --> 00:29:29,720
Speaker 1: the rules that apply, So that's easy. That's the easy part.

600
00:29:30,160 --> 00:29:32,120
Speaker 1: But if you rob miss Johnson up the block and

601
00:29:32,560 --> 00:29:34,440
Speaker 1: these young casts out here, you know, they gott to

602
00:29:34,520 --> 00:29:36,200
Speaker 1: tone it down a bit. You knock over the head,

603
00:29:36,280 --> 00:29:39,560
Speaker 1: she's seventy year old lady, and somebody saw. Yeah what

604
00:29:39,720 --> 00:29:42,160
Speaker 1: you expected to be? Yeah, I'm all about crime prevention.

605
00:29:42,280 --> 00:29:45,040
Speaker 1: That's what I call it. I don't even know why

606
00:29:45,400 --> 00:29:48,320
Speaker 1: civilians have that conversation, Like what does it matter? If

607
00:29:48,400 --> 00:29:50,840
Speaker 1: I see something and I say something, I should say

608
00:29:50,920 --> 00:29:52,400
Speaker 1: something like you said. If I see an old lady

609
00:29:52,440 --> 00:29:55,200
Speaker 1: get knocked upside the head, if I don't interview myself,

610
00:29:55,520 --> 00:29:56,920
Speaker 1: if I see the due running up the block and

611
00:29:56,920 --> 00:29:58,880
Speaker 1: the com coments you see somebody, you got damn right.

612
00:29:58,920 --> 00:30:01,440
Speaker 1: I thought somebody he went that you wear such as such,

613
00:30:01,800 --> 00:30:04,000
Speaker 1: especially because you don't want the cops to stop at you.

614
00:30:05,000 --> 00:30:07,040
Speaker 1: I say, That's what I'm gonna say, to be fair.

615
00:30:07,120 --> 00:30:09,800
Speaker 1: It's like, I think there's a lot of confusion amongst

616
00:30:09,880 --> 00:30:13,120
Speaker 1: the culture in the community because there's been instances of

617
00:30:13,360 --> 00:30:16,320
Speaker 1: innocent people trying to do the right thing and police

618
00:30:16,360 --> 00:30:18,680
Speaker 1: going them. I remember seeing somebody get hit by a

619
00:30:18,720 --> 00:30:20,960
Speaker 1: car on Queen's Boulevard and I called police, and the

620
00:30:21,040 --> 00:30:23,200
Speaker 1: way they harassed me made me feel like I did

621
00:30:23,240 --> 00:30:26,120
Speaker 1: the accent yeah, what were you driving? Where were you leaving?

622
00:30:26,160 --> 00:30:27,800
Speaker 1: I'm like, done of that matters. I've just seen hi

623
00:30:27,800 --> 00:30:30,120
Speaker 1: brother get hit, Like give him an ambulance. And because

624
00:30:30,160 --> 00:30:31,840
Speaker 1: of that, Now, if I see somebody else get hit,

625
00:30:31,840 --> 00:30:33,720
Speaker 1: what I call the police? Because the way they harassed me,

626
00:30:33,840 --> 00:30:35,760
Speaker 1: keen in my crib and all that, I'm like, I

627
00:30:35,800 --> 00:30:37,960
Speaker 1: would have to take us a second to think about

628
00:30:38,280 --> 00:30:39,920
Speaker 1: what I helped that person? What I called the police

629
00:30:39,920 --> 00:30:40,960
Speaker 1: for that person? Again? You know what I mean? So

630
00:30:41,200 --> 00:30:43,360
Speaker 1: it is what it is. And then the complicate matters.

631
00:30:44,080 --> 00:30:46,760
Speaker 1: His character is the black sheep of the family, right,

632
00:30:46,920 --> 00:30:50,120
Speaker 1: and somebody who's done jail time and is recently out

633
00:30:50,200 --> 00:30:52,560
Speaker 1: of rehab. I'm still in rehab actually, yeah, And so

634
00:30:52,840 --> 00:30:56,600
Speaker 1: he has been the problematic issue in the family. So

635
00:30:56,760 --> 00:31:00,440
Speaker 1: they've surrounded him and then that's put on him to

636
00:31:00,560 --> 00:31:02,360
Speaker 1: decide whether he needs to do it or not. So

637
00:31:02,720 --> 00:31:04,280
Speaker 1: where do you find the time to do all of

638
00:31:04,360 --> 00:31:07,720
Speaker 1: these movies? Man? You're always doing a movie, doing a show, Like,

639
00:31:07,840 --> 00:31:09,960
Speaker 1: when do you find the time? Bro? I would throw

640
00:31:10,040 --> 00:31:11,760
Speaker 1: that back on you. When do you find the time

641
00:31:11,840 --> 00:31:14,200
Speaker 1: to do what you do? It's dedication. We got this

642
00:31:14,360 --> 00:31:16,800
Speaker 1: one shot at this thing. We know his life and

643
00:31:16,920 --> 00:31:18,840
Speaker 1: this is what we're here to do. And for me,

644
00:31:19,200 --> 00:31:22,120
Speaker 1: the thing that drives me is the power of imagery.

645
00:31:22,520 --> 00:31:25,480
Speaker 1: I finally understand it now after thirty years of his career.

646
00:31:26,040 --> 00:31:29,880
Speaker 1: The power of imagery is everlasting. It's going to outlast me,

647
00:31:30,240 --> 00:31:33,800
Speaker 1: but it can impact the future generations. I'm shocked that

648
00:31:33,880 --> 00:31:36,400
Speaker 1: you say you just realize the power of imagery because

649
00:31:36,400 --> 00:31:39,040
Speaker 1: I think about all the movies I've seen, all my

650
00:31:39,160 --> 00:31:41,880
Speaker 1: epps in growing up have influenced me in something impact.

651
00:31:42,120 --> 00:31:43,640
Speaker 1: I bought it. I went and got a thirty eighth

652
00:31:43,640 --> 00:31:46,400
Speaker 1: snub nose pistol because of juice. You know what I mean.

653
00:31:49,760 --> 00:31:53,160
Speaker 1: I'll say another one. People might get mad at this,

654
00:31:53,320 --> 00:31:56,520
Speaker 1: but the wood to grab the butt get him? Like,

655
00:31:57,240 --> 00:32:01,680
Speaker 1: what when are you going with this? I'm saying. I'm

656
00:32:01,720 --> 00:32:03,800
Speaker 1: just saying, those are things we saw in movies. That

657
00:32:04,600 --> 00:32:09,320
Speaker 1: was athletics, that was that was in the seventies, right, God,

658
00:32:09,440 --> 00:32:11,560
Speaker 1: the one you remember the what when it was like,

659
00:32:11,640 --> 00:32:13,240
Speaker 1: y'all bet you wanna grab a butter day to grab

660
00:32:13,280 --> 00:32:16,160
Speaker 1: a butt? Okay, I get it. I was talking about

661
00:32:16,400 --> 00:32:19,000
Speaker 1: I'll never know because you always go somewhere life. So

662
00:32:20,400 --> 00:32:24,240
Speaker 1: I was like, no, no, no, no, but you know what,

663
00:32:24,520 --> 00:32:26,400
Speaker 1: but think about this like I did Juice when I

664
00:32:26,480 --> 00:32:30,280
Speaker 1: was seventeen years old. Damn, everything that was happening was

665
00:32:30,360 --> 00:32:34,800
Speaker 1: surreal to me. So I'm not thinking in those moments, oh,

666
00:32:35,280 --> 00:32:37,520
Speaker 1: thirty years from now, people still gonna be talking about this.

667
00:32:38,080 --> 00:32:40,600
Speaker 1: You didn't watching it? You know who probably did? Think

668
00:32:40,640 --> 00:32:43,440
Speaker 1: that was Tupac. He was only two years older than me,

669
00:32:43,560 --> 00:32:45,479
Speaker 1: you know what I'm saying. But he was just plugged

670
00:32:45,520 --> 00:32:48,160
Speaker 1: in in a way of everything that we're doing as

671
00:32:48,280 --> 00:32:52,880
Speaker 1: artists is gonna outlive us. Now, your wife with your wife,

672
00:32:53,280 --> 00:32:55,720
Speaker 1: because not just as your wife, your daughter didn't for

673
00:32:55,840 --> 00:32:57,719
Speaker 1: the movie too. Yeah, so my wife this is her

674
00:32:57,800 --> 00:32:59,719
Speaker 1: first film, but she's been putting in the work too.

675
00:32:59,800 --> 00:33:03,160
Speaker 1: She's been training with the great Tasha Smith. And it

676
00:33:03,320 --> 00:33:06,560
Speaker 1: just came about organically, like as as we were trying

677
00:33:06,560 --> 00:33:08,040
Speaker 1: to figure out, well, who could be good for this,

678
00:33:08,200 --> 00:33:10,280
Speaker 1: one day, Charles calls me like, you know, it would

679
00:33:10,320 --> 00:33:12,080
Speaker 1: be good for this role and I'm like, who, He's

680
00:33:12,080 --> 00:33:14,240
Speaker 1: like your wife? And I was like, damn, I should

681
00:33:14,240 --> 00:33:17,040
Speaker 1: have thought of that, you know. And then even with

682
00:33:17,120 --> 00:33:18,680
Speaker 1: the music thing, because we did it on a shoe

683
00:33:18,680 --> 00:33:22,000
Speaker 1: string budget, so you know, we would be having conversations

684
00:33:22,080 --> 00:33:24,480
Speaker 1: and I was just like you know, do about music

685
00:33:24,560 --> 00:33:27,520
Speaker 1: and which scenes you want songs in and stuff like that.

686
00:33:27,680 --> 00:33:30,760
Speaker 1: And he was like, because my daughter, Kamari, my youngest daughter,

687
00:33:30,840 --> 00:33:34,479
Speaker 1: she's an inspiring singer songwriter. And he was like, well,

688
00:33:34,560 --> 00:33:36,880
Speaker 1: we'll figure something out. Just let them cook something up.

689
00:33:36,960 --> 00:33:39,680
Speaker 1: So he and my wife went and cooked up something

690
00:33:40,240 --> 00:33:45,400
Speaker 1: fire and she has two songs. YEA. From an actor perspective,

691
00:33:45,560 --> 00:33:48,560
Speaker 1: she plays your assistant law system. So that's a different

692
00:33:48,640 --> 00:33:51,520
Speaker 1: dynamic from wife. So how did that change when you're acting?

693
00:33:51,560 --> 00:33:53,240
Speaker 1: What do you how do you adjust? For me? There

694
00:33:53,320 --> 00:33:55,800
Speaker 1: was no adjustment. It was more about, you know, making

695
00:33:55,840 --> 00:33:57,920
Speaker 1: her feel comfortable and that was one of the other things.

696
00:33:58,000 --> 00:33:59,880
Speaker 1: And Charles is a big part of that in terms

697
00:33:59,920 --> 00:34:02,960
Speaker 1: of creating an environment on set, not only with the

698
00:34:03,040 --> 00:34:06,640
Speaker 1: cast but with the crew. In a professional aspect, I was,

699
00:34:06,800 --> 00:34:09,400
Speaker 1: you know, hands off, like that's his job. Like you know,

700
00:34:09,480 --> 00:34:11,520
Speaker 1: I would see things like we're doing certain scenes, but

701
00:34:11,600 --> 00:34:14,239
Speaker 1: I'm like, I ain't trying to have an argument when

702
00:34:14,280 --> 00:34:16,840
Speaker 1: we wrap. You never said that, babe. You know you

703
00:34:16,880 --> 00:34:19,560
Speaker 1: could do this, Betty Nah, I just you know, I

704
00:34:19,640 --> 00:34:22,440
Speaker 1: just said it was like, that's not my job. I

705
00:34:22,520 --> 00:34:25,040
Speaker 1: saw on the Today Show with holding Jena you said

706
00:34:25,080 --> 00:34:28,799
Speaker 1: that taking breaking up off the table. Yeah, helped your

707
00:34:28,880 --> 00:34:31,520
Speaker 1: marriage expand on it. It's as simple as that. Like,

708
00:34:31,719 --> 00:34:35,000
Speaker 1: when you take breaking up off the table, it changes

709
00:34:35,320 --> 00:34:38,680
Speaker 1: the whole dynamic of how you deal with conflict. It's

710
00:34:38,719 --> 00:34:41,319
Speaker 1: not about the happy times, it's about when the turbulences

711
00:34:41,560 --> 00:34:44,719
Speaker 1: is there. And for me, it really impacted me, like

712
00:34:44,760 --> 00:34:46,320
Speaker 1: because you don't have that car to pull out no

713
00:34:46,400 --> 00:34:50,919
Speaker 1: more saying you know what I mean. So it's this argument, conflict, misunderstanding,

714
00:34:50,960 --> 00:34:54,600
Speaker 1: whatever it is you're handling, handling it in a way

715
00:34:54,719 --> 00:34:57,799
Speaker 1: and where, well we're gonna be together after this where

716
00:34:57,800 --> 00:34:59,800
Speaker 1: I feel like in a lot of relationships, to pacing

717
00:35:00,080 --> 00:35:02,120
Speaker 1: it is you could always just like I'm out. It

718
00:35:02,320 --> 00:35:04,359
Speaker 1: is challenging, but I think it's been great for us

719
00:35:04,440 --> 00:35:08,400
Speaker 1: because you just handle things with care if I'm right,

720
00:35:09,000 --> 00:35:11,200
Speaker 1: you know about whatever. But it's all trivial, right. We

721
00:35:11,280 --> 00:35:13,200
Speaker 1: have a beautiful family. We have so much to be

722
00:35:13,280 --> 00:35:16,799
Speaker 1: thankful for. Let's lean into that. I also operate from

723
00:35:16,840 --> 00:35:19,440
Speaker 1: my ass about God forbid. But if something were to

724
00:35:19,480 --> 00:35:22,800
Speaker 1: happen to me, I want her to be good, you

725
00:35:22,840 --> 00:35:24,680
Speaker 1: know what I'm saying. Obviously I want my kids to

726
00:35:24,719 --> 00:35:27,239
Speaker 1: be good. But it's just like I kind of move

727
00:35:27,360 --> 00:35:29,640
Speaker 1: from that aspect too. We're supposed to go through these

728
00:35:29,680 --> 00:35:31,640
Speaker 1: trials and tribulations, that's a part of life. But when

729
00:35:31,680 --> 00:35:34,040
Speaker 1: you get a partner that's willing to walk through that

730
00:35:34,120 --> 00:35:37,640
Speaker 1: fire with you and still love you, just a blessing

731
00:35:37,680 --> 00:35:39,920
Speaker 1: from God, all right. We got more with Omar Apps

732
00:35:40,000 --> 00:35:42,480
Speaker 1: and directed Charles Murray. So don't move. It's the Breakfast

733
00:35:42,520 --> 00:35:47,960
Speaker 1: Club the Morning putting everybody's DJ envy, Angela Yee, Charlemagne,

734
00:35:48,000 --> 00:35:49,839
Speaker 1: the guy we are. The Breakfast Club was still kicking

735
00:35:49,840 --> 00:35:52,640
Speaker 1: it with Omar Apps and directed Charles or Murray. This

736
00:35:52,800 --> 00:35:55,960
Speaker 1: year is the thirty year anniversary of Juice. Now, with

737
00:35:56,160 --> 00:35:58,799
Speaker 1: all these these makes, would you ever think about doing

738
00:35:58,840 --> 00:36:06,160
Speaker 1: that over? You see? It's really good at what they do. Nah,

739
00:36:06,239 --> 00:36:09,439
Speaker 1: I think you could. You know, there is one film

740
00:36:09,520 --> 00:36:12,080
Speaker 1: that I've done, which I won't say now, but that

741
00:36:12,239 --> 00:36:16,080
Speaker 1: I definitely I could see it, and we're trying to

742
00:36:16,120 --> 00:36:20,960
Speaker 1: put that together. But that's another one low hanging I

743
00:36:21,200 --> 00:36:24,840
Speaker 1: see it now, you know. Me and Gina Prince Blackwood,

744
00:36:24,880 --> 00:36:26,920
Speaker 1: who wrote and directed that, we actually had a conversation

745
00:36:27,000 --> 00:36:29,760
Speaker 1: about that and we both agreed that there's like certain

746
00:36:29,880 --> 00:36:34,200
Speaker 1: songs you just don't touch right, like reasons It's one

747
00:36:34,239 --> 00:36:37,320
Speaker 1: of those songs you just don't cover, don't make a remake,

748
00:36:37,400 --> 00:36:40,080
Speaker 1: just leave it alone. Correct, you know it's saying it's humby.

749
00:36:40,640 --> 00:36:42,200
Speaker 1: You see what I'm saying, But just leave it alone.

750
00:36:42,239 --> 00:36:43,960
Speaker 1: And I think Juice is just one of those films

751
00:36:44,000 --> 00:36:45,880
Speaker 1: that you just leave it alone. I mean, the easy

752
00:36:45,960 --> 00:36:49,360
Speaker 1: it's just low hanging fruit. Like no disrespect to Juice,

753
00:36:49,480 --> 00:36:52,280
Speaker 1: but nah, I mean you could do a new generation version.

754
00:36:52,400 --> 00:36:55,120
Speaker 1: You could be like, oh, Bishop had a baby, nobody

755
00:36:55,160 --> 00:36:58,920
Speaker 1: ever knew about it. It's like it's all too easy.

756
00:36:59,120 --> 00:37:01,640
Speaker 1: It's just like, let's keep progressing because we have so

757
00:37:01,719 --> 00:37:04,560
Speaker 1: many more stories to tell. You know, I'll impact on

758
00:37:04,680 --> 00:37:08,719
Speaker 1: my TV talk show last season, I unpacked Juice from

759
00:37:08,760 --> 00:37:11,520
Speaker 1: a mental health perspective because the older I got, I

760
00:37:11,719 --> 00:37:13,839
Speaker 1: realized how many people in that movie were actually dealing

761
00:37:13,920 --> 00:37:16,680
Speaker 1: with mental health issue, you know what I mean. And

762
00:37:16,719 --> 00:37:20,560
Speaker 1: then I read somewhere that Bishop actually and another version,

763
00:37:20,600 --> 00:37:23,440
Speaker 1: he committed suicide. Who it wasn't that he committed suicide,

764
00:37:23,480 --> 00:37:26,600
Speaker 1: it was does Q drop him intentionally off the roof

765
00:37:26,840 --> 00:37:29,000
Speaker 1: or as we had it in the film, he slipped

766
00:37:29,440 --> 00:37:31,680
Speaker 1: out of his grasp, which I thought was a more

767
00:37:31,760 --> 00:37:34,040
Speaker 1: powerful ending, and they and they talk about you know,

768
00:37:34,080 --> 00:37:36,040
Speaker 1: throughout the whole movie, they talk about being crazy, ply

769
00:37:36,040 --> 00:37:38,240
Speaker 1: being crazy, and they talk about his father being crazy.

770
00:37:38,280 --> 00:37:41,040
Speaker 1: And then bodom As makes mentioned to he got violated

771
00:37:41,080 --> 00:37:42,520
Speaker 1: in jail, so he might have been dealing with those

772
00:37:42,560 --> 00:37:44,000
Speaker 1: type of issues. And it's just like it was so

773
00:37:44,239 --> 00:37:47,680
Speaker 1: much different underlying things we didn't see in Juice at

774
00:37:47,719 --> 00:37:49,520
Speaker 1: the time. And that's why I think it's such a

775
00:37:49,560 --> 00:37:53,200
Speaker 1: beautiful piece, because just planting no seeds and the reason

776
00:37:53,320 --> 00:37:56,080
Speaker 1: loving basketball would be great it's simply because it did

777
00:37:56,239 --> 00:37:58,560
Speaker 1: in almost like you could go anywhere with that. Y'all

778
00:37:58,560 --> 00:38:02,080
Speaker 1: got a family now, people love you Insnive's chemistry on screen.

779
00:38:02,280 --> 00:38:04,200
Speaker 1: You might got a couple of kids that played basketball,

780
00:38:04,520 --> 00:38:06,279
Speaker 1: But I see that's the easy way to go. You

781
00:38:06,320 --> 00:38:08,520
Speaker 1: would have to break that up, like they're not together,

782
00:38:09,120 --> 00:38:11,040
Speaker 1: you know, Yeah, they got a kid, and how does that?

783
00:38:11,480 --> 00:38:13,560
Speaker 1: I don't know. It's just you're right, there's so many

784
00:38:13,600 --> 00:38:15,239
Speaker 1: different ways to go with it. Yeah, so let's just

785
00:38:15,320 --> 00:38:17,120
Speaker 1: leave it alone. Going back to what you were saying

786
00:38:17,160 --> 00:38:19,520
Speaker 1: about mental health, if you think about that run of

787
00:38:19,600 --> 00:38:25,200
Speaker 1: films Jews, Boys in the Hoods, Society's if you look

788
00:38:25,239 --> 00:38:28,439
Speaker 1: at all of those movies they were in distress, that's right. Yeah,

789
00:38:28,480 --> 00:38:31,879
Speaker 1: I had to normalize, right, and that show. I think

790
00:38:32,040 --> 00:38:35,440
Speaker 1: you could say that era of filmmaking for black folks

791
00:38:35,880 --> 00:38:40,120
Speaker 1: was about surviving what was going on around them, you know. So,

792
00:38:40,600 --> 00:38:42,880
Speaker 1: I think that's a really dope idea. That man, that's

793
00:38:42,920 --> 00:38:44,799
Speaker 1: interesting you say that, Chalk, because it's like we were

794
00:38:44,880 --> 00:38:47,200
Speaker 1: looking at those movies it's just culture. But what he

795
00:38:47,320 --> 00:38:50,000
Speaker 1: did was turned our trauma into culture. And at the time,

796
00:38:50,000 --> 00:38:53,320
Speaker 1: I didn't even look at that as trauma. Yeah, Bronx,

797
00:38:53,440 --> 00:38:57,160
Speaker 1: that's where hip hop comes from. Yeah, buildings being torn down,

798
00:38:57,760 --> 00:39:00,200
Speaker 1: music being taken out of the schools that I'm a

799
00:39:00,320 --> 00:39:02,840
Speaker 1: became empower you know. So I think that there's a

800
00:39:02,920 --> 00:39:08,520
Speaker 1: whole art of emotional trauma moving through our art, you know.

801
00:39:08,760 --> 00:39:11,080
Speaker 1: I think that most of it has been about us

802
00:39:11,239 --> 00:39:15,920
Speaker 1: finding a way to find normal I fly a lot now.

803
00:39:15,960 --> 00:39:19,000
Speaker 1: I'm noticing I'm seeing more and more of black movies

804
00:39:19,040 --> 00:39:22,880
Speaker 1: on planes, loving basketball juice. How important is having a

805
00:39:23,000 --> 00:39:25,520
Speaker 1: good attorney when you're doing it, because you have to

806
00:39:25,560 --> 00:39:27,719
Speaker 1: get residuals and all that when the movies pop up

807
00:39:27,760 --> 00:39:31,040
Speaker 1: on planes and all that has to or not or not.

808
00:39:31,440 --> 00:39:33,320
Speaker 1: That's really all you need in this business is a

809
00:39:33,360 --> 00:39:36,000
Speaker 1: good attorney. So you know, obviously at this point I

810
00:39:36,080 --> 00:39:38,680
Speaker 1: know how to read a contract myself. But you know,

811
00:39:38,920 --> 00:39:41,879
Speaker 1: the law game is its own verbiage and blah blah

812
00:39:41,880 --> 00:39:45,200
Speaker 1: blah blah blah. But I'm always like, well, what about this? Oh,

813
00:39:45,480 --> 00:39:47,719
Speaker 1: nobody ever asked for that. Let's say. I mean, the

814
00:39:47,760 --> 00:39:49,759
Speaker 1: worst they can say is no, you know what I mean.

815
00:39:50,120 --> 00:39:53,319
Speaker 1: And at this point in my career, it's like, I'm

816
00:39:53,960 --> 00:39:57,400
Speaker 1: solely about ownership. I have to have a piece of it.

817
00:39:57,840 --> 00:40:00,640
Speaker 1: I don't have to own the whole thing. But you know,

818
00:40:00,880 --> 00:40:03,080
Speaker 1: if something happens to me, this got to go to

819
00:40:03,200 --> 00:40:05,840
Speaker 1: my kids and their kids and so forth and so on.

820
00:40:06,280 --> 00:40:10,359
Speaker 1: And it's really difficult to do in Hollywood. It's way

821
00:40:10,440 --> 00:40:13,319
Speaker 1: easier to do in music. Like with Charles, We've had

822
00:40:13,360 --> 00:40:16,200
Speaker 1: these discussions like this man, if you look at his resume,

823
00:40:16,640 --> 00:40:18,920
Speaker 1: everybody shouldn't know who he is. But the thing is

824
00:40:19,040 --> 00:40:21,200
Speaker 1: he speaks the truth in certain rooms and he makes

825
00:40:21,239 --> 00:40:24,960
Speaker 1: them uncomfortable. So when we had the opportunity, before the

826
00:40:25,040 --> 00:40:27,400
Speaker 1: opportunity came, when we were just talking about it, I

827
00:40:27,560 --> 00:40:29,000
Speaker 1: was like, Yo, I'm in with you. We're in the

828
00:40:29,080 --> 00:40:32,080
Speaker 1: trenches and we're gonna get this done. And I think

829
00:40:32,120 --> 00:40:33,840
Speaker 1: it sucks that it took us this long, But I

830
00:40:33,920 --> 00:40:37,360
Speaker 1: believe in divine order, in divine poetry. So when the

831
00:40:37,440 --> 00:40:39,840
Speaker 1: timing was right, I guess the universe opened up, like

832
00:40:39,960 --> 00:40:43,640
Speaker 1: Yo san Fiata delivered this film. What's more fulfilling? Is

833
00:40:43,640 --> 00:40:47,160
Speaker 1: it more fulfilling to get a big budget movie made

834
00:40:47,280 --> 00:40:49,680
Speaker 1: or to do something like this? You know, when you're

835
00:40:49,680 --> 00:40:52,759
Speaker 1: invest in your own money, hiring your own people, what's

836
00:40:52,800 --> 00:40:55,640
Speaker 1: more fulfilling? Or it depends on how big the bag

837
00:40:55,800 --> 00:41:00,319
Speaker 1: is now? I mean, listen, it's a balance, right, it's

838
00:41:00,320 --> 00:41:02,160
Speaker 1: a balance a boat because the thing that comes with

839
00:41:02,360 --> 00:41:05,840
Speaker 1: quote unquote ownership is greater responsibility for me at this

840
00:41:06,080 --> 00:41:09,239
Speaker 1: point was more fulfilling. I understand that it's not about me.

841
00:41:09,520 --> 00:41:12,560
Speaker 1: It's just having something that will go on. So, like

842
00:41:12,760 --> 00:41:15,560
Speaker 1: Envy just said, when he watching these movies on the plane,

843
00:41:16,160 --> 00:41:19,480
Speaker 1: they're selling those ips that I don't get a piece

844
00:41:19,520 --> 00:41:23,400
Speaker 1: of that sale. Residuals come from the union, and residuals

845
00:41:23,480 --> 00:41:26,200
Speaker 1: go down the longer the thing is playing. So you

846
00:41:26,320 --> 00:41:30,399
Speaker 1: might see a check for fifteen dollars to make you mad,

847
00:41:30,480 --> 00:41:32,960
Speaker 1: like this is the paper cause more to print? They

848
00:41:33,239 --> 00:41:35,719
Speaker 1: you know, but that ownership piece when they're like, oh,

849
00:41:35,760 --> 00:41:38,000
Speaker 1: we're gonna make a deal with Delta to have it

850
00:41:38,560 --> 00:41:41,840
Speaker 1: in for the first quarter for twenty five million dollars.

851
00:41:42,440 --> 00:41:44,480
Speaker 1: Who has points on the back end, they're gonna get

852
00:41:44,480 --> 00:41:47,040
Speaker 1: a piece, you see what I'm saying. Sometimes they if

853
00:41:47,080 --> 00:41:49,600
Speaker 1: they come with a huge bag, take that best. Like

854
00:41:49,680 --> 00:41:52,919
Speaker 1: everybody doing these Netflix deals. There's a reason when they'd

855
00:41:52,920 --> 00:41:54,680
Speaker 1: be like, here's one hundred million dollars, but like, yeah,

856
00:41:54,840 --> 00:41:57,000
Speaker 1: let me tally this up. It's gonna take a long

857
00:41:57,080 --> 00:41:58,600
Speaker 1: time for me to try to make something like that.

858
00:41:59,239 --> 00:42:02,160
Speaker 1: You know, they're gonna everything. And that's also why a

859
00:42:02,239 --> 00:42:05,279
Speaker 1: lot of the younger creatives are not going there. Well,

860
00:42:05,400 --> 00:42:08,879
Speaker 1: digital has ebbed it out too, because when you think

861
00:42:08,920 --> 00:42:13,520
Speaker 1: about music, the introduction of the four track was what

862
00:42:13,880 --> 00:42:17,239
Speaker 1: changed how people had to look at musicians because now

863
00:42:17,360 --> 00:42:19,000
Speaker 1: you can make it, sell it out of the back

864
00:42:19,040 --> 00:42:20,920
Speaker 1: of your car. You don't have to go through the

865
00:42:20,960 --> 00:42:24,560
Speaker 1: system to a studio anymore. R exactly. So now with

866
00:42:24,719 --> 00:42:27,960
Speaker 1: the adident of digital on this side, you're going to

867
00:42:28,040 --> 00:42:29,640
Speaker 1: have more people because if you think about what he

868
00:42:29,760 --> 00:42:31,960
Speaker 1: was talking about, you think of jewice, love and basketball,

869
00:42:32,480 --> 00:42:36,319
Speaker 1: that path was narrow, but now with digital, you get

870
00:42:36,440 --> 00:42:39,200
Speaker 1: easter ray, you get you know, leaning away you get

871
00:42:39,280 --> 00:42:43,360
Speaker 1: justin Simeon because you can make a movie off of

872
00:42:43,440 --> 00:42:45,600
Speaker 1: this now and you don't have to go through the system,

873
00:42:45,640 --> 00:42:48,520
Speaker 1: and system aster come to you, so you can have

874
00:42:48,719 --> 00:42:51,040
Speaker 1: more ownership. And I think that's the thing that's more

875
00:42:51,080 --> 00:42:54,120
Speaker 1: important when you think about a big budget versus something

876
00:42:54,239 --> 00:42:57,399
Speaker 1: small and intimate, is that you have ownership. My first

877
00:42:57,480 --> 00:43:00,839
Speaker 1: movie I made for three hundred thousand dollars. Things never said,

878
00:43:01,080 --> 00:43:04,560
Speaker 1: Omari's in it, Shinola Hampton's in it. That movie belongs

879
00:43:04,600 --> 00:43:09,040
Speaker 1: to my oldest shild Wow. My second movie, A Cold

880
00:43:09,080 --> 00:43:12,040
Speaker 1: Heart Truth Darrian Missic from own Missic that belongs to

881
00:43:12,440 --> 00:43:16,600
Speaker 1: my youngest daughter. Wow. They're in my trust for them.

882
00:43:17,160 --> 00:43:20,600
Speaker 1: So having that sort of control is way more important

883
00:43:20,600 --> 00:43:23,920
Speaker 1: than having somebody throw a big budget at you so

884
00:43:24,160 --> 00:43:26,680
Speaker 1: that you eventually do work for them. With all the

885
00:43:26,760 --> 00:43:28,920
Speaker 1: movies that you did, what was so hard because it's

886
00:43:28,920 --> 00:43:30,719
Speaker 1: not like you're a new director. You have history, you

887
00:43:30,840 --> 00:43:34,080
Speaker 1: have hits, you have movies and sitcoms and things on

888
00:43:34,160 --> 00:43:36,960
Speaker 1: the board that have made a lot of money. I

889
00:43:37,080 --> 00:43:41,879
Speaker 1: was it so difficult to get this one done? Blackness?

890
00:43:42,360 --> 00:43:47,520
Speaker 1: I thought she was gonna point at me. No, I mean,

891
00:43:47,640 --> 00:43:51,800
Speaker 1: you know, because there's still the belief that African American

892
00:43:51,920 --> 00:43:57,920
Speaker 1: dramas don't sell. The narrative of the studio system is

893
00:43:58,840 --> 00:44:02,120
Speaker 1: we're going to tell you one thing, and when it changes,

894
00:44:03,160 --> 00:44:06,320
Speaker 1: we're not going to tell you that it changed. Right, So,

895
00:44:06,840 --> 00:44:09,840
Speaker 1: when the narrative is set, people like to stick to

896
00:44:09,920 --> 00:44:14,239
Speaker 1: the narrative. The narrative for us is Black folks don't

897
00:44:14,239 --> 00:44:18,160
Speaker 1: go see X. They don't talk about that. We've been

898
00:44:18,239 --> 00:44:21,080
Speaker 1: conditioned to only want to see X, and that's why

899
00:44:21,160 --> 00:44:24,160
Speaker 1: they put only X out. And when you come along

900
00:44:24,239 --> 00:44:25,920
Speaker 1: and say, hey, I want to break that narrative, they go,

901
00:44:26,000 --> 00:44:29,320
Speaker 1: what's wrong with you? Don't do that? We had money

902
00:44:29,480 --> 00:44:33,600
Speaker 1: for it earlier, but we didn't have enough. And I

903
00:44:33,800 --> 00:44:36,440
Speaker 1: was like, I'm not pushing that needle and I'm pushing

904
00:44:36,480 --> 00:44:38,400
Speaker 1: it forward. I'm not pushing that button to make it

905
00:44:38,640 --> 00:44:41,160
Speaker 1: until we get a budget that's at least ample enough

906
00:44:41,200 --> 00:44:44,120
Speaker 1: that we can afford this person and that person. You know,

907
00:44:44,239 --> 00:44:48,000
Speaker 1: so going into rooms a lot of times and saying

908
00:44:48,600 --> 00:44:50,879
Speaker 1: like he was talking about the contracts, guys, I read

909
00:44:50,920 --> 00:44:53,759
Speaker 1: the contracts. I study this stuff. I know exactly why

910
00:44:54,400 --> 00:44:57,040
Speaker 1: Soderberg makes movies for five million dollars. I know why

911
00:44:57,120 --> 00:44:59,440
Speaker 1: Jason Blumm makes movies for a million dollars to two

912
00:44:59,480 --> 00:45:02,680
Speaker 1: million dollars, give us the same thing. Either you're giving

913
00:45:02,800 --> 00:45:06,640
Speaker 1: us profit, you're giving us money, you're giving us ownership.

914
00:45:06,719 --> 00:45:08,879
Speaker 1: But you're gonna have to give us something. You're gonna

915
00:45:08,880 --> 00:45:10,880
Speaker 1: have to respect what this is. So when I have

916
00:45:11,040 --> 00:45:16,719
Speaker 1: these conversations, they go, he's a difficult person because he knows. Yeah,

917
00:45:17,040 --> 00:45:22,520
Speaker 1: he's educated. Yeah, you know, I mean and listen, a

918
00:45:22,600 --> 00:45:24,719
Speaker 1: lot of the support that I've had has come from

919
00:45:24,920 --> 00:45:29,560
Speaker 1: the majority culture. But they also go, well, here's a lane.

920
00:45:30,160 --> 00:45:31,640
Speaker 1: Don't you want to stay in this lane? I got No,

921
00:45:32,040 --> 00:45:35,000
Speaker 1: It's about progression, you know. So when I see puff

922
00:45:35,080 --> 00:45:37,840
Speaker 1: we vote, or how Jay had tied over, or you

923
00:45:37,880 --> 00:45:40,239
Speaker 1: know what I'm saying, even what you guys are doing,

924
00:45:40,760 --> 00:45:44,400
Speaker 1: it all leads to the distribution point. That's what we

925
00:45:44,440 --> 00:45:47,600
Speaker 1: got our own. We was taught you gotta get manufactured,

926
00:45:47,920 --> 00:45:49,640
Speaker 1: you gotta press up your own CDs and all of

927
00:45:49,680 --> 00:45:52,040
Speaker 1: that type of stuff, not thinking about what you're gonna

928
00:45:52,040 --> 00:45:54,400
Speaker 1: sell it. That and you got the masterpiece. And we

929
00:45:54,520 --> 00:45:57,680
Speaker 1: got people who are legendary and moving the two shorts

930
00:45:57,800 --> 00:45:59,640
Speaker 1: like you know what, I'm moving out the trunk. But

931
00:45:59,760 --> 00:46:02,520
Speaker 1: now when we're dealing with this, we're still dealing with

932
00:46:02,640 --> 00:46:04,919
Speaker 1: their platforms. You know what I'm saying, when we're gonna

933
00:46:05,000 --> 00:46:07,480
Speaker 1: get behind ourselves and have our own platform, but I'm

934
00:46:07,480 --> 00:46:10,560
Speaker 1: thinking digital changes that right, because I didn't know you

935
00:46:10,640 --> 00:46:13,520
Speaker 1: guys until YouTube came into existence. I watch you all

936
00:46:13,520 --> 00:46:16,080
Speaker 1: the time. That's how I met Claude Anderson. That's why

937
00:46:16,080 --> 00:46:19,279
Speaker 1: I bought his book. And so when you think of

938
00:46:20,080 --> 00:46:23,920
Speaker 1: the dream situation, you have to widen the dream. You

939
00:46:24,040 --> 00:46:26,680
Speaker 1: have to say, I need to get to my audience.

940
00:46:27,440 --> 00:46:30,120
Speaker 1: I need to create my audience. However that comes about,

941
00:46:30,280 --> 00:46:32,920
Speaker 1: and I'm going to celebrate the fact that I actually

942
00:46:33,000 --> 00:46:35,560
Speaker 1: get to get my story out. How did how did

943
00:46:35,600 --> 00:46:37,680
Speaker 1: that work for you? Charles? You know you like you

944
00:46:37,800 --> 00:46:39,560
Speaker 1: talking about Luke Kids, but you know you also was

945
00:46:39,600 --> 00:46:42,320
Speaker 1: a part of In Humans and you know Sons of

946
00:46:42,400 --> 00:46:46,040
Speaker 1: an Archide, he's a big Sons of Sons of Anarchide

947
00:46:46,040 --> 00:46:48,640
Speaker 1: became such a big franchise, but he's are other two

948
00:46:48,680 --> 00:46:50,759
Speaker 1: already big titles in the comic world. How did that

949
00:46:50,880 --> 00:46:53,120
Speaker 1: work for you? Like as far as like I guess

950
00:46:53,160 --> 00:46:56,160
Speaker 1: back in and things like that, well, not doing not

951
00:46:56,640 --> 00:46:58,880
Speaker 1: because I was I was a player. I was cagging

952
00:46:58,920 --> 00:47:01,600
Speaker 1: the wheel. But that's what made me sit down at

953
00:47:01,640 --> 00:47:04,359
Speaker 1: my kitchen table and say to my wife, we're making

954
00:47:04,480 --> 00:47:08,480
Speaker 1: this film. When I made things never said because at

955
00:47:08,520 --> 00:47:11,480
Speaker 1: the end of the day, you can learn this business

956
00:47:11,680 --> 00:47:14,480
Speaker 1: or you can create for this business. And so I

957
00:47:14,640 --> 00:47:16,680
Speaker 1: decided to learn it. All right, Well, move we have

958
00:47:16,800 --> 00:47:19,120
Speaker 1: more with Omar Apps and Charles Murray when we come back.

959
00:47:19,200 --> 00:47:24,840
Speaker 1: It's the Breakfast Club the morning morning, everybody's DJ Envy

960
00:47:25,040 --> 00:47:27,719
Speaker 1: Angela Yee. Charlemagne, the guy we are the Breakfast Club

961
00:47:27,800 --> 00:47:30,400
Speaker 1: was still kicking it with Omar Apps and directed Charles

962
00:47:30,480 --> 00:47:32,560
Speaker 1: or Murray. Charlemagne. I want, I want to ask you'll

963
00:47:32,600 --> 00:47:35,640
Speaker 1: both a questions. You know, just as black Hollywood royalty,

964
00:47:36,080 --> 00:47:38,799
Speaker 1: what are your thoughts on the Will Smith Chris Rock

965
00:47:38,920 --> 00:47:42,040
Speaker 1: altercation from a Black Hollywood perspective and just a black

966
00:47:42,200 --> 00:47:44,520
Speaker 1: male perspective. I'm gonna keep it simple, like I got

967
00:47:44,640 --> 00:47:47,560
Speaker 1: respect for both of those men, and I think that

968
00:47:47,680 --> 00:47:50,440
Speaker 1: they'll work that out behind closed doors. And it was

969
00:47:50,520 --> 00:47:53,640
Speaker 1: just you know, some moment. We're human beings, we're spiritual

970
00:47:53,760 --> 00:47:57,160
Speaker 1: beings having a human experience. Sometimes things happen. Do you

971
00:47:57,239 --> 00:47:58,800
Speaker 1: have a look at yourself and say, what would I

972
00:47:58,960 --> 00:48:02,160
Speaker 1: do in that situation? We all do? You know? It

973
00:48:02,320 --> 00:48:03,759
Speaker 1: is what it is and bless us to both of

974
00:48:03,840 --> 00:48:06,000
Speaker 1: them in both of their families. What about you, Charles,

975
00:48:06,960 --> 00:48:08,840
Speaker 1: I think a great lesson can be learned from it,

976
00:48:09,280 --> 00:48:11,120
Speaker 1: you know, going back to what you were saying about

977
00:48:11,160 --> 00:48:15,839
Speaker 1: mental health. Will is unpacked a lot this year, more

978
00:48:15,920 --> 00:48:20,200
Speaker 1: than he ever has, and like finally came out of

979
00:48:20,719 --> 00:48:24,480
Speaker 1: the perfect image. And I think maybe if this had

980
00:48:24,520 --> 00:48:27,200
Speaker 1: been a year ago, he wouldn't have done that. It

981
00:48:27,280 --> 00:48:30,319
Speaker 1: can be a cautionary tale because this business is all

982
00:48:30,400 --> 00:48:34,960
Speaker 1: about making you feel like you're one of one. The

983
00:48:35,320 --> 00:48:39,680
Speaker 1: problem that comes with that is that you remove yourself

984
00:48:39,760 --> 00:48:43,520
Speaker 1: from yourself and you can't recognize things that are coming,

985
00:48:44,120 --> 00:48:47,600
Speaker 1: and then it happens and you're like left with in

986
00:48:47,680 --> 00:48:49,920
Speaker 1: the aftermath. But I think you can look at that

987
00:48:50,080 --> 00:48:54,160
Speaker 1: moment and learn from it that you might not want

988
00:48:54,160 --> 00:48:56,000
Speaker 1: to work on being perfect, You might want to work

989
00:48:56,040 --> 00:48:59,960
Speaker 1: on being you. And hold you say something really deep,

990
00:49:00,120 --> 00:49:02,160
Speaker 1: real quick that I wanted to jump on it when

991
00:49:02,200 --> 00:49:04,799
Speaker 1: you say, this business makes you feel like you're one

992
00:49:04,840 --> 00:49:08,120
Speaker 1: of one, and that's such a true, true statement. One

993
00:49:08,200 --> 00:49:10,920
Speaker 1: of the biggest problems is that we don't work with

994
00:49:11,080 --> 00:49:13,440
Speaker 1: each other. We're like there's a piece of cheese in

995
00:49:13,520 --> 00:49:16,120
Speaker 1: the middle of a labyrinth and all the rats is

996
00:49:16,200 --> 00:49:17,719
Speaker 1: going to scurry in and get the cheese, and then

997
00:49:17,719 --> 00:49:19,560
Speaker 1: you get the little piece and try to drag it,

998
00:49:19,760 --> 00:49:21,040
Speaker 1: you know what I mean, and take it over there

999
00:49:21,280 --> 00:49:24,800
Speaker 1: instead of working together. So when we're talking about what

1000
00:49:25,000 --> 00:49:26,839
Speaker 1: you do for a living, what you do for a living,

1001
00:49:27,040 --> 00:49:29,479
Speaker 1: what we do for a living. If he didn't believe

1002
00:49:29,520 --> 00:49:31,640
Speaker 1: in me and I didn't believe in him, this film

1003
00:49:31,680 --> 00:49:34,600
Speaker 1: would have never got made. We as an energy for

1004
00:49:34,760 --> 00:49:38,000
Speaker 1: us were able to attract the other pieces. That's what

1005
00:49:38,120 --> 00:49:40,200
Speaker 1: we got to start doing, you know what I mean,

1006
00:49:40,280 --> 00:49:42,440
Speaker 1: so we could stop complaining about the system. This is

1007
00:49:42,480 --> 00:49:45,239
Speaker 1: why I agree with I forget what it said. It

1008
00:49:45,520 --> 00:49:47,919
Speaker 1: when Tyler Perry said, you're worrying about having a seat

1009
00:49:47,960 --> 00:49:49,680
Speaker 1: at theay table. We got to build our own table.

1010
00:49:49,960 --> 00:49:53,880
Speaker 1: I'm all for that. We're afraid to fail together, but

1011
00:49:53,960 --> 00:49:56,440
Speaker 1: what we're worried about is succeeding together. It's like, you know,

1012
00:49:56,960 --> 00:50:00,120
Speaker 1: we're gonna make this investment. It's all a chance, end

1013
00:50:00,120 --> 00:50:02,239
Speaker 1: of the day. But you you want to fail with them,

1014
00:50:02,320 --> 00:50:04,719
Speaker 1: but you won't. You don't want to fail with your own. Yeah.

1015
00:50:04,800 --> 00:50:07,120
Speaker 1: And the other thing too, is like, let's not forget

1016
00:50:07,640 --> 00:50:11,360
Speaker 1: that Tom Cruise audio from Mission Impossible seven where he

1017
00:50:11,560 --> 00:50:16,800
Speaker 1: like had a melt damn Christian Bale, Christian Bale, Mel Gibson.

1018
00:50:17,000 --> 00:50:20,080
Speaker 1: You know, but you also have to understand that that

1019
00:50:20,440 --> 00:50:25,239
Speaker 1: spotlight is bright. Nobody's gonna protect you if they think

1020
00:50:25,280 --> 00:50:29,000
Speaker 1: they can make money off they'll protect you from yourself

1021
00:50:29,200 --> 00:50:31,879
Speaker 1: to make money off of you. But are they really

1022
00:50:32,000 --> 00:50:34,839
Speaker 1: looking at your heart and your soul and saying, hey,

1023
00:50:34,960 --> 00:50:37,320
Speaker 1: that's more important than the dollar amount you're putting in

1024
00:50:37,400 --> 00:50:41,120
Speaker 1: my account. That doesn't happen that often in this business.

1025
00:50:41,200 --> 00:50:43,400
Speaker 1: That's why we have so many suicides and you know,

1026
00:50:43,560 --> 00:50:47,080
Speaker 1: alcoholic deaths and drug deaths and things like, things like that,

1027
00:50:47,440 --> 00:50:49,880
Speaker 1: and they move on. So I think that when we

1028
00:50:50,040 --> 00:50:55,080
Speaker 1: talk about our businesses, you know, music, whatever is creative. Again,

1029
00:50:55,280 --> 00:50:58,759
Speaker 1: it comes back to understanding mental health. It comes back

1030
00:50:58,760 --> 00:51:02,799
Speaker 1: to understanding they will push the narrative forward as long

1031
00:51:02,880 --> 00:51:08,280
Speaker 1: as it brings them cheese. And what he's talking about

1032
00:51:08,640 --> 00:51:12,440
Speaker 1: looking out for each other. It's very important because once

1033
00:51:12,520 --> 00:51:15,399
Speaker 1: you get in those camps, guess what, you become one

1034
00:51:15,440 --> 00:51:18,840
Speaker 1: of one. You're the only black dude, or you're the

1035
00:51:18,960 --> 00:51:21,879
Speaker 1: only black woman, You're the only black bin binary person.

1036
00:51:22,640 --> 00:51:24,520
Speaker 1: You kind of go, yeah, but this is what I

1037
00:51:24,600 --> 00:51:27,680
Speaker 1: have to do to get to No, you don't, but

1038
00:51:27,920 --> 00:51:32,000
Speaker 1: you don't know that because you keep following that narrative. Wow,

1039
00:51:32,000 --> 00:51:33,960
Speaker 1: a lot of gems to make sure y'all go watch

1040
00:51:34,040 --> 00:51:36,320
Speaker 1: the devil you know man comes out this Friday. And

1041
00:51:36,400 --> 00:51:38,840
Speaker 1: we appreciate you guys for joining us and giving us

1042
00:51:38,880 --> 00:51:41,080
Speaker 1: some gems in that jewelry this morning. Thank you for

1043
00:51:41,160 --> 00:51:47,400
Speaker 1: having you AMC Theaters exclusively. Shout out to a sister

1044
00:51:47,560 --> 00:51:51,640
Speaker 1: named Nicole Denson Randolph who is in charge of inclusivity.

1045
00:51:52,200 --> 00:51:54,040
Speaker 1: She was the one who got behind this and I

1046
00:51:54,160 --> 00:51:56,880
Speaker 1: mean she's a friend of mine. We were assistants together.

1047
00:51:57,440 --> 00:52:00,120
Speaker 1: And this is what we're talking about, is that you

1048
00:52:00,239 --> 00:52:04,520
Speaker 1: spread the wealth by spreading yourself to people who you

1049
00:52:04,640 --> 00:52:06,840
Speaker 1: can help them they can help you. It's what the

1050
00:52:07,000 --> 00:52:12,880
Speaker 1: main culture has done in these creative businesses from the beginning.

1051
00:52:14,000 --> 00:52:18,160
Speaker 1: They just changed their last name sometimes right, so you

1052
00:52:18,239 --> 00:52:22,320
Speaker 1: don't know that they're you know, you don't know that

1053
00:52:22,400 --> 00:52:25,200
Speaker 1: their brothers, you don't know that. You know, like people

1054
00:52:25,200 --> 00:52:27,480
Speaker 1: are always surprised when they find out that Nick cagees

1055
00:52:28,200 --> 00:52:32,040
Speaker 1: princess for Coplu, But that family thing matters to them,

1056
00:52:32,160 --> 00:52:36,040
Speaker 1: that that connectivity matters. And we got to get more

1057
00:52:36,160 --> 00:52:38,719
Speaker 1: toward that instead of looking that way, we got to

1058
00:52:38,760 --> 00:52:41,600
Speaker 1: look this one. Absolutely. Shout out to Keisha and Kumari.

1059
00:52:43,400 --> 00:52:46,200
Speaker 1: We can fund the screening or something. Man, let's do

1060
00:52:46,280 --> 00:52:48,680
Speaker 1: that for this Friday. Just fund screening. It's fun screening

1061
00:52:48,960 --> 00:52:51,759
Speaker 1: done good joints. I sent you to listen this is

1062
00:52:51,800 --> 00:52:53,759
Speaker 1: and you see yeah for sure, Yeah, let's do it

1063
00:52:53,920 --> 00:52:58,080
Speaker 1: absolutely all right. Well it's Omar absence Charles Murray. I appreciate, appreciate,

1064
00:52:59,000 --> 00:53:05,320
Speaker 1: thank you, thank you both. My daughter loves this song. Yes, okay,

1065
00:53:05,440 --> 00:53:09,399
Speaker 1: okay this and Bruno, Oh my gosh, I can't. I'm

1066
00:53:09,440 --> 00:53:11,120
Speaker 1: in a call with them. They have to hear this.

1067
00:53:11,320 --> 00:53:14,719
Speaker 1: And who the hell is Bruno? Oh we don't talk

1068
00:53:14,719 --> 00:53:17,200
Speaker 1: about Bruno for the lover Bruno. Oh my goodness, I'll

1069
00:53:17,200 --> 00:53:18,960
Speaker 1: be saying that song all wrong. I just know it's Bruno,

1070
00:53:19,320 --> 00:53:25,040
Speaker 1: Bruno and Conto dropping a clues bombs fan canto whatever

1071
00:53:25,120 --> 00:53:27,239
Speaker 1: it is. And Conto has been a great distraction for

1072
00:53:27,320 --> 00:53:29,320
Speaker 1: the fast month and some change. All right, if you

1073
00:53:29,480 --> 00:53:31,520
Speaker 1: want to sit down and you know, let some kids

1074
00:53:31,600 --> 00:53:33,560
Speaker 1: just be amongst themselves for a while, turn on that

1075
00:53:33,680 --> 00:53:36,879
Speaker 1: damn in contact absolutely and canto. All right, Well, let's

1076
00:53:36,920 --> 00:53:40,040
Speaker 1: get to the room. Miss this is the rum of

1077
00:53:40,120 --> 00:53:50,080
Speaker 1: report with Angela. All Right, you tied to this Will

1078
00:53:50,120 --> 00:53:52,680
Speaker 1: Smith and Chris Rock stuff yet, you know, because it's

1079
00:53:52,680 --> 00:53:54,759
Speaker 1: really we're really starting to discuss the things that we

1080
00:53:54,800 --> 00:53:58,200
Speaker 1: should be discussing in regards to the Chris Rock Will

1081
00:53:58,239 --> 00:54:00,480
Speaker 1: Smith situation. Go well, want to decide? She was with

1082
00:54:00,880 --> 00:54:03,279
Speaker 1: sitting down with Ellen Degenerous on The Ellen Degenerous Show,

1083
00:54:03,320 --> 00:54:06,480
Speaker 1: and she spoke about her feelings. You know, we were

1084
00:54:06,560 --> 00:54:10,680
Speaker 1: the host, right, so we were the this is our house,

1085
00:54:10,760 --> 00:54:13,279
Speaker 1: we're inviting you in, we're host, we're keeping We're gonna

1086
00:54:13,360 --> 00:54:15,000
Speaker 1: take care of y'all to night, make sure you have

1087
00:54:15,040 --> 00:54:18,440
Speaker 1: a good time. And no one has apologized to us.

1088
00:54:18,640 --> 00:54:21,120
Speaker 1: And we worked really hard to put that show together.

1089
00:54:21,239 --> 00:54:22,640
Speaker 1: And as soon as I walked up to him, the

1090
00:54:22,680 --> 00:54:24,960
Speaker 1: first thing he said was I'm so sorry, and I'm like,

1091
00:54:25,000 --> 00:54:27,080
Speaker 1: why are you apologize? He's like, it was supposed to

1092
00:54:27,120 --> 00:54:28,840
Speaker 1: be your night. It was supposed to you and Amy

1093
00:54:28,880 --> 00:54:31,040
Speaker 1: and Regina, y'all were doing such a great job. I'm

1094
00:54:31,080 --> 00:54:34,360
Speaker 1: so sorry. This is now gonna be about this because

1095
00:54:34,400 --> 00:54:37,879
Speaker 1: that's I mean, that's who Chris did. Yeah. She also

1096
00:54:37,960 --> 00:54:41,440
Speaker 1: talks about how she felt after seeing it, and I

1097
00:54:41,560 --> 00:54:45,120
Speaker 1: just felt so awful for my my friend, you know,

1098
00:54:45,640 --> 00:54:48,880
Speaker 1: Chris and uh and it was it was sickening. It

1099
00:54:49,120 --> 00:54:53,520
Speaker 1: was absolutely I physically felt ill. And I'm still a

1100
00:54:53,560 --> 00:54:58,560
Speaker 1: little traumatized me too. You know that's interesting, right, because

1101
00:54:58,719 --> 00:55:02,080
Speaker 1: everybody's traumas show up different, and I saw people upset that,

1102
00:55:02,600 --> 00:55:05,160
Speaker 1: you know, I think Amy Schuma and Wanda said they

1103
00:55:05,160 --> 00:55:09,840
Speaker 1: are traumatized by this situation. What does traumatize mean to like,

1104
00:55:09,960 --> 00:55:11,560
Speaker 1: I'm like, when people say that, what does that mean

1105
00:55:11,680 --> 00:55:13,520
Speaker 1: that when they go on stage now they're nervous because

1106
00:55:13,520 --> 00:55:15,440
Speaker 1: that's what they might stop them. I feel like, you know,

1107
00:55:15,520 --> 00:55:18,399
Speaker 1: because they're performance. But we did we see this before though, right,

1108
00:55:19,080 --> 00:55:21,080
Speaker 1: that's not on this level though, So when you see

1109
00:55:21,120 --> 00:55:23,880
Speaker 1: somebody like Will Smith get up and smaximuity like a

1110
00:55:23,960 --> 00:55:25,880
Speaker 1: Chris rocket the oscars, that mean they could be on

1111
00:55:26,080 --> 00:55:29,160
Speaker 1: site anywhere if it happens there. So I can see

1112
00:55:29,200 --> 00:55:30,799
Speaker 1: how in the back of their mind they may think

1113
00:55:30,800 --> 00:55:33,200
Speaker 1: people may run up on stage and smack them. So

1114
00:55:33,239 --> 00:55:34,880
Speaker 1: I can see how that could be a little traumatic

1115
00:55:34,960 --> 00:55:37,200
Speaker 1: for performance for stand up comics. No, she has some

1116
00:55:37,280 --> 00:55:40,960
Speaker 1: more to say for them to let him stay in

1117
00:55:41,120 --> 00:55:44,320
Speaker 1: that room and enjoy the rest of the show and

1118
00:55:44,480 --> 00:55:47,320
Speaker 1: accept his award. I was like, how gross is this?

1119
00:55:47,560 --> 00:55:50,320
Speaker 1: This is just the wrong message. You know, like you

1120
00:55:50,400 --> 00:55:54,120
Speaker 1: assault somebody, you get escorted out the building. Yeah, they

1121
00:55:54,160 --> 00:55:56,359
Speaker 1: say that they tried to escort Will out, but Will

1122
00:55:56,440 --> 00:55:58,239
Speaker 1: said no, he wasn't leaving. I don't believe that. I

1123
00:55:58,320 --> 00:56:00,600
Speaker 1: think that's a damn line. I think that Academy is

1124
00:56:00,640 --> 00:56:02,960
Speaker 1: just trying to save faced right now. I don't believe that,

1125
00:56:03,520 --> 00:56:05,800
Speaker 1: because if they asked that man to lead the building

1126
00:56:05,840 --> 00:56:07,839
Speaker 1: and he didn't leave the building, they would have security coming.

1127
00:56:08,000 --> 00:56:10,200
Speaker 1: That's called him out to building exactly. Again, maybe not.

1128
00:56:10,239 --> 00:56:12,239
Speaker 1: Because it was a live show on TV. They knew

1129
00:56:12,280 --> 00:56:14,279
Speaker 1: what they wanted. They didn't want that man to leave.

1130
00:56:14,360 --> 00:56:16,160
Speaker 1: They knew that he was about to win the Best Actor,

1131
00:56:16,200 --> 00:56:17,680
Speaker 1: They knew that everybody was going to tune in. They

1132
00:56:17,719 --> 00:56:19,239
Speaker 1: knew they'd probably get his spike and ratings when he

1133
00:56:19,280 --> 00:56:22,040
Speaker 1: give his acceptance speech, which they did. I don't believe

1134
00:56:22,080 --> 00:56:24,600
Speaker 1: they asked that man to leave. Well, yesterday Chris Rock

1135
00:56:24,680 --> 00:56:27,360
Speaker 1: performed out in Boston. It was a sold out show

1136
00:56:27,640 --> 00:56:35,759
Speaker 1: and he addresses a little bit of what down what

1137
00:56:40,920 --> 00:57:08,040
Speaker 1: the whole show? What he said? He got a standing

1138
00:57:08,080 --> 00:57:09,880
Speaker 1: ovation before he even came out, right, Yeah, before he

1139
00:57:09,920 --> 00:57:11,640
Speaker 1: even came out, you know, I mean, I get what

1140
00:57:11,680 --> 00:57:13,320
Speaker 1: he said. He said, I wrote a whole show for

1141
00:57:13,400 --> 00:57:15,520
Speaker 1: this whole tour, So you know, this is something that

1142
00:57:15,600 --> 00:57:18,280
Speaker 1: he's still processing. I'm sure that's a whole other special

1143
00:57:18,400 --> 00:57:20,600
Speaker 1: right there. Absolutely, I'm glad that the crowd poured into

1144
00:57:20,880 --> 00:57:22,560
Speaker 1: Chris the way they did, though, because I'm sure he

1145
00:57:22,640 --> 00:57:24,400
Speaker 1: needed it, you know, And I've been telling y'all all week,

1146
00:57:24,480 --> 00:57:26,840
Speaker 1: you don't know, you know what childhood trauma was triggered

1147
00:57:26,840 --> 00:57:29,520
Speaker 1: from Chris being humiliated like that, Like I love Will Smith,

1148
00:57:29,560 --> 00:57:31,400
Speaker 1: but Will is clearly in pain, He's hurting, and he

1149
00:57:31,480 --> 00:57:33,400
Speaker 1: projected that on Chris. Now Chris has to carry that

1150
00:57:33,480 --> 00:57:35,520
Speaker 1: on top of what he was already dealing with. And

1151
00:57:35,600 --> 00:57:37,520
Speaker 1: Chris has already told us he's been in therapy multiple

1152
00:57:37,600 --> 00:57:39,960
Speaker 1: times a week dealing with the trauma of being bullied

1153
00:57:40,000 --> 00:57:42,040
Speaker 1: his whole life. So I'm glad he felt that love

1154
00:57:42,120 --> 00:57:44,320
Speaker 1: last name, but not only that. Now, what's gonna happen

1155
00:57:44,440 --> 00:57:45,680
Speaker 1: was it is probably gonna be a problem with a

1156
00:57:45,760 --> 00:57:47,800
Speaker 1: lot of these shows, is there was a heckler shouting

1157
00:57:47,880 --> 00:57:51,640
Speaker 1: Will Smith's name, and the heckla was escorted out of

1158
00:57:51,640 --> 00:57:53,800
Speaker 1: the building. Everybody want to be a comedian. Why did

1159
00:57:53,840 --> 00:57:55,919
Speaker 1: the five fingers say to the faith, you're just yelling

1160
00:57:55,920 --> 00:57:58,080
Speaker 1: at from the crown over and over. It's stupid. So

1161
00:57:58,320 --> 00:58:00,560
Speaker 1: Chris Rock asked what it was? Escorted guy out? Is

1162
00:58:00,600 --> 00:58:03,000
Speaker 1: this how the tour is going to go? Yes? And

1163
00:58:03,080 --> 00:58:04,800
Speaker 1: the bad thing about it those tickets are cheap. So

1164
00:58:04,920 --> 00:58:08,800
Speaker 1: you paid You paid for tickets to hecko Chris Rock

1165
00:58:08,840 --> 00:58:10,840
Speaker 1: and get thrown out. What if the Heckla refuses to leave,

1166
00:58:11,080 --> 00:58:13,240
Speaker 1: are they gonna throws exactly? That's why you know the

1167
00:58:13,320 --> 00:58:15,440
Speaker 1: Academy line, they gonna throw his ass. Okay, Chris Rock

1168
00:58:15,480 --> 00:58:17,640
Speaker 1: will stop the show though his ass out? What aout?

1169
00:58:17,680 --> 00:58:20,960
Speaker 1: Chris Fields on stage? Now you know what I mean?

1170
00:58:21,560 --> 00:58:24,320
Speaker 1: Because people don't like trauma is just an emotional response

1171
00:58:24,400 --> 00:58:26,680
Speaker 1: to a terrible event. That's it, right, So I wonder

1172
00:58:26,760 --> 00:58:28,760
Speaker 1: how he feels on stage now like this, you know?

1173
00:58:29,280 --> 00:58:31,160
Speaker 1: And are people are gonna try to be funny and yes,

1174
00:58:31,320 --> 00:58:33,040
Speaker 1: act like they're walking up to the stage every time

1175
00:58:33,080 --> 00:58:35,520
Speaker 1: he's on stage. Now he better not. You see what

1176
00:58:35,560 --> 00:58:37,560
Speaker 1: Wis Kalifa said. Wis Kleifan said, you jump on stage

1177
00:58:37,560 --> 00:58:40,320
Speaker 1: with i't perform them and you gona get shot. That's

1178
00:58:40,320 --> 00:58:42,480
Speaker 1: what I'm security is for. That's what I'm securities. Four

1179
00:58:43,240 --> 00:58:46,360
Speaker 1: all right, well that is your rumor report. That's Charlemagne

1180
00:58:46,360 --> 00:58:48,680
Speaker 1: who giveing that downt you man, four after the hour. Man.

1181
00:58:49,280 --> 00:58:50,840
Speaker 1: First of all, I want to salute this young lady

1182
00:58:50,840 --> 00:58:52,880
Speaker 1: who's way smarter than I wasn't high school, because I

1183
00:58:52,920 --> 00:58:54,360
Speaker 1: feel like now I could have got a bag after

1184
00:58:54,400 --> 00:58:57,000
Speaker 1: seeing what she did. But there's a teacher in Texas

1185
00:58:57,120 --> 00:58:58,880
Speaker 1: named ben Giannold who needs to come to the front

1186
00:58:58,880 --> 00:59:01,400
Speaker 1: of the congregation, like to have a word with him, okay,

1187
00:59:01,440 --> 00:59:03,360
Speaker 1: because he don't know how to mind his business when

1188
00:59:03,400 --> 00:59:06,440
Speaker 1: that goddamn pledge of allegiance comes on. Okay, we'll talk

1189
00:59:06,440 --> 00:59:08,360
Speaker 1: about it. All of us couldn't stand. I grew up

1190
00:59:08,360 --> 00:59:11,000
Speaker 1: at Jehova witnessed. All right, we'll talk about it. Four

1191
00:59:11,000 --> 00:59:12,640
Speaker 1: after the hour, all right, we'll get to that next.

1192
00:59:12,680 --> 00:59:15,280
Speaker 1: And also, of course, we're celebrating the life of Nipsey

1193
00:59:15,400 --> 00:59:18,760
Speaker 1: Husb Man. This is the three year anniversary of his passing.

1194
00:59:18,960 --> 00:59:21,880
Speaker 1: He transitioned three years ago today, and you know we

1195
00:59:22,320 --> 00:59:25,960
Speaker 1: miss him physically, but we forever feel him spiritually. Man,

1196
00:59:26,000 --> 00:59:29,000
Speaker 1: saluting my guy, Nipsey Hustle, Saluted his whole team, saluted

1197
00:59:29,040 --> 00:59:32,960
Speaker 1: his family. Everybody. Let's get into another joint blue Laces two.

1198
00:59:34,080 --> 00:59:36,080
Speaker 1: See now you're playing some joints. It's there. Now you're

1199
00:59:36,080 --> 00:59:38,080
Speaker 1: acting like you know music. It's the breakfast Club. Good.

1200
00:59:38,080 --> 00:59:41,000
Speaker 1: More than I hate you the breakfast Club. Your mornings

1201
00:59:41,040 --> 00:59:44,920
Speaker 1: will never be the same. Piece of the planet. Charlemagne

1202
00:59:44,960 --> 00:59:47,080
Speaker 1: the God here with news from one of They just

1203
00:59:47,200 --> 00:59:50,160
Speaker 1: partnered with the Grammy Awards for exclusive NFTs and you

1204
00:59:50,240 --> 00:59:52,040
Speaker 1: can win to pay tickets to fly out the next

1205
00:59:52,120 --> 00:59:55,080
Speaker 1: year's Grammy's simply by claiming the free NFT at one

1206
00:59:55,160 --> 00:59:57,560
Speaker 1: of dot com for rules and to claim your free NFT,

1207
00:59:57,760 --> 01:00:00,240
Speaker 1: visit one of dot com by seven pm April off.

1208
01:00:01,880 --> 01:00:06,840
Speaker 1: This is a miracle. There is no question that there

1209
01:00:06,920 --> 01:00:11,280
Speaker 1: are problems in this country between police and community. Yes,

1210
01:00:12,000 --> 01:00:15,520
Speaker 1: you are a donkey to the latest on that police

1211
01:00:15,600 --> 01:00:17,400
Speaker 1: killing of a black man. Now a new developments in

1212
01:00:17,480 --> 01:00:19,760
Speaker 1: the deathly Spas shooting rampage. Yes, it was a really

1213
01:00:19,760 --> 01:00:21,160
Speaker 1: bad day for him and if this is what he did,

1214
01:00:21,400 --> 01:00:25,400
Speaker 1: and so we are in a state of emergency. Okay.

1215
01:00:25,440 --> 01:00:28,800
Speaker 1: White supremacist violence is it always has been the number

1216
01:00:28,840 --> 01:00:31,600
Speaker 1: one threat to outraciety. But I'm also very proud of

1217
01:00:31,720 --> 01:00:36,760
Speaker 1: my wife was white because the practice club bitches, please

1218
01:00:36,800 --> 01:00:39,959
Speaker 1: tell me why was I your donkey of the day. Well,

1219
01:00:40,200 --> 01:00:42,400
Speaker 1: donkey today for Friday. In March thirty first goals to

1220
01:00:42,440 --> 01:00:46,640
Speaker 1: a sociology sociology teacher named Benjie Arnold. Okay, Benji Hood

1221
01:00:46,720 --> 01:00:49,080
Speaker 1: is a sociology teacher at of Texas High School. And

1222
01:00:49,360 --> 01:00:52,160
Speaker 1: he's a prime example of a person using the position

1223
01:00:52,240 --> 01:00:55,400
Speaker 1: of power to harm people. See, Benji is a proud American,

1224
01:00:55,760 --> 01:00:57,840
Speaker 1: all right, nothing wrong with that. Okay, He's a proud

1225
01:00:58,120 --> 01:01:02,080
Speaker 1: patriotic human. And he didn't like when people don't stand

1226
01:01:02,160 --> 01:01:04,440
Speaker 1: for the pledge of allegiance. Now, listen, I grew up

1227
01:01:04,480 --> 01:01:06,800
Speaker 1: Jehovah Witness. Okay, dropping the clues, bums. Foul of Jeovah

1228
01:01:06,800 --> 01:01:10,200
Speaker 1: Witness is out there. Okay, Field Service forever ain't going

1229
01:01:10,240 --> 01:01:12,840
Speaker 1: to know Danfield Service. So listen. We never pledged allegiance

1230
01:01:12,880 --> 01:01:15,720
Speaker 1: to the flag, but we stood forward. Okay. Why didn't

1231
01:01:15,760 --> 01:01:18,720
Speaker 1: Jehovah Witnesses pledge their allegiance because they believe their allegiance

1232
01:01:18,800 --> 01:01:22,080
Speaker 1: belongs to God's Kingdom, which they view as an actual government. Okay.

1233
01:01:22,120 --> 01:01:24,800
Speaker 1: They refrained from saluting the flag of any country, are

1234
01:01:24,880 --> 01:01:28,280
Speaker 1: singing nationalistic songs which they believe are forms of worship,

1235
01:01:28,360 --> 01:01:31,120
Speaker 1: but they do stand out of respect. We used to

1236
01:01:31,160 --> 01:01:33,520
Speaker 1: stand out of respect. Okay, man, Hey, here's the thing.

1237
01:01:33,720 --> 01:01:36,680
Speaker 1: When someone doesn't stand for the pledge of allegiance, mind

1238
01:01:37,080 --> 01:01:40,240
Speaker 1: your business. Okay. You don't know what that person has

1239
01:01:40,320 --> 01:01:43,160
Speaker 1: going on. It could be religious reasons, it could be

1240
01:01:43,360 --> 01:01:47,280
Speaker 1: physical reasons. That's what happened to my father. Okay. On

1241
01:01:47,440 --> 01:01:50,400
Speaker 1: nine eleven, twenty thirteen, all right, dropping a clues bumx

1242
01:01:50,400 --> 01:01:53,960
Speaker 1: fro my pops. All right, Larry Club Cowboy Kiffield, South

1243
01:01:54,000 --> 01:01:58,320
Speaker 1: Carolina was happening Cowboys versus New York Jets, Met Life Stadium. Right,

1244
01:01:58,400 --> 01:02:01,680
Speaker 1: my father's minding his business. An injury that prohibited him

1245
01:02:01,720 --> 01:02:04,800
Speaker 1: from standing. And you know, also he grew up Jehoba

1246
01:02:04,800 --> 01:02:06,440
Speaker 1: witness too. He was the jehoa witness when I was younger.

1247
01:02:06,440 --> 01:02:08,320
Speaker 1: He got this fellowship. That's another story. But if he

1248
01:02:08,400 --> 01:02:10,280
Speaker 1: could have, he would have stood during the anthem out

1249
01:02:10,280 --> 01:02:12,280
Speaker 1: of respect. He just wouldn't have pledged. Well, it was

1250
01:02:12,280 --> 01:02:14,560
Speaker 1: an old marine sitting near him, and when my father's

1251
01:02:15,480 --> 01:02:18,360
Speaker 1: wife tried to go to the bathroom later, that marine

1252
01:02:18,360 --> 01:02:20,640
Speaker 1: didn't forget and he wouldn't move out the way so

1253
01:02:20,960 --> 01:02:22,720
Speaker 1: she could get out of the houle to go to

1254
01:02:22,800 --> 01:02:25,479
Speaker 1: the restroom simply because they didn't stand for the pledge

1255
01:02:25,480 --> 01:02:28,920
Speaker 1: of allegiance. So that was his get back right. Needless

1256
01:02:28,920 --> 01:02:32,960
Speaker 1: to say, a little kurfuffle ensued, and my father tasted him.

1257
01:02:33,400 --> 01:02:35,880
Speaker 1: Okay tomorrow of the story mine, you damn business when

1258
01:02:35,880 --> 01:02:38,080
Speaker 1: people not standing not pledging whatever it is okay because

1259
01:02:38,080 --> 01:02:39,919
Speaker 1: you don't know what the situation could be. And since

1260
01:02:40,000 --> 01:02:42,520
Speaker 1: Ben gi Arnold didn't mind his business a young student

1261
01:02:42,600 --> 01:02:47,520
Speaker 1: in high school one ninety thousand dollars, it wasn't for

1262
01:02:47,600 --> 01:02:50,160
Speaker 1: a religious reason though she ain't even have no injury.

1263
01:02:50,560 --> 01:02:52,600
Speaker 1: Let's go to ABC thirteen oh Witness News for the report.

1264
01:02:52,600 --> 01:02:55,720
Speaker 1: Police attorney say a year's long legal case tied to

1265
01:02:55,800 --> 01:02:58,120
Speaker 1: the pledge of allegiance at Client Out High School has

1266
01:02:58,200 --> 01:03:01,040
Speaker 1: come to an end. Or Jeffrey Blackwell was litigation counsel

1267
01:03:01,120 --> 01:03:03,920
Speaker 1: for the civil rights group American Atheists and an attorney

1268
01:03:04,000 --> 01:03:06,400
Speaker 1: for the plaintiff. He says the Cliento case was about

1269
01:03:06,440 --> 01:03:09,640
Speaker 1: a student identified in court records as m sitting out

1270
01:03:09,800 --> 01:03:12,680
Speaker 1: or declining to participate in the pledge of allegiance at school.

1271
01:03:13,040 --> 01:03:15,680
Speaker 1: She spoke back in twenty seventeen, I also believe that

1272
01:03:15,760 --> 01:03:17,840
Speaker 1: we live in a country where there isn't justice and

1273
01:03:17,920 --> 01:03:19,880
Speaker 1: freedom for all? And so I'm not going to stand

1274
01:03:19,960 --> 01:03:21,960
Speaker 1: for a pledge that says there is when there really isn't.

1275
01:03:22,160 --> 01:03:24,960
Speaker 1: The student's mother foundled lawsuit against the school district and

1276
01:03:25,040 --> 01:03:28,959
Speaker 1: several staffers, accusing several of them of retaliation and discrimination

1277
01:03:29,200 --> 01:03:31,920
Speaker 1: as a result of the student's stance. Blackwell says the

1278
01:03:32,000 --> 01:03:34,480
Speaker 1: defendants were dismissed from the suit over time, except for

1279
01:03:34,600 --> 01:03:37,600
Speaker 1: one teacher, Benji Arnold, who agreed to settle the case.

1280
01:03:37,920 --> 01:03:40,960
Speaker 1: American Atheists says the Texas Association of school Boards, a

1281
01:03:41,080 --> 01:03:45,600
Speaker 1: risk pool, paid ninety thousand dollars to resolve the case. Man,

1282
01:03:46,280 --> 01:03:50,120
Speaker 1: that was actually KPRC two news with that report, but

1283
01:03:50,280 --> 01:03:54,760
Speaker 1: dropping a clues. Bad for that young queen. Man high school? Wow,

1284
01:03:56,040 --> 01:03:58,920
Speaker 1: high school? Thinking like that. There's a part of me

1285
01:03:59,040 --> 01:04:01,360
Speaker 1: that's jealous. Okay, this is the second person I know

1286
01:04:01,920 --> 01:04:03,680
Speaker 1: who got a nice chunk of change because they were

1287
01:04:03,760 --> 01:04:06,640
Speaker 1: harassed by someone who couldn't mind their business simply when

1288
01:04:06,680 --> 01:04:08,960
Speaker 1: a person chose not the pledge of leaders to the

1289
01:04:09,000 --> 01:04:11,200
Speaker 1: flag and the republic for which he stands. Okay, I

1290
01:04:11,280 --> 01:04:13,200
Speaker 1: got to salute that young queen who even had to

1291
01:04:13,320 --> 01:04:16,200
Speaker 1: wear with all to file this lawsuit. Because I know

1292
01:04:16,320 --> 01:04:18,920
Speaker 1: for a fact in high school, my dumbass would have

1293
01:04:18,960 --> 01:04:21,160
Speaker 1: just been in the principal's office for refusing to do

1294
01:04:21,320 --> 01:04:23,840
Speaker 1: something like that. And I wouldn't even have realized I

1295
01:04:23,880 --> 01:04:25,960
Speaker 1: would being harassed, because I would have just accepted the

1296
01:04:26,040 --> 01:04:27,560
Speaker 1: fact this guy as a teacher, so he has the

1297
01:04:27,600 --> 01:04:29,640
Speaker 1: authority to press me, but I don't have to do

1298
01:04:29,720 --> 01:04:31,080
Speaker 1: a damn thing, and then I don't want to do.

1299
01:04:31,160 --> 01:04:34,000
Speaker 1: But I wouldn't have thought the sue listen to this

1300
01:04:34,120 --> 01:04:36,400
Speaker 1: queen's reason, and again listen, I also believe that we

1301
01:04:36,520 --> 01:04:38,840
Speaker 1: live in a country where there isn't justice and freedom

1302
01:04:38,920 --> 01:04:40,720
Speaker 1: for all, and so I'm not gonna stand for a

1303
01:04:40,760 --> 01:04:42,920
Speaker 1: pledge that says there is when there really isn't. Who

1304
01:04:45,280 --> 01:04:47,160
Speaker 1: They didn't release her name, That's why I'm not saying

1305
01:04:47,200 --> 01:04:51,080
Speaker 1: her name. But you know, as a teacher, benji Okay, Benjie,

1306
01:04:51,480 --> 01:04:54,240
Speaker 1: instead of attempting to force some bully kids into saying

1307
01:04:54,320 --> 01:04:57,600
Speaker 1: one nation indivisible with liberty and justice for all, how

1308
01:04:57,640 --> 01:05:00,920
Speaker 1: about asked them why she feel that she lives in

1309
01:05:00,960 --> 01:05:03,240
Speaker 1: the country where there isn't justice and freedom for all.

1310
01:05:03,400 --> 01:05:06,680
Speaker 1: I guarantee you'll learn something, Benji Okay. I know Texas

1311
01:05:06,840 --> 01:05:09,160
Speaker 1: is like a country all to itself. But the reality

1312
01:05:09,320 --> 01:05:11,800
Speaker 1: is this young student is right, and that's why you

1313
01:05:11,880 --> 01:05:14,760
Speaker 1: have people out here simply trying to keep America honest.

1314
01:05:14,840 --> 01:05:17,320
Speaker 1: That's what she's doing. Okay. She's not asked for anything

1315
01:05:17,360 --> 01:05:19,240
Speaker 1: more than what has been promised, which is liberty and

1316
01:05:19,360 --> 01:05:21,760
Speaker 1: justice for all. Okay, one nation is true, this is

1317
01:05:21,920 --> 01:05:25,160
Speaker 1: one nation. But indivisible is a lie, okay, because indivisible

1318
01:05:25,200 --> 01:05:27,919
Speaker 1: means unable to be divided or separated. Need grow please,

1319
01:05:28,280 --> 01:05:30,800
Speaker 1: all right, we've been divided and separated from the start.

1320
01:05:30,880 --> 01:05:33,800
Speaker 1: All right. They need to replace indivisible with invisible because

1321
01:05:33,840 --> 01:05:36,520
Speaker 1: from the start you have not seen certain groups. Okay,

1322
01:05:36,560 --> 01:05:38,440
Speaker 1: if you did, all right, you didn't see us in

1323
01:05:38,480 --> 01:05:41,440
Speaker 1: our totality. That's what the whole three fifths compromise was. Clearly,

1324
01:05:41,640 --> 01:05:43,800
Speaker 1: if you couldn't see us in our wholeness, then parts

1325
01:05:43,880 --> 01:05:47,440
Speaker 1: of us were invisible. So let's replace indivisible with invisible.

1326
01:05:47,520 --> 01:05:49,800
Speaker 1: Invisible is how so many people feel in this country

1327
01:05:49,920 --> 01:05:52,320
Speaker 1: because white people would privilege don't see the plights of

1328
01:05:52,360 --> 01:05:55,360
Speaker 1: other people. So when a person says they refuse the

1329
01:05:55,440 --> 01:05:57,360
Speaker 1: pledge allegiance because they feel like they live in a

1330
01:05:57,400 --> 01:06:00,360
Speaker 1: country where there isn't justice and freedom for all liberty

1331
01:06:00,400 --> 01:06:02,560
Speaker 1: fall and they're not gonna stand for a pledge until

1332
01:06:02,600 --> 01:06:06,960
Speaker 1: there is. And how about, as an educator you figure

1333
01:06:07,000 --> 01:06:10,240
Speaker 1: out ways to help us get there instead of continuing

1334
01:06:10,280 --> 01:06:13,920
Speaker 1: the marginalization that currently has that young woman feeling the

1335
01:06:14,040 --> 01:06:19,280
Speaker 1: way she feels in the first place. Okay, Kathy Griffin,

1336
01:06:19,320 --> 01:06:23,120
Speaker 1: please please give this giant jaral male the biggest heahaw

1337
01:06:26,080 --> 01:06:27,800
Speaker 1: and Chelsea Handler you want to get in on on

1338
01:06:27,960 --> 01:06:32,240
Speaker 1: on Bengi heahaw heaha. That is way too much, Dan Man.

1339
01:06:32,560 --> 01:06:34,520
Speaker 1: There's really no reason to play a game. I guess

1340
01:06:34,560 --> 01:06:36,640
Speaker 1: what race it is because it is Texas, and I

1341
01:06:36,720 --> 01:06:39,960
Speaker 1: mean bengi on it. Don't get whiter than that. Like,

1342
01:06:40,000 --> 01:06:41,640
Speaker 1: look how white this man is. He could be on

1343
01:06:41,840 --> 01:06:44,360
Speaker 1: a piece of currency. He could be on a dollar,

1344
01:06:44,800 --> 01:06:46,760
Speaker 1: a five dollar bill, a twenty dollars bill. This is

1345
01:06:46,800 --> 01:06:49,080
Speaker 1: a white This is white white. This is wooden teeth.

1346
01:06:49,120 --> 01:06:53,640
Speaker 1: White's come on, man, this is wooden teeth white. Okay,

1347
01:06:53,760 --> 01:06:56,640
Speaker 1: all right, this is the slaves at eight and three

1348
01:06:56,720 --> 01:06:59,680
Speaker 1: day who cares white in my life? He's white. This

1349
01:06:59,800 --> 01:07:04,160
Speaker 1: is white white. Jesus christ Man. This is the man

1350
01:07:04,200 --> 01:07:06,720
Speaker 1: when people talk about the man, the man holding you back,

1351
01:07:07,880 --> 01:07:10,600
Speaker 1: This is the man. This is this right here could

1352
01:07:10,640 --> 01:07:12,360
Speaker 1: be a picture of the man. This is what the

1353
01:07:12,440 --> 01:07:14,160
Speaker 1: man looks like. If you've never seen what the man

1354
01:07:14,240 --> 01:07:15,800
Speaker 1: looks like, this what the man looks like. This is

1355
01:07:15,800 --> 01:07:17,760
Speaker 1: the day I'll miss being on Revote TV, just because

1356
01:07:17,760 --> 01:07:22,840
Speaker 1: I want y'all to see what the man looks like. Okay, alright, Well, next,

1357
01:07:23,040 --> 01:07:25,960
Speaker 1: ask C and E if you need relationship advice or

1358
01:07:26,000 --> 01:07:28,360
Speaker 1: any type if advice calls right now. And I just

1359
01:07:28,440 --> 01:07:31,840
Speaker 1: want to say salute all the Jehovah witnesses out there. Okay,

1360
01:07:32,480 --> 01:07:34,560
Speaker 1: if any of y'all have ever felt harassed or forced

1361
01:07:34,600 --> 01:07:39,200
Speaker 1: the pledge allegiance, you might be INTI of the conversation. Okay, okay,

1362
01:07:39,280 --> 01:07:43,240
Speaker 1: all right, all right, As C and eight hundred five eight,

1363
01:07:43,280 --> 01:07:45,640
Speaker 1: when you were Jeovah witnesses, you go ringing people's doorbells.

1364
01:07:45,880 --> 01:07:49,920
Speaker 1: Damn show was out in field service on saturdays. Absolutely,

1365
01:07:50,120 --> 01:07:52,080
Speaker 1: So what would make you stop ringing the doorbells? Like?

1366
01:07:52,120 --> 01:07:54,120
Speaker 1: Because you know, sometimes we close the shade, we turned

1367
01:07:54,160 --> 01:07:56,880
Speaker 1: off the lights. But well, honestly, I don't remember doorbells

1368
01:07:56,880 --> 01:07:58,400
Speaker 1: back then. We just was knocking on doors. You know.

1369
01:07:58,720 --> 01:08:00,720
Speaker 1: He was going to trailer parks. And I grew up

1370
01:08:00,720 --> 01:08:02,840
Speaker 1: in a single white trailers. I don't remember like ringing doorbell,

1371
01:08:02,880 --> 01:08:05,480
Speaker 1: I remember knocking on doors, but yes, I definitely did

1372
01:08:05,520 --> 01:08:10,440
Speaker 1: feel service on saturdays. Witness a days well as C

1373
01:08:10,640 --> 01:08:12,840
Speaker 1: and E is next eight hundred five eight five one

1374
01:08:12,880 --> 01:08:15,840
Speaker 1: O five one. It's the Breakfast Club co Morning. It's

1375
01:08:15,920 --> 01:08:20,760
Speaker 1: that time ask Charlomagne a DJ nd anything pick it up,

1376
01:08:21,120 --> 01:08:26,160
Speaker 1: up up, It's time to ask and Morning. Everybody is

1377
01:08:26,240 --> 01:08:30,000
Speaker 1: DJ Envy Angela yee, Charlomagne the guy. We are the

1378
01:08:30,080 --> 01:08:32,800
Speaker 1: Breakfast Club. It's time to ask C and E. If

1379
01:08:32,840 --> 01:08:34,920
Speaker 1: you need relationship advice to any type of advice, you

1380
01:08:35,000 --> 01:08:38,840
Speaker 1: can hit us. Hello. Who's this? It's staring down? How

1381
01:08:38,960 --> 01:08:42,200
Speaker 1: y'all going seven? What up? Terrist Well the man? I

1382
01:08:42,240 --> 01:08:44,280
Speaker 1: got a question for y'all. Y'all man, just like out yam,

1383
01:08:44,360 --> 01:08:46,760
Speaker 1: I got a question for you, Yes, sir, after this

1384
01:08:46,880 --> 01:08:48,680
Speaker 1: Chris rocket Wood Smith thing. And I want to know,

1385
01:08:49,000 --> 01:08:52,000
Speaker 1: it's just possible for a wife or girlfriend if you

1386
01:08:52,040 --> 01:08:54,479
Speaker 1: don't comfort going safe, that you go protect her if

1387
01:08:54,520 --> 01:08:57,759
Speaker 1: she witness you not protect yourself. Well, what is protecting

1388
01:08:57,800 --> 01:08:59,600
Speaker 1: yourself look like? Ken? Tell me what that looks like

1389
01:08:59,680 --> 01:09:01,280
Speaker 1: to you, and I'll tell you what it looks like

1390
01:09:01,400 --> 01:09:03,479
Speaker 1: to me. Oh, I'm in an old generation where your

1391
01:09:03,520 --> 01:09:05,120
Speaker 1: father tell you the worst thing a man could do

1392
01:09:05,200 --> 01:09:07,080
Speaker 1: to respect you to smack. I rather you punch to

1393
01:09:07,120 --> 01:09:09,280
Speaker 1: me to smack. And now you can't even argue with

1394
01:09:09,360 --> 01:09:10,920
Speaker 1: your wife because you can't live where the first thing

1395
01:09:10,960 --> 01:09:13,000
Speaker 1: you're gonna say, don't break bad when me, you ain't

1396
01:09:13,040 --> 01:09:15,720
Speaker 1: break bad when you out your mouth. You gotta live

1397
01:09:15,800 --> 01:09:18,880
Speaker 1: with that. Now, that's that's terrible. Yeah, that's not what

1398
01:09:19,040 --> 01:09:21,679
Speaker 1: protecting a woman to me is, or protecting a woman

1399
01:09:21,720 --> 01:09:23,680
Speaker 1: to me is, you know, making sure that you know

1400
01:09:24,040 --> 01:09:26,120
Speaker 1: you're doing the work on yourself to show up to

1401
01:09:26,160 --> 01:09:27,840
Speaker 1: be the man that you need to be. Like, are

1402
01:09:27,840 --> 01:09:29,960
Speaker 1: you in there? Are you in therapeut? You know how

1403
01:09:30,000 --> 01:09:33,040
Speaker 1: to properly deal with your emotions? You know what I mean?

1404
01:09:33,479 --> 01:09:35,599
Speaker 1: You're absolutely right. But just think if you go somewhere

1405
01:09:35,720 --> 01:09:37,880
Speaker 1: and somebody to get loud, you think you're gonna feel

1406
01:09:37,880 --> 01:09:40,040
Speaker 1: comfortable with you go protector. Yeah, I think I'm happening

1407
01:09:40,080 --> 01:09:42,360
Speaker 1: to you like that. I think it's a different situation. Uh.

1408
01:09:42,960 --> 01:09:45,680
Speaker 1: Will Smith and Chris Rock were actually friends. I mean

1409
01:09:45,720 --> 01:09:47,760
Speaker 1: they worked with movies together. They knew of each other,

1410
01:09:48,160 --> 01:09:50,040
Speaker 1: and that was that was one of the biggest stages

1411
01:09:50,080 --> 01:09:52,360
Speaker 1: so I don't think you could compare that to if

1412
01:09:52,400 --> 01:09:53,960
Speaker 1: we just in the street and somebody comes up to

1413
01:09:53,960 --> 01:09:55,559
Speaker 1: me and smacks me in front of my my daughter

1414
01:09:55,720 --> 01:09:57,960
Speaker 1: or my or my wife. So hey, I think many

1415
01:09:58,000 --> 01:10:01,559
Speaker 1: different situations. Hey, also it is too Now, what if

1416
01:10:02,040 --> 01:10:04,439
Speaker 1: you're a person who can't control their emotions and you're

1417
01:10:04,479 --> 01:10:05,880
Speaker 1: dealing with a lot of hurt and you're dealing with

1418
01:10:05,920 --> 01:10:08,439
Speaker 1: a lot of pain. So whenever somebody pops off, even

1419
01:10:08,479 --> 01:10:11,240
Speaker 1: if it's something like you react in that way and

1420
01:10:11,360 --> 01:10:14,000
Speaker 1: you just outsmacking people or punching people and then that

1421
01:10:14,120 --> 01:10:15,920
Speaker 1: person decides to pull a gun out and then kills you,

1422
01:10:16,000 --> 01:10:19,280
Speaker 1: blows your mother eff and brains out. That's not protecting, right,

1423
01:10:19,560 --> 01:10:22,599
Speaker 1: will smell He pens acessful all the life. He's small

1424
01:10:22,840 --> 01:10:24,840
Speaker 1: and everything. You gotta expect him to go off soon

1425
01:10:24,880 --> 01:10:27,040
Speaker 1: or later because he couldn't never be himself. He only

1426
01:10:27,120 --> 01:10:29,320
Speaker 1: got to be that image that is true. Later he

1427
01:10:29,360 --> 01:10:31,120
Speaker 1: go come out from the later. And I think that's

1428
01:10:31,160 --> 01:10:33,040
Speaker 1: all that happened. And I love both of the brothers

1429
01:10:33,040 --> 01:10:35,080
Speaker 1: and I appreciate youall. I love both of I love

1430
01:10:35,160 --> 01:10:36,720
Speaker 1: both of them too, man, and I can't I want

1431
01:10:36,800 --> 01:10:39,400
Speaker 1: both of them to continue to continue on their journey

1432
01:10:39,439 --> 01:10:43,479
Speaker 1: of healing. Hello, who's this yo? Without? Without without is alive?

1433
01:10:43,640 --> 01:10:46,080
Speaker 1: All right? What's your question for CNE? I got a question.

1434
01:10:46,439 --> 01:10:49,120
Speaker 1: My first question is for Charlomagne. Yo, charlomagn, I'll come

1435
01:10:49,160 --> 01:10:51,240
Speaker 1: every time you're giving out the donkey to day you

1436
01:10:51,360 --> 01:10:54,679
Speaker 1: got the day's wrong? Today is Thursday to thirty first,

1437
01:10:54,840 --> 01:10:57,280
Speaker 1: not Friday the thirty first. What did I say Friday

1438
01:10:57,320 --> 01:11:00,160
Speaker 1: to thirty first? I might have. I might have. I

1439
01:11:00,280 --> 01:11:02,000
Speaker 1: might have some type of burger. Man. I don't know.

1440
01:11:02,160 --> 01:11:05,880
Speaker 1: I'd be seeing what's the burger, asked burger. Yeah, I'll

1441
01:11:05,920 --> 01:11:09,040
Speaker 1: be seeing. I didn't know. I thought the day was Thursday,

1442
01:11:09,120 --> 01:11:12,640
Speaker 1: March thirty first. I said Friday. I don't know why

1443
01:11:12,680 --> 01:11:14,040
Speaker 1: I do that. I'm gonna be honest. I see people

1444
01:11:14,080 --> 01:11:16,160
Speaker 1: say that all the time on the YouTube comments. I'm like,

1445
01:11:16,400 --> 01:11:17,960
Speaker 1: I don't even realize I'd be saying it like he

1446
01:11:18,000 --> 01:11:19,920
Speaker 1: ain't got an eyefro that tells him to day. Last

1447
01:11:20,000 --> 01:11:24,439
Speaker 1: week a time your uncle getting old brote? What's the

1448
01:11:24,479 --> 01:11:28,400
Speaker 1: other question? Brother? Yo? Every I got I got a problem, man,

1449
01:11:28,439 --> 01:11:30,599
Speaker 1: I'm trying to I'm trying to see man, like, how

1450
01:11:30,720 --> 01:11:33,040
Speaker 1: can I I got an eighty percent? And I got

1451
01:11:33,160 --> 01:11:35,200
Speaker 1: a twenty percent. I'm trying to see how can I

1452
01:11:35,280 --> 01:11:38,200
Speaker 1: get my eighty eight? Sho my ady, John? Try to

1453
01:11:38,200 --> 01:11:40,639
Speaker 1: see I shouldn give me a hunting. I'm tired of running.

1454
01:11:40,720 --> 01:11:43,320
Speaker 1: You should know nothing about this, and you shouldn't know

1455
01:11:43,400 --> 01:11:46,080
Speaker 1: nothing about this. You shouldn't even understand this math he talk?

1456
01:11:47,360 --> 01:11:49,160
Speaker 1: What are you talking? You are happily married man, a

1457
01:11:49,280 --> 01:11:52,800
Speaker 1: faithful black man? Are you talking about a faithful black man?

1458
01:11:53,240 --> 01:11:56,400
Speaker 1: I'll tell you this. I tell you this, King, I

1459
01:11:56,520 --> 01:12:01,760
Speaker 1: know math. I'm going with the eighty all day every day. Hey,

1460
01:12:01,840 --> 01:12:04,000
Speaker 1: and I'm trying to go to eighty one day every day.

1461
01:12:04,040 --> 01:12:07,960
Speaker 1: But the twenty calling you? You're an idiot. You wouldn't

1462
01:12:07,960 --> 01:12:10,360
Speaker 1: take twenty percent of your paycheck, would you? If your

1463
01:12:10,400 --> 01:12:11,920
Speaker 1: ball came here right now? Then I'm gonna give you

1464
01:12:11,960 --> 01:12:14,360
Speaker 1: eighty percent of your paycheck or twenty percent of your paycheck?

1465
01:12:14,640 --> 01:12:17,640
Speaker 1: Which one you're taking on? That's an easy question, Jo,

1466
01:12:17,680 --> 01:12:22,120
Speaker 1: It should be easy in this situation to Foods calling

1467
01:12:22,240 --> 01:12:24,640
Speaker 1: up talking about math. We don't know we faithful black man?

1468
01:12:25,840 --> 01:12:28,280
Speaker 1: What are you talking? Number? That damn math? Eighty twenty?

1469
01:12:28,400 --> 01:12:31,160
Speaker 1: What is that? I know? A hundred exactly one hundred

1470
01:12:31,200 --> 01:12:34,920
Speaker 1: percent faithful to our wives what this man told eighty

1471
01:12:35,000 --> 01:12:40,080
Speaker 1: twenty man asked, all right, ask CN eight hundred five

1472
01:12:40,160 --> 01:12:42,080
Speaker 1: eight five one o five one. If you got questions

1473
01:12:42,120 --> 01:12:44,840
Speaker 1: for ce, call us up right now. It's the Breakfast Club,

1474
01:12:44,880 --> 01:12:49,880
Speaker 1: GOP five and five one oh five on. If you

1475
01:12:49,920 --> 01:12:52,080
Speaker 1: need relationship advice at any type of advice, you can

1476
01:12:52,120 --> 01:12:53,880
Speaker 1: call us right now and let's sell them in a

1477
01:12:53,880 --> 01:12:55,280
Speaker 1: couple of one. Before you get into it, you said,

1478
01:12:55,280 --> 01:12:57,839
Speaker 1: a couple of people called h and had a question

1479
01:12:57,920 --> 01:13:01,200
Speaker 1: about your knees. I wanted to know how your knees

1480
01:13:01,280 --> 01:13:04,519
Speaker 1: were fine. What you're talking about Yesterday you would dance,

1481
01:13:04,560 --> 01:13:07,200
Speaker 1: remember you d I don't play with me. I'm sent man.

1482
01:13:07,680 --> 01:13:09,920
Speaker 1: I was a stallion before there was stallions out here

1483
01:13:09,960 --> 01:13:12,040
Speaker 1: what you're talking about. I grew up in the Uncle

1484
01:13:12,120 --> 01:13:14,680
Speaker 1: Luke era. You hear me all right, Before y'all were

1485
01:13:14,720 --> 01:13:16,400
Speaker 1: doing twerking and everything else, we was out here with

1486
01:13:16,439 --> 01:13:20,200
Speaker 1: the sixty nine boys. Okay, Tucci rolling alright, motify it.

1487
01:13:20,560 --> 01:13:23,320
Speaker 1: You're talking about how unk kneeds unk needs built for it.

1488
01:13:23,920 --> 01:13:26,360
Speaker 1: It's in me, not on me. That was wrong with y'all.

1489
01:13:27,680 --> 01:13:30,519
Speaker 1: Damn mind asked me about my knees. Please now listen.

1490
01:13:31,040 --> 01:13:33,880
Speaker 1: Omar Epps and Charles Murray was here last hour. They

1491
01:13:33,920 --> 01:13:35,840
Speaker 1: got a movie coming out in theaters this weekend called

1492
01:13:35,880 --> 01:13:37,960
Speaker 1: The Devil. You know you heard me an NV say

1493
01:13:38,000 --> 01:13:39,960
Speaker 1: at the end, we was gonna um you know, get

1494
01:13:40,000 --> 01:13:42,120
Speaker 1: a theater correct so people can go see it. So

1495
01:13:42,200 --> 01:13:45,920
Speaker 1: if you're in New York City, man um AMC Babe

1496
01:13:46,000 --> 01:13:49,680
Speaker 1: Plaza in the Bronx and the Bronx. Okay, hit up

1497
01:13:49,720 --> 01:13:52,400
Speaker 1: power one oh five one fm dot com right now

1498
01:13:52,680 --> 01:13:54,640
Speaker 1: for your chance to get passes to go see the

1499
01:13:54,720 --> 01:13:58,320
Speaker 1: new Omar Epps movie, The Devil. You know. Okay, it's

1500
01:13:58,320 --> 01:14:03,040
Speaker 1: a special screening. When that hey eight, you just said

1501
01:14:03,160 --> 01:14:07,840
Speaker 1: when you're screening tomorrow. What is the screening tomorrow? Yeah,

1502
01:14:07,840 --> 01:14:11,000
Speaker 1: if the screening is tomorrow, So AMC Baye Plaza and

1503
01:14:11,160 --> 01:14:13,080
Speaker 1: the Bronx hit up power one on five one fm

1504
01:14:13,160 --> 01:14:16,560
Speaker 1: dot com for your chance to get passes courtesy of

1505
01:14:16,680 --> 01:14:18,600
Speaker 1: me and Rashawn. That's right. And all you gotta do

1506
01:14:18,680 --> 01:14:20,960
Speaker 1: is when you click to site, you'll see Omar EPP's face.

1507
01:14:21,040 --> 01:14:22,719
Speaker 1: Just click that link and you just click the intel.

1508
01:14:22,840 --> 01:14:24,479
Speaker 1: There you go, all right, and that's in the Bronx.

1509
01:14:24,600 --> 01:14:27,800
Speaker 1: AMC Baye Plaza Cinema thirteen in the Bronx and that's

1510
01:14:27,840 --> 01:14:30,160
Speaker 1: to see the screener for the devil, you know, and

1511
01:14:30,280 --> 01:14:32,200
Speaker 1: don't don't worry about the fact that I see the

1512
01:14:32,240 --> 01:14:34,120
Speaker 1: craziest people in America come from the Bronx and all

1513
01:14:34,120 --> 01:14:36,160
Speaker 1: the Florida. Don't worry about that. Don't worry about that.

1514
01:14:36,200 --> 01:14:38,599
Speaker 1: Don't worry about that. You'll be fine, all right when

1515
01:14:38,640 --> 01:14:40,080
Speaker 1: we come back. We got more ass C and E

1516
01:14:40,320 --> 01:14:42,559
Speaker 1: relationship advice than any type of advice call us. Now

1517
01:14:42,640 --> 01:14:46,960
Speaker 1: it's the breakfast club. That time ask Charlomagne a DJ

1518
01:14:47,200 --> 01:14:54,120
Speaker 1: NV anything up up? It's time to ask morning. Everybody's

1519
01:14:54,200 --> 01:14:57,680
Speaker 1: DJ Envy and Jula yee, Charlomagne the guy. We are

1520
01:14:57,760 --> 01:14:59,680
Speaker 1: the breakfast club. We're in the middle of seat in

1521
01:14:59,720 --> 01:15:04,200
Speaker 1: the Hello, who's this? Hi? This is then? Hey, what's

1522
01:15:04,240 --> 01:15:07,920
Speaker 1: your question for ce hi seeing? Oh my god? Now

1523
01:15:07,960 --> 01:15:10,240
Speaker 1: I need to how to be super serious? I know

1524
01:15:10,360 --> 01:15:15,360
Speaker 1: y'all dub around a lot. We're always serious, all right.

1525
01:15:15,720 --> 01:15:18,200
Speaker 1: So I met this guy in LA. I lived in

1526
01:15:18,600 --> 01:15:20,679
Speaker 1: the East Coast. I'm not gonna say just she's listening.

1527
01:15:20,720 --> 01:15:25,080
Speaker 1: I live on the East Coast. Is um in the beginning.

1528
01:15:25,160 --> 01:15:28,679
Speaker 1: I mean, this guy is super nice. We communicate fully good,

1529
01:15:28,760 --> 01:15:31,599
Speaker 1: we click, We have a lot of things in comment.

1530
01:15:31,760 --> 01:15:34,559
Speaker 1: I'm and I didn't want to like him because he's

1531
01:15:34,600 --> 01:15:35,960
Speaker 1: on the West coast. But you know, I had a

1532
01:15:36,000 --> 01:15:38,559
Speaker 1: conversation with him and I was like, listening, you're really likful.

1533
01:15:39,000 --> 01:15:42,200
Speaker 1: What are we doing? Um? He didn't answer me when

1534
01:15:42,200 --> 01:15:44,000
Speaker 1: I asked you that question. He kind of got quiet.

1535
01:15:44,439 --> 01:15:47,000
Speaker 1: So I kind of sut the whole sporation down, and

1536
01:15:47,080 --> 01:15:48,719
Speaker 1: I was like, you know what, you're a cool person,

1537
01:15:48,920 --> 01:15:51,519
Speaker 1: but you know I'm here, you're there. Let's fall about

1538
01:15:51,560 --> 01:15:54,000
Speaker 1: our lives. So he called me yesterday and he was

1539
01:15:54,160 --> 01:15:56,800
Speaker 1: seeing for the relationship. She was like, what are you doing?

1540
01:15:57,120 --> 01:15:59,000
Speaker 1: He was like, I don't care if you're in New Jersey.

1541
01:15:59,479 --> 01:16:01,800
Speaker 1: He was and all the right things. He was like,

1542
01:16:02,000 --> 01:16:04,120
Speaker 1: it's not that I'm not interested. I want to let

1543
01:16:04,160 --> 01:16:07,280
Speaker 1: you know now that I'm interested. I'm busy, but let

1544
01:16:07,360 --> 01:16:09,280
Speaker 1: me like. He's also told me I need to be

1545
01:16:09,400 --> 01:16:12,000
Speaker 1: calling him. But I felt like I'm following his lead.

1546
01:16:12,240 --> 01:16:14,760
Speaker 1: What is he doing? What did you do? What did

1547
01:16:14,800 --> 01:16:17,280
Speaker 1: you do for a living? He's the entrepreneur. He's in

1548
01:16:17,320 --> 01:16:20,360
Speaker 1: the fashion industry as well as the music industry. I mean,

1549
01:16:20,439 --> 01:16:22,360
Speaker 1: I always feel like you you can always make time

1550
01:16:22,439 --> 01:16:24,160
Speaker 1: for somebody you care about, and you love. I mean,

1551
01:16:24,320 --> 01:16:26,040
Speaker 1: it ain't nothing to make a quick phone call or

1552
01:16:26,080 --> 01:16:28,280
Speaker 1: a quick text or a quick little something just to

1553
01:16:28,320 --> 01:16:30,120
Speaker 1: tell you I'm thinking about you. I always feel that,

1554
01:16:30,320 --> 01:16:32,000
Speaker 1: like if you really want something, you really love it,

1555
01:16:32,080 --> 01:16:33,920
Speaker 1: you're really thinking about it, it ain't nothing to make

1556
01:16:33,960 --> 01:16:36,960
Speaker 1: a little time for that throughout the day. In my opinion, Yeah,

1557
01:16:37,040 --> 01:16:40,280
Speaker 1: I agree. I mean, he said someone everything esterday to

1558
01:16:40,360 --> 01:16:42,680
Speaker 1: try to say what we were trying to build. He

1559
01:16:42,800 --> 01:16:45,200
Speaker 1: was like, listen, he said, I actually heard his feelings,

1560
01:16:45,240 --> 01:16:47,240
Speaker 1: because you feel like I gave up on him, and

1561
01:16:47,320 --> 01:16:49,080
Speaker 1: I don't think that he was fornesting me. But I

1562
01:16:49,200 --> 01:16:52,000
Speaker 1: was like, you know what again, I'm here, you're there.

1563
01:16:52,439 --> 01:16:55,400
Speaker 1: I don't want he's really likable. I think you need

1564
01:16:55,520 --> 01:16:57,400
Speaker 1: to make sure that man ain't got a whole other

1565
01:16:57,479 --> 01:17:00,280
Speaker 1: family in La. Absolutely, that's what I think you need

1566
01:17:00,400 --> 01:17:02,120
Speaker 1: to do, because I mean, we all work a lot.

1567
01:17:02,200 --> 01:17:03,880
Speaker 1: I work a lot, Charlomagne works a lot, but we

1568
01:17:03,960 --> 01:17:06,240
Speaker 1: still find time to throughout the date just to call

1569
01:17:06,479 --> 01:17:08,240
Speaker 1: I called my wife just to tell I'm thinking about it,

1570
01:17:08,360 --> 01:17:10,160
Speaker 1: or I call my kid to check up on him.

1571
01:17:10,400 --> 01:17:12,880
Speaker 1: And I got a zillion one jobs and Charlemagne does

1572
01:17:12,920 --> 01:17:15,280
Speaker 1: as well. But if you really love somebody, you really

1573
01:17:15,320 --> 01:17:18,320
Speaker 1: can you find that time unless he can't because he's

1574
01:17:18,320 --> 01:17:20,679
Speaker 1: with his other family, right, and if he can't necessarily

1575
01:17:20,760 --> 01:17:22,880
Speaker 1: get away, and if that man is with his other family,

1576
01:17:22,920 --> 01:17:25,080
Speaker 1: you need to lead that man and her and you

1577
01:17:25,160 --> 01:17:28,000
Speaker 1: need to lead that lady husband alone. Oh no, that's

1578
01:17:28,080 --> 01:17:34,160
Speaker 1: not Charlemagne. Don't play with me. What I'm just asking.

1579
01:17:34,200 --> 01:17:38,000
Speaker 1: I'm just saying hypothetically. I don't know, right, but you

1580
01:17:38,080 --> 01:17:39,360
Speaker 1: do need to find out if he got a whole

1581
01:17:39,400 --> 01:17:41,560
Speaker 1: other situation going on, because envy is right, you know,

1582
01:17:41,640 --> 01:17:43,560
Speaker 1: we make time for what we want to make time for.

1583
01:17:44,120 --> 01:17:46,080
Speaker 1: There's no reason in two twenty two to not be

1584
01:17:46,120 --> 01:17:49,880
Speaker 1: able to keep constant communication facetimes, zooms something. Yeah, you

1585
01:17:49,920 --> 01:17:53,280
Speaker 1: should start facetimeing in wild times like FaceTime like early

1586
01:17:53,360 --> 01:17:55,200
Speaker 1: in the morning to see, you know, if he's in

1587
01:17:55,280 --> 01:17:58,360
Speaker 1: bad by himself FaceTime and just wild time, just to see.

1588
01:17:58,479 --> 01:18:00,640
Speaker 1: And if you don't answer, if you don't answer, you

1589
01:18:00,720 --> 01:18:02,080
Speaker 1: know what it is, right he don't answer to stop

1590
01:18:02,120 --> 01:18:07,200
Speaker 1: interrupting that man's family time. Thank you, guys. I'm so

1591
01:18:07,360 --> 01:18:09,920
Speaker 1: happy that you were serious with me. We are I'm

1592
01:18:09,960 --> 01:18:13,080
Speaker 1: no way serious. Why people think we're not serious? Oh? No, hello,

1593
01:18:13,200 --> 01:18:17,120
Speaker 1: who's this? Hey? What's stop this year from talio? Talio?

1594
01:18:17,640 --> 01:18:20,679
Speaker 1: What's your seeing? Me? Um? I just trying to figure

1595
01:18:20,720 --> 01:18:23,519
Speaker 1: out how my man. He treats me so good, but

1596
01:18:24,120 --> 01:18:26,760
Speaker 1: he can't stop cheating, and I'm just not saying what

1597
01:18:26,920 --> 01:18:35,160
Speaker 1: it is. Don't laugh? Paid did you catch it's not funny?

1598
01:18:35,439 --> 01:18:39,760
Speaker 1: At least ten times? Whoa whoas? And eight years? Are

1599
01:18:39,800 --> 01:18:43,720
Speaker 1: you married? In two years? We're not married together? My

1600
01:18:43,840 --> 01:18:46,360
Speaker 1: g my g g g so he got five years,

1601
01:18:46,600 --> 01:18:50,400
Speaker 1: he's averaging five cheating five cheats a yet correct? That's

1602
01:18:50,400 --> 01:18:54,880
Speaker 1: what you're telling us right now? Yeah? I eight? How

1603
01:18:54,920 --> 01:18:57,519
Speaker 1: old is this man? He's twenty nine? Why is this?

1604
01:18:57,720 --> 01:18:59,320
Speaker 1: Why can't you let him go? Tell me? I have

1605
01:18:59,400 --> 01:19:01,639
Speaker 1: to tend she in two years. You gotta let him

1606
01:19:01,640 --> 01:19:03,599
Speaker 1: go because he understands you won't leave, so he's gonna

1607
01:19:03,640 --> 01:19:05,280
Speaker 1: keep doing it to you until you change your behavior.

1608
01:19:05,360 --> 01:19:07,519
Speaker 1: I need to hear how good the penis is. Tell

1609
01:19:07,600 --> 01:19:11,120
Speaker 1: me what I know. That's all it is. That's the

1610
01:19:11,200 --> 01:19:14,280
Speaker 1: only thing got you going crazy out here. You out

1611
01:19:14,360 --> 01:19:20,000
Speaker 1: here tied you because you're you're allowing it. Honestly, if

1612
01:19:20,040 --> 01:19:22,280
Speaker 1: you decide you won't take it anymore and you out,

1613
01:19:22,360 --> 01:19:23,920
Speaker 1: then he will understand it. But the fact that you

1614
01:19:24,040 --> 01:19:25,920
Speaker 1: keep forgiving him and allow him to come back in

1615
01:19:25,960 --> 01:19:29,320
Speaker 1: the house. And that's the truth. No, it's not. This

1616
01:19:29,520 --> 01:19:32,040
Speaker 1: man has been with ten different girls in two years.

1617
01:19:32,240 --> 01:19:34,639
Speaker 1: She just one of them. You're not even really his girlfriend.

1618
01:19:35,000 --> 01:19:37,280
Speaker 1: See that he slips with her? No, he don't, he do.

1619
01:19:39,760 --> 01:19:41,800
Speaker 1: It's probably because you're a homeless sexual. All right. He

1620
01:19:41,840 --> 01:19:46,000
Speaker 1: probably ain't got no other place to be, all right, Okay,

1621
01:19:46,439 --> 01:19:48,599
Speaker 1: he probably ain't got no other place to be, all right?

1622
01:19:48,680 --> 01:19:50,400
Speaker 1: Why would he Why? Why would he be living with you?

1623
01:19:50,479 --> 01:19:51,960
Speaker 1: How does he what does he? When? Does he have

1624
01:19:52,080 --> 01:19:54,519
Speaker 1: time to cheat? If he lives with you? Exactly what?

1625
01:19:54,640 --> 01:19:56,920
Speaker 1: I go to work. He don't even got a job.

1626
01:19:59,200 --> 01:20:02,560
Speaker 1: This man's is amazing. Come on, mama, he doesn't have

1627
01:20:02,680 --> 01:20:08,519
Speaker 1: a job. You this man and this man's penis no

1628
01:20:08,840 --> 01:20:10,920
Speaker 1: you pay his cell phone bill. It gets to the

1629
01:20:10,960 --> 01:20:13,720
Speaker 1: point where you just gotta say enough is enough. I

1630
01:20:15,680 --> 01:20:18,800
Speaker 1: will say that he's a drug dealers are paid? Is

1631
01:20:18,800 --> 01:20:22,040
Speaker 1: he a drug dealer? Possibility? You're going to jail and

1632
01:20:22,200 --> 01:20:24,120
Speaker 1: you're gonna have a heartbreak. Now. You gotta you gotta

1633
01:20:24,200 --> 01:20:25,439
Speaker 1: let go because you don't want to be in a

1634
01:20:25,520 --> 01:20:27,599
Speaker 1: predicament where he brings you home something that you don't

1635
01:20:27,640 --> 01:20:33,880
Speaker 1: necessarily want like gonera conspiracy charges, conspiracy charges like it's

1636
01:20:34,000 --> 01:20:35,960
Speaker 1: enough enough, and he keeps doing it because you just

1637
01:20:36,080 --> 01:20:38,160
Speaker 1: won't leave, and he understands that, he'll say sorry and

1638
01:20:38,280 --> 01:20:40,360
Speaker 1: you'll stay. You got now to the point where you

1639
01:20:40,439 --> 01:20:42,599
Speaker 1: just gotta be like, you gotta do. It's best for you, sis.

1640
01:20:42,680 --> 01:20:44,080
Speaker 1: It's the best peenis you ever had in your life.

1641
01:20:44,200 --> 01:20:50,559
Speaker 1: Why you keep asking her? You weak? Damn God damn

1642
01:20:50,920 --> 01:20:52,760
Speaker 1: does he at least give you a good conversation to

1643
01:20:52,880 --> 01:20:55,600
Speaker 1: go along with it? It do? It's just like a

1644
01:20:55,760 --> 01:20:59,519
Speaker 1: fery tale and then pop damn man, salute to that

1645
01:20:59,640 --> 01:21:04,240
Speaker 1: king and he just Mama, you know what that king?

1646
01:21:04,800 --> 01:21:08,519
Speaker 1: I remember when I was a young toxic Okay, Lord,

1647
01:21:08,640 --> 01:21:12,439
Speaker 1: have mercy. You know what you gotta do? You hear me? No,

1648
01:21:12,640 --> 01:21:14,120
Speaker 1: she don't hear you. She ain't trying to hear you.

1649
01:21:14,320 --> 01:21:17,800
Speaker 1: Text it's Thursday, Friday tomorrow. Text him right now, tell him,

1650
01:21:17,960 --> 01:21:20,479
Speaker 1: tell him you're not gonna do this anymore. He was

1651
01:21:21,760 --> 01:21:23,439
Speaker 1: to grab on my phone right now. Let me talk

1652
01:21:23,479 --> 01:21:26,960
Speaker 1: to this king. Boy, Come on, peace, King, How are

1653
01:21:26,960 --> 01:21:30,559
Speaker 1: you doing? Brother? Why you wil b you? Why? Yeah?

1654
01:21:30,560 --> 01:21:33,439
Speaker 1: Why you aren't playing with that girl's emotions? Man? I

1655
01:21:33,520 --> 01:21:35,800
Speaker 1: ain't playing with her, but every speak man need to

1656
01:21:35,880 --> 01:21:42,840
Speaker 1: understand they play too. And I think she would respect

1657
01:21:42,880 --> 01:21:44,360
Speaker 1: you more if you had a job. King. You know

1658
01:21:44,360 --> 01:21:46,519
Speaker 1: what I'm saying, Like you can't job? No, she said,

1659
01:21:46,520 --> 01:21:52,240
Speaker 1: he don't got not a legal job? Oh your barber? Okay,

1660
01:21:52,400 --> 01:21:56,360
Speaker 1: do you have your license? That ain't funny. Do you

1661
01:21:56,400 --> 01:21:58,000
Speaker 1: have your license? He ain't got his life? You don't

1662
01:21:58,000 --> 01:21:59,479
Speaker 1: got your license? Is still an the legal job? Bro?

1663
01:22:00,160 --> 01:22:03,439
Speaker 1: She caught you ten times in two years, so there's

1664
01:22:03,520 --> 01:22:05,240
Speaker 1: a couple of times she didn't catch you. Bro, come

1665
01:22:05,320 --> 01:22:07,320
Speaker 1: on down. If she a good woman, you gotta chill

1666
01:22:07,479 --> 01:22:09,160
Speaker 1: f out. You live in with her your clothes? Dare

1667
01:22:09,200 --> 01:22:14,960
Speaker 1: you gotta chill out? Bro? Do you like her? Whoa girl?

1668
01:22:15,000 --> 01:22:17,000
Speaker 1: If you don't kick that out your car right now,

1669
01:22:18,680 --> 01:22:21,920
Speaker 1: right now, hit out, pull over and drop him off.

1670
01:22:24,400 --> 01:22:35,040
Speaker 1: We're just joking. We don't want nothing toxic, all right? Well,

1671
01:22:35,920 --> 01:22:37,400
Speaker 1: I don't know to tell somebody like that when the

1672
01:22:37,439 --> 01:22:40,720
Speaker 1: person is dematized in that way. Okay, and the man

1673
01:22:40,840 --> 01:22:46,000
Speaker 1: don't teated ten times in two years. She'll come around

1674
01:22:46,040 --> 01:22:49,120
Speaker 1: one day one day, But you don't want to be

1675
01:22:49,200 --> 01:22:51,880
Speaker 1: the guy that does it one last time. You lose

1676
01:22:51,960 --> 01:22:53,760
Speaker 1: her and then three years down the line, you're like,

1677
01:22:53,840 --> 01:22:57,000
Speaker 1: Dad was the best thing I haven't losted are or

1678
01:22:57,160 --> 01:23:00,840
Speaker 1: what he could one day evolve and become the man

1679
01:23:01,000 --> 01:23:04,080
Speaker 1: that she has always wanted him to be. That it

1680
01:23:04,200 --> 01:23:07,400
Speaker 1: has happened to the worst of us, Right, I am

1681
01:23:07,600 --> 01:23:10,439
Speaker 1: living through. You didn't get I never had no five,

1682
01:23:10,520 --> 01:23:12,679
Speaker 1: I never had no ten in two years. That's just ridiculous.

1683
01:23:12,720 --> 01:23:16,360
Speaker 1: That's just nasty. Yes, all right, all right, it's disgusting.

1684
01:23:16,439 --> 01:23:18,560
Speaker 1: Ten in two years. You just out here wild and

1685
01:23:18,560 --> 01:23:20,599
Speaker 1: you don't get nothing about your penis. You got time

1686
01:23:20,680 --> 01:23:22,439
Speaker 1: ten and two years in this era, though he got

1687
01:23:22,520 --> 01:23:24,400
Speaker 1: caught with ten, so it might have been twenty. Whoa,

1688
01:23:25,080 --> 01:23:29,000
Speaker 1: whoa in this era. No, no, anybody got time for that. No, no, no,

1689
01:23:29,080 --> 01:23:31,479
Speaker 1: you get commedia, computer viruses, all types of stuff. You

1690
01:23:31,479 --> 01:23:33,760
Speaker 1: ain't black time computer virus. You don't want your penis

1691
01:23:33,760 --> 01:23:35,200
Speaker 1: to get hacked. All right, Well, let's get to the

1692
01:23:35,280 --> 01:23:43,160
Speaker 1: room as let's talk Soldier boy. It's about this is

1693
01:23:43,200 --> 01:23:48,879
Speaker 1: the report angela ye on the breakfast club. Well, soldier

1694
01:23:48,960 --> 01:23:51,120
Speaker 1: boy turns in the big Draco. He wants to know

1695
01:23:51,240 --> 01:23:54,080
Speaker 1: our little Dirk water me goes ain't returning his calls

1696
01:23:54,640 --> 01:23:56,479
Speaker 1: when you yelling I don't know. I want to get

1697
01:23:56,479 --> 01:24:00,639
Speaker 1: my soldier boy's voice. I'm always doing a song, get signed,

1698
01:24:00,840 --> 01:24:03,479
Speaker 1: then once get famous, I can't. I can't even get

1699
01:24:03,520 --> 01:24:06,840
Speaker 1: a song from him. But when y'all was in the

1700
01:24:06,960 --> 01:24:09,160
Speaker 1: hood and I ain't nobody know who the fuck y'all was,

1701
01:24:09,600 --> 01:24:13,000
Speaker 1: I was doing songs with ya, Chief Keith, little Dirt,

1702
01:24:13,439 --> 01:24:17,120
Speaker 1: me goos famous dicks only play the song with now

1703
01:24:17,439 --> 01:24:21,080
Speaker 1: was Risty Keith ain't real. I'm still having it, still

1704
01:24:21,160 --> 01:24:23,560
Speaker 1: have e motion. Really don't need no song with you.

1705
01:24:24,200 --> 01:24:26,519
Speaker 1: All you gotta do is look up Soldier wear little

1706
01:24:26,560 --> 01:24:29,280
Speaker 1: Dirt Eater the man first mix taken on somebody nobody

1707
01:24:29,360 --> 01:24:32,680
Speaker 1: knew who the dirt wasna get a record deal? What

1708
01:24:32,840 --> 01:24:36,439
Speaker 1: if my feature back in don't play with Big Draco?

1709
01:24:36,600 --> 01:24:38,920
Speaker 1: Why Soldier? But always sound like he giving closing arguments

1710
01:24:38,920 --> 01:24:42,080
Speaker 1: and you know what I mean, And I just say, guilty,

1711
01:24:42,560 --> 01:24:46,240
Speaker 1: guilty to all of everybody he just named. Okay, all right,

1712
01:24:46,360 --> 01:24:48,519
Speaker 1: well you should return the favorite of soldier did look

1713
01:24:48,560 --> 01:24:51,400
Speaker 1: out for y'all in that way, you know, before y'all

1714
01:24:51,439 --> 01:24:53,760
Speaker 1: got popping, You should return the favor later on that

1715
01:24:53,880 --> 01:24:56,360
Speaker 1: like you should. But if you don't, you know it

1716
01:24:56,560 --> 01:24:59,519
Speaker 1: is what it is. But you should all right, now,

1717
01:24:59,600 --> 01:25:02,400
Speaker 1: eas Ray, there was rumors that Easter Ray is pregnant.

1718
01:25:02,560 --> 01:25:04,960
Speaker 1: Why did you say that? I don't know, she responded.

1719
01:25:05,080 --> 01:25:08,439
Speaker 1: She says, I am not pregnant. F you very much.

1720
01:25:08,920 --> 01:25:11,200
Speaker 1: Let a bitch eat, drink and be merry. That's one

1721
01:25:11,240 --> 01:25:12,760
Speaker 1: of the worst things you can say to a woman. Man,

1722
01:25:12,880 --> 01:25:16,720
Speaker 1: tell a woman you know when brown congratulations, Uh, you

1723
01:25:16,760 --> 01:25:19,280
Speaker 1: know when you're expecting and she ain't even pregnant. I

1724
01:25:19,400 --> 01:25:21,360
Speaker 1: learned my lesson. I did that one jot. We was

1725
01:25:21,400 --> 01:25:24,160
Speaker 1: on a plane and the radio personality was on there

1726
01:25:24,200 --> 01:25:26,160
Speaker 1: with me and I was like, yo, congratulations, you know

1727
01:25:26,160 --> 01:25:28,120
Speaker 1: what I'm saying. She said, for what I said, pregnant,

1728
01:25:28,160 --> 01:25:32,200
Speaker 1: She's like, I ain't pregnant. I said, Oh, all's so disrespectful.

1729
01:25:32,200 --> 01:25:33,720
Speaker 1: And I mean this in a real way. It's just

1730
01:25:33,800 --> 01:25:37,599
Speaker 1: like saying fat bitch. It's that disrespectful. I'm serious. That's

1731
01:25:37,640 --> 01:25:40,400
Speaker 1: the equivalent tiling my line and somebody walked to and

1732
01:25:40,439 --> 01:25:43,600
Speaker 1: be like, damn you pregnant. That's disrespectful, right, that's just

1733
01:25:43,720 --> 01:25:47,479
Speaker 1: like calling women to fat. Be right, it's I'm telling

1734
01:25:47,560 --> 01:25:53,280
Speaker 1: you disrespectful. You well, uh, I didn't know this one.

1735
01:25:53,400 --> 01:25:56,439
Speaker 1: This one. Just let me see, let me see, let

1736
01:25:56,479 --> 01:25:58,600
Speaker 1: me see, let me see. No, let just see. It

1737
01:25:58,720 --> 01:26:02,120
Speaker 1: was just a bad transition. No no, no, no no

1738
01:26:02,360 --> 01:26:06,320
Speaker 1: no no no no no no no no. I'm glass.

1739
01:26:06,479 --> 01:26:08,800
Speaker 1: That's bro right, that's broth. Even though I got to

1740
01:26:08,840 --> 01:26:10,719
Speaker 1: show the people the headline at least on the camera,

1741
01:26:11,040 --> 01:26:13,639
Speaker 1: but just to know what we did not we decided

1742
01:26:13,760 --> 01:26:17,880
Speaker 1: not to discuss after that segue. Should I show we

1743
01:26:17,920 --> 01:26:19,800
Speaker 1: didn't do it? We didn't do it. Don't do it.

1744
01:26:19,840 --> 01:26:21,560
Speaker 1: You know what. I'm not gonna do even put the

1745
01:26:21,640 --> 01:26:24,800
Speaker 1: energy alright, who who would that have been a hell

1746
01:26:24,800 --> 01:26:27,240
Speaker 1: of a segue. I didn't have thought she was being

1747
01:26:27,320 --> 01:26:29,560
Speaker 1: a real asshole on this radio morning. You hear me?

1748
01:26:30,720 --> 01:26:34,559
Speaker 1: WHOA Okay? All right, well that is your room a report?

1749
01:26:34,720 --> 01:26:39,599
Speaker 1: Damn Nope, nope, not doing that one. You just want

1750
01:26:39,640 --> 01:26:43,719
Speaker 1: to say what it is though, I do not. Nope, nope,

1751
01:26:43,840 --> 01:26:47,760
Speaker 1: all right, people's choice mixes up next therapy today? The

1752
01:26:47,800 --> 01:26:50,439
Speaker 1: type of stuffs Friday, No, I got it to day.

1753
01:26:50,439 --> 01:26:53,640
Speaker 1: Actually this is stuff we're discussing therapy. I'm not doing that,

1754
01:26:53,760 --> 01:26:57,200
Speaker 1: all right, eight D five eight five to too, But

1755
01:26:57,280 --> 01:26:58,600
Speaker 1: I ain't doing it. I ain't mess with you, but

1756
01:26:58,640 --> 01:27:00,280
Speaker 1: I'm gonna get my last sooner is this. No, I'm

1757
01:27:00,320 --> 01:27:03,719
Speaker 1: not I'm even gonna laugh at coming. You saw, okay

1758
01:27:04,080 --> 01:27:06,800
Speaker 1: eight Nick, you saw, you saw what we didn't commit

1759
01:27:06,840 --> 01:27:09,160
Speaker 1: the okay, you don't see what we didn't talk about.

1760
01:27:09,160 --> 01:27:11,720
Speaker 1: We didn't talk about eight hundred five eight five one

1761
01:27:11,960 --> 01:27:13,840
Speaker 1: five one The people Choice mixes up next week. Gonna

1762
01:27:13,840 --> 01:27:17,599
Speaker 1: start it off with Nipsey. So Breakfast Club, your morning's

1763
01:27:17,640 --> 01:27:21,519
Speaker 1: will never be the same piece of the planet. Charlomagne

1764
01:27:21,560 --> 01:27:23,680
Speaker 1: the Guard here with news from one of They just

1765
01:27:23,800 --> 01:27:26,800
Speaker 1: partnered with the Grammy Awards for exclusive NFTs and you

1766
01:27:26,840 --> 01:27:28,439
Speaker 1: can win a pair of tickets to fly out the

1767
01:27:28,479 --> 01:27:31,519
Speaker 1: next year's Grammy's simply by claiming the free NFT at

1768
01:27:31,560 --> 01:27:33,680
Speaker 1: one of dot com. For rules and to claim your

1769
01:27:33,720 --> 01:27:35,800
Speaker 1: free n FT, visit one of dot com by seven

1770
01:27:35,880 --> 01:27:42,479
Speaker 1: pm April morning. Everybody is dj n V Angela yee,

1771
01:27:42,600 --> 01:27:44,760
Speaker 1: Charlomagne the guy. We are the Breakfast Club. Now. We

1772
01:27:44,800 --> 01:27:47,160
Speaker 1: got a shout out to Omar Epps for joining us

1773
01:27:47,200 --> 01:27:49,559
Speaker 1: this morning. Yeah, salute to the good brother Omar Epps

1774
01:27:49,600 --> 01:27:52,439
Speaker 1: and Charles Murray. Also Charles Murphy is stopping through with them. Yeah,

1775
01:27:52,439 --> 01:27:54,200
Speaker 1: they got a movie coming out this weekend called The

1776
01:27:54,320 --> 01:27:57,320
Speaker 1: Devil you know, and uh n V and I we

1777
01:27:57,520 --> 01:27:59,479
Speaker 1: have a theater for you to go see it at.

1778
01:27:59,520 --> 01:28:00,479
Speaker 1: You know what I'm saying. And if you want to

1779
01:28:00,479 --> 01:28:02,080
Speaker 1: go to a special screen and of the Devil, you

1780
01:28:02,160 --> 01:28:05,720
Speaker 1: know tomorrow at AMC, Babe Plazat and the Bronx, just

1781
01:28:05,800 --> 01:28:08,280
Speaker 1: go to Power one oh five one FM dot com

1782
01:28:08,520 --> 01:28:10,960
Speaker 1: right now for your chance to get passes. That's right,

1783
01:28:11,080 --> 01:28:13,160
Speaker 1: you'll see Omar Epster's face. Just click the link on

1784
01:28:13,240 --> 01:28:15,760
Speaker 1: his face and uh definitely registered and you could be

1785
01:28:15,800 --> 01:28:17,840
Speaker 1: in the building all right when we come back. We

1786
01:28:17,920 --> 01:28:20,920
Speaker 1: got the positive note. It's the Breakfast Club morning. Everybody

1787
01:28:21,080 --> 01:28:24,840
Speaker 1: is DJ Envy Angela Yee, Charlomagne the guy we are

1788
01:28:24,920 --> 01:28:28,000
Speaker 1: the Breakfast Club. That's Charlomagne. You've got a positive note.

1789
01:28:28,080 --> 01:28:30,000
Speaker 1: I do have a positive note. Man. You know today

1790
01:28:30,160 --> 01:28:32,599
Speaker 1: is the three year um. It's been three years since

1791
01:28:32,640 --> 01:28:35,479
Speaker 1: our good brother Nipsey Hustle, you know, transitioned. So this

1792
01:28:35,640 --> 01:28:38,439
Speaker 1: quote is from the late great Nipsey Hustle. Man, if

1793
01:28:38,479 --> 01:28:40,599
Speaker 1: you look at the people in your circle and don't

1794
01:28:40,640 --> 01:28:43,200
Speaker 1: get inspired, then you don't have a circle. You have

1795
01:28:43,280 --> 01:28:46,880
Speaker 1: a cage breakfast club. You don't finish it, y'all dumb