1 00:00:11,600 --> 00:00:14,240 Speaker 1: It's another Sunday sampler. All Right, some podcasts for you. 2 00:00:14,520 --> 00:00:17,960 Speaker 1: On Movie Mike's Movie Podcast, Mike d talked to Frederick Yanna. 3 00:00:18,560 --> 00:00:20,640 Speaker 1: He's doing the music for Killers or The Flower Moon, 4 00:00:20,720 --> 00:00:22,239 Speaker 1: or at least a lot of it, but he talks 5 00:00:22,239 --> 00:00:24,799 Speaker 1: about how recording music for a movie works. On the 6 00:00:24,800 --> 00:00:28,240 Speaker 1: Bobby Cast I sat down with Marty Rowe, lead singer 7 00:00:28,280 --> 00:00:30,840 Speaker 1: of Diamond Rio. He talks about what it was like 8 00:00:30,880 --> 00:00:32,520 Speaker 1: to be the first band to have their debut single 9 00:00:32,520 --> 00:00:35,040 Speaker 1: go number one ever and then Diamond Rio the name 10 00:00:35,120 --> 00:00:36,080 Speaker 1: where that came from. 11 00:00:36,200 --> 00:00:38,520 Speaker 2: So here we go, Bobby Cast. Go check it out. 12 00:00:38,720 --> 00:00:40,640 Speaker 1: If you like this clip, go listen to the whole thing. 13 00:00:40,800 --> 00:00:45,040 Speaker 1: Here is Marty Rowe from Diamond Rio. When you go 14 00:00:45,120 --> 00:00:47,640 Speaker 1: and you start singing at Opreyland, now this is before 15 00:00:48,159 --> 00:00:49,120 Speaker 1: Tennessee River Boys. 16 00:00:49,120 --> 00:00:49,600 Speaker 3: This is just you. 17 00:00:49,720 --> 00:00:51,280 Speaker 4: What were you doing at first when you started to 18 00:00:51,320 --> 00:00:51,919 Speaker 4: be a performer. 19 00:00:51,960 --> 00:00:53,280 Speaker 3: Were you doing. 20 00:00:53,159 --> 00:00:55,120 Speaker 1: Songs about the park or were you buy yourself or 21 00:00:55,160 --> 00:00:57,160 Speaker 1: you in a group, Like what is your first singing 22 00:00:57,240 --> 00:00:58,320 Speaker 1: job at Opryland? 23 00:00:58,720 --> 00:00:58,920 Speaker 3: Yeah? 24 00:00:58,920 --> 00:01:01,880 Speaker 5: It was a cast show called Country Music USA. And 25 00:01:01,920 --> 00:01:05,760 Speaker 5: we did what you would call mimicking, uh and we 26 00:01:05,800 --> 00:01:09,720 Speaker 5: did country hits and you were you were supposed to. 27 00:01:11,160 --> 00:01:12,000 Speaker 3: It was a caricature. 28 00:01:12,240 --> 00:01:15,440 Speaker 5: Do kind of what your your version of them? And 29 00:01:15,520 --> 00:01:18,720 Speaker 5: I had an ability apparently with my ear. 30 00:01:18,560 --> 00:01:21,240 Speaker 3: Too, was that to do a lot of would you have? 31 00:01:22,040 --> 00:01:24,440 Speaker 3: I did? I had the ability with my ear, God 32 00:01:24,560 --> 00:01:25,000 Speaker 3: with your ear. 33 00:01:25,120 --> 00:01:27,960 Speaker 5: Something that got to be able to manipulate my voice 34 00:01:28,000 --> 00:01:29,959 Speaker 5: and sound like real different people. 35 00:01:30,520 --> 00:01:34,920 Speaker 1: You could sing like that artists well enough to it. 36 00:01:34,959 --> 00:01:38,040 Speaker 5: Commute it got by. I mean I was a big 37 00:01:38,200 --> 00:01:41,280 Speaker 5: Gatlin fan, so I could do. I can't do it anymore, 38 00:01:41,319 --> 00:01:44,760 Speaker 5: but I could do Gatlin. I could do I did 39 00:01:44,800 --> 00:01:46,119 Speaker 5: Hank's senior do. 40 00:01:46,080 --> 00:01:48,440 Speaker 1: Impressions too, like No, that's what it was. Yeah, but 41 00:01:48,440 --> 00:01:49,960 Speaker 1: could you do like spoken impressions as. 42 00:01:49,920 --> 00:01:51,639 Speaker 3: We No, not really just singing. 43 00:01:51,800 --> 00:01:54,000 Speaker 1: Some of my friends have that ear like you're talking about. 44 00:01:54,080 --> 00:01:55,760 Speaker 3: Yeah, I can't a little bit, but no. 45 00:01:55,920 --> 00:01:58,320 Speaker 1: They can hear someone singing and they can sing just 46 00:01:58,480 --> 00:02:01,640 Speaker 1: like them. They can hear like a rich little or whomeverick, 47 00:02:02,360 --> 00:02:03,880 Speaker 1: But they can do those impressions like that. But you 48 00:02:03,920 --> 00:02:04,680 Speaker 1: could do that singing. 49 00:02:04,840 --> 00:02:06,720 Speaker 3: No, but you got to sit and practice that. 50 00:02:07,120 --> 00:02:07,920 Speaker 1: Is that what you did it? 51 00:02:08,160 --> 00:02:09,280 Speaker 3: Yes? I did for that. 52 00:02:09,600 --> 00:02:11,359 Speaker 1: You just listened to the the tape over and over. 53 00:02:11,639 --> 00:02:14,320 Speaker 3: Yeah, yeah, like Stephen Curtis Chapman. 54 00:02:14,400 --> 00:02:17,720 Speaker 2: You know, I do know, Yeah, Stephen Curtis Chapman. 55 00:02:17,960 --> 00:02:21,799 Speaker 1: He's an American contemporary Christian music singer, songwriter, producer, actor, author, 56 00:02:21,840 --> 00:02:24,520 Speaker 1: and social activist. Chapman began his career in the late 57 00:02:24,520 --> 00:02:27,840 Speaker 1: eighties a songwriter and a performer, and has received the 58 00:02:27,880 --> 00:02:31,640 Speaker 1: most awards in Christian music. That's five Grammys and fifty 59 00:02:31,720 --> 00:02:34,520 Speaker 1: nine Gospel Music Association Dove Awards. 60 00:02:34,960 --> 00:02:36,040 Speaker 2: That's more than anybody. 61 00:02:36,200 --> 00:02:39,320 Speaker 1: Chapman's first number one was His Eyes, which was released 62 00:02:39,320 --> 00:02:41,239 Speaker 1: in spring of nineteen eighty eight. 63 00:02:41,400 --> 00:02:48,040 Speaker 2: Jus never convincely, no man away. 64 00:02:48,000 --> 00:02:50,440 Speaker 4: You do you will always be. 65 00:02:55,760 --> 00:02:59,600 Speaker 5: Steve and I would do We did the blast flat meurl, 66 00:02:59,639 --> 00:03:03,639 Speaker 5: scrug geez, excuse me, forgive me. But yeah, we did that, 67 00:03:03,720 --> 00:03:08,560 Speaker 5: and so that wasn't too hard. But the gable of 68 00:03:08,600 --> 00:03:10,320 Speaker 5: things really kind of what got me in the door 69 00:03:11,040 --> 00:03:12,240 Speaker 5: at that time in my life. 70 00:03:12,320 --> 00:03:13,639 Speaker 3: I pretty much nailed that. 71 00:03:14,160 --> 00:03:17,079 Speaker 1: You and Stephen kind of shaman working together at Aubreyland. 72 00:03:16,760 --> 00:03:20,960 Speaker 3: That's where we both got yeah, and we were writing 73 00:03:21,040 --> 00:03:21,680 Speaker 3: some together. 74 00:03:21,840 --> 00:03:26,120 Speaker 5: And actually when I got into this band, which was 75 00:03:26,160 --> 00:03:28,600 Speaker 5: the Tennessee River Boys at the time, and had a 76 00:03:28,600 --> 00:03:32,000 Speaker 5: show at the park, we actually played a showcase for 77 00:03:32,440 --> 00:03:35,840 Speaker 5: some us and about three or four other writers that 78 00:03:36,280 --> 00:03:39,240 Speaker 5: were worked out at the park for the music Row 79 00:03:40,040 --> 00:03:42,080 Speaker 5: and Steve got his first writing deal out of that. 80 00:03:42,440 --> 00:03:46,600 Speaker 3: So to skip youwing, Tim Nichols, it's. 81 00:03:46,480 --> 00:03:49,360 Speaker 1: Like the like the minor league of We were. 82 00:03:49,200 --> 00:03:52,000 Speaker 3: The only ones who didn't get a publishing deal. Really. Yeah, 83 00:03:52,040 --> 00:03:54,240 Speaker 3: we just kept playing in Appreland. 84 00:03:54,800 --> 00:03:57,200 Speaker 1: The Tennessee River Boy that always turned out that evolved 85 00:03:57,240 --> 00:03:59,840 Speaker 1: into Diamond Rio. But how did the Toutsy Boys come 86 00:03:59,840 --> 00:04:00,800 Speaker 1: to gather to begin with? 87 00:04:01,440 --> 00:04:04,080 Speaker 5: It was that was other guys, not any of us. 88 00:04:04,920 --> 00:04:07,080 Speaker 5: And they had a new ride called the Grizzly River 89 00:04:07,320 --> 00:04:12,040 Speaker 5: Rampage and they had formed a band and were playing 90 00:04:12,840 --> 00:04:16,840 Speaker 5: private things at the hotel hotel. They had a booking 91 00:04:16,880 --> 00:04:20,680 Speaker 5: agent and the hotel. They formed a band to get 92 00:04:20,800 --> 00:04:22,719 Speaker 5: jobs over there, and then they asked them to just 93 00:04:22,760 --> 00:04:25,080 Speaker 5: do what they were doing. It was basically top forty 94 00:04:25,760 --> 00:04:30,280 Speaker 5: type stuff, current country music, and they were good performers. 95 00:04:31,680 --> 00:04:34,480 Speaker 5: Paul Gregg the bass player in Russell's art, his brother Danny, 96 00:04:34,600 --> 00:04:39,240 Speaker 5: and Matt Davenport and Ty Herndon was the lead singer. 97 00:04:39,200 --> 00:04:41,640 Speaker 1: And so they just rotated. Since it was an act there, 98 00:04:41,640 --> 00:04:42,680 Speaker 1: did people come in and out? 99 00:04:43,640 --> 00:04:47,080 Speaker 3: Yeah, man the band was, Yeah, we were. It was 100 00:04:47,160 --> 00:04:48,240 Speaker 3: kind of like spinal tap. 101 00:04:48,440 --> 00:04:52,360 Speaker 5: Yeah, there were many different people that claim have been 102 00:04:52,400 --> 00:04:53,039 Speaker 5: in this band. 103 00:04:53,200 --> 00:05:12,000 Speaker 6: Yes, okay, cats up thing, Little Food for Yourself life. 104 00:05:12,320 --> 00:05:16,240 Speaker 7: Oh it's pretty but hey, it's pretty beautiful, beautiful. That 105 00:05:16,400 --> 00:05:23,480 Speaker 7: for a little more exciting, said, cut your kid with 106 00:05:23,760 --> 00:05:26,200 Speaker 7: Full Thing with Amy Brown. 107 00:05:26,720 --> 00:05:29,440 Speaker 8: Hey it's Amy Brown from Four Things with Amy Brown. 108 00:05:29,560 --> 00:05:32,520 Speaker 8: And here's what we talked about this week on my podcast. 109 00:05:33,960 --> 00:05:36,880 Speaker 8: So you've sat down with all kinds of moms, is 110 00:05:36,920 --> 00:05:40,280 Speaker 8: there some moms that have offered up awesome nuggets of 111 00:05:40,320 --> 00:05:42,200 Speaker 8: wisdom where you've walked away of like, oh, I'm keeping 112 00:05:42,600 --> 00:05:44,200 Speaker 8: I'm keeping some of that in my back pocket. 113 00:05:44,480 --> 00:05:45,200 Speaker 9: I can tell you. 114 00:05:45,240 --> 00:05:46,919 Speaker 10: I know it sounds crazy, but I say it all 115 00:05:46,960 --> 00:05:49,960 Speaker 10: the time. If nobody ever listened to these interviews, I 116 00:05:50,000 --> 00:05:52,800 Speaker 10: would still want to do them because I am so 117 00:05:53,040 --> 00:05:56,440 Speaker 10: inspired or there's something from every episode, but there's definitely 118 00:05:56,480 --> 00:05:58,479 Speaker 10: a couple that stand out. When is the interview I 119 00:05:58,520 --> 00:06:01,599 Speaker 10: did with Sonya Curry, who the mom of NBA grade 120 00:06:01,680 --> 00:06:04,839 Speaker 10: leading all time three point score in the NBA Steph Curry, 121 00:06:05,400 --> 00:06:09,080 Speaker 10: And that interview was just so inspiring and one of 122 00:06:09,080 --> 00:06:11,320 Speaker 10: the things I asked her you know, every stage is 123 00:06:11,360 --> 00:06:14,599 Speaker 10: so different. You are in you know, you're in the 124 00:06:14,600 --> 00:06:16,760 Speaker 10: heavy you are in the stage. You got a teenager, 125 00:06:16,920 --> 00:06:18,360 Speaker 10: I guess are they both teenagers now? 126 00:06:18,640 --> 00:06:18,960 Speaker 9: Yeah? 127 00:06:19,160 --> 00:06:20,000 Speaker 11: Sixteen and thirteen. 128 00:06:20,080 --> 00:06:21,960 Speaker 10: Yeah, there you go, So like that is that is 129 00:06:22,000 --> 00:06:24,960 Speaker 10: the work right there, those ages. But I was asking 130 00:06:25,240 --> 00:06:28,840 Speaker 10: Sonya Curry, who is so wise, what I needed to 131 00:06:28,920 --> 00:06:31,279 Speaker 10: be now, what was her recommendation for me now with 132 00:06:31,360 --> 00:06:32,200 Speaker 10: adult children? 133 00:06:32,680 --> 00:06:34,200 Speaker 9: And she said, there's two things. 134 00:06:34,680 --> 00:06:37,880 Speaker 10: Prayer and presence are the best gifts you can give them. 135 00:06:37,960 --> 00:06:41,560 Speaker 10: Just being there for them, being with them, showing up 136 00:06:42,080 --> 00:06:46,120 Speaker 10: and then praying them through their life journey. And so 137 00:06:46,360 --> 00:06:49,080 Speaker 10: I thought that was very simple advice, but for some reason, 138 00:06:49,080 --> 00:06:51,640 Speaker 10: it just really struck me that, you know, she's like, 139 00:06:51,800 --> 00:06:54,520 Speaker 10: just be mom, And especially in this business and with 140 00:06:54,680 --> 00:06:57,520 Speaker 10: my background, sometimes it's really really hard for me not 141 00:06:57,640 --> 00:07:00,960 Speaker 10: to speak into things such as, you know, the publicist 142 00:07:01,040 --> 00:07:03,680 Speaker 10: isn't pushing him enough, Why isn't he this, why didn't 143 00:07:03,720 --> 00:07:05,960 Speaker 10: he get this opportunity? Things like that, because I know 144 00:07:06,160 --> 00:07:08,719 Speaker 10: a little bit just enough about the business, and so 145 00:07:09,279 --> 00:07:10,960 Speaker 10: at the end of the day, he just needs me 146 00:07:11,000 --> 00:07:14,160 Speaker 10: to be his mom and not someone who speaks into 147 00:07:15,280 --> 00:07:15,640 Speaker 10: side of it. 148 00:07:15,840 --> 00:07:18,280 Speaker 8: Yeah, which I'll shout you out too on how you've 149 00:07:18,400 --> 00:07:22,160 Speaker 8: navigated your podcast and even promoting it. And I mean 150 00:07:22,240 --> 00:07:25,320 Speaker 8: you are doing all the booking yourself and you're sending 151 00:07:25,320 --> 00:07:27,800 Speaker 8: out emails, Hey you want to come on this, and 152 00:07:27,840 --> 00:07:30,520 Speaker 8: then when you do, get the nuggets or you've got 153 00:07:30,520 --> 00:07:35,440 Speaker 8: something like Travis Kelsey's mom or call her Donna. 154 00:07:35,600 --> 00:07:38,160 Speaker 11: Yeah, Donna. I didn't even know who Travis Kelsey was 155 00:07:38,320 --> 00:07:39,560 Speaker 11: until Taylor showed up. 156 00:07:39,560 --> 00:07:41,440 Speaker 9: And that's joined the rest of the world. 157 00:07:41,520 --> 00:07:42,200 Speaker 4: Oh my goodness. 158 00:07:42,440 --> 00:07:45,600 Speaker 8: I knew that two brothers were facing off in the 159 00:07:45,680 --> 00:07:48,239 Speaker 8: Super Bowl, yeah last time. I mean I heard that story. 160 00:07:48,600 --> 00:07:51,400 Speaker 8: I just didn't know their last name or anything. So 161 00:07:51,600 --> 00:07:53,480 Speaker 8: it's so crazy what Taylor Swift can do. 162 00:07:54,040 --> 00:07:56,640 Speaker 9: That Taylor effect is real business. Did you see all 163 00:07:56,640 --> 00:08:00,040 Speaker 9: the Halloween costumes? I mean, everyone just like Taylor and 164 00:08:00,840 --> 00:08:01,320 Speaker 9: real quick. 165 00:08:01,360 --> 00:08:04,160 Speaker 8: Since we circled back to that, yeah, do you think 166 00:08:04,200 --> 00:08:07,280 Speaker 8: they're for real dating because some people think it's a setup. 167 00:08:07,480 --> 00:08:07,920 Speaker 4: I do. 168 00:08:08,160 --> 00:08:09,760 Speaker 10: I mean, that's a whole lot of effort to go 169 00:08:09,880 --> 00:08:12,080 Speaker 10: through to not to just be friends. 170 00:08:12,240 --> 00:08:13,960 Speaker 9: Okay, right, yeah, I think they are. 171 00:08:14,200 --> 00:08:17,440 Speaker 8: Okay, so you know, you get someone like Donna, but 172 00:08:17,440 --> 00:08:20,000 Speaker 8: you had her booked before the Taylor thing. But You've 173 00:08:20,000 --> 00:08:24,280 Speaker 8: had all these country superstars like Luke Bryan's mom Leclaire 174 00:08:24,840 --> 00:08:26,640 Speaker 8: and then his wife Caroline. 175 00:08:26,680 --> 00:08:29,160 Speaker 9: They did a joint we did the first. 176 00:08:29,080 --> 00:08:31,680 Speaker 10: Live episode of Got It from My mom Mes Cmayfest 177 00:08:31,720 --> 00:08:34,400 Speaker 10: with them, and that was so much fun. We had 178 00:08:34,440 --> 00:08:36,360 Speaker 10: I don't know, eight hundred to two thousand people in 179 00:08:36,400 --> 00:08:38,920 Speaker 10: the audience to hear that episode, and I'm just stating 180 00:08:39,000 --> 00:08:42,120 Speaker 10: there going I mean, every time there's a moment, for example, 181 00:08:42,160 --> 00:08:45,600 Speaker 10: the Donna Kelsey interview going viral l clear and Caroline 182 00:08:45,640 --> 00:08:49,000 Speaker 10: saying yes and people coming to see it, I just 183 00:08:49,040 --> 00:08:51,360 Speaker 10: stepped back and go, this was just this little, baby, 184 00:08:51,480 --> 00:08:53,760 Speaker 10: organic idea that came to me truly as a mom 185 00:08:54,200 --> 00:08:57,480 Speaker 10: standing backstage with the opry and being wowed by what 186 00:08:57,559 --> 00:08:59,040 Speaker 10: our family was about to experience. 187 00:08:59,200 --> 00:09:01,040 Speaker 9: And so I'm just I don't know my mind. 188 00:09:01,080 --> 00:09:03,800 Speaker 10: Somebody asked me to be in a parade in North Carolina, 189 00:09:03,920 --> 00:09:06,040 Speaker 10: like on a float in a parade because they're huge 190 00:09:06,040 --> 00:09:07,000 Speaker 10: fans have Got It From. 191 00:09:06,840 --> 00:09:08,800 Speaker 9: All the podcasts. I'm like, it's those kind of things 192 00:09:08,840 --> 00:09:10,079 Speaker 9: where I'm like, you want me to do what? 193 00:09:12,120 --> 00:09:14,840 Speaker 8: Funny? Yeah, but you never know what you're gonna get 194 00:09:14,840 --> 00:09:18,520 Speaker 8: asked to do coming up for sure, and then yeah, 195 00:09:18,600 --> 00:09:21,319 Speaker 8: you've you know, you put it on YouTube, you edit 196 00:09:21,320 --> 00:09:22,160 Speaker 8: the videos yourself. 197 00:09:22,320 --> 00:09:25,000 Speaker 11: At the podcast, the press releases. 198 00:09:24,640 --> 00:09:28,240 Speaker 10: That go out, I write them, yeah, write I don't 199 00:09:28,280 --> 00:09:29,280 Speaker 10: want it to be that way. 200 00:09:29,920 --> 00:09:32,600 Speaker 8: Well, I've I've found that when I learned that to 201 00:09:32,640 --> 00:09:35,280 Speaker 8: be very impressive, and so yeah, I'm sure knowing all that, 202 00:09:35,320 --> 00:09:37,120 Speaker 8: you know, it's hard not to step in and try 203 00:09:37,160 --> 00:09:38,920 Speaker 8: to do that for Connor when you know, like, hey, 204 00:09:39,000 --> 00:09:41,280 Speaker 8: I could probably fire this off or do this or 205 00:09:41,280 --> 00:09:43,920 Speaker 8: should do it this way. I think, yeah, it's important 206 00:09:43,920 --> 00:09:46,760 Speaker 8: as moms to step back and be that he needs 207 00:09:47,040 --> 00:09:50,480 Speaker 8: his mom to be a safe space for him where 208 00:09:50,480 --> 00:09:53,640 Speaker 8: maybe it's not even about work. And I do love 209 00:09:54,040 --> 00:09:57,320 Speaker 8: what Steph Curry's mom said about prayer and presence. 210 00:09:57,360 --> 00:09:58,800 Speaker 11: I got goosebumps when you said it. 211 00:09:58,880 --> 00:10:01,160 Speaker 8: I'm now gonna hold on to that and I want 212 00:10:01,160 --> 00:10:03,760 Speaker 8: to go listen to that episode. It's so good so 213 00:10:04,000 --> 00:10:08,080 Speaker 8: that she offered nuggets of wisdom. I would imagine maybe 214 00:10:08,120 --> 00:10:10,120 Speaker 8: if I were to ask you the funniest. 215 00:10:10,400 --> 00:10:14,040 Speaker 9: You can probably guess that, right Leclaire. With Claire, she is. 216 00:10:14,440 --> 00:10:16,880 Speaker 10: And you know, if someone ever says it's an act, 217 00:10:17,120 --> 00:10:19,480 Speaker 10: my goodness, it is not. And you see where Luke 218 00:10:19,559 --> 00:10:23,360 Speaker 10: gets his you know, playful spirit. He just you know, 219 00:10:23,480 --> 00:10:26,400 Speaker 10: comes across so laid back and everything. But at the 220 00:10:26,480 --> 00:10:29,960 Speaker 10: end of the day, she's so funny. But that woman 221 00:10:30,000 --> 00:10:33,120 Speaker 10: has been through hell amy. I mean, she's lost two 222 00:10:33,200 --> 00:10:36,560 Speaker 10: of her three adult children in different tragedies that you know, 223 00:10:36,600 --> 00:10:39,080 Speaker 10: then they lost the son in law, and then you 224 00:10:39,080 --> 00:10:40,520 Speaker 10: know what that family's been through. 225 00:10:40,559 --> 00:10:41,680 Speaker 9: But what we see. 226 00:10:41,440 --> 00:10:45,080 Speaker 10: From them, the joy that Caroline exudes, I mean, I 227 00:10:45,120 --> 00:10:48,160 Speaker 10: am just so incredibly impressed with them. 228 00:10:48,360 --> 00:10:50,559 Speaker 9: And yeah, she's a whole lot of fun. 229 00:10:50,600 --> 00:10:52,640 Speaker 10: And I'm still to this day thankful that they said 230 00:10:52,679 --> 00:10:55,600 Speaker 10: yes to that live episode we did together. 231 00:10:55,679 --> 00:10:58,320 Speaker 11: Now, what a cool memory. 232 00:11:11,640 --> 00:11:17,359 Speaker 4: Let's do it live? Oh the one two sore losers? 233 00:11:19,400 --> 00:11:20,280 Speaker 12: What up, everybody? 234 00:11:20,320 --> 00:11:21,040 Speaker 4: I am lunchbox. 235 00:11:21,120 --> 00:11:23,000 Speaker 12: I know the most about sports, so I'll give you 236 00:11:23,040 --> 00:11:26,839 Speaker 12: the sports facts, my sports opinions, because I'm pretty much 237 00:11:26,840 --> 00:11:28,280 Speaker 12: a sports genius. 238 00:11:29,000 --> 00:11:31,120 Speaker 4: What up, y'all? A iscison, I'm from the North, I'm 239 00:11:31,160 --> 00:11:32,880 Speaker 4: in Alpha Male. I live on the West side of 240 00:11:32,960 --> 00:11:36,080 Speaker 4: Nashville with Baser, my wife. We do have a white 241 00:11:36,080 --> 00:11:39,040 Speaker 4: picket fence at the apartment complex. Soon I'm gonna have 242 00:11:39,080 --> 00:11:41,840 Speaker 4: two point five kids, and yes, sadly, I will die 243 00:11:41,880 --> 00:11:44,160 Speaker 4: of a heart attack when I'm seventy two years old. 244 00:11:44,920 --> 00:11:49,880 Speaker 4: Here's a clip from the last podcast How Was Your Halloween? 245 00:11:50,120 --> 00:11:53,240 Speaker 4: Put out a pack of twelve beers. They were Halloween 246 00:11:53,360 --> 00:11:56,559 Speaker 4: Edition bud Lights and had twelve in the morning, so 247 00:11:56,640 --> 00:12:02,560 Speaker 4: nobody came and got any Right, you bring one to work. 248 00:12:02,640 --> 00:12:03,400 Speaker 3: I wouldn't mind. 249 00:12:03,440 --> 00:12:07,000 Speaker 12: No, No, it's okay. I went trigger treating and I 250 00:12:07,080 --> 00:12:10,400 Speaker 12: just want to say it got sensual. No, no, I got. 251 00:12:10,720 --> 00:12:12,720 Speaker 12: I was a little frustrated at the very beginning of 252 00:12:12,840 --> 00:12:16,679 Speaker 12: trick or treating Halloween, the essence of everything that we 253 00:12:16,679 --> 00:12:21,240 Speaker 12: were supposed to enjoy and relax and do, because my 254 00:12:21,360 --> 00:12:24,320 Speaker 12: wife I get home and she's like, oh, by the way, 255 00:12:24,360 --> 00:12:26,240 Speaker 12: we're gonna meet the neighbors. We're gonna start trick or 256 00:12:26,240 --> 00:12:27,360 Speaker 12: treating at four thirty. 257 00:12:28,040 --> 00:12:29,000 Speaker 4: Is that that's early? 258 00:12:29,120 --> 00:12:29,400 Speaker 3: Right? 259 00:12:29,520 --> 00:12:30,480 Speaker 4: It's not even dark. 260 00:12:30,840 --> 00:12:33,920 Speaker 12: It's not even dark four thirty. People ain't even home 261 00:12:33,960 --> 00:12:34,800 Speaker 12: from freaking work. 262 00:12:34,880 --> 00:12:36,400 Speaker 4: Yeah, that's even bigger point. 263 00:12:36,679 --> 00:12:39,200 Speaker 12: I'm like, why are we trick or treating so early? Well, 264 00:12:39,200 --> 00:12:41,800 Speaker 12: that's just what they wanted to do, you know, Sally 265 00:12:41,920 --> 00:12:46,200 Speaker 12: and they're all doctors and lawyers, Sally and William. They 266 00:12:46,240 --> 00:12:48,080 Speaker 12: wanted to go. And I'm like, no, no, no, No, four 267 00:12:48,080 --> 00:12:49,160 Speaker 12: to thirty is way too early. 268 00:12:49,240 --> 00:12:50,720 Speaker 4: What does will do stay at home? 269 00:12:50,800 --> 00:12:51,000 Speaker 3: Dad? 270 00:12:51,960 --> 00:12:53,920 Speaker 12: Ah William, I don't know what he does now. 271 00:12:53,920 --> 00:12:55,959 Speaker 4: I may be a lawyer. I mean, I don't think 272 00:12:55,960 --> 00:12:58,760 Speaker 4: my dad ever got home a crack before six. That's 273 00:12:58,760 --> 00:13:01,479 Speaker 4: what I got. Guys going trick treating at four thirty. 274 00:13:01,240 --> 00:13:03,400 Speaker 12: But that's what And I'm like, okay, whatever. So then 275 00:13:03,440 --> 00:13:06,000 Speaker 12: of course we're running late anyway, because the kids, right 276 00:13:06,040 --> 00:13:08,400 Speaker 12: when we're about to go, they both of them say, 277 00:13:08,600 --> 00:13:10,240 Speaker 12: the older ones, I got. 278 00:13:10,000 --> 00:13:10,720 Speaker 4: A poo poop. 279 00:13:11,000 --> 00:13:13,360 Speaker 12: So we're in there and one's in one toilet, the 280 00:13:13,360 --> 00:13:15,040 Speaker 12: other ones in the other toilet, and they're both poop, 281 00:13:15,120 --> 00:13:18,080 Speaker 12: double poop at the same time, just getting it all out. 282 00:13:18,120 --> 00:13:19,920 Speaker 12: And I'm like, all right, good, this is great because 283 00:13:19,920 --> 00:13:21,760 Speaker 12: then they won't have to poop. I were trigger treating 284 00:13:22,280 --> 00:13:24,720 Speaker 12: because they have a tendency whenever we go to someone's house, 285 00:13:24,920 --> 00:13:27,240 Speaker 12: they automatically have to poop because they want to check 286 00:13:27,240 --> 00:13:28,000 Speaker 12: out their bathroom. 287 00:13:28,160 --> 00:13:31,160 Speaker 4: Really, yes, so do you let them poop? 288 00:13:31,800 --> 00:13:34,880 Speaker 12: So we do all that, and the other people are texting, 289 00:13:34,920 --> 00:13:36,880 Speaker 12: hurry up, hurry up. The kids are chomping at the bit. 290 00:13:36,960 --> 00:13:38,880 Speaker 12: We can't hold them back, and they want to go. 291 00:13:38,920 --> 00:13:40,679 Speaker 12: They want to all right, we're starting a trigger treat. 292 00:13:40,760 --> 00:13:44,120 Speaker 12: Chomped for another hour. I'm like, guys, you couldn't even 293 00:13:44,120 --> 00:13:46,560 Speaker 12: wait for us wait, broke the lag, Like you couldn't 294 00:13:46,559 --> 00:13:49,400 Speaker 12: wait fifteen minutes. It's not that hard, just telling them 295 00:13:49,400 --> 00:13:51,199 Speaker 12: to run around in the front yard or the backyard 296 00:13:51,240 --> 00:13:52,160 Speaker 12: for fifteen. 297 00:13:51,800 --> 00:13:53,440 Speaker 4: Minutes, right, And it's not something you have to be 298 00:13:53,480 --> 00:13:55,920 Speaker 4: it's not a dinner reservation. You can do it whenever, 299 00:13:56,240 --> 00:13:58,400 Speaker 4: exactly floating time to be there. 300 00:13:58,440 --> 00:14:01,200 Speaker 12: There is no like like, oh my god, you have 301 00:14:01,240 --> 00:14:02,760 Speaker 12: to start trigger treating at this time. 302 00:14:02,920 --> 00:14:04,440 Speaker 4: Like if I was saying, hey, lunch, I'm going to 303 00:14:04,440 --> 00:14:07,040 Speaker 4: the beach. If you want to roll by, we're gonna 304 00:14:07,120 --> 00:14:10,000 Speaker 4: we wanna post you want to pull it up, pull up. 305 00:14:10,600 --> 00:14:12,559 Speaker 4: It's a floating thing. I'm gonna be at the beach 306 00:14:12,600 --> 00:14:14,480 Speaker 4: all day. You can come whenever. It's not like gotta 307 00:14:14,480 --> 00:14:16,120 Speaker 4: be there at ten am. 308 00:14:16,400 --> 00:14:18,680 Speaker 12: So I'm out there getting the kids because we're gonna 309 00:14:18,760 --> 00:14:20,600 Speaker 12: drive across the neighborhood. They live on the other side 310 00:14:20,600 --> 00:14:24,000 Speaker 12: of the neighborhood, and so I'm like, all right, kids, 311 00:14:24,040 --> 00:14:25,080 Speaker 12: get in the car, get in the car, and one 312 00:14:25,120 --> 00:14:27,920 Speaker 12: neighbor walks by goes, oh, you guys getting ready for Halloween. 313 00:14:28,000 --> 00:14:29,920 Speaker 12: I'm like, are trigger treating. I'm like, yeah, she goes, 314 00:14:30,160 --> 00:14:32,720 Speaker 12: no Christmas, she goes, make sure you stop by. We'll 315 00:14:32,760 --> 00:14:34,880 Speaker 12: be ready. We start handing out candy at five thirty. 316 00:14:34,920 --> 00:14:38,200 Speaker 12: I'm like, exactly five thirty. It's four forty five, and 317 00:14:38,240 --> 00:14:40,360 Speaker 12: these fools are wanting to go trigger treating already, they're 318 00:14:40,400 --> 00:14:41,080 Speaker 12: already started. 319 00:14:41,200 --> 00:14:43,200 Speaker 4: Can't wait for the carameld apples. 320 00:14:42,880 --> 00:14:44,960 Speaker 12: And then they and they text us, don't worry, all right, 321 00:14:44,960 --> 00:14:46,920 Speaker 12: we're waiting. We're waiting in front of our house. We're 322 00:14:46,960 --> 00:14:48,880 Speaker 12: waiting in front of our house. I'm like, okay, So 323 00:14:48,920 --> 00:14:50,680 Speaker 12: we get in, we get the wagon in the car, 324 00:14:50,800 --> 00:14:52,800 Speaker 12: and we drive the mile and a half over to 325 00:14:52,840 --> 00:14:53,840 Speaker 12: their house. 326 00:14:55,080 --> 00:14:57,560 Speaker 4: And they're not there. They'd already taken off. 327 00:14:58,240 --> 00:15:02,160 Speaker 12: They're not there, and we text all we're just down 328 00:15:02,160 --> 00:15:05,080 Speaker 12: the block. You guys can catch up. Well if we're 329 00:15:05,120 --> 00:15:05,720 Speaker 12: gonna treat it. 330 00:15:05,800 --> 00:15:08,040 Speaker 4: So they were so antsy they just had to go 331 00:15:08,280 --> 00:15:14,080 Speaker 4: William at four I mean, we're walking. We don't wear up. Bye, 332 00:15:14,240 --> 00:15:14,880 Speaker 4: we're walking. 333 00:15:14,960 --> 00:15:18,520 Speaker 12: I'm walking four forty five. Half the hell, you don't 334 00:15:18,520 --> 00:15:20,560 Speaker 12: even know who's handing out candy because you can't tell 335 00:15:20,600 --> 00:15:23,160 Speaker 12: who's porch lights on, whose porch lights off because it's 336 00:15:23,160 --> 00:15:25,600 Speaker 12: freaking Bride is a freaking noonday. 337 00:15:25,800 --> 00:15:28,000 Speaker 4: I mean, the mailman's still going around over in mail 338 00:15:28,080 --> 00:15:33,680 Speaker 4: Are your treating No, I'm doing my job exactly. Are 339 00:15:33,680 --> 00:15:34,920 Speaker 4: you dressed up as a mailman? 340 00:15:35,400 --> 00:15:35,600 Speaker 3: No? 341 00:15:35,920 --> 00:15:38,040 Speaker 4: This is me as a mailman? 342 00:15:40,480 --> 00:15:40,640 Speaker 8: Oh? 343 00:15:40,760 --> 00:15:44,200 Speaker 4: Great costume, it's so lifelike. Yeah, it's called My employer 344 00:15:44,280 --> 00:15:45,440 Speaker 4: gave me this and I hate it. 345 00:15:49,600 --> 00:15:52,200 Speaker 12: How come you're wearing shorts because I'm still not off work? 346 00:15:52,280 --> 00:15:52,480 Speaker 6: Man? 347 00:15:55,080 --> 00:15:55,400 Speaker 4: Dude? 348 00:15:55,800 --> 00:15:57,160 Speaker 12: What you went above him? 349 00:15:57,200 --> 00:15:57,360 Speaker 3: Young? 350 00:15:57,520 --> 00:16:00,000 Speaker 12: You not only dressed as a mailman, you bought yourself 351 00:16:00,120 --> 00:16:03,880 Speaker 12: mail truck. Oh no, you're just the mailman. 352 00:16:04,240 --> 00:16:07,200 Speaker 4: Oh my, guys, guys, that is the best construction scene 353 00:16:07,200 --> 00:16:09,280 Speaker 4: I've ever seen. No, no, no, this is our job. 354 00:16:09,360 --> 00:16:10,920 Speaker 4: Stop and that's why I'm holding a sign you need 355 00:16:10,960 --> 00:16:13,520 Speaker 4: to stop your car. 356 00:16:14,560 --> 00:16:16,120 Speaker 12: So they don't wait? 357 00:16:16,360 --> 00:16:18,560 Speaker 4: Would cops think that was funny if we dressed up 358 00:16:18,560 --> 00:16:23,200 Speaker 4: as a construction crew and started trecting traffic on Halloween? 359 00:16:23,280 --> 00:16:24,680 Speaker 4: I just thought of an adult idea. 360 00:16:24,920 --> 00:16:25,640 Speaker 12: That's really funny. 361 00:16:25,680 --> 00:16:28,040 Speaker 4: Actually, guys, sorry, you're not the holiday spirit. 362 00:16:28,920 --> 00:16:31,640 Speaker 12: Uh yeah, well hey guys, you don't like Halloween? Why 363 00:16:31,640 --> 00:16:33,000 Speaker 12: are you so anti Halloween? 364 00:16:33,120 --> 00:16:35,680 Speaker 4: We're out there with shovels and brooms, just jacket with 365 00:16:35,680 --> 00:16:39,520 Speaker 4: the pavement, chopping at, chipping it away. 366 00:16:41,360 --> 00:16:43,440 Speaker 12: Oh so anyway, so we get to their house and 367 00:16:43,440 --> 00:16:45,320 Speaker 12: they're already down, like half a block away. They're like, 368 00:16:45,320 --> 00:16:48,440 Speaker 12: you can just catch up. Here's the problem. 369 00:16:48,440 --> 00:16:50,600 Speaker 4: Well, I pulled up, Now I catch up. 370 00:16:51,120 --> 00:16:52,840 Speaker 12: If you're gonna catch up, that means you have to 371 00:16:52,880 --> 00:16:54,480 Speaker 12: skip all the houses. 372 00:16:54,600 --> 00:16:56,560 Speaker 4: Right, how do you catch up in the game of 373 00:16:56,600 --> 00:16:59,360 Speaker 4: trick or treating? You don't by running into houses and 374 00:16:59,400 --> 00:17:02,200 Speaker 4: telling them give me this candy. I've got to catch up. 375 00:17:02,160 --> 00:17:04,920 Speaker 12: Especially when you have a five, three and two year old. 376 00:17:05,119 --> 00:17:07,439 Speaker 12: When they walk up to the door, the five year 377 00:17:07,480 --> 00:17:09,440 Speaker 12: old's running, the three year old's running, the two year 378 00:17:09,440 --> 00:17:12,360 Speaker 12: old he can barely even lift the damn bag off 379 00:17:12,359 --> 00:17:12,840 Speaker 12: the ground. 380 00:17:13,000 --> 00:17:15,840 Speaker 4: You need one of those hangover carriers that he does, 381 00:17:16,160 --> 00:17:18,280 Speaker 4: Oh like a little like a with one. 382 00:17:18,840 --> 00:17:20,320 Speaker 12: I don't know where the hangover carrier is. 383 00:17:20,640 --> 00:17:22,680 Speaker 4: None of the hangover dude the movie when he wears 384 00:17:22,720 --> 00:17:23,800 Speaker 4: that baby bijorn. 385 00:17:23,920 --> 00:17:26,480 Speaker 12: Oh yes, but the whole point is he wants to 386 00:17:26,480 --> 00:17:28,640 Speaker 12: go do the trigger treating. Now'm back here. You want 387 00:17:28,640 --> 00:17:32,639 Speaker 12: to get in the wagon? No, no, no, fine, So 388 00:17:32,720 --> 00:17:35,239 Speaker 12: then finally they just wait for us. 389 00:17:35,119 --> 00:17:37,760 Speaker 4: And they were so antsy. Now they're just standing in 390 00:17:37,760 --> 00:17:40,280 Speaker 4: the middle of the road exactly. Kids are almost getting 391 00:17:40,359 --> 00:17:42,040 Speaker 4: hit by rush hour traffic. 392 00:17:42,320 --> 00:17:44,960 Speaker 12: People are still pulling in, Like we're knocking on doors, 393 00:17:45,000 --> 00:17:47,880 Speaker 12: and people are pulling into their driveway and I'm like. 394 00:17:47,920 --> 00:17:50,080 Speaker 4: Oh my god, oh are you trigger treating too? No, 395 00:17:50,240 --> 00:17:51,640 Speaker 4: I live here. I just got home. 396 00:17:54,520 --> 00:17:57,800 Speaker 12: Like you know, most houses ninety nine percent don't have driveways. 397 00:17:57,840 --> 00:17:59,600 Speaker 12: So we're we're sitting there knocking on the door. Car 398 00:17:59,640 --> 00:18:02,199 Speaker 12: pulls up like, oh, more trigger treaters, and they come 399 00:18:02,280 --> 00:18:03,560 Speaker 12: up with a key and they opened their Hold on, 400 00:18:03,600 --> 00:18:04,560 Speaker 12: I'll get the bucket of candy. 401 00:18:04,640 --> 00:18:08,120 Speaker 3: Hold on, you. 402 00:18:08,080 --> 00:18:10,040 Speaker 4: Were literally beating people to their houses. 403 00:18:10,160 --> 00:18:11,359 Speaker 12: Beating people to their houses. 404 00:18:11,640 --> 00:18:14,119 Speaker 4: Hi, all open the first All hold the screen if 405 00:18:14,160 --> 00:18:18,600 Speaker 4: you want to open up the wooden door. Just getting 406 00:18:18,600 --> 00:18:20,280 Speaker 4: home from work unlocked. 407 00:18:19,880 --> 00:18:22,800 Speaker 12: And I am I mean, steam might be coming out 408 00:18:22,840 --> 00:18:25,760 Speaker 12: my ears. Okay, Like I am so frustrated and so 409 00:18:25,840 --> 00:18:28,720 Speaker 12: annoyed at the start of Halloween that I am just 410 00:18:28,760 --> 00:18:30,880 Speaker 12: like and my wife's like, I'm sorry, I screwed up. 411 00:18:31,000 --> 00:18:31,399 Speaker 3: I didn't. 412 00:18:31,560 --> 00:18:32,560 Speaker 4: How's that on your wife? 413 00:18:32,560 --> 00:18:36,080 Speaker 12: It's because she agreed to the four point thirty She's like, yeah, yeah, 414 00:18:36,119 --> 00:18:36,920 Speaker 12: that sounds great. 415 00:18:37,000 --> 00:18:38,560 Speaker 4: What did she sign a contract? 416 00:18:39,320 --> 00:18:41,320 Speaker 12: That's what she That's what she felt like. She felt 417 00:18:41,320 --> 00:18:41,720 Speaker 12: like we had. 418 00:18:41,880 --> 00:18:44,800 Speaker 4: She was funny, it's a verbal agreement. That's a missible 419 00:18:44,840 --> 00:18:45,280 Speaker 4: in court. 420 00:18:45,359 --> 00:18:48,280 Speaker 12: She was stressing out out about us being late everything. 421 00:18:48,320 --> 00:18:50,440 Speaker 12: So I was just like fine. So we finally catch 422 00:18:50,480 --> 00:18:53,240 Speaker 12: up to them, and then they're like okay, because we 423 00:18:53,240 --> 00:18:55,320 Speaker 12: were going over to another family's house. They were making 424 00:18:55,400 --> 00:18:57,040 Speaker 12: jumble eye and we were gonna have dinner there. 425 00:18:57,200 --> 00:19:01,480 Speaker 4: What New Orleans where treating Beal Street? 426 00:19:01,760 --> 00:19:03,119 Speaker 12: No, I don't know if that. 427 00:19:03,440 --> 00:19:04,119 Speaker 3: Here's the truth. 428 00:19:04,400 --> 00:19:05,840 Speaker 4: I don't know if they're from Bourbon. 429 00:19:05,960 --> 00:19:07,879 Speaker 12: Sorry, I don't know if they're from New Orleans or 430 00:19:07,920 --> 00:19:10,520 Speaker 12: what deal is in a different location. So Bild's out 431 00:19:10,560 --> 00:19:14,719 Speaker 12: of business, Beal's out of business. For the reference, I 432 00:19:14,800 --> 00:19:18,000 Speaker 12: don't know if he's from there, she's from there. I 433 00:19:18,040 --> 00:19:20,320 Speaker 12: don't know. I barely know. These just met these people 434 00:19:20,400 --> 00:19:22,119 Speaker 12: and they were like, oh, after we're done trig or treating, 435 00:19:22,119 --> 00:19:25,399 Speaker 12: come over here. So they literally did a block and 436 00:19:25,440 --> 00:19:27,440 Speaker 12: the neighbors are like, all right, we're gonna go over there, now, 437 00:19:27,720 --> 00:19:31,800 Speaker 12: what the And I'm like, kids, come first, guys, it's 438 00:19:32,320 --> 00:19:35,040 Speaker 12: five ten and you're ready to go over to their 439 00:19:35,080 --> 00:19:35,840 Speaker 12: house already. 440 00:19:36,480 --> 00:19:38,080 Speaker 4: They were hoping for that after parties. 441 00:19:38,640 --> 00:19:41,359 Speaker 12: So we triggor treated with him for a total of 442 00:19:42,000 --> 00:19:47,639 Speaker 12: four houses. And I said, you guys, you guys, go ahead. 443 00:19:47,720 --> 00:19:50,120 Speaker 12: We're gonna go this way down this street and we're 444 00:19:50,160 --> 00:19:52,760 Speaker 12: gonna do some more trigg or treating. We'll see you later. 445 00:19:53,240 --> 00:19:54,960 Speaker 12: And about an hour and a half later we showed 446 00:19:55,000 --> 00:19:57,880 Speaker 12: up at that party and got the jambalaya and had 447 00:19:57,880 --> 00:20:00,840 Speaker 12: a Halloween That was awesome because it turned there's people 448 00:20:00,840 --> 00:20:01,679 Speaker 12: handing out candy. 449 00:20:01,760 --> 00:20:02,560 Speaker 2: How was the hall? 450 00:20:03,119 --> 00:20:04,000 Speaker 12: They did a great job. 451 00:20:04,160 --> 00:20:06,280 Speaker 4: Let me tell you, I don't give it about the party. 452 00:20:06,320 --> 00:20:08,320 Speaker 4: How was the pillowcase of candy? 453 00:20:08,640 --> 00:20:11,480 Speaker 12: Well, at this age they don't do pillowcases. They still 454 00:20:11,520 --> 00:20:15,120 Speaker 12: need the handles to hold on to. But they did excellent. 455 00:20:15,520 --> 00:20:17,640 Speaker 12: My five year old and three year old were. 456 00:20:17,480 --> 00:20:19,640 Speaker 4: So into it. Where's my boo bucket? 457 00:20:19,760 --> 00:20:22,080 Speaker 12: They were doing exactly what you're supposed to do. You 458 00:20:22,200 --> 00:20:25,240 Speaker 12: come down the steps and sprint across the yard. You 459 00:20:25,240 --> 00:20:27,480 Speaker 12: don't like you don't be polite, and walk all the 460 00:20:27,480 --> 00:20:30,399 Speaker 12: way down the you know, front, walk out to the sidewalk, 461 00:20:30,440 --> 00:20:34,320 Speaker 12: then across No, they learned early on the shortest route 462 00:20:34,440 --> 00:20:37,639 Speaker 12: is off the front porch into the yard straight over. 463 00:20:37,520 --> 00:20:38,080 Speaker 2: To the other house. 464 00:20:38,200 --> 00:20:39,680 Speaker 4: Hey, I my front yard kid. 465 00:20:39,880 --> 00:20:42,480 Speaker 12: They were doing it beautifully and they were so excited, 466 00:20:42,480 --> 00:20:44,880 Speaker 12: they were so happy. They were having a blast. 467 00:20:45,000 --> 00:20:46,879 Speaker 4: I don't even say thank you. It saves time. 468 00:20:47,080 --> 00:20:48,720 Speaker 12: It was no, they did say thank you, and they 469 00:20:48,760 --> 00:20:51,800 Speaker 12: would say Happy Halloween, Happy Halloween. 470 00:20:51,880 --> 00:20:58,480 Speaker 13: Hey, it's Mike d from Movie Mike's Movie podcast. This 471 00:20:58,560 --> 00:21:01,359 Speaker 13: week on my episode, a half friend whose name maybe 472 00:21:01,359 --> 00:21:04,159 Speaker 13: you're not familiar with, but if you have seen or 473 00:21:04,200 --> 00:21:06,840 Speaker 13: are planning to see the new Martin Scorsese movie Killers 474 00:21:06,880 --> 00:21:10,000 Speaker 13: of the Flower Moon, you will hear his harmonica playing 475 00:21:10,160 --> 00:21:12,879 Speaker 13: featured throughout the entire movie. I talked to him all 476 00:21:12,920 --> 00:21:15,840 Speaker 13: about how he met and started working with Martin Scorsese, 477 00:21:16,000 --> 00:21:19,680 Speaker 13: and also the process of making music for a movie. 478 00:21:19,760 --> 00:21:21,560 Speaker 13: So if you want to hear more about how that works, 479 00:21:21,680 --> 00:21:24,000 Speaker 13: check out this entire episode. But right now, here's just 480 00:21:24,000 --> 00:21:25,919 Speaker 13: a little bit of a clip from my interview with 481 00:21:25,960 --> 00:21:30,280 Speaker 13: Frederick Yona. I saw the movie and I was completely 482 00:21:30,359 --> 00:21:32,879 Speaker 13: floored by the film. In movies, I always feel that 483 00:21:33,400 --> 00:21:37,640 Speaker 13: the score gets overlooked because there is so much impactfulness 484 00:21:37,680 --> 00:21:40,399 Speaker 13: that just the sounds in a movie make you feel, 485 00:21:40,400 --> 00:21:43,120 Speaker 13: whether you realize it or not, that sentiment from an 486 00:21:43,160 --> 00:21:46,159 Speaker 13: instrument or from just the song playing during a very 487 00:21:46,200 --> 00:21:48,919 Speaker 13: specific point in the movie changes the entire thing for me. 488 00:21:48,960 --> 00:21:51,480 Speaker 13: So I think it's something that we don't realize because 489 00:21:51,560 --> 00:21:53,480 Speaker 13: we are just taking it with our eyes, but we're 490 00:21:53,480 --> 00:21:57,040 Speaker 13: also feeling something. And with your sound of that harmonica, 491 00:21:57,160 --> 00:22:00,359 Speaker 13: I just associated it in the movie with greed and 492 00:22:00,400 --> 00:22:02,959 Speaker 13: death and all these dark things. So how does that 493 00:22:03,040 --> 00:22:06,600 Speaker 13: feel to know that your sound is associated with such 494 00:22:07,119 --> 00:22:08,520 Speaker 13: just dark imagery. 495 00:22:08,840 --> 00:22:11,080 Speaker 14: Well, I mean, there's it's a mixed feeling. The first 496 00:22:11,119 --> 00:22:15,720 Speaker 14: thing is I'm really honored to be to be featured 497 00:22:15,720 --> 00:22:19,360 Speaker 14: in and to be a part of something so meaningful, 498 00:22:19,400 --> 00:22:24,360 Speaker 14: so impactful, so deeply disturbing. That is a true story, 499 00:22:24,440 --> 00:22:27,600 Speaker 14: a true American story. I'm honored to have been chosen 500 00:22:27,640 --> 00:22:31,480 Speaker 14: to be the harmonica on the struct because obviously Scarcely 501 00:22:31,600 --> 00:22:36,960 Speaker 14: wanted a harmonica to express, to impersonate exactly what you 502 00:22:37,040 --> 00:22:41,119 Speaker 14: described the spirit of greed, the dark thoughts of a 503 00:22:41,119 --> 00:22:44,520 Speaker 14: whole group of people who were seeking profit and put 504 00:22:44,560 --> 00:22:47,880 Speaker 14: profit ahead of their morals. Construct you know, I feel 505 00:22:47,920 --> 00:22:49,399 Speaker 14: honored to be a part of this, But I also 506 00:22:50,000 --> 00:22:53,080 Speaker 14: find it very interesting that the harmonica could be perceived 507 00:22:53,600 --> 00:22:58,920 Speaker 14: as a tool to actually channel that kind of emotion 508 00:22:59,040 --> 00:23:01,680 Speaker 14: and energy. I never thought of it that with myself, 509 00:23:01,720 --> 00:23:08,159 Speaker 14: because when I play, I tried to connect my experience 510 00:23:08,280 --> 00:23:12,600 Speaker 14: is my experienced emotions, and tried to convey it into 511 00:23:12,960 --> 00:23:16,320 Speaker 14: moreh them into a sound that hopefully my audience will 512 00:23:16,320 --> 00:23:19,320 Speaker 14: connect to. That's actually a very interesting point because when 513 00:23:19,320 --> 00:23:22,960 Speaker 14: I met Martin Scorcese at the premiere in ken earlier 514 00:23:23,000 --> 00:23:26,800 Speaker 14: in mad this year, it was our first time meeting 515 00:23:27,000 --> 00:23:31,359 Speaker 14: and he, you know, introduced myself at the Harmonica for 516 00:23:31,440 --> 00:23:33,879 Speaker 14: the Irish Man and Peals of the Flower morning said, oh, 517 00:23:33,880 --> 00:23:38,639 Speaker 14: my gosh, harmonica masterplain. How you know he grew up 518 00:23:38,640 --> 00:23:42,040 Speaker 14: with the Harmonica as the soundtrack of his childhood and 519 00:23:42,160 --> 00:23:45,840 Speaker 14: his grandfather was a harmonica fan and he used to 520 00:23:45,960 --> 00:23:48,240 Speaker 14: listen to it a lot as it was growing up. So, 521 00:23:48,720 --> 00:23:50,240 Speaker 14: you know, we talked about this for a while, and 522 00:23:50,280 --> 00:23:53,760 Speaker 14: after after we got comfortable, I actually sapped him and 523 00:23:54,119 --> 00:23:56,240 Speaker 14: I asked him, so, what is it about my plane 524 00:23:56,680 --> 00:23:58,600 Speaker 14: that makes you want to kill people? We had a 525 00:23:58,640 --> 00:23:59,600 Speaker 14: good left without. 526 00:23:59,600 --> 00:24:02,159 Speaker 13: When you go watch it at the premiere, what is 527 00:24:02,200 --> 00:24:04,399 Speaker 13: that feeling like of being able to hear your work 528 00:24:04,800 --> 00:24:07,760 Speaker 13: in her room full of all these legendary people. 529 00:24:07,560 --> 00:24:09,920 Speaker 14: Okay, So I was born in France. About twenty five 530 00:24:10,000 --> 00:24:13,200 Speaker 14: years ago. I met this amazing American woman who am 531 00:24:13,240 --> 00:24:16,679 Speaker 14: married to today, and I met her in Can during the 532 00:24:16,720 --> 00:24:20,800 Speaker 14: film festival, and she was there for her birthday. And 533 00:24:21,440 --> 00:24:26,280 Speaker 14: this year was really an amazing experience for all those reasons. 534 00:24:26,359 --> 00:24:31,160 Speaker 14: This is my fiftieth year on this planet. And we 535 00:24:31,520 --> 00:24:34,600 Speaker 14: had an opportunity to actually go to the premiere in 536 00:24:34,680 --> 00:24:38,680 Speaker 14: Can where she and I met twenty five years ago, 537 00:24:38,800 --> 00:24:42,840 Speaker 14: and the movie was premiering in the most prestigious movie 538 00:24:42,880 --> 00:24:45,720 Speaker 14: theater of my country with thirty five hundred more people. 539 00:24:45,760 --> 00:24:49,320 Speaker 14: So that was kind of surreal, to be completely honest, 540 00:24:49,600 --> 00:24:53,480 Speaker 14: that's amazing. And every time the harmonica kept popping up 541 00:24:53,520 --> 00:24:56,080 Speaker 14: on the screen, I'm not gonna lie to you had 542 00:24:56,119 --> 00:25:00,480 Speaker 14: a huge smile one and I was probably he's the 543 00:25:00,520 --> 00:25:04,320 Speaker 14: only one in the movie theater who were smiling every 544 00:25:04,359 --> 00:25:08,760 Speaker 14: time some the Speed of Greed was the screen. 545 00:25:08,960 --> 00:25:10,879 Speaker 13: You're the one rooting for all the bad things in 546 00:25:10,920 --> 00:25:11,720 Speaker 13: the film, and it's like. 547 00:25:11,680 --> 00:25:39,919 Speaker 15: That's me, Caroline. 548 00:25:41,000 --> 00:25:46,440 Speaker 4: She's a queen and talking, Hey son, you know she's getting. 549 00:25:46,080 --> 00:25:49,639 Speaker 2: Really not afraid to face, so so just let her blow. 550 00:25:50,119 --> 00:25:56,480 Speaker 5: No one can do we quiet Carralon, It's time for Caroline. 551 00:25:57,720 --> 00:26:00,480 Speaker 16: Hey, y'all, it's Caroline Hobby and I am. I'm so 552 00:26:00,600 --> 00:26:04,520 Speaker 16: excited to be back this week with my favorite, Liz 553 00:26:04,600 --> 00:26:08,400 Speaker 16: Marie Galvan. She is the absolute queen of cozy. She's 554 00:26:08,440 --> 00:26:10,639 Speaker 16: a best selling author, and she is back with a 555 00:26:10,760 --> 00:26:15,640 Speaker 16: new book, Create your Own Cozy, one hundred Practical Ways 556 00:26:15,760 --> 00:26:19,280 Speaker 16: to Love your Home and Life. It's available on November seventh. 557 00:26:19,920 --> 00:26:22,920 Speaker 16: In this episode, we talk about finding and creating your 558 00:26:22,960 --> 00:26:27,240 Speaker 16: own version of cozy, implementing cozy into your everyday life, 559 00:26:27,960 --> 00:26:33,200 Speaker 16: overcoming life's obstacles, and navigating hard feelings, the illusion of perfection, 560 00:26:33,440 --> 00:26:38,159 Speaker 16: and navigating your flaws. I absolutely love Liz Marie Galvon. 561 00:26:38,280 --> 00:26:41,320 Speaker 16: This episode is full of soul, full of cozy. She 562 00:26:41,520 --> 00:26:44,080 Speaker 16: is such an amazing person. I know you're gonna love it. 563 00:26:44,119 --> 00:26:48,240 Speaker 9: Tune in now. Life is hard, it's weird. 564 00:26:48,920 --> 00:26:50,359 Speaker 15: Life is weird, weird. 565 00:26:50,520 --> 00:26:53,960 Speaker 17: And that's why I really like, really admire how you're 566 00:26:54,040 --> 00:26:58,600 Speaker 17: navigating it, because you are really going through hard things. 567 00:26:59,040 --> 00:27:01,400 Speaker 17: You're suffering, you are really suffering, but you are also 568 00:27:01,960 --> 00:27:06,000 Speaker 17: really comforting yourself with cozy, and you're really sharing how 569 00:27:06,000 --> 00:27:08,800 Speaker 17: to comfort yourself and to turn hard things into something 570 00:27:08,840 --> 00:27:12,320 Speaker 17: that can be cozy and beautiful. And isn't that, I 571 00:27:12,359 --> 00:27:15,040 Speaker 17: guess the goal Because all of us are going through 572 00:27:15,080 --> 00:27:17,720 Speaker 17: really hard things. All of us have had some really 573 00:27:17,720 --> 00:27:20,479 Speaker 17: bad trauma. All of us have had some stuff that 574 00:27:20,680 --> 00:27:23,760 Speaker 17: is so painful, we feel like we're going to die. 575 00:27:24,359 --> 00:27:26,640 Speaker 17: But you can either make a choice and stay there. 576 00:27:26,680 --> 00:27:28,280 Speaker 17: Like you've said throughout this interview, you can make a 577 00:27:28,320 --> 00:27:29,639 Speaker 17: choice and you can stay there. And it doesn't mean 578 00:27:29,680 --> 00:27:31,359 Speaker 17: you can't feel it, because you need to feel it. 579 00:27:31,400 --> 00:27:32,919 Speaker 17: You need to go all the way through the feelings. 580 00:27:32,960 --> 00:27:35,360 Speaker 17: But then you have to make this decision like am 581 00:27:35,359 --> 00:27:37,520 Speaker 17: I going to be happy? Am I going to let 582 00:27:37,600 --> 00:27:40,400 Speaker 17: myself be comforted? Am I going to let myself have joy? Again? 583 00:27:40,880 --> 00:27:43,399 Speaker 17: You have to make those choices and you have to 584 00:27:43,440 --> 00:27:45,480 Speaker 17: figure out how you can get to those choices. And 585 00:27:45,520 --> 00:27:49,080 Speaker 17: I feel like you are a bridge from pain to 586 00:27:50,280 --> 00:27:53,240 Speaker 17: I mean from pain to cozy leads to the joy. 587 00:27:53,400 --> 00:27:56,840 Speaker 17: Like allowing yourself to have this pain and get really 588 00:27:56,920 --> 00:27:59,800 Speaker 17: cozy and safe allows you to get to the joy. 589 00:28:00,200 --> 00:28:02,720 Speaker 17: Showing us away and the cozy is the bridge. 590 00:28:03,520 --> 00:28:05,400 Speaker 18: Yeah, And you know we had said earlier to give 591 00:28:05,480 --> 00:28:09,280 Speaker 18: yourself like that confidence, you know, and give yourself permission. 592 00:28:09,760 --> 00:28:11,919 Speaker 18: And I feel like it's the same in this, like 593 00:28:12,200 --> 00:28:15,280 Speaker 18: you can give yourself permission to know that something was 594 00:28:15,280 --> 00:28:20,040 Speaker 18: traumatic for you. I often think that we compare our 595 00:28:20,240 --> 00:28:23,840 Speaker 18: traumas and we say like, oh, well, Liz had twelve 596 00:28:23,880 --> 00:28:26,760 Speaker 18: miscarriages and I only had one, so I'm not allowed 597 00:28:26,800 --> 00:28:29,480 Speaker 18: to like sit in this and I you know she's 598 00:28:29,560 --> 00:28:31,640 Speaker 18: going on. You know what you see on the internet. 599 00:28:32,560 --> 00:28:35,400 Speaker 18: You know she's going on just fine. And I think 600 00:28:35,440 --> 00:28:38,720 Speaker 18: that you're a lot give yourself confidence and permission to 601 00:28:38,880 --> 00:28:42,800 Speaker 18: sit in those feelings and heal from them and you know, 602 00:28:42,880 --> 00:28:45,280 Speaker 18: go on in the way you need to. We all 603 00:28:45,560 --> 00:28:48,960 Speaker 18: deal with things differently. You know, some people want to 604 00:28:48,960 --> 00:28:51,320 Speaker 18: share every detail and some people want to like lock 605 00:28:51,400 --> 00:28:55,480 Speaker 18: it in. But I do think that having that confidence 606 00:28:55,560 --> 00:28:59,200 Speaker 18: and that happened to me, that was very hard and 607 00:28:59,280 --> 00:29:01,960 Speaker 18: I need to hear because I think with the news 608 00:29:02,400 --> 00:29:05,840 Speaker 18: inundating us every day as well, we feel like, oh, well, 609 00:29:05,920 --> 00:29:07,920 Speaker 18: this is going on in the world, so mine isn't 610 00:29:07,920 --> 00:29:11,720 Speaker 18: that bad, I'm and then we don't heal because it 611 00:29:11,800 --> 00:29:16,160 Speaker 18: is traumatic. So I think giving yourself permission to be 612 00:29:16,320 --> 00:29:19,280 Speaker 18: cozy and to heal and sit in that is what 613 00:29:19,320 --> 00:29:20,120 Speaker 18: we need to do too. 614 00:29:21,080 --> 00:29:22,480 Speaker 11: What do you want people to take away from this 615 00:29:22,520 --> 00:29:24,560 Speaker 11: book so much. 616 00:29:25,280 --> 00:29:29,160 Speaker 18: I think number one and the umbrella of it is 617 00:29:29,800 --> 00:29:32,320 Speaker 18: to create your own cozy. It's it's the title of 618 00:29:32,360 --> 00:29:36,600 Speaker 18: the book, sit in what resonates with you. I think 619 00:29:36,640 --> 00:29:39,600 Speaker 18: we can all have a very beautiful life and be 620 00:29:39,800 --> 00:29:43,960 Speaker 18: vessels for other people if we would just do what 621 00:29:44,080 --> 00:29:48,320 Speaker 18: makes us tick in our homes and our lives and everywhere. 622 00:29:48,360 --> 00:29:51,800 Speaker 18: And like I said, the other two books are How 623 00:29:51,800 --> 00:29:54,560 Speaker 18: to Make Your Home Cozy, and it's very approachable, but 624 00:29:54,600 --> 00:29:56,640 Speaker 18: this one is like what is cozy to you? 625 00:29:57,880 --> 00:29:58,800 Speaker 17: A little more inner work? 626 00:29:59,400 --> 00:30:02,320 Speaker 18: Yeah, And it's an interactive book. You can write in it. 627 00:30:02,360 --> 00:30:05,400 Speaker 18: There are places to journal and write, there are places 628 00:30:05,440 --> 00:30:07,920 Speaker 18: to write a letter to your past self, and we 629 00:30:07,960 --> 00:30:11,280 Speaker 18: ask some hard questions in it, and it's like, you know, 630 00:30:11,320 --> 00:30:14,240 Speaker 18: we're asking these questions of like what don't you like 631 00:30:14,280 --> 00:30:16,600 Speaker 18: about your home? And what don't you like about your 632 00:30:16,640 --> 00:30:18,960 Speaker 18: life right now? Like what would you change? And it's 633 00:30:18,960 --> 00:30:21,480 Speaker 18: like that's kind of hard to ask, you know, because 634 00:30:21,520 --> 00:30:25,320 Speaker 18: it's usually like rainbows and butterflies, like you know, when 635 00:30:25,360 --> 00:30:25,720 Speaker 18: we hear. 636 00:30:25,640 --> 00:30:28,520 Speaker 17: It, block it or let's like block it at it, like. 637 00:30:29,480 --> 00:30:32,640 Speaker 18: Yeah, or you're not allowed to complain about things, like 638 00:30:32,680 --> 00:30:35,480 Speaker 18: you should be thankful you can be grateful for your 639 00:30:35,520 --> 00:30:38,480 Speaker 18: life and still want to change things, like you can 640 00:30:38,520 --> 00:30:40,680 Speaker 18: be grateful for your home and still want to change things. 641 00:30:40,720 --> 00:30:44,520 Speaker 18: I don't want to give a disclaimer everywhere on social media, 642 00:30:44,560 --> 00:30:47,160 Speaker 18: but oftentimes you'll be like, Oh, these renovations are killing me. 643 00:30:47,720 --> 00:30:50,720 Speaker 18: I'm so grateful for them. I'm grateful for the opportunity 644 00:30:50,880 --> 00:30:53,320 Speaker 18: and all of that. But you know it wears on 645 00:30:53,360 --> 00:30:54,840 Speaker 18: you and you're allowed to feel like that. And so 646 00:30:55,280 --> 00:30:59,760 Speaker 18: this book has checklists, monthly checklist of how to keep 647 00:30:59,760 --> 00:31:03,960 Speaker 18: your house maintained and cozy, like you know, like the 648 00:31:04,040 --> 00:31:07,480 Speaker 18: ugly things like changing out filters and but it's very 649 00:31:07,560 --> 00:31:07,880 Speaker 18: it's a. 650 00:31:07,880 --> 00:31:09,280 Speaker 11: Very interactive book. 651 00:31:09,960 --> 00:31:11,840 Speaker 18: Another thing that's different about it is there are a 652 00:31:11,840 --> 00:31:15,000 Speaker 18: lot of photographs that we took, still like the other books, 653 00:31:15,000 --> 00:31:19,400 Speaker 18: but also illustrations. And I think that's really fun because 654 00:31:19,440 --> 00:31:21,520 Speaker 18: I wanted you to be able to picture yourself in 655 00:31:21,600 --> 00:31:24,560 Speaker 18: this book, like this is about you. This is you 656 00:31:25,640 --> 00:31:29,120 Speaker 18: finding what makes you tick and what cozy is to you. 657 00:31:29,960 --> 00:31:32,040 Speaker 17: I just love your heart so much, Liz, you are 658 00:31:32,080 --> 00:31:36,400 Speaker 17: truly I can feel your kind, gentle spirit. You know, 659 00:31:36,920 --> 00:31:39,640 Speaker 17: you've been through so much, Like you said, you've always 660 00:31:39,720 --> 00:31:41,720 Speaker 17: like been looking for your worth and not wanting to 661 00:31:41,760 --> 00:31:44,840 Speaker 17: take up space and you're just such like a oh tho, 662 00:31:44,920 --> 00:31:46,880 Speaker 17: I don't want to bother you, and like you're such 663 00:31:46,960 --> 00:31:50,320 Speaker 17: like a kind, hering person, but like to talk to 664 00:31:50,360 --> 00:31:54,160 Speaker 17: you and to see how you have come into your 665 00:31:54,800 --> 00:31:57,800 Speaker 17: taking up space and claiming what you love, having the 666 00:31:57,840 --> 00:32:02,600 Speaker 17: confidence to love it, sharing the hard things that broke 667 00:32:02,680 --> 00:32:05,040 Speaker 17: you to your that took you to your knees, but 668 00:32:05,080 --> 00:32:08,280 Speaker 17: then how leaning into cozy has led you to joy 669 00:32:08,440 --> 00:32:11,640 Speaker 17: and a whole new rebirth. It's really you're such an 670 00:32:11,640 --> 00:32:15,920 Speaker 17: inspiration and your such a genuine heart. I'm so thankful 671 00:32:15,960 --> 00:32:18,000 Speaker 17: to know you and to get to talk to you, 672 00:32:18,080 --> 00:32:20,040 Speaker 17: and it's such an honor that you share this with 673 00:32:20,120 --> 00:32:22,560 Speaker 17: the world and you put yourself out there because I 674 00:32:22,600 --> 00:32:25,840 Speaker 17: know that wasn't necessarily your first inkling to do, but 675 00:32:26,320 --> 00:32:28,080 Speaker 17: you have so much love to give and you have 676 00:32:28,120 --> 00:32:31,320 Speaker 17: so much you're so you're a healer, Like you really 677 00:32:31,360 --> 00:32:34,160 Speaker 17: are helping people heal and you're healing yourself and you're 678 00:32:34,200 --> 00:32:37,280 Speaker 17: sharing that healing through your cozy and it's amazing. And 679 00:32:37,320 --> 00:32:40,280 Speaker 17: that's what the world needs is everyone to lean into 680 00:32:40,320 --> 00:32:42,560 Speaker 17: how they are healing themselves and what is lighting them 681 00:32:42,640 --> 00:32:44,440 Speaker 17: up and share it and you do such a great 682 00:32:44,560 --> 00:32:45,040 Speaker 17: job of that. 683 00:32:51,400 --> 00:32:52,960 Speaker 2: And that was this week's Sunday sampler. 684 00:32:53,440 --> 00:32:55,720 Speaker 1: Hopefully that made you want to check out at least 685 00:32:55,760 --> 00:32:56,800 Speaker 1: one of these podcasts. 686 00:32:57,120 --> 00:32:58,440 Speaker 2: New episodes are out weekly. 687 00:32:58,480 --> 00:33:01,080 Speaker 1: Of all these shows, the Bobby Cast, Four Things with 688 00:33:01,120 --> 00:33:04,240 Speaker 1: Amy Brown, Sore Losers do three episodes a week, Movie 689 00:33:04,320 --> 00:33:07,120 Speaker 1: Mike's Movie Podcast, and Get Real with Caroline Hobby. So 690 00:33:07,240 --> 00:33:09,440 Speaker 1: check it out if you don't mind subscribe, if you 691 00:33:09,520 --> 00:33:11,040 Speaker 1: really really don't mind, rate and review. 692 00:33:11,240 --> 00:33:12,520 Speaker 2: Thank you guys, we'll see us soon.