WEBVTT - Chapter 6 | The Warrant

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<v Speaker 1>This series includes sensitive and potentially distressing topics, including sexual

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<v Speaker 1>assault and abuse involving children. Listener discretion is advised.

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<v Speaker 2>I was really excited. It was my first home.

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<v Speaker 3>I had started a business, and I loved the house.

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<v Speaker 1>That voice belongs to a man we'll call Barry. A

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<v Speaker 1>new homeowner at 30, Barry was pleased with his purchase.

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<v Speaker 1>The house, a gray four-square, was a short walk from

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<v Speaker 1>a lake, and his puppy had a half-acre lot to

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<v Speaker 1>run in. Moreover, the town of New Fairfield was Connecticut quaint,

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<v Speaker 1>with windmills and obsessively clipped lawns. There was just one problem.

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<v Speaker 1>Barry's next-door neighbors.

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<v Speaker 2>All I wanted to do was fence the property for

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<v Speaker 2>my dog. Like, that was my mission.

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<v Speaker 1>But his neighbor's trash overran their lot and littered a

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<v Speaker 1>chunk of his. Old car tires and beer bottles, even

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<v Speaker 1>shingles from their roof, were strewn across his yard. So

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<v Speaker 1>Barry screwed his nerve up and knocked on their door,

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<v Speaker 1>hoping for a little help cleaning up.

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<v Speaker 3>What I saw inside the house was disturbing in the

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<v Speaker 3>terms of, like, a very incompetent older man and a

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<v Speaker 3>lot of firearms.

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<v Speaker 1>The house was filthy and smelled barnyard bad. and there

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<v Speaker 1>were guns laying out on the kitchen table.

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<v Speaker 3>When I first met him for the first time, I

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<v Speaker 3>introduced myself, you know, do you have a family, are

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<v Speaker 3>you here alone? And he said, I have a son,

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<v Speaker 3>but you better watch out for him, is what he said. Well,

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<v Speaker 3>I said, okay, you know, well, good to meet you,

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<v Speaker 3>and I left.

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<v Speaker 1>Barry came away from that doorstep shaken, wondering what he'd

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<v Speaker 1>just bought into. He set about cleaning the lot himself,

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<v Speaker 1>and then he met the old man's son.

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<v Speaker 3>After I learned about Howard Gombert Jr., the son, who

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<v Speaker 3>I had met him once. I'm outside in the summer.

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<v Speaker 3>My little puppy went over there and I had to

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<v Speaker 3>go get him.

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<v Speaker 2>And I went over there and it.

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<v Speaker 3>Was a guy about my age who had a girlfriend

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<v Speaker 3>who was clearly a teenager, like much younger than him.

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<v Speaker 1>Gombert at that point was in his 30s. The girl

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<v Speaker 1>said Barry looked like a teen. was clearly Gombert's girlfriend.

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<v Speaker 1>Barry was alarmed and repulsed. When we talked to him

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<v Speaker 1>last summer, he still regretted that he hadn't called the

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<v Speaker 1>local cops sooner. Of course, he couldn't have known then

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<v Speaker 1>what he found out later, who his next-door neighbor really was.

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<v Speaker 3>I just remember being taken back by the fact that

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<v Speaker 3>if he's 32.

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<v Speaker 2>His girlfriend's easily half his age.

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<v Speaker 3>And Both friendly, cordial. To me, you know, they were

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<v Speaker 3>laying on a blanket in the lawn. But you never

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<v Speaker 3>think it's a crime scene.

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<v Speaker 4>Do you hear my madness? my fears.

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<v Speaker 1>Sorrow's depths are.

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<v Speaker 4>Endless this valley of tears I'm Paul Solitaroff.

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<v Speaker 1>And this is Season 2 of The Devil's Quarry. Almost

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<v Speaker 1>six years after Robin Murphy disappeared, Detective Brian Kors made

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<v Speaker 1>a breakthrough in her case. Jane Gunderman showed him a

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<v Speaker 1>cheap tan suitcase stashed in her cottage basement. Inside it

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<v Speaker 1>were 12 pairs of girls' and women's underwear, each of

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<v Speaker 1>them sealed in Ziploc baggies. Kars sent a lot of

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<v Speaker 1>them out for DNA testing. One of them was consistent

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<v Speaker 1>with a control sample taken from Robin's cutoffs. Kars concluded

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<v Speaker 1>it was a match. That link was Dr. Frankenstein's lightning bolt.

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<v Speaker 1>It jolted a dead case back to life. Kars called

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<v Speaker 1>the Murphys in straight away. He wanted to tell them

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<v Speaker 1>the news before he told the press. Sure enough, the

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<v Speaker 1>local papers ran headlines once they got word. By then,

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<v Speaker 1>Karst had essentially started afresh. Talked to anyone he could

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<v Speaker 1>who'd been connected to Robin, except for the psychics and

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<v Speaker 1>civilian detectives. He spoke to Robin's dear friend, James Blaisdell.

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<v Speaker 5>He presented himself as a new, young, hip type of detective.

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<v Speaker 5>He goes, look, I understand what it was like in

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<v Speaker 5>the 90s. I'm not looking for spookies or... or ghosts

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<v Speaker 5>and goblins. I'm not looking for anything like that. I

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<v Speaker 5>just want to find out from you, from your own words,

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<v Speaker 5>what happened.

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<v Speaker 1>And Kars spoke to anyone who could tell him about Gombert,

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<v Speaker 1>including most of the people you've heard from in this series.

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<v Speaker 1>One of those people was Gombert's long-suffering ex, the young

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<v Speaker 1>woman we're calling Anne-Marie. Kars kept coming back to her

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<v Speaker 1>about written statements she made. One in particular stood out

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<v Speaker 1>to him, dated eight months after Robin disappeared. It had

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<v Speaker 1>to do with physical evidence tied to Robin. Our reporter

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<v Speaker 1>Kathleen Horan reads from Anne-Marie Swarn's statement.

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<v Speaker 6>On the Thursday that Robin's personal belongings were found behind ShopRite,

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<v Speaker 6>a large plastic bag with my personal belongings was put

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<v Speaker 6>by my father's Jeep in the front yard. My mother

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<v Speaker 6>took the items out of the bag. and put some

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<v Speaker 6>things away. I didn't help her. I was kind of

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<v Speaker 6>upset that Howard had apparently been to my house.

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<v Speaker 1>Yes, on the same day Robin's friends found her things

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<v Speaker 1>behind ShopRite, Gombert left a bag with Anne Marie's folks.

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<v Speaker 1>In that bag of clothes was something that belonged to Robin,

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<v Speaker 1>but Anne Marie didn't see it right away. She was

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<v Speaker 1>so sickened by even the thought of Gombert that she

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<v Speaker 1>didn't go through that stuff for a month.

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<v Speaker 7>I just remember getting that, opening it up, and seeing

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<v Speaker 7>the mace and going, that's not mine.

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<v Speaker 1>She thought back to an evening she'd spent with Robin.

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<v Speaker 7>I remember one of the times that she was at

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<v Speaker 7>the house, I believe she found that mace. So I

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<v Speaker 7>knew that looked like the one she had found.

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<v Speaker 1>Several months before she vanished, Robin was at the flat

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<v Speaker 1>Anne-Marie shared with Gombert. Robin showed them a can of

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<v Speaker 1>Maysheet found in the ShopRite parking lot. It had a

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<v Speaker 1>distinctive white cap, says Anne-Marie.

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<v Speaker 6>Did you think to bring it to police right away?

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<v Speaker 7>I think I brought it up to them because it

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<v Speaker 7>wasn't mine. I don't know if it was hers, but

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<v Speaker 7>it wasn't mine.

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<v Speaker 1>It was another piece of evidence that, for Karst at least,

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<v Speaker 1>connected Gombert to Robin Murphy.

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<v Speaker 7>Detective Karst and I had phone conversations before.

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<v Speaker 2>For numerous years.

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<v Speaker 7>And I think he really wanted to try and find

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<v Speaker 7>out what was happening.

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<v Speaker 1>But Karst needed more than a can of mace to

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<v Speaker 1>take a run at Gombert, something that definitively belonged to Robin.

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<v Speaker 1>Gombert Sr., as you've heard, had a small, filthy cottage

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<v Speaker 1>in New Fairfield, Connecticut, just 14 miles east of Carmel,

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<v Speaker 1>New York.

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<v Speaker 2>This was a summer home. That had never been converted.

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<v Speaker 3>There was no septic system, and there would be sewage

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<v Speaker 3>in the yard, and it smelled terrible.

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<v Speaker 1>That's Barry, the neighbor who wanted to install a fence

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<v Speaker 1>for his dog. The problem was the two Gomberts living

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<v Speaker 1>next door.

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<v Speaker 3>The houses were 20 feet apart, and there was a

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<v Speaker 3>fence in between.

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<v Speaker 2>My property was like an L-shape.

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<v Speaker 3>Like three parts of a square, and then his property

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<v Speaker 3>was like nested into that fourth square. So I kind

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<v Speaker 3>of surrounded him on two sides.

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<v Speaker 1>All Barry wanted was a tidy lawn and yard. But

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<v Speaker 1>the Gomberts kept dumping their trash on his lot, which

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<v Speaker 1>extended to the woods behind it.

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<v Speaker 3>They had a garage that there wasn't a square inch

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<v Speaker 3>of space. It was filled with junk and car parts

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<v Speaker 3>and dirty old engines and You know, when he decided

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<v Speaker 3>he didn't want something, he just kind of chucked it

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<v Speaker 3>in the woods.

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<v Speaker 1>Detective Kars was curious about that garage and any other

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<v Speaker 1>cranny that might hide proof of Gombert's crimes. His curiosity

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<v Speaker 1>had been piqued by another of Gombert's exes, Jim Gunderman.

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<v Speaker 8>His dad's attic at his dad's house. And that's the

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<v Speaker 8>only thing I can tell you is where that would

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<v Speaker 8>be where stuff is.

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<v Speaker 1>Jane said that the attic was Gombert's hidey-hole, the place

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<v Speaker 1>he stashed the stuff he wanted no one to see.

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<v Speaker 1>After talking to Jane, Kors did a bit of recon.

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<v Speaker 1>He drove by Gombert's house with a Connecticut cop to

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<v Speaker 1>take photos of the exterior and to track Gombert's seniors'

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<v Speaker 1>comings and goings. But to actually search the house, he'd

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<v Speaker 1>need a warrant, which wasn't as simple as it sounds.

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<v Speaker 1>He'd have to apply for an out-of-state warrant in a

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<v Speaker 1>six-year-old cold case to boot. He sweated each detail in

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<v Speaker 1>his application to a judge. There's several drafts of it

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<v Speaker 1>in the file. Kars rewrote his findings to make his

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<v Speaker 1>best pitch for the evidence he hoped to find. While

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<v Speaker 1>we wait on that judge's decision, let's talk about no-body murders.

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<v Speaker 1>Those are, of course, killings in which no corpse is

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<v Speaker 1>ever found, which was the sort of case Detective Kars

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<v Speaker 1>was pursuing. Not a missing girl or pissed-off runaway case. No,

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<v Speaker 1>a girl who'd been snatched and killed that rainy night

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<v Speaker 1>in April, Palm Sunday of 1995. No-body murders are devilishly

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<v Speaker 1>tricky to bring to trial. With no remains, it's hard

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<v Speaker 1>to prove that someone's even dead. But a body isn't

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<v Speaker 1>the only thing that can prove a person has died. Instead,

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<v Speaker 1>the prosecution can rely on evidence that shows they're no

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<v Speaker 1>longer alive. As in, no phone calls, no sightings, no

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<v Speaker 1>activity in their accounts. Legally speaking, they have ceased to

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<v Speaker 1>live their life. And though no body cases don't often

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<v Speaker 1>get to trial, When they do, they're successful more often

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<v Speaker 1>than not. In fact, according to FBI specialists, when prosecutors

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<v Speaker 1>try no-body killings, they win convictions 86% of the time.

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<v Speaker 1>That's what Kars was trying to build, a winnable no-body case.

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<v Speaker 1>After reviewing the warrant application, the judge cleared the way

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<v Speaker 1>for him. Kars got his warrant to search the Gombert

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<v Speaker 1>house on grounds. On April 25th, 2001, two Carmel detectives

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<v Speaker 1>went warrant in hand into Howard's father's house. Gombert Sr.

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<v Speaker 1>'s mom had died by that point, and Gombert Jr.

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<v Speaker 1>was in jail awaiting trial for the crime of raping

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<v Speaker 1>seven-year-old Sarah Lindley. But his dad still lived in the house.

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<v Speaker 1>On that day, the cops found no one home, so

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<v Speaker 1>they went in through an unlocked window. Jane Gunderman described

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<v Speaker 1>the place to us.

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<v Speaker 8>You walk in, there's the kitchen, here's the living room.

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<v Speaker 8>You walk to the little hall, and there's a bedroom

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<v Speaker 8>that's a twin-size bed and a full-size in the other

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<v Speaker 8>bedroom and the bath right in the middle.

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<v Speaker 2>That's it.

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<v Speaker 8>That's the extent of the house.

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<v Speaker 1>Now, in those days, cops didn't wear body cams or

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<v Speaker 1>capture searches on video. But from photos the detectives took

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<v Speaker 1>that day, we can see some of what they saw

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<v Speaker 1>Climbing in through the kitchen window, they swerved past heaps

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<v Speaker 1>of clutter on the counters. Bags of trash hung from

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<v Speaker 1>drawer handles or heaped up on the floor, as if

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<v Speaker 1>someone had started to clean the place, then dropped dead

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<v Speaker 1>from exertion. In the hall, they threaded through hip-deep junk.

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<v Speaker 1>Big bags of cat litter and busted car parts. There

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<v Speaker 1>was so much rubbish underfoot they could barely see the

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<v Speaker 1>front door. In the smaller room, old desktops took up

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<v Speaker 1>most of the space. One source told us that Gombert Sr.

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<v Speaker 1>was an avid consumer of porn. There were stacks of

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<v Speaker 1>VHS tapes on the shelves. One of those tapes was labeled, Finally,

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<v Speaker 1>but its contents aren't detailed in the case file.

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<v Speaker 8>If you saw this place, you would be like, oh

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<v Speaker 8>my God, oh my God.

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<v Speaker 3>He had all these AM radios in the kitchen reporting

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<v Speaker 3>police information.

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<v Speaker 2>And it was very noisy. To me, it was just

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<v Speaker 2>another world.

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<v Speaker 8>It gave me the heebie-jeebies.

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<v Speaker 2>It was very dirty.

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<v Speaker 8>I had to clean it up my way so I

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<v Speaker 8>could cook, at least, because there wasn't even cooking room

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<v Speaker 8>with everything around.

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<v Speaker 1>It also bears saying that in his letters to me

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<v Speaker 1>and my team, Gombert brought up videotapes he had. And no,

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<v Speaker 1>they weren't footage of birthday parties or joyous family events.

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<v Speaker 1>It seems he'd rigged up camcorders around the house. Though

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<v Speaker 1>to what end is known only to Gombert.

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<v Speaker 6>He had said something about you at his father's house,

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<v Speaker 6>and he had a camera installed.

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<v Speaker 2>Is there any truth to.

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<v Speaker 4>That, or.

0:14:54.410 --> 0:14:55.010
<v Speaker 8>In the shower.

0:14:55.030 --> 0:14:57.050
<v Speaker 7>Wait, what?

0:14:58.190 --> 0:15:02.050
<v Speaker 8>It was a big recording thing. A video cam hanging

0:15:02.220 --> 0:15:02.940
<v Speaker 8>from the light.

0:15:04.160 --> 0:15:06.440
<v Speaker 1>Jane would see the red light blinking at her while

0:15:06.480 --> 0:15:07.560
<v Speaker 1>she washed her hair.

0:15:08.720 --> 0:15:10.400
<v Speaker 8>I know it was recording me, but what was I

0:15:10.420 --> 0:15:13.020
<v Speaker 8>going to do? I had to take a shower. I said, well,

0:15:13.060 --> 0:15:14.660
<v Speaker 8>if you guys are that desperate, here you go.

0:15:16.410 --> 0:15:17.970
<v Speaker 1>We don't know if Jane was featured in any of

0:15:17.990 --> 0:15:22.110
<v Speaker 1>the tapeses from that search. That's known only the Carmel detectives,

0:15:22.330 --> 0:15:26.270
<v Speaker 1>who presumably viewed the footage. But there were other corners

0:15:26.330 --> 0:15:30.240
<v Speaker 1>of the house to search. One in particular was the attic.

0:15:32.500 --> 0:15:35.760
<v Speaker 1>It was only accessible from outdoors via a ladder to

0:15:35.780 --> 0:15:39.960
<v Speaker 1>a second-story window. When the cops climbed up there, they

0:15:40.000 --> 0:15:44.480
<v Speaker 1>saw stacks and stacks of boxes and duffel bags strewn

0:15:44.540 --> 0:15:48.420
<v Speaker 1>across the floor. There in the mess was a manila

0:15:48.560 --> 0:15:52.900
<v Speaker 1>folder that immediately caught their eye. It contained newspaper stories

0:15:52.960 --> 0:15:57.360
<v Speaker 1>about Robin's disappearance. Gombert had clipped and saved them all.

0:15:59.060 --> 0:16:01.740
<v Speaker 1>The Carmel cops bagged the items of interest and brought

0:16:01.780 --> 0:16:06.200
<v Speaker 1>them back to the station. If those things were forensically tested,

0:16:06.220 --> 0:16:10.630
<v Speaker 1>there's no word of it in Robin's file. That's not, however,

0:16:10.650 --> 0:16:14.930
<v Speaker 1>the last word on searches and seizures. Some months later,

0:16:15.050 --> 0:16:18.030
<v Speaker 1>Kars got an email out of the blue. It came

0:16:18.090 --> 0:16:22.580
<v Speaker 1>from Barry, the Gombert's next-door neighbor. He'd found something discarded

0:16:22.640 --> 0:16:25.040
<v Speaker 1>on the corner of his lot that the Gomberts used

0:16:25.120 --> 0:16:26.220
<v Speaker 1>as their dump site.

0:16:28.180 --> 0:16:31.500
<v Speaker 3>First thing I found was a woman's handbag that was

0:16:31.620 --> 0:16:39.150
<v Speaker 3>totally deteriorated with undergarments in the handbag. You naturally were like, oh,

0:16:39.230 --> 0:16:42.810
<v Speaker 3>somebody lost this. Let me go through and see if

0:16:42.850 --> 0:16:45.390
<v Speaker 3>there's an ID and I can return it to them.

0:16:46.090 --> 0:16:49.580
<v Speaker 3>Because there was like some bracelets and, but it was

0:16:49.620 --> 0:16:53.780
<v Speaker 3>all in a state of filth and decay from being

0:16:53.820 --> 0:16:54.380
<v Speaker 3>in the woods.

0:16:55.020 --> 0:16:56.520
<v Speaker 2>That was the first handbag.

0:16:57.740 --> 0:17:02.640
<v Speaker 3>The second handbag I found did have a person's identification

0:17:02.720 --> 0:17:05.740
<v Speaker 3>in it. And that's when the alarm went off in

0:17:05.760 --> 0:17:07.859
<v Speaker 3>my head that there was a problem. Like, wait a minute,

0:17:07.920 --> 0:17:12.150
<v Speaker 3>two handbags and this creepy guy with a young girl

0:17:12.210 --> 0:17:12.750
<v Speaker 3>next door.

0:17:14.070 --> 0:17:16.510
<v Speaker 1>He's referring to the time he saw Gombert Jr. on

0:17:16.530 --> 0:17:20.270
<v Speaker 1>a blanket with a much younger girl. It's possible, though

0:17:20.310 --> 0:17:24.800
<v Speaker 1>not likely, that the girl was Anne-Marie. Given Gombert's obsession

0:17:24.840 --> 0:17:28.000
<v Speaker 1>with teens and tweens... She could have been any number

0:17:28.060 --> 0:17:28.620
<v Speaker 1>of girls.

0:17:29.930 --> 0:17:33.390
<v Speaker 2>Over the course of time, that really bothered me.

0:17:34.250 --> 0:17:38.430
<v Speaker 3>So I took the wallet out of the second hand

0:17:38.450 --> 0:17:40.429
<v Speaker 3>bag I found and that one hadn't been there for

0:17:40.490 --> 0:17:43.340
<v Speaker 3>as long as the other one. It seemed like maybe

0:17:43.440 --> 0:17:46.300
<v Speaker 3>it was in the debris in the brush for a

0:17:46.340 --> 0:17:49.439
<v Speaker 3>year or two. I could still, there's driver's license cash

0:17:49.480 --> 0:17:53.139
<v Speaker 3>in the wallet and I called the number on the

0:17:53.200 --> 0:17:57.800
<v Speaker 3>driver's license and asked for the woman to say, hey,

0:17:58.260 --> 0:18:03.500
<v Speaker 3>I found your purse. And a gentleman answered the phone

0:18:03.540 --> 0:18:07.520
<v Speaker 3>who was her father, who didn't say much to me,

0:18:07.560 --> 0:18:10.169
<v Speaker 3>but he said, I'll come over and get it.

0:18:12.660 --> 0:18:15.820
<v Speaker 2>He came over, he introduced himself, he's very pensive with me.

0:18:17.300 --> 0:18:20.300
<v Speaker 3>And he, after I talked to him a little bit

0:18:20.340 --> 0:18:24.090
<v Speaker 3>and he realized I wasn't like part of this really

0:18:24.150 --> 0:18:29.950
<v Speaker 3>sleazy gang of people I lived around. He said, my

0:18:29.990 --> 0:18:34.179
<v Speaker 3>daughter got raped in that house. And he pointed to

0:18:34.220 --> 0:18:37.120
<v Speaker 3>a house up the street, which was the Mullins house.

0:18:39.060 --> 0:18:42.680
<v Speaker 1>Barry knew all too well about that house. Danny Mullen,

0:18:42.720 --> 0:18:44.730
<v Speaker 1>a close friend of Gombert's, lived there.

0:18:46.510 --> 0:18:49.750
<v Speaker 3>I went up there one time because my mailbox was

0:18:49.810 --> 0:18:54.640
<v Speaker 3>adjacent to his. And like, the guy never got his mail. Again,

0:18:54.720 --> 0:18:57.770
<v Speaker 3>it was overflowing. So I said, I'm going to use

0:18:57.830 --> 0:19:01.450
<v Speaker 3>the mail to go up there and hand it off

0:19:01.490 --> 0:19:03.390
<v Speaker 3>to him and say, hey, just thought you might want this.

0:19:03.910 --> 0:19:07.469
<v Speaker 3>But when I went up there, there's nobody inside the house.

0:19:07.490 --> 0:19:11.080
<v Speaker 3>The door was open. So I brought the mail in

0:19:11.190 --> 0:19:13.460
<v Speaker 3>and put it on the table that was kind of

0:19:13.480 --> 0:19:13.980
<v Speaker 3>near the door.

0:19:14.000 --> 0:19:16.980
<v Speaker 2>And it was really disgusting in there.

0:19:17.200 --> 0:19:23.399
<v Speaker 3>Like very little furniture, beer bottles, cigarette butts put out

0:19:23.480 --> 0:19:24.020
<v Speaker 3>on the floor.

0:19:24.730 --> 0:19:26.720
<v Speaker 2>I mean, pardon my English, it was a shithole.

0:19:27.859 --> 0:19:29.660
<v Speaker 1>But back to the father of the girl who owned

0:19:29.700 --> 0:19:30.220
<v Speaker 1>the purse.

0:19:31.720 --> 0:19:35.740
<v Speaker 3>He said to me, point blank, the guy who raped her,

0:19:36.020 --> 0:19:41.490
<v Speaker 3>his name was Howard. And he took the purse and

0:19:41.510 --> 0:19:45.369
<v Speaker 3>he was broken up. And he thanked me and he

0:19:45.410 --> 0:19:45.850
<v Speaker 3>got in the.

0:19:45.810 --> 0:19:46.590
<v Speaker 2>Car and left.

0:19:47.710 --> 0:19:50.379
<v Speaker 3>It shocks you when you think he's going to say, say, oh,

0:19:50.380 --> 0:19:52.379
<v Speaker 3>thank you so much for returning this. And he tells

0:19:52.440 --> 0:19:53.100
<v Speaker 3>that story.

0:19:54.440 --> 0:19:57.720
<v Speaker 1>The purses, the warning from Montgomery Sr. about his son,

0:19:58.380 --> 0:20:01.320
<v Speaker 1>the all-night parties and drugs at the house across the street.

0:20:02.460 --> 0:20:06.190
<v Speaker 1>Barry started fearing for himself and his pets. He never

0:20:06.270 --> 0:20:08.970
<v Speaker 1>left them home when he went to work. And then

0:20:08.990 --> 0:20:11.570
<v Speaker 1>the winter after he bought the place, he saw footprints

0:20:11.630 --> 0:20:15.379
<v Speaker 1>in the snow around it. Someone was clearly casing his

0:20:15.430 --> 0:20:18.980
<v Speaker 1>house when he wasn't there. It was time for Barry

0:20:19.000 --> 0:20:20.859
<v Speaker 1>to do his own dig into the neighbors.

0:20:23.700 --> 0:20:26.460
<v Speaker 3>I wanted to see, like, what's going on here? And

0:20:27.020 --> 0:20:30.160
<v Speaker 3>at the time, you know, there was no internet or anything.

0:20:30.619 --> 0:20:34.250
<v Speaker 3>I went down and did the microfiche thing in the

0:20:34.830 --> 0:20:37.310
<v Speaker 3>New Fairfield Library and the Danbury Library.

0:20:38.410 --> 0:20:42.400
<v Speaker 1>Microfish for younger listeners is how archives used to be saved.

0:20:43.540 --> 0:20:45.980
<v Speaker 3>I just wanted to understand because I was getting a

0:20:47.240 --> 0:20:51.380
<v Speaker 3>really creepy feeling, not only from the Gombert's house, but

0:20:51.460 --> 0:20:54.280
<v Speaker 3>from the people at the top of my street, the Mullins.

0:20:55.460 --> 0:20:58.070
<v Speaker 1>As he scrolled through back issues of the local papers,

0:20:58.440 --> 0:21:01.050
<v Speaker 1>he found Gombert Jr. 's name over and over.

0:21:02.850 --> 0:21:06.250
<v Speaker 3>His name came up, I think, in the Danbury News

0:21:06.310 --> 0:21:11.390
<v Speaker 3>Times about his girlfriend in a laundromat or something like

0:21:11.450 --> 0:21:14.149
<v Speaker 3>that and somebody got in a laundromat complaining about him

0:21:14.210 --> 0:21:16.840
<v Speaker 3>and that's when the bell went off and finally I

0:21:16.880 --> 0:21:18.359
<v Speaker 3>put it all together and wrote that letter.

0:21:20.800 --> 0:21:25.320
<v Speaker 1>That email landed in Kars' inbox in March of 2002.

0:21:25.320 --> 0:21:27.879
<v Speaker 1>Kars drove to New Fairfield to talk to Barry about

0:21:27.900 --> 0:21:31.129
<v Speaker 1>the purses and to see if he'd witnessed anything at

0:21:31.170 --> 0:21:33.689
<v Speaker 1>the Gombert house that might help him solve his case.

0:21:34.890 --> 0:21:41.489
<v Speaker 3>The police came and specifically asked me about Like the laundromat. And,

0:21:42.950 --> 0:21:44.870
<v Speaker 3>you know, they were searching for a missing girl from

0:21:44.910 --> 0:21:47.650
<v Speaker 3>the laundromat. And they, you know, all I could tell

0:21:47.670 --> 0:21:49.340
<v Speaker 3>them was I found purses.

0:21:51.060 --> 0:21:54.740
<v Speaker 1>Shortly thereafter, Barry put his house up for sale and

0:21:54.800 --> 0:22:20.500
<v Speaker 1>left the town of New Fairfield for good. On the

0:22:20.540 --> 0:22:24.440
<v Speaker 1>day his colleagues searched the Gombert house, Detective Karst was elsewhere,

0:22:25.060 --> 0:22:30.090
<v Speaker 1>by design. And why wasn't Karst there? Because he was

0:22:30.130 --> 0:22:33.990
<v Speaker 1>springing an ambush on someone else. That someone else being

0:22:34.010 --> 0:22:38.470
<v Speaker 1>Howard Gombert Jr. It was Karst's intention to confront Gombert

0:22:38.510 --> 0:22:42.560
<v Speaker 1>in prison, while the Carmel cops were tossing his father's house.

0:22:44.859 --> 0:22:47.380
<v Speaker 1>To prep for that ambush, Karst would have first read

0:22:47.440 --> 0:22:51.090
<v Speaker 1>the notes of a cop named Edward Grant... Grant, a

0:22:51.130 --> 0:22:54.060
<v Speaker 1>lieutenant with the New York State Police, was the expert

0:22:54.180 --> 0:22:58.720
<v Speaker 1>profiler who'd assessed Howard Gombert in the days after Robin vanished.

0:22:59.740 --> 0:23:09.660
<v Speaker 1>The first line read, But Karst also called a profiler

0:23:09.700 --> 0:23:13.790
<v Speaker 1>with the BAU, short for the Behavioral Analysis Unit of

0:23:13.830 --> 0:23:17.570
<v Speaker 1>the FBI. We don't have Karst's notes from that chat,

0:23:17.609 --> 0:23:21.720
<v Speaker 1>but we're confident they talked about strategy. because that's what

0:23:21.760 --> 0:23:25.330
<v Speaker 1>profilers are really good at, teaching cops how to talk

0:23:25.350 --> 0:23:27.129
<v Speaker 1>to predators like Gombert.

0:23:34.950 --> 0:23:40.500
<v Speaker 9>He can be very charismatic. He can be likable and conversational,

0:23:41.000 --> 0:23:43.020
<v Speaker 9>and he can come across as caring.

0:23:44.040 --> 0:23:48.270
<v Speaker 1>That's Julia Cowley, a retired senior profiler with the FBI.

0:23:49.300 --> 0:23:52.080
<v Speaker 1>She worked for the Bureau for 22 years and helped

0:23:52.100 --> 0:23:55.910
<v Speaker 1>break one big case after another. Though she didn't work

0:23:55.990 --> 0:23:58.730
<v Speaker 1>Robin's case, she was kind enough to wade through our

0:23:58.830 --> 0:24:02.010
<v Speaker 1>Gombert file and give us her expert take on him.

0:24:02.910 --> 0:24:06.169
<v Speaker 9>I'm not saying he's caring, but he can be. So

0:24:06.619 --> 0:24:09.780
<v Speaker 9>that tells me he likely can read people well, and

0:24:09.820 --> 0:24:12.980
<v Speaker 9>he's likely reading the interviewer pretty well.

0:24:14.200 --> 0:24:17.240
<v Speaker 1>She helped us understand what Karst was up against in Gombert.

0:24:18.330 --> 0:24:22.990
<v Speaker 9>What I saw as a main feature is control in

0:24:23.030 --> 0:24:25.930
<v Speaker 9>the way people interpreted him and their interactions with him

0:24:26.350 --> 0:24:31.940
<v Speaker 9>and his own writings. When I looked across the relationships

0:24:32.119 --> 0:24:40.119
<v Speaker 9>that he had, you repeatedly see control, domination, difficulty tolerating

0:24:40.540 --> 0:24:42.220
<v Speaker 9>rejection or defiance.

0:24:44.780 --> 0:24:47.590
<v Speaker 1>She also told us how she'd have prepped Detective Karst

0:24:47.640 --> 0:24:49.169
<v Speaker 1>before he sat with Gombert.

0:24:50.270 --> 0:24:54.770
<v Speaker 9>Somebody like Gombert, clearly he's not just going to confess.

0:24:54.890 --> 0:24:57.590
<v Speaker 9>So you want him to talk, and he does like

0:24:57.650 --> 0:25:04.100
<v Speaker 9>to talk. So giving him that opportunity to demonstrate something

0:25:04.280 --> 0:25:07.500
<v Speaker 9>that the interviewer doesn't know or he thinks that he

0:25:07.540 --> 0:25:08.260
<v Speaker 9>doesn't know.

0:25:09.380 --> 0:25:12.460
<v Speaker 1>Having interviewed Gombert several times, I can confirm he's a

0:25:12.619 --> 0:25:16.790
<v Speaker 1>master at pressing your buttons. That's precisely what you can't

0:25:16.869 --> 0:25:21.070
<v Speaker 1>let him do, says Cowley. Instead, you humble yourself before

0:25:21.090 --> 0:25:24.380
<v Speaker 1>him and make him think he's the alpha in the room.

0:25:25.359 --> 0:25:31.000
<v Speaker 9>I wouldn't argue with him because that just feeds his

0:25:31.040 --> 0:25:37.400
<v Speaker 9>grievances and makes him mad. He clearly likes to explain things,

0:25:37.720 --> 0:25:43.290
<v Speaker 9>correct people, correct the record, and prove people wrong. Give

0:25:43.330 --> 0:25:46.669
<v Speaker 9>him that opportunity to do that. I would use that

0:25:46.790 --> 0:25:48.350
<v Speaker 9>rather than try to fight him.

0:25:49.350 --> 0:25:52.389
<v Speaker 1>The essential thing, she says, is to keep asking questions,

0:25:53.230 --> 0:25:55.220
<v Speaker 1>even when you know he's lying to your face.

0:25:56.320 --> 0:26:00.139
<v Speaker 9>His stories change. And you read through it and you're like, okay,

0:26:00.180 --> 0:26:02.500
<v Speaker 9>that's not what he said earlier. But if he wants

0:26:02.560 --> 0:26:06.300
<v Speaker 9>to say something that seems unbelievable or implausible, let him

0:26:06.340 --> 0:26:10.439
<v Speaker 9>keep talking because there may be something there that, hmm,

0:26:11.340 --> 0:26:12.160
<v Speaker 9>how would you know that?

0:26:13.350 --> 0:26:16.710
<v Speaker 1>Alas, we don't have the transcript of Kars' sit-down with Gombert,

0:26:17.330 --> 0:26:19.570
<v Speaker 1>but what we do have is his summary of what

0:26:19.609 --> 0:26:22.790
<v Speaker 1>went down that day, in which it's clear that Kars

0:26:22.830 --> 0:26:28.250
<v Speaker 1>got close to cracking Gombert. They sat together at that

0:26:28.350 --> 0:26:31.389
<v Speaker 1>prison for an hour and a half. Kars told Gombert

0:26:31.410 --> 0:26:34.250
<v Speaker 1>that his team was searching his dad's house even as

0:26:34.330 --> 0:26:37.690
<v Speaker 1>they sat there, and that they were going over every

0:26:37.790 --> 0:26:41.190
<v Speaker 1>square inch of that garage and that attic and the

0:26:41.230 --> 0:26:44.970
<v Speaker 1>woods behind the house. Karst couldn't have known what the

0:26:45.010 --> 0:26:48.070
<v Speaker 1>cops might find at the Gombert house, but he knew

0:26:48.109 --> 0:26:52.390
<v Speaker 1>what they'd already found at Jane's place, a suitcase of underwear.

0:26:53.660 --> 0:26:56.179
<v Speaker 1>Karst told Gombert that one of the pairs belonged to

0:26:56.260 --> 0:26:59.980
<v Speaker 1>Robin Murphy. Karst wrote in his notes that Gombert was

0:27:00.119 --> 0:27:02.840
<v Speaker 1>stunned to hear it. He told him he had no

0:27:02.940 --> 0:27:06.940
<v Speaker 1>idea how Robin's underwear wound up in his suitcase. When

0:27:07.010 --> 0:27:10.490
<v Speaker 1>Karst explained that DNA evidence connected the underwear to Robin,

0:27:11.050 --> 0:27:15.750
<v Speaker 1>Gombert came undone. Karst wrote that Gombert seemed, quote, on

0:27:15.790 --> 0:27:19.530
<v Speaker 1>the verge of tears, end quote, at various points in

0:27:19.550 --> 0:27:22.889
<v Speaker 1>that visit. But while Gombert conceded that he was the

0:27:22.930 --> 0:27:26.100
<v Speaker 1>last to see Robin alive, that was all he admitted.

0:27:27.560 --> 0:27:30.959
<v Speaker 1>In his case notes, Karst wrote that Gombert's, quote, body

0:27:31.020 --> 0:27:35.699
<v Speaker 1>language and behavior indicated he was being deceptive, end quote.

0:27:36.460 --> 0:27:40.460
<v Speaker 1>But those evasions weren't admissible as evidence. And even if

0:27:40.520 --> 0:27:43.770
<v Speaker 1>Gombert had copped to having Robin's underwear, It wouldn't have

0:27:43.850 --> 0:27:48.310
<v Speaker 1>cinched the case. That evidence alone didn't suffice for an indictment.

0:27:49.170 --> 0:27:51.609
<v Speaker 1>Not according to Julia, the ex-profiler.

0:27:53.590 --> 0:27:56.620
<v Speaker 9>He has an excuse. I just stole them. I didn't

0:27:56.650 --> 0:28:01.220
<v Speaker 9>kill her. This was harmless. I just, you know, took them.

0:28:01.920 --> 0:28:07.020
<v Speaker 9>And that might not be enough for a prosecutor.

0:28:07.040 --> 0:28:12.310
<v Speaker 1>Now, if you've ever watched Mindhunter or Silence of the Lambs,

0:28:12.730 --> 0:28:17.430
<v Speaker 1>you've surely clocked the details of Gombert's panty collection. Because

0:28:17.470 --> 0:28:21.670
<v Speaker 1>he didn't just toss them into a suitcase. He painstakingly

0:28:21.780 --> 0:28:28.040
<v Speaker 1>wrapped and sealed each pair in separate airtight pouches. Our profiler, Julie,

0:28:28.100 --> 0:28:31.980
<v Speaker 1>explained their significance. They helped Gombert not just to recall

0:28:32.020 --> 0:28:35.200
<v Speaker 1>his victims, but to relive his crimes against them.

0:28:36.380 --> 0:28:39.240
<v Speaker 9>I mean, it's troubling. You have a missing... He's in

0:28:39.300 --> 0:28:45.430
<v Speaker 9>possession of her underwear. He's a violent sexual offender, you know, convicted.

0:28:46.290 --> 0:28:50.830
<v Speaker 9>Many allegations as well made against him. So, I think

0:28:51.150 --> 0:28:56.860
<v Speaker 9>he remains a prioritized suspect in my mind. So, whether

0:28:56.900 --> 0:29:01.720
<v Speaker 9>it's enough to bring a no-body homicide case against him,

0:29:02.720 --> 0:29:04.400
<v Speaker 9>that I don't know.

0:29:06.530 --> 0:29:09.850
<v Speaker 1>But Karst was just getting started on Gombert and making

0:29:09.930 --> 0:29:14.520
<v Speaker 1>excellent progress. The underwear and the can of mace, that

0:29:14.540 --> 0:29:18.940
<v Speaker 1>folder of stories about Robin's disappearance, and Gombert's lack of

0:29:19.000 --> 0:29:23.000
<v Speaker 1>an alibi when she vanished. All Karst needed was one

0:29:23.040 --> 0:29:26.790
<v Speaker 1>more break, one last piece of proof that tied Gombert

0:29:26.830 --> 0:29:27.490
<v Speaker 1>to Robin.

0:29:28.770 --> 0:29:33.760
<v Speaker 9>Generally, when an offender kills somebody and the body's not found,

0:29:34.100 --> 0:29:37.310
<v Speaker 9>they are putting that person likely in an area that

0:29:37.370 --> 0:29:38.330
<v Speaker 9>is familiar to them.

0:29:39.620 --> 0:29:42.860
<v Speaker 1>What if Karst could find her remains? He was bound

0:29:42.920 --> 0:29:45.720
<v Speaker 1>and determined to do so. And there was one place

0:29:45.780 --> 0:29:50.370
<v Speaker 1>in particular, a famously haunted body of water, that he

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<v Speaker 1>planned a deep dive first. The Devil's Quarry is a

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<v Speaker 1>production of Lava for Good in association with Signal Company No. 1.

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<v Speaker 1>I'm your creator and host, Paul Solitarov. Executive producers are

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<v Speaker 1>Jason Flom, Jeff Kempler, Kevin Wardus, and Gilbert King. Our

0:30:22.850 --> 0:30:28.030
<v Speaker 1>senior producer is Hannah Beal. Our producers are Jackie Pauley,

0:30:28.330 --> 0:30:34.200
<v Speaker 1>Austin Smith, and Kathleen Horn. Our field reporter is Kathleen Horn.

0:30:35.240 --> 0:30:41.200
<v Speaker 1>Our editor is Matthew Nelson. Production support from Cara Kornhaber.

0:30:42.060 --> 0:30:47.420
<v Speaker 1>Fact-checking by Peter Bresnan. Our sound designer is Britt Spangler.

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<v Speaker 1>And our engineer is Austin Smith. Original music arranged and

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<v Speaker 1>produced by Alexis Quadrato at the Plaza Rojas Studio. Head

0:30:58.990 --> 0:31:06.700
<v Speaker 1>of production, Matthew Nelson. Head of Marketing and Operations, Jeff Clyburn. Publicist,

0:31:07.040 --> 0:31:14.160
<v Speaker 1>Nathaniel Baruch. Art Director, Andrew Nelson. Social Media Manager, Sarah Gibbons.

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<v Speaker 1>Legal Review provided by Gibson Dunn. And our theme song,

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<v Speaker 1>The One Who's Holding the Stars, is performed by Alexis

0:31:23.270 --> 0:31:28.070
<v Speaker 1>Quadrato at the Plaza Rojas Studio. Vocals by Rob Reddy

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<v Speaker 1>of Californicorns. written by Leah Schofield and Kevin Herrick at

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<v Speaker 1>the Florida Department of Corrections Hardy Correctional Facility. If you

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<v Speaker 1>have any information to share about the events covered in

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<v Speaker 1>this series, please call 1-888-257-7694. Huge thanks to Julia Cowley,

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<v Speaker 1>who hosts the excellent podcast, The Consult, Real FBI Profilers.

0:31:58.650 --> 0:32:03.000
<v Speaker 1>which covers crimes from the perspective of behavioral analysis. If

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<v Speaker 1>you found her interview as interesting as we did, please

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<v Speaker 1>check out her show.