1 00:00:01,320 --> 00:00:04,280 Speaker 1: Welcome to Stuff You Missed in History Class, A production 2 00:00:04,400 --> 00:00:14,480 Speaker 1: of iHeartRadio, Hello and Happy Friday. I'm Tracy B. Wilson 3 00:00:14,560 --> 00:00:18,360 Speaker 1: and I'm Holly Frye. We talked about Sir Humphrey Davy 4 00:00:20,440 --> 00:00:28,440 Speaker 1: all week. I would say, usually when we are talking 5 00:00:28,480 --> 00:00:33,240 Speaker 1: about a poet whose poems are in the public domain, 6 00:00:34,680 --> 00:00:37,160 Speaker 1: I will try to find a poem and we will 7 00:00:37,159 --> 00:00:41,239 Speaker 1: have one in the episode. We have even done this 8 00:00:41,320 --> 00:00:45,239 Speaker 1: with such people as Natalie Clifford Barney, who, in my 9 00:00:45,360 --> 00:00:50,320 Speaker 1: personal opinion, I did not find her poetry to be great, 10 00:00:52,360 --> 00:00:54,400 Speaker 1: but I did feel like it was. I mean, in 11 00:00:54,440 --> 00:00:56,800 Speaker 1: French it's probably a lot better, but what she wrote 12 00:00:56,800 --> 00:01:01,000 Speaker 1: in English I found to be like kind of it 13 00:01:01,760 --> 00:01:04,520 Speaker 1: did not move me in the way that poetry generally does, 14 00:01:05,319 --> 00:01:07,560 Speaker 1: but I felt like it was, you know, indicative of her, 15 00:01:08,319 --> 00:01:10,200 Speaker 1: her life, and I still wanted to read some of it. 16 00:01:10,319 --> 00:01:16,120 Speaker 1: We did not read any Humphrey Davy poems because while 17 00:01:16,160 --> 00:01:18,440 Speaker 1: there are lots and lots of them that have been 18 00:01:18,880 --> 00:01:22,920 Speaker 1: unearthed by this whole project to transcribe all of his journals, 19 00:01:23,760 --> 00:01:28,000 Speaker 1: I did not go to confirm, like what the copyright 20 00:01:28,160 --> 00:01:33,160 Speaker 1: status on any of that is generally stuff that is 21 00:01:33,200 --> 00:01:37,399 Speaker 1: that old is not protected by copyright anymore. But when 22 00:01:37,440 --> 00:01:39,959 Speaker 1: you get into something that is like somebody's journal that 23 00:01:40,040 --> 00:01:44,039 Speaker 1: has been newly transcribed, sometimes the organization that is doing 24 00:01:44,080 --> 00:01:47,440 Speaker 1: that transcription has some kind of rights over it. I 25 00:01:47,440 --> 00:01:51,920 Speaker 1: don't know. But the other answer is the poems of 26 00:01:51,960 --> 00:01:55,720 Speaker 1: his that I did find, they were all very long, 27 00:01:58,120 --> 00:02:01,320 Speaker 1: even one that was printed as a fragment of a poem. 28 00:02:01,400 --> 00:02:06,120 Speaker 1: That fragment still went on for pages. And I couldn't 29 00:02:06,200 --> 00:02:09,040 Speaker 1: even find like a little snippet that I felt like 30 00:02:09,120 --> 00:02:12,480 Speaker 1: could stand on its own and be fun to read 31 00:02:12,520 --> 00:02:18,400 Speaker 1: and listen to. I personally just found it very ponderous, 32 00:02:18,639 --> 00:02:23,320 Speaker 1: and I could not even make my mind focus on it. 33 00:02:23,360 --> 00:02:27,880 Speaker 1: And I'm saying this as a person whose college degree 34 00:02:28,760 --> 00:02:33,600 Speaker 1: was partially devoted to poetry. Well, I mean he wrote 35 00:02:33,639 --> 00:02:38,560 Speaker 1: him while he was high, So like I, this is 36 00:02:38,720 --> 00:02:41,480 Speaker 1: no surprise whatsoever to me. Yeah, some of them while 37 00:02:41,520 --> 00:02:43,320 Speaker 1: he was high, and some of them while he was 38 00:02:43,360 --> 00:02:47,360 Speaker 1: like in the lab stuck on whatever problem he was 39 00:02:47,400 --> 00:02:51,959 Speaker 1: working on. So it was more like sort of trying 40 00:02:51,960 --> 00:02:57,639 Speaker 1: to shift the brain gears a little bit. Yeah, that's 41 00:02:57,680 --> 00:03:01,000 Speaker 1: why we don't have any Humphry Davy bombs. Oh, I 42 00:03:02,360 --> 00:03:08,320 Speaker 1: borderline wonder if we were to exhum Humphrey Davy do 43 00:03:08,400 --> 00:03:11,080 Speaker 1: a little testing how much B twelve depletion, we would 44 00:03:11,080 --> 00:03:14,760 Speaker 1: find that had maybe caused some brain damage. That is 45 00:03:14,840 --> 00:03:22,040 Speaker 1: one of the things that can happen with excessive nitrous oxide. Yep. Yeah, 46 00:03:22,560 --> 00:03:25,679 Speaker 1: brain and nerve damage from B twelve depletion. Yeah, with 47 00:03:25,880 --> 00:03:28,440 Speaker 1: chronic use. And it sounds like he got pretty cavalier 48 00:03:28,520 --> 00:03:31,519 Speaker 1: about his use of it if he was just strolling 49 00:03:31,560 --> 00:03:35,320 Speaker 1: about with his bag of g and enormous amounts of it. 50 00:03:36,120 --> 00:03:39,400 Speaker 1: And that's really like a lot of the places where 51 00:03:40,080 --> 00:03:44,400 Speaker 1: nitrous oxide is like illegal for recreational use today, That's 52 00:03:44,400 --> 00:03:46,240 Speaker 1: like one of the things that has been cited is 53 00:03:46,280 --> 00:03:48,960 Speaker 1: that like when it's not illegal, a lot of times 54 00:03:48,960 --> 00:03:53,240 Speaker 1: it is fairly easily available. I don't want to get 55 00:03:53,280 --> 00:03:56,400 Speaker 1: into the ways that people can extract it from things 56 00:03:56,440 --> 00:03:58,200 Speaker 1: that are not meant to be consumed. It's like a 57 00:03:58,200 --> 00:04:03,360 Speaker 1: whole other thing. But because it is sometimes readily available 58 00:04:03,400 --> 00:04:09,680 Speaker 1: in places that it is not regulated, it's possible for 59 00:04:09,800 --> 00:04:14,360 Speaker 1: people to inhale large amounts of it and inhale large 60 00:04:14,360 --> 00:04:16,360 Speaker 1: amounts of it for a long time, and that can't 61 00:04:16,400 --> 00:04:22,600 Speaker 1: have some pretty serious risks. Yeah, it's one of those 62 00:04:22,640 --> 00:04:25,839 Speaker 1: things that, like in a medical use is the side 63 00:04:25,880 --> 00:04:28,080 Speaker 1: effects tend to be things like a headache and maybe 64 00:04:28,080 --> 00:04:31,920 Speaker 1: some nausea. But when somebody is using lots and lots 65 00:04:31,960 --> 00:04:37,280 Speaker 1: of it, it is possible to nearly asphyxiate or asphyxiate 66 00:04:37,320 --> 00:04:41,800 Speaker 1: yourself the way that Davy dearly did at some points. Yeah, 67 00:04:41,839 --> 00:04:45,080 Speaker 1: it's interesting because if you read about nitrous oxide use, 68 00:04:46,560 --> 00:04:50,440 Speaker 1: one of the things that's always mentioned is that it 69 00:04:50,520 --> 00:04:55,680 Speaker 1: is not addictive. Oh and I'm like, uh, maybe not 70 00:04:55,880 --> 00:04:59,480 Speaker 1: chemically addicted, right, like your body doesn't need it, but clearly, 71 00:04:59,520 --> 00:05:01,640 Speaker 1: I mean he even talked about people who didn't want 72 00:05:01,680 --> 00:05:05,240 Speaker 1: to stop sucking in air during his demonstrations. It's like, 73 00:05:05,279 --> 00:05:07,520 Speaker 1: it may not be chemically addictive, but that doesn't account 74 00:05:07,560 --> 00:05:12,760 Speaker 1: for like the psychological like just drive and desire. People 75 00:05:12,760 --> 00:05:16,120 Speaker 1: would have to continue using it, which is always one 76 00:05:16,160 --> 00:05:18,880 Speaker 1: of those tricky things when talking about any kind of 77 00:05:19,560 --> 00:05:22,320 Speaker 1: substance that alters your brain, right, Like, no, it's not addicted. 78 00:05:22,360 --> 00:05:25,640 Speaker 1: I mean there was for a long time. Having being 79 00:05:25,680 --> 00:05:29,039 Speaker 1: a person of a certain age, I remember a long 80 00:05:29,160 --> 00:05:31,640 Speaker 1: period where there was a lot of discussion about how 81 00:05:31,880 --> 00:05:38,360 Speaker 1: cocaine was not addictive, and it's like, but people are 82 00:05:38,400 --> 00:05:46,960 Speaker 1: addicted to it so like you're not factoring in something here. Yeah, yeah, yeah. 83 00:05:47,080 --> 00:05:51,800 Speaker 1: It also makes me think about Kubla Khan. Yeah, you know, 84 00:05:52,960 --> 00:05:56,680 Speaker 1: and I'm like, was Coleridge Hitten nitriss when he was 85 00:05:57,080 --> 00:05:59,440 Speaker 1: because the whole thing is right about like there's this 86 00:05:59,520 --> 00:06:02,479 Speaker 1: amazing thing I saw when I was asleep, but I 87 00:06:02,480 --> 00:06:05,880 Speaker 1: could never describe it, although he describes it in the poem, 88 00:06:05,960 --> 00:06:09,240 Speaker 1: So he's a lying liar who lies. But sure. I mean, 89 00:06:09,279 --> 00:06:12,360 Speaker 1: I love my romantic poets, but I also recognize them 90 00:06:12,400 --> 00:06:17,719 Speaker 1: as like project men. Yeah, and I'll just also like 91 00:06:18,279 --> 00:06:22,680 Speaker 1: various romantic poets also were using other substances, yeah, to 92 00:06:23,320 --> 00:06:27,440 Speaker 1: nitrous oxide, so yeah, but specifically that idea of seeing 93 00:06:27,520 --> 00:06:32,320 Speaker 1: things in a sleeping state. I mean, it could I 94 00:06:32,320 --> 00:06:34,560 Speaker 1: can also be attributed certainly to other things. But it 95 00:06:34,600 --> 00:06:36,920 Speaker 1: did make me think about Kubla Khan in a different way, 96 00:06:37,320 --> 00:06:41,680 Speaker 1: knowing that he too was playing in the nitrous oxide pond. Right, 97 00:06:42,440 --> 00:06:58,920 Speaker 1: I'm free, David. Yeah. My thing with Roget's reaction, m right, 98 00:06:59,000 --> 00:07:02,400 Speaker 1: I'm sure you have heard the thing. It comes up 99 00:07:02,440 --> 00:07:04,840 Speaker 1: a lot in relation to like everything that can alter 100 00:07:05,000 --> 00:07:08,880 Speaker 1: your mental space, from like you know, alcohol to cannabis 101 00:07:08,880 --> 00:07:12,680 Speaker 1: to much harder drugs like whatever you walk into that 102 00:07:12,880 --> 00:07:16,560 Speaker 1: experience with is just gonna get amplified. And I'm like, 103 00:07:16,720 --> 00:07:20,280 Speaker 1: was Roget just a super anxious dude and so this 104 00:07:20,400 --> 00:07:22,560 Speaker 1: whole thing just made him feel like I am out 105 00:07:22,560 --> 00:07:24,760 Speaker 1: of control and he was just white knuckling through it. 106 00:07:25,360 --> 00:07:28,480 Speaker 1: Totally possible, which is I mean, he kind of even 107 00:07:28,480 --> 00:07:31,400 Speaker 1: a loose like I could get used to this. Yeah, 108 00:07:31,480 --> 00:07:35,240 Speaker 1: but my initial reaction is that I don't like it. Yeah, 109 00:07:35,240 --> 00:07:38,240 Speaker 1: that sounds like somebody who has had their anxiety highly 110 00:07:38,280 --> 00:07:44,160 Speaker 1: triggered by being in this altered mental state. Mm hmm. Yeah, 111 00:07:44,560 --> 00:07:47,559 Speaker 1: let's let's keep doing more experiments. Guys. I'm just gonna 112 00:07:47,560 --> 00:07:54,320 Speaker 1: walk around town, hang out back. Yeah. My other thing 113 00:07:54,360 --> 00:07:58,080 Speaker 1: is about Frankenstein, okay, which is not even it has 114 00:07:58,080 --> 00:08:00,680 Speaker 1: nothing to do with every dating, okay, but it is 115 00:08:00,720 --> 00:08:04,200 Speaker 1: that I love every time we mentioned Mary Shelley's Frankenstein 116 00:08:04,320 --> 00:08:09,560 Speaker 1: because to me, more than I won't say all other 117 00:08:09,680 --> 00:08:13,560 Speaker 1: but many other works of literature and history, that is 118 00:08:13,640 --> 00:08:17,480 Speaker 1: clearly one of the most important, not just because of 119 00:08:17,520 --> 00:08:22,040 Speaker 1: its like reputation as like a you know, a key 120 00:08:22,480 --> 00:08:26,400 Speaker 1: pillar of Gothic literature or whatever, but because we can't 121 00:08:26,440 --> 00:08:29,000 Speaker 1: stop engaging with it as a culture. Do you know 122 00:08:29,040 --> 00:08:31,600 Speaker 1: what I mean, Like, there is another Frankenstein movie coming 123 00:08:31,640 --> 00:08:34,960 Speaker 1: out next year, ye, with Oscar Isaac as Doctor Frankenstein. 124 00:08:34,960 --> 00:08:37,760 Speaker 1: Can't wait, can't wait wait? Okay yeah yeah, yeah, yeah, yeah, 125 00:08:37,760 --> 00:08:40,840 Speaker 1: it looks very good. But like we love that story 126 00:08:41,080 --> 00:08:45,320 Speaker 1: as humans as a piece of entertainment, and so it 127 00:08:45,480 --> 00:08:49,880 Speaker 1: just makes me think about how sort of seminal it 128 00:08:50,000 --> 00:08:53,079 Speaker 1: is in terms of like hitting a chord with everyone 129 00:08:53,240 --> 00:08:57,560 Speaker 1: subconscious that the idea of creating a living being from 130 00:08:57,679 --> 00:09:02,400 Speaker 1: dead things and what that'sicology is. We're fixated on whether 131 00:09:02,440 --> 00:09:06,880 Speaker 1: we know that or not. Yeah, I love it. Yeah. 132 00:09:07,440 --> 00:09:10,600 Speaker 1: I have an embarrassing story about Frankenstein relating to my 133 00:09:10,760 --> 00:09:15,800 Speaker 1: years of college. Okay, great. There was one year when 134 00:09:15,800 --> 00:09:17,800 Speaker 1: I was in college where I had two different courses 135 00:09:18,280 --> 00:09:21,560 Speaker 1: that each involved reading Frankenstein, and I think one of 136 00:09:21,600 --> 00:09:24,439 Speaker 1: them was maybe humanities and the other was a literature course. 137 00:09:25,679 --> 00:09:28,160 Speaker 1: And I wrote a paper for my literature course in 138 00:09:28,200 --> 00:09:32,000 Speaker 1: which I don't remember exactly what my argument was, but 139 00:09:32,200 --> 00:09:37,600 Speaker 1: I was entirely focused on that frame story in Frankenstein. Oh, 140 00:09:37,720 --> 00:09:40,360 Speaker 1: I never actually read Frankenstein. There is a frame story. 141 00:09:40,480 --> 00:09:43,400 Speaker 1: Oh yeah, yeah right. I'm saying that to listeners who 142 00:09:43,400 --> 00:09:45,920 Speaker 1: may not I'm sure you know it well now I'm 143 00:09:45,920 --> 00:09:49,600 Speaker 1: thinking of Elsa Lanchester, so you know, keep going. So 144 00:09:49,720 --> 00:09:52,600 Speaker 1: I don't remember exactly what my argument was, but I 145 00:09:52,679 --> 00:09:56,160 Speaker 1: had a whole argument about just the frame story part 146 00:09:56,880 --> 00:10:00,880 Speaker 1: I turned in for my literature class, and I got 147 00:10:01,480 --> 00:10:06,600 Speaker 1: a B on it, in which my professor, as his note, 148 00:10:06,720 --> 00:10:13,280 Speaker 1: said that my paper was very well argued and very 149 00:10:13,280 --> 00:10:19,520 Speaker 1: well substantiated, but he just disagreed with my conclusion. And 150 00:10:19,640 --> 00:10:22,120 Speaker 1: I was so livid about this that I went to 151 00:10:22,200 --> 00:10:26,760 Speaker 1: the department head, Oh my goodness, in part because it was, 152 00:10:27,440 --> 00:10:29,640 Speaker 1: I think this was my junior year, and so I 153 00:10:29,720 --> 00:10:33,679 Speaker 1: had stuff that I was like attempting to get on 154 00:10:33,760 --> 00:10:37,160 Speaker 1: the path of going to grad school, and like this 155 00:10:37,280 --> 00:10:39,720 Speaker 1: be on this paper was going to mess up my grade, 156 00:10:39,800 --> 00:10:41,600 Speaker 1: and it was going to mess up my GPA, and 157 00:10:41,679 --> 00:10:44,400 Speaker 1: it was going to mess up everything with my ambitions 158 00:10:44,559 --> 00:10:49,120 Speaker 1: toward getting an advanced degree, which I never did. And 159 00:10:49,160 --> 00:10:50,800 Speaker 1: that's one of the things that I look back on 160 00:10:50,880 --> 00:10:53,640 Speaker 1: now and I just kind of think about what an arrogant, 161 00:10:53,640 --> 00:10:57,280 Speaker 1: pretentious person I was when I was twenty. I mean, 162 00:10:57,360 --> 00:11:00,800 Speaker 1: who wasn't who was? We all were? We all were 163 00:11:01,920 --> 00:11:04,840 Speaker 1: one thing. Another sort of side note that jumped out 164 00:11:04,880 --> 00:11:06,800 Speaker 1: at me in this episode is when we were talking 165 00:11:06,840 --> 00:11:10,000 Speaker 1: about the pneumatic Institute or institution, I don't remember which 166 00:11:10,000 --> 00:11:12,080 Speaker 1: it was called. We might have called it both in 167 00:11:12,120 --> 00:11:14,680 Speaker 1: the episode, and how it was in hot wells, and 168 00:11:14,720 --> 00:11:16,920 Speaker 1: how in hot wells there were baths that people went to, 169 00:11:17,000 --> 00:11:21,400 Speaker 1: but there you also drank the waters, which I think 170 00:11:21,480 --> 00:11:24,360 Speaker 1: that like not everyone because when you think of a 171 00:11:24,360 --> 00:11:30,360 Speaker 1: place called bath, you're thinking of bathing, probably, but a 172 00:11:30,400 --> 00:11:33,400 Speaker 1: lot of times these places that had baths also taking 173 00:11:33,440 --> 00:11:38,719 Speaker 1: the waters involved drinking the waters, right, not just having 174 00:11:38,760 --> 00:11:44,079 Speaker 1: the various bathing type spa stuff that also happened a 175 00:11:44,120 --> 00:11:46,520 Speaker 1: lot of the time. And it reminded me of how 176 00:11:46,600 --> 00:11:49,040 Speaker 1: when we were in Italy a couple of years ago 177 00:11:50,000 --> 00:11:53,320 Speaker 1: and we stayed at a little town called Monticatini Cheremi 178 00:11:55,280 --> 00:11:59,319 Speaker 1: and Patrick and I stayed there after every the trip 179 00:11:59,360 --> 00:12:02,240 Speaker 1: had concluded, most people had gone home, and he and 180 00:12:02,280 --> 00:12:04,640 Speaker 1: I stayed there an extra day to just sort of 181 00:12:04,640 --> 00:12:07,960 Speaker 1: have a decompression day before we went on to have 182 00:12:08,000 --> 00:12:10,439 Speaker 1: a little trip to Venice before we went back home. 183 00:12:11,559 --> 00:12:14,040 Speaker 1: And there was a place that you could go and 184 00:12:14,080 --> 00:12:16,720 Speaker 1: pay a couple of euro to walk around that had 185 00:12:16,760 --> 00:12:23,000 Speaker 1: been a spa and the buildings. A lot of them 186 00:12:23,040 --> 00:12:25,559 Speaker 1: were like these neoclassical buildings, and it just seemed like 187 00:12:25,559 --> 00:12:29,680 Speaker 1: an interesting place to walk around. And it also had 188 00:12:29,720 --> 00:12:34,640 Speaker 1: been a place where people drank the waters from these 189 00:12:34,720 --> 00:12:42,120 Speaker 1: hot springs, and you still could. They had little cups 190 00:12:42,240 --> 00:12:44,800 Speaker 1: and they had little spigots that you could turn on 191 00:12:44,960 --> 00:12:48,679 Speaker 1: and drink the water. And I was like, no, thanks, 192 00:12:50,720 --> 00:12:55,760 Speaker 1: because what I am not interested in doing is accidentally 193 00:12:55,800 --> 00:13:01,559 Speaker 1: giving myself some kind of gi situation right on this 194 00:13:02,080 --> 00:13:06,599 Speaker 1: last three days in Europe, planning to go have a 195 00:13:06,679 --> 00:13:09,880 Speaker 1: nice couple of days in Venice, and now I'm kind 196 00:13:09,880 --> 00:13:12,800 Speaker 1: of like, should I have tried the water? Well? I 197 00:13:12,840 --> 00:13:16,280 Speaker 1: mean to be clear, so no one thinks Tracy was being, 198 00:13:16,720 --> 00:13:20,000 Speaker 1: you know, overly cautious. We had two people in our 199 00:13:20,000 --> 00:13:24,640 Speaker 1: group who had gotten horrible they got stomach issues. Yeah, yeah, 200 00:13:24,679 --> 00:13:26,319 Speaker 1: and so I think we were all on kind of 201 00:13:26,400 --> 00:13:29,760 Speaker 1: high alert about what we consumed after that. Yeah. Well, 202 00:13:29,760 --> 00:13:33,320 Speaker 1: and it was also during the era of COVID where 203 00:13:33,400 --> 00:13:37,720 Speaker 1: you had to pass a COVID test, yeah, to get 204 00:13:37,760 --> 00:13:39,800 Speaker 1: back into the United States. I am not in any 205 00:13:39,840 --> 00:13:43,280 Speaker 1: way suggesting you can get COVID from drinking water. I'm 206 00:13:43,320 --> 00:13:47,599 Speaker 1: just saying, like we were all hyper conscious of everything, 207 00:13:48,400 --> 00:13:55,320 Speaker 1: everything health related. Yes, so yeah. By the way, before 208 00:13:55,320 --> 00:13:56,959 Speaker 1: we go any further, I feel like I have done 209 00:13:57,000 --> 00:14:01,280 Speaker 1: a disservice in talking about next year's Frank and Stein movie, okay, 210 00:14:01,360 --> 00:14:03,760 Speaker 1: because I did not mention, okay, that it is adapted 211 00:14:03,760 --> 00:14:06,640 Speaker 1: and directed by Geirma del Toro. Okay, this is exciting. 212 00:14:07,160 --> 00:14:09,800 Speaker 1: I'm I mean, I will buy all the tickets. I 213 00:14:09,840 --> 00:14:13,959 Speaker 1: will go every day. That's like going. It's made of 214 00:14:14,000 --> 00:14:17,440 Speaker 1: all your favorite things, like more, yes, please, I'm on 215 00:14:17,520 --> 00:14:22,520 Speaker 1: board with this whole thing. So yeah, I really did 216 00:14:22,560 --> 00:14:24,040 Speaker 1: think that we were going to have a one part 217 00:14:24,080 --> 00:14:27,240 Speaker 1: episode that was going to be primarily about Humphrey Davy 218 00:14:27,440 --> 00:14:32,400 Speaker 1: and his nitrous oxide self experimentation. And then I was like, 219 00:14:32,480 --> 00:14:35,720 Speaker 1: but this whole thing with the miners lamp and the 220 00:14:35,720 --> 00:14:39,200 Speaker 1: fighting about I was like, we need to talk about 221 00:14:39,240 --> 00:14:41,520 Speaker 1: that too. And he had all these notable things later 222 00:14:41,560 --> 00:14:43,800 Speaker 1: in his career and then oh, kind of ending on 223 00:14:43,880 --> 00:14:47,600 Speaker 1: a downer note of having several like non successes after 224 00:14:48,920 --> 00:14:50,840 Speaker 1: you know, the first half of the first half of 225 00:14:50,880 --> 00:14:53,520 Speaker 1: his life being like, man, this person is a chemistry 226 00:14:53,600 --> 00:14:59,680 Speaker 1: genius well, and he is involved in embroiled in so 227 00:14:59,800 --> 00:15:02,240 Speaker 1: much drama at the end of his life, and I 228 00:15:02,280 --> 00:15:04,560 Speaker 1: find myself wondering because you did the research on this 229 00:15:04,600 --> 00:15:06,360 Speaker 1: and I did not, and most of the research, it 230 00:15:06,400 --> 00:15:09,520 Speaker 1: seems like, suggested that he could be a pill. But 231 00:15:09,560 --> 00:15:12,360 Speaker 1: I'm also like, was everybody kind of a pill at 232 00:15:12,360 --> 00:15:15,360 Speaker 1: this point because they all thought like they were doing 233 00:15:15,440 --> 00:15:20,160 Speaker 1: the most at a time when, like they're everything was new, 234 00:15:20,520 --> 00:15:22,240 Speaker 1: I mean not everything, but a lot of things were 235 00:15:22,320 --> 00:15:30,120 Speaker 1: very new and so science drama. Yeah, yeah, So I 236 00:15:30,160 --> 00:15:33,120 Speaker 1: think tomorrow is the day that the Horace Wells Gas 237 00:15:33,160 --> 00:15:37,560 Speaker 1: War classic episode will be out about how people did 238 00:15:37,640 --> 00:15:45,680 Speaker 1: start using nitrous oxide for like anesthesia purposes for dental procedures, 239 00:15:47,040 --> 00:15:50,160 Speaker 1: and then we'll have a brand new episode on Monday. 240 00:15:50,240 --> 00:15:52,440 Speaker 1: What that's about, I don't know. I haven't looked at 241 00:15:52,440 --> 00:15:56,240 Speaker 1: the calendar. We'll be back though. Drop us a note 242 00:15:56,240 --> 00:15:59,240 Speaker 1: if you'd like history podcasts at iHeartRadio dot com and 243 00:15:59,440 --> 00:16:07,040 Speaker 1: otherwise we will talk to you again, Soude. Stuff you 244 00:16:07,120 --> 00:16:10,200 Speaker 1: Missed in History Class is a production of iHeartRadio. For 245 00:16:10,320 --> 00:16:14,720 Speaker 1: more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 246 00:16:14,840 --> 00:16:16,880 Speaker 1: or wherever you listen to your favorite shows.