1 00:00:00,080 --> 00:00:03,240 Speaker 1: I'm Bradley Johnson with one eight hundred duy away. Not 2 00:00:03,440 --> 00:00:06,800 Speaker 1: getting behind the wheel after drinking is the best choice, 3 00:00:07,080 --> 00:00:09,840 Speaker 1: but if you're pulled over, the next best choice it's 4 00:00:09,880 --> 00:00:20,680 Speaker 1: to call one eight hundred duy away the twenty five. Hello, Hi, 5 00:00:20,760 --> 00:00:24,479 Speaker 1: can I speak to Thomas please? This is him? Oh wonderful. 6 00:00:24,560 --> 00:00:27,160 Speaker 1: Hi Thomas. My name is Carson, And guess what I'm 7 00:00:27,200 --> 00:00:29,640 Speaker 1: going to be your waiter for the big night tonight? 8 00:00:30,320 --> 00:00:35,040 Speaker 1: Oh hey, hey, hey, uh great? Uh? So do you 9 00:00:35,080 --> 00:00:37,800 Speaker 1: get the details or you need me to go over 10 00:00:37,840 --> 00:00:39,600 Speaker 1: this with you? Yes? I did. I talked to my 11 00:00:39,640 --> 00:00:43,320 Speaker 1: boss Paul, who I think you've been speaking to, right, Yeah, 12 00:00:43,360 --> 00:00:45,360 Speaker 1: and he told me all about your plan to pop 13 00:00:45,400 --> 00:00:47,320 Speaker 1: the question. And I want you to know that I 14 00:00:47,360 --> 00:00:49,240 Speaker 1: take this very seriously and I could not be more 15 00:00:49,320 --> 00:00:54,080 Speaker 1: honored to be trusted with this special event. Yeah great, Paul, 16 00:00:54,360 --> 00:00:56,960 Speaker 1: Uh he did. I didn't really choose you. Paul just 17 00:00:57,000 --> 00:00:58,680 Speaker 1: said that you had been working there the longest, so 18 00:00:59,000 --> 00:01:02,240 Speaker 1: I thought you'd be the most serious. Well, well, either way, 19 00:01:02,720 --> 00:01:07,600 Speaker 1: thank you for entrusting me, sir. Sure, so let's get 20 00:01:07,640 --> 00:01:09,520 Speaker 1: to the plan here, so we're on the same page. 21 00:01:09,680 --> 00:01:11,640 Speaker 1: That sounds great to me. I've got my notes in 22 00:01:11,680 --> 00:01:13,720 Speaker 1: front of me, So let's just make sure that everything 23 00:01:13,760 --> 00:01:16,280 Speaker 1: matches up. Okay. So I just want you to know, 24 00:01:16,400 --> 00:01:19,920 Speaker 1: like I'm kind of nervous about this. You know, I 25 00:01:20,000 --> 00:01:22,240 Speaker 1: want this to this, so you like you like a 26 00:01:22,280 --> 00:01:27,280 Speaker 1: massage before? Uh No, No, that's not We're just coming 27 00:01:27,280 --> 00:01:29,319 Speaker 1: for dinner and right right, I'm just saying because you 28 00:01:29,319 --> 00:01:32,000 Speaker 1: know that calms my nerves. So when you guys get there, 29 00:01:32,080 --> 00:01:33,360 Speaker 1: you could leave to go to the bathroom and I 30 00:01:33,400 --> 00:01:36,040 Speaker 1: could give you a massage real quick, kind of just 31 00:01:36,160 --> 00:01:39,840 Speaker 1: a ten minute one if that would help. No, No, 32 00:01:40,319 --> 00:01:41,960 Speaker 1: here's here's the plan. So you don't have to get 33 00:01:42,040 --> 00:01:44,440 Speaker 1: naked or anything. It's just over the close kind of 34 00:01:44,440 --> 00:01:48,480 Speaker 1: shoulder massage. No, that's definitely not gonna happen. Uh. We 35 00:01:48,480 --> 00:01:50,400 Speaker 1: We're just gonna come for dinner and as soon as 36 00:01:50,400 --> 00:01:55,720 Speaker 1: we come in, once we're seated, that's when I want 37 00:01:55,760 --> 00:01:57,960 Speaker 1: you guys to come out with it. Does six six 38 00:01:58,000 --> 00:02:04,600 Speaker 1: white six white lilies? Uh no, A dozen red roses? 39 00:02:04,760 --> 00:02:08,639 Speaker 1: I have six white lilies here on my notes. Oh no, no, 40 00:02:09,560 --> 00:02:11,359 Speaker 1: you have a pen. You can cross it out. Well, 41 00:02:11,360 --> 00:02:14,600 Speaker 1: I cannot be dozen red roses? Should I really? Should? 42 00:02:14,639 --> 00:02:17,000 Speaker 1: I really cross that out though, because six white lilies 43 00:02:17,040 --> 00:02:20,519 Speaker 1: would be very classy. I think it. See that that's 44 00:02:20,560 --> 00:02:22,920 Speaker 1: not her favorite. Her favorite is a dozen red ros 45 00:02:23,080 --> 00:02:26,560 Speaker 1: Trust me on this. She's my girlfriend, I know her. Okay, 46 00:02:28,000 --> 00:02:30,360 Speaker 1: sure I could do that. I guess. I thought we 47 00:02:30,360 --> 00:02:32,320 Speaker 1: were gonna make this a special occasion. But if you 48 00:02:32,400 --> 00:02:36,000 Speaker 1: want to be pretty pedestrian about it, then sure. Yeah. Yeah, 49 00:02:36,440 --> 00:02:38,680 Speaker 1: well that's what she wants, I know. Is that what 50 00:02:38,680 --> 00:02:41,040 Speaker 1: she wants or what you want? No, that's what she 51 00:02:41,080 --> 00:02:43,600 Speaker 1: wants to trust me, all right, So moving on dozen 52 00:02:43,680 --> 00:02:46,760 Speaker 1: red roses from there, No lilies. I'll make sure to 53 00:02:46,760 --> 00:02:51,080 Speaker 1: point it out for you know, lilies, yes please. So 54 00:02:51,400 --> 00:02:54,280 Speaker 1: after we order the meal, that's when you'll send out 55 00:02:54,320 --> 00:02:56,320 Speaker 1: the violin player. Yeah. I wanted to talk to you 56 00:02:56,360 --> 00:02:59,240 Speaker 1: about that one too. I was thinking an accordion would 57 00:02:59,560 --> 00:03:02,000 Speaker 1: fit the setting better. And you know, this is a 58 00:03:02,000 --> 00:03:03,960 Speaker 1: big day for all of us, so I want to 59 00:03:03,960 --> 00:03:06,720 Speaker 1: make sure that we get the most out. Hey, excuse me. 60 00:03:06,960 --> 00:03:08,799 Speaker 1: This isn't a big day for all of us. It's 61 00:03:09,040 --> 00:03:12,120 Speaker 1: just a big day for me and my girlfriend. Oh sure, okay, 62 00:03:12,160 --> 00:03:14,399 Speaker 1: I'm just the one serving the meal and making sure 63 00:03:14,440 --> 00:03:16,799 Speaker 1: everything goes off without a hitch. Yeah, no big deal 64 00:03:16,840 --> 00:03:19,639 Speaker 1: for me. What's your deal, man? Are you having a 65 00:03:19,680 --> 00:03:21,920 Speaker 1: bad day or something? Well, I'm just trying to go 66 00:03:21,960 --> 00:03:24,320 Speaker 1: through these pointers with you. I just want to make 67 00:03:24,360 --> 00:03:26,520 Speaker 1: sure that everything's right and perfect. Well. I was having 68 00:03:26,560 --> 00:03:28,679 Speaker 1: a great day, especially when I found out that I 69 00:03:28,760 --> 00:03:30,800 Speaker 1: get to be the waiter when you get engaged to night, 70 00:03:31,000 --> 00:03:33,640 Speaker 1: and now I'm starting a half kind of a day. 71 00:03:33,919 --> 00:03:36,560 Speaker 1: Do I need to talk to Paul about this about 72 00:03:36,560 --> 00:03:38,800 Speaker 1: getting another waiter? Or are you going to be able 73 00:03:38,840 --> 00:03:40,480 Speaker 1: to handle this? I think you can talk to me 74 00:03:40,520 --> 00:03:42,840 Speaker 1: about it since I'm the one that you've trusted to 75 00:03:42,880 --> 00:03:45,440 Speaker 1: handle this event. Yes, but I mean, I guess my 76 00:03:45,480 --> 00:03:48,560 Speaker 1: feelings don't matter. Yeah, they don't matter in this case 77 00:03:48,600 --> 00:03:52,920 Speaker 1: at all. And I hope that you just drop the attitude. Okay, 78 00:03:53,000 --> 00:03:54,720 Speaker 1: got it. I guess I'll take that note down to 79 00:03:55,040 --> 00:04:00,920 Speaker 1: no white lilies, violin player, drop the attitude? Sure, drop? Okay, 80 00:04:01,040 --> 00:04:04,280 Speaker 1: it's dropped. Then I guess you're in charge old letters. 81 00:04:04,680 --> 00:04:08,800 Speaker 1: Uh huh, okay, got right. No, I'm even I'm having 82 00:04:08,840 --> 00:04:11,760 Speaker 1: second thoughts about even having this year. Are you ready 83 00:04:11,760 --> 00:04:13,720 Speaker 1: to move on? Are you ready to handle this? Look? Okay, 84 00:04:13,760 --> 00:04:15,840 Speaker 1: I'm sorry. I apologize that lasht out. I want you 85 00:04:15,880 --> 00:04:19,080 Speaker 1: to have the engagement here, I'm just really excited about 86 00:04:19,120 --> 00:04:21,000 Speaker 1: it and I want to do the best possible job. 87 00:04:21,040 --> 00:04:23,280 Speaker 1: So yes, I'm ready to move on. So here's the 88 00:04:23,360 --> 00:04:26,440 Speaker 1: last thing. You ready for this? Yes, I am write 89 00:04:26,440 --> 00:04:31,719 Speaker 1: this down all right. After the meal, I'm going to 90 00:04:31,760 --> 00:04:35,719 Speaker 1: get down on one knee. And that's when I yell surprise. No, 91 00:04:36,320 --> 00:04:39,640 Speaker 1: you yelled nothing. Well, I figured don't say anything. I'm 92 00:04:39,680 --> 00:04:42,960 Speaker 1: just letting you know. After the meal, that's when I 93 00:04:42,960 --> 00:04:44,880 Speaker 1: get on one knee. That's when you leave me. Next, 94 00:04:44,920 --> 00:04:47,360 Speaker 1: when I've come in there and I yell surprise, you're 95 00:04:47,360 --> 00:04:51,040 Speaker 1: getting engaged. You don't do anything. Why I want to 96 00:04:51,080 --> 00:04:53,800 Speaker 1: be alone for this this moment. I don't need you 97 00:04:53,920 --> 00:04:55,919 Speaker 1: to help me. Okay, Well that's a little bit selfish, 98 00:04:56,040 --> 00:04:59,120 Speaker 1: don't you think, Yes, I know it's my engagement. Well 99 00:04:59,200 --> 00:05:00,920 Speaker 1: don't you think. Okay, if you get down one knee, 100 00:05:00,960 --> 00:05:02,600 Speaker 1: she's gonna know that you're gonna propose. It's better if 101 00:05:02,600 --> 00:05:05,000 Speaker 1: somebody else comes in and yell surprise. If I'm get 102 00:05:05,000 --> 00:05:07,799 Speaker 1: down on one knee, she knows what's happenings. Birthday party. 103 00:05:07,920 --> 00:05:09,800 Speaker 1: Oh you know what? Okay, fine, I don't want to 104 00:05:09,839 --> 00:05:12,359 Speaker 1: do this, you know what, that's actually the best news 105 00:05:12,360 --> 00:05:14,960 Speaker 1: I heard all day that you're going to be a 106 00:05:14,960 --> 00:05:17,680 Speaker 1: part of my Well, I am going to be a 107 00:05:17,720 --> 00:05:19,680 Speaker 1: part of this prank phone call though. No matter what, 108 00:05:20,200 --> 00:05:22,520 Speaker 1: you can't stop that. You can't take that from me. 109 00:05:23,200 --> 00:05:26,000 Speaker 1: What are you talking about? Well, it's simple, Okay, this 110 00:05:26,080 --> 00:05:28,159 Speaker 1: is actually Jewel from Brook and Jewel in the morning 111 00:05:28,160 --> 00:05:30,200 Speaker 1: doing a phone tap on you and your friend Bill 112 00:05:30,240 --> 00:05:33,640 Speaker 1: set you up. Are you kidding me? No, your buddy 113 00:05:33,680 --> 00:05:35,440 Speaker 1: emailed me and told me that you were really nervous 114 00:05:35,440 --> 00:05:38,080 Speaker 1: about popping the question and he wanted to mess with you. 115 00:05:40,200 --> 00:05:43,280 Speaker 1: So I think everything's good for tonight. As long as 116 00:05:43,279 --> 00:05:47,000 Speaker 1: I'm not your waiter, you're probably fine. Well, you had 117 00:05:47,080 --> 00:05:50,200 Speaker 1: me scared, that's with the no white lilies thing. I'm 118 00:05:50,240 --> 00:05:54,480 Speaker 1: nervous now. Oh god, I'm so glad that that's not true. 119 00:05:54,880 --> 00:05:58,599 Speaker 1: Congratulations on your engagement. I hope it goes well, even 120 00:05:58,600 --> 00:06:03,760 Speaker 1: though I know it's gonna suck. Wake up every morning 121 00:06:03,760 --> 00:06:06,920 Speaker 1: with jubile phone taps weekday mornings on the twenties, Holy 122 00:06:07,080 --> 00:06:08,719 Speaker 1: on removing ninety two point five